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Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. < Back What Will Be: Slow Down Erica Machen Nov 3, 2023 Share Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. In the world of alternative rock, where raw emotion and edginess often take center stage, ' Slow Down ' by five-piece UK-based band What Will Be —due for release November 3rd —stands out as a refreshing departure. Strongly influenced by the sound of the 90s, ' Slow Down ' evokes a sense of nostalgia reminiscent of bands like Incubus and Hoobastank . For those who turn to alternative rock and grunge-era music as a source of solace, ' Slow Down ' not only captures the essence of the past but infuses it with positive vibes that resonate deeply and makes it a must-listen in challenging times. Released November 3, 2023 What Will Be is made up of Bram (guitar/vocals), Jonny (guitar), James (bass/vocals), JK (drums/vocals), and Chris (keyboard/piano). Bram doubles down his talent by being the band’s primary songwriter with lyrics inspired by his own life and observations. With his acoustic guitar in hand, Bram became a vessel for inspiration in weaving early lyrics and melodies together for ' Slow Down '. Upon bringing it to the rest of the guys at their purpose-built studio in Manchester , the true awakening happened. Organically, JK and James worked up the rhythm section, Bram added more layers with the guitar, and Chris wove in his piano melodies and strings. What they so naturally produced with ' Slow Down ' is a testament to the beauty of human creativity. Credit: Photo provided by band ' Slow Down ' has profound relevance in our post-pandemic world, where feelings of isolation have become all too common. While it was originally penned to convey the struggle against illness and the missed opportunities to connect with loved ones, its message touches the hearts of anyone who has felt the burden of isolation. The song invites you to embrace your support networks and acknowledge those who stood by you during your most vulnerable moments. https://www.youtube.com/watch?v=fQD9Tu0cG8U The official music video for 'Slow Down' by What Will Be One of the noteworthy characteristics of ' Slow Down ' is its compelling vocal performance . Bram pours raw emotion into his lyrics, highlighting the authenticity and heartfelt journey through pain, healing, and ultimately, resilience. The lyrics, with the recurring phrase " feel time slow down ," carry a powerful message. This line resonates with anyone who has experienced moments when life seems to come to a standstill, and yet, it also celebrates the rare instances when time aligns remarkably with our needs . With ' Slow Down ', What Will Be has achieved a fantastic ability to address complex emotions and responses to life's challenges while offering listeners a sense of understanding and shared experience— a must-listen in challenging times. In a world still struck with the aftermath of the global pandemic, What Will Be’s ' Slow Down ' serves as a poignant reminder that there's strength to be found in our connections and resilience in the face of life's challenges . The song's fusion of raw emotions, energy and positivity offers a ray of hope, and underscores the enduring spirit of the human experience. ' Slow Down ' is more than just a song; it's a testament to the healing power of music and a call to embrace the journey of resilience, no matter where you are in life. In capturing the essence of the past alongside deep human emotion, ' Slow Down ' showcases the boundless wellspring of talent within What Will Be and surely makes it a must-listen track. To learn more about What Will Be: Facebook: Facebook - What Will Be Twitter: Profile / Twitter Spotify: Slow Down - Spotify - What Will Be Apple Music: Apple Music - Slow Down - What Will Be YouTube: YouTube - What Will Be Instagram: Instagram - What Will Be www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Nekrotronic Ezekiel Kincaid Share Jul 10, 2023 Nekrotronic is a fantastic sci-fi/horror mashup that fans of B movies will love I know, you’ve probably never read a movie review in your life that starts out like this, but I’m drawn to demonic movies. I can’t help it. Welcome to my world, folks. It’s a grand universe where things are always colliding in a weird way. So, yes, I’m drawn to demonic movies like flies are drawn to shit. Wait, that might not be the best analogy because the movie I’m talking about is anything but a big heaping pile of dung—although it does have to do with poop, sort of. You’ll see. The installment for this round of What the Hell Did I Just Watch is Nekrotronic (2018), and it’s a fun one. Directed by Kiah Roache-Turner ( Wyrmwood , 2014), this Australian-based movie explores the demonic, demon possession, and the danger of our dumb-ass society constantly staring at their phones. It stars Ben O’Toole ( Hacksaw Ridge, Bloody Hell ) and Monica Bellucci ( The Matrix Reloaded, The Matrix Revolutions ). They’re probably the only ones in this movie you’ve ever heard of, as the rest of the cast is made up of low-budget heroes. Onto the plot! The story follows Howard North (O’Toole) and his sidekick/work bestie Rang (Epine Bob Savea, of Hibiscus & Ruthless ). The two work for a sewage maintenance company where, while on the job, North finds out his true calling in life: to become a demon killer. Yep, amidst his daily shit-slinging adventures, a demon outbreak happens, and Howard North finds out why he was put on this planet. IMDB still During the encounter, North and Rang are rescued by a father/daughter(s) team called necromancers, or in layman's terms, demon ass kickers. North finds out he’s the chosen one and joins the team. Sounds like your typical demon apocalypse movie, right? Wrong! There’s more to the story so try to keep up, will ya? To prevent this movie from being another run-of-the-mill possession movie that falls into the B-movie abyss, we have a little twist. The demon possession takes place through the internet—more specifically, a phone app. Yeah, you heard me right. Our villainess, CEO of the evil company trying to possess people, is Finnegan (Bellucci), and she is the one leading things. Her company has developed these internet box things, which have been installed all across the city and are used in conjunction with the app to possess people. IMDB still I’m not going to spoil how the demons possess people, nor will I disclose how they even discover such a thing is possible, but I will encourage you to be ready. It’s not believable … well, I mean it could be for some people, like children, but I digress. In typical B-movie fashion, some stuff takes place without zero explanation that leaves you with some WTF moments, all of which I love! There’s even an exploding goat! The movie has some great, gooey gross-out scenes and some decent gore, the interaction of the characters is great, and the movie is full of awkward and sarcastic humor that I found hilarious. Overall, Nekrotronic is a fantastic sci-fi/horror mashup fans of B movies will love. Rating: Zeke gives it 4.5 out of 5 exploding goats. Places to watch: Amazon Prime https://www.youtube.com/watch?v=Gj2YypZFkfs Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. < Back Perry A: Just Two Guys Making Music Keeley Brooks & Nicole Brice Dec 6, 2023 Share Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Gen Xers (like me and Nicole) love to hear modern music reminiscent of one of the best decades for music: the 90s . It was a turning point in music history, seeing the emergence of new genres like industrial, grunge, emo, and alternative rock that were eventually overshadowed by technology. Enter Perry A, a southern-based, two-man band working to combine the best of the best of the 90s in their upcoming EP “OK Wait”. Perry A is an indie-rock duo out of New Orleans, Louisiana, who brings to mind bands like Cracker and The Screaming Trees, except their music is of a darker sound and is heavily politically inspired. Perry A is comprised of “two neighbors in a home studio" making music, and they are C.G. Smith (acoustic guitar, drum programming, bass, synth, and vocals) and J. Pitre (lead guitar, harmonica, and creepy vocals). It’s been a busy year writing, recording, and releasing for Perry A, who have been working on their forthcoming EP “OK Wait”. May 2023 saw the release of their first single, “ Opinion ”, and the guys recently released their second single, "Fiction". “Opinion” is a mellow alt-rock tune with explosive choruses and just the right amount of fuzz, also featuring a lot of political opinion. “Fiction” is darker in tone and stands out due to its bad-ass harmonica playing paired with Pitre’s creepy vocals. Their third single, “Sorrowful Days”, releases at the end of this year. Mixed Alternative had a chance to rap with Perry A about their inception, what influences their sound, and what kind of mirages appear on their horizon. Check out our conversation below--these guys are super fun! MaM : Guys, thanks for talking with us today; it’s nice to have you. Would you tell us a little about the inspiration behind Perry A and how the name developed. CGS : Well, when my wife and I moved back Uptown from the Irish Channel in February 2022, we moved to a place on Perrier St. Shortly after moving in and getting my humble Hearwaxx Studio set up there, I met my neighbor, JP, and we hit it off over both being songwriters. JP & CG (credit: Chad Besse) The name is part genius and part lazy. I’d heard people pronounce the street we live on like ‘carrier’ (and also like the sparkling water), so I said we should call our little project Perry A. (laughter) We’ve also kicked around the idea of a mysterious figure who seems to be involved in the inner workings of politics being called Perry A, but right now it’s just a play on the street we live on. There’s actually a song with the title ‘Perry A’ that is going to be amazing when we get it done, but that will probably be on the second release. I originally envisioned [it] as something like the ‘Dessert Sessions’ albums, where Queens of the Stone Age leader Josh Homme had a rotating cast of musicians and friends come make music, but baby steps! JP : [Our band name] is simple, not profound as far as I know. Band names are fun though. There are bands like Oasis and Hootie and the Blowfish. Where did those names come from? Who is Hootie? If you know, please tell me! MaM : Perry A just saw its second release with “Fiction" from your forthcoming EP “OK Wait”. Give us some insight on both. CGS : The first [release] from ‘OK Wait’ was a song called ‘Opinion’ that we released back in May of 2023. [It] was music that JP wrote, and I put lyrics and vocals to. [It holds a lot of our political opinion]. ‘Fiction’ is a song I had been working on for a while and it finally culminated once Perry A was born. It has lyrical themes of the separation of Americans since MAGA, as well as the use of religion to drive wedges instead of bringing people together. JP’s solos are madness and I love it. He also did the harmonica and most of the creepy voices in the track. Click image to listen to "Fiction" by Perry A. ‘OK Wait’ was originally an inside joke. JP says it all the time when we are working on playing/arranging a new song, but it also seems like a fitting phrase for political change in this country to me. There will be a track on the album with that title as well. MaM : When do you plan to release “OK Wait”? CGS : Good question. … It’s really tough to get much done with the limited time we both have, but I’m learning more and more about being a producer. I record, mix, and master everything myself and it can be slow-going, [but] we HOPE to have the Perry A ‘OK Wait’ EP out in early 2024. MaM : Talk a little about doing everything yourself. How has having your own studio to do all this in changed your process as a recording musician? CGS : Well, it’s nice to have everything in my house, but again, JP and I both have a 9-to-5 and family, so just because the studio is right there doesn’t mean we are working on music 24/7. … I honestly had given up making music for a long time—well over a decade—but during the [lockdown] in the height of the pandemic in 2020, I dusted off my acoustic and wrote songs. Then I decided to record an album. credit: Chad Besse I ended up getting some affordable mics, a budget interface, and software and watched a lot of YouTube videos to teach myself how to produce. I’m still learning every time I sit down at my workstation. I’m sure there are glaring errors that pros can pick apart in my productions still, but I’m getting better! Overall, it is nice to have the space set up in my home, and JP right next door, but there is never enough time in a day, or week, or year when you have other responsibilities. (laughter) MaM : What are y’all’s instruments, and what are your favorites to play? CGS : I play guitar, sing, and dabble in keyboards and synths. I’m learning bass, and I am getting better at programming drums since we don’t have a real drummer. Oh, I also have an old, used Boomba (look it up) that was my wife’s grandmother’s. … That was fun to play around with. My favorite will probably always be acoustic guitar just because that’s what I’ve known for so long. JP : I play mostly guitar and bass. I do keys and vocals. I like to do falsetto and baritone on recordings. I like to add layers of vocals and guitar parts and keys and make harmonies and blend everything together to create a soundscape. I would say I don’t have a favorite instrument. My favorite thing is to create and just keep creating. It’s all about patterns and unpredictable ideas. I don’t always adhere to the typical song structure you hear in most music. credit: Chad Besse MaM : What inspires you guys musically? CGS : (in a Jack Black voice) The search for inspirado! (laughter) I’m inspired by many things. Life is full of inspiration if you just take the time to see it. I’d say for Perry A, the inspiration has definitely come from watching the GOP and MAGA traitors attempting to destroy the progress America has made over the years. My wife, my friends, and my family all inspire me to be a better person every day. JP : What inspires me musically? Well, usually it’s the pain of life. Some of the songs I’ve written come from tragic experiences. Music is something I don’t always care about, to be honest. I sometimes feel like my motive is to use music to heal pain. Being human isn’t easy for anyone. I don’t care who you are or what your social media looks like, we all wear masks, and everyone is a little crazy. Some people are just not interested in exploring the darker aspects of human nature. I think it’s important to make art and be authentic. MaM : Any live performances on the horizon? CGS : Ha! JP keeps saying we need to do more practicing and get an acoustic three-song set so we can go do open mics, but I’ve always been much more comfortable in a studio setting than live on a stage. … Right now, it is just a home-studio-production type of outlet for us. JP : We may never play live and that’s ok. I think we are like those old guys who are trapped in a different era. I love the 90s. Music today is all the same to me. Lady Gaga, Adele, Ed Sheeran, and Billy eyelids. If we play live, I pray we don’t f*ck up. I know CG will be mortified, and I will be mortified about him feeling those powerful emotions. I don’t really know how much people care about music these days. It’s 2023. What do people want? They wanna stare at the phone and watch YouTube or porn. Why would they care about Perry A? I wouldn’t mind playing live, but I enjoy just the process of creating music. Music is the way we decorate time. See, that’s deep. But how could anyone ever appreciate the music if they’re too busy watching Nikki Minaj twerk and say stuff about her WAP? credit: Chad Besse MaM : Last question: What are you guys watching at the moment? CGS : I’m currently obsessed with Kane Pixels’ Backrooms . They are a collection of fictional YouTube short videos that delve into anomalies brought on by a corporation’s scientific experiment gone wrong. This kid was 16 when he wrote and produced these amazing videos, and he is now making a movie with A24 based on them. Besides that, my wife and I are currently enjoying watching new seasons of Apple TV’s The Morning Show , Netflix’s Sex Education , and our guilty pleasure CBS’ (formerly MTV’s) The Challenge , although more and more of our long-time favorite competitors are retiring and these new challengers just aren’t the same. (chuckles) JP : I like Black Mirror . I’ve watched a lot of episodes. I really enjoy the tension and nightmare scenarios the characters wind up in. Have you ever gone to Canal Place? You know that parking garage? It has an exit that winds over and over like you’re going in circles. I imagine that happening forever and that’s what hell is probably like. Or maybe hearing Tiny Tim sing the same song over and over forever. Black Mirror is sort of like that kind terror—the terror you can’t escape from. I also like that show 90-Day Fiancé . That is disturbing and suspenseful as well. And there you have it, folks. Just two guys in a home studio making music, doing the best they can with “limited knowledge of production techniques,” hoping “people like the songs, even with their technical shortcomings.” Check out Perry A’s singles, “Opinion” and “Fiction”, at any of their links below, and be sure to catch their newest single, “Sorrowful Days”, when it drops at the end of the month! For all things Perry A: Perry A Online Perry A | Instagram Perry A | Bandcamp Perry A | Spotify Perry A | Apple Music Perry A | Soundcloud *cover photo credit: Chad Besse cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Aeternum Vale is heavy, ruthless, and unapologetically Southern. < Back Reviews on the Real: From Misery to Malice Bids Farewell with Ferocity on Aeternum Vale EP Nicole Brice Jun 30, 2025 Share Aeternum Vale is heavy, ruthless, and unapologetically Southern. Let me begin this review by expressing how refreshing it is to discover the music of From Misery to Malice , a Louisiana-based Deathcore and Death Metal band. Since they are the only band with their name, I don’t have to sift through ten other bands with the same name; there is a direct path to their music. Released on June 27, 2025, Aeternum Vale is an expertly crafted EP filled with layered sounds, making it difficult to categorize truly. It’s heavy, ruthless, and unapologetically Southern, and it’s best heard loud. Released June 27, 2025 The EP features two previously released singles from 2023 and 2024 , along with several new tracks. How would I describe the sound of From Misery to Malice? It’s brutal and unrelenting, blending punishing breakdowns, guttural vocals, and atmospheric elements that tap into the darker corners of human emotion. It’s real and embodies the chaos and aggression of classic deathcore while infusing modern influences that keep their sound fresh and hard-hitting. At its core, it's just good. There is something for everyone with this offering, so let's dive in. Circle of Death – thematic opening with piano that builds to a thunderous sound where a harpsichord is heard faintly in the background until the track just explodes. It’s got groove, it’s got heavy vocals, and you’ll find yourself nodding your head in unison with the groove. Great track. Strangers – the guitar opening on this one is incredible and then the song just starts rolling with this sludgy and heavy abyss of sounds. It’s dark, and it’s just good. Terraform – the drums that open this track are fierce, and then it just rolls, and never stops. I think this is my favorite track on the EP because it’s got so many layers to it with guitar breakdowns, etc. Skin of Glass – there is no thematic opening with this one – solid deathcore all the way through A Wilted Waltz – previously released in 2024 – this track is a great introduction to the music of From Misery to Malice because it defines their sound perfectly Is this Limbo … - released in 2023 – cinematic is the best way I could describe this song. It would make an excellent backing track for a horror film. It’s just intense. I rate this EP a perfect 10/10 for its artistic vision, diversity, and expression. It's an outstanding EP that captivates your attention from start to finish. No song feels boring; each one is distinctly different from the last. Be sure to stream Aeternum Vale now on your favorite platform! https://www.youtube.com/watch?v=m61YgDFF0Wk Aeternum Vale on YouTube To learn more about From Misery to Malice: Spotify: From Misery to Malice | Spotify Apple Music: ‎From Misery to Malice - Apple Music Facebook: Facebook Instagram: From Misery to Malice (@fmtmband) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. < Back Off the Charts: Jim Parker’s Songwriter Series Bud Gambrell May 13, 2024 Share The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Hello all! Welcome back to Off The Charts! The Von Braun Center in Huntsville, AL, hosts a monthly music event called Jim Parker’s Songwriter Series . Jim Parker, a Huntsville favorite, hosts this exclusive event. May’s edition of the Songwriter Series saw the event moving from its usual location of the VBC Playhouse to Mars Music Hall, also located in the VBC. I saw this as a unique opportunity to introduce you, the reader, to this intimate listening room-type event and maybe a couple of songwriters you may not be familiar with. For those unfamiliar with Jim Parker , Jim came to the North Alabama area from Nashville, Tennessee, and has been a songwriter for over 50 years. Having co-written songs with many award-winning artists, Jim's journey is the heart of the Songwriter Series. He began the Series in 1985, showcasing hit songwriters from Nashville, Muscle Shoals, Atlanta, Canada, and other surrounding areas. My journey with Jim Parker began in 1985 while working at a local television station. Jim would often drop by for interviews to promote the Songwriter Series. Over the years, our paths have crossed numerous times, and I have even had the honor of photographing the series on two occasions. This personal connection has allowed me to understand the event and its significance better. Before this most recent May 10, 2024, showcase, I pulled Jim aside and got some insight into this entertaining event. Take a moment to read more below. OTC : Jim, tell me about the origins of the songwriter series. JP : Well, I came from Nashville. I moved to Nashville in 1975, played all the listening rooms there, and wrote songs with Jon Anderson and other fine songwriters. Then, after getting off the road with Dave and Sugar , I moved here because we were raising the family, and I wanted to get off the road. So, my wife got me into real estate in Nashville. I got my license in 1979. We started having babies, and she was out there selling real estate with the baby on her chest, and it wasn't working out too well. So, I just had to take over, thinking that was a trick. I think she tricked me. After being in Madison, AL, from 85 to 87, I was standing before my beautiful wife, weeping like a child because I was not fulfilled by what I was doing. It was a business. And it is emotional, but it's not that creative. I can write a creative contract, but that's not like writing a creative song. She said, well, take some time off. I took two months off and regurgitated everything that was built up, and I told her that I would start my songwriting career here in beautiful Alabama. Then I was playing at the Bluebird in Nashville, and it just happened that Steve Maples, who runs this complex, was there with his son-in-law, who was also a songwriter. And I mentioned I'm looking for a home in Madison, AL. He approached me and said you ought to come and check me out. Let's talk about bringing it to the Von Braun Center. It took me a few days to get around to it because every day you take off from real estate, you're behind two or three days. So, I caught up with him, and he said, bring it here. That was 19 years ago, and we're still doing it. And we're very pleased with what's happening. I have some of the most exceptional songwriters in the world and some of the best songs you could ever hear on the radio. They're just too good! Credit: Bud Gambrell OTC : Why do you do it? JP : Well, it's a genetic disorder, and it's terminal. Creativity is a weird thing. You do it because you cannot keep from doing it, and it's a constant conflict because you may be having a conversation, and somebody says something, and you want to write it down, so you have to excuse yourself. I had a furniture guy who was trying to sell me a sofa. I said, “Man, that's expensive. You wouldn't cheat me, would you?” He said “No, man, I'll cheat you right.” I say, “Excuse me a minute.” I had to go write that down. So that's kind of how it happens. And I do it because the only cure for this disease is more of it. I can't visualize my life without music. Credit: Bud Gambrell OTC : What are you trying to accomplish? JP : I've already accomplished everything. I've recorded with an orchestra, I've got a song cut by Mark O'Connor, who's brilliant, and I have a bunch of cuts by Billy Droze. We're doing a country record for him now, and I can't tell you who's producing it, but it's a big producer. I've accomplished everything and written hundreds and hundreds of great songs, which've been cut by many great people. John Anderson cut Chicken Truck in 1980. I’ve been writing to him, and we wrote to him about two months ago. So, it's just a process. I must keep doing it. Credit: Bud Gambrell OTC : Tell me about tonight. JP : We're here at the Mars Music Hall. I've got Brent Moyer, Tim Styles, and Bob Tobin. I met them down at the Frank Brown International Songwriter Festival. I've been doing that for about 15 years, and I just picked the guys I like to sit with who write good songs and tell good stories. In addition to chatting with Jim Parker, I was able to chat with one of the performers of the showase, Tim Styles , too. Check out our conversation below. OTC : Tell me a little bit about who Tim Styles is. TS : Well, I'm a singer-songwriter from New Mexico, but I've lived all over the country. The first time I went to Nashville, I was 14 years old, and so I've been running the roads ever since. I never did grow up. Credit: Bud Gambrell OTC : What does something like this, a singer-songwriter series, mean to you? TS : It means to me that people want to listen. I've spent so much of my time fighting crowds at bars. They don't want to listen, which is OK too. I know everyone wants to have a good time. But when songwriting is really my passion and when people are willing to sit and listen to stories, I get to delve into that part of myself. That's nice. It's the other side of being just an entertainer. You can be a storyteller. Credit: Bud Gambrell OTC : So, you consider yourself a modern-day troubadour. For someone who doesn't know what that means, tell me what you consider a modern-day Troubadour. TS : I'm a performing songwriter, another way to say it. I don't just write songs and sing. I like to perform my original music—like a Kristofferson kind of thing, you know. I can also perform my own music and put my own spin on it. OTC : So, you mentioned Kris Kristofferson . I'm assuming he's an influence on you. What are some of your other influences? TS : All the great singer-songwriters like Townes Van Zandt , Guy Clark , and even rock guys like Warren Zevon have been a huge influence on me. Just all the music you pick up along the way, but I always find myself returning to the singer-songwriters. To make the night special for the songwriters, Jim had local artist Don Howard design a caricature of each performer. The caricature of future performers may be produced and sold at shows. Credit: Bud Gambrell OTC : Jim, can you give me a sneak peek into future series? JP : Yeah, I'm doing a Trop rock show on August the 2nd, bringing in Bill Whyte , Darrell Clanton , and Brooke Graham . She's #4 on the Texas Rock Charts, so it's always great people. And in November, Billy Droze and Kentucky Blue will be here with me with his bluegrass band. He'll take the whole stage. OTC : Any other plans in the future for the songwriter series? JP : Sure, 2025, man! I'm working on it now. Yeah, we have dates. Y'all come and see us. You will not be disappointed, and it's a cheap date. Credit: Bud Gambrell If you enjoy the listening room-type experience where you hear the stories behind the songs, I highly recommend you stop by for any future Jim Parker’s Songwriter Series. Like Jim said, you will not be disappointed. Send me an email. Let me know what you think. Also, tell me about any performers you would like to see in future editions. Until next time, Keep your diamond down in the groove! Jim Parker Music Brent Moyer : https://brent-moyer.com/ Tim Styles : https://music.apple.com/us/artist/tim-styles/267070949 Bob Tobin : www.bobtobinmusic.com To reach Bud: Email : the_budgambrell@mixedaltmag.com Bud's sites : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Amazon: https://a.co/d/1CLA9Tz Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Chin Up, Kid” is a refreshing take on introspection, combining the emotional intensity of alt-rock with the edginess of 90’s punk and grunge. < Back alltheprettythings: A Soul-Baring Alt-Rock Anthem Erica Machen Nov 7, 2023 Share “Chin Up, Kid” is a refreshing take on introspection, combining the emotional intensity of alt-rock with the edginess of 90’s punk and grunge. alltheprettythings is keen on changing the way you look at rock music. This music supergroup out of Wilmington, N.C., has combined musicians from bands you might know to make music you wouldn’t expect. alltheprettythings features current, previous, and touring members of Alesana , Emarosa , He Is Legend , and Chiodos , and their newest single “Chin Up, Kid” is a bad-ass anthem of deep introspection set to release next week. "Chin Up, Kid" is a dynamic blend of alt rock, punk, and hard rock that digs deep into the emotional struggles of the heart and brain. The song is a refreshing take on introspection, offering a unique perspective as it portrays a conversation between the heart and the mind, and the lyrics are a beacon of hope and encouragement for those who find themselves trapped in a cycle of self-doubt and overthinking. The band's lineup is brimming with talent, featuring (from L to R in the cover photo) Will Sowers on bass, Tristan Matthew on guitar, Logan Tabor on lead vocals, Worth Weaver as the band's producer and guitarist, and drummer Jeremy Bryan. They bring with them diverse experiences, melding together in creation of an incredible and eclectic mix. “Chin Up, Kid” is an emotionally charged yet uplifting song with the depth of emo rock highlighting the heart's desire to help the mind navigate the challenges of life. This concept comes through in the lyrics, where the heart urges the mind to call for support and not succumb to the weight of overthinking—something to which we all can relate. What sets "Chin Up, Kid" apart is its ability to combine the emotional intensity of alt rock with the edginess of '90’s punk and grunge. It's a song that resonates with those who appreciate both the emotional and the rebellious sides of music. With remarkable depth and emotional power to their music, alltheprettythings shouldn’t go overlooked—they are easily one of the most exciting bands producing music today. The band saw very warm reception with their single “Teenage Lines” , which showcases lead singer Logan Tabor’s otherworldly range. While each track released by alltheprettythings is impactful in its own way, “Chin Up, Kid” serves as a powerful introduction to any new listeners and a must-listen for fans of alt rock, punk, and hard rock. Mixed Alternative had the chance to rap with Logan Tabor, who brought insight into the song's inspiration and the band's creative process. Here’s some of our conversation with him. Logan Tabor - photo provided by artist MaM : Logan, thanks so much for chatting with me today! Let's dive in with the upcoming release of "Chin Up, Kid". When I listened, I thought it was heavy but in all the right ways. Could you share the inspiration and what fans can expect? LT : ‘Chin Up, Kid’ is an interesting one for me. I don’t usually write this way. I've explained it to my bandmates and others as conversation between your heart and brain. The line, ‘If you love me, why don't you call me?’ sets the tone for the entire song. It's like your heart is trying to reel back your brain from what it’s caused, saying, ‘If you're struggling, why don't you reach out to me, and I can help.’ It's honest and has an uplifting element. I see it as a kind of pep talk. MaM : The way you've described it really comes through in the song. This brings me to a question I always like to ask: What comes first, the chicken or the egg? In other words, what comes first for you in your writing process: lyrics or instrumentals? LT : That's a big question, and I appreciate the big question! It's a bit of a mixed bag. I've got these books filled with lyrics I've been writing for about 20 years. Sometimes it's a single line, other times it's a hook, a full verse, or an entire song. But which one is the chicken, and which one is the egg? MaM : Let's go with the lyrics are the chicken. (laughter) LT : We do need to establish that. So, if we consider lyrics as the chicken, technically, the chicken came first. But it's not until it meets the egg, the instrumentals, that they truly come to life. The lyrics nor the instrumentals mean much on their own. I have these lyrics sitting around, and I know I want to do something great with them, but I can't until I have the right musical instrumental ideas … [which] often come from someone other than me, but sometimes I'm the guy … It’s more like the chicken and the egg coming together to create a new velociraptor. (more laughter) MaM : I'm curious about your bandmates and how ATPT formed. Can you share the story of how the band came together? LT : I've known Worth for a while from sharing bills in Wilmington. We were both playing in different bands. I was in Demona Waits, and he was in He is Legend. We crossed paths quite a bit, both locally and on the road. Later on, we ended up working at the same place just outside of Wilmington, selling guitar and amp parts for an online manufacturer. That's where we really got to know each other beyond occasionally sharing a bill. After I moved away and came back, I heard some stuff Worth and Tristan had recorded. I had wanted to sing over something like that for years. I'd been missing that vibe. I didn't know Tristan at all, but Worth did. They met while moving gear into a studio they'd be working in. Jeremy, who drums for Alesana and is now our drummer as well, and Will Sowers, who played bass for Emarosa and is now our bassist, were connections of Tristan and Worth. It's all a bit serendipitous, really. MaM : Your music incorporates a unique blend of sounds. Could you share some of the artists or bands that have influenced your music? LT : Are you open to me asking you what you hear? Then I can respond to that? MaM : Let's go for it! I'll try not to offend. I'm a child of the grunge era and was all about grunge, wallet chains, and Wet Seal. When I heard your music, it brought back that vibe. I picked up hints of Blink 182 and Deftones. But the first thing that struck me was the Christian alt-rock era. It's the power and emotion in ATPT's music. LT : I appreciate the comparison to Christian rock. Growing up in a musical family, I have immense respect for that genre. I'm not offended, although some might be. I'm not afraid of such comparisons. I grew up in church, playing music, running sound, and watching my parents direct choirs and contemporary music groups. And you're absolutely right: There was a wave of heavy, Christian-based music in the early 2000s. It provided an outlet for all of us. I understand the energy and praise-and-worship buildup in that style of music. Apart from that, I grew up listening to Blink 182's "Take Off Your Pants and Jacket" and "Enema of the State" and I love the Deftones. So, you're right on the money there. Beyond these influences, I have a deep admiration for Chris Cornell. I probably love that guy more than most people. Now, this throwback might freak people out more than the Christian rock comparison, but Genesis’ Peter Gabriel. I discussed this recently with Worth [as] we watched old 1980’s Peter Gabriel live concerts. I don’t understand why our generation doesn't connect with his music as strongly as the people from his generation did. I love artists like him, because, even at 70 years old, he has a more expansive imagination than most 11-year-olds. That's what kept him at the forefront of great songwriting, live performance, pyrotechnics, and all the theatrical elements of a great show. He stays a child at heart, and that inspires me to maintain my imagination. … Apart from Peter Gabriel, Chris Cornell is a significant influence, and my exposure to Schuylar Croom from He is Legend, whom I grew up with too; I see him often. If I'm honest, I've listened to everything he's ever done, even before his band was called He is Legend. All of his work has inspired me. He's one of the best songwriters in the heavy music genre. He excels in the studio and in songwriting. He's a great performer, and his entire band is great. MaM : Beyond music, do you have any other passions or creative outlets that drive your artistic expression? LT : Yeah, I professionally edit video and film. That’s a massive creative outlet for me. I do everything from editing to project management. It combines creativity with a structured and logistical approach. Occasionally, I get the opportunity to score a short film. Music and movies create sort of a Venn diagram. On a more global scale, there are very few industries larger than music and movies, except life and health insurance. Those are the two biggest things in demand at all times, and there's a reason for it. It's because it helps people. I just enjoy being a part of those things. MaM : What can we expect from ATPT in the near future? LT : 'Chin Up, Kid' (currently available for pre-save by clicking the image below) is the big thing coming up on November 15. [Following that, we’ll release more songs] roughly every six weeks until the album is complete. Including 'Chin Up, Kid', that will be seven songs. We're also working on something I'm pretty excited about: a cover of Garbage's 'Special'. The unique part is that it fits so seamlessly with the rest of our original music. It feels like it meshes with everything else we're doing. At times, it doesn't even feel like a cover. I didn't write it, but it goes so well with all the other stuff we're doing, especially in the way we're doing it. It may as well just be a part of the album. It's right there on par, and Garbage is f**king sick, dude. MaM : Anything else you'd like people to know? LT : Well, we all need to acknowledge that aliens are real. I feel like we've taken steps in that direction over the past couple of months. The only other thing I'd add is that you should play ‘Zelda: Tears of the Kingdom’. It'll make you a happier person. We can link up online and have a great time playing the game with strangers. And there you have it, folks. The future looks bright for alltheprettythings as they continue to explore new creative avenues and connect with their audience. “Chin Up, Kid” releases November 15, 2023. While you wait for it, read more about alltheprettythings at either the links below! alltheprettythings | Official Website alltheprettythings | LinkTree Erica Machen is a beast when it comes to consuming, reviewing, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. < Back Reviews on the Real: Phantum Sun’s Haunted by Disillusion Nicole Brice Mar 12, 2025 Share 'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. We all need a fresh musical journey from time to time, and today, I present the latest from a three-piece grunge band, Phantum Sun , from the Lafayette area of Louisiana . Phantum Sun 's aggressive and thunderous alt-rock sound is impossible to miss, and their dedication and commitment to their craft are truly admirable. Lead vocalist Nick Cline and his crew are constantly playing shows, never taking breaks, and their relentless work ethic makes them one of the hardest-working bands out there. Their newest EP, Haunted by Disillusion , released on February 21, 2025 , is a powerful music experience that I urge you to add to your playlist. Released February 21, 2025 It’s loud, it’s got fuzz, and each song is so different, in a good way. The versatility of Phantum Sun 's music, with no two songs sounding the same, not only keeps you engaged but also offers a unique experience with each track. The EP flows seamlessly , too, with each song offering something different, yet cohesive enough to feel like part of a larger, unbroken narrative. Lyrically, Haunted by Disillusion is a journey through the depths of human emotion. The EP delves into themes of internal struggle, personal reflection, and the disorientation of a changing world. Phantum Sun ’s introspective lyricism serves as the emotional anchor of this EP, inviting you to connect with the band on a deeper level. It's quite remarkable that Nick Cline , a young man in his early twenties, has experienced so much to draw influence from lyrically. Phantum Sun is Nick Cline (guitar/vocals), Alec Louviere (drums), and Drake Lasseigne (bass). Learn more about the band here in this article. Let’s dive into these tracks, shall we? Velvet Nights This is the opening track for the EP, and the song's beginning has a very “punk” vibe. As the song progresses and Nick says, “C’mon now, let’s take a drive,” the song kicks into high gear and reminds me of Wolfgang Van Halen meets good, solid punk rock. The breakdown at the end of the song is insane! Turn it up loud! Chains Chains starts as a typical alt-rock song, but around the 2:40 mark, it picks up the pace and ends on an impactful note. The jam session between the guys towards the song's end has so much energy. Great track. Drown This is a slower-paced tune, but it still has just as much energy and aggression as previous tracks. It is very enjoyable. Overall, Haunted by Disillusion is a solid release from Phantum Sun , showcasing their continual evolution as a band. This EP deserves repeated listens, revealing new layers with each play, and in my opinion, establishes Phantum Sun as an artist to watch. Haunted by Disillusion is out now on all streaming platforms. To learn more about Phantum Sun: Facebook Phantum Sun (@phantumsunband) • Instagram photos and videos Phantum Sun | Spotify ‎Phantum Sun - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alternative music will have a huge impact on 2025. < Back Nick's Corner: January 2025 Recs Nick Cline Jan 7, 2025 Share Alternative music will have a huge impact on 2025. Hello everyone! First, I would like to apologize for the lateness of this one. December and January are some of the craziest times of the year, as most of you can attest. But, besides that, welcome! Welcome to the first playlist picks for 2025. I want to thank all of y'all for the support you've been giving since I started at this magazine in June of last year. I am very grateful for all the opportunities and people I have met through this magazine, and I hope to continue meeting all of you beautiful people in the future. Okay, enough with the yapping. Let's get into it! 1 Black Gives Way to Blue by Alice In Chains Click to listen Deets about the track : First up on the chopping block is this beautiful song from 90s legends Alice in Chains . This song is from their 2009 album, Black Gives Way to Blue . It is the title track of the album that we will be discussing today. The song, ' Black Gives Way to Blue ', is a song that gets me through the harsh months of December and January. It is a tonal masterpiece that will leave chilling reminders of your triumphs, darkness, and lives ahead of you and the lives before now. It is perfect for that somber feeling of winter, and it can give you hope to push past the harshness of the past year into the greatness you will become in this new year. 2 Bleed by Kris Russ Click to listen Deets about the track : Next up is a local Louisiana act, Kris Russ . His song ' Bleed ' is an absolute banger. It is a grand testament to the possibilities of the music scenes in Louisiana. His mixing of early 2000s alternative and pop rock is a masterful determination of sonic mixing with modern sounds. The lyricism hits every note of the broken-hearted minds that will find his music inspiring and soothing. I can't wait to see what awaits Kris Russ in 2025, so I hope y'all feel the same after checking out his music. Follow Kris Russ closely because he has crafted a sound all his own. 3 Drywall by Goodbye Academy Click to listen Deets about the track : The following two picks will be more local acts that light the stage on fire with every note and beat they lay across. First up, Goodbye Academy . Goodbye Academy is a band located in the Baton Rouge area, and let me tell you, everyone needs to treat themselves to their live set. They are a powerful trio of musicians with so much energy and personality, and their sound reflects this in perfect unity. Their song, ' Drywall ', is the ideal introduction to their music that fuses the sounds of midwest emo , punk , and high-octane rock . Please do yourself a favor and check out this song and their catalog. You will not be disappointed! 4 Daydream by Jean Claude Seagal and The Gosh Darn Dangs Click to listen Deets about the track : Next up, we have the last local pick for this installment. Welcome, Jean Claude Seagal . Their sound is reminiscent of alternative legends of the 80s and 90s, but they fit in the modern twist of hard rock and punk . The song I want to show off today is ' Daydream .' This song is a special treat to listeners because it shows off another great band, The Gosh Darn Dangs . They are an amazing group to check out as well. This song offers sonic pleasures that will show off both sides of the two bands involved in the project. ' Daydream ' reminds me of Dinosaur Jr. in every significant way, but it has its sonic uniqueness that I genuinely feel deserves more love. Mixing fuzzy, spacey melodies, progressive drum styles, and pounding bass lines offer a sonic palette that will satisfy just about anybody. Do yourself a favor and check out this band of wickedly talented people. 5 Dragonaut by Sleep Click to listen Deets about the track : The last of this first playlist picks is Sleep 's wicked song, ' Dragonaut .' The stoner rock legends Sleep offer a different light to the playlist picks. They are a heavy, droning, and ready to beat your eardrums into the ground type of band. If you are a fan of old-school Black Sabbath and a fan of walls of fuzz, then you are in luck because these guys offer that in strides. Please do yourself a favor and check out Sleep and their discography. They have cemented themselves as legends in the stoner rock genre. This song is an excellent introduction to them because of its familiar feel of blues-influenced rock with that twist of walls of fuzz, droning melodies, and a rhythm section that could floor just about anybody. Check these tracks out and let me know what you think. -Nick- www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

You Never Know < Back The Nine Lives of Paul Sanchez C.G. Smith Nov 30, 2022 Share You Never Know “Ram Das and Alan Watts would tell the story of the Chinese farmer ,who one day his horse runs away, and his neighbor says, ‘That’s too bad.’ And he goes, ‘Well, you never know.’ The next day the horse comes back leading five wild stallions and his neighbor says, 'That’s wonderful!’ and the guy replies, ‘Well, you never know.’ The next day his son’s trying to break one of the stallions and he falls off and he breaks his leg. His neighbor says, ‘Oh, that’s terrible!’ And he goes, ‘Well, you never know.’ The next day the army comes through conscripting young men for the service, and they take all but his son because he’s got a broken leg. His neighbor says, ‘That’s wonderful!’ And he says, ‘Well, you never know.’ That’s life. What looks like a wrong turn sometimes is the greatest thing that could have happened.” – As told by Paul Sanchez. _____________________________________________________________ It has been said that the best art comes from suffering. Others claim it comes from the joy and happiness that make art what it is. New Orleans songwriter, actor, and producer Paul Sanchez, formerly of the hit band Cowboy Mouth , is well acquainted with both. From his early experiences living as one of 11 siblings in a poor, working-class family in the rough Irish Channel neighborhood of New Orleans in the 60s to playing in front of tens of thousands of people on stage, Paul embodies a life lived. He grew up in New Orleans , then lived in New York in the late 80’s and has since traveled all over the world. But he still loves coming home to the Crescent City . “One of the things that makes New Orleans special to me in my travels is that it's an entrée to anywhere in the world. When you say you are a musician from New Orleans you get a respect before you even play a note that most musicians have to earn,” says Paul. There are many glimpses into this incredible life throughout the extensive catalog of music he has written, produced, or simply been a part of over the years. His lyrics can be beautiful and dark, sometimes silly, and other times dead serious, but they always tell a story. Sanchez has 11 albums out with his former group Cowboy Mouth and another dozen or so on his own and with other musicians. This includes the musical project Nine Lives , based off Dan Baum’s New York Times best-selling novel by the same name that may soon become a television series. To be this prolific you really need to have something important to convey in your music. “I don’t really think about what I’m going to write … before I start writing,” he says when asked about his process. “Often, I am writing so fast that I don’t realize what it is I have written until it is finished. Sometimes not until years later. When my ex-wife left me, I looked back at the songs that I had written while we were married and realized most of them were about being lonely and [feeling] unloved. The songs have always known me better than I have known myself. It feels like they are written by someone else who has whispered them to me as if in a dream, a gift from the universe. I hear a melody and words and I follow them to, what seems to me, their natural conclusion.” Credit: Marc Millman Paul’s first gig was filling in for a friend at a French Quarter venue at the tender age of 16, and since then he has performed all over the world from intimate gigs in private homes to multiple Jazz Fests to stadiums with tens of thousands of people. He started singing after his father passed away when he was only five years old. “My father was sort of the heart of the family, and when he died, [for the first six months] my mom [would spend] all day at the graveyard. I had five brothers and five sisters and most of them were still at home when he died. A little boy singing was prettier than a house full of people crying, so everybody encouraged me to sing. [Early] on I knew my singing made other people feel better. I didn’t know if it made me feel better, but it made other people feel better and that’s been sort of the inner quest [for] the rest of my life.” Paul wrote his first song before ever playing the guitar, and at a young age formed an imaginary band with a friend and called themselves The Possibilities . He wrote their theme song at age 6 after hearing The Monkees and Herman’s Hermits . “We’re the Possibilities,” (very 60s, he interjects), “Yes, we’re The Possibilities. We may have no style but we’re gonna try to get up high, ‘cause we’re The Possibilities, and that’s what we have: a possibility.” In his teens, Paul started learning guitar, and at 16 he played his first gig. He was then was in a band called The Backbeats , whom he formed with Ellen DeGeneres’ brother Vance . In 80s he moved to New York’s East Village to join the anti-folk scene there and learned a lot about songwriting and performing from the people he met there. credit: Billy Nova, a.k.a. William Moeller “I’d gone up to New York to be the next Bruce Dylan or Bob Springsteen . I read this tiny ad in the Village Voice that said, ‘If you want the real thing, come to The Fort at Sophie’s.’ So, I walked across the island, not knowing how far of a walk that was going to be, and in 1986 how dangerous it was. I walked into this little bar where they’d moved the pool table, and the singers were just standing under this light. There’s a guy with a clipboard, Latch – who’s still a friend, so I walked up to him and said, ‘Hey man, I’m from New Orleans, can I play?’ He pulls his glasses down and he goes, ‘Are you good?’ I went, ‘I’m pretty good.’ He went, ‘I didn’t ask if you if you were pretty good, I asked you if you were good.’ One of my friends was standing with me and he goes, ‘Hey man, this guy’s f*ckin’ great.’ Latch looks over at my buddy, doesn’t say a word, looks back at me and goes, ‘So are you good?’ I went, ‘Yeah, I’m good.’ He went, ‘Okay, you can play.’ I loved that. It was his first lesson: if you can’t own it, you can’t be it.” When asked if he wrote many songs while in New York, Sanchez says he, "worked a movie up there-- A Kiss Before Dying with Matt Dillon and Sean Young (she was crazy as a road lizard) --was staying at a friend’s place on 14th St. My friends were kind of, big people, and they were fuckin’ and I was sleeping on the couch against their bed, and it was obvious, so I was getting divorced and was depressed so I split, and I thought I’m just gonna do a shot at every bar between here and Houston St. and think about where I went wrong. I didn’t know how many bars they had in New York – it rivals New Orleans. So doing shots of Wild Turkey and on the return trip home, sometime around two in the morning I decided to call my ex and explain my side of things one more time. After she hung up on me, I went back and grabbed my guitar, drunk as shit and went on the roof of the building and wrote Light It On Fire .” Many of us remember Paul from the New Orleans rock group Cowboy Mouth , which he co-founded, toured the world with, and released many albums with over 16 years. In 1992, he met a woman who gave him her card. Paul replied to her with some demos for “Jet Black and Jealous” he had made in New York in 1987 on a Tascam four-track cassette recorder. “So, I sent them to her, and she goes, ‘I love this, I want to put it out. What I’m hearing on this record is this guy’s singing songs like he believes nobody’s ever gonna hear them.’” And that’s how Sanchez began doing solo records and in 2006, when the flooding of New Orleans after Hurricane Katrina washed away everything he owned, he decided to quit Cowboy Mouth and focus on his own material. Since then, he has released nearly 20 records either solo or with other musicians. credit: Joanna DeGeneres Paul suffered years where he couldn’t sing because of dystonia , which is a movement disorder that causes the muscles to contract involuntarily. With singers, it’s a chronic voice disorder characterized by spasms of the muscles in the larynx, which control the voice. “The four years I couldn’t sing were very humbling, but I took it as a grace. I took it that the universe was trying to teach me something I needed to know. I’m only at the beginning of the trail of realizing what that is and then incorporating it into the music. I’m singing different[ly] than I did before. It’s like a stroke victim learning to walk again, you know? [With t]his neurological condition, the neurons in your brain are … misfiring. From the throat surgeries, the breakup, the traveling 400 miles a week, etc., they thought I was in trauma, and they said, ‘Let’s shut this guy down.’ The way his dystonia therapist put it to him was that he had a traumatic event in childhood that began a loop of “I’m not worthy” talk, and then a second trauma in adulthood altered “I’m not worthy” into “I don’t even want to be me.” When his therapist asked why he thought this was happening, Paul said, “I think I have a profound desire not to be Paul Sanchez anymore. My brain doesn’t want to be that guy anymore. I’m now teaching my brain that it wasn’t the music; it was life.” Thankfully, a voice coach helped get Paul singing again and back on stage for our entertainment pleasure, and we are so glad he is feeling better and singing/talking again. As for influences, Sanchez credits The Beatles, Bob Dylan, and Bruce Springsteen early on, connecting to the mythos of their escaping poverty through music. “[They were] all were very open about their own influences and as a fan, I listened to the people they talked about, and my musical education is a result of doing so, from Woody Guthrie to Frank Turner .” “One of the most revealing interviews I ever read was Bruce Springsteen . Back in the ‘90s he took four years away from music to go into therapy ‘cause he had wanted to commit suicide. So, after four years off course he went back to music, he made a record, he’s going on tour, and Rolling Stone sends a respected writer … to interview him. At one point he says, ‘So Bruce, are you still going to do four-hour concerts, because you know everybody loves those?’ He said Bruce grinned said, ‘Well I love ‘em too, but I found out through therapy that I also stay up there that long because it’s the only place I don’t feel worthless.’ What struck me was, he didn’t say, ‘It’s the only place I feel worthwhile.’ He said ‘It’s the only place I don’t feel worthless.’ That to me was more honest. For me, I grew up in poverty, and an abusive situation, and music was my place not to feel worthless. It’s healing. That’s why you go back to it.” Today, while many of his influences circle back to his originals, Paul says he gets inspired by songs he hears. “ Alex McMurray, Davis Rogan, Jim McCormick, John Rankin, John Thomas Griffith —great songwriters inspired me to try to write great songs.” And besides the music Sanchez creates, he’s also an actor. “Acting, for me, is completely different than making music. Making music is an expression of who I am, my essence in words and melody. When I am acting, I memorize the lines and then I say them as the director would like them to be said. More often than not, a director will come up to you right before a scene and ask, ‘Can you say it like this?’ Being a musician, I try to mimic the tone and inflection, the rising and falling of his or her voice. More often than not the director is thrilled because what I’m doing is saying it like it has been in his or her head for months. I’m not trying to put my stamp on it; I’m trying to put their stamp on it because it’s their show, not mine.” He even spent some time filming the hit HBO series Tremé , which Sanchez says was a joy. “ David Simon and Eric Overmyer are true music fans, and they treated the musicians like gold … [and gave] great advice.” Paul says the show was so real, it felt like the writers were eavesdropping on the lives of him and his friends, adding that the writers love NOLA, and it showed in the series’ writing and direction. He says they created a historical document of the culture and music of New Orleans that’ll be invaluable in years to come. And he has many interesting stories from his time filming. “We were filming a [funeral] scene in a church Uptown. [It] was packed with musicians, mostly hired extras, and I sat next to John Boutté . On a break, David Simon sat and talked to me and John . I mentioned that it was amazing to see so many musicians gathered [in one place] and how they were committed to realism no matter the cost. David Simon responded with, “It isn’t the money; it’s the emotional equity.” I was so struck by the phrase that I turned it into a song with Alex McMurray called ' Emotional Equity ,' which appeared on my release, Paul Sanchez and The Rolling Road Show - Reclamation of The Pie-Eyed Piper .” Paul notes that the NOLA music scene is far more diverse now than it was in his youth. There wasn’t much of a scene for singer/songwriters when he was young, and he credits Tréme with bringing a new perspective to the music scene. He adds that NOLA provides a unique place for artists of all ages, noting that you may not get rich, but you’ll always be playing music. He’s been around the world and performed in some amazing places, with some amazing talent, so I asked him to share some of his most memorable experiences. “When I was in Cowboy Mouth , we played a music festival in Atlanta , Music Midtown Festival , opening for Cheap Trick . The audience in front of us was 50,000 people , [and] the crowd literally disappeared down the street as it sloped down from the stage. Ellen DeGeneres had Cowboy Mouth on her show after [Hurricane] Katrina, and it was pretty special. I knew her when she was starting up: she opened for a band I had with her brother Vance DeGeneres , [which is] pretty funny looking back ‘cuz we were the hot new-wave band in New Orleans at the time, and she was just looking for a gig. It was wonderful to be on her show. It’s always wonderful to see someone you know live a dream. Credit: Facebook I feel the same way about Darius Rucker . He has always been so generous to me. In 2016 , he brought me on tour to write songs. The songs were never used, but he also brought me on stage to perform during the tour and most notably for me, at the Ryman Auditorium in Nashville . There’s no way a Channel Rat like me gets on that stage without somebody like him putting me there." When asked if there an album, performance, or project he is most proud of being involved with, Paul speaks of his project Nine Lives: A Musical Adaptation Live , which is an adaptation of the best-selling novel by Dan Baum . It follows the lives on nine people in New Orleans from 1965 , when Hurricane Betsy ravaged the city to 2005 when Hurricane Katrina destroyed it. Speaking of Nine Lives , it may have a new life of its own, possibly becoming a television series soon. After a disappointing experience with trying to get it on Broadway, there’s a new team of people involved with doing it right this time. “ Nine Lives has been a very interesting journey. It started in 2007. My friend Colman deKay goes, ‘Hey man, I read this book called Nine Lives , a bestseller, and I think you and I should turn it into a musical.’ I thought he was insane. I can’t write a musical. He went to bed, and I started flipping through the book. I found the scene where John Guidos goes to his first drag party with his clothes in a Schwegmann’s bag and I fell right in, and I wrote 'Feels Like a Lady.' I took it downstairs to him and I said, ‘What do you think?’ He goes, ‘Oh boy! Let’s finish it now!’ And we did. Then he wrote to Dan Baum and said, ‘My friend and I have written some songs out of your book, and we’d like to turn it into a musical.’ (After some initial skepticism), he loved it. I wish I could’ve brought it to fruition in his lifetime.” The Nine Lives record was actually made from a grass-roots organization called Threadhead Records , where people could donate money as little as $5 to help New Orleans musicians get back on their feet after Katrina . This was well before Kickstarter or Go Fund Me . Paul and his friend John Boutté did a fundraiser one night and a chance meeting helped get the funding for the record. “This guy from California walks up and says, ‘Hey man, you guys are great together; you should do a record.’ I look at him and go, ‘I just lost everything I own. I can’t afford rent, let alone a record.’ He went, ‘Well, how much do you need?’ I told him and he said, ‘I’ll get back to you.’ Being in the music business I thought, ‘Yeah right.’ Two weeks later he calls up and says, ‘Okay I have a check, where do I send it?’ I didn’t know what to say. He didn’t say, ‘I need you to sign a contract’; he didn’t say, ‘I need to hear the music’; and he didn’t say, ‘I need to own the music.’ He said, ‘Where do I send the check and promise me on your word as a gentleman that when the CD comes out, you’ll pay us back from CD sales.’ They started this thing called Threadhead Records and in four to five years’ time, they put out records by sixty artists who didn’t have the money to do it. In my opinion, it both saved and changed the face of the New Orleans Music scene for generations to come, because they gave so many artists the chance to record.” And the story for how the funding for Lives came about is quite interesting, and it involves the infamous Pepsi Challenge . “ Pepsi had this challenge where they were going to give away $50,000. We were the ninth-place contestant and we got $50,000, and then Threadheads raised another $150,000.” Paul’s industry friend, Michael Cerveris , brought the idea and the songs to his people in the theater scene, and they ended up with a playwright named Lisa D'Amour . D’Amour had gone to Dominican High School in New Orleans . She was not a true New Orleanian, although she claimed to be. She worked on Nine Lives for a year and a half and ended up trying to cut twenty of the original 39 songs, writing ten of her own. She wanted to start it all off with a slow, mournful dirge called ' I Feel Like I Wanna Die Today ' instead of Paul’s original upbeat song. “I’m like, ‘You don’t get New Orleans at all baby. We dance in the face of death,’” Paul laughs. After he parted ways with D’Amour over creative differences, she took all the same characters and turned it into a show called Airline Highway and it ran in Chicago from December 2014 until February 2015 , then on Broadway from April 2015 until June 2015 before it closed for good. “So, mid-pandemic the rights have lapsed, they don’t own my music anymore, and I get an e-mail saying ‘Hey, we found this great director who wants to do it and we’d like to pick up our option to the music again.’” After more communications and some further attempts to change Paul’s vision, Nine Lives was shelved once again. “These are my songs, and I don’t want some stranger changing them and writing lyrics for them. I told them the same thing I told my ex-wife: you can’t have my songs. You can have the clothes off my back, you can have my last dollar, but you can’t have my songs.” Once the producers let the rights to the book lapse, and Chris Joseph , who started Threadhead Records , got wind of it, he bought the rights from Dan’s widow and put Paul on as a partner. Bohemia Production Company loved it and wanted to produce it as a dramatic series that leans heavily on music. “I didn’t have a problem with that, because music is used so interestingly in television shows now. So, I said, ‘Great, run with it.’ [T]hree days later, the creative director was having drinks with an old friend who is a writer, and he says, ‘Hey, I think we’ve got our next project. It’s about a book that’s about New Orleans after Katrina .’ He said his friend put down his drink and went, ‘Please tell me it’s Nine Lives , because it’s my dream to write [it].’ Extremely serendipitous.” “For me it’s really great that it has a possible life as a tv show, because so many people are invested in it emotionally. It also captures a period of time in New Orleans that I was born and grew up in which made writing the songs possible. I didn’t have to write a Katrina Record post-flood. I wrote this thing called Nine Lives , where I was speaking through nine different people’s voices – actually like twelve to twenty different people’s voices. I was speaking about my feelings about the flood, but I didn’t have the soul crushing experience of it being [in] first-person. I didn’t realize that until later.” Credit: Facebook Nine Lives as a television series is still very much in its infancy, but its future looks very, very bright. “The vibe I’m getting is that they see it and hear it the same way we do. The fact that the writer, Frank Everleigh , lived here, the fact that he’d been through that experience of having been ostracized by his community, and the fact that I’m very passionate when I speak about it, well, they were really taken with that. They really want to have my voice in on the script. So, I’m excited to have some input on the script because the Broadway writers weren’t like that.” I smile and tell Paul that that is why the first option isn’t always the best one ... because you never know. *cover photo from artist's website To dive into Paul's discography: Apple Music: ‎Paul Sánchez - Apple Music Spotify: Paul Sanchez | Spotify Website: www.paulsanchez.com Paul Sanchez | Official Paul Sanchez transforms audiences with his unique blend of music and storytelling – at once powerful, sad, humorous, entertaining, and hopeful. Fans may know native New Orleanian Paul Sanchez as a founding member of the rock band Cowboy Mouth, with whom he has 11 albums; for his role in the HBO series TREME where he played himself; or as the creative force behind the musical NINE LIVES, a musical adaptation of the best-selling novel by Dan Baum. NINE LIVES follows the lives of nine people in New Orleans from 1965 (the year Hurricane Betsy ravaged the city) through 2005 (the year of Hurricane Katrina) and beyond. Facebook: Facebook Instagram: Paul Sanchez (@paulsanchezmusic) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Send an email to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Bangin' Out the Hits < Back Tank and the Bangas C.G. Smith Jan 5, 2023 Share Bangin' Out the Hits In the fall of 2015, my wife and I had been living in New Orleans for nearly six months. A co-worker had been talking up this band to me for a while, so we made the trek across town to The Maple Leaf bar on Oak St. to catch the show. The band was New Orleans’ own Tank and the Bangas. Their high-energy, infectious performance and wonderfully arranged music changed our idea of what a local band could be. From that point on we were fans and made it out to every Tank and the Bangas performance we could. These days the ticket prices are a little more expensive than in those earlier days, the stages are usually much bigger, and their music has evolved a bit from those early club performances, but the group is still just as grounded as they ever have been. credit: Jacob Walker I had the good fortune to be able to sit down with the group at the Uptown New Orleans restaurant Molly’s Rise and Shine after business hours and talk about their beginnings, their evolution over the years, and what the future holds for the now twice Grammy-nominated band. MaM : First off, I want to thank y’all so much for being here. I also wanted to thank Lauren and Mason of Molly’s Rise and Shine for letting us use this unique space. We are very grateful. Is this the first time you’ve been here? Tank : Yes. Norman : Yeah, I’ve never been here before. MaM : The chicken biscuit is fire. Tank : That’s good to know. (playfully) What? You think we just like chicken or something? Albert : What about the vegan options? Tank : What? You think we’re vegan or somethin’? Norman : The chickens were vegan. They only fed them grain. [laughter] MaM : Your hard work has led to so much success. It really shows – how much you all enjoy performing for an audience. How did y’all deal with the pandemic? Not being able to tour, did it help or hurt the band? I know "Friend Goals" came out of it, but overall, with the pandemic, how did it affect you? Tank : I think both, right? The only hurting I would say is because it’s hard to get back into the specific rhythm of touring. The world still is a bit scared, so the numbers aren’t exactly the same as they were pre-Covid. I would say that is the only hurting, but the helping, I mean, we got "Friend Goals." It’s such a good little EP. We had fun making it. Before that we were on tour so much. It was a nice little break at the perfect time. We needed it. We was [sic] like, ‘Oh my gosh, people cook regular food and sleep up in their regular beds, and go for regular walks?’ https://www.youtube.com/watch?v=YxeKuEm8gio Norman : After being off schedule for like weeks, and weeks, and weeks, it was like every day at eleven o’clock, ‘What y’all doin’? Y’all still up?’ Yeah, we wide awake, doin’ nothin’. Tank : I watched Paternity Court a lot. I ate a lot of crawfish. Norman : I really got to sit with myself. I was like, ‘Wow, this is how I am? Okay, gotta change some stuff.’ Some of it’s cool, but I got to know me a little bit during Covid. Albert : Oh yeah. Tank : Yeah, we all had those little moments. You know I was cool while we was [sic] on break, then the next shit came around and I was like, ‘Wait a minute, what’s goin’ on with the schedule? Wait a minute now, wait a minute! What you mean we are cancelling again?' ‘Cause you know, of course, we had to survive. We thought of creative ways to do it. We had a lot of little shows with virtual performances, which is cool and lame all at the same time. (imitates interacting with a virtual crowd) ‘Throw your hands up!’ Albert : Only the ends of songs are lame because you finish with a big finish and there’s just crickets. Tank : And there’s nothin’. Just a bunch of hearts and thumbs up and, ‘Love you guys!’ Norman : But we appreciated such silent love! Albert : You just hear hard breathing like ‘Dancing with the Stars’ contestants. Tank : (imitates hard breathing at the end of a performance) ‘Thank y’all, thank y’all!!’ Norman : It means y’all were sittin’ there watchin’ this happen, so it was definitely appreciated for real. The band used to have the occasional parties in the backyard of Tank’s Auntie Tee Tee’s house in the Lower 9th Ward back before their breakthrough with NPR’s Tiny D esk concert. MaM : The backyard parties at the Yum Yum were so much fun. My wife and I went to at least two or three of them. Any plans to do anything like that in the future, or is that just off the table now? credit: Shambala Festival 2022 Tank : Oh, no. We definitely want to do that in the future. We miss it. Every time we go in the backyard, we’re like, ‘We gotta get one of these goin’ again.’ We just never know when Auntie’s gonna feel like doing it, honestly! We all have to be in the mood at the same time, so that lets you know how beautiful – how everything had to be lined up so perfectly and feel like doing one. It takes a lot of work. Albert : Big, big picture though, Norm and Ta talk a lot about, ‘What if we did a festival? What if there was [some]thing that was a hub, a Bangaville thing? The idea of community … especially performance community is always going around. Norman : Bangafest. Tank : Bangafest sounds dope. MaM : I’d go! Tank : I know you would! Norman : We don’t even have to travel for that! MaM : From Tank’s run with SNO, to those early open mics, to playing major festivals on the biggest stages in the world, can you tell us about some of your best and not so great moments? Tank : Whoa, mmm. Let me see ... best definitely was um, .... all the time! We have a good time! The best memorable moments: Coachella, Jimmy Fallon, The Apollo, Glastonbury was beautiful. Norman : Yo, I got a bad one. We were in Germany, and we didn’t have our luggage ... Josh : We didn’t have our clothes! Norman : We had to perform in our pajamas. Tank : We was [sic] in a barn. Norman : The gear was all wrong. I had a Motif instead of a Cronos. Oh man, that was a day. Tank : Yeah, that was a crazy one. Norman : We were still in another country playing music, doing something we love. [Tank talking about the mural where we did the photo shoot:] Tank : That [mural] was painted by an artist, not just done online? MaM : Yeah, hand painted for the restaurant by an artist named Ken Cox. Albert : The process of breakfast on acid. Tank : That’s some crazy color right there. Albert : The cost of your eggs. MaM : Your version of “What the World Needs Now,” I was blown away by it when it first came out and I just heard it again on shuffle the other day. How did that track come about? Any stories from that recording? https://www.youtube.com/watch?v=8tm5oSdEFvU Tank : It was supposed to be bigger, something different than it was. Josh : It was on some heal-the-world, Quincy Jones-type stuff. It was a lot of fun to be able to call friends, people we cared about, and family members as well to help us create that entire New Orleans ordeal. It was such a great thing to be a part of and find all those voices in the right spots. Norman : It came out beautiful. Josh : And we had to do it in like one day or something! Albert : We had people come in on schedules, that had to come in for 45 minutes. Oh, we gotta stop and do this trumpet part! Okay, get outta’ here, come on! Thank you, man! Alright, see ya!” Josh : David Shaw came in so late at night. Tank : I love David on that. I just wish we would have [sic] got him recorded singing on it. I loved him on it. I loved everybody on it. Especially since we were just getting people that we wouldn’t even normally day to day work with, but we knew in the community. I loved what everybody added to it. It was perfect. Josh’s nephew, my niece--we were crying when Sunny was doing her poem and the children was [sic] singing. I think that was the last time we was [sic] all together. It was just so special. It really was what the world needs now. MaM : For the time we were all in, it was perfect. Tank : I know. It really felt awesome. Josh : That was a fire question. No one ever asks that. MaM : You’ve already worked on projects with some amazing artists. Who are some of your dream collaborators, past or present? Tank : Present – we’ve done with Layla, that was a dream for sure. Alex Isley is a dream, and Robert Glasper ... people that we just put out there that we can’t believe that we was [sic] able to make music with later on. Josh : That Blue Note whole thing was fire. Tank : Blue Note was amazing. Josh : That’s a whole list of people that was special. Tank : Juno is a future collaborator for sure. Kendrick Lamar and Stevie Wonder. credit: Jacob Walker Norman : Amahd Jamal, I’m waiting on that. Albert : Can we go to the past? Do they have to be living? Roy Hargrove, you know he passed, but man, that’s music that I grew up with and really stuff that shaped me and made me seek out sounds like this band. Norman : Same, yo. You talkin’ ‘bout ‘Like Water for Chocolate,' that’s Roy. That’s a Common album that D’Angelo, Roy, Questlove, all of them did, RH Factor. All that shit. Albert : The ‘Straight Ahead’ album. His Cuban album? He’s so good. Josh : All right – Kirk Franklin. Take that. I wanna work with him. Norman : Listen, I really want to work with Warryn Campbell. If you [sic] out there, [if] you hear this, somebody send it to him. If you know him, if he’s your cousin, tell him Tank and the Bangas want to work with him. I ain’t jokin’. Tank : For some reason I don’t feel like that’s very far away, even though we don’t know him. I feel like it’s a degree of separation. MaM : I know faith and family are important to you. With all the touring and recording y’all have been doing, how hard is it for you to find time away from the band for family, etc.? Is it easier to get that time now that you’ve had some success? Norman : I try to take some intentional time to focus on the family. MaM : Wasn’t it in your rider that you had Sundays off so you could play at church? Norman : That was back when I was playing at church more, but that isn’t really my focus anymore. Kids though? Got ballet comin’ up, art class comin’ up, we skatin’ … tryin’ to keep them out the Matrix, man. I’m tryin’ to give some real people time, you know what I mean? I didn’t get a lot of people-time growin’ up, so I figured out a lot on my own. I don’t want them to have to do that. Aside from that, God is everything; church ain’t. credit: Jacob Walker MaM : What are some of your favorite things about being a ‘Banga’? Josh : Easy. The best part about it is it’s me. I don’t have to be nothin’ else or put on to be nothin’ because it’s literally … me. Just like she don’t [sic] really gotta do nothin’ [sic] to be Tank, that’s just who she is as a person. I really like watching how other people interpret what a Banga is to them. I really enjoy that part, but I don’t know; I just be myself. Being a Banga is just kinda who we are as us. Albert : I think the best part of being a Banga is getting to make and participate in making, for me, the music you dreamed of making as a child. Josh : Big facts. Norman : I realized over the years [that] we are therapists, we are healers. We bring in vibrations, which water responds to, and 75% of that is standing in the audience. When we was [sic] first starting, people would come to the shows over and over and I was like, ‘What the hell? What is wrong with these people? We just seen you last week! This is the same show, goofy; what you doin’?’ Tank : It is not the same show though, never! Josh : It’s not the same show though. MaM : My wife and I were one of those crazy people at every show we could get to, especially that 2015 - 2018 time period. We were obsessed. “Themeparks” was one of our wedding songs. Tank : That’s sweet! Norman : Didn’t we write that on Golden Drive in Chalmette? Tank : I think so. Norman : We wrote that in my living room! Tank : I had a relationship, and I just wanted to talk about all of the good parts of it, and the fun parts of it, you know? That’s what it was for. Some people really are just muses. MaM : Josh, as musical director, what has changed as far as how you’re presenting those older songs these days? Josh : Boredom. It’s ten years of playing a certain song and you want to try it different. She (Tank) really gets creative at moments, and she can get bored too, so two people who can get very whimsical and creative and want to change things on the fly. credit: Jacob Walker Norman : At the last minute. Josh : I just said on the fly! Tank : Aren’t you in my brain? Aren’t you in my spirit? Josh : Even in those times it’s a lot of fun. I think a lot of times we’re really just trying out different things because we get to. We can. We have the capability. The truth is, the more we push ourselves to do more stuff, the better we get at it. Norman : We’re free. The reality is the melodies fall out the sky sometimes; we just catch ‘em. We sat in rehearsals, and we had to take a little break and wrote like 3 songs in 6 minutes the other day. Stuff just happens. We stay open. Tank : Growth is real. Ain’t [sic] nobody in this band in their fresh beginning 20’s anymore. We don’t even jump up and down as much as we used to. [laughter] MaM : I remember a show y’all did at the Ogden when you broke it all down. I heard your songs presented in a whole different light. Tank : We love to calm it down. People don’t think that we know how to calm it down because we’re such a big sound, but it’s our most favorite thing to do—at least it’s definitely mine. You hear the lyrics, you hear the music, the intention. It’s quiet, it’s soft, it’s beautiful, it’s heard, it’s felt. I love those type of shows. That’s how we started out. That’s why Tiny Desk was really nothing for us. I was nervous, but as far as calming it down, it’s nothing for us. https://www.youtube.com/watch?v=QKzobTCIRDw Norman : I didn’t know nothing [sic] about it (Tiny Desk). All I saw was T-Pain do it with a keyboard player. I thought, ‘Oh, it’s gonna be easy.’ I didn’t grow up listening to NPR. I was like, ‘Cool, it’s an open mic; that’s how we started.’ MaM : Josh, as musical director, how do you decide – do you just naturally stretch your legs on a song, or do you say here, we’re gonna arrange it this way? Josh : A little bit of both. Sometimes we stretch out naturally, sometimes I say let’s try this. We’ll try stuff in rehearsal to see if it sticks. If it don’t [sic], we’ll leave it alone, if it do [sic], we’ll push it.” MaM : You ever just throw shit at them live? Josh : Yep, yeah, they good [sic] enough to handle that. They superbad. The fun part is, if we fall on our face, we’re good enough to carry ourselves so nobody even knows it happened. We’re creating a chord progression as we go sometimes. We’re having fun. Tank : Their ears are so crazy. Sometimes they even hear what I don’t hear. Josh : I think that part makes it very easy for us to be able to ‘float.’ Norman : Growing up in church too, you know, anybody [can] get up and sing in any key, talking about praise and testimony ceremony ... Josh : Most of the time, it’s the wrong key! Norman : ... If you doing [sic] it right and they change key and you don’t follow them, then it’s your fault. If they start in the right key, you learn to move with them, you learn to just flow. Yeah, church got me ready for it.” MaM : Do you guys approach performances today any differently than you did in those early days? credit: Ruthie Herman, WOUB Albert : Carefully. From behind. [laughter] Norman : Prayerfully. We always pray; we always rehearse. Tank : It feels more intentional now, to me, if anything. More mature. You want to get it right, you know? It just feels a little more intentional, but I still have my moments of freedom that I do love. You know, Josh tries to reel it in a lot, which is a good and a bad thing to me. You know, like, let me be who I am, [and he’ll be] like, ‘Don’t stay there too long!’ I’m like, ‘Shut up!’ [laughter] The band recently performed its very first residency at the famous Blue Note venue in New York City in November of 2022. MaM : How was Blue Note? Josh : It was amazing. Norman : It was an honor to be in that room. The artists that we had come and join us—Keyon Harrold, Isaiah Sharkey … Norah Jones. Josh : Man, the type of people that came through, not even just the artists. Norman : Yeah, the people that came through just to kick it with us, the stage was so dope. Josh : Yeah, all of that was just wild. Norman : Y’all thought enough about us to come through; thank you. MaM : I have to ask this question, Tank, since my dad is such a huge Norah Jones fan: How did you become friends with Norah? Tank : It’s so crazy. All of it was kind of magical, even things I didn’t even know until a couple of years ago … how things was [sic] working out for us to meet. Jelly (singer Anjelika “Jelly” Joseph) was doing a session with her husband, and she invited him to the show (at One-Eyed Jacks). I don’t know if she knew that Norah was his wife or not. They ended up going to the show, Norah was pregnant, and she was hearing me do all these little crazy voices. Someone told me that she was in the house. Then she text [sic] me one morning when I was at Waffle House and she wanted me to do a video with her, a really silly song. Of course, I said yes. I didn’t know what it was about. It was a silly song. It was really silly about men who don’t think that women take a shit. L to R: C.G. Smith with Albert, Tank, Josh, and Norman MaM : I still remember how cool it was when she came out during your second performance of your Alice in Wonderland at the Music Box here in town. Tank : Mmmmmm, the purple piano. It was really special. Anybody that was a part of those shows just knows it was so special. It takes a lot to do a Music Box. Hats off to the people who do it and run it. It’s hard to explain, too, when people ask what it is. Josh : Shout out to Danny Elfman, because he sure helped with the ideas in that space too, like the orchestra. MaM : It’s just such a cool space. Tank : Yeah, it’s crazy. Hard to explain. You be [sic] like, ‘It’s a musical space where they use pieces, materials of old houses and they make instruments. You can’t explain it. You have to go there; it’s an experience. MaM : So, the hardest question for artists to answer, how do you describe the Tank-and-the-Bangas sound? Tank : (repeats) You have to go there; it’s an experience. Norman : (repeating an answer Albert came up with before) It’s genre-fluid. Josh : It’s a struggle to explain it to ourselves, but according to the Grammys, it’s one of those ‘progressive R&B albums.’ [laughter] Tank : That’s funny! They did the best they could to categorize us. I think just the fact that you’re Black, they already want to put R&B on you. They like [sic], ‘Well, it ain’t [sic] just that, so let’s go ahead and put it in progressive.’ I don’t mind, especially with this album. It’s where it needs to be at [sic] with this album, that’s cool. I love it, I’m happy to be nominated. Josh : I mean, [for] some artists it’s easy and [for other] artists it’s very, very hard to do. Tank : You can describe the song which is at hand, but to put them all in a thing? To literally say that the same band that made ‘Outside’ made ‘Heavy,’ or the same band that made ‘Heavy’ made ‘Brady’s,’ or the same band that made ‘Brady’s’ made ‘Eggs Over Easy,’ or ‘Eggs Over Easy’ - that’s the same band that made ‘Easy Goes It,’ or ‘Anxiety.’ ‘Mr. Lion’? That same girl, she did ‘Dope Girl Magic.’ So, it’s really hard. It’s whatever we was [sic] feeling at the time. Josh : This entire same band has done a lot of these songs with an orchestra, so maybe they’re a classical band. Tank : It’s all over the place. MaM : I always loved “Drummers." That’s a different kind of song. Tank : We love that one. That one never got recorded and it has so much more to it, too. It’s really cool. https://www.youtube.com/watch?v=bE5tHVbWNJA MaM : Were there any moments where you were working on, writing a song, and just astonished yourselves, like, “This is gonna be good!?” Josh : ‘Ants.’ Tank : ‘Stolen Fruit.’ Norman : ‘Rhythm of Life.’ Albert : ‘Stolen Fruit,’ and ‘Black Folk.’ Tank : Yeah, anybody comin’ in the studio, you need to hear this! This is so special. Albert : So much so, that it slowed down progress. Like any new visitor, after we had gotten like a rough for ‘Stolen Fruit,’ anybody came in, Tank would be like, ‘Turn down the lights.’ Tank : Turn down the lights, light a candle, and play this for them. Norman : (imitating Tank) ‘Shhhh. (dramatic pause) Play that one.’ Albert : It was like a whole afternoon of that, it was great. Then we did ‘Black Folk' and [it] was, like, a live take. A bunch of us were playing in the room, and the take you hear from Tank, that’s just her on a 58 (Shure 58 live microphone). Everybody was playing in the same room. We tried to do the vocals in isolation, tried to do other takes, but it just didn’t have that … it didn’t have that thing. Man, that was a magical moment. I remember when we were playing that and I was like, ‘This is great!’ Norman : We should do an unplanned live album. Just press record and start playing. Albert : Directly to vinyl. You can do that. You can press it directly to vinyl. Tank : I’ve done that. I did that with ‘Eggs Over Easy.’ It was a freestyle. MaM : So, we are an entertainment magazine. What are some shows y’all are watching lately? Tank : I feel like we’re never watching the same thing. We talk about it more when we’re on the road, ‘What are you watchin’ right now?’ Albert knows that I have to eat and watch somethin’ from Netflix. Norman : I know how to make this cool: Say one show you think the other person is watching right now. Tank : (to Norman) Oh lord, a documentary? A Christmas show? Norman : I’m watchin’ the Nature Channel. Josh : (to Tank) Wednesday ? Albert : (to Josh) Anime, or, I don’t know, big, high-budget crime, like action-y? Josh : You know what? You’re kind of in the space, ‘cause I saw something like that. Knives Out on Netflix; the [sequel just] came out. Tank : (to Albert) You watchin’ some type of cartoon in the morning with your girlfriend. Albert : I’ve been watching season 6 of Rick and Morty and it’s stellar. It’s a return to form. It’s some of the best stuff they’ve had going on over the past few seasons. Highly recommended. Josh : (to Tank) Just say Wednesday already and get it over with. Tank : We ain’t done with Wednesday , so no. Norman : 432 playlist on Spotify. 432 hertz. Yo, why when I play it on the speaker, I can actually feel the highs, the lows, and the mids. It’s in your chakras. It’s like we really do resonate at that frequency or somethin’ because you can feel it through the speakers. I don’t get it. Tank : 432 Hertz? That’s the playlist? Norman : Do that, then type playlist. They got a bunch of different genres. Get ya [sic] chakras right. Josh : I be [sic] watchin’ Forged in Fire . I had to think about what I’ve been watching. I be [sic] watchin’ people making beaucoup swords and all that stuff. Norman : Then they try to see which one’s stronger. Josh : Then they be [sic] choppin’ beaucoup stuff with it. Man, these cats are wild. MaM : They make a Hattori Hanzo blade? Josh : They probably have done one at this point, but they be [sic] doin’ all kinds of fantasy weapons as well. Norman : Based on historic, like the way they would build them at this time or that time in history. MaM : What are some creature comforts on tour, anything that connects you with back home? Albert : A nice bowl of ramen. Norman : Coffee and good greenery, I’m good to go. Facetime with the baby. Tank : My phone so I can watch TV. Albert : An eye mask. Tank : Headphones. Gotta have them headphones. Gotta zone inside them headphones. credit: Jacob Walker Norman : Drum machine, that MPC one. Josh : I’ve been without my phone on a whole tour before. I lost my phone, like, the top of the tour, and I didn’t have my phone for, like, six weeks. It was weird as hell. Norman : That’s gotta feel good! You ever leave your phone at home and be way across town and be like, ‘Oh well.’ That shit feels so good. Josh : I was on the other side of the world. It was not the same. Tank : First of all, I would never do it because where the hell ... how am I gonna get home? I need that GPS. Momma gonna call me, you know what I’m sayin’? Now you need to stay in touch, AND I gotta listen to the regular radio? Oh no, I need to plug in, so I got my own radio. Norman : Turn that radio off and listen to the radio in your head. Tank : That’s too much [sic] thoughts! Josh : Being over there, there was no radio, and there was barely television. I wanna play drums. I hope they don’t have a bad drum set with some bad cymbals. That is a real horrible thing. Tank : That was not a good answer though; he’s talkin’ about something that you don’t feel at home with(out). You hit drums every day. Josh : I’m telling you, no, no, no, on TOUR. Tank : Josh needs some wings with barbeque sauce. Josh : No, listen, wait ... Norman : You gotta hear this man out about them [sic] drums. Because if those drums ain’t [sic] Yamaha special just like Josh needs ... [laughter] Tank : We about to get a DIVA! Josh : Look at this, you see this? (shows me the palms of his hands) This happened to my hands years ago, playing the wrong kit with the wrong sticks. My entire hand turned purple, and I couldn’t close it. So, I was playing drums like this, (Josh shows me half-open hands, as if he is delicately holding sticks with his fingers) but my hands were really like ... Norman : I wish y’all could see through this mic. [laughter] Josh : (wrapping up his defense of saying drums are a comfort on tour) A good drum set, an amazing drum set, and amazing cymbals, and amazing sticks. I can make tour with that and good vibes. Tank and the rest of the group continue having fun teasing Josh. Albert begins calling out to Tavia, "Ta! Ta!" to have her stop the insanity. Albert : (to me, as the hilarity wanes, feeling sympathy for me having to try and make sense of all the talking over each other) You just write this out, right? You transcribe this, right? A lot of it will be just asterisks - inaudible, asterisks - inaudible. MaM : Ok, Tavia says ten minutes left. I gotta get to the Grammy nod. Grammy nod number two. I’m sure that first one was an incredible experience. Tank, are you as nervous? Will you have a speech ready this time if you win? Tank : I think we could write a speech. I’m not as nervous this time. Norman : You gonna write it? I’m gonna wing it. Albert : The best things in life are wung [sic]. Tank : Then it goes, (imitates the music cue to get off stage) [to] get us off that stage. Albert : There’s four of us! That’s bullshit! We EACH get the allotted time! Josh : It’s the allotted time times four. Tank : Yeah, you use your privilege, see how far that gets you! Norman : They will never call us back! Tank : Albert said, ‘Excuse me, white man speaking! That’s not fair.’ Albert : Hey, if La La Land can take an Oscar, we can do this. Josh : Boy, you stupid! Tank : It’s exciting, definitely less nervous-y. It’s more exciting for sure, because [the] first time is very cool, but this time, it’s for the work, so that just feels just really dope. Josh : The entire body of work. [The first Grammy nomination] was us being really good coming out to them. That’s awesome, but this one is very awesome because it’s for everything that we’ve put in. Norman : Real talk, real talk. Tank : I would really like to win it. credit: Jamelle Tate, courtesy of the artist Josh : Not just one song, not one video; it’s the entire thing. Norman : The first one, all the other artists had radio hits. We didn’t have any hits on the radio, and they still had to say our name. Y’all had to put songs on the radio to win. Tank : You know how you say, ‘Since you guys made it,’ ‘Since your big success,’ ‘Since your breakout,’ you know how you keep saying that? We don’t feel that way. Y’all don’t feel that way, right (Tank asks the Bangas)? Like we’re some breakout stars, like we’re up there? Norman and Josh : No! Albert : Oh God, no. Josh : I feel like we’re new to somebody every day. I feel like because we’re new to at least one new person every day, that’s eventually gonna happen. MaM : So since she got y’all on the clock, is Tavia the special sauce for this whole thing? Josh : Facts. Albert : Oh yeah. Josh : She’s working right now. If you look right there, you can see her answering emails as we speak. Norman : We wouldn’t have gotten Tiny Desk without Ta, ‘Think Tank’ would have never happened without Ta, ‘RandoMe’ would have never happened without Ta ... Coachella, none of that. Tank : (looks to Tavia) Ta, I’ve been doing this. Norman : Shit, you was [sic] on the sofa. She picked you up off the sofa. Tank : Who was on the sofa? Norman : Tank Ball. That’s why I say you better understand! Tank : Boy, I’ve been doing this … My friend know [sic] she met me while I was on my journey. Norman : Ta said, ‘Come on, get in the studio, girl; you want to do a CD, come on.’ Tavia : I nurtured her journey. I think both Tank and I may have tapped into something that was deeper for both of us that we didn’t know was there. Granted, I met her doing poetry, which is what she wanted to do. She wanted to travel with her poetry book. She did not want to do a poetry show unless she had an album. Gus Bennett was put in my ear and he said, ‘I’m only telling you that I did a spot with Raj Smoove.’ I don’t know why Gus thought that I was the person. Tank : I don’t know why anybody thought you was [sic] the person to tell! Tavia : I know! Tank : No, I mean in my own self. Norman : Because you was [sic]! Tavia : One of Tank’s mentors pulled me to the side, spoke to me, and said I should really pursue this. They saw something in us that we didn’t see ourselves. We both just went full-fledged into it. When I met Tank, she had just quit her job and I was working two jobs and going to school. I thought I was really gonna be in an office job at the USDA or something. Other people were trying to get Tank to do things, but they were trying to get her to do what they wanted her to do, and not what she wanted to do. I was like, 'Let’s do what you doin’. I’m down for the poetry, like, let’s make this poetry album.' Everybody else was tryin’ to get her to do jazz songs and stuff, but she wasn’t feelin’ that.” credit: Erika Goldring/Getty Images [laughter] MaM : Y’all been together what, a decade now? Tank : Over a decade. Tavia : Twelve years with Tank and the Bangas, 13 years of friendship between me and Tank. MaM : So much great music. What’s the future hold? Josh : I don’t know – more stuff. Whole [sic] lot more stuff. Tank : We would love to get our book together. Norman : It’s comin’. Tank : We want to create an affirmation book for adults like us, and kids, and teenagers, because we have a lot of quotes that we live by and that we share with each other. We would love to do that. We would love to get more into big soundtracks for great movies; we’ve been offered those opportunities before. The world actually believes that we put on one of the best shows in America, [so to] have that stage and those things offered to us to make it what it’s supposed to be. Be more disciplined, more consistent. Just falling in love every day with what we doing. It’s not always easy, especially for myself. Definitely this year I’m going to make some resolutions, which I haven’t done in a while, honestly. Norman : Will you make a resolution? Whoop whoop! Tank : I feel made fun of. I thought this was a safe space. Norman : First of all, it’s a safe space. That was Kirk Franklin. I don’t know if you don’t know.” [laughter] Tank : Tavia, I’m not feeling safe. Let’s go. Norman : You need to self-care more. Your pants say self-care. If you want some self-care pants, they on TankAndTheBangas.com . Tank : Oh my lord. Norman : ... and they on Tank right now! Albert : More good music, Tank and the Bangas 2022 and beyond – for the kids! Whoooo!” For more on information on the outstanding talent that is Tank and the Bangas, their albums, their shows, and all, well, all things bangin', visit them online at https://www.TankandtheBangas.com . *Cover photo from taken from artist website. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? E-mail us mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Journey of Making Dreams Come True < Back Rian's Den: From Vision to Reality Rian Nickels Apr 11, 2025 Share The Journey of Making Dreams Come True This may end up being too long, and who knows if anyone will read it, but if my story inspires even one person to pursue what they want to do in life, then I suppose I should share it, so here goes nothing. Around this time last year (2024) , I found myself craving more out of music photography. I got a few paid gigs for local Louisiana alternative bands in my inner circle of friends. Still, I knew I wasn't spending enough time doing what I was passionate about – taking photos of live music performances. I wondered if my work was good or interesting enough for me to join a music publication. I live in a small Louisiana town , so I never really considered that there might be something I could contribute to locally, so I looked around the good old World Wide Web to find some publications that could take me on. I sent out a lot of cold emails with my portfolio (which was really lacking, if I'm being honest) to different alternative music pubs, and unsurprisingly, I didn't get a single reply because most of them required you to also be a writer, which I had no confidence. Eventually, the idea faded from the forefront of my mind. Still, one day, as I was scrolling through the socials, I saw that my friends from Jean Claude Seagal had interviewed with an online magazine, Mixed Alternative Magazine , and decided to read it. After looking over the site, I couldn't believe what I found out! Mixed Alternative Magazine was run by a woman based in Louisiana , not only in my state but in a small town near Walker! Knowing someone in my town cared about the local music scene brought me joy, so I decided to reach out and try my shot at being a contributing photographer. To my surprise, Nicole Brice , editor-in-chief and founder of Mixed Alternative Magazine , reached out to me, loved my work, and graciously took me in with open arms! Unlike other publications, I loved working with Nicole because she didn't require or force me to write. However, she did encourage me to try it out and see how I felt about it. I didn't know what to expect, but I was excited to step deeper into the Louisiana music scene and be a part of a group of talented people passionate about capturing and documenting the growth of our local alternative community. For my first assignment as a contributing photographer, I captured Feel Alive Media and Events' first step back into the scene after a five-year hiatus. It was JAYD3D! 's release for their debut album Outstanding Gentlemen , at The Howlin' Wolf in New Orleans in April 2024 . This was a perfect place to start for me because not only is JAYD3D! my fiancé, but I am also co-founder of Feel Alive Media , so this was right in my comfort zone. Around this time, I had been dealing with a lot of social anxiety after being away from the scene for so long, and it was my first time back in New Orleans in years, but I was excited to embark on a new adventure. I went on to have a great night, make core memories, meet new friends like Kris Russ , and reinforce a connection with Coma Nights , whom I photographed a few months back at Phil Brady's in Baton Rouge . Since the gig turned out so well, I decided to try my hand at writing a show review, and it turns out people seemed to like my writing. The article had good traction, and people were kind enough to let me know they were excited to see what would come from me. Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf In May 2024 , I followed my good friend Michael Spoon 's band, The Gosh Darn Dangs, around for a night of Busking in Hammond, Louisiana . Documenting this meant a lot to me because I was able to work with people with whom I've had long-standing friendships and grow new ones. I loved strolling through my old stomping grounds. The best part was giving a glimpse of what a night in the quaint little downtown of Hammond was like. Southern Happenings: Meet The Gosh Darn Dangs By June 2024 , I got to take pictures at a well-loved venue in Baton Rouge , Chelsea's Live , for the first time. My friends at Goodbye Academy were releasing their new EP Last Minute Homework that they were set to perform at the local music showcase ' Harmonic Stew ' and asked me if I'd want to capture it for them. I mean, how could I refuse? Goodbye Academy is one of my favorite local bands, and just the thought of taking photos in Chelsea's Live stoked me. That night, I got to photograph GBA , Dale Harris Band , and a popular Louisiana band Hey Thanks! I'd have to say that this was one of my favorite gigs; it was so cool to see my friends perform on a proper stage, I loved the Louisiana-esque sound that Dale Harris brought to the stage, getting to photograph Hey Thanks! was a neat opportunity. Chelsea's Live was the perfect place to test the waters of bigger production concerts. On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 In July 2024 , I got to cover another Feel Alive Media event, this time at another place I once frequented: The Green Room in Covington . On the line-up for that night were JAYD3D!, The Gosh Darn Dangs, and Jean Claude Seagal . This night was one for the books because, between the performers and the attendees, all my friends in my innermost circle were there to make memories and listen to good tunes. Hammond's Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media September 2024 was super busy, but you don't achieve goals without being somewhat busy. Two of my main goals were photographing a gig in a Theatre and covering a festival. I was hired on to photograph an event that was being put on by the Southeastern Louisiana University Theatre Department , 50 Years Of CBGB , at The Colombia Theatre in Hammond, LA . This would be my first time photographing from a stage and working around multiple photographers and a bigger crowd. I also got to photograph and reconnect with music friends from before my photography hiatus and, overall, was blessed to see that Hammond 's music scene was still breathing. I believe this night set some foundations for my growth in the professionalism side of music photography and gave me the confidence and experience I needed to attempt more significant events. By this point in my journey, my anxieties around crowds, my skills, and just life in general started to ease. I no longer felt on the edge of panic when on the way to events, but instead felt excitement. CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Next up on the agenda for September (literally the day after CBGB) was my first time capturing a music festival. I got to attend Rock Around Downtown Fest , RAD Fest for short, with our very own Mixed Alternative founder, Nicole Brice . This was the first time Nicole , and I got to know each other. I even met Justin Hammer , a photographer I had looked up to for at least a decade. Justin had been doing concert photography for a while, but before that, he was taking photos of my friends at Dreamland Skatepark in Hammond , and I was excited to be on the same team as him! I was excited to be allowed back on the stage again but was even more eager to see what I could do when poor lighting wasn't an issue. Most of the shows before this one were all indoors at night, but RAD Fest was outside during the day on a beautiful afternoon in Lafayette, Louisiana . I got to take photos of many alternative bands from the South ; every single one brought rockstar energy to the stage. This day was so inspiring and exhilarating that it showed me that I could really thrive in the Music Festival setting. RAD FEST 2024 Video by Sixto6 Productions October 2024 was the busiest month by far, but launched me so much farther into the life of a Music Photographer . To Nicole and me, it was a complete surprise that Mixed Alternative Magazine and I were approved for our first press pass with a bigger venue and artist this month! After months of hard work and dedication, we were about to see some of those tireless nights pay off, and we were in disbelief that we were approved to cover Sleeping With Sirens at The House Of Blues in New Orleans . This was huge!! The last time I saw Sleeping With Sirens perform, I remember thinking, "I'm gonna do whatever it takes to photograph them one day," that day was here! It meant the absolute world to capture one of my favorite bands, and I've honestly never felt cooler in my life. This event was a real test of my progress with my anxiety; the show was sold out, so that meant I couldn't bring anyone along. I can't begin to tell you how incredibly nervous I was to take the journey to and through New Orleans alone, but I knew I couldn't dare miss the opportunity. Luckily, I met up with another one of my photographer role models, Whitney from WhitnessThis Photography , and even ended up running into an old friend. This reminded me that it's important to pursue things that, at the surface, scare the crap out of you; because the universe might just be looking out for you sometimes. Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian's Den: A Night to Remember with Sleeping with Sirens Only two days later, I found myself back in New Orleans at The House of Blues – with my best friend, I might add – to cover The Used and Plain White T's ! This show showed me what a photographer can pull off when given the right lights, stage presence, and opportunities. Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy After that, I spent the rest of October photographing weddings, Halloween shoots, and spooky parties, and the holidays started to ramp up. I also did various music events for friends and gigs, but unfortunately, I didn't get the time to write any articles, or review shows from late October until late February . Now that most of the holidays were survived, Louisiana was looking forward to Mardi Gras , but I was ready for concert season to ramp up again. To kick off the season in February of 2025 , I got to photograph Johnnie Guilbert's first tour with a full band on the Death and Glory tour with Palaye Royale , artists who quickly made it to my top artists on Spotify . This show was just what I needed to get back into the groove of things after a long holiday season. Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans It's April of 2025 now, and I've only done that one show, but I'm excited for what awaits this year with Mixed Alternative Magazine . I eagerly await my Her Riot Femme Voices Showcase on April 18th in Baton Rouge at Mid-City Ballroom and Eclipse Fest on May 10th at Feed' N' Seed in Lafayette . As far as goals for this year go, I'm hoping to get more involved in interviewing and photographing more local bands that I haven't had the chance to see, and I'd love to write more articles about past shows I've been to that deserve some recognition. My point with this article is to tell you to go for that thing you've been wanting to do because, to your surprise, it may turn out exactly how it should. You might be good at it, and others might also think so. You could meet some new friends who are into the same things you are and have similar goals as you, and y'all might help each other to be able to do the things you love. You might end up exactly where you need to be. Mixed Alternative Magazine has offered a space for a community to grow and thrive. They are bringing attention to talent hiding in Louisiana's nooks and crannies and bringing it to the forefront. They offer something different from your average music publications, allowing space for creativity, emotions, and passion to flow. A place where you can reject the mainstream, forge your own path, and make your own rules. (Jk Nicole makes the rules) :P www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions for comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Dear God No!: What the Hell Did I Just Watch? Ezekiel Kincaid Share Sep 25, 2023 Dear God No! nails it and takes us back to the days of true grindhouse and 70’s exploitation. Rating: 4.5 out of 5 Kool-Aid pitchers full of fake blood Welcome back, boys and girls, to another column from your dear ole Uncle Zeke. This is the place where I subject myself to the absolute worst cinema has to offer, and this week’s review is no different. Today, I want to talk to you about a little action-horror gem from 2011 called Dear God No!. There are three things you need to know about Dear God No! First, it's one of those movies that is so bad, it’s good. Second, don’t expect an intricate plot or for things to make sense; they won’t. I review B movies, remember? And third, Dear God No! is a grindhouse/exploitation film extraordinaire . A few words of caution for sensitive viewers, though: While the violence is totally unrealistic, it is rather brutal and not for everyone . Expect some nudity and a few rape scenes–-one of which involves a pregnant lady. I’ll spare any details, but I digress. Let’s kick this off by talking about Dear God No ’s extremely complicated plot. Basically, what we have is a creature feature, biker gang, and mad scientist movie all rolled into one. A bigfoot-like creature is on the prowl, an unsuspecting biker gang pulls a home invasion on a psychotic, Nazi anthropologist and his family, then all hell breaks loose … and that’s it. That’s the plot in its entirety–-nothing tied together, just random shit going down. I hope you were able to keep up and all this complication isn’t going over your head. This fine piece of filmmaking was directed by James Bickert , whose name should be familiar to all you B-movie enthusiasts. He directed deep, philosophical masterpieces such as Frankenstein Created Bikers (2016) and Amazon Hot Box (2018). Oscar contenders they were not. Dear God No! stars Jett Bryant ( Frankenstein Created Bikers) as Jett, who plays the lead biker. You can tell a lot of effort went into coming up with the character's name. He actually looks a lot like me if I had a longer beard, so right off the bat, Dear God No! automatically gets an extra star for that. Director James Bickert stars in Dear God No! as well, playing the part of Jimbo, aka Rusty Stache, one of the gang members. Our mad Nazi scientist, Dr. Marco, is played by Paul McComiskey, who was also in … anyone want to guess? Yep, Frankenstein Created Bikers . The lead female roles are played by Madeline Brumby ( Frankenstein Created Bikers , where she plays the same character) as Edna Marco, daughter of the psychotic Dr. Marco, then there’s Olivia Croix ( Dear God No! is her only film) starring as the other daughter, Evelyn Marco. Finally, Rachelle Lynn ( The Taken ) plays Laura, our unfortunately assaulted pregnant victim. Let’s now proceed to my thoughts about this film, shall we? If you look up Dear God No! on IMDb, you’ll see that it is rated a whopping 3.9 out of 10 stars. If you read the reviews, you’ll find that they are somewhat divided. Many of the bad reviews chide this film for not being “true grindhouse,” whatever that means. Yet, after viewing this film, I have to sit and wonder, have these folks ever watched a real grindhouse movie at all? Dear God No! NAILS it when it comes to taking us back to the days of true grindhouse and 70’s exploitation movies: bad acting, stupid plot, terrible dialogue, jump cuts, monster suits, and awful special effects. Don’t go into this expecting Machete or Planet Terror . In Dear God No! , the blood is watered down so much that it looks like red Kool-Aid at times, and the blood flow from several of the victims leaks out nowhere near the wound. The film is also shot on 16mm film so all the effects are practical, meaning no CGI in this one, which is a huge plus in my book. What makes Dear God No! different from most of the throwback grindhouse films out there? Simple: It is pure, unadulterated ugliness . It is a bad seed, totally from another planet, and is in a league all by itself. Literally everything about this movie is brutal and mean-spirited and features no redeeming qualities in the characters of the biker gang. They aren’t heroes, and they aren’t villains. They are a category of vileness all to themselves. They are filthy-mouthed murderers and rapists, plain and simple. Don’t believe me? Wait until you see what they do to the pregnant lady. With all this being said, Dear God No! Is the closest thing out there in modern film that truly captures the grindhouse feel of the 1970s. If you’re a connoisseur of trashy B movies, this one is definitely for you. Dear God No! Is currently streaming on Tubi, Vudu, Amazon Prime, The Roku Channel, YouTube Premium, and Apple TV . https://www.youtube.com/watch?v=77goxvLwKVk Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jrago < Back What Do a Musician, an Indie Label, and a Video Game Have in Common? Nicole Brice Oct 18, 2022 Share Jrago Jeremy Pourcy is what you might call a veteran of the local music scene in South Louisiana. He originally started out with Knever in 2001 and continues making music with his very own metal band Jrago , in addition to playing bass with the First Baptist Church Worship Team in Denham Springs , LA. And did I mention he is developing his very first video game, Jrago – The Demon Hunter ? Because he sure is! Jeremy was previously involved with bands Eden , The Mysterious Stranger , Ambassador , and Branded for Exile . Multi-talented and multi-faceted doesn’t even begin to cover what all this man is about. We recently sat down with Jeremy to pick his brain on many topics, and he was incredible! Set to release a new album on December 16, 2022 , Jrago and Jeremy Pourcy are a MUST on your worth-checking-out list. credit: Gary Governale MaM : Give us a short bio of everything you have been involved in. I’ve been reading up on you and you’ve been on the scene for many years. JP : Well, in 2001, I joined my first real band called KNEVER playing bass. The lineup was Jason Ourso on vocals, Rusty Laughlin on guitar, and Jon Maher on Drums. I attended high school with Jason and Rusty , so that’s how we knew each other. After a few years, we added Cody DeRouen on guitar. During this time, we almost got a record deal, which failed, but it led to me starting an Indie label called Jrago Records . By 2004, we ended up replacing Rusty on guitar with a dear friend of ours named Luke Fauver . We had played shows with his other band, Caustic 6 , but unfortunately in the summer of 2006, Luke passed away and the band broke up. MaM : …and then from there, you created Eden with your wife, correct? JP : Yes, later that year in 2006, I married my wife, Kelly Smith , and we began to write and record music together. We called our project Eden , and it was mainly just writing and recording at home. MaM : After Eden, you had quite a long list of projects. credit: Gary Governale JP : Yes, I did. So, in 2007, I got a call from Jason Ourso , and he was starting up a new rock band and needed a bass player. It was called Murder on Sunday , which would eventually be renamed to The Mysterious Stranger . My time in the band was short lived, however, and I was replaced with another bassist. A couple of years later, I was invited to play for an A Perfect Circle cover band called Sea of Names (Mer de Noms) . The line-up was Rusty Laughlin on vocals, Adam Shelton on guitar, and Jeremy Rasti on drums. I was playing bass and keyboards. We never played any shows, but we had a good 10 songs we practiced for several months. MaM : It was about this time that you guys decided to bring Knever back, right? JP : Rusty and I joined Jon and Cody again, but this time Rusty was singing. We called it Never Again as a bit of a joke. By 2011, it was finally show ready, but I ended up leaving the project after the birth of my daughter. MaM : And when did Ambassador come about—after the reunion of Knever? JP : 2015 – I get a call from Jason Ourso once again, and he’s starting a new rock band. This time, with Gabriel Vicknair on vocals and Ean Savoy on drums. That was the beginning of Ambassador … but, then in 2016, Knever was back in action and needed a new bassist, so I joined them once again. https://www.youtube.com/watch?v=8b0T32Wg8do In 2018, Kelly and I released our third Eden album, Window , and Ambassador released its first album, Belly of the Whale . Coincidentally, Knever also released an album, which was to become the final album, The Collection . credit: Gary Governale MaM : So, what happened in 2019? I know a good bit went down but tell me a little more. JP : Well, in 2019, Ambassador gave me the boot, developing problems in Knever led to a breakup again, and I started to play with Branded for Exile for a few months but then ended up leaving that, too. https://www.youtube.com/watch?v=KNk0knNcoSY So, by 2020, I was pretty much all alone musically and was trying to record a song unsuccessfully. After a few months, I got a call from Jon Maher , who also left Branded for Exile , and eventually we got our song “ Into the Precipice ” recorded. And that was the start of Jrago . MaM : Obviously, Jrago’s name is a play on your own name and you guys have been releasing songs like crazy. I can’t even keep up. Give us a little more info. JP : With Jrago , we decided to treat each song like an album and release them all as singles. This method of writing and recording allowed us to focus on each song individually. By the summer of 2021, we had six songs finished and decided to put out some CD’s (yes, I realize it’s an outdated medium these days, but we’re kind of old skool). So, our first album was called Destruction Breeds Creation . Our second album will feature eight songs and it’s called Disconnect . We have the release planned for December 16, 2022. credit: Gary Governale MaM : So, you obviously do everything yourself, which I admire tremendously. I, myself, am the same way. What recording software do you prefer to use? JP : I use Apple’s Logic software for recording. As far as why? I had previously used Apple’s “ Garageband ” software, and the interface and button configurations are similar. In Jrago , my main goal was to be able to write, record, mix, master, and produce music without having to get anyone else involved. https://www.youtube.com/watch?v=XoD54kktIUE MaM : What has been the biggest obstacle musically since starting Jrago? JP : Guitar. Without a doubt, guitar. Being a bass player, it took quite a bit of practice to get my first guitar chops up to par to be taken seriously. Even now, I still consider myself amateur at best. In addition, vocals and lyrics were tough, too. Jon had been doing back-up vocals in our previous projects, and now he was able to shine as Lead Vocalist. So, both Jon and I are stepping out of our comfort zones and filling multiple roles in this project. While it’s difficult sometimes, it has allowed us to both grow musically. credit: Gary Governale MaM : As far as inspiration, from whom or where do you draw inspiration? JP : I believe music comes from God . As far as my influences, it would have to be my friends and fellow musicians. Growing up in South Louisiana , there has always been a ton of fresh, original bands all around me. I, honestly, listen to more local music and band room/live recordings than I do mainstream releases. If I had to list some big bands that inspired me, it would have to be Metallica , Tool , A Perfect Circle , Avenged Sevenfold , Nirvana , Pearl Jam , Soundgarden , Killswitch Engage , Dredg , Evanescence , Fear Factory , Times of Grace , The Empire Shall Fall , Eighteen Visions , 36 Crazyfists , Blindside , and Pink Floyd just to name a few. Be sure to check out and follow Jrago on YouTube , Facebook , and Instagram for the latest on upcoming releases and shows! Jrago | Facebook Jrago Studios | Facebook Jrago Records | Facebook Jrago (@jrago_) • Instagram photos and videos Music | Jrago (bandcamp.com) Jrago Records - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Got Nostalgia? < Back Way Back When: January Picks Nicole Brice Jan 6, 2025 Share Got Nostalgia? Yeah, we made it to 2025, and I know most of us are dragging ass trying to get back in the swing of things, myself included. Need some music motivation? I’ve got you. 1. 1000 Homo DJs - Supernaut When Al Jourgensen was asked to contribute a song to the Nativity in Black: A Tribute to Black Sabbath album, he chose to cover ‘ Supernaut .’ The first version recorded featured Trent Reznor on vocals, but when Trent’s label caught wind of his contribution to the song, the vocals were changed out with Al doing them instead. I prefer the Trent version, but that’s just me. Great cover, though. 1990 https://www.youtube.com/watch?v=A5NunXMltyk 2. Scarling - City Noise Are there any Jack Off Jill fans? Scarling is one of those hidden gems that, unless you know … then yeah … you just don’t know. Formed by vocalist Jessicka Addams and guitarist Christian Hejnal , Scarling is a noise pop / shoegaze band formed in Los Angeles in 2001. ‘ City Noise ’ is one of those tracks you can’t fully appreciate by listening to only once. No, you must repeat this song to enjoy it truly. Turn it up loud! 2005 https://www.youtube.com/watch?v=IlVLs2zlGNc 3. Mammoth WVH - Think It Over I am obsessed with Wolfgang Van Halen . Obsessed. His talent is extraordinary. I love this song so much! 2021 https://www.youtube.com/watch?v=p9agMWII1_c 4. The Go Go's - Our Lips are Sealed Everything about this song is perfect. Great lyrics. Catchy hooks. …and…the backstory behind this song is cool. Do a Google search . You’ll be amazed. 1981 https://www.youtube.com/watch?v=r3kQlzOi27M 5. New Order - Bizarre Love Triangle One of the most beautiful tunes New Order has ever crafted. 1986 https://www.youtube.com/watch?v=tkOr12AQpnU Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? https://www.youtube.com/watch?v=gvjYhlL1QjU t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alabama Smoke Show proves that the future of music in Huntsville is bright! < Back Off The Charts: Alabama Smoke Show Bud Gambrell Aug 1, 2024 Share Alabama Smoke Show proves that the future of music in Huntsville is bright! On June 20, 2024, I booked a photography gig for the Alabama Smoke Show at the VBC Mars Music Hall in Huntsville, Alabama . At that time, I wasn't sure what it would be. I thought that I was booking just another show. To my surprise, this was more than just another show. As I looked closer at the lineup, I saw some familiar names. Several artists I knew were playing. You may have become familiar with Brandon Elder in my last article, and you’ll hear more from him in this piece. Yours truly arrived early to learn more about the Alabama Smoke Show, where I found my way backstage to spend time with old friends and make some new ones. Of course, one of the people I had to hunt down was my new friend, Brandon Elder. After my last article on Brandon , our paths crossed several more times in public. Isn't it wild how life works sometimes? I pulled Brandon aside first and asked his view on The Alabama Smoke Show. Credit: Bud Gambrell OTC : Brandon, what have you been up to since we last spoke? BE : Man, I'm just gigging and trying to stay out there. I've been looking forward to this show! OTC : For those who may not know, tell us what the Alabama Smoke Show is. BE : So, I think this is the first year that they've done the Smoke Show, and it's just a lot of local, good guys just coming together and trying to put some country music together that people will enjoy. It's also a chance for all the local artists that play to take a breath for a minute and get to hang out and just have a night together. We don't get to see each other a whole lot. We all know each other, but we never see each other. We're all playing at different venues, so the Alabama Smoke Show is where we can get together, have a good night, and play music. OTC : There is a lot of talent on that stage tonight. What does it mean to you to be playing on that stage tonight? BE : Honestly, I'm just happy to be here! Most of the guys who will be on stage tonight are buddies of mine. There are only a couple of them that I have never met. Three of them went to the same high school I went to, so it's fun to be with these guys who share my interests, enjoy the music, and have a good time. As I was hanging out backstage talking to the artists, I managed to find the organizer for the Smoke Show. When I learned who it was and dug deeper, I was surprised by a few things, mainly his age. At 18 years old, Jonah Evans put together The Alabama Smoke Show. Unbelievable. Jonah organized the event, booked the bands, and sang in the headlining band. He has been super busy leading up to the Smoke Show. OTC : What led you to want to organize The Alabama Smoke Show? JE : I'd say there are just a lot of young guys in Huntsville, in the North Alabama area, that people have turned their heads to because we're, you know, we're young. We should be heard because we are talented musicians, and I think we can hang with pretty much anybody. I want to let it be known. OTC : How did you decide on the artists to invite? JE : We opened for 5ive O'clock Charlie in Falkville, so I've been friends with Mike for about two years, and he told me he had a son named Jude. And then I knew Dylan through Jude because they were in a band called the Debriefers. Brandon and I went to the same elementary and high schools. I found Caleb on TikTok and became good friends with him. Then Dawson Slade I saw him on American Idol . He's my age, and he's good! And then Kade Pierce hit me on Facebook a while ago and wanted to write something. He's got some pretty dad-gum good songs, so I'll have him out for the writer's round. And then came Kam [Jones] , who was big in the Huntsville scene, and Jude told me I must get this guy because he's got some pretty good songs, too. I love original music, so anybody who can write a good song will like it, and I will try to help them out the best I can. Credit: Bud Gambrell OTC : Now, Jonah, walk me through the process and the time it took to put this all together. JE : OK, I had this big show idea about a month and a half ago for a prominent global young artist showcase, and I wanted it to include everyone young and coming up—you know, the next generation of young Huntsville staples. I tried everywhere I thought would say yes, and my last shot was the Von Braun Center . I just sent the email, man, and it went straight from there. OTC : You must be kidding me! With this much talent, this show took only a month and a half to assemble. JE : Yeah, that was a month and a half of work. I did a lot of behind-the-scenes work, but we sold out the whole top row about an hour after tickets went on sale. It'll have a bigger turnout next year. I know it. Don't get me wrong, it was a great turnout this year, especially for something only advertised for a month, but I anticipate bigger crowds. The plan is to get a date down in December next year, and we'll have a lot more time to advertise. Credit: Bud Gambrell While I was hanging out backstage, I ran into Bill Neal. Our ventures are similar because we both aim to promote artists and music. Bill runs a podcast called Pickletato . Trust me on this. It is a fun podcast. I will leave a link at the end of the story. OTC : Bill, tell me what you are doing tonight representing the Pickletato podcast. BN : So, tonight was the first time we went live. We were going to go live on YouTube, but we had some technical issues we weren't prepared for. We tried testing this out two or three days ago but couldn't get YouTube to work for reasons beyond our control. We were able to go live on Facebook , though. We just wanted to show people familiar with us some backstage stuff happening and get people out here for the Alabama Smoke Show . https://www.youtube.com/watch?v=w-KtaobRGSU OTC : What is the overall goal for your podcast? BN : The overall goal is to get the podcast as big as possible. Once again, it's not selfish; the reason is that when somebody comes on the podcast, we want them to be exposed as much as possible. We're not getting any income from this. It's all on us. That shows people that we're not doing it to become Joe Rogan or anything like that. The main goal for the editor and I is that when we bring someone on the show, it will show their talent and story. OTC : Tell me how Pickletato began and why you do it. BN : My son and I discussed it in October and November 2023. Something happened to me that made me think, man, I know many people who have some great stories, and I needed to get these people out there because they should be famous for their actions. Some of their stories are just phenomenal. https://www.youtube.com/watch?v=H0fqrDyKE2A OTC : After launching it, have you changed how you produce the podcast? BN : If you compare the first season to what we're doing now regarding the intros, the outros, and the editing, the video is much better than it was in the first season. It has turned into something that we're proud of. So, we initially talked to a couple of people around here. 'Hey man, I want to start a podcast, but I want to do it because I want to get your story out there.' We just started talking to people, and they agreed. We didn't want any money, while we didn't have any money. After the first season, we're like, man, we got some excellent stories here. Let's step our game up with each season. So, for the second season, we invested in better cameras, and this season, we did some lighting, so we're deep into it now. Regarding funding, we're still not monetized on YouTube or anything. We're doing it independently to get people's stories out there. It's not about us. It's about the people we're interviewing, and that's the big reason why we're doing it. Credit: Bud Gambrell A couple of the band members I was familiar with were the singer and guitarists for The Alabama Heathens . I first met Jude Roberts through his father, Mike. Mike is a long-time staple in the Huntsville Music Scene. Off The Charts may have an article coming up sometime in the future that will feature Mike. While backstage, I pulled Dylan and Jude aside from the band The Debriefers because I had previously met them while filming a music video for another well-known local band. We had a great conversation; read more below. OTC : Jude, what does it mean to you to share the stage with all this talent at Mars Music Hall ? JR : I'm honored to be able to play on this stage. I've seen a lot of acts that I look up to on that stage, like Gov't Mule . I've seen Drive-By Truckers , Gary Clark Jr. , and Primus . All these big-name acts have shared this stage, and I'm honored to be able to share it. It is truly an honor! If you told me a year ago that I'd be playing in Mars Music Hall, I would have called you crazy! OTC : What do you like most about the life of a musician, and what do you like the least? JR : The music! It doesn't matter if you've had a bad day. But if I have a terrible day and go practice or play a gig, that makes me feel better because it's what I love to do. I wouldn't trade it for anything else. Driving home from Muscle Shoals at 3:00 in the morning is not very fun, though. OTC : What was the funniest thing that happened to you while you were on stage? JR : At a frat party in Birmingham, AL, I was playing, and somebody came up and licked my guitar mid-solo. I continued to play, and it was getting licked simultaneously. And then, not even five minutes later, you see them vomiting across the floor. I did not let him lick my guitar again. OTC : I’m not sure what to say to that. That is an insane story. (laughs) Dylan, what does it mean to you to be playing here tonight? DJ : Man, it feels great! We're stoked to get this opportunity. We never thought we'd be here this soon. All my idols have been here, so it's very special to me. It means a lot! I'm stoked! Alabama Heathens have been a band for about a year, so closing out our big July run by playing at Mars Music Hall is very special! OTC : What got you into music? DJ : I listened to records. When I was growing up, my father always had some music on the record player. OTC : What is it about music that makes you feel passion? DJ : The energy of the songwriting. If you hear an in-depth songwriter, you can almost feel like you've walked in their shoes. Credit: Bud Gambrell As we approached showtime, I asked Brandon Elder about his mental preparation for a performance. OTC : Do you follow a process or ritual to prepare for the stage? BE : You would need more time to put it in the article. (laughs) I'm just kidding. I can tell you what we've done all day. We sound-checked, and once everybody finished sound-checking, we had some pizza and then wrote a song. We hung out and jammed, had a few beers, and had fun with the day and the event. OTC : You all wrote a song backstage? Tell me a little about it or who was involved. BE : Every artist in the Alabama Smoke Show was in the room. It was a song that I had had an idea for. I had four lines written for the song. We were bouncing the ideas off each other, and I said, hey, I got this song, and everybody liked it, and we just rolled with it. It's not finished, but it's close, so hopefully, you'll hear that soon. Credit: Bud Gambrell Later in the evening, Brandon asked me if I wanted to hear a new song. You know I did! Honestly, I had no idea what I was about to hear. Brandon , accompanied by fiddle player Joanne Moger , began to play a song called House Divided for me . I am glad no one took a picture of me during that song because you would have seen my jaw all the way on the ground! It was a fantastic song, and I hope you will hear it soon. Be on the lookout! Backstage was like a cast of characters, and I loved every moment. Another musician I was previously familiar with was Kam Jones . Kam is a songwriter in Huntsville. He can be found playing in town solo or with his full band. I have enjoyed seeing both, and he is truly remarkable. I swore I wouldn't tell this part of the night, but why not? Before I started my recorder to do the interview, Kam twisted my arm. I mean, he had it twisted high and tight to do a shot of whiskey with him. I tried to say no, but he insisted. Ok, maybe he didn’t have to twist my arm all that much. Read on below. OTC : Kam, tell me a little about the Alabama Smoke Show from your perspective. KJ : Jonah approached me to do this, as did everybody else. As far as I know, this was an idea that he put together. It is his brainchild. He's gathered some incredibly talented songwriters and performers here tonight to put on a hell of a show. OTC : Now, Kam, you have already played your set. Tell me what it was like up there. KJ : It was very joyous and a lot of fun! I felt like I had some good friends up there, and we were having a good time. Everything was light and loose! OTC : Do you have anything coming up that you would like to tell us about? KJ : My single, ' Southern Weather, ' is coming out on August 28th, and I'll be all over town in the meantime. OTC : Where can we find the new single? KJ : You can find it anywhere you listen to music. My grandmother says Spoofify, but it's called Spotify . At first sight, the Alabama Smoke Show could have been brushed aside by most fans due to the age of the musicians. Please take my word for it: this event had the caliber of seasoned artists way beyond their years. Hopefully, this will be an annual event; I will watch for the dates if it returns next year. It's not often that I get to hang out backstage. My role as a photographer is usually at the front of the house or in the pit, but tonight, I arrived early to hang out backstage and talk to the artists I knew, and I’m glad I did. I encountered a remarkable group of people, and I can’t thank them enough for talking with me. After the night, one conclusion was clear: Huntsville has always been rich in talent. The youth on stage proved that the legacy and future of Huntsville's Music Scene are safe. The rising stars who performed at Mars Music Hall will carry the music torch in Huntsville for years. I know it. Thank you for stopping by and staying with me for this latest edition of Off the Charts ! As always, please drop me an email with your thoughts. Please tell me what you like or dislike about the column and articles. You may even have an idea for a future article; email me . Somebody, please send me an email. Getting an email up and running costs millions of dollars, and mine needs to be used! Just kidding. It didn’t cost millions, but I have your attention now. I would like to hear from you! Reach out! Help me shine a light on all our great talents in Alabama and beyond! Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell Where to find Brandon Elder: Instagram: https://www.instagram.com/brandoneldermusic/?hl=en Facebook: https://www.facebook.com/brandoneldermusic/ Spotify: https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music: https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube: https://www.youtube.com/c/BrandonElderMusic Where to find Jonah Evans: Apple Music: https://music.apple.com/us/artist/jonah-evans/1702943396 YouTube: https://youtube.com/@jonahevansmusic?si=EY9zEUUSaQgt4foQ Facebook: https://www.facebook.com/jonah.evans.144/about_details Where to find Kam Jones: Instagram: https://www.instagram.com/kamljonesmusic/ Facebook: https://www.facebook.com/KamLJones?mibextid=ZbWKwL TikTok: https://www.tiktok.com/@kam.jones.music?_t=8oUF4fCuewY&_r=1 YouTube: https://youtube.com/@kamjonesmusic?si=MH1qp_8gSbPIAQqr Spotify: https://open.spotify.com/artist/3eCCb48zuqQN57fKgNjd8F?si=EmjLMVSiTBiI4dWYMGJJ_g Where to find The Alabama Heathens: Apple Music: https://music.apple.com/us/album/99-miles/1705293419?i=1705293420 Spotify: https://open.spotify.com/album/3yif0RCKe3Oy7h2ow6hQFn?si=MpTR10vwQB6OPW_eb8Sg0A Instagram: https://www.instagram.com/thealabamaheathens/ Facebook: https://www.facebook.com/profile.php?id=61551809874041 Where to find Jude Roberts: Instagram: https://www.instagram.com/juderoberts290/ Facebook: https://www.facebook.com/profile.php?id=100069812147038 Where to find Dylan Johnson: Instagram: https://www.instagram.com/dylanjohnson.music/ YouTube: https://youtu.be/H0fqrDyKE2A?si=oQwEftT1Beyu_f8l Facebook: https://www.facebook.com/profile.php?id=100060446756708 Where to find Pickletato: YouTube: https://www.youtube.com/@pickletato Facebook: https://www.facebook.com/profile.php?id=61555703570599 pickletato@proton.me Instagram: Pickletato (@therealpickletato) • Instagram photos and videos Questions or comments? Hit us up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. < Back Reviews on the Real: Quicksand by Caustic Waves Nicole Brice Jun 6, 2025 Share Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. Following the release of their debut six-track EP, Full Circle , in 2023 , Caustic Waves is launching the second chapter in 2025 with a new single titled ‘ Quicksand .’ This track serves as the lead single for the upcoming album, Echoes . We actually covered the release of Full Circle back in 2023. You can learn more about it here . Released June 6, 2025 Founded in 2022, Caustic Waves is the musical project of Neil Thomas , a one-man band based in Glasgow, Scotland . Drawing inspiration from his love for 90s and 00s alternative rock, metal, post-hardcore, and grunge , Neil is influenced by bands from that era, including Incubus , Far , Deftones , and Helmet . Neil's music seems to belong to a different time due to its strong 90s influences, but that's exactly my style, and I'm fully on board with it. Now, let’s dive into this new track. ‘ Quicksand ’ kicks off with an immediate jam, diving straight into the action without any build-up. The intense vocals kick in right away, delivering a solid and refreshing dose of 90s alternative rock , reimagined for the modern era. It strikes the perfect balance: not too heavy, but just heavy enough. If Helmet and Incubus were to merge , this is what it would remind me of. Overall, it's solid rock all the way through, and Neil’s vocals truly soar on this track . Photo provided by artist I cannot wait to hear the entire album when it drops in September , but for now, stream ‘ Quicksand ’ on your favorite streaming service. https://www.youtube.com/watch?v=whvUfQZ069s Official lyric video for 'Quicksand' To learn more about Caustic Waves: Linktree: https://linktr.ee/causticwaves Spotify: https://open.spotify.com/artist/5YFSnuEccV4gdfzlxKkdu9 Bandcamp: https://causticwaves.bandcamp.com Instagram: https://www.instagram.com/causticwaves YouTube: https://www.youtube.com/@causticwaves Facebook: https://www.facebook.com/causticwaves TikTok: https://www.tiktok.com/@causticwaves www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Nude Nuns with Big Guns: What the Hell Did I Just Watch? Ezekiel Kincaid Share Aug 28, 2023 Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Rating: 2.5 out of 5 naked nuns covered in cocaine You know, there is a reason we call this column “What the Hell Did I Just Watch?” … and that was exactly my sentiment after viewing this particular film suggested by a reader: Nude Nuns with Big Guns. Yes, I'm serious. The title alone makes you wonder what you are getting yourself into by watching the film, but what does Nude Nuns with Big Guns offer, and does it live up to its name? In short, the answers to those questions are excess and absolutely. Allow me to explain. Nude Nuns with Big Guns (2010) promotes itself as a post-grindhouse exploitation movie, and it is exactly that. The film has a Robert Rodriguez/Quentin Tarantino feel to it, complete with the over-the-top antics of one of Tarintino’s spaghetti-style westerns, and its plot is pretty basic for a revenge/exploitation movie: A mentally abused nun is taken captive, made a prostitute, and then left for dead. Finding new life, our vigilante nun receives a call from God to create a Holy War to take out all the nasty drug dealers and sinners—and good for her, because when I say the bad guys in this film are literally the scum of the earth, I truly mean it. You’ll have no qualms about seeing these dirtbags get what’s coming to them. Asun Ortega as Sister Sarah (credit: IMDb) Nude Nuns with Big Guns is directed by Joseph Guzman ( Run! Bitch Run!, Back Alley Butcher ) and has quite an interesting cast of characters. First, there is our vigilante nun, Sister Sarah, played by Asun Ortega ( Diamond Dawgs ). Second, there's our sleazy, heartless antagonist, Chavo (David Castro, of The Lincoln Lawyer ); I also have to mention Father Carlito (Perry D’Marco, of Interceptor Force ), who is one of the numerous corrupt clergy in the film. And last but not least, we have everyone’s favorite henchman, Kick-Stand (Xango Henry, of How to Survive the Zombie Apocalypse ). Now, let’s talk about the film itself. I want to start off by saying, if you are offended by nudity then skip this film because there is a ton of it in there. Second, if you are triggered by rape, skip this film . And the henchman Kick-Stand? You know how some gangs have the dude who always roughs people up? That’s Kick-Stand. Except he doesn’t rough women up; he rapes them. And I’ll just let you put the pieces together as to why they call him Kick-Stand. Finally, if watching a movie that portrays clergy in a bad light gets to you, skip this movie . The priests and nuns in Nude Nuns with Big Guns are as corrupt as they come. In fact, the sex, nudity, and rape in Nude Nuns with Big Guns is so overdone, it gets old and boring fast. There was one point in the middle of the movie where I zoned out and started doing other things because every time I looked up, it was like, “Gee, nudity again. Gee, sex again. Oh look, another rape scene. What a shocker.” Worried I had missed something, I went back and rewatched the movie; lo and behold, guess what? Nope, I didn’t miss a damn thing important to the plotline. You might be sitting there thinking, “Well, Zeke, are there any good parts in Nude Nuns with Big Guns ”? And the answer is yes, there are: the first twenty minutes and the last twenty minutes—both of which I really enjoyed. There are a couple of good scenes scattered throughout the middle of the movie, but for the most part, the center portion of Nude Nuns with Big Guns drags along with way too much sex, nudity, and rape as tools to carry its story--it does not work. However, there are some truly hilarious interactions between characters, and we get some of those great, over-the-top scenes of violence we’ve all come to love thanks to grindhouse movies. Director Joseph Guzman does a solid job with accurately capturing the grindhouse feel, as some of the kills in the movie are top notch. credit: IMDb The actors also did a great job at portraying their characters, and, oddly enough for a low budget film, taking their roles super seriously. That being said, those pluses still weren’t enough to carry Nude Nuns with Big Guns into B-movie greatness. I had such high hopes for Nude Nuns with Big Guns --I mean, who wouldn’t with a title like that! But at the end of the day, with the overkill of sex, nudity, and rape, it comes off as lazy filmmaking . All in all, Zeke gives this post-grindhouse film 2.5 out of 5 naked nuns covered in cocaine . You can find Nude Nuns with Big Guns streaming on Tubi for free, and to rent on Prime Video, Vudu, YouTube, Apple TV, and Google Play. https://www.youtube.com/watch?v=Ubtt1RDk_M0 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Adventures of Pecos Hank < Back Dark, Moody, Mysterious, and Daring Keeley Brooks Feb 22, 2023 Share The Adventures of Pecos Hank Twenty years ago, when I was in my early stages as an entertainment writer in Baton Rouge, La., I was out covering some local bands when I discovered and fell right in love with a Texas-based opening act called Southern Backtones. I loved their vibe, their presence, their tone, and their music. Not only did the Backtones resonate with me, but they also resonated with everyone else in the room that night. So, I did what any self-respecting writer would do and walked right up to them the second they came off the stage. And I’m glad I did, because it landed me a friend for life in their lead singer, Hank Schyma. We bonded over our love for bands like Pulp, Radiohead, Black Rebel Motorcycle Club, and Portishead, and over our love for film—specifically the movie Clay Pigeons . (Shout out to my fishin’ buddy!) Schyma, now widely and most popularly known as Pecos Hank, is really one of the most unique individuals you’ll ever meet. He’s quite the popular singer, songwriter, musician, photographer, videographer, filmmaker, and snake charmer/wrangler on several scenes, but that’s not what makes him unique. It’s who he is at his core and his authentic perspectives, as well as his genuine kindness, that leave the lasting impression. His music deeply expresses a lot of who he is, which is a southern badass with a big ole heart. credit: Jay Dryden Oh, did I mention he’s also a professional tornado chaser? Because, for real, he is. He’s the kind of tornado chaser you might’ve seen in the 90s cult classic disaster hit Twister : in love and obsessed with tornadoes, daring to get up close and personal with them, and passionately unafraid yet deeply respecting of one of Mother Nature’s most powerful storms. When he isn’t Hank the musician or videographer or photographer, he’s Hank the tornado chaser and storm expert. Pecos Hank with a giant twister on his tail. Not only is Schyma talented at what he does, but he’s also very passionate about it. Dude spends half the year tracking storms and chasing one of Earth’s most stunningly terrifying energies, and he’s highly sought-after for his footage and live reports during tornado season by many news and weather outlets, including The Weather Channel. He also reports to the National Weather Service when other chasers don’t beat him to the punch. He has also served and continues to serve as a storm consultant on major motion pictures—most recently on Supercell , which is an upcoming disaster movie releasing March 17, 2023, starring Alec Baldwin, Skeet Ulrich, and the late Anne Heche. Not only was “a boatload” of Schyma’s tornado and lightning footage used in the movie, but also two of his tornado pictures were spliced together to create the image seen on the movie poster. The poster image originated from these two photos of Schyma's: credit: Hank Schyma Videos of his are littered throughout the trailer and movie. https://www.youtube.com/watch?v=n0Cs2DlZ15g Hank witnessed his first tornado in 2002 and captured the fastest tornado ever documented back in 2014, and on May 31, 2013, he was there in El Reno, Okla., to witness and capture the widest tornado ever recorded at 2.6 miles wide. photo credit: Hank Schyma On May 25, 2019, while chasing and documenting storms in Oklahoma, Hank discovered a specific type of transient luminous event (upper atmospheric lightning) called a GhOST, or Green emissions from excited Oxygen from Sprite Tops—in short, green upper atmospheric electrical discharges or green mini-auras. In the photo below, if you look just above the brightest part of the picture, you'll see a faint green hue that casts an afterflow across the sky; that's a GhOST. photo credit: Thomas Ashcraft “I video recorded some sprites over a storm … Later, when I reviewed the footage, I noticed a mysterious green afterglow above some of the larger sprites,” says Schyma. SPRITE stands for Stratospheric/mesospheric Perturbations Resulting from Intense Thunderstorm Electrification. They are large-scale electrical discharges occurring high above a thunderstorm cloud and are often reddish orange in color. Based on their shape, there are three types: jellyfish, column, and carrot SPRITEs. Hank tells me he then teamed up with photographer and SPRITE chaser, Paul M. Smith . “Yeah, this one I’m pretty proud of. [A] buddy and collaborator of mine, Paul Smith, and I discovered a faint green glow that occurs high above thunderstorms after powerful lightning strikes. Think of a random, brief aurora that lasts about one second,” explains Schyma. “We shared the footage with scientists and others on social media. Nobody had heard of it before. Many argued it might be a camera sensor artifact. Over the following weeks and months, Paul captured multiple other GhOSTs at high resolution, silencing the skepticism. This opened doors for us to directly chat with all the real scientist rock stars of meteorology.” The pair worked together to create this educational video explaining transient luminous events. Give it a watch and check out these atmospheric wonders for yourself. https://www.youtube.com/watch?v=tGPQ5kzJ9Tg So, yeah—see? He’s a general badass full of no fear and multi-leveled awesomeness. Born and raised in Houston, Texas, in the Pecos River Valley, Hank formed Southern Backtones in the late 90s with drummer Todd Sommer and guitarist John Griffin. As far as their sound goes, think American Southwestern dark, ethereal, gothic-y rock mixed with lonely echoes and moody twangs so delicious, they’ll leave your mouth watering … but not before they cast a spell on hidden parts of your soul and lull you in by the heart strings. They've often been described by media critics as, “Brit-influenced rock with roots firmly planted in Texas” and “moody voodoo rock that intertwines with Spaghetti Western and devil-may-care rock ‘n roll” ... windswept and gritty. In 1999, the Backtones headlined the Levi’s/Stage Stores promotional campaign with their hit song “ Fallen Angel ” from their first album, Los Tormentos De Amor , a self-described psychobilly surf punk album with cult Spaghetti Western twang. That resulted in the band touring through 80 towns across Texas in the first ever stretch Hummer, playing on top of it in retailer parking lots. Footage from those shows wound up as the basis for the Levi’s campaign and was even featured on MTV. Their second album, Unreleased Studio Tracks (2002), holds three surfy Tex-Mex cuts with vintage tones, and their third is self-titled Southern Backtones and released in 2006. It is pure dark indie rock with a heavy art movie soundtrack orchestration and was widely popular, hailed by Airplay Direct as "a beautifully dark cinematic embracement of Brit-pop and psychedelia in a philosophical search for more bohemian influences." IT IS SPECTACULAR. All of its songs longingly ache for a movie to come along and do dark justice in playing out their premise. They’re dark, bold, sexy, and mysterious. Tunes “Forever” and “Everything” were featured in the 2005 indie feature film Drop Dead Sexy with Jason Lee and Crispin Glover, and the music video for “Forever” saw regular rotation on MTV. https://www.youtube.com/watch?v=sSlcKZj3gCQ Personally, my favorite song from their self-titled album is “Glamorous.” Because I love it (and you) so much, click the image below to hear the siren song, but be careful: You will be compelled to listen to it twice, then you'll be compelled to listen to the entire album on repeat. I promise it's just as sexy and menacing and alluring as “Glamorous” is. (wink) Over the years, Southern Backtones evolved and now consists of Schyma, Sommers, and a pretty bitchin’ viola player named Jo Bird the Fiddle Witch , one of the founders of Two Star Symphony , Houston's best-known creators of contemporary classical music for more than a decade. Schyma says of her, “She is such a wicked force of nature, that our whole new sound has grown around her.” She is, indeed, ferocious with a fiddle. Hank recently took some very precious time of his to catch up with me and rap about old times, music, tornadoes, and snakes, as well as what the future holds next for Pecos Hank. MaM: Shit, man. It’s so good to be talking with you after all these years! Thanks for catching up with me. Let’s see, you’re a very unique artist full of many, many, many talents. You sing, you write, you play music, you make videos, you take pictures, you chase tornadoes—I don’t even know where to start with you, so I’ll start at the beginning! PH: Well golly gee, Keeley. Bless your heart. That’s might dern sweet of you. MaM: Ha! You were born and raised in Houston, but do you claim any other areas? PH: Mostly Houston, with a side of Dallas and Huntington Beach, California. MaM: When did you know you wanted to pursue music, and where did the inspiration come from? PH: At age 13, I knew rock and roll was my calling. The electric guitar was the Siren. MaM: Musically, your influences then and now … hit me. PH: The Doors, The Cult, and Danzig hogged my cassette player, until I discovered Elvis. From there, it was Robert Johnson, Chris Isaak, Dick Dale, Muddy Waters, Ennio Morricone, and The Reverend Horton Heat. After a decade of burning out rootsy 1-4-5s, I did a 180 [after] becomingly heavily inspired by Brit-pop. [That was] shortly after I met you [when] we connected admiring Pulp, BRMC, Radiohead, and Portishead over many, many cocktails. Great times! MaM: We did! Those indeed were some great times! So, what kind of success did you guys see over the years, and how has that success contributed to where you are today? PH: Success? Ha ha ha! Nobody down here wants to listen to all that shit fused together. So, we thrived in the small dives, making enough money to pay for gas and bar tabs. [Twenty years ago], thirty people packed in the [former] Red Star Bar in downtown Baton Rouge and it was a good night for us. We worked hard, though, and scored some decent CMJ radio airplay on the East and West Coasts. That helped us put cheese on our Whataburgers. MaM: What was the Backtones most popular album? PH: It was always the most recent one, 'La Vie En Noir.' (Click image to listen.) We were inspired to change themes and make something new rather than sound like a broken record. You get sick of your stuff when you play 75-100 shows a year. This disappointed a lot of old fans, but for everyone one we lost, we gained two—including you and (friend) Sam. MaM: I know for a fact (smile) that one of your favorite and most influential groups is the English rock band Pulp. This is Hardcore is one of my all-time favorite albums, and I have you to thank for that. Have you ever had a chance to meet or speak with Jarvis Cocker, and are you stoked about their comeback tour next year? (Click image to listen.) PH: That album was a game changer. I’ve never heard of Pulp ever playing in the [American] South. Nobody down here wants to hear that shit. (laughter) But I bet they could pack 40 people in the [former] Red Star Bar! MaM: Oh, no doubt! So, after Griffin left Southern Backtones, you spent some time in the acoustic performance area, often as one half of a duet with viola virtuoso Jo Bird of Two Star Symphony. Talk to us about the dynamic between you two and how you got together. PH: Jo was always the darkest, most beautiful artist in the Houston music scene. She sat in with all the best bands, while I gawked on the sidelines. For some reason, she still hangs out with me. MaM: Let’s talk about El Reno Blues , which was your first solo album with a new approach. Talk to us about what that approach was, how it was new for you, and how it was received. PH: In a three-piece band, when you lose a member to crack or a better gig, a big chunk of your sound is lost and replaced with another. When we lost Griffin (to a better gig) and replaced him with Jo, we weren’t the same. Package that up with a different brand, and voilà. … Todd (our drummer), being the badass he’s always been, is now also our bass player. We had our first gig as a trio with him on the upright bass last fall 2021. The show must go on. He does have a 9-5 gig and can’t always make the weekday gigs, but Jo can. So, she and I do a lot of duo gigs on the side. Over the years, some magic has emerged from that. https://www.youtube.com/watch?v=TR_F0e1UdZc MaM: Tell us what you’re up to today in a musical sense. Writing? Playing? Recording? Touring? Being a general badass, who’ll never forget his super-bitchin writer friend he met 20 years ago? (laughter) PH: We’re currently halfway through a new record. I suppose when that’s done, we’ll have the impulse to tour where we can. Is the Red Star still open? What about the Bayou? Or the Thirsty Tiger? MaM: (laughs) Well, I don’t think they’re open under those names anymore, but the amount of venues that’ve opened up in Baton Rouge is insane. You’d have no trouble booking there. Where are you currently playing, and what can you tell us about BowiElvis Fest? PH: Just the usual places in Galveston and Houston. Fifteen years ago, I started a festival here called BowiElvis Fest . David Bowie and Elvis have the same birthday, January 8, and every year we have a big party with lots of bands playing Elvis tunes, Bowie tunes, and our own tunes. Splice Records has taken control of it, and man, does it swing. MaM: Dude, that’s awesome. And it sounds like so much fun. So, when I met you, you were known as Hank Schyma, but your identity has evolved into Pecos Hank. How did you earn that nickname? PH: I adore and snuggle (and charm and wrangle) rattlesnakes and tornados. credit: Hank Schyma My bestie, Emilie, pasted my face over a cartoon of Pecos Bill (a fictional cowboy and folk hero in stories set during American westward expansion into SW Texas) . He had a rattlesnake for a lasso and was riding a tornado. It was meant to be. MaM: Let’s jump over to your filmmaker status. When did you notice an interest in filmmaking, and how did you cultivate that? PH: I’ve always loved tinkering with video and made a few low-budget thingies, but I don’t think I deserve that title until I’ve completed something more substantial. Texas Honky Tonk legend Johnny Falstaff and I have completed three scripts. The only thing we need now is 10 million dollars. MaM: Yeah, that’s all we need, too. (laughs) I understand that when you were fronting the Backtones, you also directed, produced, and starred in a full-length blood-thirsty indie film. Tell me more. PH: Johnny Falstaff and I spent five or six years making Honky Tonk Blood . It’s a murder thriller that slithered through the Houston music scene at the time. For many of the bands, clubs, dancers, and artists of that era, it's a deliciously crude little time capsule. https://www.youtube.com/watch?v=X_WJM_thk80 MaM: You also did the same with several music videos. I’m all ears. PH: Yeah, [music videos] are only four or five minutes long and don’t take five or six years to make. The time and money spent on an MV that lives forever on the inter-thingie is much more bang for the buck compared to touring. MaM: Now, rap with me about this tornado-chasing business. What drew you to tornadoes, then to chasing them, then to chasing them professionally for multiple different outlets? PH: I was drawing and sketching tornadoes before I could spell it. It began as a dream, became reality, and then a career. Weird, huh? MaM: When did you first get into chasing, and what was your first chasing experience like? PH: I feel like I’ve always been chasing storms. Whether it was just running into the front yard to see the lightning or driving my first car out to the fields for a better view of the coming storms, it’s always been an obsession. In 1995, Hank joined KHOU-TV’s news team working as a camera operator, which gave him the opportunity to work under their head meteorologist, Dr Neil Frank. Schyma gained professional storm-chaser status in 2007, when he was appointed as KRIV’s exclusive in-house storm chaser. MaM: You started photographing and filming your chases and the emergence of these beasts in a most gorgeous light. How up close have you gotten? Any close calls? PH: As close as you can get without your eyes getting wet! (laughs) Sorry, that’s a line from Old Gregg . Please tell me you’ve seen the Mighty Boosh's Old Gregg . Technically, I’ve been inside several weaker tornadoes and had too many close calls with powerful ones. I’m trying to cut that out. MaM: Unfortunately, I have not seen that one, but it’s now on the list! Do you ever get scared while chasing? Has a ‘nado ever shifted suddenly and seemingly come straight at you? PH: The weekly commutes from Houston to [Oklahoma City] are way more terrifying than tornadoes. I’d guesstimate [that] every 25 times I piss my pants almost getting killed by a distracted driver on I-45, I piss my pants from one tornado not doing what it’s supposed to be doing. MaM: What’s the most frightening tornado-chasing experience you’ve had? PH: It’s hard to compare that time you almost died with that time you almost died. The most recent was in 2019, when I accidentally positioned in front of a rain wrapped around [a] ¾-mile-wide beast. You think to yourself [that] any second now you could be rolling or flying. MaM: Talk to me about these weather, science, and nature documentaries you’re creating, and what kind of twist should we expect? PH: I can’t tell you the twist, that would ruin it. (laughs) For those interested, you can visit his Pecos Hank Patreon page and subscribe to watch his weather, science, and nature videos. MaM: You also create zoology and geography videos as well. Do tell. PH: Whatever neat-o thing I stumble across, I hope to document well. Whether it’s auroras over Russia or whales in Tahiti, I love it all. MaM: How is a typical year split up for you between music and chasing? PH: I’m always torn between music, critters, and storms, but lately music and critters are only getting the leftovers. Half my year is dedicated to capturing severe weather. To all my loving fans around the world, keep your Covid away from me! (laughs) MaM: You print and sell your photos of your tornado-chasing experiences. Have you seen a big demand to snatch up your shots? PH: It can always be bigger. photo credit: Hank Schyma photo credit: Hank Schyma MaM: Tell us where all you chase, how you decide where and what to chase, and what happens after destruction settles? What do you and your team do? PH: Most of the time, I chase alone anywhere from North Dakota to South Texas, Thailand to Australia. For two weeks a year, I join Dr. Anton Seimon’s scientific field operations team hoping to gather data that helps us understand [more about] tornadoes. Anytime we see destruction where human life may be impacted, we try to assist any way we can. Sometimes it’s just letting victims use our phones, and other times we are driving them to hospitals. MaM: Will you ever stop playing music or chasing tornadoes? PH: Only if I’m physically incapable. MaM: What’s the harmony you’ve found between making music and chasing tornadoes? PH: I score all my nature videos with my own music. Who’da thunk you’d sell way more records chasing tornadoes than touring? MaM: What’s next on the Pecos Hank agenda? PH: It’s 6 a.m. Time to go to bed. MaM: Okay, okay, haha. Tell people how they can find and keep up with you? PH: Just google 'tornado.' And he’s not kidding. Pecos Hank is everywhere accompanying the word tornado . For more on this music, snake, and tornado-wrangling cowboy, and for more on Southern Backtones, you can find all your heart desires by stopping by any of the below-listed sites. www.PecosHank.com Youtube @PecosHank Instagram @PecosHank Facebook @PecosHankOfficial Twitter @PecosHank Youtube @SouthernBacktones Instagram @SouthernBacktones Facebook @SouthernBacktones www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alternative music has a unique blend of passion and rage. < Back The Revival of Alternative Rock in Louisiana: A New Wave of Sound in the Bayou State Nick Cline Apr 2, 2025 Share Alternative music has a unique blend of passion and rage. Alternative music , with its unique blend of passion and rage, is gaining momentum in Lafayette . The local scene, led by Gen Z , is a distinct expression of voices filled with angst, nihilism, and empowerment . This unique blend of fresh influences merging with the raw emotion of rock music— the towering amplifiers, deafening riffs, and screams of pain —is driving the culture and uniting the community in a way that is distinct to Lafayette . As culture evolves from one generation to the next, scenes and aligned communities emerge and fade away. Since the early 90s, alternative music has toggled between the background and the forefront , marked by the rise of grunge , shoegaze , and indie rock . It has been an ever-expanding community that has shaped pop culture landmarks not only in Louisiana but around the world. Despite its historical presence, alternative music was put on the back burner in the mid-to-late 2000s and almost completely faded away in the 2010s . During that decade, various scenes emerged in hip-hop , country , R&B , hardcore , and more, showcasing diverse musical avenues. As time progressed, alternative music evolved into something that felt more like a gimmick than a genuine movement. The raw passion and rage rooted in nihilism, angst, sadness, and self-discovery were overshadowed by homogenized sounds . The genre became a label, which diluted the cultural identity initially established by early alternative communities. Now, as the scene begins its next evolution, newer generations are rallying to rediscover alternative music . Inspired by the sounds of the past and the traumas stemming from our contemporary world, they navigate the complexities of identity as they grow. This is evident in the rise of alternative bands such as Phantum Sun , JAYD3D! , Goodbye Academy , Dairy Free , Kris Russ , Silvercapbaby , and many others. These bands are forging a path for the scene in Lafayette , offering a collective voice through their expressions and influences . I have a firsthand account of the culmination and rise of alternative music in Lafayette . I founded Eclipse Fest , a festival that aims to bring alternative music to the forefront of the local scene. Last year marked the inaugural edition of the festival, attracting 150 attendees who came to see a lineup of bands representing various musical styles. The festival marked a significant milestone in the resurgence of alternative music in Lafayette , serving as a platform for local bands to showcase their talent and for the community to come together in celebration of their shared love for the genre. This year’s Eclipse Fest built upon that milestone, fueled by the hard work that initially drew me into the scene, and it is cultivating a new space for alternative music. It has also demonstrated that alternative music has a rightful place in Lafayette , and this presence is growing daily with each effort put toward it. The resurgence of alternative communities began in mid-2024 and has intensified rapidly in recent months, primarily due to the support and enthusiasm of the local community. It is the passion and dedication of the audience that is driving the resurgence of alternative music in Lafayette. Musical shifts have emerged from a range of genres, including emo , indie , pop , and soul , as well as everything in between. The rise of the internet has empowered Gen Z and future generations to find their music. Unlike in the pre-streaming era, when music lovers relied on word of mouth, radio, and television , the internet now offers nearly unlimited access to a diverse range of musical styles. This access has opened new avenues for the alternative community to share and grow its purpose. Alternative music is a place for everyone, and that sense of community is a necessity that will carry Lafayette and Louisiana into an exciting future filled with talent, expression, and new musical avenues. Thank you for listening, Nick www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trust Them 'Cuz They're Young, Talented, and Handsome < Back SaxKixAve: Much More Better C.G. Smith Jan 18, 2023 Share Trust Them 'Cuz They're Young, Talented, and Handsome Most musicians are lucky to have one successful project. In a world where there are anywhere from 50,000-100,000 songs being released every day, the market is oversaturated and the chances of breaking through this noise are harder than ever. Musicians who actually do break through and have any kind of success with one group is a rarity, let alone those who can take on and do well with multiple musical projects. New Orleans duo SaxKixAve is comprised of award-winning rapper Alfred Banks and Albert Allenback , saxophonist and flutist of the twice Grammy-nominated group Tank and the Bangas . These two artists are plenty busy with their main gigs, but thanks to the suggestion of Tavia Osbey, manager of Alfred and of Tank and the Bangas, that the two work together at the onset of the COVID-19 pandemic, these artists started a side project that is truly something special. Their first record, “ I Don’t Wear Suits ”, was released in April 2020 and is a celebration of this collaboration, and the duo has been performing those songs in front of live audiences whenever they can find the time to do so. SaxKixAve is currently finishing up their follow-up record, and I was lucky enough to be able to have them both over to chat about that, about how they make this project work with their busy schedule, and about some of the band’s highlights so far. MaM : I’ve heard a couple different versions of what “kix’ed” this all off. How did this insane, wonderful experiment begin? Albert : Well, Tavia—the manager of Tank and the Bangas and the engine, the logistic and business/life-path mind behind it all—hit me up and said [Alfred] was looking for beats. She said, ‘I know you make beats. Let’s get you in the studio together and see what happens.’ Alfred : It was great … I like Alby. He’s good money. We crack wild jokes. He sent me an email of beats, I picked one, I wrote to it, knock this one out. It was right when COVID hit. So yeah, I got in the studio with this dude, [and] we laughed for about three or four hours before we even started really recording. I thought, ‘This is a good guy.’ We recorded ‘Tawny’ and I guess he liked what I did. I loved it, and we just kinda kept goin’, kept goin’, kept goin’. Then it was like, ‘Hey man, you wanna make this a thing?’ Albert : It was like a 'Step Brothers' moment. Alfred : Yeah! He was like, ‘Yeah!’ I was like, ‘Aight.’ [sic] Albert : Are we in a band? Alfred : Are we a band?! Albert : Yeah, I think so! Alfred : (to Albert) Do you remember how we came up with the name? I know we joke about it. Albert : I remember us opening a Word document and trying out different fonts and stuff. I don’t think we tried it phonetically. I don’t think we ever would have tried this dumpster fire of a phonetic pronunciation—have you ever tried to say it fast? Albert then attempts to say the band name SaxKixAve quickly several times in a row. Albert : No, it’s terrible. Why did we do this? Maybe we should shorten it to SKA and say we’re bringing ska back and hire a trombone player. (laughter) Alfred : Definitely. Nah, I think this is one of the best things I think I’ve ever done. I enjoy this so much. In 2018, Banks was named "Best Hip-Hop Artist" at the Best of the Beat, presented by New Orleans' premier music publication, Offbeat Magazine . He followed that up with the 2019 Big Easy Award for Best Rapper, presented by Gambit Weekly . credit: Gary Governale MaM : It’s opened you up. Not just personally but creatively, too. You’re now singing a little bit. Alfred : Definitely. [Singing] was something I always wanted to do, but I didn’t really have the producer to help bring it out in the right way that would make me sound good, because my voice doesn’t have a lot of range. I can hit some notes but not too crazy. So, someone [who] could make something that could make me sound even better than I am … I think Albert does that. Rapping to shit I wouldn’t normally rap over—he’s down to go there with me. He’s down to do some really wild stuff, and I’m down to at least try and see what happens. In 2020, the two performed live as a duo for the first time at an Onbeat Session for Offbeat Magazine filmed at Loyola University. https://www.youtube.com/watch?v=IiYRqaIQaDc Alfred : That was the very first time we had ever performed together, ever. How nerve-wracking was that?! Albert : It was terrifying. Alfred : I was scared out of my mind. Albert : (to Alfred) Doing this thing with you, having to do it live and perform the songs, I’ve become a much better piano player the past two years, and you don’t put a lot of pressure on me. We don’t put a lot of pressure on each other. Alfred : I don’t know how to read music. I’m not about to insult or critique someone when I don’t even know what you’re doing. Albert : I’m not a rapper—I’ve tried. It’s more difficult than it looks! (from the album “I Don’t Wear Suits”): MaM : So, have Albert’s rapping skills have gotten better? Alfred : I think Albert has more skills than he thinks. Maybe he couldn’t be a ‘rapper’ rapper, but (to Albert) you’re a good writer. You might not have rapper swag per se, but you could rap. Albert : I could deliver it, but it might not be believable when attached to a body—MY body. (laughter) Alfred : (to Albert) You really understand how songs go. He’s a dope-ass writer outside of being a musician. Albert : I just got [sic] to say this: As my rapping skills have improved, so, too, have Alfred’s declined. (laughter) It’s perfectly even, the way things have gone down. It’s more of a parasitic thing. (to Alfred) I think I’m stealing your rap life force. (laughter) MaM : Your songs have a wonderful mix of silly and serious. What’s y’all’s vision for what SaxKixAve is now and what it can be in the future? Albert : I think we want to have this digestible funny thing, because we’re both naturally funny and when we get up on stage, we’re not sure what it is, but something happens between us that generates what people have been calling entertainment. (Alfred breaks out in laughter.) Some sort of passable thing happens. We want it to be funny, but we want the funny to help communicate. Our natural state is tinged with melancholy. Our natural state is more depressive … more low energy. So, if we have this high-impact thing that’s kind of funny, then we can get in things; there's no other way to say this: We laugh so we don’t cry. It’s something that I’ve … learned watching Tank—how do you interface with the audience? You can be doing the best stuff in the world, but if you have any contempt or if you’re just holding the spoon of baby food out of reach of a toddler, that’s just rude. You should interface with the crowd so you can get it to them. We want this mix of goofy so we can be ultra-serious, and we want to be ultra serious so the funny stuff is even funnier. Alfred : I disagree with everything he just said. I’m here for the money. (More laughter ensues.) Alfred : We’re both very serious. We’re both really good at what we do—like, obnoxiously good at what we do. In the back of my mind, it’s about making how good we are palatable. Sometimes being really good can push people away like it’s not even relatable. I think the comedy takes the edge off. It’s like, ‘Let’s just vibe and have fun. Some of it is just on the cuff, but we give ourselves that room. In our other situations, there’s a lot of structure. For us, the future, people are going to hear … the music is going to be even much more better [sic] than it is now. More jokes. It’s just going to be unapologetically amazing. Albert : SaxKixAve: much more better [sic]. Alfred : That’s grammatically correct. credit: Gary Governale MaM : Was there a moment when you both knew you had something? Alfred : That [first] recording session. I always tell that story [about the song] ‘Tawny’ when I say [the word] crib. [Albert] was like, ‘Dude, can you yell ‘crib'?’ and I was like ‘What?’ Albert : Like 15 times. Alfred : I had to yell it and I was like, ‘Why am I doing this? This is stupid.’ Then he played it back and I was like, ‘Oh … yeah.’ That was the first time I trusted him. (to Albert) When did you feel like we had something?” https://www.youtube.com/watch?v=iLpjIRY0OuU Albert : When I knew we had something was when it was backed up by a crowd. I think we were doing Tip’s (Tipitina’s) or something. You said a few things in a row that I didn’t find very funny, but people were losing their minds. They were also losing their minds with the songs, and I was like, ‘What’s happening?’ There are things that only happen once per show [like] Alfred [going] off on this freestyle thing; we usually do this at the show. He’ll just freestyle rap for, like, five minutes. You’ve seen it: People hold up stuff out of their pockets [for him to rap about]. As I see the crowds more and more, I’m just like, ‘Wow, well let’s just be honest and a little unsure of ourselves, because apparently somebody likes that.’ MaM : Your dynamic—when you come together, it’s something you wouldn’t expect, I think, from seeing you both in your respective projects. It just works somehow. Alfred : I think that shit’s amazing, too. That Tav (Manager Tavia) ... maybe she didn’t see SaxKixAve, but she just thought we’d do good together. I don’t see Al all the time. We’re both doing our own thing, but every time I see him it’s like we were just hanging out yesterday. I don’t know if it’s because of our same sense of humor—the way that we’ve come to some recent discoveries about ourselves, but we just gel really well. (to Albert) Outside of the music, I can actually hang with you; that comes through, too. [Another] moment I knew we had something was [during a show] when the mic cord came out, I put [it] back in maybe halfway through the verse, and I finished the song. We had another song after that, but I was like, ‘Yo, Al, audible, play a beat.’ I freestyled about me f**kin’ up, and the crowd lost their minds. I was like, ‘Yeah, we got somethin’ here. I don’t think we can lose. This is incredible.’ That shit was dope. (to Albert) What was the first big show we did? I think when we did Performance Inception ... when you opened for yourself? Albert : Yeah! When SaxKixAve opened for Tank and the Bangas at one of The Broadside shows [last year]. Alfred : That was the first time I think Tank and the Bangas had [sic] saw us. When they came back and said, ‘You guys are amazing,’ I was like, ‘Yeah, we’re lit. We are LIT.’ credit: Gary Governale Albert is known for wearing short shorts all the time. MaM : Albert, is it hard for you to be behind the keys when people can’t see the full leg action? Albert : We’ve been workshopping methods to get around that, talking about maybe having a video feed that’s right under the piano, directly pointed at the legs and maybe running some sort of monitor behind Alfred so it’s just my knees constantly while he raps. Alfred : (to Albert) I know you’re joking, dude, but I’ll tell you this: You know what everybody says? They don’t even talk about your bun first; they talk about your legs. I’m not even joking. Everybody [sic] like, ‘Dude, the guy with the legs.’ MaM : I hear you’re working on your next record. Is there a title for it? What can we expect? Will it be similar to the first one? Alfred : There IS a title . (to Albert) Are you cool with that? Albert : Let’s do it! Alfred : (begins to count down) One, two, three … Albert : Wait, on three or right after three? Alfred : Like, ON three. One, two, three: Albert’s legs. (laughter) Albert : Ahhh! Sorry, ok, ok … Go!” Both together : One, two, three … ‘Nectarine Peels.’ Albert : Yes, we know you don’t peel nectarines, [and] we address [that]. MaM : It makes people think, and that’s the point. Alfred : (laughing) It’s provocative, man. Albert : It actually came from a text message. (to Alfred) Didn’t you just send the words nectarine peels or something? I was like, ‘Nectarine Peels?’ Alfred : Yeah, yeah, yeah, yeah! Albert : So, I said it has a kind of a ring to it. It seems to mean something, and then immediately I went and wrote this little melody and song at the piano when I got that text. I sent it to Alfred the next day. We’ve taken it to mean a whole lot of things thematically. A big part of it is ambition and its corrosive effects on how we think people see us, how we see ourselves, how we want people to see us, and how we want to see ourselves. That’s one of the main themes of it. I think we’ve made some of our best songs ever. It’s about the same runtime [as ‘I Don’t Wear Suits’], but there’s six real songs. Alfred : I feel like the first project, as great as it is, it was us figuring it out. I think for this one, it’s like, ‘Okay, this is dope, but how do we refine it?’ Keep it us, keep it funny, keep it light or, in some instances, not even as light. We have a song where we switch the topic seven times within the song … switch the energy. We kind of have an idea of what we are now. credit: Gary Governale MaM : So, no sophomore slump, then? Albert : I think this [album] is way better. We’ll see if people like it, but we have this thing: We love dance music, and we love old school hip-hop. So, we kind of find this thing—we have this sliding scale between boom bap and dance sometimes, and it’s really cool. You see little seeds of that on ‘I Don’t Wear Suits.’ We’re putting the very final touches on it. We’re almost completely finished. We’ve got great features: Mega Ran is on this, Pell is on this, LeTrainiump is on this, HaSizzle’s on this … Alfred : Who else is on there? Albert : Is that it, or is there one more? Alfred : I think Albert Allenback is on it. (laughter) Albert : There’s a fledgling rapper named Lyriqs da Lyraciss from New Orleans, and he’s on this record. Alfred's original rap name was Lyriqs da Lyraciss. Alfred : Bless his little heart. That guy, that guy left us around 2015. Bless his little heart. Albert : That was the first rapper I ever sent beats to. He left me unread. credit: Gary Governale Albert explains how he first tried to work with Alfred back in January of 2014. Albert : I’d been making beats for, like, two months but you couldn’t tell me they weren’t the greatest thing in the world. So, I sent him this impassioned paragraph about how I’m studying music at UNO (University of New Orleans): ‘Here, I made these beats, they’re real songs, and they’re great. Here’s nine of them. Check these out. I don’t use any samples.’ I wrote this to a prospective business partner [and] said, ‘I don’t use any samples. I make THESE biscuits from scratch.’ Alfred replied, ‘Word.’ Alfred : Yeah, I’m bad with that. So, here’s a little secret about me: I get overwhelmed really fast. I get about 20 to 30 DMs a day, and I can’t let one go unanswered. (to Albert) I’m just very bad with that, right? I’m the worst with that. Albert : But you’ve gotten better. You set much better boundaries now, and I’m proud of you. Alfred : I’m trying. Let me ask you a question, Albert: How did you hear me? Albert : I think it was this list in Gambit [Weekly]: the five worst rappers you need to avoid. Alfred : I was number three. Albert : You were all five! (Laughter ensues.) Alfred : I’ve just always wanted to know how you found me. Albert : Must have been someone from UNO shared a video or something. I honestly do not remember how I became your friend or followed you. You were constantly updating your status. MaM : His social game is on point. credit: Gary Governale Albert : It still is to this day! Alfred is just a fountain that you just put digital cups in front of and he says, ‘Here, take more, my child.’ I don’t have that. My fountain is not on. Alfred : It’s out of necessity. It won’t get done otherwise. I want to be successful. I don’t have money, so I don’t have a person promoting me all the time. So, I literally have to promote myself all the time. So, I just have to respond to that message. It can’t go unread. Albert : (to Alfred) I learn a lot from you, self-promotion-wise. I feel embarrassed and goofy just to be here sometimes. Just to be on planet Earth. I think there’s a lot of people like me. You’re going to post the thing you love to do and for some reason, you feel like it doesn’t matter. It can be some huge stuff and for some reason, we get in our heads and self-consciously you feel like it doesn’t matter, no one cares, but that’s not true. Alfred : (to Albert) I admire you about how much you detach yourself from it. I think that’s the illest shit ever, because I could never be that way and I admire someone that can. Albert : You inspire me. Like, when we make a video or a skit or something, or make an announcement, the only reason it gets done or posted with any kind of schedule or intensity or intention or commitment is because I feel obligated to live up to what you got [sic] goin’ on. So, I really appreciate your help in sharing more and feeling less embarrassed about self-promoting. I come from that tradition of people of ‘don’t talk about yourself too much.’ Alfred : One of the main things of this group, I really want people to know Albert Allenback as a solo act. I want people to know him because he’s really good. I just want people to know this motherfu**er is amazing. Drop your nuts, Cuz! Albert : Well, thank you. I will take that into consideration when it comes time to lower my testicles. credit: Gary Governale MaM : You both have your successful projects. How do you find time to do SaxKixAve? Is it just those slivers of free time? Albert : Yep, when we can; that’s the only way. We have conversations. We’re like, ‘Hey, you know what? I still really like you, still like doing this, but I’m busy right now.’ We’re really good at being able to keep a good, professional relationship. We’re close, but I think maybe there’s a part of us—some internal kill switch—that doesn’t let us get too close or something? It works really well. Alfred : (to Albert) I respect you and your time. I think one of the things you did early on was lay the boundaries of your time. I think I did that very early, too. I respect that. I know that when you’re running with Tank and the Bangas, you’re busy as shit. When I’m dolo, I’m busy as shit. We both respect each other’s time. So, when we HAVE time, I try to be as malleable as possible, given his schedule. I do a lot of shit, but I do have a little bit more free time than he has. So, I’m like, ‘Yo, when you free?’ ‘I’m free here.’ Done. Albert : That is how it goes. That is true, and you text back FAST. Alfred : That bitch always [sic] in my hand! credit: Gary Governale credit: Gary Governale MaM : There’s a lot of artistic freedom in SaxKixAve. How do you keep from floating away into the creative stratosphere with this, because it seems like opportunities are limitless. What keeps you both grounded and productive? Alfred : We do have some form of an outline of what we expect from each other. We go into the studio with this blank canvas. It’s not huge though. It’s a nice-sized canvas that we can throw a bunch of shit at and scrape off the paint that doesn’t work. We aren’t just throwing darts at the wall and seeing what sticks.” Albert : Fortunately, we know that we can do a lot of things, but I think we’ve also seen enough people try to do too many things. We have made a concerted effort to at least make an attempt to identify what we do the best That keeps us in the same bowling lane. Alfred : Definitely. Otherwise, you start making all kinds of weird shit. Not the good weird but that bad weird. That Chris Cornell and Timbaland-weird stuff. MaM : Things that just shouldn’t exist. What have been some highlights on stage so far? Alfred : So, a guy at Tipitina’s was saying my job (freestyling to things people hold up) was easy because people bring out the same things, and I was like, ‘Dude, I can literally freestyle about anything.’ Albert : (to Alfred) He was giving you shit because, ‘You can prepare for a phone and a lighter, and a comb, and keys.’ Alfred : So, I was like, ‘Go ahead, do whatever.’ I didn’t know that they had got [sic] together because Albert, him, and one other person were just pulling shit onstage, and I just knocked it out every single time they brought something out. That was one of the bigger eruptions we’d had. Albert : We had a Shop Vac, and a dolly, a partition, and a barricade … Alfred : … an ice chest, an orange cone. I just freestyled. The reaction of the crowd … felt good. French Quarter Fest was, by far, top five of my favorite shows I’ve done with you. Albert : Yeah. We had a drummer; it was great. Alfred : The story behind the set is so crazy. Albert : Oh yeah. It was horrible rain, and we weren’t gonna’ get to do the set. Pell stayed, but HaSizzle and LeTrainiump were gonna sit in with us and the rain messed everything up. Everyone else had other stuff to do, but then they let us do like 35 or 40 minutes and that was amazing. One of my favorites was from that Tip’s show as well. It was either a girls’ weekend or a bachelorette party—I couldn’t read the t-shirts—but they did NOT like us. First of all, we came out to this song of Alfred’s called ‘Too Much,’ which is a beat I made, and it is entirely his fault for picking it. (Albert laughs) It’s a wild, ecstatic, frenzied beat—wild music—and we came out to that hard. We came out swinging; we were spinning around and jumping. https://www.youtube.com/watch?v=7p-_D-Kh6X8 There were eight to 10 older women in matching sequence and t-shirts, who just wanted to celebrate Karen or whatever. They were not having it with us. I pointed them out and said, ‘Hey, I know we came out swinging, but we’ll get you back.’ By Alfred’s freestyle, they were into it and having a great time. My other favorite: We played a show [at a gallery] and there was a drum set up on stage. Alfred was doing his freestyle, so I grabbed a cymbal and walked it into the crowd, held it up, and Alfred rapped about it. I didn’t put it back, which is what got me in trouble. This drum set belonged to a kid at NOCCA (New Orleans Center for Creative Arts), and this 14-year-old kid came up to me after the set and he was pretty pissed. He wanted to fight me. I felt more like I related to him than anything because when I was 14, if you had touched my saxophone, I’d be like, ‘What the f**k is wrong with you? Where do you get off touching my shit?’ So, I understand, but it was funny because this fourteen-year-old kid really wanted to fight me because I moved his cymbal. Something clicked where I knew I was now an adult, because I didn’t feel like I was another fourteen-year-old being dressed down; I felt like I was able to take my lick. ‘Hey, you know what? I’m actually sorry and I understand why you feel that way, and I shouldn’t have touched your shit without asking.’ credit: Gary Governale MaM : I know y’all have jokes. What’s your favorite joke right now? Albert : What’s the difference between a chickpea and a garbanzo bean? (Silence for a few moments as the joke goes over my head.) I’ve never had a garbanzo bean on my face. (Much laughter ensues.) Alfred : There’s no way I could ever top that. MaM : Your social media videos are pretty funny. Do you guys sketch them out before you do them, or do you just hit record and go? Alfred : Definitely sketch them out. Albert : We fancy ourselves, against our better judgement, as some sort of amateur sketch comedy team. We are NOT. That’s why we make music. Listen, we’re musicians first; we’re not Saturday Night Live writers, okay? This is a means to an end. Don’t hold us accountable for this. A lot of our videos are Alfred doing funnier shit in the moment than either of us could’ve come up with just writing it out. Alfred : Yeah, those videos are great. I think we’ve had two go viral. You know its popular when you get those assholes that are like, ‘This shit isn’t even really that funny.’ Those trolls. It’s like, ‘Yes! We did it, baby!’ (laughs) Albert : At least they feel something. We spend much more time than we’d care to admit coming up with these. Alfred : I really enjoy doing it. I don’t enjoy it as much as the music, but I do enjoy creating because we both have funny shit in our head, and we live in a time we can legit act it out. Albert : And it feels like a break from the music. It feels like going into woodworking or something. There’s no pressure on this. I’m just building a cabinet; I’m not making my life’s work, which is what the music can feel like sometimes. You have to step back and be like, ‘Hey, chill out, because this is putting pressure on you.’ Spoiler alert: You don’t make great things when you feel a lot of pressure. Maybe some people feel like the pressure gets it going for [them] but for me, I have to be in a relaxed state and let good things happen; otherwise, I’ll shape myself into all kinds of molds that aren’t me. Alfred : I ain’t [sic] gonna lie, I enjoy pressure. I think back to, like, 2010 when I was freestyle battling guys and that feeling of being scared shitless out of my mind, jumping on stage in front of these people, not knowing what I’m about to say and just reveling in it. Being like, ‘Oh, I just can’t wait … but what if I f**k up? This is great; I love it.’ Albert : (to Alfred) Props to you. That’s amazing. That’s like being a stand-up comedian. I could never imagine. Alfred : I may sound cocky, but I’m very much an amazing rapper and I am looking for a moment to stumble. I want to f**k up because I want to learn where I f**ked up at. I want to perfect that and do it again and be much better at it. Albert : Sometimes you just want to feel human. (laughter) Alfred : Seriously, though; I really do enjoy the pressure. Pressure makes diamonds. credit: Gary Governale MaM : So, Albert, you’ve been making beats for a long time. You have a decent back catalog of tracks to pull from. This new album, is it pulling from that or are you coming up with new stuff on the spot? Albert : Some of it is brand new, some of it is ideas that I’ve been working on for years. You make these things and see what comes out. It’s new to everyone else, but it’s something you may have been working on for so long. I got some advice really early on. I forgot this fella’s name, but it was the first time Tank and the Bangas were playing a super lounge at Essence Festival. We were getting to hang out at Essence, and it was awesome. Kelly Price’s music director was there. He said he had started making beats late in life. He said, ‘Just make it and hold on to it because you might like it, but you never know who will.’ I’ve really taken that into account. I have probably over 1,000 songs or song ideas. At this point, I’ve been making beats and writing songs and doing full productions for almost 10 years now. I have a lot built up; it’s just a matter of, ‘Man, you remember that one I made a long time ago? Let’s see if that works.’ That’s how I get to a lot of good stuff, and then seeing what Alfred does. It’s like two comets hitting. Now I’m more likely to try a few more things and be like, ‘You know what? This is working. We’re going to go with what works, what’s good, how he said that this time, and how he was feeling this time, and how I was feeling right here.’ Just going more with using the stuff as it happens, instead of, and this is a nice tie-in—this is what ‘Nectarine Peels’ is about—instead of making yourself a delicious, fragrant, niche, sub-variant of a peach called a nectarine that some people are going to love and that some people aren’t even going to know about or care about … trying to force yourself into being an apple or an orange or any of the other Renaldo and LeBron-level fruits. You can do that, or [you can] stay being your nectarine delicious self and probably make yourself and a lot more people a lot happier than if you’d tried to be a banana. Alfred : I disagree with everything he just said. (laughter) Albert : SaxKixAve: much more better. credit: Gary Governale MaM : Is there anything else you’d like to say about the new record? Alfred : This new album slaps. Albert : It’s good! Alfred : ‘ Nectarine Peels’ ... I'm very proud of it. I like it. MaM : How many tracks are going to be on it? Alfred : About nine in total. Three skits. Albert : It’s like a 23-minute runtime, but it’s, like, nine tracks. We don’t want anybody to have to skip a song because they want to skip one of our stupid skits. I want to give people total control. Honestly, just take the skit off the album if you want, that’s fine, but we want to give people the option. Alfred : This album is amazing. Albert’s production on it is nuts. The songs came out so good. Lyrically, I feel like I’m doing some really cool things on here, jumping out of the box on stuff. We’re just having fun, and I really think people are going to like it. Currently, there is no release date for SaxKixAve’s second album, Nectarine Peels , but you can check out their website for any updates and be sure to follow them on social media. YouTube: @saxkixave1922 Instagram: @saxkixave Facebook: facebook.com/Saxkixave Soundcloud: soundcloud.com/saxkixave *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

90’s alt rock with dark and dreamy layered vocals < Back Mindy Scurto and Captive Frame: Reigniting Shoegaze Nicole Brice Jul 31, 2023 Share 90’s alt rock with dark and dreamy layered vocals I recently came across the music of an indie band called Captive Frame. With numerous releases on their Bandcamp page, I was drawn to their sound because it reminds me so much of one of my favorite shoegaze bands, Scarling . When most think of shoegaze, they instantly think of bands such as My Bloody Valentine , Cocteau Twins , or The Jesus and Mary Chain : distorted guitars, feedback, and dreamy layered vocals encasing you in soothing waves of sound. With an insanely creative cover of Nirvana’s “ Something in the Way ,” Captive Frame has found a way to showcase the perfect mix of distortion and feedback making the well-known tune feel reinvented. Other tunes such as “Walking Away” and “Seven Mondays” take the listener through an atmospheric journey of texture and sound. With so many songs to experience on their Bandcamp page, you truly need to experience their music for yourself to understand the beauty of Mindy Scurto’s voice. It’s soft, it’s haunting, it’s seductive. Captive Frame is the brainchild of multi-talented female vocalist, Mindy Scurto, who is currently based out of Florida, and her husband, Joe, who plays lead guitar. Originally from Maine, Mindy is a graphic designer by day and a talented musician by night. Coming from a metal scene in New England, Scurto founded her own graphic design company called MK Studios, where she has taken on numerous projects for her band as well as others to give them the identity they all visually need. In addition to graphic design, Mindy also paints and loves to engross herself in fine art. With a history of over ten years in the business, Scurto formerly managed a music shop in her home state where she worked exclusively with Autistic children teaching them music and integration. I recently had the opportunity to chat with Mindy at length about her music, her life, and her passion to create as well as the current state of her band. Take a moment to learn a little more about this creative woman who knows how to captivate with not only her voice but also with her outgoing personality. MaM : Tell us a little more about the band beginnings. MS : Captive Frame started a long time ago back when I was living in New Hampshire. We had a band before that was called Zounderkite and then another one called Cactus Hag. We toured all over with Cactus Hag and had a lot of fun, but my health got really bad and we ended up moving around New England a good bit. After I was misdiagnosed with diabetes, they essentially told me I was going to die, and at that point I decided we needed to get the hell out of New England because I had developed neuropathy. I couldn’t play anything, and I couldn’t do my art. In the middle of the pandemic, we decided to move to Florida in the southwestern part of the state, and that is where we currently are now. Photo provided by band MaM : So, what year was it that you could say that Captive Frame really got started working on material? Was it 2012? MS : No, it was more like 2014. I remember I was still working at the music store, and I found DKFM, which is a shoegaze radio station, and I was just blown away. That kind of gave me the idea for the band and then Joe, my husband, who is a huge Siouxsie and the Banshees fan, heard this line in the song “Unrest” where she says something about a captive frame, and that really resonated with him. It symbolizes being stuck and the line really stayed with us. When we moved to Florida, we got with a producer and we had this plan and then ended up knocking out an album in a year. It just poured right out of us. MaM : What is going on currently with the band? Any new material coming? MS : We have the live line-up finally and we’ve only practiced twice, but the guys we have are really serious about the music, which is great. We’re not used to people taking the music seriously because we’ve been in some bad situations with band tyrants, and it just really messes up everyone’s time. The chemistry of this group is so right, and we are a super tight family. Currently practicing and working on songs. Cover art for Captive Frame's upcoming self-titled release MaM : Who makes up the current line-up of Captive Frame? MS : I sing and then my husband, Joe, is the lead guitarist. Eric is the rhythm guitar player and then we have Richard on bass and Ghimel on drums. Photo provided by band MaM : I truly love your sound and it reminds me of the band Scarling. Have you ever heard of them? It was a side project of Jessicka from Jack Off Jill. MS : Oh, no shit! That’s so funny. My old roommate from college was a Jack Off Jill maniac. That’s a great compliment. Thank you. MaM : What would you say the future holds for Captive Frame? MS : It would be really cool if we could get signed and we would love to travel, so we will see. To hear Captive Frame’s music, hit one of the links below and be sure to follow them on social media, too. They are working on so many things, so stay tuned! Bandcamp: Music | Captive Frame (bandcamp.com) Facebook: https://www.facebook.com/captiveframe/ Instagram: https://www.instagram.com/captive_frame/?hl=en www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Roger Ricks < Back Nothing But Heart and Soul Nicole Brice Dec 7, 2022 Share Roger Ricks If Bruce Springsteen and Dire Straits had a band baby, it would be Roger Ricks. No lie. Roger is a singer / songwriter based out of Zurich, Switzerland, but that’s not all he does. He also produces his own music and builds his own guitars, as well as markets himself AND giving the proceeds of his music sales back to charity. Wow, this man is incredible. I first stumbled upon Roger’s music via Instagram, which by the way, is an excellent way to discover new talent because of the visual aspect the medium allows. I often find myself scrolling through bands and artists and liking them, then following them, where I indulge in all they showcase on their profiles. The profiles then lead me to iTunes where I buy their music for my collection. With smooth, clear vocals and crisp, clean guitar work, Roger’s music inspires me. Truly, it does. Because I admire what Roger is doing so much, I decided to reach out to him to get to know a little more about what he makes him tick and guides his stance. With a new single releasing on December 9, 2022 via all streaming platforms, this is one artist you need to check out if you haven’t already. I threw Roger a few questions so I could learn more and was very delighted with his answers. Check it out and then go check out his music! MaM : Wow. I am very impressed with you. Your website is solid, too. Let me ask you, what led you to start producing your own music in lieu of having someone else do it? RR : I started recording my songs when I was about 12. At that time with two old tape recorders and much later with the computer. For me, music production is not a purely technical task, but part of the creative process of creating a song. Since I don't do music full-time and I also have a family, producing on my own allows me to work on my songs whenever I can and want to. Usually this is late at night when everyone else is already asleep and I can really dive into my creative flow. Roger's home studio setup MaM : So, you mentioned you have new music coming out. Tell us a little about the new single you are releasing. RR : The single is called "Lost,” and the lyrics were written by the wonderful Emme Pierre. Originally it was planned that she would sing the song and I would write the music but unfortunately, she lost her voice permanently before the recording due to health reasons, and we decided to record the song with my voice anyway. The song is about how people are willing to exploit others and take advantage for their own profit. This is a topic that always concerns me and is also a well-known phenomenon in show business. There is something energizing and intoxicating about striving for success, but you can also get lost in it and become too distracted from the essentials of life. MaM : Wow, what an amazing topic to tackle via songwriting. I can’t wait to listen to it. What music or things around you are inspiring you to create these days? RR : Musically, I am influenced by the older guitar gods like Slash, Eric Clapton, and Joe Perry. Of course, there are other virtuoso guitarists who can do technically amazing things with the guitar, too, but I'm more fascinated by catchy licks and melodic solos that you can also sing and that release emotions in me. Emotions of everyday life are also what inspire my music. My music is a diary of my feelings over the years. When something is bothering me, I process my thoughts into music and make them audible. Therefore, every song of mine in a way fits to a special event or a period of my life. MaM : I noticed on your website that you play a custom-built guitar. I want to know more about your custom guitars. Was it a particular sound you were looking for and that’s why you decided to build your own? Also, too, what type of guitar inspired the ones you build? RR : I am a typical Les Paul guitarist. I love the full sound. A few years ago, I was thinking about buying a flamed top Les Paul, but my budget didn't allow it. So, I had the crazy idea to build it myself. I always liked craftsmanship and so I watched YouTube videos of Luthiers for hours until I had the feeling that it could really work. I ordered the woods and parts and just started, and it grew from there. I had a lot of fun; it was like a meditation of sorts to grind the woods and in the end, I had a nice flamed top guitar resembling a Les Paul in my hands. Of course, it sounded a little different than if I had bought it but just different, not worse. This only further awakened my passion and since then the tones of my own guitars are an important part of my music. One of Roger's custom guitars MaM : I know that charity work is very near and dear to your heart. Can you tell us a little more about that and what you do? RR : Music has always been a very important part of my life. It has carried me through some really difficult times, and I don't know where I would be without the power of music. For me, music can build bridges, to connect people who otherwise would not communicate with each other and to make a positive difference in the world. I decided to set the goal of dedicating my music to a meaningful cause because 20 years ago, a school friend started an aid project in Ghana to help street children and to really make a difference through local education instead of just transferring money. Honestly, the money often doesn't get to where it's supposed to go or doesn't have a lasting effect, but through "Chance For Children" ( www.chance-for-children.org ), the children are given the opportunity to work out a long-term perspective for themselves. All my proceeds from my music goes 1:1 into this foundation. The idea is that people can donate money just by listening to music. You don't have to open your wallet, just spend a few minutes of your time listening to music to make a positive difference. This makes my music more meaningful and motivates me to put even more energy into it. I really hope that with time, more listeners will stream my music and I will be able to support more projects. For more information about Roger, visit his website at: Songwriter | Roger Ricks Music | Zürich On Social Media, he can be found at: Roger Ricks | Facebook Roger Ricks | Zürich | Facebook Roger Ricks (@roger_ricks_music) • Instagram photos and videos YouTube Roger Ricks - Topic - YouTube Spotify Roger Ricks | Spotify iTunes ‎Roger Ricks on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An interview with Travis Marc < Back No Sleep for Deep Sleep Atlantic C.G. Smith Jul 12, 2023 Share An interview with Travis Marc New Orleans-based alt-rock/alt-post-grunge duo Deep Sleep Atlantic is making some pretty big waves with the recent release of their debut album, Prelude . Earlier this year on March 31st , the duo released their debut single ' Bipolar Tendencies ,' a darkly energetic tune less about the mental illness and more about the fragmented way in which society operates. The song was a powerful first step for them, and they’ve successfully backed that power up with the release of their first album. Comprised of singer/guitarist Travis Marc and drummer Daniel Perez , the album is full of creatively catchy lyrics that focus on remaining aware and mindful while facing and connecting to life and its challenges, and on doing so with courage. All the parts on the album were recorded by Travis , and after meeting Daniel , the two joined forces. Daniel Perez and Travis Marc, photo courtesy of Deep Sleep Atlantic Travis is a SAMA-nominated multi-instrumentalist/producer/songwriter originally from Johannesburg, South Africa , who spent time in London with different bands before landing here in the States. He has been playing and writing music professionally for about 25 years. He’s a hell of a guy, a consummate professional, and keeps himself insanely busy. Credit: Gary Governale I was fortunate enough to get the opportunity to sit down with him and talk about his musical history, his work ethic, and his most recent project, Deep Sleep Atlantic. Here’s what he had to say: MaM : So, you’re on your third continent. You spent your first 19 years or so in South Africa, then moved to London to play in a band, and now you’re here in New Orleans. How did you end up here, and how does New Orleans rank? TM : So, I was going through some stuff, and it was a real tough period in my life, and I just needed to get away, so I booked myself a trip across America. While I’ve been in bands my entire life and toured pretty much everywhere, there were parts in America I’d never been to. New Orleans was one of those places. I came here and was here for a few days, then I met a girl. We hit it off and we did the distance thing for, give or take, three years; it was tough. We … eventually were like, ‘What are we doing here? Let’s start looking into one of us moving.’ We weighed out the pros and cons and it made more sense for me to move than her. MaM : You had a project in England at the time? TM : I did, I did— Dead Days . In fact, we’ve got a record that we are still trying to finish. We’re doing it remotely, so that record will come out, I’m hoping, this year. At a push, maybe next year. We’re jokingly calling it ‘English Democracy’ because it’s taken us a better part of four years already, but it’s outstanding. We’ve put out three records, and it’s by far the best one. It’s totally different from Deep Sleep Atlantic. MaM : Now you moved down here, happily ever after. How long did it take you to get into the scene here in New Orleans? TM : I auditioned for my first band about six days after I arrived, on the 11th of February. I got married the 22nd. The week before I got married, I went and did an audition. ... It was the strangest audition I’ve done in my life, and I’ve done some weird ones. But I got the gig, and I then went to two jam sessions, both at DMACS, and I think by the 27th or 28th everything started shutting down [because of Covid]. So, it was really bizarre because the day we got the call that people needed to start going home and stuff, I was supposed to play that night. So, at that point I guess I was here for twelve days or so? Thirteen days? I got very lucky because I was working as an assistant at Esplanade Studio at the time, and everything shut down except for the studio. So, while the gigs stopped, the studio was busy as hell, so I was in the studio every single day. Credit: Gary Governale MaM : What changes do you think you’ve gone through from the very first project you’ve been in until now? Are there any major changes that you can point out, or were you just out of the womb a natural? TM : Hmmm. That’s a tough one. I’d love to claim that, but no. I still feel like I really have to work, but I don’t mind it. I enjoy the process, you know? I guess there’s no massive changes. I can listen to stuff that I was involved with as a teenager and go, ‘I think I’m a better singer now,’ or, ‘My lyrics definitely make more sense now as a writer,’ but that’s not necessarily fair, because how can you relate to something you wrote as a 15- or 16-year-old and now listen to it and say, ‘Those lyrics are crap.’? Because they weren’t crap at the time. They meant something to me, even though I can’t relate to them now. If I’m really pushed, I’d say I think I’ve become a better writer. I’m less worried about whether I can put all the cool things in and make people think, ‘Oh, wow; what a cool little guitar part.’ I don’t care. It’s all about the song. I do not care about the genre. I do not care about anything else—just the song. Now that being said, I do care about the sonics of the song while we’re living in this it’s-all-cool kind of world, and I do think of little details: ‘Were the snare drum hits consistent or did the one guitar part go out of tune on the last chorus? Or, man, I can hear that sibilance kind of mouth noise. Stuff like that drives me crazy. MaM : We both had music in our lives growing up, thanks to family. Do you think you’d be the same without that experience? TM : It really plays a part. Whether it helps shape you, I’m sure it does. I recently read this very interesting article. This DNA scientist was saying he’s on the cusp of proving that humans are who they are, and it’s set in your DNA from day one, and while your surroundings and upbringing will play a part in who that shapes, the bottom line is you are who you are. Now I don’t know if I believe this, but I’m also not a scientist. It got me thinking. Credit: Gary Governale I definitely had other ambitions and aspirations, other things that interested me that I was gung-ho on achieving, but once I discovered music, none of that mattered. Music was a big part of my upbringing—not to the point where I was playing or anything, although my parents always told me I was doing certain musical things that made [them] go, ‘Huh.’ I don’t know if I’ve spoken of this before, but something that always makes me wonder, especially as I get older, so I was, I guess, luckily, expelled from kindergarten. For a year, I was at home … with my coloring books and my mum. She had a side hustle where she would knit jerseys, beanies, and gloves. She had this room with a big knitting machine and a radio. The radio would stay on, she would do her knitting, and I would sit there coloring in my coloring books while listening to the radio. I fell in love with Fleetwood Mac and Bonnie Tyler, Tina Turner, Michael Jackson, and Madonna, Phil Collins—whatever the big hits of the day were—Tom Petty, all that kinda stuff. Keep in mind, I don’t know how knitting machines work now, but I do know that then, it was this long, rectangular thing, and this bracket would go from left to right and then back. It had a timing kind of thing to it. (Imitates the sounds of the machine going back and forth) Now subconsciously, maybe that did something, I don’t know, but I’ll tell you, my parents are adamant it did something. My dad was a printer. He had proper machinery that weighed hundreds and hundreds of tons. So, I had this year off and these machines—they’re called Heidelbergs. So, this thing comes down, almost like a mechanical karate chop. It goes up and it comes down. (Imitates the rhythmic sound of the machine) MaM : (Begins to sing Pink Floyd’s “Money” in time to the sounds) TM : Exactly! I obviously didn’t know who Pink Floyd was, but my parents swore to God that I would, between sitting there in the room with my mum falling in love with these 80’s melodies and standing inside my dad’s factory with this machine, they claim that I would stand there and make up these raps to the machinery timing, or I would play paint buckets, trying to stay in time with this machinery. So, that particular year was everything. I can’t give it all the credit because I don’t know, but I’ve never struggled to work with a metronome, ever. I do put that down to the knitting machine and the Heidelberg printing press. MaM : What inspires or influences you nowadays? TM : I take inspiration from anything: conversations, words, podcasts, songs—anything I can listen to and go, ‘That’s cool.’ Credit: Gary Governale If it’s cool and I want to explore it, I’ll make a note of it, and when I’m at my wit’s end and I can’t think of something, I’ll pull up my notes. For the most part, I’ve never needed to wait for inspiration to hit. It’s like, I work at it. I’ve always treated it like a job. So, 8 to 5 I need to create, or work in studio, or get better at editing, or producing, or creating content. I’ve never been that stereotypical sleep-‘til-4-o’clock musician. The long and short of it is, if I don’t do something that makes me feel like I worked on trying to get better at my craft every single day, I can turn into a moody bastard. So, keeping my own shit together means I’ve either got to get up early and practice, or when those around me that I love go to bed, I’m going to stay up for a few hours and practice. Whatever I need to do to allow myself to feel like I’m alive. MaM : Plus, I think you need to stay connected to whatever that is that we’re trying to tap into, right? I think the longer you’re away from it, the harder it is to get back to it. TM : One hundred percent. I write a song every day. Might not always be a whole song, but I’ll at least do a verse and a chorus, and I’ll put it on the back burner. I could pick up your guitar now and write us a song. It would not be difficult for me. I consider that a true, true blessing, okay? I know people who will spend six, seven years on one song, you know? It’s different for everybody, but for me, it just comes. I do think, to your point, if I took it for granted and I had this attitude of, ‘I can write songs whenever,’ take a ten-year sabbatical and come back, I’m pretty convinced that that gift [would] be gone. I’ve definitely had a couple people get frustrated over the years. ‘What’s that song about?’ I’ll be like, ‘Well, what do you think it’s about?’ They’ll go, ‘Well, you wrote it.’ I’ll reply, ‘Well, did I? I mean, my name’s on the credits, but somebody else wrote that song. It just came out in the form of my hands on a guitar.’ I’m not trying to sound arty; I genuinely believe this. I remember reading interviews with certain people that were like, ‘It just comes out of me,’ and I’d always be like, ‘This motherf*cker. It just comes out of me. Bullshit.’ Whatever that is, is a hundred percent true. It just takes a little bit of refinement from my side. MaM : Do you have a favorite song of yours that just came out and has been untouched since it first came out? TM : There’s a couple, yeah. In my last band, we had this song called ‘Liar Liar,’ and I’ve got early demos of that from when I was 16, 17. It’s identical. On this new record, ironically that first single we put out, ‘ Bipolar Tendencies ,’ I got home from the studio that one day, picked up my guitar, sat on the bed, [and] fifteen minutes later I had ‘Bipolar Tendencies,’ and I was like, ‘I should put this on the record.’ I went and demoed it, did the drums a couple days later. That’s identical to how it was. Nothing changed, except I put a sample of a heartbeat in it. https://www.youtube.com/watch?v=kgBPk-zff-U Official Video for 'Bipolar Tendencies' MaM : You recorded and engineered this new album yourself, right? TM : I was never the guy who was like, ‘I’m gonna produce my own record, I’ll engineer it.’ Listen, I do think there are strengths in letting other people do stuff, like the Deep Sleep Atlantic record--my buddy Taylor Tatsch , he mixed that record. He did a superb job as far as I’m concerned. You can get too close to the stuff. Where my thought process behind it all changed was, I was in a very well-known studio, and I was just there playing on this person’s record. It wasn’t my record, but I’d known the producer. This particular artist, they couldn’t get their thing right. They were in the live room and I’m in the control room with this producer, and I don’t know if he knew that I was in the control room, or if he just didn’t care, but a comment was made, something along the lines of, ‘Ah, fer f*ck’s sake, just get it right already! It’s a shit song as it is.’ The artist never heard that, but I heard [it]. It suddenly got me thinking, ‘Wait, I’ve been in hundreds of studios by now. I wonder if this is how they feel when I’m paying to have my music recorded?’ That was the changing moment. After that I was like, ‘Nope, I’ll do it myself.’ … If you put some true care into it, people can tell, man. Credit: Gary Governale MaM : So, the new band, Deep Sleep Atlantic, tell us how that came about and where do you see it going from here? TM : I’d been in bands forever. I decided I was moving to America—I was done with bands. A friend of mine introduced me to a mutual friend, who is fairly visible in the music industry, who says to me, ‘We’d love to have you on our books.’ I’m thinking, ‘Me, on his books? Why now? I leave in less than a week.’ So, I said, ‘No, thanks, man. If you take me as a writer, but as far as bands go, I think I’m a little burnt out.’ I’d been gigging more than 20 years at that point, closer to 25. Bands are hard, you know? You’re dealing with all these different personalities and not always in a nice, positive way, you know? So, I come over here and I’m working at Esplanade [Studio], and every day I’m seeing really great artists coming in to do their thing. I’m sitting at home after a few of these sessions and I’m thinking, ‘Yeah, that was great, but I’ve got songs that I think are better than that, or different.’ Not in an egotistical way, just in a comparable way. So, I start writing songs. Next thing you know, I’m creating logos, writing down band names, and I’ve got about 43, 44 songs. I’m still talking to this guy who wants to manage me, and eventually he says to me, ‘You will come out as an artist, and I’ll focus on pushing you as a writer. That’s the only way we’re doing it.’ So, I said, ‘Okay.’ So that’s what led to Deep Sleep Atlantic being created, but by this point, I’m almost finishing the record and I don’t have a band. I’m still not sure if I want to have a band. Then I meet Daniel at Esplanade Studio. He and I hit it off. So, I tell him that I’ve got all these songs and I don’t know what I’m gonna do with them. I sent him, like, three songs. He comes back and says, ‘Dude, I loved the songs. We should jam sometime.’ And that was it: He and I started the band. It was as easy as that. Where we see it going, who knows? I mean, you never know where these things could go. As an actual band, we’ve only been officially out there now since the 31st of March, and it’s exceeded all my expectations thus far. I’ve been in some very good bands; I’m extremely blessed to say that. We seem to be getting a lot of feedback and a lot of love and a lot of positive response. So, where do we see it going? We’ve got some plans. I’m not going to be juvenile enough to talk about them because if they don’t transpire, then you get egg on your face. MaM : How did you come up with the name? TM : It wasn’t taken. (laughter) I hate to use the word ‘woke’ in a wrong manner, but the play on it would be just being insightful and awakened to your surroundings. Chad from the Musical Lab podcast … told me that he thought it was that we had traveled across the Atlantic. Now listen, I can’t take credit for that. I hadn’t even thought of that, but it’s a fairly cool concept. Daniel and I have both lived in several places at this point and we travelled from those places across the Atlantic to get here. Now that didn’t inform or influence the band name but, you know, America is one of the biggest countries to exist, and there’s so much going on here at the moment. Some people are very sensitive to it, and some people aren’t. So, for me, I think the name is kind of just a play on … we’re at this point where there doesn’t seem to be middle ground. You’re either one of these really insightful and have-to-preach-about-it kind of people, or you’re one of those other, ‘Naw, it’s not even a real thing’ when it is. So, I don’t know. I just think it’s much like a song. You take from it what you will. For me, it’s an important name because of certain situations around it, but that would be how I describe it. We went through hundreds of names. Originally, we wanted to go with something else. We even did a couple tester gigs under a different name, only to be at a gig and this bass player I know came to me and said, ‘I tried to check you out before the gig. You know, there’s a rapper out there using that name. So, I went and checked. We are big do-stuff-behind-the-scenes kind of guys, and we had done all this work. We were about to launch, we registered all the socials, we registered the website, we did all the things that you do, right? We put up one little post and about three weeks afterwards, this rapper puts out a song and emerges under the same name. Three weeks after our post. Now, I’m not saying he took the name, but that name was so unique, that I think it would be very hard for someone else to think of that exact thing. Humans are more similar than we admit, so I’m not saying it’s not possible, but when that was brought to my attention, I was like, ‘Okay, pull everything back. We’re not launching. Shut all of that stuff down and let’s regroup. That’s what eventually led to us taking the name Deep Sleep Atlantic. MaM : Talking about live shows, you have a few under your belt now with Deep Sleep Atlantic. How have those gone? TM : Fantastic. MaM : So, Daniel is on drums and vocals, you’re on guitar and vocals, now, to fill in the other spaces … TM : I split my signal between a guitar and a bass cab, so that fills a lot, and we play with tracks. We’ve got a Pro Tools rig, and that fills the little keyboard-y parts that we’ve got on the record and a couple little nuances. We play with in-ears, we play to click. We do all our own sound, so basically when we get to a venue, they give us what they want to mic, we then feed them our tracks so it’s in the mixing desk, then they feed the signal back to us and we have control over all the levels. It definitely takes a bit of that spontaneity away because we are locked into playing to our tracks. Every now and then, some inspiration hits and you want to go jam it over here, [but] you can’t do that. It takes some serious discipline to do what we’re doing, but it’s also not so bad because I have always been a fan of bands that sound like [they do on] the record. MaM : So, let’s talk about the album Prelude . Where did you record that album? How long did it take, and are there any stories from the recording sessions? TM : [We] recorded that album in my house, except for the guitar solo in ‘ Bones ’—that’s my buddy Zack [Loy] from the band Live. https://www.youtube.com/watch?v=GJPeOMB7tEU Official Video for 'Bones' There’s a saxophone solo in ‘ Blue ’—that’s Dave; he plays in the Dave Mouton Experience . https://www.youtube.com/watch?v=1wvpZFEpwiI Official Video for 'Blue' And then there is a cello part in ‘ Mess We’re In ’ that I didn’t play. Everything else, I did in my house. I was doing it in between gigs, and sessions, so I did it sporadically. A story regarding it would be, it was shotgun house. I’ve since moved—the neighbor who basically convinced me to move was extremely, uh, [long pause] I think if she could have, she would have done everything she could to prevent that record from being made. It started getting to a point where I couldn’t even cough without banging coming from the other side of the wall. It started to become a bit of a joke, but not in a good way. It was in a—and I don’t mean for this to sound condescending—but it was in a ‘I think this person needs some help’ kind of way. MaM : Well, after months of hearing drums through the wall! TM : Well, ironically, I had the drums done before they even moved in! Okay, guitars—I’m a bit of a stickler for the guitar. You may have to do a part 500 times before you find the tone that you like. So, I do understand that from a neighborly point of view, especially if you are at home and you hear the same riff all day. I understand that can be frustrating. It got to the point where my wife and I would turn the television on and [within] two or three minutes, the pounding on the wall would start. Then we started to hear violin. Not properly played violin, more like the screeching sound from Psycho . After that, these notes started. You’d come to the house and there’d be a note on the door about something, or there’d be a note in the backyard about something, or there would be a note under your door, or in your post box. I tried to meet in the middle. I made a schedule, and I said, ‘Look, I’m not going to make noise every day. I definitely won’t make noise after 7 p.m. I get that you want to relax and stuff, but you’re at home all day.’ At this point, I’m only home maybe two days a week because I’m working at the studio. It was really reasonable; it wasn’t, like, every day. She said, ‘Oh, no, I need those times for my clients.’ I said to her, ‘There’s nothing more I can do. I’ve stopped the noise, we don’t turn the television on, and we don’t even have guests at the house because we don’t want to upset you.’ MaM : You have cough drops ready. TM : Exactly! So, it got to a point where we were like, ‘Let’s just move.’ That did hinder the album process. It was an album that could have taken me, let’s say, a month. Let’s say a week for drums, a week for bass, maybe a week for guitar, and a week for vocals. I could have been done. The drums and the bass were done before she got there. She just wasn’t willing to meet me in the middle. So that was both a funny and frustrating aspect of the album. MaM : Do you think any of that influenced any of the vibe on the music you were recording? TM : No, no. I mean, definitely some of the frustration while playing guitar came through. There were definitely moments where I was like, ‘Okay, you’re gonna make this hard for me? I’ll turn it up.’ Credit: Gary Governale MaM : How do you balance the art versus the business? You’re obviously talented creatively, but you also have a lot of knowledge and experience in the business side. How do you work in both without going crazy? TM : I think it’s much harder than anyone gives it credit for. I think if you start thinking about the business stuff too much, it will affect the art. You don’t want that to happen. So, I, personally, try not to think about that when I’m making music. I try and look at them completely separate. It really doesn’t make me sound rock n’ roll at all, but I will have lists … of stuff that I need to do to take care of business and I will dictate certain hours of the day to do that, whereas when I’m creating, or recording, or making art or anything, I worry about none of that. I think you NEED to think about the business though, unless you have someone who can take care of that for you. People are listening to music with their eyes now, so you could have the greatest record out there and it might be discovered (the good ones always are discovered eventually), but if you’re not taking care of something that [allows] people [to] somehow find you, I think you’re doing yourself an injustice. Plus, it’s in your best interest to learn that side of it now because no one’s going to care about your music, or your art, or you as much as you. I’m happy to do the work, I’m not lazy. I’m many things, but I’m not lazy. Follow Travis and Deep Sleep Atlantic on all social media and streaming platforms, available at www.DeepSleepAtlantic.com . To see their tour schedule, click here. *cover photo credit: Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Okay Kenedi’s debut album is more than just okay. It’s a wonderful ride of alt-pop that is superb, loaded with fun and introspection, and a heartfelt reminder that we’re all okay. < Back Okay Kenedi: A Casual Introduction Is Hard to Come By Tim W. Jackson Oct 20, 2023 Share Okay Kenedi’s debut album is more than just okay. It’s a wonderful ride of alt-pop that is superb, loaded with fun and introspection, and a heartfelt reminder that we’re all okay. One might consider the fact that Okay Kenedi just released her first album somewhat miraculous. Her father is a fundamentalist pastor, and she wasn’t allowed to listen to secular music growing up in Cumming, Georgia, just north of Atlanta. After she finally played music professionally, she had just given up on the dream when things took a turn. Recorded at Ivy Manor in the legendary music recording area of Muscle Shoals, Alabama, Okay’s debut album “A Casual Introduction Is Hard to Come By ” is a wonderful ride of alt-pop music with every song displaying its own vibe. For instance, the song “Dress Better” is a sure-fire party anthem, while “Fathers Want Sons” is a thoughtful, reflective slow number. The rest of the album is pretty much everything in between. But the path to this rousing debut album wasn’t easy. Growing up in Cumming, Georgia, Okay Kenedi’s existence seemed far from big city life. She was only allowed to listen to worship or contemporary Christian music, despite how important music was in her early life. “My grandmother played piano for the church, and they practiced all the time,” Okay says. “I've spent a lot of time with her, and I took an interest in piano at a really young age—probably because I was raised around it. So, my parents put me in lessons around five years old, and I took nine years of lessons.” She knew she had a knack for music, a love strengthened in middle school. Okay started teaching herself guitar with the help of YouTube videos, and her middle school chorus teacher allowed her to bring her guitar to school. “She would let me stick my guitar in her office and … come into her classroom in the mornings and play piano,” Okay says. “I wrote her an original song in eighth grade as a goodbye from me and all my friends who were in choir. I wrote it with five other friends, with our 13-year-old minds. I'm sure it was horrific but beautiful at the same time.” In high school, Okay auditioned to be in theater mainly because she was told that twice a year there was a showcase where she could bring her guitar and play. The audition went well, and she says that she accidentally ended up in the advanced theater travel group. “I knew nothing about theater, and it horrified me,” she says, “but I did, in fact, get to play twice a year with my guitar and sing a song.” Courtesy of Okay Kenedi Okay recalls writing her own version of a song from Wicked and the theater teacher actually liking it. She didn’t know it then but through all of her musical experiences, the building blocks were being put in place for a future in music. As it turned out, she did like the advanced choir program and says that being in choir, musical theater, and music production in high school helps her musically. “ l like the tedious work you hate to do ,” she says with a chuckle. “I think that stuff refined a lot of my music. I could pick out a harmony and know what it meant. And I like breath control. We do a lot of vocal exercises. I can't say that I love doing them but I'm grateful that I did it now.” Though she had written songs since she was a kid, she started looking at music more seriously after high school. Okay attended Lee University, a private Christian school in East Tennessee, and the University of North Georgia. Her love for music continued to grow and in 2019, she met Micayla Wise and Sarah Dickerson, now both members of her band, in a Christian group that had a lot of emphasis on music. “I was always writing,” she says. “I wrote tons of songs. I just kept writing all through high school, all through college, but I didn’t do anything with the songs. Micayla was the first person to say, ‘Hey, do you write music?’ So, I was like, ‘Actually, I do.’” Okay played some original music for Micayla, who encouraged Okay to do something will the songs she’d written. It evolved through several genre changes. “You gotta find yourself before you find your genre,” Okay says. “So, it was like going through a lot of pants that didn't fit until I settled into this.” This is the music on Okay Kenedi’s new album, which came oh so close to never happening. In September 2021, Okay felt her music wasn’t gaining any traction. She had booked her final show, which was at a bar in Atlanta. “We have to be adults at some point and pick a career that makes money,” Okay recalls saying to her band. “We have to put gas in our cars, and I need to move out of my parents' house, so this is my last show on the books.” Some crying from the band ensued but logic dictated that it was time to call it quits. They had a lot of fun together, but it was time to move on. As the night of the show arrived, Okay was headlining for a young guy who had just released his debut record. “He had a bunch of people who had come to hear him play,” she recalls. “When I came up to do my set, everyone just left because the crowd was all his friends and family—and he was done. So, it was basically me, the band that I brought, and, like, four friends.” Knowing it was her last show, rather than just going through the motions, she decided to give it her all. Courtesy of Okay Kenedi “I sold that show harder than I sold any show to my four friends.” She was gonna go out with a bang, and she did. “It just so happened that in the back of that room was music producer Dan Hannon ,” she says. He was impressed with her talent and saw lots of potential. He was part of a team that operated Ivy Manor, a recording studio in Sheffield, Alabama, just minutes away from Muscle Shoals Sound Studio and FAME Studios . Dan and the team took Okay under their wings. Besides Dan, an award-winning producer with more than three decades in the music industry, there was former SteelDrivers frontman Gary Nichols , along with producers and engineers such as Clint Ingersoll, Jared Przybysz, and Ivy Manor founder Michael Shane Wright. “I was so new to the way this actually works when you're not trying to do it in your attic,” she says about her new team. “Besides the writing and recording, they even helped me get some stylists in L.A. that designed clothes for me and a hairstylist in Atlanta, and we did 16-hour-a-day rehearsals with me and my live band to polish for the live-show thing. They helped me become an artist.” Of Okay, Wright says he admires her creativity and skill, specifically highlighting her song “Fathers Want Sons” by commenting on her display of skill as a songwriter. Her strength in vocals, as well as her natural charisma and leadership skills, is a trait that Wright sees as integral in a performer. “I was immediately struck by the quality of her songwriting,” Wright says. “She has a unique ability to take her personal experiences [and] translate those [into] universal experiences, then communicate that experience in three or four words.” https://www.youtube.com/watch?v=maAQPqSRLmA The hard work is paying off. Five singles have been released thus far: “1 Birthday Behind” , “Dress Better” , “Fathers Want Sons” , “Pharmacy” , and “Young, Dumb, & Naive” . In these songs and the other six on the album, Okay shows a penchant to be both introspective and fun. As for the album title, “When we first made a website, I didn't even know what to put in my bio,” Okay says. “So, I literally put ‘a casual introduction is hard to come by’ in place of where my bio should go. Then I thought, ‘What if we just named my record that?’ It's like an introduction, and it's funny because I didn't know what to say about myself. My record will say it all, so it's a spoof off of that.” “A Casual Introduction Is Hard to Come By” is out now and worth your time to give it a listen. When Okay Kenedi becomes a household name, you’ll be glad you were there from the start because, as her merch says, “We’re all Okay!” For more on Okay Kenedi, her singles, and her 11-track debut album (which dropped today, Oct. 20!), visit her online at www.OkayKenedi.com , Spotify , Bandcamp , Facebook , Instagram, TikTok, and YouTube. You can also access her album, songs, vlog, music accounts, and her signature roast coffee at https://linktr.ee/OkayKenedi . Tim W. Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his super cool artist wife and their dogs, Maple and Ginkgo. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Never give up on your dreams. < Back Rian's Den: A Night to Remember with Sleeping with Sirens Rian Nickels Oct 9, 2024 Share Never give up on your dreams. I typically write concert reviews, but let's be honest – almost everyone knows who Sleeping with Sirens is, and if you don't, all the info about the band members, their accomplishments, and their rise in their career can be found on their Wikipedia page. If you want to know what they sound like LIVE, I promise you that thousands of videos are available. I'm trying to say they are popular in the post-hardcore - emo - alternative scene. At this point, they've transcended generations, rising to fame with Millennials and Gen Z and resurfacing amongst younger folks from Gen Z and older folks from Gen Alpha due to apps like TikTok . So, What I'm here to tell you instead is the story of how Sleeping with Sirens impacted me to find and follow my dreams. It's just me! The year is 2012, and you're an angsty & edgy teenager still trying to become who you are, trying to find your musical taste, your place in the world, and the words for the thousands of intense feelings you have. In your coming-of-age journey, you're sitting in your high school cafeteria. Your friend starts talking about a beautiful man with the voice of an angel, Kellin Quinn – they see the look of confusion on your face and demand that you go home and search for Sleeping with Sirens on YouTube . Upon doing so, you come upon songs that will later be anthems of multiple generations, ' King for A Day ' featuring Pierce the Veil and ' If You Can't Hang '– your friend was right; he's beautiful, and he truly has what I would consider the voice of an angel. With his impressive vocal range, he can go from singing high-pitched notes and lovely harmonies to low screams that add more raw emotion to the songs. While you might have already been into bands like Mayday Parade and Hawthorne Heights , this day will shape your musical taste. It will be the first step to an over a decade-long journey. Credit: Rian Nickels The thing about Sleeping with Sirens is that the lyrics make you feel understood as a teenager and even as an adult. The songs put feelings into words that you didn't have yet. Tracks like " Tally Up, Settle the Score , " a song about being motivated to prove the people who doubted you wrong, encouraged you to push beyond your peers' hate and doubt. Songs like ' Who Are You Now ' ask the question of who you became after the world tried to change you. When you didn't have the words to describe the intense feelings of wanting to love and be loved, you had ' If I'm James Dean & You're Aubrey Hepburn .’ When you were left wondering how a parent could go without caring about you, you had ' A Trophy Father's Trophy Son .' You could scream the lyrics " Is this what you call a family ?" to the rooftops. If you had a partner who cheated on you, you had ' If You Can't Hang ' to sing along to. Sleeping with Sirens has a song for every hardship, every milestone, and every feeling you come across. https://video.wixstatic.com/video/999a0f_9fb74e0ccb5c460e9f6def7c28bd190d/480p/mp4/file.mp4 The year is 2014; you're still just as ever, an angsty and emotional teen. You're going to Warped Tour with your friends to see bands like Attila , Mayday Parade , Breathe Carolina , and Sleeping with Sirens . If you were anything like me, you were a reserved and anxious teen who had never done anything significant. This was the most people you've ever been around and the most bands you'd ever seen on the same day. You notice that other people on Warped Tours are crowd-surfing, so think, "Oh, I could never do that." But when Sleeping with Sirens plays ' Do it Now Remember it Later ,' you think, "Well, why COULDN'T I?", so you find a trusting spot in the crowd and ride the wave of hands launching you forward at your chance to see the band up close if even only for a second. This is only the beginning of you coming out of your shell. It's the first time you genuinely feel accepted and realize other people are just like you. People with neon-colored hair, piercings, dark clothes, but most importantly, people who feel the way you have . A young me crowdsurfing at a Sleeping with Sirens show. In the years after the Warped Tour 2014 , Sleeping with Sirens continued to be there for us, motivate us forward, and ultimately explode in popularity. I didn't find my niche as a photographer until 2023. I had done small concerts before and knew I loved it, but I needed to be more dedicated. I didn't have the drive or the energy to accomplish it. But in 2023, I attended the So What Music Festival . On the first day, Sleeping with Sirens headlined the fest. Throughout the day, I saw various concert photographers running around taking photos, and I couldn't help but be jealous. I wanted to be them SO BAD. Just a pic of me from back in the day. When Sleeping with Sirens went on, they played such a fantastic performance that set in stone for me what I wanted to do with my life - Be a concert photographer. They cemented it even further by telling the crowd, "No dream is too big; you just have to push yourself in the right direction to get there," before telling us how they used to be a bunch of guys with a dream, too. I knew then that I would spend whatever time it took and do whatever it took to achieve my goals. The first step was making a goal. I looked at my partner during SWS and told them with my entire chest, "I promise you I will take their photos next year; I don't know how I'll do it, but I will." This feeling only solidified after seeing bands like Pierce the Veil and Neck Deep – all-time favorites of mine. https://video.wixstatic.com/video/999a0f_416b479a053943d1a2037563467d3fb0/720p/mp4/file.mp4 Upon going home from the fest, I uploaded all the work I deemed worthy from previous music photo gigs to Instagram. By January 2024, my musician friends were starting to hit me up and ask me to photograph their performances. Even though I hadn't been taking photos for years. I pushed myself forward to doing it and, within a couple of months of feeling comfortable, found an alternative music publication based in my state! Mixed Alternative Magazine interviewed a local band I'd previously taken photos of. Reaching out, showing my portfolio, and trying to join the team would be good. Mixed Alt was thrilled about me wanting to join and drilled it into my head that I was talented in what I was doing. It felt good to be a part of something bigger than just myself. Throughout the year, I'd pick up all the gigs of my friends that I could. I grew my talent, got better equipment, and returned to my love of writing thanks to the woman behind all the magic at Mixed Alt Mag – Nicole Brice . When I saw that Sleeping with Sirens was coming to the House of Blues in New Orleans , I knew I would probably not get it, but I asked Nicole if we could try anyway. She allowed me to try, and we waited and waited and waited for what seemed like forever. Thirty hours before the show, I got an email saying I had been approved. I remember losing my mind. "OH, FUCK OH FUCK NO WAY NO WAY, I CAN'T BELIEVE IT OMG," I said. I couldn't believe I was accepted ! After over a year of sweat, tears, and dedication, I was meeting my massive goal of photographing one of my favorite bands. https://video.wixstatic.com/video/999a0f_722c67b858d84024a6ae672ad46a756d/720p/mp4/file.mp4 When I found myself in the photo pit of The House of Blues, taking photos of them performing ' Do It Now Remember It Later ,' it brought me back to that 16-year-old girl who was trying to find her place in the world, crowd-surfing to that same song at Warped tour 12 years ago. It brought me back to the 27-year-old woman I had grown to become just a year before screaming the lyrics to her partner and starting a dream in that field. It reminded me of all the past friends, lovers, adults, and press managers who said I couldn't do it. It showed me that every single step I had taken since I was 16 years old brought me to this moment – standing directly in front of Kellin Quinn and his fellow bandmates, capturing the magic through my lens, from my own eyes—the adrenaline from being so close and feeling so proud of myself pumped through my veins. Credit: Rian Nickels I guess my purpose of this alternate article was to tell you – just like Sleeping with Sirens would – to never give up on your dreams. As sappy as it is, dreams can come true, and you can achieve anything if you truly set your heart and mind to it. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . 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Just Look Up and Let Go < Back Awake and Alive: How Mod Sun Shifted My Outlook Rian Nickels Jul 11, 2025 Share Just Look Up and Let Go “Every good story needs an intro, so where does this one start? No veils, no curtains, no doors, no walls between what pours out of my hand on to the page, a dream, of course, an American tale of finding magic in the everyday, and acting totally instinctively, a suitcase and a train track on a search for identity, and a quality that entices attention, we’re young and incredibly ambitious, our possibilities are endless, just look up” - Mod Sun In the summer of 2014 , I walked into my skate buddy’s apartment and saw a man on TV that I can only describe as hippy Jesus. He was in a room of lava lamps and beaming with joy. His energy demanded my attention, and his happy-go-lucky vibe was infectious. He was moving like life never hurt him. The music video was ' My Hippy ' by Mod Sun . What started as any other summer afternoon ended up changing the way I viewed life. https://www.youtube.com/watch?v=PeZ3dl8DgZg Music video for 'My Hippy' by Mod Sun Growing up, I listened to a lot of emo and post-hardcore ; bands like Silverstein and Hawthorne Heights shaped the way I looked at things. As a teenager, I romanticized sadness. Music about self-harm, self-hate, and toxic love didn’t just soundtrack my life; it started to define it. Those lyrics told me it was normal to feel broken, to treat myself poorly, and to accept the kind of love that left scars. I became fluent in hopelessness and comforted by the idea that it would never get better. But one musician changed everything. So, who is Mod Sun? Well, to the government, his name is Derek Ryan Smith (he changed it to Dylan). However, to his friends and fans, he goes by the nickname Mod . MODSUN is an acronym that he created that stands for “Movement On Dreams Stand Under None” . This means pushing towards your biggest dreams, not letting anyone stand in your way, and never letting anyone overshadow you. I fell headfirst into Mod Sun’s world. His lyrics weren’t about heartbreak or giving up; they were about being glad to be alive. (That on its own was so foreign to me.) His music introduced me to positive thinking, setting intention, and the idea that your thoughts shape your reality. In 2015 , Mod released his first studio album, Look Up , and suddenly the spaces in my head that once echoed lyrics like “cut my wrists and black my eyes” were being replaced with “if you woke up, you got a reason to celebrate.” But I wasn’t abandoning my sad girl roots; I just wasn’t stuck in it anymore. The new music didn’t erase my sadness, but it helped me realize I didn’t have to be defined by it. This new outlook didn’t stay confined to my headphones. It seeped into my day-to-day; how I spoke, how I carried myself, and how I connected to others. When summer of 2015 came around, it only made sense that the next chapter to this transformation would happen in the same place it started. A place where the new and old could collide: Warped Tour . Just me at Warped Tour 2015 There’s something poetic about going back to the scene of your former self. It’s the same music festival, the same heat, and the same eyeliner, but with a new perspective. Warped Tour wasn’t just a concert, but a nod to the person I was becoming. I spent the day reliving my emo roots, but I was really there to see Mod in the flesh. The crowd wasn’t the largest, but you wouldn’t have known it by his energy. When he performed ' Howlin’ at the Moon ', a song about having gratitude, the entirety of the crowd knew every word. This brought him to tears; he could see that what he was doing mattered to people. They liked this new sound, but they enjoyed seeing someone savor every drop of life even more. On my way out of Warped , I gave Mod a bracelet that read “Sup My Hippy,” and he signed the book I bought from his merch table. The bracelet I made https://video.wixstatic.com/video/999a0f_3e490852569347239a525c42f238e9e8/360p/mp4/file.mp4 A video I took at Warped Tour 2015 His book , Did I Ever Wake Up? looks like a memoir, but it turns out to be a handbook for self-perseverance—something between a diary and a mental toolkit. The book covers his upbringing and music career, but it also shares overlapping messages with his music. The idea is that you must know what you want and be sure that you can obtain it. This made me realize that I didn’t really know what I wanted from life. But what I did know was that I didn’t want to be the person who brought the rainclouds to every room. I wanted to be a light for the ones who were lost in the same kind of darkness that I had once claimed as my identity. Released December 15, 2012 The best book ever! After setting that intention, things already began to shift; even small things that I didn’t realize held so much weight. I started wearing things that just made me feel happy instead of trying to be a particular aesthetic. Just Me! Me again! I picked up art again. I got his signature tattooed to remind me to keep going. I stopped seeing pain as something I owed myself. I realized that my body wasn’t a canvas for punishment or a notebook for all the things I couldn’t say. I didn’t stop being sad overnight, but I no longer built my entire life around it. My tattoo! Signed by the man himself! The one and only Mod Sun! I stopped looking down at all the ways things could end and started to look up at the possibilities. I shared these ideas with anyone who would listen, and I lent out Mod’s book to whoever would read it. I talked about gratitude, intention, and the law of attraction. It started to catch on; my friends began to show more compassion, let go of bitterness, and embrace possibility. What started as a personal awakening began to ripple through my community. https://www.youtube.com/watch?v=hwe2dPR5ums A video I made Friends! In the spring of 2016 , Mod Sun had a tour stop near me in New Orleans . Some friends and I took the drive to see him perform. When Mod got to the venue, he didn’t hide away like most well-known musicians. He stood out front and talked with each person who wanted to. Just me talking to Mod Sun in New Orleans When it was showtime, he didn’t take a special door through the back but instead walked through the front like everyone else. They always say not to meet your heroes, but after meeting him, I was stunned at how normal it felt. There was no barrier, no ego, or celebrity attitude. He was human. He treated us like old friends, laughed with us, danced with us during the opener, and radiated the same energy on and off the stage. Credit: Rian Nickels The best day ever! Life has a way of putting what you’ve learned to the test, though. The months after that show brought some of the darkest points of my life. I lost some friends to addiction and depression. Somewhere within the mess, I’d lost myself too. I left all the tools I learned behind when I needed them the most. I was dealing with the weight of things I never had to carry before, and Mod’s relentless positivity became a language I was no longer fluent in. That was until Spring of 2017 when he released his second album, Movie . After months of being distant from him, this project dragged me back in. Movie wasn’t just party anthems and affirmations; it was about heartbreak, self-blame, fake friends, and the messy parts of healing. This album met me right where I was. It showed me that Mod wasn't some out-of-touch optimist that was blind to the bad; he walked through it, too. It showed me that his life wasn’t perfect, that he, like anyone else, had dealt with insecurity, loss, and adversity. This album gave me a song for everything I was going through. Even when things got heavy, Mod Sun was there to remind me to keep pushing. Regardless of the trauma, mistakes, or loss, you still have to get back up and make something of yourself. I was reminded that growth doesn't mean avoiding pain. There is no light without darkness. By the end of 2017 , Mod Sun released his third album , BB , and it came with a renewed sense of joy. It echoed that same optimism from Look Up , but now it came from someone who was more grounded. It came from someone who had seen the dark and chose the light anyway. BB reminded me that life comes with highs and lows, and that after each low, there will always be a high, even if it takes a while to come. Just me! So excited! In the years after Mod Sun dabbled in other creative outlets like painting, making clothes, and writing more books. But in 2019 , he did something lifesaving; he decided to get sober . He came clean about his battle with addiction and how it had affected his life and the people around him. He was transparent, and he apologized. Before this, I had never seen anyone successfully get sober, and more importantly, I had never really seen anyone own their mistakes, take accountability for them, and follow that up with action. I had watched so many people lose themselves in addiction, and this was the push I needed to take my own steps in that direction. So, I tattooed the words “Look Up” on my foot; it serves as a permanent reminder, and I haven’t touched those substances since. My tattoo Around the pandemic , Mod Sun’s sound started to shift from his signature Hippy Hop to a more angst-driven Alternative Rock vibe with albums like Internet Killed The Rockstar and God Save The Teen . Nowadays, Mod has blended the sounds of Hip-Hop and Pop-Punk, bouncing around all the avenues he’s taken and still exploring new ones. My playlists bounce between genres and moods these days, but Mod’s impact on me never faded. I like to think that Mod and I both found a way to appreciate the balance of life. To hold space for the dark and the light. To carry both joy and grief. To dance with the highs and sit with the lows. To know that you can wear tie-dye one day and all black the next. That sadness and happiness don’t cancel each other out but instead coexist. That growth isn’t about being brand-new. It’s about fully accepting yourself in every season of life. That healing doesn’t mean erasing the past; it means making something out of it. Because of Mod Sun, I’ve done things I never thought I’d be capable of. I’ve finished things I used to abandon. I’ve started projects that scared me, I’ve chased dreams that felt too big and believed that I was allowed to yearn for more. He helped me believe that I was allowed to have big dreams and that, more importantly, I could reach them. His lyrics planted the seed that I wasn’t just meant to survive, I was meant to build a life worth showing up for. He didn’t just help me get better; he showed me that I could save myself. Not everyone vibes with his music or his message. Some people think he’s cringeworthy, or they can’t look past his mistakes. No matter how he’s perceived, it doesn’t undo the impact he’s made. Mod Sun is living proof of the power of believing in yourself. He showed a bunch of broken people that they didn’t have to stay broken. He showed us the path less traveled, and reminded us to keep traveling it. If you take anything from this, let it be this: What you say to yourself holds power. Show yourself some love because you’re still here, waking up every single day. Still building who you’re meant to be. Permit yourself to dream bigger. Remember that your impact on the world matters. Do something that inspires people. Find something to celebrate in each day. Make your life a movie. Don’t forget to look up. “No matter the amount of negativity you’re presented with, five minutes from now could be your best moment.” - Mod Sun To learn more about Mod Sun: www.modsunmusic.com Mod Sun Merch Shop the Official Mod Sun Merch Store for exclusive merch including tees, hoodies, accessories, & more! Find details of the Mod Sun tour, Mod Sun tickets, & Mod Sun music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Sulking in Love” features powerful ballads as gateways to the darkness that lurks beneath personal distress. < Back Shawn Williams: Sulking in Love Ryne Hancock Sep 27, 2023 Share “Sulking in Love” features powerful ballads as gateways to the darkness that lurks beneath personal distress. New Orleans native and singer/songwriter Shawn Williams loves the nighttime. “The nighttime is when we are mostly alone by ourselves, stuck with whatever’s going on, whether it’s sadness or happiness,” she once wrote on her website when describing the inspiration behind most of her songs. For 13 years, Williams worked as a radio personality and program director at various stations in Atlanta, New York, and New Orleans before she decided to strike out on her own in 2017. As a hauntingly soulful singer/songwriter with a throaty rasp and sardonic lyrics , Shawn brought forth her brand of Americana, which, according to her, is a mixture of alt-rock, country, and serial killer blues , with her first album “Shadow.” Her next album, “Motel Livin,’” which garnered favorable reviews from local music outlets like OffBeat Magazine , released in 2018. Since breaking out on the New Orleans music scene six years ago, Williams has been a mainstay on the popular local WHIV-FM country music show “NOLA Country Radio.” She has also been featured in the aforementioned OffBeat Magazine , Ireland’s Lonesome Highway , and Europe’s Country People Magazine and was nominated for three “Best of the Beat” awards last year. credit: Christopher Bryson Recently, Williams released her third album in four years and fifth album overall with “Sulking in Love,” which was produced with assistance from Mark Howard, who was at the helm on albums such as the Neville Brothers’ “Yellow Moon” and Peter Gabriel’s “Us.” “Sulking in Love” is layered and textured in sound and is like a cross between Lucinda Williams and PJ Harvey but reads more like the tale of a woman ready to move on from a relationship than anything else, hence the title of the album. “Sulking in Love” showcases “cut-throat guitar melodies fused with pure muscle jazz” as Williams’ powerful ballads build on danger, tension, and the Crescent City after dark. Her powerhouse vocals matched with her Cajun folk twang creates a sultry atmosphere for listeners to experience. “Sulking in Love” is full of surprise moments like, for example, the big solo on “Givin’ Up,” which features the guitar framed by what sounds like a vintage Mellotron, which is pretty cool. https://www.youtube.com/watch?v=LKUiTJ-StVE A few weeks ago, Shawn took time from her busy tour schedule to talk with me about her music, the Americana scene in the Crescent City, and the trials and tribulations of being a working musician in New Orleans. MaM : You worked as a radio programmer before hitting it on the road as a singer/songwriter. With the way radio is set up now, most notably in the country genre, what positives or negatives have you seen in terms of radio play for americana/country? Shawn : I've been writing songs since I was 10 and playing guitar since I was 14. In any genre, it's hard for artists to get mainstream/commercial radio airplay unless you're backed by the big labels and big money. What's great about New Orleans is that people support their local, independent radio stations, like WTUL, WWOZ, and WHIV because they play local artists … artists like Lucinda Williams or Ryan Adams who don't get mainstream support but are still big. MaM : Two years before the pandemic, you had two albums out. After we all went on lockdown, you then released your third album, "The Fear of Living, The Fear of Loving." Would you say the pandemic was the fuel behind your creative input now that you have released three albums in four years? Shawn : That third overall album was fueled by a breakup, drinking (because what else was there to do at that time?), dark times, and by the song "Change . " I first wrote "Change" and I was like, “What the hell? What else am I going to do? Let me record a whole album on my phone," which I never wanted to do because of the quality, but I went for it for fun. I wrote all of the songs within a week , played all of the instruments—some of which I've never played before—and made my album how I wanted it to sound in every aspect. I actually had a Kickstarter going at the end of 2019 to record a third album in a real studio, but when the shutdown happened, that idea got nixed. When things picked back up, I started recording the fourth overall album in 2021 and released it in the summer of 2022, and then a few months later I started recording my fifth overall album and released it a few months later. MaM : In the short time I've followed your career, you've been traveling over to Pensacola, Fla., mostly to do shows. Is it due to the pay for gigs there as opposed to gigs here in New Orleans, or the Americana scene here in the city? credit: Jessica Moody Shawn : It's due to pay and the change of the music scene in New Orleans since the shutdown; although, leading up to it, the [NOLA] scene was already beginning to derail. All the clubs on Frenchmen Street other than Checkpoint Charlie (which rarely has music anymore), unfortunately want the same sound, the same five cover songs, and that's just not me. They rip off musicians. I don't want to have my players put up with working their butts off for no money and no respect. Now I'm just playing select venues and shows, places in the city that I want to play and that respect the music and the musicians, and spending the rest of my time on the road. MaM : On your album you have a song called "Society." From what I've gathered , you've never been big on political songs. What inspired you to write that one? Shawn : Yeah, I don't think I really have any politically driven songs, other than a few lines in some songs. Last summer, I was living in my RV on a farm and staying in Pensacola for the summer while touring and doing some shows on the coast and up north. Prices doubled in places to rent in New Orleans, and I couldn't afford anything. I was pissed that I couldn't go back to the place that I was born because of gentrification and the mayor killing our city and culture. And that's how the song began, as you can tell in the first couple of lines. It also touches on the city’s crime, but how crime begins at the top and with our leaders. I also have some lines in there about the pumps, Sewerage and Water Board, and the 5G towers all around the French Quarter. MaM : One of the members of the famous Neville family, Omari, is featured on "Sulking in Love." What was it like working with New Orleans music royalty? Shawn : It was killer!!! And I've never felt so fortunate to get to work with some badasses. It was my first time meeting Omari Neville , who plays on percussion and drums on this album, Daryl Johnson, who’s worked with The Neville Brothers, Emmylou Harris , and the Meters, who plays bass and percussion plus provides backing vocals, as well as Michael Chaves, who is on the guitar, keyboards, harmonica, and tambourine. L to R: Michael Chavez, Mark Howard, Shawn Williams, Daryl Johnson, Omari Neville (from artist website) It was important to have some New Orleans musicians on the album because the city is important to me and [is] a part of my sound and myself. They were all fun and easy to work with … [we] definitely vibed quickly. I’m thankful to have Omari as part of my band and live shows now! MaM : What do you expect your listeners to get out of this new album? Also , are there any upcoming shows in New Orleans on the horizon? Shawn : Like I hope for with all of my albums, I hope they get rawness, vulnerability, and are able to connect with the album. Plus, appreciation to the guys and how incredible they did on the album! On October 1, we'll be playing at Toulouse Theatre with our friends Gal Holiday & The Honky Tonk Revue opening up! "Sulking in Love" is currently available on most streaming outlets. For more on Shawn Williams, her music, and her tour schedule , visit her online at www.ShawnWilliamsMusic.com or at any of the below-listed links! Facebook: @ShawnWilliamsMusic Bandcamp: shawnwilliamsmusic.bandcamp.com *cover image by Shannon Moon www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Change operates as a cyclical force of nature, and it’s time for another cycle. < Back Finding the Middle Ground: Striking Balance in Louisiana’s Evolving Music Scene Nick Cline Jun 14, 2025 Share Change operates as a cyclical force of nature, and it’s time for another cycle. Change—what is it, really ? Change embodies a balance between beauty and disaster; it's an essential part of every journey in life. Music, along with the passion that fuels it, has been a cornerstone of the human experience since time immemorial. It's an incredibly intricate concept that we have barely begun to explore. Lafayette's music scene, and perhaps even the entire state, represents a piece of a puzzle that is rapidly shifting in search of its perfect fit. The irony is that it may never fit perfectly. Nothing is meant to fit 100%. This imperfection is part of the beautiful dynamic that drives passion, art, and the courage to find one's place in life, society, and the universe. Change operates as a cyclical force of nature , and it’s time for another cycle to traverse through the walls and concert halls of our community. Lafayette is the epicenter of Louisiana music. Regardless of the state's history, Lafayette has conspired to create a landscape rich with honed talent, new passions, and everything in between. The local scene is becoming a catalyst for change, as alternative mindsets and sounds are asserting their place. I should note that I'm relatively new to this scene—I've only been involved for about two years. I'm not originally from Louisiana, so my perspective is, at worst, a leap of faith. Ultimately, I am just an artist trying to carve out my niche in a world that has presented me with numerous challenges since childhood. From my observations, balance is critical for the survival of this scene. A balance of ego, work ethic, passion, and various other factors will be essential for its future. It can begin to thrive, but it should aim for more than mere survival. With proper care and the right mindset, this scene can become a powerful force of personality and passion. Currently, there is a power struggle among bands, venues, promoters, and us. People are forgetting that music is a collaborative effort. Music cannot exist without a solid foundation of support to fill in the gaps of the scene. The alternative scene is a collective of individuals who are contributing new pieces to the legacy of Louisiana music. This community is growing every day, driven by a mission of goodwill, inclusion, and the cultivation of music, along with many other positive ideals. What’s remarkable about this collective is that it is not genre exclusive. It serves as a meeting ground for the unconventional and the overlooked. It’s a space where one can discover oneself both musically and personally—a rare moment that continues to evolve. This community fosters ongoing support for one another, built on passion and inclusivity, regardless of genre or background. Most importantly, it stands on the belief that art is a powerful concept that will endure even in troubled times. Art is one of the many building blocks of change in societal understanding. Only time will tell what lies ahead for Louisiana and its music scene. For now, it is in its infancy, a growing force poised to unleash a cyclone of creativity. Its spark has recently ignited, and it’s just a matter of time before it fully manifests. That said, the community must strive for hard work, genuine artistry, and the willingness to explore new sonic landscapes without clinging to an image or preconceived notions. An image means nothing without the quality to back it up. Having a platform is irrelevant if there is nothing truly unique and powerful to express. Many can speak, but very few can truly inspire. The scene is navigating a direction that we all need to embrace, or risk being left behind. A powerful new era is upon us, and the music scene will enter this age armed with passion, creativity, influence, inclusivity, cultivation, job opportunities, and so much more. The burgeoning job market will align with the community's strength, allowing artists to become multifaceted creators. Photographers and commission artists will stand at the forefront of this economic shift, progressing in tandem with the music industry. These various artistic pursuits need to work in tandem to survive and transform into a storm of possibility. In conclusion, let me emphasize my final thoughts. Hope, creativity, inclusion, and cultivation represent the new wave of Louisiana music. We are mere specks in the vast landscape of possibilities within the universe. We must make the most of our time, for no one else will live our lives for us. It is our duty to ensure that we live meaningfully, serving both ourselves and the cultivation of a brighter future for the arts, culture, and society as a whole. We are the change we’ve always wanted to see. It’s time to prove it, to show it, and to live it. We are the change that the community has been waiting for. Thank you for reading. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ozzy will forever live on in the hearts and minds of those he influenced and inspired. < Back Barking at the Muse: How Ozzy Osbourne Inspired My Musical Journey Nick Cline Jul 23, 2025 Share Ozzy will forever live on in the hearts and minds of those he influenced and inspired. Ozzy Osbourne—The Prince of Darkness. Whatever name you call him, one thing is for sure: he was a legend among the people. He was more than just a man; he created a legacy that resonates with us all. This is the beautiful sentiment that Ozzy has left behind. He was unapologetically human, a masterclass in staying true to oneself and demonstrating how passion, character, mistakes, triumphs, and humanity can lead to greatness. At one point, Ozzy was a lone outcast in the industrial plains of Birmingham, England . Little did he know that, almost 60 years later, he would have a career that would have a significant impact on the world. The fascinating aspect of Ozzy and his career is that it has transformed into a sort of mythos within the metal and rock world. While myths in literature typically surround figures like the Greek gods— Zeus , Poseidon , Hades —in the realm of rock and metal, we have Ozzy Osbourne : a creature of passion wrapped in the flesh of an ordinary man. From the dawn of Black Sabbath until his passing on July 22, 2025 , he was a figure with a profound humanity . To the everyday person, stories surrounding him ranged from Satanism and metal legends to reality TV and the creation of one of the most successful music festivals, Ozzfest . The list of his accomplishments could go on. It is truly astounding that one man could be part of so much creation and success throughout his life. I could delve into the history and retrospectives of Ozzy , but as I mentioned, his story has become intertwined with myths across the entertainment world. Few people have not heard his name. I believe the true monument to Ozzy Osbourne lies in the legacy that has touched the lives of countless people. My journey and connection to Black Sabbath and Ozzy began when I was very young. I was born in the early 2000s , and by then, Ozzy was already in his 60s , with his legacy at its peak. Yet his name had become a household symbol for me. My father, born in the early '70s , had a deep connection with Ozzy long before I was born. The Black Sabbath and Ozzy records that filled his music library were introduced to me from the moment I was in the womb to this very day. After 23 years, those songs still feel incredibly fresh. From the first time I heard ' War Pigs ' and ' Crazy Train ' to the day I learned of Ozzy's passing, his music has entranced me. https://www.youtube.com/watch?v=FVovq9TGBw0 Official video for 'Crazy Train' Listening to Ozzy's catalog has always made me feel understood and recognized for my humanity. I have had a profound connection to each note, each lyric, and every rhythm. This connection was the true magic of his music during my upbringing. I felt the raw power of his sound. Black Sabbath produced haunting and powerful anthems that spoke against war, bigotry, and everything in between, while also addressing how to find hope and meaning in the world. https://www.youtube.com/watch?v=IoT9Pcor8OA 'War Pigs' by Black Sabbath To me, Ozzy's solo career has always shone even brighter. Not only did he make one of the most remarkable comebacks in rock history, but he did so with flair. I am continually amazed by how Ozzy surrounded himself with true greatness. The legends of Black Sabbath were joined by exceptional talents such as Randy Rhoads , Jake E. Lee , Zakk Wylde , and many other amazing guitarists, drummers, and bassists. Randy Rhoads remains the only guitarist who could rival Eddie Van Halen . The visceral and beautiful melodies of Ozzy’s first two albums are masterpieces of songwriting. In true Ozzy fashion, he faced disaster and still persevered, releasing album after album that amazed audiences with each new hit. He brought us countless classics, from the '60s to the present. Zakk Wylde and Randy Rhoads were the reasons I picked up a guitar. Since childhood, I have been inspired and captivated by their talent. I have only scratched the surface of understanding what made them extraordinary. These two legends would likely have never crossed my path if not for the exquisite ears of Ozzy and Sharon Osbourne —a true spectacle of taste and craftsmanship. https://www.youtube.com/watch?v=CprfjfN5PRs Official video for 'No More Tears' Years have passed, yet I still find lessons in Ozzy's life, both in the real world and the music world. When I referred to him as a "creature of passion wrapped in the flesh of man," I meant that he embodied humanity in all its forms. He was messy, loved, passionate, and sometimes a disaster. This complexity is what made him so relatable to the masses. He continued to move forward, facing challenges from his youth until his death. Not a single day passed that Ozzy wasn’t unapologetically himself, and that has always inspired me. Like many, I believed he was immortal—capable of outlasting me and perhaps even the world. Sadly, Ozzy Osbourne , the Prince of Darkness , was outlived by the very entity he helped create. While he may not be immortal in a literal sense, he will forever live on in the hearts and minds of those he influenced and inspired. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . 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< Back What the Hell Did I Just Watch: Alien Shark Ezekiel Kincaid Share Aug 2, 2023 An entertaining movie with poor effects and multiple random plots Last week’s review was on werewolves. This week? Sharks! But not just any shark. No, now we have (queue sinister music) an alien shark! Sounds awesome, right? Based on the title, what are you expecting? Sharks from another planet? Another dimension? Maybe even astronauts landing on an earth-like planet and getting devoured by a species of shark not known to man? If that’s what you’re expecting, you might as well get ready to be disappointed. Welcome to the world of B horror. Alien Shark is about a meteor crashing into the ocean and turning a shark into an “alien” shark that wreaks havoc on some vacationers looking to have a good time. Not a terrible sci-fi shark thriller plot, right? It’d be nice if that’s what we got out of this movie, but instead we get a host of other nonsense that leaves us wondering what happened to the plot. But that’s not the only thing that makes this movie bad. There’s more ... so much more. First off, the Alien Shark script is terrible. How it ever got accepted, I’ll never know. Second, the execution of the dialogue is SO bad. The actors over-emphasize every syllable of every word they say. What makes me such an expert? Well, let me remind you I do watch a lot of terrible movies, so for me to even notice at all is saying something. Plus, I’m a writer and writers always know bad writing and poor execution. While listening to the dialogue in Alien Shark , I cringed. A lot. At one point I had to check my ears because I thought they were bleeding. I'm not kidding. All that out of the way, I still found the movie entertaining. Even though the dialogue was so bad, it kept me laughing. So, too, did the cheap special effects. But what else would you expect from a Wal-Mart Exclusive? That’s right, folks. I picked this gem up by hand at Wally World. Alien Shark was made in 2022 and is directed by Paul Tomborello ( Little Savages, Rumors of War ), written by Aaron Jackson ( Expulsion ). It stars Brittany Altrenbach ( Fear the Walking Dead, Broken Seeds ) as main character Aleesha and Lukas Silva ( No Virtue, Carp-e Diem ) as Pete. The movie starts off with two girls finding a weird piece of a glowing meteor on the beach. When they approach it, they get possessed/controlled by some alien force and die. Aleesha shows up to the beach after being invited by her friends to a party they are throwing before she leaves on another military deployment. When they all get to the beach, people start acting weird and their eyes start glowing green. When a guy named Mickey shows up and starts talking crazy, warning everyone about aliens, they dismiss him. Then, for some unknown reason, they hold a crystal ceremony. Somehow this ceremony opens them up to the aliens and things get out of hand. During this time, the alien shark is just swimming in the ocean, looking for people to eat. From "Alien Shark" IMDB (We're sorry that photo couldn't be any clearer. We tried. You try finding stills of the shark featured in Alien Shark and let me know how that works out for you!) The entire storyline doesn’t make a lick of sense. The filmmakers never explain what is going on with the shark or how it even became “alien.” It’s not clear if the aliens are controlling the shark and the people or if they are possessing them. Random WTF points are just inserted into the story without any explanation and by the end, you aren’t sure what the hell just happened or what the hell you just watched. Here's a list of Alien Shark ’s inserted random plot points filmmakers pull right out of their ass: Alien shark comes to the shore and pukes out a shark dog. Alien ship circles the earth without any explanation as to why. Characters have dreams of eating people. Shark flies out of the sun. The spirit of a shark hovers in mid-air. Calling ritual with crystals invites the aliens. The aliens’ possession or mind control can be broken by pressing a magic seashell against the forehead. Alien shark can turn invisible. Alien shark can be defeated by blowing up a random camera that shows up out of nowhere. Why all this? I have no idea. Your guess is as good as mine. But here’s my theory. I think the director and the writer got drunk one night, wrote down the dumbest crap they could come up with, put it in a hat, and let their dog pick. That’s the only solid reasoning I can come up with. The best part of this movie is Mickey, the crazy dude. Every horror movie has to have one. His acting is so bad, it’s side-splitting hilarious. Everyone, and I mean everyone, in this movie takes their role way too seriously, making the film even more entertaining. As far as the CGI goes, it is the most terrible effort I have seen in any movie ever. I kid you not. You’ll get a taste of it in the trailer, along with the heavily acted-out dialogue efforts. Should you watch Alien Shark ? I think so. Especially if you want a good laugh and if you want to learn how NOT to write and direct a movie. There is no blood, no good kill scenes, and no one getting ripped to shreds by the alien shark—things an audience expects to see in any decent shark movie. All in all, Zeke’s “so bad it’s good” rating is 3 out of 5 shark dogs. If you really want to watch this movie, you can buy it at Wal-Mart. It used to be on Tubi but I guess even they have standards. https://www.youtube.com/watch?v=5OVPL1e9FF4 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Who On Earth is blending a classic rock vibe with modern twists and turns. < Back Who On Earth: Bringing the Thunder Back to Modern Hard Rock Nicole Brice Jun 13, 2025 Share Who On Earth is blending a classic rock vibe with modern twists and turns. Who On Earth? My sentiments exactly when I first discovered this band – a badass group that carries the torch for those who came before, that’s who. Blending a classic rock vibe with modern twists and turns, Who On Earth features epic solos and some of the cleanest-sounding guitars I've ever heard, not to mention those heavy basslines I love. This band is poised to dominate in the coming days with their hard rock and heavy metal straight from New Jersey . So, who is Who On Earth? Photo provided by band The lineup includes Coosh (vocals), Pete Rizzi (bass), Johnny James Barone (guitar), Jimmy Kocha (guitar), and Howie Fallon (drums). With a larger-than-life stage presence and a bellowing voice full of range, Coosh embodies the quintessential badass frontman. There is so much soul in every note he sings, and Who On Earth is actively bringing rock back. As I dove into their discography, I found that not a single song is lacking. Every track is fantastic and feels like a rocket waiting to launch . Yes, it's that good. Credit: Jeff Crespi Since 2022 , Who On Earth has released numerous songs , the latest being ' Yesterday's Future ' on April 29, 2025 . With a visually stunning lyric video to accompany it, ' Yesterday's Future ' is a thought-provoking piece of music with a powerful message, and I urge you to check it out after reading this article. Who On Earth’s music transcends typical compositions; it narrates stories. These poignant tales require your attention to the lyrics, which create vivid images of landscapes and scenarios, some rooted in folklore and others not. https://www.youtube.com/watch?v=oZKGUAGaRTc Official music video for 'Yesterday's Future' by Who On Earth This busy band is ready to perform and expand its empire, and if you love classic Iron Maiden with heartfelt storytelling , this band is for you. If you're into crushing guitar riffs and head-nodding grooves , you'll also love them. They even have an amazing cover of Toto's 'Hold the Line' that showcases their love for the greats of yesteryear. Full of personality and charisma with a message, Who On Earth is prepared to dominate a new era of rock with their desire, drive, and ambition to propel the band forward. Read on to learn more. MaM : First question – who designs your album and single covers? They are phenomenal! Pete : So, we’re big on artwork because we grew up looking at the art on the album covers, and because of all the songs put out every day, you want to stand out, and we want those strong covers that have meaning to them. For example, Smoke & Mirrors , Blame , and some of the singles on Blame , we had Ken Adams , who does all of Lamb of God ’s artwork; he did the artwork for that. We love Ken and love working with him. Smoke & Mirrors is all Ken , and it’s always Coosh and I getting on the phone with him discussing a new concept, and he’s just like ‘Oh, I love it!’, so we have an excellent synergistic working relationship with Ken. A lot of the others are AI-generated , where I’ve done a few, and my son is a graphic design artist, and he does a bunch, too. He’ll take an image based on a concept, and he’ll tweak it and get it how he wants, so it’s been a combination of things. Artwork by Ken Adams MaM : So, next question – the logo. Who designed it? It’s powerful and stands out. Coosh : He put out a contest on the internet or something. I’m not sure of all the details. Pete : So, there was a contest, and I can’t remember the website, but me and Coosh started the band, and we didn’t even have a guitarist yet or anything, but we did a logo, and made it on one of these online logo makers, but somehow, they made it a competition. People could put in their suggestions for us. We could put ‘these are the colors we want’, ‘it’s heavy metal and rock’, ya know, and we got back some crazy suggestions. (laughter) Pete : Some people didn’t realize we were a band and thought we were a lawn company or something. (laughter) This one guy was from Indonesia , and that logo you see was his creation. We didn’t even have the album yet, but we had the logo. That was it! We were so psyched. That’s been the logo ever since. The official logo for Who On Earth MaM : So, I went down the rabbit hole and checked out your entire discography. Man, not a single bad song. Not a one. You could put all your songs on a playlist and not have to skip a single one. No lie. Pete and Coosh : Thank you. MaM : Seriously, though, you are so tight as a band, and you can tell you are seasoned musicians, and that you are on a mission to bring this type of music back to the forefront. Your sound is what is missing today in music, which leads me to ask: what inspires your creativity, and what do you each bring to the mix with that? Pete : Well, for one, we would never put something on that we didn’t love, and so how we approach each song is that they have to be different from each other, so most of the music comes from me. I’ll write it, put it together, pre-produce it, and then it goes to Coosh . He’s the melody guy. We both work on lyrics. We’re very focused on lyrics. What we’re saying, how we’re saying it … we want to say it … but we don’t want to give it all away. We want it to remain open to interpretation. We want to tell a story and stimulate you to think about what the song and lyrics mean to you, but it starts with the music, and the music has to have groove. Credit: Jeff Crespi Sometimes, I’ll have a melody idea, but Coosh usually takes my melody and makes it ten times better, or eliminates it, and comes up with his own. He gets a feel from the music and a working title, and that’s how it starts. It’s got to have groove and melody, though. If there’s no melody, there’s no groove, and there’s no dynamic. That’s what we try to create. MaM : Coosh, what inspires your lyrics with these songs? Coosh : So, like Pete says, he’s the one who creates the music, but before he hands it off to me, he has the essence of the song planned out. He’ll go, ‘I hear a couple fighting with this,’ or something to that nature, and he gets this moment with the music where he relays the information to me, and I want to be able to put out his feelings, too, so I take that initial form and then go from there. Credit: Jeff Crespi MaM : Now, Coosh, let’s talk about your voice. The range, soul, and depth! Is there anything you do to keep your voice in shape? Coosh : I didn’t use to do anything, but now I do these scales and humming. I’m no spring chicken anymore, so I have to do maintenance these days. A lot of the songs are hard for me to sing, so sometimes, I prefer doing a cover because it’s easier for me to sing than anything we’ve done in the studio. (laughter) Credit: Jeff Crespi MaM : Yeah, man, when I first heard a few songs, I thought it had a very Bruce Dickinson vibe from Iron Maiden , and just the vocal range, I’m like ‘Dude!’ You have got some pipes on you. You don’t sound like anybody out there right now. So, a new EP came out in March, and now a new single, ‘ Yesterday’s Future ’, was released in April. However, I noticed that you have been steadily releasing singles as a lead-up to the EP, but you are still releasing singles after it. How did the EP come together, and what made you decide to release it instead of just the singles? Pete : In the old days, you’d put out an album, and then bands would just put out more albums every year or every few years, and we could do that. We have the five original songs on the EP, but then we also have five in our back pocket. We did five, but we have ten. We didn’t want to release the whole album because if you do, you might get a review or something, and then people move on to the next thing. The best method we’ve found is to spoon-feed it out. Give as many songs as a highlight, a video, and their artwork. It’s like a slow release of all your music. Additionally, you have to play the Spotify game, and Spotify is particularly friendly to bands like us who are doing that. We’re finding it’s also more content for us, social media-wise, and so we can remain relevant all year long. We’re staying ahead of the game. We have those five more songs, so they’ll be more content, more artwork, and pretty soon we’ll be working on new material that you’ll see sometime next year, so it’s just constant content from Who On Earth . Whereas I waited 13 years for a new Tool album. (laughter) Photo provided by band MaM : Have you found that all your numbers reflect one thing, but then people are just not coming to the shows? Pete : Yeah, oh yeah. Coosh and I have seen it. Yeah, we have great numbers, but to get people to get off their ass and come out, yeah. They’ll see the tribute bands, the cover bands, who cost more to see, and we’re only charging $10 to get in. We’re not making any money on this. (laughter) And it used to be, again, when we were younger, you would go out to hang out, and there would be bands playing, and it was part of your life. Now, it’s hard. People will stay in because of rain, and we had venues close because of COVID , so if you’re a bar band or a tribute band, you’re killing it. MaM : Same here Pete : If you’re an original band or even a line-up of three or four original bands, it’s tough. Credit: Jeff Crespi MaM : We’re finding the same here, too. So, I wanted to talk about this ‘ Hold the Line ’ cover. I’m a HUGE fan of Toto, especially this song, and ‘ Africa ’ is my jam. If I’m in the supermarket, and it comes on, I will stop what I am doing, and it’s my moment. (laughter) MaM : So, this cover … doesn’t even sound anything like the original song at all. It’s reimagined. Take me through how you decided to go with this song. Coosh : We had a handful of songs we were looking at, and how do you pick the perfect cover song to do? We’re going back and forth, throwing around ideas, and ‘ Hold the Line ’ came into play. I was around the house, staying at Pete’s house, and all of a sudden, I started singing this thing, and the part where he goes ‘TiiiiIIMMEE’, I was like, ‘That’s IT!!’ Look no further! (laughter) Pete : (sings) Love isn’t always on ‘TIME!’ (laughter) Pete : I was like, ‘That’s it!’, and I was hooked. You know what’s great about that song is it’s popular, but it’s not like ‘ Stairway to Heaven ’, and we wanted to remake it, not cover it. His distinct voice, tuning it down, double bass drums, changing some lines, taking out the keyboards, and adding a different guitar. I wanted to do it because of his vocals. When we jammed it, I knew that was the one. The inflection that he used, and the balls that he sang it with. Cause it’s a yacht rock song classic, and I hate yacht rock. (laughter) https://www.youtube.com/watch?v=p8f6EPqGHhA Official Music video for 'Hold the Line' MaM : Same – not a fan of yacht rock, but I do love me some Toto . Pete : I do like some Christopher Cross songs, too, but that’s what my parents listened to. (laughter) MaM : Right! Pete : Holy crap! Coosh , we did a yacht rock classic before the yacht rock tribute stuff started blowing up! (laughter) Credit: Jeff Crespi MaM : Do you have a favorite song to perform, and if so, which one? Coosh : Just because it’s the most emotional, I’ll have to go with ‘ Watch the Fires Burn ’. I guess you could say it’s our environmental song , but it’s a heartfelt message of having the passion as a society to take care of the planet. All of us. Pete did this when he was like 18 or 19 years old, and it’s excellent, and I didn’t know what to do with it when he first handed it to me, but it has this great dynamic and has so much emotion. Pete : Yeah, that song I wrote when I was in my very early 20s, and it was called ‘Matter of Life and Death’ , and I wrote it about abortion. That’s a topic; at the time, and it was from the perspective of the unborn child. Like, ‘Hey, what about me?’ I didn’t want to go there with it in this day and age, so I was thinking, what’s a great and important topic? I’m sitting here watching the Amazon burning , and I’m like, ah, watch the fires burn. Not so much about hey, stop burning our trees, but we’re all just sitting back here watching this. Somebody has got to do something about it, and nobody is doing anything about it. To Coosh’s point, you can take that and broaden it to a lot of topics. It’s just about sitting back and watching things go to waste. But the song itself, its ups and downs … it’s a six-minute song, and some songs need to be six minutes. As long as you’re doing something different in it, and then, man, it’s heavy … it’s got groove. It’s got funk. MaM : Yes, lots of tempo changes. Pete : Tempo changes, which our producer always makes fun of me for, but I love tempo changes. MaM : I do, too. It keeps the song interesting. Pete : Playing it live is really fun. MaM : Which song do you feel is the crowd favorite and gets people most engaged? Pete : I’m gonna say ‘ Black Swan ’. MaM : I made a note on my notes about that song, actually. Pete : Coosh may disagree, but he does a great job of coaching the crowd to sing along, and it’s got this chorus that allows everyone to get involved. MaM : So, Coosh, your vocals, let me ask you … you have range like I haven’t heard in a long time, so obviously you’ve been doing this a while. When did you first discover you had a gift for singing with such a powerful voice to do rock music? Coosh : I’m not a rock music guy, so that’s the crazy part. When I was in my early 20s, we would all do the karaoke thing, but I would stick to songs like ‘ Suspicious Minds ’, and it was all a great time. Everyone enjoyed it, but I ended up buying a karaoke company, singing, and becoming a host, until one day, a buddy came in. He mentioned he had lost the lead singer of his band, and I went up and sang ‘ Drops of Jupiter ’ for him by Train , and that was it. I was in. Credit: Jeff Crespi MaM : What would you like to see in the next five years as far as your music and audience? Pete : I’d love to see it all continue to grow. We understand we need to keep working hard. I like what we’re doing, too, but I want it all to gather momentum, and I want to keep playing shows. Maybe even go on a small tour , even if it’s regional. Want to get out there live. There is nothing like the impression you leave on someone after they see you perform live. Coosh : I’d love to figure out how to get the exposure we need and get people to listen to the song more than once. Most of the time, you have to listen to a song twice and be attentive to it. We’re not a regular band. Most of our songs tell stories because they’re relatable. We have inspiration. We have devastation. We have messages about life. We have stories that people need to hear. As Who On Earth continues to grow their brand and presence, they are sure to inspire and leave a lasting impression on music fans for generations to come. Check out their music on your favorite streaming service, and if you live nearby, be sure to catch a live show. You won’t regret it—these guys deliver a powerful sound! *cover photo provided by band *other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Who On Earth: www.whoonearththeband.com Who on Earth Official Website The official website and store for the band Who On Earth. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Southern-based Indie Magazine for Music & the Arts with a 90s flair. We bringin’ it back, yo! FAQS Answers to All Your Questions WELCOME! We are a collective of music and entertainment lovers who are passionate about sharing what we like. If you've stumbled upon our little family, then we're happy to have you. HOW DO I GET IN TOUCH WITH you? Just drop us a line via social media or email us! mixedalternativemag@gmail.com Mail how do you decide on what to cover? We comb the interwebs and local scenes for what catches our eyes and ears, and voila! As for anything not music, it's just what we like and think is cool. HOW DO I SUBMIT A PITCH? Got something you'd like to see in the mag? Email us! Mail

Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com The Many Musical Chapters of Leif Meche Click to read more Film Review: Iron Lung Click to read more From Misery to Malice: Louisiana’s Rising Force in Deathcore Click to read more ART WITH HEART OFF THE CHARTS WAY BACK WHEN Video premieres Check this out! All Categories Play Video Play Video 02:12 Goodbye Academy - DM Me 4 My PayPal (Official Video) Listen to DM Me 4 My PayPal here or wherever you listen to music! Thanks so much for supporting us. Filming / Editing: Goodbye Academy: @GoodbyeAcademy Original Mixing/Mastering: Nick Maggio: https://www.instagram.com/nizzletonmaggizzle/ Subscribe for Alt/Emo music from your boys!! 🎸 Bandcamp: https://goodbyeacademy.bandcamp.com/ 🖥️ Website: https://goodbyeacademy.com/ 👚 Merch: https://goodbye-academy-merch-store.square.site/s/shop 📷 Instagram: https://www.instagram.com/goodbyeacademy/ 🦅 Twitter: https://x.com/GoodbyeAcademy 📱 TikTok: https://www.tiktok.com/@goodbyeacademy Play Video Play Video 03:51 Goodbye Academy - Drywall (Official Video) Listen to Drywall here or wherever you listen to music! Thanks so much for supporting us. Filming / Editing: Goodbye Academy: @GoodbyeAcademy Original Mixing/Mastering: Nick Maggio: https://www.instagram.com/nizzletonmaggizzle/ Subscribe for Alt/Emo music from your boys!! 🎸 Bandcamp: https://goodbyeacademy.bandcamp.com/ 🖥️ Website: https://goodbyeacademy.com/ 👚 Merch: https://goodbye-academy-merch-store.square.site/s/shop 📷 Instagram: https://www.instagram.com/goodbyeacademy/ 🦅 Twitter: https://x.com/GoodbyeAcademy 📱 TikTok: https://www.tiktok.com/@goodbyeacademy ___ __ _ Lyrics: I can see the claw marks left by Hairy, flying rodents eating out the Drywall And you say that they are cute so I Guess that they can stay, but they are wearing out their welcome No matter how you cut it we are running Round in circles and you don't seem to see the problem There's a little perfume bottle dyed black Just the color With a little hint of sweat drops And I, I, I feel left behind And I, I, I, really shouldn't mind And I, I, I feel left behind And I really shouldn't mind Guess I could think it a hundred times But it comes out, comes out and it's not what I had thought of But we are artists, we interpret I was losing creativity and I just think you caught on Blue and orange are supposed to be Complimentary, but to me mixed they look like mud Remember that time you explained to me what Bisexual Lighting was? And why it's important To the film industry To put those colored lights on the screen But listen you me I wouldn't see I couldn't tell you a Goddamn thing about Why, why, why do I feel left behind? And I, I, I really shouldn't mind I, I, Why do I feel left behind? You don't mind You don't mind Why don't you mind? Why don't you mind? Most of the time I can't interpret you Most of the time it's not just me and you Most of the time you got me feeling blue Most of my time looking at the Drywall Play Video Play Video 02:54 Fishbone - "Them Bones" by Alice In Chains | MoPOP Founders Award 2020 Fishbone performs "Them Bones" by Alice In Chains at MoPOP's Founders Award fundraiser. The Museum of Pop Culture's one-night-only annual benefit event streamed for FREE on Tuesday, December 1, 2020 with an unforgettable performance from Seattle's own Alice In Chains, plus an acclaimed lineup of tribute artists who put their own spin on some of the band's most iconic songs. The Founders Award event serves as the nonprofit museum’s principal annual fundraiser for youth development programs, access initiatives, community engagement, and world-class exhibitions. Donate to MoPOP: https://mopop.org/donate or text 'MoPOP' to 41444 This year’s celebration featured performances by award recipients Alice In Chains, as well as tribute performances from Chris Chaney (Jane’s Addiction), Billy Corgan (The Smashing Pumpkins), Dallas Green (City and Colour), Fishbone, Taylor Hawkins (Foo Fighters), KORN, Mark Lanegan (Screaming Trees, Mad Season), Ann Wilson, Duff McKagan (Guns n’ Roses), Mastodon, Metallica, Dave Navarro, Krist Novoselic (Nirvana, Giants in the Trees), Corey Taylor (Slipknot), Kim Thayil (Soundgarden), Nancy Wilson, and the debut musical performance of Lily Cornell Silver (daughter of Chris Cornell and Susan Silver), among many others. The event also featured appearances from members of Pearl Jam, Sammy Hagar, Tom Morello (Rage Against The Machine, Audioslave), Les Claypool, Robert Downey Jr., and many more. The event also included appearances by artists from MoPOP’s 21-and-under music showcase and competition Sound Off!, including Katyrose Jordan, The Human Missile Crisis, David’s Van, and Talaya. View the full event on YouTube: https://youtu.be/7zTIF6CM1tI Learn More About MoPOP Founders Award: https://mopop.org/foundersaward #MoPOP #FoundersAward #AliceInChains The official YouTube of the Museum of Pop Culture {formerly EMP Museum}, a museum focusing on music, film, science fiction, gaming, and more located in Seattle, WA below the Space Needle. Our exhibits currently include Body of Work: Tattoo Culture, Minecraft: The Exhibition, Pearl Jam, Nirvana, Fantasy, Sci-Fi, Horror, Indie Games, Jimi Hendrix, and more! Subscribe to MoPOP's Channel: https://www.youtube.com/c/MuseumofPopCulture Facebook: https://www.facebook.com/MoPOPSeattle/ Twitter: https://twitter.com/MoPOP Instagram: https://www.instagram.com/mopopseattle/ Snapchat: https://www.snapchat.com/add/mopopseattle Blog: https://mopop.org/MoPOPDontStop Play Video Play Video 04:35 FISHBONE LAST CALL IN AMERICA Featuring George Clinton Last Call In America is the 2nd release from the new album Stockholm Syndrome coming out on June 27, 2025 The return of Fishbone hitting you with topical and critical observations of the world while having you move to it. Featuring George Clinton, Last Call in America sadly tells the story that has been relevant for decades and sadly hasn't changed. Inspired by Don Letts and The Clash's "This is Radio Clash", edited by Anuj Chaudary for Frequency Illusions, the video takes current and past news footage showing how things should have gotten better, but stayed the same and we went backward vs moving forward and intertwined with live performances of Fishbone from this past 2024 Red Hot Holiday Tour showing a strong and reinvigorated line up of players out to make a mark, tell a story and get and keep you on your feet. Pre-Order your vinyl or cd or bundle at www.fishbone.net See Fishbone on tour all summer on the Less Than Jake Summer Circus 2025. Play Video Play Video 04:58 Fishbone - Suckered by Sabotage Official visual accompaniment for Suckered by Sabotage from Fishbone’s 2025 album Stockholm Syndrome. Life is about challenges and overcoming them. With all the curve balls thrown at you, the worst of them all are the ones you throw at yourself. Self Sabotage is the worst, because it’s self inflicted… but with the right group of people in your corner to support you, we can get past it. It takes a Familyhood. Play Video Play Video 03:02 COST OF HEAVEN OFFICIAL VIDEO music & merch: https://linktr.ee/Krisruss twitter: https://x.com/KrisrussMusic spotify: https://open.spotify.com/album/2xvcZ8d6NxTT7nCZNTT1Fx?si=U3uQgMG2TA2IOmPNIuJVQA produced: nick maggio mixed/mastered: lowland records COST OF HEAVEN LYRICS: Take it as you will Take it cuz you won't How can you provide any answers When you're the cause of the problem Do you feel empty? Would it even help? What if we kill the drive That seems to destroy everything? So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well I don't They say the price is steep The gates are painted gold Selling faith like a drug Attached with a ransom note Can we pave the way? Will we ever know? Hiding behind "honesty" And ignoring the echo's So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well And I don't Want to feel a thing And I can't Feel empathy So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well So what's the cost? What's the cost? What's the cost? What's the cost? I don't Want to feel a thing drums: hickman plaisance guitar & vocals: Kris Russ Bass: Jose Gregorio Stand in: Joshua fassbender Drummer for VEDAS and Closur Play Video Play Video 03:52 Deep Sleep Atlantic - From My Side (Official Music Video). Concept by Danika Andrade and Travis Marc. Director of Photography - Danika Andrade. Edited by Danika Andrade. Purchase 'From My Side' - https://deepsleepatlantic.bandcamp.com/track/from-my-side Huge thank you to the following personal for their appearances in this music video (in order of their first performing appearance), they are - Brandy Payne, Scott Burris, Monique du Plooy, Ed Estalote, Lacey Troutman, Casey Last, Alex Harris MacDonald, Kristie Hendricks, Kouda Brown, Janson Lohmeyer, Chris Vincent, Stephen Brashear. Support 'Deep Sleep Atlantic' here - Facebook: / deepsleepatlantic Instagram: / deepsleepatlantic Soundcloud: / deepsleepatlantic Spotify: https://open.spotify.com/album/0sTn0f... TikTok: http://tiktok.com/deepsleepatlantic Twitter: / deepsleepatlc Website: https://deepsleepatlantic.com YouTube: / deepsleepatlantic Play Video Play Video 03:12 LA Phantoms TightGrip OfficialVideo 1 PunK RocK from Lafayette, La. Filmed and Edited by Corey Harrington.

Our mission statement at Mixed Alt Mag and what we do. A BIT ABOUT US *NO ADS ... JUST PERSONALITY & ENTERTAINMENT* Mixed Alternative Magazine is an online publication created to provide you, the reader, with a wide range of high-quality, balanced articles and stories covering various genres of music and different facets of art and entertainment. Our focus is on providing a non-discriminatory platform for independent talent of all kinds to introduce themselves and showcase their mad skills to the world, without getting lost in corporate advertising. Our sights are on content, not sales. We pride ourselves on our humor, knowledge, experience, and love (ok, obsession) for all things entertainment and music, while adding our special editorial touch and our commitment to keeping it real. And we do just that by ditching the rules and regulations. We simply love what we do, and we figured you guys might too. And here at Mixed Alt Mag , we like to think of ourselves as the signal standing out from the noise of the rest of the media landscape. With so much mass-produced content out there, we want to be the ones who stand apart from the crap. By using a different approach and outlook, we will always strive to bring you the most entertaining, highest-quality content we can, and we proudly do so by rejecting the mainstream and forging our own way. We just do what we want. No hard news. No religion. No politics. No rules. No red tape. No censorship. Just sheer entertainment, passion, and personality.

Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. < Back Finding the Song in Everyone: Conversations with Dash Rip Rock Gary Governale Nov 15, 2025 Share Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Legendary Louisiana cowpunk band Dash Rip Rock is finishing up their set with a powerful cover of an old Minutemen song. Bassist Izzy Grisoli bounces and grooves to the beat, while drummer Wade Hymel pounds out the rhythm. Meanwhile, band founder and leader Bill Davis sits quietly in the corner, shredding on guitar like only he can. This isn’t the end of a beer-soaked set at an edge-of-town roadhouse; it’s actually Izzy’s living room in the Broadmoor area of New Orleans . It marks the last song of a more than two-hour rehearsal as Dash prepares to close out 2025 with a series of shows, culminating in the release of a brand-new album. Credit: Gary Governale It’s been a long and winding journey for Davis . He started the band in the mid-1980s while attending Louisiana State University in Baton Rouge , using it as a way to earn some extra money on the side. Let’s dive into who Dash Rip Rock is today and where they are headed. Bill : I love Punk Rock and New Wave, and there weren't that many punk rock and new wave bands in Baton Rouge . But the LSU fraternities were hiring punk and new wave to play their fraternity parties. So, I kind of just put the band together to make a little extra side money and then to write songs and start doing kind of a creative punk thing. The guys in the band were just sort of like newbie musicians, just like me, and we were mostly in school. We were at school at LSU , going to classes, and then we formed a band in the summertime, and it just took off. Yeah, we instantly started doing really well and drawing crowds, and then transferred over into New Orleans , and then it just took off from there. Credit: Gary Governale MaM : Did you intend on going into “Cowpunk” necessarily, or was it more punk at first? Bill : It wasn't called “ Cowpunk ”, but you know, we were calling it “ Country Punk ”. There were bands like Rank and File , The Long Ryders , Jason and the Scorchers , The Beat Farmers …They all came through Baton Rouge . It was kind of a good stop off for touring bands. And so, you had a great college radio station there, KLSU , and so all these bands stopped in, and when they did, I instantly went out there and made buddies, made friends with them, got drunk with them, brought them to the house, and made a gumbo. We just befriended all these cool Cowpunk bands. But it wasn't really called “ Cowpunk ”; it was “ Country Punk .” MaM : But it stuck, and you obviously embraced it. Bill : Yeah, I mean, I've embraced it because it's fun. It's just a fun thing to say, like, “ Yacht Rock ”, you know? It's “ Cowpunk !" Like Mojo Nixon used to say, “There are more bands than fans in Cowpunk. Everybody loves playing Cowpunk, but nobody goes to see it!” You know, it's like empty audiences. (laughs) Izzy : And it's not really true. They do turn up. Bill : Like outlaw country , the cruise and the radio station have all sorts of lifted Cowpunk up recently, but it has been a rough slog. But it's been fun because Cowpunk is a blast. It's a blast to play. It's fast, and it’s country! Credit: Gary Governale In fact, the current lineup of Dash Rip Rock seems determined to stretch beyond Cowpunk . The band, at heart, has always embraced its Southern roots. Influenced by Georgia bands like R.E.M. and Guadalcanal Diary , Dash followed in their footsteps: finding inspiration in Southern Gothic literature, poetry, and atmosphere. Creating fresh new music isn’t always easy for long-established bands, but Davis has found the solution: creating the most collaborative and creative version of Dash Rip Rock yet. Releasing January 30, 2026 via Dial Back Sound Bill : I would say this band is beyond Cowpunk . I mean, we made a record called “ Cowpunk ” several years ago. But this band is something else, right? The record label has been sort of digging around for something else to call us, because as much as we love playing Punk Rock and Country, this is just a different band. It's something else. It's better, you know? A million times better. Really, you're not going to pigeonhole this band by saying we're Cowpunk, because we are. But we're looser and more fun… like the members in this band, Wade, Bill, and Izzy, we have something that extends past Cowpunk. Wade : Yeah, it is a melting pot. MaM : You have a lot of different influences that go into it and a lot of various kinds of vibes that I guess you bring to the band. Bill : Absolutely. I've had several people pass through the ranks of Dash Rip Rock , as you know. I had a lot of cool guys come through and play in the band, but this one has been the one that seems more creative, most creative, most outgoing, and ambitious. We try a lot of different stuff that the old guys would not have done. So, we're more experimental. The rehearsal we just had, you know, we were messing around and a lot of stuff came to be… I was saying, “No, that's too much, we can't do it!”. And they were like, "Let's try it… it’s practice!” And then all of a sudden, it happened, and it was just brilliant. So, it's good. Everybody's chipping in. Credit: Gary Governale Izzy : Yeah, it's supposed to be like rootsy, rock, and punk… let's try it. And Wade's like, “Jam! Let's try it!” And then it just comes together in this power trio kind of way where we can achieve these fucking prog rock feats. Bill : Wade brings Jam and Prog to the project, and then Izzy brings a lot of punk , and then me, whatever I've been doing my whole life, which is Country and Punk . Yeah, it just blends really well, and we enjo y playing together. It's always an adventure and really, really fun. Wade : It is. It is. We have a lot of natural chemistry , and we also practice a lot. We're pretty diligent about getting together regularly for rehearsal when we can. So, the combination of those two things makes it really potent. Izzy : But everybody listens really well to each other while we play. That's why we're so tight. We’re constantly listening to each other, looking at each other. I fit in pretty easily because everybody’s so focused on the song, and so am I. So, it just works. Credit: Gary Governale MaM : I think part of the magic of Dash was always a certain level of improvisation, too. I mean, there's a lot of that. Bill : A lot of that. Yeah. And that's the adventure part because it's fun. You know, we could play our songs backwards and forwards perfectly, but we enjoy getting there and just messing them up, you know? Taking the puzzle pieces and throwing them in the air, and then they all come back down differently. Taking all those ideas and influences, the band has poured plenty of energy and excitement into their upcoming new album, A Song in Everyone . Recorded in Water Valley, Mississippi , with Matt Patton of Drive-By Truckers , the new album features the expected rockin’ riffs and humor that make Dash a Southern institution. But the album also expands on and builds the trio’s efforts to broaden the sound, creating something fresh and interesting. Bill : Matt Patton , who's the bass player for Drive-By Truckers , bought the old Fat Possum studio. The minute he asked us to make this record, I was like, "Fat Possum, say no more!” Because I would love to cut anything up in that old studio. There’s a lot of great music that came out of there. You already picture how it's gonna sound. So, we jumped at the chance and we're basically on his record label. It's just a bunch of really cool rock songs, and we're very excited about it. These guys get to sing a couple, and it's a real team effort. It's an amazing record. MaM : Would you say that's the most team effort you've had as far as crafting an album? Bill : Yeah, I would say that. You know, in the history of Dash Rip Rock , it's always been sort of just me putting all the albums and records together. And it's better ever since Wade joined. He's been a good partner in recording and getting studio stuff done … just more imagination, you know. Dash used to be “just stick to your style, stick to your genre.” Now it’s “let's just go outer space with it”. And we do, and it's a freaking awesome one. It's great. Credit: Gary Governale MAM : How many songs are you going to have on it? Bill : Ten. MAM : All brand-new original music? Bill : We’re doing a cover of ' Mean Mister Mustard ' by the Beatles . And it's a New Orleans style Huey Smith intro, and Wade plays piano on it. So, it's a New Orleans, James Booker , Huey Smith , Fats Domino version of ' Mean Mister Mustard .' It's really awesome. And then the rest are just songs that we've all written and cowritten. Izzy : It was cool to get to play on the new record, you know. Since joining the band, I didn't know whether I'd get to play on the record. Bill told me that not all the bass players play on the record; sometimes they stay in Baton Rouge . Bill : I played bass on a lot of Dash records! I mean, we had interesting people working with us. We had Henry Barbe . His dad is Dave Barbe , and he recorded all the Drive-By Truckers . He teaches music at the University of Georgia, and he was in the band Sugar with Bob Mould from Hüsker Dü . So, Dave Barbe's son engineered our first session, and then Clay Jones came, and he worked with Modest Mouse and R.L. Burnside . He was a monster. And then Jim Diamond , mastered it. He worked on a bunch really cool garage music, like the White Stripes . Izzy : We trusted him (producer Matt Patton ) a lot on this record. We really trusted his say. Wade : He’s so warm and relatable. He jumps into the stream, and you can follow his vision. He's just very easy to work with. And so, we fell into a natural chemistry. Bill : Matt just feels it . It's not like he's even listening. He feels it. He's using some spiritual guidance to make things happen. And then he would pop in and make these suggestions that were out in left field, and we would go, “Really?” And then we'd do it and we'd go, "Fuck, yeah, that was great!” Izzy : Dudes got the coolest vibe and coolest accent, and he'd be like, “I don't know, man. That one, if you don't say something about Rush Limbaugh , you ain't got no hair on your nuts or something.” (laughter) Wade : Well, yeah, that's the other thing… Even with his criticism, he's very gentle. My favorite thing would be like, if I had an idea and I came in and tried to play something, he'd go, “It's too intelligent” . Which was his way of saying, “Take most of those notes out. You’ve got a good idea but simplify it.” Izzy : Yeah, and he hates pedals. Bill : Yeah, he has a lot of vintage gear, and everything goes direct. And you never use a guitar pedal. If I say anything else about the record, I want to say that. Wade : It gives the record a really classic, timeless sound . Bill : Well, they have an incredible way of engineering and producing things there, and it's almost like it's a secret. I can't even tell you what they do, but it's insane. And when they did it, I go, "Are you serious? Are you really gonna do that to the music?” And they're like, "Yeah, we do this on every record”. And they did it. Holy shit, that sounds awesome! I can't even tell you what they did. I mean, this would be a whole different interview about their production techniques, but it just made the record sound a million times better. Experiencing a live Dash Rip Rock show is always a whiskey-fueled celebration. The concert features classic hits from the band, such as ' DMZ ,' ' Bumf**Egypt ,' ' Shake That Girl ,' and ' Pack Your Bags ,' as well as memorable covers of Dead Kennedys and ZZ Top songs. Even now, the band continues to introduce fresh music into their setlist, including Bill's current favorite, ' Pain Pills Never Expire ,' which is playing on SiriusXM’s Outlaw Country station. Like much of Dash's discography, the new songs are characterized by barroom swagger , Southern storytelling , and the band's signature humor . The new album from Dash Rip Rock, A Song in Everyone , was recorded at Dial Back Sound in Water Valley, Mississippi , and will be released January 30, 2026 , on the Dial Back Sound record label. Be sure to add it to your list of upcoming releases to check out. Track Listing: 1. Taking You On II 2. Dangerous Ways 3. 2 Much 2 Do 4. I Don’t Want to be a Whore 5. Shakin’ Out The Days 6. Pain Pills Never Expire 7. Mean Mr Mustard 8. Water Valley Throwdown 9. River 10. Hell & Back *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.dashriprock.net Dash Rip Rock Home page of Dash Rip Rock, a group from New Orleans, LA www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

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