Search Results

Off the Charts May 13, 2024 Off the Charts: Jim Parker’s Songwriter Series The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Read More May 1, 2024 Off The Charts: Grits & Greens Grits & Greens are on a mission to spread their signature sound in support of their new album. Read More Mar 17, 2023 Off the Charts Coming Soon! Read More ​ ​ ​ Read More ​ ​ ​ Read More ​ ​ ​ Read More

On the Scene Mar 13, 2024 SÖŪP: A Rich Tapestry of Musical Expression SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. Read More Mar 2, 2024 The Dynamic Sound of the New Jersey Band Spyne Spyne!’s music is raw unfiltered rock with a nod to the classics. Read More Jan 18, 2024 Steve Mignano: A Man with a Lust for Movement and Change How Steve Mignano found his way to music, New Orleans, and soundscape success with musical projects Drab and Garguts. Read More Jan 17, 2024 Moon Tree: Reflecting the Sounds of the Cosmos Moon Tree is a down-to-earth musical odyssey intertwining jazz, blues, country, and rock to create art built of timeless stories. Read More Dec 6, 2023 Perry A: Just Two Guys Making Music Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Read More Nov 30, 2023 Shane Webb: A Drumming Odyssey Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. Read More Nov 27, 2023 Rothstein Beatz: Worth the Gamble Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. Read More Nov 14, 2023 Neon Rayon: Redefining Electronic Rock Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. Read More Nov 9, 2023 Unveiling Small Town SINdrome: The Band, The Name, and The Music STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. Read More Sep 14, 2023 Hollow Heroes: Rising Against the Trends Towards a Cohesive Sound Hollow Heroes music is a melodic masterpiece Read More Jun 7, 2023 Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks His ethereal music makes for one magical, introspective ride Read More May 24, 2023 Justin Holder: North Alabama's Self-Proclaimed Drummer Ho One studio drummer who's tearin' it up Read More May 16, 2023 Electric Age: Reinventing Sludge Rock with No Rules Drawing inspiration from Southern roots Read More May 2, 2023 FIREKID: Living and Making Music on Their Own Terms Life on Merry Hill Read More May 1, 2023 Of The Roses: Austin's Moody & Mysterious Indie Art Rock/Pop Band Ripe with fuzz, psychedelia, and haunting rhythms Read More Apr 28, 2023 Vinnie La Bella An intimate conversation Read More Apr 18, 2023 Easy, Breezy Sounds: The Music of Tommy Thibodaux Mellow & Smooth Read More Mar 21, 2023 When Metal and Rock Collide: 4 Mag Nitrous A Soundtrack for Navigating Hell Read More Mar 2, 2023 An Ugly/Beautiful Dichotomy: The Music of Morbid Orchid Presenting Grunge-Gaze Read More Feb 24, 2023 A Musical Cabinet of Macabre Curiosities Charming Disaster Conjures New Album Read More Jan 26, 2023 Punk Rock with Ferocity: DeadCentered and USER UNAUTHORIZED Best Heard Loud Read More Jan 12, 2023 A Humble State of Calmness Chillin' with Fred Westra Read More Jan 11, 2023 Jonathon Engels One Super-Cool Writer in Love with the Land Read More Dec 12, 2022 Laying the Foundation: Brick by Brick T. Mason and the Bricklayers Read More Oct 20, 2022 Uno, Dos, Tres: The Man with the Plan in Three Bands Meet Mike Poole Read More

< Back Off the Charts: Jim Parker’s Songwriter Series Bud Gambrell May 13, 2024 Share The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Hello all! Welcome back to Off The Charts! The Von Braun Center in Huntsville, AL, hosts a monthly music event called Jim Parker’s Songwriter Series . Jim Parker, a Huntsville favorite, hosts this exclusive event. May’s edition of the Songwriter Series saw the event moving from its usual location of the VBC Playhouse to Mars Music Hall, also located in the VBC. I saw this as a unique opportunity to introduce you, the reader, to this intimate listening room-type event and maybe a couple of songwriters you may not be familiar with. For those unfamiliar with Jim Parker , Jim came to the North Alabama area from Nashville, Tennessee, and has been a songwriter for over 50 years. Having co-written songs with many award-winning artists, Jim's journey is the heart of the Songwriter Series. He began the Series in 1985, showcasing hit songwriters from Nashville, Muscle Shoals, Atlanta, Canada, and other surrounding areas. My journey with Jim Parker began in 1985 while working at a local television station. Jim would often drop by for interviews to promote the Songwriter Series. Over the years, our paths have crossed numerous times, and I have even had the honor of photographing the series on two occasions. This personal connection has allowed me to understand the event and its significance better. Before this most recent May 10, 2024, showcase, I pulled Jim aside and got some insight into this entertaining event. Take a moment to read more below. OTC : Jim, tell me about the origins of the songwriter series. JP : Well, I came from Nashville. I moved to Nashville in 1975, played all the listening rooms there, and wrote songs with Jon Anderson and other fine songwriters. Then, after getting off the road with Dave and Sugar , I moved here because we were raising the family, and I wanted to get off the road. So, my wife got me into real estate in Nashville. I got my license in 1979. We started having babies, and she was out there selling real estate with the baby on her chest, and it wasn't working out too well. So, I just had to take over, thinking that was a trick. I think she tricked me. After being in Madison, AL, from 85 to 87, I was standing before my beautiful wife, weeping like a child because I was not fulfilled by what I was doing. It was a business. And it is emotional, but it's not that creative. I can write a creative contract, but that's not like writing a creative song. She said, well, take some time off. I took two months off and regurgitated everything that was built up, and I told her that I would start my songwriting career here in beautiful Alabama. Then I was playing at the Bluebird in Nashville, and it just happened that Steve Maples, who runs this complex, was there with his son-in-law, who was also a songwriter. And I mentioned I'm looking for a home in Madison, AL. He approached me and said you ought to come and check me out. Let's talk about bringing it to the Von Braun Center. It took me a few days to get around to it because every day you take off from real estate, you're behind two or three days. So, I caught up with him, and he said, bring it here. That was 19 years ago, and we're still doing it. And we're very pleased with what's happening. I have some of the most exceptional songwriters in the world and some of the best songs you could ever hear on the radio. They're just too good! Credit: Bud Gambrell OTC : Why do you do it? JP : Well, it's a genetic disorder, and it's terminal. Creativity is a weird thing. You do it because you cannot keep from doing it, and it's a constant conflict because you may be having a conversation, and somebody says something, and you want to write it down, so you have to excuse yourself. I had a furniture guy who was trying to sell me a sofa. I said, “Man, that's expensive. You wouldn't cheat me, would you?” He said “No, man, I'll cheat you right.” I say, “Excuse me a minute.” I had to go write that down. So that's kind of how it happens. And I do it because the only cure for this disease is more of it. I can't visualize my life without music. Credit: Bud Gambrell OTC : What are you trying to accomplish? JP : I've already accomplished everything. I've recorded with an orchestra, I've got a song cut by Mark O'Connor, who's brilliant, and I have a bunch of cuts by Billy Droze. We're doing a country record for him now, and I can't tell you who's producing it, but it's a big producer. I've accomplished everything and written hundreds and hundreds of great songs, which've been cut by many great people. John Anderson cut Chicken Truck in 1980. I’ve been writing to him, and we wrote to him about two months ago. So, it's just a process. I must keep doing it. Credit: Bud Gambrell OTC : Tell me about tonight. JP : We're here at the Mars Music Hall. I've got Brent Moyer, Tim Styles, and Bob Tobin. I met them down at the Frank Brown International Songwriter Festival. I've been doing that for about 15 years, and I just picked the guys I like to sit with who write good songs and tell good stories. In addition to chatting with Jim Parker, I was able to chat with one of the performers of the showase, Tim Styles , too. Check out our conversation below. OTC : Tell me a little bit about who Tim Styles is. TS : Well, I'm a singer-songwriter from New Mexico, but I've lived all over the country. The first time I went to Nashville, I was 14 years old, and so I've been running the roads ever since. I never did grow up. Credit: Bud Gambrell OTC : What does something like this, a singer-songwriter series, mean to you? TS : It means to me that people want to listen. I've spent so much of my time fighting crowds at bars. They don't want to listen, which is OK too. I know everyone wants to have a good time. But when songwriting is really my passion and when people are willing to sit and listen to stories, I get to delve into that part of myself. That's nice. It's the other side of being just an entertainer. You can be a storyteller. Credit: Bud Gambrell OTC : So, you consider yourself a modern-day troubadour. For someone who doesn't know what that means, tell me what you consider a modern-day Troubadour. TS : I'm a performing songwriter, another way to say it. I don't just write songs and sing. I like to perform my original music—like a Kristofferson kind of thing, you know. I can also perform my own music and put my own spin on it. OTC : So, you mentioned Kris Kristofferson . I'm assuming he's an influence on you. What are some of your other influences? TS : All the great singer-songwriters like Townes Van Zandt , Guy Clark , and even rock guys like Warren Zevon have been a huge influence on me. Just all the music you pick up along the way, but I always find myself returning to the singer-songwriters. To make the night special for the songwriters, Jim had local artist Don Howard design a caricature of each performer. The caricature of future performers may be produced and sold at shows. Credit: Bud Gambrell OTC : Jim, can you give me a sneak peek into future series? JP : Yeah, I'm doing a Trop rock show on August the 2nd, bringing in Bill Whyte , Darrell Clanton , and Brooke Graham . She's #4 on the Texas Rock Charts, so it's always great people. And in November, Billy Droze and Kentucky Blue will be here with me with his bluegrass band. He'll take the whole stage. OTC : Any other plans in the future for the songwriter series? JP : Sure, 2025, man! I'm working on it now. Yeah, we have dates. Y'all come and see us. You will not be disappointed, and it's a cheap date. Credit: Bud Gambrell If you enjoy the listening room-type experience where you hear the stories behind the songs, I highly recommend you stop by for any future Jim Parker’s Songwriter Series. Like Jim said, you will not be disappointed. Send me an email. Let me know what you think. Also, tell me about any performers you would like to see in future editions. Until next time, Keep your diamond down in the groove! Jim Parker Music Brent Moyer : https://brent-moyer.com/ Tim Styles : https://music.apple.com/us/artist/tim-styles/267070949 Bob Tobin : www.bobtobinmusic.com To reach Bud: Email : the_budgambrell@mixedaltmag.com Bud's sites : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Amazon: https://a.co/d/1CLA9Tz Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

< Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens : Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud : Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

< Back Off the Charts Bud Gambrell Mar 17, 2023 Share Coming Soon! Hello to all! I hope you are here and curious about what Off The Charts is. Well, I’m going to attempt to explain what our goals here are. I am glad you’re here! My name is Bud Gambrell and I live in North Alabama. I am a published writer in several magazines and I have written a book, too. I also am a photographer who shoots mainly concerts big and small. In this maiden voyage of Off The Charts , I will attempt to lay out what you can expect from this column. What you will read here will be about bands that you may never have heard of from Alabama and the surrounding areas. That’s the point of the title. Off The Charts. The title embodies my goal. The bands included here are not on the charts, yet. I will be attempting to expose lesser-known acts with the hopes of you discovering new music that you enjoy. The articles that will periodically be posted here may include a concert review with pictures. Pictures are my favorite! The articles may also include interviews with any artists who are willing to sit down and have a talk. I may even branch out and attempt to get news out about new releases including singles and albums. Yes, I’m old school. I still call them albums. Listening to a new streaming release will be a good way to discover exactly what you are looking for. When I was first approached about starting this column, the intent was to focus on Outlaw Country. I thought, what a great idea! Then, as I thought more about it, I felt that there is so much more good music out there that deserves exposure. The genres that you can expect to read about will include Outlaw Country as well as good old Rock ‘N Roll. You will read about Southern Rock which is one of my favorites, too. We may even dive into some Blues. The point is to expose those hard-working men and women out there hustling to keep us entertained. One thing that you will not see here is critique. I am not a critic, so I’ll spare you reading about me pretending to be. I’m not here to criticize any musician. I’m here to help expose them and the wonderful work that they do. I’m a music lover. I’m a live music lover. Anyway, it almost seems that you would have to dislike music a little bit to sit back and pick someone’s art apart. Or you feel like you’re better at it than they are. Right? Another thing that you will not see here is major national recording bands. I would have to come up with another name. Remember, we are Off The Charts here. We don’t want to write about those bands. What could I say that hasn’t already been said and that you’ve read elsewhere? So, this section will inform you of your role in this column. Send me an email and tell me the bands that you love that may be lesser known. Maybe your favorite local band is releasing a new album soon. Tell me about it, so I can tell others. Maybe you are a musician that wants to spread the word about yourself or your band. You know the next line. Send me an email. We may even arrange an interview. When you stop by, grab yourself a cold beer. Grab that glass of wine. Grab whatever you indulge in to medicate your mind. Hopefully, I will turn you on to some new tunes that you can kick back and listen to and enjoy. Come happy and leave happier. Besides, we are all friends here. See you next time! Bud Bud Gambrell Photography ( bgambrellphotography.com ) Facebook To purchase my book, "Side Tracks Music Hall": https://a.co/d/a6lGy0O Questions or comments? E-mail me at the_budgambrell@mixedaltmag.com . Previous Next

Branded for Exile: A Force in Louisiana Metal Click to read more On the Rise: RobenX Click to read more SÖŪP: A Rich Tapestry of Musical Expression Click to read more ART WITH HEART THE FILM SPOT WAY BACK WHEN Check this out! All Categories Play Video Play Video 02:53 The Links - Try to Change (Official Video) Official video for "Try to Change" off of The Links' new album OUTSIDE - now available on all major streaming & download platforms! Featuring scenes from 60s horror classic Carnival of Souls as well as live footage from the band's recent shows and masterful slides from Dave Danzara aka Lost in Time Design Hear the new record here: https://ffm.to/links-outside THE LINKS began back in the early 2010s playing gigs in the Lafayette/Louisiana area and soon turned to creating their debut album. Fast-forward to 2019/2020, line-up changes and a shift in musical direction established their trajectory for this new chapter. Throughout 2021, the band poured their energy into creating Outside. Musically, the trio draw inspiration from the likes of DEFTONES, RADIOHEAD and SMASHING PUMPKINS, while adding their own psychedelic twist. Over their career THE LINKS have performed at Cajun Dome and have opened for national touring acts DAIKAIJU and RICKSHAW BILLIE'S BURGER PATROL on several occasions. Their latest full-length, Outside, is perhaps the group's most cohesive and defining album to date. The album delves into decidedly darker, some might say sinister territory with songs like "Contradiction" and "Calice" to name a few. The album hit streaming/download services and other online stores on October 6th, 2023 and is currently being promoted by the band. Fans of post-punk surf rock jangle pop madchester art rock or more specifically bands like R.E.M. The Smiths Talking Heads Interpol The Strokes Radiohead Primal Scream The Stone Roses Blur The Byrds Husker Du or Suede may find something to like in Lafayette's premiere spacey psych rock britpop delights The Links! Thank you for watching & listening #britpop #psychrock #altpop Play Video Play Video 02:29 You Should Probably Run (Prod. Siem Spark & RJ Pasin) Lyric + Music Video Play Video Play Video 05:01 VOID - Silent Onslaught (OFFICIAL VIDEO) Official music video for VOID's latest single "Silent Onslaught" Void is a 5-piece "Haunted Thrash Metal" band from Lafayette, Louisiana. VOID is: GABE LEJEUNE - Lead Guitar JACKSON DAVENPORT - Vocals LOGAN DAVENPORT - Bass AARON LANDRY - Drums ALEX BERNARD - Rhythm Guitar Filming & editing by Lily Shea (@shotsbyscorpion) Directed by Lily Shea & Jackson Davenport Get our DEBUT album 'HORRORS OF REALITY' here: Spotify: https://open.spotify.com/artist/1QwNq37mhFd5nCDSAMzyU4 Merchandise: https://officialvoid.com/ Instagram: https://www.instagram.com/void_lafayette/?hl=en Facebook: https://www.facebook.com/profile.php?id=100082826067501&sk=about Email: void.offical45 Thank you to Matt Begnaud at the LEGENDARY Feed N Seed for letting us shoot this video at 3am. You RULE! "...Silent Onslaught leaving you a VICTIM TO THE BLADE!" Play Video Play Video 05:21 Always Waiting A frank and powerful original song from Okay, Boomhauer about hope and escaping depression and substance abuse. Video directed by Chase Garcia. Production by Marcus Noel. Streaming now on Spotify and other major platforms! Spotify: https://open.spotify.com/album/5CMWeySrkEu1pUMzzSehpP?si=z8IsZ_nYTnyLLo1mGrZuIg Facebook: https://www.facebook.com/Okay-Boomhauer-100553611566133 Instagram: https://www.instagram.com/okayboomhauer/ Bandcamp: okayboomhauer.bandcamp.com Website: www.okayboomhauer.com Play Video Play Video 01:39 William Edward Thompson - Sleep Test Title track from the album Sleep Test by William Edward Thompson. Digital and vinyl album released by Protagonist Music 2024. Produced and directed by Michael Patrick Rogers. Pre-order limited vinyl at Deathwish Inc : https://deathwishinc.com/products/william-edward-thompson-sleep-test Play Video Play Video 05:13 DARK MILES - "When The Lights Go Out" Video made by Insónia Image Production Directed by Luís Lima and Pete Miles Play Video Play Video 03:39 Stella Vir - Anything At All OFFICIAL VIDEO The performance at RADfest 2023 was so epic and so much fun we decided to use the footage as our OFFICIAL VIDEO for the release of Anythibg At All. This song is about pushing through past trauma at the hands of those who should have protected us. If you feel this please like/follow/share as we continue to pick up the pieces and slam this new song!! Play Video Play Video 04:03 What Will Be - My Days (Official Music Video) What Will Be - 'My Days' (Official Video) Filmed, Directed & Edited by James Holman Stream our music here: https://open.spotify.com/artist/6e3ibcG1IQ7pajfOR0Gk2z?si=JZcLXrxaQkSnuE_i0YO4Rw Instagram: / https://www.instagram.com/whatwillbe.band/ Twitter: / https://twitter.com/WhatWillBe_Band Tiktok: / https://www.tiktok.com/@whatwillbe.band Facebook: / https://www.facebook.com/whatwillbe.band We're headlining Night & Day Café, Manchester on February 27th. Tickets here: https://www.seetickets.com/event/n-d-showcase-what-will-be/the-night-and-day-cafe/2838666 What Will Be is: Abe Shimmin, James Holman, JK & Chris Balmer https://linktr.ee/whatwillbe.band 'My Days’ Produced by James Holman and What Will Be Distributed by Tunecore All production completed at Brunswick Mill Studios in Salford, Manchester. Lyrics; "Would a simple life bore you? Cause that's a promise made I can't pretend this voice is gone Seeking the strength and finding none I'm reading, open to feeling I can't pretend these eyes blind Seeing the truth I can't deny In all of my time I hope to find, a place to call home Never gonna need, never gonna be another I try to define This present divine Brought life to the stone Your never calling me out Your always calling me in Cause ill be safe for the rest of my days When I crawl from the sand your hand that's helping me stand Cause I'll be safe, for the rest of my days I can't always be patient with you I'll wait in space I can't pretend these hands can't feel Lost in these thoughts, your always real I'm shaking You keep me from braking I can't pretend these ears are strong I'll follow your words, and carry on In all my time I hope to find, a place to call home I'm never gonna need, never gonna be another I try to define. This present divine, brought life to the stone Your never calling me out Your always calling me in Cause ill be safe for the rest of my days When I crawl from the sand your hand that's helping me stand Cause I'll be safe, for the rest of my days" Subscribe Form Join Thanks for subscribing!

< Back Gino V.: Redefining the Music Scene with Rhythm and Soul Nicole Brice Oct 20, 2023 Share Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. In South Louisiana, we have a rich musical landscape with bands playing many genres of music. From rock to zydeco to metal and everywhere in between, the market is saturated with talented individuals all looking to showcase their craft to the masses, and in the ever-evolving landscape of music, there are those rare individuals who possess the talent and vision to create something truly unique. When I first stumbled upon the Gino Vallecillo (aka Gino V.), I was blown away because it was unlike anything I’d ever previously heard, and it did not fall into one category. It’s a little bit of pop with a little bit of soul and a little bit of rhythm & blues. To be frank, it’s just good. Credit: Gary Governale Hailing from the town of Delcambre and stabilizing himself as a fixture on the local music scene in Lafayette, Louisiana, Gino V. has made a name for himself with various projects, including being a touring musician and playing in such bands as Sailor Mouth, Random Animals, HoleOpener, and The Band Forgiven. Gino’s diverse range of projects shows he is a man on a mission to be heard and seen. Multi-talented, Gino plays drums and sings, which is no small feat. With unparalleled skills and an ability to seamlessly blend various genres, Gino possesses an innate musicality—one that is sure to leave an indelible mark on the industry. Born and raised in a musically inclined family, Vallecillo was exposed to a diverse range of music from a young age where he absorbed the various musical styles, forming the foundation of his artistic journey that shows no signs of slowing down anytime soon. Having just released two new singles independently under his solo brand with the tunes “Shine” and “Back Home”, we were able to steal a few moments of Gino’s time to chat with him recently where we spoke about the state of the music industry as well as upcoming projects in the queue and what the future holds. Take a moment to read a little more about Gino V. and then be sure to check out his music on all streaming platforms. MaM : Thank you for speaking with us this morning. We did a little research on you, and it is insane how many projects you have been involved with over the years. Tell us a little background and history on you. GV : Well, my full name is Gino Vallecillo, but I shortened it to Gino V. because I’m Hispanic but grew up in Cajun Country. Since people have slaughtered my name my entire life, I figured it was easier for people to remember it this way. They can’t mess up Gino. I’m from Delcambre, which is south of Lafayette – about 35 minutes. I started playing drums around 12 years old but didn’t start playing on a kit until I was 14. I’ve been singing as long as I can remember, too, and I grew up in a very musical household where no one else played instruments, but everyone loved music. My dad is from Honduras, so I was exposed to salsa, mambo, and bachata dance styles early on—a lot of Afro-Cuban stuff. He was also into disco and soul music, so I absorbed that influence as well. My mom was more into rock from the 50s and 60s and also into 90s country, so I have those influences, too. Now, my brothers were the ones who liked hip-hop and R&B, so that kind of changed me. As a youth, it helped me to create the gumbo, if you will, of influences that got me here. Initially, when I first started, I was gigging in hardcore and metal bands from the time I was 14 and 15 years old, and that went all through college. In 2015, I decided to move on from the group I had been playing with for the past six years so I could start doing my own thing. I started trying to fill the pool with my singing again because I had taken a hiatus from it to focus on playing drums. I had been gigging in Lafayette in the heavy scene for a while but then decided to jump over to do more soul, blues, and R&B, which in Lafayette, oddly enough, is divided. You do have a few of us that do kind of catch every genre, but there’s so much out here including zydeco, which is huge. Credit: Gary Governale MaM : Obviously. GV : You can go out and see many genres in Lafayette, though, but I started taking the jump to do something different. Then in 2017, I started a band that I had initially hoped would be a dirty blues band, but it wound up taking shape to be more R&B-esque with a little rock influence. We were called Sailor Mouth. For about four years, I was in Sailor Mouth, and then in 2021, I was allowed to go on the road with a national recording act for about seven months. I got to experience the world and travel the country, and it lit a fire under me. Being out there inspired me, and I came across many musicians who had given their lives to other artists with nothing that was truly theirs. People don’t realize it, but the music industry is extremely hard. It’s one of the toughest industries to be a part of because it takes so long to establish yourself. There’s no security either. The best way to establish that security for yourself, though, is to have your own thing to fall back on no matter what. MaM : So true … go on. GV : After coming home from that road gig, I didn’t have my own thing anymore, so with the help of one of my best friends, we were able to write “Shine”. He has been super influential in my taking this next step. For the past year, I have written a ton of music and am sitting on close to 20 songs. Credit: Gary Governale MaM : Oh wow, that’s a lot. GV : “Shine” is the first release and I have some more music I want to release. My goal is to just continue to build my discography and try to elevate my brand. I have a lot of cool things coming up. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier? GV : To be honest, I feel it’s a little bit of both. I use Distrokid and with that, there’s a lot of content put out because anyone can use it. I do think that because everyone is using streaming services our attention spans are not what they used to be, and for me as an artist, I don’t think I’ll be putting out a full record anytime soon. It would take so much of my time because I would obsess about every single detail including tracking and flow. I feel like singles are the way to go for me to establish my discography. I do like where technology is these days, but I think we’re on a different playing field than where it used to be with music. Credit: Gary Governale MaM : I can agree especially with the whole attention span thing. I couldn’t tell you the last time I listened to an entire album. I keep my music collection on shuffle, so it’s ever-changing. It’s crazy to think how far the industry has come and to think about how much things have changed. Of all these bands you have played in, are any of them still active? GV : Well, with Sailor Mouth, we are on a hiatus. A member moved and one had a baby and then I went on the road. Our guitarist is the guitarist for Wayne Toups right now, so he’s got that gig. Life just happened. I do still play for a very small circle of people currently. I still play for Ray Boudreaux. He’s a singer from Carencro and was on The Voice back in 2013. I also play for a soul singer out of Port Barre named Sarah Russo, who is incredible. I have a few projects. This is what I do full time and it’s what I want to do. Credit: Gary Governale MaM : So, mad respect for the fact that you play drums and sing. I’m not gonna lie: It looks difficult. How do you stay coordinated? How did you hone that skill to where you are just rockin’ the hell out of it? GV : Well, I think that it kind of started when I was younger. I was actually rapping and drumming when I was 14. I kind of dipped my toes into the water just to see if I was capable. Getting into the heavy scene, I found other drummers doing it in rock and metal bands. I got into Atreyu big time and Brandon Saller was a kick-ass drummer who sang. Underoath, Aaron Gillespie, another band with one who plays drums and sings. I was always inspired by it and wanted to do it. In 2016, I found Anderson .Paak and was very inspired by him, and I think that was one of the things in 2016 that gave me a kick in the ass when I saw him live because I knew I could do it. I wasn’t where I needed to be because I needed the mic time, but I knew it could be done. You’re not gonna get good at it unless you’re doing it constantly, so I’m always singing. Credit: Gary Governale MaM : That leads me to your new song, “Shine”—how did the lyrics come about for it? The entire vibe is so strong. GV : So, I had just come off the road and was trying to establish what I was going to do next. Josh, my homeboy, sent me the basic riff while I was on the road, and I had started messing with it. When I found the time to sit down, the song just poured out of me. The melody hit first and then the words came. The song “Shine” in general, I believe, is my outward expression of gratitude for the love I received from my partner. I went through some dark times in 2020 and I would have never gotten through them without my partner in my corner. So, the song is essentially that, but I think it’s up to interpretation, you know? It could be whatever that light in your life is, whatever that thing is that you can cling to that kind of pulls you out of the darkness when it doesn’t really feel like that’s possible. MaM : I can definitely resonate with that. You said for the rest of the year you plan to release singles, but what are your goals for the remainder of 2023 and into 2024 and beyond? GV : I want to continue to release music and I would love to do more on the local festival circuit. I’m going for Festival International next year here in Lafayette. I’d also like to do more road gigs … maybe travel through the Bay St. Louis area, maybe Mississippi, New Orleans, Baton Rouge, Lafayette, Lake Charles, and then go through Texas. The biggest thing for me right now is elevation. I want to take what I’ve been doing and do it on a new level. As Gino Vallecillo’s musical journey continues to evolve, his future projects will undoubtedly push the boundaries of contemporary music even further. His unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. To check out the music of Gino V., just hit one of the links below! DistroKid : Shine by Gino V. - DistroKid Linktree : ginovmusic | Instagram, Facebook | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States Nicole Brice is a music snob. She loves discovering new tunes. Got something you think she’d like? Hit us up at mixedalternativemag@gmail.com . Previous Next

< Back Hawthorne Oachs: A Free-Spirited Young Artist Full of Beautiful Harmonies Nicole Brice & Chris Pryor May 30, 2023 Share Hawthorne Oachs brings deep awareness to everyday life Sometimes, a musician comes onto the scene and just blows us away to where we are left virtually speechless. The next musician we are bringing to you has done just that and her name is Hawthorne Oachs. At the young age of 12, this spirited artist wrote, produced, and released her first single, “My Lullaby,” which was released in November of 2021. At 14 years old, Hawthorne has many talents and is not only a musical artist but also a digital artist and award-nominated actress with Z-Fest 2023 as a Best Child Actress Nominee. She has created the cover art for all her music released thus far and is frequently known to share her artistic creations on social media. With song lyrics written from the perspective of a young teenage girl, Hawthorne has a mature-sounding voice that is both powerful and contains soulful evoking memories of LeAnn Rimes when she first broke on the scene in the mid-90s. Photo provided by artist An incredible storyteller drawing inspiration from everyday life, Hawthorne’s songs are often about personal experiences with her relatable and thought-provoking lyrics. In addition to her music and art, Oachs is an advocate for mental health awareness, where she has spoken publicly about her own struggles with anxiety and depression. She hopes to use her platform to help others who are struggling with mental illness and wants to be a role model for young people everywhere. If you’re looking for music that is both powerful and meaningful, then we highly recommend checking out the music of Hawthorne Oachs. In fact, we listened to her entire catalog and could not find a single song we did not like. Her music is that good. Oach’s latest single, which released on April 21, 2023, is titled “A Single Flower.” It is a hauntingly beautiful arrangement full of abundant wisdom for a girl so young. Listening to it gave us the chills, and when that happens, you know something is resonating with your own energy. It has excellent production value and a good use of effects, and the harmony flows perfectly with the medley of the music. We cannot recommend it enough. Set to release another new single in June, Hawthorne is a talented artist with a bright future ahead of her, so stay tuned! We recently had the opportunity to ask her a few questions, so check out her responses below and then go listen to her beautiful catalog of tunes. She is sure to become a household name in the years to come. MaM : Hawthorne, thanks so much for taking time to talk with us. Your vocals are so melodic, soulful, and strong for such a young lady. Who are your vocal inspirations and why? HaO : Thank you so much for the kind words, Nicole! Some specific singers that I really respect are my mom, Mafumafu, and Hayley Williams of Paramore. My mom is a talented singer and has been such a fantastic mentor throughout my life. I know I would have made my way to music eventually if I was born with different parents, but my mom and dad have given me the gift of a life immersed in music, and I wouldn't have had it any other way. Mafumafu is a very emotional and passionate singer and I connect with that. I find a lot of joy listening to his work, and I found his music at the height of the pandemic, so his songs comforted me. I’m massively grateful for that in ways I’m not sure I can clearly articulate. Because of my mom, I’ve been listening to Paramore since before I could understand the meaning of the lyrics, so their music has always held a special place in my heart. They were my first concert when the ‘After Laughter’ album came out! Hayley has such a wonderful, powerful voice and I really love listening to both her solo work and Paramore’s whole discography. Their new album is a such a banger, too! Zac is a superb drummer and Taylor is a stellar guitarist who also has curly hair, like me! Listening to these people play their hearts out really inspires me to keep learning, growing, and improving as I turbulently make my way through these adolescent voice-changing years. Photo provided by artist MaM : When did you realize you wanted to create music and why? HaO : I’ve always been way into music starting from when I was really young. I'd sort all of the CDs and records in my house, taking them off the shelf, looking at the album art, listening, then putting them back. I also used to run around the house playing my little pink acoustic guitar, singing at the top of my lungs, making up songs. The piano was a safe place to play and decompress from the events of the day. I still do that. I was around [five years old] when I started taking formal lessons for both piano and guitar, and I immediately wanted to quit because if I didn't get something right on the first try, I would get discouraged. I'm also tenacious and headstrong, which I’m grateful for, because I stuck with those lessons and now piano and guitar are my favorite songwriting tools. During the pandemic, most of us turned to art to consume and keep us soothed and entertained. In the beginning, I ended up writing a considerable [number] of songs cathartically. Through that catharsis, I developed a love for songwriting and a realization that I was fastened to music for life. Photo provided by artist MaM : Who are your musical influences for your sound? HaO : Because I've grown up in a musical household, I've listened to quite possibly every genre that exists. As a result of that immersive education, I have an extensive collection of favorites that I've held closely in my heart. I can usually find something to like in whatever I'm listening to, and every day I'm discovering new artists that I love. For example, I've been listening to Minami, Mitski, and Blü Eyes lately. Right now, the songs I have on repeat obsessively are ‘Thick Skull’ and ‘Running Out Of Time’ by Paramore. I think inevitably over time, everything you've ever listened to influences your own sound. Experimenting and figuring out who I am as a musical artist has been a welcome adventure. My fifth single ‘Chase Me’ was probably the first time my sound and aesthetic felt most like home. With the latest songs that I've been creating, I've got a solid vision for the path forward and I'm exhilarated about that! Since I started releasing songs at [age] 12, there has been growth in me personally as well, so it seems logical to see growth in my music. In the fall, it'll have been two years since I started doing this. What's cool about it is that I can look back to where I started and see the growth and changes. I'm proud of everything I've done so far, and I wouldn't have changed anything! MaM : If you could share the stage with any artist, who would it be and why? HaO : Mafumafu! A few years ago, I had to pick a second language to learn for school. I started learning French, but that was a big non-merci from me after about a month. I just couldn't get the pronunciation right and wasn't feeling it. Since my appreciation for Japanese culture, candy, and food had grown, I chose to learn Japanese. Early on, it was suggested that I listen to and learn songs in the language to engross me, which would aid in familiarizing myself with pronunciation and vocabulary. When studying one day, a J-pop playlist was on autoplay, and I heard Mafumafu's cover of ‘Hated by Life Itself’ for the first time. I felt like I was hit by lightning. I understood him without understanding a single word. Between a global pandemic and the trials of adolescence, I needed brightness in my life. When I heard Mafumafu's voice, I felt seen, heard, and understood. I listened to that song incessantly for a while. All of his music and variety of content was the fortification I needed to see me through to better days. Admittedly, without something to hold onto then, I'm not sure what would've happened. I hope someday I'll get to meet him and tell him just how truly grateful I am, and wouldn't a Mafumafu x Hawthorne Oachs musical collaboration be the most beautiful finishing touch to that story? Photo provided by artist MaM : What music or things around you are inspiring you to create these days? HaO : Mental health awareness has been on my mind for the past two years, and lately I find myself digging into the problems we face as a society, but particularly those directly related to mental health. The surgeon general recently declared loneliness to be a public health crisis and said it's comparable to smoking. While I wrote and released it before this news broke, my most recent song ‘A Single Flower’ tackles the topic and the debilitating effects of loneliness. Another thing that's been on my mind is the alarmingly high rates of teenage suicide. My new song ‘Red Spider Lilies’ that is coming out on July 27th addresses the grief that one might feel when the person tethering them to this world is gone forever and they want to go, too. Maybe they were already thinking about it, and this was their breaking point, or maybe the grief was so unbearable they made the decision in a split second. I think if anyone said they were having those feelings out loud, it would be divisive, and some might even chastise them for those thoughts. This song is acknowledging that those thoughts and emotions can be part of being human and we should do better by supporting mental health, listening to others without judgment, acknowledging that humans can and do have dark thoughts, and normalize talking about those struggles. I think about how I turn to the creative output of others to comfort me, so if the art I create can be of that same service to others, then it feels like it's a small contribution and my own way of making the world a better place. Photo provided by artist MaM : What are your aspirations for the future? HaO : My primary aspiration is that my music gets to the ears and the hearts of the people who need it the most. I always set short-term goals for myself and celebrate them wildly when I reach them. I appreciate that this industry is overly saturated and jumping to the head of the line isn't realistic, nor is it a goal. I simply want to help people first and foremost. I want my music to be of service to others in the same way that music has been of service to me in my life. If that turns into something bigger than I am imagining right now, I will enthusiastically embrace whatever comes from it. The one thing that is non-negotiable and that I refuse to do is stop creating music. Music has been and always will be a comfort to me, and my true aspiration is that the music I release will be a comfort to others. - Be sure to add the music of Hawthorne Oachs on your playlist today! This young lady is creating something magical, and we cannot wait to see what she has in store for all of us in the future. To check her out, follow any one of the below-listed links. Hawthorne Oachs (@hawthorneoachs) • Instagram photos and videos Hawthorne Oachs | Facebook Hawthorne Oachs | Spotify ‎Hawthorne Oachs on Apple Music Hawthorne Oachs - YouTube Nicole Brice loves music and loves discovering new music. Hit her up at the_nicolebrice@mixedaltmag.com if you have something you’d like her to check out. Previous Next

< Back Welcome to Flatch Keeley Brooks Oct 20, 2022 Share They Deserve Some Damn Attention ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next

< Back Last Legs: New Wave Americana for a New Era Nicole Brice Jan 5, 2024 Share Last Legs' new single “Tara” is rooted in the real experience of American youth with stories of love, loss, and desperation that pull at your heartstrings. In an era marked by fleeting trends and a fast-paced musical landscape, new tunes are constantly being released, leading to an oversaturated market full of creatives wanting to showcase their craft. But I have discovered a band I feel will emerge as an up-and-coming force in the indie music scene due to their talent, drive, and emotionally charged lyrics full of imagery and soundscapes. Hailing from the Garden State of New Jersey, this vibrant five-piece rock band’s sound hints at New Wave and Americana while exploring themes from the 70s and 80s amongst a backdrop of folky, narrative-based lyrics rooted in realism. Their stories of love, loss, and desperation pull at your heartstrings and their poignant lyrics are known to bring on the tears. So, who is this band? They go by the name Last Legs. Formed in 2019, Last Legs is comprised of a lifelong group of seasoned musicians with an extensive history of over 20+ years rooted in the local Asbury Park music scene. Last Legs emerged from the ashes of notable indie bands Lowlight and Roadside Graves when various members wanted to create more material, but under a new moniker. Derril Sellers plays guitar while his wife Dana handles the keyboards and contributes vocals. Colin Ryan is the man with the plan on drums and percussion, Rey Rivera plays the bass and does all the MPC drum programming, and John Gleason is the lyricist and lead vocals bringing it all together. The band recently released a cover of REM’s “ Nightswimming ”, which is quite remarkable. The Last Legs version is rearranged, reinterpreted, and sounds nothing like the original. The band has orchestrated a beautiful take on a classic song, one worth noting. Fresh off recording their four-song demo EP, the band released their new song “Tara”, which is out today, and it is the first original song by Last Legs to be released on all streaming services. It’s also the perfect introduction to the band’s music. If you’ve had the pleasure of seeing them perform live, you’ve probably heard vocalist John Gleason explain, “These are songs of love, loss, and desperation, and every word is true.” Click the picture to experience "Tara" “Tara” contains lyrics that set the template for much of Last Legs’ music by telling a story that is rooted in the real experience of American youth : “When I was young, I ran away”. The song is visceral and specific, allowing listeners to feel the desperation of a life out of your control and going all wrong. The need to escape is real and earned when you hear the chorus: “You can take me anywhere, as long as it’s away from here”. Musically, “Tara” is a two-parter. Synth-driven the whole way through, the band is surprisingly intricate and fluent. The personal and detailed lyrics lead you to expect a country-folk arrangement, but the 80’s influence here is undeniable. This is New-Wave Americana. The first half is catchy, syncopated, and almost danceable. At the bridge, the band opens into a rolling, expansive vamp as John drives home the helplessness of childhood and the end of naivety . “Tara” is that time in our lives when we lose the sensitive, vibrant life force of childhood and become grey, unfeeling adults. “You can watch the way I crumble; watch the way I disappear”. Indeed. Credit: Jeff Crespi Last Legs is currently working on a full-length album to be released later in 2024, so stay tuned. Mixed Alternative was able to sit down and chat with the entire gang recently to discuss what makes their interpretation of “Nightswimming” so amazing, what their future holds, and more. Check out our conversation below, and then check out their new single, “Tara”. We think you’ll love these guys as much as we do. MaM: Thank you for speaking with us today. Let’s dive right in. Where did the band name come from? Colin : A huge Google doc. It was back and forth for months. We all liked the name Last Jumps that John came up with. John was going to say it one day and flubbed and said Last Legs instead. Everyone liked the name, so it stuck. John : We also like the meaning behind it because it stands for the last leg of the journey as well. It could be positive or negative. Dana : Our music explores the themes and topics of death, grief, etc. and I think it suits the music, too. Credit: Jeff Crespi MaM : Your cover of “Nightswimming” is incredible because it sounds nothing like the original song. Had I not known that it was by R.E.M., I would have thought it was a new track. How did your cover of it come about? John : It was my selection because we went back and forth with many songs and I’ll be honest, I’m not an R.E.M. fan, but “Nightswimming” is the one R.E.M. song that hits me in the ways the music of Tom Waits and Leonard Cohen does. I thought that the song was so perfect and beautiful and there is no way we should cover it and try to sound exactly like them. I don’t feel that is an interesting way to do a cover song anyway unless you are playing it at a bar where people want to hear the song sound exactly like the original. The thought was that we wanted to mess it up by changing the lyrics, the tempo, and the style, and I think we achieved what we set out to do. And the fact that you like it is great. The main thing we did with “Nightswimming” was we took the bridge and made the whole song out of that bridge because we loved the chord progressions there. Dana : Yeah, we swapped the music from the bridge of the original song with the music of the main hook—the piano part—and that just seemed to work. I think as artists we are willing to experiment and drop any kind of bias of how things should be. I do think that it’s cool how we got it to tether back to the original song by flipping the bridge and the verse. Derril : The reason we did that, to begin with, is because our record label, Mint 400, does a compilation of songs from a certain decade every year and every band on the label chooses a song for the compilation. The decade this time was the 90s, so this was our choice. Credit: Jeff Crespi MaM : As I was listening to the demo you sent me, I was thrown into 80’s nostalgia overload and wanted to ask you about the creative process of writing music. How do you approach that? Dana : Some songs start with a kernel of an idea from a particular band member, but then some happen because John will start singing something and then we’ll build the song around that, but a lot of the songs do come together in a rehearsal or a setting where we are all together. During the pandemic, we got good at working together remotely and that got us accustomed to playing together even when we weren’t. We still send each other phone demos, too, where I’ll come up with something on the piano and then I’ll send it out. I think something we want to try with the upcoming record is to change the process because I think the process will dictate what the song ends up being. The process gives you an environment to work in so you can do different things. John : We have a song on the demo called “I’ve Been Loved” that we went through almost ten different versions before we ended up on the one that is on the demo, and each one was good, but it was just not hitting perfectly right until we got to the final version. Some songs kind of just come together and some are more involved in the process to get to the result. Credit: Jeff Crespi MaM : Currently, who is inspiring you musically and why? Derril : I’ve been going through a musical and fashion renaissance, and I’ve been copying off Warren Ellis. I’m trying to grow into him these days and I’ve been following him a good bit. Dana : Since I play keys, I like the work of Brian Eno. The 80’s vibe you hear is because of me. I use a lot of 80’s keyboards and I have a Roland Juno 60—an original one—that I’ve played for many years. It just sounds great, but I recently stopped gigging with it because it just seems abusive to the instrument. I love music from that decade…all the post-punk stuff. We’ve been listening to the new Andre 3000 flute album, too, and it’s amazing. Sounds and texture are what I gravitate towards. Colin : John and I just went to see Mary Lattimore recently at a church in Philadelphia. John is a fan, but I had never heard of her before. I’ve been listening to a good bit of her stuff trying to get caught up on it all because it’s really good. John : She’s a harpist and she uses a loop pedal and it’s magical. If you like ambient music, you’ll love it. It’s melodic ambient music. For me, lately, it’s been singer/songwriter Damien Jurado. I’ve been listening to him since the mid-90s because he continues to put out compelling challenging and beautiful records. Credit: Jeff Crespi MaM : What are your plans for the future of the band? Last Legs : More people crying at shows. (laughter) Dana : We love traveling and we would love to be the opening act for artists we admire to connect with an audience and fans. We love creating music and our goal is to release our record in 2024 either with a label or independently. We now have this democratization of the music industry where anyone can reach their fan base if they do a certain thing in a certain way. Hopefully what we are doing will be infectious and other people will pick up on it. That’s our goal and we look forward to the rest of 2024. Be sure to follow Last Legs on social media and check out their tunes. All that tugging at your heart strings will be worth it! Instagram : Last Legs (@lastlegsmusic) • Instagram photos and videos YouTube : LAST LEGS "Nightswimming" (R.E.M. Cover) - YouTube Apple Music : ‎Last Legs - Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! Nicole Brice gets super excited about new music. Got something for her to check out? E-mail your submission to: mixedalternativemag@gmail.com . Previous Next

< Back Auto-Tune: The Great Debate on Perfection’s Place in Music Mo Thornton Mar 18, 2024 Share While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Imagine for a moment a world without Tracy Chapman’s voice coming through your car speakers, those rough, urgent notes warning us, “We better leave tonight or live and die this way”. If Auto-Tune had been around in 1988 and used to pitch correct Chapman’s outlier contralto voice, the artist in her authenticity might never have been recorded. Chapman recently made history as the first Black woman to win a Country Music Association award for her smash hit “Fast Car”. She could well have been one of thousands of talented musical artists who never reached an audience beyond their hometown, and I daresay the music world in general, and Luke Combs, in particular, would be the poorer for it. In case you missed the news, Combs’ cover of Chapman’s “Fast Car” was awarded Country Music Association’s 2023 “Single of the Year”. Credit: Getty Images A full decade after Tracy Chapman’s award-winning and now history-making release, Auto-Tune arrived on the scene. The technology was invented in 1997 by geophysicist and engineer Dr. Andy Hildebrand, who applied mathematical algorithms to interpret sonar-generated data to help oil companies locate fuel deposits, an endeavor that made him quite wealthy. A Seismic Shift In 1989 Hildebrand left the lucrative field of seismology and launched his own company, Antares Audio Technology. As the story goes, he asked colleagues what should be invented. Someone jokingly said the world needed a machine to give her the ability to sing in tune. It was a eureka moment for Hildebrand: the same math that he used in oil exploration could be applied to pitch correction. “When voices or instruments are out of tune, the emotional qualities of the performance are lost,” the patent for Auto-Tune stated. That was quite a bold and sweeping assertion, one that has proven divisive in audio entertainment circles ever since. Ed Sheeran, Celine Dion, Bruno Mars, and, yes, even pop icon superstar Taylor Swift, are among the famous artists who refuse to use Auto-tune live. On the other side of the fence, Grammy-winning Rapper T-Pain, Nicki Minaj, and Cher are in favor of using the vocal modification software and other synthesizing techniques. In fact, Cher’s 1998 comeback megahit “Believe” is often cited as the first major commercial use of Auto-Tune. “The Cher Effect” has become synonymous with the over-exaggerated application of the software that creates an interesting combo of human and robotic vocals. Clearly this was not an attempt to mask Cher’s real voice but rather was an obvious and ear worm-creating technique that successfully contributed to the singer’s career reboot. Local Musicians Weigh In While the debate continues to rage on and play out on the international stage, local musicians also weigh in on the pros and cons of Auto-Tune. Mike Ball, who plays multiple instruments and performs with The Bubbanauts , a country band out of Huntsville, Alabama, says he uses pitch correction to ensure his voice is in tune before tackling certain songs. Mike Ball (Credit: Karen Ball) “I’m not against the use of the technology, but I am against hypocrisy,” says Ball, president of The Huntsville Traditional Music Association. “Auto-Tune is a tool but, in my opinion, should not be used as a crutch or a cheat-sheet in place of talent. In music, like anything else in life, if one person is too far out of tune, it’s going to create chaos rather than harmony.” Another Huntsville-based musician and songwriter, Ricky j Taylor , who has played rock, bluegrass, and folk music, among other genres, says he doesn’t see the benefit of creating an expectation of perfection when music is an art and expression of the human condition. Ricky j Taylor (Credit: MoonTown Photography) “These are my sentiments only,” Taylor says, “but some of the most expressive music is born from struggles and hard times, and I don’t know why that should be stripped of human qualities—human imperfections.” A physicist as well as a musician, Taylor does see the advantage of Auto-Tune for post-production adjustments in studio recording. “No doubt, Auto-Tune is a time- and money-saving tool,” he says. When used to correct a note here and there or adjust for something like a mic that was repositioned during recording, few refute the technology’s value. Sophie Buck is a multi-instrumentalist who performs solo and with groups that play old time, folk, Celtic, and roots music. A senior at Middle Tennessee State University, Buck is tech-savvy, like many of her generation. She says pitch correction technology is a powerful tool that, when applied, can be constructive or destructive. Sophie Buck (Credit: Valeri Buck) “I think it all comes down to the goal of the individual artist,” Buck says. “If the goal is to capture raw, human authenticity with the [inherent] imperfections, Auto-Tune might strip the music of that essence. However, if the goal is to create a highly polished or computer-generated project, the software is an asset.” “Sure, Auto-Tune has its place,” Taylor agrees. “But it can be a slippery slope when it becomes so widely accepted that live performers rely on it.” Taken to the extreme, if the software enables anyone to sing perfectly in tune, why not have that singer be a hot Urban Cowboy or Barbie Doll 10 in looks? And who decides what is “hot” and who is a “10”? And what exactly constitutes “perfect”? Is perfection hitting a note and holding it, or is it finding a thread of emotion that runs through the veins of everyone listening to a vocal cry of need, loss, love, hope, or grief that elevates it beyond the individual to the universal? Imperfectly Perfect Patsy Cline’s “Crazy” and Bob Dylan’s “Blowin’ in the Wind” testify to the commercial appeal of imperfectly perfect voices. If that reference feels too lost in the mists of history for today’s music scene, just look at one of many viral video clips from the 2024 GRAMMY Awards ceremony of Tracy Chapman and Luke Combs performing together. Two incredible talents who differ in age, music genres, race, and orientation seem to have found something that defies differences and creates connection. That something is the fact that “Fast Car” is a timeless song. Though Auto-Tune may have a permanent place in the music industry, it is a comfort to know authentic voices, like Chapman’s, have an enduring place in the human expression that is music. Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next

Rockin 4 Jesus: The Next Great Band You Haven't Heard Yet < Back Rockin 4 Jesus: The Next Great Band You Haven't Heard Yet Nicole Brice Oct 22, 2022 Share Empowered Many bands label themselves and label themselves wrong. Case in point, Baton Rouge's own, Empowered. A Christian Rock band fronted by Benny DiChiara with Shane Madere Jr. (lead guitarist, backing vocalist), Jeff Maddox (bass and background vocals), Mic Capdeville (percussion and background vocals), and Justin Burdette (guitarist and background vocals), this band has a serious unique sound that needs to be heard and is much more than just Christian Rock. With lyrical content that pulls at your heart strings, Empowered proves they are a band you should take notice of and listen to. credit: Gary Governale Empowered got its start in 1998 and was the brainchild of DiChiara who had previous success on the local music circuit singing with various secular bands. In 2011, they released the album "Soulcry" to modest success, but it wasn't until 2019's "Three Days" that the band really began to pick up steam. "Three Days" was produced by Mikey Howard of 7eventh Time Down / Love Journey Music and showcases the Empowered sound in all its glory. To follow up the success of "Three Days", Empowered have recently released their third EP, "Yahweh-Nissi" via Slingshot Records, an Indie label based in Baton Rouge, LA. The title track is straight up in your face rock-‘n’-roll with a hardcore message and the rest of the EP is a finely produced melodic journey of love and Jesus that will leave you singing at the top of your lungs. Empowered performing at Yes Fest in Baton Rouge, LA on October 15, 2022 credit: Gary Governale Shane Madere Jr., lead guitarist for Empowered, said of the sound he achieved for recording the title track, "I used a combination of my Ugly Amps Big Ugly 100 on the Ugly Channel plus an emulation of an Xotic BB Preamp from my Fractual Audio AX8 unit to get the sound I was looking for." Shane definitely got it right and the guitar has a nice crunch with the sound emulating the stomps of an army on the march. When I asked Shane of his guitar influences, he cites Eric Johnson. “My solo sound and even the notes I used on the studio recording of Yahweh-Nissi was very much influenced by him. He writes very melodic solos that fit the song." Shane Madere Jr. (guitar) credit: Gary Governale Recently, Empowered took the stage at Yes Fest 2022 to play their new EP in its entirety at the state fairgrounds in Baton Rouge sharing the bill with 7eventh Time Down and Kari Jobe amongst others. Their set was a powerhouse performance of finely tuned music that left you wanting more. Justin Burdette (guitar) credit: Gary Governale Of the experience playing Yes Fest, DiChiara has said, “Playing Yes Fest in Baton Rouge was such an exhilarating experience, not only being on that stage, but the ministry aspect of it as well. It’s an amazing and humbling thing to see God work things out for our good – but only if we are looking to see it." Mikey Howard of 7eventh Time Down with Benny DiChiara credit: Gary Governale He went on to say, "A special thanks to all of the artists who we got to share the stage with. It wasn't just about meeting other artists and hearing about their ministries, but we also got to share the stage with our mentor/producer/friend/brother in Christ, Mikey Howard. We sang our new radio single 'Jesus Can Heal The World' and it was an incredible moment." Mikey Howard took the stage to perform "Jesus Can Heal the World" with Empowered credit: Gary Governale Empowered's sound is definitely unique and DiChiara has said of their sound, "Well, it’s not necessarily that we're trying to write to a sound. Over the past two records, we do seem to have come into our own. Someone said if U2 married Daughtry, we’d be their band baby." Jeffrey Maddox (bass) credit: Gary Governale When asked what inspires the band, he went on to say, "The inspiration simply comes from God. Yahweh-Nissi was a direct discussion between He and I, and I was told of the direction for the title track. It’s simply a war cry for believers to rally with Jesus and take it to the evil that seems to be everywhere in the world right now. I think that the rest of the record points everyone in that direction as well. Who’s gonna rise tonight?". These guys in Empowered are definitely on the rise and people should take notice. Mic Capdeville (drums) credit: Gary Governale Empowered's new EP, Yahweh-Nissi, is available NOW on all streaming platforms and you can learn more about the band via their social media and YouTube. Empowered | Facebook EmpoweredOfficial (@empowered_rockin4jesus) • Instagram photos and videos EMPOWERED - YouTube ‎Empowered on Apple Music Empowered | Spotify *All photos by Gary Governale * Previous Next