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Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Merging Styles < Back A Bright Visualist: Robin Masterman Nicole Brice Oct 4, 2022 Share Merging Styles Robin Masterman is a Louisiana-based visual artist whose style resonates in multiple categories from the finest of art to facets of everyday life and right on down to the circumstances existing all around us. Art by Robin Masterman Currently living in the city where he grew up, Prairieville , he spends his time focusing on making art that not only catches your attention but also makes you stop and think about things that probably never occurred to you. His pieces use bright, vibrant colors with an extensive range of creative depth that spans from on-the-surface interpretations to subjects that cannot be seen at first glance with the naked eye. Art by Robin Masterman Masterman comes by his artistic gene honestly. His father is a sculptor, and his grandmother was a painter. It was she who introduced him the medium as a child and always kept him painting, encouraging his abilities. Because of that, he pulls a lot of his inspiration from her, as well as from his mother and father, to create works so deeply personal one cannot help but feel the energy behind his intention. But family isn’t his only source of inspiration. Art by Robin Masterman “Emotions, thoughts, losses, wins—it all depends on the day. Now, graffiti? That’s a different story because of the adrenaline bursts of wondering whether the cops are going to bust ya when [you’re] putting up a piece,” Robin replies when asked what other sources light up his creative spark. While he is, no doubt, a man of multi-faceted talents, he makes sure each piece he does is unique to itself to ensure no two pieces are the same. And while he uses a host of many mediums, Robin prefers marker and spray paint over anything else but says he will do some acrylic, “on occasion.” Art by Robin Masterman Mirroring the styles of famed pioneer fashion artist Stephen Sprouse and Neo-expressionist icon Basquiat , Robin’s talent is one to remember strictly because of the impression it leaves. He started drawing at the age of nine. It wasn’t until the late 90’s, when he was working at tattoo shops, that he truly got into making art. It started with canvas art in 2002 and he says of the time with a laugh, “It was acrylic ninja masks and arrows; it was bad.” Art by Robin Masterman But Masterman evolved well past his artistic beginnings and, at one time, worked under numerous well-known street artists. Says Robin , “I learned spray paint and acrylics from other graffiti artists, which also led to a strange fascination with painting numbers at times.” When asked of a famous artist he would like to spend the day with, living or dead, he responded, “Renoir. For the experience, conversation, and models. I respect his way of self-preservation and profit, while still doing what you love.” The artist at work Jackson Pollock is another one of his inspirations, specifically “his work with Benton pre-drip craze … [it]was amazing!” says Masterman. As for where Robin sees himself in the future, “Just trying surrealism a bit, and maybe traveling. Who knows?” Robin’s work can be purchased directly from the man himself by either reaching out via social media or e-mailing RobinMastermanArt@gmail.com. Facebook: https://www.facebook.com/peterobinnola/ Art by Robin Masterman www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Orleans, LA April 20, 2024 < Back Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf Rian Nickels Apr 24, 2024 Share New Orleans, LA April 20, 2024 On April 20th, 2024, The Howlin' Wolf —named after legendary bluesman Chester Burnett—hosted an unforgettable night of music featuring Louisiana artists Kris Russ , JAYD3D! , and Coma Nights . The evening's weather was just right, creating a comfortable setting that complemented the venue's cozy and intimate atmosphere. With its open layout and small stage, The Howlin' Wolf provided a space where the audience could feel a close connection to the performers. This iconic venue has a rich history, known for hosting an impressive array of blues and jazz musicians over the years. Alongside those greats, The Howlin' Wolf has also welcomed crowd favorites like Mac Miller, Chance the Rapper, and Twenty One Pilots, making it a staple in the New Orleans music scene. The combination of historical significance and contemporary talent made this night a true celebration of the spirit of music. Credit: Rian Nickels The first musician to hit the stage was solo act Kris Russ from Kenner, Louisiana. Kris has a voice with range that floated through the crowd and echoed from The Den room into the bar room of the Howlin’ Wolf. His angelic vocals brought an intimate, almost ethereal quality to the venue, captivating everyone in attendance. His dexterity of the guitar is unmistakable, with each chord he strums resonating deep within the hearts of the audience. His songs, filled with themes of getting older, love, and saving the world, carried a raw emotional depth that drew listeners into his world. In-between singing he gave us emotional monologues that pulled at our heart strings with backstory to his music, such as with his songs “If we knew then what we know now” and “ It’s too dangerous to go alone so take me ” proving that Kris Russ is more than just a performer—he's a storyteller with a gift for connecting on a deeply personal level. Kris placed us in the atmosphere of emotional healing and gave us the feeling of being understood. After his twelve song setlist, the audience was left awe-inspired and he gave a warming introduction to the next band, Coma Nights . Credit: Rian Nickels The four-piece, Coma Nights , burst onto the stage with an energy that transformed the venue from a mellow acoustic set into a lively full band performance. Their dynamic entrance immediately awoke the crowd, bringing everyone to their feet and into motion. The lead vocalist’s notes soared above the beating rhythm of the drums and the melodic riffs of the guitar and bass, showcasing a vocal range that commanded attention. The band played with remarkable synchronization, each member seamlessly aligned with the others, as if they were of one mind. As they launched into their hits like "Weekend Neighbors," "Paint," and "Storm," the audience was swept up in the pulsating beats, dancing and jumping along with infectious enthusiasm. Coma Nights demonstrated that a great band isn't just about individual talent—it's about the synergy of musicians in harmony. As they played their 10 song setlist they warmed up the audience for JAYD3D! to perform his debut album, “ Outstanding Gentlemen ”. Credit: Rian Nickels JAYD3D! took the stage with a vibe that defied categorization. His sound—a fusion of hip hop, pop punk, rap, and alternative—drew an intimate crowd eager to experience his debut album, " Outstanding Gentlemen ." As he started his set, the lighting shifted dramatically from moody and subtle to lively flashes of strobes and color, thanks to our buddy Justin, from the band Jean Claude Segal , who took over the light board on a whim and may have discovered some of his own hidden talent. JAYD3D! , along with his drummer Ty, delivered a high-energy performance that resonated with the crowd's spirit. They had the crowd going through the motions of singing, jumping, and even slow dancing. Together, they brought The Den to life and everyone together with upbeat odes to transitioning into adulthood, falling in love, and melancholic optimism. The 14 song setlist was a perfect mix of originals and his own twist on nostalgic covers. JAYD3D! played pop hits like "If It Makes You Happy" and "Bubbly," adding his signature moody pop punk twist that infused the familiar tunes with a raw, energetic edge. Along with his unique covers, JAYD3D! sang songs from “ Outstanding Gentlemen ” such as, “Three Hour Walks” and “Outstanding Fighter”. The audience, a mix of close friends, fellow musicians, and curious newcomers, were captivated by his seamless transitions and genre-blending artistry. JAYD3D! 's performance proved that music isn't about fitting into a box—it's about breaking free of the mainstream conformity and creating something new and exciting. With his vibrant stage presence and innovative sound, he turned The Den into a dynamic celebration of music, creativity, and did not fail to make us feel alive. Credit: Rian Nickels Overall, this night at The Howlin' Wolf demonstrated the venue's versatility and its ability to bring together a wide range of musical talents. It was a celebration of Louisiana's rich music scene and a testament to the power of live performance in connecting artists and audiences. *All photos by Rian Nickels www.rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or Comments? Reach out to mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. < Back Acid Bath’s Triumphant Return: A Night 28 Years in the Making Justin Hammer and Charles Sagona Apr 27, 2025 Share The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Friday night, the mythical Louisiana sludge metal legends Acid Bath returned to the stage, kicking off their reunion tour with a sold-out show at the Fillmore in New Orleans — their first performance in precisely 28 years . Credit: Justin Hammer Photography The current lineup features original members Dax Riggs (vocals), Sammy Duet (guitar), and Mike Sanchez (guitar), joined by Goatwhore's Zack Simmons on drums and Crowbar's Shane Wesley on bass . It's a blend of old blood and new energy , and from the moment they launched into the opening notes, it was clear this wasn't just nostalgia — Acid Bath came to reclaim their legacy. Dax Riggs by Justin Hammer Photography Acid Bath was one of Louisiana's most influential sludge metal bands in the 1990s , known for their unique blend of doom metal , punk , grunge , and Southern rock . The band was active from 1991 until 1997 , when they disbanded following the death of founding member and bassist Audie Pitre . After their final performance in Shreveport, Louisiana , on April 25, 1997 , it seemed to everyone, including the remaining band members, that this marked the end of an era and that their music would never be heard live again. Sammy Duet of Acid Bath by Justin Hammer Photography What makes Acid Bath 's return even more remarkable is how their legend status grew during their long dormancy. In their original run during the '90s, Acid Bath wasn't selling out venues like the Fillmore . They were packing into dive bars like Papa Joe's in Baton Rouge , Zeppelin's in New Orleans , and gritty all-ages shows in small-town halls like Gonzales, LA . Their glory days weren't measured in ticket sales , but in the cult following that quietly spread over the years, turning their two albums — When the Kite String Pops and Paegan Terrorism Tactics — into sacred texts of underground metal. In October 2024 , the Sick New World festival in Las Vegas announced its lineup, and to everyone's surprise, Acid Bath was included. However, shortly after the announcement, the festival was canceled. Despite this setback, more shows began to be organized, officially confirming the remarkable return of the iconic Louisiana band. Fast forward 28 years to the day: Acid Bath made their highly anticipated return to the stage at the Fillmore New Orleans on April 25, 2025 , performing to a packed and sold-out crowd. The show opened with an electrifying performance by Eyehategod , another iconic band from New Orleans and friends of Acid Bath 's members. Fronted by Mike Williams and featuring founding member Jimmy Bower from Down on guitar, Gary Mader on bass, and Aaron Hill on drums, Eyehategod set the stage with an incredible 45-minute set that energized the crowd. The biggest question lingering over the night: could Dax still deliver after three decades away? — was answered immediately. His voice was astonishing, shifting effortlessly from throat-shredding screams to hauntingly beautiful melodies , often within the same song. The years had done nothing to dull his dynamic range or emotional power. The audience was diverse , consisting of older fans who remembered seeing the band at their peak in the '90s, and younger attendees who were born well over a decade after the band disbanded. Acid Bath took the stage to a roaring, packed crowd. The moment's significance sank in as they began to play: Acid Bath was back. Looking over the audience, we could see everyone mouthing and singing along to their iconic songs, regardless of age, fully immersing themselves in this historic moment in music history . Immediately following ' Bleed Me an Ocean ,' the crowd couldn't contain their excitement and broke into chants of "Acid Bath! Acid Bath! Acid Bath!" Sammy grinned and told them, "Hey, y'all calm down — there's plenty more where that came from," which drew a giant pop. Sammy Duet of Acid Bath by Justin Hammer Photography Midway through the set, Sammy paused to ask the crowd, "Be honest — did you think this would ever happen again?" The thunderous "NO!" that followed said it all. The setlist , while powerful, leaned toward deeper cuts rather than expected anthems. Classics like ' The Blue ,' ' Cheap Vodka ,' ' Jezebel ,' and their traditional closer ' Cassie Eats Cockroaches ' were notably absent, leaving some fans both exhilarated and a little wistful. It wasn't a flawless performance. Early-show jitters led to a few songs being stopped and restarted. "Sorry," Sammy told the crowd after one hiccup. "You guys don't deserve this. Hold on — I just want to give you the best experience ever," before relaunching into a blistering rendition of ' Dr. Seuss Is Dead .' Sammy Duet of Acid Bath by Justin Hammer Photography But in the end , none of the minor missteps mattered. The sheer joy radiating from both the band and the audience was undeniable. It wasn't just a concert — a resurrection, a testament to how far their shadow had stretched while they were silent. This band has had a tremendous impact on the metal scene in New Orleans , and they continue to do so by selling out every show they announce within minutes. Their music resonates with younger generations, inspiring both local bands and fans. Even after being absent for 28 years, their influence remains significant. The merch line snaked through the venue, with fans waiting over an hour to score shirts, posters, and a piece of history. Acid Bath's long-dormant flame has been reignited, burning brighter than ever. Setlist: Tranquilized Bleed Me an Ocean Graveflower The Bones of Baby Dolls Dead Girl (Agents of Oblivion version) Old Skin New Death Sensation Venus Blue Scream of the Butterfly (dedicated to Audie Pitre) Paegan Love Song Dr. Suess is Dead Set List from 4.25.25 To learn more about Acid Bath: Website: The Official Acid Bath Website *All photos by Justin Hammer Photography Shop Photography Art | Justin Hammer Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. < Back Originally Huntsville: Monthly Music Event Bud Gambrell Oct 27, 2023 Share Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. When most people think of “Music City,” Huntsville, Alabama, is likely not the first place that comes to mind … but Chris Hendley wants it to be. Having been working towards building a Music-City atmosphere in Huntsville for several years now, Hendley kicked off 2023 by bringing a monthly music concert series to the city that would put local artists and local music at the forefront. Hosted by The Electric Belle at Stovehouse and event management connoisseurs The Hendley Group , Originally Huntsville shines the spotlight on musicians with ties to North Alabama. There is a catch though: In order to be considered, you can’t play covers. According to Hendley, the Originally Huntsville showcase is about showcasing North Alabama’s local talent and providing them with a space to perform their own original music. Originally Huntsville doesn’t allow any cover songs and in order to even be considered, you must have a set of at least 45 minutes that features your own original music. Originally Huntsville, which kicked off in January 2023, has definitely set a tone on the Huntsville music scene. Every person who walks in the door is privy to what, exactly, they’ll be hearing, and that, my friends, is original music—the kind these artists poured their hearts and souls into—matched with an authentic performance. Here is the win-win to Originally Huntsville: Not only do we get to see local bands highlight their original music, but the concert series also has a charity side. Originally Huntsville benefits Huntsville Hospital Pediatric Audiology. It’s no surprise, then, that Originally Huntsville has seen success and been a huge draw for local lovers and players of music. October’s event, which featured local bands HunniVega and The Grassring with headliner 5ive O’clock Charlie , brought with it a big change that saw the event moved to Mars Music Hall in Von Braun Center. Mixed Alternative Magazine was at Originally Huntsville and got to chat with Mike Roberts of 5ive O’clock Charlie about how it feels to be headlining such a worthy event. We were also curious why the change in venue, so we managed to snag founder/promoter Chris Hendley for a quick chat too. See what they had to say! MaM : Mike, thanks for speaking with us before you go on. What were your feelings when you were asked if you would headline Originally Huntsville in October? MR : We're pretty happy about it! You know, I'm pretty excited! Credit: Bud Gambrell MaM : A lot of big acts come through Huntsville and play at Mars Music Hall. How does that feel as a musician to be able to play on that stage? MR : It's good to be back on that stage. I played it a couple of times. Yeah, it's always fun to play on a big stage. MaM : You've been playing as a four-piece, but tonight you’re down to a three-piece. How's it going to feel to be back down to a Power Trio? MR : We were three-piece for a long time, so it should be pretty comfortable. We were in Key West last night as a three-piece and it was solid! Looking forward to it! Next, we caught up with event founder and promoter Chris Hendley. Credit: Bud Gambrell MaM : Chris, thanks for a taking a second to speak with us. We are curious: What led you to change Originally Huntsville from The Electric Belle and bring it over to Von Braun Center at Mars Music Hall? CH : The Electric Bell Stovehouse people have been so gracious with the with the rent deal and the event deal that we have with them. With scheduling, we had the flexibility in our scheduling that if they came up with a client or someone who wanted to rent the room, we would slide [our event] one week up or one week back. But in talking with Mike Roberts, who curated with 5ive O'clock Charlie, October 19th was the date we had, and we couldn't get [Electric Belle] to slide one way or the other. So luckily, in having a relationship with Mars Music Hall, they were able to work with me … We worked a really good deal here. So, we are excited about it—5ive O'clock Charlie and HunniVega and The Grassring needed a little bit more space than what Stovehouse and the Electric Belle had, so it just kind of worked out. MaM : Not only is this a spotlight for local talent, but it also has a charity side to it as well. Would you please elaborate on that? CH : We work with the Huntsville Hospital Pediatric Audiology department, and it is really for families and children who have hearing deficiencies that are not going to be cured by a hearing aid. Most of these audiologists will tell you really quickly whether hearing aids are going to work or not. Most insurances require a family to have a hearing aid for an infant or a toddler for at least three to six months before they'll even consider them for a cochlear implant, and that hearing aid for a pediatric, or for a young child, costs between $8,000 and $10,000. They have a loaner program, and they need to refurbish those hearing aids. It's just a stopgap between the hearing aid before they can get the cochlear implant. They know the hearing aid isn’t going to work, so we've been blessed to work with these guys, and you know, it just made sense for music and kids. All of the bands love the idea of being able to support this type of cause because their music is their passion, and they want these kids to experience it. As you can see, there’s a more than one reason to get to November’s Originally Huntsville event , which is the last Originally Huntsville of the year and takes place Thursday, Nov. 2 at 7 p.m. (doors at 6 p.m.), back at The Electric Belle. November’s event will feature Tim Cannon , Drunk In Memphis , and 3 Below . Tis the season for giving and kindness, and for some badass live, local North Alabama music, so mark your calendars and make those plans to get out and support live local music and give to a worthy cause. For more information on Originally Huntsville, visit them online at www.TheHendleyGroup.com Check out some more photos from the event below, in case you missed it! 5 O'Clock Charlie Hunnivega The Grass Ring *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. < Back Southern Happenings: Meet The Gosh Darn Dangs Rian Nickels Jun 7, 2024 Share The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. Take a stroll with me as I look back on my magical evening of May 10th, 2024, when I had the pleasure of experiencing The Gosh Darn Dangs , a beloved local band from Louisiana, busking on the vibrant streets of Downtown Hammond. I want to take a moment to introduce the (at the time members) of the band: Leading the way was Mike, the band's founder and charismatic lead vocalist, who occasionally added a soulful touch with his harmonica. Lexy added a unique charm to the group, whose enchanting harp melodies and vocals provided a delicate and captivating layer to their sound. Keeping the rhythm steady and dynamic was Tim, the talented drummer whose beats infused the performance with energy and drive. Rounding out the ensemble was Jake, the bassist whose deep grooves and harmonious vocals added depth and richness to the band's musical tapestry. Completing the lineup was Kris, the skilled guitarist whose riffs and vocals added a powerful and harmonious vibe to their performance. Credit: Rian Nickels The adventure began at PJ's Coffee , located at the bustling corner of West Thomas Street and North Magnolia Street. Here, the band gathered for some last-minute instrument tuning and practice. Watching them prepare for their performance felt like a rare privilege, a behind-the-scenes glimpse into their world of music. With instruments finely tuned and spirits high, we set off down West Thomas Street, searching for the perfect spot to share their music. The lively atmosphere of downtown Hammond, with its charming streets and buzzing nightlife, provided the ideal backdrop. The anticipation grew with every step as the band and their followers sought the perfect place to set up and play. Credit: Rian Nickels When they reached their first stop, the sidewalk outside the beloved local bar Benny's Place , they had to change their plans out of charming respect for the skillful jazz players performing across the street at Mariner's Inn . Undeterred, they continued their stroll through the brightly lit streets until we arrived at the heart of Hammond's latest addition, Railroad Park . The city center was the perfect place to begin truly. Equipped with a well-lit stage, bench seating, and ample room for people to gather, it offered an ideal setting for the performance. Here, the band launched into their melancholic tunes, including " Going 100mph in a 30mph Zone ," a poignant song about the trials and tribulations of youth and the journey toward adulthood. The atmosphere was warm and cozy, but after a complete set, they only got a few passersby, so they returned to Hammond's busy sidewalks! Credit: Rian Nickels As we walked from the Railroad Park to our next destination, The Gosh Darn Dangs did a cover of “ Scott Pilgrim vs. My GPA ” by Midwest Emo band Mom Jeans . The harmonies bounced and echoed off the tall downtown buildings until they landed across from a locally cherished bar, The Red White and Brew . The calming riffs and strums drew the attention of the bar patrons, even from across the busy street. After incredibly relatable songs like “ I’m Not Gonna Die Today ,” the band started to build an audience of late-night strollers and bargoers. Credit: Rian Nickels As each song ended, the intimate audience cheered. When asked about the origins of the song “ I’m Not Gonna Die Today ”, lead vocalist Mike Spoon said, “ Writing this song was a turning point for me. Getting it out in music form helped me understand myself better and set me on the path to having a better attitude about things. It's a journey I am still taking. So, in a way, this isn't a sad song. It's kind of like the dark cloud just under the silver lining. We all must go through it in our way. ” Credit: Rian Nickels The contrast between live music in a dedicated venue and busking on the streets is profound, rooted in the unique connection fostered between musicians and their audience. While a venue encapsulates sound within walls and confines emotions to a designated space, the experience of street performances allows emotions to ripple through the open air, touching everyone in its path. That night, The Gosh Darn Dangs’ music brought a piece of the community of Downtown Hammond together to enjoy a night of soulful tunes, and it reminded me that our time on Earth is limited, so we need to experience all there is out there just once. To learn more about the The Gosh Darn Dangs , just hit one of the links below. Facebook The Gosh Darn Dangs (@thegoshdarndangs) • Instagram photos and videos *cover photo by Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Rian Nickels is a total music junkie. Do you have a show you’d like her to review? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

The Bellas are pure 80’s glam metal, capturing the essence of rebellion and discontent with a raw sound amplifying the voices of the unheard. < Back The Bellas: Re-envisioning the Power of Female Punk Rock Nicole Brice Nov 29, 2023 Share The Bellas are pure 80’s glam metal, capturing the essence of rebellion and discontent with a raw sound amplifying the voices of the unheard. In a genre often associated with male masculinity, what comes to mind when you think of females in the punk-rock scene? Energy, rebellion, and unfiltered expression? If you said yes to any of the above terms, then you are on the right track. Having recently discovered The Bellas, the newest all-female punk band from the underground scene in New Jersey, I began thinking about how the music scene desperately needs bands like this to redefine the state of the industry overall. The Bellas are unapologetically taking on traditional feminine characteristics by challenging stereotypes and celebrating the strength and power of femininity with their music, strong style, and charismatic live shows. So, who are they? The Bellas consist of teen drummer Giul, guitarist Izzy, lead singer Abby, and bassist Charlotte. Giul and Izzy are sisters to each other and cousins to Abby. Their previous bassist, Lindsay, was also their cousin, so upon formation, they were a band of cousins. When Lindsay left for the military, The Bellas eventually found Charlotte and the rest is history. Credit: Jeff Crespi The girls burst onto the scene in 2019 and have been chugging along ever since. With a couple of singles under their belt, “Teenage Dropout” and “Cherry Lips”, The Bellas are drawing inspiration from bands such as The Runaways and The Donnas. Their infectious sound blends ferocity with teenage angst and melodic hooks. Abby’s vocals are so on point that you’ll be singing and bopping along in no time. The Bellas’ music captures the essence of rebellion and discontent with a raw sound that amplifies the voices of the unheard by challenging the status quo and I know we’ll be hearing more from them in the future. I recently reached out to the band to see if I could learn a little more, and I was able to chat with their drummer, Giul, who is an absolute doll. Take a moment to read a little more about The Bellas below, then go check out their tunes. Credit: Jeff Crespi MaM : Guil, thanks so much for talking with us today! Tell us, what year did The Bellas come together? Giul : Our band officially formed and played our first show together in 2019 at my high school’s Battle of the Bands, but it’s something we’ve wanted to do since we were little. As kids, there was rarely a time at a family gathering when you wouldn’t see the four of us [cousins, prior to Charlotte,] planning out our lives as rock stars or imagining we were in a band together, long before any of us even began playing our instruments. Years later, as a freshman, I saw flyers in my school’s halls for a battle of the bands coming up and instantly thought of the girls. I sent them a picture of one and jokingly suggested that we “get the band back together”—to which they all actually agreed. By this point, though Izzy and I were already taking lessons and had experience playing our instruments, the four of us never formally played together. Against all odds, we got a few songs together and played just a couple of weeks later. Though it originally began as a fun one-time thing, we knew we had to continue together after the energy we felt when we performed. The rest is history! Credit: Jeff Crespi MaM : Who are your biggest influences musically and stylistically? Giul : Many of the artists that we’re influenced by have impacted us both musically and stylistically. Our influences include—but are by no means limited to—RATT, KISS, Mötley Crüe, Kix, and Poison, just to name a few. Their approaches to music and attitude when performing are part of what drew us to them in the first place and [are what] continue to inspire us. Not only do these bands have great music, but they also put on amazing, larger-than-life live shows—something we strive towards for our own band. We absolutely love the cement pirate style, the tall boots, the over-the-top showmanship, and all that good stuff. When the band first started out, we were also influenced by artists like the Ramones, The Donnas, and Joan Jett, which inspired our name and logo. MaM : Is there one show you have played thus far that was notable? If so, where, and why? Giul : The show that immediately comes to mind is our most recent gig at the Starland Ballroom in Sayreville, NJ. We played our fair share of both small and large venues, but this was easily our biggest one thus far. With so many iconic acts that have performed there through the years, this one easily stood out to us! Credit: Jeff Crespi MaM : If you could share the stage with any musician or band in the future, who would it be and why? Giul : The classic lineups of KISS and RATT. They’re absolute legends in rock and metal. MaM : How do you feel about the current landscape of indie music, and how do The Bellas stand out? Giul : I’d say [the landscape is cluttered], especially with the vastness of music available on the Internet nowadays. Because of this, we make sure to stand out by putting on a good live show in a way that emphasizes entertainment and fun instead of a broader message. We prioritize style and stage presence just as much as musicianship; we want our show to be exciting in every sense of the word, and we plan to deliver in every way possible. If we can provide an escape for someone in the crowd and help them forget about whatever might be weighing them down and just have a good time, we’ve done our job. Credit: Jeff Crespi MaM : I see you’ve released two singles so far. Any plans to record an EP in the future? What are you guys currently working on and how do you approach the creative process? Giul : Yes, we are looking to release an EP soon! We currently have a few things in the works. In general, we’ve been starting to move towards playing original music almost entirely. I think that’s ultimately where we wanted to go with the band, so we’ve been trying to write and release more of our own content. We’ve most recently been recording a brand-new song and are in the process of adding the finishing touches! As for the creative process, we usually start with the music and then the lyrics come after. Since we are somewhat new to the songwriting process, we’re still trying to see what works. Most of the time Izzy or I have an idea and develop it independently before coming together, but we also want to try working more collaboratively in the early stages as well. Credit: Jeff Crespi MaM: How would you describe your sound? Giul : Our sound is pure glam metal straight from the 1980s Sunset Strip and beyond—no filler, just loud, unapologetic rock n’ roll. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier for you to showcase your product? Giul : It’s both easier and more difficult in different ways. Things like social media and publishing sites have made it incredibly simple to release our music and promote ourselves; if people want to hear our recorded music, it’s available right at their fingertips. On the other hand, there is so much music out there on the internet that it’s easy to get lost in the sea of other artists and songs. At the end of the day, nothing beats playing live shows for us. Not only have we met some amazing people this way, but we also put on an energetic show that you can’t fully experience by just looking at a screen. Our performance is integral to who we are as a band. The way we dress, and our stage presence is very important, just like the music is (and of course, we enjoy it!). It’s always a good time for us and we want to bring that energy to the people who come to see us as well. Credit: Jeff Crespi MaM : What are your ultimate goals and aspirations for the future? Giul : Keeping the ‘80s glam metal experience alive—the sound, look, and attitude. We want to go as far as we can with the band and see where it takes us. We are super passionate about performing and have a lot of fun doing it, so regardless of whether it leads to bigger opportunities or not we don’t plan on giving it up anytime soon! As the Bellas continue to refine their sound and produce new music for the masses, they are sure to emerge as a powerful force in the punk rock scene, serving as a reminder that with an unyielding spirit and a refusal to conform, anything is possible. Instagram : The Bellas (@thebellasband) | Instagram profile YouTube : The Bellas - YouTube Facebook : Facebook Spotify : The Bellas | Spotify Apple Music : ‎The Bellas - Apple Music *cover photo courtesy of Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves music and will fight anyone who doesn’t like The Bellas. Got something you think she’d like to hear? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An insider’s perspective on the Louisiana film industry < Back Behind the Screens with Kelly Mills C.G. Smith Jul 5, 2023 Share An insider’s perspective on the Louisiana film industry For quite some time now, Louisiana has been dubbed Hollywood South due to the many film and television productions happening in and around the state, mostly down in New Orleans but also in the capital city of Baton Rouge. According to the Louisiana Film & Entertainment Association , there have been over 2,5000 films and tv series shot in the state thus far. However, of all the cities used as settings, New Orleans is surely the city that has seen the most, with an explosion in numbers of productions being filmed pre- and post-Covid. More productions mean a greater need not just for actors but also for all the important people running around behind the scenes making everything work and flow. These are the people responsible for ensuring filming goes smoothly and according to plan, for creating the costumes and building and operating props, sets, and cameras … all the choreographers and coaches and stand-ins, the sound engineers and crews and special fx teams, the assistants and screenwriters and editors—all the people who make up the industry’s foundation but don’t often get the attention and credit they deserve. Kelly Mills is one of those people. courtesy of Kelly Mills Having been involved in the Louisiana film industry for over a decade now, Mills has had experiences working as a production assistant, as part of the camera department, as part of the art department in set decoration, and most recently as a grip. “It just depends what I get hired for,” Mills says. “It’s a gig-based industry, so it changes.” From working on popular tv shows like Strangers Things , Salem , and Your Honor to known films like Where the Crawdads Sing , Mills has been an instrumental part of making sure what’s supposed to run smoothly (and be historically accurate) does just that. She’s a hunter, a gatherer, a creator, a set designer, a prop master, an art director, a fixer, and a most dedicated, loyal worker. She’s also a complete ball of fun to be around. I was able to sit down with Kelly in January of 2023 to talk about the good, the bad, and the ugly of it all from an insider’s perspective. Grab yourselves a tasty beverage and kick back as you read about what it’s like working in the Louisiana film industry today. MaM : So, you’ve been working in the Louisiana film industry for ten years, right? KM : The first gig I ever had was in 2009. That was up in Shreveport, and I’ve been working in the film industry since then—full time since 2010. MaM : How’d you get started, what did you start out doing, and what do you do these days? KM : This takes a little bit of exposition. So, I graduated with a degree in theater in East Texas, which had absolutely no jobs whatsoever, so I moved to Shreveport and started tending bar. These two guys started coming into my bar with carpet samples. I asked, ‘Why are you sitting at my bar, taking up space with these damn carpet samples?’ They said, ‘[We’re] from California and we are art directors in the film industry.’ One day they asked me what I thought about their carpet samples. I told them they were all ugly and they needed new samples. Then they asked [if I wanted a job] and I said yes. I had no idea what this job would entail, but yes. The next day they called and said, ‘[We are] working on this movie and we need an art department intern.’ I asked, ‘When does it start?’ and they said, ‘Now, but we can’t pay you anything.’ So, I did it. Sometimes it’s kind of obvious when things are being thrown in your face, like this is what you need to do. So, I worked during the day on set for this movie and at night I still did my full bartending shifts. I did the whole movie that way. MaM : What movie was it? KM : It was called Playing for Keeps with Gerard Butler and a bunch of other people. It was ye old general romance, ‘Oh no, what do I do? There’s a kid. I’m in love with her, I’m in love with him – divorce – ahh!’ You know, that kind of thing. That’s where I first started. MaM : So, you weren’t just picking carpet samples. What did you start out doing and what are you doing now? KM : I started out as an art department intern, which legitimately meant I went and got coffee, I rode around with the art director, I helped him take notes, [and] I did a lot of basic sign designs and things of that nature. Then I figured out that I was going to next move to working on set as a production assistant. Because at that time there were some movies in Shreveport, but not a lot, and you needed to get paid for what you were doing, so I started working on set as just a general production assistant – getting actors coffee, shushing people, telling people to be quiet, where you can’t walk – that kind of thing. I was a production assistant for a very long time, probably three-and-a-half years. To move from a production assistant to work in the director’s guild, you need about that amount of time to get your days and submit all the information to try to join. I quickly figured out that it was a miserable job, and I didn’t want to do that anymore, so, I got lucky when a TV show called Salem came and I got to move back into the art department and set decoration world. I started working with them as their coordinator and working with their set decoration buyers. So, essentially, for a good while I was nothing but a professional shopper, which is a wonderful and incredibly stressful job all at the same time. Then I moved from set decoration to working the property department, which is very, very similar. I moved in the art department world for a good while. This was in the days before then-Governor Bobby Jindal put the cap on the tax incentives, but it was after Katrina hit New Orleans and a bunch of the productions had moved up to Shreveport. So, it was kinda like this weird wild, wild west where you just took whatever job you could take at the time—it didn’t really matter what department it was in. You just did what you had to do to get the job because that was the only job in town. Then, in 2015, I believe in June, Bobby Jindal put the cap on the tax incentives. I moved to New Orleans because [he did that]. Literally within a week of him announcing that he was capping everything, I knew that Shreveport was never going to see – at least for a good stretch of time – they weren’t going to see a union job, and I had just gotten into the union. The only place in all of Louisiana – if you were going to be filming in 2015 and after, you were either going to be working in New Orleans or living in New Orleans and working in Baton Rouge, that’s it. Maybe there [were] a couple of little low budget ‘I heart Jesus movies’ or Hallmark or whatever, but not anything that was union or paying. MaM : I heard you say that cap on the tax incentives actually led you to get married. KM : It did! It did! My poor husband, bless his heart. So, my husband Joe also works in the film industry. He’s a grip. He had come up a couple of times, working in Shreveport, and we did this LOW budget ‘I Heart Jesus’ movie called Dancer and the Dame . We met and hit it off, became friends, and we did a couple more low-budget things together in Shreveport. Then, in June 2015, the TV show I had been working on, Salem, had just wrapped and not a week after, Governor Jindal announced that the tax incentives were being repealed. I was like, ‘Crap, what am I gonna’ do?’ I called Joe and was like, ‘Hey dude, so I gotta’ move away from Shreveport and I’m moving in with you.” He was like, ‘Oh, that’s cool. Well, I totally would love to have you, but I don’t have an extra bedroom.’ I was like, ‘No, that’s fine, I’m literally moving into your bed – I’m your girlfriend now.’ He was like, ‘Oh, well, yeah, I think that’ll work. You’re gonna’ do that?’ I said, ‘Yeah, man, I literally just sold everything that I own, I bought a new car so I could get myself down to New Orleans, and I’m coming tomorrow.’ He’s like, ‘Oh, well, I guess that’s what we’re gonna do!’ We decided to get married six months later. MaM : What a great story. (laughs) So what are you doing now? KM : I move back and forth between the camera department. courtesy of Kelly Mills I got really lucky—I worked in the art department for years and years; it’s one of my favorite jobs. I love doing it, but it kinda got stale for a little while, so I was talking to a couple of my friends that work in the camera department and they were like, ‘You could do this.’ I was like, ‘Yeah! I could do that! Show me what to do!’ At the time, in the summer of 2021, we had so much work it was just crazy, because we were still trying to come back from the demand from the gaping hole of Covid-19. We were creating content like nobody’s business, and that requires union labor. So, they hired me, and I’ve been really enjoying working in the camera department now. It’s been interesting because I’m learning a whole bunch that I never even thought that I’d be capable of – I’ve always been the art girl. I’m the ‘I’ll bring the glitter, I’ll bring the fake drink, do you need orgies? We’ll do the orgies.’ That was my gig for years and years and years. Then, all of a sudden, they were like, ‘Here’s this camera that’s worth, like, a house; why don’t you pick it up and mess with it?’ I was like, ‘Oh, God!” MaM : That’s a lot more technical than the arts department. KM : In the art department, I have eight different ways that I can make vomit, depending on what the scene calls for. I have lovely vomit recipes. I know how to move a couch by myself … that kind of work. This [camera] is completely different work, and I’m really having a great time learning how to do it and stretching myself as a union employee to be able to do this work. MaM : Tell us about an average day on a set. Are there major differences between film and TV? KM : There aren’t really a lot of major differences between film and TV, except for with TV, you pretty much shoot a little film every week, which is rough. You have a shorter prep time, but you’re still expected to produce a film-like quality production. On an average day, our call time will be between 6 and 7:30 a.m. You show up and they provide what they call a non-deductible breakfast, which is a courtesy breakfast. You go, you eat breakfast, and then you show up to your prospective truck – whichever department you happen to be working in. courtesy of Kelly Mills So, let’s say I’m working in the prop department. I get my tool belt and look at the call sheet so I know exactly what to anticipate for the day. Say we’ve got [an] ‘explody bomb’ [on the list]. I already know how the bomb works, [and] this is what I need to give to the special effects guys who are actually going to make it all ‘splody.’ I know how to explain to the people that this is safe, it’s not going to ‘splode all over them, things of that nature. So then at call time, that’s when we start unloading our trucks and pushing our carts. Everything is in bins and carts. We usually send someone ahead that works with the actors on set for any hand props they need for the day. We set up and then you find out two important things: Where’s the bathroom and where is craft services. Do they have sandwiches? You make sure that you anticipate any unexpected needs, you wind up coming up with a lot of creative solutions for really, really, weird requests, whatever it may be. Whatever you can possibly think of, we have come up with weird solutions on the fly. Then there’s lunch, which is a good six hours after you start, Then you go back to work for another six to eight more hours. Our minimum is usually twelve [hours]. It’s not guaranteed that we’ll be in the same place all day. You’ve got to move your carts, you gotta take props away, you gotta give props back to them—a lot of minute details. Then you wrap and go to Avenue Pub (when it was open for 24 hours) and have a drink, then you go home and wonder why you made the decisions in life that led you to work fourteen-hour days. MaM : What are the most locations you’ve been to in one day? KM : In one day I had five different truck moves, which means you unload the truck completely, you do your thing, then you load the truck back up and you go to the next location. That’s just the shooting crew. When you’re on the pre-production [team,] you move around all day. MaM : As with any job, it depends on the people you work with. Is it one big happy family on set, or are there ever issues? KM : I am extremely proud to work with the brothers and sisters of 478. courtesy of Kelly Mills Generally speaking, we are kind, courteous, and professional to each other. Of course, when you spend twelve to fourteen hours together, you’re gonna’ wind up butting heads, but I have never met anyone in the 478 that I can say I dislike working with. There are definitely a number of directors I’ve wanted to murder—learn how to read a plan! MaM : Can you tell us about your worst and best days on a set? KM : Oh God, it’s probably all the same day! (laughter) No, so my worst day was in Arkansas [on] a movie called Greater . This was in my last couple shows where I was still a [production assistant] but I was moving over to the art department. It was low budget, low rates, miserable non-union, and the last day we had to shoot for 24 hours straight. At that point, it doesn’t matter if everything has gone well, you still have been physically at work for 24 hours. It was just the worst feeling I’ve ever had in my life. I was in North Arkansas, of all places. It was cold. I was in the Arkansas University stadium; it was just miserable. MaM : Now what about your best day? KM : My best day was probably the first day that I really, really understood what I was doing in the camera department. The first day that I was able to go into the camera truck—this was on a movie called Fast Charlie with Pierce Brosnan (who is a lovely man, sweet man)—and pull out and prep everything that I knew I needed. It was just a good day! Nothing went wrong; nothing f**ked up on the camera; our cables didn’t fail; I didn’t have to haul heavy shit anywhere; and we were just in three different areas in the same place. I didn’t have to push the cart and it was just, it was lovely. I was just really proud of myself for being able to do it—something that I would have never thought that I could possibly do. courtesy of Kelly Mills MaM : … coming from bartending. KM : Yeah, coming from bartending and telling two guys their carpet samples were ugly. (laughter) MaM : Why do you think Louisiana gets so many film industry jobs? Is it just the allure of the city, the way it’s stepping back in time, or … ? KM : It’s a combo of things. Some of it is, of course, is the French Quarter, and then some of it is being able to … so many stories are southern. New Orleans, in particular, is equitable to other southern states. New Orleans can play Alabama, Mississippi, Florida, and Savannah, Georgia. You wanna do it, you can do it in New Orleans. You want mountains? Can’t do it in New Orleans. We also have the Central Business District, and we have an infrastructure, thankfully, based around the film industry. We have rental houses, Panavision—the camera rental house—prop houses, and stages where you can shoot all of this stuff. So, [I’d say it’s] between the allure of the French Quarter and the allure of telling southern stories in a southern city. Also having the infrastructure to do so, and then, I think, the icing on the cake are the crews of New Orleans. The grip brothers and sisters and kin, the prop people—all of the people that routinely work in the film industry that are dedicated to the job that we do. Simply put, I don’t think that I’m bragging here when I say that New Orleans and Louisiana crew works hard and are generous and kind people to spend a really long time around. Producers come back for that. Who wants to work with crews that are bickering and are mean to each other, which of course make delays that cost money? We have a strong and compassionate union behind us. I really think … all of that … is a 1-2-3 punch—a knockout. MaM : What are some of the most memorable productions you’ve worked on? KM : Obviously, Stranger Things . I was very lucky to work on Seasons 2 and 3 of that. That was rewarding. I worked the set dec department as a buyer. My job on Season 3 was to carve. It was set during Halloween, [so I had to] carve hundreds of pumpkins. Just hundreds of pumpkins. That was my job. That and they just pretty much gave me a van and cash and said, ‘Go to estate sales.’ They were very conscious of being period correct in literally everything that is on that set. I was literally taking apart appliances and looking for the serial number to see if it was made in 1983 or 1984. Some crazy person on the internet is going to find your name on IMDB, figure out that you worked in the set dec department and then message you. That happened to me. They’re crazy. That was one of my favorite ones. I worked on a TV show called Salem for three years. It was set in Salem during the witch trials and that really taught me how to work in time periods and period-correct shows. I really honed my skills on doing the research that was necessary. MaM : Was there ever a piece or something that you couldn’t find? KM: Thankfully not on Stranger Things . On Salem, we pretty much just had to roll with what we could get. I had a lot of things manufactured. The hardest thing for me was bicycles for Where the Crawdads Sing . We had kids on kids on kids riding period-correct bicycles. They had to be working and functioning, and period correct. So finally, I drove up to Texas, because thank God my dad randomly collects vintage bicycles. I went and raided the man’s barn. I took every one of them to the Freret Street Bike Shop (shout out to Aaron!) and was like, ‘Fix these for me!’ Working on period pieces is my favorite. That’s what I like to do. MaM : So, Stranger Things , Salem , and Where the Crawdads Sing— anything else that stands out? KM : Let me look at my IMDB, I’ve done so many things. Ok, I was the prop master on a movie called The Card Counter . [It was] the first movie I did coming back from Covid, and it’s been nominated for a couple awards, I believe, which I’m really excited about. It was directed by the same guy who did Taxi Driver . I did the entire first season of Your Honor as well. I was really, really proud of that. The thing that I am least proud of: So, I did a movie called The Case for Christ . It was the first movie I ever did in Atlanta. It was miserable, and it was with Pure Flix, which is the worst. They didn’t pay their bills. I had to fight them for every paycheck. They should call Jesus to ask them how to run their business. It was rough. MaM : You’ve worked in the art department. Anything you’ve made that you’re really proud of? Like the pumpkins on Stranger Things ? KM : Yes! Pumpkins on Stranger Things ! One of the things I am most proud of is that in my career I have helped create three different orgy rooms. MaM : Each one’s different! KM : Each one is completely and utterly different! My favorite one that I helped to create was on the TV show Claws . I was lucky enough to be the assistant art director on the third season and we just had so much fun. There was this big orgy room. The research I did, I can’t even begin to tell you how many lists I’m on now because of that. (laughs) MaM : Because of your web searches? KM : Because of my web searches! Like, every kink that you could possibly think of we crammed into one giant warehouse orgy and I’m just so proud of it! That’s one of three orgies I have helped create—NOT been a part of, but that I just helped create. I would like to point out that at one of them I did have a buffet a la It’s Always Sunny in Philadelphia. The industry has been almost my entire adult life. I’m proud of the work that I’ve done. I’m proud of the union labor that we are able to do in the Deep South, despite such strong anti-union sentiment that is just built into the way that we’re raised. I’m grateful for our union leadership and the work that they do. If any of our crew members are reading this, right now we’re in such a very strong economic downturn, but I want to encourage you that we have been through this before, we will go through it, and we will not just survive, but we will come back, be strong, and make movies. Because that’s what we do. We love stories. We will continue to do it. For more on Kelly Mills, visit her IMDB page and take a peek at all the cool shit she’s done and been an integral part of helping create. And to Kelly and those like her, we as viewers have to recognize how much we appreciate all of your effort and hard work in creating something of quality that entertains the masses. As viewers, we often do not know what it’s like for any workers in the industry unless we personally know of someone, so next time you meet a Kelly Mills, be sure to thank him/her/them for all the hard work. Without them, we’d have to say to Russell Crowe in Gladiator , “No, Maximus, we are not entertained.” Fortunately, we’re all in a different position so we don’t have to say that. Let’s hope the entertainment continues to flourish, and as it does, Mixed Alternative Magazine will be there as a landing spot for all the independent artists working so hard to make it happen. For more on the Louisiana Film Industry, visit them online at www.LouisianaEntertainment.gov . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Thrice Sovereign < Back Ripe with Nostalgic Talent Keeley Brooks Jan 30, 2023 Share Thrice Sovereign The Muscle Shoals area of Alabama is ripe with all kinds of indie talent just waiting to showcase themselves. Recently while online perusing artists in the area to write about, someone first suggested a local duo called Thrice Sovereign. So, I cruised on over to their website for some exploration and found some lyrically expressive tunes full of emotion with some creative, catchy compositions. Thrice Sovereign is an up-and-coming pop-rock duo out of Florence and is the brainchild of self-taught multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott. Well, I say duo, but I stand corrected: Technically there are four members, according to Kristen and Amanda, but I’ll get to that a little later. “Kristen and I met through a mutual friend as an intent for friendship. Love had a different plan. We started dating seven years ago and have been married for five years,” Amanda gushed. Initially the Talcott’s were focused on having a taco truck, but that soon changed when they uncovered their deepest creative desires and hidden talents neither really knew existed on the level they did. “Kristen gave me a safe place to share my painful writings,” says Amanda. “I heard in her so much music wanting to come out, so we wrote a few songs, then a few more, and shared them with friends and family, who all wanted more. We decided [to] record [those songs] a bit nicer and make them easy for people to find. Through a string of necessity, creativity, and hope, Thrice Sovereign was born.” For Kristen—born and raised in Florence—music has always been a backdrop for her life, ever since her Pepaw taught her to play the guitar as a child. After years of playing softball and a bout in the MMA world, she had a lot of damage to her hand. When an injury left it broken, Kristen put music aside for a while … until, as Amanda puts it, “we started to goof off together, [with] her strumming random things and trying to re-teach herself [to play] Skynyrd’s ‘Sweet Home Alabama.’ [As she did that], I’d hum, sing, and make random sounds and parodies about what was going on right then. [Now], she plays anything put in front of her.” Kristen plays by ear and, other than small moments on that tiny guitar from Pepaw, is completely self-taught. And this brings me to the third member of Thrice Sovereign: Blue. Blue is Kristen’s baby and first love … her first acoustic guitar. Image provided by Thrice Sovereign “I got Blue, if I remember correctly, for Christmas when I was 11. I specifically asked for a blue guitar, and she’s been with me ever since. She’s got some chunks missing and some bangs here and there, but Blue plays a sound like no other. I’ve had several people want to buy her from me, but I could never imagine her in someone else’s hands,” says Kristen. “Blue is fully an extension of my wife,” adds Amanda. The first moment Kristen took her off the wall and played her for me, I could see a new part of the woman I loved shining though. Blue resonates a special sound behind her string vibrations that harmonies beautifully with Kristen’s and my voice in a way that seems like a third human singing.” Amanda was born in the land of grunge and coffee, Washington state. After spending most of her life traveling around the U.S., she now calls Florence home. She’s always loved to write and soon discovered she was spinning raw emotions into lyrics full of pain, lessons, and growth. She is also self-taught and is continuously writing lyrics and music in addition to creating graphics. “I have always loved to mimic sounds and feel what it’s like to make them. In my youth, music was an escape—a safe place where I felt seen. I didn’t think I could be a part of that world, so I’d sing in the crowds to myself or those I trusted. For both of us, our talents have grown immensely in the past three years. I am grateful to have talents I can use to help others feel seen, just like music did for me.” Thrice Sovereign recently released their title single from their debut album “Waiting to Thunder,” which is a groovy song composed in a popular style that draws on heavy guitar riffs and the fat distorted sounds of hard rock, while the lyrics and theme of the song are relatable to many because they’re about things we all experience as human beings, as artists, and as experiencers in this realm. It is written by Amanda Lee Borden Talcott, composed by Kristen Borden Talcott, then the instruments were digitally recreated for release due to COVID needs. https://www.youtube.com/watch?v=0vIa7bn3Klg It is also their first music video, which brings me to “the fourth band member,” as they put it: techmaster Josh Brown. “After asking local businesses if we could shoot a music video [at their venue], Arx Mortis said, ‘Yes!’ With the help of our then-new friend Josh, the music video was born,” they say. “We see it as a musical/visual interpretation of the desire to do something that one is passionate about, believing there are reasons to wait, and knowing (eventually) that now is the time to do what you love.” credit: Amanda Chapman As for how the name Thrice Sovereign wove itself into the mix, Amanda best explains it. “The name … happened while I was doodling random words that I felt were relevant to both of us. The number three has always been a massive … sign in my life? Tip of the iceberg [is] I am one of three daughters, my mother is one of three daughters, I have given birth to three daughters, and my birthday is [in the third month of the year]—a fact I didn’t know until my 33rd birthday. During that year, our littles were ages five, nine, and 13, and they were born in 2005, 2009, and 2013. [Also at the that time, it would be] five, nine, and 13 years before our littles would be adults. The many plays on the two words that represent the art we make are endless. Sovereign’s many meanings give hope in my heart that all can see we are each ‘supreme leaders’ of our own worlds. Each can be monarchs in their own rite and live in all capacities of that word as well.” In addition to their musicianship, the Talcotts are also the founders of TechTonic Crucible Records LLC, as well as the benefit music festival MighTyekiM, which raises money for those in need. Last year was the first for the festival, which is named in honor of Mighty Mike, who passed away from Ewing’s Sarcoma, a type of bone cancer, in early 2022. “MighTyekiM is the benefit music festival we … started as a way for musicians and artists of all levels and all kinds to come share their art with anyone who wants to listen,” said Amanda. “[It’s] a place where people can come experience free music, art, pizza donated by Dominos, beverages donated by Buffalo Rock, and so much more.” Thrice Sovereign accepted donations to raise funds … to help Mike’s family purchase a headstone for him. They note their initial intent was to raise the donated money for Mighty Mike before he passed so he could do something he found blissful but, unfortunately, they didn’t make it in time for that to happen. “We did, [however,] host a beautiful and memorable event in his honor. We had over 21 artists performing over two days at Wilson Park in downtown Florence [last June]. With a silent auction table and a kids’ fun area, it was a family-fun time, and we have secret plans in the works for the next one! We were so blessed to have so many local and corporate businesses and individuals donate their time and talents to help us make [that] amazing weekend happen.” This year’s MighTyekiM Festival will benefit a little girl, who also has Ewing’s Sarcoma. Currently there’s no word yet on where the festival will happen, but rest assured, we’ll keep you updated. TechTonic Crucible Records LLC is the newest addition to Sovereign’s distractions from what they call “the inevitable end.” The label developed out of the realization that most record labels are not what people believe they are. “We decided to find a way to help artists, and others, to have someone who taught themselves to do the things that are key from recording, distribution, website creation, and persona development to graphic design, songwriting, backing musicians, etc. So that and more is what we are offering—a place to learn how to maintain the world we help them create.” credit: Amanda Chapman Thrice Sovereign’s first album, “Waiting to Thunder,” will be out by summer 2023. Amanda notes it’s a concept album with some comforting songs that can work their way into becoming ear worms. Others, she says, are filled with lyrics of emotive imagery dramatically laid amongst the captivating instrumentals driven by the soul of Kristen. “Our first album is a nod to nostalgia in ways too many have forgotten they loved, with modern depth and truths weaved through descriptive metaphors and stories based in emotion and experience.” For more information on Thrice Sovereign and their music and shows, the MighTyekiM Festival, and TechTonic Crucible Records, hop on over to http://ThriceSovereign.com and check ‘em out. They’re music and personalities are totally worth it! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Holland ditches his superhero cape for dark, gritty psychological dramas < Back Cherry & The Crowded Room: Tom Holland in Two Roles You Must See Keeley Brooks Jun 15, 2023 Share Holland ditches his superhero cape for dark, gritty psychological dramas Who doesn’t love the doe-eyed actor that is Tom Holland? I know I sure do, especially because he is the Spider-Man I’ve connected to the most aside from Andrew Garfield. Even then, Holland is still my favorite because of the charm and innocence he brings to the character. Lately, it seems he has taken a liking to Apple TV+ productions, as he’s had two big premieres on the platform in the past two-and-a-half years alone, and you’re gonna want to see him in these gritty roles. Here’s a little bit of info on the film Cherry and his new series The Crowded Room . I highly recommend adding both to your must-watch list immediately. In March 2021, Holland starred in Apple TV’s epic saga Cherry , which recounts an unnamed narrator’s experience with college, love, war, mental health, drugs, felony crime, and redemption. Apple Original Films The film is based on the 2018 debut novel by author Nico Walker , who served as a medic on more than 250 missions in Iraq. As a result, he came home traumatized and battled Post-Traumatic Stress Disorder, which subsequently led him down a very dark path that landed him in prison serving an 11-year sentence. While there, he wrote his novel over the course of several years, and days after it published, Marvel filmmakers Joe and Anthony Russo, through their studio AGBO, bought the production rights then signed on to direct and produce the story from a screenplay written by writer/producer/director Jessica Goldberg ( The Path ). The film serves as a work of autofiction, which is a form of fictionalized autobiography combining two mutually inconsistent narrative forms. Holland stars as Cherry --the only name we know him as, a disenfranchised young man from Ohio who meets the love of his life in community college, only to risk losing her through a series of very bad decisions resulting from the madness that PTSD tends to create in trauma survivors. When he tells Emily (Ciara Bravo, of To the Bone ) he loves her, she balks in fear and breaks up with him to attend school in Montreal. Cherry is heartbroken and directionless, so he impulsively enlists in the Army. When Emily returns saying she decided not to go to Canada and wants to stay with him, Cherry can’t get out of his two-year service commitment and winds up doing tours in Iraq and Afghanistan as a combat medic. Seeing this experience through the boyish innocence Holland evokes in such a unique way instills empathy and compassion. The combined efforts of his portrayal and the cinematography allow for a realistic first-hand account of everything this young boy, who is forced to become a man in the blink of an eye, sees, hears, thinks, and feels in his own way. And it's in that way the film becomes very relatable in terms of how we face and digest real-life human struggles. When Cherry returns home, he begins suffering from some horrid PTSD that leads him to a doctor-prescribed Oxycontin dependency, which then turns into a full-blown heroin addiction. When he and Emily reunite, she, too, becomes addicted, and in order to get the money needed to support their rapidly spinning out-of-control habit, Cherry resorts to robbing banks by walking into them and calmly sliding the cashier a one-dollar bill with the words “I HAVE A GUN” written in bold red letters on one side and the words “THIS IS A ROBBERY” written on the other. He enters these banks wearing sometimes just sunglasses and other times a zip-up hoodie or jacket, maybe with a beanie, and he never actually carries a gun; however, that doesn’t mean there are never any casualties. There always are in any type of war, internal or external. Cherry successfully manages to rob 10 banks before getting caught in April 2011 and sentenced to eleven years in federal prison. Apple Original Films This story is heart-wrenching and full of adrenaline, but what captivated me the most was Holland’s performance as he transitioned between child-like innocence and young love to soldier, war veteran, mental health sufferer, drug addict, thief, and federal criminal. He’s a ferociously compact presence throughout the film, which he narrates himself. The most compelling traits of his acting, besides the purity of emotion emanating from his eyes, are his perennially working jaw muscles, which indicate the psychological intensity driving his desperate decisions. The movie is divided into seven epic chapters that include a powerful prologue and epilogue but really it’s split into two parts: war and postwar. Cherry’s life is one of continuous trauma, continuous stress, continuous disorder, and continuous effects. While I won’t spoil it for you and reveal the ending, I will say it does offer some salvation to the titular character while granting him hope and the promise of a new beginning. Holland superbly portrays the psychological toll that war and trauma can take on a person, as he encapsulates every hint of fear, desperation, confusion, and acceptance so effortlessly, you forget you’re watching an actor on screen. Cherry is currently streaming on Apple TV+. https://www.youtube.com/watch?v=H5bH6O0bErk As if that wasn’t enough of a psychological exploration for the young actor, now Holland is back in Apple TV’s latest series, a psych-thriller drama series called The Crowded Room , which he not only stars in but also produced. He plays a young man accused of a crime, but the driving question behind this mystery is did he really do it? This adaptation is also loosely based on a true story about a man who was arrested in 1979 for a series of crimes he claims not to have committed. But is that really the truth? Holland plays Danny Sullivan, an introverted teen living with his doing-her-best mess of a mother (Emmy Rossum, of Shameless ) and asshole of a stepfather (Will Chase, of Dopesick ), who never misses an opportunity to corner, harass, threaten, and abuse Danny when his mother isn’t around and sometimes even when she is. Apple TV+ Original At school, Danny has two friends: a jock and a budding magician. He also has a crush on the most popular girl in school, Annabelle (Emma Laird, of Mayor of Kingstown ), but she only likes him back when her friends aren’t around. When Danny realizes this, the heartbreak in his eyes is so palpable, we as viewers feel his deflation, embarrassment, and sadness. Still, it doesn’t stop him from engaging with her when she interacts with him, and it certainly doesn’t scare him off when Annabelle’s jerkoff boyfriend threatens him. Danny is willing to risk anything to share a quiet moment with Annabelle, and he pretty much does just that by seeking weed from a dangerous drug dealer to satisfy her urge to smoke a J together. Right off the bat, Danny is presented as a shy, nerdy teen struggling desperately to find his place in a world of cruelty and bullies. So, what’s the crime? In the pilot episode, Danny is arrested for a shooting that occurs at Rockefeller Center in New York City. We see him holding the gun but freezing when he sees the face of the man he is supposed to shoot. As a result, Danny’s accomplice Ariana (Sasha Lane, of Loki ) grabs the gun and shoots at the intended victim as he scurries away. She winds up shooting several other people in the process, then seemingly disappears into thin air. The cops catch up to Danny and bring him in for questioning, but they begin to suspect that they can't find his accomplice because maybe he killed her, so they bring in Special Investigator Rya Goodman (Amanda Seyfried, of The Dropout ) to interrogate him. What ensues is an unfolding of past and present events through a suspenseful series of carefully deconstructed answers Danny gives to Goodman. It’s here we begin to realize there’s a lot more to him than meets our naked eye , and as the story deepens and exposes more memories, the mystery slowly starts to unravel. Apple TV+ Original The Crowded Room is inspired by the case of Billy Milligan and the book “The Minds of Billy Milligan” by Daniel Keyes. The non-fiction novel recounts Milligan’s case after he was arrested for a series of rapes across an Ohio university campus. Clearly, screenwriter Jessica Goldman took some creative liberties and changed up some key details, but I won’t reveal any more spoilers beyond what I already have! In a recent interview with Extra , Holland said he’s taking the next year off from acting following The Crowded Room ’s strenuous production. “It was a tough time, for sure,” he told Extra. “We were exploring certain emotions that I have definitely never experienced before. And then on top of that, being a producer, dealing with the day-to-day problems that come with any film set, just added that extra level of pressure.” Holland went on to say he loved the learning curve of becoming a producer but juggling two roles on one production while playing a character in a severe mental health state pushed him past his breaking point. “… Then again, the show did break me. There did come a time where I needed a break and disappeared … for a week. … I’m now taking a year off, and that is a result of how difficult this show was. I feel like our hard work wasn’t in vain. … I was seeing myself in Danny, but in my personal life. I remember having a bit of a meltdown at home,” he said. He then further commented on mental health. “Learning about mental health and the power of it, and speaking to psychiatrists about Danny’s and Billy’s struggles, has been something that has been so informative to my own life,” he said, noting he is now able to “recognize triggers” like social media that stress him out. https://www.youtube.com/watch?v=4w1xZA7pX2c Apple TV dropped the series June 9 with a three-episode premiere, which, if you missed them, you can read their full recaps here . The fourth episode premieres Friday, June 16 with subsequent episodes airing every Friday through July 28. So don’t delay: Add Cherry and The Crowded Room to your must-watch list today and experience the star actor like you’ve never seen him before in these two beautifully crafted heavy psychological dramas, currently streaming on Apple TV+. Keeley Brooks is a big ole film and television nerd who watches way too much content, then blabs about it. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

More Than a Petty Betty < Back Team Gwen: Erica is the Next Voice You Need to Win! Nicole Brice Oct 29, 2022 Share More Than a Petty Betty Erica Calle possesses a timeless beauty. One which invokes memories and feelings for years gone by. With her big tulle skirts, pageboy hairstyle, and Riot grrrl personality, Erica channels all the old Hollywood glamour into a complete package for 2022’s local music scene. Credit: Gary Governale Known locally as the frontwoman of Petty Betty , a popular novelty band in South Louisiana , Erica is known to bring “ it ” when belting out tunes such as ' Johnny B. Goode ' and other favorites. With a booming and boisterous voice combined with a larger-than-life persona, Erica truly exemplifies what it means to be a star. Surrounded by some of the most talented musicians on the scene, Erica credits the men behind her as the ones to inspire and push her to the limits vocally. Credit: Gary Governale The band, Petty Betty , is comprised of Tony Busby (guitar), T-Mike Galliano (bass & vocals), and Chris Lyons (drums), as well as the gorgeous Erica Calle (lead vocals). Petty Betty is a music group native to Baton Rouge with over 50+ combined years of experience in music & entertainment. With upbeat lyrics and catchy music, they bring the party when they perform. https://www.youtube.com/watch?v=LQrbR0JkUKU Red, Rock, & Blue 2022 Erica started singing when she was very young, but says, “Starting out, I wasn’t any good and I sounded like a drowning cat.” Credit: Gary Governale Well, folks, those days of sounding like a drowning feline are sure over because this leading lady has some of the best pipes in and around Baton Rouge , AND she even auditioned to be on the national TV show The Voice at 22 years of age. At the audition, she made it through the first round of the pre-auditions and ended up getting a nasty cold but managed to push through, which afterwards damaged her vocal cords. She was unable to sing for a while after that, but by doing karaoke, she was able to retrain her voice to do what she wanted. Once the pieces fell into place, Petty Betty was formed. Inspired by Blues and Swing music, Erica credits her look and vocal stylings to the music that she adored as a child, such as Cab Calloway , Buddy Guy , Etta James , and Ella Fitzgerald , and she has said, “I was born at the wrong time.” Credit: Gary Governale When we asked Erica who she is digging these days musically she replied with, “ Kaleo ! I just LOVE their music!” When asked about her personal style, Erica said, “Thankfully the group of guys that I work with each bring their own unique style and ideas that makes for an amazing blend. Personally, I love Rockabilly but sometimes will add a Stevie Nicks look to my wardrobe so I can change it up a bit.” Credit: Gary Governale “Bettie Page definitely influences my stage look, but I try to look towards the strong female lead singers such as Jinjer , The Pretty Reckless , Bishop Briggs , and Halestorm as far as their energy/persona. I like to blend vintage and current rock vibes for my look.” Credit: Gary Governale Petty Betty has quite a following, and you can rest assured that if they are playing a show, it will be packed. The energy from every member of the band radiates throughout all performances with none being stale or boring. Their on-stage energy is so infectious that you’ll end up wanting to be on stage just to experience the party with them. When asked if Petty Betty has plans to record any original material in the future, Erica has said, “We would love to pursue some originals! I wake up in the middle of the night to write down lyrics that just pop into my head, and we’ve played around with a few song ideas, BUT we would really need to slow down to focus on it properly.” Catch Petty Betty LIVE in and around Baton Rouge and be sure to visit their social media accounts to show some love. October 30 - 52nd Annual Parish Fall Fest in Denham Springs 2-4pm November 4 - TrickShots Sports Bar in Denham Springs 9pm November 5 - Boudreaux & Thibodeaux's in Baton Rouge 10pm November 12 - Mike Bruno's Harley Davidson in Baton Rouge 1-4pm November 12 - Big Mike's Sports Bar & Grill in Denham Springs 9pm Erica Calle - YouTube Petty Betty LIVE | Facebook Petty Betty fan club | Facebook Petty Betty (@pettybettylive) • Instagram photos and videos *All photos by Gary Governale * www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stream this NOW! < Back Halloween with a Horror Master: Guillermo del Toro’s Cabinet of Curiosities Keeley Brooks Oct 4, 2022 Share Stream this NOW! There are many masters of horror out there and topping the list for nearly two decades has been Mexican filmmaker Guillermo del Toro. With top nods under his hat like Blade II , Hellboy & Hellboy II: The Golden Army, and Pacific Rim , he’s perhaps best known for upending the horror movie scene with 2006’s dark fantasy feature Pan’s Labyrinth . The master is fresh off the heels of last year’s Nightmare Alley , which is currently streaming on Hulu if you haven’t seen it, and he’s back this month on Netflix with his latest collective work of art, Guillermo del Toro’s Cabinet of Curiosities . Curiosities is an eight-episode anthology series created, produced, and hosted by Del Toro. It will feature a slew of material he wanted to bring to audiences in a smaller format than the typical feature-length film. And, apparently, according to our sources, we can expect to see and hear many of the tales and anecdotes the filmmaker writes about in his memoir Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions. Netflix calls the series a curated “collection of unprecedented and genre-defining stories meant to challenge our traditional notions of horror” by carefully selecting a variety of writers and directors to bring the tales to life. There’s a tale directed by The Babadook ’s Jennifer Kent, another led by Firestarter ’s Keith Thomas, and even originals written by H.P. Lovecraft with screenplays penned by Mandy co-writers Panos Cosmatos and Aaron Stewart-Ahn (you should totally see that movie if you haven’t yet, by the way; it’s some bloody, ass-whooping fun that includes one very badass Kevin James), and The Dark Knight wordsmith himself, David S. Goyer. With such a variety of talent in the mix, on top of having del Toro at the helm, there’s absolutely no way these terrifying tales won’t stick with you like. Kind of like that moment in Nope when we had the big reveal: everyone lost their shit. Me included. I will never look at clouds the same way again. Ever. The collection also features a slew of your favorite actors, from Tim Blake Nelson ( O’ Brother, Where Art Thou? ), Andrew Lincoln ( The Walking Dead ), and F. Murray Abraham ( Mythic Quest ) to Rupert Grint ( Servant ), Ismael Cruz Cordova ( Lord of the Rings: The Rings of Power ), AND, one my actor-comedian faves, DJ Qualls ( Supernatural , Road Trip ), among other well-knowns. Sounds pretty righteous, right? It is! Mostly. Here’s the rub: rather than all eight episodes dropping at the same time, which is pretty standard for Netflix, Cabinet of Curiosities will drop two at a time over three days as part of a special Netflix & Chill’s Halloween Event. Even still, that’s not so bad. The first two episodes of the series will be available at midnight on Tuesday, October 25, with subsequent episodes premiering two at a time over the next three days. All eight episodes will be available to watch globally on Friday, October 28, just in time for Halloween weekend. If you haven’t seen the official trailer, which, I have to say, offers up quite a cozy Gothic feel with some horrifically beautiful but frightening monsters, you can watch it here . You’re welcome. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

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