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Do you remember the good ole days? We sure do, too. Way Back When Jul 31, 2025 A Birthday Tribute to Joey Fox: Forever in Our Hearts A Life That Still Shines Bright Read More Apr 7, 2025 April Playlist Picks: Way Back When New year, new music! Read More Mar 3, 2025 Way Back When: March Playlist Picks 2025 It's all green to me! Read More Feb 4, 2025 Way Back When: The Love Month Playlist Picks No love songs this month! Read More Jan 6, 2025 Way Back When: January Picks Got Nostalgia? Read More Dec 1, 2024 Way Back When: Holiday Tunage Picks for December 2024 Read More Nov 2, 2024 Way Back When: Nostalgia Picks for Your Playlist November Top 5 Nostalgia Picks for November 2024 Read More Oct 1, 2024 Way Back When: Nostalgia Picks for your Playlist October Top 5 Nostalgia Picks for October 2024 Read More Apr 25, 2024 Britney Spears: A Stifled Talent It's time for her to be heard! Read More Mar 18, 2024 Auto-Tune: The Great Debate on Perfection’s Place in Music While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Read More Nov 10, 2022 Metal: The Killer of Trends Truly a Time to Let Your Soul Fly Free Read More Oct 3, 2022 No Doubt About It: Gwen Stefani Is A Legend NOT Just a Girl Read More

A look at life through the lens of Louisiana-based photographer Rian Nickels. Rian's Den Jul 11, 2025 Awake and Alive: How Mod Sun Shifted My Outlook Just Look Up and Let Go Read More Jun 17, 2025 Her Riot Ignites Mid City: A Fierce Celebration of Women in Music Her Riot! proved that when you give women the stage, they tear down walls. Read More Apr 11, 2025 Rian's Den: From Vision to Reality The Journey of Making Dreams Come True Read More Mar 3, 2025 Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans The Death and Glory Tour was a testament to music's power to unite us. Read More Oct 9, 2024 Rian's Den: A Night to Remember with Sleeping with Sirens Never give up on your dreams. Read More

Bands that are on the up and up. Check them out NOW! Jan 30, 2026 Owls & Aliens Embrace Transformation on Powerful New Single Shape Shifting combines the power of thrash metal with the intensity of punk rock. Read More Feb 13, 2025 Grey Areas: A Louisiana Metal Band Looking to Inspire Hope in a World Filled with Chaos Grey Areas isn’t just a band; they are a movement. Read More Nov 4, 2024 The LA Phantoms: A Louisiana Punk Band with a Rich History The LA Phantoms have the strength and will to create music that resonates. Read More Oct 31, 2024 Goodbye Academy: Bringing Pop-Grunge to the Masses Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. Read More Oct 28, 2024 Herakleion: The New Orleans Metal Band Forging a Fierce New Sound Welcome to the Necroverse Read More Sep 3, 2024 Straight from the Bayou: Few Blue’s Vibrant Sound Redefines New Orleans Music Few Blue has the rhythm that will bring you to your knees. Read More Aug 26, 2024 Phantum Sun: An Immersive Journey Through Sound Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. Read More May 8, 2024 On the Rise: RobenX RobenX is promising a legacy of influence that transcends music alone. Read More Apr 11, 2024 The Enigma of XEMNAS: Turning Pain into Art The music of XEMNAS is a transcendent journey through sound. Read More Mar 22, 2024 Jean Claude Seagal: A New Journey through Alternative Rock The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Read More Feb 20, 2024 Separatr: Making Innovative Noise Pop Waves from Asbury Park Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. Read More Dec 11, 2023 Branded for Exile: A Force in Louisiana Metal “Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Read More Nov 29, 2023 She Might Be a Beast: An Enigma of Youth, Retro Vibes, and Energy She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” Read More Jul 31, 2023 Baquenne: Soothing, Ethereal Music The music of Baquenne is diverse and intricately constructed Read More Jun 9, 2023 Everfelt: A Harmonic Driving Force on the Rise Everfelt's mix of genres and sounds will leave you wanting more Read More May 8, 2023 Cyberattack Rearranges the Electronic Music Scene A New York Musician taking the World by Storm Read More Mar 31, 2023 NITE: Revamping New Wave A New Era of Synths Read More Mar 22, 2023 New Orleans Band Deep Sleep Atlantic Announce Debut Single A Hypnotic Pulse Read More Mar 21, 2023 They Bring the Party: Von Mons A Classic Sound and Vibe Read More Mar 21, 2023 Melodic and Atmospheric Hailing from Manchester: What Will Be A Nod to the 90's Read More On the rise

The Greatest of All Time - The GOAT - vets of the biz still rockin' it! The G.O.A.T. Nov 15, 2025 Finding the Song in Everyone: Conversations with Dash Rip Rock Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Read More Jul 10, 2025 Self-Made Genius: Tracing the Musical Legacy of Matt Mahaffey Matt Mahaffey is Just Being HimsElf Read More Apr 27, 2025 Acid Bath’s Triumphant Return: A Night 28 Years in the Making The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Read More Mar 28, 2025 Boiler Room’s Revival: A Resurgent Force in Metal Boiler Room are on a mission to make a significant impact in the world of metal. Read More Sep 2, 2024 Blacklite District: Building a Digital Era Legacy Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. Read More May 15, 2023 Sick of It All: Pioneers of the Hardcore Punk Scene Still kicking ass and taking names Read More

Highlighting THE films for you to watch on the weekends! Feast Upon This Jul 22, 2024 Top 5 Movies That Rock There is always time to catch a classic movie. Read More Nov 13, 2023 Reasons to See Napoleon: Feast Upon This If you're on the fence about it, check out these top 5 reasons to see "Napoleon". Read More Oct 22, 2023 20+ Halloween Films to Watch This Season: Feast Upon This With Halloween 2023 right around the corner, Mixed Alternative got together to recommend some of our favorite Halloween movies! Read More Oct 18, 2023 28 Days Later: Feast Upon This 28 Days Later is one of the best zombie movies ever made, having popularized the fast zombie craze of modern-day cinema and terrified moviegoers around the world with its horrific scenario. Read More Oct 13, 2023 Strays: Feast Upon This Strays is a sweet, hysterical, raunchy comedy featuring potty-mouthed dogs in one of the best animal movies ever made. Read More Sep 28, 2023 Clay Pigeons: Feast Upon This Clay Pigeons is a cult-classic dark comedy about small-town appearances, serial killers, and sexual betrayal that is just as funny as it is grim. Read More

Spotlight on women who are doing awesome things in the industry and beyond. femmes Forward Nov 20, 2025 Conversations with an Indie Filmmaker: DeOndria Michelle Deondria is a visionary with a remarkable natural talent. Read More Oct 9, 2025 Woven with Feeling: The Artistry of Teen Idle Teen Idle’s music is a rich tapestry with heart and soul. Read More Oct 23, 2024 Elle H: Louisiana’s Own Songstress Making Waves in the Music Scene Elle's impressive discography, with its lyrics of love, self-discovery, and resilience, is a testament to her growth in sound and lyrical depth. Read More Mar 12, 2024 Mi’Kael Chalyce: A Soulful Vibe of Reflection and Relatability Mi’Kael Chalyce is a soulful vibe of reflection and relatability whose voice eloquently captures the emotional evolution of the human condition. Read More Nov 29, 2023 The Bellas: Re-envisioning the Power of Female Punk Rock The Bellas are pure 80’s glam metal, capturing the essence of rebellion and discontent with a raw sound amplifying the voices of the unheard. Read More Aug 25, 2023 Anna Byars: A True Musical Luminary Anna Byars is an inspiration for future generations of female musicians Read More Aug 7, 2023 Candace Schur: Rock’s Next Big Female Powerhouse A little bit Riot Grrrl mixed with female sensitivity Read More Aug 7, 2023 Women Who Rock: Wanda Wesolowski The power of authentic expression Read More Jul 31, 2023 Mindy Scurto and Captive Frame: Reigniting Shoegaze 90’s alt rock with dark and dreamy layered vocals Read More Jul 5, 2023 Behind the Screens with Kelly Mills An insider’s perspective on the Louisiana film industry Read More May 23, 2023 Lauren “Madame Onça” O’Leary: A Mind for Art, Business, and Entertainment A woman who knows what she wants Read More Jan 30, 2023 Ripe with Nostalgic Talent Thrice Sovereign Read More Nov 14, 2022 The Most Creative Eye in North Alabama Amanda Chapman, Photographer & Special Effects Artist Read More Oct 29, 2022 Team Gwen: Erica is the Next Voice You Need to Win! More Than a Petty Betty Read More

Artists we think you should check out. art with heart Aug 1, 2023 Taryn Chase Jackson: Mixed Media Creative Unique analog collage displays manifesting as one collective dreamscape Read More Apr 13, 2023 Be Still My Beating Heart Charlton Fine Art Read More Feb 13, 2023 Raw, Unapologetic Artistry Jill Mulkey Art Read More Nov 28, 2022 Color, Form, and Texture with a Modern Twist Chris Bond Read More Nov 6, 2022 Brilliance for a New Era: Lori Bequette A Fresh Approach to Pop Art & Surrealism Read More Oct 29, 2022 Flowers, Glitter, and Resin, Oh My! Christina Binns Read More Oct 4, 2022 A Bright Visualist: Robin Masterman Merging Styles Read More

This is THE space where we discuss the observations of something strange and unusual that we just watched with humor and personality. What the hell did I just watch? Jan 25, 2024 Masked Mutilator Masked Mutilator combines horror and wrestling, making for the ultimate B-movie experience. Read More Nov 28, 2023 Death Toilet: What the Hell Did I Just Watch? Death Toilet is a fun concept but is ultimately just a horrendous amalgamation of cheap cinematic techniques and really bad storytelling. Read More Sep 25, 2023 Dear God No!: What the Hell Did I Just Watch? Dear God No! nails it and takes us back to the days of true grindhouse and 70’s exploitation. Read More Aug 28, 2023 Nude Nuns with Big Guns: What the Hell Did I Just Watch? Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Read More Aug 14, 2023 What the Hell Did I Just Watch: Sharktopus vs Whalewolf Sharktopus vs Whalewolf has its moments but is ultimately a flop Read More Aug 2, 2023 What the Hell Did I Just Watch: Alien Shark An entertaining movie with poor effects and multiple random plots Read More Jul 26, 2023 What the Hell Did I Just Watch: The Howling: New Moon Rising A werewolf movie so bad, you have to see it to believe it Read More Jul 10, 2023 What the Hell Did I Just Watch: Nekrotronic Nekrotronic is a fantastic sci-fi/horror mashup that fans of B movies will love Read More Mar 17, 2023 What the Hell Did I Just Watch: The Suckling Review This B-horror movie is so bad, it's B-movie gold Read More

Your only source for what's new in Rap, Hip-hop, and R&B as well as a look back at those who pioneered the Game. The beat Apr 5, 2025 Floating Above the Bayou: Brax is Elevating Southern Cloud Rap to New Heights Brax isn’t afraid to experiment with new textures and sounds. Read More Dec 11, 2023 Jonathan Machen aka Profit: Finding Refuge in Music Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. Read More Nov 13, 2023 Miles Nxbxdy: Revolutionizing Hip-Hop Miles Nxbxdy pushes the boundaries of hip-hop by challenging expectations and broadening horizons. Read More Oct 20, 2023 Gino V.: Redefining the Music Scene with Rhythm and Soul Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. Read More Oct 2, 2023 Shawn Franklin: Music Producer Extraordinaire Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. Read More May 22, 2023 Alfred Banks: A Blessing from the Crescent City Insightful, brilliant, and talented Read More Apr 7, 2023 DJ Skillspinz: A Classically Trained Master of Combining Textures and Beats Tony Biggs Read More Jan 11, 2023 The OG’s of Rap and Rock Fusion are Back Stone Deep Read More

Recaps of all your fave live events! Weekend Rock Feb 4, 2025 Weekend Rock: Smile Empty Soul at the Freetown Boom Boom Room in Lafayette, Louisiana It was a night of unfiltered rock music to remember. Read More Oct 16, 2024 Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy A Night of Raw Emotion and Fan Favorites Read More Oct 8, 2024 Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances It was a night of dynamic performances and captivating energy. Read More Sep 6, 2024 Weekend Rock: Open Up The PIT The PIT is Louisiana’s Bold New Stage for Live Music Read More May 10, 2024 Judas Priest: Probst Arena at Von Braun Center Judas Priest roll into Huntsville, AL with the Invincible Shield Tour. Read More Apr 30, 2024 Weekend Rock: Branded for Exile Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. Read More Jan 17, 2024 Saxkixave: Igniting the Stage with Electrifying Hip-Hop and Jazz Fusion Baton Rouge, Louisiana January 13, 2024 Read More

One artist, writer, or musician you need to turn your attention to NOW. Focus On Oct 2, 2025 Neurons and Notes: The Musical Mind of Joseph LeDoux From the bayous of Louisiana to the amygdala and the amplifier – Joseph LeDoux rocks them all. Read More Aug 4, 2025 The Creative Life of Ryan S Leavitt Ryan S. Leavitt is an accomplished author overflowing with creativity. Read More Jul 5, 2025 Unfiltered and Unleashed: The Dodies Redefine Raw Power as a Dynamic Duo The Dodies’ music blends powerful riffs with fearless creativity. Read More Oct 3, 2024 Them Guys: A Deep Dive into Louisiana’s Musical Treasures Them Guys have a sound embodying Louisiana music's rich, genre-bending spirit. Read More Nov 30, 2023 tmdistant: Music Beyond Boundaries tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Read More Nov 9, 2023 Cecily: Soulful Music With Ambient Affirmations Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. Read More Oct 20, 2023 Okay Kenedi: A Casual Introduction Is Hard to Come By Okay Kenedi’s debut album is more than just okay. It’s a wonderful ride of alt-pop that is superb, loaded with fun and introspection, and a heartfelt reminder that we’re all okay. Read More Sep 27, 2023 Shawn Williams: Sulking in Love “Sulking in Love” features powerful ballads as gateways to the darkness that lurks beneath personal distress. Read More Jul 12, 2023 No Sleep for Deep Sleep Atlantic An interview with Travis Marc Read More Apr 24, 2023 Born to Rock: Adam and the Metal Hawks Bringin' back the classic rock vibe Read More Mar 9, 2023 Born to Perform: Dr. Joe Burns Not a Rock and Roll Loser Read More Feb 22, 2023 Dark, Moody, Mysterious, and Daring The Adventures of Pecos Hank Read More Jan 18, 2023 SaxKixAve: Much More Better Trust Them 'Cuz They're Young, Talented, and Handsome Read More Jan 5, 2023 Tank and the Bangas Bangin' Out the Hits Read More Dec 7, 2022 Nothing But Heart and Soul Roger Ricks Read More Nov 30, 2022 The Nine Lives of Paul Sanchez You Never Know Read More Nov 17, 2022 When You Need a Party Thrown, Call Mike Bone From America's Got Talent to the Hit Show Reservation Dogs Read More Nov 4, 2022 The Importance of Self Care Pacifico Read More Oct 25, 2022 For a Good Time, Call Big in the 90s Read More Oct 22, 2022 Rockin 4 Jesus: The Next Great Band You Haven't Heard Yet Empowered Read More

Do you want to know who brings you all the content? We do! contributors Nicole Brice Editor-in-Chief, Managing Editor, Digital Content Editor, Head Writer, Marketing Director, Brand Manager, Producer/Host Reviews on the Reel , Producer/Host Unscripted Verbiage, Video Editor the_nicolebrice@mixedaltmag.com www.Amazon.com/author/nicole_dewey_brice Nicole Brice is a Veteran, former college radio DJ, published author, owner of MAM, and she’s a total music snob. She has been since age 7, when she became obsessed with music after hearing Depeche Mode for the first time. Located in Baton Rouge, La., she likes the obscure things that people haven’t heard, as well as the things that are LOUD. She likes to go against the grain and the norm, challenging mainstream ideals and beliefs. With a background in Marketing, Advertising, and Brand Management, she hopes to bring her vision of a free artistic space to life with MAM. Never being one to follow, she likes to research things on her own. With an extreme love for the aesthetic of music & art merged, she is obsessed with fashion – but not just any fashion; it must reflect her punk rock/grunge style and be different from the norm. Bright colors, bright patterns, and a mixture of many textures are what draw her in. Nicole’s also a hardcore wrestling fan and a former Divas Champion. Don’t believe it? She has the belt to prove it, and the smacketh is often laid down on those who make her angry with no mercy. She wants to draw attention to and put focus on those who create in hopes of banding together to spread a message of love and unity in a world so divided by hate. bud gambrell Lead Photographer - North Alabama Region / Music Writer Off the Charts the_budgambrell@mixedaltmag.com www.bgambrellphotography.com Bud Gambrell is a published author and music photographer located in Hazel Green, Alabama, and we are beyond excited to have him on our team. Bud first discovered his love for live music in 1976 when he was captivated by the atmosphere at a KISS concert. Since then, he has attended many other shows featuring both local and national acts and has been producing content for concert reviews via Sound Check Entertainment, UnRated Magazine, Sonic Perspectives, and AL.com. Bud’s passion for photography began at a young age when he started out as an amateur shutterbug. Known for his stunning crispy images in and around North Alabama, Bud continues to photograph many notable acts and recently published his first book about the much-loved Side Tracks Music Hall, which was located in Huntsville, Alabama. The book is currently available on Amazon.com. tim jackson Entertainment Writer www.clippings.me/timwjackson Tim is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. But we promise he doesn't bite. He's a freelance communicator who likes to tell all kinds of stories with words, photos, and video, and he has extensive experience working in traditional media (newspapers, magazines, and book publishing). With an MFA in Creative Nonfiction from Goucher College and a B.A in Communication from the University of Alabama, he loves storytelling by any method. A native of Russellville, Alabama, Tim currently lives in Tuscumbia with his wife, Taryn, who has an affinity for tarot cards, and their dog, Maple, who has an affinity for chewing remote controls. Don't let his clean looks fool you, though; he fits right in with our cool-kid shenanigans. jeff crespi Lead Photographer - New Jersey Region www.jeffcrespirocks.com Jeff Crespi is … well … he’s a riot; can you not tell? No way we were gonna pass on having him come play in our sandbox. Jeff is an award-winning professional concert photographer out of New Jersey covering hundreds of shows each year. He’s a former house photographer for the legendary Stone Pony and Asbury Lanes in Asbury Park, NJ, and he is one of the house photographers at Starland Ballroom in Sayreville. He’s also the winner of the Asbury Music Award Top Music Photographer five years running. Expect some badassery from this one. gary governale Lead Photographer, Videographer BR & NOLA Regions / Music Writer www.GovernalePhotoVideo.com Gary has been working as a video professional since grunge kicked the door down on rock radio, then he picked up his Nikon just a few years later. A lifelong music enthusiast, Gary enjoys band photography and album art just as much as the music itself. He’s a big fan of any-and-all rock ‘n roll, including classic rock, punk, alternative, and hard rock, but he certainly enjoys some jazz and classical vibes when it’s time to relax. He has been serving as band photographer for Christian Rock group, Empowered, including directing, shooting, and editing one of their music videos. When not following the band around or toiling away at his regular video job, Gary spends his time lamenting the loss of the local record store-shopping experience. He is located in Baton Rouge, LA. ezekiel "zeke" kincaid Entertainment Writer https://www.amazon.com/Ezekiel-Kincaid/ He looks scary, but we promise he’s not. He does write scary stuff though, and we can vouch for his filthy, incredible talent. Zeke is known by his fans as “The Paranormal Pastor” or “The Pastor of Horror” because, well, he’s a fantastic horror author with over 20 years in ministry. He’s also a paranormal investigator with some pretty incredible experiences, and because of all of that, he brings a unique and original touch to the dark fiction genre. His writings run the gamut of human existence, and he likes to write in various styles and voices to allow his tales the narration and visceral characters needed to make the words jump off the page. And jump, they do. Right in your face. The only other language he’s fluent in is sarcasm, which explains why he’s such a perfect fit with us. With three theological degrees, a romantic side, and an affinity for martial arts, he’ll fight anyone who says they don’t like Bruce Campbell. seth thomas Co-host Unscripted Verbiage http://therageonline.com/ https://www.listentotheplanet.com/loud-hour Seth Thomas is the host of the Louisiana LOUD Hour on Planet Radio 106.7, a popular Rock station based in Lafayette, Louisiana. Known for his deep passion for local music and energetic on-air presence, Seth curates a high-octane mix of Rock, Metal, Punk, and Independent, and Alternative music, delivering a raw and authentic listening experience. He has become a prominent voice in the local rock scene, engaging with fans through interactive segments and supporting local bands by giving them airplay and exposure. Seth’s dedication to the genre and his connection with the community have made the Louisiana LOUD Hour a must-listen for rock enthusiasts in the area. In addition to the LOUD Hour, Seth recently launched his own indie station called The Rage. The Rage is available in the Apple App store as well as on Google Play, so go download your new rock animal today! kimberly bryant Music, Comedy, and Entertainment Writer http://www.youtube.com/@popculturegreenroom Kimberly is an experienced entertainment writer and media personality, known for her insightful take on pop culture and the entertainment industry. She earned her bachelor’s degree in Broadcast and Journalism from Southeastern Louisiana University, where she began her career as a sports reporter for The Southeastern Channel. After relocating to San Diego, CA, for 12 years, Kimberly delved deeper into the entertainment world, following in her family's footsteps in film, television, and theater. As the co-host of The Pop Culture Green Room podcast and YouTube channel, she covers the latest in celebrity news, reality TV, and current events. Her sharp commentary and engaging style have also landed her appearances on TMZ , where she shares her expertise with a national audience. When she's not hosting or writing, Kimberly enjoys exploring new facets of the entertainment industry, connecting with her audience through various media platforms, diving into new trends, working out, staying healthy, and spending time with her dog Lucy. corey nichols Creative & Promotions Designer Corey Nichols is a multi-talented artist and business owner based in a small Louisiana town. His journey began with simply a pencil and a love for art and drawing. In 2016, Corey began his career in the tattoo industry, using his experience in drawing and illustration to develop a natural talent for tattooing. Learning from the popular tattoo artist, Micro, Corey honed his skills and acquired the iconic Burning Lotus tattoo shop. Known across Louisiana, Burning Lotus has earned the prestigious Best of 225 award for "Best Tattoo Shop" four years running, solidifying its reputation in the tattoo game. Motivated by a desire to expand his creative horizons, Corey recently embarked on a new journey—Painterly Portraits. What began as a few commissioned pieces for charity auctions quickly evolved into a potential business. Through Painterly Portraits, Corey channels his immense love for art, creating each portrait with deep passion and precision. His goal is to inspire others by sharing his work with the world and bringing his vision to life. View More

Our mission statement at Mixed Alt Mag and what we do. A BIT ABOUT US *NO ADS ... JUST PERSONALITY & ENTERTAINMENT* Mixed Alternative Magazine is an online publication created to provide you, the reader, with a wide range of high-quality, balanced articles and stories covering various genres of music and different facets of art and entertainment. Our focus is on providing a non-discriminatory platform for independent talent of all kinds to introduce themselves and showcase their mad skills to the world, without getting lost in corporate advertising. Our sights are on content, not sales. We pride ourselves on our humor, knowledge, experience, and love (ok, obsession) for all things entertainment and music, while adding our special editorial touch and our commitment to keeping it real. And we do just that by ditching the rules and regulations. We simply love what we do, and we figured you guys might too. And here at Mixed Alt Mag , we like to think of ourselves as the signal standing out from the noise of the rest of the media landscape. With so much mass-produced content out there, we want to be the ones who stand apart from the crap. By using a different approach and outlook, we will always strive to bring you the most entertaining, highest-quality content we can, and we proudly do so by rejecting the mainstream and forging our own way. We just do what we want. No hard news. No religion. No politics. No rules. No red tape. No censorship. Just sheer entertainment, passion, and personality.

Southern-based Indie Magazine for Music & the Arts with a 90s flair. We bringin’ it back, yo! FAQS Answers to All Your Questions WELCOME! We are a collective of music and entertainment lovers who are passionate about sharing what we like. If you've stumbled upon our little family, then we're happy to have you. HOW DO I GET IN TOUCH WITH you? Just drop us a line via social media or email us! mixedalternativemag@gmail.com Mail how do you decide on what to cover? We comb the interwebs and local scenes for what catches our eyes and ears, and voila! As for anything not music, it's just what we like and think is cool. HOW DO I SUBMIT A PITCH? Got something you'd like to see in the mag? Email us! Mail

The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. < Back Off the Charts: Jim Parker’s Songwriter Series Bud Gambrell May 13, 2024 Share The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Hello all! Welcome back to Off The Charts! The Von Braun Center in Huntsville, AL, hosts a monthly music event called Jim Parker’s Songwriter Series . Jim Parker, a Huntsville favorite, hosts this exclusive event. May’s edition of the Songwriter Series saw the event moving from its usual location of the VBC Playhouse to Mars Music Hall, also located in the VBC. I saw this as a unique opportunity to introduce you, the reader, to this intimate listening room-type event and maybe a couple of songwriters you may not be familiar with. For those unfamiliar with Jim Parker , Jim came to the North Alabama area from Nashville, Tennessee, and has been a songwriter for over 50 years. Having co-written songs with many award-winning artists, Jim's journey is the heart of the Songwriter Series. He began the Series in 1985, showcasing hit songwriters from Nashville, Muscle Shoals, Atlanta, Canada, and other surrounding areas. My journey with Jim Parker began in 1985 while working at a local television station. Jim would often drop by for interviews to promote the Songwriter Series. Over the years, our paths have crossed numerous times, and I have even had the honor of photographing the series on two occasions. This personal connection has allowed me to understand the event and its significance better. Before this most recent May 10, 2024, showcase, I pulled Jim aside and got some insight into this entertaining event. Take a moment to read more below. OTC : Jim, tell me about the origins of the songwriter series. JP : Well, I came from Nashville. I moved to Nashville in 1975, played all the listening rooms there, and wrote songs with Jon Anderson and other fine songwriters. Then, after getting off the road with Dave and Sugar , I moved here because we were raising the family, and I wanted to get off the road. So, my wife got me into real estate in Nashville. I got my license in 1979. We started having babies, and she was out there selling real estate with the baby on her chest, and it wasn't working out too well. So, I just had to take over, thinking that was a trick. I think she tricked me. After being in Madison, AL, from 85 to 87, I was standing before my beautiful wife, weeping like a child because I was not fulfilled by what I was doing. It was a business. And it is emotional, but it's not that creative. I can write a creative contract, but that's not like writing a creative song. She said, well, take some time off. I took two months off and regurgitated everything that was built up, and I told her that I would start my songwriting career here in beautiful Alabama. Then I was playing at the Bluebird in Nashville, and it just happened that Steve Maples, who runs this complex, was there with his son-in-law, who was also a songwriter. And I mentioned I'm looking for a home in Madison, AL. He approached me and said you ought to come and check me out. Let's talk about bringing it to the Von Braun Center. It took me a few days to get around to it because every day you take off from real estate, you're behind two or three days. So, I caught up with him, and he said, bring it here. That was 19 years ago, and we're still doing it. And we're very pleased with what's happening. I have some of the most exceptional songwriters in the world and some of the best songs you could ever hear on the radio. They're just too good! Credit: Bud Gambrell OTC : Why do you do it? JP : Well, it's a genetic disorder, and it's terminal. Creativity is a weird thing. You do it because you cannot keep from doing it, and it's a constant conflict because you may be having a conversation, and somebody says something, and you want to write it down, so you have to excuse yourself. I had a furniture guy who was trying to sell me a sofa. I said, “Man, that's expensive. You wouldn't cheat me, would you?” He said “No, man, I'll cheat you right.” I say, “Excuse me a minute.” I had to go write that down. So that's kind of how it happens. And I do it because the only cure for this disease is more of it. I can't visualize my life without music. Credit: Bud Gambrell OTC : What are you trying to accomplish? JP : I've already accomplished everything. I've recorded with an orchestra, I've got a song cut by Mark O'Connor, who's brilliant, and I have a bunch of cuts by Billy Droze. We're doing a country record for him now, and I can't tell you who's producing it, but it's a big producer. I've accomplished everything and written hundreds and hundreds of great songs, which've been cut by many great people. John Anderson cut Chicken Truck in 1980. I’ve been writing to him, and we wrote to him about two months ago. So, it's just a process. I must keep doing it. Credit: Bud Gambrell OTC : Tell me about tonight. JP : We're here at the Mars Music Hall. I've got Brent Moyer, Tim Styles, and Bob Tobin. I met them down at the Frank Brown International Songwriter Festival. I've been doing that for about 15 years, and I just picked the guys I like to sit with who write good songs and tell good stories. In addition to chatting with Jim Parker, I was able to chat with one of the performers of the showase, Tim Styles , too. Check out our conversation below. OTC : Tell me a little bit about who Tim Styles is. TS : Well, I'm a singer-songwriter from New Mexico, but I've lived all over the country. The first time I went to Nashville, I was 14 years old, and so I've been running the roads ever since. I never did grow up. Credit: Bud Gambrell OTC : What does something like this, a singer-songwriter series, mean to you? TS : It means to me that people want to listen. I've spent so much of my time fighting crowds at bars. They don't want to listen, which is OK too. I know everyone wants to have a good time. But when songwriting is really my passion and when people are willing to sit and listen to stories, I get to delve into that part of myself. That's nice. It's the other side of being just an entertainer. You can be a storyteller. Credit: Bud Gambrell OTC : So, you consider yourself a modern-day troubadour. For someone who doesn't know what that means, tell me what you consider a modern-day Troubadour. TS : I'm a performing songwriter, another way to say it. I don't just write songs and sing. I like to perform my original music—like a Kristofferson kind of thing, you know. I can also perform my own music and put my own spin on it. OTC : So, you mentioned Kris Kristofferson . I'm assuming he's an influence on you. What are some of your other influences? TS : All the great singer-songwriters like Townes Van Zandt , Guy Clark , and even rock guys like Warren Zevon have been a huge influence on me. Just all the music you pick up along the way, but I always find myself returning to the singer-songwriters. To make the night special for the songwriters, Jim had local artist Don Howard design a caricature of each performer. The caricature of future performers may be produced and sold at shows. Credit: Bud Gambrell OTC : Jim, can you give me a sneak peek into future series? JP : Yeah, I'm doing a Trop rock show on August the 2nd, bringing in Bill Whyte , Darrell Clanton , and Brooke Graham . She's #4 on the Texas Rock Charts, so it's always great people. And in November, Billy Droze and Kentucky Blue will be here with me with his bluegrass band. He'll take the whole stage. OTC : Any other plans in the future for the songwriter series? JP : Sure, 2025, man! I'm working on it now. Yeah, we have dates. Y'all come and see us. You will not be disappointed, and it's a cheap date. Credit: Bud Gambrell If you enjoy the listening room-type experience where you hear the stories behind the songs, I highly recommend you stop by for any future Jim Parker’s Songwriter Series. Like Jim said, you will not be disappointed. Send me an email. Let me know what you think. Also, tell me about any performers you would like to see in future editions. Until next time, Keep your diamond down in the groove! Jim Parker Music Brent Moyer : https://brent-moyer.com/ Tim Styles : https://music.apple.com/us/artist/tim-styles/267070949 Bob Tobin : www.bobtobinmusic.com To reach Bud: Email : the_budgambrell@mixedaltmag.com Bud's sites : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Amazon: https://a.co/d/1CLA9Tz Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A special night of Louisiana metal on March 7, 2026. < Back Reunited and Loud: Black Market Halos Mark 13 Years with a Comeback Show Nicole Brice Feb 11, 2026 Share A special night of Louisiana metal on March 7, 2026. Heavy metal along the Gulf Coast carries a cultural gravity all its own, fusing southern grit with the unfiltered force of loud guitars to produce a sound that feels both homegrown and far-reaching. Shaped by the state’s deep musical heritage, the local music scene has long served as a crucible of sorts for bands that turn real-life struggle, perseverance, and community into profound expression. Part of the mystique lies in how legacies are formed quietly with these bands – nurtured in garages, sweaty clubs, and through word-of-mouth – before their impact is fully realized years later. Hailing from Ascension Parish , Black Market Halos reflect that journey, standing on the brink of a milestone as they prepare for their first show in 13 years on March 7, 2026 , at The Varsity Theatre in Baton Rouge with support from 9Slug and Voice of the Enemy . This is more than a return to the stage; it’s a testament to endurance and a reminder that a band’s legacy can take root long before the spotlight ever arrives. Credit: Gary Governale The underground metal scene in Louisiana doesn’t get nearly the attention it deserves—it’s a community overflowing with talent, from veterans to rising artists. Many of these musicians balance day jobs with their passion, yet they still bring relentless dedication and precision to their craft. Black Market Halos are a product of that scene: seasoned, skilled players, some of whom have spent their lives performing in various metal bands across Louisiana’s underground. Credit: Gary Governale This reunion show at The Varsity matters for two reasons . First, it’s a chance to prove that Louisiana’s underground metal scene can draw a crowd at an iconic venue. Second, it’s a reminder that for many, metal isn’t just a genre—it’s the heart and soul of music itself. With a fresh 2026 lineup, Black Market Halos now features Shannon Guillot on vocals, Aaron Levy on drums, Shawn Tucker on guitar, Cody DeRouen on guitar, and Scott “Bozo” Hood on bass. As Black Market Halos gears up for their much-anticipated return, Mixed Alt Mag recently joined forces with Ryan Bordelon , aka “J Heist” of Backstage 504 , to catch up with the band and talk shop. Below is a snippet from our conversation—stay tuned for the full interview dropping soon on YouTube . MaM : So, let’s talk about this Varsity show. We were actually discussing off camera how many of the musicians in this room today have never played the Varsity. For those who aren’t familiar with Black Market Halos, what is the best way to describe your music to someone who has never heard it, so we can get them to the show? Shannon : We are just southern metal. Like we were talking about earlier, we just mixed different genres together and made a gumbo of sorts so that people who don’t normally like heavy metal will listen to us, and we’ve gained a lot of fans that way. MaM : Let’s talk about the line-up for this show. We have 9Slug and Voice of the Enemy on the bill as well, so how did it come to you ending up with those two bands on the show? Shannon : Well, 9Slug is our boys. They cut our teeth with us in Black Market many many years ago, and Jaide has always told me that if Black Market got back together, then he wants to play the first show, so we honored that. MaM : Hell yeah Black Market Halos : Nice guys, too. Shannon : When we started thinking about it, there were a couple of people we had in mind, as far as another band to play, but when it came down to it, some of the other bands we talked to couldn’t do it. Voice of the Enemy are really good guys, and they pull people to shows. MaM : Hard-working! Shannon : They promote, too. This is our comeback, so we wanted to put together a good enough show to make people understand that this is not just a one-time thing; we’re back on it. MaM : So, we have a nice night of southern metal planned with three different sounds because none of the bands sound alike. How long of a set are we thinking for this show? Shannon : We have 15 songs. We decided to pull songs from all three records. The first two are online, Hymns of Rebellion and Cleansing , but then there’s a third record we wrote and started playing songs off of before we went on hiatus. There are songs on there that our fans haven’t even heard yet, but there is one song that we’re playing that night called ‘These Scars’ that has never been played live yet, so we’re not only coming back, but we’re debuting a new song as well. MaM : (to Ryan from Backstage 504) What questions you got? You sitting over there all quiet and just letting me lead the conversation. (laughter) Ryan : You know you’re doing such a great job. (laughter) Shannon : Ask away, brother! Ryan : I don’t really know any of you guys, and I’m new to the scene, so I haven’t really heard of Black Market Halos until she called me up and said, ‘These guys are playing at the Varsity.' Shannon : What a shame. Ryan : I know, man! I missed a lot doing the raising the kid thing and all, but now I’m in the scene, and I’m learning about everybody. Shannon : What’s funny to me is that we were playing music while we were having kids, and now our kids are old enough to come to the bars to actually watch us play this music. Credit: Gary Governale Ryan : Who are some of your influences? MaM : Oh, they have them all over the place. (discussion) Ryan : Ok, let’s scratch that. Who is the guy or girl that got you wanting to play? Shannon : There are three vocalists who got me wanting to be a vocalist. Axl Rose , Sebastian Bach , and Phil Anselmo . Ryan : Okay! Shannon : I mean (points) – she knows, I tell her all the time that my songs have “Phil isms” in them. MaM : He’s got a very Phil-full voice. It’s incredible. I told him he could sing a freakin menu, and it would sound amazing. (laughter) MaM : I’m being honest! Cody : That’s our next album! (laughter) Ryan : Doing all the restaurant menus. Shannon : I mean, I grew up listening to classic rock and outlaw country with my father. I love Ronnie Van Zant , and the 70s style bands, but when Guns N' Roses came out, that was a big thing, you know, and then Skid Row , which is my favorite 80s band, but then when I heard Pantera … I was like, ‘Oh Lord!’. (laughter) Shannon : It was the future of metal, and when I heard ‘ Mouth for War ’ on MTV, I was like, ‘Dude, this is where it’s at!’ MaM ; So, ‘Mouth for War’ was your first Pantera song you heard? Shannon : Yep MaM : For me, it was ‘ Becoming ’, and I remember my brother was listening to it in his room, and I walked into his room. We were getting ready to go see Pantera in concert, and I didn’t know much about them at that time, so he plays ‘Becoming’ for me, and I hear that guitar at the beginning, and I’m just like, ‘What is this??? It’s so freakin good!’ Ryan : Mine was ‘ Drag the Waters ’, so I was late to the party. As Black Market Halos gear up for a special night of Louisiana metal, be sure to stay tuned for the full interview dropping on YouTube soon, where you’ll hear more from the members themselves about the show, their stories, and what’s next. See you on March 7, 2026 , at The Varsity Theatre in Baton Rouge . To purchase tix: Black Market Halos Tickets, Sat, Mar 7, 2026 at 7:00 PM | Eventbrite To learn more about Black Market Halos: Bandcamp: Music | Black Market Halos Facebook: Facebook *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Matt Mahaffey is Just Being HimsElf < Back Self-Made Genius: Tracing the Musical Legacy of Matt Mahaffey Noah Hughey Jul 10, 2025 Share Matt Mahaffey is Just Being HimsElf Matt Mahaffey doesn't mind if you’ve never heard of him or his band, Self . But if you have, the release of their first single in a decade might be a sign that he’s not quite ready to let go of the band that jumpstarted his career. The release of the single last December, ' Love You Less ,' coupled with a resurgence of the band on platforms like Spotify has led to a burgeoning community of new fans online in 2025, 30 years after the release of their first album, Subliminal Plastic Motives . Released October 24, 1995 For Mahaffey , music has always come naturally. “When I was a kid, once I got drumsticks, I would go beat on, you know, fresh barbwire to the fields,” he said from his home studio in Nashville, Tennessee. “You know, like, cause they would string it and it would have a tone to it, like, bzz . And each level of it was a different tone.” Born in Kingsport, the musical ballast he had access to was worlds apart from the sound he would end up producing in his early career. “My parents had disco and easy listening and Little River Band and Eagles and stuff like that,” he said. “I was just like, the 70s stuff was so boring to me, that I had access to in East Tennessee .” However, when an opportunity to join a local band sprouted up, he could not refuse. “And they're just like, we need a drummer. And I'm like, oh my God, I'm going to audition for a band,” he said. “Next thing I know, I'm like 13 and playing at Dollywood with them every summer, you know. And as soon as I could drive (...) I would drive up to Bristol, Tennessee (...) and just,” he began mimicking his rhythmic ticking of the drum, “all night long for hours and get paid 50 bucks or whatever.” A still shot from our interview Looking back at it, Mahaffey expresses gratitude for his origins in the south. When he first lived in Nashville and Murfreesboro during college, its reputation stood out as a cradle for country music. But the late eighties and early nineties were a time for change not only musically, but technologically. For Mahaffey , this meant the harmonies of traditional bluegrass came together with an influx of west coast hip hop to form a single artistic vision that remained in the back of his mind throughout his early career. “That's one thing that is my superpower, I always hear harmonies all the time and rhythm,” he said. “I started playing in rock bands in college and was a good drummer. And so in Murfreesboro, where I went to school at MTSU, there just wasn't a lot of drummers. It's a music school (...) And so, next thing I know, [I] was just playing in a different band several times a week. It's like punk rock on Monday, piano pop on Wednesday, reggae on Friday. And that was cool because that exposed me to a lot of different styles and meeting a lot of different people that just had different viewpoints on how to make music.” The project that was Self wouldn’t have been totally possible without his older brother, Mike Mahaffey . “He was my idol, you know, and he was so good at the guitar and he practiced so hard when we were kids. Then, when he was 18, he was just like, ‘I can legally go join a touring band,’” Mahaffey recalled his brother’s success swelling with pride. “He just moved up this rung really quickly of these agencies, the next thing I knew he was in Florida with a band called Blackfish signed to Epic Records (...) we were, just, both just in disbelief. And they made a record with Sean Slade and Paul Kolderie , who produced Radiohead's first album .” But for Mike, the ladder stopped in Florida with Epic Records , prompting a call home that would eventually give the world Self . “I was making beats in my dorm room and my brother called me from an Island, And he was like, ‘Hey, they're not putting out our second record. Can I come write with you?’ And I was like, ‘Come on,’” said Mahaffey . “And I had written ‘ So Low ’ and ‘ Marathon Shirt ’ for the first album. But it was just beats on a four track and he came in and just put his guitars on them and we got a record deal. Poof. And I was like, ‘Well, I guess we're a band, bro.’” Official video for 'So Low' Those first songs the brothers produced would go on to become the band’s first album, Subliminal Plastic Motives , which was released in October 1995. Setting a sort of unspoken precedent for their discography, the album seems to capture the essence of the era it was produced in its unique musical concoction. There is a distinct grunge that hits immediately, reminiscent of the sounds of bands like Nirvana which had taken the rock scene by storm during the mid nineties. And yet, less than a minute into the album’s first song ' Borateen ,' Mahaffey’s experimentation with hip hop and the unconventional electric sounds he’d been listening to in college are unmistakable. “Subliminal Plastic Motives has a special place in my heart because it was done to analog tape,” Mahaffey said. “You couldn't Google how to get a certain sound or make something work. You just had to figure it out (...) We beat on pots and pans, we everything and it's all very live. And this is before like you had a bajillion loops at your fingertips. It's more personal because it's farm to table. It's handcrafted, there's no presets back there.” Self was signed to Spongebath records that same year, and added Chris James as their keyboardist, Jason Rawlings on drums, and bassist Tim Noble (who’d be replaced by Mac Burrus after a 1997 tour). It seemed at the time that Mike had brought his accelerationist star power to the band. “Out of the gate, Lou Maglia [President, Zoo Entertainment] (…) sunk a million dollars into promoting the band to the industry,” Mahaffey said. “So we were in all the magazines, all the industry magazines, and we made videos, and they were on MTV and - they didn't really play them a lot, but they were on there - so people would recognize you, those types of things.” Official video for 'Cannon' from Subliminal Plastic Motives With the influx of money from major labels, the band, and Mahaffey in particular, now had the resources to experiment with the harmonic project that had been sitting in his mind since college. “Most of my successes with Self are more just artistic internal pats on the back,” he said, patting his own back and smiling. “Being able to have a huge budget and do whatever I want to in the recording studio, be like, ‘I want strings on this.’ And then next thing I know, there's a room full of string players and like, we're doing it,” he motioned around himself, as if he had been taken back to that studio, surrounded by a string section, an erratic passion inflamed in his eyes as he recalled his gluttonous request fulfilled by the studio. “It was just blatant, you know, waste, wasting money. But at the same time, like, you're making records. I was making records like my heroes made records. And that felt very good.” This might have been where the story ends. I could tell you that Self was endlessly propelled to fame, that they signed onto the early Dreamworks label at the turn of the century, contributing ' Stay Home ' to the original Shrek film soundtrack . That they influenced music history forever with the resources at their disposal to continue experimenting with the available sounds before them. But a combination of factors that fans and outside speculators alike have interrogated for the last 20 years would ultimately dim the shine of Self . First was the collapse of the Dreamworks label in 2003. “They went to a lot of artists on that label and were like, ‘Hey, you guys, we let you do what you want on the first album because we want to have a good reputation for making cool art. This time around, we kind of need something for the radio,’” Mahaffey said. At the same time, he was working on Self’s fifth studio album, Ornament and Crime . But just before they were to release the album, Dreamworks sold the label, which was ultimately dissolved, leaving the album on hiatus. Self's Ornament & Crime album Second was the untimely passing of Mike Mahaffey in 2005 , which happened suddenly while the younger Mahaffey was on tour in London with Beck . Losing one half of the creative vision behind the band and its lead guitarist, in the eyes of many fans, was the shattering point. That might be an overzealous exaggeration of the story behind Self . But Mahaffey said, “for obvious reasons,” his brother’s passing did effectively confirm at least a short period of radio silence from the band as their personal and professional lives changed elsewhere. It was this outside change that, as he conveyed it, seemed to have the greatest impact on not just Mahaffey’s career but the whole band’s collective future. When Maglia signed Self onto Zoo Entertainment ’s record alongside Spongebath in 1997, Mahaffey recalled him calling their music ahead of its time. Their distinct electric sound that blended the rhythm of hip hop with the harmonies of rock and pop music in a way that pioneered the alternative scene so early on was among the first of its kind on an industry level. “I think I was trying to blend a lot of different things and put a lot of square pegs in round holes that hadn't really gone together yet,” he said. “I wore all my influences on my sleeve, (...) I was trying to cram Prince and Depeche Mode and Smashing Pumpkins and Nine Inch Nails and Weezer , (...) and, you know, funk and jazz and everything into this tiny package.” Despite the millions of dollars poured into Self so early on, however, Mahaffey says the record buying public at the time largely felt like it was a lot of noise. Yet, that doesn't seem to hurt his feelings all that much. “When I look at it, I'm super thankful because I have friends that had a big number one song, and they're my age and they're like, ‘Well, I gotta go out on the road for three months and leave my kids and sing that damn song every night,’” he said. He looked to his right, a smile creeping onto his face as he began to say the next few sentences through a raspy chuckle. “And it's like, that's what I wanted. That's what you want when you get into rock, we're like, ‘I just want that hit song that everybody loves.’ And I never had one because my stuff's weird.” Perhaps at the time that was true. As Mahaffey describes it, perhaps the public’s “music ADD” wasn’t equipped for the combinations Self put together, the eclectic variety that birthed every new Self song, and the genreless limbo it existed in. Mahaffey still had to earn a living after Self’s indefinite pause in 2005 . “So I started working on Shrek and I started working on films. I started working for Hans Zimmer . And I was just like, this is where I belong. We make weird music. Composition is the place,” he said. “I toured in Beck's band for two years and got to play with Radiohead and every band that I grew up listening to. So it's like, and I still didn't like it, you know? I liked the people I was with, but it's just like, yeah, you're in Rome, but for like two hours, right? You're not seeing Rome. You're just physically there (...) I am more of a studio rat.” So, a studio rat Mahaffey became, pursuing composition as his full-time job while Self became something of a distant, if not fond memory. The same was true of his band mates, who would produce Prince’s last albums and book talent on the Jimmy Kimmel show , respectively. Mahaffey equated their collective work ethic to the band Pavement, which broke up in 2000, returned to tour in 2010, and once more from 2022 to 2024, toying with the idea of a new album. “They live all over the place and they’re just like, ‘You want to tour? Yeah, I got a minute.’ And they rehearse a couple of times and they go tour,” Mahaffey said. “And I was like, let's be like Pavement . We'll just do that.” Mahaffey smiled as he recounted his new career in composition, reiterating the love he has for Self that ultimately made it possible. “I love making records, but I love scoring,” he said with a boyish grin on his face. “Like it is just, I can't wait to work every morning. I’m just like ‘Coffee! Oh boy!’” He began to laugh to himself, “I'm so excited about my work all the time. ‘Cause it's infinitely rewarding. ‘Cause it's a brand new challenge every single day.” Acting as Self , Mahaffey did release their 2014 EP Super Fake Nice in a unique moment for him after he had built his dream studio, but it was more in line with the Pavement method of a periodic release in the middle of his busy days producing over 80 minutes of music for animation a month than it was a full return of Self . The EP was met with largely positive reviews, but some of the revamped sounds of the band in its modern form, taking on new harmonic equations to generate songs such as ' Runaway ' did throw some reviewers off, expecting a mid 90s nostalgia-fest. Released July 29, 2014 In the background, however, the platforming power of the internet to promote and store the unique sounds of Self would serve as not only a time capsule of their moment, but an opportunity for new fans with broader tastes for music in the future to discover the hidden gem that was the band. When Mahaffey finally got verified on Spotify thanks to a manager friend, however, this quiet underbelly of Self fandom would explode for the first time in 10 years. “It just got ridiculous. Where it was like 40,000 [followers], you know, I got 40,000, what is going on?” said Mahaffey . His verification on Spotify couldn’t have come at a better time, either. Other alt rock bands were getting verified and pushed together by Spotify’s new AI algorithm, such as Tally Hall and Lemon Demon . And it was one night, he passionately recalled, his daughter had the answer as to why. “She's like, ‘Dad, I think I've sleuthed it out.’ And she shows me her phone. And it's a video of Talley Hall listening to Dead Man and people thinking that it's a new Talley Hall song.” What this signaled as well was that Self was doing well with kids. Young people, as young as 14 years old, were discovering Self through TikTok edits and montages featuring some of Self’s most standout work. As the fandom surged online, they have begun scouring the internet for all the lost media of Self , one young fan commenting under the song, ' No One Knows You ' on YouTube , “LOL THE WAY EVERYONE IS DISCOVERING SELF AT THE SAME TIME.” 'No One Knows You' by Self To Mahaffey , who once spoke to Alternative Press a decade ago about the influx of younger fans 20 years after Self’s debut , to see that influx continue at full steam 30 years after Subliminal Plastic Motives has been nothing if not gratifying. Today, Mahaffey continues to compose full time, still fulfilled by the new musical creations he gets to experiment with day in and day out. “I'm writing more in this day and age than I ever did pumping out Self songs,” he said. More than that, the freedom his new life has given him has allowed him to more passionately pursue his family life alongside his work. “If I'm not doing that, then I'm hanging out with my kids. It's like, I want to be a competent father. My daughter has a rock band. Covered ‘ Runaway ’ two weeks ago at a show and didn't tell me about it. And that is incredible.” He laughed to himself. 'Runaway' by Self As 2024’s release of ' Love You Less ' indicates, Mahaffey isn’t ready to let go of the band that made all of this possible. “I want to do a record. And I have a bunch of cool stuff,” Mahaffey said, pointing behind himself to his home studio setup. In between different unfinished works, he took the time to polish off the peppy, upbeat love ballad that wasn’t quite what he had in mind for a sixth album. The song could be taken as indicative of what a new Self record will sound and feel like, carrying with it two worlds: One, the band’s distinct blend of 90s hip hop and alt grunge that is hard to recreate unless, like Mahaffey, you were literally there. The other will be the new sounds he’s been listening to, more instrumental, grand, no doubt working in his composition experience to give Self fans something worth waiting for. “It's one of those things that has to just be a labor of love,” he said. “You can't expect, like, anything in return other than, hopefully, comments online of people being like, ‘I like this.’” To learn more about Self: www.self.is Self Self is a band you like. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Got something for Noah to check out? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

City Primeval: High noon approaches < Back Hills, Hollers, and Hoodlums: Raylan Givens Returns in Justified Sequel Keeley Brooks Apr 18, 2023 Share City Primeval: High noon approaches Back in 2010, FX brought us one hell of an entertainment drama series in a show about a charming but stubborn U.S. Marshal with his own methods of ensuring justice, Wild West-style. Justified won several awards during its run, including two Emmys, a Peabody, and the American Film Institute TV Program of the Year prize. If you’ve never seen the hit series, now is your chance to binge all six seasons before its sequel revival season returns this summer with eight new episodes. Justified originally ended its run in 2015 but this past January, FX announced the show will be returning this summer for a limited series run with a sequel titled City Primeval . Here’s a recap of the original series followed by everything we know about the sequel and what to expect. Deputy Marshal Raylan Givens, played by the inimitable Timothy Olyphant ( The Crazies ), is a bad-ass gunslinger who hunts criminals in his own way, with no regard for crossing legal lines. This, along with his bold, brash, no-bullshit attitude, puts him at odds with the higher ups in the U.S. Marshals Service, and after a pretty sweet (but illegal) gunslinging incident in Miami goes down in the opening scene of episode one, Givens is reassigned to his hometown Kentucky district full of hills, hollers, and hoodlums ... and memories he wants to forget. (For the layperson, a holler (or hollow) is the area of ground space between hills, in this case in Kentucky … it's unclaimed territory, if you will.) Developed by executive producer Graham Yost , the original series is based on a character from the late great American author Elmore Leonard and his novella “Fire in the Hole”. Leonard also wrote classic crime stories that turned into feature adaptations, such as Get Shorty , Be Cool , Rum Punch, and 3:10 to Yuma , among many others. To date, Justified is one of the most critically acclaimed shows of this century, along with Sons of Anarchy, Breaking Bad , and Better Call Saul . In addition to Olyphant, Justified also features Walton Goggins ( Sons of Anarchy, The Shield, The Righteous Gemstones ), Nick Searcy ( NCIS, The Old Way ), Joelle Carter ( Home Before Dark, Chicago Justice ), Natalie Zea ( The Detour ), Jere Burns ( Breaking Bad ), Jeremy Davies ( The Black Phone, Twister, Lost ), Margo Martindale ( Sneaky Pete, Cocaine Bear ), and many other recognizable faces. While Olyphant and Goggins were nominated for Emmys for their roles, Martindale took home the award for Best Supporting Drama Actress for her role as the tough as nail Mags Bennett. credit: IMDB Her portrayal in Justified is unforgettable, and after experiencing her there, you're gonna want to jump over to Sneaky Pete on Amazon and check her out her in that. Jeremy Davies, who plays one of Mags’s sons, also took home a guest Emmy, and you’ll see why after you visit the story. Each character has so many unique qualities, they bring the storyline to life with their rich dialogue and memorable idiosyncrasies. The series centers around a long-standing conflict (and inevitable anticipated showdown) between Raylan Givens and career holler criminal Boyd Crowder, played by an equally as charming Walton Goggins. The banter between these two is so much fun, you just can’t help but love and root for them both. In fact, I guarantee you’ll fall in love with every single character in these stand-alone, season-long arcs that offer up the perfect balance of comedy and drama. The show is written and acted out that well. credit: IMDB credit: FX Justified originally ended its run in 2015 with its sixth season, but this past January, FX announced the show will be returning July 18 for a limited series run. Here’s everything we know about the sequel and what to expect. Justified: City Primeval is based on one of Elmore Leonard’s other novels, the 1980 crime drama “City Primeval: High Noon in Detroit”. The book itself does not feature Raylan Givens, but the story was updated by Leonard's son to include the character. It's set in Detroit and follows a dangerous criminal by the name of Clement Mansell, aka The Oklahoma Wildman, played by Boyd Holbrook of The Predator and The Sandman . credit: IMDB The show’s creative team, which reunites much of the team from the original series, was reportedly excited to explore Raylan as a stranger in a strange land after spending years in the familiar, crime-ridden hollers of Eastern Kentucky—Harlan County, to be exact. “We weren’t trying to recapture the show we [previously] did,” explained co-showrunner Michael Dinner at the Television Critics Association winter press tour. “We were trying to recapture Elmore’s tone. This is a book that we really loved. We loved the characters in the book. We thought it would be interesting to pick up with Raylan and catapult him into this story and see him some years down the road. … What we’ve done is true to the show but not the same show.” Dinner served as executive producer on Justified during its original run and went on to produce and direct for Sneaky Pete and fellow FX crime drama Mayans M.C. Sharing the directing role with Dinner is Dave Andron, who is known for being the co-creator and show runner for FX’s Snowfall , which is coming to an end later this year. Justified: City Primeval picks up 10 years after the original series ended. Givens is long gone from his hometown of Harlan and now lives in Miami with his 15-year-old daughter Willa, who is played by Olyphant’s real-life daughter, Vivian. He balances his life between U.S. Marshal and part-time father, but a chance encounter on a lonely Florida highway sends him to Detroit where he crosses paths with the violent, sociopathic desperado The Oklahoma Wildman, who’s already slipped through the fingers of Detroit’s finest once and is looking to slip away again. Givens also has the pleasure of going up against the desperado’s big-time powerful lawyer. Together, these three characters set sail on a collision course a la Elmore Leonard style, and it’ll be a nailbiter to see who makes it out of City Primeval alive. credit: FX "While the setting and characters will are new, it’s still very much Justified in nature," said executive producer Sarah Timberman . “It’s an extension of the show in a kind of storytelling mode even though it’s Detroit. A hallmark of the original show was that you’d spin out into Margo Martindale and Kaitlyn Dever’s world, and you’d just live there and just leave our regulars. And they became the regulars.” The revival reportedly does this as well with characters played by Vondie Curtis-Hall ( Daredevil ), Aunjanue Ellis ( Lovecraft Country ) and Adelaide Clemens ( Rectify ). “You really get into these other lives over these eight episodes, and it’s really fun to watch,” said Graham Yost . And although the math doesn’t exactly add up, it has been 15 years since Raylan left Harlan for Florida, and Willa was only four at the time. The choice to finagle the timeline a little ultimately came down to dramatic considerations. “The age that she plays—15 going on 16—there’s a short window that Raylan has,” said Director Michael Dinner . “He’s at a point in his life where that road is pretty short in front of him. … He’s facing mandatory retirement in the marshal service.” Olyphant continues, “We were attracted to the idea that this is a ticking clock. Raylan is about to lose [Willa] no matter what [because of her age].” City Primeval is also rumored to address what has happened to some of our favorite characters from Justified . Allegedly, early in the revival’s development, the producers didn’t want to bring back any character from the show’s original run, but they eventually reconsidered and decided that as long as it made sense organically within the story, they would explore the idea. However, no deets have been released yet on who might show up or be addressed, but producers have confirmed through FX we will find out what has happened to some of the show’s finest (Wynn Duffy, anybody?). Director Michael Dinner has spoken out on the changing perception of law enforcement as it relates to depicting that in the show. Since Justified went off the air in 2015, there’s been a giant reckoning regarding police brutality. The complications presented by putting a law enforcement officer like Raylan, who (very much like Dexter Morgan in Dexter) is not a bad man but obviously lives by his own code, in Detroit and surrounding him with Black men and women are well understood by producers. “We’re not beating the drum [about race], but it’s certainly front and center,” said Dinner . “The world has changed. And Raylan’s world has changed. … It was important for us to try to get it right, to try to get what Raylan’s life is like in a changing world." Olyphant added, “We’re not a show that cheerleads for law enforcement. Part of what makes Elmore Leonard’s world, and our world, something a little different is the characters are self-aware a little bit. They’re aware of their flaws and they’re aware of their shortcomings. And they’re aware it’s complicated.” While the sequel series revival is meant to stand on its own and be an extension of the Justified universe, creators have alluded to the presence of Easter eggs for longtime fans. My recommendation is that if you have not seen Justified , now's the time to give it a go before tuning into City Primeval . It makes for a fantastic binge. You'll be glad you did, and you'll notice it’ll enhance your revival experience that much more. Here’s the original trailer from Season One. Enjoy the holler, my friends, and be sure to catch City Primeval on FX July 18 and FX on Hulu July 19. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for content and an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Brax isn’t afraid to experiment with new textures and sounds. < Back Floating Above the Bayou: Brax is Elevating Southern Cloud Rap to New Heights Nicole Brice Apr 5, 2025 Share Brax isn’t afraid to experiment with new textures and sounds. One thing I love about music is that no matter how much you think you’ve heard, there is always something new to discover. Hip-hop and rap are fascinating genres that have evolved through many different styles over the years. As time passes, the younger generations continue to find ways to make these genres even more distinctive. I recently came across a musician named Brax . Brax hails from New Orleans , a city not typically recognized for its hip-hop and rap scenes, yet he has discovered his calling within the underground music community. His stage performances transcend hip-hop and traditional rap ; they are pure artistry . He incorporates theatrical elements into each show, even using fake blood as a visual tool to enhance the experience. Credit: Gary Governale When you meet Brax for the first time, his vibrant energy instantly draws you in. He exudes a unique combination of fragility and resilience , coupled with a depth of wisdom . At just 18 years old, he is articulate and insightful , sharing narratives that stem from the pain he has experienced throughout his life. His work is rich in emotion and heart. Brax isn’t afraid to experiment with different textures and sounds . Each piece he creates is distinct from the last. With a diverse sound that appeals to a broad audience, his goal is to create art that resonates with the masses in a direct and impactful way . This is his story. Read on below. MaM : Thank you for joining us today. Your music is genuinely heartfelt and emotional. You can feel the pain in the lyrics. Brax : Man, yeah, thank you. It’s all based upon life. When I was younger, I went through a lot, and when I was 13, I had a lot of problems with substances. It’s been more of a journalism self-reflection thing than it has been to make a quick buck with music. It’s been a way to express myself. Credit: Gary Governale MaM : Tell us a little more about yourself – your background and age. Brax : I’m 18 and have been doing live performances as Brax for two years, but I’ve been recording and releasing music for over five years now. I have a lengthy discography , which I think works great for live shows, and it took me a long time to find my sound. Have you looked back at all the older music? MaM : I have, and I listened to the new single . You've adjusted your sound a bit on that. Brax : Yeah, I feel like it keeps evolving. I’ve done alternative rock in the past, but it wasn’t the same type of shoegaze type stuff I’m doing now. It’s part of the self-reflection thing, too, because I’ll never feel again how I felt at 15. MaM : Of course – you change. Brax : That’s what the whole project of Teenage Delerium is about. I completed three years of high school instead of four, and graduated early because I began performing live shows out of state. I attend college and work currently, but the entire album is about the transition to adulthood , as I took music so seriously. Now, I’m trying to transition into the “real world” while still in college. It’s a lot of work. Credit: Gary Governale MaM : You’re putting in the work the right way. Keep going and you will see the results. Brax : Yeah, cause you could go viral, and it means nothing. Before I started performing live shows, I had an internet presence with around 8,000 monthly listeners for my music. Still, I wanted to transition away from being an internet-based artist . The New Orleans rap scene is primarily an internet-based scene , with live shows occurring occasionally, but it doesn’t consistently draw large crowds like other scenes. They have one or two shows a year, maybe, that will draw anywhere from 50 to 500 people per show, but unless you have a mainstream artist as the headliner, even those flop sometimes. The NOLA underground is all internet-based , which kind of sucks for the live music version of it. MaM : Let’s talk about your new song some more. I really dig the sound on this track, and it reminds me of this indie hip-hop artist I encountered in 2023 called tmdistant . He uses the shoegaze sound with hip-hop, and it’s incredible. Will you continue this new direction in your music, or are you just experimenting with it for now? Brax : It usually happens by accident. I like experimenting as an artist, and even my live performances are not straight rap . We bring in things like doors, and we break furniture, and it becomes more of a performance art . Sometimes I’m even covered in fake blood . It’s super punk and hardcore , and emotional . If I’m feeling rock music at a moment, then I’ll drop one project with that sound. That’s what the A Walk with Sadie EP was. It was a 3-song project . Just something different. A different sound. A different vibe. That’s the type of music I want to make. MaM : What type of music do you listen to in your everyday life? Brax : I listen to everything. Artist-wise, it’s Mac Miller and Yung Lean . ASAP Rocky , definitely, but I also like things like Jefferson Airplane , some country , a lot of psychedelic rock . I also like the Red Hot Chili Peppers . MaM : You sound like me. You listen to a little of everything. Brax : Yeah, I like to be well-versed. Credit: Gary Governale MaM : Same Brax : Yeah, especially as a rapper, I love working with all the bands because the band scene is so much more established than any rap scene here. I just did an almost sold-out show in Pensacola , and it was me with three other metal bands . It’s about building your scene. It just takes a while, though. As you mentioned earlier, regarding instant validity and building a presence , I’ve been around for two years , technically, on the scene as a live artist . Still, it’s as if in those two years, I have been pushing myself, not just here in Louisiana , but also in other states. It takes a good year to get your toes in the water. I’m building my foundation. Credit: Gary Governale MaM : How would you describe the type of music you make for someone not familiar? Brax : That’s a good one. One word. Realism. MaM : I think that fits accurately. Brax : I love art – Vincent Van Gogh , stuff like that, and honestly, I’ve been feeling like I can understand where he was with his art, and I relate it to Southern Cloud rap or Cloud rap . MaM : Take us through your songwriting process. Do you produce the music yourself, or do you have someone assist you? Brax : My beats consist of me crawling YouTube for hours and hours on the pages of producers I know, and so I’ll scroll to find that “needle in a haystack”, ya know? I write everything, and record and mix my vocals from my bedroom. Credit: Gary Governale MaM : That’s incredible. I love that DIY aesthetic . What is the primary theme in your music, do you find? Brax : Well, because it’s self-journalism , it’s hard to say. It’s just channeling my emotions. Storytelling. Expressing myself and documenting my life through music . MaM : When you perform live, do you do the vocals live, or do you rap over your vocals? There is a whole movement of “real MCs don’t rap over vocals”, and I wanted to get your perspective on that. Brax : I feel like my job, at the end of the day, is to be an entertainer , and I use backtracking , but I use it because I scream in my performances. Sometimes I may forget a word here or there, too, and when you’re screaming like the punk bands, you need that music to be in the background. We get crazy with it at the house shows, which I’m sure you’ve seen on YouTube . Credit: Gary Governale MaM : Oh yeah, I have. Brax : Right, and at the end of the day, you’re an entertainer , and you want it to be the best performance . My aesthetic is to get up, move around, and break shit. MaM : How has booking been going for this upcoming tour? Have you run into any issues? Brax : I do all my booking, for the most part, but things haven’t been bad this go-round. MaM : What would you like to achieve in 2025? Brax : I want to get into Houston more. That’s the plan, and I’m pushing for that. I also want to keep building my presence around the South . Keep building the Southern Cloud rap scene around the South . As Brax continues his hustle as an artist and musician , he stands poised to bring his musical story to the masses, and we look forward to watching the journey unfold. Check out his unique brand of Southern rap via all streaming services. To learn more about Brax: Website: Brax | Music Instagram: Brax (@braxfromdagrave) • Instagram photos and videos Apple Music: ‎Brax - Apple Music *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Clay Pigeons is a cult-classic dark comedy about small-town appearances, serial killers, and sexual betrayal that is just as funny as it is grim. < Back Clay Pigeons: Feast Upon This Keeley Brooks Sep 28, 2023 Share Clay Pigeons is a cult-classic dark comedy about small-town appearances, serial killers, and sexual betrayal that is just as funny as it is grim. Rating: 4 out of 5 dead could-be rockstars Welcome to Feast Upon This , a new column by yours truly where I’ll be sharing with you new and old titles worth feasting upon and telling you all about why you should watch them. First up is the 1998 independent gem Clay Pigeons , a relentlessly dark but funny small-town crime drama about a simple guy who keeps finding himself in the worst possible situations—usually involving dead bodies—and perhaps the nicest serial killer on the planet. Starring Joaquin Phoenix ( Joker ), Vince Vaughn ( Old School ), and Janeane Garofalo ( Wet Hot American Summer: Ten Years Later ), Clay Pigeons has a strange, meandering plot that starts off funny but turns dark pretty fast as it twists and turns, leaving you wondering where the hell it’s gonna lead. It definitely treads the fine line between comedy and laid-back seriousness. Clay Pigeons was developed under filmmakers Ridley and Tony Scott’s company, Scott Free Productions , and is directed by David Dobkin ( Shanghai Knights and Wedding Crashers ). It’s also the second successful on-screen collaboration between Vaughn and Phoenix, who appeared together in Return to Paradise , which is also a great movie upon which you should feast. It released the same year and centers on two friends (Vaughn and Phoenix) who must choose whether to help a third friend who was arrested in Malaysia for drug possession. Back to Clay Pigeons , though. Set in the small town of Mercer, Montana, where everybody knows your name and is all up in your business, Clay Pigeons is one of those macabre comedies where the characters are quirky, not much is taken too seriously, the deputy sheriff is named—in homage to The Andy Griffith Show —Barney, and dead bodies continually surface around one particularly innocent man, making him look completely guilty. Clay Bidwell (Phoenix) is an affable, weak-willed, easy-going gas station attendant who, in the opening scene, finds himself up Shit Creek without a paddle while out target shooting with his best friend, Earl (Gregory Sporleder, of Black Hawk Down ). With gun in hand, Earl announces he knows Clay has been sleeping with his wife, Amanda (Georgina Cates, of Sinner ). Then, in an entertaining scene epitomizing how effectively Clay Pigeons juggles dark thriller and comedic elements, Clay begs Earl not to do anything he’ll regret right as a disheartened but methodical Earl carries out his plot to off himself and make it look like Clay killed him. In a panic, Clay goes to Amanda for help, but she tells him he’s on his own and leaves him to his own devices to dispose of the body. See, Clay is the kind of character who wouldn’t hurt a fly. Hell, he wouldn’t even swat at one, so when he stages a drunken car wreck to make Earl’s death look like a suicide, he’s batshit squirmy and completely out of his element. But ultimately Clay makes it work and even gets away with it, thanks to the gullible (and borderline narcoleptic) Deputy Sheriff Barney, who has known Clay long enough to know he would never, ever do anything wicked; he swallows every drop of bullshit Clay feeds him with ease. After Earl’s funeral, Clay finds an unapologetic, half-naked Amanda at his house in his bed, where she pressures him to continue with their affair. Overwhelmed with guilt, Clay resists her advances and heads to the bar, where she follows and invasively pressures Clay, getting all up in his personal space, ignoring his requests to leave him alone. When she amps up her attempts by getting physical, he slaps her and catches the attention of a peculiar cowboy hat-wearing bar patron, who moves in closer to befriend Clay while he’s at his lowest. Lester Long (Vaughn) is an obnoxiously dressed, super suave, but unnervingly creepy drifter who rolls into town the day of Earl’s funeral and forces his way into Clay’s life after seeing (and enjoying) his act of violence against a woman. An always smiling, over-confident fast talker, Long dresses in tacky, WAY-TOO-LOUD western wear and accentuates it with a high-pitched, machine-gun laugh—the kind that creeps you out and compels you to get as far away from him as you can. But he’s more than just a drifter: He’s an under-the-radar serial killer making his way through the state of Montana. This silver-tongued cowboy has a way with the ladies, a way with cigarettes, and he’s top notch at manipulating anyone he cozies up to. Lester—excuse me, “Lester the, uh, Mo-lester” as he likes to introduce himself, is the archetypal stranger with a mysterious past, handsome good looks, and such a charming manner that you can’t really be entirely sure if he’s an angel or the devil. All you know is that something about him is just … off. Next to Long, Clay is the local loser par excellence who finds himself embroiled in a life of panic, anxiety, and suspicion as fate continues to throw him the raw end of the deal at every turn. Stuck between a rock and a hard place (i.e., Lester’s maneuvering and Amanda’s slutty libido), Clay finds himself implicated in the fact that a bunch of corpses—obviously the work of a serial killer—keep turning up around him, right in the public’s view. After Earl’s death, a distraught Clay bones a waitress named Gloria, which pisses off a vengeful Amanda, who winds up killing Gloria. Always the sucker, Clay agrees the dispose of the body once again and dumps it in a local lake. Only, he forgets to weigh it down, so you know this one’s coming back to surface, and you can bet it will be at the most inopportune time. The next day, Lester baits Clay into going fishing at the same lake, and in a most hysterical scene, Gloria’s dead body floats to the surface and horrifies Clay. In a panic, he tries pushing the body away from the boat with an oar before Lester notices but doesn’t succeed. That moment right there is one of the reasons you should watch Clay Pigeons . As Lester spots and points at the body, he stands and, with charming innocence, yells, “Well f**k me! Man overboard! Man overboard!" "Oh my God, what is that?" Clay asks. "Alarm! That’s a person, Clay! That’s a dead person!” Lester answers. "Well, I can see that .... wh--what do we do?" Clay wonders. "I don't know, man. It's a new situation for me," Lester says as he reaches for the leg of the body. "It's okay, I've got her," he continues as Clay leans over the side of the boat to vomit. "Aw man, it just gets uglier and uglier! I love the open water, man!" Lester exclaims. “Well, I don’t think anybody would want us touching her, you know?” a freaked-out Clay says. “Her? Hell, I’m not even sure that damn thing’s a woman!” Lester quips. “Well of course it’s a woman. It’s got long hair,” Clay responds. “Well, it could be a rockstar, Clay. We don’t know what the f**k it is,” Lester asserts. Having no choice, Clay confesses his secret to his new pal Lester, which solidifies for Lester that the two are now “fishin’ buddies” for life. Just for your viewing pleasure, here’s a little snippet of that scene, but you should really watch it in its entirety for the full effect. Clay further paints himself into a corner when he goes to Sheriff Mooney (Scott Wilson, of Black Mirror ) to report the body and keeps Lester’s name out of the deets. But time always tells the truth, and when Amanda turns up dead after boning Lester, Clay begins to put two and two together and realizes Lester is the killer. When the FBI show up, Sheriff Mooney is not happy they’re all up in his jurisdiction, but he allows the help and knows he needs it after continually catching Deputy Barney (Vince Vieluf, of Love, Inc. ) napping on the job and being super careless with evidence due to his lack of common sense. Now Clay really looks like the prime suspect, especially once Agent Shelby (Garofalo) questions him in jail. “You’re dating one victim, you’re having an affair with another, and you actually found the third. Kind of a coincidence, wouldn’t you say?” Shelby taunts Clay. Garofalo and her mannerisms, which border on excessive familiarity with Fargo ’s police chief Marge Gunderson (Frances McDormand), make Agent Shelby one of the best parts of Clay Pigeons and yet another reason why you should see this movie. She’s highly intelligent, extremely direct, and plays the sarcastic “wise guy”—the kind of wise guy who sniffs out other wise guys a mile away. It’s no surprise, then, that after meeting Lester Long, she suspects he's probably the killer. Director David Dobkin does a fantastic job of creating clever, intricate scenes for Garofalo to have fun with—in particular, that bar room encounter with Lester. As Clay sits in a cell under FBI suspicion of being a serial killer, Lester goes to visit him and tell him he has a plan to help prove Clay’s innocence: He’ll just kill another person to prove Clay isn’t the one committing these crimes. Lester’s malevolence really bleeds out here in the way he toys with Clay, who does not like this plan at all. In an effort to face Lester and stop the murder, Clay breaks out of jail by duping the one Agent Shelby refers to as “a boob,” Deputy Barney. What plays out after that is left completely up to your viewing pleasure. What I love about Clay Pigeons are the characters. Screenwriter Matthew Healy really dove deep into creating Clay, Lester, Barney, and Agent Shelby, and it shows in how well written they are. Both Clay and Lester pretend to be dumber than they really are, with Phoenix taking on the more subdued role of innocent man in trouble while Vaughn, in a far more distinctive turn than his take on Norman Bates, is a diabolical serial killer and charming misogynist who might sound and appear creepy but who is genuinely wrapped up in his friendship with Clay, whom he pins to be his fall guy. Their relationship serves as an intriguing take on male camaraderie and mutual dependency that turns into an exploding landmine once Clay discovers the truth. Clay Pigeons features some enjoyable early stellar performances from Phoenix, Vaughn, and Garofalo, who each delightfully relish their individual roles, which further allows us to relish every little thing about their characters and acting methods. Clay Pigeons’ quirky little narrative makes plenty of room for its somewhat-clunky plot to unravel and unwind on you in its own time, and it’s stocked full of some high-quality verbal zingers—yet another reason to watch this film. Sheriff Mooney also lays down some solid work, understanding that his character is, unlike the others, not at all there to be funny but instead is there to ground everyone in reality. Overall, Clay Pigeons is a pleasant amalgamation of Orson Welles’ Touch of Evil (1958) with classic, eccentric, screwball comedy topped off with a fun soundtrack to enhance the laid-back but sinister mood. Riding the tail end of the neo-noir boom of the 90s, Clay Pigeons was generally regarded as derivative of Quentin Tarantino and Coen Bros. films with their idiosyncratic characters enmeshed in a neo-noirish story bookended by jarring violence and clever levity. If you’re at all a Joaquin Phoenix, Vince Vaughn, or Janeane Garofalo fan, this is one flick you’re gonna want to indulge in and add to your queue or collection. Clay Pigeons is available to buy or rent on Prime Video, Apple TV, Vudu, Redbox, and Roku. Keeley Brooks is big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A woman who knows what she wants < Back Lauren “Madame Onça” O’Leary: A Mind for Art, Business, and Entertainment Tim W. Jackson May 23, 2023 Share A woman who knows what she wants Her website is HardestWorkingWomanInShowBusiness.com , and that’s an apt description for Lauren “Madame Onça” O’Leary. She’s an artist, entertainer, and businesswoman—and under each category is an entire sublist. Originally from Gloucester, Massachusetts, the town from the hit 2000 movie The Perfect Storm , Onça’s life has been somewhat of a perfect storm of activities and interests while striving for some sort of work-life balance. She’s spent much of her adult life further south, namely in Asheville, North Carolina, and now in Richmond, Virginia, and has frequently worked in Europe. But while in Gloucester, she says the region was richly supplied with famous artists. “Walker Hancock, who made the giant angel that is in the Philadelphia train station, was one of the monument men,” Onça says. ”My mom grew up with his kid. I used to model in their studio. Leon Kroll was a famous painter. Weirdly, there was this very powerful arts community there in the older generation. So, I grew up just thinking it was normal to go in and out of people's art studios to see old people hard at work on art that was gonna end up in museums. There is a really good literary tradition there, too.” Onça went to a liberal arts school that deepened her interest in the arts and normalized that world for her. “As a rising eighth grader, there was a girl with short hair carrying a cello across the campus. It was normal. They weren't gonna get beat up, you know?” Her parents also played a major role in her development but from two very different perspectives. Her father was a musician. Her mother was a master sign painter and an outstanding self-trained artist. “I grew up with a lot of art in a very art-rich area,” Onça says. “Even though I had a working-class upbringing, there was a lot of art in the environment. So, it was natural to me to always express through art.” credit: Boo It was the very different work ethics of her parents, though, that Madame Onça still tried to reconcile. “My dad ended his life living in a car because he was like, ‘I don't wanna work hard,’” Onca says. “My life has been a continuous course correction between these two very artistic people—one of whom worked herself to death, basically, and the other one who just slipped away because he didn't want to engage in the rat race. And because of that, his voice was largely unheard. So, for me, it's always been a matter of trying to figure out how to embody the best of my mom's work ethic without becoming a servant to it.” When you have as many talents and interests as Onça does, keeping a work-life balance is a constant challenge. She has staged more than 40 weekend-long festivals over the course of her career. One of the most famous, the Asheville Burlesque and Sideshow Festival , also known as ABSFest, makes its return this Memorial Day weekend after a brief pandemic-related hiatus. She and husband Paolo Garbanzo (also a festival producer and one who will perform at ABSFest) have run a number of events in Europe, too, and have more on the schedule. credit: Parrish Photography Her foray into this eclectic career began in Asheville. “I never saw myself being a performer,” Onça says, “although I always had a big energy.” She started taking Capoeira (a Brazilian sport that combines dance as well as fighting elements) classes in Asheville. “Brazilian foot fighting is actually the thing that gave me my start,” she says with a laugh. “That's where my name comes from, Onça; it's actually Brazilian. And then in order to play Capoeira, in order to do Capoeira, you have to sing and train and fight and build your own musical instruments. It's so immersive that I feel like the time I spent doing Capoeira prepared me for everything else. And then I ran a folk-art studio in Asheville for many years, the Future Traditions Center for Folkloric Arts.” About the Center, Onça explains that it had different cultural artists and fine artists all under one roof. “It really gave me the opportunity to bloom in all directions,” she says. “I grew up in a musical and artsy household, but it never occurred to me that I could do it for a living. Just walking into the right class at the right time opened all the doors for me. I started taking belly dancing classes in Asheville above the co-op, and it changed my life. I needed something to do, and it set me on a path.” Onça works in other art forms, too. “I paint and sculpt and do print art,” she says. Years ago under her real name, Lauren O’Leary, she co-authored The World Spirit Tarot and illustrated it entirely with 79 original color block-prints. credit: Isaac Harrell “I mostly have written tarot-related articles and texts,” she explains, “and I was a touring belly dancer, so I've written lots of articles in that industry. I've always pretty much just written in my fields, but abundantly.” Onça, also a lover of witchy things and most everything non-mainstream, certainly stays busy but she has learned some key tips for survival over the years. “If I was trying to do all of the things every day, there wouldn't be enough time in a day to practice singing, practice piano, practice ukulele, organize an event, teach a tarot class, make a piece of art, organize a tour,” she says. “I couldn't put all of that in a day and still take care of my family.” She likens her work schedule to the agricultural year. “It’s a seasonal thing,” she says. “I've moved out of the winter season when you're in more of an introspective space anyway. That's when I get to turn inward: make music, practice instruments, do more visual art. Now we're coming to the season where I'm gonna be out and about doing events with people, travel, all that stuff. There's a rhythm to the agricultural year. You can't say, ‘Today I want to harvest because there's nothing to harvest in January. And that's how it is for me, with the creative process, you just have to understand there are times when you're creating, there are times when you're workshopping things and it's messy. There are times when you're polishing things so that other people can enjoy them. There are times when, frankly, 50% of being a professional creative is office work.” Her system obviously has been successful. She has an ability to create a magical atmosphere on stage and connect with her audience in a powerful and mesmerizing way but she's also a teacher and mentor to many young performers, helping them hone their skills and develop their own unique style. She's known for her generosity and kindness, always willing to lend an ear or offer advice to those in need. “I think one of the big challenges, particularly for women, is that if you don't grow up in the business background, then the challenge is you come into the arts filled with love and passion for art but no idea how to keep art alive, honest, and collaborative,” Onça explains. “I see women coming into business, self-made women, struggle a lot with ‘This was fun, so why does it now feel competitive? Why is there drama?’ I feel like a lot of that drama comes up because you come to something with love and passion and then are surprised if you don't have an infrastructure of how budgets work and how spreadsheets work and how contracts work. If I had a piece of advice for somebody, I would say if you're artistically inclined, study business so that you can make a living as an artist.” Another key to success, she says, is finding your tribe and getting the proper support. “I'm very lucky,” she adds. “I feel very well supported. They may not even be artistic in the same way that you are, but just finding other people in your life who understand what it is to be a maker or a doer or whatever your thing is. Are you a person who just really wants to have goats or you're a person who really just wants to hike? Are you a person who wants to go to music festivals? Whatever your thing is, finding other people who can understand the merit of making some space in your life for your passion, I feel like, is a huge part of mental health.” As part of that nod toward mental health, Onça warns about the cult of busyness that glorifies the hustle. “The hustle is not the point,” Onça says. “Being busy isn't the point. Making the art, relationships, or life that you want is the point. I had a therapist once say, ‘You have permission to not always do the hardest thing.’ Treat yourself as kindly as you would anyone else who came to you for advice.” Onça's impact on the burlesque world can't be overstated. Her impact in so many areas and on so many people cannot be measured. Through it all, she's remained true to her vision and her art, and her influence can be seen in the work of countless performers around the world. credit: Isaac Harrell Madame Onça is a true artist who has dedicated her life to her many talents and to sharing those talents with others. Long into the future, she’ll be known as a trailblazer, a mentor, and a friend to many. For more on Madame Onça, visit https://HardestWorkingWomanInShowbusiness.com . Questions or comments? Are you an artist looking for some feature love? Hit us up at the_keeleybrooks@mixedaltmag.com . Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. < Back Reviews on the Real: Blueprints for a Breakdown by T Mason & The Bricklayers Nicole Brice Apr 9, 2025 Share Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. The members of T. Mason & the Bricklayers , based in Baton Rouge , Louisiana are well-versed in creating music that resonates with audiences. Each member has been involved in various projects over the years, but they have now come together to make an impact in the reemerging pop-punk scene. Their latest release, Blueprints for a Breakdown , is a classic punk EP filled with catchy hooks, heavy basslines, and feel-good music reminiscent of the early 2000s. It truly captures the sound of my youth. Released March 9, 2025 Travis Mason 's vocal delivery is strikingly similar to Fat Mike from NOFX , making the comparison quite remarkable. He could easily cover a NOFX song. Joshua Selser is a powerhouse on the bass, and that's no exaggeration. He takes center stage with his playing, and the tone he adds to each song by T. Mason & The Bricklayers is undeniable. Andy Clancy ’s guitar playing is precise, creating a remarkable sound that ties the Bricklayers' overall sound together. Credit: Gary Governale Released March 9, 2025 , Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. Each time you hear it, the music feels even fresher than the last. After reading this review, I encourage you to check out the band's music. They have released quite a bit over the years. Let’s get into the tracks, shall we? Busy Signal – no lead-up – jumps right out of the gate – a solid track. Another Friday Night begins with that heavy bassline that I love. Travis then comes in on the drums, and Andy’s guitar parts are tight and energetic. Turn this one up loud! Shabang! A thunderous rolling of the instruments begins this track, which just starts going and never lets up. It's another solid tune. Sour Candy is my favorite track on the EP; however, all the songs are amazing. Everything about this song feels just right. The guitar parts at the beginning perfectly match the song's slower pace. I also really like the lyrics. ‘Sour Candy’ has a more alternative sound vs the pop punk sound heard on previous tracks. Stand on My Shoulders is another pop punk banger. It’s upbeat, poetic, and embodies the sound of T. Mason & The Bricklayers . Blueprints for a Breakdown is an enjoyable EP that is best listened to in the car with the windows down. This way, you can fully appreciate all the sounds it has to offer. The EP is now available on all streaming platforms, so add some local Baton Rouge punk rock to your playlist today. To learn more about T. Mason & The Bricklayers: YouTube: brick vs. window - YouTube Bandcamp: Blueprints for a Breakdown | T. Mason and the Bricklayers Facebook: Facebook Instagram: T. Mason & The Bricklayers (@t.mason_and_thebricklayers) • Instagram photos and videos Spotify: T. Mason & The Bricklayers | Spotify Apple Music: ‎T. Mason & The Bricklayers - Apple Music *Additional photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Drawing inspiration from Southern roots < Back Electric Age: Reinventing Sludge Rock with No Rules Nicole Brice May 16, 2023 Share Drawing inspiration from Southern roots Southern rock is distinct and heavy. Southern rock also has soul and can be very melodic at times and that is exactly where the music of Electric Age fits in. Formed in 2011, Electric Age is a southern sludge rock band out of Louisiana comprised of local music mainstay, Jason Ogle on bass, Shawn Tucker on guitar and vocals, and Kelly Davis on drums. With influences such as Corrosion of Conformity, Black Sabbath, Pantera, and Led Zeppelin these guys are forging their own path in the oversaturated music scene with their nonconformist approach to making music on their own terms. Paying attention to the artistry of the music rather than making tunes that are catchy, Electric Age’s songwriting approach is a refreshing nod in an industry full of prefabrication. credit: Gary Governale With prior projects such as Execution, Guilt Trip, and Slaves of Freedom, Electric Age’s Jason Ogle adds a veteran touch to the band on bass. Vocalist Shawn Tucker’s previous projects include Soul Erosion and Black Market Halos and his southern rock vocals show hints of influence from Dax Riggs amongst other notable southern vocalists. Kelly Davis’ savage skills on the kit round it all out and brings the sound full circle. The band has released three albums, Sleep of the Silent King (2016), Live at the House of Blues – Nola – EP (2017), and Painter of Saints (2022) with all being heavy, melodic, and just plain incredible. credit: Gary Governale - the band performing at Chelsea's Live in Baton Rouge May 6, 2023 Getting ready to begin work on their third album, I recently had the pleasure of taking these gentlemen to breakfast where we sat down and chatted about anything and everything. Personality, precision, and sheer talent are what makes the music of Electric Age so enjoyable, so sit back and dive into this entertaining conversation and then be sure to go stream all their music. MaM : Thank you for sitting down with me today. I was listening to your music on iTunes, because I’m an Apple girl and prefer it to Spotify and have a few notes I’d like to share with you about it. “The Threshold” – love it, “Priestess- Part 1” – wow, amazing! EA : ::in agreement:: Yeah, that’s all Shawn. MaM : Painter of Saints, the song = could be a soundtrack for WWE Monday Night Raw or an action film. Painter of Saints - released February 11, 2022 EA : (laughter) MaM : I’m a wrestling fan, so that’s why that popped into my brain. (laughs) Shawn : We’ll take it. MaM : Seriously, though, that song is so action packed, I could see it being on a soundtrack. Oh, and “Soothsayer” – ripping off Kashmir a little bit? (laughs) Jason and Shawn : We called it “Kashmir” when we were writing it. (laughs) Shawn : You don’t hear that too much. Just people straight ripping off “Kashmir”. MaM : My husband was sitting next to me and goes, “Are you listening to Zeppelin?” EA : (laughter) MaM : …and I go, “Noooo”. He goes, “Why does that sound like ‘Kashmir’?” and I pulled up the actual song and did the comparison and was like, “Holy crap”. Shawn : Yeah Jason : We talked about doing it. We were like, “You know what?”. Shawn : Yeah, you don’t hear too many other people using those chords. That’s why it’s so recognizable. Kelly : The white board in the room during recording, on it the song was called “Kashmir”. MaM : What was the inspiration behind having a song that sounds so close to the original? As far as the riff…I mean, it does, but it doesn’t. It’s that riff. Shawn : We didn’t really think too much about it, honestly, we had the riff and were just like, alright. Jason : We didn’t really make a decision like “ok, we know it sounds like that”, but we do love Led Zeppelin, so why not do it? credit: Gary Governale - Jason Ogle MaM : Well, yeah, of course. It’s a tribute to a legendary band. Shawn : We do a lot more power chording than Zeppelin ever did in that song. MaM : Also, the production sounds great. Who mixed it? Jason : I did all the mixing, but I didn’t mix the first album. MaM : You guys are a solid rock band that is hypnotizing in moments because of your breakdowns in songs. EA : Thanks credit: Gary Governale - Shawn Tucker MaM : COC with soulful vocals, too. I hear the Corrosion influence a good bit, which is awesome. You don’t ever hear people saying Corrosion is such a powerful influence on them with their sound. Jason : Oh yeah, definitely for us. MaM : I used to be obsessed with Pepper Keenan in high school. Don’t ask me why, though. (laughs) Jason : Most reviews we’ve gotten have been COC, Thin Lizzy. Shawn : Down, of course, too. It’s in the water, you can’t get away from it honestly. MaM : Well, yeah, it’s all part of the whole southern metal scene and culture. Shawn, your vocals are incredible, and you have such a soulful voice. Kelly : I tell him daily. (laughs) Shawn : Thank you. Jason : The first record was his first-time doing lead vocals. MaM : Really? Shawn : Yeah, I didn’t start singing until 12 years ago. credit: Gary Governale - Shawn Tucker MaM : So, have you had any formal vocal training, Shawn? Shawn : Well, I’d sing in the room, but no not really. One day I just started picking up the acoustic guitar and started singing. And then I practiced for two years straight before I ever did anything. MaM : Origins of the band. How did the band form? Jason : It’s a funny story. Kelly : It’s one of those stories where we all say, “We’ve got to get together and jam”. We ran into each other at a Slayer concert, and we actually did get together and jam. credit: Gary Governale - Kelly Davis MaM : So, you all already knew each other? Jason : I called Shawn and said, “Man, I really want to go see this show.” And it was Slayer, Anthrax, and Megadeth. MaM : What year was this? Jason : 2010? 12? We’ve been together 10 years now, but Shawn was kind of hesitant to go, but he rides with me, and I hadn’t seen or talked to Kelly in years. We had gone to high school together, but anyway, we’re in the beer line and that’s when we saw each other and thankfully, The Facebook is how I found you. MaM : I love how you call it “The” Facebook. (laughs) Kelly : Everybody always says, “We should get together”, but we actually did it. Shawn : Well, you started jamming together first ::looks at Kelly::. Jason : Yeah, we started jamming and actually Matt Dupre of Big Frank. MaM : I know Matt, I went to high school with him. Jason : Yeah, he goes, get Tucker to sing and I was like, “Man, he’s not gonna do it” and then you said… ::looks at Shawn:: Shawn : I’ll do it with a guitar in my hand. credit: Gary Governale MaM : And that’s just how it came to be. Jason : Cause I wanted to be the guitar player and I got kicked back to bass. MaM : You got kicked back to bass, so you don’t enjoy being a bass player? Jason : I didn’t at the time. MaM : Well, what about now? Jason : Well, now I do. It’s kind of like a ZZ Top type of metal thing. It’s a 3-piece. MaM : Well, and then the beards. (Kelly and Shawn have similar beards) Kelly : (laughs) credit: Gary Governale MaM : So, last release was just in February 2022, but as far as new music…what’s the direction for the band going forward? Jason : The first record was written as a concept record because Shawn had this vision and it was a big undertaking to make the first album, and it’s over an hour long and some of it was written with me on guitar. The second record sounds more like what we sound like now. On the first record, we hadn’t played a lot of shows and the third record will sound more like the second. MaM : So, would you say the second record defined your sound? Jason : Definitely. The 3-piece sound. The first record is so orchestrated. Some of the songs on the first record we can’t even play live, so we just don’t. Because they’re too complicated. We just can’t with 3 people. It was a concept record, so we didn’t hold back. We weren’t worried about whether we could play it live. When we do albums, we have album tracks. We know certain songs we can’t do live, but we don’t care. We’re making a piece of art. Kelly : It’s got keyboards, tambourine. Jason : Dog whistle? MaM : Cowbell? EA : More cowbell, please? (laughs) Jason : We have not used a cowbell yet. We’ve used beer bottles once. Shawn : Yeah, that was a failure. Jason : And the guy that made the record said, “Uh, no.” (laughter) credit: Gary Governale MaM : As far as the creative process, how do you come up with songs? Take me through that. Shawn : Different methods. For the first record, I demoed a lot of songs on an acoustic guitar and a little Tascam recorder and that worked, but now, Jason will bring a riff and I’ll bring a riff, or we’ll listen back to a recording of us jamming and then we’ll go over it, but there’s not really no set rules. It just kind of happens. A lot of times, we just write in the moment. While we’re jamming. Spontaneous. Kelly : Yeah, a lot of times, it’s just a free jam session and then we’re like, “What are we doing”? MaM : As far as lyrical inspiration…what inspires your lyrics? Shawn : I guess it’s more poetic and abstract, the way I write. The first album, no one knows what it’s about. That’s kind of a running joke. There’s no real meaning. It’s real ambiguous, but it’s up to anyone to decide what the song is about. Kelly : In fact, that’s what he told me one day. I was like, “Dude, I was listening to ‘Sleep of the Silent King’ and when you say this…what does it mean? “Uh…it’s open to interpretation”, he goes. (laughter) Shawn : That’s the beautiful thing about art, though. You can make it whatever you want. MaM : ::kind of hesitant:: May I ask what the title of the new album is? Shawn & Jason : We don’t know yet. Jason : Yeah, we have no idea. Shawn : We’re not done writing songs yet. We have quite a few written, but they just haven’t been working. credit: Gary Governale MaM : So, when are we expecting a completion date? Jason : We actually just signed to Argonauta Records again. They released our first record. Label out of Italy and they are going to take care of distributing it. We don’t want to rush the record, though. We’re pretty close, though, and my studio is set up, so we have plenty of time to record it. We’ll knock it out quick, though. MaM : So, you mentioned studio? Tell us a little more about that? So, you built your own studio at your house? Jason : Yeah, pretty much. Volume 10 Studios. I’m doing Branded for Exile’s record right now. I’ll be wrapping that up soon. But I’m fully functional. Ready to be recording bands and I’ve been recording since…I was always the guy that recorded. Whether it was a jambox or a phone, I was the guy putting it in the right spot and all that. MaM : Now, I want to know…of all the shows you guys have played, have there been any funny happenings or stories you could share? Jason : Kelly pissed off Meat Loaf’s daughter. (laughter) Kelly : Oh yeah, I can tell you that one. MaM : Oh, now I have to hear about this one. Kelly : We were playing at the Varsity and I’m stuck unloading everything by myself and I get it all in and then I decide to go sit outside. We’re opening for Anthrax and all of a sudden, a car comes zooming in and they block me in. I’m like “ah, man…what is this” and so I’m boxed in. Suddenly, I see Scott Ian and Meatloaf’s daughter, which is his girlfriend, start walking up to their tour bus. Nowhere am I thinking about this dude being like my high school idol, instead I’m like, “Hey dude, is your car going to stay there all night?” (laughs). Scott Ian, though, super cool goes…”I don’t know, talk to my girlfriend” and he goes in the tour bus and she comes up and says, “Oh, I have to go get the guys some food and I’m going to be in and out all night, but I’m going to be moving it” and so I tell her that I’m going to just get out of her way, right? It’s crazy, though, because there was Scott Ian. So, I tell Jason and Shawn about the story, and they go, “So you cussed out Scott Ian’s wife?” and I said, “No, I just asked her if she was going to move her car” and they’re like, “You were yelling at her, right?”, but the legend is that I cursed her out and there was a confrontation. (laughter) It just sounds cooler. Jason : There was one time they left me at TSA by myself. (laughter) Jason : When you left me at the airport? ::looks at the guys:: I bought an amp I could fly with and so I had the amp in my luggage and I didn’t unload all my electronic devices and when they slid it through the x-ray machine, it looked like a bomb. TSA grabbed me and I looked up and the guys kept walking and just left me. Kelly and Shawn : We didn’t know. (laughter) Shawn : I didn’t know you brought a bomb, bruh. credit: Gary Governale MaM : So, memorable shows…are there any shows that are memorable you have played? EA : Anthrax…Crowbar and Goatwhore at the House of Blues. Shawn : Oh, and the Acid Bath benefit show at Twist of Lime after the flood. MaM : What was this benefit show? I must have missed this. Shawn : It was a benefit show after the flood of 2016 and Jason played bass in Acid Bath with the original members and Ben Michon filled in for Sammy, because he was on tour. Jason : We played a set, though, but they had these jam sessions, too with everyone. It was fun. MaM : I can’t believe I missed that. So, as far as bands you have not played with, but would like to…who are they? Jason : I know of one. COC. MaM : COC comes here a good bit, too. Jason : We had King’s X. Shawn : Yeah, we were gonna play with King’s X except COVID got us. MaM : I remember King’s X was going to be at The Varsity. Shawn : Yeah, we were on that show. credit: Gary Governale MaM : As far as the state of local music now vs then, do you think things have changed for the better or worse? Of course, things are different post COVID, but things are starting to look up. Jason : It’s worse. The all ages shows, I mean…I don’t understand why they don’t have all ages shows like they used to. We used to have them all the time. I don’t see any bands doing that anymore. All you have to do is go rent a civic center. There’s really no venue, though, for the all ages shows…I mean, Mid City ballroom, but… MaM : So as far as aspirations for the future, where do you guys see the band headed? Jason : I think we all agree that we’re comfortable right where we are…writing records and putting out music. We like to play shows, but we just kind of pick what we want to play. With no pressure, it’s fun. Shawn : Yeah, it’s just about creating at this point. MaM : Any parting words or anything else we can let our readers know about you? Shawn : We’re just out here having fun and if people like what we’re doing, that’s an added benefit. Kelly : We’re just good friends. Jason : Yeah, we’re not just a band, we’re a family. - To experience all that is Electric Age, be sure to hop on over to their Spotify and then download their tunes via Apple Music. Be sure to check them out on social media, too, and give them a like and follow. Electric Age (facebook.com) Jason Ogle (@electric_age) • Instagram photos and videos Electric Age (bandcamp.com) Electric Age | Spotify ‎Electric Age on Apple Music Argonauta Records - YouTube *Cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. < Back Gino V.: Redefining the Music Scene with Rhythm and Soul Nicole Brice Oct 20, 2023 Share Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. In South Louisiana, we have a rich musical landscape with bands playing many genres of music. From rock to zydeco to metal and everywhere in between, the market is saturated with talented individuals all looking to showcase their craft to the masses, and in the ever-evolving landscape of music, there are those rare individuals who possess the talent and vision to create something truly unique. When I first stumbled upon the Gino Vallecillo (aka Gino V.), I was blown away because it was unlike anything I’d ever previously heard, and it did not fall into one category. It’s a little bit of pop with a little bit of soul and a little bit of rhythm & blues. To be frank, it’s just good. Credit: Gary Governale Hailing from the town of Delcambre and stabilizing himself as a fixture on the local music scene in Lafayette, Louisiana, Gino V. has made a name for himself with various projects, including being a touring musician and playing in such bands as Sailor Mouth, Random Animals, HoleOpener, and The Band Forgiven. Gino’s diverse range of projects shows he is a man on a mission to be heard and seen. Multi-talented, Gino plays drums and sings, which is no small feat. With unparalleled skills and an ability to seamlessly blend various genres, Gino possesses an innate musicality—one that is sure to leave an indelible mark on the industry. Born and raised in a musically inclined family, Vallecillo was exposed to a diverse range of music from a young age where he absorbed the various musical styles, forming the foundation of his artistic journey that shows no signs of slowing down anytime soon. Having just released two new singles independently under his solo brand with the tunes “Shine” and “Back Home”, we were able to steal a few moments of Gino’s time to chat with him recently where we spoke about the state of the music industry as well as upcoming projects in the queue and what the future holds. Take a moment to read a little more about Gino V. and then be sure to check out his music on all streaming platforms. MaM : Thank you for speaking with us this morning. We did a little research on you, and it is insane how many projects you have been involved with over the years. Tell us a little background and history on you. GV : Well, my full name is Gino Vallecillo, but I shortened it to Gino V. because I’m Hispanic but grew up in Cajun Country. Since people have slaughtered my name my entire life, I figured it was easier for people to remember it this way. They can’t mess up Gino. I’m from Delcambre, which is south of Lafayette – about 35 minutes. I started playing drums around 12 years old but didn’t start playing on a kit until I was 14. I’ve been singing as long as I can remember, too, and I grew up in a very musical household where no one else played instruments, but everyone loved music. My dad is from Honduras, so I was exposed to salsa, mambo, and bachata dance styles early on—a lot of Afro-Cuban stuff. He was also into disco and soul music, so I absorbed that influence as well. My mom was more into rock from the 50s and 60s and also into 90s country, so I have those influences, too. Now, my brothers were the ones who liked hip-hop and R&B, so that kind of changed me. As a youth, it helped me to create the gumbo, if you will, of influences that got me here. Initially, when I first started, I was gigging in hardcore and metal bands from the time I was 14 and 15 years old, and that went all through college. In 2015, I decided to move on from the group I had been playing with for the past six years so I could start doing my own thing. I started trying to fill the pool with my singing again because I had taken a hiatus from it to focus on playing drums. I had been gigging in Lafayette in the heavy scene for a while but then decided to jump over to do more soul, blues, and R&B, which in Lafayette, oddly enough, is divided. You do have a few of us that do kind of catch every genre, but there’s so much out here including zydeco, which is huge. Credit: Gary Governale MaM : Obviously. GV : You can go out and see many genres in Lafayette, though, but I started taking the jump to do something different. Then in 2017, I started a band that I had initially hoped would be a dirty blues band, but it wound up taking shape to be more R&B-esque with a little rock influence. We were called Sailor Mouth. For about four years, I was in Sailor Mouth, and then in 2021, I was allowed to go on the road with a national recording act for about seven months. I got to experience the world and travel the country, and it lit a fire under me. Being out there inspired me, and I came across many musicians who had given their lives to other artists with nothing that was truly theirs. People don’t realize it, but the music industry is extremely hard. It’s one of the toughest industries to be a part of because it takes so long to establish yourself. There’s no security either. The best way to establish that security for yourself, though, is to have your own thing to fall back on no matter what. MaM : So true … go on. GV : After coming home from that road gig, I didn’t have my own thing anymore, so with the help of one of my best friends, we were able to write “Shine”. He has been super influential in my taking this next step. For the past year, I have written a ton of music and am sitting on close to 20 songs. Credit: Gary Governale MaM : Oh wow, that’s a lot. GV : “Shine” is the first release and I have some more music I want to release. My goal is to just continue to build my discography and try to elevate my brand. I have a lot of cool things coming up. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier? GV : To be honest, I feel it’s a little bit of both. I use Distrokid and with that, there’s a lot of content put out because anyone can use it. I do think that because everyone is using streaming services our attention spans are not what they used to be, and for me as an artist, I don’t think I’ll be putting out a full record anytime soon. It would take so much of my time because I would obsess about every single detail including tracking and flow. I feel like singles are the way to go for me to establish my discography. I do like where technology is these days, but I think we’re on a different playing field than where it used to be with music. Credit: Gary Governale MaM : I can agree especially with the whole attention span thing. I couldn’t tell you the last time I listened to an entire album. I keep my music collection on shuffle, so it’s ever-changing. It’s crazy to think how far the industry has come and to think about how much things have changed. Of all these bands you have played in, are any of them still active? GV : Well, with Sailor Mouth, we are on a hiatus. A member moved and one had a baby and then I went on the road. Our guitarist is the guitarist for Wayne Toups right now, so he’s got that gig. Life just happened. I do still play for a very small circle of people currently. I still play for Ray Boudreaux. He’s a singer from Carencro and was on The Voice back in 2013. I also play for a soul singer out of Port Barre named Sarah Russo, who is incredible. I have a few projects. This is what I do full time and it’s what I want to do. Credit: Gary Governale MaM : So, mad respect for the fact that you play drums and sing. I’m not gonna lie: It looks difficult. How do you stay coordinated? How did you hone that skill to where you are just rockin’ the hell out of it? GV : Well, I think that it kind of started when I was younger. I was actually rapping and drumming when I was 14. I kind of dipped my toes into the water just to see if I was capable. Getting into the heavy scene, I found other drummers doing it in rock and metal bands. I got into Atreyu big time and Brandon Saller was a kick-ass drummer who sang. Underoath, Aaron Gillespie, another band with one who plays drums and sings. I was always inspired by it and wanted to do it. In 2016, I found Anderson .Paak and was very inspired by him, and I think that was one of the things in 2016 that gave me a kick in the ass when I saw him live because I knew I could do it. I wasn’t where I needed to be because I needed the mic time, but I knew it could be done. You’re not gonna get good at it unless you’re doing it constantly, so I’m always singing. Credit: Gary Governale MaM : That leads me to your new song, “Shine”—how did the lyrics come about for it? The entire vibe is so strong. GV : So, I had just come off the road and was trying to establish what I was going to do next. Josh, my homeboy, sent me the basic riff while I was on the road, and I had started messing with it. When I found the time to sit down, the song just poured out of me. The melody hit first and then the words came. The song “Shine” in general, I believe, is my outward expression of gratitude for the love I received from my partner. I went through some dark times in 2020 and I would have never gotten through them without my partner in my corner. So, the song is essentially that, but I think it’s up to interpretation, you know? It could be whatever that light in your life is, whatever that thing is that you can cling to that kind of pulls you out of the darkness when it doesn’t really feel like that’s possible. MaM : I can definitely resonate with that. You said for the rest of the year you plan to release singles, but what are your goals for the remainder of 2023 and into 2024 and beyond? GV : I want to continue to release music and I would love to do more on the local festival circuit. I’m going for Festival International next year here in Lafayette. I’d also like to do more road gigs … maybe travel through the Bay St. Louis area, maybe Mississippi, New Orleans, Baton Rouge, Lafayette, Lake Charles, and then go through Texas. The biggest thing for me right now is elevation. I want to take what I’ve been doing and do it on a new level. As Gino Vallecillo’s musical journey continues to evolve, his future projects will undoubtedly push the boundaries of contemporary music even further. His unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. To check out the music of Gino V., just hit one of the links below! DistroKid : Shine by Gino V. - DistroKid Linktree : ginovmusic | Instagram, Facebook | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The LA Phantoms have the strength and will to create music that resonates. < Back The LA Phantoms: A Louisiana Punk Band with a Rich History Nicole Brice Nov 4, 2024 Share The LA Phantoms have the strength and will to create music that resonates. The LA Phantoms , a Louisiana punk band, has a rich history of resilience and readiness to face any challenge. Since the early 2000s , the band has seen many line-up changes and iterations, but their strength and determination to create music that resonates with their audience have never wavered. We are thrilled to share their story with you. Credit: Gary Governale Formed in the early 90s under the name Mystic Fix , the LA Phantoms are a homegrown band originally from Ville Platte that moved to Lafayette, Louisiana . There, they underwent numerous line-up changes due to member deaths and other tragic circumstances, but they never stopped. With even more changes since then, The LA Phantoms have emerged today through these trials and tribulations, ready to conquer the musical landscape. Today, the band is fronted by Cutty and Mac , who share vocal duties. Cutty , who also plays bass, Mac on drums, and Jaysun Birdman on guitar round out all the band duties. Sometimes, they'll invite other musicians on stage with them, too, because it is all about the music. This trio is brimming with anticipation for the new era of punk rock they are about to be a part of, with new music set to be released in 2025, and we cannot wait. I had the absolute pleasure of hearing this new music, and I can assure you, it's something to look forward to. A vast range of influences have solidified the LA Phantoms ' tight sound, and they are dedicated and determined to leave their mark on music history. To describe the LA Phantoms ' music, it is good, solid punk rock. There is no fluff, no frills, just straight-up enjoyable punk rock. The LA Phantoms , a trio of humble yet immensely talented musicians, embody a relentless drive and determination to push the boundaries of their craft. Their unwavering commitment to their music is admirable, and we eagerly anticipate what the future holds for them. Mixed Alternative Magazine had the privilege of engaging in a profound conversation with the LA Phantoms , and their love and dedication to their craft was genuinely inspiring. Read on to learn more about their journey. MaM : Let’s dive into your band history. Tell us a bit about how you got started and where. Mac : This band was an incarnation that spawned from another band. A punk band was called Mystic Fix . Mystic Fix was formed in the early 90s , around 1994 , in Ville Platte , Louisiana , by our brother, Chris . It was Chris and James , and another guy named Timmy on drums, who is my brother-in-law now, so then they moved from Ville Platte to Lafayette , and the other guys from Ville Platte fell off, and Chris continued with us with a different line-up. The line-up fluctuated between various people until it ended up being me, Cutty , Chris , and Luke Duke . We played a few shows with that line-up, but Chris wanted to play more rock n roll, and he was discovering bands like Nashville Pussy and Speedealer – a lot of Southern rock stuff. Mac Black by Gary Governale Eventually, he told me he didn’t want to go on with the name Mystic Fix anymore. He then said he wanted to start another band with more of a rock n roll approach because he thought it would give us more gigs across the country. He didn’t want to be pigeonholed into the whole punk rock scene. Fewer dive bars and bigger, more prominent venues. This all happened about 2001 , and that was when we officially started The LA Phantoms . It was me , Chris , and Luke Duke ( Choke ). We wrote and recorded an album and put it out. Luke lived in Lake Charles , and Chris lived in Lafayette . Luke eventually fell out because he couldn’t commute from Lake Charles to Lafayette to rehearse. We ended up getting another guy, Damien Miller . Damien was the bass player for that run of LA Phantoms and passed away in 2007. That run of The Phantoms went from 2001-2005 . Also, Creosote Jones from Cheater Pipe played with us for a few years and helped write many songs with us. Credit: Gary Governale Cutty : We also had a harmonica player. He did lead harmonica solos. MaM : Man, I’d be curious to see how that fits in with your sound. Mac : We have a link to it. We can send it to you. MaM : Yes. Please send me the link. Cutty : It gave it kind of a blues edge. It worked with the formula. It was kind of like the song “ Electric Worry ” by Clutch . They have harmonica on that song. MaM : So how did you get to the band's current incarnation? Mac : Chris died. MaM : Oh wow … Mac : In 2005 , my wife Jessica was terminal, so I had to quit the band because I couldn’t really play shows or go anywhere. We had been gigging everywhere from Austin to New Orleans , and I couldn’t go on the road because my wife needed me. Mac Black by Gary Governale MaM : I’m so sorry, man. I understand. Mac : I quit the band, and Chris started Mystic Fix back up with some other guys in Ville Platte . He started having trouble with his drummer because of his lack of interest. After my wife passed away, he asked me to join the band because he had recently signed up with a local label in Carencro . Chris gave me a cassette of the songs he planned to record, and I learned all the songs. The last show was at a skate park in Lafayette , and I got on stage to sing with them. This was June 10, 2007 . On the next day, June 11th , Chris passed away, and then I found out on my birthday, June 12th , that he passed. We were devastated by this. To help with his funeral expenses, they asked me to put together a band to gig and help make money to pay for his funeral. I told them we would learn all the songs Chris had created. Chris’ girlfriend sang for us, and we raised a few thousand dollars and were able to bury him. Chris’ girlfriend later became my wife. Her name is Julie Jab . Then there was this guy named Shane , who played bass briefly. He was like the Sid Vicious of Lafayette—a lot of stage presence. Credit: Gary Governale MaM : Then what? Mac : We got Cutty . Me and Cutty had played in Mystic Fix , and he was with us when we were writing the early songs with LA Phantoms , and he came back once we got rid of Shane . Then we gigged like that till my wife had a heart operation. She had a valve replacement. She couldn’t continue with us. Then I started a band called Black Feratu , with my friend James Feratu . That was metal , and we did it for a few years. Then, the original guitarist for Mystic Fix was on his deathbed and was not doing well. He decided he wanted to play another run of shows, so he and Luke went with Cutty and I , and we started doing Mystic Fix songs. Still, we decided to do some LA Phantoms songs, too, but then James got on the stage one night, and he could only do half a song, and he was on a tank of oxygen and just couldn’t do it anymore. Cutty by Gary Governale MaM : Wow, bless his heart. Cutty : Yeah, his last performance was in Lafayette at The Boom Boom Room . He was convinced he could stand up and play the songs. We tried to persuade him to sit down, but he stood up like a soldier and tried to troop through the song. Unfortunately, he did pass out, which was James ’ last performance on stage. MaM : To me, that is badass because that shows his dedication to music. Cutty : One of the toughest MF’ers to get on stage. MaM : I admire people like that, man. Those are the actual soldiers. Mac : That’s right. Till we die, we don’t stop. Cutty : Unfortunately, he did. MaM : You all have an interesting story. Mac : Tragedy at every step. Cutty : Today, we are coming to you for this interview from the slab that used to be Changes . Mystic Fix was pretty much the house band at Changes . Love it or hate it, but if this slab could tell stories, we could write an incredible book. Credit: Gary Governale MaM : Reminds me of the Dischord House and how well-known it is. Cutty : The sacred slab. Mac : Until it burned down. MaM : You’re back to where it all began, and it is fortunate that we are doing this interview today. Brings back all full circle. Let’s get into the music. Your music blows me away, and I can’t wait to market it. When are you planning to release the songs you sent me? Mac : We just finished mastering them and got the final footage for the video we are putting together of ‘ Slow What .’ The plan is to release everything simultaneously on all platforms, though. MaM : I think that sounds great. It's punk rock meets melodic thrash punk. It has a unique sound. I love the heavy bass on ‘ Slow What ,’ when the guitar comes in, it’s strong as hell, man, and that whole song takes off. It reminds me of The Melvins meets Tad . That’s the first vibe I got. With ‘Tight Grip,’ that song is aggressive out the gate, and then ‘Vampire,’ has that whole Van Halen ‘ Hot for Teacher ’ vibe. What inspired you to come up with your sound on these tracks? That is the LA Phantoms sound. Mac : It’s just all our influences. I wouldn’t say I like being put in a box. Cutty : A broad spectrum or prism. Without it, you’ll be limited and boring. We try to expand as much as we can. Credit: Gary Governale MaM : Who are your influences then? Cutty : The Misfits , Social Distortion , Slayer , Corrosion of Conformity Mac : James Brown , Taj Mahal , Sly and the Family Stone . Cutty : We also have another element of the music you haven’t heard yet. It’s more funk and blues. It's like Minutemen meets Sly and the Family Stone . We also have a small catalog of that. MaM : I can’t wait to hear that! You guys are talented as hell. Let’s do this. What is your ultimate goal as a band, and what are you looking to accomplish with your music? Mac : Our short-term goal is to release this music and expand our range of gigs. We have only been playing mainly in Lafayette and Lake Charles . We want to play Metairie and New Orleans more, maybe even Texas . In the long term, I’d love to tour Europe . My friends do this already, so I feel it’s achievable. Jaysun Birdman by Gary Governale MaM : Let’s make this happen. What is about music that makes you passionate? Cutty : It’s a release. You can have all these problems – weights and burdens on your back, and when I pick up my instrument, everything starts coming together. Even if it’s just 15 minutes or two hours, it makes everything okay. Jason : The creativity and playing live. There’s nothing else like it. I love the camaraderie we have. We played a show with Choke recently. They are awesome guys. Super cool. I love hanging out with everyone because we have so much in common, and everyone is so supportive of each other. Mac : Music sets me free and connects me to the universe. It connects with all is one, and one is all when I play music. It’s flow. It puts you in this flow state. Credit: Gary Governale MaM : They say music is medicine, and the Chinese symbol for medicine is like music. Tell me about the worst show you’ve put on so far, and then tell me about a good show you played. Cutty : I can’t focus on a bad show because it broadens the human horizon even if we mess up. We’re all people. It’s like a joke. If you trip, are you going to laugh with the crowd, or are you going to get laughed at, pissed off, and make an entire burden about it? You don’t do that. It would be best to roll with the punches because even a horror show is still a show. We’re out. We’re playing music. We’re having a good time, and we try to make the best out of it. That’s about it. As far as the best one? With these two guys, it’s always good. Mac : I’d have to say the last show or the ones going on right now are the best ones. The worst show I’ve ever shown is when there is violence at the show. Someone would be throwing bottles at us, or someone would come into the club with a gun or just incidences like that. Just don’t stop playing unless we have to chase someone out. Cutty : Now, if we got hit with a bottle, we’d have to beat the piss out of them. (laughter) Cutty : It’s just expected. (laughter) Mac : Well, the time with the gun, we didn’t stop playing. They walked in with the gun, pointed it at someone, and that was it. Credit: Gary Governale (laughter) MaM: If you could share the stage with anyone in the future, like your dream show, who would you pick, and why? Cutty : I would say opening for The Misfits and Suicidal Tendencies. That would be the perfect show for me. Mac : I have to concur. MaM : In the next five years, where would you like to be as a band? Mac : Touring Europe and playing big festivals. Credit: Gary Governale MaM : If someone approached you and asked you to describe your music to them, how would you sell it to them? Mac : Gangster Punk Rock n Roll (laughter) Cutty : I like that one. What was the phrase you wanted to put on shirts? Mac : Vampire bank robbers from outer space (laughter) MaM : Last question – how does music inspire you daily? Mac : To get up in the morning and face the world. Motivation to work out and live life. Credit: Gary Governale MaM : Same Cutty : Adrenaline and therapy – when you combine the two, that can also have a positive effect, and for us three, it works. MaM : Oh yeah, 100%. Jaysun : It helps me grow. I like to learn new stuff. I’m a student of the game. As The LA Phantoms prepare to embark on a new year with new music, they will undoubtedly begin to build a following. Stay tuned for much more from this trio. To learn more about LA Phantoms : Facebook: https://www.facebook.com/profile.php?id=61559706162429 *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. < Back Juan Blak's Interpretation of Tina Turner's "One of the Living": A Powerful Metal Metamorphosis Erica Machen Oct 27, 2023 Share Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. " You're one of the living, and if we can't stick together … " These words echo with profound resonance as Juan Blak brings this sentiment to life. He not only captures the essence of these lines but embodies their message in a remarkable way. By uniting a diverse group of living music artists for a cover of the late Tina Turner's ' One of the Living ', Juan Blak achieves something magical. It is truly an auditory delight. Over the course of roughly 22 years, Juan Blak been a part of the heavy metal scene in Los Angeles and later in Indianapolis . He reveals that his relocation to Indianapolis has yielded more musical progress than any of his time spent in Los Angeles . The connections made through his journey with his band BlaK SundaY and his own ever-evolving talent culminated in this incredible collaborative cover, redefining the sound of the rock anthem. Photo provided by artist This bold undertaking features Juan Blak on lead vocals, AIR-IK of Willow Wisp on guitar, Gene Migaki of Thorns of Sin on bass, Justin Hall of Artificial Zero and Synkhole Studios producing. What was once a classic rock song with outstanding vocals has now evolved into an eargasmic blend of metal and industrial rock. The infusion of heavy bass lines, symphonic vocals, and just the right touch of synth elements offers listeners a fresh perspective on the lyrics. GROUP As I sat astonished at what my ears were hearing, the lyrics took on new meaning to me. What once brought on the thoughts of Mad Max ’s post-apocalyptic world and survival now brings on the feelings of surviving life in the present. The depths of the lyrics are pushed by Blak’s force of a voice as the heavy instrumentals and synth deliver like a stake right through the heart of listeners. Lines like " They always said that the living would envy the dead " tug at the weariness of the human experience yet ultimately inspire us to persevere. In this metal-inspired rendition, Blak's unique baritone sound and tenor range shine, with hints of Chino Moreno from Deftones , making ' One of the Living ' an extraordinary listening experience. Even if you've never considered yourself a fan of metal, this cover demands your attention and leaves little room for disappointment. Blak's talent and vision are undeniably a force to be reckoned with in the music world. Photo provided by artist Blak mentions that a music video for ' One of the Living ' was in the works but was temporarily sidelined by his commitments with BlaK SundaY . The band remains his primary focus, as they are set to release their new album, Songs of Love, Death & Revolution , on Halloween. With live performances, recording sessions, and jam sessions, Blak's solo project serves as a fun creative outlet for him as well as an avenue for exciting collaborations with friends. In anticipation of their album release, BlaK SundaY has already shared a couple of videos, ' 11:59...Midnight ' and a cover of The Sisters of Mercy 's ' Lucretia, My Reflection '. Blak Sunday '11:59...Midnight' Whether you explore Juan Blak as a solo artist or immerse yourself in the sonic world of BlaK SundaY , you're in for a musical journey that's bound to leave a lasting impression. Don't miss the chance to witness his artistic prowess unfold. To learn more about Juan Blak: Bandcamp: https://juanblak.bandcamp.com YouTube: https://youtube.com/@JuanBlaktv Patreon: https://patreon.com/blaktv www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ghost is an EP filled with raw emotion. < Back Reviews on the Real: Brett Carlisle Haunts the Heart with New EP Ghost Nicole Brice Jun 30, 2025 Share Ghost is an EP filled with raw emotion. Brett Carlisle, an Americana, Southern soul, and Outlaw country musician from Alabama, presents a soul-stirring collection of songs on his latest EP, Ghost , which was released on June 20, 2025 . This collection features six tracks filled with deep emotion, drawing you into heartfelt lyrics sung by Brett's soothing voice. Released June 20, 2025 With raw emotion and timeless storytelling, Brett’s honesty shines through in his music. The lyrics resonate deeply with me; his pain feels like my pain, and his triumphs feel like my own. Brett has a unique ability to connect with his audience in a way that is difficult to put into words. It goes beyond mere music; it evokes a profound feeling and energy. This EP lingers long after the final note has faded away. Brett first came to my attention through Bud Gambrell , our incredibly talented writer and photographer based in Alabama. Bud has a remarkable ability to discover great talent, and I am grateful to him for introducing me to Brett's music. If you enjoy vivid storytelling and authenticity, then Brett Carlisle's music is a perfect fit for you. Let’s dive into these new tracks! Ghost – hauntingly beautiful. I love how Brett's stories portray relatable experiences of life, loss, and longing. 405 -an upbeat and toe-tapping tune that starts jamming out the gate speaking of life’s trials and tribulations Alabama Devil – a compelling contrast between light and dark. Brett’s raspy voice on this track adds significant character to the lyrics. Sins of Kin – an absolutely beautiful song Worn Out Shoes - an upbeat acoustic track filled with depth and soul. Brett's voice is remarkably strong, delivering a song that explores themes of soul searching and life experiences. The song is solid throughout, but it really takes off at the 1:44 mark when the rest of the band joins in, creating an uplifting build that continues to grow. On the Radio – this song demands to be played loudly – and that's exactly what I did – I found myself cranking up the volume on my headphones for this track. Official music video for 'On the Radio' by Brett Carlisle If I were to rate the Ghost EP by Brett Carlisle, I would give it a perfect 10/10. It is heartfelt and impactful, leaving you wanting more. I highly recommend streaming it on your favorite music service today. To learn more about Brett Carlisle: YouTube: Brett Carlisle Music - YouTube Apple Music: ‎Brett Carlisle - Apple Music Spotify: Brett Carlisle | Spotify Facebook: Brett Carlisle Music Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New titles streaming in December boast Reacher Season 2, Percy Jackson and the Olympians, and Marvel’s What If … ? < Back December 2023: What to Stream Keeley Brooks Dec 6, 2023 Share New titles streaming in December boast Reacher Season 2, Percy Jackson and the Olympians, and Marvel’s What If … ? Well, kiddos, it looks like the streaming pickins are slim again this month, but not too slim, and just in time for the big holiday break. If you’re a fan of Christmas content, you’re in luck because there’s plenty of that to go around. If you’re not a fan of said content, you’re still in luck because there are several new titles arriving to your favorite platforms. December sees the premiere of Reacher Season 2 and the new Percy Jackson adaptation, as well as the animated Marvel offering What If …? Here’s a list on the most noteworthy titles dropping in December. Culprits (Dec. 8 on Hulu) Who doesn’t love a good heist thriller? This British series follows a crew of experts who apparently pulled off a big job and have since scattered and taken on new identities while the heat of the robbery dies down. Only, they’re pulled back together when someone starts killing them off one by one. Starring Gemma Arterton ( The King's Man ) and Eddie Izzard ( The Lost Symbol ). The Crown (Dec. 14 on Netflix) Queen Elizabeth’s reign is coming to an end, and after the first half of Season 6 dropped in November, the second half is finally here to wrap things up. The final six episodes will pick up in the aftermath of Princess Diana’s unfortunate and untimely death and will follow the royal family as they try to pick up the pieces after her passing. If you're watching A Murder at the End of the World on Hulu, you'll recognize the actress playing Princess Di. Reacher Season 2 (Dec. 15 on Prime Video) With its healthy mix of an excellent cast, plenty of action, and an intellectually stimulating plot, Reacher Season 2 will no doubt be another success. When veteran military police investigator Jack Reacher (Alan Ritchson, of Blue Mountain State ) receives a coded message that the members of his former U.S. Army unit are being mysteriously and brutally murdered one by one, Reacher leaves his drifter lifestyle to reunite with former teammates and see what’s up. This season promises to be a hard hitter, so buckle up. Leo Reich: Literally Who Cares?! (Dec. 16 on HBO and Max) Gen Z, apparently your leader has arrived in British comedian Leo Reich. His one-man show is sure to let you know that being young is “literally so hard, guys.” Reich takes aim at his generation of loafers through jokes and song, where he also discusses victimized phone zombies and the decrepit, apocalypse-creating, election-rigging oldies who made his life so hard. (His words, mostly). Percy Jackson and the Olympians: Season 1 (Dec. 20 on Disney+) Based on the best-selling book series by Rick Riordan , Percy Jackson and the Olympians tells the fantastical story of a 12-year-old modern demigod who’s just coming to terms with his newfound divine powers when the sky god Zeus accuses him of stealing his master lightning bolt. With the help of his best friends Grover and Annabeth, Percy Jackson embarks on an adventure of a lifetime to find Zeus’s lightning bolt and restore order to Olympus. Rebel Moon – Part 1: A Child of Fire (Dec. 22 on Netflix) Finally, famed director Zack Snyder’s long-awaited franchise arrives this month. Hitting Netflix right before Christmas, this mega-budget sci-fi action flick is inspired by the works of Akira Kurosawa , the Star Wars films, and Heavy Metal magazines and will no doubt feature Snyder’s well-known slow-motion effects. When a colony on the edge of the galaxy finds itself threatened by the armies of the tyrannical Regent Balisarius, they dispatch a young woman with a mysterious past to seek out warriors from neighboring planets to help them take a stand. Rebel Moon boasts big names like Charlie Hunnam ( Sons of Anarchy ), Michiel Huisman ( The Haunting of Hill House ), Djimon Hounsou ( Black Adam ), Sofia Boutella ( Kingsman: The Secret Service ), and Ray Fisher ( Zack Snyder’s Justice League ). Rebel Moon – Part 2 will be out in April 2024. What If … ?: Season 2 (Dec. 22 on Disney+) Though the Marvel fandom seems to be cooling off a bit these days, there’s one title in the MCU hoping to heat things back up. Providing standalone thrills (somewhat) safely disconnected from the larger MCU narrative, this animates series reimagines characters and familiar scenarios in fun, intriguing new ways. Season 2 boasts a batch of new stories following Hela, Korg, Black Panther, and more. Letterkenny Season 12 (Dec. 26 on Hulu) Pitter patter, let’s get at ‘er, dammit! One last time, at least. The cult Canadian sitcom created by (and starring) Jared Keeso returns for its final season at the end of this month. This beloved rural community features hicks, hockey players, emo-goths, and other eccentrics as they happily live out their days making bawdy jokes and engaging in lightning-fast wordplay. Season 12 sees the small town contend with a comedy night at Modean’s, a country music hit, the Degens’ bad influence, a new nightclub, and an encore at the Ag Hall. Happy watching, and Happy Holidays, my friends. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stone Deep < Back The OG’s of Rap and Rock Fusion are Back Nicole Brice Jan 11, 2023 Share Stone Deep The late 80s/early 90s was a time when many types of music fused to form new genres. During this time frame, rap music started joining forces with rock to create a new sound—a unique sound, one which had never been heard before. Many consider the merging of RUN-DMC with Aerosmith as the kick-off to it all, but little do people know, there was another band paving the way for this new sound in the early 90s and although they are lesser known, they truly are the OGs of Rap/Rock . Stone Deep was formed in 1992 as a reincarnation of The Hard Corps in Music City USA (Nashville, Tennessee) , the mecca of country music . The Hard Corps rose to national prominence in 1990/1991 with their debut release produced by RUN DMC ’s very own, Jam Master Jay , and they even had the honor of sharing the stage with Ice-T and Body Count as part of their national tour in support of the album, Body Count . The group’s momentum died, though, after their booking agency, label, and management folded overnight and so, in late 1992 , the group’s core members formed what was to become Nashville and later Stone Deep . Photo provided by artist In 1993 , the band began assembling their five-song demo , which was distributed to press outlets, venues, and labels. They also sold it at live performances to fans. With songs such as ' Faces of Death ,' ' Finger to the 40 ,' ' Running Man ,' ' Stop Squawkin ’, and my favorite, ' Whoville ' , they solidified their sound and proved they truly were innovators in the genre of Rap/Rock . After many years of being on hiatus, Stone Deep has re-emerged as of 2022 and are looking to take back their crown as the OGs of the Rap/Rock game , and their sound proves to be unmistakable and full of flavor for your ears. Photo provided by artist I recently reached out to them after discovering their music on Instagram , which if I haven’t said it before, is an excellent space to search for and discover new bands and artists . I had luck and made the acquaintance of guitarist Glen Cummings and vocalist Ronzo “The beast” Cartwright , which turned into an incredibly enjoyable chat and interview. If you haven’t checked out Stone Deep ’s music, it’s a must-do, right after you read this interview. I insist. MaM : Let me just start this by saying that you guys have an incredible story—one that needs to be told, and thank God for Instagram because when I discovered your music, I was like, “Where has this band been all my life?”. You guys truly are the OGs of Rap/Rock. RC : Right! We truly are, but that’s the thing: All the beginners in these genres sort of get pushed under, then the pop versions come out and usually get the recognition and all the attention. MaM : Yes, I can agree with that. I am so impressed with everything you all have accomplished, and the fact that The Hard Corps were signed to Interscope just blew me away, not to mention you had Jam Master Jay producing your debut album, and that is iconic. I wanted to get a little bit of background on that. I want to know your story. RC : Well, it’s a combination of stories, because the first band I was in, The Hard Corps , grew into Stone Deep after merging with Glen Cummings , who was in another band called Scatterbrain , which was a punk/thrash metal band [with] releases out in the U.S. and in Europe. In fact, they had a video out for the song, ' Don’t Call Me Dude ,' which was pretty big. It was combination of all those bands that begat Stone Deep . 'Hard Corps' by The Hard Corps 'Don't Call Me Dude' by Scatterbrain MaM : Your debut album in 1993 was Nashville , correct? Tell me a little more about that and any subsequent releases, as well as what all was going on around that time. RC : Well, first with the Hard Corps on Interscope in 1991 , we were really building momentum, and [the] big story about that [is] we went out and had Jam Master Jay as our producer, and we actually co-headlined Ice-T’s Body Count tour . … We went out with some other bands such as Primus , Fishbone , and 24-7 Spyz , and we were one of the first hybrid bands wh[o] could play with 3rd Bass and the Geto Boys . [W]e actually opened up for the Geto Boys . I’d been honing my craft for quite some time and so we had that going, and the industry spent a good bit on us. 'Gangs and the Govt' by Stone Deep There is … a difference between a record budget and a record fund , which people don’t realize. You can get a record fund, and they’ll spend all the money from the first record , and if they feel like they want to keep going, they’ll absorb the money from the second record, and if it don’t [sic] hit, they’ll just move on, but you end up spending the money for both of your records already. That’s what happened with Hard Corps . See, with The Hard Corps , Glen was coming down off Scatterbrain and they had been doing pretty good, but he heard about us in New York and came down after hearing a cassette of our music, which we sent him; he learned it in his car driving down from New York to Nashville . He played the first gig with us without practice. Glen is, literally, a genius. 'Anger' by Stone Deep [F]rom that time on, we gathered a couple of other people. Dave Howard is our drummer. He’s a progressive rock drummer, but it fits with us because he’s half Puerto Rican and can connect to the grooves and get heavy when we need to get heavy. Our bass player, Tim Brooks , [is] from a reggae band called Freedom of Expression . He has a lot of reggae chops, but what we all have in common is the rock part. I’ve grown up on rock, basically, since I was a kid and all other types of music. We all blend[ed] together and have been making music ever since. In 1996 , as Stone Deep , we [won] an award for one of the best unsigned bands in America by the NARAS foundation (i.e., the Grammys ), and we were one of the only bands to beat a New York band for that in New York in anything. That was pretty massive there, then we [won] a Nashville music award here, too, for best unsigned band that year. Photo provided by artist MaM : And why are you guys NOT famous? RC : Exactly. And this is a ridiculous story, but there was a millionaire that lived here in Nashville [who] wanted some bands to play for some underprivileged kids. [H]e started asking all over and since he had money, people were telling him, ‘I’ll do it for $5,000,’ [just] to get money off him. [W]e were like, ‘It’s kids?’ and he was like, ‘Yeah,’ so I told him, ‘Bring the kids up to our studio, and we’ll play for them.” So, we played for them and modified our songs up to incorporate the kids, and I did a little freestyle and stuff. The guy was really appreciative, and he started asking questions about us, about our demo and stuff, and he felt like he needed to help us, so he gave us some money. At first, he was like, ‘I’ll give you $20,000 or something,’ and his best friend was there and [said], ‘No one builds anything off of $20,000. You’ve got a shit-ton of money. You’ve gotta do something.’ [S]o, long story short, he comes up with $100,000, no [real] strings [attached other than playing] for his kids once a year. No payback. Nothing. No publishing. Nothing … but guess what happened then? MaM : What happened? RC : The manager stole our money. MaM : Wow, story of my life. You hear that stuff happening all the time. RC : It’s the same music story of all time that happens all the time. You remember when people were doing the smaller versions of Bonnaroo ? Well, he was trying to do one of those and stuck our money into that [to] flip it, and it tanked … and our money tanked with it. [H]e never asked permission to do it and then he just disappeared. Photo credit: Facebook MaM : Wow, man. That sucks. RC : That deflated everything for a while, so everyone just went about their business after that. [W]e’re brothers, so we always stayed, you know, connected. [A]nd then, just a little while back, I was talking to Glen and he said, ‘You know, I was listening to our music and what we were saying then needs to be said now, because kids these days don’t say anything.’ Like, the labels have got[sic] everyone to where they just encourage you to be only gangsta or weird, and you can’t really say anything. MaM : Yeah, everything is prefabricated, and that’s what I hate about the music industry these days. That’s why I started this magazine with Keeley. We want to focus on the real talent out there. RC : Nice. We started getting [our groove] back and putting some of [our music] back online, and we started finding people, like you, who are saying, ‘[H]ey! Where has this been? This is what we need right now.” MaM : It’s true. RC : It’s been great. Like, everything has its own time, and the universe works in a certain way , ya know? [E]ven though it might not have been your time then, it might be your time now. Lately, I’ve been waking up in the middle of the night to write down songs, because the energy being produced by me and us doing our songs has been inspirational. People think you can learn to be an artist, but it is a gift. You either have it or you don’t. You can prefabricate it in a studio, like you can have someone throw something together just to make you something, but artist “artists” are just energy driven from the universe. Photo provided by artist MaM : I completely agree with that. As I’ve been listening to your music—and I’m sure you’ve gotten this comparison before--it reminds me of when Anthrax teamed up with Public Enemy , only better because that was only temporary; your music is not. You guys are the real deal … the true OGs of Rap/Rock. RC : Yeah, if you put the time into everything, it really comes together. [S]ee, when we came out, there were no Limp Bizkits and there was no Kid Rock , but Kid Rock was around; he just wasn’t really doing what we were doing, and it’s not fused the way ours is. Ours is natural, organic. Like with me, I’m a rocker who raps; see what I’m saying? MaM : I miss that type of rap and that type of flow, and I miss the lyrics that have meaning. Like, I listen to all types of music, but I’m big on lyrics and if you look in my music collection, you’ll see all the hip-hop and rap I have is from late 1980s to mid-90s, and then I stopped listening to it. I couldn’t listen to it anymore. I don’t want to listen to you talking about putting jewels in your watch; like, where’s the meaning in that? And to this day, and I listen to them daily, my fave hip-hop group is A Tribe Called Quest . I miss groups like that … and Instagram, to be honest, is the best way to discover new artists like that. RC : Yeah, it really is. Instagram has been great and to be honest, our following has definitely grown because of it. People just checking out tidbits and that type of thing. We actually got [contacted by] a guy [who] does these weird videos. [H]e does [them] for Rob Zombie and he’s making these little shorts of some of our songs. Then we have this one Japanese guy who is making Japanese versions of our t-shirts, and it’s just a lot of stuff that people vibe with and are getting into it. MaM : I saw that you guys have some re-mastered recordings of the albums you dropped in the 90s. You did that through a record store day release recently, right? RC : We actually are connected to a lot of big mixing and studio guys, just by virtue. Shawn Franklin is one of them and he does stuff with Public Enemy . They just started mixing and started getting it up to date to put it out bigger and bolder, and we’ve been pretty blessed on that end. MaM : If someone wants to purchase your music, is Bandcamp the only way, or is there another way? RC : Right now, only on Bandcamp . We’re going to go through all the iterations of music, and we are going to put out CD’s and then more digital releases and then finally vinyl albums. It’s going to come out on all platforms. Right now, we’re trying to generate interest and we want to get a following of like-minded people, ‘cause [sic] there are millions of us and that’s the thing with Instagram and places like that: It connects a lot of countries together as opposed to your local neighborhood or a couple of states in America . You can get everybody involved. Everybody who likes what you do. We’re still looking for some good solid platforms to release on. MaM : Well, I look forward to seeing everything you guys have coming out and I want to say that the animated videos on Instagram are awesome. Can you tell me a little more about how you hooked up with the guy behind those? RC : Glen found him; he’s located in Hungary . His name is Balázs Gróf . He listened to our music and offered to do a couple of snippets. He’s an award-winning music videographer, cartoonist, and animator . He’s done stuff for Rob Zombie , Amon Amarth , Obituary , Testament , William Shatner , and Red Fang , and now us. We told him to do it your way, and we want people to express us as they hear us. 'Stop Squawkin' by Stone Deep MaM : Ok, so I think I have one last question for you guys. Where do you see yourself headed in the future with the current trajectory? RC : I see us doing independent releases, some strong indie releases, and doing some touring. I’m really interested in doing some European festivals and stuff, and we’re at a good position in our lives where we can pick and choose what we want to do, which is good, but I’m personally interested to see how many of “us” there are out there. Does that make sense? I want to reach the maximum amount of people that enjoy what we do and understand the messages that we put out. To experience Stone Deep’s music and to show them some love, visit them online at: Facebook : Stone Deep, Nashville | Nashville TN | Facebook Instagram : Stone Deep (@stone_deep_nashville) • Instagram photos and videos Bandcamp : Nashville (EP) | Stone Deep (bandcamp.com) YouTube : Stone Deep - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. < Back Eric Johanson: A Distinctive Blues Musician with an Intoxicating Sound Bud Gambrell Jan 30, 2024 Share NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. New Orleans blues musician Eric Johanson recently embarked on his maiden headlining tour, kicking off his first show in Decatur, Alabama. Eric’s style of music cannot be classified into one category, as he is about more than traditional blues. His songs are steeped in the blues, but he also includes the influence of rock, funk, soul, and a little bit of Louisiana style. Born in Alexandria, Louisiana, Eric now calls New Orleans home and uses his travels abroad to gather the many influences that give him a distinctive and intoxicating sound. With the release of his new album, “The Deep and The Dirty,” the power trio sets out to make a name for themselves. Opening Night of the 2024 “Don’t Hold Back Tour” kicked off this past Saturday, January 27, at The Princess Theatre in Decatur. The power trio gave all that they had to please the undersized crowd. Led by guitar slinger Eric Johanson, the band laid into two sets running just over two hours. Eric hit the road in support of his 2023 release The Deep and The Dirty . While playing plenty of tracks from the new album, the evening had a generous helping of tracks from Eric’s previous releases. While Eric was in town, Mixed Alternative had the chance to sit down and have a chat with this brilliant guitar wizard. Read our conversation below! MaM : Your current tour, Don’t Hold Back , starts tonight in Decatur, Alabama. How do you feel about your upcoming tour which is your first headlining tour? EJ : We've certainly had headline dates out there, but this is the first time we're hitting a lot of these venues in a row to headline, so it's exciting! It's really good to be getting back out there and playing for the people. It's always nice when you headline the shows. You can play more material and stretch out. Credit: Bud Gambrell MaM : Since this is your debut headlining tour, is there anything that you are out to accomplish? EJ : We're just wanting to get out there and see folks that maybe heard us online and haven't gotten a chance to see us yet. The live show is really what it's all about for me. It's where the music takes on a life of its own. And you know we never play things the same way twice. There's always improvisation involved and we try to change up the set so we're hoping to see some familiar faces and also turn on some new folks to the to the live experience. Credit: Bud Gambrell MaM : Is there anything that you can tell a newcomer, like myself, on what to expect from an Eric Johanson show? EJ : Well, my music is heavily [influenced by the blues], but it kind of is a little broader than that. It has elements of rock and funk and has that Louisiana influence, and also a little bit of the jam band-like The Allman Brothers-type vibe in there. I don't like to keep it in a box but basically, it's a power trio and we perform mostly all original material from the albums that I've released. Credit: Bud Gambrell MaM : What can we expect to hear on the setlist? EJ : I'll play stuff from all three of the studio releases. I play a couple of things that came out on the ‘Covered Tracks’ releases sometimes, but honestly, these days, a lot of times, I don't write out a set list and we just kind of go with the feeling. I've found that it keeps it more on the edge of our toes to just come up with the next song based on what the moment feels like and the energy that we're getting from the crowd. So a lot of the time I'm really coming up with the set on the spot, but it's always a mix of the original tunes from my three records and you know occasionally we'll throw an old blues tune in there or an old New Orleans tune. MaM : This is a return trip for you to The Princess Theater. I understand the last stop had an interesting mishap. EJ : Yeah, the last time I was there something happened with a breaker or something and the PA went out for a little bit, and I actually ended up just sitting on the edge of the stage and singing acoustically to the room for a couple of songs while they got the PA back up. (laughs) And it actually was a cool moment and a testament to the sound of the room itself. It is a great-sounding theater. Credit: Bud Gambrell MaM : 2024 is looking to be a bright year for you: You just released the tour dates for Europe, as well as a new music video for “Just Like New”, and you are kicking off a tour tonight in support of the new album “The Deep and The Dirty”. In 2023, the album debuted at #1 on the Billboard Blues chart. How did you feel when you received the phone call giving you the news that it debuted in the top spot? EJ : It feels good! I mean you don't want to get too hung up on things like that, but it definitely is a nice feeling. When you're working on a record you just want to make the best thing that you can make. I want to make something like the music that I want to hear but I can't find or, you know, just something I would want to listen to. You really don't know how people are going to respond to it. So, when you get the news that it's not only sold well but that it's debuting at the top of the genre, it kind of gives you some … feeling like [you’re] onto something. You know what I mean? You just don't know. All you can do is what you think sounds good and it's been great to see other people getting into it. The album is not traditional blues, it's experimental. But I like to think that it's organic, it's raw, it's honest. And if people will respond to that it’s everything. It's great to see it charting and it's been great to hear peoples feedback and reactions to it. We're still excited, man! It's been out for about half a year now and so a lot of people these days get turned onto music through word of mouth. People are still discovering it all the time and it's just cool to see it kind of having legs. MaM: You've been in the music business for several years now, and obviously the music business is evolving. What are your thoughts on the state of the music industry today, especially with the invention of digital music. Where do you stand on all that? EJ : Well, it's kind of a mixed blessing because you don't really make any money from the streaming. I mean, some people will make the argument that you can, but it's such an enormous amount. Millions of people have to be streaming the music for you to make minimum wage. It's basically just a way for people to discover music, but it's not really a money maker for most of us. But that said, you know it really allows for a whole lot more people to find music that they might be interested in. … Back in the day, if you weren't on the radio, if you weren't on MTV, then only your buddies that passed on a tape were going know about your music. I think it's good that there's so much diversity of music out there and that there is a way to put your art out there no matter what. It kind of is what it is. Thankfully, there are still people that are buying physical copies of music, whether it's with vinyl coming back or whether it's people that are buying CDs. Some people buy CDs, and I don't even know if they're playing them in a CD player or if it's just something to sign. But thankfully there are still people that do that because the merchandise table on tour is really how it all works. Without that, it's pretty hard to tour. I would prefer that there was a way to still encourage people to buy records. These days it's hard to even figure out how to buy a record on iTunes. It's all just streaming now, but you know there's not a whole lot that you can do to turn back the clock on that. I just try to look at it as it's a way that people can discover new music and hopefully, they'll come to a show and … buy a T-shirt or vinyl or a CD or something. For more on Eric Johanson or to catch a show on his Don’t Hold Back tour, visit the power trio online at www.EricJohanson.com , where you can find tour dates, news, and shop the online store. *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Aeternum Vale is heavy, ruthless, and unapologetically Southern. < Back Reviews on the Real: From Misery to Malice Bids Farewell with Ferocity on Aeternum Vale EP Nicole Brice Jun 30, 2025 Share Aeternum Vale is heavy, ruthless, and unapologetically Southern. Let me begin this review by expressing how refreshing it is to discover the music of From Misery to Malice , a Louisiana-based Deathcore and Death Metal band. Since they are the only band with their name, I don’t have to sift through ten other bands with the same name; there is a direct path to their music. Released on June 27, 2025, Aeternum Vale is an expertly crafted EP filled with layered sounds, making it difficult to categorize truly. It’s heavy, ruthless, and unapologetically Southern, and it’s best heard loud. Released June 27, 2025 The EP features two previously released singles from 2023 and 2024 , along with several new tracks. How would I describe the sound of From Misery to Malice? It’s brutal and unrelenting, blending punishing breakdowns, guttural vocals, and atmospheric elements that tap into the darker corners of human emotion. It’s real and embodies the chaos and aggression of classic deathcore while infusing modern influences that keep their sound fresh and hard-hitting. At its core, it's just good. There is something for everyone with this offering, so let's dive in. Circle of Death – thematic opening with piano that builds to a thunderous sound where a harpsichord is heard faintly in the background until the track just explodes. It’s got groove, it’s got heavy vocals, and you’ll find yourself nodding your head in unison with the groove. Great track. Strangers – the guitar opening on this one is incredible and then the song just starts rolling with this sludgy and heavy abyss of sounds. It’s dark, and it’s just good. Terraform – the drums that open this track are fierce, and then it just rolls, and never stops. I think this is my favorite track on the EP because it’s got so many layers to it with guitar breakdowns, etc. Skin of Glass – there is no thematic opening with this one – solid deathcore all the way through A Wilted Waltz – previously released in 2024 – this track is a great introduction to the music of From Misery to Malice because it defines their sound perfectly Is this Limbo … - released in 2023 – cinematic is the best way I could describe this song. It would make an excellent backing track for a horror film. It’s just intense. I rate this EP a perfect 10/10 for its artistic vision, diversity, and expression. It's an outstanding EP that captivates your attention from start to finish. No song feels boring; each one is distinctly different from the last. Be sure to stream Aeternum Vale now on your favorite platform! Aeternum Vale on YouTube To learn more about From Misery to Malice: Spotify: From Misery to Malice | Spotify Apple Music: ‎From Misery to Malice - Apple Music Facebook: Facebook Instagram: From Misery to Malice (@fmtmband) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

October brings long-awaited titles Loki (Season 2) and The Fall of the House of Usher plus a Milli Vanilli documentary. < Back New Titles Streaming in October Keeley Brooks Oct 3, 2023 Share October brings long-awaited titles Loki (Season 2) and The Fall of the House of Usher plus a Milli Vanilli documentary. October excites me for many reasons but mostly because with it comes Halloween, which is finally right around the corner. It’s the time of year when the leaves start fallin’ and the weather starts coolin’ off, and yards are decorated with fun and excitement. It's also the time of year cable channels start streaming classic horror movies like Halloween , Friday the 13th, Scream, and A Nightmare on Elm Street, in addition to a host of other titles. There's even a Friday the 13th in store this month, adding that touch of extra spookiness. You guys will have plenty of new streaming titles on October’s menu of releases to keep you in the mood of the season, especially now that the writers’ strike has finally come to a close. (Hallelujah!) But there’s much more than horror releases to look forward to on your favorite platforms. As Fall rolls in, so, too, do Loki (Season 2 ), The Fall of the House of Usher , Our Flag Means Death (Season 2), and a Milli Vanilli documentary that I know all Gen Xers can’t wait to see. Ba ba-ba-ba baby. So let’s get with it! Here’s what’s new and streaming in October. APPLE TV+ Lessons in Chemistry (Oct. 13) -- Brie Larson ( Avengers: Endgame ) fights against the patriarchal powers that be in this new series based on the 2022 Bonnie Garmus novel of the same name. Larson stars as Elizabeth Zott, an aspiring scientist who gets canned from her laboratory job but refuses to go down without a fight. After accepting a role as a cooking show host, she uses the platform to educate and rally her core demographic: belittled housewives. The Pigeon Tunnel (Oct. 20) -- Fans of documentary filmmaking should know the name Errol Morris, who is one of the greatest documentarians of his era. Morris has made his name with some of the best documentaries in history, including The Fog of War and The Thin Blue Line . His latest work is coming to Apple TV+ as he tells the story of the life of John le Carre, an author who wrote some of the best spy novels in history, including those about the famed spy George Smiley ("Tinker Tailor Soldier Spy"). Le Carre died in 2020 and this was his final interview. The Enfield Poltergeist (Oct. 27) -- Another chilling docuseries for Halloween? Yes, thank you. If you've ever seen The Conjuring 2 , you may already be familiar with this case, although Director James Wan chose to explore the haunting through a slightly more fictionalized lens. The Enfield Poltergeist is a limited series presenting actual audio recordings captured during the investigation of the English residence. Don't worry if it makes you quiver and cower--I promise we'll all be doing the same! DISNEY+ Loki, Season 2 (Oct. 5) -- The new season of Loki picks up in the aftermath of the shocking Season 1 finale when Loki (Tom Hiddleston, of Thor ) finds himself in a battle for the soul of the Time Variance Authority. Along with Mobius (Owen Wilson, of Meet the Parents ), Hunter B-15, and a team of new and returning characters, Loki navigates an ever-expanding and increasingly dangerous multiverse in search of Sylvie (Sophia Di Martino, of Peacock TV series), Judge Renslayer (Gugu Mbatha-Raw, of The Morning Show ), Miss Minutes (Tara Strong, of Young Love TV series), and the truth of what it means to possess free will and glorious purpose. Goosebumps (Oct. 13) -- R.L. Stine ’s classic tale comes to life in a 10-part series starring Justin Long ( Barbarian ), Rachael Harris ( Lucifer ), and Rob Huebel ( The Goldbergs ). Unlike the anthology formatted series from the 90s, this version of " Goosebumps" will combine several terrifying tales from Stine’s book series to tell one consistent narrative. A group of five high schoolers embark on a shadowy and twisted journey to investigate the tragic passing three decades earlier of a teen named Harold Biddle, while also unearthing dark secrets from their parents’ past. Also streaming on Hulu. HULU Nada (Oct. 11) -- In 2002, 30 would-be contestants gathered to film what they were told was an ambitious new reality show that would change their lives. The problem: The show didn’t exist! So, what happened? What’s the story, morning glory? This docuseries attempts to get to the bottom of all that. Goosebumps (Oct. 13) -- R.L. Stine ’s classic tale comes to life in a 10-part series starring Justin Long ( Barbarian ), Rachael Harris ( Lucifer ), and Rob Huebel ( The Goldbergs ). Unlike the anthology formatted series from the 90s, this version of " Goosebumps" will combine several terrifying tales from Stine’s book series to tell one consistent narrative. A group of five high schoolers embark on a shadowy and twisted journey to investigate the tragic passing three decades earlier of a teen named Harold Biddle, while also unearthing dark secrets from their parents’ past. Shoresy , Season 2 (Oct. 27) -- The Letterkenny spinoff returns with Season 2, so fans will once again get to see the titular hockey goon Shoresy (Jared Keeso, of Letterkenny ) get into all sorts of comedic trouble as he continues his journey to become the greatest hockey player of all time. The complete second season will be available to stream starting October 27. MAX (formerly HBO Max) The Ringleader: The Case of the Bling Ring (Oct. 1) -- In 2008 and 2009, a crime ring of suburban teens stole over three million dollars’ worth of jewelry, designer clothing, and cash from the homes of Parish Hilton, Orlando Bloom, Lindsay Lohan, and dozens more celebrities. Now, the so-called “ringleader” and mastermind behind the robberies, Rachel Lee, opens up for the first time about her role in the crime spree and outlines the culture of celebrity worship. Our Flag Means Death , Season 2 (Oct. 5) -- Set in the early 18th century during the Golden Age of Piracy, Our Flag Means Death follows the misadventures of gentleman-turned-pirate Stede Bonnet (Rhys Darby, of Flight of the Conchords ) and his crew aboard the Revenge as they try to make a name for themselves as pirates. When they cross paths with the famed captain Blackbeard (Taika Waititi, of What We Do in the Shadows ), Stede and Blackbeard develop then proclaim their feelings for each other, only to part ways after Stede returned home to see his family. In Season 2, Stede pines for his lost love while Blackbeard is full of angst, wreaking havoc and spilling blood all over the Caribbean. Doom Patrol , Season 4 Part 2 (Oct. 12) -- In the final run for the popular series revolving around members left terribly disfigured but full of superhuman abilities after a tragic accident, Doom Patrol returns with the second part of its fourth and final season. The story will pick up where it left off in Part 1 with the team in Orqwith, where the force called Immortus is capable of stripping them of their longevity. How will this play out? You’ll have to watch and see! The Gilded Age , Season 2 (Oct. 29) -- A period of immense economic change and great conflict between the old ways and new systems, The Gilded Age saw huge fortunes made then lost. In Season 1, an aspiring writer seeking a fresh start becomes inadvertently enmeshed in a social war between one of her aunts, a scion of old money, and her stupendously rich neighbors, a ruthless railroad tycoon and his ambitious wife. On the brink of the modern age, Season 2 will feature a war between the wealthy women of New York society. Nothing like a good catfight full of stubbornness and snobbery. NETFLIX Beckham (Oct. 4) -- David Beckham isn't just one of the most recognizable soccer players in history, he’s also a global icon who shaped the pop-culture landscape of an entire decade. This docuseries looks beyond the headlines and the iconic sporting moments as it explores the man behind it all, with insight from Becks himself as well as his closest friends and family. Beckham chronicles a meteoric rise from humble beginnings to global football stardom. This glitzy bio-doc will be a must-watch for Man Utd fans, and anybody who took a photo of Beckham to the barbers as a kid. Lupin , Season 3 (Oct. 5) -- France’s most-wanted gentleman thief is back, and this time he’s returning to Paris. The last time we saw Assane Diop (Omar Sy, of The Intouchables ), he was on the run from the police after being framed for murder by Hubert Pellegrinr (Hervé Pierre, of Paris, je t’aime ), a wealthy entrepreneur responsible for Assane’s father being falsely imprisoned. Now most wanted in France, the suave thief decides to live off radar for a bit in hopes that his disappearance will keep his son safe, but first the conman is planning his most audacious heist yet. The Fall of the House of Usher (Oct. 12) -- Mike Flanagan ( The Haunting of Hill House ) is back with another classic horror literature adaptation, this time from the OG literary master, Edgar Allen Poe. Inspired by Poe’s short story "The Fall of the House of Usher", Flanagan’s adaptation is an eight-part miniseries focusing on two siblings, Roderick (Bruce Greenwood, of The Resident ) and Madeline (Mary McDonnell, of Battlestar Galactica ), who have built a pharmaceutical empire. However, when the heirs to the Usher dynasty begin mysteriously dying one by one, the company’s corrupt foundations are exposed. The Fall of the House of Usher will be Flanagan’s last gothic-horror drama for the streaming giant, ending his fruitful partnership with Netflix on a high note. Also stars Carla Gugino ( The Haunting of Hill House ), Henry Thomas ( E.T. the Extraterrestrial ), Mark Hamill ( Star Wars ), Annabeth Gish ( Sons of Anarchy ), and Zach Gilford ( Friday Night Lights ). Bodies (Oct. 19) -- When a dead body appears on the streets of London, it seems like business as usual for the detective working the case. But this same victim has actually appeared across three other points in time: 1890, during the Victorian era; 1941, during the height of World War II; and 30 years into the future in 2053. As the crime is further investigated in each period, a sinister conspiracy that could threaten the entire United Kingdom begins to unravel. This unique sci-fi series blends murder mystery, police procedural and period drama into an intriguing mix you won’t want to miss. The Devil on Trial (Oct. 17) -- A haunting true crime documentary, The Devil on Trial explores the true story behind The Conjuring 3 and chronicles the only example in the history of the U.S. legal system of demonic possession officially being used as defense in a murder trial. In 1981, Arne Cheyenne Johnson claimed that he killed his landlord, Alan Bono, while under the influence of demonic forces. This unbelievable claim drew the interest of paranormal investigators Ed and Lorraine Warren and was the inspiration for the most recent Conjuring movie. This Netflix doc explores the events leading up to the murder, the trial, and its aftermath and includes firsthand accounts from various people closest to the case, including Johnson himself. PARAMOUNT+ Painkiller: The Tylenol Murders (Oct. 10) -- This groundbreaking documentary uses hours of exclusive archival footage in a five-part docuseries that will transport viewers back four decades to the moments after a twisted killer laced Tylenol pills with cyanide and killed seven people in the Chicago area. True story. While no perpetrators were found at the time, a man named James William Lewis was suspected of extorting a million bucks from Johnson & Johnson to stop the cyanide murders. The Tylenol Murders is narrated by Laurence Fishburne ( The Matrix, John Wick ). Frasier (Oct. 12) -- A revival of the beloved spinoff of Cheers, Frasier returns with Kelsey Grammar as the eponymous psychiatrist back in Boston, looking to reconnect with his son Freddy (Jack Cutmore-Scott, of Tenet ). Most of the original cast are nowhere to be seen, so don’t get your hopes up on returning familiarity if you’re an old fan of the show. Crush (Oct. 17) -- The team behind the award-winning documentary 11 Minutes , which told the story of the mass shooting as Las Vegas’ Route 91 Harvest music festival, have set up another docuseries, Crush . The docuseries will explore the Halloween tragedy in Seoul, South Korea, on October 29, 2022, that left 159 dead and hundreds injured. The multi-part series will be an immersive moment-by-moment dive into how the tragedy unfolded and the forces that make crowds panic. Milli Vanilli (Oct. 24) -- I don’t know about you, but this Gen Xer is stoked about this new feature-length documentary detailing the story behind one of the greatest and most ill-fated chart-topping duo of the late 80s and early 90s, Milli Vanilli. In case you don’t know their story, after a rocky upbringing in Germany, Robert Pilatus and Fabrice Morvan joined forces to become one of the biggest pop groups in the world, scoring three Billboard Hot 100 number one songs, “Blame It on the Rain”, “Girl I’m Gonna Miss You”, and “Baby Don’t Forget My Number” in 1989. They won the Best New Artist Grammy in 1990 before it was revealed that they didn’t actually sing on any of their hits. Now, the duo’s lone surviving member, Fabrice Morvan, tells their true story. Pilatus sadly died of an alcohol and prescription drug overdose in 1998. PEACOCK John Carpenter’s Suburban Screams (Oct. 13) -- Explore true tales of terror that took place in American suburbs with the horror legend himself, John Carpenter. Wolf Like Me , Season 2 (Oct. 19) -- If you haven’t watched the first season of Wolf Like Me and have an interest in werewolf-centric series, you're gonna want to hop on this comedy train. Widower Gary (Josh Gad, of Ghostbusters: Afterlife ) lives in suburban South Australia with his kid, with whom he struggles to connect. After getting into a car accident with a woman named Mary (Isla Fisher, of Wedding Crashers ) and Mary helps Gary’s kid through a panic attack, the two decide to go on a date, which gets weird and doesn’t end well. Mary has a big hairy secret, and Season 1’s finale left us all wondering the same thing: Is she giving birth to a wolf pup or a human baby? PRIME VIDEO Upload , Season 3 (Oct. 20) -- After his untimely death, a man is able to choose his own afterlife by having his consciousness uploaded into a virtual world. When party boy Nathan (Robbie Amell, of The Witcher ) gets uploaded to a virtual resort, he meets the down-to-earth Nora (Andy Allo, Chicago Fire ), who starts as his customer service "angel," but becomes so much more as she helps him along the way. The longer Nathan is there, the more he begins to question whether his death was truly an accident. Bosch: Legacy , Season 2 (Oct. 20) -- A spinoff of Prime Video’s hit crime drama series Bosch , Bosch: Legacy finds Harry (Titus Welliver, of Sons of Anarchy ), retired homicide detective turned private investigator, embarking on the next chapter of his career, where he must learn to work with a former enemy. Streaming on Prime Video and Freevee. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With Halloween 2023 right around the corner, Mixed Alternative got together to recommend some of our favorite Halloween movies! < Back 20+ Halloween Films to Watch This Season: Feast Upon This Keeley Brooks & Mixed Alternative Staff Oct 22, 2023 Share With Halloween 2023 right around the corner, Mixed Alternative got together to recommend some of our favorite Halloween movies! ‘Tis the season for all things spooky, my friends, and here at Mixed Alternative, we love the weird and spooky because, well, that’s just who we are—well, maybe not spooky but definitely weird in the best possible way. In addition to costumes, candy, and creepy-looking house parties, Halloween is also celebrated in cinema. With the 2023 Halloween season right around the corner, we thought it would be fun to give you guys a little roundup of our favorite Halloween movies recommended by our writers and editors. Happy Viewing, my friends. --------------------------------------------------------------------- C.G. SMITH Evil Dead II (1987) Director: Sam Raimi Cast: Bruce Campbell, Sarah Berry, Dan Hicks, Ted Raimi, Kassie Wesley DePaiva The Evil Dead franchise follows Ashley “Ash” Williams (Campbell) in his battle to survive on onslaught of flesh-possessing demons that he and his friends accidentally unleashed when they found an old book, the Necronomicon, at a cabin in the woods and read it aloud. Oops. Evil Dead II finds Ash holed up in cabin with a group of strangers as the demons continue their attack. “I first watched Evil Dead II in middle school with friends at a sleepover, and what I loved about it then and now is the way it mixes comedy with gore . It’s wonderful. Evil Dead II will always be one of my favorite horror movies because of how absolutely fun it is to experience and how many memorable and quotable scenes there are not just in the franchise but in Evil Dead II in particular.” A Quiet Place (2018) Director: John Krasinski Cast: John Krasinkski, Emily Blunt, Millicent Simmonds, Noah Jupe If they hear you, they hunt you. Imagine having to live in a world where making the softest sound could get you killed. In A Quiet Place , a family must live in silence to avoid mysterious creatures that hunt by sound. Knowing that even the slightest whisper or footstep can bring death, Evelyn (Emily Blunt, of Edge of Tomorrow ) and Lee (John Krasinski, of The Office ) are determined to find a way to protect their kids while desperately searching for a way to fight back. “ A Quiet Place is so great on so many levels, as it took something we all tend to take for granted and made the mere act of making sound a death sentence. Imagine giving birth in a world where you can't make a sound and there is no medical care, where you must keep your newborn quiet lest it be snatched by an alien before you can blink. Babies are not quiet, so the combined tension of giving birth silently and keeping a newborn quiet are just horrific. A Quiet Place is excellent writing and acting merging into a masterpiece from one spectacular idea . While A Quiet Place Part II didn't quite live up to the original, I still hold a place in my heart for this movie.” *Honorable Mention: The Omen (1976) Director: Richard Donner Cast: Gregory Peck, Lee Remick, Harvey Stephens, David Warner The Omen is about a boy named Damien (Harvey Stephens, of The Bat ) who is believed to be the Antichrist. When American diplomat Robert (Gregory Peck, of Cape Fear ) adopts Damien after his wife Katherine (Lee Remich, of Around the World in 80 Days ) delivers a stillborn, Damien’s first nanny hangs herself. When Father Brennan (Patrick Troughton, of Doctor Who ) warns Robert that Damien will harm Katherine’s unborn child, it isn’t long before Brennan turns up dead and Katherine miscarries when Damien pushes her off a balcony. As more people around Damien die, Robert investigates the kid’s background and realizes Damien may just be the devil’s son. “I read ‘The Omen’ book as a young child and later saw the film. The idea that a child had been born as the son of the devil to an influential family and would one day rise through the ranks of society was fascinating to me. The way The Omen built suspense and overall tension is truly something to witness . ‘Damien, it's all for you.’ Plus, I kinda looked like the child actor when I was his age.” --------------------------------------------------------------------- JEFF CRESPI Drag Me to Hell (2009) Director: Sam Raimi Cast: Alison Lohman, Justin Long, Ruth Livier, Lorna Rave, David Paymer Alison Lohman ( Gamer ) stars as Christine Brown, a beautiful girl with a loving boyfriend (Justin Long, of Accepted ) and a great job at an L.A. bank. Her heavenly life becomes a living hell when, in an effort to impress her boss, she denies an old woman’s request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic’s help to break the curse, but can she afford the price to save her soul? “ Drag Me to Hell is one horror movie that always stood out to me. Actress Alison Lohman does an amazing job as the lead and looks a lot like our editor-in-chief, Nicole Brice! Drag Me to Hell has some very suspenseful and scary moments throughout the film, starting from early on. I think this is a great movie that doesn't fall into a list with the more obvious ones ." The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair, of The Exorcist: Believer ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of The Exorcist III ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “I would have to say the scariest film of all time would be The Exorcist . The story, cinematography, acting, editing, and old school techniques combine perfectly to cast a deep shadow of fear in the hearts of any viewer. ” *Honorable Mentions: Saw Franchise (2004) Director: James Wan Cast: Leigh Whannell, Cary Elwes Creators: James Wan and Leigh Whannell, Shawnee Smith, Tobin Bell, Danny Glover A groundbreaking horror franchise, Saw is about a sadistic serial killer named Jigsaw (Tobin Bell) who kidnaps people and sets them up in one of his perverse little puzzle games so that they have the choice: live or die. In the original Saw movie, photographer Adam Stanheight (Leigh Whannel, of Upgrade ) and oncologist Lawrence Gordon (Cary Elwes, of The Princess Bride ) regain consciousness while chained to dirty, grimy pipes at either end of a filthy bathroom. As the two men realize they’ve been trapped, flashbacks relate the fates of Jigsaw’s previous victims while the two men are forced into torture as they fight for their survival, as Gordon’s wife and young daughter watch via closed-circuit video. “As far as gore goes, the Saw franchise is fantastic and ultimately features some of the most cringeworthy horror scenarios available today . It’s no wonder the Saw movies make up the highest-grossing horror franchise of all time.” Halloween II (1981) Director: Rick Rosenthal Cast: Jamie Lee Curtis, Donald Pleasense, Charles Cyphers, Dick Warlock After failing to kill stubborn survivor Laurie (Jamie Lee Curtis, of True Lies ) and taking a bullet or six from former psychiatrist Dr. Sam Loomis (Donald Pleasence, of Halloween ), the masked Michael Myers follows Laurie to the Haddonfield Memorial Hospital, where she’s been admitted for Myers’ attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs, and slashes his way through hospital staff to reach his favorite victim. “There’s a lot about the Halloween movie franchise that stands out for numerous reasons, but one of my favorites is Halloween II , which focuses on Dr. Loomis’s hunt for Michael as a traumatized Laurie is rushed to Haddonfield Memorial Hospital. Only thing is, Michael is right behind her and when he gets into the hospital, the action makes for one unforgettable scene that forever stands out for me. It’s a must see .” --------------------------------------------------------------------- CHUCK BROOKS Get Out (2017) Director: Jordan Peele Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, LaKeith Stanfield, Betty Gabriel, Marcus Henderson In a slam dunk of a directorial debut from actor, producer, writer, and comedian Jordan Peele ( Nope ), Get Out follows young couple Chris (Daniel Kaluuya, of Black Panther ) and Rose (Allison Williams, of M3GAN ) as they go to visit her parents in Upstate New York. Chris has never met them before and is a little weary about this milestone in their relationship. When they first arrive, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship (Rose is White, Chris is Black), but as the weekend progresses, a series of increasingly disturbing discoveries leads him right to a truth he could’ve never imagined. “What I enjoyed about Get Out is its commentary on how Black people are treated in the 21st Century. Peele managed to write an ingenious horror movie that’s stone-cold realistic commentary on the enslavement of a race of people for their perceived physical attributes and longevity . Get Out is masterfully told and acted out on all parts of the cast—the ensemble of which was a big deal. The scene where Chris is struck in sheer terror emanates with how Black people must feel today: like there’s an area where if they cross some perceived line in reality, there’ll be retaliation by the system. Catherine Keener ( The 40-Year-Old Virgin ) and Bradley Whitford ( The Handmaid’s Tale ) represent this and capitalize on Black lives before Black Lives Matter ever became a thing. This movie is important for a lot of reasons : It’s a good movie with a valuable message as a horror movie , it adds to the shallow repertoire when it comes to black horror films, and it crosses borders like Us (2019) does. The social commentary with Get Out is exploitation on Black people as a whole treated as a commodity, as something to be traded or sold. Peele wrote a horror movie about Black people that is a real-time horror tale set in real life, and he couldn’t bring more valuable views and messages to the masses with his work.” Zombieland (2009) Director: Ruben Fleischer Cast: Jesse Eisenberg, Emma Stone, Woody Harrelson, Abigail Breslin, Bill Murray After a virus turns most people into zombies, the world’s surviving humans remain locked in an ongoing battle against the hungry undead. Four survivors—Tallahassee (Woody Harrelson, of White Men Can’t Jump ) and his cohorts, Columbus (Jesse Eisenberg, of The Social Network ), Wichita (Emma Stone, of La La Land ), and Little Rock (Abigail Breslin, of Little Miss Sunshine )—abide by a list of survival rules and zombie-killing strategies as they make their way toward a rumored safe haven in Los Angeles … at the house of one Bill Murray ( Lost in Translation ). Zombieland is one of the best comedy-horror films today. From its comedic aspects such as Columbus’s rules for surviving in this new zombie-infested world to the tough but sensitive levity Woody Harrelson brings to his character to the zombies’ development and adopted zombie-telling techniques from other areas, everything about this film works together to enhance an already excellent storyline . Zombieland is exciting, full of wild action with well-choreographed stunts, and it features just the right amount of gore without being too much. Zombieland is a movie that you can still watch and get something out of it, even if you’re not a zombie person . --------------------------------------------------------------------- EZEKIEL KINCAID The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made , this tale of an exorcism is based loosely on actual events . When young Regan (Linda Blair, of The Exorcist: Believer ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of The Exorcist III ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “ The Exorcist set the standard for possession movies. Friedkin's bold adaptation of Blattey's novel has shocked and scared audiences since its release in 1973 and still does so to this day. Often imitated but never replicated, no possession movie has ever surpassed this one in thrills and chills .” Hereditary (2018) Director: Ari Aster Cast: Toni Collette, Milly Shapiro, Gabriel Byrne, Alex Wolff When the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, trying to outrun the sinister fate they’ve inherited. “I once read somewhere that Hereditary was The Exorcist of this modern-day generation, so it is no surprise I love it. The Exorcist it is not, but that doesn't mean it isn’t unsettling. Ari Aster's dark take on the cult/occult subgenre of horror will keep you awake for days . That’s a guarantee.” Halloween (1978) Director: John Carpenter Cast: Donald Pleasence, Jamie Lee Curtis, Tony Moran, Nancy Kyes, Charles Cyphers On a cold Halloween night in 1963, six-year-old Michael Myers brutally murdered his 17-year-old sister. He was sentenced and locked away for 15 years. But on October 30, 1978, while being transferred for a court date, a 21-year-old Michael Myers steals a car and escapes, returning to his quiet hometown of Haddonfield, Illinois, where he looks for his next victims. “John Carpenter and Debra Hill raised the bar for slasher movies with Halloween . Ominous, atmospheric, and foreboding, Michael Myers has a creep factor that many of his predecessors and contemporaries lack. Halloween also has the best theme music ever !” --------------------------------------------------------------------- KEELEY BROOKS 28 Days Later (2002) Director: Danny Boyle Cast: Cillian Murphy, Brendan Gleeson, Megan Burns, Naomi Harris When a group of eco-terrorists free a chimp from its lab cage in a Cambridge medical research lab, they’re unaware it’s infected with what is called the “Rage virus” and unknowingly unleash the apocalypse. When London bike courier Jim (Cillian Murphy, of Peaky Blinders ) wakes up from 28 days in a coma, he finds London in total collapse, the world in destruction, and society completely obliterated. It’s only when he’s chased through the streets by aggressive, wicked fast, bloodthirsty creatures and is saved by a couple of uninfected that he learns what has happened and must figure out a way to survive in a world not only full of raging zombies but also littered with broken down groups of humanity. “ 28 Days Later was the first zombie movie to truly scare me. Before then, I’d never seen fast zombies, let alone violent, aggressive ones. I love everything about this movie, from its concept to its pace in storytelling to its simple use of blood to imply more than what is seen. 28 Days Later features stellar acting (this was Cillian Murphy’s first big movie) and a smart soundtrack that drives the panic and tension throughout the story. And further compounding this hair-raising scenario is the horror story within the horror story , which shows what happens when humanity ceases to exist. I also love how Director Danny Boyle juxtaposes this horrific scenario with the beautiful backdrop of nature—ironic since nature is where viruses originate. ** For more about this movie, read my full review of 28 Days Later . World War Z (2013) Director: Marc Forster Cast: Brad Pitt, Mireille Enos, Daniella Kertesz, Matthew Fox When former U.N. investigator Gerry Lane (Brad Pitt, of Ocean's Eleven ) and his family get stuck in urban gridlock, he senses it’s no ordinary traffic jam and he’s right: The city is erupting into chaos at an incredibly fast pace, leaving little to no chance for escape or survival. A lethal virus spread through a simple bite is turning healthy people into something vicious, unthinking, and feral within a matter of 12 seconds. As the pandemic threatens to consume humanity, Gerry leads a worldwide search to find the source of the infection and, with a stroke of luck, a way to halt its spread. “Clearly, zombie movies are my favorite horror movies--next to slasher films, of course. World War Z had the same effect on me that 28 Days Later had: sheer terror . I didn’t think it was possible to amp up the aggression, speed, and bloodlust that zombies of the early 21st Century had come to display, but World War Z came along and nailed it. With the exception of about four minutes at the beginning and end of the film, World War Z is adrenaline-inducing and heart pounding from start to finish . Every single moment of this film is level 10 panic and chaos—no time to think, no time to movie, no time to fear. The cinematography is gorgeous, again using the technique of juxtaposing breathtaking views with a horrific reality. And I have to give mad props to the makeup and special effects department, who, no pun intended, killed it with these zombies. Those moments in the halls of the Center for Disease Control had me holding my breath as I sat there, mouth wide open, in total awe and appreciation of what I was seeing: tension to the max . Also, that massive horde of zombie savagely climbing the walls of Jerusalem is just breathtaking—terrifying, but breathtaking. World War Z is stellar horror all the way around .” Scream (1996) Director: Wes Craven Cast: Drew Barrymore, Matthew Lillard, Skeet Ulrich, Neve Campbell, Tatum O’Neal, David Arquette, Courteney Cox, Henry Winkler Set in the small town of Woodsboro, Middle America, Scream ’s plot follows high school student Sidney Prescott (Neve Campbell, of The Craft ) and her friends, who, on the anniversary of her mother’s murder, become the targets of a costumed, knife-wielding serial killer known as Ghostface. “I love Scream because it scared me without terrifying me and made me laugh in ways that didn’t make the movie any less effective in its serious nature. Featuring one of the best opening scenes in a slasher movie , which was alone enough to instill the fear and pace of this narrative and hook us in from the get-go, Scream reinvented and revitalized the slasher-horror genre . It’s funny and clever in dialogue and character portrayals—thanks, in part, to momentous performances from David Arquette ( Never Been Kissed ), Matthew Lillard ( Good Girls ) and Henry Winkler ( The Waterboy )—while remaining deep in the vein of seriousness, psychological thrills, and plenty of jump scares. Craven masterfully builds tension and self-parody as the body count in Woodsboro rises and a fright-masked knife-wielding maniac stalks high school students in middle-class suburbia. Another reason Scream is a must see : the irony in Randy Meeks’ (Jamie Kennedy, of Son of the Mask ) scene explaining the rules to surviving any horror movie: (1) never have sex, (2) never drink or do drugs, and (3) never ever ever, under any circumstances, say, ‘I’ll be right back.’” Cujo (1981) Director: Lewis Teague Cast: Danny Pintauro, Dee Wallace, Daniel Hugh Kelly, Christopher Stone Adapted from infamous horror author Stephen King’s story of the same name, Cujo is the terrifying tale of a sweet St. Bernard who is bitten by a bat and contracts rabies. Cujo, who roams between his owner’s house and auto garage on the same property, starts behaving oddly and becomes very aggressive, eventually morphing into a dangerous beast thirsting to kill. When stay-at-home mom (Dee Wallace, of Sons and Daughters ) gets caught in Cujo’s crosshairs while out on a fateful errand with her young son Tad (Danny Pintauro, of Who’s the Boss? ), she must fight to protect herself and Tad from Cujo when they become trapped in their tiny Ford Pinto after it breaks down at the auto garage … for days, with no help in sight. “I won’t lie: Cujo scared the absolute shit out of me when I first saw it as a young teen. It’s not the rabies-infested dog that makes Cujo so scary; rather, it’s King’s claustrophobic scenario of being trapped in a tiny, dysfunctional car guarded by crazed, rabid beast that terrifies. From the scenes of Dee’s escalating fear to Cujo viciously attempting to get into the car to Teague’s filming techniques that keep us grounded in awareness, Cujo is definitely one of the scariest real-life scenario movies I’ve ever seen . I never looked at St. Bernards the same way after seeing this film.” Beetlejuice (1988) Director: Tim Burton Cast: Michael Keaton, Geena Davis, Alec Baldwin, Catherine O’Hara, Jeffrey Jones, and Winona Ryder After Barbara (Geena Davis, of A League of Their Own ) and Adam Maitland (Alec Baldwin, of Supercell ) die in a car accident, they find themselves stuck in their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O’Hara, of Schitt’s Creek , and Jeffrey Jones, of Ferris Bueller’s Day Off ) and their teen goth daughter (Winona Ryder, of Mr. Deeds ) move in, the Maitlands attempt to scare them away without success. That’s when they turn to rambunctious bio-exorcist Beetlejuice (Michael Keaton, of Batman ) and all hell breaks loose in the best possible Tim-Burton way. “I adore this movie and everything about Tim Burton’s exaggerated gothic style. Beetlejuice features an all-star cast who, honestly, couldn’t have played their roles any better. Beetlejuice is original, creepy, funny, artistic, and completely entertaining . This movie never gets old and now with a sequel coming in 2024, I suspect Beetlejuice will reach a whole new generation of fans. I can't wait.” --------------------------------------------------------------------- MO THORNTON The Night House (2020) Director: David Bruckner Cast: Rebecca Hall, Sarh Goldberg, Vondie Curtis-Hall, Evan Jonigkeit Reeling from the unexpected death of her husband, Beth (Rebecca Hall, of The Town ) is left alone in the lakeside home he built for her. She tires as best she can to keep it together, but then the dreams come and disturbing visions of a presence in the house call to her, beckoning with a ghostly allure. But in the harsh light of day, any proof of a haunting dissolves. Against the advice of her friends, Beth digs into her husband’s belongings in a frantic search for answers. “I love a good scare, and one of my go-to films for a sleepless night that has me double-checking the locks on my door while experiencing mounting, almost unbearable suspense is The Night House . Rebecca Hall stars as a widow whose grief is complicated by anger, confusion, and guilt as her husband died by his own hand. The remote lake house setting makes it all the creepier (and more delicious) to explore, along with the protagonist's thin spaces between reality and nightmare.” Fear of Rain (2021) Director: Castille Landon Cast: Katherine Heigl, Harry Connick Jr., Madison Iseman, Israel Broussard “ Fear of Rain brilliantly takes the audience into the dark, terrifying world of a teen girl who struggles with mental health.” Rain (Madison Iseman, of Jumanji: Welcome to the Jungle ) has early-onset schizophrenia, a condition that not only causes her to see vivid hallucinations but also puts a strain on her parents. When she meets Caleb (Israel Broussard, of Fear the Walking Dead ), a charmingly awkward new kid at school, Rain finally feels a lifeline to normalcy. But as she starts to suspect her neighbor kidnapped a child, she must figure out who and what is real while also battling the overwhelming forces that haunt her daily life . “The danger she encounters during her episodes might not all be ‘in her mind.’” https://youtu.be/jFxOxLLzjG8?feature=shared “Full disclosure: Both The Night House and Fear of Rain deliver heart-stopping jolts of fright that let me skip the gym the next morning—an added appeal.” --------------------------------------------------------------------- NICOLE BRICE Halloween (2007) Director: Rob Zombie Cast: Scout Taylor-Compton, Malcolm McDowell, Tyler Mane, William Forsythe, Udo Kier, Danny Trejo Nearly two decades after being committed to a mental institution for killing his stepfather and older sister, Michael Myers breaks out, intent on returning home to Haddonfield, Illinois. He arrives on Halloween with the indomitable purpose of hunting down his younger sister, Laurie (Scout Taylor-Compton, of An American Crime ). The only thing standing between Michael and a Halloween night full of bloody carnage is Dr. Sam Loomis (Malcolm McDowell, of A Clockwork Orange ). “Rob Zombie’s Halloween completely changed my view of the Halloween franchise. Growing up, I always felt that beyond the first two original Halloween films, the franchise became cheesy and stale. Then in walks Rob Zombie with this scary as f**k take on the narrative and I was blown away. To this day, Halloween (2007) still freaks me out, but in a good way." Sleepy Hollow (1999) Director: Tim Burton Cast: Johnny Depp, Christina Ricci, Miranda Richardson, Jeffrey Jones, Christopher Walken Set in 1799, Tim Burton’s Sleepy Hollow is based on Washington Irving’s classic tale “The Legend of Sleepy Hollow”. Faithful to the dreamy custom-bound world that Irving paints in his story, Sleepy Hollow mixes horror, fantasy, and romance while featuring an extraordinary cast of characters that dabble in the supernatural. And, of course, it features Tim Burton’s unforgettable gothic style to it. “I absolutely love everything about Sleepy Hollow . When Ichabod Crane (Johnny Depp, of Pirates of the Caribbean ) is sent to the creepy town of Sleepy Hollow to investigate the decapitations of three people, he soon discovers the culprit isn’t another person but is the legendary apparition The Headless Horseman . Everything about this movie is perfect : the acting, the tone, Burton’s pace of his film, the cinematic techniques used to create suspense and fear, the scenery, the narrative—absolutely perfecto in my opinion. --------------------------------------------------------------------- SHAUN CORLEY Night of the Living Dead (1968) Director: George Romero Cast: Duane Jones, Judith O’Dea, Karl Hardman, Marilyn Eastman The black-and-white George Romero classic Night of the Living Dead follows seven people trapped in a farmhouse in rural Pennsylvania as they fight to fend off a hungry horde of reanimated corpses. Pragmatic Ben (Duane Jones, of Vampires ) does his best to control the situation, but when the reanimated bodies surround the house, the other survivors begin to panic. As any semblance of order within the group begins to dissipate, the zombies find their way inside. “ Night of the Living Dead is my first favorite movie from when I was all of 10 years old. When I revisited it in college, I found out it held up really well. What I like about Night of the Living Dead is its subversive nature. It was a commentary on 1968 America, and it is still relevant today .” The People Under the Stairs (1991) Director: Wes Craven Cast: Ving Rhames, Sean Whalen, Brandon Quintin Adams, Everett McGill, Wendy Robie, A.J. Langer When young Fool (Brandon Adams, of The Sandlot ) breaks into the home of his family’s greedy and uncaring landlords, he discovers a disturbing scenario where incestuous adult siblings have mutilated a number of boys and kept them imprisoned under the stairs in their large, creepy house. As Fool attempts to flee before the psychopaths can catch him, he meets their daughter, Alice (A.J. Langer, of Private Practice), who has been spared any extreme discipline by her deranged parents. “ The People Under the Stairs is the first R-rated movie I ever saw in theaters. How my dad convinced my mom to let him take me I'll never know. The People Under the Stairs comes across as goofy and campy, but there's actually a great deal of subtext about gentrification and ‘urban renewal’ in it.” --------------------------------------------------------------------- TIM JACKSON The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair, of The Exorcist III ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of Paradox Lake ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “The scariest horror movie for me remains The Exorcist. At maybe 13 years old, I saw the TV version of the original 1973 movie, and even that version with the most graphic scenes and swear words removed was the scariest movie I had ever seen . Several years later, I saw the full, uncut version and was once again terrified. The Exorcist is exquisitely done . Its special effects for that era were superb. The subject matter, especially for someone raised in the church, seemed so much more real than a Freddy Krueger or Jason Voorhees. The Exorcist avoided a lot of the jump-scares and other horror tropes and instead just told a story that scared the shit out of you. It's the all-time best horror movie , in my opinion. *I also love some of the movies adapted from Stephen King's books: The Shining, Pet Sematery, Carrie, Christine, and Cujo , for instance. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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The Journey of Making Dreams Come True < Back Rian's Den: From Vision to Reality Rian Nickels Apr 11, 2025 Share The Journey of Making Dreams Come True This may end up being too long, and who knows if anyone will read it, but if my story inspires even one person to pursue what they want to do in life, then I suppose I should share it, so here goes nothing. Around this time last year (2024) , I found myself craving more out of music photography. I got a few paid gigs for local Louisiana alternative bands in my inner circle of friends. Still, I knew I wasn't spending enough time doing what I was passionate about – taking photos of live music performances. I wondered if my work was good or interesting enough for me to join a music publication. I live in a small Louisiana town , so I never really considered that there might be something I could contribute to locally, so I looked around the good old World Wide Web to find some publications that could take me on. I sent out a lot of cold emails with my portfolio (which was really lacking, if I'm being honest) to different alternative music pubs, and unsurprisingly, I didn't get a single reply because most of them required you to also be a writer, which I had no confidence. Eventually, the idea faded from the forefront of my mind. Still, one day, as I was scrolling through the socials, I saw that my friends from Jean Claude Seagal had interviewed with an online magazine, Mixed Alternative Magazine , and decided to read it. After looking over the site, I couldn't believe what I found out! Mixed Alternative Magazine was run by a woman based in Louisiana , not only in my state but in a small town near Walker! Knowing someone in my town cared about the local music scene brought me joy, so I decided to reach out and try my shot at being a contributing photographer. To my surprise, Nicole Brice , editor-in-chief and founder of Mixed Alternative Magazine , reached out to me, loved my work, and graciously took me in with open arms! Unlike other publications, I loved working with Nicole because she didn't require or force me to write. However, she did encourage me to try it out and see how I felt about it. I didn't know what to expect, but I was excited to step deeper into the Louisiana music scene and be a part of a group of talented people passionate about capturing and documenting the growth of our local alternative community. For my first assignment as a contributing photographer, I captured Feel Alive Media and Events' first step back into the scene after a five-year hiatus. It was JAYD3D! 's release for their debut album Outstanding Gentlemen , at The Howlin' Wolf in New Orleans in April 2024 . This was a perfect place to start for me because not only is JAYD3D! my fiancé, but I am also co-founder of Feel Alive Media , so this was right in my comfort zone. Around this time, I had been dealing with a lot of social anxiety after being away from the scene for so long, and it was my first time back in New Orleans in years, but I was excited to embark on a new adventure. I went on to have a great night, make core memories, meet new friends like Kris Russ , and reinforce a connection with Coma Nights , whom I photographed a few months back at Phil Brady's in Baton Rouge . Since the gig turned out so well, I decided to try my hand at writing a show review, and it turns out people seemed to like my writing. The article had good traction, and people were kind enough to let me know they were excited to see what would come from me. Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf In May 2024 , I followed my good friend Michael Spoon 's band, The Gosh Darn Dangs, around for a night of Busking in Hammond, Louisiana . Documenting this meant a lot to me because I was able to work with people with whom I've had long-standing friendships and grow new ones. I loved strolling through my old stomping grounds. The best part was giving a glimpse of what a night in the quaint little downtown of Hammond was like. Southern Happenings: Meet The Gosh Darn Dangs By June 2024 , I got to take pictures at a well-loved venue in Baton Rouge , Chelsea's Live , for the first time. My friends at Goodbye Academy were releasing their new EP Last Minute Homework that they were set to perform at the local music showcase ' Harmonic Stew ' and asked me if I'd want to capture it for them. I mean, how could I refuse? Goodbye Academy is one of my favorite local bands, and just the thought of taking photos in Chelsea's Live stoked me. That night, I got to photograph GBA , Dale Harris Band , and a popular Louisiana band Hey Thanks! I'd have to say that this was one of my favorite gigs; it was so cool to see my friends perform on a proper stage, I loved the Louisiana-esque sound that Dale Harris brought to the stage, getting to photograph Hey Thanks! was a neat opportunity. Chelsea's Live was the perfect place to test the waters of bigger production concerts. On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 In July 2024 , I got to cover another Feel Alive Media event, this time at another place I once frequented: The Green Room in Covington . On the line-up for that night were JAYD3D!, The Gosh Darn Dangs, and Jean Claude Seagal . This night was one for the books because, between the performers and the attendees, all my friends in my innermost circle were there to make memories and listen to good tunes. Hammond's Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media September 2024 was super busy, but you don't achieve goals without being somewhat busy. Two of my main goals were photographing a gig in a Theatre and covering a festival. I was hired on to photograph an event that was being put on by the Southeastern Louisiana University Theatre Department , 50 Years Of CBGB , at The Colombia Theatre in Hammond, LA . This would be my first time photographing from a stage and working around multiple photographers and a bigger crowd. I also got to photograph and reconnect with music friends from before my photography hiatus and, overall, was blessed to see that Hammond 's music scene was still breathing. I believe this night set some foundations for my growth in the professionalism side of music photography and gave me the confidence and experience I needed to attempt more significant events. By this point in my journey, my anxieties around crowds, my skills, and just life in general started to ease. I no longer felt on the edge of panic when on the way to events, but instead felt excitement. CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Next up on the agenda for September (literally the day after CBGB) was my first time capturing a music festival. I got to attend Rock Around Downtown Fest , RAD Fest for short, with our very own Mixed Alternative founder, Nicole Brice . This was the first time Nicole , and I got to know each other. I even met Justin Hammer , a photographer I had looked up to for at least a decade. Justin had been doing concert photography for a while, but before that, he was taking photos of my friends at Dreamland Skatepark in Hammond , and I was excited to be on the same team as him! I was excited to be allowed back on the stage again but was even more eager to see what I could do when poor lighting wasn't an issue. Most of the shows before this one were all indoors at night, but RAD Fest was outside during the day on a beautiful afternoon in Lafayette, Louisiana . I got to take photos of many alternative bands from the South ; every single one brought rockstar energy to the stage. This day was so inspiring and exhilarating that it showed me that I could really thrive in the Music Festival setting. RAD FEST 2024 Video by Sixto6 Productions October 2024 was the busiest month by far, but launched me so much farther into the life of a Music Photographer . To Nicole and me, it was a complete surprise that Mixed Alternative Magazine and I were approved for our first press pass with a bigger venue and artist this month! After months of hard work and dedication, we were about to see some of those tireless nights pay off, and we were in disbelief that we were approved to cover Sleeping With Sirens at The House Of Blues in New Orleans . This was huge!! The last time I saw Sleeping With Sirens perform, I remember thinking, "I'm gonna do whatever it takes to photograph them one day," that day was here! It meant the absolute world to capture one of my favorite bands, and I've honestly never felt cooler in my life. This event was a real test of my progress with my anxiety; the show was sold out, so that meant I couldn't bring anyone along. I can't begin to tell you how incredibly nervous I was to take the journey to and through New Orleans alone, but I knew I couldn't dare miss the opportunity. Luckily, I met up with another one of my photographer role models, Whitney from WhitnessThis Photography , and even ended up running into an old friend. This reminded me that it's important to pursue things that, at the surface, scare the crap out of you; because the universe might just be looking out for you sometimes. Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian's Den: A Night to Remember with Sleeping with Sirens Only two days later, I found myself back in New Orleans at The House of Blues – with my best friend, I might add – to cover The Used and Plain White T's ! This show showed me what a photographer can pull off when given the right lights, stage presence, and opportunities. Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy After that, I spent the rest of October photographing weddings, Halloween shoots, and spooky parties, and the holidays started to ramp up. I also did various music events for friends and gigs, but unfortunately, I didn't get the time to write any articles, or review shows from late October until late February . Now that most of the holidays were survived, Louisiana was looking forward to Mardi Gras , but I was ready for concert season to ramp up again. To kick off the season in February of 2025 , I got to photograph Johnnie Guilbert's first tour with a full band on the Death and Glory tour with Palaye Royale , artists who quickly made it to my top artists on Spotify . This show was just what I needed to get back into the groove of things after a long holiday season. Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans It's April of 2025 now, and I've only done that one show, but I'm excited for what awaits this year with Mixed Alternative Magazine . I eagerly await my Her Riot Femme Voices Showcase on April 18th in Baton Rouge at Mid-City Ballroom and Eclipse Fest on May 10th at Feed' N' Seed in Lafayette . As far as goals for this year go, I'm hoping to get more involved in interviewing and photographing more local bands that I haven't had the chance to see, and I'd love to write more articles about past shows I've been to that deserve some recognition. My point with this article is to tell you to go for that thing you've been wanting to do because, to your surprise, it may turn out exactly how it should. You might be good at it, and others might also think so. You could meet some new friends who are into the same things you are and have similar goals as you, and y'all might help each other to be able to do the things you love. You might end up exactly where you need to be. Mixed Alternative Magazine has offered a space for a community to grow and thrive. They are bringing attention to talent hiding in Louisiana's nooks and crannies and bringing it to the forefront. They offer something different from your average music publications, allowing space for creativity, emotions, and passion to flow. A place where you can reject the mainstream, forge your own path, and make your own rules. (Jk Nicole makes the rules) :P www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions for comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From the bayous of Louisiana to the amygdala and the amplifier – Joseph LeDoux rocks them all. < Back Neurons and Notes: The Musical Mind of Joseph LeDoux Nicole Brice Oct 2, 2025 Share From the bayous of Louisiana to the amygdala and the amplifier – Joseph LeDoux rocks them all. Joseph LeDoux is Professor Emeritus at New York University . He is also the author of the best-selling book “ The Emotional Brain: The Mysterious Underpinnings of Emotional Life ”, as well as numerous other influential writings. With decades of research experience, LeDoux is regarded as one of the world’s leading experts on the mind and brain. Credit: Richard Barone In addition to his academic contributions, LeDoux is a prolific musician and recording artist. He has collaborated with artists such as Rosanne Cash and performed with his band, The Amygdaloids , alongside musicians like Rufus Wainwright , Lenny Kaye , and Steve Wynn of The Dream Syndicate . He has also written scores for programs and documentaries. What has this man not done? Although he is renowned worldwide as a neuroscientist, LeDoux is fundamentally a gifted musician hailing from Eunice, Louisiana . He is a humble, kind-spirited individual who radiates positivity, and we encourage you to check out his music. The Amygdaloids , his band, is somewhat reminiscent of Devo due to their intelligent subject matter and the fact that the band is comprised of scientists. Their songs are quirky, thoughtful, unique, and extraordinary . The band’s music has been playfully described as "heavy mental”, and coincidentally, that is the name of their first album, which features a blend of classic and experimental sounds, with tracks that evoke the sound of Tom Petty meets Elvis Costello . The standout guitar work, characterized by clean tones, is only one profound layer to The Amygdaloids' music . It can be mellow yet soulful , but then completely take a turn into something more rockin'. With lyrics that delve into the complexities of the mind, you find yourself thinking as well as listening. Credit: Joseph LeDoux The Amygdaloids’ second album, Theory of My Mind , leans toward a more upbeat and rock-oriented sound, with each song distinctly unique. The compositions are intricate, showcasing a tight-knit group of musicians. If I could create a genre for this band’s music, I would have to title it Brain Rock . One standout track for me on The Amygdaloids’ second album is ‘ Brainstorm ’, which begins with a beautifully fuzzy guitar that howls gently , highlighting the talent of a truly gifted guitarist. In addition to two full-length albums, the band has also released a few EPs along the way, too. So, how did I come to learn about Joseph LeDoux ? My journey into the realm of Joseph began with a delightful twist of fate, sparked by my friendship with fellow musician Paul Sanchez when he introduced us. After that introduction, I had the incredible opportunity to engage in an enjoyable conversation with Joseph, delving into the nuances of his music and more. We left no stone unturned. Read on below. MaM : You were born and raised in Eunice, Louisiana, but now reside in New York. How much do you miss things down here? When you come to visit, do you ever think you’ll stick around this time? What drew you to New York initially? JL : Well, I grew up in Eunice , and the year that I graduated from high school, a junior college version of LSU opened up in Eunice , and my parents wanted me to stay and go to the junior college because it would be cheaper, even though LSU wasn’t that much. I told them “No” and that I wanted to go to LSU , and so we went back and forth, and they finally said, “Well, if you promise to be a banker after studying business, then we’ll allow it. We’ll do it.” I attended LSU for four years, studying Business Administration , and subsequently earned a master's degree in marketing. During this process, I also took several psychology courses. It was the late 1960s to early 1970s, and it wasn’t very cool to be in Marketing. MaM : (laughter) Right? JL : So, I’m looking for something else to do, and I fell in love with Psychology . I took a course called Learning and Motivation , expecting it to be relevant – I was working on consumer protection for my thesis, and it turned out the class was taught by a researcher studying rat brains and memory at LSU . He was the professor, and that was his class. I had no idea you could study the brain, let alone rat brains. I worked in his lab for a little while, and I mainly observed what was going on. I didn’t really know how to do anything. I decided, though, that I wanted that to be my career. Study the brain. He said to me that I didn’t have a chance and asked how I was going to get into graduate school with no qualifications. (laughter) I said, “Well, I’m gonna give it a shot.” So, I wrote twelve or so applications, and Stony Brook University , located on Long Island in New York, accepted me because there was someone there who knew the professor who wrote the letter on my behalf, and thus I was given a chance. Four years later, I had a PhD in consciousness and was studying patients with epilepsy, and a book that had come out with my thesis work, so it was like I was on speed dial or something. (laughter) Credit: Joseph LeDoux MaM : So, you had no choice but to move up there? Destiny decided it for you. JL : I could have left and come back, but I really always had a fascination with New York City because of the Yankees . I was a big Yankees fan as a kid. I also loved all the noir movies I watched as a kid … 50s black-and-white films with murder and all kinds of things happening in New York . I just had a feeling I was meant to live there, and I ended up leaving Stony Brook and moving to Manhattan, where I worked at Cornell Medical School for over ten years. I then moved to New York University , where I have been ever since, and I have just retired, by the way. MaM : That’s amazing. What a life. What was it like growing up in Eunice in those days? With our magazine, we’ve done a few photo shoots out there just because of the architecture and small-town vibe. Did it still have that country-where-everybody-knows-everyone type of feel? JL : Exactly. It was a perfect place to grow up, and I really enjoyed it. Just this past weekend, I was in New Orleans for a conference and some other work, but I also arranged a lecture and performance for the people of Eunice . It was advertised in the Eunice news – a big picture of me playing my guitar on stage. We had a good audience – approximately 45 to 50 people attended. Many of them I went to school with and hadn’t seen in a long time. I just lost touch with the whole community, and so I decided if not now, then when. It was the most pleasant and loving audience I have ever spoken to or played music for. It was quite amazing. They loved it so much that they want it to become an annual event. I was deeply touched and felt like I was truly back in the small community where I grew up. Even though I don’t live there, I now feel I have a stronger connection to it than I thought I did. Credit: Joseph LeDoux MaM : That’s amazing. The vibe and sense of community are what I love so much. I love that town. I saw that you were a DJ in high school. I was a DJ in college. Wasn’t that the best experience being a DJ? JL : It was. The highlight of my DJ’ing occurred when the radio station would bring in acts to play in town at the National Guard armory. Every Saturday night, there’d be an event. They’d book Little Bob and The Lollipops all the time. They were the go-to band. I think Little Bob is still around, but one of the things I did was host Percy Sledge . When it was time for him to go out, he pulled a flask of whiskey out of his back pocket and gave it to me for a swig. That was a highlight of my life, man. Drinking with Percy Sledge. MaM : What a story. I love your music, and nothing is cooler than the fact that your band is a bunch of scientists. What is it about music that makes you passionate and makes you want to continue to pursue it, especially today? JL : So, I actually put music down when I started becoming a scientist and got married. There just wasn’t enough time for everything. In 2005 , our son died from a heroin overdose, and so that’s what brought me back to music because music is a great healer, and I started hanging out with a biologist at NYU , and we were playing songs that had some science-based themes. I then thought I could write a few songs, so we did, and we got a gig in Brooklyn . The newspaper wrote a comment about ‘heavy mental’ and used that to describe our music, so that became the title of our first album and the genre. I think we’re the only band with that particular genre, and if there’s ever an award at the Grammys in that category, we definitely got it. The Amygdaloids first show in Brooklyn, New York 2006 MaM : That would actually be a clever name for a band. When you do sit down to write, what is the process like for coming up with a song? JL : I guess there are two ways you can do it. Pick up a guitar, start strumming, and hope something comes out. The other way is to start with an idea or theme. The thing with having a genre-specific catalog of music is that a lot of what I did was start with a particular theme about the mind. Anything you could think of with the mind. Many of our songs are love songs about mind, brain, and mental disorders, but you could pretty much say any song is about mind, brain, and mental disorders. It’s front and center to what we do. MaM : Now, I know we all listen to different types of music, and we all enjoy the catalogs of our favorite musicians, but do you have a favorite song of all time that you love? Or a favorite musician? JL : I think for me, it would be ‘ She Loves You ’ by The Beatles. MaM : Ok, that’s a great one. That’s a timeless song. JL : I remember when I first heard The Beatles , I was young and had a transistor radio and was taking a bath listening to the music. Just soaking it all in. I must have been 15-16 years old at the time, but on comes this song ‘ I Wanna Hold Your Hand ’, and nothing sounded like it before. That was something different. I think The Beatles are just amazing. I’m writing a memoir right now, and the title of it is ‘Just Like Starting Over’. John Lennon and Yoko felt that every time they were together, it was just like starting over. My memoir is about all of the ways I have started over in my life. Eunice to Baton Rouge to Stony Brook to science. Lots of starting over. As a young kid, I was more interested in Paul than John , but over time, I developed an attachment to John and his sincerity. He had a tough life, and he really turned it all into wonderful music. I mean, Paul did, too, but there was something edgy about John that I came to love. Also in this book, I sort of used the Billboard Top 100 for every year of my life, starting with when I was five years old, to trigger memories from that time. If I wanted to try to drag up memories from when I was ten, I would pull up the songs that really lit the lightbulb in my head, and just by playing those songs, it would trigger more memories. It was a good strategy. Credit: Joseph LeDoux MaM : So, when is this memoir coming out? I'll be sure to check it out. JL : It’s at the publisher now, so it’ll take at least a year to come out. MaM : Your last music release was in 2017, correct? Any new music coming? JL : I guess that was the last one because everything went digital. I make music at home, creating albums, but what I have been doing since 2017 is collecting songs with two themes. One is songs of love, and the other is songs of life. I envision this as a vinyl A-side with songs of love and a B-side with songs of life. Credit: Noah Hutton MaM : I love that. How do you rate today’s music, and are there any up-and-coming musicians you like currently? JL : I’m not too hip on really present music. I don’t resonate with it as much as the old stuff I like. I am definitely stuck on a bunch of 60s artists, but bands that I like are really not current. Son Volt is one, and I like a lot of Americana country rock. I love Wilco . He apparently has just released a three-record album. It’s all acoustic and mellow. Just very mild. It’s nice. MaM : I love singer-songwriter material. I love the vibe. JL: I’ve been writing this thing, and I don’t know what it’s going to be on, but it goes like this: "I grew up in French Louisiana, in the area known as Acadiana, where it’s hot and humid most of the year; you fix that up with boudin and beer. Penguin nuns made me a pet. First communion came, I began to sweat. Watching the father, son, and the ghost, I choked on the host, and that made me toast. I had a hankering for the music called pop. When The Beatles came their pop was rock with two guitars, bass, and the drums. We had our own rockin fun …” and on and on. (laughter) MaM : I love that!!! JL : It’s going to be a long Bob Dylan-type rant. MaM : That’s what is missing in music. We really don’t have too many Bob Dylan types these days, or if we do, they aren’t in the mainstream with poetic lyrics like that. They’re more obscure. For listeners who are discovering your music for the first time, how would you describe it, and what do you hope they’ll take away from it? JL : Well, they are mostly love songs about the mind and the brain, and one in particular, ‘ Map of Your Mind ’, everyone seems to like. They’re songs about connection. Take our conversation for example, I have to get into your mind, and you have to get into mine. So, the song is about the relationship between a man and woman, my wife and I in particular, and how you have to float into the other person’s mind because sometimes, if you’re having an argument, you have to understand the other person’s perspective. Still, sometimes the hormones and the argument override that and you have to come back to it the next day and apologize. It’s more about the good part of love. Sailing deep inside and trying to find the heat of the person’s heart, keeping yourself warm. Credit: Alexi Gambis MaM : If within the next five years you could accomplish anything musically, what would it be? JL : I’m good friends with Rosanne Cash , and she has sung back-up vocals on one of my albums, and she and her husband are an amazing power couple. If I could do something with them, that would be amazing. Neil Young , too. I have a house in upstate New York , and it’s ten minutes away from the original site of the Woodstock festival. They created a big outdoor venue there, and I just saw Neil there recently. Great show. Dylan plays there, too, sometimes. Bob or Neil . Either of those. As Joseph LeDoux continues his journey, one thing is certain: we can expect more music in the future. In the meantime, be sure to check out his other releases with his band, The Amygdaloids and stay tuned for his memoir dropping in 2026 . To learn more about Joseph LeDoux and The Amygdaloids: Website: Joseph E. Ledoux Band Website: The Band – The Amygdaloids | Neuroscience meets Rock & Roll YouTube: The Amygdaloids Channel - YouTube Spotify: The Amygdaloids | Spotify Apple Music: https://music.apple.com/us/artist/the-amygdaloids/265644607 *Cover photo credit: Richard Barone, Tape Op Tape Op - Music Production Magazine, Recording, Audio, Technology www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Truly a Time to Let Your Soul Fly Free < Back Metal: The Killer of Trends Nicole Brice Nov 10, 2022 Share Truly a Time to Let Your Soul Fly Free To say that Metal , especially Southern Metal, had a HUGE impact on my life would truly be an understatement. To be honest, I cannot recall a single time when Metal was not a staple in constant rotation within my music collection. The one band, though, that I can attribute to me truly getting into super heavy music, though, would have to be Pantera , and I had the opportunity to not only see them once in my life, but twice . Those memories will never be forgotten, and those ticket stubs will forever be treasured heirlooms as will my 1996 concert tee from the tour for The Great Southern Trendkill . The ticket stubs from when I saw Pantera LIVE Tour shirt from July 11, 1996 Pantera always had that in-your-face / want to punch something sound. I can recall hearing ' Becoming ' for the first time in my brother's burgundy 1984 Honda Accord on his Alpine stereo at full blast while riding home from school one afternoon. The aggressive guitar that starts the track gives an instant punch to the cojones and what a musical journey that song is. It never lets up. Aggressive all the way through. Dimebag truly was a pioneer of his time and is so missed. 'Becoming' by Pantera Shows were a way of life growing up and every show that came to town was a "must see". In 1996, my brother and his friends heard that Pantera was coming to town, and so, I instantly HAD to go, right? Add in the fact that they were to play with White Zombie , and duh, no brainer! We were there! We ended up scoring balcony seats, fail , but at least we were getting to go to the concert, so there's that. On May 7, 1996 , The Great Southern Trendkill was released, and the cover was so sick that I knew before I even pressed play that I was in for an incredible experience. To this day, ' Floods ' is one of my favorite Pantera songs, hands down, because of Dimebag's amazing guitar solo , and I like to listen to that track on rainy days in my car at full volume. 'Floods' by Pantera Considered one of Pantera's most aggressive albums, The Great Southern Trendkill features some of the fastest tempos and down-tuned guitars in their entire anthology, and even though it was to be one of the last Pantera offerings for a long while after, it serves as a reminder of days past when Metal ruled, and life was simpler. The 1996 show with Pantera and White Zombie was killer, no lie, and was one of the BEST shows I have attended in my LIFE . White Zombie was incredible, Pantera was incredible, Eye Hate God ...not so much, but the entire show was definitely one to remember. Back then, it was my first time seeing Eye Hate God , and their set was lacking something. I can honestly say that after all these years, Eye Hate God has gotten so much better, and I really enjoy their live shows. They have become icons, in their own right. Many years later, on a whim, I bought tickets to see Pantera again, but this time they were playing with Soufly . Winner, winner, chicken dinner! I am a HUGE Max Cavalera fan, HUGE ! I, literally, cannot go a day without listening to at least one Sepultura or Soulfly song. Max's voice gets me so pumped up! Just a few of my fave Sepultura songs are ' Refuse/Resist ', ' Roots Bloody Roots ', and ' Ratamahatta '. I even religiously wore my brothers Soulfly t-shirt in high school, often pissing him off when he would go looking for it and couldn't find it. It was almost always in my room in my dresser, ha! Oopsie! No clue how it got there. ::grins:: I'm wearing the infamous Soulfly t-shirt here, but it's hidden behind this stuffed pig. No clue why I was holding a stuffed pig. Anyway, so ended up getting to that second Pantera show late and arrived in the middle of Soulfly's set, bummer, but at least I got to go, and Pantera did not disappoint, once again. Sadly, I did not get a t-shirt from that show, but I have the memories of who I went with and the experience. Those things can never be replaced. Even though, Pantera is no longer around with the OG's, the memories of seeing their brilliance on stage will forever live in my mind, and maybe if I'm lucky, I'll stumble upon a YouTube video in the future of someone who recorded the shows I attended. Even though we didn't have camera phones back then, some people did sneak video cameras into those shows, and I'm sure someone out there has footage. They just have to. Till next time, listen to good music, reflect on the memories, and let us teach the future generations what classifies as truly GOOD music. Love and Light -Nicole- Me in high school wearing my Pantera tour shirt in 10th grade Geometry class www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Extraordinary < Back Funny, Filthy, and Full of Superpowers Keeley Brooks Feb 17, 2023 Share Extraordinary In an age of urgency and digital content overload, sifting through available titles on different platforms searching for something new to watch can be super frustrating and time consuming. Lucky for you, I’m a bit of a content hooker and am here to kind of help narrow down some of those titles for you by bringing you some of my personal recommendations. This past weekend, while taking a breather from binge-watching MTV’s “Teen Wolf,” I decided to jump over to Hulu and see what’s up with one of their new shows, a comedy series called “Extraordinary.” And I’m glad I did, because I spent the next few hours bingeing season one, giggling, laughing out loud, and falling in love with everything about it. “Extraordinary” is British superhero comedy about a hopeful but desperate girl in her mid-20s adrift in a big ol' confusing world. She’s skating on thin ice at her retail gig, is sexually frustrated, and is anxious about the fact she doesn’t have much to show for her young-adult life thus far. Oh, and it takes place in a world where everyone gets a superpower on their 18th birthday. Some people can walk through walls (or over them). Other people can fly. Some people wear eye patches because their superpower is getting other people to tell the truth. Others have super-human strength or the ability to shapeshift or move through objects or teleport. There’s even a character known as “the jizz guy” simply because he holds the power to make any living being—even a cat—have an orgasm if he touches them at all, in any way. I’d really love to be able to gift you the scene of the cat having an orgasm because it’s hilarious, but I couldn’t find it online. I can tell you it’s in the beginning of episode two, though! So, everyone gets a superpower on their 18th birthday, except for our main character Jen; she’s been waiting for six years to find out what hers is. Her life and what that’s like for her is our main storyline, and it’s quite an entertaining one. Jen lives with her BFF Carrie and Carrie’s boyfriend, Kash. Carrie can channel dead people, and Kash can turn back time at least a few minutes, but he uses it to do shit like rewind time to make sure Jen doesn’t see him in a costume that says “SUPER COCK” on it. He also prefers to create a group of vigilantes over getting an actual job. Jen also has a cat named Jizzlord, who is actually a dude unable to figure out how to control when and where he takes on cat form. He’s been stuck in cat form for three years and as a result has forgotten a lot about human life. The show has some pretty big laughs, some moments that are tender and sweet, and it offers up a unique take on the whole superpower thing. Having a superpower isn’t as big a deal in this world, and that sets up an entirely different vibe than most superhero content we’ve seen. The gag is that most people use their powers for dull, often selfish reasons. With an entirely English cast, “Extraordinary” is created by Emma Moran and season one has eight 30-40-minute episodes you can get lost in for a little while. Enjoy, my friends. *Quick side note: I also recommend getting into the “Teen Wolf” series. I have a thing for werewolves, and this one is really great, especially once you get past some of the young-adult stuff, and it boasts a great storyline, some pretty awesome werewolves that are cleverly designed, a good bit of blood and gore, and some super-cool fight scenes. The wolf fights are a-plenty! Plus, Dylan O’Brien of the “Mazerunner” movies is hysterical and absolutely perfect as Scott’s best friend Stiles. He’s a bit different from the Stiles most of us were introduced to in the 80s movie “Teen Wolf,” though. I haven’t seen him surfing on the top of any vans through the middle of town ... yet. Here, he's very smart and funny, especially with piecing things together and helping his cop dad solve different crimes. He’s very analytical. O’Brien also is reminiscent of the very funny Jim Carrey. Not only does he favor him in appearance, but he also favors Carrey in his ability to make people laugh. He adds a touch of levity to every single scene. You can find all six seasons streaming on Hulu and on Paramount Plus. Then, when you finish that, go watch the new "Teen Wolf" movie that released recently; it's streaming on Paramount Plus. You’re welcome. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nick Sabia’s new release “Back East” is a peaceful trek through nature. < Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A list of Netflix original content to watch, stream, and binge in July < Back What's On Netflix: July 2023 Keeley Brooks Jul 4, 2023 Share A list of Netflix original content to watch, stream, and binge in July I’m pretty sure I speak for everyone when I scream out how much I wish the writers’ strike would come to an end. Give these writers what they deserve so we can get back to makin’ new content, please! At least Netflix doesn’t seem to be hurting with their influx of new original content streaming in July. We have some pretty cool documentaries, a healthy amount of comedy, an expansion of the 2018 hit movie Bird Box , and we’ll see the final season of Henry Cavill as Geralt in Season 3 Volume 2 of The Witcher , which premieres at the end of the month. I’ve enjoyed the series, but I will say I sure hope Volume 2 is much better than Volume 1. Here’s a full list of (most) everything hitting the streaming giant over the next few weeks. NEW ORIGINAL MOVIES UNKNOWN: THE LOST PYRAMID JULY 3 Two teams race against the clock to see who will make the bigger discovery, and thus make their mark on history, in this archeological documentary following two of the world’s most famous Egyptologists seeking to unearth ancient treasures. In the desert sands of Saqqara, the latest hotspot of Egyptian archeology, Dr. Zahi Hawass hunts for the long-lost pyramid of a forgotten Egyptian king while his protegé, Dr. Mostafa Waziri, searches for an unlooted tomb in an ancient necropolis. TOM SEGURA: SLEDGEHAMMER JULY 4 Comedian Tom Segura is back with his fifth Netflix special, Sledgehammer . In front of a sold-out crowd in Phoenix, Arizona, Tom explores his “admiration” for Brad Pitt, what it’s like raising two boys, and the lessons learned from sharing his gummies with his mom. WHAM! JULY 5 Most of you Millennials may have never heard of WHAM! but back in the day (1980s), this teenage English pop duo of best friends George Michael and Andrew Ridgeley was one of the most commercially successful pop acts of the decade, selling more than 30 million records worldwide from 1982 to 1986 . The documentary tells WHAM’s story, in their own words, of how in four years they came to dominate the charts around the world with their timeless, classic pop songs. THE OUT-LAWS JULY 7 Starring Adam Devine ( The Righteous Gemstones ), Ellen Barkin ( Animal Kingdom ), Nina Dobrev ( The Vampire Diaries ), and Pierce Brosnan ( Black Adam ), this story follows Owen Browning (Devine), a strait-laced bank manager, as he's about to marry the love of his life, Parker (Dobrev). When his bank is held up by the infamous Ghost Bandits during his wedding week, Owen believes his future in-laws (Brosnan and Barkin), who just arrived in town, are the infamous Out-Laws. UNKNOWN: KILLER ROBOTS JULY 10 A documentary following the terrifying behind-the-scenes efforts of military-funded scientists racing to build the AI-powered robots changing the face of warfare and the activists on a mission to expose their dangerous potential. BIRD BOX BARCELONA JULY 15 From the producers of the hit phenom Bird Box comes Bird Box Barcelona , an expansion of the film that captivated audiences in 2018. After an entity of mysterious origin annihilates the world’s population causing those who observe it to take their lives, Sebastián and his young daughter must navigate their own journey of survival through the desolate streets of Barcelona. As they form an uneasy alliance with other survivors and make their way toward a safe haven, a threat much more sinister than the unseen creature grows. UNKNOWN: CAVE OF BONES JULY 17 Man, Unknown is crankin' 'em out! In South Africa’s Cradle of Humankind, Paleoanthropologist Lee Berger has found the world’s oldest graveyard—and it’s not human. In an effort to alter everything we know about hominid evolution and the origins of belief, Berger and his team work to prove this ancient, small-brained, ape-like creature practiced complex burial rituals UNKNOWN: COSMIC TIME MACHINE JULY 24 With unique access behind the scenes to NASA’s ambitious mission to launch the James Webb Space Telescope, we follow a team of engineers and scientists as they take the next giant leap in our quest to understand the universe. THEY CLONED TYRONE JULY 21 Starring Jamie Foxx ( Horrible Bosses , which, if you haven’t seen that movie, I highly recommend it; it's a fantastic barrel of laughs), Kiefer Sutherland ( 24 ), David Alan Grier ( Joe Pickett ), and John Boyega ( Stars Wars: The Force Awakens ). A series of events thrusts an unlikely trio onto the trail of a nefarious government conspiracy in this pulpy mystery caper from writer/director Juel Taylor ( Creed II ). THE DEEPEST BREATH JULY 19 This A24-produced documentary is about a champion record-setting free diver and an expert safety diver training and attempting to make history with a remarkable feat. HAPPINESS FOR BEGINNERS JULY 27 A romcom starring Yellowstone ’s Luke Grimes and the Unbreakable Kimmy Schmidt ’s Ellie Kemper. When Helen (Kemper) signs up for a wilderness survival course a year after her divorce, she finds herself hiking a portion of the Appalachian Trail with her little brother’s best friend (Grimes). She discovers through this experience that sometimes you just have to get really lost in order to find yourself. THE WITCHER SEASON 3 - VOLUME 2 JULY 27 The final installment of the last season of Henry Cavill as The Witcher, where he’ll be hanging up his wig for good. credit: Netflix HIDDEN STRIKE JULY 28 Two ex-special forces soldiers must escort a group of civilians along Baghdad’s “Highway of Death” to the safety of the Green Zone in this action comedy from Director Scott Waugh ( Need for Speed ). Starring Jackie Chan ( Rush Hour movies), John Cena ( Peacemaker ), Sylvester Stallone ( Rocky movies), and maybe some other recognizable faces. NEW & RETURNING ORIGINAL SHOWS The Lincoln Lawyer Season 2 – July 6 Hack My Home – July 7 Quarterback Season 1 – July 12 Sugar Rush: The Baking Point Season 1 – July 12 Too Hot to Handle Season 5 – July 14 Sweet Magnolias Season 3 – July 20 Mark Normand: Soup to Nuts, a stand-up comedy special – July 25 The Great British Baking Show: The Professionals Season 7 – July 26 Missing: The Lucie Blackman Case – July 26 How to Become a Cult Leader (a tongue-in-cheek limited series) – July 28 Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for content and an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jrago < Back What Do a Musician, an Indie Label, and a Video Game Have in Common? Nicole Brice Oct 18, 2022 Share Jrago Jeremy Pourcy is what you might call a veteran of the local music scene in South Louisiana. He originally started out with Knever in 2001 and continues making music with his very own metal band Jrago , in addition to playing bass with the First Baptist Church Worship Team in Denham Springs , LA. And did I mention he is developing his very first video game, Jrago – The Demon Hunter ? Because he sure is! Jeremy was previously involved with bands Eden , The Mysterious Stranger , Ambassador , and Branded for Exile . Multi-talented and multi-faceted doesn’t even begin to cover what all this man is about. We recently sat down with Jeremy to pick his brain on many topics, and he was incredible! Set to release a new album on December 16, 2022 , Jrago and Jeremy Pourcy are a MUST on your worth-checking-out list. credit: Gary Governale MaM : Give us a short bio of everything you have been involved in. I’ve been reading up on you and you’ve been on the scene for many years. JP : Well, in 2001, I joined my first real band called KNEVER playing bass. The lineup was Jason Ourso on vocals, Rusty Laughlin on guitar, and Jon Maher on Drums. I attended high school with Jason and Rusty , so that’s how we knew each other. After a few years, we added Cody DeRouen on guitar. During this time, we almost got a record deal, which failed, but it led to me starting an Indie label called Jrago Records . By 2004, we ended up replacing Rusty on guitar with a dear friend of ours named Luke Fauver . We had played shows with his other band, Caustic 6 , but unfortunately in the summer of 2006, Luke passed away and the band broke up. MaM : …and then from there, you created Eden with your wife, correct? JP : Yes, later that year in 2006, I married my wife, Kelly Smith , and we began to write and record music together. We called our project Eden , and it was mainly just writing and recording at home. MaM : After Eden, you had quite a long list of projects. credit: Gary Governale JP : Yes, I did. So, in 2007, I got a call from Jason Ourso , and he was starting up a new rock band and needed a bass player. It was called Murder on Sunday , which would eventually be renamed to The Mysterious Stranger . My time in the band was short lived, however, and I was replaced with another bassist. A couple of years later, I was invited to play for an A Perfect Circle cover band called Sea of Names (Mer de Noms) . The line-up was Rusty Laughlin on vocals, Adam Shelton on guitar, and Jeremy Rasti on drums. I was playing bass and keyboards. We never played any shows, but we had a good 10 songs we practiced for several months. MaM : It was about this time that you guys decided to bring Knever back, right? JP : Rusty and I joined Jon and Cody again, but this time Rusty was singing. We called it Never Again as a bit of a joke. By 2011, it was finally show ready, but I ended up leaving the project after the birth of my daughter. MaM : And when did Ambassador come about—after the reunion of Knever? JP : 2015 – I get a call from Jason Ourso once again, and he’s starting a new rock band. This time, with Gabriel Vicknair on vocals and Ean Savoy on drums. That was the beginning of Ambassador … but, then in 2016, Knever was back in action and needed a new bassist, so I joined them once again. In 2018, Kelly and I released our third Eden album, Window , and Ambassador released its first album, Belly of the Whale . Coincidentally, Knever also released an album, which was to become the final album, The Collection . credit: Gary Governale MaM : So, what happened in 2019? I know a good bit went down but tell me a little more. JP : Well, in 2019, Ambassador gave me the boot, developing problems in Knever led to a breakup again, and I started to play with Branded for Exile for a few months but then ended up leaving that, too. So, by 2020, I was pretty much all alone musically and was trying to record a song unsuccessfully. After a few months, I got a call from Jon Maher , who also left Branded for Exile , and eventually we got our song “ Into the Precipice ” recorded. And that was the start of Jrago . MaM : Obviously, Jrago’s name is a play on your own name and you guys have been releasing songs like crazy. I can’t even keep up. Give us a little more info. JP : With Jrago , we decided to treat each song like an album and release them all as singles. This method of writing and recording allowed us to focus on each song individually. By the summer of 2021, we had six songs finished and decided to put out some CD’s (yes, I realize it’s an outdated medium these days, but we’re kind of old skool). So, our first album was called Destruction Breeds Creation . Our second album will feature eight songs and it’s called Disconnect . We have the release planned for December 16, 2022. credit: Gary Governale MaM : So, you obviously do everything yourself, which I admire tremendously. I, myself, am the same way. What recording software do you prefer to use? JP : I use Apple’s Logic software for recording. As far as why? I had previously used Apple’s “ Garageband ” software, and the interface and button configurations are similar. In Jrago , my main goal was to be able to write, record, mix, master, and produce music without having to get anyone else involved. MaM : What has been the biggest obstacle musically since starting Jrago? JP : Guitar. Without a doubt, guitar. Being a bass player, it took quite a bit of practice to get my first guitar chops up to par to be taken seriously. Even now, I still consider myself amateur at best. In addition, vocals and lyrics were tough, too. Jon had been doing back-up vocals in our previous projects, and now he was able to shine as Lead Vocalist. So, both Jon and I are stepping out of our comfort zones and filling multiple roles in this project. While it’s difficult sometimes, it has allowed us to both grow musically. credit: Gary Governale MaM : As far as inspiration, from whom or where do you draw inspiration? JP : I believe music comes from God . As far as my influences, it would have to be my friends and fellow musicians. Growing up in South Louisiana , there has always been a ton of fresh, original bands all around me. I, honestly, listen to more local music and band room/live recordings than I do mainstream releases. If I had to list some big bands that inspired me, it would have to be Metallica , Tool , A Perfect Circle , Avenged Sevenfold , Nirvana , Pearl Jam , Soundgarden , Killswitch Engage , Dredg , Evanescence , Fear Factory , Times of Grace , The Empire Shall Fall , Eighteen Visions , 36 Crazyfists , Blindside , and Pink Floyd just to name a few. Be sure to check out and follow Jrago on YouTube , Facebook , and Instagram for the latest on upcoming releases and shows! Jrago | Facebook Jrago Studios | Facebook Jrago Records | Facebook Jrago (@jrago_) • Instagram photos and videos Music | Jrago (bandcamp.com) Jrago Records - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Insightful, brilliant, and talented < Back Alfred Banks: A Blessing from the Crescent City Nicole Brice May 22, 2023 Share Insightful, brilliant, and talented Growing up, I loved the hip-hop showcased on programs like Yo! MTV Raps . The music had heart and a meaningful message. However, over the years, hip-hop has seemingly evolved away from impactful rhymes and verses towards themes focused on excess, elaborate stage shows, and corporate endorsements. As a result, I stopped paying attention and shifted my musical tastes elsewhere—until one artist emerged who could rhyme about anything and everything, with verses that had both meaning and heart. Alfred Banks ' body of work is so diverse that it will leave you amazed. He can take a blank piece of paper and create a rhyme about it right on the spot. Banks is a hip-hop musician based out of New Orleans, La. , and his latest release, ' Blessing ,' is a nod to the city that raised him. In the song, he says, “It’s a blessing coming from the Crescent” and for Alfred Banks, indeed it is. The man reps New Orleans wherever he goes, and we are lucky to be able to enjoy his talent. Banks got his start in the industry under the moniker Lyriqs Da Lyraciss at age 17 and has shared the stage with Rakim , Lupe Fiasco , Wu-Tang Clan , Tyga , Desiigner , and Kendrick Lamar , among others. He has performed at New Orleans-based events Voodoo Fest and Jazz Fest , and he even visited Reeperbahn Festival in Hamburg, Germany. Did I mention one of his songs was used for a Volkswagen commercial and that numerous songs of his are licensed to shows and movies? His knack for rhyming, his charisma, and his insightful lyrics are what got him noticed in the biz and, as we like to say, the rest is history. He has been steadily churning out music ever since, with many new ones this year, but he does not limit himself to solo material—no. This man is involved in so many projects, we lost count after a while. We did ask him about all those wonderful endeavors, though, and you can read more about them in this interview. Currently, Alfred is focused on promoting his newest album Nectarine Peels , which is part of his collaboration with Albert Allenback of Tank and the Bangas in a group called Saxkixave . These two are like the odd couple of hip-hop and their infectious videos are beyond hilarious and showcase Bank’s personality in a whole new light. In fact, the duo goes together like peanut butter and jelly and truly do complement one another. Albert makes these killer beats and Alfred comes up with the wittiest rhymes to go with them. Released May 18, 2023 In addition to Saxkixave , Alfred is continuing to perform shows like crazy, showcasing his solo material. Check out this convo we had with him recently, then go check out his catalog of material. You will fall in love with him as much as we have. MaM : When I first discovered your music, the thing that drew me in was your use of words. You can pretty much make a rhyme about anything. When did you realize you had this gift with words to take it to the next level professionally? AB : I remember when I was in sixth or seventh grade, I used to freestyle a lot. I lived in Tallulah, Louisiana for, like, three years and I would freestyle a lot with some of the kids around there. I would gravitate towards anybody who rapped—actually, I’ll go back a little further. Fifth or sixth grade was when I started noticing that I liked remixing songs in my own way. Me and my man Nigel would make comedic remixes for them. We would take any song that was hot at the time, which was 2000/2001 , and remix them about food. I started noticing I could do that off the top of my head. … Junior high was when I started to write raps, which were kinda cool. I was more into that battle type of energy. My sophomore year of high school was when I truly started writing, though. … I really started freestyle battle rapping and I noticed I could think of things on the spot. My whole thing was coming from New Orleans , you have to know how to rib and I got ribbed a lot … picked on a lot and my way to fight back was to just rap. I would just head to toe and people would die laughing. That’s kind of how I got my name. I started uploading music to MySpace and stuff. It started getting a little bit of traction and I did some shows around town. I started battling first. … I just started noticing that if I looked at someone, I could make a rap about it to whatever degree. I fell off it for some years, though, and focused on my songwriting and touring. Around 2019 , I did a tour with my man Mega Ran and he did this thing where he would ask people to hold stuff up in the air and he would freestyle about it on the spot and I [thought that was amazing and wondered if I could do that]. I started doing it with Saxkixave and it goes over well and keeps my freestyle sharp. People kind of know me as a freestyle guy now, so it’s kind of cool, then you meet someone like Ray Wimley , who is a freestyle savant, and he went viral because he freestyled with Common a few years back for Essence Fest . We actually did a freestyle battle at a Pelican’s game and that was me in front of thousands of folks having to put my freestyle skills to the test and, respectfully, I was the victor in that situation. … I don’t really write a lot, not as much as I’d like, but freestyling just kind of works. credit: Gary Governale MaM : Well, as far as your lyrics for your songs, what inspires your lyrics? 'Blessing,' of course, is based upon your love for New Orleans, but I was listening to your music and you’re all over the place with content and what you talk about. None of your songs are the same. AB : I know sometimes it makes it hard to be marketable when you do a lot of different things, but I just have a lot of different interests and I’m not always in the same space. To some degree, I guess I need to find a vein, but for the most part, I’m all over the place and I love that. 'Blessing' performed at the New Orleans Jazz & Heritage Festival in 2023 MaM : Where did Underdog Central come from? AB : That’s my life mantra I live by. Underdog Central is the place where the overlooked go to hone their skills to come back and become admired. It’s my label name, too, and my social media handle. I made it my social media handle ‘cause Alfred Banks was taken, but because it’s my label, I wanted that name to be first before anything. I want people to know what my brand is. When I first came out, I was a little rough around the edges, a little unrefined, so I had to go back into my proverbial batcave and fix things. I came back out, though, and now am who I am. I feel like the people who are extremely talented tend to get overlooked and are always having to fight from behind from a deficit and always must prove who they are no matter if they are the most talented one in the room or not. You can’t take anything for granted and you must treat every moment as if it’s your last, so that’s what Underdog Central is about. credit: Gary Governale MaM : Are you born and raised in New Orleans? AB : Uptown, yeah, uptown New Orleans. Uptown kid for sure. MaM : Your brand of hip-hop is the type that is missing these days. It has those classic undertones and that hint of nostalgia. Your lyrics with 'Blessing' are so insightful and that song truly resonates with me. AB : Yeah, that’s a style of record I have never done before. One thing I have been noticing lately is I am the most off-brand New Orleans person you will ever meet. [I’m] born and raised in this bad boy, but when you look at my everything … I don’t even look like I’m from New Orleans. I don’t act like I’m from New Orleans…like some things I don’t even relate to, but I am definitely from here, but I never made a song I felt could resonate here. All the music I make is more for everyone. I also made it from the angle of where if someone from Detroit heard it, they could be like, ‘I feel this way about my city.’ 'Blessing' on YouTube MaM : What struggles or roadblocks did you encounter when you first tried to break into the industry? AB : Just making hip-hop in New Orleans. There was a big scene from 2007-2015 where it was a community and there were shows happening and people would come out to the shows and we all tried to support each other and spread the word about each other’s stuff, then after that, there was a shift in the music. I can say to a degree that I’ve stayed contemporary with my style. It doesn’t sound like it’s from 1989 or anything, but the more lyric heavy and conceptual idea-driven music doesn’t have as big of a platform here as other stuff. The people in the scene here, though, started to get older and started [coming out less]. That and the fact that New Orleans is not a hip-hop city, and so it doesn’t matter how talented you are. It’s been like, ‘Where’s your bounce song?’ or ‘You got a dude playing trombone on it?’. It’s funny now, though, the response I’ve gotten for the song ' Blessing ' … thirteen years into my career, you would have thought it was the first song I ever made because everyone is like ‘Finally, you got a record we like.’ I’ve got albums that have charted across the U.S., but that record is doing pretty good in New Orleans, specifically. Pick your battles. My biggest thing was just trying to do my brand and my style of hip-hop and bust open these doors that are solely reserved for people who do Zydeco or brass band music—stuff people consider New Orleans but, to a fault, it’s so New Orleans that no one wants to hear anything else. But I always thought it was weird that these big platforms—these big festivals here—only portray a certain style of New Orleans; where’s the hip-hop? That’s always been the main issue with me. I want to be the guy that can go into a room filled with musicians who do not do hip-hop to any degree but do my thing and it resonate or translates with them. I’ve kind of become that guy, though. I’m the guy in a room full of brass bands and zydeco bands who is the hip-hop representation, which is a gift and a curse because I never get to perform for my people. I always get to perform for people who are being exposed to what I do for the first time, so it kind of creates this very uncomfortable energy, which can be a bit weird at times. I’m a part of this group called Glbl Wrmng and we’re doing this Wednesday at the Square thing, which I don’t know the last time they had a hip-hop group perform there, but … I have this never say die, blind optimistic view of life, though, so I just keep going for some strange reason. credit: Gary Governale MaM : No, but that’s a good thing! You’re not admitting defeat at all. You’re just like, “I don’t care what you’re gonna throw at me. I’m just gonna keep doing my thing until it resonates,” ya know? AB : …and the funny thing is it hasn’t stopped me. I’ve been able to tour all over the world. I guess it’s not that big of a deal, but for me it is. I’m doing it less about me and more about the next. I’m a young guy, but I’ve been out for a while, and so I just want to look out for the next guys coming up that feel like me because everybody is a street rapper, and there’s nothing wrong with that. I come from the hood, but I don’t see it from that angle. I was in a house and my mom kept me in the crib, and not everyone is from that cloth. There are people, though, that take those experiences and turn them into something else. Not what you would expect. I just try my best to be that alternative for people who love hip-hop, care about bars, care about lyricism and concepts, good beats, melodies, etc. MaM : … and you bring it all. You’ve got the whole package with it. AB : I appreciate that. credit: Gary Governale MaM : Glbl Wrmng — tell me more about this. AB : Word, so Glbl Wrmng is a collective about 35 people in the city from engineers to producers to singers to rappers, graphic artists, etc., and we just all [come together] … so Glbl Wrmng is like, ‘Nope! We can!’ So that’s what we’ve done and as a collective. We’ve performed at Buku Fest , we’ve opened for Tyler the Creator , and we’ve played Jazz Fest . We’re going to be playing Wednesday at the Square , and so we’re using this as a platform to get some of the guys in the group exposure with their first big stages to give them that experience and to be around people like Pell or Train or me to help usher in those guys to just make great music. I love being a part of Glbl Wrmng. It’s very interactive. It’s teaching me how to support people from a very active standpoint, and I truly mean it when I do it and vice versa. It’s allowing me to also get involved with other people’s careers to some degree, which is fire. MaM : Well, it’s a collective grouping of like-minded individuals all supporting each together, which is awesome. AB : Yeah. Glbl Wrmng put out an album during the pandemic and I’m on it. Saxkixave is on it. It’s called ‘ Glbl Wrmng Vol. 1 ’ and it’s a dope record. We’re working on Vol. 2 right now, but at the end of the day the one thing I have learned is that collaboration is very important, especially for me the past three years. Working with Soul Rebels , working with Brassaholics , working with Flow Tribe , working with Glbl Wrmng , working with Tank and the Bangas , and all these different people has been helping me elevate my platform and get in spaces where I probably wouldn’t be normally. I’m very grateful for that. Just working to get that buzz to where it needs to be and it’s been a trial at times, but I want to just keep rapping and keep working and the inevitable will happen at some point. credit: Gary Governale MaM : So, 2023 you’re gonna just do a lot of touring or are you working on any other new solo music? AB : … Instead of putting out new stuff to the same folks, I already have music that resonates, so from there I think I’m going to use videos and promos as a ploy to get people to check out the catalog I have and then go from there. I have a lot of music that hasn’t been unearthed just yet. I have a project called Mere-Exposure Effect , which I feel is one of my best projects writing-wise. It shows I could do radio records if I really wanted to. Mere-exposure effect is an idea that if you recognize it, you’ll like it, so the whole project sounds like radio records. If it sounds like something you already know, then you’ll like it by default. I have a project called ‘ Road to a Rolex ’—some of my hardest hitting beats. I’m rapping about getting money the entire project but from a couple different aspects. I have a project titled ‘ One Guy Standing by Himself. ’ That project debuted at number three on iTunes . It was one of my most successful projects to date. That’s a project I wrote to get myself out of the mind state of COVID . I wrote that project in like a week and it’s more introspective and a little lighter-hearted. I [also] have a project called The Beautiful and that’s my magnum opus and is my biggest project to date. That project is about my brother and his struggle with schizophrenia and his ultimate suicide. The day of his funeral, I had to leave in the middle of his service because I had a show to play that night, and so I wrote an album about the car ride from the funeral to the show, so in that album, I develop schizophrenia too; so, I sort of battle it throughout the album. That’s my biggest project to date and a lot of people don’t even know it exists. I’ve also got The Range 1 and 2 . I do a song with Wheatus and a bunch of people. It’s like five different genres in one project. credit: Gary Governale MaM : I am just blown away with all the projects you have. How do you even sleep? AB : Well, for me, I did go through a time where I was putting out a lot of music and it does seem like a lot, but it really isn’t. I’ve got songs that if someone goes back in like 15 years to discover them, they’ll be like, ‘That shit was fire!’. A catalog full of those records. Some may consider me a conscious rapper and I’m not conscious in the vein of social or political issues, but I rap about things from my point of view. MaM : Well, just life. I’ve listened to all your music, and you are all over the place. No song is alike. You have so many different styles and facets to your personality and what you do. You can go from a silly track to something super serious. AB : For sure. MaM : … which I feel is so endearing and is going to continue to resonate with people—even those who are just now discovering you for the first time. AB : Honestly man, that’s just how my brain works, cause we’re human. We all go all over place. There are some days where you are very happy and so you want to listen to a happy song and then there are days where you are not happy and you don’t want to even hear music, but if you do, you want to hear some sad stuff that is introspective. Some days you want to hear something lyrical. Some days you will want to hear something conceptually driven, but that’s just how I feel. Sometimes I don’t want to write a rap record, I want to write a dance record. I want to do some EDM . I want to do like a hyper-pop record. There are some days I want to do some industrial shit. credit: Gary Governale MaM : That’s what I’m talking about. That’s my kind of music. AB : Some days I wake up, I want to go work with Albert and do some jazz or acid hip-hop or some days I just want to rap my ass off to show people how good I am. That’s just where I’m at and the path I’m on and people seem to like it. MaM : I think it’s a great path and, in fact, I don’t think you should change a thing with what you are doing. I think it shows diversity and it does not keep you in a certain type of music or anything. You are unique and different and have your own brand that is going to resonate because it is so unique and different. AB : Thank you. I’ll tell you this with all the things that have gone against me, all I’ve ever had [were] my skills and [they have] gotten me further than anything else I’ve ever done. I think that is what is going to keep me busy and keep my lights on. I just care about music, and I care about being good. I do come from the competitive aspect where if you put me on stage with other rappers, I’m going to try and outperform. I want to be the best in every room I’m in and I don’t know too many who still care about that. credit: Gary Governale MaM : You are nothing but heart. AB : Thank you. I want people to go, ‘I want to be invested in his brand of great because that boy is good.’ At the end of the day, though, I’m an entertainer, so it’s not about me. It’s about you, the audience, and I like to keep those things in mind. MaM : What are your plans for the rest of 2023? I know we’re halfway in, but where do you see the rest of the year headed for you? AB : It’s weird, I’m at this weird transitional part of my career where the business infrastructure that has been supporting me is not there because we decided to do our own thing and go our separate ways, but I’m back solo. I’ve been adjusting to that. We do have some other things down the line, though. Pre-COVID, I was doing close to 100 shows a year and in June, I’m going to Ohio. I’ll do three shows out there, then I’m going to Colorado in July. Just trying to get back to the West Coast. To experience all that is Alfred Banks, hit one of the links below. You won’t regret it. Alfred Banks (@underdogcentral) • Instagram photos and videos Alfred Banks | Facebook Alfred Banks | Spotify ‎Alfred Banks on Apple Music Saxkixave | Facebook SaxKixAve (@saxkixave) • Instagram photos and videos @SaxKixAve | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves good music and loves discovering new music she has not heard yet. Do you have something you’d like her to hear? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

They Deserve Some Damn Attention < Back Welcome to Flatch Keeley Brooks Oct 20, 2022 Share They Deserve Some Damn Attention With so many new sitcom titles dropping on TV and streaming platforms these days, it can be a challenge to try and catch them all. And while I do miss many new titles, I was lucky enough not to miss this one, and I’m glad I didn’t because it has become one of my new favorites, and I now find myself waiting for Thursdays just to watch the latest episode. Welcome to Flatch is a mockumentary sitcom directed by Paul Feig ( The Office , Freaks and Geeks ) and written and executive produced by Emmy Award-winner Jenny Bicks ( Sex in the City , Men in Trees ). It’s based on her British version of the show, The Country , and premiered on Fox in March 2022 . By May , it was renewed for a second season, which kicked off September 29 . When a documentary crew sets out to explore the lives, dreams, and concerns of residents in a small American town, it stumbles upon the tiny Midwestern town of Flatch, Ohio , where they discover many eccentric personalities and find more than worthy subjects in cousins and best friends Kelly Mallet and Lloyd “Shrub” Mallet , who aren’t at all shy about letting the crew in on their lives and local events. Each episode opens much like Letterkenny , with an introduction of the town and population: “ Recent studies show that Americans long for a simpler life in small towns. To explore these communities, Fox sent a documentary crew to spend time with the citizens of Flatch, Ohio—population 1,526. ” Then, we are introduced to a whole slew of characters to laugh at …or with ... either way. For starters, Stifler from American Pie , also known as Seann William Scott , plays the town minister, who is nothing like Stifler at all. He’s calm, soft-spoken, sincere, naïve … kind of a pushover, if you will, and he’s the one who attempts to guide Kelly and Shrub , who seem to refuse to grow up. And that’s funny. Courtesy of Fox It’s one thing to watch Seann William Scott as Stifler or even as E.L . in Road Trip , but it’s entirely different and funnier to watch him as this humble, pushover minister of a small town. Father Joe , as he’s known, moved to Flatch with his former girlfriend, Cheryl , who is an award-winning journalist and the editor of the local newspaper ... and quite quirky. Other Flatch residents include Kelly’s frenemy Nadine (Taylor Ortega, Succession ), who runs the Flatch Historical Society ; Mickey St. Jean (Justin Linville), who relentlessly attempts to become Shrub’s best friend; and no-nonsense favorite Mandy (Krystal Smith), a magnetic force of nature who lives life on her own terms. In the pilot, she asserts with force, “We are an upstandin’ town and we deserve some damn attention. We got two restaurants—one with menus, and last year somebody gave birth to twins, so now we got young people all over the place.” Then we meet Kelly and Shrub , who are a magnificent comedic duo to watch. Both are extremely talented, funny actors who play off of each other’s timing. Chelsea Holmes , often billed as just Holmes , is a hilariously talented American comedian, actor, and writer, and is also a stand-up comic and improvisational actor. She's definitely one to watch; I adore everything about her. Both she and Shrub are townies who spend their days hatching schemes. Courtesy of Fox And speaking of Shrub , played by the charming Sam Straley ( The Kids are Alright , The Dropout ), we learn from him and Kelly in the pilot just how he got his name. “So, his real name is Lloyd,” says Kelly. “Yeah, after my dad,” adds Shrub. “Yeah, his dad drank a lot of Busch beer, so they started calling him Bush …” and then Shrub chimes in, “Yeah, so they started calling me Shrub for, like, a little bush,” and after a brief pause where Kelly looks at Shrub as he’s looking off in the distance, he adds, “But, like, he left when I was a baby.” They both nod their heads and say, “Yeah,” and then Kelly adds, “But he probably still drinks beer.” Essentially, all Kelly and Shrub have are each other. Kelly’s father is around but has a new wife and baby daughter, so Kelly is virtually non-existent to him until he needs something. But Kelly doesn’t let this phase her trying efforts one bit. She defends him and tries to cozy up to him with no shame whatsoever. And the duo's interaction with the camera is priceless. Much like The Office … the looks, the expressions, the faces, the implications. In an interview with Cincinnati Magazine , Straley talks about the characters he and co-star Holmes play. “I’d say they’re kind of a classic duo, almost like husband and wife in a way. They’re partners for life, they’re best friends, and they want the best, but they also see what’s wrong in the other person and get so frustrated with each other sometimes, but we kind of always come together, because we’re each other’s support system.” He continued, “They’re in their early 20s … sort of at the point in their lives where they should have things together, and everyone around them is getting married and they’re still, I think, clinging on to moments in their lives that brought them acceptance. And they’re really excited about this new documentary crew and having ‘the movie people’ around and feeling seen.” When asked about his and Holmes’s individual characters, he added, “Shrub is, I’d say, more of the feminine to Kelly’s masculinity, which I think isn’t seen a lot on TV. Shrub is sort of the sensitive, artistic, detail-oriented control freak, and Kelly is the no-idea-is-a-bad-idea, throw-everything-at-the-wall-and-see-what-sticks one. And I think their dynamic is very much that they love each other but fight a lot. They cover each other’s gray spots in all the right ways, and they are desperately, desperately trying to find connection and a place where they fit. They’re absolute underdogs, and they’re always looking out for each other.” Underdogs, indeed. Each and every one of ‘em. AND Jaime Pressly ( My Name is Earl ) has joined season two as realtor and OG Flatch native, Barb Flatch . SHE is nothing short of hysterical and is the perfect addition to this little gem of a sitcom, which I hope has many more seasons to come. Courtesy of FOX So, I recommend adding some Flatch to your weekly musings. Yeah, there might be some cheesy jokes or moments that lag, but if you’re not wound too tight, you just might find yourself giggling at every little thing. Like we do at my house. Welcome to Flatch, everybody! Episodes drop Thursdays on Hulu and air the same night on Fox at 8 PM EST. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. < Back Reviews on the Real: 3AM 666 by Antania Nick Cline Sep 15, 2025 Share From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. Antania is a band that blends visceral intensity, thematic depth, and unwavering dedication. Their sound draws from a diverse range of influences, including Slayer , Ministry , and The Prodigy , crafting a unique soundscape characterized by hard-hitting beats, aggressive sounds, and haunting vocals and their latest release is no different. Released June 20, 2025 This signature sound is prominently showcased in their latest release, 3AM 666 , a ten-track powerhouse album featuring songs like ' Pigz ,' ' Sewn ,' and ' Abysmal ', which was released on June 20, 2025 . From start to finish, 3AM 666 offers a dynamic experience that I would describe as a horror movie rock opera . The album’s scale and visceral nature resonate with every guttural scream, lingering beats that stick with you long after the initial listens and sounds that slice through the sound like sharp blades. The album encapsulates an artistic sense of dread, aligning perfectly with the band's intended vision for this project. It feels both mysterious and revealing, visceral yet impressive. Antania presents a collection of sounds wrapped in a thorn-covered display of musical artistry, and they deliver it with remarkable ease. Credit: The Triad Rec My personal favorite track is ' Blood Love .' The synth intro feels like an episode of The Twilight Zone , and suddenly you’re swept away into an untamed execution of tone and musicality . From beginning to end, the music captivates your senses and draws you in completely. Credit: The Triad Rec Overall, this album stands as a testament to the band's ability to channel immense creative energy into a tightly wrapped package—something that few bands can achieve . It’s a powerhouse of concepts, energy, and raw musicality. The album’s visceral yet appealing nature makes it a fitting listen for fans of Rob Zombie films or anyone seeking a more aggressive edge in their musical repertoire. Go stream it now! To learn more about Antania: Linktree: antaniaofficial | Facebook | Linktree Facebook: Facebook Instagram: Instagram The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hawthorne Oachs brings deep awareness to everyday life < Back Hawthorne Oachs: A Free-Spirited Young Artist Full of Beautiful Harmonies Nicole Brice & Chris Pryor May 30, 2023 Share Hawthorne Oachs brings deep awareness to everyday life Sometimes, a musician comes onto the scene and just blows us away to where we are left virtually speechless. The next musician we are bringing to you has done just that and her name is Hawthorne Oachs. At the young age of 12, this spirited artist wrote, produced, and released her first single, “My Lullaby,” which was released in November of 2021. At 14 years old, Hawthorne has many talents and is not only a musical artist but also a digital artist and award-nominated actress with Z-Fest 2023 as a Best Child Actress Nominee. She has created the cover art for all her music released thus far and is frequently known to share her artistic creations on social media. With song lyrics written from the perspective of a young teenage girl, Hawthorne has a mature-sounding voice that is both powerful and contains soulful evoking memories of LeAnn Rimes when she first broke on the scene in the mid-90s. Photo provided by artist An incredible storyteller drawing inspiration from everyday life, Hawthorne’s songs are often about personal experiences with her relatable and thought-provoking lyrics. In addition to her music and art, Oachs is an advocate for mental health awareness, where she has spoken publicly about her own struggles with anxiety and depression. She hopes to use her platform to help others who are struggling with mental illness and wants to be a role model for young people everywhere. If you’re looking for music that is both powerful and meaningful, then we highly recommend checking out the music of Hawthorne Oachs. In fact, we listened to her entire catalog and could not find a single song we did not like. Her music is that good. Oach’s latest single, which released on April 21, 2023, is titled “A Single Flower.” It is a hauntingly beautiful arrangement full of abundant wisdom for a girl so young. Listening to it gave us the chills, and when that happens, you know something is resonating with your own energy. It has excellent production value and a good use of effects, and the harmony flows perfectly with the medley of the music. We cannot recommend it enough. Set to release another new single in June, Hawthorne is a talented artist with a bright future ahead of her, so stay tuned! We recently had the opportunity to ask her a few questions, so check out her responses below and then go listen to her beautiful catalog of tunes. She is sure to become a household name in the years to come. MaM : Hawthorne, thanks so much for taking time to talk with us. Your vocals are so melodic, soulful, and strong for such a young lady. Who are your vocal inspirations and why? HaO : Thank you so much for the kind words, Nicole! Some specific singers that I really respect are my mom, Mafumafu, and Hayley Williams of Paramore. My mom is a talented singer and has been such a fantastic mentor throughout my life. I know I would have made my way to music eventually if I was born with different parents, but my mom and dad have given me the gift of a life immersed in music, and I wouldn't have had it any other way. Mafumafu is a very emotional and passionate singer and I connect with that. I find a lot of joy listening to his work, and I found his music at the height of the pandemic, so his songs comforted me. I’m massively grateful for that in ways I’m not sure I can clearly articulate. Because of my mom, I’ve been listening to Paramore since before I could understand the meaning of the lyrics, so their music has always held a special place in my heart. They were my first concert when the ‘After Laughter’ album came out! Hayley has such a wonderful, powerful voice and I really love listening to both her solo work and Paramore’s whole discography. Their new album is a such a banger, too! Zac is a superb drummer and Taylor is a stellar guitarist who also has curly hair, like me! Listening to these people play their hearts out really inspires me to keep learning, growing, and improving as I turbulently make my way through these adolescent voice-changing years. Photo provided by artist MaM : When did you realize you wanted to create music and why? HaO : I’ve always been way into music starting from when I was really young. I'd sort all of the CDs and records in my house, taking them off the shelf, looking at the album art, listening, then putting them back. I also used to run around the house playing my little pink acoustic guitar, singing at the top of my lungs, making up songs. The piano was a safe place to play and decompress from the events of the day. I still do that. I was around [five years old] when I started taking formal lessons for both piano and guitar, and I immediately wanted to quit because if I didn't get something right on the first try, I would get discouraged. I'm also tenacious and headstrong, which I’m grateful for, because I stuck with those lessons and now piano and guitar are my favorite songwriting tools. During the pandemic, most of us turned to art to consume and keep us soothed and entertained. In the beginning, I ended up writing a considerable [number] of songs cathartically. Through that catharsis, I developed a love for songwriting and a realization that I was fastened to music for life. Photo provided by artist MaM : Who are your musical influences for your sound? HaO : Because I've grown up in a musical household, I've listened to quite possibly every genre that exists. As a result of that immersive education, I have an extensive collection of favorites that I've held closely in my heart. I can usually find something to like in whatever I'm listening to, and every day I'm discovering new artists that I love. For example, I've been listening to Minami, Mitski, and Blü Eyes lately. Right now, the songs I have on repeat obsessively are ‘Thick Skull’ and ‘Running Out Of Time’ by Paramore. I think inevitably over time, everything you've ever listened to influences your own sound. Experimenting and figuring out who I am as a musical artist has been a welcome adventure. My fifth single ‘Chase Me’ was probably the first time my sound and aesthetic felt most like home. With the latest songs that I've been creating, I've got a solid vision for the path forward and I'm exhilarated about that! Since I started releasing songs at [age] 12, there has been growth in me personally as well, so it seems logical to see growth in my music. In the fall, it'll have been two years since I started doing this. What's cool about it is that I can look back to where I started and see the growth and changes. I'm proud of everything I've done so far, and I wouldn't have changed anything! MaM : If you could share the stage with any artist, who would it be and why? HaO : Mafumafu! A few years ago, I had to pick a second language to learn for school. I started learning French, but that was a big non-merci from me after about a month. I just couldn't get the pronunciation right and wasn't feeling it. Since my appreciation for Japanese culture, candy, and food had grown, I chose to learn Japanese. Early on, it was suggested that I listen to and learn songs in the language to engross me, which would aid in familiarizing myself with pronunciation and vocabulary. When studying one day, a J-pop playlist was on autoplay, and I heard Mafumafu's cover of ‘Hated by Life Itself’ for the first time. I felt like I was hit by lightning. I understood him without understanding a single word. Between a global pandemic and the trials of adolescence, I needed brightness in my life. When I heard Mafumafu's voice, I felt seen, heard, and understood. I listened to that song incessantly for a while. All of his music and variety of content was the fortification I needed to see me through to better days. Admittedly, without something to hold onto then, I'm not sure what would've happened. I hope someday I'll get to meet him and tell him just how truly grateful I am, and wouldn't a Mafumafu x Hawthorne Oachs musical collaboration be the most beautiful finishing touch to that story? Photo provided by artist MaM : What music or things around you are inspiring you to create these days? HaO : Mental health awareness has been on my mind for the past two years, and lately I find myself digging into the problems we face as a society, but particularly those directly related to mental health. The surgeon general recently declared loneliness to be a public health crisis and said it's comparable to smoking. While I wrote and released it before this news broke, my most recent song ‘A Single Flower’ tackles the topic and the debilitating effects of loneliness. Another thing that's been on my mind is the alarmingly high rates of teenage suicide. My new song ‘Red Spider Lilies’ that is coming out on July 27th addresses the grief that one might feel when the person tethering them to this world is gone forever and they want to go, too. Maybe they were already thinking about it, and this was their breaking point, or maybe the grief was so unbearable they made the decision in a split second. I think if anyone said they were having those feelings out loud, it would be divisive, and some might even chastise them for those thoughts. This song is acknowledging that those thoughts and emotions can be part of being human and we should do better by supporting mental health, listening to others without judgment, acknowledging that humans can and do have dark thoughts, and normalize talking about those struggles. I think about how I turn to the creative output of others to comfort me, so if the art I create can be of that same service to others, then it feels like it's a small contribution and my own way of making the world a better place. Photo provided by artist MaM : What are your aspirations for the future? HaO : My primary aspiration is that my music gets to the ears and the hearts of the people who need it the most. I always set short-term goals for myself and celebrate them wildly when I reach them. I appreciate that this industry is overly saturated and jumping to the head of the line isn't realistic, nor is it a goal. I simply want to help people first and foremost. I want my music to be of service to others in the same way that music has been of service to me in my life. If that turns into something bigger than I am imagining right now, I will enthusiastically embrace whatever comes from it. The one thing that is non-negotiable and that I refuse to do is stop creating music. Music has been and always will be a comfort to me, and my true aspiration is that the music I release will be a comfort to others. - Be sure to add the music of Hawthorne Oachs on your playlist today! This young lady is creating something magical, and we cannot wait to see what she has in store for all of us in the future. To check her out, follow any one of the below-listed links. Hawthorne Oachs (@hawthorneoachs) • Instagram photos and videos Hawthorne Oachs | Facebook Hawthorne Oachs | Spotify ‎Hawthorne Oachs on Apple Music Hawthorne Oachs - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

How a local Louisiana comedian found his craft in laughter to help overcome anxiety. < Back Don’t Freak Out! It’s Just Jeff Vance, Everybody! Kimberly Bryant Jan 28, 2025 Share How a local Louisiana comedian found his craft in laughter to help overcome anxiety. I’ve known Jeff Vance for a long time. We go back to… dang, okay, definitely before 2010; I can tell you that much when we both worked together at a call center slinging “knock-your-socks-off” service to the hundreds of callers we fielded daily. But the one thing that stood out the most to me about him, like a shiny new nail peeking out of some plywood (fun analogy, right? —I tried), was that he was a DJ in his free time. The everyday nine-to-five grind of the monotonous routine is unentertaining to me… but that was! Very! You see, but that still wasn’t quite it. Jeff was hilarious. I remember purposely intersecting him in the hallways to see what he would say to make me laugh so loud that I would irritate my co-workers. For me to do that, you have to have a gift. For me to seek talent, it’s because I see talent. So, I’ve always felt like Jeff would be on a stage somewhere, if not on television. Fast forward to many years later, and I’m still tracking Jeff’s moves on social media to see that he’s doing it. He found his way into the entertainment industry through acting—via theater, then dinner theater eventually became comedy. That happened when Vance conversed with a fellow actor one evening and figured another stage wouldn’t hurt at all. But one thing Jeff could tell you is that, in the beginning, it wasn’t exactly a King Cakewalk; it was tough. Sometimes, the comedian was met with comments such as “Please quit comedy and go back to the grocery store,” he tells me. At the same time, we munch on cheese and laugh while filming The Pop Culture Green Room podcast episode at Rind Specialty Cheese and More in Hammond, Louisiana (if you’re in town, GO!). But that didn’t last long. Soon, the jitters would simmer down, and he became more comfortable. But as soon as it got his groove, life happened. He quit comedy in 2009, raised his kids, and returned to comedy when COVID hit… and Lunchbox Comedy was born. Credit: Facebook In 2022, Jeff began to rally the troops, consisting of his comedy friends. But the big challenge was luring them to a place called Gonzales, Louisiana . “Uh, where?” Yep, that’s what he was met with. Luckily, they trusted Jeff’s judgment, and the rest is history. Lunchbox Comedy has grown, currently touring Mississippi, Florida, and Louisiana . Jeff still gets overwhelmed with how far he’s come. I was utterly shocked when I discovered something about him that I wasn’t unaware of. Didn’t even have a clue. It could’ve fooled me, yet it also made sense. He suffers from anxiety. Major anxiety. Credit: Kimberly Bryant I had gone with my friend Elizabeth and her mom to catch a show at Deadbeat Brewing in Hammond (also a fun spot) with Jeff opening for TanyaLee Davis . He began his routine so bravely while being blinded by the light, and one of the first things he said was that he has anxiety. It stopped me in my tracks. Then I thought about it. I’ve read before that comedy can be a coping still for anxiety. Maybe it’s because I figured a small laugh for yourself or at a friend, but I didn’t think about putting yourself on display. That’s… being vulnerable. That takes guts. I would’ve never known. Jeff doesn’t stop. He goes after what he wants, and he found his way into promoting Lunchbox Comedy on news circuits, on tour, on stage, and in front of people. In front of people. People staring. In silence. My heart was pounding, and my palms were getting clammy. That kind of anxiety… and comedy helps him through it. Credit: Facebook Jeff Vance knows that not every day will go the same, but he also pushes through the difficult moments in his career. He has his bag of tricks, bits, and improv handy. It helps that he has accredited comedians on his touring circuit, so knowing that the support is close by helps ease the anxiety. One of the main reasons I wanted to grab Jeff for this interview is his hard work ethic, his never quitting, and his showing that you can still go after your dreams even with anxiety. Not only is Jeff a comedian, he’s also a producer as well. He wears all kinds of hats, I tell ya! I’m sure I’m missing something else he does. And I have to say, I’m very proud of my friend. Be sure to check out anything that Jeff Vance does. You can thank me later. To learn more about Jeff Vance and Lunchbox Comedy: Lunchbox Comedy | Facebook Facebook Jeff Vance Comedy LA - Live Stand-Up Comedy in Louisiana *cover photo - Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mellow & Smooth < Back Easy, Breezy Sounds: The Music of Tommy Thibodaux Nicole Brice Apr 18, 2023 Share Mellow & Smooth We all love listening to live music, whether it be at a huge venue with a local band or at a restaurant while enjoying a few drinks and food, and this is where this next local musician fits in. A self-taught musician based out of Walker, La., Tommy Thibodaux has been playing guitar longer than I have been alive. He is a man who enjoys playing for those who appreciate it, and his takes on classic songs by George Benson, The Temptations, and Neil Diamond are refreshing. He adds his own unique twist when performing these tunes and others. With over 800+ songs in his knowledge base for performance, Tommy’s outgoing personality and wardrobe, paired with his even brighter guitars, make him stand out from the others. Thibodaux plays music five nights a week—sometimes even more, and he can sing for over three hours without his voice ever cracking. Mellow, cool, and calm is the best way to describe him. With his laid-back vibe, his music puts you in a calm space, and one could even say he might just be Jimmy Buffet’s long-lost twin. At the end of the day, though, Tommy is just a genuinely nice guy who loves what he does and who loves music. After you read this interview, be sure to check out his Facebook page for any upcoming dates of performances. credit: Gary Governale MaM : Thank you for taking time to speak with me today. I appreciate it. I’ve been checking out your videos on Facebook to get a better feel for your music and want to tell your story. Give us a brief background on your music career. What got you into playing music? TT : I started out in school playing drums and then I was exposed to guitar through a friend who had an electric guitar. When I saw him play it (laughs), from then on, I was hooked and I had to have one. MaM : Do you remember the type of guitar your friend had? TT : No, sure don’t. It was some type of cheap Japanese guitar. MaM : Who or what do you cite as your influences musically? TT : Eric Clapton, of course. Jimmy Page, Stevie Ray Vaughn, Steve Lukather, and Neal Schon. MaM : Great picks! I saw on your videos this bright orange guitar that you play. Is that a Strat? TT : No, that is actually a Charvel. MaM : Really? Wow. From the angles you had posted in the videos, it looks like a Strat. It’s a pretty guitar. TT : Well, the funny thing about it is that it is made by Fender, but Charvel acquired Fender many years ago. Fender has many guitars that look like others. credit: Gary Governale MaM : When you’re playing your sets, it’s just you, correct? Have you ever thought about putting together a band? TT : No, I do this for a living, and so I don’t want to form a band. If I had a band, I wouldn’t make as much money, so I like to just keep it solo since it’s a full-time gig for me. MaM : What influenced your decision to perform full time? Were you just like, “This is what I love to do and so I’m going to just go for it?” TT : Pretty much. You find out what you’re good at and you stick with it. Plain and simple. MaM : Do you try to emulate a specific sound with your guitar tone when playing? TT : Sort of. I’ve got a pedal board or guitar modeling processor that has a lot of amps and effects to it. I like to stick with the basics, though, with Fender amps and Marshall and Mesa Boogie. I like the Fender Amps for old school rock or blues … for my clean sound. I use the Mesa Boogie on songs by Carlos Santana or something that needs that heavy high-gain distortion, and then the Marshall is just for playing any kind of rock songs that require that chunky, British sound. MaM : As far as gigs, do you have a certain area you like to stick to or do you like branching out to as many areas as possible? TT : I like to stick to about a 90-minute drive. I live in Walker, so that can put me in Bay St. Louis, Miss., or Lafayette or Thibodeaux, La. I even play in McComb, Miss. I do play places in between, but I don’t want to go past 90 minutes. MaM : I can understand that. The older I get, the less I want to drive. TT : I used to sell cars and I just got tired of that environment. Happy to be making music and doing what I love. credit: Gary Governale MaM : So, do you only play covers when performing or do you have some originals you perform? TT : … [For] the songs I perform, I like to put my own little spin on them. I use virtual instruments on the computer for my tracks, and it takes me about 20 minutes or so for one song, but you really [have to] know what you’re doing with the software to be able to get it right and finish it up in a short span of time. MaM : What else would you like our readers to know about you? TT : I’ve been playing music for over 40 years. Before I started performing solo, I used to have an act with my daughter. Same kind of act but just with her singing. That was fun, but when I decided to go solo, the first thing in my mind was, ‘Can I sing a three- or four-hour gig by myself?’ It was almost like I needed someone with me as a crutch. When I finally embarked on the solo stuff, I realized I can sing for that long, and I can sing for possibly six or eight hours if I really want to. With that kind of confidence, people have asked whether I warm up when I sing or drink anything special. I tell them, ‘No, I drink ice water, soda, or an iced tea.’ The only thing that affects my voice is coffee. It messes with the muscles in my vocal cords because of the heat. MaM : See, hot coffee puts me to sleep. Cold coffee keeps me awake, though. So strange. TT : Right, but it’s been a long journey. When you look at it from different angles, it’s not really acoustic. I don’t know what to call it, really. It’s just an electric solo gig. I’ve had people ask me to swap my electric for an acoustic, which I don’t want to do. When I was coming up in the 80s, there weren’t really that many of us doing solo electric gigs. I did a solo gig with my first wife, which we had just come out of a band that had broken up, and then we just decided to perform as a duo. Now, it seems like more people are doing what I do, but it’s a lot of fun. credit: Gary Governale MaM : What are your favorite songs to perform live? TT : I like playing sing-along songs like ‘Country Roads’ or ‘Sweet Caroline’ or even ‘My Girl’ … songs [people] know the words to. I play over 800 songs, though, so it’s difficult for me to pick a favorite. When I start my set, I like to open it up with ‘Reason’ by George Benson, which is a jazzy instrumental. It lets me get a good feel for the room. I like to make sure I’m not too loud or too soft—just balanced. After that, I start going into my set. MaM : What are the three things about playing music you feel are important when reeling in the crowd? TT : Well, people must like the way you sing, the guitar playing, and the song choices. If you have that nailed down, then you pretty much have it. Those things matter whether the audience is going to applaud, dance, or tip you after. The thing about it is that when I’m on stage, I get a chance to capture the audience. I don’t want to be the guy in the background that no one is paying attention to. If that becomes the case, then I just need to hang it up. - To check out Tommy’s music or to book him for a gig, be sure to check out his Facebook page below. Tommy Thibodaux | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Daemon Grimm is drawing their influence from more than just metal. < Back Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Jennifer Touché Feb 19, 2025 Share Daemon Grimm is drawing their influence from more than just metal. Last year, I had the opportunity to work with Eddie Sartor , bassist of Daemon Grimm . Through that connection, I was introduced to the rest of the band. Learning about their adversity over the years made it clear that their bond is built on more than just music—it’s a brotherhood forged in resilience. This is their story. Credit: Facebook Emerging from the underground scene of NOLA , Daemon Grimm was formed in 2016 as a studio collaboration among friends. Leading the partnership was drummer Brock Champagne , joined by original members Brandon Landry (guitar), Eddie Sartor (bass), and Jake Walker (vocals). In the beginning, there was no real direction for the band, just four good friends creating music together with each member bringing their unique style and emotion to the mix. Once the songs were complete, the band knew they had created something much more than just a few recordings. They made an entity, an alter ego, now known as “ Daemon Grimm .” Credit: Jennifer Touché In 2017 , the band dropped their first single, ' Peaceless World ', and their self-titled debut EP, Daemon Grimm —a collection of early recordings. However, it wasn’t until the release of their 2019 EP Big Bad Daze that Daemon Grimm’s signature sound was truly defined. The band draws inspiration from The Acacia Strain , Trapped Under Ice , and Portrayal of Guilt , with a distinct infusion of New Orleans hip-hop. “As far as taking inspiration outside the genre, we absolutely do. I think being from New Orleans, it's second nature to be into or listen to hip-hop, and in our music, certain songs, you can hear the hip-hop crossover. Whether it be the way Jake [Walker] does vocals, or a certain drum beat that Brock [Champagne] plays behind the music,” Brandon Landry explains. Since the release of Big Bad Daze to their most recent single release, ' DLYH Don’t Lose Your Head ' , the band has matured and morphed into a sound of heavy riffs, trippy music visuals, and lyrics written to reel you in. The latest release from New Orleans' own Daemon Grimm Over the years, Daemon Grimm has faced significant adversity. Their biggest setbacks were line-up changes and the pandemic, which caused them to lose the momentum they had built. In 2019 , the band had just purchased a van to begin their journey on the road, only to have their plan crushed by the world’s shutdown of COVID-19 . In addition to the pandemic lockdown, they lost members while in the middle of recording. It was an emotional turmoil with such a devastating blow combined with bad timing. All hope was lost, and they sold the van in which they had invested their dreams. Eventually, Jake and Brandon brought in bassist Nick Moore and drummer PJ Huesmann , allowing them to play a few shows. Their last performance in 2022 seemed to mark a possible end to their journey, as the absence of Eddie and Brock left a noticeable void in the band's chemistry. Credit: Jennifer Touché By 2024 , the band’s future had begun to take shape. Brock ’s return in 2022 , the addition of a second guitarist, Lacy James , in 2023 , and the solidified return of Eddie in 2024 provided precisely what the band needed to rebuild their momentum. The band reignited their passion for their musical journey. “It just sparked that ignition to put in months of work learning and teaching songs, building an entirely new backline, just a newer version of the band, while being the same band you knew before,” recalls Daemon Grimm. By August 2024 , all their hard work paid off when they played their first show back at Southport Hall , supporting Entheos alongside Transient and Edifice . Shortly after, they played a second show supporting Texas-based Upon a Burning Body alongside Baton Rouge-based Branded for Exile . Kicking off 2025 at Chelsea’s Live , Daemon Grimm supported Swamp Stank alongside local acts Voice of the Enemy and Branded for Exile , making for a night to remember. “It was amazing to start the year with that show at Chelsea's, especially with such great local acts. Our expectations were surpassed tremendously…,” recalls Jake, “… honestly the whole night was memorable. It was one of our best shows since coming back, and to be the first to start the year set the bar for all of our upcoming shows. It is always great to have the crowd singing along to your songs, moshing from the set's first song to the last song.” Credit: Jennifer Touché Daemon Grimm ’s electrifying live performances have made them one of my favorite bands—not just to photograph but to experience. Their relentless energy and crushing groove riffs make it impossible to stand still. Don’t miss out—catch them live and throw yourself into the chaos of the pit! To learn more about Daemon Grimm: linktr.ee daemongrimm | Instagram, Facebook, TikTok | Linktree View daemongrimm’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away! Upcoming Shows: Friday, February 28, 2025 Intracoastal Club 8448 Main St Houma, La $10 Doors @ 7pm Show @ 9pm *All photos by Jennifer Touché Jennifer Touché (@jennatouche) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Vows to Boscobel is a masterclass in atmosphere, emotion, and intent. < Back Reviews on the Real: Cinder’s Vows to Boscobel EP Nicole Brice Oct 14, 2025 Share Vows to Boscobel is a masterclass in atmosphere, emotion, and intent. With each new release, UK-based band Cinder continues to raise the bar, and Vows to Boscobel is no exception. Released on October 9, 2025 , this EP is a stunning offering that showcases the band’s ability to explore new territory without losing the raw emotional weight and identity it has begun to carve out for itself. Released October 9, 2025 From the first note to the last, Vows to Boscobel is nothing short of extraordinary – an immersive, beautifully crafted experience that shows how Cinder never fails to deliver. This EP solidifies Cinder’s place in the emerging music world and needs to be put on your list of new music to check out now. Let’s dive into these tracks, shall we? Impermanence Read about this song more here . Breathing Read more about this killer track here . Sines This song starts with a mellow guitar vibe and gentle vocals that gradually build into a crescendo of shoegaze-like wailing guitars and ethereal sounds. The entire song creates a captivating atmosphere. At the 1:55 mark, the sound erupts into a wonderful fuzz of noise. Vows Another solid track, filled with layers and depth. One thing is sure about every song Cinder releases: no two sounds are alike, and each one evokes emotions in a meaningful way. The combination of spoken word segments and vocals is expertly done. Everything about this song feels just right. The heavy breakdown at the end will make you want to turn up the volume even more. Boscobel This track starts with a catchy groove, which is nice. This track is more upbeat than the previous two, featuring a vibe similar to Echo & The Bunnymen mixed with a touch of My Bloody Valentine . The remainder of the song is so distorted that when it ends, you'll crave more. This EP deserves a 10 out of 10, in my opinion, and is a masterclass in atmosphere, emotion, and intent. There isn't a single song that isn't good. Every track is killer. Cinder doesn’t just meet expectations – they exceed them, and Vows to Boscobel is proof of that in every haunting, beautiful moment. Stream it now. To learn more about Cinder: www.cindernoise.com cindernoise The official website of the band Cinder. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. < Back Reviews on the Real: Exploring Peregrine Stanzas by Andy Connolly Nicole Brice Jul 14, 2025 Share Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. Wow! This is incredible! Those were my exact thoughts after I hit play on my iPod to dive into the new EP from Andy Connolly called Peregrine Stanzas . Andy Connolly was born and raised in the suburbs of Boston, where he has navigated his musical journey through various contrasts. He skillfully blends powerful guitar chords with delicate acoustics, showcasing both sides of his musical personality through well-delivered vocals and carefully crafted arrangements. In his fifth solo album, Peregrine Stanzas , Andy has refined this balance of extremes. Andy is more than a musician, though; he’s a songwriter and author, too, with his work currently available for purchase on Amazon . Released May 30, 2025 On Peregrine Stanzas , each song is more enjoyable than the last, and no two songs sound alike . Andy's vocals are extraordinary . Released on May 30, 2025 , Peregrine Stanzas is a 6-song EP that features an exciting mix of pop punk, rock, metal, new wave, and much more . It showcases heavy basslines complemented by crisp vocals and exceptional guitar playing . It’s a fantastic collection of goodness, no lie. With exhilarating highs and reflective lows, it evokes everything from the thrill of speeding to deep contemplation . Listeners should prepare to be transported to an otherworldly musical realm characterized by melodic guitar playing and memorable hooks , all woven into catchy songs that will have you hitting the replay button. Andy has collaborated with renowned musicians, including bass legend Billy Sheehan ( Mr. Big , The Winery Dogs ) and drumming virtuoso Ray Luzier ( KoRn , ex- David Lee Roth Band ), along with many other talented artists and special guests. Peregrine Stanzas draws on familiar sounds while pushing the boundaries of Andy’s unique style. Peregrine Stanzas Unabridged on YouTube Produced by Dan Kupka and Scott Bush on different tracks, Peregrine Stanzas marks Andy's first solo effort that features contributions from outside writers and session musicians. With outstanding lyrics by Patrick Walsh , Andy composed the music for the breakout single ‘ Rough Diamonds .’ The track is backed by Billy Sheehan on bass and Ray Luzier on drums, making it an enjoyable high-energy song. As for the rest of the album and Andy's future sounds, only time will tell, so stay tuned. Photo courtesy of Andy Connolly Let’s get into these tracks, shall we? ‘ Rough Diamonds ’ is full of energy as soon as the song kicks off. The guitar tone is superb and crisp. It's an excellent song, and everything about it hits. ‘ Dear Tragedy ’ begins with a raw guitar sound that has a rockabilly vibe. Andy's powerful vocals shine through; his voice truly seems made for this genre. The heavy bass kicks in right from the start, giving the song a grunge sound, in contrast to the opening track, which leans more towards pop punk. Overall, this song is fantastic. In ‘ In the Belly of This Whale ,’ the spoken word vocals are potent and give me chills. Andy's voice has a more acoustic vibe, yet it maintains the same intensity as the previous two tracks. He speaks with truth and strength in his words, so it's essential to pay attention. ‘ Taken by the Night ’ has an entirely different vibe compared to the previous three tracks. It reminds me of 80s new wave but with a modern edge. The track features no vocals and is entirely acoustic. ‘ Leave It All Behind ’ starts with an energetic “Heeeeyyy!” that sets the tone for the track. It reminds me of a gritty, grunge-alternative song that is full of charisma and oozes with it. ‘ Taken by the Night (Dr. DK Remix) ’ reminds me of the remix of ' Torn Apart ' by Stabbing Westward for the Spawn soundtrack . This remix jams and offers a unique take on the original track , adding more of a groove. It would be an excellent addition to a video game soundtrack. Peregrine Stanzas is an EP that is worth checking out and adding to your collection. It is well-crafted and showcases a great deal of diversity. It's best enjoyed by listening to all the songs in the order they appear, preferably with headphones on. Be sure to stream it today! To learn more about Andy Connolly: Website: http://andyconnolly.com All links: Peregrine Stanzas by Andy Connolly - DistroKid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link