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Musicians on the local scene currently that you need to hear and know about. On the Scene Jun 2, 2025 Biff Swenson: An Architect of Asbury Park’s Indie Scene Biff Swenson is helping to foster a community of independent creatives. Read More May 7, 2025 Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Read More Apr 21, 2025 HolleeStar Shines Bright: Louisiana’s Alternative Scene Gets a New Sound HolleeStar's music is an organic fusion of sounds. Read More Feb 19, 2025 Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Daemon Grimm is drawing their influence from more than just metal. Read More Oct 1, 2024 CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Hey! Ho! Let’s Go! 50 Years Of CBGB! Read More Sep 18, 2024 Hammond’s Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media The Green Room brings together local musicians for a night of fun and music. Read More Aug 8, 2024 On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 The Harmonic Stew showcase is a vibrant celebration of emerging talent. Read More Mar 13, 2024 SÖŪP: A Rich Tapestry of Musical Expression SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. Read More Mar 2, 2024 The Dynamic Sound of the New Jersey Band Spyne Spyne!’s music is raw unfiltered rock with a nod to the classics. Read More Jan 18, 2024 Steve Mignano: A Man with a Lust for Movement and Change How Steve Mignano found his way to music, New Orleans, and soundscape success with musical projects Drab and Garguts. Read More Jan 17, 2024 Moon Tree: Reflecting the Sounds of the Cosmos Moon Tree is a down-to-earth musical odyssey intertwining jazz, blues, country, and rock to create art built of timeless stories. Read More Dec 6, 2023 Perry A: Just Two Guys Making Music Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Read More Nov 30, 2023 Shane Webb: A Drumming Odyssey Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. Read More Nov 27, 2023 Rothstein Beatz: Worth the Gamble Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. Read More Nov 14, 2023 Neon Rayon: Redefining Electronic Rock Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. Read More Nov 9, 2023 Unveiling Small Town SINdrome: The Band, The Name, and The Music STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. Read More Sep 14, 2023 Hollow Heroes: Rising Against the Trends Towards a Cohesive Sound Hollow Heroes music is a melodic masterpiece Read More Jun 7, 2023 Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks His ethereal music makes for one magical, introspective ride Read More May 24, 2023 Justin Holder: North Alabama's Self-Proclaimed Drummer Ho One studio drummer who's tearin' it up Read More May 16, 2023 Electric Age: Reinventing Sludge Rock with No Rules Drawing inspiration from Southern roots Read More May 2, 2023 FIREKID: Living and Making Music on Their Own Terms Life on Merry Hill Read More May 1, 2023 Of The Roses: Austin's Moody & Mysterious Indie Art Rock/Pop Band Ripe with fuzz, psychedelia, and haunting rhythms Read More Apr 28, 2023 Vinnie La Bella An intimate conversation Read More Apr 18, 2023 Easy, Breezy Sounds: The Music of Tommy Thibodaux Mellow & Smooth Read More Mar 21, 2023 When Metal and Rock Collide: 4 Mag Nitrous A Soundtrack for Navigating Hell Read More Mar 2, 2023 An Ugly/Beautiful Dichotomy: The Music of Morbid Orchid Presenting Grunge-Gaze Read More Feb 24, 2023 A Musical Cabinet of Macabre Curiosities Charming Disaster Conjures New Album Read More Jan 26, 2023 Punk Rock with Ferocity: DeadCentered and USER UNAUTHORIZED Best Heard Loud Read More Jan 12, 2023 A Humble State of Calmness Chillin' with Fred Westra Read More Jan 11, 2023 Jonathon Engels One Super-Cool Writer in Love with the Land Read More

Biff Swenson is helping to foster a community of independent creatives. < Back Biff Swenson: An Architect of Asbury Park’s Indie Scene Nicole Brice Jun 2, 2025 Share Biff Swenson is helping to foster a community of independent creatives. When I first discovered the Asbury Park music scene, I found it to be a vibrant mix of sounds and genres, offering something for everyone, and I wanted to learn more. However, I didn’t know much about the locals who make things happen. Enter Biff Swenson. Biff is a key player in this community of creatives, as he plays in eight different bands and organizes the Happy Mondays series at The Wonder Bar , a role he has maintained since a couple of years after the COVID-19 pandemic along with his friend and co-conspirator Brian Erickson. The Happy Mondays series is a showcase that offers a platform for local musicians, particularly at a time when many venues tend to focus primarily on cover bands and established artists. No particular format or genre rules are in place, as Biff is a multi-talented instrumentalist and vocalist himself, who fills various roles across his own projects, contributing whatever is needed. After a decade of being in existence, the Happy Mondays series has proven to be an excellent community outreach staple for the original music community of Asbury Park, New Jersey , and Biff is one of the guys that makes it happen. Our favorite New Jersey photographer, Jeff Crespi , has echoed these sentiments about the Happy Mondays series and its impact on the scene: “With all the smaller venues closing up, having Happy Mondays at a professional, well-known venue is incredibly essential. Professional audio and visual components on top of getting paid, and a stacked green room with snacks and drinks provided.” When I first heard about Biff , I was intrigued to explore his music, but I was left wondering: which band should I check out to get me started? With so many options to choose from, it was overwhelming, but I managed to dive into at least three, and after completing this interview, I had many more to check out. Biff Swenson is a genuine Renaissance man , dedicating his time to a diverse range of projects that span nearly every genre. His infectious enthusiasm makes him an invaluable asset to the Asbury Park music scene. Through an introduction from one of my favorite people, Jeff Crespi , I had the opportunity to learn more about Biff and his various endeavors. Although he initially presents as a typical alternative music enthusiast when you first meet him, our conversations revealed a much deeper and more complex personality. One full of laughter and wisdom. His creative passion is a driving force behind the Happy Mondays series, which he aims to keep inclusive and open to all styles and genres. If you ask him to book you, he will, regardless of whether he likes your music, as Happy Mondays is dedicated to fostering a community of independent creatives. Biff is THE man with many plans, and they usually involve more people. Read on to learn more. MaM : So, let’s dive in – I’ve heard you play in six bands. Tell me a little more about that. Biff : It’s actually eight. (laughter) MaM : Wow … eight bands … tell me what the genres are and the differences between them all? Biff : We have a very incestual crew. (laughter) There are four core guys, and between them, there are probably 15 or 16 bands total. We mostly just all play for each other. With Grasser , I write all the lyrics, but I’m not necessarily the lead singer. Dana Why is the singer of Grasser’s solo project, but we all play as his backing band. Bristler is Rudy’s band that he fronts, but then Dana and I are his rhythm section, so it’s like we’re aging. (laughter) We found the people who are willing to work hard and are not thrown off by the manner in which we carry ourselves. We jokingly say, at this point, it’s just mental illness. (laughter) Everytime we add a new band, we’re just unwell. (laughter) We found a really cool group of people, and this is our “golf”. What else are we gonna do? Sit around and watch TV? We spend most nights in our rehearsal space and studio. Some nights, we’re recording from 4 p.m. to 6 p.m. for Bristler , and then from 6 p.m. to 8 p.m., we have Grasser practice. After that, we’ll do a shoot for a Yawn Mower music video. So, it’s usually seven days a week, and we miss most holidays. (laughter) MaM : Sounds about right. So, what bands are we missing? You mentioned Grasser, Dana Why, Bristler, Yawn Mower, and what else? Biff : Grasser is like a genre-less pop R&B hip-hop infused, but very punk rock ethos of DIY. We handle everything from engineering and mixing to mastering, artwork, photography, music videos, and more. The hardest thing to pull off with that band is live shows because it’s an eight-piece band. It began as a mostly recording project, which we eventually turned into a live band. It’s the most fun to do, but the most difficult to wrangle in and make happen. Yawn Mower is our most active band, and the one that I’ve been doing the longest. We hit ten years in August. That band started as a fuzzy rock two-piece, but at this point, members of all the other bands have joined, and it’s become a full band. We tour the most and even played at the Sea.Hear.Now.Festival a couple of years ago. It was the biggest thing we’ve ever done. Yawn Mower gets the most opportunities just based on how long we’ve been doing it. Bristler is a subdued indie rock band , reminiscent of Minus the Bear , Death Cab for Cutie , and Modest Mouse . MaM : Hell yeah Biff : Dana produces and sings for Grasser so that you would expect a lot of overlapping. He’s very introverted and maximalist, so most of his songs are pretty long, and they feel more cinematic than they do rock. It’s very ethereal, and you cannot passively listen to Dana’s music. If you’re not looking to hear an album, then it’s not for you. MaM : Right? Biff : So, some people find that one to be the most difficult to dive into, but it’s rewarding. He spends the most time on the most minute details that only a music fan is going to acknowledge or appreciate. Prop House is my newest band. I play bass in that band, whereas in my other bands, I typically play drums. It’s got like a 2000s emo revival sound, kind of like Thursday or Title Fight . MaM : That’s awesome. I don’t know how you do it all. So, I have been told you are the person to speak to about booking a show for Happy Mondays at the Wonder Bar in Asbury Park. Tell me a little more about how you got involved with that? Biff : The series started in town over a decade ago, and it’s switched hands many times. I believe I may be the sixth person to take over this role. I do all this with Brian Erickson ; he’s in a few bands around town. It was a staple here. We used to have a lot of smaller venues – 150-capacity rooms. There was a place called The Saint , and if you started a band, your first show was always at The Saint. It was never a “no”. Always allowed. We lost it after COVID, and so there are no real small rooms anymore, and the ones that are still out there don’t have sound, lights, or a stage. They’re all DIY. Post-COVID, Happy Mondays still hadn’t come back, and I reached out to see what I could do since we are an original music town. Ended up finding out that Brian had reached out before me, so they had the idea of us just doing it together. We took it back over, and this is our third year doing it. It’s community outreach. It does not make money, but it’s where new bands started. That’s what it always was. Have you heard of the band Separatr ? MaM : Yes! Love them! I actually got to interview them twice. They have had quite a journey. Biff : The first week they were in town, they approached me about booking a show, and it was a no-brainer after they told me their story. I was like, done. You guys can play. Anyone who has committed their lives to music to move across the country, like them, deserves to play. Booking Happy Mondays for me is about building connections and networking. It’s not that I enjoy booking shows I’m not playing, but every week when I’m feeling down and out or burnt out, there’s always one person who comes up to me at a Happy Mondays show and says the right thing at the right time, and then it all makes sense. This is very affirming. This is why it exists. Since I’m a drummer and I live in town, I always seem to have a spare drum kit in my car. (laugher) Biff : So many weeks, though, someone will show up and not have a drum set, so I’m like, ‘You can use mine.’ Then they’ll ask me, ‘Are you playing tonight?’, and I’m like ‘no.’ (laughter) MaM : Just gotta have that extra drum kit no matter what. Biff : Sometimes, they’ll go, ‘I don’t have a bass amp.’ I’ll be like, ‘No problem. My rehearsal space is just down the street. I’ll be right back.’ It’s about community. MaM : I’ve got a curveball for you, so we have a huge cover band scene down here. Sometimes, it can be overwhelming because a good majority of the venues will only book you if you play covers. What’s the cover band scene like up there in Jersey? Tell us a little more about the scene up there in general. Biff : Well, New Jersey , in general, is like cover band central. Asbury is an original music city, but ya know. Well, once COVID was over, I actually was in a cover band for a couple of years, and did it for money, but left because it wasn’t what I wanted to play, and it wasn’t fulfilling. Playing ‘ Flagpole Sitta ’ every night just wasn’t doing it for me. MaM : Throw a little Harvey Danger in there, why not … (laughter) Biff : The people I was in that cover band with were all guys from original bands, and after two years of not a single free weekend, we decided it was dumb. I think Asbury is Bruce country, and so there are a ton of classic Bruce-esque cover bands. People do respect you more for doing original music here, but nobody is shitting on cover bands. We have New Brunswick , which is about an hour away from here, and it is punk. 110% DIY punk. It’s where all the house shows are. If a band isn’t from Asbury , they are from New Brunswick. That would be the alternative. Then there is Jersey City, which is pretty much New York. It’s right at the top of the state, and you can see New York from there. They have a really cool music scene, but it’s really lo-fi. It’s punk in ethos, but dogshit in quality. People don’t mind out of tune guitars and piss drunk singers. Always a packed house. Jersey City has a place called Pet Shop , and it’s just a bar. No stage. No PA. No lights. But 100-150 people are going to be there every night. It’s one of the only hubs to see that type of stuff. Outside of those three scenes, though, it’s just cover bands. MaM : When did you first discover your love for music, and what band made you want to play music? Biff : There’s a couple of pillar points with this. Even today, I love hip-hop . I listen to more new hip-hop than I do new bands because bands are getting worse. (laughter) Biff : At a young age, I got into rap, and then my sister, who is seven years older than I, brought home Green Day’s Dookie on cassette, knowing I was into hip-hop . She was like, ‘Yo, these guys curse a lot.’ I was like, ‘That’s pretty cool,’ so I listened to it, and that was the first time rock music seemed cool to me. It wasn’t all 80s hair metal. After a few more years, around sixth grade, I discovered Blink-182 , and they are 100% the reason I started playing music. As a drummer, even today, my friends often tease me because I tend to overplay the drums. I’m always in the pocket. I’m always like, ‘We could put a ton of shit there! This song could use a little more. Travis Barker would put a fill right there.’ (laughter) MaM : So, you become like Animal from Muppet Babies ? (laughter) Biff : Exactly. I’ve been told that I look like Animal when I’m playing, but I don’t care about what I look like when I play. I only care about how it sounds. My first real concert was actually Green Day and Blink-182 together. MaM : Wow, I think I remember that – what year was that? Biff : 1999? Maybe? Around then. MaM : I’ve never seen Blink live, but I saw Green Day in like 2003? Maybe? Biff : It was The Pop Disaster Tour , if I remember, and Saves the Day opened. MaM : I used to love Saves the Day. They just dropped off the face of the earth. Biff : That day, though, I was watching Green Day pull kids on stage on the biggest stage in Jersey , in my eyes, and I was thinking about how I could do that and achieve that. Another thing, too, I was a church kid. Grew up around the church and even played in the church band. That’s how a lot of musicians cut their teeth playing music, though, because the church can’t exactly tell you no. After all, you’re doing it for the Lord. Oddly enough, the church influenced my music playing as much as Blink-182’s dick and fart jokes did. (laughter) MaM : So, do you only play bass and drums, or can you play guitar, too? What’s your favorite instrument to play? Biff : I can play guitar, too, but I’m so bad in comparison to all of my friends. Drums are the one I am most comfortable on, and you can see the most of my personality in them. I’ve put in over 10,000 hours on the drums. (laughter) That’s the one where I’m reliable. I sing in Grasser , and that’s the most fun. I’ve been sitting down at my instrument for over 20 years, so any opportunity to stand at the front of the stage, and I’m like, ‘It’s really cool up here. You guys must have a lot of fun up here.’ I’m most able to serve a song on drums. When I play bass, it’s just like … tell me what to play. It’s so rare that I’m like, ‘What about this?’ (laughter) Bass is just the rhythm section. I like to play the bass for the drummer, but I’m never playing to make people be like, ‘Yo, the bassist is really good!’ (laughter) No, it’s like, the bassist made the drummer look really good. (laughter) MaM : When it comes to writing new music for one of your gazillion bands, how do you approach that? Biff : It used to be compartmentalized, but in the last few years, it’s been more of an amalgamation of all of it. For Grasser , I'll demo the whole song, from soup to nuts, including bass, drums, vocals, and then I’ll send it to the group. Anything is up for change, so if the guitar part sucks, just delete it. Bristler is all Rudy . Dana Why is all him. Yawn Mower , the singer, Mike would write everything, and I’m just drumming on it. Since we became a full band, we have become a collective . Since the collective has been active as a group, it has been a collaborative writing process. Our new album is coming out soon. On that, I started three of the songs on guitar, Dana began two, and Mike brought full-fleshed out ideas, but was open to all of us. As a singer, that’s fun. Now, I can write a whole melody and a batch of lyrics I would not have come up with on my own. It started with Grasser . I love to free associate. I love to riff. Eventually, it becomes this Frankenstein sentence that means nothing to nobody, but that’s when I think it’s a great idea to use it. We spend so much time together that we have our own language. We’re slowly not using regular words anymore. (laughter) By November, the four of us will have put out twenty albums in two years. Yes, you read that last line correctly. Biff Swenson is undoubtedly a seasoned artist and musician who will continue making music as long as he can. His dedication is truly inspiring, and I'm excited to see what he does next. I highly recommend that you create a list of the bands he has mentioned, look them up, and give their music a listen, and if you are in the Asbury Park area, stop in at the Wonderbar and discover some new talent. Enjoy! Where to learn more about Biff and his bands: Instagram: Yawn Mower Instagram: Grasser Instagram: Dana.why Instagram: ProphouseNJ Instagram: Bristler Instagram: Earth Telephone Instagram: Scumming Band Instagram: Quiltary *Photos by the one and only Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Your only source for what's new in Rap, Hip-hop, and R&B as well as a look back at those who pioneered the Game. The beat Apr 5, 2025 Floating Above the Bayou: Brax is Elevating Southern Cloud Rap to New Heights Brax isn’t afraid to experiment with new textures and sounds. Read More Dec 11, 2023 Jonathan Machen aka Profit: Finding Refuge in Music Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. Read More Nov 13, 2023 Miles Nxbxdy: Revolutionizing Hip-Hop Miles Nxbxdy pushes the boundaries of hip-hop by challenging expectations and broadening horizons. Read More Oct 20, 2023 Gino V.: Redefining the Music Scene with Rhythm and Soul Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. Read More Oct 2, 2023 Shawn Franklin: Music Producer Extraordinaire Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. Read More May 22, 2023 Alfred Banks: A Blessing from the Crescent City Insightful, brilliant, and talented Read More Apr 7, 2023 DJ Skillspinz: A Classically Trained Master of Combining Textures and Beats Tony Biggs Read More Jan 11, 2023 The OG’s of Rap and Rock Fusion are Back Stone Deep Read More

Want to know who all helps us put this together? These peeps do! contributors c.g. smith Contributing Entertainment Writer www.inthecornerofadream.com C.G. Smith is a guy living in New Orleans, LA, with a lot of opinions and a deep love for music and film. He’s also a musician who's been in love with Rock ‘N Roll since he was very young, often standing on his tip-toes to put Rolling Stones records on his dad’s big JC Penney stereo, or playing tennis racquet guitar in the bay window to John Cougar’s Learn How to Play Guitar, which he eventually did do many years later. Then he wrote all the songs floating around in his head and recorded them. He's our man on the music & entertainment scene, and we have no doubt he'll keep you just as entertained as he does us. chris pryor Contributing Music Writer www.maineventrocks.com Meet Chris, everybody. He’s quite the rockstar and hails from a small town in Louisiana called Sarepta, which is way up in the northern part of the state. In addition to his mad trumpeting skills as a child, he’s also quite the singer and over the years has had the opportunities to share the stage with country music legends Doug Stone, Earl Thomas Conley, and John Michael Montgomery. He even auditioned for American Idol back in 2009 but it wasn’t meant to be. That didn’t deter him, though. He went on to become lead singer of the Lil Whiskey Band and in May 2022 formed his high-energy classic rock/country band Chris Pryor & the Main Event. His unique blend of rock and country music, coupled with his powerful vocals, has earned him a dedicated fan base. It has also earned him a spot in our sandbox as one of our music writers. david trahan Contributing Music Writer www.neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog chad besse Contributing Photographer cmdbphotography.myportfolio.com Chad is no stranger to creative outlets. After kicking around the local music scene in Baton Rouge, Louisiana, for the better part of a decade, he decided it was time to switch gears and try something new, so he started making some pretty sweet props for cosplayers, which he also sold at anime and comic conventions and still does today. After joining the 501st Legion and hangin’ around the convention scene for a few years, he decided to pick up photography as a way to help cosplayers document their creations, because he’s a big ole sweetheart. Photography also gave him another outlet to express his creativity, and his specialty morphed into travel and architecture photography. Now, he’s returning to the music scene to document all the action and to take his skill set to the next level with this new medium. He tells us he’s happy to be documenting the journey of so many other creative people as a part of Mixed Alt Mag, and we believe him! rian nickels Contributing Writer / Photographer / Show Coverage rianmusicjpeg.myportfolio.com Everyone say “hi” to Rian! Rian has been capturing moments as a photographer since 2012, but has known since 2008 that photography was her destiny, and we are so freakin excited to have her on the team because she is a multi-talented badass and mom. In 2018, Rian began doing photography for the local Hammond, Louisiana punk scene and realized she loved what she was doing, but soon discovered her true passion was in the editing of her photos. Not only is Rian a skilled photographer of music, skateboarding, and portraits, but she also does graphic design work, too. Rian aspires to design clothes and home décor in the future and own a storefront to go with it. With a love for all things creative, her hobbies include producing digital art, cozy gaming, crafting stickers, skateboarding, and planning live music events with her musician fiancé. Rian loves music and there is no limit to what she will listen to, but her favorites are pop punk, folk punk, post-hardcore, metalcore, indie, rap, house, and EDM. Rian’s favorite movies are Beetlejuice, Edward Scissorhands, SLC Punk, and Girl Interrupted, but even better, her favorite TV show is Stranger Things. Rian’s dream bands that she would like to photograph include Neck Deep, Pierce the Veil, Mayday Parade, Twenty One Pilots, Mom Jeans, Roe Kapara, and Hot Mulligan. In the future, she hopes to shoot photos at alternative festivals, continue doing skateboard photography, and wants to take portraits of musicians for as many magazines as possible. jason beard Contributing Videographer www.six-to-6.com Jason is no stranger to being behind the lens and this beast of a Renaissance Man hails from Lafayette, LA where he is an established cinematographer, producer, photographer, sound designer, videographer and audio engineer. What does this man not do? As the owner of Sixto6 Productions, he is obsessed with ALL music...well...except for country and techno. Jason brings a wealth of knowledge and talent to the Mixed Alt Mag team and we are happy to have him. melissa "mo" thornton Contributing Writer Born in Redondo Beach, California, Mo Thornton aka “Melissa Ford Thornton” is Communications Director for the Princess Theatre Performing Arts Center in Decatur, AL. A budding ukulele player and off-key singer who uses a spoon rest as a microphone, Melissa is also a professional storyteller, writer, poet, and music lyricist. She is a Moth Story Slam winner, and her writing has been published by Silver Birch Press, Good Grit Magazine, Alabama the Beautiful Magazine and frequently airs on WLRH Public Radio. In addition to the Moth, Melissa has told true stories on big stages including Southern Fried Film Festival and Rocket City Reading Festival (Orion Amphitheater), Arc Stories (Birmingham, AL), Athens Storytelling Festival, Stories Under the Stars, Tin Can Stories, and Tenx9 Storytelling (Nashville,TN). In 2019, Melissa published her first collection of poetry and prose: “An Elegant Dispute of the Accidental.” She is a member of Alabama Writers Cooperative and Co-founder and Storyteller at Bramble Stories. When not writing, you can find her kayaking, paddleboarding, skydiving, or chilling out with her rescue cats (who enjoy an eclectic playlist almost as much as Melissa does). Nick Cline Contributing Writer / Music Reviews Meet Nick Cline. He is a man from 1200 miles away trying to contribute and make a name for himself. Born in West Virginia and a resident of Louisiana for 12 years, Nick has found his place in a scene that gives birth to a plethora of brilliant talent. He started playing music at a young age, and ever since, he has had dreams of becoming "something." A love of writing and music has led him to become a member of the Lafayette music scene through his band, Phantum Sun . Phantum Sun started in June of 2023 and has quickly evolved to a sound unique to themselves. His involvement has allowed him to contribute to other bands, festival planning, and everything in between in a very short amount of time. On top of this, he is working on his last year at the University of Louisiana in Lafayette. He will be graduating with a Mass Communications degree with a Journalism concentration and Criminal Justice minor. Only the future will tell what is next for Nick and his endeavors in music and writing. jeff holmes Contributing Entertainment Writer www.HolmMovies.blog Ever since Jeff can remember, he's had a passion for movies. Growing up with a love for cartoon, family, and superhero films, his tastes changed and matured the older he got where he developed an affinity for films of all genres, years, and countries. Jeff began doing reviews as a way to share his passion with others, and to showcase the films he believes are worth revisiting. Many movies are released every year, and as a result, quite a few hidden gems are quickly missed or forgotten, but Jeff hopes to help many of these movies get rediscovered, gaining them a new life. Get your popcorn ready and enjoy the show with this one! Justin Hammer Contributing Music Writer & Photographer the_justinhammer@mixedaltmag.com www.justinhammerphotography.com Justin has been a part of the NOLA metal music scene for 15 years now as a photographer, and has met some great people and equally talented musicians along the way. Initially, he began shooting live shows through friends of his that were in bands, since he was never able to get the hang of playing music himself. Knowing that he wanted to contribute to the scene he loved so much led to him discovering he had a natural talent for photography. That snowballed into a new love for music and capturing the energy of live shows. Justin's main focus has always been helping to expose exceptional talent in the local scene and giving back to the bands via quality images they can use to promote themselves. After recently relocating to Lafayette, Louisiana, Justin wants to continue to foster the talent in this state and beyond via his stunning images, and we are beyond excited to have him on our team so that he can continue to do so. margo leblanc Contributing Writer / Promotions Team Margaret Taissa LeBlanc is a woman of many talents, some may say. Born & bred in South Louisiana, Margaret was always taught that she must earn things that she would like to have by working as hard as she can as much as possible. She owes all her accomplishments to her single mother & grandparents, who are responsible for helping her be the best she can be. Her love for music, photography, movies, and writing is palpable, and she aspires to become a passionate photographer and writer. She also has a gifted eye ( & ear ) for loud music. She adores horror movies, especially ones that feature dark comedy. Her favorites are Jennifer’s Body, The Crow, The Craft, & Carrie (1976), which she can watch over and over again. In music, her favorite genres & bands are Soul/Blues ( Otis Redding, Amy Winehouse, & Janis Joplin ), Alternative ( Alice in Chains, L7, The Smiths ), Indie ( The Black Keys, Cage The Elephant, Dexter and The Moonrocks ). Margaret dreams of one day interviewing more prominent bands & artists such as The Struts, Johnny Marr, & Jerry Cantrell. With her love for her craft and hard work, she is on the path to a successful future in the media industry. shaun corley Contributing Entertainment Writer We have some entertainment writing royalty here, ladies, gents, and non-binaries! We call this pop culture enthusiast and comic book nerd Shaun Corley. He comes to us from the East Coast and is a big, important Screen Rant writer with thousands of articles to his credit. He also has many leather-bound books and his apartment smells of rich mahogany. A first-generation college graduate, Shaun holds so many literary degrees, we’ve lost count, but he is adorned in accolades, and we love him. Some of his favorite writers are Haruki Murakami, Jonathan Lethem, NK Jemisin, and Stephen Graham Jones, and his favorite directors are David Cronenberg, David Lynch, Richard Linklater, and the Coen Bros. He’s also a fan of sweet tea and he loves chocolate. We don’t feed him after midnight, though. Ever. elise hanks Contributing Photographer and Writer Elise Marie Hanks is an Acadia Parish native born and raised in Crowley, Louisiana, but now resides in Lafayette. Her interest in music and photography began at a very young age, inspired mainly by her late father and his collection of vintage cameras, which she often enjoyed tinkering with. Elise also cherished attending concerts with him during her childhood. She continues that tradition today by supporting local artists and connecting through live performances—often accompanied by her daughter, much like her father did with her. Elise's passion for writing took root while working on her high school newspaper, yearbook, and her college's online publication. Whether at work, with her family, or in creative and musical spaces, Elise is dedicated to growth, fostering connections, and making meaningful contributions to Mixed Alternative Magazine . charles sagona Contributing Writer Charles Sagona is a former radio industry professional, recording engineer, lifelong musician, and die-hard fan who’s lived more shows than most people have playlists. With countless concerts across multiple genres under his belt, he brings a sharp ear, an honest voice, and an undeniable passion for music to his writing — capturing the raw energy, chaos, and heart that make live music unforgettable. Charles believes there’s a soundtrack to everything in life, and he’s made it his mission to find the songs that tell the real story. Home

Insightful, brilliant, and talented < Back Alfred Banks: A Blessing from the Crescent City Nicole Brice May 22, 2023 Share Insightful, brilliant, and talented Growing up, I loved the hip-hop I saw showcased on programs like “ Yo! MTV Raps .” The music had a heart and a message. Over the years, though, hip-hop has evolved away from the rhymes and verses with meaning to ones more focused on excess. This was when I stopped paying attention and started focusing my musical tastes elsewhere … until one man appeared and started taking hip-hop back by rhyming about anything and everything. His catalog of work is so diverse, it’ll make your head spin. Alfred Banks can look at a blank piece of paper and develop a rhyme on the spot about it. Banks is a hip-hop musician based out of New Orleans, La., and his latest release, ' Blessing ,' is a nod to the city that raised him. In the song, he says, “It’s a blessing coming from the Crescent” and for Alfred Banks, indeed it is. The man reps New Orleans wherever he goes, and we are lucky to be able to enjoy his talent. Banks got his start in the industry under the moniker Lyriqs Da Lyraciss at age 17 and has shared the stage with Rakim , Lupe Fiasco , Wu-Tang Clan , Tyga , Desiigner , and Kendrick Lamar , among others. He has performed at New Orleans-based events Voodoo Fest and Jazz Fest , and he even visited Reeperbahn Festival in Hamburg, Germany. Did I mention one of his songs was used for a Volkswagen commercial and that numerous songs of his are licensed to shows and movies? His knack for rhyming, his charisma, and his insightful lyrics are what got him noticed in the biz and, as we like to say, the rest is history. He has been steadily churning out music ever since, with many new ones this year, but he does not limit himself to solo material—no. This man is involved in so many projects, we lost count after a while. We did ask him about all those wonderful endeavors, though, and you can read more about them in this interview. Currently, Alfred is focused on promoting his newest album Nectarine Peels , which is part of his collaboration with Albert Allenback of Tank and the Bangas in a group called Saxkixave . These two are like the odd couple of hip-hop and their infectious videos are beyond hilarious and showcase Bank’s personality in a whole new light. In fact, the duo goes together like peanut butter and jelly and truly do complement one another. Albert makes these killer beats and Alfred comes up with the wittiest rhymes to go with them. Released May 18, 2023 In addition to Saxkixave, Alfred is continuing to perform shows like crazy, showcasing his solo material. Check out this convo we had with him recently, then go check out his catalog of material. You will fall in love with him as much as we have. MaM : When I first discovered your music, the thing that drew me in was your use of words. You can pretty much make a rhyme about anything. When did you realize you had this gift with words to take it to the next level professionally? AB : I remember when I was in sixth or seventh grade, I used to freestyle a lot. I lived in Tallulah, Louisiana for, like, three years and I would freestyle a lot with some of the kids around there. I would gravitate towards anybody who rapped—actually, I’ll go back a little further. Fifth or sixth grade was when I started noticing that I liked remixing songs in my own way. Me and my man Nigel would make comedic remixes for them. We would take any song that was hot at the time, which was 2000/2001 , and remix them about food. I started noticing I could do that off the top of my head. … Junior high was when I started to write raps, which were kinda cool. I was more into that battle type of energy. My sophomore year of high school was when I truly started writing, though. … I really started freestyle battle rapping and I noticed I could think of things on the spot. My whole thing was coming from New Orleans , you have to know how to rib and I got ribbed a lot … picked on a lot and my way to fight back was to just rap. I would just head to toe and people would die laughing. That’s kind of how I got my name. I started uploading music to MySpace and stuff. It started getting a little bit of traction and I did some shows around town. I started battling first. … I just started noticing that if I looked at someone, I could make a rap about it to whatever degree. I fell off it for some years, though, and focused on my songwriting and touring. Around 2019 , I did a tour with my man Mega Ran and he did this thing where he would ask people to hold stuff up in the air and he would freestyle about it on the spot and I [thought that was amazing and wondered if I could do that]. I started doing it with Saxkixave and it goes over well and keeps my freestyle sharp. People kind of know me as a freestyle guy now, so it’s kind of cool, then you meet someone like Ray Wimley , who is a freestyle savant, and he went viral because he freestyled with Common a few years back for Essence Fest . We actually did a freestyle battle at a Pelican’s game and that was me in front of thousands of folks having to put my freestyle skills to the test and, respectfully, I was the victor in that situation. … I don’t really write a lot, not as much as I’d like, but freestyling just kind of works. credit: Gary Governale MaM : Well, as far as your lyrics for your songs, what inspires your lyrics? 'Blessing,' of course, is based upon your love for New Orleans, but I was listening to your music and you’re all over the place with content and what you talk about. None of your songs are the same. AB : I know sometimes it makes it hard to be marketable when you do a lot of different things, but I just have a lot of different interests and I’m not always in the same space. To some degree, I guess I need to find a vein, but for the most part, I’m all over the place and I love that. MaM : Where did Underdog Central come from? AB : That’s my life mantra I live by. Underdog Central is the place where the overlooked go to hone their skills to come back and become admired. It’s my label name, too, and my social media handle. I made it my social media handle ‘cause Alfred Banks was taken, but because it’s my label, I wanted that name to be first before anything. I want people to know what my brand is. When I first came out, I was a little rough around the edges, a little unrefined, so I had to go back into my proverbial batcave and fix things. I came back out, though, and now am who I am. I feel like the people who are extremely talented tend to get overlooked and are always having to fight from behind from a deficit and always must prove who they are no matter if they are the most talented one in the room or not. You can’t take anything for granted and you must treat every moment as if it’s your last, so that’s what Underdog Central is about. credit: Gary Governale MaM : Are you born and raised in New Orleans? AB : Uptown, yeah, uptown New Orleans. Uptown kid for sure. MaM : Your brand of hip-hop is the type that is missing these days. It has those classic undertones and that hint of nostalgia. Your lyrics with “Blessing” are so insightful and that song truly resonates with me. AB : Yeah, that’s a style of record I have never done before. One thing I have been noticing lately is I am the most off-brand New Orleans person you will ever meet. [I’m] born and raised in this bad boy, but when you look at my everything … I don’t even look like I’m from New Orleans. I don’t act like I’m from New Orleans…like some things I don’t even relate to, but I am definitely from here, but I never made a song I felt could resonate here. All the music I make is more for everyone. I also made it from the angle of where if someone from Detroit heard it, they could be like, ‘I feel this way about my city.’ The official video for 'Blessing' on YouTube MaM : What struggles or roadblocks did you encounter when you first tried to break into the industry? AB : Just making hip-hop in New Orleans. There was a big scene from 2007-2015 where it was a community and there were shows happening and people would come out to the shows and we all tried to support each other and spread the word about each other’s stuff, then after that, there was a shift in the music. I can say to a degree that I’ve stayed contemporary with my style. It doesn’t sound like it’s from 1989 or anything, but the more lyric heavy and conceptual idea-driven music doesn’t have as big of a platform here as other stuff. The people in the scene here, though, started to get older and started [coming out less]. That and the fact that New Orleans is not a hip-hop city, and so it doesn’t matter how talented you are. It’s been like, ‘Where’s your bounce song?’ or ‘You got a dude playing trombone on it?’. It’s funny now, though, the response I’ve gotten for the song ' Blessing ' … thirteen years into my career, you would have thought it was the first song I ever made because everyone is like ‘Finally, you got a record we like.’ I’ve got albums that have charted across the U.S., but that record is doing pretty good in New Orleans, specifically. Pick your battles. My biggest thing was just trying to do my brand and my style of hip-hop and bust open these doors that are solely reserved for people who do Zydeco or brass band music—stuff people consider New Orleans but, to a fault, it’s so New Orleans that no one wants to hear anything else. But I always thought it was weird that these big platforms—these big festivals here—only portray a certain style of New Orleans; where’s the hip-hop? That’s always been the main issue with me. I want to be the guy that can go into a room filled with musicians who do not do hip-hop to any degree but do my thing and it resonate or translates with them. I’ve kind of become that guy, though. I’m the guy in a room full of brass bands and zydeco bands who is the hip-hop representation, which is a gift and a curse because I never get to perform for my people. I always get to perform for people who are being exposed to what I do for the first time, so it kind of creates this very uncomfortable energy, which can be a bit weird at times. I’m a part of this group called Glbl Wrmng and we’re doing this Wednesday at the Square thing, which I don’t know the last time they had a hip-hop group perform there, but … I have this never say die, blind optimistic view of life, though, so I just keep going for some strange reason. credit: Gary Governale MaM : No, but that’s a good thing! You’re not admitting defeat at all. You’re just like, “I don’t care what you’re gonna throw at me. I’m just gonna keep doing my thing until it resonates,” ya know? AB : …and the funny thing is it hasn’t stopped me. I’ve been able to tour all over the world. I guess it’s not that big of a deal, but for me it is. I’m doing it less about me and more about the next. I’m a young guy, but I’ve been out for a while, and so I just want to look out for the next guys coming up that feel like me because everybody is a street rapper, and there’s nothing wrong with that. I come from the hood, but I don’t see it from that angle. I was in a house and my mom kept me in the crib, and not everyone is from that cloth. There are people, though, that take those experiences and turn them into something else. Not what you would expect. I just try my best to be that alternative for people who love hip-hop, care about bars, care about lyricism and concepts, good beats, melodies, etc. MaM : … and you bring it all. You’ve got the whole package with it. AB : I appreciate that. credit: Gary Governale MaM : Global Warming—tell me more about this. AB : Word, so Glbl Wrmng is a collective about 35 people in the city from engineers to producers to singers to rappers, graphic artists, etc., and we just all [come together] … so Glbl Wrmng is like, ‘Nope! We can!’ So that’s what we’ve done and as a collective. We’ve performed at Buku Fest , we’ve opened for Tyler the Creator , and we’ve played Jazz Fest . We’re going to be playing Wednesday at the Square , and so we’re using this as a platform to get some of the guys in the group exposure with their first big stages to give them that experience and to be around people like Pell or Train or me to help usher in those guys to just make great music. I love being a part of Glbl Wrmng. It’s very interactive. It’s teaching me how to support people from a very active standpoint, and I truly mean it when I do it and vice versa. It’s allowing me to also get involved with other people’s careers to some degree, which is fire. MaM : Well, it’s a collective grouping of like-minded individuals all supporting each together, which is awesome. AB : Yeah. Glbl Wrmng put out an album during the pandemic and I’m on it. Saxkixave is on it. It’s called ‘ Glbl Wrmng Vol. 1 ’ and it’s a dope record. We’re working on Vol. 2 right now, but at the end of the day the one thing I have learned is that collaboration is very important, especially for me the past three years. Working with Soul Rebels , working with Brassaholics , working with Flow Tribe , working with Glbl Wrmng , working with Tank and the Bangas , and all these different people has been helping me elevate my platform and get in spaces where I probably wouldn’t be normally. I’m very grateful for that. Just working to get that buzz to where it needs to be and it’s been a trial at times, but I want to just keep rapping and keep working and the inevitable will happen at some point. credit: Gary Governale MaM : So, 2023 you’re gonna just do a lot of touring or are you working on any other new solo music? AB : … Instead of putting out new stuff to the same folks, I already have music that resonates, so from there I think I’m going to use videos and promos as a ploy to get people to check out the catalog I have and then go from there. I have a lot of music that hasn’t been unearthed just yet. I have a project called Mere-Exposure Effect , which I feel is one of my best projects writing-wise. It shows I could do radio records if I really wanted to. Mere-exposure effect is an idea that if you recognize it, you’ll like it, so the whole project sounds like radio records. If it sounds like something you already know, then you’ll like it by default. I have a project called ‘ Road to a Rolex ’—some of my hardest hitting beats. I’m rapping about getting money the entire project but from a couple different aspects. I have a project titled ‘ One Guy Standing by Himself. ’ That project debuted at number three on iTunes . It was one of my most successful projects to date. That’s a project I wrote to get myself out of the mind state of COVID . I wrote that project in like a week and it’s more introspective and a little lighter-hearted. I [also] have a project called The Beautiful and that’s my magnum opus and is my biggest project to date. That project is about my brother and his struggle with schizophrenia and his ultimate suicide. The day of his funeral, I had to leave in the middle of his service because I had a show to play that night, and so I wrote an album about the car ride from the funeral to the show, so in that album, I develop schizophrenia too; so, I sort of battle it throughout the album. That’s my biggest project to date and a lot of people don’t even know it exists. I’ve also got The Range 1 and 2 . I do a song with Wheatus and a bunch of people. It’s like five different genres in one project. credit: Gary Governale MaM : I am just blown away with all the projects you have. How do you even sleep? AB : Well, for me, I did go through a time where I was putting out a lot of music and it does seem like a lot, but it really isn’t. I’ve got songs that if someone goes back in like 15 years to discover them, they’ll be like, ‘That shit was fire!’. A catalog full of those records. Some may consider me a conscious rapper and I’m not conscious in the vein of social or political issues, but I rap about things from my point of view. MaM : Well, just life. I’ve listened to all your music, and you are all over the place. No song is alike. You have so many different styles and facets to your personality and what you do. You can go from a silly track to something super serious. AB : For sure. MaM : … which I feel is so endearing and is going to continue to resonate with people—even those who are just now discovering you for the first time. AB : Honestly man, that’s just how my brain works, cause we’re human. We all go all over place. There are some days where you are very happy and so you want to listen to a happy song and then there are days where you are not happy and you don’t want to even hear music, but if you do, you want to hear some sad stuff that is introspective. Some days you want to hear something lyrical. Some days you will want to hear something conceptually driven, but that’s just how I feel. Sometimes I don’t want to write a rap record, I want to write a dance record. I want to do some EDM . I want to do like a hyper-pop record. There are some days I want to do some industrial shit. credit: Gary Governale MaM : That’s what I’m talking about. That’s my kind of music. AB : Some days I wake up, I want to go work with Albert and do some jazz or acid hip-hop or some days I just want to rap my ass off to show people how good I am. That’s just where I’m at and the path I’m on and people seem to like it. MaM : I think it’s a great path and, in fact, I don’t think you should change a thing with what you are doing. I think it shows diversity and it does not keep you in a certain type of music or anything. You are unique and different and have your own brand that is going to resonate because it is so unique and different. AB : Thank you. I’ll tell you this with all the things that have gone against me, all I’ve ever had [were] my skills and [they have] gotten me further than anything else I’ve ever done. I think that is what is going to keep me busy and keep my lights on. I just care about music, and I care about being good. I do come from the competitive aspect where if you put me on stage with other rappers, I’m going to try and outperform. I want to be the best in every room I’m in and I don’t know too many who still care about that. credit: Gary Governale MaM : You are nothing but heart. AB : Thank you. I want people to go, ‘I want to be invested in his brand of great because that boy is good.’ At the end of the day, though, I’m an entertainer, so it’s not about me. It’s about you, the audience, and I like to keep those things in mind. MaM : What are your plans for the rest of 2023? I know we’re halfway in, but where do you see the rest of the year headed for you? AB : It’s weird, I’m at this weird transitional part of my career where the business infrastructure that has been supporting me is not there because we decided to do our own thing and go our separate ways, but I’m back solo. I’ve been adjusting to that. We do have some other things down the line, though. Pre-COVID, I was doing close to 100 shows a year and in June, I’m going to Ohio. I’ll do three shows out there, then I’m going to Colorado in July. Just trying to get back to the West Coast. To experience all that is Alfred Banks, hit one of the links below. You won’t regret it. Alfred Banks (@underdogcentral) • Instagram photos and videos Alfred Banks | Facebook Alfred Banks | Spotify ‎Alfred Banks on Apple Music Saxkixave | Facebook SaxKixAve (@saxkixave) • Instagram photos and videos @SaxKixAve | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves good music and loves discovering new music she has not heard yet. Do you have something you’d like her to hear? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” < Back She Might Be a Beast: An Enigma of Youth, Retro Vibes, and Energy Erica Machen Nov 29, 2023 Share She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” She Might Be a Beast, hailing from the melting pot of eclectic music that is New Orleans, La., electrifies listeners with their unique Neo-grunge sound. The band is comprised of the Brezinsky brothers, Jake and Julian, alongside John Williams. Jake is the lead vocalist and guitarist, with Julian on bass and back-up vocals, while John bangs on the drums. They infuse their music with a blend of 90s-inspired grunge, punk, and metal, dashed with that distinctive NOLA spice. The trio's live performances are nothing short of exhilarating, which can be found all over their YouTube page. As a matter of fact, I was excited to interview them after just a few minutes of video watching. Following our chat, I am beyond motivated to catch a live performance. It doesn’t hurt that sharing the stage with iconic acts like Doyle from the Misfits and Powerman 5000 is propelling their rise in the local music scene, and their fan-base is gaining momentum. “ Art Class ” is the latest album from She Might Be a Beast, and it reveals their unwavering commitment and adeptness in showcasing their distinct Neo-grunge style that continues to bewitch their listeners and audiences. Released August 1, 2023 Their creative process is dynamic, with instrumentals and lyrics converging into powerful compositions at the band’s creative hub called "The Maze". That’s where spontaneous jam sessions become the breeding ground for evolving riffs and energizing lyrics that can transform into future hits. The band's future is brimming with excitement, with an upcoming single set to pump us up. They have a drive to provide unforgettable experiences through their music that sets them apart and makes way for an engaging journey ahead. With that being said, She Might Be a Beast's passion and exceptional talent have promise for lasting impact on the music scene. Keep an eye out for their next performance and be prepared, because they ARE a beast! Check out our conversation! MaM : Hey guys, thanks so much for speaking with me today. I have Jake, Julian, and John, correct? Jake : That’s right! We’re pretty excited for the interview! MaM : Cool, so am I! Since our readers are getting introduced to She Might Be a Beast today, and all three of you are here, how about each of you give a brief self intro? Jake : All right. Sounds good. I guess I'll go first. I'm Jake. I sing lead vocals, and I play guitar … And, yeah, I really enjoy playing in our band. I do a lot of the management for the band as well. I couldn't do it without Julian and John. John : What's up? I'm John. I'm a drummer, of course. What can I say? We got good thing going here. We’re really motivated with a level head and a lot of good and interesting material, from our writing to our live shows. Things have been moving forward and progressing, and we’ve really been putting in a lot of work. Julian : And I'm Julian, bassist and mostly harmony. It's such an awesome thing, being able to play music and do it, you know, semi-professionally right now. That's the dream, you know. So, we're having a great time! MaM : Jake and Julian, y'all are brothers, right? SMBAB : That’s right. MaM : John, how did you come into the mix? John : They had another drummer prior to me. He had some complications in his life and kind of wanted to take [a break from] music for a little bit. I met Jacob when he was still in another band called Everyday Addiction. [He] and I met up before the rehearsal, jammed in my space, and got pretty cool with each other. We kept each other's contact information, and once the other drummer decided to take a break, he called me. The next thing you know, I auditioned with them, and I was in the band. Credit: Facebook MaM : Awesome! Sometimes it just falls into place like that. Please, go on … John : Oh, yeah, it was a nice little thing how it happened. But, ya know … MaM : Y’all hit me out of nowhere with a blast of nostalgia coupled with some New Age sounds. How did you find your sound? Tell me about your influences. Jake : Well, we all love rock and roll, and some of our favorite bands are Alice in Chains, Green Day, and The Red Hot Chili Peppers. We also mix that kind of heavier grungy metal vibe with the music that we've grown up with. You know, we are all born and raised in New Orleans, so there’s a dash of NOLA spice in there. We see our music as a mix of punk rock, 90’s grunge, metal, and then, like I said, that little dash of NOLA funk. MaM : I feel that! I immediately heard Green Day as one of your influences when I checked you guys out. I kind of even felt some 311 vibes in your instrumentals, with an STP edge. I even heard a little Brandon Boyd (Incubus) with you, Jake, in your vocals. Do you all get compared to other bands often? Julian : Yeah, people tell us all the time … that we sound just like whomever from the 80s or 90s, but it’s always a different band in every show that someone says we sound like. Some nights we get Alice in Chains, and the next weekend we hear Green Day. Credit: Facebook MaM : Do you find it flattering or are some of the comparisons confusing for y’all? Julian : I like it. I mean, if it was just one band all of the time we got compared to, I feel like it would get old. With the variety, sometimes I hear a band that I never even really knew I was very inspired by, but the connections were there. MaM : Tell me about She Might Be a Beast’s peaks and valleys through the industry so far? Jake : I feel like that's a good question for me, because I deal with a lot of the management and reaching out for booking and stuff. We've had a lot of support through a lot of the people we've met in this industry, and the community is really one of the biggest things that propels us to the next level. With that being said … 95% of the people that I reach out to will definitely ignore me. It's just something that happens, but that can't stop you. [Eventually] we started getting onto bigger shows where we’re opening for more famous people. … We actually opened for Doyle, who is the guitar player for the Misfits. Credit: Facebook MaM : What performance that y'all have done so far spoke to y'all? John : We’ve done a couple of House of Blues shows, and this placed called Southport Hall. We played a gig on a Monday night; I believe it was for a band called Cynic. They had a lot of fans there, especially that show, for the opening act. It's kind of a blessing whenever your fan base is semi-growing and starting to get established, but you don't really have to rely on your fans showing up with everyone at that show. You can gain new fans from playing for other people. MaM : How do you get so much energy going before you play? How do you shake the nerves and bring the same intense level every time? Jake : Well, we do really love to jam. It's what keeps us doing this. It's what started us doing this in the first place, and we get really excited playing our music. You're only on stage for a lot of these shows for maybe 30 minutes to an hour. So, we want to leave everything on the stage and give the fans the best, best show possible. They're paying for these shows. So, we want to give them all the energy. We want them to go to sleep thinking about the show and wake up and talk to their friends about how much fun they had. Credit: Facebook MaM : It truly looks like y'all are accomplishing that! So, with things like the pandemic, AI infiltration, and even social media algorithms directly impacting artists and bands, how do you stay motivated to keep pushing through all of that? Jake : You know, that is an interesting one, because it seems like every single day there's another AI to steal somebody's job doing the things a lot of creatives have done for a long time. At the same time, that AI can do some pretty impressive things, there's just no way for AI to replicate human soul and music in writing and stuff like that. I think there's always going to be something special about the human mind and heart when they're putting themself into a piece of work. You know? Credit: Facebook MaM : Absolutely, and you can't match that human experience. So, I am going to ask you my favorite question now. Just hear me out: What came first the chicken or the egg? SMBAB : Um … What do y'all think? I don’t know, the egg. I think it would have to be the egg, for sure. MaM : That’s my cheeky little way to ask you about your writing. SMBAB : There it is! (laughs) Julian : It’s different because there are lyrics that we will hold on to. If you come up with something that you really find to be a good lyric, you hold it. But then we’ll come up with instrumentals separately and pair them sometimes. Most of the time, because we are all heavy on improvisation, we’ll just be in the jam room together and come up with a riff. Usually, the riff comes first when we're playing together, we come up with a song, and the lyrics are usually added after. But like we said, sometimes those lyrics could have been saved from before. We are a musician’s band, so we love playing the instruments … totally playing chronologically like that—writing the riffs and the lyrics all in the same day. Credit: Facebook MaM : What are you currently working on? Jake : We just released our full-length album, ‘Art Class’, and we’re really happy with that. At the same time, we do have a few new songs we've been playing live and a few even newer ones we're trying to write at the same time. So, I think next for us, when it comes to the music, we're going to be releasing a single. It’s going to be called ‘Walk with Me’, and it’s a really, really high energy, exciting rock song. We’re told all the time that people have a lot of fun when we play that song. MaM : Very cool. Well, guys, congrats on the release of “Art Class”, and thank you guys for a dope interview! I appreciate your time! SMBAB : And thank you so much! *cover photo from Facebook For more on She Might Be a Beast, visit them online at www.SheMightBeABeast.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Trust Them 'Cuz They're Young, Talented, and Handsome SaxKixAve: Much More Better < Back SaxKixAve: Much More Better C.G. Smith Jan 18, 2023 Share Trust Them 'Cuz They're Young, Talented, and Handsome Most musicians are lucky to have one successful project. In a world where there are anywhere from 50,000-100,000 songs being released every day, the market is oversaturated and the chances of breaking through this noise are harder than ever. Musicians who actually do break through and have any kind of success with one group is a rarity, let alone those who can take on and do well with multiple musical projects. New Orleans duo SaxKixAve is comprised of award-winning rapper Alfred Banks and Albert Allenback , saxophonist and flutist of the twice Grammy-nominated group Tank and the Bangas . These two artists are plenty busy with their main gigs, but thanks to the suggestion of Tavia Osbey, manager of Alfred and of Tank and the Bangas, that the two work together at the onset of the COVID-19 pandemic, these artists started a side project that is truly something special. Their first record, “ I Don’t Wear Suits ”, was released in April 2020 and is a celebration of this collaboration, and the duo has been performing those songs in front of live audiences whenever they can find the time to do so. SaxKixAve is currently finishing up their follow-up record, and I was lucky enough to be able to have them both over to chat about that, about how they make this project work with their busy schedule, and about some of the band’s highlights so far. MaM : I’ve heard a couple different versions of what “kix’ed” this all off. How did this insane, wonderful experiment begin? Albert : Well, Tavia—the manager of Tank and the Bangas and the engine, the logistic and business/life-path mind behind it all—hit me up and said [Alfred] was looking for beats. She said, ‘I know you make beats. Let’s get you in the studio together and see what happens.’ Alfred : It was great … I like Alby. He’s good money. We crack wild jokes. He sent me an email of beats, I picked one, I wrote to it, knock this one out. It was right when COVID hit. So yeah, I got in the studio with this dude, [and] we laughed for about three or four hours before we even started really recording. I thought, ‘This is a good guy.’ We recorded ‘Tawny’ and I guess he liked what I did. I loved it, and we just kinda kept goin’, kept goin’, kept goin’. Then it was like, ‘Hey man, you wanna make this a thing?’ Albert : It was like a 'Step Brothers' moment. Alfred : Yeah! He was like, ‘Yeah!’ I was like, ‘Aight.’ [sic] Albert : Are we in a band? Alfred : Are we a band?! Albert : Yeah, I think so! Alfred : (to Albert) Do you remember how we came up with the name? I know we joke about it. Albert : I remember us opening a Word document and trying out different fonts and stuff. I don’t think we tried it phonetically. I don’t think we ever would have tried this dumpster fire of a phonetic pronunciation—have you ever tried to say it fast? Albert then attempts to say the band name SaxKixAve quickly several times in a row. Albert : No, it’s terrible. Why did we do this? Maybe we should shorten it to SKA and say we’re bringing ska back and hire a trombone player. (laughter) Alfred : Definitely. Nah, I think this is one of the best things I think I’ve ever done. I enjoy this so much. In 2018, Banks was named "Best Hip-Hop Artist" at the Best of the Beat, presented by New Orleans' premier music publication, Offbeat Magazine . He followed that up with the 2019 Big Easy Award for Best Rapper, presented by Gambit Weekly . credit: Gary Governale MaM : It’s opened you up. Not just personally but creatively, too. You’re now singing a little bit. Alfred : Definitely. [Singing] was something I always wanted to do, but I didn’t really have the producer to help bring it out in the right way that would make me sound good, because my voice doesn’t have a lot of range. I can hit some notes but not too crazy. So, someone [who] could make something that could make me sound even better than I am … I think Albert does that. Rapping to shit I wouldn’t normally rap over—he’s down to go there with me. He’s down to do some really wild stuff, and I’m down to at least try and see what happens. In 2020, the two performed live as a duo for the first time at an Onbeat Session for Offbeat Magazine filmed at Loyola University. Alfred : That was the very first time we had ever performed together, ever. How nerve-wracking was that?! Albert : It was terrifying. Alfred : I was scared out of my mind. Albert : (to Alfred) Doing this thing with you, having to do it live and perform the songs, I’ve become a much better piano player the past two years, and you don’t put a lot of pressure on me. We don’t put a lot of pressure on each other. Alfred : I don’t know how to read music. I’m not about to insult or critique someone when I don’t even know what you’re doing. Albert : I’m not a rapper—I’ve tried. It’s more difficult than it looks! (from the album “I Don’t Wear Suits”): MaM : So, have Albert’s rapping skills have gotten better? Alfred : I think Albert has more skills than he thinks. Maybe he couldn’t be a ‘rapper’ rapper, but (to Albert) you’re a good writer. You might not have rapper swag per se, but you could rap. Albert : I could deliver it, but it might not be believable when attached to a body—MY body. (laughter) Alfred : (to Albert) You really understand how songs go. He’s a dope-ass writer outside of being a musician. Albert : I just got [sic] to say this: As my rapping skills have improved, so, too, have Alfred’s declined. (laughter) It’s perfectly even, the way things have gone down. It’s more of a parasitic thing. (to Alfred) I think I’m stealing your rap life force. (laughter) MaM : Your songs have a wonderful mix of silly and serious. What’s y’all’s vision for what SaxKixAve is now and what it can be in the future? Albert : I think we want to have this digestible funny thing, because we’re both naturally funny and when we get up on stage, we’re not sure what it is, but something happens between us that generates what people have been calling entertainment. (Alfred breaks out in laughter.) Some sort of passable thing happens. We want it to be funny, but we want the funny to help communicate. Our natural state is tinged with melancholy. Our natural state is more depressive … more low energy. So, if we have this high-impact thing that’s kind of funny, then we can get in things; there's no other way to say this: We laugh so we don’t cry. It’s something that I’ve … learned watching Tank—how do you interface with the audience? You can be doing the best stuff in the world, but if you have any contempt or if you’re just holding the spoon of baby food out of reach of a toddler, that’s just rude. You should interface with the crowd so you can get it to them. We want this mix of goofy so we can be ultra-serious, and we want to be ultra serious so the funny stuff is even funnier. Alfred : I disagree with everything he just said. I’m here for the money. (More laughter ensues.) Alfred : We’re both very serious. We’re both really good at what we do—like, obnoxiously good at what we do. In the back of my mind, it’s about making how good we are palatable. Sometimes being really good can push people away like it’s not even relatable. I think the comedy takes the edge off. It’s like, ‘Let’s just vibe and have fun. Some of it is just on the cuff, but we give ourselves that room. In our other situations, there’s a lot of structure. For us, the future, people are going to hear … the music is going to be even much more better [sic] than it is now. More jokes. It’s just going to be unapologetically amazing. Albert : SaxKixAve: much more better [sic]. Alfred : That’s grammatically correct. credit: Gary Governale MaM : Was there a moment when you both knew you had something? Alfred : That [first] recording session. I always tell that story [about the song] ‘Tawny’ when I say [the word] crib. [Albert] was like, ‘Dude, can you yell ‘crib'?’ and I was like ‘What?’ Albert : Like 15 times. Alfred : I had to yell it and I was like, ‘Why am I doing this? This is stupid.’ Then he played it back and I was like, ‘Oh … yeah.’ That was the first time I trusted him. (to Albert) When did you feel like we had something?” Albert : When I knew we had something was when it was backed up by a crowd. I think we were doing Tip’s (Tipitina’s) or something. You said a few things in a row that I didn’t find very funny, but people were losing their minds. They were also losing their minds with the songs, and I was like, ‘What’s happening?’ There are things that only happen once per show [like] Alfred [going] off on this freestyle thing; we usually do this at the show. He’ll just freestyle rap for, like, five minutes. You’ve seen it: People hold up stuff out of their pockets [for him to rap about]. As I see the crowds more and more, I’m just like, ‘Wow, well let’s just be honest and a little unsure of ourselves, because apparently somebody likes that.’ MaM : Your dynamic—when you come together, it’s something you wouldn’t expect, I think, from seeing you both in your respective projects. It just works somehow. Alfred : I think that shit’s amazing, too. That Tav (Manager Tavia) ... maybe she didn’t see SaxKixAve, but she just thought we’d do good together. I don’t see Al all the time. We’re both doing our own thing, but every time I see him it’s like we were just hanging out yesterday. I don’t know if it’s because of our same sense of humor—the way that we’ve come to some recent discoveries about ourselves, but we just gel really well. (to Albert) Outside of the music, I can actually hang with you; that comes through, too. [Another] moment I knew we had something was [during a show] when the mic cord came out, I put [it] back in maybe halfway through the verse, and I finished the song. We had another song after that, but I was like, ‘Yo, Al, audible, play a beat.’ I freestyled about me f**kin’ up, and the crowd lost their minds. I was like, ‘Yeah, we got somethin’ here. I don’t think we can lose. This is incredible.’ That shit was dope. (to Albert) What was the first big show we did? I think when we did Performance Inception ... when you opened for yourself? Albert : Yeah! When SaxKixAve opened for Tank and the Bangas at one of The Broadside shows [last year]. Alfred : That was the first time I think Tank and the Bangas had [sic] saw us. When they came back and said, ‘You guys are amazing,’ I was like, ‘Yeah, we’re lit. We are LIT.’ credit: Gary Governale Albert is known for wearing short shorts all the time. MaM : Albert, is it hard for you to be behind the keys when people can’t see the full leg action? Albert : We’ve been workshopping methods to get around that, talking about maybe having a video feed that’s right under the piano, directly pointed at the legs and maybe running some sort of monitor behind Alfred so it’s just my knees constantly while he raps. Alfred : (to Albert) I know you’re joking, dude, but I’ll tell you this: You know what everybody says? They don’t even talk about your bun first; they talk about your legs. I’m not even joking. Everybody [sic] like, ‘Dude, the guy with the legs.’ MaM : I hear you’re working on your next record. Is there a title for it? What can we expect? Will it be similar to the first one? Alfred : There IS a title . (to Albert) Are you cool with that? Albert : Let’s do it! Alfred : (begins to count down) One, two, three … Albert : Wait, on three or right after three? Alfred : Like, ON three. One, two, three: Albert’s legs. (laughter) Albert : Ahhh! Sorry, ok, ok … Go!” Both together : One, two, three … ‘Nectarine Peels.’ Albert : Yes, we know you don’t peel nectarines, [and] we address [that]. MaM : It makes people think, and that’s the point. Alfred : (laughing) It’s provocative, man. Albert : It actually came from a text message. (to Alfred) Didn’t you just send the words nectarine peels or something? I was like, ‘Nectarine Peels?’ Alfred : Yeah, yeah, yeah, yeah! Albert : So, I said it has a kind of a ring to it. It seems to mean something, and then immediately I went and wrote this little melody and song at the piano when I got that text. I sent it to Alfred the next day. We’ve taken it to mean a whole lot of things thematically. A big part of it is ambition and its corrosive effects on how we think people see us, how we see ourselves, how we want people to see us, and how we want to see ourselves. That’s one of the main themes of it. I think we’ve made some of our best songs ever. It’s about the same runtime [as ‘I Don’t Wear Suits’], but there’s six real songs. Alfred : I feel like the first project, as great as it is, it was us figuring it out. I think for this one, it’s like, ‘Okay, this is dope, but how do we refine it?’ Keep it us, keep it funny, keep it light or, in some instances, not even as light. We have a song where we switch the topic seven times within the song … switch the energy. We kind of have an idea of what we are now. credit: Gary Governale MaM : So, no sophomore slump, then? Albert : I think this [album] is way better. We’ll see if people like it, but we have this thing: We love dance music, and we love old school hip-hop. So, we kind of find this thing—we have this sliding scale between boom bap and dance sometimes, and it’s really cool. You see little seeds of that on ‘I Don’t Wear Suits.’ We’re putting the very final touches on it. We’re almost completely finished. We’ve got great features: Mega Ran is on this, Pell is on this, LeTrainiump is on this, HaSizzle’s on this … Alfred : Who else is on there? Albert : Is that it, or is there one more? Alfred : I think Albert Allenback is on it. (laughter) Albert : There’s a fledgling rapper named Lyriqs da Lyraciss from New Orleans, and he’s on this record. Alfred's original rap name was Lyriqs da Lyraciss. Alfred : Bless his little heart. That guy, that guy left us around 2015. Bless his little heart. Albert : That was the first rapper I ever sent beats to. He left me unread. credit: Gary Governale Albert explains how he first tried to work with Alfred back in January of 2014. Albert : I’d been making beats for, like, two months but you couldn’t tell me they weren’t the greatest thing in the world. So, I sent him this impassioned paragraph about how I’m studying music at UNO (University of New Orleans): ‘Here, I made these beats, they’re real songs, and they’re great. Here’s nine of them. Check these out. I don’t use any samples.’ I wrote this to a prospective business partner [and] said, ‘I don’t use any samples. I make THESE biscuits from scratch.’ Alfred replied, ‘Word.’ Alfred : Yeah, I’m bad with that. So, here’s a little secret about me: I get overwhelmed really fast. I get about 20 to 30 DMs a day, and I can’t let one go unanswered. (to Albert) I’m just very bad with that, right? I’m the worst with that. Albert : But you’ve gotten better. You set much better boundaries now, and I’m proud of you. Alfred : I’m trying. Let me ask you a question, Albert: How did you hear me? Albert : I think it was this list in Gambit [Weekly]: the five worst rappers you need to avoid. Alfred : I was number three. Albert : You were all five! (Laughter ensues.) Alfred : I’ve just always wanted to know how you found me. Albert : Must have been someone from UNO shared a video or something. I honestly do not remember how I became your friend or followed you. You were constantly updating your status. MaM : His social game is on point. credit: Gary Governale Albert : It still is to this day! Alfred is just a fountain that you just put digital cups in front of and he says, ‘Here, take more, my child.’ I don’t have that. My fountain is not on. Alfred : It’s out of necessity. It won’t get done otherwise. I want to be successful. I don’t have money, so I don’t have a person promoting me all the time. So, I literally have to promote myself all the time. So, I just have to respond to that message. It can’t go unread. Albert : (to Alfred) I learn a lot from you, self-promotion-wise. I feel embarrassed and goofy just to be here sometimes. Just to be on planet Earth. I think there’s a lot of people like me. You’re going to post the thing you love to do and for some reason, you feel like it doesn’t matter. It can be some huge stuff and for some reason, we get in our heads and self-consciously you feel like it doesn’t matter, no one cares, but that’s not true. Alfred : (to Albert) I admire you about how much you detach yourself from it. I think that’s the illest shit ever, because I could never be that way and I admire someone that can. Albert : You inspire me. Like, when we make a video or a skit or something, or make an announcement, the only reason it gets done or posted with any kind of schedule or intensity or intention or commitment is because I feel obligated to live up to what you got [sic] goin’ on. So, I really appreciate your help in sharing more and feeling less embarrassed about self-promoting. I come from that tradition of people of ‘don’t talk about yourself too much.’ Alfred : One of the main things of this group, I really want people to know Albert Allenback as a solo act. I want people to know him because he’s really good. I just want people to know this motherfu**er is amazing. Drop your nuts, Cuz! Albert : Well, thank you. I will take that into consideration when it comes time to lower my testicles. credit: Gary Governale MaM : You both have your successful projects. How do you find time to do SaxKixAve? Is it just those slivers of free time? Albert : Yep, when we can; that’s the only way. We have conversations. We’re like, ‘Hey, you know what? I still really like you, still like doing this, but I’m busy right now.’ We’re really good at being able to keep a good, professional relationship. We’re close, but I think maybe there’s a part of us—some internal kill switch—that doesn’t let us get too close or something? It works really well. Alfred : (to Albert) I respect you and your time. I think one of the things you did early on was lay the boundaries of your time. I think I did that very early, too. I respect that. I know that when you’re running with Tank and the Bangas, you’re busy as shit. When I’m dolo, I’m busy as shit. We both respect each other’s time. So, when we HAVE time, I try to be as malleable as possible, given his schedule. I do a lot of shit, but I do have a little bit more free time than he has. So, I’m like, ‘Yo, when you free?’ ‘I’m free here.’ Done. Albert : That is how it goes. That is true, and you text back FAST. Alfred : That bitch always [sic] in my hand! credit: Gary Governale credit: Gary Governale MaM : There’s a lot of artistic freedom in SaxKixAve. How do you keep from floating away into the creative stratosphere with this, because it seems like opportunities are limitless. What keeps you both grounded and productive? Alfred : We do have some form of an outline of what we expect from each other. We go into the studio with this blank canvas. It’s not huge though. It’s a nice-sized canvas that we can throw a bunch of shit at and scrape off the paint that doesn’t work. We aren’t just throwing darts at the wall and seeing what sticks.” Albert : Fortunately, we know that we can do a lot of things, but I think we’ve also seen enough people try to do too many things. We have made a concerted effort to at least make an attempt to identify what we do the best That keeps us in the same bowling lane. Alfred : Definitely. Otherwise, you start making all kinds of weird shit. Not the good weird but that bad weird. That Chris Cornell and Timbaland-weird stuff. MaM : Things that just shouldn’t exist. What have been some highlights on stage so far? Alfred : So, a guy at Tipitina’s was saying my job (freestyling to things people hold up) was easy because people bring out the same things, and I was like, ‘Dude, I can literally freestyle about anything.’ Albert : (to Alfred) He was giving you shit because, ‘You can prepare for a phone and a lighter, and a comb, and keys.’ Alfred : So, I was like, ‘Go ahead, do whatever.’ I didn’t know that they had got [sic] together because Albert, him, and one other person were just pulling shit onstage, and I just knocked it out every single time they brought something out. That was one of the bigger eruptions we’d had. Albert : We had a Shop Vac, and a dolly, a partition, and a barricade … Alfred : … an ice chest, an orange cone. I just freestyled. The reaction of the crowd … felt good. French Quarter Fest was, by far, top five of my favorite shows I’ve done with you. Albert : Yeah. We had a drummer; it was great. Alfred : The story behind the set is so crazy. Albert : Oh yeah. It was horrible rain, and we weren’t gonna’ get to do the set. Pell stayed, but HaSizzle and LeTrainiump were gonna sit in with us and the rain messed everything up. Everyone else had other stuff to do, but then they let us do like 35 or 40 minutes and that was amazing. One of my favorites was from that Tip’s show as well. It was either a girls’ weekend or a bachelorette party—I couldn’t read the t-shirts—but they did NOT like us. First of all, we came out to this song of Alfred’s called ‘Too Much,’ which is a beat I made, and it is entirely his fault for picking it. (Albert laughs) It’s a wild, ecstatic, frenzied beat—wild music—and we came out to that hard. We came out swinging; we were spinning around and jumping. There were eight to 10 older women in matching sequence and t-shirts, who just wanted to celebrate Karen or whatever. They were not having it with us. I pointed them out and said, ‘Hey, I know we came out swinging, but we’ll get you back.’ By Alfred’s freestyle, they were into it and having a great time. My other favorite: We played a show [at a gallery] and there was a drum set up on stage. Alfred was doing his freestyle, so I grabbed a cymbal and walked it into the crowd, held it up, and Alfred rapped about it. I didn’t put it back, which is what got me in trouble. This drum set belonged to a kid at NOCCA (New Orleans Center for Creative Arts), and this 14-year-old kid came up to me after the set and he was pretty pissed. He wanted to fight me. I felt more like I related to him than anything because when I was 14, if you had touched my saxophone, I’d be like, ‘What the f**k is wrong with you? Where do you get off touching my shit?’ So, I understand, but it was funny because this fourteen-year-old kid really wanted to fight me because I moved his cymbal. Something clicked where I knew I was now an adult, because I didn’t feel like I was another fourteen-year-old being dressed down; I felt like I was able to take my lick. ‘Hey, you know what? I’m actually sorry and I understand why you feel that way, and I shouldn’t have touched your shit without asking.’ credit: Gary Governale MaM : I know y’all have jokes. What’s your favorite joke right now? Albert : What’s the difference between a chickpea and a garbanzo bean? (Silence for a few moments as the joke goes over my head.) I’ve never had a garbanzo bean on my face. (Much laughter ensues.) Alfred : There’s no way I could ever top that. MaM : Your social media videos are pretty funny. Do you guys sketch them out before you do them, or do you just hit record and go? Alfred : Definitely sketch them out. Albert : We fancy ourselves, against our better judgement, as some sort of amateur sketch comedy team. We are NOT. That’s why we make music. Listen, we’re musicians first; we’re not Saturday Night Live writers, okay? This is a means to an end. Don’t hold us accountable for this. A lot of our videos are Alfred doing funnier shit in the moment than either of us could’ve come up with just writing it out. Alfred : Yeah, those videos are great. I think we’ve had two go viral. You know its popular when you get those assholes that are like, ‘This shit isn’t even really that funny.’ Those trolls. It’s like, ‘Yes! We did it, baby!’ (laughs) Albert : At least they feel something. We spend much more time than we’d care to admit coming up with these. Alfred : I really enjoy doing it. I don’t enjoy it as much as the music, but I do enjoy creating because we both have funny shit in our head, and we live in a time we can legit act it out. Albert : And it feels like a break from the music. It feels like going into woodworking or something. There’s no pressure on this. I’m just building a cabinet; I’m not making my life’s work, which is what the music can feel like sometimes. You have to step back and be like, ‘Hey, chill out, because this is putting pressure on you.’ Spoiler alert: You don’t make great things when you feel a lot of pressure. Maybe some people feel like the pressure gets it going for [them] but for me, I have to be in a relaxed state and let good things happen; otherwise, I’ll shape myself into all kinds of molds that aren’t me. Alfred : I ain’t [sic] gonna lie, I enjoy pressure. I think back to, like, 2010 when I was freestyle battling guys and that feeling of being scared shitless out of my mind, jumping on stage in front of these people, not knowing what I’m about to say and just reveling in it. Being like, ‘Oh, I just can’t wait … but what if I f**k up? This is great; I love it.’ Albert : (to Alfred) Props to you. That’s amazing. That’s like being a stand-up comedian. I could never imagine. Alfred : I may sound cocky, but I’m very much an amazing rapper and I am looking for a moment to stumble. I want to f**k up because I want to learn where I f**ked up at. I want to perfect that and do it again and be much better at it. Albert : Sometimes you just want to feel human. (laughter) Alfred : Seriously, though; I really do enjoy the pressure. Pressure makes diamonds. credit: Gary Governale MaM : So, Albert, you’ve been making beats for a long time. You have a decent back catalog of tracks to pull from. This new album, is it pulling from that or are you coming up with new stuff on the spot? Albert : Some of it is brand new, some of it is ideas that I’ve been working on for years. You make these things and see what comes out. It’s new to everyone else, but it’s something you may have been working on for so long. I got some advice really early on. I forgot this fella’s name, but it was the first time Tank and the Bangas were playing a super lounge at Essence Festival. We were getting to hang out at Essence, and it was awesome. Kelly Price’s music director was there. He said he had started making beats late in life. He said, ‘Just make it and hold on to it because you might like it, but you never know who will.’ I’ve really taken that into account. I have probably over 1,000 songs or song ideas. At this point, I’ve been making beats and writing songs and doing full productions for almost 10 years now. I have a lot built up; it’s just a matter of, ‘Man, you remember that one I made a long time ago? Let’s see if that works.’ That’s how I get to a lot of good stuff, and then seeing what Alfred does. It’s like two comets hitting. Now I’m more likely to try a few more things and be like, ‘You know what? This is working. We’re going to go with what works, what’s good, how he said that this time, and how he was feeling this time, and how I was feeling right here.’ Just going more with using the stuff as it happens, instead of, and this is a nice tie-in—this is what ‘Nectarine Peels’ is about—instead of making yourself a delicious, fragrant, niche, sub-variant of a peach called a nectarine that some people are going to love and that some people aren’t even going to know about or care about … trying to force yourself into being an apple or an orange or any of the other Renaldo and LeBron-level fruits. You can do that, or [you can] stay being your nectarine delicious self and probably make yourself and a lot more people a lot happier than if you’d tried to be a banana. Alfred : I disagree with everything he just said. (laughter) Albert : SaxKixAve: much more better. credit: Gary Governale MaM : Is there anything else you’d like to say about the new record? Alfred : This new album slaps. Albert : It’s good! Alfred : ‘ Nectarine Peels’ ... I'm very proud of it. I like it. MaM : How many tracks are going to be on it? Alfred : About nine in total. Three skits. Albert : It’s like a 23-minute runtime, but it’s, like, nine tracks. We don’t want anybody to have to skip a song because they want to skip one of our stupid skits. I want to give people total control. Honestly, just take the skit off the album if you want, that’s fine, but we want to give people the option. Alfred : This album is amazing. Albert’s production on it is nuts. The songs came out so good. Lyrically, I feel like I’m doing some really cool things on here, jumping out of the box on stuff. We’re just having fun, and I really think people are going to like it. Currently, there is no release date for SaxKixAve’s second album, Nectarine Peels , but you can check out their website for any updates and be sure to follow them on social media. YouTube: @saxkixave1922 Instagram: @saxkixave Facebook: facebook.com/Saxkixave Soundcloud: soundcloud.com/saxkixave *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Truly a Time to Let Your Soul Fly Free < Back Metal: The Killer of Trends Nicole Brice Nov 10, 2022 Share Truly a Time to Let Your Soul Fly Free To say that Metal, especially Southern Metal, had a HUGE impact on my life would truly be an understatement. To be honest, I cannot recall a single time when Metal was not a staple in constant rotation within my music collection. The one band, though, that I can attribute to me truly getting into super heavy music, though, would have to be Pantera, and I had the opportunity to not only see them once in my life, but twice. Those memories will never be forgotten and those ticket stubs will forever be treasured heirlooms as will my 1996 concert tee from the tour for "The Great Southern Trendkill". Tour shirt from July 11, 1996 Pantera always had that in-your-face / want to punch something sound. I can recall hearing "Becoming" for the first time in my brother's 1984 Honda Accord on his Alpine stereo at full blast while riding home from school one afternoon. The aggressive guitar that starts the track gives an instant punch to the cojones and what a musical journey that song is. It never lets up. Aggressive all the way through. Dimebag truly was a pioneer of his time and is so missed. Shows were a way of life growing up and every show that came to town was a "must see". In 1996, my brother and his friends heard that Pantera was coming to town, and so, I instantly HAD to go, right? Add in the fact that they were to play with White Zombie, and duh, no brainer! We were there! We ended up scoring balcony seats, fail , but at least we were getting to go to the concert, so there's that. On May 7, 1996, "The Great Southern Trendkill" was released and the cover was so sick that I knew before I even pressed play that I was in for an incredible experience. To this day, "Floods" is one of my favorite Pantera songs, hands down, because of Dimebag's amazing guitar solo, and I like to listen to that track on rainy days in my car at full volume. Considered one of Pantera's most aggressive albums, "The Great Southern Trendkill" features some of the fastest tempos and down-tuned guitars in their entire anthology, and even though it was to be one of the last Pantera offerings for a long while after, it serves as a reminder of days past when Metal ruled and life was more simple. The 1996 show with Pantera and White Zombie was killer, no lie, and was one of the BEST shows I have attended in my LIFE . White Zombie was incredible, Pantera was incredible, Eye Hate God...not so much, but the entire show was definitely one to remember. Many years later, on a whim, I bought tickets to see Pantera again, but this time they were playing with Soufly. Winner, winner, chicken dinner! I am a HUGE Max Cavalera fan, HUGE ! I, literally, cannot go a day without listening to at least one Sepultura or Soulfly song. Max's voice gets me so pumped up! Just a few of my fave Sepultura songs are "Refuse/Resist", "Roots", and "Ratamahatta". I even religiously wore my brothers Soulfly t-shirt in high school, often pissing him off when he would go looking for it and couldn't find it. It was almost always in my room in my dresser, ha! Oopsie! No clue how it got there. ::grins:: I'm wearing the infamous Soulfly t-shirt here, but it's hidden behind this stuffed pig. No clue why I was holding a stuffed pig. Anyway, so ended up getting to that second Pantera show late and arrived in the middle of Soulfly's set, bummer, but at least I got to go, and Pantera did not disappoint, once again. Sadly, I did not get a t-shirt from that show, but I have the memories of who I went with and the experience. Those things can never be replaced. Even though, Pantera is no longer around with the OG's, the memories of seeing their brilliance on stage will forever live in my mind, and maybe if I'm lucky, I'll stumble upon a YouTube video in the future of someone who recorded the shows I attended. Even though we didn't have camera phones back then, some people did sneak video cameras into those shows, and I'm sure someone out there has footage. They just have to. Till next time, listen to good music, reflect on the memories, and let us teach the future generations what classifies as truly GOOD music. Love and Light. -Nicole- Me in high school wearing my Pantera tour shirt in 10th grade Geometry class www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. < Back Off the Charts: Jimmy Speed Bud Gambrell May 22, 2024 Share Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. Hello all! Welcome back to Off the Charts! I’m glad you’re here! I’m a bit excited to turn you on to this next band. Jimmy Speed is a local band I’ve heard of but have yet to see live. I assure you that will change! I may have heard the name from bands that played at a former location in Huntsville called Sidetracks Music Hall . If you’ve never heard of Sidetracks, I wrote a book about it, but we are not here to discuss that. Let’s start this article a little differently. I want to wet your pallet just a bit with one of the band’s videos. Please turn this up before continuing to read this interview. See below. Jimmy Speed comprises various musicians from the Huntsville area in Alabama. It had its humble beginnings in founding member/lead singer Lyle Douglass’s bedroom. I got invited to a band practice recently, where I had some time with Lyle before the band introduced me to their new song, Paradise , where I was able to ask Lyle for a little history of Jimmy Speed's origins. Click the picture to experience Jimmy Speed's music. OTC : How did you come up with the band name Jimmy Speed? LD : Jimmy Speed started in my bedroom. I'm writing songs because that's always been my passion. I've been a songwriter since I was a teenager at home. And so, Jimmy Speed was sort of the name I gave myself just for my own released music because I didn't want to release a Hard Rock album called Lyle Douglas. And so, I thought, I need to come up with a rock'n'roll name. My first name is James, so I thought, well, Jimmy works perfectly. I had to come up with a stylish last name, so I thought Speed worked because some of the music I wrote at the time was fast, hard, and heavy. So that's how that name originated. Our music is a unique blend of fast, hard, and heavy rock, a style that we've honed over the years and that sets us apart from other bands in the area. Credit: Facebook OTC : What year did the band form, and how did you get to the lineup of musicians you have today? LD : In 2015, I joined forces with Mono Stereo, a local cover band formed by guys from Blackeyedsusan and Dragmatic. Chris was in Dragmatic , Donnie Pylant, and Jay were in Blackeyedsusan, and then their bass player Glenn was the bass player for Brother Cane . He's back with them playing again. They brought me in to be their lead singer and rhythm guitar player. That's how I met Chris. And then, in 2016, my brother passed away. I had a bunch of songs written, some of them dedicated to him. I asked Glenn and my friends Brian and Chris, hey, do you mind just getting together and doing a one-time gig of original music at the Sportspage ? It was just kind of a one-off thing. And so that's how it started. It was just an original gig that we did, and after that show, the guys said, it's cool. Let's continue doing some of these songs, and that's when it originated. I guess that was around 2017 when Jimmy Speed first formed with the lineup of Brian, Chris, and Glenn Maxey. But then, when the pandemic hit in 2020, Glenn had a tough year and had to step away from the band. At that moment, like many other bands in 2020, we had to ask ourselves, what will we do? Are we going to keep doing this? Brian, Chris, and I decided, yeah, we want to. We're still passionate about this. So, we kept writing songs. We went back to the studio. We kicked around some bass players like Mike Staten from Tres Locos and Michael Cline from 5ive O’clock Charlie . They stepped in and helped us out for about a year or two. We've known Gary for 25 years. On a whim, we just said, hey, man, we're interested in you playing bass for us. The other guys are busy. Not that Gary wasn't busy, but he said I'm interested. And so, it looks like, hopefully, I crossed my fingers. He's going to be a permanent guy. Credit: Bud Gambrell OTC : What are your biggest influences when you're making music? LD : I am admittedly a product of the 1980s MTV generation. My riff writing is very percussive, so it's very Metallica-ish. Some of it is Megadeth-ish. But I also like Weezer-esk hooks. Chris is probably more of a 90s guy himself. And so, we bring out our inner Motley Crue, Weezer, and Metallica when possible. OTC : How would you describe the music that you create? LD : I try not to get too fancy with genres. I know there are so many subgenres of rock. To me, it just gets silly. I've always categorized this, just as you know, as heavy rock, heavy rock with elements of soft rock and elements of metal. Let’s pause for a few minutes and check out another song! OTC : Talk to me about your approach to writing new material. Is it a collective effort, or do you do the writing and bring it to the band? LD : It typically starts with me at home doodling because that's just what I do. It's just kind of my passion. I can't help myself. I've always done it since I was a teenager. So, it usually starts on the guitar. I'll come up with something, some hook on the guitar. I will hear some vocal lines without any words. Something like that will come across my mind as I'm playing. I think, OK, those are the syllables I need. I need to come up with some words to fit, and sometimes, it's a random line like in one of our brand-new songs, Paradise. I'm playing the riff, and the line spontaneously came as “I'd Walked 1,000,000 Miles on a One-Way Road”, and I had to stop and go, OK, who's on a one-way road? Who's walked 1,000,000 miles? What is that story about? And so it could be a spontaneous lyrical line that comes to mind. And so, you write a song based on an idea. Credit: Bud Gambrell OTC : We talked last week, and you were in the studio? I'm guessing that means we've got new material coming out. Tell me about that. When? LD : It's probably going to be released later this year. We're now working with engineer Ben Holloway at Five Points Recording Studio. We've worked with Justin Miller down there. He's the owner. Head engineer. He did our last album, Weight of the World. But he's got a new engineer working night and night just from a scheduling standpoint, which works better for us. So, Ben is doing all the rough recording right now. We've got drums, all the main lyrics, and my guitar, but we still need to play lead guitar, bass, and some backup vocals. It's a slow process, so we chip away at it when possible. We don't have a regular scheduled time over there, but like I said, it will probably be released later this year. Credit: Bud Gambrell OTC : How do the people reading right now find your music? LD : In today's world, most people stream, so you must ensure your music's out on all streaming platforms. I've done that. Social media is such a circus, but at least it gives you the tools for reaching thousands of people at a very low cost. I've done sponsored ads, and we've got videos on Facebook with 10s of thousands of views. 20-30 years ago, I know the dream of all musicians was to get signed, and that's still great if you have corporate sponsorship and that corporate push, but social media at least gives small artists the tools to do it kind of themselves. But now, people must search for us on their favorite streaming service, Jimmy Speed. OTC : All right, one last question. If you could open a show for any artist, who would it be and why? LD : You know, I think that I've compared our music most closely with Volbeat. Love or hate them, Volbeat is hugely popular, and its music is heavy but melodic. They've got a lot of melodic hooks. Their singer is not necessarily a screamer, and that's always what I've gone for. They have a heavy sound but a lot of hooks, so that would be my dream. I didn’t come up with that last question; my editor/publisher, Nicole , did. Thanks, Nicole! That was a great question! I liked it so much that I asked the other three band members the same question to see the variety of answers I might get. First, I asked bass player Gary Fullerton. Credit: Facebook OTC : If you could open a show for any artist, who would it be and why? GF : My first choice would be Iron Maiden. Steve Harris greatly influenced me back when I was a kid. My second choice would be The Warning. Those girls from Mexico are kicking ass! Next, I turn to guitarist Chris Robinson. Although I had already asked the question twice, the guys took their time and thought about the answer. OTC : If you could open a show for any artist, who would it be and why? CR : Oh my gosh, that's a great one. Oh, man. Oh my gosh, you stumped me. I was thinking Avenged Sevenfold, but I was like, am I that good? It would have been Mötley Crüe or Guns N’ Roses when I was ten. You know, next level. One last band member. I asked drummer Brian Miller the same question and got a very eclectic answer. OTC : If you could open a show for any artist, who would it be and why? BM : Man, is that like a current existing band or any band? OTC : It can be any band. BM : Man. I would open for The Doors. Absolutely! Because I want to meet and talk to Jim Morrison. It's as simple as that. It's like a lifelong ambition stolen from me at age two. What can I say? Credit: Bud Gambrell I’m going to have to take my advice on this band. Don’t snooze on Jimmy Speed! Unfortunately for me, I have yet to see them play live. Yet! I was fortunate enough to sit in on a band practice and could tell this band is meant to be seen live! Keep an eye out for upcoming dates. With new music coming out, that can only mean one thing. New show announcements! Follow Jimmy Speed at the links below. Drop by and buy some new tunes. Watch the music and keep up with the band news. Be sure to drop by and send me an email. Let me know if you have a good recommendation for a band out there that is killing it. Or you can drop me a line and say hello. Until next time, Keep your diamond down in the groove! Where to find Jimmy Speed: www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. music.youtube.com YouTube Music Where to find Bud : Email : the_budgambrell@mixedaltmag.com Amazon : https://a.co/d/1CLA9Tz bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Vesper < Back One of the Best Indie Sci-Fi Movies You Should Absolutely See Keeley Brooks Jan 11, 2023 Share Vesper From time to time, I like to write about movies I watch and spill about them to all of you. Recently, my Dummy (husband) and I sat down to watch the movie “Vesper,” one of the latest independent science fiction films to hit theaters, then Video On Demand. Starring Eddie Marsan ("Ray Donovan " ) and Richard Brake ("Peaky Blinders " ), along with a cast of mostly unheard-of British talent, this dystopian drama is fantastic on multiple levels. The acting, storytelling, computer-generated effects, score, and cinematography all work brilliantly together to pay homage to classic sci-fi films, and with its post-apocalyptic backdrop, it’s the perfect formula for a standout dystopian flick. Its plot centers around 13-year-old Vesper, played by extremely gifted child actor Raffiela Chapman, who is a young girl living alone with her bed-ridden father (Richard Brake) on the outskirts of the Citadel, which is, of course, the area built for the rich to live and thrive as the less fortunate are left to fend for themselves in a dying world of fear, violence, hunger, and no hope for a future. Vesper’s father is bed-ridden due to an injury he received fighting for the Citadel and as a result, is left on a ventilator, paralyzed, unable to do anything but move his eyes. Vesper, being the genius she is, built a drone and hooked it up to her father’s brain so he could communicate with her. Together they must learn to survive in desperate conditions—an undertaking made slightly easier by Vesper’s mad bio-hacking skills … and I do mean mad. She is solely responsible for keeping him alive and healing any wounds that might develop, and the more we watch, the more we discover how integral Vesper and her wits are to the story's developments. Additionally, we learn she also grows plants with some of the most breathtaking abilities you’ve ever seen on film. One day while out foraging in the woods, she comes across an injured woman and brings her home to heal her ... then we learn this woman is hiding a huge secret that may just save the entire world following the collapse of Earth’s ecosystem. I won’t reveal all the deets and spoil anything for you, but I will tell you if you’re looking for a great sci-fi film to get lost in, you’re gonna want to watch this one. The movie creates an astounding landscape with some crucially inventive special effects, and it doesn’t sidetrack itself by trying to explain every tiny little detail, thereby leaving some imagination up to the viewers. " Vesper " is beautifully written story by French writer Bruno Samper and Kristina Buozyte of Lithuania, both known for 2012’s "Vanishing Waves." The screenplay was written by Brian Clark, who is best known for, you guessed it, "Vesper." It’s currently streaming on AMC+ and is available for rent on Video On Demand. If there’s a rainy day in your future, take advantage and get lost in another world for a while. Its ending will leave you full of hope and sweetness, having rooted for Vesper the whole way through. You won’t be disappointed. You're welcome. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nicholas Johnson’s music is soulful and nostalgic < Back Nicholas Johnson: The Shape of Americana to Come Nicole Brice & Chris Pryor May 30, 2023 Share Nicholas Johnson’s music is soulful and nostalgic Americana, what is it exactly? A sound? A feeling? A moment? For singer/songwriter Nicholas Johnson, based out of Cincinnati, Ohio, it is a masterfully crafted album that showcases his songwriting and vocal talents. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” picks up where “Shady Pines Vol. 1” left off with country-tinged folk songs that tell stories of love, loss, and redemption. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” On “Shady Pines Vol. 2,” Nicholas Johnson’s songwriting is more mature and nuanced than ever before. The lyrics are poetic and introspective, painting vivid pictures of the characters and settings in the songs. His vocals are powerful and expressive, and he delivers the songs with a sense of conviction and emotion. Johnson always had the goal in mind to craft a recording that matched the intensity of his live shows, and the result is a brand of rock that manages to sound familiar and original with hints of nostalgia thrown in. Mixed with great modern production, thanks to superstar Dayton producer Patrick Himes , this album is sure to resonate for years to come. Feeling as if you're on a steam locomotive shredding across the wild west with the eerie style harmonies of "On the Avenue" is an exhilarating experience, and the lyrics fall right in place with the backdrop that the arrangement paints. One might even say his music could fit in perfectly with the show Yellowstone , and the ghostly sound of the guitar solo in “Dark And Bloody Ground” is killer and a masterpiece. It’s one of our favorite tracks on the album. With seven songs coming in at a little under 30 minutes of listening, the tunes evoke a sound reminiscent of Bruce Springsteen if he teamed up with Toad the Wet Sprocket—pure, enjoyable American rock. Photo provided by artist Nicholas Johnson is extremely talented, and why we are not hearing his music on radio stations across the nation is beyond me. There is an audience for him anywhere and everywhere. “Shady Pines Vol. 2” is a must-listen for fans of country music, folk music, and singer-songwriters. This album will stay with you long after you have listened to it. We reached out to Nicholas so we could learn more about him and his craft, so be sure to check out his music after you finish reading this interview. We guarantee you’ll love it as much as we do. MaM : Nicholas, thanks so much for taking the time to chat with us. Your music is so soulful and full of nostalgia. How did you get linked up with Patrick Himes to do both albums? NJ : Well, it was a weird set of circumstances and very serendipitous. I got kicked out of Italy, which was crazy because it was on my birthday. It was the weirdest thing ever. Honestly, there were little moments leading up to it, but I think the Italian motto should be like, ‘It’s ok, it’s ok, it’s ok,’ but it’s not ok. It’s never ok. I had sold my house, car, everything, and so when I got kicked out of Italy, I was couch-surfing between Louisville, Kentucky, and friends in Dayton, Ohio. When I was in Dayton, I was around fellow musicians and was showing them this group of songs, and they’re like ‘Dude, you gotta record these.’ I’d had some bad experiences in the studio, and so I was apprehensive about going back in, but then I found out that the producer who had worked on one of my favorite albums actually had a studio in Dayton and through a series of very fortunate circumstances, I was able to work with him, but we only had two or three days to knock out all of the songs. It was really quick and [was] an awesome experience. It made me fall in love with the studio all over again just by working with him. MaM : Wow, that is incredible. NJ : Yeah, it was, it was so quick and that was part one. I ended up telling him that I had such a great experience that I wanted to come back and record more. That’s why I labeled the first [album] Volume 1 just to have an excuse to come back. MaM : That was smart thinking. As far as the recording process, how do you approach going into the studio? Do you do anything to prepare first? NJ : Well, I think with Patrick, we have learned how to work with each other and honestly, every time I go to the studio now, I feel it’s an evolutionary step because I went from being super green to a little apprehensive, and then when I went back for this new album, I had formulated this plan. I knew exactly who to use for drums and who else to work with. I definitely had a bit more of a plan going into Volume 2. Photo provided by artist MaM : Tell us a little more about your backing band, The Same Old Strangers. NJ : Yeah, I call it the ‘same old strangers’ because I never know who is going to be in it. (laughs) MaM : That’s awesome. Not just a clever name! NJ : It’s the curse of knowing all these super-talented people, but they’re always busy. I’m used to doing things solo, but I’m also glad I get to have these guys on the road to do something, and it feels like every time I am on the road, it’s a different experience and a different group of people. The cool part of that is I get to hear my songs played in different ways because I give the musicians free reign on how they play the songs. I want to hear their personality come through on the instruments. Whether it changes the tone and makes the songs appear more bluegrass, punk, or funk, then so be it. When I was in Italy, I had a traditional Irish folk violinist in the band and a punk drummer, so it’s crazy. We sounded like Flogging Molly for a minute. It had this whole Guinness rock-type feel. MaM : I see you are currently residing in Ohio. What brought you to Ohio from Kentucky? NJ : After college, I worked two jobs. One was working the night shift at a mammoth cave hotel there in Mammoth Cave, Kentucky. I was sleeping behind the desk, and then I’d wake up in the morning and I would go to an Australian-themed animal park called Kentucky Down Under where I worked with kangaroos and wallabies. I was working 16 hours a day and not really making much money, so my buddy, who worked in pipeline construction, said he would help me. I had this English degree I wasn’t using from Western Kentucky, so he asked me to come and be his helper. He was a welder. He then took me on the road and so I was able to quit my other two jobs. I ended up going from New Mexico to Wyoming and eventually wound up in Indianapolis and Champagne, Illinois. I would work from six in the morning till four or five in the afternoon and then play in the bars until two in the morning. MaM: That is pure insanity! (laughs) So, I read you started off as a drummer in your high school pep band but now, of course, you play guitar. How was the transition going from percussion to guitar? NJ : Oh, man … I just beat the hell out of it! (laughs) I’ve broken a lot of strings and I’ve really had to learn over time that it’s not a percussion instrument. MaM : Right. You gotta treat it gently, man! NJ : Right, but I’m a hard learner. The percussive element is there, and the rhythmic element is there, but I’m learning how to craft it into a different kind of sound where you’re doing the picking and hammer on/off and all that stuff. MaM: Do you have a favorite guitar to play as far as sound? NJ : Yeah, it’s just a matter of affording them. I’ve had a Takamine Santa Fe since 2001, so it’s been my workhorse. It’s been everywhere with me and is kind of my safety blanket. I love the way it sounds and know every inch of it. I know how it’s going to react to certain things, and it travels well. Even when I try to switch to a different guitar, I always gravitate back towards it. MaM : You just came off tour in March. What were the crowds like? Were they receptive to your new material? NJ : Oh absolutely! I was pleasantly surprised since this was the first big tour I’ve done. I did a little East Coast thing last year, but this one was over 20-something straight days. I was on tour with The Pinkerton Raid, so some folks are familiar with them, and some were familiar with me depending on where we were. I think the Midwest is where we’ve planted our flag now and it was great. Hopefully we’ll go back there. MaM : Do you have any plans to tour more this year? NJ : Actually, I’m going on an East Coast tour in August. [I’m] headed up to Columbus, Pittsburgh, New York, Boston, and New England and all that. A big chunk of August will be that. In September, I have Americana Fest in Nashville, and in October, I’m going to go back overseas for the first time since COVID. I’ll be doing Ireland, UK, and Italy. Photo provided by artist MaM : Right on! I want to ask you about your vocal influences. I love your style. Who do you cite as influencing you vocally? I hear hints of Tom Petty, Bruce Springsteen, and Toad the Wet Sprocket, among others. NJ : Well, Springsteen and Petty are at the top of my list. Petty, for sure, he’s kind of my musical hero. When you’re growing up in Kentucky and going over the hills and the curves there in the backwoods, that’s who you have blaring with the windows down, and it’s such an honor to hear someone say [his name] in relation to my music. Toad the Wet Sprocket, too. They’re a representation of that alternative movement and my favorite from that movement is Oasis, but Adam Duritz is a big influence of mine, too; I don’t know about vocally but, for sure, lyrically. The way he’s able to paint a picture with every lyric … [there’s just] not a wasted word. Not one. MaM : All of your songs tell a story. What inspires your lyrics and what goes into the songwriting process? NJ : Well, you know sometimes, you’re just drunk and stumbling, and I’m a visual person. I’m not able to paint, so I use my words. Take, for example, [the lyrics] on ‘Lost and Found,’: ‘green glass on the sidewalk, shimmers like stars.’ … I was drunk in Milan at 2 a.m. and I saw this green bottle. And from one image to the next, some of it is observational and some of it you pepper in yourself and [add] your own experiences. Sometimes, it just starts with being drunk and seeing an image, and sometimes it’s just hanging out and watching a situation. I’m a barfly—a pub guy—and sometimes you just hang out there and see certain situations play out and that becomes a story. I don’t like to be completely blatant and biographical. MaM : One of my favorite song titles on your new album is “Binghamton, Ny Is a Portal to Hell.” (laughter) Can I get a backstory on that one? NJ : (laughs) I’ve got family up there. They have the second most gray days besides Seattle, and you wake up and the morning looks like 4 p.m. (laughs) Time gets lost up there. It’s funny, too; Rod Sterling from The Twilight Zone , he’s from there, and I feel like things are just weird there. We had a series of unfortunate things happen there, like family’s health, and our dogs passed away when we were up there one time, too, so there’s just this series of unfortunate events and things. It just became this thing where Rod Sterling knew what he was talking about. This is definitely the twilight zone. (laughter) Honestly, I may have upset some people with that title. (laughs) It wasn’t intentional, and it all started as a joke. It was a punk song at first. Patrick was like, ‘That works, man; [just] slow it down,’ and it happened. It almost didn’t get recorded because it did start as a joke. MaM : Nice. Okay, last questions: What are your future aspirations? Where do you see yourself headed? NJ : Well, I’m all in. This is what I want to do. It’s been a long and winding road to figure out that this is what I should be doing. I just want to keep producing, getting better, and writing good songs. It would be fun to do a project where I didn’t have my name on it. Maybe a little side project. I would love to tour with a bigger act or cool band. I’ve always wanted to open for Wilco or something like that. I’m going to keep plugging away and see what we can produce and hopefully keep doing albums with Patrick. - To experience the music of Nicholas Johnson yourself, hit one of the links below and indulge! Nicholas Johnson | Spotify nicholas johnson (nicholasjohnsonmusic.com) ‎Nicholas Johnson on Apple Music Nicholas Johnson (@nicholasjohnsonmusic) | Instagram Nicholas Johnson | Cincinnati OH | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jill Mulkey Art < Back Raw, Unapologetic Artistry Keeley Brooks Feb 13, 2023 Share Jill Mulkey Art During my years living in the heart of Baton Rouge, La., straight fumbling my life thing after college, I ran across some very talented artists of all kinds nurturing their individual crafts in a most pure, non-conformist way. It was awesome because back then, the city vibrated with electricity emanating from the super-cool types of art being created; the 2000s were quite a colorful time on the BR entertainment scene, if I do say so myself! Nowadays, the city isn't just vibrating; it seems to be exploding with all sorts of art, and now that I no longer live there, it's kind of up to chance when it comes to noticing more of its artists, whether it be through recommendation or random happenstance online. And that’s how Jill Mulkey filtered into my gaze: She randomly popped up in my social media feed one day, and her distinctive abstract style caught my eye … okay, it caught both of them. I zoomed in on several of her pictures and noticed some wonderful, subtle textures and shapes full of artistic nuance, and I was intrigued. Her art appealed to me because it said, in a sense, real talk. It screamed honest, real shit like I'm here and I'm colorful and I'm loud, but at the same time I'm also full of depth and exposure because I live, I breathe, I experience, and I create as a result--not for you, for me. There were no distractions. It wasn't all neat and tidy in a perfect, little, expected bow--no. It was loud and vivid and raw and messy in the best of possible ways. It was connectable ... proud ... unapologetically human, purely exposed artistry ... and that's what I loved about it: its humanity. I felt the emotion behind every piece I ogled and believe me, I spent way too many hours on both her social media sites clicking through images and getting lost in them. Mulkey is a mixed-media abstract artist, photographer, and fashionista out of Baton Rouge playing with different textures of shape and color to express herself, her messages, her feelings, and the world around her. In fact, her expressive patterns of repeating tiny squares and circles have become very popular in her shows and largely draw in the commission requests. Having always had the artistic talent deep within her, Jill spent her time after high school doing hair and nails by day and painting by night. The more she painted and showcased, the more attention she garnered for herself. Over the past decade, she has done and continues to do some really cool work, like reproducing different Rock album covers, for example. During a time when she was experimenting with multiple new techniques, she took some pictures of some famous people and portraits of rock stars and worked them through her own interpretations. While her early paintings included a lot of portraits and closeups of faces and different city scenes, her style evolved and delved deeper into the abstract world. Some of her works incorporate printmaking techniques, like doing portraits by repeatedly stamping ink on the canvas in high and lesser concentrations to affect lines and shading, and she isn’t shy about collage work. Her images incorporate paint and print materials to illicit interpretations. One of her earlier works, a popular choice depicted below, “Pisces Girl" started out with a compilation that included a girl, a guitar, and a pear, but as the woman’s arm began to take shape, Mulkey's focus shifted from the objects to the woman. You can see how gently and effortlessly she and the guitar are beautifully entwined, both revealed with the implied sexiness of the distinct hourglass shape--the neck of the guitar ever so slightly separated from the woman's to partially hide her face just enough to illicit intrigue and admiration while conveying a union between worlds ... ah! What sweet, emotional depth it displays. It showcases beautifully sequenced artistic style. And, to tie in the title, Mulkey added water elements and a fishbowl to represent the zodiac. Canvas isn’t her only medium, though. Early in her career, she used to paint on bottles and even tinkered with unconventional canvases, like paintings on doors and other found pieces. She also paints on … waaait for iiit … JEANS! I’m not kidding. And they look pretty badass, if I do say so myself. Her jeans became so eye-catching, that she now stages fashion shows in various locations. “I paint really fast,” Jill says. “I work really fast with my hands,” which explains how she’s able to generate so much in so little time. This challenge of mixing multi-media efforts into one cohesive piece for visual pleasure has been seemingly effortless for Jill, who is constantly scoping out new outlets. “I continue to paint and participate in many art shows all over Baton Rouge. … When I [began to focus] on my art career full time, I painted pretty much every day and sold a lot through social media, mostly on Facebook. I still have a large client base there,” she says. Mulkey has also been featured in several art galleries over the years, including Gallery N , owned by Mark Nikoff, and Williamson Howard Fine Art . It wasn’t long before she realized the gallery display opportunities held more than just a place to display; they became places to grow. “One of my proudest [shows] was in Downtown Baton Rouge at The Shaw Center in the LSU Art Museum,” she says. “I had an art and fashion show inside and a local DJ outside that I worked with on many shows. He was playing music and above him was a huge, white parachute floating in the air off the building on the 4th floor with images of my art, photography, and fashion flashing across this monstrous screen all night. It was so amazing. I haven’t seen anyone do anything like that since, but I’d love to make it happen again!” Over time, Mulkey has become an art dealer of sorts, curating shows at different galleries in and around the Baton Rouge area and promoting new, young talented artists, as well as making sales for herself and the new talent. In 2010, she curated a show in Los Angeles at the Thompson Hotel on Wilshire Boulevard that amped up her abilities. “Somewhere in there, I began painting live—something I never thought I would do years before,” she gleans. “I became a regular in Battle of the Brushes, a monthly live art battle I did in New Orleans with Alex Harvie and TJ Black (and other chosen artists) on Magazine Street.” It seems more and more people these days find a deeper connection with live painting, and why wouldn’t they? It’s personal, exciting, and curious--utterly fascinating to watch, sober or not. There’s so much mystery around what is being created, that for just a tiny moment, we as viewers often forget there’s even someone there working their ass off to convey to you what they are seeing, hearing, and/or feeling in that specific moment. Then, when an image begins to emerge, a peek of the artist is seen just long enough for the question of why the artist is doing what he/she/they is/are doing to seep in, and once an artist's awareness of that happens, it oftentimes can create an intense palpable pressure . But Mulkey doesn’t seem to mind that one bit. She doesn't even notice, really, because she's a badass who paints right through it as though it doesn't even exist. For those of you wondering, this is what we call "the zone." “When I paint live, I sometimes start … by writing with paint in cursive across the entire canvas: first line forward, next line backwards, then forward again, and backwards every other line. I’ve become quite good at writing backwards because of this. It’s fun to see people react when they realize what I’m doing,” she explains. “It’s a great touch in the end, even though it’s just a technique for texture and getting an idea of where I’m to go with the painting. It makes for good live painting, too, because no one knows what the painting is going to be until the very end.” She adds, “People always comment on my process, saying they never know what’s going to happen next or what the painting is going to end up being. The funny thing is, I didn’t want to paint live in the beginning, so it worked out well!” Today Jill stays between Baton Rouge and Minnesota, where her other studio is. She’s currently working on collections and several commissioned pieces. Her zodiac collection, which instantly drew me in even deeper than I already was, involves characters with traits and symbols from each house of the zodiac. She tells me started years ago with “Pisces Girl” and has since completed the signs Taurus, Cancer, Libra, Virgo, and Sagittarius. As a Taurus, I personally connect to her representation of Taurean nature: still, yet loud, messy, confusing to some, and organically earthbound ... refusing to conform; I love it. Mulkey says she loves all the interesting aspects of each sign, and there’s so much to include in each piece that the process has been nothing short of enlightening and entertaining for her. Work on the zodiac series continues, although she’s had to put it on hold, “to complete various commission work, including this Boba Fett piece, which has compelled me to start a ‘Star Wars’ collection. Once I posted the finished Boba Fett piece [online], I got two commissions from it. I grew up on ‘Star Wars’ and love it, and I’ve always wanted to do some art based on the early movies, so that is in the works.” Other commissions she’s been working on involve religious themes taken from a statue of Mary and the baby Jesus, as well as her popular bikes. She also works on layering in lyrics and parts of songs into her art. “I’ll start with the very first songs I remember as a kid and make art out of them. There’s [sic] so many eras of music that I love. … [I] could have a different theme forever. … [E]veryone loves to see their favorite songs in art and connect [with them].” Speaking of music, Mulkey talks of switching between listening to metal, 90s or Pop music when she paints, depending on her mood, and when she isn't listening to music, she works with a podcast rolling--either true crime or haunted stories, or "Conan O'Brien Needs a Friend," "Jeff Lewis Has Issues," or "Smartless," to be exact. When she isn't painting and is indulging in some well earned chill-out time, she's probably on Netflix, Hulu, or Tubi. "My latest guilty pleasure has been the Netflix series 'You.' ... [And] for some reason, I've been hooked on 80s cult movies lately ... and Conan O'Brien," she adds with a laugh. When asked what about this world inspires her most to paint and create, she says she wants to be able to see the things visualized in her mind emerge into tangible form. That's the magic. "I'm also very into pop culture, and that is very influential on things that I paint," she adds, noting that her absolute favorite mediums to work with are charcoal and acrylic, but she also loves spray paint and enjoys experimenting with all mediums. Mulkey currently is focused on completing her commissioned pieces, as well as her zodiac collection, and she says she's also looking forward to working with local Baton Rouge gallery owner Mark Nikoff, who is planning future art openings starting in March 2023. It's no doubt her arsenal is full of an expansive variety of creations on a multitude of subjects with a myriad of focused perspectives and messages, but if you ask her what her favorite thing in the whole world to paint is, she'll smile and tell you it's her faces, which are nothing short of worthy of your admiration and exploration. So, just for you, art lovers, I leave you with a mini-gallery of some faces and other selections from her digital portfolio I found interesting. Enjoy, my friends. Be sure to find, follow, and support Jill Mulkey Art online to stay plugged into her latest pieces, any current and upcoming shows, and updates to any of her unique collections. https://www.facebook.com/JILLMULKEYART https://www.instagram.com/jillmulkeyart/ *Images courtesy of Jill Mulkey Art www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Roger Ricks Nothing But Heart and Soul < Back Nothing But Heart and Soul Nicole Brice Dec 7, 2022 Share Roger Ricks If Bruce Springsteen and Dire Straits had a band baby, it would be Roger Ricks. No lie. Roger is a singer / songwriter based out of Zurich, Switzerland, but that’s not all he does. He also produces his own music and builds his own guitars, as well as markets himself AND giving the proceeds of his music sales back to charity. Wow, this man is incredible. I first stumbled upon Roger’s music via Instagram, which by the way, is an excellent way to discover new talent because of the visual aspect the medium allows. I often find myself scrolling through bands and artists and liking them, then following them, where I indulge in all they showcase on their profiles. The profiles then lead me to iTunes where I buy their music for my collection. With smooth, clear vocals and crisp, clean guitar work, Roger’s music inspires me. Truly, it does. Because I admire what Roger is doing so much, I decided to reach out to him to get to know a little more about what he makes him tick and guides his stance. With a new single releasing on December 9, 2022 via all streaming platforms, this is one artist you need to check out if you haven’t already. I threw Roger a few questions so I could learn more and was very delighted with his answers. Check it out and then go check out his music! MaM : Wow. I am very impressed with you. Your website is solid, too. Let me ask you, what led you to start producing your own music in lieu of having someone else do it? RR : I started recording my songs when I was about 12. At that time with two old tape recorders and much later with the computer. For me, music production is not a purely technical task, but part of the creative process of creating a song. Since I don't do music full-time and I also have a family, producing on my own allows me to work on my songs whenever I can and want to. Usually this is late at night when everyone else is already asleep and I can really dive into my creative flow. Roger's home studio setup MaM : So, you mentioned you have new music coming out. Tell us a little about the new single you are releasing. RR : The single is called "Lost,” and the lyrics were written by the wonderful Emme Pierre. Originally it was planned that she would sing the song and I would write the music but unfortunately, she lost her voice permanently before the recording due to health reasons, and we decided to record the song with my voice anyway. The song is about how people are willing to exploit others and take advantage for their own profit. This is a topic that always concerns me and is also a well-known phenomenon in show business. There is something energizing and intoxicating about striving for success, but you can also get lost in it and become too distracted from the essentials of life. MaM : Wow, what an amazing topic to tackle via songwriting. I can’t wait to listen to it. What music or things around you are inspiring you to create these days? RR : Musically, I am influenced by the older guitar gods like Slash, Eric Clapton, and Joe Perry. Of course, there are other virtuoso guitarists who can do technically amazing things with the guitar, too, but I'm more fascinated by catchy licks and melodic solos that you can also sing and that release emotions in me. Emotions of everyday life are also what inspire my music. My music is a diary of my feelings over the years. When something is bothering me, I process my thoughts into music and make them audible. Therefore, every song of mine in a way fits to a special event or a period of my life. MaM : I noticed on your website that you play a custom-built guitar. I want to know more about your custom guitars. Was it a particular sound you were looking for and that’s why you decided to build your own? Also, too, what type of guitar inspired the ones you build? RR : I am a typical Les Paul guitarist. I love the full sound. A few years ago, I was thinking about buying a flamed top Les Paul, but my budget didn't allow it. So, I had the crazy idea to build it myself. I always liked craftsmanship and so I watched YouTube videos of Luthiers for hours until I had the feeling that it could really work. I ordered the woods and parts and just started, and it grew from there. I had a lot of fun; it was like a meditation of sorts to grind the woods and in the end, I had a nice flamed top guitar resembling a Les Paul in my hands. Of course, it sounded a little different than if I had bought it but just different, not worse. This only further awakened my passion and since then the tones of my own guitars are an important part of my music. One of Roger's custom guitars MaM : I know that charity work is very near and dear to your heart. Can you tell us a little more about that and what you do? RR : Music has always been a very important part of my life. It has carried me through some really difficult times, and I don't know where I would be without the power of music. For me, music can build bridges, to connect people who otherwise would not communicate with each other and to make a positive difference in the world. I decided to set the goal of dedicating my music to a meaningful cause because 20 years ago, a school friend started an aid project in Ghana to help street children and to really make a difference through local education instead of just transferring money. Honestly, the money often doesn't get to where it's supposed to go or doesn't have a lasting effect, but through "Chance For Children" ( www.chance-for-children.org ), the children are given the opportunity to work out a long-term perspective for themselves. All my proceeds from my music goes 1:1 into this foundation. The idea is that people can donate money just by listening to music. You don't have to open your wallet, just spend a few minutes of your time listening to music to make a positive difference. This makes my music more meaningful and motivates me to put even more energy into it. I really hope that with time, more listeners will stream my music and I will be able to support more projects. For more information about Roger, visit his website at: Songwriter | Roger Ricks Music | Zürich On Social Media, he can be found at: Roger Ricks | Facebook Roger Ricks | Zürich | Facebook Roger Ricks (@roger_ricks_music) • Instagram photos and videos YouTube Roger Ricks - Topic - YouTube Spotify Roger Ricks | Spotify iTunes ‎Roger Ricks on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A list of Netflix original content to watch, stream, and binge in July < Back What's On Netflix: July 2023 Keeley Brooks Jul 4, 2023 Share A list of Netflix original content to watch, stream, and binge in July I’m pretty sure I speak for everyone when I scream out how much I wish the writers’ strike would come to an end. Give these writers what they deserve so we can get back to makin’ new content, please! At least Netflix doesn’t seem to be hurting with their influx of new original content streaming in July. We have some pretty cool documentaries, a healthy amount of comedy, an expansion of the 2018 hit movie Bird Box , and we’ll see the final season of Henry Cavill as Geralt in Season 3 Volume 2 of The Witcher , which premieres at the end of the month. I’ve enjoyed the series, but I will say I sure hope Volume 2 is much better than Volume 1. Here’s a full list of (most) everything hitting the streaming giant over the next few weeks. NEW ORIGINAL MOVIES UNKNOWN: THE LOST PYRAMID JULY 3 Two teams race against the clock to see who will make the bigger discovery, and thus make their mark on history, in this archeological documentary following two of the world’s most famous Egyptologists seeking to unearth ancient treasures. In the desert sands of Saqqara, the latest hotspot of Egyptian archeology, Dr. Zahi Hawass hunts for the long-lost pyramid of a forgotten Egyptian king while his protegé, Dr. Mostafa Waziri, searches for an unlooted tomb in an ancient necropolis. TOM SEGURA: SLEDGEHAMMER JULY 4 Comedian Tom Segura is back with his fifth Netflix special, Sledgehammer . In front of a sold-out crowd in Phoenix, Arizona, Tom explores his “admiration” for Brad Pitt, what it’s like raising two boys, and the lessons learned from sharing his gummies with his mom. WHAM! JULY 5 Most of you Millennials may have never heard of WHAM! but back in the day (1980s), this teenage English pop duo of best friends George Michael and Andrew Ridgeley was one of the most commercially successful pop acts of the decade, selling more than 30 million records worldwide from 1982 to 1986 . The documentary tells WHAM’s story, in their own words, of how in four years they came to dominate the charts around the world with their timeless, classic pop songs. THE OUT-LAWS JULY 7 Starring Adam Devine ( The Righteous Gemstones ), Ellen Barkin ( Animal Kingdom ), Nina Dobrev ( The Vampire Diaries ), and Pierce Brosnan ( Black Adam ), this story follows Owen Browning (Devine), a strait-laced bank manager, as he's about to marry the love of his life, Parker (Dobrev). When his bank is held up by the infamous Ghost Bandits during his wedding week, Owen believes his future in-laws (Brosnan and Barkin), who just arrived in town, are the infamous Out-Laws. UNKNOWN: KILLER ROBOTS JULY 10 A documentary following the terrifying behind-the-scenes efforts of military-funded scientists racing to build the AI-powered robots changing the face of warfare and the activists on a mission to expose their dangerous potential. BIRD BOX BARCELONA JULY 15 From the producers of the hit phenom Bird Box comes Bird Box Barcelona , an expansion of the film that captivated audiences in 2018. After an entity of mysterious origin annihilates the world’s population causing those who observe it to take their lives, Sebastián and his young daughter must navigate their own journey of survival through the desolate streets of Barcelona. As they form an uneasy alliance with other survivors and make their way toward a safe haven, a threat much more sinister than the unseen creature grows. UNKNOWN: CAVE OF BONES JULY 17 Man, Unknown is crankin' 'em out! In South Africa’s Cradle of Humankind, Paleoanthropologist Lee Berger has found the world’s oldest graveyard—and it’s not human. In an effort to alter everything we know about hominid evolution and the origins of belief, Berger and his team work to prove this ancient, small-brained, ape-like creature practiced complex burial rituals UNKNOWN: COSMIC TIME MACHINE JULY 24 With unique access behind the scenes to NASA’s ambitious mission to launch the James Webb Space Telescope, we follow a team of engineers and scientists as they take the next giant leap in our quest to understand the universe. THEY CLONED TYRONE JULY 21 Starring Jamie Foxx ( Horrible Bosses , which, if you haven’t seen that movie, I highly recommend it; it's a fantastic barrel of laughs), Kiefer Sutherland ( 24 ), David Alan Grier ( Joe Pickett ), and John Boyega ( Stars Wars: The Force Awakens ). A series of events thrusts an unlikely trio onto the trail of a nefarious government conspiracy in this pulpy mystery caper from writer/director Juel Taylor ( Creed II ). THE DEEPEST BREATH JULY 19 This A24-produced documentary is about a champion record-setting free diver and an expert safety diver training and attempting to make history with a remarkable feat. HAPPINESS FOR BEGINNERS JULY 27 A romcom starring Yellowstone ’s Luke Grimes and the Unbreakable Kimmy Schmidt ’s Ellie Kemper. When Helen (Kemper) signs up for a wilderness survival course a year after her divorce, she finds herself hiking a portion of the Appalachian Trail with her little brother’s best friend (Grimes). She discovers through this experience that sometimes you just have to get really lost in order to find yourself. THE WITCHER SEASON 3 - VOLUME 2 JULY 27 The final installment of the last season of Henry Cavill as The Witcher, where he’ll be hanging up his wig for good. credit: Netflix HIDDEN STRIKE JULY 28 Two ex-special forces soldiers must escort a group of civilians along Baghdad’s “Highway of Death” to the safety of the Green Zone in this action comedy from Director Scott Waugh ( Need for Speed ). Starring Jackie Chan ( Rush Hour movies), John Cena ( Peacemaker ), Sylvester Stallone ( Rocky movies), and maybe some other recognizable faces. NEW & RETURNING ORIGINAL SHOWS The Lincoln Lawyer Season 2 – July 6 Hack My Home – July 7 Quarterback Season 1 – July 12 Sugar Rush: The Baking Point Season 1 – July 12 Too Hot to Handle Season 5 – July 14 Sweet Magnolias Season 3 – July 20 Mark Normand: Soup to Nuts, a stand-up comedy special – July 25 The Great British Baking Show: The Professionals Season 7 – July 26 Missing: The Lucie Blackman Case – July 26 How to Become a Cult Leader (a tongue-in-cheek limited series) – July 28 Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for content and an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Newest movies to hit streaming platforms this month range from Killers of the Flower Moon to Rebel Moon – Part 1: A Child of Fire. < Back Movies Streaming in December 2023 Keeley Brooks Dec 8, 2023 Share Newest movies to hit streaming platforms this month range from Killers of the Flower Moon to Rebel Moon – Part 1: A Child of Fire. Along with a slew of holiday-centric movies, December sees a hefty amount of new and theatrical titles hitting some of your favorite streaming platforms, too. From the release of Killers of the Flower Moon and Barbie to newly released and long-anticipated titles like Zack Snyder’s Rebel Moon -- Part 1: A Child of Fire and disaster flick Leave the World Behind , there’s plenty to choose from this month that’s sure to keep you entertained. Check out our list of select titles! Leave the World Behind (Dec. 8 on Netflix) Who doesn’t love a good disaster movie?! I know I do. Leave the World Behind is based on the 2020 novel of the same name by Rumaan Alam and marks the first fictional movie from Barack and Michelle Obama’s production company. The film stars Julia Roberts ( The Mexican ) and Ethan Hawke ( The Black Phone ) as a couple vacationing in Long Island when a world-threatening disaster takes place. Mahershala Ali ( Green Book ) plays the owner of the home the couple is renting, and when he shows up seeking refuge with his daughter, the two families are forced to trust each other as the world collapses. Leave the World Behind is rumored to be one intriguing use-your-imagination thriller. Indiana Jones and the Dial of Destiny (now available on Disney+) I’ll start by saying this movie is ridiculously long, so if you plan to watch it—especially with any kiddos, be prepared. Harrison Ford is back as the titular character for his final outing and fifth (unnecessary) installment of the long-running adventure franchise that is Indiana Jones . As Jones searches for a mystical artifact that has the power to turn back time, he teams up with his goddaughter to track down the device. May December (now available on Netflix) Starring Natalie Portman ( Black Swan ) and Julianne Moore ( The Big Lebowski ), May December is loosely based on the real-life relationship between former middle school teacher Mary Kay Letourneau and her student Vili Fualaau. The film follows a married couple who, 20 years after their notorious tabloid romance, buckle under the pressure when a Hollywood actress (Portman) meets them to do research for a film about their past. Killers of the Flower Moon (now available on Apple TV+) Based on journalist David Grann’s 2017 bestseller of the same name, Killers of the Flower Moon recounts the true story of how a white businessman and self-proclaimed “true friend” of the Osage nation orchestrated the brutal murders of numerous members of the tribe in early 1920’s Oklahoma. Real love crosses paths with unspeakable betrayal when Mollie Burkhart, an Osage Nation member, tries to save her community from this spree of murders fueled by oil and greed. Killers of the Flower Moon is reported to be Leonardo DiCaprio’s best performance of his entire career. Candy Cane Lane (now available on Prime Video) He’s no Clark Griswold, but Eddie Murphy ( The Nutty Professor ) is a father determined to win his neighborhood’s annual Christmas home decoration contest. When he unintentionally strikes a deal with an elf (Jillian Bell, of 22 Jump Street ) to improve his odds of winning, chaos ensues as the elf casts a spell that brings to life the 12 Days of Christmas. Candy Cane Lane also stars Chris Redd ( Kenan ) and Nick Offerman ( Parks and Recreation ). Mr. Monk’s Last Case: A Monk Movie (Dec. 8 on Peacock) Tony Shalhoub reprises his Emmy-winning role in the long-awaited Monk movie. Set in a post-COVID world, the flick follows Shalhoub’s consulting detective with obsessive-compulsive disorder and a wide range of phobias as he takes on a very personal case involving his beloved stepdaughter Molly, a journalist preparing for her wedding. Several original series stars are set to reprise their roles alongside Shalhoub, so Monk fans, your party returns. The Family Plan (Dec. 15 on Apple TV+) Mark Wahlberg ( Entourage ) is back in an action-comedy role, this time as a former elite government assassin living incognito as a suburban dad. Starring opposite Michelle Monaghan ( Gone Baby Gone ), the family-friendly flick follows Dan Morgan (Wahlberg) as he packs up his wife, teenaged son and daughter, and 10-month-old baby and flees from past enemies who’ve tracked him down. This unsuspecting family takes an unforgettable cross-country road trip to Vegas, baby. The Retirement Plan (Dec. 15 on Hulu) Nicolas Cage ( An Unbearable Weight of Massive Talent ) stars as a retired government assassin with a violent set of skills who must protect his estranged daughter and grandchild after they get tangled up with some very bad men—one of whom is Ron Perlman ( Hellboy ). I’ve seen this flick, and it’s a cute movie. You’ll melt over the relationship Cage’s on-screen granddaughter strikes with Perlman’s character. For more details, read this full review of The Retirement Plan . Finestkind (Dec. 15 on Paramount+) Finestkind is a crime-thriller drama that tells the story of two half-brothers raised in different worlds, who are reunited as adults over one fateful summer. Set against the backdrop of commercial fishing, desperate circumstances force the brothers to become involved with the Boston crime syndicate, which ends up becoming their biggest threat, especially when a woman’s betrayal is woven in there. The film reveals itself to be a story about fathers who can’t always be the best examples for their sons, and about the fact that a safe return home isn’t always guaranteed. Finestkind stars Tommy Lee Jones ( The Burial ), Ben Foster ( Hell or High Water ), Jenna Ortega ( Wednesday ), and Jake Gyllenhaal ( Guy Ritchie’s The Covenant ) and features big boats, drug running, crime, and drama. Gran Tourismo (Dec. 15 on Netflix) Gran Tourismo is about a team of unlikely underdogs who risk it all to take on the most elite sport in the world: racecar driving. Based on the racing simulation video game series of the same name, it tells the true story of Jann Mardenborough, a teenage Gran Tourismo player who became a professional racecar driver. Stars David Harbour ( Violent Night ), Orlando Bloom ( Lord of the Rings trilogy), Djimon Hounsou ( Black Adam ), Archie Madekwe ( See ), Takehiro Hira ( Monarch: Legacy of Monsters ), and Darren Barnet ( Never Have I Ever ). Barbie (Dec. 15 on Max) If you’ve been waiting to see Barbie and Ken in all their live-action glory, your wait is over. The hit musical will soon be available to stream for free … with a Max membership, of course. Maestro (Dec. 20 on Netflix) Bradley Cooper ( A Star is Born ) is American composer Leonard Bernstein in this biographical drama that focuses on his relationship with Costa Rican actress-turned-wife Felicia Montealegre. Cooper, who also directs the film, spent a reported six years learning how to conduct an orchestra. It’s a lot harder and more involved than it looks. Beau Is Afraid (Dec. 21 on Paramount+) It’s a big year for Joaquin Phoenix ( Joker ), and if you’ve been waiting for Beau Is Afraid to hit a streaming platform, you’re in luck. Phoenix stars as an anxiety-ridden loner who sets out on a bizarre odyssey home to see his mother. While the Ari Aster ( Hereditary ) flick may confuse those with huge expectations, know that the film is supposed to be a polarizing movie, so view it with an open mind and just be there for the experience … and Phoenix’s performance, which—let’s be honest—is the only real reason any of us see movies with him in the lead role. Or is that just me? Rebel Moon – Part 1: A Child of Fire (Dec. 22 on Netflix) Finally, famed director Zack Snyder’s long-awaited franchise arrives this month. Hitting Netflix right before Christmas, this mega-budget sci-fi action flick is inspired by the works of Akira Kurosawa , the Star Wars films, and Heavy Metal magazines and will no doubt feature Snyder’s well-known slow-motion effects. When a colony on the edge of the galaxy finds itself threatened by the armies of the tyrannical Regent Balisarius, they dispatch a young woman with a mysterious past to seek out warriors from neighboring planets to help them take a stand. The franchise boasts big names like Charlie Hunnam ( Sons of Anarchy ), Michiel Huisman ( The Haunting of Hill House ), Djimon Hounsou ( Black Adam ), Sofia Boutella ( Kingsman: The Secret Service ), and Ray Fisher ( Zack Snyder’s Justice League ). Rebel Moon – Part 2 will release on Netflix in April 2024. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From America's Got Talent to the Hit Show Reservation Dogs When You Need a Party Thrown, Call Mike Bone < Back When You Need a Party Thrown, Call Mike Bone Keeley Brooks Nov 17, 2022 Share From America's Got Talent to the Hit Show Reservation Dogs If you’ve been watching the hit sitcom Reservation Dogs on FX and Hulu, holla! Sorry. I mean if you’ve been watching the show, you should recognize this musical duo. Or, if you’re a loyal watcher of America’s Got Talent , chances are you recognize them from a stint on the show in 2013. Meet Mike Bone, Native American rapper brothers Lil Mike and Funny Bone, perhaps better known as Mose and Mekko from the show. Reservation Dogs is a breakthrough in indigenous representation on television, both in front of and behind the camera. The show has accomplished something few others have: it has successfully introduced a mainstream audience to a Native American culture without leaning on reductionist stereotypes. It’s is a teen comedy drama series that follows the exploits of four indigenous teenagers on a reservation in rural Oklahoma as they rob, steal, and save in order to get to California. The guys are the show’s version of Rosencrantz and Guildenstern, rollin’ through on bicycles every now and then, offering the perfect hint of comedic rap gold in perfect timing when needed. But they’re not just rappers; they’re also songwriters, actors, motivational speakers with hearts of gold, and all-around awesomely cool, entertaining guys. Mike Bone made their national appearance in 2013 on America’s Got Talent and were well-received. They’ve had a successful career of winning contests, being on live television in the U.S. and Canada, hosting parties, DJ’ing night clubs, and opening for big names like Jacob Latimore, Wine-O, Lil Troy, Billy Ray Cyrus, Bobby Valentino, and T-Bone, to name a few. They’ve even performed in penitentiaries. The guys were seeing a ton of success … right up until Covid slammed into the world and shut life down. But something positive came out of the halt for these two: a chance to audition for a new television show from hit filmmakers Taika Watiti and Sterlin Harjo. And the rest is history. I had the awesome opportunity to talk face to face (virtually) with Lil Mike and Funny Bone, and we had such a great time, it’s best you read their replies, mostly unedited, for yourselves. KB : So, guys, thank you both so much for doing this interview. You’re widely known as Lil Mike & Funny Bone, Mike Bone, or Mose and Mekko. But tell us what your actual names are. LM : Yeah, so both of our names are Jesus. But I’m oldest. FB : And we have a younger brother named Jesus as well. LM : (laughs) It’s what happens when Native Americans name children. Our father had the choice of naming us and he wasn’t, I guess, thinking straight when he thought it would be a good idea to name [us] all the same name. KB : Thus, the nicknames. LM : Our nicknames reflect who we are. I became little Mike because I love to dance and [always used to dance around] to Michael Jackson. FB : Well, you know, in the 90s, Bone Thugs [-N-Harmony] was big and doin’ their thang. We were trying to build our brand, and I needed a name when I joined [Mike] onstage at the age of 12. They just kind of took my characteristic, because my thing was going out on stage while [Mike] was switching out songs, and I would tell a joke or do something funny and make the crowd laugh, so we took that, added the bone—funny bone—and I created an acronym for it that stands for Fully United New Nourished Young Brotha of Noble Essense. Just means I’m new and nourished as a believer of God and I’m of nobility because [he’s my father]. KB : Let’s talk about your height. You’re 52” tall. On your website, you describe yourselves as, “shorter than everyone else but too tall to be midgets.” Do you guys ever experience size discrimination and if so, can you tell us how you dealt with it? FB : Once we went on tour with Extreme Midget Wrestling. Of course, now it’s known as Extreme Micro Wrestling because of, you know, cancel culture. But yeah, we were the halftime show. Everybody called us “fake midgets.” LM : You know, if you allow certain things to offend you, then you’re allowing those people that are trying to offend you to have power over your emotions. FB : You give away your energy. LM : And that’s something that we do different. It’s like yo, you can call us all kinds of stuff out the book, but you can’t offend me because I’m not easily offended, because I don’t accept what you have to say. FB : I think that’s just natural as indigenous people … you learn to grow up like that and then embrace and laugh at what people say about us. Like when [Howard] Stern was trying to clown around on us about girls and Mike just said to him, “Get me a chair. I’ll be alright.” LM : You shouldn’t let things get to you so easily and so fast because not everybody will have the right approach from their minds in certain areas, whether it be judging someone based off this or that], you shouldn’t be so judgmental because there’s always gonna be somebody … FB : … hate does not change your value, and that’s something we stand on and push really hard. Same with no smoking and no drinking. We sing about it in our songs. We go to schools and talk about it. KB : And do you experience any clap back on that platform? LM : We get laughed at like, “What’s wrong with y’all?” Ain’t nothing wrong with us. We like to have a clear mind in what we do. We don’t need a fake substance to find satisfaction. FB : We also abstain from sex. LM : We would rather know someone more emotionally than physically, and I’ve never wanted to be trapped by an addiction. FB : You gotta be careful with all that stuff, because there [are] consequences. LM : We lived in the city, goin’ to parties, seein’ all these different people doin’ all these kinds of stuff, and we’d be like, “Don’t do that.” It made us see we wanted the dancing and the loud music, not the drinking and the smoking. FB : We learn from others’ mistakes. That’s the main thing and that’s something we push: learn from others’ mistakes; you don’t gotta make them. LM : We’re from the hood, so we’re on alert [at parties and events] already. FB : How we do it without drugs & alcohol, this is just us. We love it. We’re just having a good time. We’re too short to get high. You just got to joke around and have fun with life. LM : We base our performances off the type of crowd and event. If it’s an indigenous event, we sing songs that relate to those issues, but if it’s something churchy, we change it up and do a little more faith-based performance. KB : Mike, I read on ChoctawNation.com that when you were 12, you tried out for a talent show with a performance of your poetry about a friend dying of gang violence … to a jazz beat. How’d the idea to use a jazz beat come to you? LM : I don’t remember if it was HBO or BET, but they’d have these poets go on T.V. and they would do their thing … say a poem or whatever, and it seemed to me like the ones with the music captured me more, so I said to myself okay, I’m gonna do a jazz beat to my poem in front of the school to encourage people not to get into gang violence and whatnot, and it just, I guess it captured people in a good way. Afterwards, a kid came up saying he liked my rap, I was like oh snack! I should try to rap! There’s probably a VHS recording out there somewhere at an Oklahoman Jefferson Middle School. Somebody has to have it. I made that mix off cassette tapes too. I’m dancing like Michael Jackson but in a transforming style on stage, so I’m having to change clothes on stage. So, I start out as Jackson 5 – bell bottoms, afro—then I spin around and rip my bottoms off and I’m doing older Michael Jackson, then I spin around again and rip the afro off and take my loud jacket off … “the hippie one” … and I’m dancing to “Beat It” and “Billie Jean,” and I take off the black jacket (laughs) and I take that off and I have the silver pads on (laughs), and I take another layer of pants off and I have silver pants on and I’m doing “Black or White” and just dancing and everyone’s like, “Yo! He just wardrobe changed four different times on stage!” KB : Nice! Let’s talk about the show for a moment. How’d you guys wind up on Reservation Dogs ? FB : Well, we were riding the America’s Got Talent wave, then Covid hit and we had to shut down touring. We were broke for the next two years creating merch online, trying to sell to our fanbase and make money to pay the bills, and it wasn’t enough. A manager came at us with an opportunity for acting, and it was local and paying so we went to audition. They wanted two eleven-year-old twins in the casting call and so, we kind of look like we’re eleven and … LM : (laughs) … we gave it a shot and they called back and said, “We could work with y’all.” FB : And we were like cool ! LM : Yeah, we did not think they were gonna pick us up because not only were we not eleven-year-old twins, but we also changed the script. There were cuss words and we took those out, and I think we even changed up the jokes. FB : Yeah, we changed the jokes too. LM : And they still loved it and were like, “Yooo! There’s something here.” FB : The cool part is while we were on set, the cast and crew were saying how good of a job we did and how much we stand out, and how much they could see a spinoff of us. KB : Who came up with the idea for y’all to ride around on bikes? FB : It was the writers. LM : The writers … I think because eleven-year-olds don’t own a car. FB : Originally when we read the script, we didn’t think about the characters being 11. We thought it was gonna be us. The script read that Mose and Mekko pull up on the scene on set, and we [were] thinking on we were gonna get to drive a car. LM : Yeah, we thought we was gonna get to roll up in some wheels. (laughs) FB : (laughs) So we got to the scene and they had the bikes, and that kind of threw us off. LM : Yeah, that threw us way off because man, it’s been years since we rode a bike. I fell two times. FB : (laughs) We hadn’t used those muscles in a while. [The bikes] were old school Schwinn [bikes] with no cushion. But it was a fun experience. Major actors were on there and we got to work with them, and that was really cool. KB : There are so many fantastic aspects to the show, from it being the first Native sitcom to its creators, Taika Watiti and Sterlin Harjo, on to the cast of teens and supporting roles—even this love for fried catfish. What’s the best part about the show to you guys? And speaking of catfish, is that true? Do Natives have a thing for catfish? LM : (smiles) I think it’s just Oklahomans in general … different [reservations]. FB : We love some grilled catfish with Cajun spices, not the fried stuff. LM : My favorite part about the show is the accents. Not every Native American has the same accent, and not every Native American looks the same. You have the light-skinned ones and the dark-skinned ones, the ones with facial hair and without, so it’s just cool they’re incorporating that [into the show]. FB : We even had a character in season 2 who was afro-indigenous, and a lot of people, I think, are gonna be surprised at next season because now they’re expanding outside of Oklahoma to California, and hopefully we’ll get to experience some Native Americans out there and they’ll jump between the two states to see what the Indian Mafia has done with Mose and Mekko vs. what the Reservation Dogs are doing in Cali. Cool thing is, we grew up in the city in public schools, homie. That’s why we don’t have a typical native accent. KB : You guys are Pawnee tribe members. The word skoden is used a lot in the show. What does it mean? FB : We are. Loud and proud. [Skoden] i s native slang for let’s go then . It’s something they say on Reservation Dogs and people are picking it up and running with it. We actually wrote a song about it—it’s a single. It’s streaming everywhere. It’s called “SKODEN.” KB : How do you guys get away with holding it together while filming? There’s so much that’s hilarious and enlightening but also heartbreaking. You never know what you’re going to get. LM : I caught myself crying this season and afterwards, there was a joke and I’m laughing through tears. FB : Something I like is that the show touches on deep issues Indigenous communities face and it relates to a lot of other cultures and communities, so it’s humanizing Indigenous communities. (Both guys acknowledged knowing words have power. Bone says, “That’s why we write the way we do. Every word has meaning.”) KB : Let’s talk about your music. You guys have a slew of songs out there on multiple albums, with each album featuring 20 songs or more. Where do you find so much inspiration? FB : I think growing up dealing with what we did has helped us. We’ve seen a lot and been in the middle of a lot, and me and Mike are the only ones sitting there praying over someone dying while everyone else is screaming and running. LM : You know, music can hurt or harm you, depending on the content, which is why we encourage people to listen to [positive music] … FB : … to plug similar artists like us. LM : If you really listen to our songs, you’ll notice the change between songs. We don’t sound the same on every song. FB : You guys support all these other artists that put 10 or so songs on their albums. We put 20 or more. We had to convince people to buy the albums, so we needed a lot of songs influenced by life circumstances. Other stuff just comes to us out the blue and it just piles up and next thing we know we got 20 songs and are like, “Whoa, we should probably release this.” LM : [Our song] “Wifey” is rapped in the style of Pretty Ricky (the reason a lot of 90s kids got pregnant), so we wrote a song in that style that talks about saving yourself for marriage. We made a song about celibacy to the beat of the song about sex. FB : Yeah, and “Pop Pop,” (famously featured in Reservation Dogs ). If you don’t know what you’re singing about, it sounds like we’re talking about shooting stuff, right? But if you listen deeply, that song is about shooting down evil spirits and negative energy, and that’s something we live by. LM : We also have “316,” which is a song about missing someone you love and being up thinking about that person at 3:16 in the morning. But a lot of people think we’re talking about the Bible verse John 3:16. On one end, its about missing your relationship with God and on the other end, it’s about missing someone you love. FB : “Fists in the Air” is our song about raising awareness for the missing and murdered indigenous people. We wanted to use our platform to raise awareness and make an anthem for that. LM : It’s a west-coast feel with a bounce to it … a little west-coast gangsta rap. FB : “After Party” is a song dedicated to people who’ve passed on. We had lost so many people and we were like, “Yo, we should make a song that’s happy instead of something that draws you down.” You gotta remember a person in a good light and the time you had with them, and that they’re no longer in pain or dealing with the troubles of this world. They’re in the after world ... the after party. LM : The closest song I can think of that didn’t drag me down was “Crossroads” by Bone Thugs-N-Harmony. In my opinion, there will be a big family reunion when it’s your time, and we all get to go and hang out and [reminisce]. It’s just our way of bringing light and joy back to peoples’ lives. FB : We’re believers, not traditional Christians. We believe in a lot of stuff—Christ, aliens, crystals, spirit guides and spiritual gifts, healers. We believe in the powers of the moon and the water and the fire. LM : Don’t let someone else’s actions push you away from Creator because of their evil intent. If you feel torn between the church and traditional ways, Creator gave us our traditional ways before someone gave us a book, you know? Smudging, medicines … the same way creator gave Moses knowledge, Creator came to us in different forms and gave us the knowledge we needed to care for this place. But we haven’t been taking care of it like we should. KB : Any albums in progress or upcoming releases? LM : Girrrrl! Reservation Dogs had us rap some songs we wrote way back in the day. So, like “Pop Pop” was 2005/6, then we have a song called “Problems” we wrote and rapped on the bikes [on the show] … and then I was like, “Yo! We should remake ‘Problems’ and remake ‘Pop Pop’ and put it on an album with better beats and better recording quality!” Because those two songs, when we recorded [them], were not recorded in a legit studio … FB : (laughs) It was, uh, at-home productions. LM : And so, I [said] yeah, we workin’ on that—bringin’ back some oldies—and then the “Problems” song isn’t as churchy and wild as it was, but it matches what we did on the show. We’re taking our time with it because we don’t want to … FB : … we don’t want to just throw something out there. LM : We critique ourselves to the max, and we don’t wanna just write any old thing and put it out there. FB : And plus, putting out music now is way different than it has been in the past because of [the internet]. You can put out singles now, and then put out the whole album, and that’s what we’re starting to do. LM : This high-speed generation has put out music too fast to where some of the songs people are listening to could’ve been done better. KB : Or it all just sounds the same. FB : Yeah, we don’t listen to mainstream music because of that. It’s either terrible, or it all sounds the same. LM : I feel like take time, listen to it. Don’t enjoy it just because you want it. Something we do different is we’ll record a song, let it sit for a day, then come back and listen as if it weren’t our song. That way I can be like I should sing it this way instead of that or we should change these lyrics. It is more expensive doing it that way, but at the end it’ll be so much more worth it. FB : Plus, the producers have ideas that [takes the song] to a whole other level. We want to work on some rock, and we wanna do a remix of “Rain Dance” ... do a rock-n-roll version. (“Rain Dance” was Mike Bone’s hit from America’s Got Talent . You can view it below, and you’re gonna want to, trust me. It’s a great song.) FB : We’ve recorded [the song] three different ways. I wrote it in high school – just me with a mixed-tape beat, and people loved that so much, we had to have our producer make an original beat and we added Mike, and America’s Got Talent picked us up with that. We released a dubstep remix, and that’s on the Rain Dance album, and we wanna work on a rap version … [and] we have a song out now about police brutality. It’s called “That’s Enough,” and it talks about all this mess police get away with, and then when they get caught, [all they get] is just paid leave. It endorses more of that kind of behavior. And we’re like, “That’s enough.” Enough of this, enough of that. We need consequences for these folks. FB : We’re also working on being in some different film projects. A movie. Next year we start filming for a movie called Brave , and I’m hoping it’s gonna be big because there’s a lot of big producers and actors on it. We aren’t the main characters, which is a good thing because we get to focus on our music and touring and stuff. KB : All of this is so fantastic. Do you have a message for readers and listeners out there? FB : (smiles) If you need a party thrown, call Mike Bone! (laughs) That’s our motto. And stay original. LM : (smiles) I would say that with everything that you do, treat each other sacred, because as a human species we only have each other to lean on, and causing other people trauma or pain in any form is only gonna hurt you in the long run, because it makes you look like the evil person and it leaves the legacy that you are the evil person. It all starts with you and your actions, so treat each other sacred. And there you have it, fellow entertainment lovers. A talented duo who are an open book with quite a message. You’ll definitely want to visit their website at www.MikeBoneMedia.com . Be sure to check out their AUDIO page for all their singles, albums, and mix tapes, and their VIDEOS page for all kinds of viewing content. After that, visit their STORE and buy some merch in support of these worthy independent artists just tryin’ to make it doin’ what they love. You can also find links to all of their social media directly on their home page. Listen and watch away, entertainment lovers. *photos provided by Mike Bone Media www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Enigma of Depression Through a Rose-colored Lens < Back Everything’s Poetic: David Donihue Erica Machen Mar 25, 2024 Share The Enigma of Depression Through a Rose-colored Lens In a world where we are drowning in society's lies about mental health, yet we thirst for those words to be substantiated, David Donihue poetically expresses a cyclic refrain emblematic of the empathetic souls of our time in "Everything's Poetic.” David showcases a resilient determination to find meaning and beauty in life despite adversity and mental health struggles. Bringing the poem to cinematic life, David has provided his readers—and YouTube followers—with a profound visual experience. Who knew invisibility could be so expressive? Without giving away too much, I'll limit my details here, but check out the video. The repetition of the phrase "This is the most depressed I’ve ever been," followed by reflections on past instances of depression, reflects a pattern of struggle with mental health. While acknowledging one’s own mistakes and the pain inflicted by others, he also expresses a longing for life to be meaningful and poetic, even amidst an endemic sense of despair. David also explores the idea that everything can be seen through a poetic lens, especially for those who are empathetic and introspective. He finds beauty in empathy and in understanding others' struggles and traumas. Maybe that poetic lens is rose-colored, but the understanding he seems to find is entirely bittersweet. There's a sense of unity and acceptance in David's poem as he acknowledges the diversity of human experiences, from "the hurting and the healers" to "the homos and the breeders," suggesting that despite differences, there is beauty and poetry in every life story. Ultimately, this is surely a celebration of resilience and the ability to find beauty and meaning in the midst of pain and chaos. It encourages embracing empathy, honesty, and a willingness to love life even in the face of adversity. David's raw honesty truly sets the tone for a remarkable poem full of thought and character. We recommend you check out more from this insightful poet and you can do so by clicking one of the links below. www.daviddonihue.com Facebook Instagram YouTube TikTok www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stephen King Movies Releasing in 2023 < Back More Adaptations from THE Horror Master Keeley Brooks Mar 3, 2023 Share Stephen King Movies Releasing in 2023 Even if you’re not a horror fan, you still love Stephen King. You know you do. The past few decades have seen numerous books and short stories from the famous author, and film and television adaptations are a-plenty. This year (and likely next year) is no exception with a handful of adaptations coming your way. Here’s what’s dropping in 2023 and what’s up next on the Stephen King entertainment agenda. Children of the Corn – I’ll never forget the first time I first saw the original Children of the Corn movie and was scarred for life. It was 1985, and I was eight years old. We kids definitely shouldn’t have been watching it, but we did the second our parents left the room. See, we were visiting relatives, who just so happened to live and work at the Angola State Prison. So, on those grounds late at night in the bedroom of a work trailer is where the creepy kids from the corn made their appearance in my life. The 1984 version sees a young couple trapped in a remote town with no adults because a gang of creepy-ass kids has killed them all. The remake hits theaters Friday, March 3, 2023 , and it will have an 18-day theatrical window before releasing on Shudder March 21 . The story reportedly does take some liberties. Here, we get to see a town fall as “He Who Walks” uses a little girl named Eden to satisfy the evil entity’s bloodlust and turn the town’s youngest residents into murderous little nightmares. No doubt it’ll be just as terrifying as the original. The Boogeyman - The first adaptation of King’s 1978 short story from the Night Shift collection is about a teenage girl and her little sister, who find themselves plagued by a sadistic presence in their house after their mother dies. They must get their grieving father to pay attention before it’s too late. In the original story, we follow a man grieving the deaths (murders) of his three kids. While their deaths were all different, they all took place in the children’s respective bedrooms, each having shouted, “The Boogeyman,” before they met their fates. The film hits theaters June 2, 2023 , then is supposed to hit Hulu soon after. Salem’s Lot - This gem has also been adapted to a movie and is expected to hit theaters April 21, 2023 , but it’s already been pushed back from Sept. 2022, so don’t hold all your breath just yet. Nonetheless, it’ll be anticipated when it does arrive, especially with director James Wan ( Saw franchise). It is rumored to remain faithful to the book, which if you’re unfamiliar is about a writer who returns to the town of Jerusalem’s Lot in Maine only to discover that the residents are all being turned into vampires. Stars Lewis Pullman ( Outer Range ), Spencer Treat Clark ( Glass, Unbreakble ), and Alfre Woodard ( See ). Pet Semetary – Though the 2019 version of Pet Sematary wasn’t well received with critics, a prequel movie was greenlit in 2021. It’s intended to continue digging into the mythology of the small town of Ludlow, the strange rituals, the Wendigo, the cemetery, and character Jud’s life. We’ve been seeing the dead re-animate for over a decade now with all the zombie and undead adaptations, but none of those are as scary as seeing Gage come back to life just to kill his mother and run around with a creepy giggle and his father's scalpel terrifying everybody to death. And the cat, Church—we can’t forget about him. After all, he is the reason Jud learns of the power of the pet cemetery. It’s planned to be released later this year to stream as a Paramount+ original movie. From A Buick 8 – Based on King’s novel published in 2002, this is the second story to feature a supernatural car, the first one being the unforgettable "Christine." The adaptation has been in development for years. Back in 2005, George A. Romero was announced as the director, then two years later he was replaced with Tobe Hopper ( Texas Chainsaw Massacre franchise). By 2009, the project came to halt, then in 2019 was announced to be in development again. No details have been revealed since, but we’re keeping our fingers crossed. The Girl Who Loved Tom Gordon – Published in 1999, the story follows a nine-year-old girl as she finds herself lost in the woods on what she thought would be another normal day hiking with her mom and brother. She fantasizes about her favorite baseball player, Tom Gordon, rescuing her. Originally, a film adaptation of "The Girl Who Loved Tom Gordon " was to be directed by George A. Romero, but plans fell through in 2005. The project was revived in 2019, and in late 2020, Lynne Ramsay ( You Were Never Really Here ) was announced as director. Let’s hope we get some updates soon! ALSO (you didn’t really think that was it, did you?), Deadline recently revealed in an exclusive that Warner Bros. has acquired King’s 2021 crime thriller bestseller “Billy Summers” to adapt into a feature film produced by J.J. Abrams’ Bad Robot and Leonardo DiCaprio’s Appian Way. Bad Robot have also adapted other King works like Lisey’s Story (Apple TV Plus), Castle Rock (Hulu), and 11.22.63 , also on Hulu. It was originally intended to be a limited series, but the big screen won out instead. Writing the screenplay are Ed Zwick ( Blood Diamond ) and Marshall Herskovitz, who co-wrote The Last Samurai with Zwick, and it is rumored that Leo will play the title character, but that is yet to be confirmed. The plot synopsis reads: Billy Summers is a hitman who is looking to retire and takes on last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, become more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion. *On a side note, if you haven’t watched Castle Rock , I urge you to roll on over to Hulu and check it out. While the two-season series isn’t based on any specific one of King’s works, it does share themes, characters, and most notably its name with one of the central locations found throughout the legendary author’s career. Season 1 tells the story of Henry Deaver, a death row attorney who returns home to Maine for the first time in years when a mysterious inmate at the local prison, Shawshank, specifically requests Henry as his lawyer. Several narratives unravel from there, including a troubled individual with apparent telepathic abilities, the shocking death of one of Castle Rock’s most prominent characters, and some pretty disturbing developments for Henry as he uncovers more and more about his past—like the time he vanished as a child. Season 2 is a chilling must-see! Instead of continuing on with the same characters and original cast, the series pivots and centers its story on Annie Wilkes, the infamously psychotic, murderous nurse from King’s 1987 psychological thriller novel “Misery” and 1990 film adaptation of the same name. In Castle Rock , we are introduced to Annie Wilkes pre-Paul Sheldon days, so it’s sort of a modern-day prequel. Lizzie Caplan ( Masters of Sex ) delivers a sharp, tense, and breathless performance as Wilkes navigates her life and career, and so much is revealed along that way that when it ends, it’ll leave you wanting more and most likely compel you to turn around and watch Misery again. And , just in case you missed its release back in September, don't forget to check out the Stephen King documentary King on Screen, which examines cinematic adaptations of the iconic author's works. With King's stamp of approval, it gives audiences an intimate sit-down with different directors who've all adapted the writer's works for the screen, looking at the movies and shows that have brought his stories to life, both the hits and the flops. Among those sitting down for interviews are Mike Garris (ABC's The Stand ), Mike Flanagan ( Gerald's Game , Doctor Sleep ), Frank Darabont ( The Shawshank Redemption , The Green Mile ), and director and special effects makeup titan Greg Nicotero ( Creepshow , Misery ), to name a few. Alright, kiddos, that's all for now, but stay tuned for more adaptations from THE original horror master ... and no doubt his son, Joe Hill. You know we'll be keeping you updated. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Alternative music has a unique blend of passion and rage. < Back The Revival of Alternative Rock in Louisiana: A New Wave of Sound in the Bayou State Nick Cline Apr 2, 2025 Share Alternative music has a unique blend of passion and rage. Alternative music , with its unique blend of passion and rage, is gaining momentum in Lafayette . The local scene, led by Gen Z , is a distinct expression of voices filled with angst, nihilism, and empowerment . This unique blend of fresh influences merging with the raw emotion of rock music— the towering amplifiers, deafening riffs, and screams of pain —is driving the culture and uniting the community in a way that is distinct to Lafayette . As culture evolves from one generation to the next, scenes and aligned communities emerge and fade away. Since the early 90s, alternative music has toggled between the background and the forefront , marked by the rise of grunge , shoegaze , and indie rock . It has been an ever-expanding community that has shaped pop culture landmarks not only in Louisiana but around the world. Despite its historical presence, alternative music was put on the back burner in the mid-to-late 2000s and almost completely faded away in the 2010s . During that decade, various scenes emerged in hip-hop , country , R&B , hardcore , and more, showcasing diverse musical avenues. As time progressed, alternative music evolved into something that felt more like a gimmick than a genuine movement. The raw passion and rage rooted in nihilism, angst, sadness, and self-discovery were overshadowed by homogenized sounds . The genre became a label, which diluted the cultural identity initially established by early alternative communities. Now, as the scene begins its next evolution, newer generations are rallying to rediscover alternative music . Inspired by the sounds of the past and the traumas stemming from our contemporary world, they navigate the complexities of identity as they grow. This is evident in the rise of alternative bands such as Phantum Sun , JAYD3D! , Goodbye Academy , Dairy Free , Kris Russ , Silvercapbaby , and many others. These bands are forging a path for the scene in Lafayette , offering a collective voice through their expressions and influences . I have a firsthand account of the culmination and rise of alternative music in Lafayette . I founded Eclipse Fest , a festival that aims to bring alternative music to the forefront of the local scene. Last year marked the inaugural edition of the festival, attracting 150 attendees who came to see a lineup of bands representing various musical styles. The festival marked a significant milestone in the resurgence of alternative music in Lafayette , serving as a platform for local bands to showcase their talent and for the community to come together in celebration of their shared love for the genre. This year’s Eclipse Fest built upon that milestone, fueled by the hard work that initially drew me into the scene, and it is cultivating a new space for alternative music. It has also demonstrated that alternative music has a rightful place in Lafayette , and this presence is growing daily with each effort put toward it. The resurgence of alternative communities began in mid-2024 and has intensified rapidly in recent months, primarily due to the support and enthusiasm of the local community. It is the passion and dedication of the audience that is driving the resurgence of alternative music in Lafayette. Musical shifts have emerged from a range of genres, including emo , indie , pop , and soul , as well as everything in between. The rise of the internet has empowered Gen Z and future generations to find their music. Unlike in the pre-streaming era, when music lovers relied on word of mouth, radio, and television , the internet now offers nearly unlimited access to a diverse range of musical styles. This access has opened new avenues for the alternative community to share and grow its purpose. Alternative music is a place for everyone, and that sense of community is a necessity that will carry Lafayette and Louisiana into an exciting future filled with talent, expression, and new musical avenues. Thank you for listening, Nick www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Huntsville’s International Musical Youth Movement Invades the Camp < Back Off The Charts: How Today’s Youth Are Reviving Rock Music Bud Gambrell Oct 21, 2024 Share Huntsville’s International Musical Youth Movement Invades the Camp When I first had the idea for this article, I didn’t realize how much fun it would be. The idea came to me as I was watching a podcast . This podcast is a favorite in Huntsville as it showcases local talent, much like the article you are reading now. Pickletato is the name of the podcast. Don’t ask me about the name. Ask founder and interviewer Bill Neal . Bill and I first met in August at The Alabama Smoke Show . I hope you read my article on The Smoke Show in the August edition. Pickletato was also in attendance. On September 15th, Pickletato released an edition featuring this guitarist, who happened to be 13 years old, you read that right, 13! As I watched the podcast, I felt the urge to know more about this young phenom, Carson Merritt . See the entire Pickletato podcast here : Since Bill had a connection with Carson’s parents, I reached out to see if he could arrange an introduction. Shortly after I asked, I received the phone number of Carson’s father Rod . I put in a call to Rod Merritt . We had an outstanding conversation. Within this conversation, I saw the layers of this story start to unfold. The main headline is that we are talking about a barely 13-year-old guitar player. He doesn’t just play guitar. He is good! In my opinion, he plays way beyond his years. Credit: Bud Gambrell The next layer of the story showed itself as an exchange student from Germany. It just so happens that Henri Schröder also plays guitar—and he is also very good! What are the chances? I then learned that Carson takes lessons from Preston Black . I have heard of Preston for several years. His reputation precedes him. Preston is also an excellent guitar player. By excellent, I mean EXCELLENT ! Ok, now I’ve got enough to go with to write a story. Then, I discovered Carson would play live with Preston ’s band Buck’d Up on Saturday, October 12th . Not only was Carson joining Buck’d Up on stage, but so was Henri ! You don’t have to ask me twice to have a good time! Credit: Bud Gambrell I arrived at The Camp around 5 pm. I will call it 5ish because when you work in this environment, you must be used to “musician time.” Walking up to the stage area, I had to decide who to talk to first. Again, there are a few layers to this story. In the natural order of things, I decided to talk to my good friend Bill Neal from the podcast Pickletato . He had previously interviewed Carson and was somewhat familiar with the talent on hand. OTC : Bill, I must credit you because if it hadn't been for Pickletato , I'd never have heard of Carson. Tell me how it came to be that Carson was on your podcast. Bill : I had Buck’d Up on the podcast, and they talked about Carson , and this kid is amazing. So, after that podcast, I went and watched videos of him. I was like, man, I got to get this kid on my podcast. I asked Preston if he could reach out to his parents to see if I could have him on Pickletato and Preston asked if I could wait a little bit because he didn't want to have one of his students above the other. So, I waited a few months and contacted his dad personally instead of asking Preston . I didn’t want to put him out since I consider him a good friend. That was one of our first live performances on one of our podcasts. We've always wanted to do it. We didn't have the equipment and everything ready at the time to have bands on there, so Carson agreed to do a little live performance there. He was fanatic about it. I mean, he was so excited! It was the first podcast that he's ever done. He was super excited, and it made us feel good that he was excited to do it! Credit: Bud Gambrell OTC : What is your impression of Carson? Bill : He's well above anybody I've seen at that age, and you know we're talking, he just turned 13, so he's been this good for a couple of years. I asked him how he got so good as a raw talent. He said, ‘Well, I'll spend 6 hours on 30 seconds of a song.’ He's just in it! Credit: Bud Gambrell As I talked to Bill , I noticed a man standing near the stage with a big smile after sound check. We spoke on the phone but haven’t met yet. I know a proud parent when I see one. This had to be Rod Merritt , Carson’s dad. As I approached Rod , it was as if we had met before. We exchanged greetings, and then I had questions about his son Carson . OTC : Tell me your story of Carson’s guitar-playing journey. Rod : It kind of just started randomly, watching it. We watched a show, and he said, 'Man, I like this music.' And so, he decided to pick up a guitar. We figured it was going to be a phase. We realized within a few months that it wasn’t a phase. He took it seriously. He taught himself for the first eight months, and then after about eight months, we're like, ok, this kid potentially has something, and he's taking it to where it is now. OTC : How long has Carson been playing the guitar? Rod : Two and a half years! OTC : Is that in people years or dog years? (laughs) Rod : (laughs) No, people years. It's been a short amount of time, and you know you must have some natural talent. I know I'm biased in saying that because it's my son. But at the same time, I mean, he does have a natural talent for it. He also has a work ethic, and he's very fortunate that he's been surrounded by the guys who are Buck’d Up or even his first guitar teacher, Pat Bryant . He is a U.S. Navy veteran, and was in the Navy's band for over 20 years. Carson has been surrounded by good musicians and people who lift him and encourage him. I think it's brought him up several levels, and he's had a passion for it. Credit: Bud Gambrell OTC : I’m sure that you took him. What was Carson’s first concert? Rod : It was just this year. We went to see Metallica in September up in Chicago . So yeah, he got to see the mighty Metallica . It was Metallica , Ice Nine Kills , and Five Finger Death Punch . And he loved it! And then, just a couple of weeks ago, we went to see Megadeth and Mudvayne up in Nashville . So, he's gotten to see big shows. Earlier in this article, I mentioned that the Merritts are hosting an exchange student from Germany. What are the chances that a family with a son who is a guitar wiz is hosting an exchange student who is also a guitar wiz? Henri Schröder is an exchange student. I pulled him aside after sound check to have a conversation. Before I get into the questions, I will say that Henri was such a wonderful young man. Just picture him smiling while you’re reading his responses. Credit: Bud Gambrell OTC : Henri, how long have you been playing guitar? Henri : I've been playing the guitar for eight years, but I started playing the guitar passionately about four years ago. Before, it was more noodling around. OTC : What made you want to be a guitarist? Henri : Since I was young, I have wanted to play the drums, and my parents always tell me, oh, that's too big. And then I looked for the next instrument in my coolest instrumentalist, and it was the guitar. So I started playing guitar. It's just an amazing instrument, which is not easy to play. OTC : How did you happen to be an exchange student in a household with a family member who played guitar? Henri : That was not a coincidence. I wrote an application, and a few more months after I sent it to my agency, they told me that they had found a family that was also really interested in music and that their son was playing the guitar. And I was pleased about that. As soon as I got to know Carson , I knew I wanted to go to that family. That's how it happened. Credit: Bud Gambrell OTC : What is it about music that makes you feel passionate? Henri : Music can help you out in every situation. If you are sad or happy, you can always have music. Even if the times are not that good, music can help you out of that. That's what music has meant to me. OTC : I noticed during soundcheck that you and Carson have some chemistry while playing. Henri : Definitely! I’ve known Carson for two months and Preston for around two weeks. Both of them are very loving and just amazing people. It's like we are in our bubble and really like each other! Preston Black is the guitarist in the band Buck’d Up . He has played in the Huntsville area for many years and taught guitar for 21 years. The other members of Buck’d Up are Alex Mercieca , who is on bass and lead vocals, and drummer Rob Buck . This band gets my respect for being a badass power trio and for sharing the stage with these young men. Credit: Bud Gambrell OTC : Preston, at some point, Carson's dad brought in a prospective new student named Carson Merritt. What did you think when this student came in and sat down and played for the first time? Preston : Well, I was blown away! Because he was only 11 years old when he first started and was already good! He had already been playing for around a year, a year and a half, maybe two years, or something like that, but he was already good at that age, and it just blew me away! So we got him up on stage maybe six months ago, something like that after he first started lessons, and he blew everybody away! That was here at the camp also. I think he was, by that point, maybe 12 years old. He's a natural! Credit: Bud Gambrell OTC : This makes me think of the videos on YouTube of a young Derek Trucks at the age of 13 playing with the Allman Brothers . His playing was far advanced for his age. How is this even possible? Preston : It's amazing! I've been teaching full-time since 2003. It's weird to say, but in all those years, I've only had a handful of younger students who were naturals when it came to guitar. But Carson is the youngest, especially in lead guitar playing. All that stuff is natural for him, and he works hard! It's not just that he can naturally play. He works hard! As an instructor, I am more of a guide than anything else because he does all the work and figures out a lot of stuff on his own. So that in itself is impressive, especially for an 11-year-old! Now he's 13, but he's a very mature, brilliant kid. Credit: Bud Gambrell OTC : As a teacher, you've taught people of all skill levels. What does it mean as a teacher to have somebody so determined to practice like he does? It's like he is driven to play this guitar and improve. Preston : It makes my job easy. All I do is, you know, steer him one way or the other. I like to focus on the things that interest him because he will work the hardest on those things. Credit: Bud Gambrell OTC : Rob, as the drummer for the band, what were your thoughts when Preston presented the idea of having a 12-year-old play onstage with Buck’d Up? Rob : I'm all about it, man! I started playing when I was three, so I've been in this my whole life. To see fresh talent, good talent, and God-given talent come in, I couldn't ask for any better. Yeah, bring him home. Let's go! Credit: Bud Gambrell OTC : Alex, before you got to play with him, had you heard him play yet? Have you seen him play before? Alex : Preston had talked to me about it and told me how good he was, but then I was blown away when he got up there and started shredding away! He didn't miss a beat. It’s like we had practiced with him for months. But everything just fell into place. Perfect! My comparison between Carson and Derek Trucks wasn’t about their playing styles. These two have opposite playing styles. That comparison was regarding their age. It also had to do with their demeanor onstage. Both have excellent control over their emotions while playing. I asked Bill Neal if he had noticed that, too. OTC : Bill, you've seen Carson play before, and this kid's barely thirteen years old. What's your impression of his stage presence? He doesn't seem to be bothered by it at all. Bill : That's one of the things I asked him on the podcast. I asked him, 'I’ve seen you play up with Buck’d Up .' I'm like, 'You don't even seem fazed. Are you nervous at all?' 'Well. No, not really.' It doesn't make sense because I'm sure you're the same way. We picture ourselves at that age, and there's no way I would be able to do that. Maybe if I had the talent, but I've never been able to do anything like that, so he's well above anybody I've seen at that age. I enjoyed my time with Buck’d Up so much that I asked them a thought-provoking question to get a deeper look into who they are. OTC : If you could collaborate with one artist or band right now, who would it be? Preston : I’ve never thought about that. I guess it would be somebody like Steve Vai because I listened to his music yesterday. It had been a while since I had listened. I used to listen to it all the time when I was younger. I'm just blown away and amazed by how he composes. He's a good guitar player, but compared to his guitar playing, the composition of the music he writes is way more complicated and musical. He's a better composer than a guitar player, so I would like to pick his mind and brain and work with him. That would be fun! Rob : I already get to collaborate with some of the best dudes right here! But, if he were alive, I would say Dimebag Darrell of Pantera . I'd love to sit and play with him for a day. Alex : I'm going to take Rob’s approach to this answer. I’d love to collaborate with Victor Wooten , sit down with him, and learn some writing skills. In the past, I thought it would be really cool to sit down with Cliff Burton and get some things going with him, even during his years. He is better than what I was expecting to see. Credit: Bud Gambrell OTC : What first got you into music? Carson : So there was this show I watched called Cobra Kai , and one of the characters, Miguel , sets his ringtones to Round and Round by Ratt . I love the guitar on that song. So, I wanted to get a guitar to learn that, and then I expanded into different genres, and it's been enjoyable! OTC : What inspires you to pick up your guitar and practice? Carson : I want to be amazing and join a band someday. You know, I want to make it my career. If I practice, I can work further towards that. OTC : Do you enjoy practicing? Carson : Absolutely! Check out this video of Carson practicing here: www.facebook.com This was a bucket list solo for Carson. Two years and a half ago when he first started learning to play the guitar, we had no idea that at 13 years old... | By Angel | Facebook This was a bucket list solo for Carson. Two years and a half ago when he first started learning to play the guitar, we had no idea that at 13 years old... OTC : What do you enjoy about practicing and learning new things? Carson : It's just super fun! Honestly, it's beyond anything I can explain. You know, just that feeling of a pinch harmonic or a harmony. It’s just beautiful! It's just a beautiful instrument! OTC : What is the best piece of advice that another musician has given you? Carson : My guitar teacher, Preston , once taught me that you might have to work four hours for a three-second part of the song, and even though talent is a part of it, it's mostly work ethic. OTC : As a guitar player, you have a favorite guitarist. Who is your favorite guitarist? Carson : Kirk Hammett of Metallica . OTC : Shouldn’t your answer be Preston Black tonight? (laughs) Carson : (laughs) I didn’t know we were doing that. I also like Dan Sugarman of Ice Nine Kills . OTC : So, tonight you're playing with Buck’d Up , but could you get up there and play with any band right now? Who would you play with? Carson : Ice Nine Kills . They're my favorite band. OTC : What strengths do you think make you a great musician? Carson : Determination and work ethic. If that last answer is insufficient to blow you away, you haven’t been paying attention. Carson Merritt is barely 13 years old. When I was 13, I was unsure if I understood what those words meant. Carson not only has raw talent, but he also has the drive and determination that will carry him far. As I sign off this edition of Off the Charts, I will say one last thing. Rod and Kelly have done an outstanding job with this young man. Not only does he play guitar beyond his years, but he is also very polite and respectful. Those are a few qualities that I wish more people possessed these days. Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell Pickletato www.youtube.com Pickletato All the good names were taken https://www.youtube.com/channel/UCn8DviNRyjlHA4AaxxmLs5Q?sub_confirmation=1 Facebook: www.facebook.com/profile.php?id=61555703570599 Preston Black www.prestonblackguitar.net Home Facebook: www.facebook.com/BuckdUp Instagram: www.instagram.com/pressed_in_black/ YouTube: www.youtube.com Preston Black Instagram for Buck'd Up: www.instagram.com/buckdupband/ Alex Mercieca Instagram: https://www.instagram.com/amercieca78/?hl=en TikTok: Mercieca (@alexandermercieca) | TikTok Rob Buck Facebook: www.facebook.com/rob.buck.71 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Reach’ is a powerful exploration of longing and hope. < Back Reviews On the Real: Everfelt Soars with New Single ‘Reach’ Nicole Brice Aug 20, 2024 Share ‘Reach’ is a powerful exploration of longing and hope. In 2022, a Psychedelic Rock band called EverFelt came onto my radar. I could not discern any definitive influences or sounds after listening to their music for the first time. It was so different. It was unique. Fast-forward to 2024, and EverFelt is still making new music and driving forward. Every time I scroll my socials, I see at least one or two posts from EverFelt, either promoting a show or an upcoming release or just spreading the love for those in the industry who are taking notice. EverFelt is one of the hardest-working bands out there, and I feel this next EP, to be released in September, will finally get them the recognition they deserve. Credit: Facebook Vocalist Adam Steglich has said of EverFelt’s sound, “I feel we have evolved with the introduction of our new drummer. It’s given us the ability to have the timing to slow the songs down more and create that psychedelic vibe that we were going for in the beginning.” The band comprises well-seasoned musicians, and the current line-up has Adam Steglich on vocals, Corey Robinson on lead guitar, Jacob Crawford on rhythm guitar, Jason Hensgen on bass, and Ryan Smelcer as the drummer bringing it all together. EverFelt’s latest single, ‘ Reach ,’ was released on August 8, 2024. It hooks you from the first listen and does not let up for six minutes and twenty-three seconds. Having constructed an elaborate song full of groove and sludge, expect your head to nod as the song progresses slowly with a killer guitar part until Adam’s vocals start in, only to trap you at 2:30, where this insanely beautiful guitar solo begins. The best way to describe Adam Steglich’s vocals is that they are reminiscent of the iconic Peter Murphy from Bauhaus . He has excellent control over his voice, and I cannot recall anyone who sounds exactly like him. The Peter Murphy comparison is the best I can do. With lyrics exploring the themes of longing and hope, ‘ Reach ’ is a song that gets ingrained in your brain, and I genuinely enjoy this latest incarnation of EverFelt. Their sound wasn’t quite as polished when these guys started, but I’ve been fortunate to see them evolve. I think they have finally carved out a signature sound with all the new material set to release on September 7, 2024, so stay tuned. In the meantime, there is plenty to explore from EverFelt, but I feel the best is yet to come if they continue their current trajectory. The rest of 2024 is shaping up to be incredibly busy for the band, too, with numerous shows booked and a clear and concise vision of how they want to approach 2025 and beyond. Credit: Facebook “We hope people can relate to our music and love it like we do, but we don’t want you to only relate to the dark tone. No, we want to show you the door we’ve found, which is EverFelt”, says lead vocalist Adam Steglich. The production on ‘ Reach ’ is top-notch, and the mix sounds great. The song invites you to close your eyes and get lost in the sounds, offering a brief escape from reality. After reading this review, I invite you to do just that. ‘ Reach ’ is now streaming on all platforms. To learn more about EverFelt, just hit one of the links below. Spotify : EverFelt | Spotify Apple Music : ‎ ‎EverFelt - Apple Music Website : EverFelt Facebook : EverFelt | Facebook Instagram : EverFelt (@everfelt_music) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Top 5 Nostalgia Picks for October 2024 < Back Way Back When: Nostalgia Picks for your Playlist October Nicole Brice Oct 1, 2024 Share Top 5 Nostalgia Picks for October 2024 It’s my FAVORITE month in the entire world! Woo Hoo! I struggled to decide on these, but I think you’ll enjoy them all. … and if you don’t … I don’t care. My column. My rules. I’m winking at all of you as I type that, too. 1. AFI – Halloween This 1999 Misfit’s cover by AFI is more enjoyable than the original, in my opinion. Something about AFI’s persona during this period does it for me, too. I know bands must evolve, but this period between Black Sails and Art of Drowning is my fave. Turn this one up loud and enjoy! 1999 2. Ministry – Everyday Is Halloween In 1984 after Ministry left Arista , they recorded a couple of singles for Wax Trax! , and this was one of those singles. For those who know of Ministry with its more brutal sound , this track will surprise you. More in vain with bands like Depeche Mode , this track was released as the ultimate goth anthem, and when I first discovered it, I would play it nonstop in the control room at 90.9 KSLU while we were working on promos because I loved it so much. You’ll be bopping along in no time once you put this one on your list. Trust me. 1984 3. Def Leppard- Photograph Even though I was only two years old when this song was released, my earliest memories of hearing it were when the Greater Baton Rouge State Fair would come to town. I can remember this song being played on the sound systems with various rides that were going around. When I finally saw the video on VH1 years later, I became even more intrigued with the band. Forever one of my faves. 1983 4. How to Destroy Angels - BBB This song is from the first self-titled EP released under the How to Destroy Angels name, featuring Trent Reznor and his wife, Mariqueen . It is so infectious that you’ll be zoned in within minutes while nodding your head. 2010 5. Candlebox – Far Behind This song instantly transports me back to 6th grade in the fall. There is so much love for this song in my heart. If you’ve never heard it, turn it up! 1993 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

28 Days Later is one of the best zombie movies ever made, having popularized the fast zombie craze of modern-day cinema and terrified moviegoers around the world with its horrific scenario. < Back 28 Days Later: Feast Upon This Keeley Brooks Oct 18, 2023 Share 28 Days Later is one of the best zombie movies ever made, having popularized the fast zombie craze of modern-day cinema and terrified moviegoers around the world with its horrific scenario. Rating: 5 out of 5 raging zombies Growing up as a Gen Xer, I was, of course, aware of George Romero’s infamous zombie canon and was intrigued by the whole concept, but it wasn’t until the mid-2000s when a friend made me watch 28 Days Later (2002) that my intrigue completely changed. Not only was 28 Days Later my first introduction to the brilliantly talented Cillian Murphy ( Oppenheimer ), but it was also my first intro to a new kind of zombie beyond the slow, dread-inducing shufflers of the 20th century. Prior to watching 28 Days Later , I’d never seen (or even considered) fast, vicious, blood-thirsty zombies, and the idea was so horrifying to me that after watching it, my zombie interest turned into obsession. Although Nightmare City (1980) is often credited as the first movie featuring fast zombies, it was 28 Days Later that popularized the fast zombie craze of modern-day cinema and terrified zombie lovers and moviegoers around the world with its horrific scenario. And don’t get me wrong: While I love the concept, if fast zombies ever appear and start chasing us and we’re running together, I will trip you in my effort to reach safety. I’m kidding. Following the aftermath of a deadly viral outbreak in Great Britain, 28 Days Later focuses on Jim (Cillian Murphy, of Oppenheimer ), a bicycle courier who wakes up from a coma 28 days after an accident to discover bustling London life completely obliterated and in total destruction, not another human soul in sight. After wandering the streets alone and easing into a church, Jim realizes the horror of the situation he finds himself in when he is chased by raging, bloodthirsty, once-human creatures. credit: Fox Searchlight Pictures It’s only after he’s rescued by a couple of survivors that he learns what has happened. Nearly a month prior to Jim’s awakening, a group of eco-terrorists in Cambridge freed a lab chimp from its cage, not realizing the chimp was infected with a highly contagious, aggression-inducing virus called the “Rage virus.” Unlike what we’ve seen in other zombie movies, one does not have to be bitten to be infected. All it takes is one drop of blood from an infected to drip into your eye or mouth or an open wound, etc., and that’s it: You’re done. Within seconds, the virus overtakes its host, completely morphing him/her/them into a violent, vicious creature that aggressively salivates for one thing: bloody carnage. Case in point: Check out what happens to Brendan Gleeson ( In Bruges ) after a drop of infected blood gets in his eye (warning: the scene below is intense): While this scenario is indeed horrifying, heart-pounding, and hair-raising, it’s not what makes 28 Days Later such a terrifying film. The fact that what was once the military has set up a blockade and is broadcasting protection as a cover to lure female survivors into sexual slavery so they can repopulate the world does. And this is where the movie really gets delicious, as Jim jumps into action to save the only two females he’s come to know—one being a minor. 28 Days Later shows what happens to society in a frantic, post-apocalyptic crisis. In such a scenario, you’d like to think that when there’s a common enemy to fight, humanity would band together, but it doesn’t happen like that: The law breaks down, forcing humans to self-regulate, and self-regulation always leads to a form of anarchy, which is what we see here. 28 Days Later is arguably the first zombie film to successfully show the true breakdown of humanity and those effects in a post-apocalyptic crisis. Furthermore, while these fast zombies serve as a symbol of loss and meaning amongst a plethora of society vacancies, they also serve as metaphors for society's need for immediate, mindless consumption of, well, everything. So where there are multiple interpretations of a zombie crisis between all zombie movies, one thing that remains standard throughout all of them: Human beings can’t be trusted to take care of each other in the middle of a crisis where there is no collective hope because consumption has taken over. There’s a lot about 28 Days Later that is hands-down masterful, including its horror within the horror story, but what I love the most is the way Director Danny Boyle juxtaposes the terror of what is happening with the beauty of nature (i.e., colorful geometric tulip fields and sprawling English country sides)—ironic since nature is where viruses originate. That alone is what easily makes 28 Days Later one of the best zombie movies ever made . In addition to its stellar narrative, the actors each give outstanding performances riddled with inherent fear, the cinematography is absolutely gorgeous, and the creative editing techniques as well as the soundtrack nicely drive the tension and pace of the movie, allowing the viewer to oscillate between safety and fear as 28 Days Later moves through its cycle of death, destruction, and rebirth. In 2007, a sequel released called 28 Weeks Later , but it was not written by 28 Days Later screenwriter Alex Garland ( Ex-Machina, Sunshine ), was not directed by Danny Boyle, nor did it feature Cillian Murphy and his character Jim. Some liked it; some didn’t. However, there is hope. Word on the circuit is that it looks like Garland, Boyle, and Murphy are teaming back up to bring us another sequel, which will likely be called 28 Years Later . I don’t know about you guys, but I’m already waiting with my giant bucket o’ popcorn and my safety blanket. Oddly enough, while 28 Weeks Later seems to be streaming multiple places, 28 Days Later is not currently streaming anywhere but is available to purchase and is well worth the fee. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Clay Pigeons is a cult-classic dark comedy about small-town appearances, serial killers, and sexual betrayal that is just as funny as it is grim. < Back Clay Pigeons: Feast Upon This Keeley Brooks Sep 28, 2023 Share Clay Pigeons is a cult-classic dark comedy about small-town appearances, serial killers, and sexual betrayal that is just as funny as it is grim. Rating: 4 out of 5 dead could-be rockstars Welcome to Feast Upon This , a new column by yours truly where I’ll be sharing with you new and old titles worth feasting upon and telling you all about why you should watch them. First up is the 1998 independent gem Clay Pigeons , a relentlessly dark but funny small-town crime drama about a simple guy who keeps finding himself in the worst possible situations—usually involving dead bodies—and perhaps the nicest serial killer on the planet. Starring Joaquin Phoenix ( Joker ), Vince Vaughn ( Old School ), and Janeane Garofalo ( Wet Hot American Summer: Ten Years Later ), Clay Pigeons has a strange, meandering plot that starts off funny but turns dark pretty fast as it twists and turns, leaving you wondering where the hell it’s gonna lead. It definitely treads the fine line between comedy and laid-back seriousness. Clay Pigeons was developed under filmmakers Ridley and Tony Scott’s company, Scott Free Productions , and is directed by David Dobkin ( Shanghai Knights and Wedding Crashers ). It’s also the second successful on-screen collaboration between Vaughn and Phoenix, who appeared together in Return to Paradise , which is also a great movie upon which you should feast. It released the same year and centers on two friends (Vaughn and Phoenix) who must choose whether to help a third friend who was arrested in Malaysia for drug possession. Back to Clay Pigeons , though. Set in the small town of Mercer, Montana, where everybody knows your name and is all up in your business, Clay Pigeons is one of those macabre comedies where the characters are quirky, not much is taken too seriously, the deputy sheriff is named—in homage to The Andy Griffith Show —Barney, and dead bodies continually surface around one particularly innocent man, making him look completely guilty. Clay Bidwell (Phoenix) is an affable, weak-willed, easy-going gas station attendant who, in the opening scene, finds himself up Shit Creek without a paddle while out target shooting with his best friend, Earl (Gregory Sporleder, of Black Hawk Down ). With gun in hand, Earl announces he knows Clay has been sleeping with his wife, Amanda (Georgina Cates, of Sinner ). Then, in an entertaining scene epitomizing how effectively Clay Pigeons juggles dark thriller and comedic elements, Clay begs Earl not to do anything he’ll regret right as a disheartened but methodical Earl carries out his plot to off himself and make it look like Clay killed him. In a panic, Clay goes to Amanda for help, but she tells him he’s on his own and leaves him to his own devices to dispose of the body. See, Clay is the kind of character who wouldn’t hurt a fly. Hell, he wouldn’t even swat at one, so when he stages a drunken car wreck to make Earl’s death look like a suicide, he’s batshit squirmy and completely out of his element. But ultimately Clay makes it work and even gets away with it, thanks to the gullible (and borderline narcoleptic) Deputy Sheriff Barney, who has known Clay long enough to know he would never, ever do anything wicked; he swallows every drop of bullshit Clay feeds him with ease. After Earl’s funeral, Clay finds an unapologetic, half-naked Amanda at his house in his bed, where she pressures him to continue with their affair. Overwhelmed with guilt, Clay resists her advances and heads to the bar, where she follows and invasively pressures Clay, getting all up in his personal space, ignoring his requests to leave him alone. When she amps up her attempts by getting physical, he slaps her and catches the attention of a peculiar cowboy hat-wearing bar patron, who moves in closer to befriend Clay while he’s at his lowest. Lester Long (Vaughn) is an obnoxiously dressed, super suave, but unnervingly creepy drifter who rolls into town the day of Earl’s funeral and forces his way into Clay’s life after seeing (and enjoying) his act of violence against a woman. An always smiling, over-confident fast talker, Long dresses in tacky, WAY-TOO-LOUD western wear and accentuates it with a high-pitched, machine-gun laugh—the kind that creeps you out and compels you to get as far away from him as you can. But he’s more than just a drifter: He’s an under-the-radar serial killer making his way through the state of Montana. This silver-tongued cowboy has a way with the ladies, a way with cigarettes, and he’s top notch at manipulating anyone he cozies up to. Lester—excuse me, “Lester the, uh, Mo-lester” as he likes to introduce himself, is the archetypal stranger with a mysterious past, handsome good looks, and such a charming manner that you can’t really be entirely sure if he’s an angel or the devil. All you know is that something about him is just … off. Next to Long, Clay is the local loser par excellence who finds himself embroiled in a life of panic, anxiety, and suspicion as fate continues to throw him the raw end of the deal at every turn. Stuck between a rock and a hard place (i.e., Lester’s maneuvering and Amanda’s slutty libido), Clay finds himself implicated in the fact that a bunch of corpses—obviously the work of a serial killer—keep turning up around him, right in the public’s view. After Earl’s death, a distraught Clay bones a waitress named Gloria, which pisses off a vengeful Amanda, who winds up killing Gloria. Always the sucker, Clay agrees the dispose of the body once again and dumps it in a local lake. Only, he forgets to weigh it down, so you know this one’s coming back to surface, and you can bet it will be at the most inopportune time. The next day, Lester baits Clay into going fishing at the same lake, and in a most hysterical scene, Gloria’s dead body floats to the surface and horrifies Clay. In a panic, he tries pushing the body away from the boat with an oar before Lester notices but doesn’t succeed. That moment right there is one of the reasons you should watch Clay Pigeons . As Lester spots and points at the body, he stands and, with charming innocence, yells, “Well f**k me! Man overboard! Man overboard!" "Oh my God, what is that?" Clay asks. "Alarm! That’s a person, Clay! That’s a dead person!” Lester answers. "Well, I can see that .... wh--what do we do?" Clay wonders. "I don't know, man. It's a new situation for me," Lester says as he reaches for the leg of the body. "It's okay, I've got her," he continues as Clay leans over the side of the boat to vomit. "Aw man, it just gets uglier and uglier! I love the open water, man!" Lester exclaims. “Well, I don’t think anybody would want us touching her, you know?” a freaked-out Clay says. “Her? Hell, I’m not even sure that damn thing’s a woman!” Lester quips. “Well of course it’s a woman. It’s got long hair,” Clay responds. “Well, it could be a rockstar, Clay. We don’t know what the f**k it is,” Lester asserts. Having no choice, Clay confesses his secret to his new pal Lester, which solidifies for Lester that the two are now “fishin’ buddies” for life. Just for your viewing pleasure, here’s a little snippet of that scene, but you should really watch it in its entirety for the full effect. Clay further paints himself into a corner when he goes to Sheriff Mooney (Scott Wilson, of Black Mirror ) to report the body and keeps Lester’s name out of the deets. But time always tells the truth, and when Amanda turns up dead after boning Lester, Clay begins to put two and two together and realizes Lester is the killer. When the FBI show up, Sheriff Mooney is not happy they’re all up in his jurisdiction, but he allows the help and knows he needs it after continually catching Deputy Barney (Vince Vieluf, of Love, Inc. ) napping on the job and being super careless with evidence due to his lack of common sense. Now Clay really looks like the prime suspect, especially once Agent Shelby (Garofalo) questions him in jail. “You’re dating one victim, you’re having an affair with another, and you actually found the third. Kind of a coincidence, wouldn’t you say?” Shelby taunts Clay. Garofalo and her mannerisms, which border on excessive familiarity with Fargo ’s police chief Marge Gunderson (Frances McDormand), make Agent Shelby one of the best parts of Clay Pigeons and yet another reason why you should see this movie. She’s highly intelligent, extremely direct, and plays the sarcastic “wise guy”—the kind of wise guy who sniffs out other wise guys a mile away. It’s no surprise, then, that after meeting Lester Long, she suspects he's probably the killer. Director David Dobkin does a fantastic job of creating clever, intricate scenes for Garofalo to have fun with—in particular, that bar room encounter with Lester. As Clay sits in a cell under FBI suspicion of being a serial killer, Lester goes to visit him and tell him he has a plan to help prove Clay’s innocence: He’ll just kill another person to prove Clay isn’t the one committing these crimes. Lester’s malevolence really bleeds out here in the way he toys with Clay, who does not like this plan at all. In an effort to face Lester and stop the murder, Clay breaks out of jail by duping the one Agent Shelby refers to as “a boob,” Deputy Barney. What plays out after that is left completely up to your viewing pleasure. What I love about Clay Pigeons are the characters. Screenwriter Matthew Healy really dove deep into creating Clay, Lester, Barney, and Agent Shelby, and it shows in how well written they are. Both Clay and Lester pretend to be dumber than they really are, with Phoenix taking on the more subdued role of innocent man in trouble while Vaughn, in a far more distinctive turn than his take on Norman Bates, is a diabolical serial killer and charming misogynist who might sound and appear creepy but who is genuinely wrapped up in his friendship with Clay, whom he pins to be his fall guy. Their relationship serves as an intriguing take on male camaraderie and mutual dependency that turns into an exploding landmine once Clay discovers the truth. Clay Pigeons features some enjoyable early stellar performances from Phoenix, Vaughn, and Garofalo, who each delightfully relish their individual roles, which further allows us to relish every little thing about their characters and acting methods. Clay Pigeons’ quirky little narrative makes plenty of room for its somewhat-clunky plot to unravel and unwind on you in its own time, and it’s stocked full of some high-quality verbal zingers—yet another reason to watch this film. Sheriff Mooney also lays down some solid work, understanding that his character is, unlike the others, not at all there to be funny but instead is there to ground everyone in reality. Overall, Clay Pigeons is a pleasant amalgamation of Orson Welles’ Touch of Evil (1958) with classic, eccentric, screwball comedy topped off with a fun soundtrack to enhance the laid-back but sinister mood. Riding the tail end of the neo-noir boom of the 90s, Clay Pigeons was generally regarded as derivative of Quentin Tarantino and Coen Bros. films with their idiosyncratic characters enmeshed in a neo-noirish story bookended by jarring violence and clever levity. If you’re at all a Joaquin Phoenix, Vince Vaughn, or Janeane Garofalo fan, this is one flick you’re gonna want to indulge in and add to your queue or collection. Clay Pigeons is available to buy or rent on Prime Video, Apple TV, Vudu, Redbox, and Roku. Keeley Brooks is big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Road Dog’ is a toe-tapping, finger-snapping, and hand-clapping tune full of rhythm. < Back Reviews on the Real: ‘Road Dog’ by Jared Daws is a Gritty Anthem for the Highway Wanderer Nicole Brice Mar 21, 2025 Share ‘Road Dog’ is a toe-tapping, finger-snapping, and hand-clapping tune full of rhythm. Southern-based artist Jared Daws has released a new track titled ‘ Road Dog .’ This spirited song, which debuted on March 14, 2025 , is filled with rhythm that makes you want to tap your toes, snap your fingers, and clap your hands. The track begins with a hauntingly beautiful instrumental guitar melody and evolves into a strong rhythm once the lyrics come in. Jared's vocal delivery gives me chills due to the power of his voice. As the song progresses, a noticeable groove develops, and Jared's vocals become increasingly soulful and poignant. Once the tempo picks up, it doesn't slow down. I found myself nodding my head the entire time I listened to this song. As the tune begins to fade, the pace slows down, with Jared delivering the final words: "I'm a road dog." Produced by Pat Lyons of Colter Wall 's band and featuring Greggory Garner of Sam Barber 's band on bass and Matty Myers of Sierra Ferrell 's band on drums, ' Road Dog ' celebrates the open road's enduring charm and a traveling musician's life. Rooted in classic country music, it captures the essence of a nomadic lifestyle that resonates with many of us, both musically and lyrically. This is a solid tune you must hear, and I am absolutely in love with it. Released March 14, 2025 - click to listen Don't miss out on the experience of ' Road Dog .' Stream it today and discover why I'm so enamored with this track. I guarantee you'll love it as much as I do. The official music video is also out today via YouTube . Check it out! Official video for 'Road Dog' by Jared Daws To learn more about Jared Daws: Jared Daws | Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Death and Glory Tour was a testament to music's power to unite us. < Back Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans Rian Nickels Mar 3, 2025 Share The Death and Glory Tour was a testament to music's power to unite us. During the peak of the Carnival season on February 26th, 2025 , just a week before Louisiana’s most beloved holiday – Mardi Gras – the popular music venue Joy Theater in New Orleans , Louisiana , was visited by two amazing acts on the rise in the alternative music scene. (Although they’ve both been under the radar for over a decade.) The weather was perfect, the streets were adorned with the purple, gold, and green glimmers of the classic Mardi Gras beads, and citizens and tourists proudly wore the traditional Mardi Gras Colors. This made for the perfect night to see what Palaye Royale and Johnnie Guilbert had in store for us. Credit: Rian Nickels The line was wrapping around Joy Theater . Punks, Emos, and Alternatives were dripping in black clothes, fishnets, band merchandise, and eyeliner and waiting excitedly for the doors to open. As the doors opened, the bars, barricades, and merch tables were lined with eager fans. Jay and I found a spot up close to wait for the show to begin. Kicking off the night was Musician and long-standing Youtuber Johnnie Guilbert . Credit: Rian Nickels This was Johnnie’s first time touring with a full band , and even though he’s been around and well-known on YouTube for over a decade, his music career is only starting to take off . From watching his videos, I can tell that, like many of us in the alternative scene, Johnnie’s always been kind of shy and anxious; I was excited to see if being on tour has helped him to become more confident. As soon as Johnnie came out in his signature black Ray-Bans , the crowd lost their minds; the fan girls broke out in shrills and screams of joy . He greeted New Orleans and then went straight into his tracks ‘ If Looks Could Kill ’ and ‘ Angel of Death ’. The energy was instantly on fire in Joy Theater as the fans let loose while SCREAMING every lyric to his songs; it was then clear to me that the alternative music fan base in Louisiana was still breathing . By the time Johnnie performed his newest song – ‘ Fake Positivity ’ - his confidence in his stage presence was starting to shine brighter. He was all over the stage, switching between wearing and taking off his shirt and sunglasses, dramatically falling to the floor and singing while lying on his back, and was full of high, edgy energy. You could genuinely see that he was happy to be standing in front of us. After playfully swaying around to each side of the stage, giving everyone in the front row the proper amount of attention, he asked the crowd for more energy (and boy did they deliver) before he fell to his knees to get down to crowd level before he and the crowd echoed the song’s chorus through the theater. Johnnie then played hit songs like ‘ Violent Dream , ’ ‘ Doctor ,’ and ‘ Zombie .’ Johnnie Guilbert performs 'Zombie' at The Joy Theater in New Orleans on February 26, 2025 (video courtesy of Rian Nickels). Credit: Rian Nickels In between songs, Johnnie made sure to let his playful personality shine with silly comments to the crowd, saying things like “And this one’s ‘ Baby ’ by Justin Bieber ” before playing ‘ Zombie ’ and reciting Chappell Roan ’s spelling from her track ‘ Hot to Go ’. Of course, following Johnnie’s ‘H-O-T-T-O-G-O’ was the crowd’s requitement of “You can take me hot to go”. Credit: Rian Nickels Johnnie made sure that the crowd felt included by holding the hands of fans and waving in their direction. I was surprised and overjoyed by his warm, rowdy, joyous, diva energy as he’s usually known for being the dark, emotional, and sensitive guy. Being in Johnnie’s crowd made me feel like there was no separation of artist and fan ; it was one of those concerts where you’re reminded that the show couldn’t go on without one or the other. Credit: Rian Nickels For Johnnie's last song, ' Vampire ', he created a moment that will be etched in my memory forever. He asked everyone to come closer, and we all huddled around him. As he sang the closing verse, we all sang along, our arms reaching out to him. It was a moment of shared intimacy, a perfect conclusion to a performance that we will always remember. Johnnie Guilbert performs 'Vampire' at The Joy Theater in New Orleans, Louisiana on February 26, 2025 (video courtesy of Rian Nickels) Credit: Rian Nickels Before leaving the stage, he told New Orleans goodnight and that he’d meet everyone at the merch table and take photos. I don’t think I’ve ever run as fast as I did to his merch table. Johnnie was kind to every person in the line, giving everyone time for a photo, an autograph, time to appreciate the gifts he was being given (like bracelets, drawings of himself, and various trinkets), and a small chat. When it was my turn, I told him about how I had been watching his videos while I edited my concert photos for the past year and that I was so incredibly honored to be able to capture pictures of him. Credit: Rian Nickels He was genuine and told me he saw me in the photo pit, loves to see the photos people take of him, and to be on the lookout. I took a photo with him and gave him a farewell hug (after asking him if he was a hugger, which you should always do!) so that the rest of the eager fans could get their chance to meet him. With my heart full of gratitude for that full circle moment, I was pumped and ready for the headlining band, Palaye Royale . Before the show, I had only heard a few Palaye Royale songs, so I had no idea what to expect from their performance. Palaye Royale is a garage/glam rock band from Las Vegas , Nevada , comprising three brothers. Remington Leith is the band’s frontman, with Sebastian Danzig on guitar and keys and Emerson Barret on the drums. They are supported by touring members Logan Baudean (from Louisiana) on the bass and Dave Green on the guitar. It would be a complete understatement to say their performance blew me out of the water. Credit: Rian Nickels Palaye Royale came out strong with a tsunami of riotous energy with their new track from their latest album, Death or Glory . I fell more in love with their stage presence with every song they performed . Remmington has an impressive amount of energy pouring out of him that keeps you on your feet with your heart racing with excitement. Emerson has just the right amount of punk attitude and the drum talent to back it up. I know people say this about drummers all the time, but he was the heartbeat of the performance , keeping everyone on time and in harmony. Sebastian was just as talented and charismatic as his brothers; something about h is riffs on the guitar takes you away from the world and brings you into the moment . These brothers are insanely talented and harmonic, but their touring members add the perfect edge to their live performances. Logan’s baselines make it impossible not to groove your body to the rhythm. One of my favorite highlights of the performance was when they played ‘ No Love in LA ’; For this track, the whole crowd was in tune , and the entire venue was jumping, singing the words, and flowing with pure excitement . The crowd was already mighty alive, but this brought the show together . Royale switched up the energy from chaotic to heartfelt with their track ‘ Just My Type ’ and then right back to that rebellious vibe with ‘ Addicted to the Wicked & Twisted ’ from their newest album. Palaye then played one of my favorites from their latest album, ‘ Show Biz .’ I like this track because it compliments Remington’s voice versatility and reminds me of 2000s rock with a modern enhancement. They then slowed things way down with ‘ Dying In A Hot Tub ’ from their record Boom Boom Room (Side B) , a track about losing someone you care about to addiction/suicide; in that moment, you could feel just how many of us could relate to this and felt understood. Palaye Royale played a lengthy set that was the perfect mix of new and old songs for older and newer fans. Palaye Royale performs 'You'll Be Fine' at The Joy Theater in New Orleans, LA on February 26, 2025 (video courtesy of Rian Nickels) For the end of their set, they took things back to 2022 with their song ‘ Fever Dream ’; this track reminded me of the heaviness of the My Chemical Romance song ‘ Famous Last Words ’ and showed the band's possible inspiration from Gerard Way . This song had huge blow-up balls bouncing all around the venue, another thing that helped connect the audience with the band as members and fans were practically playing a massive game of “Keepy-Uppy”. Credit: Rian Nickels After the song's end , the lights went dark , and they suspiciously dropped their instruments and walked off stage. Of course, all attendees started to chant “ONE MORE SONG!” until the band came back on stage, wearing Mardi Gras Masquerade masks and covered in the famous plastic beads. The crowd of New Orleans went wild for that! Palaye Royale then played us a whole THREE more songs for the encore: ‘ Dead to Me , ‘ Lonely ,’ which is my absolute favorite, and ‘ Mr. Doctor Man ’. Something about them that stuck out to me was how well they all played together; you could tell these three brothers were in tune with each other. I appreciated the level of presence, style, and talent they brought to Joy Theater , and although I went in only somewhat of a fan, I left a fan for life! Palaye Royale had the perfect amount of Panic-At-The-Disco-Carnival-Esque for Louisiana’s Carnival season. As the lights dimmed and the night came to a close, I couldn’t help but feel that familiar rush of adrenaline that only live music can provide. Palaye Royale and Johnnie Guilbert performed and made us a part of their world for a few hours. They reminded us of something easy to forget in this crazy, chaotic world: that music is a form of connection, a pulse that beats through every heart in the crowd. With all its raw energy and unapologetic rebellion, the alternative scene still has a place for everyone who craves authenticity in a world that often feels too polished. That night, it wasn’t just about the songs—it was about the moments between them. The shared glances, the laughs, the love, the chaos—every little piece of the night reminded me why I fell in love with this scene in the first place. The Death and Glory Tour was a testament to music's power to unite us. As I walked out of the venue, I knew that despite the noise, neon, and the glittering beads of Mardi Gras, this kind of magic stays with you long after the last note fades away. To learn more about Palaye Royale: www.palayeroyale.com Palaye Royale To learn more about Johnnie Guilbert: Johnnie Guilbert - YouTube *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Masked Mutilator Ezekiel Kincaid Share Jan 25, 2024 Masked Mutilator combines horror and wrestling, making for the ultimate B-movie experience. Zeke’s rating: 4 out of 5 Choke Slams Two of the greatest things God blessed us with on this planet are horror movies and wrestling. But you know what’s even better? When horror and wrestling combine for the ultimate B-movie experience! This is what we have in today’s review of Masked Mutilator . As a child of the 80s, I was a huge wrestling fan. It was the golden age of the sport, filled with icons such as Hulk Hogan, Andre the Giant, The Undertaker, Sting, Lex Luger, and Ric Flair. Just when I thought it couldn’t get any better, we had the attitude era that started in the late 90s and carried into the early 2000s. This is when the more extreme stuff, like ECW ( Extreme Championship Wrestling ) went mainstream. And I loved it! I actually had the privilege of going to one of their events and saw a drunk guy pee all over the parking lot with a dazed look in his eyes and a smile on his face. Fun times. With that said, you can imagine my excitement when I came across a film called Masked Mutilator . I had high hopes for this movie, and it did not disappoint! To make things even better, one of my favorite B-movie actors of all time directed and played a leading role in this movie. Brick Bronsky , who passed in 2021, starred in the epic Troma films Class to Nuke’em High Part 3, Return to Nuke’em High Part 1, and Sgt. Kabukiman N.Y.P.D. An interesting fact about Masked Mutilator is that it was filmed at two different times, over two decades apart. In 1994, the main storyline was filmed and was tucked away until 2018-2019, when the wrap-around segment was filmed. Filmmakers combined the two recordings and released it in 2019. Masked Mutilator opens with the wrap-around segment, in which Investigative Podcaster Jim Dorian (Steve Mittman, of Blood Hunter: Thirst and Rage ) hosts a show called “Dorian Investigates”. He has with him one of the surviving victims (and his girlfriend) of the Masked Mutilator’s carnage. As he begins to tell his story, the scene switches to Vic Mangino, aka Masked Mutilator (played by WCW, NWA wrestler, Jeff Sibbach), accidentally killing an opponent in the ring. Credit: IMDb He seems to show no remorse over his actions, and after leaving the sport, he takes a job as a house parent at a teenage rehabilitation center. And this is where the fun begins. We’ve got a great team of bad actors that play the teenagers in the home, and it makes for some hilarious interactions . First, there is bad boy Rocker (Glen Hetrick, Star Trek: Discovery 2019 and Face Off TV show judge) , who pretty much hates life and everyone else. He likes to play air guitar and bang his head to music only he can hear in his mind. Then we have Mason (Chet Cole, If Then Scenario ), Rocker’s right-hand man. He thinks he’s super tough but comes off as the type of guy who probably sleeps with stuffed unicorns and plays with dolls underneath his covers at night. We also have our “yes man” Jake (Paul Sutt, of Watchmen ), who’s a typical 90’s stoner and tags along with Rocker and Mason. But what would our story be without the promiscuous girl and the good kids who have fallen on hard times? Have no fear, reader, we have both in Masked Mutilator . Marcy (Amanda Kupchinsky) is the house slut. She denies it vehemently while attempting to bang everything that secretes the slightest amount of testosterone. Our good kids who have fallen on hard times are Greg and Leslie, a brother/sister duo played by Andrew Denzel and Heidi Shelhamer, whose only claim to fame—like Kupchinsky—is Masked Mutilator . And our story wouldn’t be complete without throwing in a presumptuous intern, a karate badass, and a chef who can’t cook for shit. The illustrious Brick Bronsky stars as Steve Carson, who comes on to serve as an intern to help Vic. He’s idealistic, pompous, and thinks he knows it all. Our karate expert is Brain Worth (Tom Taylor, of Blood Hunter: Thirst and Rage ), who winds up in the house for being at the wrong place at the wrong time. Former professional wrestler Doug Yasinsky, aka Dashing Doug Flex, plays the part of Carl the Cook, serving the houseguests up with one inedible dish after another. With the stage set, the murders begin. One by one, the kids in the house are picked off by the Masked Mutilator. The kills are mostly done with wrestling moves, including Masked Mutilator’s finishing hold, which is basically a crude version of Ted DiBiase’s Million Dollar Dream. The gore is fun and done in typical B-movie fashion. Throw in some fake severed limbs and you got yourself a nice serving of B-movie soup . As the story unfolds, things take a turn, and Brian Worth must use his karate skills to try and save the day. There are some red herrings and twists to try and throw you off of guessing who the real killer is, but certainly don’t expect anything like Scream or Valentine . Lower your expectations, and when you’ve done that, lower them a little more. All in all, Masked Mutilator is an enjoyable B movie. If you like your wrestling mixed with horror, or your horror mixed with wrestling, I recommend you check out this little gem. Masked Mutilator is currently streaming on Tubi, Vudu, Prime Video, YouTube Premium, The Roku Channel, and Google Play. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Pitiful’ sets a new direction for the music of XIII Minutes. < Back Reviews on the Real: XIII Minutes ‘Pitiful’ is a Hard-Hitting Reflection on Overcoming Adversity Nicole Brice Oct 30, 2024 Share ‘Pitiful’ sets a new direction for the music of XIII Minutes. Releasing November 1, 2024 , ' Pitiful ' by XIII Minutes is a powerful anthem and is THE perfect song to set a new direction for the band’s music. It's a sound that's hard to compare, and it's a sound that I can't wait to hear more of. We’ll see more of this band in the press in 2025. Just watch. 'Pitiful' releases everywhere November 1, 2024 ' Pitiful ' kicks off with a distant chorus of voices, setting the stage for a unique sound that will pique your curiosity. The song then builds to a thematic climax in the introduction, jamming right out the gate. Melodic lyrics start taking hold when your head nods as the pre-chorus starts in. Crunching guitars, precision drumming that will leave you in awe, and a solid chorus make this song one that you’ll be listening to on repeat in no time. “‘Pitiful’ tackles the topic of addiction (of any form) and shows it for what it is – a trap. There’s something very human about the desire to escape from life’s pain. It’s a relatable feeling, but our goal is to inspire listeners to engage in life in a much deeper and raw way. There is hope in the journey, and we can only begin to understand that hope when we tackle our pain head-on and sober.” I previously reviewed ‘ Cult Leader ,’ which has an entirely different sound than ‘ Pitiful .’ The production on ‘ Pitiful ’ is tight, and the entire song ends with you still wanting more. While the song's brevity leaves you craving more, it also adds to its charm, and is a testament to its quality. “We understand that not everything can be wrapped up in a 3–4-minute song, but despite tackling darker subject matter, we always want to sprinkle seeds of hope in our songs.” XIII Minutes has been around for a while, consistently delivering high-quality melodic rock throughout the years. However, they didn’t come onto my radar until earlier this year. Since then, they've quickly become one of my new favorite bands, especially after their previous release, Cult Leader . ‘ Pitiful ’ is a perfectly orchestrated song with textures, rhythm, and soaring vocals. The song will stick with you long after it has finished and resonate with anyone who likes a solid, melodic rock song. “One can never discount what an amazing producer can do to bring ideas to life and help a band funnel them in creating a focused output. In the writing of ‘ Pitiful ,’ we worked with producer extraordinaire Kevin Gates at Reach Audio , who, among others, has produced music by Afroman . Kevin brought out the best in us, and I think this song reflects just how amazing he is.” I’ve listened to ‘ Pitiful ’ five times, and it gets even better each time. If you truly want to enjoy It, might I suggest an excellent pair of headphones? They will make your listening experience much better. Stream ‘ Pitiful ’ everywhere on November 1st . For more information on XIII Minutes : Wikipedia: en.wikipedia.org XIII Minutes - Wikipedia Facebook: https://www.facebook.com/xiiiminutesofficial/ Spotify: https://open.spotify.com/artist/170qLAyfpGyLLTCu1QcDhL Rottweiler Records: www.rottweilerrecords.com XIII Minutes | Rottweiler Records Bandcamp: thirteenminutes.bandcamp.com XIII Minutes Instagram: https://www.instagram.com/xiiiminutesband/ Reverb Nation: YouTube: www.youtube.com XIII Minutes Band After a few years of silence, XIII Minutes is back — reforged as their strongest, hardest-hitting iteration yet. The hard rock band made a name for themselves with their album Obsessed, released in 2019 via Rottweiler Records. The album spawned the track “Who Told You,” which topped Christian rock charts. But life seasons changed, and the band went dark. Until now. “I think the focus on the culture and collective goals is what sets this era apart,” reflects Jamie Kucinski, band founder and drummer. “Through every step and experience, clarity has presented itself. Even during the hiatus, I began to better understand what I wanted to accomplish.” That steady focusing in led Kucinski to recruiting a new lineup in 2023, a lineup united under the common purpose of the band’s culture: a culture defined by hope, community and fun. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. Cecily: Soulful Music With Ambient Affirmations < Back Cecily: Soulful Music With Ambient Affirmations Erica Machen Nov 9, 2023 Share Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. If you’ve ever needed the perfect soundtrack to accompany the moments your eyes are gently closed and all you see is the warm glow of your eyelids as the sunlit breeze kisses your face, look no further than the melodic musings of vocalist and songwriter Cecily. With a family who infused influences from artists such as John Coltrane, Motown, Smokey Robinson, and R&B from the 70s, 80s, and 90s, her vocal artistry brings prismatic color and warmth to the soul as the purity of her message washes over the listener and leaves an indelible mark. Cecily’s soprano octaves provide a surprising duality with her ethereal yet earthy delivery, and, as we chatted for our interview, her soothing personality left me just as spellbound as her music did. Originating from Washington, D.C., with a background in Political Science and Black Studies, Cecily's journey as an artist began as a powerful call to bring purpose and empowerment to her community . After ten years of nurturing her musical talents as a passionate hobby, she took the leap to turn her passion into a full-fledged career. Supported by an exceptional team of hand-picked musicians, dedicated management, and her husband, Cecily has achieved numerous accolades and awards , solidifying her presence as a force to be reckoned with in music world. Just as her newest release “I Am Love” delivers a simple and positive message coinciding with depth and dimension , the same can be said for Cecily herself. It came as no surprise to discover her passion for healing, meditation, and affirmations, as all of those things are revealed within her music. Cecily is simply a breath of fresh air with the motivation to spread her positivity through her art. Prepare yourself to feel connectivity as you read along with our chat. MaM : Cecily, for those just discovering your music, could you describe your unique sound and the musical influences that have shaped your style? C : I describe my music as soul music with a lot of influences of jazz, 90’s R&B, with a little bit of folk mixed in as well. I like to work with live instrumentation and real musicians in a space creating together, because I think that's how you capture the best energy. In terms of who people liken my music to, I really love 1970’s soul and R&B. Generally, you'll find a lot of sounds from that era in my music. I've had comparisons to Minnie Riperton, for example, in terms of my vocal stylings and some of my arrangement choices. People have also compared me to Amel Larrieux, who is more of a 90’s or early 2000’s R&B singer. Some of my favorite current artists who I think my music kind of likens to are Cleo Sol and Lianne La Haves , who are both from the UK. Photo provided by artist. MaM : Your parents' record collection had a significant impact on your music. Can you share how their love for artists like Miles Davis and Smokey Robinson influenced your artistic journey? C : I actually inherited my parents’ record collection. My dad passed away a couple years ago. My mom said she didn't listen to records anymore, so I could have them. Now I have a pretty large record collection. Thanks to them for that. What's interesting is that my parents are nine years apart in age, and that gave them different tastes in music. When [my mom] was a little girl, Motown was huge, and she loved Motown. Smokey Robinson is her forever crush. I grew up on a lot of Motown. My dad, he really loved jazz. He kind of came of age during the Bebop era. He loved Miles Davis, Dizzy Gillespie, John Coltrane and Ahmad Jamal … A lot of jazz artists from the 50s and 60s. So, I have disparate influences. I had Motown with its classic soul sound, but also formulaic. You can kind of hear that in the way they approached things, and it works. Then, if you go to Miles Davis or John Coltrane, they were experimenting. There was thought and intention, but I definitely don't think a formula was the approach to things. It was very different kinds of things to grow up listening to. What my parents had in common is they both loved 70’s soul music. I also grew up listening to Stevie Wonder, Chaka Khan, Gil Scott-Heron, and those type of things. All stuck with me. I'm also the youngest of four, and all of my siblings are much older than me. They had their own music tastes. I grew up listening to hip hop and R&B of the 80ss and 90s. My brother listens to house music. I was introduced to a lot of different kinds of black musical forms, and it was a great way to grow up. MaM : Your debut album "Songs of Love and Freedom" received critical acclaim and won a Wammie Award . How does this album reflect your musical vision, and what was it like to receive such recognition for your work? Photo provided by artist. C : That album was a big turning point for me creatively, professionally, and spiritually, because I put out an EP prior. That [EP] was my first project. I still like it, but it was me figuring out what I wanted to do and working with people that were recommended to me by my managers at the time. I didn't always feel seen in that process. I felt like we made the music, but I wasn't necessarily sure if it was me. When I came back around to do the process again, I was doing it all on my own in choosing all of my co writers, letting it happen organically, finding different producers, choosing my band members, and doing a lot of sonic research. It really taught me a lot about myself and was an empowering journey. I still feel really good about that album. So, it's one of my things I am most proud of. MaM : This brings me right to “Awakening Pt. 1”. It, too, was well-received and earned you several nominations and awards. Can you tell us more about the themes and inspiration behind this project? C : That project was inspired by some books that I read leading up to when I got married. We all think we know so much about love, but maybe I should actually study it like people do everything else. So, I just picked up this one book, just off chance in a bookstore, called ‘How To Love’ by a Buddhist master who passed away last year, named Thich Naht Hanh. I just read this book back to front a few times, and it was really impactful for me. The next book I read was called ‘The Mastery of Love’ by Don Miguel Ruiz. It had so many lessons and was a good way to reflect on life and what I've been taught about love. It was good to reflect on places in my thinking that needed to be revised on what love is and what love can be. Later, when reading ‘All About Love’ by Bell Hooks, I decided I want to create a project pulling from these concepts and ideas. That was kind of the inspiration for both ‘The Awakening Pt. 1’ and ‘The Awakening Pt. 2.’ MaM : You're not only a talented artist but also a healer who offers meditations, workshops, and sound healing sessions. Tell us more about how these practices are connected to your mission as an artist and a healer? C : In 2020, when things were locked down, I couldn't connect with people in terms of live performances. I also I felt like I couldn't create music in the way I was used to in being separated from my usual writing partners and bandmates. It started out when I had written some affirmations for myself in a time that was very fear-inducing. I called them ‘Affirmations for a Pandemic’. I decided, these are good, let me share these with people. So, my husband recorded me with video and audio. I put it on YouTube, Instagram, and this meditation app called Insight Timer. I was surprised by the reaction. People were saying, ‘Wow, this is so helpful. Thank you so much for this.’ Insight Timer chose the recording of it for their editorial pick and put it on the main page. I got a lot of engagement there and realized life is telling me this is something I need to dig into a little bit more. So, I started doing guided meditations live on Instagram. I love writing, I love words, I like using my voice. I started doing these guided meditations as another way to use my voice and my words. MaM : Your new single "I am Love" is generating attention. How has this song been received, and what message or emotions do you hope it conveys to your audience? C : I'm really happy with people’s response to the single. I love this song. I sometimes tend to be a little wordy and overly complicated in my writing. With this song, I wanted to write something that was simple. It definitely has depth to it. It started off as a poem, so it still has its poetic aspects. I wanted to write something that made you feel at peace and happy—just something that feels like a nice like warm summer day. You know, like where you're with someone you love or just yourself out in nature, eating good food. That was the energy of the song. … The message was really simple. As I said, affirmations are a big part of my life. I wanted to write a song that was an affirmation. The album ‘The Awakening Pt. 2’ is all about exploring unconditional love. Specifically, the kind written about in Bell Hook's book, ‘All About Love’. I had a poem where I had written, ‘I am love,’ and I thought, ‘This could be a song.’ I thought [it] would be a good way to bring forth my message of the power of love, acceptance, affirmations, and also Bell Hook's idea about simple living. She says living simply makes loving simple. I thought that was really beautiful. I'm kind of combining the two concepts of exploring the simplest pleasures in life with knowing that I am love. It’s about the belief in God, the source, the universe, or just this idea we all are connected to a genuine love, a deep, complete, and divine love. Stating plainly, ‘I am love’ can be very powerful. Even though it's a simple song and I wanted it to have … a singalong part or even something you can even two-step to; I also wanted to have some depth in there that people feel. I think the song has the combination of both. I love it for that reason. MaM : Are there any new announcements, news, or projects on the horizon that you'd like to share with your fans and our readers? C : ‘I Am Love’ is out now! There's a music video for it dropping very soon, and there will be some new merchandise soon to accompany the new release. The second single is coming out in January, and the new album is coming out in March. And there you have it—your breath of fresh air for the day! In a world filled with hyperbole and scattered focuses, Cecily recenters us with the ambient peace she exudes. Take a moment and explore her prismatic vocals by visiting the below-listed links. Cecily | Official Website Cecily | YouTube Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Beyond Secret Smoker and Heavy Mantle < Back When Punk Turns Acoustic: William Edward Thompson Nicole Brice Feb 17, 2023 Share Beyond Secret Smoker and Heavy Mantle Being a native of South Louisiana and born and raised near Baton Rouge , which was always a short distance away from me, my late teens and early 20s were spent immersed in all the local music the various scenes had to offer. Over the years, though, adulthood would lead me to no longer be part of those scenes that molded and shaped me as a youth, and so, many local acts were lost to me over the years. The recent discovery of the local projects associated with William Edward Thompson led me to want to know more about this man with the incredibly expressive lyrics and perfect screamo voice resembling Geoff Rickly from Thursday . Involved in numerous projects throughout the years like Girl Scout Heroin and Jenaset , William is currently wrapped up in Secret Smoker and Heavy Mantle . His knack for writing poetic and insightful lyrics places him in the “need to know” category of musicians. Citing the skate culture that defined him as a child, William’s interest in music grew out of the environment around him. credit: Gary Governale As a multi-talented artist, William not only sings, but he also plays bass, guitar, and drums. When asked about his different talents, he modestly acknowledges his abilities. If I could describe William Edward Thompson in one word, it would be humble. With his acoustic tunes, his voice turns away from the tone used in his other projects and instead is replaced with a softer, more genuine one. Truly, Thompson’s sound is both exceptional and classic—his colorful use of words creating an imaginary landscape full of symbolism. His thought-provoking lyrics on his upcoming new solo single make “ On Your Way ” a song you must listen to; it releases February 24 via Protagonist Music. A full-length LP is planned for release later in the year from Protagonist Music as well. Soft-spoken, polite, and modest, William Edward Thompson , known to most as Billy , possesses a rare vibe mostly absent from the scene these days—a vibe evoking the nostalgia of the iconic James Dean . His music, vibe, and charisma will draw you right in. credit: Gary Governale MaM : Thank you for carving out some time for me. I appreciate it. What led to you wanting to make a solo record? WT : I started playing acoustic more during the pandemic, and that’s what kind of prompted it. I was listening to a lot of acoustic stuff and solo artist stuff, and it influenced me in a way. Mark from Secret Smoker and I also did a cover of a Small Brown Bike song for one of their compilations with some other artists. They are my favorite band. Mark recorded the acoustic with his cell phone and I sang over it, and I thought, “Hey, this doesn’t sound bad. This can be done.” I kind of looked around at the genre we focus on, and there are not a ton of people doing acoustic stuff in our community of hardcore and punk, and I just wanted to bring it out and do it. MaM : What would you say the direction of the solo album is artistically? WT : So, with all of my bands, the music has always been full of complex sounds and rhythms, and I wanted to make it as simple as possible. When I approached the acoustic material, I thought, ‘How can I make this simple and as straightforward as possible?’ Even more so, my most recent band Heavy Mantle, that’s the direction we have been going as well. I just wanted to make an album that anyone could say, ‘Hey, I can play that. I could do that.’ MaM : What inspired the songs on the upcoming album? WT : I’ve been reading about Dharma Art for several years now, and I kind of take that approach with writing and with lyrics, too. I try to not make them overly complicated. A lot of it just comes to me. Sometimes I just sit down with a guitar and the lyrics come along with the chords. It goes back to serving the song. They’re just poems. That’s all they are. It’s not like I go, ‘This is going to be a poem, and I’m going to make it out into a song.’ It happens. It just happens in the moment. With cell phones, too, I can record anything, and it makes it much easier to retain what was written in that moment. credit: Gary Governale MaM : Have all of the songs been written for the upcoming album, or is it still a work in process? WT : The album is done. I’m still writing more songs, though … always. MaM : So, you’ve already decided on a set number of songs for the album and you’re not going to add anymore? I’ve heard you always seem to have a ton of songs written. WT : Nope. This album is done. The A and B side is done. It’s going on vinyl. That’s probably going to come out in late summer/early fall depending on the pressing plant. The single ‘ On Your Way ,’ which I recorded on my cell phone … I wanted to keep it in its purest form … [it] came out really good, surprisingly, is being released on February 24th on all platforms. credit: Gary Governale MaM : How many songs are going to be on the new album? WT : I think we ended up with ten or eleven. I can’t remember the number. MaM : Which of your many guitars did you use to record this solo material? WT : I’ve got a Gibson Acoustic that I used. I just like the tone of it. It sounds good. credit: Gary Governale MaM : Have you decided on a title yet for the upcoming LP? WT : The LP will be called ‘ Sleep Test ,’ which is also the title track on the record. MaM : We look forward to checking it out and good luck with all you currently have in the queue. ' On Your Way ' is out February 24th on all streaming platforms. To learn more about William Edward Thompson , his music, and his bands, visit his social media platforms. William Edward Thompson | Baton Rouge LA | Facebook secret smoker | Facebook Heavy Mantle | Baton Rouge LA | Facebook Secret Smoker (@secretsmoker_the_band) • Instagram photos and videos Heavy Mantle (@heavymantle) • Instagram photos and videos @williamedwardthompson666 • Instagram photos and videos Weights & Measures | Heavy Mantle | Tor Johnson Records (bandcamp.com) Dark Clouds | Secret Smoker (bandcamp.com) Terminal Architecture | Secret Smoker | adagio830 (bandcamp.com) Split 7" | Alarms & Controls / Secret Smoker | PROTAGONIST MUSIC (bandcamp.com) *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or Comments? E-mail the_nicolebrice@mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Pacifico The Importance of Self Care < Back The Importance of Self Care Keeley Brooks Nov 4, 2022 Share Pacifico Sometimes there are bands, and sometimes there’s a band with an artist who just makes you smile simply because he’s so authentic. Ladies, gents, and non-binary peoples, meet Matthew Schwartz—a man of many, many talents. I really don’t know where to begin with this guy. On top of being super humble and very kind, Schwartz is a man of many talents. He’s a singer, songwriter, multi-instrumentalist, producer, podcast host, and, if I do say so myself, quite the poet. He is the band Pacifico, out of Atlanta, Georgia. If the name sounds somewhat familiar to you, it kind of should. Pacifico formed in 1999 and made some pretty big career marks through the mid-2000s by being lucky enough to have their songs featured in movies ( Wish for Christmas ), on TV shows ( Now What? , Sausage Factory ), in video games (“Rock Band Download”), and on the radio. After seeing some success full of label showcases, touring, and, as Matthew puts it, “a failed attempt to move to California,” the band needed a break and amicably parted ways. That’s when Pacifico the group became Pacifico the one-man band. Mostly. Matthew enjoys collaborating with other musicians on his albums. “I LOVE to collaborate with people. I think it only helps to make the music better,” says Schwartz. “For the new album, I collaborated with Shane Tutmarc of Dolour, Peter Randall—bass player for Adele, Matt Bowers of House Of Fools, Ben Herrington of Minos The Saint, Matt Tuttle of Codeseven, and the famous producer Aaron Sprinkle.” I was lucky enough to get to rap with Matthew about Pacifico and his upcoming album, "Self Care". KB : So, Matthew, was this your dream as a kid, or did it just sort of develop? MS : Like most kids my dreams changed often. First, I wanted to be in the army, or a police officer, then it was a baseball player. It wasn’t until I was about 14 that I realized I had musical talent and wanted to be a musician. There have been many times in my adult life, though, that I have also considered being a teacher, a comedian, or a writer. (In a round-about way, Matthew, you are, Dude. You are.) KB : You’re a multi-instrumentalist. Tell us what instruments you play and what the first one was you learned to play, then what followed. MS : My first instrument was piano. I used to make up songs and then my parents got me lessons. Trumpet was my second instrument. I played in symphonic and marching band. Then I learned the guitar and never looked back. From there it just grew. I can play a little bit of almost every instrument, but I’m not really great at any of them. KB : I’ve heard your music. With all due respect, that’s a lie. (laughs) So how’d the name Pacifico originate, anyway? MS : Joel (friend and former drummer) and I were driving around in his truck trying to think of a cool band name that would represent the music we were creating. We thought about how Radiohead took their name from a Talking Heads’ song and so thought about one of our favorite bands, Starflyer 59. Couldn’t think of a name that related to them that we liked but their drummer had just put out an album by his side project, The Lassie Foundation, called Pacifico. We liked that it meant peaceful and we liked that it made us think of the West Coast and the Pacific, so we took it. We later found out they were inspired by the beer, which we incidentally have been sponsored by before too. KB : That’s amazing. I understand you have three albums out (“Thin Skin and an Open Heart”, “Without Heroes”, “Everest”) with a fourth on the way. Tell us about these and where you drew your inspiration. MS : [My fourth album] "Self Care" is due out February 10th, 2023. Each album has been a snapshot of where I was and [is] focused around a central theme. “Thin Skin and an Open Heart” was recorded in CA with one of my heroes, Jason Martin of Starflyer 59. The songs were mostly written around different issues my friends were going through at the time, with some of my life and experiences thrown in. “Without Heroes” is the first Pacifico album I produced and its songs were all centered around the heroes I had in my life, as well as the lack of heroes I was seeing in our world. “Everest” was my attempt to challenge myself and our listeners by creating more complex lyrics and music that was wrapped in confectious melodies in hopes people wouldn’t notice. The new album "Self Care" deals with different ways to look at mental health and self-care from self-motivation, to encouraging others, drawing healthy boundaries, and more. KB : As an author who openly writes about my own mental health struggles, you don’t know how happy that makes me to hear. Speaking of the upcoming album, aptly titled "Self Care," you went through some shit with this one. I know your soul is in it. Tell us how this album came to be, "and why it's called "Self Care." MS : It started from an apparent failed attempt to quit music. I was looking through old demos and realizing I had several really great songs and ideas that needed to be finished and released. I came into the beginning of this process thinking this might be my last album. Right before I started this project I had moved back to Georgia and in the process realized I had some trauma I needed to work through, then my eldest brother passed, and we had a pandemic. I decided I needed help, I got a therapist and I guess a lot of my work ended up in this album. When looking through the themes on the album, I thought no other name would aptly sum up what [it’s] about, self-care. KB : There’s currently a new single out now called “Don’t Play Dead.” Tell me about that. MS : When compiling the songs for "Self Care," I was going through all my demos and ideas. I came across this chord structure that I liked but previously couldn't create anything with. For some reason, after several tries with no luck, I was finally inspired. At that time, my wife was overcome with anxiety and depression, so much so that she felt defeated and had become immobile. I wanted nothing more than to give her comfort and take away her pain. Writing this song was the least I could do. Just like that, the words and melody came to me and the song basically wrote itself. KB : What's your intention with "Self Care?" What do you want people to know? MS : I don’t know if there is an intention per se, but I do want people to know that they matter, and that they are not alone. We all have something going on. Give yourself love and grace, and then extend that same love and grace to others. KB : It’s heavily apparent your music is not just music. This is you, your thoughts, your feelings, your energy, your emotions. And as listeners, I think people can’t help but feel your emotion and intention behind each song. Even in the way you play your instruments. How has that carried you along the way through any difficult or trying times? I’m sure it has been very cathartic and healing. MS : You are correct. My music is very much a part of me and the relationship I have had with music and the music business has been nothing less than challenging. It's always very cathartic and healing to finish a song and/or recording but releasing the music is much more complex. When I finally release a song or an album it's like putting your child in a beauty contest. I know I think it's beautiful and without flaws, but it's no longer up to me. It's hard to just let them go and see if people connect and what they think. At that point they are no longer my songs, they are everyone's. The way they come to me, I wonder if they ever were mine to begin with. No matter what, I almost always get some sort of postpartum depression. KB : I can relate to that for sure. Have you had any major epiphanies that’ve come to you while writing or recording? MS : Trust your gut, follow your heart, run ideas by people you trust, be open to criticism, never settle for less than you want, and always be open to experimentation and improvising. KB : I understand you also host a podcast called Moontraveling. What’s that about? MS : I was lucky enough to become friends with one of my heroes and mentors, [producer] Aaron Sprinkle. It was started as a platform for him to tell stories and talk about all the amazing albums he’s done and although we do talk about those things, it really has become a podcast about music, and life. We talk about anything that affects us both: deconstruction, love, life, our interests, music, friendships, and more. KB : Any current shows right now? If not, when will you be back on stage? MS : I just lost my booking agent (if anyone is a booking agent please let me know!). I would love to be on the road! I also don’t currently have a band [to go out and play shows with], so if you are in the Atlanta area and like my music, hit me up. Otherwise, I am working on some sort of album release party in February, and I will be playing some online shows here and there. [People can] follow me on social [media] or sign my mailing list so [they] don’t miss any announcements. So, my dear readers, now you can go like and follow and sign up for Matthew’s/Pacifico’s mailing list. You can find him at www.PacificoRock.com and https://linktr.ee/pacificorock will take you guys to everything. Pacifico (@pacificorock) • Instagram photos and videos Profile / Twitter Facebook YouTube Pacifico | Spotify Stream Pacificorock music | Listen to songs, albums, playlists for free on SoundCloud ‎4.11.15 - Single by Pacifico on Apple Music *Photo cred: Mike Dunn, provided by Matthew Schwartz * www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

They Deserve ALL the Damn Attention < Back Holmes Holmes Keeley Brooks Dec 12, 2022 Share They Deserve ALL the Damn Attention I watch a lot of content. A whole lot of content. Someone has to, right? Otherwise, how would you people know what good stuff and quality talent is out there, especially in these days of everything-overload? And, I love comedy, whether it be stand-up, movies, sitcoms, friends making me laugh—it doesn’t matter. I just love to laugh, often at myself, and that’s precisely what drew me into to the authentically talented and very down-to-Earth, candid queer comedian, improviser, actor, and writer Holmes Holmes (sometimes billed as just Holmes), the hysterically funny star (and I do mean STAR) of FOX’s new mockumentary sitcom Welcome to Flatch . When Holmes and I spoke, we bonded over toes … broken toes. No, really—I’m serious. We hopped on Zoom to rap about who they are underneath the comedy and talent, their thoughts and opinions on life as it is today, the projects they’re working on, and, of course, the show, but the first place we went was to swapping toe stories, because they were home nursing a broken pinky. “I broke it literally waking up out of my bed, and then I just walked into a weight that was in my room. I have these 10-pound weights that I try to keep … in my room because then when I pass them, I’ll do a rep, because that’s how my brain works, and I just ran into them with my pinky toe and, like, broke her,” Holmes says, right before asking me if I’d ever broken a toe, to which I was honest and said yes. Two of 'em. After hearing about how I embarrassingly broke one of my toes, Holmes started giggling and said I had to include our stories in the article, and because I admire and respect them so much, this Dude shall abide. “I broke it as a teenager at the beach," I started. "I had on this hot little bikini number, and I’d gotten up to try that Baywatch-style run into the water when my foot planted deep in the sand and got stuck, I tripped, and my body went one way and my toes--a particular toe--went the other." It was an epic embarrassment. We laughed and talked more toes before getting back to the interview. Holmes were born in Texas, then lived in Florida, mostly grew up in Omaha, then went back to Florida for college, then (as an adult) Chicago until the pandemic, then on to Kansas City to be with family, and now they’re out in Los Angeles for work. “[T]he pandemic was horrible and obviously I would never choose for it to happen, but something positive that came out of it was people realizing they can live in different places and still work remotely,” they said. “This industry is also so look-based and shallow, and I’m not like that … it’s not that I hate what I look like … but I like to think about it the least of everything about me. I’d rather spend time thinking about my actions or what I’m creating so I definitely think that living somewhere else will be helpful with that because … you hear so many look-based things when you’re in this city.” As star of the new FOX mockumentary sitcom Welcome to Flatch , which also airs on Hulu and stars Seann William Scott ( American Pie ) and Jaime Pressly ( My Name is Earl ), Holmes plays the lead role of Kelly Mallet. The show follows a documentary crew exploring the lives, dreams, and concerns of residents with eccentric personalities in the small (fictional) American town of Flatch, Ohio. The crew finds more-than-worthy subjects in cousins and best friends Kelly Mallet and Lloyd “Shrub” Mallet, played by the very talented and handsome Sam Straley ( The Dropout ). Ironically enough, Straley’s character’s last name on The Dropout was Holmes, so I find it magically fitting that his co-star in Flatch is literally named Holmes; they were absolutely meant to be. Kelly and Shrub spend their days hatching schemes and being themselves, and that’s the best part of the show: watching their organic shenanigans unfold. Don’t get me wrong—the entire show and its cast are hilariously funny and worth multiple watches, but there’s something special about the energy oscillating between Kelly and Shrub that just sucks you right in as a viewer. Flatch is Holmes’s first acting role, which is probably shocking to those who watch the show, because they operate with such a high level of comedic talent, you feel like you’re watching a veteran artist, minus the delightfully fresh and youthful appearance. Holmes isn’t just gifted in acting but also has some of the best, most organic improv skills on today’s scene. Not too much trips them up, short of a certain hot-tub scene with her co-stars Sam Straley and Jaime Pressly, and they’re constantly flowing within their own energy and being themselves. Watching them perform is like peering through a glass window into a family home full of hijinks. And love. They. Are. Genius. And, everything coming out of their mouth is effortless—so effortless, in fact, it’s easy for a viewer to forget they’re watching a TV show. While Flatch itself is scripted, Holmes says they are allowed some room for improvisation but, honestly, everything Holmes does in the show makes it seem like all of their lines are improvised. That’s how much of a natural they are. And it doesn’t hurt that co-star Sam Straley (Shrub Mallet) is just as golden with comedic timing as Holmes is, so watching them together, feeding off of each other, is pure, unadulterated gut-bursting magic. “I feel so grateful to work with Sam,” Holmes said, “because we both will let ourselves play, and we’re so tired at certain points and we get to places where we play, and I just wouldn’t want there to be anyone else to work with … yeah.” They continued, “It took us a second, [but] now we’re really close. He’s one of my best friends in the whole world. I love him so much. When we first met, I think there was a learning curve for both of us, because I came from improv and it was my second audition, and he came from the acting world very intensely, [and] he did have some improv experience, but all the actor stuff had just sort of really hammered a different style into him.” When asked what filming with Sam is like, they replied, “At first, I was adding lines left and right, and he was like, ‘Whoa,’ and I’d go, ‘Whoa,’ and I was like, ‘Why do you hate me? I’m funny!’ (laughs). But then, we’re both good communicators and we talked about it, and then what happened is that he’s made me a much better actor and he was already a good improviser, but I inspired him to remember he can play [around with improv because] Flatch isn’t like most shows. It’s a place where you can play. And now I really love him. He’s one of my best friends in the world.” They didn’t stop there with their love for Sam: “He’s the best actor I know. He’s so talented. He can play Shrub so well, but it’s wild. When I do self-tapes with him, he can do anything … he can be scary, he can be a hot dick, and then he goes into Shrub, and it’s amazing.” Don’t let Holmes’s humility fool you, though; they are just as amazing to watch and equally as talented, especially for the kind of turn-around time on which the show operates. Holmes says they switch directors every couple of episodes and they film so fast (3-3.5 days/episode), they are constantly learning lines at all times, and that can get intense. But there is room for their improv. “We always get a script … and I’ll always give a take that is the script, but then I go back and add in some Holmes. If they say to take it back, I will, but sometimes they don’t say anything, so I keep doing it that way. Sam and I try to improvise and change it quite a bit.” There’s a fantastic scene in Episode 3 that showcases Holmes’s improv skills, and it’s so hysterically funny, one can’t help but develop an appreciation for their talent and how it carries the rest of the show. If you watch it, it’s the scene where Kelly is making a pitch to Barb (Jaime Pressly) to hire her as an assistant in Barb’s real estate business. The show just aired its second season, which somehow was even funnier than the first, so I had to know how Holmes holds it together on set with Shrub when filming and if people are always breaking character and, respectively, losing their shit. “Well, we don’t hold it together great,” Holmes said through laughter. “I don’t make Sam break. I’ve probably only made him break twice, ever. [Episode 7] was the hardest in the whole entire time of working on the show not to break. When we were in the hot tub and stuff … I’m the worst at breaking of everyone. Sam does not break, really, whereas I really can’t struggle a lot. [In that scene], we were so tired at that point [during filming], and I could barely get through [one take in the hot tub]. I kept laughing because of Shrub’s persona with Barb. Every time I’d talk to him, he’s, like, kissing her ear or something and [that would make me break.]” Holmes went on to tell me a little about what they think is so cool about the show, aside from their co-workers. “I think one of the coolest parts of the entire experience is that all of the camera people are all women, so that is unheard of. It has to do with [Show Creator] Jenny Bicks and [Executive Producer] Paul [Feig] in a lot of ways. He really does care about having things be more equal in the industry than they are.” I have to say it was refreshing to hear that some out there in the industry are fighting for equal rights because they see the importance in it. Holmes landed their role on the show after being discovered on Twitter a few years back. They posted a video that Paul Feig’s assistant saw and from that, Feig’s people reached out to a place where Holmes used to improv in Chicago and asked them to audition. It was only Holmes’s second audition ever. While we aren't certain which video the assistant saw, Holmes's Instagram page has a ton of reels that'll have you closing your eyes from laughing so hard. You're gonna want to bring a bucket of popcorn for your stay. “I was just doing improv every night and working a normal day job … at a gym selling memberships. I think it’s one of those things where it’s easy to get caught up in the life and find new things to get upset about, because that’s just how life works, but, I mean, I definitely really try to always remember how fortunate and lucky I am and how hard I worked to get to this place so I could be creative for my job,” they said. Something most may not know about Holmes is that they operate daily with both A.D.D. and Anxiety, and they’re very open about it, which is very courageous and inspiring, because more people out there who struggle should feel safe enough to voice their thoughts and feelings. It’s how we heal … one way, at least. “I think it makes me good at my job. I can hyper-focus, and now that I’ve learned about it, for me, moving outside and walking is helpful in controlling my A.D.D. It’s easier for me to think. I like to be moving. And now, because of my toe and not being able to walk, I’ve noticed a lot of my energy ruminating on negative thoughts. Now that I have this knowledge about [my issues], I’m able to realize I’m not in that bad of a place and this is only temporary.” Anxiety can make doing anything in life tough for anybody, even with basic functions like getting out of bed each morning or going out in public, let alone doing improv in front of a room full of people or playing a character on screen. I had to know how Holmes’s anxiety affected them in their career. “When I first started doing stand-up, because I was alone up there, I’d feel scared for a while [before I’d go on]. In the beginning of anything, I get nervous when I’d first start with art, but I don’t really have that now. I feel my anxiety is the worst within interpersonal relationships in my life. So, if I’m romantically interested in someone, or if I think a friend is mad at me, or I think I’ve disappointed someone close to me, that’s where my anxiety lies, whereas with performing in front of 300 people [who are] strangers, I kind of don’t feel scared. That’s where I love A.D.D.,” they said. “At first, having A.D.D. and Anxiety together was really hard, because they both fight each other. And because we live under capitalism, they cared about the A.D.D. first. So, when I was first getting mental health help, they addressed the A.D.D. and put me on medicine … that makes your heart rate high, and so I’m having these heart palpitations and panic attacks because they were trying to make me focus with the anxiety untreated.” When Holmes got to a stable place with their anxiety, they started looking at their A.D.D. from a different perspective, from someone who wasn’t trying to medicate them for it but instead was trying to teach them about it, and Holmes that really changed their life. “Now I’m able to understand my hyper-focus is a skill, and with A.D.D. specifically, I almost need the anxiety sometimes. I need the pressure to come alive. … For me, to write new material, I normally sign myself up for a bunch of shows or reach out to people, because then I know I have the show coming, so now I have to get it done, so I use A.D.D. and Anxiety together [now], where [before] it used to be a thing I felt so paralyzed by both that I couldn’t do anything.” Holmes has a solid network of support around them though, from friends, to family, to co-workers, to fellow comedians, and though Holmes loves acting, their heart lies deep in improvisation and they credit long-form improv with saving their life. “Being able to be so free with my energy for years on stage in Chicago allowed me to release feelings through characters, and that saved me,” they said. “Laughter saves my life … and I feel ok right now, because I think I have such an amazing community [with comedians] and not just actors. I think if it was just actors all the time, it would feel harder, and it’s not their fault, because they’re getting self-taped in ways that describe them that aren’t true. I say no to a lot of self-tapes, because I’d rather spend time creating stuff, because it’s hard knowing you can create amazing and do amazing, but they see you in this box. That’s why I’m grateful to be a comedian, you know, because my comedian community doesn’t do that. It feels like we’re all making each other laugh and supporting each other.” Some of their favorite comedians and influences include Kate Berlant and John Early. Holmes recalls seeing their videos in college and remembering they were some of the first people they saw who made Holmes feel like they could make their weirdness mainstream. They’re also “super-inspired” by Issa Rae. “Not only is she so funny, but she’s groundbreaking,” Holmes said. “She changed TV for Black people completely. I look up to her both as a comedic influence and an icon.” Then there’s Maria Banford. “I look up to her because she talked about mental health so much in such a hilarious way, that I remember seeing when I was younger that meant the world to me. I really recommend her special on Netflix called The Special Special Special . She does it just for her parents. It’s just so weird and funny, and she’s so honest about it.” Michaela Coel also made a huge impression on Holmes. Coel made the show I May Destroy You on HBO. Holmes says she’s such an influence on them, because she takes time away from the public eye between projects and encourages others to make self-care a priority and do the same. “She has two shows: Chewing Gum and I May Destroy You , and both of them she took a break between and went offline, then came back with the best product ever and … she encouraged people not to be afraid to take time away. I just love her. I need to remember that because on purpose, this industry just wants to make money all the time, and every industry in America wants you to keep making money for them, so they don’t care about the quality of the art, and I just need to have people I can remember saying [that self-care is important].” Holmes also credits her friend Molly Kearney with being a favorite and an influence. You might best recognize Kearney as the newest cast member on Saturday Night Live and the first openly nonbinary cast member. Woohoo! And, like Holmes, she is brilliantly fun to watch. In discussing gender identity and commenting on seeing the world in terms of gray vs. black and white, and in terms of identifying as only male or female or this way or that, Holmes had this to say: “I feel like every day is a different energy I try to listen to, and it’s also a good reminder because before you have words for things, you can’t explain them, and that doesn’t mean they don’t exist, and so for me, as I get older, I want to be cautious and conscious about learning new stuff younger people are telling me about because I don’t want to be fighting change.” They continued, “I just feel so fortunate to be a comedian. Some days I feel funny, and some days I want to create other types of art, so I see myself as an artist more than a comedian but being a comedian does save my life because of the community. When I’m not in the mood to do stand-up, I’ll continue having it as part of my career, always, because of the community and because of getting to be around people multiple times a week, who are just the funniest people alive right now. I’m part of an alternative scene, so I do get to be around queer people [and] I get to be around people who aren’t just the nightmares in stand-up. I get to be around the boys in stand-up. … Life is just so dark in many ways, and I think getting to be around funny people is just so healing.” As far as what the role of Kelly Mallet means to them, Holmes paused then offered, “My siblings say that Kelly [has] always lived inside of me. I … had similarities to [her] in middle school, but [she] is a lot more confident than me, [but] it’s really nice to play her because she’s more masculine and more easily satisfied, and her resilience amazes me because she bounces back really fast.” Holmes said playing Kelly is really fun and really freeing, but they noted there are differences. “… I think I knew who she was at [my] core, so that’s how I was able to play her for auditions and improvise with her … I wish more people were like her, honestly. She totally changed my life … and she’ll always be a part of me.” Holmes added they are truly grateful for FOX and Hulu and the show’s creators, as well as fellow mega co-stars Seann William Scott and Jaime Pressly, who’ve both given great industry advice when it was most needed. Currently, the naturally gifted improv genius just wrapped up a benefit show in Kansas City with dear friend and improv collaborator Caleb Hearon to raise money for Kansas City residents who are unhoused. Holmes is also working on another KC-based project with Caleb, Jax Media, and Our Lady J, and they’re also working on an hour-long stand-up special for a tour. Wherever you can find Holmes online, on TV, in a club, or randomly doing humble, cool shit to help those in need, I strongly encourage you to sit still and engage in soaking up their talent and positive energy. It’s genuinely one of the funniest, most natural, and relatable experiences you’ll ever have. This comedic badass is one worth noting, following, madly supporting, and telling all your friends to watch. I know it sounds like I’m totally crushing on them and, I’ll be honest, I kind of am, but you will, too, as soon as you watch their stand-up, TikTok videos, Instagram videos, movie shorts, and, of course, Welcome to Flatch , then get sucked into what they’re doing simply because they’re just being who they are. And that, my friends, is genuine talent that is beyond refreshing. So, come with me and jump all up on their bandwagon. The party’s just getting started. For more information on Holmes, you can find them online at www.HolmesHome.me , on Instagram @_holmes_holmes, and on TikTok @_holmes_holmes. And if you haven’t seen Welcome to Flatch , you can catch that on FOX NOW, Hulu, Spectrum TV, Vudu, Prime Video, or Apple TV. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Bringin' back the classic rock vibe Born to Rock: Adam and the Metal Hawks < Back Born to Rock: Adam and the Metal Hawks Keeley Brooks Apr 24, 2023 Share Bringin' back the classic rock vibe By now, just about everyone on the planet has seen their video creatively (and hilariously) reviving the Guns ‘n Roses classic rock tune “Sweet Child O’ Mine”. If you haven’t, don’t sweat it—you know I’ve got you covered. BUT, you must also watch this take, because it features new drummer Griffin McCarthy. This fun-loving group of irresistible talent is known as Adam and the Metal Hawks and right now, you can’t open TikTok without seeing one of their infamously funny and wholly entertaining music videos full of prowess and passion. The band shot to stardom last summer when Jack Black finally publicly acknowledged his musical doppelganger in lead singer Adam Ezegelian after the band recreated Tenacious D’s “Kickapoo”, posted it on TikTok, and called on Black to duet with them. After six attempts to get his attention, and with the help of social media followers embarking on a public pressure campaign calling on the celebrity to respond, Black did just that. “We tried to incorporate either songs that he had covered or his songs,” Ezegelian said in an interview with Sweety High , “and we worked them into different formats for our TikToks.” At the time the Hawks posted these videos, their one main goal was to get the actor and musician, who covered the track in the hit movie School of Rock , to post a video reply. So, fans and band members constantly posted on Black’s TikTok videos, urging him to respond, and on May 27, 2022, he did. This attention, paired with their impeccable three-part harmonies and meme-worthy videos, shot the band into notoriety heaven and the rest, as they say, is history. “That was an amazing experience,” says lead singer Adam Ezegelian. “We’re all huge fans of [Jack Black] and Tenacious D, his band, and their music, so, in the beginning when we first jumped on TikTok, we kept getting comparisons to him because of my voice and facial expressions. So, we sort of leaned into it and started posting videos … a little challenge to get him to duet us, and eventually it just worked. … It was crazy. We were all in shock.” While Black has followed the Hawks on social media and liked some of their posts, he hasn’t necessarily responded verbally, but Ezegelian notes he is keeping an eye on them. “One day, hopefully we’ll do something worthy enough to get his attention and maybe get the invite out or to open for them on tour, which would be amazing. We’d love to play with them. We’re just holding on and keeping his attention and hopefully sending something out he’ll enjoy.” The guys have even gotten the attention of Styx with their mouth-wide-open version of “ Come Sail Away ”. With over three million followers on TikTok and one million on Instagram, it’s safe to say Adam and the Metal Hawks are the most famous band to emerge from social media as quickly as they have, but it’s not just because of their talent. These guys are so down to earth and genuinely hilarious on and off camera, their infectious energies and personalities suck you right in and make you feel like you’re hangin’ out with your best homies, just having a good time and kickin’ it to some bitchin’ rock tunes. All hailing from Long Island in New York, Adam and the Metal Hawks features, from left to right, original founding Metal Hawks members Johnny Barry on guitar and Ryan Daversa on bass, Adam Ezegelian on lead vocals (and I do mean lead vocals), and Griffin McCarthy on drums. Though none of them grew up together, you’d never know it given how they interact with and support one another. They’re truly a band of brothers enjoying life to the best of their ability, then sharing their experience through music and entertainment. Image taken from artist social media Prior to Adam, the band was known as Metal Hawks and consisted of Johnny and Ryan, who met at a local talent show in 2014, and the group’s original drummer, Alex Hertler, who left the band in 2022. (He is featured in the first “Sweet Child O’ Mine” video at the beginning of this article.) The three played every bar and club on Long Island and honed their craft before meeting Adam through mutual friends in 2019 and bringing him in to sing. “I was playing bass and singing at the time, so it was a little bit of a blow to my ego” laughs Daversa, who, in my opinion, bears a bit of a resemblance to 80’s rock band Warrant lead singer Jani Lane but who most commonly gets compared to Eddie Munson of Stranger Things or Michael Beck of the 1979 action-crime thriller The Warriors . “But, you know, the way Adam sings, man, I don’t want to sing anymore. That guy’s just too freakin’ good.” Once Adam took over singing duties, Ryan—heavily influenced by rock greats Rush, Van Halen, and Led Zeppelin—shied away from the role of lead singer and began focusing more on bass. Image taken from artist social media Guitarist Johnny Barry recalls always having had the vision of being in a rock band. He picked up the guitar when he was eight, and at age 10, he started his first band called Metal Hawks with two other kids, who would later be replaced by current bandmate Ryan Daversa on vocals and later, bass, and former drummer Alex Hertler. “My parents were very into music but never played any instruments. My dad loves classic rock, and his favorite band is Van Halen, which is also my favorite band,” Barry says. “Mine, too!” Ryan chimes in with a laugh. Adds Griffin, “Yeah, we’re all in fortunate situations with our families, who understand how difficult it is to do this for a living and to pursue it—my parents especially, because they’re musicians and know firsthand how difficult it is to get started. Our family circle is very supportive, so we lucked out with that. They’re all very great people.” “My dad is our number one fan, for sure,” Johnny continues, and the other guys agree. He credits Guitar Hero with helping him find his passion. “For my communion at eight or nine years old, my parents got me my first guitar, and ever since, I kept trying to start a band. I’m also into AC/DC and Greta Van Fleet.” Image taken from artist social media After Hertler left the band in 2022, drummer Griffin McCarthy was quick to audition and take over the throne. It was his addition that allowed the Hawks to pull out those beautiful three-part harmonies and achieve that awesome sound not many bands can pull off, especially since technology plays such a huge role in today’s music. “We’re trying to bring the classic rock feel back, especially to these kids on TikTok [who] may have never heard any of this music before or just heard it in a random animated movie. … We’re trying to be that voice of rock that just brings it back,” Ezegelian explains. And bringing it back they are, but they’re also putting their own spin on the sound, and that’s what makes them so unique. Each member is his own reincarnation of some great classic rock artist and collectively, they have a really hip vibe of effortlessly singing like birds while playing instruments, and that is pretty impressive. McCarthy said they all took the best of their inspirations of that era and molded it into their own style and brought it together, and it blends well. “It’s great people see it for what it is because there’s a huge gap in the market for that right now. So, it’s very cool to see this generation want to go see a full band live, [especially in this modern technological age]. It’s good for us because that’s what were here for,” laughs Griffin. Image taken from artist social media McCarthy cites his biggest influences as Rush, The Who, and Queen and says he’s been drumming since the age of three. “There was always music in my house. My parents are piano players and always played for me, then I started picking some of it up and playing a little on my own. I always had rhythm from an early age.” He eventually started showing interest in the drum set, which his mother noticed, and when he was seven, she enrolled him in drum lessons. “I got my first drum set at eight, and I haven’t stopped playing since. I always foresaw a future there. I fell in love with the drums immediately. And it’s amazing, because I’ve finally found a band who wants it as bad as I do.” McCarthy has toured with several acts prior to Adam and the Metal Hawks, including Yngwie Malmsteen and Prong, who went on the road with Overkill, and he even toured briefly with a Broadway production of “Rent”. Lead singer Adam Ezegelian says he’s been fueled by rock energy since he arrived on this planet, and his parents had a lot to do with that by raising him right and exposing him to good music. Growing up, Adam was active in plays and musical theater—even jazz band and an acapella jazz ensemble. Image courtesy of artist social media “I just love performing,” he says. “You know, making people laugh and clap along and bob their head … just getting into it.” Ezegelian’s life changed in 2015 when he auditioned for American Idol and got a ticket to Hollywood. He took his influences of Aerosmith, Guns N’ Roses, and AC/DC, as well as his love for rock, and filled people with happiness with his resonant, multi-dimensional voice and animated facial expressions. Adam sailed right through to the Top 16 before being sent home, then in 2019, he met the Metal Hawks and, as their website says, “they’ve had stellar rock chemistry ever since.” And they’re right: Their chemistry is so stellar, it’s palpable. That might have something to do with the fact that they were all raised so right in being constantly exposed to some of the best, most influential music on the planet. Someone needs to give these guys’ parents a giant high-five for being so cool. Way to go, parents; you guys truly do rock. Recently the guys finished recording their second album as Adam and the Metal Hawks, though their first one, a self-titled album that dropped in 2020 during Covid, features their former drummer. Their hit single from that album released Sept. 2019 and is titled “ Turn Around ”. It’s a love song encased in a hard rock shell, and that’s easily relatable to all of us. That single set the tone for who they were and, shortly thereafter, they released “ Wastin’ Time ”, then “ Backwards ”. Since, with new drummer Griffin McCarthy (who reportedly plays a mean cowbell), the Hawks have released two other singles with videos, “Hey Hey Mama” and “Love is on My Wishlist (When It’s Christmas)”. “We’ve been working for over a year [on this new album]. These songs are songs we’ve taken on road and played at shows and gotten crowd feedback and changed things here and there, and we’re just very excited to show you guys what we’ve been working on. It’s gonna be great when we can release it and see what everybody thinks,” says Ezegelian. “Yeah, all the songs are diverse and unique in their own way,” adds McCarthy. “Not one song sounds like the other. You won’t feel like you’re listening to the same song twice. It’s very original.” Adam continues, “A lot of our material is coming from our personal experiences, of course, and we want to make sure everybody can take something away from each song ... so, there’s strength in having that wide array of songs. There’s something for everybody there: power ballads, acoustic ballads, heavy songs, fast songs … if you’re a rock band fan, there’s gonna be some songs that you’re gonna love. As far as concept, a lot of it has to do with our rise from nothing to [being a] viral sensation, so we’ve got some good stuff on there—inspiration from being cooped up from Covid and the culmination of the past couple years going into this album. It’ll be a large weight off our shoulders once it’s released to just spread it throughout the world ... 10 lovely tracks.” I’d say the fellas are getting used to their newfound fame quite well. They remain graciously humble, without all the ego, but reality did smack ‘em right in the face last year while playing a festival in Switzerland. The guys agreed that seemed to be a pretty huge “Oh SHIT!” moment for them. “That … moment, for me, was about five minutes before we were going on stage in Switzerland last year. There were 15,000 people there … and it was the biggest crowd we’d played for. That was one of the only shows in my whole career where I was shitting a brick. It was that nerve-racking. But, after the first two songs, the crowd was totally into it, and we got a standing ovation.” Griffin agrees: “It was mind-blowing to see that many people in one space. It was such a unique experience. And what a beautiful area Switzerland is, too. The band before us didn’t have much crowd engagement, so we were worried the crowd wouldn’t like us but two songs in, they were engaged and going nuts for every song. They were super loud, super high energy. It was nice to see that because majority of those people had no idea who we were. [It] was really amazing to have that reception and make so many new fans at once.” Ryan chimes back in: “Yeah, that is one of my favorite things about playing these festivals. No one knows who you are but if you’re good enough and blow people away, then everyone knows who you are. That makes fans for life.” Currently Adam and the Metal Hawks are gearing up for their UK tour happening later this year, and they’re already working on their third album. While there are currently no U.S. dates at this time, the band does expect for that to change. “We don’t have anything formal to announce just yet but, like I said, [we have this] new album that should be out by summer or end of the year … maybe singles and videos out by summer,” says Adam. “We’re playing a bunch of festivals this summer to push the album release, and we have the UK tour lined up. I’m sure very soon after there will be something announced for the States.” Rock gods, we hope so. The guys also hope to return to Canada for another tour after playing there last year, and they say they’d also like to get some South America dates. “We’re just looking to jump all over the world and just spread the music.” So, if you can’t tell by now, these guys are a group you’re going to want to follow and keep up with, because they’re on the verge of blowing up worldwide. And, given what they’ve already produced and released, there’s no telling what kind of genius is waiting in the wings. One thing’s for sure, though: Adam and the Metal Hawks are just getting started. Expect great things from these guys, my friends. Image courtesy of artist social media In the meantime, I highly recommend visiting their social media pages and diving into their videos. I spent an entire day going down the AMH video rabbit hole and there’s so much yumminess in there, I sat covered in chills, boosting my serotonin, whilst rocking out with them to Toto, Queen, Twisted Sister, Aerosmith , Scorpions , The Romantics, Meat Loaf, Bon Jovi , Led Zeppelin, Elton John, AC/DC (with water!) , Leonard Cohen , Metallica, Van Halen, Steppenwolf--do I need to keep going? Because I totally can. They’re downright entertaining, engaging, creative, talented, original, and full of that classic rock goodness we’ve all been longing to return. "We're just always trying to have fun in our videos," Ezegelian said. "That's why we have such a large following: They want that little piece of fun, that serotonin boost, in their day, and that's where we come in." One day, guys, people are going to be covering your tunes and paying you tribute in the honorable and exciting ways you are doing now. And so, my friends, I leave you with quite possibly some of the best compilation videos in existence. Enjoy, and don't say I didn't warn you! For more information on Adam and the Metal Hawks, and their badassery, cruise on over to any of the links below and rock your face off. YouTube @AMHBand Instagram @AMHBand www.amhband.com HOME | amhband.com AMH is a hard rock band from Long Island, New York, formed in 2019. The band consists of American Idol finalist Adam Ezegelian, along with Johnny Barry, Ryan Daversa and Alex Hertler. They released their debut album Adam and the Metal Hawks in April of 2020 and have since seen viral popularity on TikTok and other social media platforms. Twitter @AMHBand Facebook @AMHBand TikTok @AMHBand Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Grits & Greens are on a mission to spread their signature sound in support of their new album. < Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens: Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Email him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Hypnotic Pulse < Back New Orleans Band Deep Sleep Atlantic Announce Debut Single C.G. Smith Mar 22, 2023 Share A Hypnotic Pulse New Orleans’ Deep Sleep Atlantic announces the release of their debut single "Bipolar Tendencies" which drops March 31st, 2023. Deep Sleep Atlantic consists of lead vocalist and guitarist/producer Travis Marc, and backing vocalist and drummer/producer Daniel Perez, both based in New Orleans. The single was mixed by Jetta In The Ghost Tree producer - Taylor Tatsch and mastered by Deep Blue Something's Todd Pipes. Photo provided by band The new and darkly energetic single “Bipolar Tendencies” by Deep Sleep Atlantic creeps into your ears with a hypnotic pulse that suddenly explodes into a chorus that encapsulates your entire being and gets your head nodding. The song is a powerful first step for the New Orleans-based band, led by Travis Marc on lead vocals and guitars, and supported by Daniel Perez on drums and backing vocals. "We're thrilled to finally share our debut single ‘Bipolar Tendencies’ with the world," say the band. "It's a song that we've poured our hearts and souls into, and we can't wait for fans to hear it and experience it with us." Travis played all the instruments and produced the song himself, but shortly after meeting Daniel, they decided to form the band. The duo is excited to start performing the new material for live audiences starting in April of 2023. “The song was written in a house in the Treme neighborhood after assisting at a session at Esplanade Studios,” says Travis. “The lyric that says, ‘I’ve had interviews cut’ is totally true. In my last band, a radio DJ in London stopped the interview because she said I was painting the music industry in a negative light while explaining some shortcomings that musicians often face.” The lyrics in the second verse reads: “… I’ve had interviews cut The couple times I almost made it They say I’m too negative To call it like it is but Coating it with sugar Only clogs up the arteries.” The production is top notch, and the single is catchy. This is absolutely a band to keep your eyes and ears on in 2023. “Bipolar Tendencies” releases worldwide on March 31st and is the last track the band recorded but the first single from their upcoming album “Prelude.” The band will be releasing a video for the single on April 7th, as well as hosting an intimate single release party at Henry Turner Jr’s Listening Room in Baton Rouge on April 8th, 2023. Stay up to date on their website at www.DeepSleepAtlantic.com , where you can join their mailing list and follow them on social media @deepsleepatlantic. SoundCloud - Hear the world’s sounds Deep Sleep Atlantic | Facebook @deepsleepatlantic • Instagram photos and videos DeepSleepAtlantic (@DeepSleepATLC) / Twitter Deep Sleep Atlantic - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Drawing inspiration from Southern roots < Back Electric Age: Reinventing Sludge Rock with No Rules Nicole Brice May 16, 2023 Share Drawing inspiration from Southern roots Southern rock is distinct and heavy. Southern rock also has soul and can be very melodic at times and that is exactly where the music of Electric Age fits in. Formed in 2011, Electric Age is a southern sludge rock band out of Louisiana comprised of local music mainstay, Jason Ogle on bass, Shawn Tucker on guitar and vocals, and Kelly Davis on drums. With influences such as Corrosion of Conformity, Black Sabbath, Pantera, and Led Zeppelin these guys are forging their own path in the oversaturated music scene with their nonconformist approach to making music on their own terms. Paying attention to the artistry of the music rather than making tunes that are catchy, Electric Age’s songwriting approach is a refreshing nod in an industry full of prefabrication. credit: Gary Governale With prior projects such as Execution, Guilt Trip, and Slaves of Freedom, Electric Age’s Jason Ogle adds a veteran touch to the band on bass. Vocalist Shawn Tucker’s previous projects include Soul Erosion and Black Market Halos and his southern rock vocals show hints of influence from Dax Riggs amongst other notable southern vocalists. Kelly Davis’ savage skills on the kit round it all out and brings the sound full circle. The band has released three albums, Sleep of the Silent King (2016), Live at the House of Blues – Nola – EP (2017), and Painter of Saints (2022) with all being heavy, melodic, and just plain incredible. credit: Gary Governale - the band performing at Chelsea's Live in Baton Rouge May 6, 2023 Getting ready to begin work on their third album, I recently had the pleasure of taking these gentlemen to breakfast where we sat down and chatted about anything and everything. Personality, precision, and sheer talent are what makes the music of Electric Age so enjoyable, so sit back and dive into this entertaining conversation and then be sure to go stream all their music. MaM : Thank you for sitting down with me today. I was listening to your music on iTunes, because I’m an Apple girl and prefer it to Spotify and have a few notes I’d like to share with you about it. “The Threshold” – love it, “Priestess- Part 1” – wow, amazing! EA : ::in agreement:: Yeah, that’s all Shawn. MaM : Painter of Saints, the song = could be a soundtrack for WWE Monday Night Raw or an action film. Painter of Saints - released February 11, 2022 EA : (laughter) MaM : I’m a wrestling fan, so that’s why that popped into my brain. (laughs) Shawn : We’ll take it. MaM : Seriously, though, that song is so action packed, I could see it being on a soundtrack. Oh, and “Soothsayer” – ripping off Kashmir a little bit? (laughs) Jason and Shawn : We called it “Kashmir” when we were writing it. (laughs) Shawn : You don’t hear that too much. Just people straight ripping off “Kashmir”. MaM : My husband was sitting next to me and goes, “Are you listening to Zeppelin?” EA : (laughter) MaM : …and I go, “Noooo”. He goes, “Why does that sound like ‘Kashmir’?” and I pulled up the actual song and did the comparison and was like, “Holy crap”. Shawn : Yeah Jason : We talked about doing it. We were like, “You know what?”. Shawn : Yeah, you don’t hear too many other people using those chords. That’s why it’s so recognizable. Kelly : The white board in the room during recording, on it the song was called “Kashmir”. MaM : What was the inspiration behind having a song that sounds so close to the original? As far as the riff…I mean, it does, but it doesn’t. It’s that riff. Shawn : We didn’t really think too much about it, honestly, we had the riff and were just like, alright. Jason : We didn’t really make a decision like “ok, we know it sounds like that”, but we do love Led Zeppelin, so why not do it? credit: Gary Governale - Jason Ogle MaM : Well, yeah, of course. It’s a tribute to a legendary band. Shawn : We do a lot more power chording than Zeppelin ever did in that song. MaM : Also, the production sounds great. Who mixed it? Jason : I did all the mixing, but I didn’t mix the first album. MaM : You guys are a solid rock band that is hypnotizing in moments because of your breakdowns in songs. EA : Thanks credit: Gary Governale - Shawn Tucker MaM : COC with soulful vocals, too. I hear the Corrosion influence a good bit, which is awesome. You don’t ever hear people saying Corrosion is such a powerful influence on them with their sound. Jason : Oh yeah, definitely for us. MaM : I used to be obsessed with Pepper Keenan in high school. Don’t ask me why, though. (laughs) Jason : Most reviews we’ve gotten have been COC, Thin Lizzy. Shawn : Down, of course, too. It’s in the water, you can’t get away from it honestly. MaM : Well, yeah, it’s all part of the whole southern metal scene and culture. Shawn, your vocals are incredible, and you have such a soulful voice. Kelly : I tell him daily. (laughs) Shawn : Thank you. Jason : The first record was his first-time doing lead vocals. MaM : Really? Shawn : Yeah, I didn’t start singing until 12 years ago. credit: Gary Governale - Shawn Tucker MaM : So, have you had any formal vocal training, Shawn? Shawn : Well, I’d sing in the room, but no not really. One day I just started picking up the acoustic guitar and started singing. And then I practiced for two years straight before I ever did anything. MaM : Origins of the band. How did the band form? Jason : It’s a funny story. Kelly : It’s one of those stories where we all say, “We’ve got to get together and jam”. We ran into each other at a Slayer concert, and we actually did get together and jam. credit: Gary Governale - Kelly Davis MaM : So, you all already knew each other? Jason : I called Shawn and said, “Man, I really want to go see this show.” And it was Slayer, Anthrax, and Megadeth. MaM : What year was this? Jason : 2010? 12? We’ve been together 10 years now, but Shawn was kind of hesitant to go, but he rides with me, and I hadn’t seen or talked to Kelly in years. We had gone to high school together, but anyway, we’re in the beer line and that’s when we saw each other and thankfully, The Facebook is how I found you. MaM : I love how you call it “The” Facebook. (laughs) Kelly : Everybody always says, “We should get together”, but we actually did it. Shawn : Well, you started jamming together first ::looks at Kelly::. Jason : Yeah, we started jamming and actually Matt Dupre of Big Frank. MaM : I know Matt, I went to high school with him. Jason : Yeah, he goes, get Tucker to sing and I was like, “Man, he’s not gonna do it” and then you said… ::looks at Shawn:: Shawn : I’ll do it with a guitar in my hand. credit: Gary Governale MaM : And that’s just how it came to be. Jason : Cause I wanted to be the guitar player and I got kicked back to bass. MaM : You got kicked back to bass, so you don’t enjoy being a bass player? Jason : I didn’t at the time. MaM : Well, what about now? Jason : Well, now I do. It’s kind of like a ZZ Top type of metal thing. It’s a 3-piece. MaM : Well, and then the beards. (Kelly and Shawn have similar beards) Kelly : (laughs) credit: Gary Governale MaM : So, last release was just in February 2022, but as far as new music…what’s the direction for the band going forward? Jason : The first record was written as a concept record because Shawn had this vision and it was a big undertaking to make the first album, and it’s over an hour long and some of it was written with me on guitar. The second record sounds more like what we sound like now. On the first record, we hadn’t played a lot of shows and the third record will sound more like the second. MaM : So, would you say the second record defined your sound? Jason : Definitely. The 3-piece sound. The first record is so orchestrated. Some of the songs on the first record we can’t even play live, so we just don’t. Because they’re too complicated. We just can’t with 3 people. It was a concept record, so we didn’t hold back. We weren’t worried about whether we could play it live. When we do albums, we have album tracks. We know certain songs we can’t do live, but we don’t care. We’re making a piece of art. Kelly : It’s got keyboards, tambourine. Jason : Dog whistle? MaM : Cowbell? EA : More cowbell, please? (laughs) Jason : We have not used a cowbell yet. We’ve used beer bottles once. Shawn : Yeah, that was a failure. Jason : And the guy that made the record said, “Uh, no.” (laughter) credit: Gary Governale MaM : As far as the creative process, how do you come up with songs? Take me through that. Shawn : Different methods. For the first record, I demoed a lot of songs on an acoustic guitar and a little Tascam recorder and that worked, but now, Jason will bring a riff and I’ll bring a riff, or we’ll listen back to a recording of us jamming and then we’ll go over it, but there’s not really no set rules. It just kind of happens. A lot of times, we just write in the moment. While we’re jamming. Spontaneous. Kelly : Yeah, a lot of times, it’s just a free jam session and then we’re like, “What are we doing”? MaM : As far as lyrical inspiration…what inspires your lyrics? Shawn : I guess it’s more poetic and abstract, the way I write. The first album, no one knows what it’s about. That’s kind of a running joke. There’s no real meaning. It’s real ambiguous, but it’s up to anyone to decide what the song is about. Kelly : In fact, that’s what he told me one day. I was like, “Dude, I was listening to ‘Sleep of the Silent King’ and when you say this…what does it mean? “Uh…it’s open to interpretation”, he goes. (laughter) Shawn : That’s the beautiful thing about art, though. You can make it whatever you want. MaM : ::kind of hesitant:: May I ask what the title of the new album is? Shawn & Jason : We don’t know yet. Jason : Yeah, we have no idea. Shawn : We’re not done writing songs yet. We have quite a few written, but they just haven’t been working. credit: Gary Governale MaM : So, when are we expecting a completion date? Jason : We actually just signed to Argonauta Records again. They released our first record. Label out of Italy and they are going to take care of distributing it. We don’t want to rush the record, though. We’re pretty close, though, and my studio is set up, so we have plenty of time to record it. We’ll knock it out quick, though. MaM : So, you mentioned studio? Tell us a little more about that? So, you built your own studio at your house? Jason : Yeah, pretty much. Volume 10 Studios. I’m doing Branded for Exile’s record right now. I’ll be wrapping that up soon. But I’m fully functional. Ready to be recording bands and I’ve been recording since…I was always the guy that recorded. Whether it was a jambox or a phone, I was the guy putting it in the right spot and all that. MaM : Now, I want to know…of all the shows you guys have played, have there been any funny happenings or stories you could share? Jason : Kelly pissed off Meat Loaf’s daughter. (laughter) Kelly : Oh yeah, I can tell you that one. MaM : Oh, now I have to hear about this one. Kelly : We were playing at the Varsity and I’m stuck unloading everything by myself and I get it all in and then I decide to go sit outside. We’re opening for Anthrax and all of a sudden, a car comes zooming in and they block me in. I’m like “ah, man…what is this” and so I’m boxed in. Suddenly, I see Scott Ian and Meatloaf’s daughter, which is his girlfriend, start walking up to their tour bus. Nowhere am I thinking about this dude being like my high school idol, instead I’m like, “Hey dude, is your car going to stay there all night?” (laughs). Scott Ian, though, super cool goes…”I don’t know, talk to my girlfriend” and he goes in the tour bus and she comes up and says, “Oh, I have to go get the guys some food and I’m going to be in and out all night, but I’m going to be moving it” and so I tell her that I’m going to just get out of her way, right? It’s crazy, though, because there was Scott Ian. So, I tell Jason and Shawn about the story, and they go, “So you cussed out Scott Ian’s wife?” and I said, “No, I just asked her if she was going to move her car” and they’re like, “You were yelling at her, right?”, but the legend is that I cursed her out and there was a confrontation. (laughter) It just sounds cooler. Jason : There was one time they left me at TSA by myself. (laughter) Jason : When you left me at the airport? ::looks at the guys:: I bought an amp I could fly with and so I had the amp in my luggage and I didn’t unload all my electronic devices and when they slid it through the x-ray machine, it looked like a bomb. TSA grabbed me and I looked up and the guys kept walking and just left me. Kelly and Shawn : We didn’t know. (laughter) Shawn : I didn’t know you brought a bomb, bruh. credit: Gary Governale MaM : So, memorable shows…are there any shows that are memorable you have played? EA : Anthrax…Crowbar and Goatwhore at the House of Blues. Shawn : Oh, and the Acid Bath benefit show at Twist of Lime after the flood. MaM : What was this benefit show? I must have missed this. Shawn : It was a benefit show after the flood of 2016 and Jason played bass in Acid Bath with the original members and Ben Michon filled in for Sammy, because he was on tour. Jason : We played a set, though, but they had these jam sessions, too with everyone. It was fun. MaM : I can’t believe I missed that. So, as far as bands you have not played with, but would like to…who are they? Jason : I know of one. COC. MaM : COC comes here a good bit, too. Jason : We had King’s X. Shawn : Yeah, we were gonna play with King’s X except COVID got us. MaM : I remember King’s X was going to be at The Varsity. Shawn : Yeah, we were on that show. credit: Gary Governale MaM : As far as the state of local music now vs then, do you think things have changed for the better or worse? Of course, things are different post COVID, but things are starting to look up. Jason : It’s worse. The all ages shows, I mean…I don’t understand why they don’t have all ages shows like they used to. We used to have them all the time. I don’t see any bands doing that anymore. All you have to do is go rent a civic center. There’s really no venue, though, for the all ages shows…I mean, Mid City ballroom, but… MaM : So as far as aspirations for the future, where do you guys see the band headed? Jason : I think we all agree that we’re comfortable right where we are…writing records and putting out music. We like to play shows, but we just kind of pick what we want to play. With no pressure, it’s fun. Shawn : Yeah, it’s just about creating at this point. MaM : Any parting words or anything else we can let our readers know about you? Shawn : We’re just out here having fun and if people like what we’re doing, that’s an added benefit. Kelly : We’re just good friends. Jason : Yeah, we’re not just a band, we’re a family. - To experience all that is Electric Age, be sure to hop on over to their Spotify and then download their tunes via Apple Music. Be sure to check them out on social media, too, and give them a like and follow. Electric Age (facebook.com) Jason Ogle (@electric_age) • Instagram photos and videos Electric Age (bandcamp.com) Electric Age | Spotify ‎Electric Age on Apple Music Argonauta Records - YouTube *Cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Sisu is an enjoyable homage to Rambo but with much more badassery < Back Sisu: Film Review Keeley Brooks Aug 9, 2023 Share Sisu is an enjoyable homage to Rambo but with much more badassery Rating: 5 out of 5 dead Nazis This past weekend while looking for a good movie to watch, I came across Sisu , a 2022 historical action thriller written and directed by Jalmari Helander ( Wing Man ). The film is an enjoyable homage to Rambo but with much more badassery and even sweeter fight scenes. And after engaging in an hour-and-a-half of action, blood, guts, and sheer badassery, I’m of the opinion that more movies would benefit from having more scenes where Nazis are mercilessly mowed down. Did I mention Sisu contains Nazis? No? My bad. Allow me. In a mostly wordless movie full of fist beating, excessive gunfire, and a plethora of exploding landmines, Sisu is set in 1944 during the last days of World War II on a scorched-earth retreat through Lapland, a snowy, northern region of Scandinavia. It follows Aatami Korpi (Jorma Tommila, of Rare Exports ), a grizzled gold prospector and former military commander whose family was slaughtered during the war. In their absence, he’s lived a solitary life roaming Finland’s countryside with his horse and loyal dog, embodying the movie’s title. Nearly untranslatable, the word sisu best translates, according to Helander , as, “a white-knuckled form of courage and unimaginable determination that manifests when all hope is lost” … the unrelenting will to survive. Aatami isn’t immortal, though; “he just refuses to die.” While out panning for gold one day, Aatami finds a tiny nugget that entices him to start digging holes, excavating the land as gunfire and exploding shells encroach upon his antiquated site. When he finally strikes the motherload, he falls back, crying tears of ecstasy. He gathers up as much gold as he can take with him, then packs up his horse to head home. On the way—his fortune of nuggets tucked away in his horse’s saddlebags—he comes across a band of sullen Nazis led by a brutal SS officer, who are also hauling their own find: a cadre of young Finnish women. Aatami never says a word as the Nazis find and take his gold, then threaten him, which turns out to be a big mistake. The fight to retrieve his loot inspires our hero with a supernatural kind of determination that’s as caked on him as the blood and mud lodged in the lines of his face. He fights across roads populated by landmines; he survives when the horse he’s riding triggers a landmine and explodes; he survives a hanging; he even slices men’s throats underwater and uses their air bubbles to stay underwater and breathe, thereby avoiding capture. Carnage drips from every corner of the frame in Sisu , which Director Jalmari Helander says is inspired by his favorite action movie of all time, Rambo . “I was so blown away by the scene,” he tells GQ Magazine , where Rambo takes a sewing kit out from the bottom of his knife and begins stitching up his lacerated arm on the edge of a cliff. “I wanted to make an homage to that but in a more badass way.” Sisu is a visceral gut-punch that’s every bit as entertaining as John Wick , Rambo , Nobody , Mad Max: Fury Road , and The Raid but very much features its own level of badassery in Aatami’s ferocity, mental and physical toughness, creative fight sequences, and undying will to survive. He is one tough SOB, enacting some pretty sweet kill maneuvers and digging out his own bullets with a dirty knife, then setting fire to his own wounds to close them … without passing out. He survives extreme hunger, thirst, a beating with a metal hook, knife gashes, and a plane crash. He also survives and kills more than 30 Nazis, and how he does so will have you on the edge of your seat watching with excitement. Throughout their cat-and-mouse game across the barren land, Aatami unleashes the worst of hell with a super creative imagination for gory retribution, as well as for slicing, dicing, decapitating, and blowing Nazis to smithereens—his underlying set of beliefs breathing fire out of life. With copious amounts of blood throughout its scenes, Sisu ’s effects department deserves some mad props for their outstanding efforts, as does the editing department. For example, in the scene where Aatami and his horse unknowingly trigger a landmine, the horse explodes, taking most of the brunt of the explosion. This scene is done extremely well. It’s the first big “Whoah!” moment of the movie. The horse explodes into chunks and bits, and every bit of it looks so very real. Don’t worry, though; no actual horses were harmed in the shooting of this movie. There’s also a great scene where a tank rolls over a dead Nazi; those effects are stellar. Sisu also has some great messages buried within its plot. The sisu legend is about refusing to give up, no matter what, even when the odds are against you and when Death is reaching out to grab you with its decrepit, old fingerbones. There’s also a message of female empowerment in the gang of captured Finnish women. Once Aatami takes out the Nazis driving the truck with the women in it, he greets the women wearing a shoulder full of automatic and bolt-action weapons. What was once a group of Nazi captures becomes a gang of ruthless, Nazi-killing, gunfighting badasses—a refreshing addition to the male-centric movie. Sisu is a mega-hit all the way around: great story with an encapsulating legend full of no-frills, high-octane action; smooth and well performed execution; well-choreographed kills and fight scenes; gorgeous cinematography; outstanding special effects; quality acting full of raw, brutal emotion; gnarly sound effects accompanying actions like crunching bones and poking a sharp needle through skin; and a perfectly accompanying soundtrack to heighten what’s happening on screen. Aatami is, essentially, a symbol for Finland’s masculinity: quiet, humble, and strong. “If I put it shortly,” Helander says, “the [main] message of the film is: ‘Don’t f**k with the Fins.’” Don’t mess with people in Finland ... noted! Sisu is currently available to rent on Video On Demand, Apple TV, Prime Video, and Roku. Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. < Back Reviews on the Real: Phantum Sun’s Haunted by Disillusion Nicole Brice Mar 12, 2025 Share 'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. We all need a fresh musical journey from time to time, and today, I present the latest from a three-piece grunge band, Phantum Sun , from the Lafayette area of Louisiana . Phantum Sun 's aggressive and thunderous alt-rock sound is impossible to miss, and their dedication and commitment to their craft are truly admirable. Lead vocalist Nick Cline and his crew are constantly playing shows, never taking breaks, and their relentless work ethic makes them one of the hardest-working bands out there. Their newest EP, Haunted by Disillusion , released on February 21, 2025 , is a powerful music experience that I urge you to add to your playlist. Released February 21, 2025 It’s loud, it’s got fuzz, and each song is so different, in a good way. The versatility of Phantum Sun 's music, with no two songs sounding the same, not only keeps you engaged but also offers a unique experience with each track. The EP flows seamlessly , too, with each song offering something different, yet cohesive enough to feel like part of a larger, unbroken narrative. Lyrically, Haunted by Disillusion is a journey through the depths of human emotion. The EP delves into themes of internal struggle, personal reflection, and the disorientation of a changing world. Phantum Sun ’s introspective lyricism serves as the emotional anchor of this EP, inviting you to connect with the band on a deeper level. It's quite remarkable that Nick Cline , a young man in his early twenties, has experienced so much to draw influence from lyrically. Phantum Sun is Nick Cline (guitar/vocals), Alec Louviere (drums), and Drake Lasseigne (bass). Learn more about the band here in this article. Let’s dive into these tracks, shall we? Velvet Nights This is the opening track for the EP, and the song's beginning has a very “punk” vibe. As the song progresses and Nick says, “C’mon now, let’s take a drive,” the song kicks into high gear and reminds me of Wolfgang Van Halen meets good, solid punk rock. The breakdown at the end of the song is insane! Turn it up loud! Chains Chains starts as a typical alt-rock song, but around the 2:40 mark, it picks up the pace and ends on an impactful note. The jam session between the guys towards the song's end has so much energy. Great track. Drown This is a slower-paced tune, but it still has just as much energy and aggression as previous tracks. It is very enjoyable. Overall, Haunted by Disillusion is a solid release from Phantum Sun , showcasing their continual evolution as a band. This EP deserves repeated listens, revealing new layers with each play, and in my opinion, establishes Phantum Sun as an artist to watch. Haunted by Disillusion is out now on all streaming platforms. To learn more about Phantum Sun: Facebook Phantum Sun (@phantumsunband) • Instagram photos and videos Phantum Sun | Spotify ‎Phantum Sun - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charles Brooks, D.M.A. Big, Easy, Body-Melting Vibes < Back Big, Easy, Body-Melting Vibes Keeley Brooks Oct 3, 2022 Share Charles Brooks, D.M.A. As promised, each article I’ll direct your gaze towards an artist worth checking out, and then I’ll tell you all about why they’re worth it. Maybe they’re hip and chic, just like you. Maybe they’ve got some funky, groovy vibes that resonate so loudly, you simply can’t afford to pass on hearing more about him/her/them. Or, maybe they have a super-cool ability to melt your face off with one bitchin’ musical experience that’ll leave you reeling for days. For this first article, I do not disappoint. (And if I do, then by all means send me an email and let me know so we can rap about it.) I bring you more than just a musician. I bring you a unique body-melting experience that clings to you like static and leaves one hell of a lasting impression. My people, meet Dr. Charles Brooks, a multi-talented, classically trained professional jazz vibraphonist, percussionist, hand drummer, pianist, clinician, composer, and educator. Hold up. A what? A vibraphone? What the hell is that? Here’s the easy answer: think xylophone, only bigger, more octaves, and with pedals, like a piano. Remember NBC’s former tone that played on TV between your favorite primetime shows … ding dang dong … that’s a vibraphone. You with me? Cool. The vibraphone itself is a unique instrument for many reasons, one being because it’s not that widely known outside of the professional music community, and secondly because of its main special feature: a set of small, electrically operated fans that sit above the resonators and below the bars, or keys, of the instrument. This positioning allows for a smooth vibrato, or pulsating change of pitch, effect by rapidly closing and opening the resonators. Still with me? For those of you who are music lovers and not players, resonators are the tubes placed underneath the tone bars (i.e., keys) through which the vibrations travel. What makes Brooks’ sound equally unique, if not more, is his method of running the vibes through effects pedals, and that , my friends, is where this bitchin’ musical experience begins, if I do say so myself. “Running the vibes through these pedals provides added texture to its distinctive sound. [The pedals] roll out those rich vibraphone tones to listeners in waves with multi-dimensional effects that leave quite an impression. And that’s what I try to do when I play music—give listeners an unforgettable experience through a sound that imprints upon them in some way,” said Brooks. And imprint upon you, it will. Cases in point: check out the livestreams of his 2017 Pink Floyd tribute show ( https://www.periscope.tv/theCBDMA/1dRJZAYnrdaGB ) and his 2022 Black History Month Jimi Hendrix tribute show ( https://youtu.be/0R2OK689L2U ). Or, stroll on over to his YouTube channel and check out his smooth jazz vibes from this year’s W.C. Handy Festival ( https://youtu.be/_ibe3G-X8Uk ). But definitely after that, you’ll wanna peruse through any or all of his Friday Night Vibes shows, which feature both originals and covers. Selections of FNV shows are available on YouTube, and all FNV shows in their entirety are available for your pleasure at www.TheCharlesBrooks.com/friday-night-vibes . When COVID locked us all down with nothing to do but, I don’t know, be with ourselves without a social construct and learn to communicate and self-entertain, Brooks started live streaming a one-hour solo vibraphone concert (often with various hand drums and drum set) every Friday night “I knew people were going stir crazy being stuck at home—especially those who enjoy live music. When there is no live music and everything’s locked down, it leaves a gaping hole in people’s lives. So, I started doing FNV to help music lovers and listeners unwind and disconnect from their stress so they could feel somewhat reconnected to music … to themselves, in a sense,” said Brooks. You’ll definitely want to set yourself an atmosphere before settling into any of these concerts. Relax, get comfy, turn the lights down, grab a drink, get mellow, then get lost in the waves that come rolling out at you. Let the energy of sound and the magic of music take you wherever they go. Get lost, babies. That’s what it’s about. We have to have a way to check out of our physical reality from time to time—in healthy ways, of course—and what better way to do that than with music? Let its healing power flow all through your sexy little body and do what it’s meant to: create, inspire, and impress an experience upon your being. After viewing one of his shows, you’ll understand what I mean by “experience.” Brooks is known for his personalized high-energy performances, not to mention his wildly innovative improv talents and the speed at which he is able to play. He uses four mallets and often moves so fast up and down the face of the vibes it’ll make your head spin. Like a record. Right ‘round, baby. Right ‘round. It is truly a spectacular, unforgettable experience. And Brooks doesn’t just stick to jazz tunes, no. He has an ever-expanding repertoire that includes rock, blues, soul, and funk genres, as well as his own original tunes. He currently has four albums out, and they’re all available on his website and most streaming platforms. For each album, he composed, performed, recorded, mixed, and mastered everything himself. His albums range from a meditative hand drum experience inspired by martial arts forms he has studied over the course of his life, to a meditation and relaxation album for stress relief, to albums with a mix of jazz, blues, funk, and soul. Each of his tunes reflect on a special person, time, or experience in his life. Brooks isn’t just a musician though. He’s also a professional audio engineer and educator (with a doctorate from good ‘ole LSU (Geaux Tigers)) with over 30 years’ experience. And in 2021, after nearly 26 years in Baton Rouge as a music and audio educator, mentor, and performing musician within the Baton Rouge and South Louisiana community, he accepted a position as Assistant Professor of Audio Engineering at the University of North Alabama in their department of entertainment industry. Since settling up in the Shoals area, he has returned to his role of freelancing as a studio musician with numerous musical capabilities at the legendary FAME Studios in Muscle Shoals, Alabama. Brooks can be heard playing the vibraphone on Southern Retro Soul artists Bonneville’s recent self-titled album, currently out now, and playing the steel drum on Nashville’s Outlaw Country recording artist Rickie Joe Wilson’s song “Reggae Redneck,” also recently released. So, what are you still doing reading this article? Go! Go listen! Go watch! Go experience! For further info on Dr. Brooks, his music, upcoming shows, and/or his audio program, visit www.TheCharlesBrooks.com , Facebook @TheCharlesBrooksMusic, Instagram @Cbreezington, and YouTube @MFCharlieB73. *All photos by Rachel Neal Pictures* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Sugarfuzz is full of pop melodies and catchy hooks < Back Sugarfuzz: Feel Good Rock Nicole Brice Jul 3, 2023 Share The music of Sugarfuzz is full of pop melodies and catchy hooks Forever on the hunt for new tunage, or so it seems, I recently came across a band out of Georgia who calls themselves Sugarfuzz . The band features members of Atlanta rock bands Hanging Francis, Chain Poets, My Rebel Episode, and the Bloody Hells with Greg Kaegen (vocals/guitar), Kenny Tsao (bass), Gary Spano (drums/vocals) and Johnny Powell (lead vox/rhythm guitar). Having just wrapped up the recording for their debut album, the men of Sugarfuzz were nice enough to let me listen to an advance copy so I could give my perspective on the music. Recorded at Furies Studios in Blue Ridge and Marietta, Georgia, and produced by Ed Burdell (of Magnapop), this album rocks from start to finish. With no fillers and every song being a banger, Sugarfuzz have managed to craft a solid recording full of tunes that’ll make you want to hop in your car and roll the windows down with the stereo blaring. Beginning with the track “Are You with Me,” which has a riff reminiscent of the intro for the 90’s comedy show Kids in the Hall , each song after that sets the stage for a refreshing and nostalgic album full of fun, sing-along tunes. “Boy Meets Girl” is another stand-out track, and the guys currently have a music video on YouTube with the song for everyone to lay their eyeballs on. In fact, I feel that once it’s released, the Sugarfuzz debut will be one of the feel-good albums of 2023, if not 2024 , to coincide with the 90’s alt-rock revival currently beginning. The band is looking to release the album in Fall 2023, so we’ll have to just sit back and wait for now, but there are plenty of samples of their work to check out either by canvassing the band’s social media or by catching them live at a music venue near you. To get a better feel for the musicians behind the sound, I reached out to the band so we could chat a bit more in-depth. You’ll want to listen to their music after reading this article, I’m certain of it. Check out our conversation below. MaM : Guys, thank you for chatting with me. I want to start by asking when can we anticipate this amazing album you sent me being released? It is so good! Johnny : We are kind of holding on to it for a little bit, but we’re thinking sometime in the fall. We are sitting on it to see what kind of anticipatory buzz we can get on it first. MaM : The entire album is solid with each song jamming. It reminds me of the great albums of the past where you could put the CD in, press play, and just go! Johnny : That’s exactly the kind of idea we had when we started this project. We got together after admiring each other’s work in other local bands and then started writing together about a year and a half ago. We just started cranking out a bunch of songs together and then we brought the other guys on board. Kenny was playing in a cover band with me, and I invited him into the group. Ya know, we were playing stuff like Hall & Oates and stuff to get people dancing (laughs), but it never really got off the ground. It was fun, but this is really my passion. This original stuff. We wrote it as a whole record, though. All of us admire records, but it seems everyone does singles these days. Photo provided by band MaM : Oh, I get it. I remember when actual albums did exist. (laughs) Johnny : We got together with this guy, Ed Burdell, who is an old friend of ours and he has a log cabin up in Blue Ridge in the mountains of Georgia. He always wanted to record a band up there, so he invited us up and we went and recorded the album in a weekend after much comedy and maybe too many drinks. (laughs) We did the basic tracks in one day. Greg : It was a six-and-a-half-hour session and we cut all the basic tracks for all the songs. MaM : That goes to show the cohesiveness you guys have as musicians. You are already vibing. Greg : Plus, we went up on a Friday and started playing on a Saturday. That Friday, though, we got to hang out together, just us guys, and we bonded and then we made a record. It felt great from the moment we started playing. Johnny : The producer actually produced Magnapop and that’s one of his most notable production credits. He’s truly a master. He’s got great microphones, too, and we had one up in the loft recording everything as it was happening, but he’s a zen master at production. He really found some good sounds with this basic batch of songs. MaM : This album sounds like what a 90’s rock revival should sound like. Truly. Now, a bit of a deeper dive into the band history, what initially drew you together? Was it more because of like styles? Johnny : I don’t think it was necessarily stylistic, but Greg and I both fronted bands and would support each other. We always admired each other’s songwriting and guitar playing and I always toyed with the idea of writing with Greg. It just never happened until a year and a half ago and when we did get together, we discovered it was effortless. Greg : So, one day, Johnny is setting up microphones for us, and I just plugged into one of his amps and I started playing the opening riff for “Don’t Tell Me That,” and by the time he’s done setting up the mics, he grabs a pad and pen and starts scribbling. He just starts writing this verse over the song I was playing and the song came together in about an hour. It took no effort. It’s all come together easy. Johnny : We wrote almost all of it in the rehearsal space and would stop each other when something sounded cool and then we would come up with a verse or chorus melody to go over it, and it just fell together naturally. We’re just getting rolling and just getting started, so we are hoping to have some great gigs later this summer and fall. MaM : As far as your sound, did you have a sound you were going for initially going into this project? Johnny : We didn’t really design it. It’s just what fell out of us. Greg : There was never a discussion about it, honestly. I wasn’t looking to get the monster ultimate guitar sound. I had nothing I wanted in my head. I decided to just plug into an amp with no effects or anything. We weren’t shooting for anything, and it just came out the way it came out. Very organic. MaM : As far as future aspirations go, what can we expect? Johnny : The sky is the limit. We just want to make music and have fun doing it. To experience the music of Sugarfuzz for yourself, hit one of the links below and keep your eyes and ears peeled for their debut album coming soon! Facebook Sugarfuzz - YouTube Album Teaser by Sugarfuzz (soundcloud.com) www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Tony Biggs < Back DJ Skillspinz: A Classically Trained Master of Combining Textures and Beats Nicole Brice Apr 7, 2023 Share Tony Biggs With so many aspects of music production being prefabricated these days, I’ve managed to find a man who is still mixing it up the old skool way. (Yes, we spelled it like that on purpose.) As a lover of hip-hop and rap my entire life, what initially drew me to DJ Skillspinz was his insane scratching techniques. Using nothing but his talent, turntables, and an ear for combining beats , he showcases his mad skills with each new mix he releases. His choices for his combinations are diverse and fascinating, and they showcase his knack for individuality in a world oversaturated with conformity. Based in Georgia with over 210k followers on Instagram alone, people are definitely loving what he's doing. Antonio “Tony” Biggs, aka DJ Skillspinz , is an Army veteran , a disc jockey, a producer, and a composer, who is widely known for music on the Peacock series One of Us is Lying , on S1E1 of the Netflix series Gentefied , and on the Starz program Step Up . He was an extra in the BET movie Redeemed as well and has produced/deejayed for GhostFace Killah’s Theodore Unit , Play (of Kid ‘n Play ), and Def Jef , Grits , the Ambassador , and Grammy artist Lecrae . Other credits include Xbox 360 ’s Project Gotham Racing 4 , and he is an Akai MPC Beat Battle Round 10 champ. What has this man not done, seriously? With an impressive history of production and music, further samples of his work can be heard on the Ghostface Killah Theodore Unit album 718 , where he produced track number 14 , and on the Rapland Records House Party Conversions album with Play of the famous rap duo, Kid ‘n Play . Additionally, Antonio was also nominated for a Dove Award for his debut album Reintroduction of the DJ and is the first Christian DJ to release a turntablist record on Rescue Records . His current album, Table Manners: The Mixtape , is available via all streaming platforms, and there’s even more new music on the way. He shared with me some mixes he plans on doing, but I was sworn to secrecy, so you’ll have to follow him and see what he releases in the future. We recently had the opportunity to chat more in depth with this turntable master to learn about his fascinating career and life, so, after you finish reading this, you’ll want to go check out his Instagram page. It is full of things sure to make your head spin, kind of like a record. Photo provided by artist MaM : Man, I am so impressed with all of your song combinations, because I am a huge, HUGE fan of old-school hip-hop. Some of the stuff you’ve done with A Tribe Called Quest, I’ve been like, “Damn … this is awesome!” So, how did you get into making music for TV shows and movies? TB : That’s something I always wanted to do [ever since] I was a kid. I am a big horror movie fan, and when I was 13—maybe 15—I used to record on cassettes different sound bites from my favorite horror movies and use that to make music myself. I guess you could say it came from my love of horror movies. I always wanted to do something in film and television, and so it just fits. Eventually, I started making beats , which got me into hip-hop . Being involved in the industry has led to great opportunities to submit my music to people for consideration. The rest is history. MaM : You’ve had your music licensed to Netflix and Peacock. I mean, dude, that’s awesome. Were you surprised to see your song on TV? TB: Well, the [Netflix] supervisor didn’t let me know it had been placed in the show, and sometimes that’ll happen, but it was crazy! I kept watching Gentefied and they played another one of my songs. I ended up with two songs in that one show. MaM : Wow, that is incredible! I read you were nominated for a Dove Award. Tell us a little more about that. TB: That was really cool. I think back then I wasn’t really focused and aware of what was really in front of me. I was younger and wasn’t really paying attention. I wish I could go back, honestly, to do it all over again and be more aware of what was going on around me at that time. I was just so focused on making more music and doing other things. Photo provided by the artist MaM : How old were you when you got that nomination? What year was that? TB: My record came out in 2000 , so it had to be later that year. I think I was 23 or 24. MaM : I also see that you were the first Christian DJ to release a turntablist record on Rescue Records. Are you still signed to a label, or are you just doing things independently? TB : I’m independent right now, but I was the first Christian DJ to do that. Of course, there were other DJs before me, you know, doing Christian hip-hop and other stuff, but no one had put out an actual turntablist record. It was a blessing to be able to do something like that, and there hasn’t been anyone else since me to put out another record like that. MaM : You were a trailblazer then and you still are because no one else has been able to do the same. I find these days that creativity is lacking because of all the prefab apps out there that do everything for you. TB : I think it takes away from the culture and from the skill used to create when you can press a button and have the computer scratching for you. You don’t really need a DJ . That’s what I hate, but it’s kind of a blessing and a curse with technology. Everyone thinks they can be a DJ now, but, for example, my sister recently bought herself a DJ controller, and now she talks like she’s a DJ . I’m over here thinking, ‘Why do you have this?’ MaM : See, all the technology scratching for you is just not the same to me. TB : I guess you gotta get in where you fit in, right? It is what it is. MaM : So, what first got you into DJing and music? TB : That’s a great question. I was in a group with my brother and a good friend of ours. He lived right across the street from us. We were probably 9 or 10 years old. We had a little rap group and my uncle, who is from up north and used to come down and visit all the time, heard us rapping. He kind of took us under his wing and took us to a friend’s house where we did a little demo. The guy recording us went around the room asking each of us what we did, and my brother was like, ‘I’m the rapper,’ and my friend was like, ‘I’m the rapper, too.’ They get to me, and I go, ‘I’m the DJ ’—mind you, I did not have any DJ equipment, but once I said that, it just stuck and we went from there. I always just wanted to be a DJ . It's crazy to think about. I can’t recall one specific DJ who made me think, ‘That’s what I wanna do.” Now, I used to use my mom’s turntable sometimes. I used to take her stuff apart to see how it worked. She would bring records home, so I guess I can credit her as being the one to introduce me to hip-hop. I remember her bringing a record home by the Fat Boys and telling me to listen to [it]. It was ‘ Jailhouse Rap’ and it stuck with me. She had also brought home a record by Roxanne Shanté . After that, though, I remember I was hooked. A 12-year-old DJ Skillspinz / Photo provided by artist MaM : So, she didn’t care you were taking apart her turntable? Wait, did she know? TB : I don’t think she knew. I used to take her speakers apart, too, just to see how they worked. MaM : Then you put it back together the same way so she never noticed? TB : Yeah. Still to this day she doesn’t know. MaM : Well, she does now! (laughter) MaM : So, let me ask you: Who are you inspired by from that period of growing up? TB : I would say Jam Master Jay was a huge influence, ya know? I mean, Jazzy Jeff was a huge influence, too. DJ Magic Mike from Vicious Base and DJ Scratch from EPMD , too. I love all those DJs . I love a lot of DJs . MaM : I miss the music from that time period. I would love to bring it back and teach this generation what good rap and good hip-hop is. TB : That’s one reason I’m doing what I’m doing … [to] keep it alive. I used to think there wasn’t a place for it anymore, and I tried to create new stuff for the newer generation and stuff. I was just sitting down one day, and I was like, ‘I’m gonna put this mix out, this Wu-Tang one,’ and it just took off! I was like, ‘Oh shoot! People are still out there still loving this.’ MaM : Yep, like me. I was creeping around on your Instagram page and was like, “Man, this dude is awesome!” TB : Thank you. MaM : Just being honest. I love everything I’ve seen so far. My next question for you would have to be, at what age did you officially start DJing with your own equipment and everything? TB : Here’s a funny story. My aunt, God bless her soul, she bought [me] my first turntable. I used to watch Yo! MTV Raps and I saw the turntables the DJs were using, and I thought to myself, ‘Man, what kind of turntables are they using?’ A guy from my neighborhood had this magazine called J&R Music World . It was in New York , and that is where my aunt is from. I was looking through the book one day and came across the turntable all the DJs were using [and] I knew I needed that turntable. We had a family gathering and my aunt knew I loved music, [so] I told her about the turntable I had seen. She told me that if I made As and Bs on my report card that she would buy me my first turntable. A young DJ Skillspinz / photo provided by artist MaM : How old were you at that point? TB : I was in high school … 9th grade. … I ended up not making [all] As and Bs on my report card; I actually made a C. I went back to my teacher, though, and I was able to convince her to change my grade to a B. (laughs) I went right [then] and called my aunt to tell her the news, and about a week later, I came home from school one day and there was a turntable sitting in the chair in my living room. From then on, it was uphill. MaM : That is really cool you had your family’s support. What did you say to the teacher to get your grade changed? (laughter) TB : See, I was supposed to be reading this story. The whole class was reading this book, and we had to fill out a form showing where we were in the book. My teacher told me I was supposed to be further ahead than I was. I explained to her that I had made a mistake and filled out the form wrong and that I really was further along than I had written, and so she changed my grade. MaM : Dude, nice. I wish I would have had those powers of persuasion back in the day when I made a C. (laughs) DJ Skillspinz in Waco, TX / photo provided by artist TB : I want to throw this in there, too, about the turntable. My aunt only bought me the one turntable and I needed a second one, so, [I worked at a program for teenagers during the summers] and used the money to purchase the second one. MaM : Nice. So, you live in Georgia now, but is that where you grew up? TB : I am from Columbus, Ga ., born and raised. MaM : Never lived anywhere else? TB : I lived in Nashville, Tenn ., … then [when I was 18] in California for a while in South Central . MaM : What made you decide to move out there? Did you always want to? TB : Nah, I was trying to pursue music and had family [who lived out there]. Then, this guy who claimed to be a manager took me down a little path for a bit. You know, [you’re] learning [and] just trying to trust people because they say they’re gonna do certain things and, well, you live, and you learn. MaM : Yep, that you do. When did the music stuff start to take off for you? Where were you living when that happened? TB : I was back in Columbus . [I’d made] a mixtape, and [this guy out in California had a copy and he] ended up leaving the tape at someone’s house, and that someone gave it to somebody else, and that somebody gave it to this A&R with Rescue Records . [This] A&R guy was a former dancer of Vanilla Ice ’s. (laughs) MaM : Oh my gosh, wow. (laughter) TB : Yeah, well, let me tell you a funny story about that. He heard my mixtape and was like, ‘We need to find this kid,’ [so] they [contacted] me and wanted to sign me. The crazy thing about that is, I remember Vanilla Ice coming to Columbus [on tour] and my brother and I used to sneak into concerts, but [at that time], I didn’t want to see Vanilla Ice . We had gone in and seen who we wanted to see, but I remember being outside the Civic Center and I could hear Vanilla Ice telling the crowd to say stuff to his DJ . I didn’t want to hear that. The crazy thing is, this guy ( A&R rep) was inside dancing with Vanilla Ice , and we didn’t even know each other. Come years later, and this same guy signs me to the label. MaM : Whoah. That’s insane. That’s something I like to call a universal happening. It all comes back full circle. TB : For the record, though, I respect Vanilla Ice , and I love what he did for hip-hop , pushing the culture forward. MaM : Definitely, I agree. If people like Vanilla Ice hadn’t come around, I don’t feel there would be an Eminem. He paved the way, even with as much hate as he got. As far as current projects are concerned, are you working on releasing any additional albums? TB : I’m about to do another album. ‘ Table Manners ’ is new, but I have a few mixtapes I want to put out but just haven’t yet. I’m gonna do an actual project because people have been hitting me up about it. … I have some things coming up that are so freakin’ dope, so [there’s more coming soon]. Photo provided by artist MaM : Last question: Do you feel the platforms musicians have to release their music on these days is sufficient, or do you miss the way things used to be? TB : Honestly, I miss how things used to be. As I was saying before, it took you having to have talent to get signed and technology is a blessing and a curse, but I think either you have it or you don’t, and you shouldn’t rely on technology to get you a record deal or to get you hundreds of thousands of followers. That’s crazy when you think about it. Things have been watered down so much. I wish more people would take the time with their craft to refine it. To check out the work of this genius of the turntables, be sure to hit one of the links below! The Meet-ups | Dj Skillspinz Make The Bass | DJ Skillspinz (bandcamp.com) ‎DJ Skillspinz on Apple Music DJ Skillspinz (@djskillspinz) • Instagram photos and videos DJ Skillspinz | Spotify Dj Skillspinz | Facebook Episode 23.1 DJ Skillspinz - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong lover of hip-hop from the late 80s and early 90s, and will often have A Tribe Called Quest blaring in her car. It annoys her kids. Want to be featured? E-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Come On Home’ is an upbeat and heartfelt anthem. < Back Reviews on the Real: Jared Daws Invites Us Back to Appalachian Roots with Soulful New Single ‘Come on Home' Nicole Brice Sep 16, 2024 Share ‘Come On Home’ is an upbeat and heartfelt anthem. Music truly can transport us to different places and times if the lyrics, vibe, and tone are just right. Enter Louisiana country artist Jared Daws , who has just released his latest, ‘ Come on Home ,’ an upbeat homage to rural country life and the relaxation that comes with it. Released September 6, 2024 The track has a strong opening that leads to crisp, clean vocals and a toe-tapping, head-nodding sound. With sing-along choruses and an incredible mix, Jared has managed to craft a feel-good song full of nostalgia and longing. Yes, just take me back to Appalachia, please. With a tinge of Louisiana flavor, Jared’s voice resonates with soul and strength. His vocals alone draw you into a song full of emotion that never lets up. This is truly an enjoyable track. The video , which was released on September 13, 2024 and is available on YouTube , paints a vivid visual and truly brings the entire song to life. We were able to ask Jared a few questions so you can get a better feel for his newest tune. Check out our conversation below. MaM : Tell us a little about the inspiration behind your latest release, ' Come on Home '. What is the song about? How long did it take you to write the track? JD : ‘ Come on Home ’ is a tune about just getting back to your roots and doing the things that inspire you. For me, that’s being out in nature. Just breathing the air and hearing the sounds of the woods does something for me. The song came about from a little riff I wrote. From there, it all came together quickly. My buddy Pat Lyons , who plays for Colter Wall , helped me shape it up a bit, and it all came together from there. Credit: Cherish Ann / Memory Lane Photography MaM : Where was the new music recorded, and what are your plans for the rest of 2024 into 2025? JD : We recorded this tune in Nashville at The Owl studio in Berry Hill. A huge thanks to Pat Lyons (Colter Wall), Solly Levine (ex-Colter Wall, Noeline Hofmann), Preston Wait (Brothers Osborne), Geoff Henderson, Mitch Furr , and Katie Lang for helping me make this record! For 2024, we will just be ripping some gigs and getting ready to tour in 2025! MaM : What inspires you to create the music that you love? JD : Honestly, it all comes from my life experiences. I’ve dealt with and seen a lot in 30 years. Music helps make good and bad memories exist in a space where I can utilize their power. Being able to take a bad memory and turn it into something I enjoy or use a good memory and make it even better with music helps me out a ton mentally. Credit: Black Heart Media / Tayler Blackhart MaM : How would you describe the music you typically create? JD : They say country music is three chords and the truth. Most of my music has more than three chords, but that is true. So, I guess we will call it “country for the most part.” I just make what feels right, and it typically walks the line of country, folk, & Americana. It doesn’t matter what ya call it; I need ya to listen! MaM : Are there any musicians or bands you'd like to share the stage with in the future? If so, who? JD : The list would take up every bit of the space allotted for this interview, so I’ll keep it short and sweet. Sierra Ferrel , who, in my opinion, is the new-age queen of Americana music. Tyler Childers , for sure, as well. His sound is so raw, and I love that he’s just genuinely him. Lastly, I’ll say Chris Stapleton . That man has the soul of three generations inside of him. To make music with him would be an honor. MaM : We saw that you just released an album in January 2024. What are your plans for new material? Are you going to continue promoting your catalog, or do you have plans to push forward with new stuff? JD : I’ll always promote my catalog because I am proud of those songs. However, I see myself pushing my newer music more because it shows where I am currently in life. I’m living in the moment more these days, so pushing the music that’s with me right then and there is very important to me. I have a lot more music coming showcasing what life has been like lately, and I’m super excited and proud of it. ‘ Come on Home ' is a soothing, calming, relaxing song full of harmony that makes you think of campfires, hanging out, telling stories, and just the good times, so be sure to stream it today on your favorite streaming platform and catch Jared Daws live this fall at a venue near you. For more information on Jared Daws: www.jareddaws.com Jared Daws Official Website Home of country music artist Jared Daws. Shop for merchandise, stream and purchase music, as well as find tickets to upcoming events involving Jared Daws. *Cover photo by Cherish Ann / Memory Lane Photography Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Them Guys have a sound embodying Louisiana music's rich, genre-bending spirit. Them Guys: A Deep Dive into Louisiana’s Musical Treasures < Back Them Guys: A Deep Dive into Louisiana’s Musical Treasures Nicole Brice Oct 3, 2024 Share Them Guys have a sound embodying Louisiana music's rich, genre-bending spirit. Louisiana, synonymous with the vibrant sounds of jazz, blues, and zydeco, has long been a fertile ground for emerging musicians. One such gem in its musical tapestry currently is Them Guys , a band from Vacherie, Louisiana, that has carved out its niche in the Bayou State’s eclectic scene by consistently getting its brand out there with a busy schedule of non-stop shows all along the Gulf coast. Formed five years ago, Them Guys started when various members were growing tired of the cover band music scene. The desire to create an original and definitive sound led the lifelong friends to join forces, and that union has given birth to a band with a consistent vision of where they want to go and what they want to accomplish. Credit: Gary Governale With too many musical influences to count, the Them Guys sound combines each member’s distinct style for a well-rounded listening experience that defies categorization. They’re not nu-metal , but they sound like metal at times. They’re not just straight rock ; there’s some melodic thrash there, too. How do you categorize the sound of Them Guy’s music? You can’t. It’s just a combination of all things that makes their music enjoyable, and their sound embodies the rich, genre-bending spirit of Louisiana music. Them Guys is Chet Tabor on drums, John Waguespack on bass, Benjamin Kliebert on lead guitar, and Nick Oubre on lead vocals/rhythm guitar. In just five short years, these multi-talented and multi-faceted individuals have released three albums that showcase the band’s collaborative evolution from inception to now, culminating in the definitive Them Guys sound with the aid of friend and producer Ross Johnson. Ross is just as important to Them Guys as the members themselves because, without Ross, Them Guys' live show experiences would not be as phenomenal as they are currently. With Ross behind them, Them Guys not only have consistency with each performance in terms of sound, lights, mixing, etc., but they have a secret weapon for putting on the best performance imaginable no matter what venue they step into. Humble, focused, and determined, Mixed Alternative Magazine recently sat down and chatted at length with the men of Them Guys about their beginnings, visions for the future, and more. No topic was off-limits. Them Guys are a beacon of hope for the Louisiana music scene because of their dedication, enthusiasm, and readiness to help all succeed. They bring a product. Not just the music. Read on below. MaM : Thanks for meeting with us today. Let’s start with a bit of band history for those not familiar. Tell us about how Them Guys came together initially. Chet : In July 2019, we came together as Them Guys but weren’t named yet. We actually started as a Chevelle tribute band. John : Nick and I were in another band together but didn’t have a name yet. We were working with another guy, and things fell apart, so Nick was the one who suggested we start a Chevelle cover band. We only wanted to do it if Chet played drums, though. Chet was in, so we got together and jammed, and that was it. We became a Chevelle cover band. Credit: Gary Governale MaM : Interesting. Why Chevelle? Nick : I don’t know. (laughs) Chet : He’s a big fan of Chevelle (points to Nick). They’re not my favorite, but I respect their music. The idea is that it’s not complicated to play, and you can quickly come up with ten or twelve hits to put on a setlist. Everyone knows the songs, too. It was also easy to intertwine some non-Chevelle covers because they fit the bill. We were 100% covers starting out. MaM : People always make fun of me because I’m not a fan of Chevelle, but their music doesn’t do anything for me. It just sounds basic. I respect them as musicians, but that’s about it. Chet : That was part of that mainstream sound at that time. One of the things we’re looking to do going forward is not necessarily to capitalize on any mainstream sound. Still, the music can be generic enough for the vast majority to enjoy. Take, for example, a band like Korn ; you must like Korn to listen to Korn. Credit: Gary Governale MaM : Yeah, they have always had a distinct sound. Chet : I think Chevelle, Breaking Benjamin , and bands like that have cornered the market to attract the most listeners. They make great music with a significant following. We intertwine with so many bands and do it intentionally … She Might Be a Beast , Silverdose , Drab , This Beating Heart , Branded for Exile , and we play with these bands purposely. It’s all part of the elevation process. The better we do, the better those bands do. We feel like this Louisiana music scene is astronomically better than most, and that even includes the Gulf Coast. Many of these bands don’t get the acknowledgment they deserve either, but we will keep putting the work in and try to lift others in the process. John : There wasn't that camaraderie when I first started playing music. Some thought they were better than others. It was cutthroat. Credit: Gary Governale MaM : Tell me a little about each of you. How did you get into music initially? Nick : I started as a drummer and was playing in three bands. One day, I decided I didn’t want to be a drummer anymore. We all grew up with each other, so that’s how we know each other. Chet : Yeah, Nick has the most unique story because he’s the best drummer in the band, by far. MaM : But he doesn’t want to play drums. John : My story intertwines with all of this. Chet : It’s been this exciting path because I came in with over 25 years of experience. Not necessarily playing live, but the experience. I’ve always been a drummer, though, and I can remember being on stage with John, and his voice went out, so I moved him out of the way to take over on vocals. I sang ‘ Simple Man’ by Lynyrd Skynyrd the first time I did it. Nick, though, by far is the most talented drummer in this band, but it doesn’t stop there … he plays guitar and bass and even sings. Nick Oubre by Gary Governale MaM : He’s a one-man band. Chet : Most of Them Guys' music is Nick’s guitar riffs. He writes 90% of the guitar riffs. Ben : … and I know I have a microphone in front of me all the time, but I can’t do public speaking. (laughter) John : I started playing in 2013 when I was taking guitar lessons. The guy I was taking lessons from needed a bass player and asked me if I wanted to. I was thinking, ‘Ain’t nobody wants to play bass.’ (laughter) John : He tells me that Chet has a bass at his house, and we’ll ride over to get it. He gave me four songs to learn, so I called him the next day and told him I had learned them. He didn’t believe me, so I went to his house to show him I had learned the songs. Once he realized I did know them, he gave me four more to learn. The next night, I learned those four songs, too. He then called Chet to tell him he had found a bass player. We went to Chet’s house, and he was on drums, but we ended up playing all eight songs, and then that was that. We ended up learning 40 songs in total. Ben : What band was that? John : Super Nutria was the name of the band. Chet : Funny story: I wasn’t even supposed to be in the band, but here I was, deciding on the bass player. (laughter) Nick : I was too young to play live yet. John : We did that for about three years, and then I quit the band. They played for a few more years, but then it died out. Chet : That was my decision. We were active and always playing shows, but it was time to move on. John : So, the guitar player from Super Nutria and I decided to continue playing music together under the name Soldiers of Ana – which is short for Louisiana, so technically, Soldiers of Louisiana. Credit: Gary Governale MaM : I love that name. That’s very clever. John : Nick has a tattoo of the band name on his leg actually. (Nick points to the tattoo on his leg) John : We ended up calling up Nick, who was going to play the drums, but we needed a singer. Nick said he would sing, but I only thought he played drums. So, we have this little, tiny amp, and I just plugged in the microphone straight into the amp with a background song playing on my phone. I had him sing to that to see if he could, and he did, and it was incredible. It was a Judas Priest song he sang. MaM : Which song? Nick : ‘ Painkiller ’ – it was when I still had my falsetto singing voice. John : He sings this song, and I’m just blown away. We started as a three-piece band and learned a 40-song set to only play one show together for his dad’s birthday. It just fell apart. After that band fell apart, we decided to start another band, and once again, it was covering songs. Slayer , Metallica , Black Sabbath , Chevelle , Pink Floyd … Ben : Yeah, it was a diverse list. John : It was a crazy list. Before we got active in the scene playing, I had some personal stuff come up, so that band ended. I ended up selling all my equipment after that. Nick was the one who bought a good bit of it, and then a co-worker of mine bought all my bass stuff. Ben : We grew up together and have been friends forever, with the music being secondary. Initially, I took on the role of lighting tech for the band. Eventually, the band had some issues arise, and we needed a guitar player. I’ve been playing guitar my whole life. I knew the music. I knew the guys. It was a perfect fit. We didn’t skip a beat, either. Benjamin Kliebert by Gary Governale MaM : Where did the name for the band come from? Ben : Well, it was either that or free beer. (laughter) Chet : We used a few names, but before transitioning to the original material, Brittany drew a picture of Louisiana with a voodoo doll … John : … and at the top it said Them Guys. Ben : Once we saw the image on the shirt, that was it. John : … and you can’t forget it. Like, we saw Them Guys the other night. MaM : It’s the perfect name. The logo, too, is impressive. Chet : That’s about to change, but we plan to rebrand or slightly revamp. That original logo with the state of Louisiana picture and then the voodoo doll is, by far, our most popular design to date. We haven’t sold that shirt in three years, either. John : Everyone still asks for it because they like having the Louisiana logo there. Chet Tabor by Gary Governale MaM : Let’s talk performances. Tell me about your best and worst shows so far. Ben : We haven’t played our best show yet. Chet : I can’t say that. We’ve had some good ones, though. In my opinion, the best show so far was Jeff’s benefit at the fairgrounds. There were 500-600 people there. There was even a rainstorm that came through. It looked like a Creed music video. (laughter) Chet : It was a rough show – a sea of heads. They loved it, though. John : This brutal thunderstorm started blowing all the lights down. It pushed Nick’s guitar off the stand, breaking the head. Everyone was getting soaking wet, but no one left. Everyone stayed and rocked out. Chet : That’s one of two. The second-best performance, though, was the Hometown Throwdown. Experience-wise, it was the show at Zina’s Place in Thibodaux . We rolled up four hours before showtime and thought it would be a challenging show. It turned out to be a packed house, and we were asked to play songs we had never played before, which we were cool with. There were 130-140 people, and it was just a great time all around . Now, the Hometown Throwdown was on a different level. It was one of the most professional productions, and we did everything ourselves, from the production to the lights. We had 590 tickets sold, but in a venue that houses 3,000 people. It could have been better, but the performance was insane. It was an experience. Ben : Everyone had a great time. John : We even catered food and drinks for the bands. Everyone was taken care of. Ben : Worst show? Chet : The worst show was at Southport Hall with 4 Mag Nitrous . It had a great line-up, but no one showed up. Ben : Like eight people showed up. Chet : Yeah, that was two years ago, and then coincidentally, the next night, we had a great show in Texas and ended up in a magazine and on the news because of the show. Friday night was a bad show. Saturday night, holy shit. John Waguespack by Gary Governale MaM : You all have different music influences. Who would you say helped to influence the Them Guys sound? Chet : We have three or four consistent across the board – Black Sabbath and Alice in Chains are a couple. I love Nonpoint . I also like Limp Bizkit and Godsmack , too. Sevendust , too. Nick and John’s G.O.A.T. is Black Sabbath. Ben’s is Megadeth . Ben : Yeah, definitely Megadeth. Chet : When you step back and truly listen to our music, you can hear the influences of Black Sabbath, Alice in Chains, and even some Godsmack in the beginning. There’s even a little Breaking Benjamin style there. We have established the Them Guys sound now and don’t focus on who we sound like. We had to find it, and now we have it. Our philosophy is to one-up ourselves and be better each time. Credit: Gary Governale MaM : Man, ya’ll have the right formula. If you guys could share the stage with any band or musician in the future, who would it be? Ben: Megadeth (lots of discussion) John : They’re all dead. (laughter) Chet : Realistic level— Nonpoint . We’ve met the band and worked with them before. They are great to work with, and we would love to share the stage with them. They wore one of our shirts on stage at a show, too. It was one of the last shows on their tour. John : We threw a shirt at them. The drummer caught our shirt in his chest. He walked backstage after that, switched to our shirt, and played the rest of the show wearing it. Photo courtesy of Chet Tabor MaM : That’s so awesome. You can’t get better exposure than a t-shirt. It's the best branding ever. Where do you see the band headed in the next five years? Any new music? Chet: We believe the production quality is as important as the music, so we’re doing a big push on ‘ Delusions .’ Moving forward, we will continue to record with Ross so it can be the best product ever. We have about six or seven songs that are written. A couple are recorded. We have a Jelly Roll cover, too. I can’t wait to record it either because it’s perfect. John : It’s got our style. Our elements. Chet : The bigger picture is that we want to jam. It's as simple as that. We are also in this to elevate. We see the path forward and want to continue it. With a solid discography and an ever-growing fanbase, the future looks bright for Them Guys. They continue to play shows extensively, bringing their unique blend of rock music to new audiences. As they look forward to the next chapter, it’s clear that Them Guys are more than just a band – they’re torchbearers of Louisiana’s rich musical heritage, keeping its traditions alive while pushing the boundaries of what it means to make original rock music in the 21st century. To experience Them Guys' music for yourself, just hit one of the links below. themguysofficial.com THEM GUYS Official Band Page Facebook: https://www.facebook.com/THEMGUYSOFFICIAL Instagram: https://www.instagram.com/them_guysofficial/ YouTube: https://www.youtube.com/@ThemGuysOfficial2019 Photos by: Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New music sure to get your pulse going! < Back Nick's Corner: Playlist Picks for June 7th Nick Cline Jun 7, 2024 Share New music sure to get your pulse going! The world of music is vast and extravagant; you never know what is out there locally and nationally. This will be the first in a weekly run of articles that tackle bringing local and national acts, both in the indie and major label scenes, into the same conversation. This conversation is vital to building the scenes from around the country. Five weekly songs will act as a list of recommendations to listen to and give exposure. Every song will be followed by mini-reviews, which will guide and support the tracks. 1 Pieces by We All Perish Click to listen Deets about the track : Pieces by We All Perish is a superb mix of metalcore and modern-day influences from across multiple rock bands and sub-genres. Right from the start, this track hits you right in the face with a solid, hard-hitting rhythm section that tackles great with the down-tuned riffs. As soon as the vocals kick in, the music creates this sonic bond that creates an epic and larger-than-life sound. The pre-chorus releases a building tension when the vocals come out on the chorus. The more the song progresses, the more the musicianship shines because the intense bond between lyrics, music, and vocals is felt with every passing second of the track. This is one of the most solid picks for your daily playlist in the local scene. It would be welcomed amongst some of the best major label bands, and they are located right in your backyard of Louisiana. 2 Toe by The Posts Click to listen Deets about the track : Groove and psychedelics are at the forefront of The Posts' track. Toe is a mix of funky rhythms, 90s-era vocals, and an overall sense of modernity with a flair of the psychedelic era from the 1960s to the present. All across the board, Toe brings the listener into a world of sonic synchronicity, mellowed-out vocals, and rhythm that could get into a new dimension. This track's production is top-notch. For lovers of Jefferson Airplane , The Who , and Pink Floyd , it will prove a dynamic and loved addition to your everyday playlist. No matter what period of music you prefer, The Posts will offer something for you, and Toe is only one of many examples to dig into. 3 F*ck My Life Up Again by Marcus King Click to listen Deets about the track : The beauty of this track is matched by the upset of the whole project. The melodies and lyricism collide to create this melancholy overarching tone. Heartache is felt in every line sung and every note played. The tension between anger and sadness is felt in the production, vocal tones, and music itself. The production and mixing are a testament to the lightning in a bottle caught between Rick Rubin and Marcus King's creative minds. This track will be a welcome addition to just about anybody looking for a song filled with heartache, soul, and feeling understood in a dark time. 4 Take a Bow by Mammoth WVH Click to listen Deets about the track : Take A Bow is a track executed with just the right amount of musical talent, emotionally charged lyricism, and powerful vocals. It is set to an emotional standard because it is one of Wolfgang Van Halen 's many testaments to his late father, Eddie Van Halen . It becomes a tornado of pounding riffs and steady driving rhythm while, at the same time, becoming a true standard of Wolfgang's love of his family's legacy. This track would be a great addition to a playlist for anybody who enjoys early Van Halen and modern hard rock. There is something for all levels of rock enthusiasts, and the love and passion for music and its legacy shared by all band members are unmatched. 5 Sun Goes Down by The Main Squeeze Click to listen Deets about the track : Sun Goes Down is an almost ten-minute powerhouse of a song off The Main Squeezes album, "To Be Determined…." It starts with a soulful synth that sets the tone for the guitar and another instrument to follow suit. The masterful tone and style of the guitar player make the song cry before the vocals even start on the track. The Instrumental progresses to the almost three-minute mark, which marks the time the vocals come into play. The bond between melodies and rhythm builds a soulful psychedelic epic that builds intensity as the song progresses. The chorus is a conjoined wall of vocals and powerful music. Once the vocals are over, the song returns to its instrumental basis and goes into a screaming guitar solo. The guitar is reminiscent of how Pink Floyd's Comfortably Numb strikes you as the outro solo soars into the mix. This would be a soulful slot into your daily playlist. It hits all the spots of soul, rock n roll, psychedelic, gospel, and so much more, all wrapped into one package. Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘These Chains’ is an amalgamation of everything good in music. < Back Breaking Free: A Review of ‘These Chains’ by Byron Daniel and the Five Dead Dogs Nicole Brice Jul 13, 2024 Share ‘These Chains’ is an amalgamation of everything good in music. New music always makes me happy, and today, I have a new track from Byron Daniel and The Five Dead Dogs , a band from Southeast Louisiana. ‘These Chains’ is an amalgamation of everything good in music. It’s got soul, fuzz, thundering bass, and a great groove. Reminds me of a modern incarnation of The Allman Brothers . It’s classic rock with a twist that gets your head nodding. “ Rural Infused Sweat Rock ” is how the band describes their music, and I have to say I agree. That is one of the most descriptive terms I have heard to describe music ever. When asked about the recording process for the new material, lead vox Byron Daniel said, “We recorded this song with Bryon Knight at Melancholy Mixing and Mastering . I played an acoustic show with Bryon, and he told me about his studio. Shortly after, I heard a single that Bryon had done for a band called She Might Be a Beast and really loved it. He was a pro and very easy to work with.” Byron Daniel and The Five Dead Dogs is comprised of Byron Daniel (Guitar/Vocals), Andy Ates (Guitar), Monroe White (Bass/Vocals), and Christian Colonna (Drums). ‘These Chains’ begins with a smooth and mellow vibe when Byron’s weathered and raspy vocals kick in. This man’s voice is full of so much soul and depth. Because of his vocal delivery, he is one of my favorite local frontmen, and even though I have not caught them live yet, I hope to in the future. With catchy lyrics, Byron said of the lyrical inspiration behind the song, “The inspiration comes from my upbringing and the people that have kind of come and gone out of my life. ‘These Chains’ is just about partying and using rock n’ roll to break free of small-town syndrome. Most of my writing is just me trying to accept who I am, what I’m doing, and what I’ve done.” One of the best parts of the song is the guitar tone on the solo from 2:15 to 2:47. Wow, it knocked me on my ass because it doesn’t come at you all at once; no, it builds to a powerful crescendo. ‘These Chains’ is an enjoyable track from start to finish, but I insist you listen to it loud in your car with the windows down while driving a long, windy country road. With plans to release a full album in the future, the band will be hitting the road in October to bring their sound to the masses, so keep your eyes and ears open. Click picture to listen to the new track “Definitely excited to be branching out and doing some shows in Baton Rouge and Lafayette. We spend most of our time in New Orleans or on the north shore, so we’re stoked to be seeing some new faces and converting some folks to the ways of Sweat Rock! We are looking to have our album ‘Armadillo Soup’ out by 2025. We will certainly be releasing a single or two before that.” ‘These Chains’ by Byron Daniel and the Five Dead Dogs is a powerful, emotionally charged track that showcases true musical craftsmanship and stays with you long after the first listen, so do yourself a favor and go stream it today. Upcoming Shows: Click picture for more info To learn more about Byron Daniel and the Five Dead Dogs, just hit one of the links below: www.bdandtfdd.com #RISR | Byron Daniel and The Five Dead Dogs Byron Daniel and The Five Dead Dogs are available to book for music clubs, festivals, events, parties, and acoustic shows. Facebook : https://www.facebook.com/ByronDMusic/ Instagram : https://www.instagram.com/bdandtfdd/ Spotify : https://open.spotify.com/artist/6NUAE8mTYyxW3FLMaKmfu7 Apple Music : https://music.apple.com/us/artist/byron-daniel-and-the-five-dead-dogs/1546819944 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

His ethereal music makes for one magical, introspective ride < Back Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks Keeley Brooks Jun 7, 2023 Share His ethereal music makes for one magical, introspective ride In a sea rife with performing and touring musicians, most don’t realize there are also composers swimming around out there who aren't necessarily looking to tour venues and play live music but to find the right TV show, documentary, and/or major motion picture to showcase their work. Perhaps one of the most popular soundtrack composers of the 21st century is Bear McCreary, who has scored everything from television ( The Walking Dead, Black Sails, The Lord of the Rings: Rings of Power ) to movies ( 10 Cloverfield Lane, The Cloverfield Paradox, Knights of Badassdom ) to video games (" God of War," "Call of Duty: Vanguard" ). Recently, I had the chance to meet a composer in North Alabama who creates such hauntingly beautiful music, it makes you feel like you might just be listening to a potential soundtrack for some of the most intimate parts of your life. His name is Rickey Mitchell, and his work is as unique as he is … it’s even reminiscent, at times, of one of my favorite bands, Pink Floyd. We all know the type of music—that ethereal, ambient, emotionally charged flow that drives a particular scene in a film or theme of a documentary production, even a character’s identity and understanding of the world around him or her in a series or show. It’s that music in the background that compels you to focus mindfully on artistic detail. We often don’t pay too much attention to the music in the background, but there’s a good reason we should: Without it, those rich, quality nuances used to draw in an audience and help propel an art form forward would be noticeably absent. And that’s what Mitchell’s music does: It gently draws your artistic gaze to hone in on the tiniest bit of detail, detaches you from the busyness of your mind, and breathes new life into your world as it takes you on a full introspective ride. Mitchell has been playing music his entire life. Originally from Kenosha, Wisconsin, he currently residents in the Muscle Shoals-area of Alabama. He’s an extremely talented composer attempting to break not into mainstream music but into major motion pictures, documentaries, independent films, and television. photo provided by Rickey Mitchell Mitchell achieved one of those goals back in the early Nineties when Magic Johnson retired. NBC picked up one of his songs to accompany the sports highlights that spanned Johnson’s career. “A fan actually pitched one of my compositions to NBC for a Magic Johnson documentary. You can hear my song ‘Deep Cut’ from my first album ‘Money Talks, Beauty Screams.’ It’s playing during a lot of the sports highlights. So, that’s how that happened. I hope to one day score epic films or anything Steven Spielberg produces,” says Mitchell. A lifelong composer and musician, Rickey shows no signs of slowing down or giving up on his dreams, and after getting a sneak listen at his upcoming new album, I’d say he’s got a bright future full of opportunity just waiting for him. His music makes you want to shut out the world and ponder your deepest thoughts and feelings. Mitchell is one super cool dude making some very intriguing music with some very notable people. Here’s what he had to say about his influences, his new album, and what’s next for him in his creative endeavors. MaM : Rickey, thanks so much for taking the time to talk with us. We really dig the tunes you shared with us from your upcoming album. How long have you been playing music? RM : Thank you for having me! I began playing music in 1969 at four years old. I was heavily influenced by the 1968 comeback NBC TV special of Elvis, but the desire to pursue music came from my cousin, C. Gaby Mitchell . He was and still is an incredible musician and screenwriter. He wrote for the films Blood Diamond and Get Low . He’s one of my biggest supporters who helps me navigate the industry. MaM : What would you say your style is? RM : My style of composition and finished product is usually labeled as art rock, a type of neo-classical composing not typical of current mainstream music heard on the radio today. MaM : Well, it’s very interesting and engaging. What instruments do you play? RM : I play piano, mostly, but I began as a percussionist. The natural gravitation to piano was seamless for me. photo provided by Rickey Mitchell MaM : After hearing you play piano, I’d say “seamless” is the perfect way to describe your efforts. Who would you say have been your biggest influences? RM : Where writing is concerned, I’m most influenced by Keith Green, early Elton John, Billy Joel, and the band Kansas. MaM : Ooh, nice. They’re all such great songwriters. I dig some Kansas! Tell us what has your music career been like? What motivates you? RM : Music as a career has been a labor of love. It’s the joy of creating that motivates me. I create everyday. MaM : Over the years, have you worked and/or played with anyone of notability? RM : Most of my career, I’ve been blessed to play in [studio] sessions with some great players. The most notable is Jerry Donahue , who is an American guitarist primarily known for his work in the British folk-rock scene as a member of Fotheringay and Fairport Convention , as well as a member of the rock guitar trio The Hellecasters . But as a rule, most of my last 30 years have been spent writing. MaM : I understand you have a new album on the brink of release. What can you tell us about that? RM : I do. My first album released in 1991, so this second album has been a long time coming. It’s called ‘Midnite at the Pianotorium’ and is eight tracks of pure, original progressive art rock with a few surprises. It features a good bit of people, too, like Will McFarlane, formerly of Bonnie Raitt’s band, on guitar; Kirk Bowie Russell, of An Abstract Theory band, also on guitar; Kevin Reed, also of An Abstract Theory, on drums; Tyler Ross, of Grace & Tony band, on bass; Danley Murner on cello, bass, and synth axe; Al Barrow, formerly of Magnum from the UK, on bass guitar on the title track; Jessica Rothstein on vocals; and Kimi Samson on violin and viola. Kimi is easily one of the best musicians I’ve ever known. No one else plays like her; she is sublime. Rickey Mitchell and Kimi Samson, photo provided by Rickey Mitchell ‘Midnite at the Pianotorium’ releases June 25, 2023, at midnight. The goal is to entertain and hopefully catch the ears of those who hear this music or music of the like in a film, documentary, or major motion picture. The album will be available locally in The Shoals area at Vinyl Junkies Record Lounge , as well as on the web through Amazon for CD purchase and download. MaM : It was very kind of you to let us sample some tunes from the new album. We loved “Afternoon at Ghost Bridge” and I understand you had an important co-writer on that. Would you please elaborate? RM : The song was inspired by a trip I took to Ghost Bridge in Florence, Alabama, in January 2004. I had never been. I pondered all the urban legends as I walked across the bridge--just me, my friend, and her dog. I ventured back to my studio and by mid-April, I had finally worked out the sequence for my Korg Triton with a CD burner and 16-track capability … out came ‘Afternoon at Ghost Bridge.’ … I think I needed the time working in the studio and absorbing all the stories I heard and feelings I felt that day. It was magical. [But] the bridge is no more. It was demolished in 2013. I wrote ‘Afternoon at Ghost Bridge’ with my friend Phil Keaggy , who is an American acoustic and electric guitarist and vocalist with more than 55 albums under his belt and more recordings in both the contemporary Christian music and mainstream markets. In 2007, Keaggy was inducted into the Gospel Music Hall of Fame and in 2010, he was ranked #43 in Gibson’s list of the ‘50 Greatest Guitarists of All Time.’ Phil Keaggy, photo provided by Rickey Mitchell Phil and I met in 1986 in Los Angeles but have never worked together until now. Phil is a world-renowned guitarist—one of the best who has ever lived. It was an honor to work with him and I hope to continue working with him. We remain close friends. MaM : It really is a beautiful song. And speaking of “Afternoon at Ghost Bridge,” I believe now is the perfect time to debut it to the world! RM : Yes! I agree. This is the actual world premiere of ‘Afternoon at Ghost Bridge,’ written by me and Phil Keaggy. (Select the track below to listen!) 1 Audio Track .aiff Download AIFF • 36.69MB MaM : Well, Rickey, we think you’re one cool dude who is long overdue on some press coverage, so thank you for allowing us to nose around in your business and learn a little more about you! Before we go, though, inquiring minds want to know what are you watching when you aren’t composing? RM : (laughs) I’m a composer first and foremost, but I do watch movies every single day. The best movie I’ve seen in a decade is Where the Crawdads Sing . Also, I highly recommend Till , an excellent film about a southern tragedy. For more information on Rickey Mitchell, you can find him on Facebook . And don't forget to check Amazon at midnight on Sunday, June 25 for the release of Rickey's new album "Midnite at the Pianotorium!" You'll be glad you did. That album is worthy of kicking back in your best Dude sandals with a White Russian and letting the world (and all your troubles) melt away. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hey! Ho! Let’s Go! 50 Years Of CBGB! < Back CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Rian Nickels Oct 1, 2024 Share Hey! Ho! Let’s Go! 50 Years Of CBGB! What a night it was at the Hey! Ho! Let’s go! 50 Years of CBGB benefit concert! On September 20th, 2024, the members of the band Splendid Failure and talented musicians of Louisiana came together to throw a benefit event in honor of the legendary punk rock music venue that was in New York City, CBGB , also known as Country, Bluegrass, & Blues. The show was held at the Columbia Theatre in good old downtown Hammond, America (Louisiana). This concert was also put together so that they could raise money for The Kay Butler Performing Arts Project at Swamplight Theater in Ponchatoula, Louisiana. The Kay Butler Project does workshops for many things: acting, dancing, singing, to name a few. Alongside Splendid Failure were many talented local musicians and bands such as Talking Pictures, Byron & The Five Dead Dogs , Tim Weaver, J Rees , Callie Hines, DD Drott, Joe Burns , Dave Ensminger, Jason Kareores, Ava Greichguaer, and Harmony Wood. The doors opened at 7 PM, and my first quest as a concert photographer for the night was to find Ralph J. Wood, Drummer from Splendid Failure , and have him show me around because this was my first time at The Columbia Theater . The theater was beautifully architected with high ceilings, a superb second-floor balcony for a larger and more personal view, a large stage with all the bells and whistles needed for a proper punk rock gig and adorned with many different types of instruments. After I learned my whereabouts, my partner and I met up with some good friends, found some seats close to the front, and eagerly but patiently waited for the show to begin. Credit: Rian Nickels By 7:30 PM, the lights began to dim, and the fog machines started to gear up; it was show time! Jim Winter , artistic director at The Columbia Theatre for the Performing Arts, came out on stage to tell us about himself, the history of CBGB, The Kay Butler Project, to thank everyone who was involved with making the show happen, but most importantly he said this, " Right here is for general admission, luckily all of you have general admission tickets " while pointing at the floor in front of the stage. He then kindly demanded that we all get off our butts and come to the floor to enjoy the concert the way that all the punks do, on our feet and so close to the stage that you can feel the music bouncing through your body. Most of the audience stood and rushed to get a good spot while still being mindful and respectful of each other's space and safety. Once we were all settled and ready to move our bodies Jim welcomed Splendid Failure onto the stage. Credit: Rian Nickels Splendid Failure is a four-piece made up of drummer Ralph Wood , his wife Angie Wood , and Bill Robison, sharing the role of bassist, guitarist, and vocalist, and Scott Furtwengler on guitar. They got it right, too, with a smooth start. What better way to begin a night of rock and roll than the iconic late 70s track ‘ Sheena Is a Punk Rocker ’ by The Ramones ? This was especially fitting because of the event's slogan, “ Hey! Ho! Let’s Go! ” inspired by the song. My krewe and I squeezed our way right to the front of the stage so that we could be front and center (Well, front and to the right a little bit). Immediately you could feel the fierce energy coming from the crowd because they didn't waste any time and jumped on their feet. They played hit songs like ‘ Search and Destroy ’ by The Stooges and the award-winning Talking Heads track ‘ Psycho Killer .’ You could hear that the band members had years of experience and dedication to their talents as they could pull off these well-known and beloved songs with ease. Before welcoming the band Talking Pictures onto the stage, Splendid Failure was joined by Southeastern Louisiana University communications professor Dr. Joe Burns to help on vocals and guitar for the song ‘ What’s So Funny About Peace, Love, and Understanding ’ By Elvis Costello & The Attractions . After an incredible set from Splendid Failure, the stage was taken over by the energetic Talking Pictures, a band of younger folks who are quickly making a name for themselves in Tangipahoa Parish. They are made up of five members: the frontman and lead vocalist Ethan Price , Ethan Lauricella on the drums, Matthew Perez and Aiden Dixon on the guitar, and Bradyn Finn on the bass. They confidently performed covers of the songs ‘ Juicebox ’ and ‘ Reptilla ’ by The Strokes . Talking Pictures only played two songs, but that was enough for anyone to become a fan of their sound. Splendid Failure returned to the stage for a second set and was joined by several other talented individuals. First up for the second set is Dave Ensminger for ‘ God Save The Queen ’ by the Sex Pistols . A notable moment was when DD Drott , vocalist of Hammond's local band Stone Mother , joined them for hit songs ‘ I Put a Spell on You ’ by Screamin’ Jay Hawkins and ‘ I Hate Myself for Loving You ’ by Joan Jett and The Blackhearts . DD has a voice that echoes through the theater, and the show's attendees were undoubtedly excited to see her perform. Another highlight was when the daughter of Ralph and Angie Wood, Harmony Wood, and her best friend Ava Greichguaer joined Splendid Failure for The Go-Go’s track ‘ Our Lips Are Sealed ’. They both had such angelic voices, which seemed to unite the whole audience. Splendid Failure finished their second set with ‘ Turn on The News ’ by Husker Du before a brief intermission so that attendees could get some refreshments from the lobby or take a picture at the photo booth, a replica of The CBGB Venue’s bathroom , created by the Southeastern Louisiana University’s theater technology crew. Many people sent in decals and stickers to contribute to giving the full effect of the legendary punky bathroom. After the 15-minute intermission, it was time for the other half of the event! I was super eager for what was to come because many musicians I’ve worked with or have just been in my inner circle were due to perform. Starting with J Rees and Callie Hines from the band Jupiter Flood . I was so excited about this because J Rees is the bassist of one of my all-time favorite local bands, The Gosh Darn Dangs. I had no idea that they also did vocals, and I couldn’t wait to hear their voice. I also photographed Callie Hines in 2019 for a songwriters’ night at Low Road Brewing in Hammond , and I was curious to see how Callie and I had grown in our art forms since then. Together, they performed the classic song (and one of my favorites) ‘ Iris ’ by The Goo Goo Dolls . To say they blew me away would be an understatement. With Callie playing guitar and sharing vocals with J, their voices blended and harmonized together beautifully to pull off the perfect cover for the song. J and Callie were joined again by Splendid Failure to perform ‘ I Melt with You ’ by Modern English . One of my favorite moments of the show was when J Rees and Splendid Failure performed ‘ Seven Nation Army ’ by The White Stripes . You could feel the iconic bass line in your heart as it traveled through the floorboards. Splendid Failure didn’t miss a beat, and J had the perfect voice with just the right amount of “Jazzy” rasp and could easily hit the high notes. J Rees and the band showed us no less riotous energy for Bikini Kill ’s iconic track ‘ Rebel Girl .’ To finish their set, Splendid Failure was joined by Jason Kareores, Callie Hines, and Byron Daniel for more popular 70s-90s songs before welcoming Byron Daniel & The Five Dead Dogs to the stage. Another performance I was super excited to see was Byron & The Five Dead Dogs . They are a four-piece of vocalist and guitarist Byron Daniels , their drummer Christian Colonna , Andrew Ates on the guitar, and Monroe White playing the bass. Back in 2018-2019, I took photos of Byron and Andrew in a band together called The Dirty Spoons (The first era of The Gosh Darn Dangs), and I was super excited to see what they’ve been up to since. These guys looked like absolute rock stars as they played ‘ Nearly Lost You ’ by Screaming Trees and ‘ Sonic Reducer ’ by Dead Boys . They were supposed to be joined by Mike Spoon for the Misfits song ‘ Hollywood Babylon ’ and ‘ Thunder Kiss ‘65 ’ by White Zombie ; however, the universe had other plans. Byron explained to the crowd that Mike Spoon couldn’t be there because his daughter decided early that she was ready for the world. Byron then asked everyone to support Mike, and the audience went wild. I don’t know if the Columbia Theaters’ walls had ever heard something so loud. Everyone excitedly clapped, cheered, yelled, and stomped their feet to congratulate Mike. Showing that even in the chaos of a punk show, family and community always come first. The band's bassist, Monroe, stepped forward to fill in for ‘ Hollywood Babylon ,’ followed by Tim Weaver to perform White Zombie’s ‘ Thunder Kiss 65 ’, and they did not disappoint. With Tim Weaver’s riotous voice and energetic punk stage presence, he was the perfect person to substitute. Splendid Failure came out to rock the stage for a final time to perform ‘ I Wanna Destroy You ’ by Uncle Tupelo and was accompanied by Monroe once again . Joe Burns then joined them for ‘ Gloria ’ by Patti Smith Group . Splendid Failure and friends welcomed everyone to the stage to perform ‘ People Who Died ’ by Jim Carroll Band . Now, when I say everyone, I mean everyone. I don’t think I’ve ever seen or heard anything like it! With two drummers, a handful of vocalists, bassists, and guitarists, they came together to create an unforgettable experience. It was so memorable not only because of the outstanding talent of everyone involved but also because you could see that, more importantly than anything, they were having a fantastic time. The stage transformed into a chaotic, joyful mess, with musicians from across the night uniting for one final blowout. Guitars wailed, voices soared, and as the crowd screamed along, it felt like we were all part of something larger—a fitting end to a night that captured the essence of punk: community, rebellion, and raw, unfiltered emotion. The producers of 50 Years of CBGB successfully gave us an amazing night of music that made us feel like we were at a 70s-90s Punk Rock gig. They also succeeded in bringing together Tangipahoa Parish’s musicians and giving them a place to let their talents shine. The Hey! Ho! Let’s Go! 50 Years of CBGB benefit concert was a remarkable celebration of music, community, and the enduring spirit of punk rock. The event not only honored the legendary CBGB, a cornerstone of punk history but also showcased the talent and passion of Louisiana’s musicians. Splendid Failure and the many artists who joined them delivered electrifying performances, blending iconic punk anthems with heartfelt tributes. More than just a cover concert, it was a gathering of local music lovers who came together for a cause—supporting The Kay Butler Performing Arts Project and a tribute to the roots of punk music. From the raucous sing-alongs to the heartfelt moments, it was a night that left everyone buzzing with the energy of the music, the camaraderie of the scene, and a deep appreciation for the power of live performance. The legacy of CBGB was alive and well in Hammond, Louisiana, and for those in attendance, it was a night to remember. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. < Back Reviews on the Real: Blueprints for a Breakdown by T Mason & The Bricklayers Nicole Brice Apr 9, 2025 Share Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. The members of T. Mason & the Bricklayers , based in Baton Rouge , Louisiana are well-versed in creating music that resonates with audiences. Each member has been involved in various projects over the years, but they have now come together to make an impact in the reemerging pop-punk scene. Their latest release, Blueprints for a Breakdown , is a classic punk EP filled with catchy hooks, heavy basslines, and feel-good music reminiscent of the early 2000s. It truly captures the sound of my youth. Released March 9, 2025 Travis Mason 's vocal delivery is strikingly similar to Fat Mike from NOFX , making the comparison quite remarkable. He could easily cover a NOFX song. Joshua Selser is a powerhouse on the bass, and that's no exaggeration. He takes center stage with his playing, and the tone he adds to each song by T. Mason & The Bricklayers is undeniable. Andy Clancy ’s guitar playing is precise, creating a remarkable sound that ties the Bricklayers' overall sound together. Credit: Gary Governale Released March 9, 2025 , Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. Each time you hear it, the music feels even fresher than the last. After reading this review, I encourage you to check out the band's music. They have released quite a bit over the years. Let’s get into the tracks, shall we? Busy Signal – no lead-up – jumps right out of the gate – a solid track. Another Friday Night begins with that heavy bassline that I love. Travis then comes in on the drums, and Andy’s guitar parts are tight and energetic. Turn this one up loud! Shabang! A thunderous rolling of the instruments begins this track, which just starts going and never lets up. It's another solid tune. Sour Candy is my favorite track on the EP; however, all the songs are amazing. Everything about this song feels just right. The guitar parts at the beginning perfectly match the song's slower pace. I also really like the lyrics. ‘Sour Candy’ has a more alternative sound vs the pop punk sound heard on previous tracks. Stand on My Shoulders is another pop punk banger. It’s upbeat, poetic, and embodies the sound of T. Mason & The Bricklayers . Blueprints for a Breakdown is an enjoyable EP that is best listened to in the car with the windows down. This way, you can fully appreciate all the sounds it has to offer. The EP is now available on all streaming platforms, so add some local Baton Rouge punk rock to your playlist today. To learn more about T. Mason & The Bricklayers: YouTube: brick vs. window - YouTube Bandcamp: Blueprints for a Breakdown | T. Mason and the Bricklayers Facebook: Facebook Instagram: T. Mason & The Bricklayers (@t.mason_and_thebricklayers) • Instagram photos and videos Spotify: T. Mason & The Bricklayers | Spotify Apple Music: ‎T. Mason & The Bricklayers - Apple Music *Additional photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. tmdistant: Music Beyond Boundaries < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'The Rain' captures a vibe of understanding, new beginnings, and solace. < Back Nick's Corner: Double Knockout Single Review Nick Cline Apr 21, 2025 Share 'The Rain' captures a vibe of understanding, new beginnings, and solace. Double Knockout? I bet you’re wondering, ‘Who is Double Knockout ?’ Double Knockout is a powerhouse alternative , hard rock , and indie band out of Lafayette, Louisiana . Consisting of members Micah, Sean, and Britney , they are creating a landscape of killer tracks that are sure to awe-inspire. This talented group of musicians was undoubtedly brought together for a reason, and their latest release, ‘ The Rain ’, is a testament to the direction and ideas that make Double Knockout an up-and-coming force in the alternative music scene. Released April 11, 2025 ' The Rain ' starts strong right from the beginning , evoking the essence of classic alternative and hard rock with an anthemic quality . The powerful guitar chords open the song and blend seamlessly with an eclectic mix of rhythms and melodies . The result is a sound that defies categorization. This combination of melodic nostalgia and driving alternative beats showcases the undeniable impact of Double Knockout. The major highlight of this song is the production . The production creates a fine line between artist and sound . The distorted guitars sit great in the mix to the point that they add flavor to the track without taking too much away from the bass and drums. The rhythm section becomes one unique entity throughout the track. The production makes them feel like a wall of foundation layer under the melodies and guitar work . One notable aspect of the production is the mixing of the vocals . This vocal mixing has allowed Micah's voice to shine through, even amidst the chaos. The melodies are easy to recognize without much effort. Credit: Kirstyn Whitaker The mixing qualities of ‘ The Rain ’ make it a great listening experience. The only minor detail I would point out is that I wish the last part of the song had been more explosive. While the bridge was a nice addition, it could have been slightly extended to build into the powerful chorus again. This is more of a personal preference based on the style of the song, but it’s nothing more than a minor critique . 'The Rain' by Double Knockout The song nails everything they were striving for in a style that calls back to some greats ( Hum , Superheaven , My Bloody Valentine , and many others), while keeping the truly unique presence that makes up their band. ‘ The Rain ’ is a worthy addition to anyone's playlist. It captures a vibe of understanding, new beginnings, and solace. Go stream it now! Watch Double Knockout, as they consistently deliver great tracks and live experiences. *Band Photo by Kirstyn Whitaker Kirstyn Whitaker (@kewviews) • Instagram photos and videos To learn more about Double Knockout: Facebook: Facebook Instagram: Double Knockout (@doubleknockoutband) • Instagram photos and videos TikTok: TikTok - Make Your Day Linktree: Double Knockout | Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link