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A Life That Still Shines Bright < Back A Birthday Tribute to Joey Fox: Forever in Our Hearts Elise Hanks Jul 31, 2025 Share A Life That Still Shines Bright Everything I do, I do in memory of you: All the shows and concerts I attend, All the photos I take, Everything. My Dad I do these things because they remind me of you. Not many people know this, but my dad collected antique cameras and occasionally used them to take photos. When I was little, I’d get in trouble for tinkering with them. My dad and I also shared a love for music. When I was younger and in my early twenties, we went to local shows and concerts together: With Leigh Kakaty of Pop Evil at NiteTown, Lafayette, LA, 2011 With Leigh Kakaty of Pop Evil at NiteTown, Lafayette, LA, 2011 All That Remains at The Station in Broussard, LA, 2013 Voodoo Fest (The Voodoo Music + Arts Experience) in New Orleans, LA, 2012 Linkin Park at the Toyota Center in Houston, TX, 2011 HolleeStar at New Orleans Original Daiquiris, Lafayette, LA, 2012 In just the past few months, I’ve had the privilege of assisting and recording my first music video , as well as photographing events and shows across the state, both for this magazine and independently: 'Kingdom' by Kris Russ CRYRS at Rock ‘n’ Bowl de Lafayette for the In Light of Heavy Hearts Album Release Party CRYRS at Rock ‘n’ Bowl de Lafayette for the In Light of Heavy Hearts Album Release Party CRYRS at Rock ‘n’ Bowl de Lafayette for the In Light of Heavy Hearts Album Release Party Karla Marie, Instructor/Performer/Event Producer/Owner of Studio Shakti in New Orleans, at Bayou Belly Festival So much of who I am and what I do is because of you . It is the highest honor to immortalize you through my work, Dad, and to live this life because of you, for you, and to continue your legacy. You gave me the passion. You gave me the drive. Now, I have the opportunity to share that with the world. Thank you. Happy birthday, Joey Dean Fox. May your spirit live on through me forever, and may I pass that legacy on to my daughter, your granddaughter. I believe I’ve already begun, and that’s the greatest gift I believe I’ll ever have given you. My daughter’s first local show: Dr. C and the Gris Gris at the Cajun Heartland State Fair, 2023 Rock Around Downtown (RAD) Fest 2024, watching a local favorite, Sick At Heart, with a photo op afterward with Tanner, Elise, and Tyler Rock Around Downtown (RAD) Fest 2024 First pair of drumsticks, thanks to Jean Claude Seagal at Eclipse Fest 2025 My daughter and me at Eclipse Fest 2025, photo by Rian Nickles www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. < Back Auto-Tune: The Great Debate on Perfection’s Place in Music Mo Thornton Mar 18, 2024 Share While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Imagine for a moment a world without Tracy Chapman’s voice coming through your car speakers, those rough, urgent notes warning us, “We better leave tonight or live and die this way”. If Auto-Tune had been around in 1988 and used to pitch correct Chapman’s outlier contralto voice, the artist in her authenticity might never have been recorded. Chapman recently made history as the first Black woman to win a Country Music Association award for her smash hit “Fast Car”. She could well have been one of thousands of talented musical artists who never reached an audience beyond their hometown, and I daresay the music world in general, and Luke Combs, in particular, would be the poorer for it. In case you missed the news, Combs’ cover of Chapman’s “Fast Car” was awarded Country Music Association’s 2023 “Single of the Year”. Credit: Getty Images A full decade after Tracy Chapman’s award-winning and now history-making release, Auto-Tune arrived on the scene. The technology was invented in 1997 by geophysicist and engineer Dr. Andy Hildebrand, who applied mathematical algorithms to interpret sonar-generated data to help oil companies locate fuel deposits, an endeavor that made him quite wealthy. A Seismic Shift In 1989 Hildebrand left the lucrative field of seismology and launched his own company, Antares Audio Technology. As the story goes, he asked colleagues what should be invented. Someone jokingly said the world needed a machine to give her the ability to sing in tune. It was a eureka moment for Hildebrand: the same math that he used in oil exploration could be applied to pitch correction. “When voices or instruments are out of tune, the emotional qualities of the performance are lost,” the patent for Auto-Tune stated. That was quite a bold and sweeping assertion, one that has proven divisive in audio entertainment circles ever since. Ed Sheeran, Celine Dion, Bruno Mars, and, yes, even pop icon superstar Taylor Swift, are among the famous artists who refuse to use Auto-tune live. On the other side of the fence, Grammy-winning Rapper T-Pain, Nicki Minaj, and Cher are in favor of using the vocal modification software and other synthesizing techniques. In fact, Cher’s 1998 comeback megahit “Believe” is often cited as the first major commercial use of Auto-Tune. “The Cher Effect” has become synonymous with the over-exaggerated application of the software that creates an interesting combo of human and robotic vocals. Clearly this was not an attempt to mask Cher’s real voice but rather was an obvious and ear worm-creating technique that successfully contributed to the singer’s career reboot. Local Musicians Weigh In While the debate continues to rage on and play out on the international stage, local musicians also weigh in on the pros and cons of Auto-Tune. Mike Ball, who plays multiple instruments and performs with The Bubbanauts , a country band out of Huntsville, Alabama, says he uses pitch correction to ensure his voice is in tune before tackling certain songs. Mike Ball (Credit: Karen Ball) “I’m not against the use of the technology, but I am against hypocrisy,” says Ball, president of The Huntsville Traditional Music Association. “Auto-Tune is a tool but, in my opinion, should not be used as a crutch or a cheat-sheet in place of talent. In music, like anything else in life, if one person is too far out of tune, it’s going to create chaos rather than harmony.” Another Huntsville-based musician and songwriter, Ricky j Taylor , who has played rock, bluegrass, and folk music, among other genres, says he doesn’t see the benefit of creating an expectation of perfection when music is an art and expression of the human condition. Ricky j Taylor (Credit: MoonTown Photography) “These are my sentiments only,” Taylor says, “but some of the most expressive music is born from struggles and hard times, and I don’t know why that should be stripped of human qualities—human imperfections.” A physicist as well as a musician, Taylor does see the advantage of Auto-Tune for post-production adjustments in studio recording. “No doubt, Auto-Tune is a time- and money-saving tool,” he says. When used to correct a note here and there or adjust for something like a mic that was repositioned during recording, few refute the technology’s value. Sophie Buck is a multi-instrumentalist who performs solo and with groups that play old time, folk, Celtic, and roots music. A senior at Middle Tennessee State University, Buck is tech-savvy, like many of her generation. She says pitch correction technology is a powerful tool that, when applied, can be constructive or destructive. Sophie Buck (Credit: Valeri Buck) “I think it all comes down to the goal of the individual artist,” Buck says. “If the goal is to capture raw, human authenticity with the [inherent] imperfections, Auto-Tune might strip the music of that essence. However, if the goal is to create a highly polished or computer-generated project, the software is an asset.” “Sure, Auto-Tune has its place,” Taylor agrees. “But it can be a slippery slope when it becomes so widely accepted that live performers rely on it.” Taken to the extreme, if the software enables anyone to sing perfectly in tune, why not have that singer be a hot Urban Cowboy or Barbie Doll 10 in looks? And who decides what is “hot” and who is a “10”? And what exactly constitutes “perfect”? Is perfection hitting a note and holding it, or is it finding a thread of emotion that runs through the veins of everyone listening to a vocal cry of need, loss, love, hope, or grief that elevates it beyond the individual to the universal? Imperfectly Perfect Patsy Cline’s “Crazy” and Bob Dylan’s “Blowin’ in the Wind” testify to the commercial appeal of imperfectly perfect voices. If that reference feels too lost in the mists of history for today’s music scene, just look at one of many viral video clips from the 2024 GRAMMY Awards ceremony of Tracy Chapman and Luke Combs performing together. Two incredible talents who differ in age, music genres, race, and orientation seem to have found something that defies differences and creates connection. That something is the fact that “Fast Car” is a timeless song. Though Auto-Tune may have a permanent place in the music industry, it is a comfort to know authentic voices, like Chapman’s, have an enduring place in the human expression that is music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Got Nostalgia? < Back Way Back When: January Picks Nicole Brice Jan 6, 2025 Share Got Nostalgia? Yeah, we made it to 2025, and I know most of us are dragging ass trying to get back in the swing of things, myself included. Need some music motivation? I’ve got you. 1. 1000 Homo DJs - Supernaut When Al Jourgensen was asked to contribute a song to the Nativity in Black: A Tribute to Black Sabbath album, he chose to cover ‘ Supernaut .’ The first version recorded featured Trent Reznor on vocals, but when Trent’s label caught wind of his contribution to the song, the vocals were changed out with Al doing them instead. I prefer the Trent version, but that’s just me. Great cover, though. 1990 2. Scarling - City Noise Are there any Jack Off Jill fans? Scarling is one of those hidden gems that, unless you know … then yeah … you just don’t know. Formed by vocalist Jessicka Addams and guitarist Christian Hejnal , Scarling is a noise pop / shoegaze band formed in Los Angeles in 2001. ‘ City Noise ’ is one of those tracks you can’t fully appreciate by listening to only once. No, you must repeat this song to enjoy it truly. Turn it up loud! 2005 3. Mammoth WVH - Think It Over I am obsessed with Wolfgang Van Halen . Obsessed. His talent is extraordinary. I love this song so much! 2021 4. The Go Go's - Our Lips are Sealed Everything about this song is perfect. Great lyrics. Catchy hooks. …and…the backstory behind this song is cool. Do a Google search . You’ll be amazed. 1981 5. New Order - Bizarre Love Triangle One of the most beautiful tunes New Order has ever crafted. 1986 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

NOT Just a Girl < Back No Doubt About It: Gwen Stefani Is A Legend Nicole Brice Oct 3, 2022 Share NOT Just a Girl Do you remember the first time you heard music that truly resonated with you? I do. Do you remember your first concert? I sure as heck do. I also remember the feelings associated with those times in my life. The feelings of belonging and of warmth and of finally discovering something I was truly passionate about. The infamous ticket stub from my first concert. The year was 1996 and I was 15 years old . I had a friend named Danielle, and she loved music—especially good music. We would get her mom to drive us to every concert that came into town, and back then, there were tons. In the 90’s, all the big acts came to New Orleans, and if we were lucky, Baton Rouge. On February 16, 1996 , I was invited to see Bush , No Doubt , and the Goo Goo Dolls at UNO Lakefront Arena in New Orleans , and the excitement felt all day at school leading up to the big show was nothing short of epic. I remember religiously watching Bush on MTV where ' Everything Zen ' and ' Little Things ' were in constant rotation, along with ' Machinehead ' and ' Glycerine '. At this point in time, Bush was the “it” band on MTV , their album Sixteen Stone was hugely popular, and the lead singer, Gavin Rossdale , was so utterly perfect in every way that it made all of us teenage girlies swoon. Throw in an epic shirtless cover on Rolling Stone magazine with said hunk, and you had the complete package of a teenage girl’s fantasy man. Mmm...yummy... Anyway, I was discovering new music acts daily, and I will honestly say that seeing Bush in concert kicked off my lifelong addiction of live shows. My brother had some of the coolest friends in high school, too, and my parent’s house was always the hang-out spot, or so it seemed. We would randomly have people showing up here and there just to hang out. In fact, every time there was a knock at the door, I never knew who I would see on the other side because we had so many people that would just stop by. I must say, a few times, some of Nick’s friends caught me looking indecent and I would open the door, yell “it’s for you!” and then dart back to my bedroom mortified because I wasn’t properly dressed to entertain company. Anyway, you get the picture of the non-stop barrage of friends coming to the family compound. They were the ones introducing me to music, along with my brother, and when we heard Bush was coming to town with No Doubt and the Goo Goo Dolls , I remember trying to learn as much as possible about the other acts performing on the bill with Gavin and his dudes, because I knew very little about them, especially No Doubt. No Doubt In 1995 , the Goo Goo Dolls had a song called ' Name ' that had been released to the airwaves and MTV’s Buzz Bin . It was an acoustic hit, but one with lyrics that just hit you in the heart because, let’s be honest, Johnny Rzeznik has some incredible songwriting capabilities, even to this day. I still tear up when I listen to that song. I knew the Goos were opening for Bush , but who the heck was No Doubt ? I had never heard of them. I had heard from Danielle they had a video circulating on MTV called ' Just a Girl ,' and I remember waiting anxiously daily as I binge-watched MTV and wondered if I would ever see the video and hear the song. Finally, one afternoon, there it was. I was hooked from the moment the first few chords started. There was Gwen Stefani on the screen, gorgeous, blonde, beautiful, and so cool! Her style! I was in awe of her style! She was wearing Dickies , a white cropped top resembling a preppy sweater, and Doc Martens . The girl had serious style and from that moment on, I was obsessed. I could not wait to see them live! Official video for 'Just a Girl' The day of the concert was a Friday , so you can imagine how hard I was daydreaming at school instead of paying attention to what the teachers were teaching. Once the bell rang for dismissal, though, I couldn’t get to my friend Laurie’s car fast enough. Laurie was this girl who lived down the street from my parents. She had this short dark hair cut into a bob, and she was so cool and so pretty, and I truly looked up to her. Her parents had recently blessed her with a brand, new teal-colored 2-door Honda Civic for her senior year, and I thought it was the coolest car ever. She and I had a speech class together and she was a senior and I was a freshman. One day, out of the goodness of her heart, she extended an invitation to give me a ride to school and that was that. She was my ride to and from school my entire freshman year and it was awesome. No Doubt LIVE from the Tragic Kingdom Anyway, so the day of the concert, I’m practically sprinting to Laurie’s car, because I couldn’t wait to get home and prepare to leave for the show that night. Since this was 1996, my concert attire consisted of a baggy pair of Calvin Kleins with the bottoms cut off and frayed , my shiny red patent leather Sketchers , and my brother’s army green Filter t-shirt from when he saw them at the PMAC at LSU with Bush , Brother Cane , and the Toadies . Back then, I would just “borrow” my brother’s clothes, even if they were too big for me. He had some cool clothes and t-shirts, and I hated wearing anything tight or revealing. I was a Grunge chick, through and through. To this day, I don’t know if he actually liked me borrowing his clothes, but if ya didn’t Nick, then I am sorry. Oops. So, there I am, all ready to roll, and I was anxiously awaiting the arrival of Danielle and her mom. Once in the car with the radio on, we got so hyped up. See, back in the day, the local radio stations would promote an upcoming show like there was no tomorrow, and all of the sweepers and promos with music clips had us teenagers salivating. So, we’re in route to NOLA and Danielle and I are giggling and talking about how excited we are to see the bands, and because it was my first concert, I had no clue what to expect. Once we arrived at UNO , though, the excitement was so big I felt I could burst. You could see the oodles of people everywhere, dressed up, and ready to have a good time. No Doubt was to be the first band to take the stage that night and I had no clue what to expect. As we made our way to our seats in the balcony, I could see the huge crowd of people on the floor near the stage, and I wished I could be down there in the crowd with them. I remember Danielle and I talking about how we would snag some floor seats for a show one day so we could be up close to the stage and crowd surf—which, by the way, I should note that while crowd-surfing looks cool, when you’re down on the floor and you have some big dude going over your head that you have to toss around, it is not fun. At all. In fact, it’s kind of aggravating, especially when all you want to do is see the show. No Doubt hits the stage, and Gwen comes out walking like a badass doing ninja kicks and all this other cool stuff and I was hypnotized. I was zoned out on her and the music and the whole experience. I vowed that day that I would become cool like Gwen , because at this point, I wasn’t quite cool yet, but I was getting there. I had a lot to learn. As soon as No Doubt finished their set and we were waiting for the Goo Goo Dolls to come out, I told Danielle that I just had to go see if they had a No Doubt shirt in the merch section because I just had to have one. Lo and behold, they had this blue ringer tee with yellow piping, BUT they were sold out of my size and all they had were size small. I just HAD to have this t-shirt, so I bought the small, ran to the restroom to change, and squeezed my boobies into it. I was in heaven, and it was awesome. A 15-year-old me! The rest of the show was truly amazing, but to be honest, I couldn’t stop thinking about No Doubt ; I had to see them again. Sure, the Goo Goo Dolls put on a great show, and yes, Bush was epic, BUT Gwen Stefani was it as far as I was concerned, and the rest of the night and the drive home was filled with thoughts of Gwen Stefani , her killer abs, and her killer style. No Doubt …and so, Bush was my first real concert, but I had No Doubt on the brain, and if you were to ask me what I remember most about that first Bush concert, it would definitely be No Doubt . Over the years, I have been blessed with attending many, many shows, but those days of attending infinite shows has been put on hiatus for a bit due to my life as a mom. For now, I can reminisce and share my memories with you all in hopes of inspiring a new generation to experience music the way we 90’s kids did. Love and light. -Nicole- www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It's time for her to be heard! < Back Britney Spears: A Stifled Talent Nicole Brice Apr 25, 2024 Share It's time for her to be heard! Born and raised near Baton Rouge, Louisiana, I’ve always felt a strange connection to the pop star known as Britney Spears . I always like to tell people my music tastes range from the music of Britney Spears to the metal masters of Slayer , which it actually does. Good music is good music, right? If it resonates with you, then that means something. I didn’t always like Britney's music, though. In the beginning, I thought it sounded too processed and fake. As the years passed, I would come to appreciate the music she was putting out and it became the soundtrack to the life I wanted. Also, too, I have always thought Britney’s public persona in the early years was my alter ego if I had the balls to truly be me. Instead, I am shy and timid, and I hide, but given the interviews and reports throughout the years on Ms. Spears, I feel she isn’t much different. She comes off as a very sweet and genuine human being who has been molded and shaped to fit the agenda of those who benefit from her talent. Initially when Britney came on the scene in 1999, I was envious and jealous of her beauty, career, and fame. After all, there was a girl the same age as me, from the same state as me, living out her dreams and I felt it just wasn’t fair, but who was I to be jealous of an individual with remarkable talent when I can’t carry a tune much less dance. Now, at 42 years old, I feel connected to the pop sensation more than ever due to us both being born in 1981, being mothers, and both having our families turn on us during times of need. I also feel, too, like me that Britney is gravely misunderstood. Beneath the sad eyes and erratic videos of her half naked dances, I see a woman confused on life, confused on her identity, and just plain confused about what she should do or where she should turn. She seems lost and hopeless but puts on a smile for her fans and does the only thing she has ever known to do, sell her body, in hopes that she is seen and heard . Britney’s talent goes far beyond her half-naked romps on the beach, though. She can sing and although her voice has been stifled all these years by those wanting her to portray a sexier image, proof of her true raw talent is on the track, “ Just Like Me ” from her album, “ Glory ”, released in 2016. “ Just Like Me ” starts with a simple acoustic guitar and only Britney's beautiful voice. The song then builds to a thunderous chorus and a hypnotizing electronic beat only to revert to the insatiable acoustic guitar sound. One of her most underrated songs in my opinion and proof that Britney’s voice is both soulful and full of heart. With reports saying she is on substances; I can see right through that. While I do not know the details of what is truly going on in her life, I do know she is throwing away amazing talent. If someone would just encourage her to write and record an album with an actual band playing music as the backing track instead of prefabricated mumbo jumbo made in the studio, I think everyone would see an entirely different side to Ms. Spears. Her voice is strong, and phenomenal. In fact, no one in the industry has ever sounded like her. I, for one, want her to use her voice to entertain the masses, but in a way she has never done before. No dance moves and no theatrical stage show. Just Britney on stage with her voice. Britney’s true voice, the one not sounding like a sex kitten, is bold and fierce and it needs to be seen and heard before it’s too late. “ Change Your Mind ” is another track that stands out amongst Ms. Spears’ catalog with its simple stripped-down intro that leads to a thundering bass and dance beat. Her strong vocals are heard in the first few bars of the track, and it is exquisite. In a world full of autotune, Britney does not really need it, yet the music industry has always forced it upon her. Why? Why not allow this beautiful human to just be who she is and showcase her unique voice? In fact, I feel her album, “ Glory ” is one of the most underrated albums ever. Almost every song is amazing, and her voice sounds so mature and womanly. It’s my go to album when I need to get into a certain headspace. Click the picture to experience "Glory" all over again. With all the negative press surrounding her lately, I think that starting today we should usher in a new era for Ms. Spears. Instead of speculating on her personal life and allowing others to trash her publicly, let us lift her up. In fact, I think we should initiate a “Free Britney’s voice” campaign. It’s 2024 and it’s time for Ms. Spears’ talent to make a comeback of unprecedented proportions. Let her music speak for her. Who’s with me? Society needs to stop beating people when they are down, and instead focus on the positive attributes these individuals possess. Spread love and kindness, I say! For me, I’d like to see less of a focus on individuals’ personal lives and more focus on talent. Let the music flourish. Music soothes the soul, after all, so who’s to say if Britney were pushed to record again with her rules and with her pure raw voice that we wouldn’t see something spectacular? Britney, if you end up reading this, you are amazing. Your talent is unparalleled, and you are an icon. Know that even though you may never meet any of us fans in person that we are all rooting for you and that we love you. You cannot be replaced. Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Truly a Time to Let Your Soul Fly Free < Back Metal: The Killer of Trends Nicole Brice Nov 10, 2022 Share Truly a Time to Let Your Soul Fly Free To say that Metal , especially Southern Metal, had a HUGE impact on my life would truly be an understatement. To be honest, I cannot recall a single time when Metal was not a staple in constant rotation within my music collection. The one band, though, that I can attribute to me truly getting into super heavy music, though, would have to be Pantera , and I had the opportunity to not only see them once in my life, but twice . Those memories will never be forgotten, and those ticket stubs will forever be treasured heirlooms as will my 1996 concert tee from the tour for The Great Southern Trendkill . The ticket stubs from when I saw Pantera LIVE Tour shirt from July 11, 1996 Pantera always had that in-your-face / want to punch something sound. I can recall hearing ' Becoming ' for the first time in my brother's burgundy 1984 Honda Accord on his Alpine stereo at full blast while riding home from school one afternoon. The aggressive guitar that starts the track gives an instant punch to the cojones and what a musical journey that song is. It never lets up. Aggressive all the way through. Dimebag truly was a pioneer of his time and is so missed. 'Becoming' by Pantera Shows were a way of life growing up and every show that came to town was a "must see". In 1996, my brother and his friends heard that Pantera was coming to town, and so, I instantly HAD to go, right? Add in the fact that they were to play with White Zombie , and duh, no brainer! We were there! We ended up scoring balcony seats, fail , but at least we were getting to go to the concert, so there's that. On May 7, 1996 , The Great Southern Trendkill was released, and the cover was so sick that I knew before I even pressed play that I was in for an incredible experience. To this day, ' Floods ' is one of my favorite Pantera songs, hands down, because of Dimebag's amazing guitar solo , and I like to listen to that track on rainy days in my car at full volume. 'Floods' by Pantera Considered one of Pantera's most aggressive albums, The Great Southern Trendkill features some of the fastest tempos and down-tuned guitars in their entire anthology, and even though it was to be one of the last Pantera offerings for a long while after, it serves as a reminder of days past when Metal ruled, and life was simpler. The 1996 show with Pantera and White Zombie was killer, no lie, and was one of the BEST shows I have attended in my LIFE . White Zombie was incredible, Pantera was incredible, Eye Hate God ...not so much, but the entire show was definitely one to remember. Back then, it was my first time seeing Eye Hate God , and their set was lacking something. I can honestly say that after all these years, Eye Hate God has gotten so much better, and I really enjoy their live shows. They have become icons, in their own right. Many years later, on a whim, I bought tickets to see Pantera again, but this time they were playing with Soufly . Winner, winner, chicken dinner! I am a HUGE Max Cavalera fan, HUGE ! I, literally, cannot go a day without listening to at least one Sepultura or Soulfly song. Max's voice gets me so pumped up! Just a few of my fave Sepultura songs are ' Refuse/Resist ', ' Roots Bloody Roots ', and ' Ratamahatta '. I even religiously wore my brothers Soulfly t-shirt in high school, often pissing him off when he would go looking for it and couldn't find it. It was almost always in my room in my dresser, ha! Oopsie! No clue how it got there. ::grins:: I'm wearing the infamous Soulfly t-shirt here, but it's hidden behind this stuffed pig. No clue why I was holding a stuffed pig. Anyway, so ended up getting to that second Pantera show late and arrived in the middle of Soulfly's set, bummer, but at least I got to go, and Pantera did not disappoint, once again. Sadly, I did not get a t-shirt from that show, but I have the memories of who I went with and the experience. Those things can never be replaced. Even though, Pantera is no longer around with the OG's, the memories of seeing their brilliance on stage will forever live in my mind, and maybe if I'm lucky, I'll stumble upon a YouTube video in the future of someone who recorded the shows I attended. Even though we didn't have camera phones back then, some people did sneak video cameras into those shows, and I'm sure someone out there has footage. They just have to. Till next time, listen to good music, reflect on the memories, and let us teach the future generations what classifies as truly GOOD music. Love and Light -Nicole- Me in high school wearing my Pantera tour shirt in 10th grade Geometry class www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Picks for December 2024 < Back Way Back When: Holiday Tunage Nicole Brice Dec 1, 2024 Share Picks for December 2024 It’s that time again … more music for your ears that you may or may not have heard before. I’m not going to give you a typical holiday list, because truth be told, I really don’t like holiday music. Here’s some songs to get you going this holiday season. 1. The Vandals - Oi to the World This classic punk holiday tune was covered by No Doubt in 1997, but nothing lives up to the original. It’s funny, it’s fast, it’s catchy. Sing along loudly! 1996 2. The Ramones– Merry Christmas (I Don't Want to Fight Tonight) A typical Ramones song with a Christmas theme. Crank it up! 1989 3. The Dickies - Silent Night A punk take on a classic tune. 1979 4. Bad Religion - White Christmas It’s freaking Bad Religion singing Christmas tunes … nuff said. 2013 5. Rise Against - Making Christmas One of my fave Christmas tunes because it’s Rise Against . Tim McIlrath can sing holiday music to me any day of the week. 2006 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It's all green to me! < Back Way Back When: March Playlist Picks 2025 Nicole Brice Mar 3, 2025 Share It's all green to me! March automatically makes me think of the color green—green for St. Patrick’s Day, green for positivity in the spring, just green. Let’s see if I can keep a clever theme for these song suggestions. 1. Green Day - 2000 Light Years Away Green Day certainly has come a long way from their earlier music, but to me, their earlier music is the best because it’s less polished and more authentic. This is one of those tunes that always transports me back to the early '90s. 1991 2. Hum - Green to Me Hum is one of those hidden 90s gems when it comes to bands. They toured with prominent bands back in the day, which is how I discovered them. To say this band and song are underrated would be an understatement. 1998 3. Gorillaz - O Green World Gorillaz burst onto the music scene in 1998 via Damon Albarn of Blur fame and Jamie Hewlett . A virtual band, Gorillaz is best known for its cartoon videos with characters. ‘ O Green World ’ is one of those album tracks that is a little more obscure but so fantastic because of its intricate sounds. Check it out! 2005 4. Incubus - A Certain Shade of Green Incubus ’ first album, S.C.I.E.N.C.E. , sounds nothing like their albums that came after. ‘ A Certain Shade of Green ’ is one of those high-energy Incubus songs that just reels you in. 1997 5. Master P - Pass Me Da Green Just a fun song. “Pass me da green, I need some weed with my Hennessy.” 1997 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New year, new music! < Back April Playlist Picks: Way Back When Nicole Brice Apr 7, 2025 Share New year, new music! April is the beginning of the “new year” officially for me, and so, in light of that, here are some random tunes to get your “new year” going. 1. Kraftwerk - Trans Europe Express ‘ Trans Europe Express ’ is one of those songs that just fascinated me. Hell, just Kraftwerk is fascinating. 1977 2. Julia Michaels – Pink While this song does have naughty undertones, it’s fun to sing along to, and Julia Michaels is just a fantastic singer, songwriter, and performer. I had the pleasure of seeing her live a few years ago when she performed at The Varsity Theatre in Baton Rouge . This song is special to me, though, because it was through this song that my nonverbal autistic son began speaking more. I think it’s Julia’s kind tone that he picks up on with her singing that resonates with him so much. 2017 3. Depeche Mode - Wrong ‘ Wrong ’ is one of those Depeche Mode songs that you truly cannot visualize until you see the video. Watch the video and then listen to the song. Great tune. 2009 4. New Order – Truth Classic New Order – ‘nuff said. Coincidentally, this song was released the year I was born. 1981 5. Bon Jovi – Wanted Dead or Alive One of my favorite Bon Jovi songs of all time! Soooo good! 1987 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

No love songs this month! < Back Way Back When: The Love Month Playlist Picks Nicole Brice Feb 4, 2025 Share No love songs this month! It’s the love month … the month I despise because of all the mushy gushiness … in light of that, these are NOT love songs. Enjoy! 1. Incubus - Redefine Incubus has certainly come a long way since this banger was released. I remember seeing these guys open for 311 and No Doubt at the Baton Rouge River Center in the 90s. What an insane show! This song is fantastic. Turn it up loud! 1997 2. Less Than Jake - Johnny Quest (Thinks We’re Sellouts) I may or may not be humming this as I write this. Johnny Quest thinks we’re what? One of the best LTJ songs ever. 1996 3. Marilyn Manson - Dried Up, Tied and Dead to the World In my opinion, Antichrist Superstar is one of the best Marilyn Manson albums, and this song was my jam back in the day. 1996 4. Hole - She Walks On Me She walks … over me … (I’m humming this song, too). Live Through This is one of my favorite albums of all time. Amazing song. Amazing album. 1994 5. Stabbing Westward - Dead and Gone With the re-emergence of one of my fave bands of all time, Stabbing Westward , comes this banger. “How can I go on? When my last hope is gone?” 2022 Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Do you remember the good ole days? We sure do, too. Way Back When Jul 31, 2025 A Birthday Tribute to Joey Fox: Forever in Our Hearts A Life That Still Shines Bright Read More Apr 7, 2025 April Playlist Picks: Way Back When New year, new music! Read More Mar 3, 2025 Way Back When: March Playlist Picks 2025 It's all green to me! Read More Feb 4, 2025 Way Back When: The Love Month Playlist Picks No love songs this month! Read More Jan 6, 2025 Way Back When: January Picks Got Nostalgia? Read More Dec 1, 2024 Way Back When: Holiday Tunage Picks for December 2024 Read More Nov 2, 2024 Way Back When: Nostalgia Picks for Your Playlist November Top 5 Nostalgia Picks for November 2024 Read More Oct 1, 2024 Way Back When: Nostalgia Picks for your Playlist October Top 5 Nostalgia Picks for October 2024 Read More Apr 25, 2024 Britney Spears: A Stifled Talent It's time for her to be heard! Read More Mar 18, 2024 Auto-Tune: The Great Debate on Perfection’s Place in Music While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Read More Nov 10, 2022 Metal: The Killer of Trends Truly a Time to Let Your Soul Fly Free Read More Oct 3, 2022 No Doubt About It: Gwen Stefani Is A Legend NOT Just a Girl Read More

A southern comic who isn't afraid to flaunt his pride on and off stage < Back Comedian Junior Cook: Uncensored, Unapologetic, and Gay, Gay, Gay Keeley Brooks Jun 8, 2023 Share A southern comic who isn't afraid to flaunt his pride on and off stage If there's anything I love more than watching movies and series, it's having a good laugh at some quality stand-up comedy. And right now, more than ever, this entire world is in need of good, hearty laughs from quality comedians who are proud to be authentic. There's nothing better than coming home after a long day and stumbling across some good standup by accident, and that's how I found unapologetic Alabama-based comedian Junior Cook. A loud and proud gay comedian tearin' it up across the South, Cook is full of life and personality with tons of material, but perhaps the best thing about him is the fact he has no shame when it comes to being himself, and that, my friends, is beyond refreshing in a world of likeness and conformity. He's kind and humble, and he isn't afraid to tackle sensitive subjects with charm and ease, which he embodies effortlessly. He's mindful of presenting jokes wrapped in such sweet southern swagger, you can't help but feel like you're sitting on your porch hanging out with Junior over a tall glass of sweet tea. I reached out to Junior to have a chat, and I'm glad I did. He is one funny dude doing exactly what he's meant to be doing, and if he keeps plugging away like he is, he's got one bright future ahead of him. In fact, when I did reach out to him, he had just been selected as the chosen performer for Season 13 of Kenan Presents: The Live Performance Showcase at Shenanigans Comedy Theatre in Huntsville, Alabama. The show was hosted by Alton Walker, the creator of The NextIN Line Network, and featured special guest Lamar Pullom, a radio personality known as "The Ant-Man of Comedy" on 105.1 The Block. courtesy of Junior Cook social media I couldn't wait to dig in and learn more about Cook and his life, so check out our conversation below, then be sure to follow him on social media so you can catch him performing live and laugh until your face hurts. MaM : Junior, thank you so much for hanging out with us. It's a pleasure to feature you in our Comedic Relief section. Tell us where you're from and where you're currently located. JC : Thank you for having me! I grew up in a very small town in Alabama called Haleyville, but I currently live in Birmingham, Alabama. MaM : What were you like as a child? Were you the one always entertaining everybody else with laughs? JC : As a child I was cautious, shy, and curious. I knew who I was at a very young age, but I also knew the world was not ready for me. (laughs) MaM : Has comedy always been a part of your life? JC : Comedy has always been a part of my life, yes-especially through TV sitcoms and variety shows. I was always looking for the weird and the funny. MaM : When were you first introduced to comedy? JC : My first introduction to stand-up comedy was watching Whoopi Goldberg's HBO comedy special as a child. I was with my family at the beach. I was burnt from too much sun, so I stayed inside and was just taken aback by her characters and skits. She was amazing ... still is! That is probably the reason why I am so excited to see female comedians. MaM : Whoopi is hysterical. I remember her specials as a child, too. I thought she was the funniest woman I'd ever seen at the time. So daring and bold. When did you know you wanted to be a comedian? JC : I have always enjoyed making people laugh. My mother tried to get me to pursue stand-up comedy right out of high school but, yet again, I knew the world was not ready for me. Also, I saw making money and exploring who I was and meeting others just like me as being more important at the time. One day at work, I had a client tell me that I should try out for one of the comedy clubs' open mic nights. I knew there was more to it than just getting out there and running your mouth, so I looked into the open mic and saw that they offered many writing classes. After I finished the classes and did my first stand-up gig, I was hooked. MaM : What does comedy mean to you/do for you and your life? JC : Comedy means everything to me. Working with words and improv has helped me expand as a person, and comedy also gives me the pleasure of making people happy and lifting their spirits, [even if it is for] just one evening. MaM : Tell us about the first time you were on stage doing standup. What was that like for you? courtesy of Junior Cook JC : The first time I was ever on a stage in front of people probably was the scariest time I've ever felt. It felt like [I was about to] bungee jump off a 10-story building with no safety net. Yet, even with what little laughs I got, I was happy and [it] helped me discover that [standup] was for me. MaM : Ha, I've bungeed before and it's terrifying ... until you actually jump! So, I understand your fear and how it compelled you to move forward. That's really cool. Who are some of your comedic influences? JC : My comedy influences have always been women in comedy. Even today, it's the women who make me laugh [the most]. Watching The Golden Girls with my grandmother on the weekends was the highlight of my week growing up. A lot of the jokes went straight over my head becuase I was so young, but watching my grandmother laugh so hard made me laugh even harder. Sitcoms, The Carol Burnett Show, and female stand-up comedians like Joan Rivers have made a huge impact on my life. MaM : Who was the first comedian you ever saw live? JC : I think the first comedian I ever saw live was Lisa Lampanelli. She was crude, rude, and everything good! She told it like it was but in a really funny way. She will always be in my top ten list of comedians I love. MaM : Who's your current favorite comedian? JC : My current favorite comedian has to be Wanda Sykes, hands down. She works so hard, but she makes it look effortless. I admire that about her. MaM : Dude, huge congratulations on the Live Performance Showcase ! That's so awesome! You must have been elated from the time you got the news clean through after you finished your set. Tell us how all of that came about, then what the experience was like for you. JC : I was chosen to be part of Demi TV's Demi Gods of Comedy. I was so excited that I was going to be filmed and placed on their network. I was chosen by a large group of people that work at Demi TV. The experience has been very positive. Getting noticed in this industry can be hard, and it's so rewarding to know that someone sees you and sees the potential you have. MaM : Who were some of the other performers at the showcase? JC : Some of the other comedians that were featured on this special were Scott Eason and my good friend Kimberly Wilson. I consider her my comedy wife. Ha ha. MaM : Tell us about your comedy style in your own words. JC : My comedy style is a mixture of dark comedy, everyday situations, and things that we all have to deal with. And most importantly, my comedy style is about me: uncensored, unapologetic, and gay, gay, gay, which is something I could not have done when I was younger. [Now, I'm able to] be my authentic self on stage. Living in the South, I do get some uncomfortable mixed feelings from people, but that is just who I am - a southern man who happens to be gay. MaM : Well, we happen to love your gayness and we're proud to flaunt you! So, what can people expect from a Junior Cook show? JC : People can always expect me to be me unapologetically, physically, and sometimes unexpectedly. MaM : Are you currently touring? Where do you perform? JC : I'm a performer all around the Southeast and at any comedy festival around the country. I'm hoping to get beyond that soon. MaM : What does the future hold for you? JC : I don't think we ever really know what the future holds for us, but I see myself expanding more with comedy wherever it takes me. MaM : If you could share the stage with any comedian, who would it be and why? JC : If I could share the stage with any comedian, it would have to be Wanda Sykes, Ellen DeGeneres, or any female comedian today. They just make me laugh so hard. I don't think that women really get thir praise for being the best at comedy. MaM : Junior, thanks so much for taking some time and allowing us to get to know you. It's been a pleasure. But before I let you go, since we are an entertainment magazine, inquiring minds want to know what are you currently watching? JC : I am currently watching old sitcoms, believe it or not (laughs). Even though I've seen so many of them so many times, I still find little hidden gems tucked away that I never noticed, and that gives me such joy. And there you have it, folks. Be sure and follow Junior Cook on Facebook and Instagram @JrCookComedy to stay up to date on his latest shows and appearances. This is one hilariously authentic, proud gay man spreading the love one laugh at a time. To learn more about Junior Cook: Facebook : https://www.facebook.com/jrcookcomedy Instagram : https://www.instagram.com/jrcookcomedy/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Your one stop for all the happenings in comedy! Comedic Relief Jan 28, 2025 Don’t Freak Out! It’s Just Jeff Vance, Everybody! How a local Louisiana comedian found his craft in laughter to help overcome anxiety. Read More Jun 8, 2023 Comedian Junior Cook: Uncensored, Unapologetic, and Gay, Gay, Gay A southern comic who isn't afraid to flaunt his pride on and off stage Read More Feb 15, 2023 Messing Up Quests and Putting Things to the Test Who is Fish? Read More Dec 12, 2022 Holmes Holmes They Deserve ALL the Damn Attention Read More

Our mission statement at Mixed Alt Mag and what we do. A BIT ABOUT US *NO ADS ... JUST PERSONALITY & ENTERTAINMENT* Mixed Alternative Magazine is a proud, woman-owned veteran business created to provide you, the reader, with a wide range of high-quality, balanced articles and stories covering various genres of music and different facets of art and entertainment. Our focus is on providing a non-discriminatory platform for independent talent of all kinds to introduce themselves and showcase their mad skills to the world, and not get lost in corporate advertising. Our sights are on content, not sales. We pride ourselves on our humor, knowledge, experience in, and love (ok, obsession ) for all things entertainment, while adding our special editorial touch and commitment to keeping it real. And we do just that by ditching the rules and regulations . We simply love what we do and we figured you guys might too. And here at Mixed Alt Mag , we like to think of ourselves as the signal standing out from the noise of the rest of the media landscape. With such an influx of mass-produced content out there, we want to be the ones standing apart from the crap. By using a different approach and outlook, we will always strive to bring you the most entertaining, highest-quality content we can, and we proudly do so by rejecting the mainstream and forging our own way. No hard news. No religion. No politics. No rules. No red tape. No censorship. Just sheer entertainment, passion, and personality.

Still kicking ass and taking names < Back Sick of It All: Pioneers of the Hardcore Punk Scene Nicole Brice May 15, 2023 Share Still kicking ass and taking names For our first band to be featured in our G.O.A.T. section (greatest of all time), I don’t even know where to begin. This band has influenced me so much, I don’t even know what to say. Pioneers of the hardcore punk scene, the men of Sick of It All paved the way for many bands that came after them, and through the years when I’ve needed some inspiration to be tough and get myself into a certain headspace, their music has been my soundtrack. I was in the Louisiana Army National Guard from 2001-2009, and each summer we would travel to various locations around my state and beyond for our annual training—AT, as we called it. I still remember being on a bus or in the back of an LMTV with all my fellow troops as we embarked on the journey to our summer destinations—my earphones firmly in place and my turquoise iPod mini blaring the sweet tunage of Sick of It All . Their music has always inspired me with potent lyrics, thundering bass, crunching guitar, and crisp vocals. If there is one thing I can say about this band, it’s that even though they started out with a likeness reminiscent of other hardcore bands of the day, they have managed to evolve and refine their sound, making it one all their own. Anytime I hear a song by them, I instantly know it is them because of the distinct bass and the remarkable vocal stylings of the man himself, Mr. Lou Koller . Throw in an iconic logo of a dragon that was even used by another well-known music group and you have the unparalleled styling that can only be known as Sick of It All . Credit: Ken Salerno - The band in the early years For those not familiar with the band, allow me. Sick of It All was formed in 1986 with brothers Lou and Pete Koller . The Koller brothers grew up in Queens , N.Y., in a middle-class family where they would often hop on subway trains to the various indie record shops nearby and indulge themselves in all the iconic metal, punk, and hardcore albums they could devour. Their love of music turned into forming the band, with the Koller brothers being the solidifying force to bring it all together. After a couple of line-up changes through the years, the band has remained true to its roots and is currently comprised of Lou Koller on vocals, Pete Koller on guitar, Craig Setari on bass, and Armand Majidi on the kit. credit: Jeff Crespi - Armand Majidi Known for their high-energy shows, the band has never allowed themselves to be pigeonholed into one specific genre and has often played shows and toured with bands outside of the hardcore scene. When one thinks of a hardcore punk band, they think of the tough guys … the guys you don’t want to mess with— the real OGs . While the guys in Sick of it All are no strangers to kicking someone’s ass, they truly are just a nice bunch of guys who enjoy making music they love. credit: Jeff Crespi - Pete Koller With 11 albums to their credit and a book released in 2020 called “ The Blood and the Sweat: The Story of Sick of It All’s Koller Brothers ”, these guys show no sign of slowing down and are currently all over with Lou and Pete even recently being tour guides at the newly opened Punk Rock Museum in Las Vegas . With such an iconic sound, the music of Sick of it All proves that time is no test for such an influential band, and they continue to bring their music to new crowds of fans all over the world. Publisher: Post Hill Press (August 4, 2020) Currently taking a break from their highly successful 2023 tour with Life of Agony, which is set to resume in the U.S. in August, I was able to speak with the vox of this incomparable band, Lou Koller , to discuss everything from what the future holds to what they think of the crowds at their shows in the current day. MaM : Thank you so much for talking with me today. You have no idea what this means to me. I was so nervous about calling you that I told my friend I was about to throw up. (laughs) LK : No problem. No problem at all. MaM : Love your music and I feel like I’ve been listening to you forever. My favorite albums are Death to Tyrants , Call to Arms , and Yours Truly , but I have so many favorite songs of yours that if I were to list them, we would be here forever. (laughs) So, your last album was released in 2018 and I know you guys have been playing shows like crazy, but are there any plans for new music coming out? LK : Well, during the pandemic, we were writing mostly—well, my brother, Pete , he ended up writing over 27 songs , but we’ve been trying to convince the other members of the band we should get together and work on them and record, but we just never could get it together. It all happened when unemployment ran out and we all got jobs and that was a factor that delayed it. Also, too, our drummer Armand seems to be on vacation every other week. (laughs) Once the pandemic ended, we all felt it was time to get back on the road, but we still have these songs, so it’s on the way. After we get back from Europe and the other leg of the Life of Agony tour , we will have the fall to get together and we plan to meet two weeks every month to write, so we’ll see how that goes. We’re working on it. It’s on its way. credit: Jeff Crespi - Lou Koller MaM : So, as far as the writing and recording process, do you feel technology has changed how you approach that? LK : It does because of necessity. Again, with the pandemic, we didn’t really get together to write. … Pete would write, but he lives in Florida , so he wrote down there. Armand lives in upstate New York, Craig bounces from Queens to upstate New York , and I live in New Jersey now. It used to be we had our own rehearsal studio in Brooklyn , and we would all just meet there three times a week and jam and have fun, but you know when Pete moved to Florida, it all became corresponding through emails and stuff like that. I think the technology helps in a way, but it’s also kind of a pain in the ass for me. I like getting together at the studio, not just for the writing but for the camaraderie. MaM : Right, the vibe. LK : Yeah, exactly. It works, but there’s some aspects of it that we need to learn just to keep up with the times, and some of it makes it convenient or easier in some ways, but I think because of the way we all grew up, you feel like something is missing. I still have a hard time discovering new music through a digital platform. Some of the suggestions through Spotify I don’t get. I could sit there and listen to old metal and hardcore and punk, and suddenly, they’ll say, ‘Suggested for you is the new Justin Bieber album.’ Why? Why would you suggest that for me? I have nothing to do with that. Nothing I listen to is remotely close to that. (laughs) credit: Jeff Crespi - Lou Koller MaM : I agree. I use digital platforms, too, but I miss the old ways of discovering new music. I used to just go to the music store and wander around looking for any cover art that spoke to me. Often, I would purchase albums based solely on cover art, and then I would go home to listen to see whether I dug the music or not. So, who would you say has influenced you the most when it comes to your vocal styling? LK : It’s a combination. When I first started, I really didn’t know how to do anything, but I wanted to sound as hard and as rough as the singer, John Brandon , from Negative Approach and also Chris , the singer of Crumbsuckers because he also sounded like John Brandon . But now, for the last 10 years or so, I still try to emulate that, but I try to have a bit more range. One of my favorites is Lemmy from Motorhead because he had such a rough voice, but he had this melody, too. He could hit the notes but was just a great vocalist. I know a lot of people think that’s crazy, but I just love that he had such a rough sound. Chuck from Hot Water Music , too, has such a rough voice, but it’s also so melodic. He just does it great. He’s another one I would like to sing like. credit: Jeff Crespi - Lou Koller MaM : But your voice is so amazing! How do you keep it in shape for singing the type of music you guys play? LK : I’ve been to some professional coaches; Melissa Cross is probably the most famous one. When I went to her, she told me, ‘Sing how you sing,’ but [then she said], ‘I could give you a couple of pointers, but you do what you do very well.’ The way I sing, it’s more using the muscles around my vocal cords and all that, so like any muscle, when we’re not on tour, I really should be going to the studio twice a week to keep it in shape, but it’s not fun going to the studio by yourself screaming to your phone going through the PA. So, I got lazy, and usually before a tour, I’m like, ‘Ah man, I’ve gotta go in,’ and my voice usually sounds like garbage for a week and then it kicks in. credit: Jeff Crespi - Lou and Pete Koller MaM : So, let me ask, you guys are definitely the voice of a generation and I credit you with being very instrumental in launching that second wave of punk rock and hardcore. I consider the first wave to be late 70s/early 80s and then we had a reemergence of it in the late 90s/early 2000s, so with the crowds, especially since you just came off tour, have you noticed any differences or changes in the scene or just any differences in how people treat each other at shows in general? LK : It’s weird … Our tours in the 90s, we would take the upcoming hardcore bands like Strife and Snapcase and we would take the upcoming West Coast bands (what they called hardcore but we would call punk, like AFI and Good Riddance ) and … combine those bands into tours and we loved it. Now, it’s so separated; you can’t take a more melodic punk band out with a newer heavier hardcore band because a Terror crowd would not appreciate a Good Riddance and a Good Riddance crowd might not appreciate when a band like Incendiary plays. They would be like, ‘That’s way too heavy,’ but I think 1999 was the peak for that. We did a tour, and it’s one of our favorite tours we ever did, but it was us, AFI , Hot Water Music , and Indecision , and it was so good that almost every night every band had such a great reaction, and I think one of the proudest moments for us was on that tour in L.A. seeing kids with Blink 182 shirts going absolutely wild to Indecision , who were the forerunners of what bands like Knocked Loose are doing now, and to see kids going absolutely crazy to something that’s totally opposite to what they usually listen to and then do the same thing for Hot Water Music and AFI and then with us, that was great. Nowadays, like I said, when you try to mix it up, it doesn’t work as well. credit: Jeff Crespi MaM : I grew up in the late 90s/early 2000s and so I remember when there was no separation. It was all together. If you liked hardcore, you liked punk. If you liked punk, you liked pop-punk and so on. I feel like back then there was more cohesiveness and now, like you said, it’s more divided. LK : I think on a smaller scale, it might be coming back. Luckily, I have a friend who used to work for us. He’s about 10 years younger than me, and he’s always sending me texts with, ‘Hey, check this band out,’ and he’ll send me music like Drain or Incendiary . … Not really new, but to me they’re new … like super heavy, and then he’ll be like, ‘Check out this band from England , The Chisel .’ And they became one of my new favorites. They’re a good combination of old skool, just English hardcore punk … leading towards Oi music , but I would love to see them with any hardcore band because it’s such a good mix. On the smaller scale with smaller tours, you can still see that good mix. MaM : Did you notice any regional differences on this latest tour with how the crowds received your music? LK : The Life of Agony tour was good for us because they took us to parts where we have never played. They took us to Michigan and usually we only play in Detroit when we go there, but this time they took us to Flint, Mich. , and we played in front of, which seemed to us, like a totally new crowd. There were guys there that were 50 years old going, ‘I’ve never heard of you guys. I’ve never seen you.’ That’s insane! … But they loved it, and they bought merch and records, so it was great. It surprised the hell out of us. (laughs) It’s also that Life of Agony has that bigger metal following and they were embraced by the whole world for decades, and those people don’t see a mixed tour very often. Life of Agony could have taken a younger, more prominent act as their opener, but they wanted to thank us for influencing them when they were younger. And when they went to Europe , they took Prong and Madball with them, which I think is a great thing. They wanted to repay bands like us and to mix the bill, which I thought was good. credit: Jeff Crespi - Lou Koller MaM : So, as far as the current crowds, do you feel the younger generations are embracing your music more or do you find that it’s the older crowd, like me, who are loving your shows these days? LK : It’s weird for us because being around so long, we used to get a good mix … we had our fans from the beginning, and we had younger kids coming. Now, it’s like the 16-to-25-year-olds who have their own stuff. We’ve had experiences where we’ve taken a younger band out that was heavily influenced by us and they’re the hot hardcore band. And they’ll be on stage, and they’ll say, ‘You know, we wouldn’t be a band if it wasn’t for Sick of it All ,’ and when they finish their set, their fans will just leave. They don’t care. They don’t stick around. It’s strange. Now, what I’ve seen, like in Europe , … it has been constant … where you have the older fans and generations still coming. But in the U.S., if we play an all-ages show, it’s usually our older fans who bring their kids and make them watch us, so sometimes it works. (laughs) credit: Jeff Crespi - Pete Koller MaM : Let me ask you as far as continuing to make music, how long do you plan on continuing? Do you just want to do it until you can’t anymore? LK : Yeah, that’s why I’m itching to make a new record. I’m very nervous when we do it, and I love the songs in demo mode, but I’m always worried no one is going to like it and then once the finished product comes out, I go, ‘Oh, I was scared for no reason.’ We always say we’re going to do it until it’s not fun anymore, but we’re always having fun, which is good. What’s good for us is that we all love playing live. It’s just a fact that we’ve always presented a very high-energy live show. If I ever physically can’t do it, I don’t want to just be standing around. (laughs) Zack from Rage Against the Machine tore his Achilles tendon and he had to do the tour sitting down. You could see in his face that he hated it. Same thing with Barney from Napalm Death . We did a run with Municipal Waste and Napalm Death and Barney had hurt his ankle. We all said he should go to a doctor, and he didn’t want to go. It turned out his ankle was broken. He didn’t know it and kept standing on it and destroyed [it]. He’s still having problems to this day. He had to finish that tour with us in a chair. Then, last year, he was doing a U.S. run and, sure enough, same ankle, completely destroyed. He had to finish the tour sitting in a chair and now, who knows if he’s gonna ever be able to stand on that damn ankle again. I don’t know if I could just sit there in a chair for the fans. It’s not Sick of it All if I’m sitting in a freakin chair, you know. credit: Jeff Crespi - Craig Setari MaM : Yeah, no kidding. It ruins the whole live experience. So, do you have any crazy stories from over the years with being on the road that you could share? LK : I mean, there’s so many. You know with the book they did about me and my brother, ‘ The Blood and the Sweat: The Story of Sick of it All’s Koller Brothers ,’ there’s a story in there that everyone asks us if it’s true. The story about when we were playing in Pennsylvania at a club called The Sonic Temple and after the show, we were packing up the van when these kids came up to us and said, ‘Yo, there’s a guy over there and he’s got a gun and he says he has a head in a bag,’ and, sure enough, he had something stuck in his waist, and we could see it wasn’t a gun, and he comes over and he’s talking all crazy saying he's going to kill everybody and we’re all, ‘Yeah yeah yeah,’ and he opens up the bag and there was a head. … It could have been a mannequin head, I don’t know, and we all hop in the van and as we’re driving away from the parking lot, all of a sudden there’s, like, 15 cop cars and we’re just like, ‘What just happened?’ MaM : (laughs) Wow. I wonder if he decapitated someone. (laughs) LK : Well, we don’t know. (laughs) We’ve always tried to look it up online and we can’t find anything, but it was awesome. MaM : So, one question that I am dying to know the answer to involves your logo. It is iconic and is immediately associated with you guys, but how did the Sick of it All dragon come about? LK : The very first idea for it was when we saw it on a flash sheet by the famous tattoo artist Greg Irons . He had a similar version of it. It was when one of our friends was joining the Marines , and he was, like, 17 or 18, and we all decided to get a tattoo together because we had this crew who always hung out together. I think it was Pete who redesigned the dragon for us, and it just happened to be in the photo of our first seven inch. It was a photo of my tattoo of it and then it just got associated with us from then on, then it became very iconic. The iconic Sick of It All dragon It’s funny, too, because decades later, we had a good friend who worked in the record industry and she was working in the hip-hop world and she’s walking through the office one day and she sees a co-worker with a big poster behind his desk and it had a picture of the earth burning with the Sick of it All dragon and she goes, ‘Is that a new Sick of it All record?’ And he goes, ‘Sick of it All? No, this is the new Mobb Deep album cover,’ and she goes, ‘You better check where that logo is from.’ It was very funny. MaM : Wow. LK : They said they got it from a tattoo parlor, which maybe they could have because they’re from Queens and we’re from Queens, but most likely… they would go hang out with this Queens group called The Beatnuts , who were hip-hop DJ guys … and on their apartment door was a bunch of stickers and one of the stickers right in the center was a Sick of it All sticker with the dragon. So, you know they saw that dragon with our name on it and used it. We made a deal with them, though: They were not allowed to use it on their album covers because it was associated with Sick of it All. We actually have a fan who owns two or three pizza places in Berlin, Germany , and on his pizza boxes, he has the Sick of it All dragon, but he asked us if it was ok to do it and we said sure. Now, though, on his pizza box, he still has the dragon, but he puts our Instagram handle with it, too. MaM : Approaching a tour these days vs approaching a tour then—is there anything you do differently when preparing for a tour? LK : For me, personally, I must get my voice in shape. It’s not like it used to be where we would jump in the van and hang out and yell and scream all day, then get on stage and play. I have to rest my voice and I have to work into it. As far as the whole band, it’s kind of gone back to the beginning where, especially in the U.S., where touring in vans again, Armand will plot the tour out with our booking agent and the rest of us will do other aspects for the tour, like I do all the social media for the tour, and then we all have to deal with the merchandise again. MaM : So, you guys have your hands in everything when preparing for a tour. LK : Well, we have to. Personally, I am the lazy one in the band. I liked it in the mid-90s to the late-2000s when we had people doing everything for us. It was great. Back then, we could call up our manager and be like, ‘I have this idea,’ and he would be like, ‘Alright, give me two days,’ and then he would either get it done or he would say it can’t be done. MaM : As a veteran musician, what is one piece of advice you could give the up-and-coming musicians who want to be seen and heard so they can establish a legacy like you? LK : The best advice I could give is play what you love. I mean, it’s fine to emulate your heroes, but eventually you’re gonna find your own sound, but make sure you love it. Also, too, and I know this is going to sound weird, but what stops a lot of other bands is a lot of infighting about money and we, Sick of It All from day one, have always divided everything equally. Everybody inputs as much as you can, but for the first two albums, it was 90% me and Pete writing everything and Armand contributed, too, but at the time Armand was in two other bands, but by ‘ Scratch the Surface ,’ when Craig had joined the band, it was all four of us working together and Armand writing and he and I splitting the lyrical writing; then, the music was split between Armand, Pete, and Craig. Now, it’s good, because I think that everybody contributes to everything. Especially like with the last album, Pete would come in with songs and have 90% of the lyrics written for each song. Craig and I would then sit down and change some of the lines or redo them or Armand would re-write with me or Craig , and it’s so much more of a unit. Love what you do and, I know it sucks, but I didn’t join a band to fill out paperwork. Learn the business so you don’t get f**ked over. MaM : Last question: What’s on the agenda for Sick of it All for the remainder of 2023? LK : We’re trying to keep busy. We’re writing and we have the Life of Agony tour coming back up in August again. We’re going back to Europe in June and July , and I’m going to be a tour guide at The Punk Rock Museum , which Pete just did it, too, but we have quite a bit coming up. Stay tuned. Be sure to catch Sick of it All live before their tour wraps up on August 27, 2023, in their hometown of Queens, N.Y. To learn more about Sick of It All: Sick Of It All – NYHC Sick Of It All | Facebook Sick Of It All (@SOIANYC) / Twitter Sick Of It All - YouTube SICK OF IT ALL (@sickofitallnyc) on Instagram Sick Of It All | Spotify Sick of It All Tickets, 2023 Concert Tour Dates | Ticketmaster *Cover photo courtesy of Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong lover of punk and hardcore. She may look like a wuss, but we assure you she has military training, is a sharpshooter with an M-16A2 rifle, and her music collection is stocked with all the heavy hitters you can handle. Reach her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. < Back Finding the Song in Everyone: Conversations with Dash Rip Rock Gary Governale Nov 15, 2025 Share Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Legendary Louisiana cowpunk band Dash Rip Rock is finishing up their set with a powerful cover of an old Minutemen song. Bassist Izzy Grisoli bounces and grooves to the beat, while drummer Wade Hymel pounds out the rhythm. Meanwhile, band founder and leader Bill Davis sits quietly in the corner, shredding on guitar like only he can. This isn’t the end of a beer-soaked set at an edge-of-town roadhouse; it’s actually Izzy’s living room in the Broadmoor area of New Orleans . It marks the last song of a more than two-hour rehearsal as Dash prepares to close out 2025 with a series of shows, culminating in the release of a brand-new album. Credit: Gary Governale It’s been a long and winding journey for Davis . He started the band in the mid-1980s while attending Louisiana State University in Baton Rouge , using it as a way to earn some extra money on the side. Let’s dive into who Dash Rip Rock is today and where they are headed. Bill : I love Punk Rock and New Wave, and there weren't that many punk rock and new wave bands in Baton Rouge . But the LSU fraternities were hiring punk and new wave to play their fraternity parties. So, I kind of just put the band together to make a little extra side money and then to write songs and start doing kind of a creative punk thing. The guys in the band were just sort of like newbie musicians, just like me, and we were mostly in school. We were at school at LSU , going to classes, and then we formed a band in the summertime, and it just took off. Yeah, we instantly started doing really well and drawing crowds, and then transferred over into New Orleans , and then it just took off from there. Credit: Gary Governale MaM : Did you intend on going into “Cowpunk” necessarily, or was it more punk at first? Bill : It wasn't called “ Cowpunk ”, but you know, we were calling it “ Country Punk ”. There were bands like Rank and File , The Long Ryders , Jason and the Scorchers , The Beat Farmers …They all came through Baton Rouge . It was kind of a good stop off for touring bands. And so, you had a great college radio station there, KLSU , and so all these bands stopped in, and when they did, I instantly went out there and made buddies, made friends with them, got drunk with them, brought them to the house, and made a gumbo. We just befriended all these cool Cowpunk bands. But it wasn't really called “ Cowpunk ”; it was “ Country Punk .” MaM : But it stuck, and you obviously embraced it. Bill : Yeah, I mean, I've embraced it because it's fun. It's just a fun thing to say, like, “ Yacht Rock ”, you know? It's “ Cowpunk !" Like Mojo Nixon used to say, “There are more bands than fans in Cowpunk. Everybody loves playing Cowpunk, but nobody goes to see it!” You know, it's like empty audiences. (laughs) Izzy : And it's not really true. They do turn up. Bill : Like outlaw country , the cruise and the radio station have all sorts of lifted Cowpunk up recently, but it has been a rough slog. But it's been fun because Cowpunk is a blast. It's a blast to play. It's fast, and it’s country! Credit: Gary Governale In fact, the current lineup of Dash Rip Rock seems determined to stretch beyond Cowpunk . The band, at heart, has always embraced its Southern roots. Influenced by Georgia bands like R.E.M. and Guadalcanal Diary , Dash followed in their footsteps: finding inspiration in Southern Gothic literature, poetry, and atmosphere. Creating fresh new music isn’t always easy for long-established bands, but Davis has found the solution: creating the most collaborative and creative version of Dash Rip Rock yet. Releasing January 30, 2026 via Dial Back Sound Bill : I would say this band is beyond Cowpunk . I mean, we made a record called “ Cowpunk ” several years ago. But this band is something else, right? The record label has been sort of digging around for something else to call us, because as much as we love playing Punk Rock and Country, this is just a different band. It's something else. It's better, you know? A million times better. Really, you're not going to pigeonhole this band by saying we're Cowpunk, because we are. But we're looser and more fun… like the members in this band, Wade, Bill, and Izzy, we have something that extends past Cowpunk. Wade : Yeah, it is a melting pot. MaM : You have a lot of different influences that go into it and a lot of various kinds of vibes that I guess you bring to the band. Bill : Absolutely. I've had several people pass through the ranks of Dash Rip Rock , as you know. I had a lot of cool guys come through and play in the band, but this one has been the one that seems more creative, most creative, most outgoing, and ambitious. We try a lot of different stuff that the old guys would not have done. So, we're more experimental. The rehearsal we just had, you know, we were messing around and a lot of stuff came to be… I was saying, “No, that's too much, we can't do it!”. And they were like, "Let's try it… it’s practice!” And then all of a sudden, it happened, and it was just brilliant. So, it's good. Everybody's chipping in. Credit: Gary Governale Izzy : Yeah, it's supposed to be like rootsy, rock, and punk… let's try it. And Wade's like, “Jam! Let's try it!” And then it just comes together in this power trio kind of way where we can achieve these fucking prog rock feats. Bill : Wade brings Jam and Prog to the project, and then Izzy brings a lot of punk , and then me, whatever I've been doing my whole life, which is Country and Punk . Yeah, it just blends really well, and we enjo y playing together. It's always an adventure and really, really fun. Wade : It is. It is. We have a lot of natural chemistry , and we also practice a lot. We're pretty diligent about getting together regularly for rehearsal when we can. So, the combination of those two things makes it really potent. Izzy : But everybody listens really well to each other while we play. That's why we're so tight. We’re constantly listening to each other, looking at each other. I fit in pretty easily because everybody’s so focused on the song, and so am I. So, it just works. Credit: Gary Governale MaM : I think part of the magic of Dash was always a certain level of improvisation, too. I mean, there's a lot of that. Bill : A lot of that. Yeah. And that's the adventure part because it's fun. You know, we could play our songs backwards and forwards perfectly, but we enjoy getting there and just messing them up, you know? Taking the puzzle pieces and throwing them in the air, and then they all come back down differently. Taking all those ideas and influences, the band has poured plenty of energy and excitement into their upcoming new album, A Song in Everyone . Recorded in Water Valley, Mississippi , with Matt Patton of Drive-By Truckers , the new album features the expected rockin’ riffs and humor that make Dash a Southern institution. But the album also expands on and builds the trio’s efforts to broaden the sound, creating something fresh and interesting. Bill : Matt Patton , who's the bass player for Drive-By Truckers , bought the old Fat Possum studio. The minute he asked us to make this record, I was like, "Fat Possum, say no more!” Because I would love to cut anything up in that old studio. There’s a lot of great music that came out of there. You already picture how it's gonna sound. So, we jumped at the chance and we're basically on his record label. It's just a bunch of really cool rock songs, and we're very excited about it. These guys get to sing a couple, and it's a real team effort. It's an amazing record. MaM : Would you say that's the most team effort you've had as far as crafting an album? Bill : Yeah, I would say that. You know, in the history of Dash Rip Rock , it's always been sort of just me putting all the albums and records together. And it's better ever since Wade joined. He's been a good partner in recording and getting studio stuff done … just more imagination, you know. Dash used to be “just stick to your style, stick to your genre.” Now it’s “let's just go outer space with it”. And we do, and it's a freaking awesome one. It's great. Credit: Gary Governale MAM : How many songs are you going to have on it? Bill : Ten. MAM : All brand-new original music? Bill : We’re doing a cover of ' Mean Mister Mustard ' by the Beatles . And it's a New Orleans style Huey Smith intro, and Wade plays piano on it. So, it's a New Orleans, James Booker , Huey Smith , Fats Domino version of ' Mean Mister Mustard .' It's really awesome. And then the rest are just songs that we've all written and cowritten. Izzy : It was cool to get to play on the new record, you know. Since joining the band, I didn't know whether I'd get to play on the record. Bill told me that not all the bass players play on the record; sometimes they stay in Baton Rouge . Bill : I played bass on a lot of Dash records! I mean, we had interesting people working with us. We had Henry Barbe . His dad is Dave Barbe , and he recorded all the Drive-By Truckers . He teaches music at the University of Georgia, and he was in the band Sugar with Bob Mould from Hüsker Dü . So, Dave Barbe's son engineered our first session, and then Clay Jones came, and he worked with Modest Mouse and R.L. Burnside . He was a monster. And then Jim Diamond , mastered it. He worked on a bunch really cool garage music, like the White Stripes . Izzy : We trusted him (producer Matt Patton ) a lot on this record. We really trusted his say. Wade : He’s so warm and relatable. He jumps into the stream, and you can follow his vision. He's just very easy to work with. And so, we fell into a natural chemistry. Bill : Matt just feels it . It's not like he's even listening. He feels it. He's using some spiritual guidance to make things happen. And then he would pop in and make these suggestions that were out in left field, and we would go, “Really?” And then we'd do it and we'd go, "Fuck, yeah, that was great!” Izzy : Dudes got the coolest vibe and coolest accent, and he'd be like, “I don't know, man. That one, if you don't say something about Rush Limbaugh , you ain't got no hair on your nuts or something.” (laughter) Wade : Well, yeah, that's the other thing… Even with his criticism, he's very gentle. My favorite thing would be like, if I had an idea and I came in and tried to play something, he'd go, “It's too intelligent” . Which was his way of saying, “Take most of those notes out. You’ve got a good idea but simplify it.” Izzy : Yeah, and he hates pedals. Bill : Yeah, he has a lot of vintage gear, and everything goes direct. And you never use a guitar pedal. If I say anything else about the record, I want to say that. Wade : It gives the record a really classic, timeless sound . Bill : Well, they have an incredible way of engineering and producing things there, and it's almost like it's a secret. I can't even tell you what they do, but it's insane. And when they did it, I go, "Are you serious? Are you really gonna do that to the music?” And they're like, "Yeah, we do this on every record”. And they did it. Holy shit, that sounds awesome! I can't even tell you what they did. I mean, this would be a whole different interview about their production techniques, but it just made the record sound a million times better. Experiencing a live Dash Rip Rock show is always a whiskey-fueled celebration. The concert features classic hits from the band, such as ' DMZ ,' ' Bumf**Egypt ,' ' Shake That Girl ,' and ' Pack Your Bags ,' as well as memorable covers of Dead Kennedys and ZZ Top songs. Even now, the band continues to introduce fresh music into their setlist, including Bill's current favorite, ' Pain Pills Never Expire ,' which is playing on SiriusXM’s Outlaw Country station. Like much of Dash's discography, the new songs are characterized by barroom swagger , Southern storytelling , and the band's signature humor . The new album from Dash Rip Rock, A Song in Everyone , was recorded at Dial Back Sound in Water Valley, Mississippi , and will be released January 30, 2026 , on the Dial Back Sound record label. Be sure to add it to your list of upcoming releases to check out. Track Listing: 1. Taking You On II 2. Dangerous Ways 3. 2 Much 2 Do 4. I Don’t Want to be a Whore 5. Shakin’ Out The Days 6. Pain Pills Never Expire 7. Mean Mr Mustard 8. Water Valley Throwdown 9. River 10. Hell & Back *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.dashriprock.net Dash Rip Rock Home page of Dash Rip Rock, a group from New Orleans, LA www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Matt Mahaffey is Just Being HimsElf < Back Self-Made Genius: Tracing the Musical Legacy of Matt Mahaffey Noah Hughey Jul 10, 2025 Share Matt Mahaffey is Just Being HimsElf Matt Mahaffey doesn't mind if you’ve never heard of him or his band, Self . But if you have, the release of their first single in a decade might be a sign that he’s not quite ready to let go of the band that jumpstarted his career. The release of the single last December, ' Love You Less ,' coupled with a resurgence of the band on platforms like Spotify has led to a burgeoning community of new fans online in 2025, 30 years after the release of their first album, Subliminal Plastic Motives . Released October 24, 1995 For Mahaffey , music has always come naturally. “When I was a kid, once I got drumsticks, I would go beat on, you know, fresh barbwire to the fields,” he said from his home studio in Nashville, Tennessee. “You know, like, cause they would string it and it would have a tone to it, like, bzz . And each level of it was a different tone.” Born in Kingsport, the musical ballast he had access to was worlds apart from the sound he would end up producing in his early career. “My parents had disco and easy listening and Little River Band and Eagles and stuff like that,” he said. “I was just like, the 70s stuff was so boring to me, that I had access to in East Tennessee .” However, when an opportunity to join a local band sprouted up, he could not refuse. “And they're just like, we need a drummer. And I'm like, oh my God, I'm going to audition for a band,” he said. “Next thing I know, I'm like 13 and playing at Dollywood with them every summer, you know. And as soon as I could drive (...) I would drive up to Bristol, Tennessee (...) and just,” he began mimicking his rhythmic ticking of the drum, “all night long for hours and get paid 50 bucks or whatever.” A still shot from our interview Looking back at it, Mahaffey expresses gratitude for his origins in the south. When he first lived in Nashville and Murfreesboro during college, its reputation stood out as a cradle for country music. But the late eighties and early nineties were a time for change not only musically, but technologically. For Mahaffey , this meant the harmonies of traditional bluegrass came together with an influx of west coast hip hop to form a single artistic vision that remained in the back of his mind throughout his early career. “That's one thing that is my superpower, I always hear harmonies all the time and rhythm,” he said. “I started playing in rock bands in college and was a good drummer. And so in Murfreesboro, where I went to school at MTSU, there just wasn't a lot of drummers. It's a music school (...) And so, next thing I know, [I] was just playing in a different band several times a week. It's like punk rock on Monday, piano pop on Wednesday, reggae on Friday. And that was cool because that exposed me to a lot of different styles and meeting a lot of different people that just had different viewpoints on how to make music.” The project that was Self wouldn’t have been totally possible without his older brother, Mike Mahaffey . “He was my idol, you know, and he was so good at the guitar and he practiced so hard when we were kids. Then, when he was 18, he was just like, ‘I can legally go join a touring band,’” Mahaffey recalled his brother’s success swelling with pride. “He just moved up this rung really quickly of these agencies, the next thing I knew he was in Florida with a band called Blackfish signed to Epic Records (...) we were, just, both just in disbelief. And they made a record with Sean Slade and Paul Kolderie , who produced Radiohead's first album .” But for Mike, the ladder stopped in Florida with Epic Records , prompting a call home that would eventually give the world Self . “I was making beats in my dorm room and my brother called me from an Island, And he was like, ‘Hey, they're not putting out our second record. Can I come write with you?’ And I was like, ‘Come on,’” said Mahaffey . “And I had written ‘ So Low ’ and ‘ Marathon Shirt ’ for the first album. But it was just beats on a four track and he came in and just put his guitars on them and we got a record deal. Poof. And I was like, ‘Well, I guess we're a band, bro.’” Official video for 'So Low' Those first songs the brothers produced would go on to become the band’s first album, Subliminal Plastic Motives , which was released in October 1995. Setting a sort of unspoken precedent for their discography, the album seems to capture the essence of the era it was produced in its unique musical concoction. There is a distinct grunge that hits immediately, reminiscent of the sounds of bands like Nirvana which had taken the rock scene by storm during the mid nineties. And yet, less than a minute into the album’s first song ' Borateen ,' Mahaffey’s experimentation with hip hop and the unconventional electric sounds he’d been listening to in college are unmistakable. “Subliminal Plastic Motives has a special place in my heart because it was done to analog tape,” Mahaffey said. “You couldn't Google how to get a certain sound or make something work. You just had to figure it out (...) We beat on pots and pans, we everything and it's all very live. And this is before like you had a bajillion loops at your fingertips. It's more personal because it's farm to table. It's handcrafted, there's no presets back there.” Self was signed to Spongebath records that same year, and added Chris James as their keyboardist, Jason Rawlings on drums, and bassist Tim Noble (who’d be replaced by Mac Burrus after a 1997 tour). It seemed at the time that Mike had brought his accelerationist star power to the band. “Out of the gate, Lou Maglia [President, Zoo Entertainment] (…) sunk a million dollars into promoting the band to the industry,” Mahaffey said. “So we were in all the magazines, all the industry magazines, and we made videos, and they were on MTV and - they didn't really play them a lot, but they were on there - so people would recognize you, those types of things.” Official video for 'Cannon' from Subliminal Plastic Motives With the influx of money from major labels, the band, and Mahaffey in particular, now had the resources to experiment with the harmonic project that had been sitting in his mind since college. “Most of my successes with Self are more just artistic internal pats on the back,” he said, patting his own back and smiling. “Being able to have a huge budget and do whatever I want to in the recording studio, be like, ‘I want strings on this.’ And then next thing I know, there's a room full of string players and like, we're doing it,” he motioned around himself, as if he had been taken back to that studio, surrounded by a string section, an erratic passion inflamed in his eyes as he recalled his gluttonous request fulfilled by the studio. “It was just blatant, you know, waste, wasting money. But at the same time, like, you're making records. I was making records like my heroes made records. And that felt very good.” This might have been where the story ends. I could tell you that Self was endlessly propelled to fame, that they signed onto the early Dreamworks label at the turn of the century, contributing ' Stay Home ' to the original Shrek film soundtrack . That they influenced music history forever with the resources at their disposal to continue experimenting with the available sounds before them. But a combination of factors that fans and outside speculators alike have interrogated for the last 20 years would ultimately dim the shine of Self . First was the collapse of the Dreamworks label in 2003. “They went to a lot of artists on that label and were like, ‘Hey, you guys, we let you do what you want on the first album because we want to have a good reputation for making cool art. This time around, we kind of need something for the radio,’” Mahaffey said. At the same time, he was working on Self’s fifth studio album, Ornament and Crime . But just before they were to release the album, Dreamworks sold the label, which was ultimately dissolved, leaving the album on hiatus. Self's Ornament & Crime album Second was the untimely passing of Mike Mahaffey in 2005 , which happened suddenly while the younger Mahaffey was on tour in London with Beck . Losing one half of the creative vision behind the band and its lead guitarist, in the eyes of many fans, was the shattering point. That might be an overzealous exaggeration of the story behind Self . But Mahaffey said, “for obvious reasons,” his brother’s passing did effectively confirm at least a short period of radio silence from the band as their personal and professional lives changed elsewhere. It was this outside change that, as he conveyed it, seemed to have the greatest impact on not just Mahaffey’s career but the whole band’s collective future. When Maglia signed Self onto Zoo Entertainment ’s record alongside Spongebath in 1997, Mahaffey recalled him calling their music ahead of its time. Their distinct electric sound that blended the rhythm of hip hop with the harmonies of rock and pop music in a way that pioneered the alternative scene so early on was among the first of its kind on an industry level. “I think I was trying to blend a lot of different things and put a lot of square pegs in round holes that hadn't really gone together yet,” he said. “I wore all my influences on my sleeve, (...) I was trying to cram Prince and Depeche Mode and Smashing Pumpkins and Nine Inch Nails and Weezer , (...) and, you know, funk and jazz and everything into this tiny package.” Despite the millions of dollars poured into Self so early on, however, Mahaffey says the record buying public at the time largely felt like it was a lot of noise. Yet, that doesn't seem to hurt his feelings all that much. “When I look at it, I'm super thankful because I have friends that had a big number one song, and they're my age and they're like, ‘Well, I gotta go out on the road for three months and leave my kids and sing that damn song every night,’” he said. He looked to his right, a smile creeping onto his face as he began to say the next few sentences through a raspy chuckle. “And it's like, that's what I wanted. That's what you want when you get into rock, we're like, ‘I just want that hit song that everybody loves.’ And I never had one because my stuff's weird.” Perhaps at the time that was true. As Mahaffey describes it, perhaps the public’s “music ADD” wasn’t equipped for the combinations Self put together, the eclectic variety that birthed every new Self song, and the genreless limbo it existed in. Mahaffey still had to earn a living after Self’s indefinite pause in 2005 . “So I started working on Shrek and I started working on films. I started working for Hans Zimmer . And I was just like, this is where I belong. We make weird music. Composition is the place,” he said. “I toured in Beck's band for two years and got to play with Radiohead and every band that I grew up listening to. So it's like, and I still didn't like it, you know? I liked the people I was with, but it's just like, yeah, you're in Rome, but for like two hours, right? You're not seeing Rome. You're just physically there (...) I am more of a studio rat.” So, a studio rat Mahaffey became, pursuing composition as his full-time job while Self became something of a distant, if not fond memory. The same was true of his band mates, who would produce Prince’s last albums and book talent on the Jimmy Kimmel show , respectively. Mahaffey equated their collective work ethic to the band Pavement, which broke up in 2000, returned to tour in 2010, and once more from 2022 to 2024, toying with the idea of a new album. “They live all over the place and they’re just like, ‘You want to tour? Yeah, I got a minute.’ And they rehearse a couple of times and they go tour,” Mahaffey said. “And I was like, let's be like Pavement . We'll just do that.” Mahaffey smiled as he recounted his new career in composition, reiterating the love he has for Self that ultimately made it possible. “I love making records, but I love scoring,” he said with a boyish grin on his face. “Like it is just, I can't wait to work every morning. I’m just like ‘Coffee! Oh boy!’” He began to laugh to himself, “I'm so excited about my work all the time. ‘Cause it's infinitely rewarding. ‘Cause it's a brand new challenge every single day.” Acting as Self , Mahaffey did release their 2014 EP Super Fake Nice in a unique moment for him after he had built his dream studio, but it was more in line with the Pavement method of a periodic release in the middle of his busy days producing over 80 minutes of music for animation a month than it was a full return of Self . The EP was met with largely positive reviews, but some of the revamped sounds of the band in its modern form, taking on new harmonic equations to generate songs such as ' Runaway ' did throw some reviewers off, expecting a mid 90s nostalgia-fest. Released July 29, 2014 In the background, however, the platforming power of the internet to promote and store the unique sounds of Self would serve as not only a time capsule of their moment, but an opportunity for new fans with broader tastes for music in the future to discover the hidden gem that was the band. When Mahaffey finally got verified on Spotify thanks to a manager friend, however, this quiet underbelly of Self fandom would explode for the first time in 10 years. “It just got ridiculous. Where it was like 40,000 [followers], you know, I got 40,000, what is going on?” said Mahaffey . His verification on Spotify couldn’t have come at a better time, either. Other alt rock bands were getting verified and pushed together by Spotify’s new AI algorithm, such as Tally Hall and Lemon Demon . And it was one night, he passionately recalled, his daughter had the answer as to why. “She's like, ‘Dad, I think I've sleuthed it out.’ And she shows me her phone. And it's a video of Talley Hall listening to Dead Man and people thinking that it's a new Talley Hall song.” What this signaled as well was that Self was doing well with kids. Young people, as young as 14 years old, were discovering Self through TikTok edits and montages featuring some of Self’s most standout work. As the fandom surged online, they have begun scouring the internet for all the lost media of Self , one young fan commenting under the song, ' No One Knows You ' on YouTube , “LOL THE WAY EVERYONE IS DISCOVERING SELF AT THE SAME TIME.” 'No One Knows You' by Self To Mahaffey , who once spoke to Alternative Press a decade ago about the influx of younger fans 20 years after Self’s debut , to see that influx continue at full steam 30 years after Subliminal Plastic Motives has been nothing if not gratifying. Today, Mahaffey continues to compose full time, still fulfilled by the new musical creations he gets to experiment with day in and day out. “I'm writing more in this day and age than I ever did pumping out Self songs,” he said. More than that, the freedom his new life has given him has allowed him to more passionately pursue his family life alongside his work. “If I'm not doing that, then I'm hanging out with my kids. It's like, I want to be a competent father. My daughter has a rock band. Covered ‘ Runaway ’ two weeks ago at a show and didn't tell me about it. And that is incredible.” He laughed to himself. 'Runaway' by Self As 2024’s release of ' Love You Less ' indicates, Mahaffey isn’t ready to let go of the band that made all of this possible. “I want to do a record. And I have a bunch of cool stuff,” Mahaffey said, pointing behind himself to his home studio setup. In between different unfinished works, he took the time to polish off the peppy, upbeat love ballad that wasn’t quite what he had in mind for a sixth album. The song could be taken as indicative of what a new Self record will sound and feel like, carrying with it two worlds: One, the band’s distinct blend of 90s hip hop and alt grunge that is hard to recreate unless, like Mahaffey, you were literally there. The other will be the new sounds he’s been listening to, more instrumental, grand, no doubt working in his composition experience to give Self fans something worth waiting for. “It's one of those things that has to just be a labor of love,” he said. “You can't expect, like, anything in return other than, hopefully, comments online of people being like, ‘I like this.’” To learn more about Self: www.self.is Self Self is a band you like. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Got something for Noah to check out? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. < Back Acid Bath’s Triumphant Return: A Night 28 Years in the Making Justin Hammer and Charles Sagona Apr 27, 2025 Share The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Friday night, the mythical Louisiana sludge metal legends Acid Bath returned to the stage, kicking off their reunion tour with a sold-out show at the Fillmore in New Orleans — their first performance in precisely 28 years . Credit: Justin Hammer Photography The current lineup features original members Dax Riggs (vocals), Sammy Duet (guitar), and Mike Sanchez (guitar), joined by Goatwhore's Zack Simmons on drums and Crowbar's Shane Wesley on bass . It's a blend of old blood and new energy , and from the moment they launched into the opening notes, it was clear this wasn't just nostalgia — Acid Bath came to reclaim their legacy. Dax Riggs by Justin Hammer Photography Acid Bath was one of Louisiana's most influential sludge metal bands in the 1990s , known for their unique blend of doom metal , punk , grunge , and Southern rock . The band was active from 1991 until 1997 , when they disbanded following the death of founding member and bassist Audie Pitre . After their final performance in Shreveport, Louisiana , on April 25, 1997 , it seemed to everyone, including the remaining band members, that this marked the end of an era and that their music would never be heard live again. Sammy Duet of Acid Bath by Justin Hammer Photography What makes Acid Bath 's return even more remarkable is how their legend status grew during their long dormancy. In their original run during the '90s, Acid Bath wasn't selling out venues like the Fillmore . They were packing into dive bars like Papa Joe's in Baton Rouge , Zeppelin's in New Orleans , and gritty all-ages shows in small-town halls like Gonzales, LA . Their glory days weren't measured in ticket sales , but in the cult following that quietly spread over the years, turning their two albums — When the Kite String Pops and Paegan Terrorism Tactics — into sacred texts of underground metal. In October 2024 , the Sick New World festival in Las Vegas announced its lineup, and to everyone's surprise, Acid Bath was included. However, shortly after the announcement, the festival was canceled. Despite this setback, more shows began to be organized, officially confirming the remarkable return of the iconic Louisiana band. Fast forward 28 years to the day: Acid Bath made their highly anticipated return to the stage at the Fillmore New Orleans on April 25, 2025 , performing to a packed and sold-out crowd. The show opened with an electrifying performance by Eyehategod , another iconic band from New Orleans and friends of Acid Bath 's members. Fronted by Mike Williams and featuring founding member Jimmy Bower from Down on guitar, Gary Mader on bass, and Aaron Hill on drums, Eyehategod set the stage with an incredible 45-minute set that energized the crowd. The biggest question lingering over the night: could Dax still deliver after three decades away? — was answered immediately. His voice was astonishing, shifting effortlessly from throat-shredding screams to hauntingly beautiful melodies , often within the same song. The years had done nothing to dull his dynamic range or emotional power. The audience was diverse , consisting of older fans who remembered seeing the band at their peak in the '90s, and younger attendees who were born well over a decade after the band disbanded. Acid Bath took the stage to a roaring, packed crowd. The moment's significance sank in as they began to play: Acid Bath was back. Looking over the audience, we could see everyone mouthing and singing along to their iconic songs, regardless of age, fully immersing themselves in this historic moment in music history . Immediately following ' Bleed Me an Ocean ,' the crowd couldn't contain their excitement and broke into chants of "Acid Bath! Acid Bath! Acid Bath!" Sammy grinned and told them, "Hey, y'all calm down — there's plenty more where that came from," which drew a giant pop. Sammy Duet of Acid Bath by Justin Hammer Photography Midway through the set, Sammy paused to ask the crowd, "Be honest — did you think this would ever happen again?" The thunderous "NO!" that followed said it all. The setlist , while powerful, leaned toward deeper cuts rather than expected anthems. Classics like ' The Blue ,' ' Cheap Vodka ,' ' Jezebel ,' and their traditional closer ' Cassie Eats Cockroaches ' were notably absent, leaving some fans both exhilarated and a little wistful. It wasn't a flawless performance. Early-show jitters led to a few songs being stopped and restarted. "Sorry," Sammy told the crowd after one hiccup. "You guys don't deserve this. Hold on — I just want to give you the best experience ever," before relaunching into a blistering rendition of ' Dr. Seuss Is Dead .' Sammy Duet of Acid Bath by Justin Hammer Photography But in the end , none of the minor missteps mattered. The sheer joy radiating from both the band and the audience was undeniable. It wasn't just a concert — a resurrection, a testament to how far their shadow had stretched while they were silent. This band has had a tremendous impact on the metal scene in New Orleans , and they continue to do so by selling out every show they announce within minutes. Their music resonates with younger generations, inspiring both local bands and fans. Even after being absent for 28 years, their influence remains significant. The merch line snaked through the venue, with fans waiting over an hour to score shirts, posters, and a piece of history. Acid Bath's long-dormant flame has been reignited, burning brighter than ever. Setlist: Tranquilized Bleed Me an Ocean Graveflower The Bones of Baby Dolls Dead Girl (Agents of Oblivion version) Old Skin New Death Sensation Venus Blue Scream of the Butterfly (dedicated to Audie Pitre) Paegan Love Song Dr. Suess is Dead Set List from 4.25.25 To learn more about Acid Bath: Website: The Official Acid Bath Website *All photos by Justin Hammer Photography Shop Photography Art | Justin Hammer Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Boiler Room are on a mission to make a significant impact in the world of metal. < Back Boiler Room’s Revival: A Resurgent Force in Metal Nicole Brice Mar 28, 2025 Share Boiler Room are on a mission to make a significant impact in the world of metal. I was a teenager in the late 90s / early 2000s , a time when nu metal , a subgenre of alternative metal , dominated the airwaves. Bands like Korn , Limp Bizkit , Slipknot , and Deftones were everywhere, and because of the mediums we had back then to bring us new music, only certain bands were filtered my way. Here I am in 2025, and I was recently introduced to Chris Lino , vocalist for the New York City-based nu metal band Boiler Room , thanks to my good friend and photographer , Jeff Crespi . Unbeknownst to me, Boiler Room had a very successful career for a while from 1996-2001 , sharing the stage with Type O Negative , King’s X , Clutch , Orgy , Life of Agony , and Static-X . Still, after changes at their label, they walked away from forging their legacy, so why are they back now, and what has been going on all these years? Credit: Jeff Crespi Gritty, raw guitar riffs and an aggressive yet melodic style, Boiler Room , were part of the broader DIY movement until they were discovered and signed. Chris Lino ’s vocals are thick, raspy, and full of soul. With a unique combination of sounds and clean screams, he can go from sweet to sour in only a few seconds. Truly, this man's voice is amazing. It’s remarkable how music machines work. Oodles and oodles of bands come out yearly, but it’s up to the geniuses who market these bands to make them stand out, so how and why did Boiler Room get lost amongst the shuffle? Credit: Jeff Crespi With their recent resurgence, Boiler Room is on a mission to make a significant impact in the music world. Their blend of rock and metalcore is a force to be reckoned with, and they're not holding back. They released the single, ‘ No Patience ,’ in 2024 , followed by ‘ Changes ’ in 2025 . The band's focus on live shows in the days ahead is a testament to their determination to share their music with audiences everywhere. Boiler Room’s past labels include Roadrunner and Tommy Boy Records , two significant players in the music industry. After years out of the spotlight, they are currently looking for a new home, a move that could potentially reshape their musical journey. Boiler Room’s current line-up is Chris Lino (vocals), Nick Seditious (guitar), Tommy Spano (drums), and Peter Rizzi (bass). A humble, charismatic, and talented human, I truly enjoyed my recent conversation with Chris Lino . We delved into the band's past, current journey, and future plans. Please take a moment to dive into our conversation below and then listen to their latest ‘ Changes ’, which is out now on all streaming platforms. The official music video for 'Changes' by Boiler Room - out NOW! MaM : Thank you for joining me today. I had to go down the Wikipedia rabbit hole to learn more about you guys, but you started as a thrash metal band in 1996, correct? Chris : Actually, we started in 1992 , and we were called Bible Black . In 1993 , we were selected to play the Foundations Forum alongside Accept , Kiss , I Mother Earth , Quicksand , and Rob Halford , who was working with his new band Fight at the time. We had a demo with the song ‘ Judgment Day ’ that passed the board with Concrete Marketing , so they voted us in, and we were selected for the show. I don’t know if they still host the Foundations Forum , but it used to feature signed bands, established bands with new material, bands that had just been signed , and then there was us – we were an unsigned band looking for a deal. We ended up playing, and it was awesome. Life of Agony was there, too. We knew them from Brooklyn . Rob Halford was actually at the side of the stage, and when we completed our set, his manager said, “Mr. Halford would like to meet you guys.” MaM : Wow, that’s awesome. Hell yeah. Chris : He was the nicest guy, and he gave us some simple yet great advice. “Just keep writing”, he says in his British accent to us, and he was thinking about managing us at that time. He was looking to start a label and had a management company. We ended up touring with Type O Negative and Life of Agony . We had Ken Kriete , their manager, who was helping to manage us at the time. That relationship fizzled out, and our original guitar player ended up leaving, so we put an ad out in The Village Voice – back in the day, that’s how it was done. MaM : Man, back in the day, that was the only way you could advertise for anything—no social media. Remember paper flyers for shows, too? Chris : Oh yeah. So, we ended up putting the ad out there, and we had to go through approximately 128 demo tapes . We were very popular in the tri-state area and on the verge of something significant. At the time, we were also in talks with some labels. We eventually went through all the demos until we came upon Rob Caggiano ’s demo, and it was different because he wasn’t just shredding on it and playing. He remade a Misfits ’ song, sang on it, and created a versatile demo that stood out. He could sing backing, but he never did in the band. Man, so he pulls up and right away, he just had this swag and this attitude out of the gate. (laughter) He showed up, though, and had all the right equipment and everything. We had asked him to learn four of our songs from our recently released indie album, and he nailed two of them. However, he didn’t put in the work for the other two. The drummer and bass player were kind of “eh” at first, but then I told him to show us a couple of his riffs and stuff he was working on. He busted out some riffs that just blew me away, and I was inspired immediately. I was like, “Do that again!” (laughter) That was one of our singles, too, ‘ Do It Again ’, no pun intended, but once he busted out this riff, I immediately started adding vocals to it, and that was it. He and I hit it off immediately, and we wrote all of what turned out to be the first Boiler Room record. We wrote about 80% of it. We had a creative connection. It was around this time that our music also began to be played on KROQ . MaM : KROQ was the place to be heard back in the day. Chris : Yeah, they had a metal show on Sunday , and we were one of the first unsigned metal bands to be played on it, and we had a couple of shows in the area. One was at Irving Plaza where we opened up for Machine Head , and then another time it was Orgy, and when we opened up for Orgy , it was insane. We have a video of it on our Facebook page . We just blew it up that night, and we had another manager give us his card while saying, “I’ve never had a local band blow my signed band away.” (laughter) After that, the phone calls started coming in, and we initially signed with Roadrunner . We went out to L.A. and recorded the whole album out there. ‘ Do It Again ’ ended up being released on MTV’s “ The Return of the Rock ” CD Volume 1, alongside many other heavy hitters. It was Kid Rock , Korn , P.O.D. , Papa Roach , Sevendust , us, and a plethora of other great bands . We were off to a good start, but we ultimately hit a brick wall with some of the politics in the music industry. It had nothing to do with us, but there was a change in leadership, and the original CEO who had signed us ended up leaving the label, and the new person showed no interest in us. They kept pushing our release date back, so we knew we needed to get off the label. We ended up getting off the label eventually and signed with Tommy Boy/Warner Bros . They were trying to get into the nu metal scene at the time because you had bands like Limp Bizkit blowing up. We were off to the races after that. Photo provided by band We went on tour with Disturbed and Kittie . Kittie was the headliner back then. So, Disturbed started taking off with their first album and ultimately left the tour. We decided we needed to get back on a tour with them, and we ended up touring the tri-state area with them. It was great. Then, we toured with Mudvayne to promote the release of their first album, and from there, we embarked on a club tour in Europe , which also went very well. Came back from Europe , and the label dropped us because we weren’t selling enough records in the States . They owed us for another album, though, so we settled that and then decided we needed to regroup. Rob , though, had already agreed to join Anthrax , so we knew that conversation was coming. Everyone just ended up going their separate ways until I hooked up with Mike Orlando from Adrenaline Mob . He suggested that we redo the Boiler Room record because he’s a producer and engineer and has a studio in Staten Island , and he thought we had a sort of legacy going with Boiler Room . I decided to select the choice songs that Rob Caggiano and I wrote, which I felt did not receive their fair share of recognition. So, we re-recorded them with new production, and we pumped them up. We did four songs from the Boiler Room record, and everything else is new material. One song, ‘Rectify,’ on which Ron Thal played an insane, ripping solo, but we had to edit it for radio, so we have two versions of that song. On tour with Disturbed - photo provided by band MaM : Who all did you bring into the mix for recording this go-round? Chris : So, Mike Orlando hooked me up with Peter , and we found Nick , the guitarist, and Tommy Spano on drums. That got the line-up back together, but I started recording the album before I met Pete . We had Jason Bittner from Shadows Fall and Overkill play the drums, and then Pete came in to record the bass. Mike Orlando did the guitars. Nick did a bunch of leads on it, but the album had already been recorded when we hooked up with them. We then released the single ‘ No Patience ’, which was initially titled ‘Patience’, as the song has nothing to do with actual patience. Additionally, Guns N' Roses already had a song called ‘ Patience ’, so we reworked it and released it as a single. We have a video on YouTube that is performing well, with over 400,000 views. The official video for 'No Patience' by Boiler Room MaM : Then you have ‘Changes’, so tell us a little more about that one. Chris : That I wrote with Mike Orlando . I didn’t get into that story, so after Boiler Room broke up, he tracked me down before he blew up. We hooked up and started writing, and did something called Out of Body , so ‘ Changes ’ was an Out of Body song. A lot of the songs, his songs, ended up on Adrenaline Mob's first album , which they changed the melodies and the lyrics, but ‘ Changes ’ was the song we wrote together, and he never used, so I was like, “Let’s re-record that one and put it on the new Boiler Room album.” Credit: Jeff Crespi MaM : Hell yeah, man, so you just decided to dive right back in to start releasing music. Was it because you missed it, or because you felt there was something there that you just needed to express? Chris : Both. Orlando is like, “Dude, when you gonna get back in the saddle again?”, and I’m like “Eh…” I told him I was thinking about doing something different, but he was like, “Nah, redo some of that older material. Redo the whole album.” I was like, yeah, I’ll redo some of the songs, but I’m not redoing the entire album. Like some of the songs that fell by the wayside, like ‘ No Patience ’, which we used to do at soundcheck when we were touring with Mudvayne , and they would stop in their tracks to listen. Imagine you’re touring with Mudvayne , and they stop to listen as you’re doing soundcheck, asking what the name of the song is and why the song isn’t in your set. That was the one song that I always wanted to redo because it never got a fair shot. Chris Lino of Boiler Room - photo provided by band MaM : So, tell us about the new album and when it will be released? Chris : It’s going to be nine songs with the edit of ‘Rectify’. We're looking at June for the release date. Pete and I also wrote a new song for the album called, 'Haunted'. We can't wait for everyone to hear it. MaM : Who were some influences that shaped your sound when you were first starting out? Did the idea for the band come about in high school, or how old were you when you first decided to start a band? Chris : I was in college when the band started. We had all the influences prevalent at the time, including Pantera , Black Sabbath , and Metallica . Then, Limp Bizkit and Korn were gaining immense popularity, which also influenced us. I don’t think there is any musician out there who a Black Sabbath riff hasn't influenced. MaM : In fact, down here in Louisiana, most bands are always influenced by Black Sabbath and Pantera. Pantera is a southern thing, though. You can’t live in the south and not like Pantera. Chris : We actually got to meet them when we were touring with Type O Negative because Phil is a fan of Carnivore and Peter Steele . After Type O Negative started taking off, Pantera jumped on a tour with them. We got to see them in Albany, New York , I think. Ken , Type O’s manager, was still managing us, and he invited us backstage to meet the guys. Phil was nowhere to be found, but Dime and Vinnie were awesome. They told me, though, that if I wanted to hang out with them, I needed to start drinking. (laughter) MaM : Oh yeah, gotta hang with them Pantera boys. Chis : You'd better start banging some shots out now. They were really cool. Rex was somewhat standoffish and asked us who we were, but overall, it was a great experience. I met Vinnie a second time years later because, after the lead singer of Drowning Pool passed away, I tried out to be their new singer. Credit: Jeff Crespi MaM : Wow! Did you? I had no idea. Chris : Yeah, they called me up after a year of mourning. Boiler Room was done. I was demoing with Mike Orlando , and I was shopping again. My old A&R guy, who had my demos, knew I was trying to secure another deal. However, he informed me that he had sent my demos to Paul Bassman , Drowning Pool’ s manager at the time, and that they were interested in meeting with me. They reviewed over 300 demos from around the world and narrowed it down to me and another guy. They sent me the album with no vocals so I could practice on it, and then they also sent two new songs . They asked me to write melodies and lyrics for the two new songs. I was in New York and did this, and it took me a couple of weeks. They ended up flying me down to Dallas, Texas , and the drummer was cool. Here I'm playing the entire Drowning Pool record, singing it, and it was surreal. It felt like Drowning Pool karaoke, but I had the actual band. (laughter) MaM: So, what ended up happening? Did you not take the gig because you would have to move? Chris : That was some of it, but they had another guy they were looking at, too. It just didn’t work out, but I was honored. They were very nice guys. So, after we did our jam and everything, they took me to the strip joint in Texas that Vinnie and Dime owned. They said they wanted to “send me off”, but they hadn’t let me know yet what their decision was. I walked in, though, and met Vinnie Paul again, and he goes, “You gonna be the next singer of Drowning Pool?”, and I go, “I hope so, we’re gonna see what happens.” The rest of the night, I was hanging out with Vinnie Paul , the guys from Damageplan , and the guys from Drowning Pool , and man, they were drinking like fish, man. I fell right into it, too. They go, “We hear you don’t really drink", and I go, “Ah, man…” (laughter) They end up passing me a bottle of Jack , and go, “Give me a five count.” MaM: Oh no … (laughter) They got me bombed, and the next thing I know, their manager goes, “You’ve got about four hours. We’re gonna drive you to the airport and drop you off.” They then let me know that they hadn’t made their decision yet, but they ended up going with the other guy. Paul Bassman tried to help me and Mike Orlando with Out of Body by getting us signed to Drowning Pool’s label , but that fell through, too. That was it for a bit, and I gave it a break until Mike Orlando tracked me down again. He kept pushing me to do something, and at the time, I was doing an acoustic thing that later evolved into a plugged-in thing. Still, the whole time, Mike is trying to push me to redo the first Boiler Room record, which led to the decision of doing the songs Rob and I wrote, but not the entire album. MaM : That’s actually a smart way to approach it. Chris : Yeah, so I had some new music I wanted to do as well, so I kind of just leaned on my strengths with what I do. I put the rapping thing away. My three most significant influences at the time were Chino from Deftones , Scott Weiland from Stone Temple Pilots , and Phil from Pantera . I was becoming a hybrid of those influences. What I realized, though, is I needed to just “come with it” – that ballsy, raspy voice and forget about the rapping and the ominous whisper thing that Chino does. I veered away from that by just doing what I do best. Then, one night, I was watching a show with Steve Vai , and they asked him what he attributed his success to. He told them that you have to lean on your strengths. If you do something well, lean on it. …and here we are. MaM : Do you feel technology has helped or hurt the music industry? What’s your take on all the technological advancements in music? Chris : I’d have to say both. When we were growing up, you’d buy the whole album and listen to the entire CD . You’d open it up, look at the artwork, read the credits, and examine the pictures— it was a whole experience. You became a true fan. Some songs you liked. Some you didn’t, but at least you knew the entire album. Now, it’s like they’re promoting Attention Deficit Disorder . You download one or two songs. There’s no actual record sales anymore. It’s all based on streams , and that’s misleading because you don’t have real fans anymore. At that time, securing a record deal was highly challenging. You had to do it from the ground up – garage band style. Now, anyone can put up anything. It’s great because you can access the music more straightforwardly, but in a way, it’s not. MaM : What are the plans for the rest of 2025 and beyond for Boiler Room? Chris : Well, we’re gonna release the new album in June . My focus is this … I know everyone wants to focus on social media these days, but I’m grassroots, and the social media only goes so far … I’m all about getting people to shows . We’re looking to partner with a larger national act to secure a spot on some of these tours. I want to flood out the entire tri-state area, hit the East Coast or the South , such as Louisiana . If we could secure a good show with a national act, that would work. We’re in a rebuilding process right now, though. We’re trying to rebuild the foundation of our fanbase and replant the flag. Shows … quality shows. We’ll see where it goes. As Chris Lino and Boiler Room move forward in the modern music scene, they stand poised to bring their powerful music to a new generation. They stand out as a band that embodies grit and substance. Their music isn’t just something you hear; it’s something you feel. I look forward to watching their journey unfold. Boiler Room is a name to remember. They’re not just playing metal—they're living it. To learn more about Boiler Room: Facebook: Facebook Discogs: Boiler Room Discography: Vinyl, CDs, & More | Discogs Wikipedia: Boiler Room (band) - Wikipedia All Music: Boiler Room Songs, Albums, Reviews, Bio & More... | AllMusic YouTube: BOILER ROOM - YouTube Instagram: (@boilerroom_band) • Instagram photos and videos *Some photos by Gessner Photography Eric (@ gessner.photography ) • Instagram photos and videos *Other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. < Back Blacklite District: Building a Digital Era Legacy Nicole Brice Sep 2, 2024 Share Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. From the depths of personal tragedy to the triumphs of renewal, Blacklite District , aka Kyle Pfeiffer, is on a path to becoming the Trent Reznor of his generation with his one-man approach to making music. Since the early 2010s, Kyle has crafted a well-known brand with a loyal fanbase on social media and YouTube because of his impactful music videos referencing gaming culture, mainly Minecraft . Most known for the songs ‘ Cold as Ice ,’ ‘ Living in a Nightmare ,’ and ‘ Goodbye ,’ Blacklite District has had four Billboard Top 40 hits and is currently averaging over 242k monthly listeners on Spotify and over 65 million views on YouTube and has been granted a Grammy nomination in 2025 for Best Alternative Performance . For those who have never listened to Blacklite District’s music, it is a bit of hip-hop mixed with alt-rock and a little pop at times. It has a little something for every taste but remains dark and heavy at its core, just as Kyle Pfeiffer always intended. A visionary creating a culture of acceptance for future generations of fans , Kyle hopes his music will continue to be the soundtrack for kids who need uplifting positivity to feel like they matter and belong. Devoted to making his shows accessible for all, Pfeiffer has become known for offering earlier start times, and because of this, entire families sometimes travel many hours to catch a live performance. Set to embark on a new tour this fall, dubbed The Red Carpet Tour , in support of his latest album titled ‘ You Can Do Better ,’ we were able to catch up with Kyle Pfeiffer of Blacklite District recently as he gets ready to hit the road. Read on to learn more about this musical creative and the legacy he is creating. Kyle Pfeiffer of Blacklite District MaM : You have an impressive career, and I want to discuss your legacy so far. I read that you started in 2002. Is that correct? KP : 2011-12 was when I started getting attention, but 2002 or so was when I started jamming in my garage with friends. I was only 12 years old. I even started a band in 5th grade, too. All these years later, and here we are. MaM : So, what was the official year Blacklite District formed as a “band”? Take us through a bit of band history. KP : There’s been so much stuff over the years. It’s just been my project since the first day. It’s my brainchild. MaM : Like Trent Reznor with Nine Inch Nails ? KP : Exactly. I’ve had different members over the years, but then there have been shows where it has just been me on stage. My guitarist is Justin Sundlin . He’s been with me for almost three years now. My bass player is a guy named Clinton Cunanan . He’s also on my management team. Been working with him for a long time. We’re having fun. MaM : That’s awesome. So, do you have a drummer right now? KP : In an official sense, we don’t have a permanent member who is the drummer, but Chance Jones from No Resolve comes out and plays often for us. Blacklite District MaM : The new album was just released on May 3rd. How’s that going so far? KP : I love it. I’m happy with it. If the fan base likes it, then I’m good. The response we have been getting has been incredible. We’re about to release the second animated video, which we do these Minecraft videos , and it should be in the next couple of weeks. The momentum is just considerable, and streaming has doubled this week alone since the announcement of the new video. I think something has occurred with me as an artist, though I’m 34 now – I’ve been doing this consistently for the past decade or so, but something about this last project makes me feel so complete that I’m in a different headspace. It’s cool, though. The thing I love about music is that the journey can take you through many places, emotionally and even physically. It’s cool to see the growth and to feel that evolution through all of this. MaM : Yeah, just the creative journey. I’ve had a similar journey, so I get it. I’ve read that you’ve shifted genres a bit here and there. Have you noticed any differences in how your music was perceived when doing that? KP : You know, not really. It’s hard to say. I never came out and said I was changing my style to pop. When COVID happened, and the year before that, there was a slight switch in styles, but it was that it just didn’t have as heavy of guitars and was more beat-driven, but the melodies and vibes of the songs have always been dark. Even if there isn’t a guitar in the music, I still find heaviness. In 2021, I went to rehab and got into this new era of life where I wanted to return to my rock roots by having a full live band. Having some minor success with rock radio and then seeing these younger kids start blowing up with hip-hop and stuff made me have, I guess, like an identity crisis, and then all this hardcore stuff started happening to me personally, so coming out the other end was almost like I didn’t care anymore about being the next big thing. I decided I just wanted to make music that I’ve always loved, which has been rock music. That’s kind of where I’m at now. MaM : I’ve read that Ozzy Osbourne has been one of your biggest musical influences. I’m a huge Black Sabbath and Ozzy fan, but tell us more about that. KP : I actually have the tattoo right here, and the song ‘ No More Tears ’ just did it for me. MaM : Yes! I love that song! Even today, the beginning of ‘ No More Tears ’ gets me so pumped. I crank it up in the car. Do you think that song was the key factor in pursuing the type of music you play, or were there other things? KP : I always go back to the period when my mom passed away because it wasn’t just the music in the song but the message of no more tears and trying to move on. It was what I needed as a ten-year-old kid to feel strong. The second I heard it, I was hooked and asked my uncle to play the song again after it finished. That song made me know that any music I played had to be rock and roll because of how the music made me feel strong as a small kid going through so much. That’s the beauty of music. MaM : What do you think it is about music that makes you feel so passionate? KP : I always try to think about this, and it’s hard, but as a young kid who was afraid and shy growing up, it was a way I could say the things I wanted about people without actually saying it directly to them. If I wasn’t around and people wanted to know things about me, it’s all in the music. MaM : How are you approaching writing new songs these days? KP : It can be many ways. Sometimes, I’ll hum a tune and put it in my voice notes to save it. The title of this new album, ‘ You Can Do Better ,’ is a simple melody that popped into my head. My guitar player came up with some chords, and then eight months later, we started working on it after stumbling upon the voice notes. The ones that stick with me months later are the ones we tend to work on. That’s a good sign to me that something is there. Or, sometimes, we’ll write a song in ten minutes, and it’ll be great. It just all depends. MaM : Tell us a little about The Red Carpet Tour you have this fall. I heard that you’re doing some unique things for the fans. KP : We are! My audience includes many young YouTube kids who come out as families to see our shows, for which I am so grateful. These kids are so passionate about my music. It’s crazy that they are also discovering my music in different ways, like YouTube, but we’re doing these shows differently for this tour. We’re starting the shows at 6 p.m. to get the families out there. We’re making it more intimate for the fans. We’re also booking smaller venues, so it’s perfect. The Red Carpet Tour kicks off September 6, 2024 in Des Moines, IA. MaM : That’s incredible! That’s your audience, and you’re embracing it. I love it. Do you have a favorite song to perform these days? KP : Well, I have so many, and the cliché saying is they’re like my kids, and I love all of them, but ‘ Cold as Ice ’ is one of my most famous songs, and we’re looking to have it certified platinum because it has well over the number of streams. I look at that song as one that has changed my career. Another song of mine, ‘ The Struggle ,’ is my second most popular song and resonates well with fans. They’re also fun to play. Video for Cold As Ice by Blacklite District MaM : You know how to connect with your audience, which is excellent. Tell us about your best and worst performance so far. (laughter) KP : I love that. Well, there have been some bad ones over the years. I'm not going to lie about that, but one time … this was back when I was in my early 20s; we would play in this town called Deadwood . On the night of the show, it looked like it wouldn’t be a good show because we didn’t sell that many tickets, but about twenty minutes before we were set to go on, my bass player and I decided it was a good idea to start chugging beers and smoking a little. We got messed up in a short amount of time. So, we went to go back in, and the venue ended up being packed, and we did not have the experience to play drunk, and it just turned into a shitshow. (laughter) In terms of the best, it’s been these smaller shows I’ve been doing because of the audience's passion. I spent so many years playing where I was the opener, and no one would come to see us, so now, when I see a line of kids out the door to see us play, it’s remarkable. It’s like a dream come true. That vibe is what I’m so grateful for. Video for The Struggle by Blacklite District MaM : Over the years, have you ever received a good piece of advice from a fellow musician that you’ve carried with you? KP : You know, that’s a great question, and over the years, I’ve tried to sponge up anything I could. On my first tour, I opened for Saving Abel , and I remember being in awe of being on tour with bands I had heard on the radio. I remember the singer of Art of Dying telling me they could be opening for me a year from now, and I just thought that was the coolest thing ever. They ingrained in me that you never know whom you will encounter on the way up and how the roles may be changed or reversed quickly. MaM : Any plans or aspirations for collaborations in the future? KP : I always wanted to collaborate with Ozzy , but he’s not doing his best. I also want to collaborate with Jelly Roll , but it hasn’t happened yet. I would love to do something with Post Malone , too. I love how Post Malone is doing this sort of country thing, and even Jelly Roll has shifted to that, too. It’s almost as if hip-hop culture is shifting to more of a country culture right now. MaM : Outlaw country in a way. KP : This shift could lead to more guitar-driven stuff. It could be great for the rock stuff in the future. MaM : I agree. Last question for you. Where do you see yourself in the next five years? KP : That’s a great question. I have a decade’s worth of music now and several hits that the fans love online, so I am just focused on growing with these tours and doubling and tripling the ticket sales. I would like to see in the next five years that I can keep the momentum going, continue expanding on the fanbase, and build that real core audience that connects with me and the music, just as I’ve always done. I hope you and I can talk five years from now and be on different levels, just doing our thing, because I genuinely believe that the vibe and work you put out there is how you get there. Insightful, charismatic, and driven with many years of success and many more to come, Blacklite District hits the road on September 6 in Des Moines, IA, and wraps its tour on November 2 in Atlanta, GA. Be sure to catch a date if it comes near you. In the meantime, check out the latest, ' You Can Do Better ,' on all streaming platforms. To learn more about Blacklite District: www.blacklitedistrict.net Blacklite District Home page of Blacklite District, a rock artist from Black Hills, SD. Official Blacklite District website! The story of Kyle Pfeiffer, new music, photos, bio, and more. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Greatest of All Time - The GOAT - vets of the biz still rockin' it! The G.O.A.T. Nov 15, 2025 Finding the Song in Everyone: Conversations with Dash Rip Rock Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Read More Jul 10, 2025 Self-Made Genius: Tracing the Musical Legacy of Matt Mahaffey Matt Mahaffey is Just Being HimsElf Read More Apr 27, 2025 Acid Bath’s Triumphant Return: A Night 28 Years in the Making The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Read More Mar 28, 2025 Boiler Room’s Revival: A Resurgent Force in Metal Boiler Room are on a mission to make a significant impact in the world of metal. Read More Sep 2, 2024 Blacklite District: Building a Digital Era Legacy Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. Read More May 15, 2023 Sick of It All: Pioneers of the Hardcore Punk Scene Still kicking ass and taking names Read More

Eclipse Fest is coming May 10, 2025 < Back Eclipse Fest: A Pillar of the Louisiana Alternative Scene Nick Cline Dec 3, 2024 Share Eclipse Fest is coming May 10, 2025 What is Eclipse Fest ? This question has been thrown around a lot since its first incarnation at the beginning of 2024, and that only escalated once the show happened on June 15th, 2024 . Well, who better to answer the question? Hello, my name is Nick Cline , and I am the mastermind behind Eclipse Fest . Click to go to the Facebook page for Eclipse Fest 2025 Eclipse Fest is my brainchild, which I concocted in January 2024. It started as a statement of ability and love for the scene but became something I did not expect. It became more than a statement of ability. It became a statement for a unified scene across all the genres that desperately need light shined on them. I started Eclipse Fest because I genuinely love music. I love the community music makes regardless of who you are. Music truly binds us together as a people. That is the energy I put into the tireless hours I pour into the festival. The statement and mission I bring are an extension of my love of music, community, media, and everything in between. The craziest part of Eclipse Fest is that I have, for the most part, handled most of the planning stages by myself. Before Eclipse Fest 2024 , I had zero experience planning events, marketing on a big scale, or anything like that. I was solely working on my band, Phantum Sun . That changed once I took the mantle of running and concocting Eclipse Fest . I took the vision in my head and threw it into the wild. The event brought a lot of shine to the scene through unorthodox booking styles, genres that on paper shouldn't work together, and whatever other plans I had that would give a typical event planner a reason for a thousand-second glance. I'm shocked that it turned out as good as it did, but the help I had leading up to it, the connections I made going through the process, and the bands were a tremendous part of the success. I aim to make Eclipse Fest 2025 an even bigger statement for the overall scene. It will be a statement of the great original music that Louisiana can provide from one side of the state to the other. Finally, it will be a statement of community. Announcements will start rolling out on the first Friday of January ! Stay tuned because you won't want to miss this one! We have an amazing line-up of talent, and some of these bands are going to blow your mind. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. < Back Throttle Fest 2023: Southern Happenings Bud Gambrell Oct 24, 2023 Share Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. The announcement of Throttle Fest 2023 indicated the return of a huge music event that, since 2020, has brought joy to many people. Originally held at Sidetracks Music Hall in Huntsville, Ala., Throttle Fest is the brainchild of booking agent Shane Bickel. While Throttle Fest continued in 2021, the music event did not return in 2022 due to Sidetracks’ unfortunate closing. Luckily, opportunity struck this past summer when Bickel announced to adoring fans all across the South that Throttle Fest would be returning this October to Huntsville, now taking place at Rocket Republic . The lineup for Throttle Fest 2023 featured some of Southern rock's brightest rising stars —six bands originating from six different states. Hailing from Biloxi, Miss., newly formed hard rock band The Heavy Strides kicked off the event on Friday, Oct. 13, with their unique, signature sound known for marrying deep rhythmic grooves with searing guitars under the guidance of soulful lead vocals. The Heavy Strides promise an electric fusion of classic influences , including the likes of Led Zeppelin to Soundgarden, all wrapped up with a temporary edge. The Heavy Strides are Drew Fulton on lead vocals and rhythm guitar, Josh Estes on bass, Cedric Feazell keepin' the beat on the drums, and Tyler Storms on loead guitar. Cedric Feazell of The Heavy Strides (credit: Bud Gambrell) Next up were The Josephines out of Bowling Green, Kentucky. These guys are always a crowd pleaser with their raw, rough-around-the-edges rock and roll that’s sure to have you dancing while you shed a tear or two. The Josephines—consisting of Brad Tabor (lead vocals, acoustic guitar, mandolin), Zach Lindsey (lead guitar, vocals), Alex Lindey (lead guitar, pedal steel, lap steel, vocals), and David Page (drums, percussion)—arrived with a different lineup this year, which included special guest guitarist Kyle Daniel. Kyle Daniel with The Josephines (credit: Bud Gambrell) Mixed Alternative Magazine was there and had a chance to talk to The Josephines’ lead singer Brad Tabor about how it feels to play Throttle Fest again. Says Brad, “It was awesome! We got to play with some new guys. We had a couple of players with us who don't normally go out with us, and they ripped it! And then, you know, the set sounded good to me, so people had fun and that's kind of the goal. I'm glad to be here for that reason. People got to enjoy themselves.” Brad Tabor of The Josephines (credit: Bud Gambrell) Closing out the first night was Them Dirty Roses from Gadsden, Alabama. This Southern rock band knows how to bend a string and break a heart Skynyrd-style. From the Alabama clay to Europe to festivals all across the United States, Them Dirty Roses are used to bringing the fireworks in their headlining abilities. The Throttle Fest crowd was treated to a bass solo from Ben Crain, a lead guitar solo from Andrew Davis, and a rousing drum solo from Frank Ford. Andrew Davis of Them Dirty Roses (credit: Bud Gambrell) After that set, Mixed Alternative pulled Them Dirty Roses lead singer James Ford aside to get his thoughts about Throttle Fest and being able to play in Huntsville again. “It does really feel good [to be back in Huntsville playing Throttle Fest],” Ford says, “because it [was] scary when Sidetracks went away. It was kind of like, ‘Damn, where are we gonna play now?’ We just didn't have a home in Huntsville anymore. And we've been doing it since 2018. So, I'm hoping this is the new place that's our new home in Huntsville. And I thought [the set] went great! … The crowd seemed to be into it.” Them Dirty Roses (credit: Bud Gambrell) Kicking the music off on Saturday, Oct. 14, was Southern soul/rock ‘n roll band One For The Road , who came straight out of “a small building back in the woods of Resaca,” in North Georgia. I have been hearing about this band from my good friend Todd Dean , an outstanding musician photographer who sat in with OFTR to sing Marshall Tucker’s “Can’t You See” . If you enjoy totally unadulterated Southern rock music , you have to look into this band. One For The Road features frontman and lead singer Zach Crumley, drummer Chris Webb, organ/piano player Joe Morgan, and bassist Jaithan Neal. Zach Crumley of One For The Road (credit: Bud Gambrell) Up next, and straight out of Little Rock, Ark., deFrance ’s rock ‘n roll style did a slammin’ job of setting the table for the classic rock sounds of Jive Mother Mary , from Burlington, N.C., who closed out the night. deFrance is cut straight from the roots of the best in Southern music , blending elements of true folk and country music with the classic songwriting styles of Tom Petty, Neil Young, and Ryan Adams into a fresh take on rock ‘n roll. I should also mention that deFrance travels in a church van. I think band leader Drew deFrance enjoys the reaction when the church bus pulls in to play at a rock club. Drew deFrance of deFrance (credit: Bud Gambrell) Jive Mother Mary, who headlined the second night, put on a damn good set, with several attendees mentioning that their Throttle Fest 2023 performance may have been the best JMM set they’ve seen. It comes down to this: Mason Keck and JMM never cease to amaze me at just how good of musicians they are. The word stunning comes to mind. When it was announced that they were coming back to Throttle Fest, I saw it as an opportunity to sit down and talk to Jive Mother Mary lead singer Mason Keck . In response to what Throttle Fest means to Keck as a performer, he says, “Man, Throttle Fest just kind of feels like a family reunion . Huntsville is a really cool little market for us. You know, we're from North Carolina originally and we kind of just had a core group of folks that really were supporting us strongly down in Huntsville. We played at Sidetracks a couple of times, then the first couple of Throttle Fests were there, and Huntsville was always a spot we could kind of count on as a good mood lifter, you know what I mean? The people that were going to be there were there to see [us] and that was an important part of it—always getting to see the folks that [come] out time and time again.” Jive Mother Mary (credit: Bud Gambrell) (In my best infomercial pitchman voice): But wait there’s more! Prior to Day 2 kicking off, Mixed Alternative also had the chance to talk to Throttle Fest organizer supreme , mastermind, genius, and promoter extraordinaire Shane Bickel . (If you can’t tell, we love Shane in Huntsville.) When asked what Throttle Fest means to him, Bickel replies, "It’s hardcore love for Southern rock music … just bringing a bunch of familiar faces together with some new faces and just creating a family atmosphere. All of the bands and the fans just get along so well. It's just, I don't know, something about it I like. It's a small version of a festival, but more like a family reunion with live music." In 2022, Throttle Fest didn’t happen due to the closing of Sidetracks Music Hall. This year, it was out of the blue when Bickel announced Throttle Fest 2023. We wanted to know what his plan was behind that, so we asked. "I miss y’all!" Bickel laughs. How else can we get everybody who used to support Sidetracks for most of the shows together? How can we get them all back in one room? Because so many people come from out of town, out of state. You have to put six of these bands together so you can get all different parts of the South to show up. And so far, we've done that: I think we had eight or nine different states show up [the first day]. So, it's pretty impressive that people still care about these bands and follow them . Most of these bands we won't be able to [accommodate] in a smaller setting or hopefully, they'll honor me with doing … Throttle Fest whenever we need to do it. " He continues, "It's like a family reunion, but these guys are going to move on to bigger and better stages. I mean, [we have to] enjoy it and embrace it while we can because a lot of these bands are going to be too big for us soon. [Everything has gone] really well. Everybody enjoys the new venue, so that is really comforting to hear positive feedback on that. So, all in all, [Throttle Fest 2023] has been a home run! " And I'd have to agree, especially when taking note of the festival's main theme, in addition to showcasing Southern music: family . Take it from someone who attended all three Throttle Fests: This is truly like a family reunion . There was also a phrase I heard repeated many times throughout the two-night event. I heard so many people tell someone else that they loved them, and in this day and age, where there is so much hate in the world, it was quite refreshing to see and hear. It is a shame that more people are not able to attend and share a loving, family-like experience one gets with Throttle Fest. For more information on Throttle Fest or any of the bands, follow their links and be sure to browse the gallery of images below! Throttle Fest Official Website The Josephines Official Website Them Dirty Roses Official Website Jive Mother Mary Official Website One For The Road Official Website The Heavy Strides Official Facebook deFrance Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

New Orleans, LA April 20, 2024 < Back Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf Rian Nickels Apr 24, 2024 Share New Orleans, LA April 20, 2024 On April 20th, 2024, The Howlin' Wolf —named after legendary bluesman Chester Burnett—hosted an unforgettable night of music featuring Louisiana artists Kris Russ , JAYD3D! , and Coma Nights . The evening's weather was just right, creating a comfortable setting that complemented the venue's cozy and intimate atmosphere. With its open layout and small stage, The Howlin' Wolf provided a space where the audience could feel a close connection to the performers. This iconic venue has a rich history, known for hosting an impressive array of blues and jazz musicians over the years. Alongside those greats, The Howlin' Wolf has also welcomed crowd favorites like Mac Miller, Chance the Rapper, and Twenty One Pilots, making it a staple in the New Orleans music scene. The combination of historical significance and contemporary talent made this night a true celebration of the spirit of music. Credit: Rian Nickels The first musician to hit the stage was solo act Kris Russ from Kenner, Louisiana. Kris has a voice with range that floated through the crowd and echoed from The Den room into the bar room of the Howlin’ Wolf. His angelic vocals brought an intimate, almost ethereal quality to the venue, captivating everyone in attendance. His dexterity of the guitar is unmistakable, with each chord he strums resonating deep within the hearts of the audience. His songs, filled with themes of getting older, love, and saving the world, carried a raw emotional depth that drew listeners into his world. In-between singing he gave us emotional monologues that pulled at our heart strings with backstory to his music, such as with his songs “If we knew then what we know now” and “ It’s too dangerous to go alone so take me ” proving that Kris Russ is more than just a performer—he's a storyteller with a gift for connecting on a deeply personal level. Kris placed us in the atmosphere of emotional healing and gave us the feeling of being understood. After his twelve song setlist, the audience was left awe-inspired and he gave a warming introduction to the next band, Coma Nights . Credit: Rian Nickels The four-piece, Coma Nights , burst onto the stage with an energy that transformed the venue from a mellow acoustic set into a lively full band performance. Their dynamic entrance immediately awoke the crowd, bringing everyone to their feet and into motion. The lead vocalist’s notes soared above the beating rhythm of the drums and the melodic riffs of the guitar and bass, showcasing a vocal range that commanded attention. The band played with remarkable synchronization, each member seamlessly aligned with the others, as if they were of one mind. As they launched into their hits like "Weekend Neighbors," "Paint," and "Storm," the audience was swept up in the pulsating beats, dancing and jumping along with infectious enthusiasm. Coma Nights demonstrated that a great band isn't just about individual talent—it's about the synergy of musicians in harmony. As they played their 10 song setlist they warmed up the audience for JAYD3D! to perform his debut album, “ Outstanding Gentlemen ”. Credit: Rian Nickels JAYD3D! took the stage with a vibe that defied categorization. His sound—a fusion of hip hop, pop punk, rap, and alternative—drew an intimate crowd eager to experience his debut album, " Outstanding Gentlemen ." As he started his set, the lighting shifted dramatically from moody and subtle to lively flashes of strobes and color, thanks to our buddy Justin, from the band Jean Claude Segal , who took over the light board on a whim and may have discovered some of his own hidden talent. JAYD3D! , along with his drummer Ty, delivered a high-energy performance that resonated with the crowd's spirit. They had the crowd going through the motions of singing, jumping, and even slow dancing. Together, they brought The Den to life and everyone together with upbeat odes to transitioning into adulthood, falling in love, and melancholic optimism. The 14 song setlist was a perfect mix of originals and his own twist on nostalgic covers. JAYD3D! played pop hits like "If It Makes You Happy" and "Bubbly," adding his signature moody pop punk twist that infused the familiar tunes with a raw, energetic edge. Along with his unique covers, JAYD3D! sang songs from “ Outstanding Gentlemen ” such as, “Three Hour Walks” and “Outstanding Fighter”. The audience, a mix of close friends, fellow musicians, and curious newcomers, were captivated by his seamless transitions and genre-blending artistry. JAYD3D! 's performance proved that music isn't about fitting into a box—it's about breaking free of the mainstream conformity and creating something new and exciting. With his vibrant stage presence and innovative sound, he turned The Den into a dynamic celebration of music, creativity, and did not fail to make us feel alive. Credit: Rian Nickels Overall, this night at The Howlin' Wolf demonstrated the venue's versatility and its ability to bring together a wide range of musical talents. It was a celebration of Louisiana's rich music scene and a testament to the power of live performance in connecting artists and audiences. *All photos by Rian Nickels www.rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or Comments? Reach out to mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Life Øn Mars is a beacon of creativity and musicianship < Back Life Øn Mars: Unleashing Musical Brilliance Nicole Brice Aug 15, 2023 Share Life Øn Mars is a beacon of creativity and musicianship In the vast universe of music, ever so often a band emerges that challenges conventions, defies expectations, and takes us on an extraordinary sonic journey. Enter Life Øn Mars, a metalcore band from Lafayette, Louisiana, with unparalleled creativity. With its beginnings in 2022, the band is currently comprised of Jack Torry on vocals, Brayden McClelland and Max Hellickson on guitar, Ryan March on bass, and Holden Hebert on drums. Credit: provided by band These guys have had a busy year thus far releasing new music both in February and June of 2023 and show no signs of slowing down. With their exceptional musicianship, boundless creativity, and a penchant for pushing the boundaries musically, their evolution as musicians is sure to bring further innovation. Set to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana, on August 19, 2023, Life Øn Mars is ready to take you on a musical journey that transcends boundaries and is the fifth band in our installment of interviews with all acts on the bill. In an age where conformity and predictability seem to reign supreme, Life Øn Mars emerges as a beacon of creativity and musicianship, and we can’t wait to hear more from them. Powerful vocals with tight production round out the sound for this band. We know you’ll enjoy their music as much as we do. We recently reached out to the band to learn a little more about them and were able to connect with guitarist Max Hellickson. Take a moment to learn a little more about Life Øn Mars and then be sure to catch their set at Rad Fest on Saturday, August 19. MaM : I see 2023 has been a busy year for you. Your single “Vandal” was released in February 2023 and then your newest single, “Whitewall,” was released June 16, 2023. How do you feel about the year so far? MH : 2023 has been a very productive year for us. We’ve been writing a ton of new music and slowly integrating our new originals into our live set. ‘Vandal’ was the first one and it did pretty well! ‘Whitewall’ was a lot of fun to write and record and one of our favorites to play live. MaM : “Vandal” reminds me of Killswitch Engage with the screams in the beginning that fade to a strong vocal chorus. Who do you cite as your influences both vocally and musically? MH : Collectively the band has a very diverse range of music tastes. We’re big fans of genres like hardcore and modern metalcore, which explains the Killswitch Engage-type sound. Some of us also listen to more ambient and soft genres that inspire us. Some bands we take inspiration from are Alpha Wolf, Knocked Loose, Invent Animate, Wage War, Gojira, Sleep Token, Architects, and plenty of others. Credit: provided by band MaM : What inspires you lyrically? Life happenings or abstract concepts? MH : A bit of both. We pull inspiration from events in our lives that have deeply affected us and try to express them in different ways. We attempt to connect to our listeners and fans in any way possible, and writing lyrics that resonate with them is the best way. MaM : Are there plans to record an EP or an entire album, or do you plan on just continuing to release singles? MH : We are currently in the process of finishing our debut album set to release in early 2024. Credit: provided by band MaM : Give us a brief history behind the band name. Obviously, it speaks for itself, but I’d like to hear your take on it. MH : So, the name just came from us brainstorming band name ideas. Holden came up with the name Life Ø n Mars as a reference to the David Bowie song. Max had the idea of putting the accent on the ‘O’ to make it look like a planet and make it look more original. MaM: How did you hear about Rad Fest and what expectations do you have going into the festival? Will your set list have a few surprises? MH : We heard about Rad Fest from our friends who played the festival last year and we’ve been working really hard this year and then we got invited to play. We are super stoked to be a part of this new Lafayette staple in our scene. It really brings everyone together and we’re excited to be a part of this year's festival. As far as surprises go, we may be debuting a new song set to be on our album. Stay tuned! Credit: provided by band MaM : If you could share the stage with any well-known band in the future, who would it be? MH : A dream show of ours would be to play with Knocked Loose and Alpha Wolf . They have really inspired us. We have also seen both bands a couple of times. MaM : What are the aspirations for the band long term? MH : To make music that people enjoy and to create a live experience that leaves our audiences with memories they will never forget or to inspire those to pick up an instrument or start singing. Music is a powerful thing. We love seeing more people in the scene. To check out the music of Life Øn Mars in preparation for Rad Fest, be sure to hit one of the links below, then show them some love by following them on social media. YouTube : Life Øn Mars - YouTube Instagram : LIFE ØN MARS (@lifeonmarsofficial) • Instagram photos and videos Facebook : www.facebook.com/lifeonmarsofficial Twitter : X (twitter.com) Apple Music : ‎Life Øn Mars on Apple Music Spotify : Life Øn Mars | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

P.A.C.A. < Back Punk Music Festival to Benefit Local Non-Profits that Work with At-Risk Youth and Children of Child Abuse/Neglect Nicole Brice Feb 25, 2023 Share P.A.C.A. P.A.C.A. or Punks Against Child Abuse was formed in a living room late one night in early January 2023 with the purpose being to showcase a music festival from September 15-17, 2023 in Catoosa, TN that includes other vendors to use the funds raised in supporting non-profits that work with children and youth that are impacted from abuse/neglect. The organizations chosen to be supported are a vital resource to the state of Tennessee, especially in rural counties like Jamestown, Cookeville and Crossville. The non-profits are CHANCE Girls Youth Home, UC Foster Closet and STARS Nashville. The UC Foster Closet works hard to support families by hosting and providing special events, establish community support through Foster Friendly Partners, and provide opportunities for fellowship with other foster/kinship families with “Connecting Families.” CHANCE provides a safe, highly structured, therapeutic environment where each youth knows their value, and with compassion and perseverance, relationships can be restored; providing an opportunity to change these kids lives to where they can discover their strengths and gain the confidence needed to lead healthy, harmonious, and productive lives when given a second chance. This facility serves youth, ages 12 – 18, and their families, primarily from the Upper Cumberland area of Tennessee. STARS Nashville helps all young people pursue their unlimited potential. STARS has served some of the most disenfranchised populations by providing school-based prevention and intervention services, as well as intensive outpatient treatment services for adolescents with substance use and co-occurring disorders. According to Kids Count 2020, Tennessee had over 67,000 cases of child abuse. CACTN also reported that in one year alone, over 4,000 cases of child abuse were reported in the state of Tennessee. According to Kids Count, youth in Tennessee experience two or more ACEs (Adverse Childhood Experiences) and this is higher than the national average and one in ten are living in poverty. The plan is to bring in bands, craft and food vendors at Catoosa, TN for a two-and-a-half-day charity festival that will be an all-ages event where alcohol will not be served. There will be a wrestling match on site sponsored by the wrestling group in Crossville also. In addition to music and wrestling, there will be goat yoga and/or goat cuddling and a balloon vendor that offers face paint for the children. The current band list is comprised of different types of punk bands that include punk rock; hardcore punk; skate punk; folk punk and more. Most of the bands are from Tennessee but some are coming from Ohio, Oklahoma, Indiana, and even New York. There will be a wide variety of food offerings from coffee to pizza to Germanic/Hispanic food and day and weekend passes will be available for the event. More than forty bands, craft vendors and food vendors have signed on to participate thus far. Since this festival is at Catoosa, there will be 180 acres of land which will allow the patrons to camp on site if needed. PACA is currently seeking donations and sponsors for this incredible event and there are three levels of sponsorships available. For more information about sponsorships, contact Kassandra Morgan at 931-704-2919 or you can e-mail pacafestival@gmail.com . To learn more about the event, visit www.pacafestival.com or visit them on social media at: Punks Against Child Abuse | Twitter, Instagram, Facebook | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Stella Vir are progressive-infused sounds full of spatial concepts < Back Stella Vir: A Modern Ambient Rock Abyss Je'an-Paul Keller Aug 8, 2023 Share Stella Vir are progressive-infused sounds full of spatial concepts Coming up August 19, 2023, Louisiana’s own Stella Vir is set to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana. With tunes full of howling guitars and crisp clean vocals, this band hails from Hessmer, LA and they are the third band in our installment of interviews with all acts on the bill. The band was formed in 2019 by Josh Ferguson (vocals), Justin Theriot (lead guitar), Waylon Wilkinson (bass), and Shane Landry (drums). Gaining a following on the local scene due to their energetic performances and catchy, melodic songs, Stella Vir’s debut EP “Meridian”, released in 2020, is so good that you’ll want to turn the dial all the way up to eleven to engross yourself in the soothing sounds. And if you have an iPod handy, pop in those headphones and disappear into the abyss. Credit: Ahnvee Photography In 2022, the guys released their follow-up EP “City Lights”, continuing the band’s evolution with a more mature sound and showcasing more complex songwriting. With songs such as “Getaway” and “Full Speed” that provide ferocious guitar licks, Stella Vir is quickly solidifying itself as one of the most promising of all the up-and-coming rock bands coming out of Louisiana. Each member feeds off their own unique styles and the band has managed to find a cohesive sound that is distinct and one all their own. The band has the talent, the drive, and the sound to make it big and with their continued touring, Stella Vir is sure to become one of the most popular rock bands in the country. You must see them live to experience their sound in all its depth, truly. With a love for all things sci-fi, I was able to chat recently with Josh Ferguson, the lead vox, about everything from the band’s name to how their unique sound is achieved and his love of everything sci-fi related. Geek out with us and get lost in space by learning a bit more about what makes up the band known as Stella Vir. MaM : I dig your music. Who or what inspired your current sound? JF : So, I've been I've been playing music for about 20 years, and in the late 90s/ early 2000s. There is just something about the grunge era and when emo came out. Post-hardcore bands as well, such as Finch and Thursday … I really got into all of those styles of music. My writing style has always been somewhat of an emo-derived kind of sound. It's just a blend of all kinds of music that makes us what we are. MaM : With so much going on in the world, what influences you to make music? JF : It's kind of like a sickness. I had quit playing music about five times now, but I wake up some mornings with just ideas in my head. I feel like I can't do anything without writing these ideas down, and the next thing I know … I'm writing music in a band again. It's just been in me, and my guitarist. We've been writing music together for 20 years, and it's just something we can never shake off. MaM : Can you tell our readers how your band initially came about? JF : I went on tour with a band, and then when that tour finished up … I decided to be a husband, and a dad, and not really play music anymore. My guitarist from over 20 years ago … [He] and I started talking again. We decided to do something different. So rather than trying to write music that we thought people would like or would get people to go to shows, we decided to start writing stuff that we would wanna listen to, and that's where we ended up. The first song we wrote together is on our ‘Meridian’ EP! It is called ‘With Fire Comes Truth’. It's one of the most fun songs that we have to play. It's just about not caring what anybody else says [with the message to] just burn the world down if you must … TO BE HAPPY! Credit: Ahnvee Photography MaM : Love the name of the band. How did it come about? JF : So, Stella Vir! At first, we had decided on the name Meridian for the band. In the process of uploading our music to social media … We realized that there [were] 63 bands named Meridian at that time. Obviously, we can't go this route if we want anybody to find us. We spent a couple of days trying to think of something that would be original, and my buddy Justin, [who] plays guitar, mentioned Stella Vir, which in Latin is roughly translated to Man of the Stars. We are all just really into space-related themes. We were all in love with it as soon as he said it, and we never looked back. It's just the idea of extra-terrestrial beings in space looking down on us, and the planet Earth. That's the kind of vibe that we make all our artwork around and our merch. I absolutely love the space theme. I can't get enough of it. MaM : So, growing up? What sci-fi movies or series played a huge role in developing the concept for the band? JF : I'm a huge fan of Guardians of the Galaxy . I'm a huge fan of Star Wars . We are all fanboys of Star Wars . I also listen to a lot of podcasts that are sci-fi based, fiction, and non-fiction. Whatever I can find, I eat it up. I remember going to the NASA space center when I was a kid, and I really got into the whole idea of space. So, anything I come across, I'm just a huge fan. MaM : Are there any specific things that you like to use to achieve your sound? JF : Honestly, the main goal that we've had as a band from the beginning is we just wanna be natural. We want to write stuff that we can perform live, and we don't need a huge production to do it. If you hear us on the radio, when you see us live, or when you hear us on Spotify, it's nothing different than what you heard on our albums. Our main goal has always been to just be real, and natural. We don't spend a whole lot of time on post-production. It's just whatever we can play. We just put it on a track like that to make sure everything stays as real as possible. MaM : Do you have any specific brands of guitars or bass guitars that you like to use? JF : I have a Gibson Explorer, and I have an SG that I use. The other guitarist, he likes Fender. He also has a Gibson Les Paul, and that's his main guitar. We both really got into AXE-FX within the last two years. It's really simplified our consistency as far as our guitar tone goes. Every time we plug in, we know we're gonna sound the same regardless of the venue. That's really the main thing. We try to have a strong guitar front. The AXE-FX and Gibson guitars … That's our go-to. Credit: Ahnvee Photography MaM : What types of amps are you currently using? JF : We both started digging into the AXE-FX. For the last few years, I was using a Marshall DSL 100, and [the other guitarist] was using a Friedman BE-100. We try to stay in that Marshall, Friedman, Mesa/Boogie kind of sound on the fractal, but before you know it, you're dialing into six different cabs and five different amps. It's just kind of all over the place. Whatever sounds good for that particular song. We may switch it up for different songs, so it's kind of hard to nail that down. I can't say enough about the AXE-FX. You can do anything with it. MaM : Do you consider “City Lights” a concept album? JF : I wanna say the first song on that album was ‘City Lights’. We actually had that one written before we created the first album. I wanted to do a concept album, but I have two kids and three jobs. To write a concept album is a lot more time-consuming. The songs are kind of pieced together about different things. It's just about different things that have happened to us in our lives. That's what that album is all about. I wish I could say that it was a concept album, but I haven't had the time to really go down that rabbit hole. Hopefully, for this next album … That is the direction that I wanna go, and we'll see what happens. MaM : Any future plans or aspirations for the band? JF : I think RAD Fest is gonna open a lot of doors for us. You would think that social media would make it easy for people to get their music out. I think it makes it more difficult because there is just so much stuff thrown at you in a day. I think that a lot of stuff gets overlooked. RAD Fest is gonna be huge for us. Huge for all of the other bands too. I think it's gonna open the door for us to get shows with bands that we might not have been able to play with before. People will be able to see us that have not ever heard of us before. So, I'm looking forward to that. This is gonna be our biggest show, and I'm really looking forward to that. I can't wait to see what happens with it. MaM : Can I get any information about the new songs you are writing? JF : There's a new song that we play that is called ‘Anything at All’ and it is, by far, one of my favorite songs. We have a live version of it on our YouTube page from our last show if you wanted to check that out, but it's just a high-energy type of song. We try to keep our shows full of high energy, and that's probably the most pulled-up song that we have. MaM : Are there any memorable shows you have played so far? JF : We played at the Cajun Heartland State Fair last year. We're hoping to get on again this year, but I think we missed the deadline to apply. That's a cool thing that the Cajundome allows local bands like us to do. I can't say enough about the local scene in Lafayette. You have all these bands wanting to put on big shows and include us. The Cajun Heartland State Fair is probably the most notable thing that we've done so far, and I think RAD Fest is gonna be right there with it. Credit: Band's Facebook MaM : Do you have any other plans in the future after RAD Fest? JF : We do. We've been tracking some new songs, and hopefully, before the end of the summer, we'll have a release date for ‘Anything at All’. Then, we're gonna start working our way up to a full album release. That's the most exciting thing we have going on right now. I love writing music, and we all love recording it. That's definitely on the horizon. Facebook: @Stella Vir Instagram: @stellavirmusic YouTube: @stellavir8290 *cover photo by Ahnvee Photography https://www.ahnveephotography.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Zizzi’s music is an innovative approach to storytelling with a nod to the classic rock masters before them < Back Zizzi: A Rock ‘N Roll Force to Be Reckoned With Nicole Brice Aug 23, 2023 Share Zizzi’s music is an innovative approach to storytelling with a nod to the classic rock masters before them In a world filled with countless musical acts, it takes something truly special to stand out amongst the crowd. Enter Zizzi, a band from New Iberia, Louisiana. Fresh off their killer performance at Rad Fest 2023, the band has just released a new single called, “South Carolina Woman”, and it’s bluesy, fierce, and just plain rocks. Formed in 2019 with five guys who hardly knew each other and had never really pursued music, Zizzi is emerging as a force to be reckoned with because of their innovative approach to storytelling. Credit: Gary Governale - Zizzi at Radfest 2023 in Lafayette, LA August 19, 2023 The band is currently comprised of some exceptionally talented musicians: Evan Zizzi on lead vocals; Austin Stoltz on drums; Devin Boutte on lead guitar; Gray Walker on bass, vocals, and rhythm guitar; and Andre Broussard on bass and rhythm guitar. If Led Zeppelin, The Red Hot Chili Peppers, and Alice in Chains had a band baby, it would be Zizzi. Heavily influenced by the classics but providing a well-rounded retro sound, these guys are on to something and are on the rise, so take note. Drawing inspiration from Robert Plant of Led Zeppelin and sounding like Andrew Wood from Mother Love Bone, Evan’s vocal delivery allows the listener to feel the trials and tribulations that come through in the music and brings a soulful melodic voice to the band’s dynamic sound. Drummer Austin Stoltz provides the driving beats that underpin Zizzi’s catchy tunes, while Gray Walker and Andre Broussard add depth and groove to the band’s compositions. Devin Boutte’s ethereal guitar playing brings it all together. Credit: Gary Governale The band’s trademark sound can be described as a fusion of alternative rock, blues, and classic rock with their music exploring themes of love, self-discovery, and the human experience. Offering a fresh take on alternative rock, their music is quickly garnering recognition locally, and they are undoubtedly a band to watch out for in the coming years. We were able to chat with vocalist Evan Zizzi recently to throw him a few questions, so check out a little Q & A below and then go check out their new single and much more! Credit: Gary Governale MaM : Any other notable shows besides Rad Fest that you guys have played? EZ : Every show is memorable and always allows us to see where improvements can be made. If we had to pick, it would either be when we won Battle of the Bands at Fred’s in Tigerland in Baton Rouge, Louisiana, in Spring 202,2 or our recent show at Rock ‘N Bowl in Lafayette, Louisiana. Both crowds were electric, and we fed off the people. We tend to downplay our abilities and criticize our performance like we are Simon Cowell on American Idol, but we’ve packed out some nice venues, which always makes us feel like we are doing something right. Credit: Gary Governale MaM : How did you hear about Rad Fest? EZ : We were a late addition to Rad Fest but were stoked to be invited to play at the festival. Credit: Gary Governale MaM : What influences your lyrics, daily happenings or abstract ideas? EZ : You know … lyrics are strange. Sometimes we have an idea of what the motif of the song is originally meant to be, and we stick to it and develop it. Other times we start with an idea, and it turns into an entirely different musical piece once our process is complete. Ultimately, we want our lyrics to allow each individual listener to feel a certain way and to develop their own meaning. Credit: Gary Governale MaM : Where do you see the band headed in the future? EZ : We have done covers for so many years but recently the gears have shifted to focusing on our own music. Being with a group of guys like Zizzi has been a gift. We would advise everyone who is hesitant to form a group, is filled with self-doubt about their abilities, or has stage fright to just say, “F**k it!” and take the jump. Life is scary and short, so why not go make a fool out of yourself and play shows for $20 in someone’s backyard and make some of the best friends you’ve ever had? There’s something magical about the days when we were ignorant idiots just trying to be rock stars, begging for someone to give us a chance. We have been blessed and somehow the stars aligned for us to do what we do. It would be a crime and an injustice to everyone who’s helped us out or supported us along the way to not see this storybook adventure to its final chapter when we finally get the girl and barely make it home before our parents get back from their trip. Credit: Gary Governale As they continue to refine their craft and break new ground, there is no doubt that Zizzi’s influence will continue to grow, shaping the future of the music industry. Be sure to check out one of their links below and show them some love on social media. Facebook : Facebook Instagram : Zizzi (@zizziband) • Instagram photos and videos Spotify : Zizzi | Spotify *Cover photo - Gary Governale www.governalephotovideo.com Nicole Brice just loves music. It doesn’t matter the type. Do you have something you think she should hear? Hit her up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Pure energy, speed, and catchy lyrics < Back VOID: Lafayette’s Answer to the Modern Thrash Metal Scene Je'an-Paul Keller Jul 9, 2023 Share Pure energy, speed, and catchy lyrics Coming up August 19, 2023 , Louisiana’s own metal masters VOID are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana , and they are the first in our installment of interviews with all the acts on the bill. These guys are the new face of heavy metal and if you’re not familiar with them yet, you soon will be. The five-piece powerhouse of thrash metal goodness known as VOID formed in Lafayette, Louisiana, in 2019 by the Davenport brothers, Jackson and Logan, who grew up loving bands like Black Sabbath, Metallica, and Anthrax, to name a few. I truly went into the void when I listened to their debut album Horrors of Reality . It’s pure nostalgia and an excellent nod to the mid-to-late 80’s thrash metal days of the past—Jackson guitars and Marshall amps that punch through your ear drums straight to your brain. The current line-up is Jackson Davenport (vocals), Gabe LeJeune (guitar), Logan Davenport (bass), Alex Bernard (guitar), and Aaron Landry (drums). Credit: Chad Besse Everything about this band is pure energy and speed, with catchy screaming lyrics that will make you think, make you laugh, or make you get lost in your own mind; either way, VOID’s music will leave you wanting more. These guys almost incite a riot every single night they take the stage due to the intensity of their shows, and they love interacting with their fans. Ready to emerge from the Louisiana metal scene and take the world by storm, VOID is like a pack of hungry sharks and is quickly gaining local and national attention. Tearing up the Gulf Coast with their in-your-face riffs, ripping dueling leads, melodic harmonies, tasteful bass lines, and fast and precise drumming, VOID is a band you need to check out now . Not to mention, they have insanely visual music videos. Official Video for 'Voodoo' Currently on tour with Labyrinth and Life on Mars , I recently caught up with Jackson and Lily Shea, the band’s photographer and videographer, to rap about who they are, their live videos, and what the future holds for them. Here’s your chance to get to know a little more about VOID , then afterwards, be sure to catch them at Rad Fest 2023 in August. MaM : I’ve been listening to your album for the last two days and I really like it. The thrash metal sound totally brings me back to my childhood and growing up in the eighties. Jackson : Awesome, man, I appreciate that. MaM : Who or what has inspired your sound? Jackson : We formed back in 2019, and we were very driven by Black Sabbath, weirdly enough. We wanted to play stuff like Black Sabbath but heavier. Then, over the years, we [went] through a few different line-up changes, and we found thrash metal. You know, coming out of the big four, we found bands like Exodus, Testament, and Forbidden. I think those three bands are very big inspirations to us and still are with the music that we write today. Credit: Chad Besse MaM : Awesome. I actually thought you guys sounded a lot like Anthrax, MEGADETH, old school Metallica, and old school Slayer. Jackson : Those are definitely sources of inspiration as well. Whenever we started playing thrash, we wanted to be Metallica so bad, and then we kind of just grew out of that and found the better stuff, I guess. I mean, I still got [sic] love for Metallica, but that’s basically where it all came from, I guess. MaM : What would you say influences you to make music? Jackson : Music is a way for me, and I speak for all the guys, and I say this, but it’s a way for us to basically escape from our problems and stress and get together and work on something as a team to make something awesome that we’re all proud of. So, we always look forward to writing new music, because it gives us an excuse to go out and work as a team and create something. Credit: Chad Besse MaM : Can you tell us a little more about how your band initially came together? Jackson : It started with me and two buddies. We were jamming some old Black Sabbath songs in the garage and were like, “DUDE, let’s start a band,” and we did. We all had musical differences, though, and kind of parted ways after that initial jam session, but the name VOID and the idea just kind of stuck with me and I ended up finding the people that had the same vision I had, and we just kind of started it from there. MaM : Love the name for the band and was wondering if you could give us a little background info on it? Jackson : So, it actually goes back to the whole Black Sabbath thing. We worshipped Black Sabbath and wanted to play music like that. We were playing at a party a long, long time ago, but we didn't have a name and decided on VOID because of “Into the Void” and the whole Black Sabbath imagery thing. It just kind of stuck. Credit: Chad Besse MaM : I love your sound and your tone. What mic do you use? And whenever you generate your voice, what kind of vocal exercises do you do beforehand? Jackson : I'm the worst person to ask about this, but usually I'm using a Shure SM 58 for vocals. For other shows that are more like DIY, I have this one vocal mic that belongs to our drummer that I like to use. I cannot think of the name right now. I make sure I drink a lot of water with honey in it, too, because that helps. I'll run through scales with my voice, too, before shows and usually it helps lubricate my throat. MaM : I’ve noticed your fans like to join you on stage sometimes at shows. How does that make you feel? Jackson : It's awesome, dude! It's so cool, man. Makes me feel like all our hard work is paying off when people sing our songs with us. MaM : Your whole look and your music videos and images are quite unique. Will you shed a little light on the inspiration behind some of the videos you guys have done? Lily Shea : It has become second nature to have my camera out all the time because I never know when I'm gonna strike gold, but the music videos are just such a blast and everything we do is impulsive. Credit: Chad Besse MaM : Was the video for “Voodoo” shot at a real cemetery or on a studio set? Jackson : It was shot at Fright Trail in Scott, Louisiana, which is almost like a haunted house attraction because it's all woods and creepy. MaM : You guys did a bad-ass cover of Megadeth’s “Sweating Bullets.” Is there a particular reason you decided to cover that song? Jackson : We've only played that song maybe two or three times and it was because at a jam practice one time, I started singing the words “sweating bullets” in a Dave Mustaine-sounding voice and then we discussed playing it. We initially ran through it as a joke, but it sounded kind of cool. We played it for the next few shows after that until we got tired of it. Credit: Chad Besse MaM : Can I ask how tagging Snoop Dogg for the “Feeding Frenzy” video came about? Jackson : We are so stupid and think that we're so funny. “Feeding Frenzy” was a brand-new song at the time, and when I was typing out the captions for the video, I asked the guys in the band what else should I put. ‘Is that all that I should put?’ Someone in the band mentioned tagging Snoop Dogg, so I put in the captions, “Everybody tag Snoop Dogg,” and I got so many comments tagging him because of it. Snoop never did see the video, but I’m sure he would have loved it. Credit: Chad Besse MaM : What does the future hold for VOID? Jackson : Right now, we are working on a new single. We want to put out new music by August or September as a refresh for our fans. We probably won't do another full length for about a year or so, but we are also in talks with some big-name bands to play shows, too, so we’ve got quite a bit coming up. To experience VOID for yourself, be sure to check out one of their links below, and don’t forget to catch them at Radfest in August! • VOID • | Instagram, TikTok | Linktree Void | Spotify *cover photo courtesy of Chad Besse Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. The force is strong with this one. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Disjunct is redefining the sound of music for a new generation < Back Disjunct: Technically Gifted Musicians Who Push Boundaries Nicole Brice Aug 23, 2023 Share Disjunct is redefining the sound of music for a new generation In a society where music has become synonymous with formulaic beats and predictable melodies, occasionally a band emerges to challenge the status quo. Disjunct, an up-and-coming experimental band that formed in 2021 as a jam project in Freetown, Louisiana, became more serious about their craft in April 2022 and began seriously writing and playing more live shows. The band consists of Brock Bonin (guitarist), Tony Struhldreher (drums), and Trent Hebert (bass). These guys recently played Rad Fest 2023 in downtown Lafayette, Louisiana, and their set was nothing short of remarkable. As we watched guitarist Brock Bonin play last Saturday, MaM Lead Photographer Gary Governale and I both remarked, “Damn, that guy is good!” Credit: Gary Governale Disjunct is a band unafraid to experiment and push boundaries. Blending elements of psychedelia, progressive rock, djent, and jazz, their music defies categorization. Their ability to seamlessly merge different styles and genres results in a truly original sound that leaves a lasting impression on listeners. Disjunct refuses to be boxed in, constantly striving to transcend musical expectations, and with band influences ranging from Jimi Hendrix to Primus to Chon, the end result “is a culmination of our preferences that mesh together to form a new and unique sound,” says founding member Brock Bonin. Credit: Gary Governale When it comes to live performances, Disjunct draws the line in the sand. The band’s synergy cannot be missed because, like a fine-oiled machine, each member brings their unique flair. The passion with which Disjunct performs is an unforgettable experience. If you missed their set at Rad Fest, bummer—but rest assured these guys have much more on the horizon for the remainder of 2023 and beyond, and we’ve got a small snippet of their performance for you below. We were able to ask Brock a few questions about Disjunct, so check out a little Q & A and then stay tuned for more from these guys! MaM : I can’t seem to find any music for you on Bandcamp or Spotify. Where can I find your music? BB : We are actively working on putting together recorded music for our listeners. There is an EP dropping this fall, with new single releases to follow shortly after. MaM : Are there any notable shows you guys have played yet besides Rad Fest? BB : Disjunct preformed Marsfest as well as the Festival International after a party hosted by Artmosphere. Credit: Gary Governale MaM : Who or what influences you to write music? BB : A large part of our writing process comes from the general idea that we want to stay original. Most of the music has been written from the ground up based on ideas that presented themselves organically during jam sessions. MaM : Where do you see the band headed in the future? BB : We have plans to grow together as a group and mature our music into a more cohesive sound. Things to look forward to are a heavier ambiance, extended-range guitars, and more technical proficiency all around. Disjunct is a band that is challenging conventions, turning heads, and offering a breath of fresh air to the local music scene. To learn more about Disjunct, visit them on social media via one of the links below. Instagram : Disjunct (@disjunctband) • Instagram photos and videos *Cover Photo - Gary Governale www.governalephotovideo.com Nicole Brice just loves music. It doesn’t matter the type. Do you have something you think she should hear? Hit her up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mayrunner’s music is a melting pot of styles and genres < Back Mayrunner: Thrashing Guitars for a Solid Rock Offering Nicole Brice Aug 14, 2023 Share Mayrunner’s music is a melting pot of styles and genres Have you heard of Mayrunner yet? Well, if not, you will soon. Mayrunner is an alt-rock band based in Lafayette, Louisiana , that was formed in 2014 . Founding members Devric Taylor and Hailey LeBlanc were looking to start a new project outside their previous band. They organized a search for a drummer to complete their lineup, which led them to Alex Mamolo , marking the beginning of the band, and here we are today. Over the years, there have been numerous lineup changes, but Mayrunner continues to move forward, creating music that defines their unique sound and brand. Currently, the band consists of Devric Taylor on vocals and guitar, Henry Milliman on bass, Finis Robinson on guitar, and Phil Hardy on drums. Their debut album, Good for What We Are , was released in 2018 and is just amazing, and then when I thought it couldn't get better, the band recently launched their highly anticipated follow-up album, Tell Me Where You've Been , on August 4, 2023 . This album is now available on all streaming platforms and features 37 minutes of enjoyable rock with fuzzy guitars and catchy sing-along choruses. You'll love it, trust me. Released August 4, 2023 Mayrunner excels at crafting beautiful songs that I feel deeply. I love everything about their music, to be honest. Their lyrics tackle themes that resonate with me because of their emotional depth. The lyrics are perfectly complemented by haunting melodies and harmonious arrangements , too. With each song having its own unique sound, this band creates music they are truly passionate about, and you can see that reflected in the final product. One thing I truly love about this band is that they feature intricate riffs that are rich in depth, supported by a tight-knit rhythm section consisting of a bassist and a drummer with impeccable timing. With such a solid foundation, I have no doubt they will continue to gain popularity and success in the music industry, but I need you beautiful people to check out their music, so what are you waiting for? Music video for 'Slowburn' by Mayrunner If you'd like to catch this band live, Mayrunner is taking the stage on August 19, 2023, to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana , so come out and see why I love them so much. We recently chatted with Devric Taylor , the lead voice of the band, where we discussed gear, band history, and everything in between. Sit back and learn a little more about Mayrunner as you make your way through our conversation. Credit: CobraTai Media MaM : Who or what do you attribute to defining your sound? DT : I think there are a lot of different artists that have inspired us as a band collectively, but I know for me some of my earliest influences were Coheed and Cambria and Incubus - pop-punk bands such as Fallout Boy , too, and metal and Midweset emo bands. I would say it's all over the place, though. MaM : Your music is a melting pop of different styles, and I really enjoy it. I can definitely tell you were influenced by the late 90's and early 2000's rock scene. DT : Thank you. We all grew up on that kind of music. And you know what? When we were learning how to play our instruments or writing songs, we would revisit the music from those bands that we just were super inspired by, and it helped with the songwriting process. MaM : That's a great way to go about it, too. What influences you to make music? DT : I've been asked that before, and I feel like the best and truest answer I can give is that it gives me a sense of identity. I make music because it inspires me, and I'm inspired to write music based on things that are going on in my life. But also, when I can get into that mindset of writing or being creative, I tend to say things that I don't know if I would have ever thought of just talking to somebody. I'm able to access different parts of my brain when creating and it helps me get to know the real me in the process. Credit: CobraTai Media MaM : How did the name for the band come about? DT : It's funny how it came about because we weren't initially called Mayrunner . We were trying out different names and at the time, it was me and two women in the band. Initially, we were playing on the fact that there were women in the band. We called the band Sons and Daughters . When we added our fourth member, we decided to change it again and we ended up coming up with the name The Sleepless May . I really liked that name for some reason, so I brought the name to the band, and they didn't like it at all, but I really wanted to keep the name May in there because of the sentimental value to it. I had a really good friend of mine that had passed away and he was born in that month. It made a lot of sense to me. For a long time, it was basically me and our original drummer just going back and forth with names. She suggested the name Runner at some point, and I was like, I don't like that because there was a band that I knew called Runner Runner and I just didn't like that. And then I said, I really wanna keep the word May in there, so she said, 'What about May Runner?' And I was like, 'I don't hate that.' So, we talked about it, and we sat on it, and it stuck. We just thought it was a cool pairing of words, though. MaM : I mentioned earlier about your sound being unique and I love that every song is different from the last. And I really do enjoy that. As far as the tones you guys have in your music, do you have specific gear that you use to achieve that sound? DT : Actually, yeah, so if I get all gear nerdy on you, I’m sorry. MaM : No, you're good. I'm a guitar player and I grew up playing piano, so go for it! DT : I’ve played around with a lot of guitars throughout the years. I had an Epiphone Les Paul . I had a Gretsch Electromatic Jet . I even had an Epiphone Black Beauty . There's probably a whole lot more that I can't think of, but I did play around with a few different configurations of guitars and amps. At one point, I found out that I really liked a British tone , too. My thing was, I really wanted a good distortion tone, and this is where influence comes in and it is Incubus related. So, Ben Kenney put out this album called “ Burn the Tapes ” and he did every instrument himself and he would do these live videos, too, with him playing everything. I would watch him play drums and bass and guitar, and his tone was amazing. He had a forum, and I would go and see what gear he was using and then make a note of it, but I didn’t have the money to get what he was using. Then, a friend of mine when I was in high school, had a Gibson SG , and he was a really talented player, but I'm not gonna lie, I was jealous of how he played, and I didn't exactly want to get a guitar that he played, so I was like, just let me find something else other than that. I then played a Gibson SG guitar at Guitar Center , and I couldn’t deny that it sounded the way I wanted it to, so I bought it and then ended up buying an Orange Amplifier . The natural distortion on that or natural overdrive rather was incredible. It was close to what I wanted, but not fully there. So, I had a tube in my pedal set up for a long time, and I tried different distortions like the Boss Distortion Pedals , but I just could not nail what I was searching for. And then I tried some random pedal, and I paired it with my Tube Screamer . My distortion by itself sounded more like an overdrive than anything, and it was kind of a dry overdrive mixed with the Tube Screamer. For some reason, it popped, and I had the Tube Screamer set in a certain way that it would kind of just crunch up my clean tone from the Orange which was already full sounding and then the SG brought it all together. I'm still playing with that setup to this day. Credit: Facebook MaM : That brings me to the next question, what are your plans and future aspirations for the band? DT : We are always thinking about moving forward, but things have changed recently for me. I’ve actually moved out of state. I'm coming back home right now to Lafayette because I’ve got a couple of shows, but then I'm going back and I will be out of the state for the foreseeable future, but we will still be a band, and if things happen with the band in its current state, I really want to get behind it 100% and push it as much as I can from a distance. To experience the music of Mayrunner , hit one of the links below and be sure to catch them at Rad Fest 2023 on August 19, 2023, at PARC International in downtown Lafayette . Mayrunner Links: Facebook : www.facebook.com/mayrunner4 Instagram : Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp : Music | Mayrunner (bandcamp.com) Tik Tok : Mayrunner (@mayrunner__band) | TikTok Spotify : Mayrunner | Spotify Apple Music : ‎Mayrunner on Apple Music *Band interviewed by Je'an Paul Keller - article written by Nicole Brice *Cover photo by CobraTai Media - @cobrataimedia - https://www.instagram.com/cobrataimedia/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is secretly a ninja. It's true. If you have something you think she should check out, e-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ventruss creates a sound that defies categorization < Back Ventruss: An Orchestration of Dedication, Creativity, and Passion Chris Pryor Aug 18, 2023 Share Ventruss creates a sound that defies categorization In the heart of Louisiana’s music scene, an orchestration of dedication, creativity, and unwavering passion resounds through the ranks of the alternative metal band known as Ventruss. Behind the electrifying riffs and soul-stirring vocals lies a band that has honed is musical prowess and perfected the art of collaboration and resilience. Formed in 2012, Ventruss has seen numerous line-up changes over the years, but that doesn’t stop them from releasing new music and touring. A recent phone interview with BJ Davidson, Ventruss’ drummer and driving force, provided an insightful glimpse into the band’s journey, challenges, and aspirations. Ventruss is taking the stage on August 19, 2023 to perform at Rad Fest 2023 at Parc International in downtown Lafayette, Louisiana, and is the sixth band in our installment of interviews with all acts on the bill. Credit: Facebook Navigating the intricate tapestry of metal music, these veteran musicians have crafted a distinctive sound that defies easy categorization. The band has gracefully melded these elements with alternative metal, creating a sonic landscape that captivates and enthralls listeners. The band’s dedication to musical excellence remains unwavering and BJ Davidson shared insights into their evolution over the past decade. From their early days in Louisiana’s local scene to their emergence as a regional force to be reckoned with, Ventruss continues to forge ahead with no signs of slowing down. Credit: Facebook One of Ventruss’ defining attributes is their ability to seamlessly navigate the challenges that often plague many bands: finding and maintaining the right line-up. BJ candidly discussed the uphill battle of locating committed, like-minded musicians and how their continuous pursuit of synergy has shaped the group’s identity. With a keen emphasis on respecting one another’s artistic input and maintaining strong interpersonal bonds, Ventruss exemplifies the delicate balance between artistic collaboration and personal relationships. Read on to learn more! MaM : So, let's have a conversation about the group to give fans and maybe some of those who don't know Ventruss some background info. BJ : The band was formed in 2012. I'm the drummer in the band and on lead vocals, we have Ben Jewell, who's one of the founders of the band. Shawn Saizan is our lead guitar player. Jake "Big Chug" Chenevert-he's our bass player, and we've got Jesse Newman on rhythm guitar and backup vocals. MaM : I know you said you weren't in the band for the first three years, but in the past seven years, tell me how it has evolved, and has y'all's vision for this group changed in any way? BJ : Oh yeah, definitely. I'll say you can hear the band's prgression if you listen from our first album to our second album and then to our newest album that we put out a few years ago. We're also about to go record a new song next month. So, you can steadily hear our progression as a band and a lot of that stems from, I think, the different people we've had in and out of the band over the years. Just us growing up, getting better at our instruments and as individuals, and everybody in the band, I think, has different influences. So, I feel like we're a band that you really can't put in just one block or one category or genre of metal because there are all kinds of different types of metal. One thing about us that I've always loved is the fact that some of our earlier work wasn't quite heavy metal. It was more on the alternative rock/metal side of music. But then as we've progressed over the years, we've gotten a lot more technical and heavier. We've started tuning our guitars lower and trying different things like that. So, it's like we always evolve in different ways-and the sounds and influence also. Every member's input is always welcome. Our approach to songwriting might be a little different, which is also another reason why I think it takes us longer to write material. In 10 years, we put out three albums and we only have about 17 original songs in our entire catalog, but all of our songs are of excellent quality from start to finish. We really focus on the music and the parts; we really try to build the parts up to get as much out of them as we can. So, our approach to writing is a little different than the other bands in that way, I think. I joined the band seven years ago; the band hadn't had a steady drummer for a while. So as soon as I joined the band we [rehearsed], we started playing shows...left and right. Then we were really, really getting noticed, and any time a big national touring metal band or act came through the big music venues, like the House of Blues in New Orleans or the Varsity Theater in Baton Rouge , Southport Hall in New Orleans , they were calling us. So that really helped us out a lot with our notoriety and getting discovered. We've since stopped playing locally so much and started focusing on traveling and touring after we released our second album. Credit: Facebook MaM : Well, it sounds like you guys got it going on. What are some of the biggest obstacles you've had to overcome as a group? BJ : The biggest obstacle I would say we've had to face, and I'm sure that many bands if not all bands, have had to face this: finding the right people to join your band and stay dedicated. That's one of the hardest things to do. MaM : I totally agree with that righ there. You know, to me that is the biggest thing. It's finding not only incredible musicians but also ones who are willing to put in the work. BJ : Exactly. It's a financial thing. It's a mentality. It's a commitment. It's musical equipment. It's all these things that go into this to make this work and you really got to have that special blend of people that, when they perform together, have that good chemistry. I'll never forget this: One time, Sevendust ... said in an interview ... that picking your bandmates is a very crucial part because you're going to be, if you get to that level, traveling and touring, spending all this time with these guys in very close quarters. So, you know, if you've got an asshole type of personality in your band, it's only going to amplify and get worse when you're traveling and touring around, so you got to keep that in mind. It doesn't matter how good you are or who you are if you're not personable and polite and you don't respect people's time. Credit: band's website MaM : So, we've been through the good, we've been through some of the trials and tribulations of trying to find musicians, keep musicians, and get the right caliber of guys in your group. Now you're looking at your big picture, which is what for this group? What's your endgame? Where do you see this thing in the five years or so? BJ : I feel like now our plan is to just keep writing good music that we love and just keep continuously on the grind. We've been on the grind for 10 years now. It's a big cycle that comes in waves. You've got the creative waves where you're creating your albums. In the next five years, we plan to grow, but like I said, every member's voice is always heard in this band. We all run the show and we all have different areas that we specialize in. We all kind of have different roles and responsibilities that help us keep everything moving along. MaM : Well, let me ask you this: I know with three albums and 17 songs, it's probably tough to pick a favorite, but if you had to, which would you say is Ventruss' best song - your signature song? BJ : If I had to pick one song from our whole catalog, I would probably say our song "Talladega" is it. That's also our best-performing song on Spotify and Apple Music. It's been out a couple of years and if somebody wants to hear what we are as a band of interest, I always point to that song because it showcases the best of all of us and what we can do. It's aggressive and fast and in your face, but there there are some parts that are not so in your face. And then vocally, you've got good vocal melodies, clean singing and those nasty gut-wrenching screams. So, there's a good contrast there from start to finish. MaM : So, I watched the video for "Talladega" and that's a cool video. I mean, you've got the fast cars on the track. I like that; I'm a NASCAR fan. Is that the kind of direction you all were trying to go with this video? BJ : Yes and no. I'll say that the music video shoot was fun. That was the first time our bands got to do a high-budget type of film. We've done music videos prior to that one, but it wasn't quite on the budget and the production if was at that level. [For "Talladega"], we had a whole film crew. We filmed it at the New Orleans Speedway. Our old bass player, Steven, was a huge NASCAR fan and we were just trying to think of a name to call this song and he said, 'Let's just call it 'Talladega' because Talladega was coming up in NASCAR and he was looking forward to watching the race. It was a fast, aggressive song, so it kind of was fitting in that way. And then we wanted to do this fun racing video to go with it. MaM : Is there anything upcoming you guys want to share? Big show announcements, song releases? Just some tidbits you can throw to the fans? BJ : Yeah, we've been writing new material. We hopefully will have one to two new songs, maybe, released by the end of the year, and if not released, then we're definitely trying to have two to three recorded by the end of the year. So, people can be on the lookout for some new music from us in the upcoming months. You might hear us trying some new stuff that might change our sound up, too. MaM : There you go, man. Well then, the last question I've got for you is what can we expect from you at Rad Fest 2023? BJ : We've been around, and our live shows have alwasy been something that has made us stand out. So, you know, any time you see us perform, we're gonna be high energy, in-your-face aggressive. Ben is a hell of a frontman. He's one of the best crowd controllers I've ever seen, especially in the local scene. He's just got something about him when he's up there; he can really draw your attention. And then you've got all of us in the band behind him. Every time I play, and I sit behind my drums, I put on a show myself just on my drum set. You know, I want people at any time in the show when they look at me, if they happen to look at me playing, I want them to feel what I'm playing and be entertained. If you see us at Rad Fest 2023, you will be entertained. Credit: Icon Photography As Ventruss stands on the brink of new horizons, the band's future promises continued growth and musical exploration. Guided by a meticulous work ethic and a profound respect for their craft, they are gearing up to release fresh material that embodies their ever-evolving sound. In the face of adversity and industry challenges, Ventruss remains an embodiment of dedication and a testament to the unbreakable sprirt of music. Be sure to catch them at Rad Fest 2023 or check them out via one of their links below. Website : www.ventrussmusic.com Facebook : www.facebook.com/Ventruss Instagram : Ventruss (@ventruss_official) • Instagram photos and videos Twitter : Profile / X (twitter.com) YouTube : youtube.com/channel/UCXIH1_IqS_TKSgVwbnFg2mw Spotify : Ventruss | Spotify *Cover photo - www.ventrussmusic.com Christopher Pryor is a multi-talented Renaissance man who currently fronts the Louisiana-based band Chris Pryor & The Main Event. He loves to listen to new music and give his opinions. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics < Back Endure the Affliction: Music to Empower Mind, Body, and Soul Je'an-Paul Keller Jul 31, 2023 Share Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics Coming up August 19, 2023, Louisiana’s own metal core/progressive metal band Endure the Affliction are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana. They are the second in our installment of interviews with all the acts on the bill. These guys are the new face of progressive metal/metalcore in the area and if you’re not familiar with them yet, you soon will be. Endure the Affliction is a well-orchestrated mixture of progressive metal and metalcore that embodies melodic metal and embraces their Louisiana roots. This five-piece group of talented musicians formed the band in 2018 in Lafayette, Louisiana, and currently consists of Deion Lanthier on guitar and vocals, Ryan Tyler on lead vocals, Brett Dronet on guitar, Joshua Domingue on bass, and Kyle Roberts on drums. credit: Chad Besse A sound reminiscent of true, deep southern darkness metalcore, Endure the Affliction belts out a powerful and passionate message that will shake your soul to its very core. They have been through different member line-ups and many personal hardships through the years, but those experiences taught them how to endure all of the afflictions the world throws at them. Like a phoenix rising from the ashes, their lyrics are about overcoming hardships in life such as suicide, racism, and drug addiction, just to name a few. Their music video for the song "Identity" demonstrates the battles inside we all struggle with on a daily basis. The powerful riffs of the dueling guitars and soaring vocals are so intense, they’ll have you on the edge of your seat wanting more. Their listeners have told them they are a gateway into the wonderful world of metalcore, and I, for one, could not agree more. Their EPs “Origins” and “Evolve” are full of so much energy, they’ll leave you feeling motivated to conquer all roadblocks that you face. Exactly the type of music one wants to hear on any given day. Recently, I had the chance to sit down with vocalist and guitarist Deion Lanthier, where he told me some great stories about the band’s history and took the time to explain the band’s overall message, which is focused on healing and feeling uplifted. These albums will empower your mind, body, and soul for the greater good. Check out our conversation below, then go listen to their music. You won’t regret it! Deion Lanthier - Photo credit Chad Besse MaM : Who or what has inspired your sound? Deion : Well, it’s kind of hard to say. We’ve been through a few original members. Originally, the idea was to be like a cross between hard rock and metalcore, but it ended up not being that because we all have different influences. Originally, with the original singer being … an older guy, he was more influenced by the classical heavy metal, where the rest of us are more influenced by metalcore-type of stuff—maybe a little bit of Djent—but we really don’t try to sound like anybody too much. We just kind of do our thing. Whatever we write, if we like it, then we just roll with it. Everything’s always middle, of course, but we just gotta roll with it. We all have a bunch of different influences. MaM : Primarily what was your main influence? Deion : The biggest influence for me, personally, … would probably be All That Remains, because that was the first metalcore band I heard. They definitely had a lasting impact on me and a big influence on the way that I write music. MaM : How did you form? And how did you meet the other members of the band? Deion : Well, it was me and the original drummer that started the band together, but it was weird. I didn't know the guy but I saw him on Facebook, and I mistook him for someone that I went to school with. I was like, ‘Hey, man! I didn't know you played drums,’ and I guess he got confused too, because he was talking to me like he knew me. So, we didn't find out until a few messages later [that] we don't actually know each other. Then I said, ‘Hey, you want to start a band together?’ I was looking for a second project at the time. I was actually in one project at that time that wasn't really making too much progress. So, that's how we got started. credit: Chad Besse MaM : I take it everybody catches on pretty quickly and everybody gets into the groove? Deion : Oh, yeah, absolutely. We all have really good chemistry, and everybody is very, like I said, very talented. Everybody brings their own unique influence, and everybody's great songwriters. That's the most important part, right? MaM : So you all contribute to it. It's kind of like the band Queen, where everybody just puts in their own influences and brings everything to the table, huh? Deion : Oh, yeah, absolutely. Generally the process would be for me or the other guitarist, but we come up with the melodies on guitar first, and then the drummer puts the drums to it. Then, bass and vocals [have to] get written next and need to get written simultaneously. But, it's very guitar driven, usually. Once we have the bass line down, everybody just kind of makes suggestions, and we go from there. So, it's definitely all-five-members-in type of thing. MaM : Most definitely! What influences you to make music? Deion : OH, MAN! Just the love of it! But, aside from the generic answer? (laughs) I've been through a lot of things in life at an early age and music was really what helped me get through it all. Aside from the normal teenage angst, you know, I’ve been through some pretty dark stuff that I feel like if I wouldn't have had music, I wouldn't have been able to deal with it properly, maybe? Music helped me put my emotions into context. I think it helped me learn to manage my emotions and things like that … work my way through things. I want to be able to do that same thing for other people. That is what drives me to keep doing it. credit: Chad Besse MaM : Oh yeah, definitely. I noticed overcoming hardships is the driving force behind your music and in your message. What hardships do you think the listeners overall relate to the most? Deion: We've been told any time we talk about suicide, that's a pretty heavy topic for people, as well as the drug addiction songs that they really connect with—even the more generic songs, like one of our older ones called “Rise.” It's just about rising above a hard situation. Everybody really connected with that one. Even though it's a very broad message, they seem to like it a lot, and that’s something they say they don't get from metal a whole lot. So they're very surprised by it. They all kind of latch onto it. We take pride in that, and that's why we stick to it--even with the vocal exchange. The lyrics may be a little different, but the message is still the same. People seem to really like that positive message. Even though we talk about the darker side of things, we always try to lyrically make it to where you can come out of this bad situation, and you can get through it. MaM : Can you tell me more about the lyrics for “Identity”? Deion : Well it's both general and specific, because it's basically my life. I was a little selfish when I wrote it, but it's relatable because it's true. It's a little bit of racial-identity type of stuff but at the same time suicide attempts and drug addiction. I've been through all of that stuff. But, with the racial thing, I'm mixed, so I've had to deal with stupid stuff from both sides. I had an identity crisis growing up, and that's why it's called, “Identity.” It took me a long time to work that out … realizing that I didn't need to be that way for anyone else in particular. I needed to be who I wanted to be, regardless of what anybody else thought. Also political leanings and stuff like that. You can't let other people influence the type of person that you should be. You have to decide that for yourself. So that's pretty much what that song is about. It's a little all over the place but cohesive at the same time. I try to fit a little bit of everything in there. MaM : I totally identify with that one the most. Can I get a little background info on your band name? Deion : Endure the Affliction refers to the human condition—existence itself and the fact that you have no choice but to just endure it. You work your way through problems. You go through life. You figure it out, and that's just it. It's a simple message. It's just a fancy word. Fancy words to relay a simple message. MaM : Do you use any specific pedals to achieve y'all’s sound? Deion : Yeah, I use a Line 6 Helix. I have an EVH over an orange cab, but I plug my Line 6 Helix into that. Most people just use the Line 6 Helix by itself, but I don't do that. The other guitarist has a smaller version of that called the Line 6 POD GO. He uses that for all of his pedal stuff. We're the only two. The bassist uses a straight clean bass tone. He doesn't do any crazy stuff. MaM : You have 99 monthly followers on Spotify and it's growing. Do you think they relate to the overcoming hardships in the lyrics? Do you think that's what draws them in? Deion : I believe so. We talk to our fans, you know. We're not the rock-star diva type. We don't have a huge fan base, but when they come, they come. They show up, and we talk to them. They all say that that's the main thing they like about the music: The lyrics are relatable. They love that we're not black metal. Basically, we’re out there singing about stuff they can't relate to. I think, also, the draw is because we're so melodic for a metal band. A lot of our fans are people that don't listen to metal, believe it or not. We're kind of a gateway band locally. MaM : Any future plans and aspirations for the band? Deion : YES! We would like to tour. We plan on trying to do a little miniature tour at some point, maybe one or two weeks. Nothing fancy, but definitely that. We hope to release our third EP by October. We [have] a couple more songs to get written and recorded, then we'll be good to go. Nothing too big, besides RAD Fest, obviously. For more on Endure the Affliction, you can check them out at any of the below-listed links. For more on RAD Fest, click here . Instagram: https://www.instagram.com/enduretheaffliction.la/?hl=en Facebook: https://www.facebook.com/enduretheaffliction.la/ YouTube: https://www.youtube.com/@EndureTheAffliction Spotify: https://open.spotify.com/artist/0YkC97oMGPhF8ivqYFXHHo Apple Music: https://music.apple.com/us/artist/endure-the-affliction/1471728402 Bandcamp: https://enduretheaffliction.bandcamp.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Get ready to rock around Downtown Lafayette on August 19, 2023 < Back RAD Fest: A Lafayette Festival for Those Who Rock Nicole Brice Jul 11, 2023 Share Get ready to rock around Downtown Lafayette on August 19, 2023 What is RAD Fest? I bet that’s the question creeping into your brain right about now, so allow me to shine a little light on that. RAD Fest is the brainchild of Grant Duhon, lead vox for the rockin’ Lafayette-based punk band Subliminal Landmines . It’s a hard rock festival that got its start in 2022 and is forging ahead this year with bands set to take the stage from 1 p.m. to 10 p.m. at Parc International in downtown Lafayette, Louisiana, on August 19, 2023. Featuring talent from in and around the area, RAD Fest is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. Festival organizer and founder Grant Duhon says of the festival’s origins, “I love spreading music and I love sharing music, and I feel one of the reasons I was put on this earth was to spread peace, love, happiness, and inspiration through music. I wanted to create a festival that shared the local music, not just Lafayette musicians, and obviously it all started in Lafayette, but we have some bands from other areas in Louisiana as well.” He continues, “Ventruss is from Baton Rouge and Zizzi is from New Iberia. I just want to spread the sound and the music from this area in a festival-style environment. At first, it was going to be called Punk in the Park, but I found out that name is already taken. Also, too, the festival doesn’t just cover punk music; it covers all rock music. So, that’s where Rock Around Downtown (RAD Fest) came from.” This year’s line-up includes the heavy hitters: Zizzi, Chump, Ventruss, Disjunct, Mayrunner, Life On Mars, Subliminal Landmines, Night Revival, Stella Vir, Endure the Affliction, and VOID. With such a stellar line-up, the festival looks to provide a memorable day of entertainment, fun, and awesome tunage, not to mention the food they have lined up for the festival just makes our mouths water thinking about it. Food vendors include Twerk City Tacos, Saucay’BawBQ, and The Munchie Wagon. T-shirts and merchandise will be available for purchase, and if you have last year’s t-shirt and you wear it, you can gain admission to the festival for FREE this year. The plan is to continue this tradition going forward, too. This is an all ages event, so bring the family, and pre-sell tickets are still available for purchase, so check out their social media for more details on RAD Fest 2023! Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. < Back Southern Happenings: Meet The Gosh Darn Dangs Rian Nickels Jun 7, 2024 Share The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. Take a stroll with me as I look back on my magical evening of May 10th, 2024, when I had the pleasure of experiencing The Gosh Darn Dangs , a beloved local band from Louisiana, busking on the vibrant streets of Downtown Hammond. I want to take a moment to introduce the (at the time members) of the band: Leading the way was Mike, the band's founder and charismatic lead vocalist, who occasionally added a soulful touch with his harmonica. Lexy added a unique charm to the group, whose enchanting harp melodies and vocals provided a delicate and captivating layer to their sound. Keeping the rhythm steady and dynamic was Tim, the talented drummer whose beats infused the performance with energy and drive. Rounding out the ensemble was Jake, the bassist whose deep grooves and harmonious vocals added depth and richness to the band's musical tapestry. Completing the lineup was Kris, the skilled guitarist whose riffs and vocals added a powerful and harmonious vibe to their performance. Credit: Rian Nickels The adventure began at PJ's Coffee , located at the bustling corner of West Thomas Street and North Magnolia Street. Here, the band gathered for some last-minute instrument tuning and practice. Watching them prepare for their performance felt like a rare privilege, a behind-the-scenes glimpse into their world of music. With instruments finely tuned and spirits high, we set off down West Thomas Street, searching for the perfect spot to share their music. The lively atmosphere of downtown Hammond, with its charming streets and buzzing nightlife, provided the ideal backdrop. The anticipation grew with every step as the band and their followers sought the perfect place to set up and play. Credit: Rian Nickels When they reached their first stop, the sidewalk outside the beloved local bar Benny's Place , they had to change their plans out of charming respect for the skillful jazz players performing across the street at Mariner's Inn . Undeterred, they continued their stroll through the brightly lit streets until we arrived at the heart of Hammond's latest addition, Railroad Park . The city center was the perfect place to begin truly. Equipped with a well-lit stage, bench seating, and ample room for people to gather, it offered an ideal setting for the performance. Here, the band launched into their melancholic tunes, including " Going 100mph in a 30mph Zone ," a poignant song about the trials and tribulations of youth and the journey toward adulthood. The atmosphere was warm and cozy, but after a complete set, they only got a few passersby, so they returned to Hammond's busy sidewalks! Credit: Rian Nickels As we walked from the Railroad Park to our next destination, The Gosh Darn Dangs did a cover of “ Scott Pilgrim vs. My GPA ” by Midwest Emo band Mom Jeans . The harmonies bounced and echoed off the tall downtown buildings until they landed across from a locally cherished bar, The Red White and Brew . The calming riffs and strums drew the attention of the bar patrons, even from across the busy street. After incredibly relatable songs like “ I’m Not Gonna Die Today ,” the band started to build an audience of late-night strollers and bargoers. Credit: Rian Nickels As each song ended, the intimate audience cheered. When asked about the origins of the song “ I’m Not Gonna Die Today ”, lead vocalist Mike Spoon said, “ Writing this song was a turning point for me. Getting it out in music form helped me understand myself better and set me on the path to having a better attitude about things. It's a journey I am still taking. So, in a way, this isn't a sad song. It's kind of like the dark cloud just under the silver lining. We all must go through it in our way. ” Credit: Rian Nickels The contrast between live music in a dedicated venue and busking on the streets is profound, rooted in the unique connection fostered between musicians and their audience. While a venue encapsulates sound within walls and confines emotions to a designated space, the experience of street performances allows emotions to ripple through the open air, touching everyone in its path. That night, The Gosh Darn Dangs’ music brought a piece of the community of Downtown Hammond together to enjoy a night of soulful tunes, and it reminded me that our time on Earth is limited, so we need to experience all there is out there just once. To learn more about the The Gosh Darn Dangs , just hit one of the links below. Facebook The Gosh Darn Dangs (@thegoshdarndangs) • Instagram photos and videos *cover photo by Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Rian Nickels is a total music junkie. Do you have a show you’d like her to review? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. < Back Eric Johanson: A Distinctive Blues Musician with an Intoxicating Sound Bud Gambrell Jan 30, 2024 Share NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. New Orleans blues musician Eric Johanson recently embarked on his maiden headlining tour, kicking off his first show in Decatur, Alabama. Eric’s style of music cannot be classified into one category, as he is about more than traditional blues. His songs are steeped in the blues, but he also includes the influence of rock, funk, soul, and a little bit of Louisiana style. Born in Alexandria, Louisiana, Eric now calls New Orleans home and uses his travels abroad to gather the many influences that give him a distinctive and intoxicating sound. With the release of his new album, “The Deep and The Dirty,” the power trio sets out to make a name for themselves. Opening Night of the 2024 “Don’t Hold Back Tour” kicked off this past Saturday, January 27, at The Princess Theatre in Decatur. The power trio gave all that they had to please the undersized crowd. Led by guitar slinger Eric Johanson, the band laid into two sets running just over two hours. Eric hit the road in support of his 2023 release The Deep and The Dirty . While playing plenty of tracks from the new album, the evening had a generous helping of tracks from Eric’s previous releases. While Eric was in town, Mixed Alternative had the chance to sit down and have a chat with this brilliant guitar wizard. Read our conversation below! MaM : Your current tour, Don’t Hold Back , starts tonight in Decatur, Alabama. How do you feel about your upcoming tour which is your first headlining tour? EJ : We've certainly had headline dates out there, but this is the first time we're hitting a lot of these venues in a row to headline, so it's exciting! It's really good to be getting back out there and playing for the people. It's always nice when you headline the shows. You can play more material and stretch out. Credit: Bud Gambrell MaM : Since this is your debut headlining tour, is there anything that you are out to accomplish? EJ : We're just wanting to get out there and see folks that maybe heard us online and haven't gotten a chance to see us yet. The live show is really what it's all about for me. It's where the music takes on a life of its own. And you know we never play things the same way twice. There's always improvisation involved and we try to change up the set so we're hoping to see some familiar faces and also turn on some new folks to the to the live experience. Credit: Bud Gambrell MaM : Is there anything that you can tell a newcomer, like myself, on what to expect from an Eric Johanson show? EJ : Well, my music is heavily [influenced by the blues], but it kind of is a little broader than that. It has elements of rock and funk and has that Louisiana influence, and also a little bit of the jam band-like The Allman Brothers-type vibe in there. I don't like to keep it in a box but basically, it's a power trio and we perform mostly all original material from the albums that I've released. Credit: Bud Gambrell MaM : What can we expect to hear on the setlist? EJ : I'll play stuff from all three of the studio releases. I play a couple of things that came out on the ‘Covered Tracks’ releases sometimes, but honestly, these days, a lot of times, I don't write out a set list and we just kind of go with the feeling. I've found that it keeps it more on the edge of our toes to just come up with the next song based on what the moment feels like and the energy that we're getting from the crowd. So a lot of the time I'm really coming up with the set on the spot, but it's always a mix of the original tunes from my three records and you know occasionally we'll throw an old blues tune in there or an old New Orleans tune. MaM : This is a return trip for you to The Princess Theater. I understand the last stop had an interesting mishap. EJ : Yeah, the last time I was there something happened with a breaker or something and the PA went out for a little bit, and I actually ended up just sitting on the edge of the stage and singing acoustically to the room for a couple of songs while they got the PA back up. (laughs) And it actually was a cool moment and a testament to the sound of the room itself. It is a great-sounding theater. Credit: Bud Gambrell MaM : 2024 is looking to be a bright year for you: You just released the tour dates for Europe, as well as a new music video for “Just Like New”, and you are kicking off a tour tonight in support of the new album “The Deep and The Dirty”. In 2023, the album debuted at #1 on the Billboard Blues chart. How did you feel when you received the phone call giving you the news that it debuted in the top spot? EJ : It feels good! I mean you don't want to get too hung up on things like that, but it definitely is a nice feeling. When you're working on a record you just want to make the best thing that you can make. I want to make something like the music that I want to hear but I can't find or, you know, just something I would want to listen to. You really don't know how people are going to respond to it. So, when you get the news that it's not only sold well but that it's debuting at the top of the genre, it kind of gives you some … feeling like [you’re] onto something. You know what I mean? You just don't know. All you can do is what you think sounds good and it's been great to see other people getting into it. The album is not traditional blues, it's experimental. But I like to think that it's organic, it's raw, it's honest. And if people will respond to that it’s everything. It's great to see it charting and it's been great to hear peoples feedback and reactions to it. We're still excited, man! It's been out for about half a year now and so a lot of people these days get turned onto music through word of mouth. People are still discovering it all the time and it's just cool to see it kind of having legs. MaM: You've been in the music business for several years now, and obviously the music business is evolving. What are your thoughts on the state of the music industry today, especially with the invention of digital music. Where do you stand on all that? EJ : Well, it's kind of a mixed blessing because you don't really make any money from the streaming. I mean, some people will make the argument that you can, but it's such an enormous amount. Millions of people have to be streaming the music for you to make minimum wage. It's basically just a way for people to discover music, but it's not really a money maker for most of us. But that said, you know it really allows for a whole lot more people to find music that they might be interested in. … Back in the day, if you weren't on the radio, if you weren't on MTV, then only your buddies that passed on a tape were going know about your music. I think it's good that there's so much diversity of music out there and that there is a way to put your art out there no matter what. It kind of is what it is. Thankfully, there are still people that are buying physical copies of music, whether it's with vinyl coming back or whether it's people that are buying CDs. Some people buy CDs, and I don't even know if they're playing them in a CD player or if it's just something to sign. But thankfully there are still people that do that because the merchandise table on tour is really how it all works. Without that, it's pretty hard to tour. I would prefer that there was a way to still encourage people to buy records. These days it's hard to even figure out how to buy a record on iTunes. It's all just streaming now, but you know there's not a whole lot that you can do to turn back the clock on that. I just try to look at it as it's a way that people can discover new music and hopefully, they'll come to a show and … buy a T-shirt or vinyl or a CD or something. For more on Eric Johanson or to catch a show on his Don’t Hold Back tour, visit the power trio online at www.EricJohanson.com , where you can find tour dates, news, and shop the online store. *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Coming together to celebrate the summer solstice < Back Festival of Litha Returns to Downtown Florence in June Keeley Brooks May 18, 2023 Share Coming together to celebrate the summer solstice Summer is right around the corner, and with it comes all of those highly anticipated festivals full of food, fun, music, and crafts. Returning to downtown Florence, Ala., for the third consecutive year is the increasingly popular Festival of Litha, hosted by Hesperia Mystic Shoppe out of Sheffield, Alabama. Last year, the festival was held in Wilson Park in Florence and featured dozens of local vendors and live music over the course of three days. This year, the event will feature close to 80 vendors and will be held on Sunday, June 11, 2023, at a new location: The Historic Sweetwater Depot located at 502 S Royal Avenue in downtown Florence. “I have felt drawn to this historic area of Florence,” says Hesperia owner Kendall Gilchrist, “and I am happy to introduce an event to bring more attention to this side of town that holds cute little restaurants.” The festival is a FREE family friendly event that runs from 10 a.m. to 8 p.m., and locals are invited to come out and enjoy some great food, local arts/crafts/goods, and live music by local and surrounding-area musicians. courtesy of Hesperia Mystic Shoppe Litha (pronounced Lee-tha) is the celebration of the summer solstice and the beginning of Summer, which occurs this year on Wednesday, June 21. It has been a celebration amongst many cultures for many, many years but its origins are rooted in Celtic lore. Litha is said to be a time to celebrate the power of nature and its fertility, as the solstice represents the transition from action to nourishment, which is exactly what the sun gives us during the long nights of Summer. Even in those who do not mark the summer solstice, there is an internal flame within when the days get longer, and the sun leads us through better times. By celebrating the sun and the power it provides to all nature, humans are spiritually ignited and thus connected to its life force. For those familiar with the Eastern concepts of yin and yang, the solstice is a time of maximum yang—the longest day of the year. “This year,” says Gilchrist, “people can expect more of a market feel with bits of entertainment for both adult and kids alike. There will be food, live music, and a bar inside the Depot where you can cool off. We currently have around 80 vendors this year—such growth from around 25 in previous years!” courtesy of Hesperia Mystic Shoppe Vendors will be placed inside and outside The Depot, with many vendors selling metaphysical-themed arts and crafts as well as candles, bath and body goods, jewelry, books, and so much more. “I've always been community-driven, I just couldn't figure out for a long time what I could do to bring together like-minded individuals and support small businesses like myself,” adds Gilchrist. “It feels good to see others succeed in doing something they love, and I get to witness that at each festival I do now. I'm happy to support these local vendors as they have supported me in so many ways. I hope each of my vendors gain more and more confidence in what they do because some have never had their craft out for the world to see. There are such beautiful, talented, gifted crafters and creators in this area! I'm so glad I can provide a safe space for them.” As far as the music goes, this year will feature live performances from jazz/funk/blues/rock multi-instrumentalist Charles Brooks, singer/songwriter Bryson Bishop, and pop-rock duo Thrice Sovereign. Charles Brooks (by Rachel Neal), Bryson Bishop (social media), Thrice Sovereign (by Amanda Chapman) Kicking off the live music at 4:30 p.m. will be Dr. Charles Brooks , UNA Entertainment Industries professor and a multi-instrumentalist across a slew of genres. He is most known for his wicked four-mallet jazz vibraphone skills, but he is also a classically trained percussionist who plays drum set, piano, hand drums, synth keytar, and acoustic guitar, to name a few. For Litha, he’ll be rocking faces off with the synth keytar as heard below in this year’s Black History Month tribute to Stevie Wonder. For more on Charles Brooks, visit www.TheCharlesBrooks.com . Bryson Bishop will take the stage at 5:30 p.m. He is a Shoals-area singer/songwriter who will keep you entertained with some of your favorite covers from artists like James Brown, Michael Jackson, and so many others, and you might just hear an original song or two in his mix. To check out Bryson's beautiful singing, visit him on Facebook and Instagram . courtesy of Bryson Bishop Music social media Up next around 6 p.m. will be Florence-area singer/songwriter Aaron Dean . courtesy Aaron Dean social media And closing out the music for the evening at 6:30 p.m. will be Thrice Sovereign , a Florence-based pop-rock female duo comprised of multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott, who recently released their title single from their debut album “Waiting to Thunder.” Their songs are groovy tunes composed in a popular style that draws on heavy guitar riffs and the fat, distorted sounds of hark rock with artistically relatable lyrics. You certainly won’t want to miss the energy! For more on them, visit www.ThriceSovereign.com . Festival of Litha isn’t all Gilchrist has in the works for this. year, though. On Tuesday, May 23, from 6 p.m. to 10 p.m., Hesperia Mystic Shoppe and Lava Room will partner to host Brooklyn-based goth-folk musical duo Charming Disaster with a pop-up shops experience full of metaphysical items in downtown Florence on Mobile Street in support of the band. The duo will perform from 8-9:30 p.m. inside the Lava Room, and blue-cup cocktail drinks will be served alongside a delicious menu. You can even take the blue cups out onto Mobile Street to accompany you in your shopping. Charming Disaster will also be selling their merch after the show. Says Gilchrist, “Overall, it will just be a fun evening to get out midweek and take a break from it all!” So, mark your calendars, people in the Shoals area! The Charming Disaster Pop-Up Shops Experience happens Tuesday, May 23, from 6-10 p.m. at the Lava Room , and Festival of Litha happens Sunday, June 11, from 10 a.m. to 8 p.m. There’s even a new Halloween festival coming this year, courtesy of Kendall Gilchrist and Hesperia Mystic Shoppe, but you’ll have to stay tuned for that. I promise to bring you everything you need to know about Samhain Horror Night closer to October! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. < Back Originally Huntsville: Monthly Music Event Bud Gambrell Oct 27, 2023 Share Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. When most people think of “Music City,” Huntsville, Alabama, is likely not the first place that comes to mind … but Chris Hendley wants it to be. Having been working towards building a Music-City atmosphere in Huntsville for several years now, Hendley kicked off 2023 by bringing a monthly music concert series to the city that would put local artists and local music at the forefront. Hosted by The Electric Belle at Stovehouse and event management connoisseurs The Hendley Group , Originally Huntsville shines the spotlight on musicians with ties to North Alabama. There is a catch though: In order to be considered, you can’t play covers. According to Hendley, the Originally Huntsville showcase is about showcasing North Alabama’s local talent and providing them with a space to perform their own original music. Originally Huntsville doesn’t allow any cover songs and in order to even be considered, you must have a set of at least 45 minutes that features your own original music. Originally Huntsville, which kicked off in January 2023, has definitely set a tone on the Huntsville music scene. Every person who walks in the door is privy to what, exactly, they’ll be hearing, and that, my friends, is original music—the kind these artists poured their hearts and souls into—matched with an authentic performance. Here is the win-win to Originally Huntsville: Not only do we get to see local bands highlight their original music, but the concert series also has a charity side. Originally Huntsville benefits Huntsville Hospital Pediatric Audiology. It’s no surprise, then, that Originally Huntsville has seen success and been a huge draw for local lovers and players of music. October’s event, which featured local bands HunniVega and The Grassring with headliner 5ive O’clock Charlie , brought with it a big change that saw the event moved to Mars Music Hall in Von Braun Center. Mixed Alternative Magazine was at Originally Huntsville and got to chat with Mike Roberts of 5ive O’clock Charlie about how it feels to be headlining such a worthy event. We were also curious why the change in venue, so we managed to snag founder/promoter Chris Hendley for a quick chat too. See what they had to say! MaM : Mike, thanks for speaking with us before you go on. What were your feelings when you were asked if you would headline Originally Huntsville in October? MR : We're pretty happy about it! You know, I'm pretty excited! Credit: Bud Gambrell MaM : A lot of big acts come through Huntsville and play at Mars Music Hall. How does that feel as a musician to be able to play on that stage? MR : It's good to be back on that stage. I played it a couple of times. Yeah, it's always fun to play on a big stage. MaM : You've been playing as a four-piece, but tonight you’re down to a three-piece. How's it going to feel to be back down to a Power Trio? MR : We were three-piece for a long time, so it should be pretty comfortable. We were in Key West last night as a three-piece and it was solid! Looking forward to it! Next, we caught up with event founder and promoter Chris Hendley. Credit: Bud Gambrell MaM : Chris, thanks for a taking a second to speak with us. We are curious: What led you to change Originally Huntsville from The Electric Belle and bring it over to Von Braun Center at Mars Music Hall? CH : The Electric Bell Stovehouse people have been so gracious with the with the rent deal and the event deal that we have with them. With scheduling, we had the flexibility in our scheduling that if they came up with a client or someone who wanted to rent the room, we would slide [our event] one week up or one week back. But in talking with Mike Roberts, who curated with 5ive O'clock Charlie, October 19th was the date we had, and we couldn't get [Electric Belle] to slide one way or the other. So luckily, in having a relationship with Mars Music Hall, they were able to work with me … We worked a really good deal here. So, we are excited about it—5ive O'clock Charlie and HunniVega and The Grassring needed a little bit more space than what Stovehouse and the Electric Belle had, so it just kind of worked out. MaM : Not only is this a spotlight for local talent, but it also has a charity side to it as well. Would you please elaborate on that? CH : We work with the Huntsville Hospital Pediatric Audiology department, and it is really for families and children who have hearing deficiencies that are not going to be cured by a hearing aid. Most of these audiologists will tell you really quickly whether hearing aids are going to work or not. Most insurances require a family to have a hearing aid for an infant or a toddler for at least three to six months before they'll even consider them for a cochlear implant, and that hearing aid for a pediatric, or for a young child, costs between $8,000 and $10,000. They have a loaner program, and they need to refurbish those hearing aids. It's just a stopgap between the hearing aid before they can get the cochlear implant. They know the hearing aid isn’t going to work, so we've been blessed to work with these guys, and you know, it just made sense for music and kids. All of the bands love the idea of being able to support this type of cause because their music is their passion, and they want these kids to experience it. As you can see, there’s a more than one reason to get to November’s Originally Huntsville event , which is the last Originally Huntsville of the year and takes place Thursday, Nov. 2 at 7 p.m. (doors at 6 p.m.), back at The Electric Belle. November’s event will feature Tim Cannon , Drunk In Memphis , and 3 Below . Tis the season for giving and kindness, and for some badass live, local North Alabama music, so mark your calendars and make those plans to get out and support live local music and give to a worthy cause. For more information on Originally Huntsville, visit them online at www.TheHendleyGroup.com Check out some more photos from the event below, in case you missed it! 5 O'Clock Charlie Hunnivega The Grass Ring *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Chill Fest 2024 unquestionably lives up to its name and is an incredible opportunity to hear local music and support the community’s young musicians. < Back Chill Fest 2024 Music and Arts Festival Bud Gambrell Jan 25, 2024 Share Chill Fest 2024 unquestionably lives up to its name and is an incredible opportunity to hear local music and support the community’s young musicians. The inaugural Huntsville Winter music and arts festival known as Chill Fest 2024 happened on Saturday, January 13, in downtown Huntsville, Alabama. Presented by The Quantaphonics in partnership with Huntsville Music Scene, Downtown Huntsville, and The Camp at MidCity, the festival’s sole purpose is to help area families access quality music education by raising funds for the Huntsville City Schools band programs. Chill Fest Music and Arts Festival unquestionably lived up to its name and was successful in establishing itself as an incredible opportunity to support the community's young musicians and enjoy some fantastic music. Chill Fest was originally scheduled for early December, but it was postponed due to the threat of severe weather. When I learned about it, I remember wondering what an outdoor music event in January would be like in North Alabama, even though it’s in the South. Generally, mid-January is quite chilly and is sometimes susceptible to Winter storms of ice and snow. Luckily, any snow and ice held off until after the festival. When I arrived at the event location, it was 42 degrees, and by the time I left, the temperature had plummeted to near freezing. Chill Fest occurred at The Camp at MidCity , and I must say I was thoroughly impressed with the amount of effort that went into organizing this event. Apart from a spacious performance stage, there was also an artist market, food trucks, and games to keep the children entertained. To add to the excitement, local brewery Straight to Ale canned a special "Chill Out" beer exclusively for the event. Music entertainment was, of course, the main attraction of the day. All music was performed by talented local artists, such as Mae C. Jemison and Columbia High School Bands. The local bands that took the stage included Rocket Harmony, Huntsville Drumline, Wade Brown, You Gene Write, Element XI, Them Damn Dogs, Dave Anderson, Trevor Lee featuring DJ PrimeTime256, and event organizers The Quantaphonics. One would expect an event titled Chill Fest to be, well, chill, and this event didn’t disappoint. Despite the cold weather, it was clear that the organizers succeeded in creating a family-friendly environment. However, it was more than that: There was a palpable sense of camaraderie and fellowship that pervaded the entire event. It felt like everyone there was in a great mood, and I felt like I either knew or would soon get to know everyone in attendance. For those of you who are in or around Huntsville, I highly recommend keeping an eye out for the announcement of Chill Fest 2025. Put on some gloves and thick socks, and head over to enjoy this fantastic event. It can't get any better than this. You get to spend time outdoors, listening to great music and bonding with fellow attendees. And the best part is that the event supports music for children, so you get to have fun while contributing to a good cause. “I couldn’t have asked for a better inaugural festival,” said event organizer and lead singer of The Quantaphonics Leon Jordan. “The community showed up and showed out! We learned a great deal throughout the process of hosting a music/arts festival, and we plan on continuing our efforts for years to come. Chill Fest is here to stay to aid not only our Huntsville youth in music but also the small business owners and artists of Alabama.” For further information on Huntsville’s Winter music and arts festival, visit www.quantaphonicsband.com CHILL FEST — Quantaphonics *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Leave your inhibitions at the door < Back Asheville Keeps it Weird with the Return of ABSFest Tim W. Jackson May 8, 2023 Share Leave your inhibitions at the door To all of our alternatively weird and perfect friends here in the South, this one’s for you! Long an annual staple of the Asheville, North Carolina scene, the Asheville Burlesque and Sideshow Festival , also known as ABSFest, makes its glorious return after a brief hiatus. Festivalgoers are in for a wild ride over Memorial Day weekend as ABSFest rolls into town for its 14th year. Coming up May 25-27, 2023, ABSFest events will be hosted by Asheville Raven & Crone, The Grey Eagle, and The Orange Peel, and promises to bring together provocative performers from far and wide. It's a celebration of the strange, the unconventional, and the sometimes bizarre—but all in a super fun way with lots of love in the room. The event is the creation of Madame Onça, aka Lauren O'Leary, an entertainer, touring performer, author, artist, and—obviously—an event producer. credit: TheDancersEye.com ABSFest was a natural outgrowth of her life at the time as co-founder and director of the Future of Tradition Center for Folkloric Arts from 1999 to 2006 in Asheville. It was home to the fire, circus, and world dance arts, all of which were growing in popularity. Now living in Virginia, Onça is happy to bring the festival back after a COVID hiatus. “I was quite surprised to be—as everyone was—thrown from the organizational horse,” Onça says about having to cancel this and other festivals during the initial pandemic shutdown. “We haven't had it until this year because, from the point of view of long-term planning, there's a lot of people in the village artistically and administratively that make the festival happen.” Onça says it seemed they were maybe in stasis forever, just waiting for the right time to return. “This year, once everybody had made their decisions about how they were gonna handle their relationship with vaccinations and so forth and the venues went back to a more standard situation, we felt like we could plan. So, we're on.” To ease back into this first year, though, Onça says she’s made it an invitation-only festival rather than by application. “Usually we invite a few headliners, and then we invite artists to apply from all over the country. But because we knew we were coming out of a period of absolute uncertainty and into a period of still wild uncertainty, I was like, ‘Why don't we just work with folks who have done the festival with us before?’” Nonetheless, Onça and her crew have brought a world-class collection of performers for this first year back. Just a small selection includes “The Cocoa Barbie” May Hemmer (featured on cover image), “Queen of Subtle-Tease” Talloolah Love, death-defying jester Paolo Garbanzo, comedian and “professional pickpocket” Les S. Moore, belly dancer Sarah Joy, sideshow performer Opal Lechmanski, and Vaudevillian Carmel Clavin. death-defying jester Paolo Garbanzo (credit: Dave Parrish) sideshow performer Opal Lechmanski (credit: Isaac Harrell) Musical guests are friends of Mixed Alternative Magazine , Charming Disaster ! credit: Charming Disaster Charming Disaster will perform Friday, May 26 for the Speakeasy Séance, which ExploreAsheville.com says is, “like an acoustic rock opera with ghosts and pasties!” You certainly won't want to miss their performance ... or any of the performances, really. The event is all about pushing boundaries and celebrating the wonderfully weird, with workshops such as songwriting, burlesque, and making events welcome to marginalized performers who are also part of the festival. It also includes an array of vendors and a raffle, as the festival’s charity partner this year is Asheville’s feral kitten rescue, Sister Kitten. ABSfest is all about breaking down barriers and having a good time, but perhaps the most exciting thing about the event is the sense of community that it creates. This is a festival for people who might not fit into the mainstream. It's a place where you can be yourself, no matter how strange or unconventional that might be. “I’m so looking forward to being together with these wonderful people again, “Onça says, “and just feeling the energy and vibrancy of this event again.” So, if you're ready to explore the edgier side of life, if you're ready to push your boundaries and embrace the alternative, then ABSFest 2023 is the event for you. Just be prepared to leave your inhibitions at the door. Here’s a look at the array of events: World Spirit Tarot with Madame Onça Thursday, May 25, 2023 Asheville Raven & Crone 640 Merrimon Ave., Suite 207, Asheville NC 5 p.m. courtesy Madame Onça ABSFest Speakeasy Burlesque & Live Music Show Friday, May 26, 2023 Grey Eagle Music Hall 185 Clingman Ave, Asheville, NC 7 p.m. - VIP Doors Open 7:30 pm - General Admission Doors Open 8 p.m. - Burlesque Murder Mystery with all live music played by New York City’s goth folk duo Charming Disaster ABSFest Workshops Saturday, May 27, through the day The Orange Peel 101 Biltmore Ave, Asheville, NC ABSFest offers burlesque, circus, and business workshops. Train with artists from around the country in the ABSFest Sexy Seminary in stagecraft, circus arts, fire performance, burlesque, and more. Open to all levels. ABSFest’s Big Night – Saturday Spectacular Saturday, May 27, 2023 The Orange Peel 101 Biltmore Ave, Asheville, NC 7 p.m. - VIP Doors Open 7:30 p.m. - General Admission Doors Open 8 p.m. - Saturday Spectacular, hosted by Washington, DC’s sorceress of stand-up, Violet Gray For further information, visit www.ABSFest.com . Want your festival to be featured in this magazine? Email the editor at the_keeleybrooks@mixedaltmag.com . Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

All of the information you need on the bands playing Eclipse Fest and RAD Fest in Louisiana. Rad Fest and Eclipse fest Dec 3, 2024 Eclipse Fest: A Pillar of the Louisiana Alternative Scene Eclipse Fest is coming May 10, 2025 Read More Aug 23, 2023 Disjunct: Technically Gifted Musicians Who Push Boundaries Disjunct is redefining the sound of music for a new generation Read More Aug 23, 2023 Zizzi: A Rock ‘N Roll Force to Be Reckoned With Zizzi’s music is an innovative approach to storytelling with a nod to the classic rock masters before them Read More Aug 18, 2023 Ventruss: An Orchestration of Dedication, Creativity, and Passion Ventruss creates a sound that defies categorization Read More Aug 15, 2023 Life Øn Mars: Unleashing Musical Brilliance Life Øn Mars is a beacon of creativity and musicianship Read More Aug 14, 2023 Mayrunner: Thrashing Guitars for a Solid Rock Offering Mayrunner’s music is a melting pot of styles and genres Read More Aug 8, 2023 Stella Vir: A Modern Ambient Rock Abyss Stella Vir are progressive-infused sounds full of spatial concepts Read More Jul 31, 2023 Endure the Affliction: Music to Empower Mind, Body, and Soul Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics Read More Jul 9, 2023 VOID: Lafayette’s Answer to the Modern Thrash Metal Scene Pure energy, speed, and catchy lyrics Read More

Want to know who all helps us put this together? These peeps do! contributors c.g. smith Contributing Entertainment Writer C.G. Smith is a guy living in New Orleans, LA, with a lot of opinions and a deep love for music and film. He’s also a musician who's been in love with Rock ‘N Roll since he was very young, often standing on his tip-toes to put Rolling Stones records on his dad’s big JC Penney stereo, or playing tennis racquet guitar in the bay window to John Cougar’s Learn How to Play Guitar, which he eventually did do many years later. Then he wrote all the songs floating around in his head and recorded them. He's our man on the music & entertainment scene, and we have no doubt he'll keep you just as entertained as he does us. chris pryor Contributing Music Writer www.maineventrocks.com Meet Chris, everybody. He’s quite the rockstar and hails from a small town in Louisiana called Sarepta, which is way up in the northern part of the state. In addition to his mad trumpeting skills as a child, he’s also quite the singer and over the years has had the opportunities to share the stage with country music legends Doug Stone, Earl Thomas Conley, and John Michael Montgomery. He even auditioned for American Idol back in 2009 but it wasn’t meant to be. That didn’t deter him, though. He went on to become lead singer of the Lil Whiskey Band and in May 2022 formed his high-energy classic rock/country band Chris Pryor & the Main Event. His unique blend of rock and country music, coupled with his powerful vocals, has earned him a dedicated fan base. It has also earned him a spot in our sandbox as one of our music writers. david trahan Contributing Music Writer www.neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog chad besse Contributing Photographer cmdbphotography.myportfolio.com Chad is no stranger to creative outlets. After kicking around the local music scene in Baton Rouge, Louisiana, for the better part of a decade, he decided it was time to switch gears and try something new, so he started making some pretty sweet props for cosplayers, which he also sold at anime and comic conventions and still does today. After joining the 501st Legion and hangin’ around the convention scene for a few years, he decided to pick up photography as a way to help cosplayers document their creations, because he’s a big ole sweetheart. Photography also gave him another outlet to express his creativity, and his specialty morphed into travel and architecture photography. Now, he’s returning to the music scene to document all the action and to take his skill set to the next level with this new medium. He tells us he’s happy to be documenting the journey of so many other creative people as a part of Mixed Alt Mag, and we believe him! rian nickels Contributing Writer / Photographer / Show Coverage rianmusicjpeg.myportfolio.com Everyone say “hi” to Rian! Rian has been capturing moments as a photographer since 2012, but has known since 2008 that photography was her destiny, and we are so freakin excited to have her on the team because she is a multi-talented badass and mom. In 2018, Rian began doing photography for the local Hammond, Louisiana punk scene and realized she loved what she was doing, but soon discovered her true passion was in the editing of her photos. Not only is Rian a skilled photographer of music, skateboarding, and portraits, but she also does graphic design work, too. Rian aspires to design clothes and home décor in the future and own a storefront to go with it. With a love for all things creative, her hobbies include producing digital art, cozy gaming, crafting stickers, skateboarding, and planning live music events with her musician fiancé. Rian loves music and there is no limit to what she will listen to, but her favorites are pop punk, folk punk, post-hardcore, metalcore, indie, rap, house, and EDM. Rian’s favorite movies are Beetlejuice, Edward Scissorhands, SLC Punk, and Girl Interrupted, but even better, her favorite TV show is Stranger Things. Rian’s dream bands that she would like to photograph include Neck Deep, Pierce the Veil, Mayday Parade, Twenty One Pilots, Mom Jeans, Roe Kapara, and Hot Mulligan. In the future, she hopes to shoot photos at alternative festivals, continue doing skateboard photography, and wants to take portraits of musicians for as many magazines as possible. jason beard Lead Videographer www.six-to-6.com Jason is no stranger to being behind the lens and this beast of a Renaissance Man hails from Lafayette, LA where he is an established cinematographer, producer, photographer, sound designer, videographer and audio engineer. What does this man not do? As the owner of Sixto6 Productions, he is obsessed with ALL music...well...except for country and techno. Jason brings a wealth of knowledge and talent to the Mixed Alt Mag team and we are happy to have him. melissa "mo" thornton Contributing Writer Born in Redondo Beach, California, Mo Thornton aka “Melissa Ford Thornton” is Communications Director for the Princess Theatre Performing Arts Center in Decatur, AL. A budding ukulele player and off-key singer who uses a spoon rest as a microphone, Melissa is also a professional storyteller, writer, poet, and music lyricist. She is a Moth Story Slam winner, and her writing has been published by Silver Birch Press, Good Grit Magazine, Alabama the Beautiful Magazine and frequently airs on WLRH Public Radio. In addition to the Moth, Melissa has told true stories on big stages including Southern Fried Film Festival and Rocket City Reading Festival (Orion Amphitheater), Arc Stories (Birmingham, AL), Athens Storytelling Festival, Stories Under the Stars, Tin Can Stories, and Tenx9 Storytelling (Nashville,TN). In 2019, Melissa published her first collection of poetry and prose: “An Elegant Dispute of the Accidental.” She is a member of Alabama Writers Cooperative and Co-founder and Storyteller at Bramble Stories. When not writing, you can find her kayaking, paddleboarding, skydiving, or chilling out with her rescue cats (who enjoy an eclectic playlist almost as much as Melissa does). Nick Cline Contributing Writer / Music Reviews Meet Nick Cline. He is a man from 1200 miles away trying to contribute and make a name for himself. Born in West Virginia and a resident of Louisiana for 12 years, Nick has found his place in a scene that gives birth to a plethora of brilliant talent. He started playing music at a young age, and ever since, he has had dreams of becoming "something." A love of writing and music has led him to become a member of the Lafayette music scene through his band, Phantum Sun . Phantum Sun started in June of 2023 and has quickly evolved to a sound unique to themselves. His involvement has enabled him to contribute to various projects, including band collaborations and festival planning, within a remarkably short timeframe. On top of this, he just graduated from the University of Louisiana in Lafayette, where he earned a Mass Communications degree with a Journalism concentration and a Criminal Justice minor. Only the future will tell what is next for Nick and his endeavors in music and writing, so stay tuned! Justin Hammer Contributing Music Writer & Photographer www.justinhammerphotography.com Justin has been a part of the NOLA metal music scene for 15 years now as a photographer, and has met some great people and equally talented musicians along the way. Initially, he began shooting live shows through friends of his that were in bands, since he was never able to get the hang of playing music himself. Knowing that he wanted to contribute to the scene he loved so much led to him discovering he had a natural talent for photography. That snowballed into a new love for music and capturing the energy of live shows. Justin's main focus has always been helping to expose exceptional talent in the local scene and giving back to the bands via quality images they can use to promote themselves. After recently relocating to Lafayette, Louisiana, Justin wants to continue to foster the talent in this state and beyond via his stunning images, and we are beyond excited to have him on our team so that he can continue to do so. margo leblanc Contributing Writer / Promotions Team Margaret Taissa LeBlanc is a woman of many talents, some may say. Born & bred in South Louisiana, Margaret was always taught that she must earn things that she would like to have by working as hard as she can as much as possible. She owes all her accomplishments to her single mother & grandparents, who are responsible for helping her be the best she can be. Her love for music, photography, movies, and writing is palpable, and she aspires to become a passionate photographer and writer. She also has a gifted eye ( & ear ) for loud music. She adores horror movies, especially ones that feature dark comedy. Her favorites are Jennifer’s Body, The Crow, The Craft, & Carrie (1976), which she can watch over and over again. In music, her favorite genres & bands are Soul/Blues ( Otis Redding, Amy Winehouse, & Janis Joplin ), Alternative ( Alice in Chains, L7, The Smiths ), Indie ( The Black Keys, Cage The Elephant, Dexter and The Moonrocks ). Margaret dreams of one day interviewing more prominent bands & artists such as The Struts, Johnny Marr, & Jerry Cantrell. With her love for her craft and hard work, she is on the path to a successful future in the media industry. shaun corley Contributing Entertainment Writer We have some entertainment writing royalty here, ladies, gents, and non-binaries! We call this pop culture enthusiast and comic book nerd Shaun Corley. He comes to us from the East Coast and is a big, important Screen Rant writer with thousands of articles to his credit. He also has many leather-bound books and his apartment smells of rich mahogany. A first-generation college graduate, Shaun holds so many literary degrees, we’ve lost count, but he is adorned in accolades, and we love him. Some of his favorite writers are Haruki Murakami, Jonathan Lethem, NK Jemisin, and Stephen Graham Jones, and his favorite directors are David Cronenberg, David Lynch, Richard Linklater, and the Coen Bros. He’s also a fan of sweet tea and he loves chocolate. We don’t feed him after midnight, though. Ever. elise hanks Contributing Photographer and Writer Elise Marie Hanks is an Acadia Parish native born and raised in Crowley, Louisiana, but now resides in Lafayette. Her interest in music and photography began at a very young age, inspired mainly by her late father and his collection of vintage cameras, which she often enjoyed tinkering with. Elise also cherished attending concerts with him during her childhood. She continues that tradition today by supporting local artists and connecting through live performances—often accompanied by her daughter, much like her father did with her. Elise's passion for writing took root while working on her high school newspaper, yearbook, and her college's online publication. Whether at work, with her family, or in creative and musical spaces, Elise is dedicated to growth, fostering connections, and making meaningful contributions to Mixed Alternative Magazine . charles sagona Contributing Writer Charles Sagona is a former radio industry professional, recording engineer, lifelong musician, and die-hard fan who’s lived more shows than most people have playlists. With countless concerts across multiple genres under his belt, he brings a sharp ear, an honest voice, and an undeniable passion for music to his writing — capturing the raw energy, chaos, and heart that make live music unforgettable. Charles believes there’s a soundtrack to everything in life, and he’s made it his mission to find the songs that tell the real story. noah hughey Contributing Writer https://noahmhughey.wixsite.com/noahhugheysite Noah Hughey is a writer and student journalist based in Charlotte, North Carolina. Hughey is a lead opinions writer for the Niner Times, the student publication of the University of North Carolina at Charlotte, where he writes about transit, culture and politics. When it comes to music, Hughey’s taste is eclectic in nature; raised on hip hop and pop, transferring to big band and jazz sounds, captured by the electric sounds of contemporary rock n’ roll and more, today blending this musical ballast to create his palette. This is the core of Hughey’s interest in music as a subject: sounds that convey the core of the counterculture, while blending unconventional elements that ground it in the daily lives of its producers and listeners. J Heist Contributing Writer Backstage 504 - YouTube J Heist is a musical madman. At an early age, he was utterly stunned when he saw Michael Jackson moonwalk. Ever since then, he knew the stage was where he belonged. Once he discovered grunge and metal music, the instruments he picked up and played were no longer relevant. A NOLA native who has a bit of traveling under his belt is expanding his repertoire into the promoting and media side of the industry. From writing music and lyrics, taking photos and videos, conducting musical interviews, and securing gigs for other musicians, his support for music and all those involved in it grows every second. The sky is the limit with this one; even the stars move out of his way as he travels through the universe to accomplish his goals. Anything to do with music, he's in it 1,000,000%. He has also recently launched a Podcast called Backstage 504, which is a retro, stripped-down, indie-focused podcast centered on one thing only: music. Be prepared for a journey with J Heist. Home

Yum! < Back Dead & Breakfast: The Best Undead Movie You’ve Probably Never Seen Keeley Brooks Oct 4, 2022 Share Yum! I love undead/zombie movies. Everything about them—the blood, the gore, the creatures … the fear they bring. I always have, ever since I laid my eyeballs on 28 Days Later in 2004 and nearly had a heart attack in terror. I loved it! After visiting George Romero’s collection, followed by 2004’s Dawn of the Dead and Shaun of the Dead , I was obsessed. And just when I didn’t think my obsession could go any deeper, I stumbled across a nugget of zombie horror/comedy cheese that cemented my devotion to the art, despite the fact it’s also a musical. What? A musical? A horror musical? Hear me out. After stumbling across the DVD—it was 2004—and reading the tagline, “It’s like a bad horror film … only worse!”, I couldn’t resist buying and watching it, even though I’m not much a fan by way of musicals; they’re just not my thing. This musical, though, I’d watch every day of the week and twice on Sundays. It’s that funny. Dead & Breakfast is a 2004 zombie spoof about six friends on a road trip gone very, very wrong. Add in a creepy Texas town, a sinister bed & breakfast (with murder on the menu), and a charming little band between scenes singin’ some good ole’ country folk music to recap what just happened and set up what’s to come, and, well, you’ve got the toe-tapping entertaining makings for one hell of a bloody, funny movie. Oh yeah, there’s also that pesky army of the undead, who can only be stopped, it seems, by Texas chainsaw (“regular” chainsaws won’t work) or decapitation. The best things about it, in my opinion, are its exploitative use of copious amounts of blood and gore, its very well-placed humor, and (sigh) the fact that it’s a damn musical— the best damn musical I’ve ever seen! It’s so intentionally bad, it’s that good. I promise. Rue Morgue Magazine even hailed it as the best independent movie of the year, way back when. So, here’s what’s up: After a night that leaves both the inn’s owner, played by the late David Carradine, and its chef (Diedrich Bader) slashed to pieces, the group of friends finds themselves the main suspects by the local sheriff, who is played by bat-wielding Walking Dead villain, Negan (Jeffrey Dean Morgan). And that’s just the beginning. Nearly all of the town’s quirky residents become possessed by an evil spirit unveiled from a modern-day Pandora’s Box. The undead soon surround the friends inside the inn, and the group realizes it’s up to them to save any innocents left in town and bring Lovelock to justice. Rather than attempting simple survival in a world of the undead, those not yet possessed set to their own methods of eradication, Texas style. The result is a hilarious gut-bursting, attention-demanding blood battle between the living and the undead, full of tear-jerkingly funny scenes cut with outstanding musical transitions. Even though at the time critics initially labeled it as the American response to the British Shaun of the Dead (you’ll see this in the trailer), the actual truth is that Dead & Breakfast was made a year prior to and released six months before SOTD . It was also made on a teeny tiny budget, which is extremely impressive and worthy of respect simply for its creatively superfluous use of blood, gore, and makeup, which is nothing short of drenching and delightful. Written and directed by Matthew Leutwyler ( The River Why ), these undead deliver an excruciatingly funny Americanized demeanor that’s less zombie-like and more like a possessed cult of maniacal savages thirsting for souls instead of blood. It is utterly ridiculous. It's also a MUST SEE for horror/effects/undead-zombie fans who are equipped with a sense of humor and strong stomach. eFilmCritic called it “the best gorefest since Cabin Fever .” Boom. In addition to the names listed above, Dead & Breakfast also stars Jeremy Sisto, Erik Palladino, Ever Carradine, Oz Perkins, Bianca Lawson, and Portia de Rossi. Watch the trailer HERE . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stephen King Movies Releasing in 2023 < Back More Adaptations from THE Horror Master Keeley Brooks Mar 3, 2023 Share Stephen King Movies Releasing in 2023 Even if you’re not a horror fan, you still love Stephen King. You know you do. The past few decades have seen numerous books and short stories from the famous author, and film and television adaptations are a-plenty. This year (and likely next year) is no exception with a handful of adaptations coming your way. Here’s what’s dropping in 2023 and what’s up next on the Stephen King entertainment agenda. Children of the Corn – I’ll never forget the first time I first saw the original Children of the Corn movie and was scarred for life. It was 1985, and I was eight years old. We kids definitely shouldn’t have been watching it, but we did the second our parents left the room. See, we were visiting relatives, who just so happened to live and work at the Angola State Prison. So, on those grounds late at night in the bedroom of a work trailer is where the creepy kids from the corn made their appearance in my life. The 1984 version sees a young couple trapped in a remote town with no adults because a gang of creepy-ass kids has killed them all. The remake hits theaters Friday, March 3, 2023 , and it will have an 18-day theatrical window before releasing on Shudder March 21 . The story reportedly does take some liberties. Here, we get to see a town fall as “He Who Walks” uses a little girl named Eden to satisfy the evil entity’s bloodlust and turn the town’s youngest residents into murderous little nightmares. No doubt it’ll be just as terrifying as the original. The Boogeyman - The first adaptation of King’s 1978 short story from the Night Shift collection is about a teenage girl and her little sister, who find themselves plagued by a sadistic presence in their house after their mother dies. They must get their grieving father to pay attention before it’s too late. In the original story, we follow a man grieving the deaths (murders) of his three kids. While their deaths were all different, they all took place in the children’s respective bedrooms, each having shouted, “The Boogeyman,” before they met their fates. The film hits theaters June 2, 2023 , then is supposed to hit Hulu soon after. Salem’s Lot - This gem has also been adapted to a movie and is expected to hit theaters April 21, 2023 , but it’s already been pushed back from Sept. 2022, so don’t hold all your breath just yet. Nonetheless, it’ll be anticipated when it does arrive, especially with director James Wan ( Saw franchise). It is rumored to remain faithful to the book, which if you’re unfamiliar is about a writer who returns to the town of Jerusalem’s Lot in Maine only to discover that the residents are all being turned into vampires. Stars Lewis Pullman ( Outer Range ), Spencer Treat Clark ( Glass, Unbreakble ), and Alfre Woodard ( See ). Pet Semetary – Though the 2019 version of Pet Sematary wasn’t well received with critics, a prequel movie was greenlit in 2021. It’s intended to continue digging into the mythology of the small town of Ludlow, the strange rituals, the Wendigo, the cemetery, and character Jud’s life. We’ve been seeing the dead re-animate for over a decade now with all the zombie and undead adaptations, but none of those are as scary as seeing Gage come back to life just to kill his mother and run around with a creepy giggle and his father's scalpel terrifying everybody to death. And the cat, Church—we can’t forget about him. After all, he is the reason Jud learns of the power of the pet cemetery. It’s planned to be released later this year to stream as a Paramount+ original movie. From A Buick 8 – Based on King’s novel published in 2002, this is the second story to feature a supernatural car, the first one being the unforgettable "Christine." The adaptation has been in development for years. Back in 2005, George A. Romero was announced as the director, then two years later he was replaced with Tobe Hopper ( Texas Chainsaw Massacre franchise). By 2009, the project came to halt, then in 2019 was announced to be in development again. No details have been revealed since, but we’re keeping our fingers crossed. The Girl Who Loved Tom Gordon – Published in 1999, the story follows a nine-year-old girl as she finds herself lost in the woods on what she thought would be another normal day hiking with her mom and brother. She fantasizes about her favorite baseball player, Tom Gordon, rescuing her. Originally, a film adaptation of "The Girl Who Loved Tom Gordon " was to be directed by George A. Romero, but plans fell through in 2005. The project was revived in 2019, and in late 2020, Lynne Ramsay ( You Were Never Really Here ) was announced as director. Let’s hope we get some updates soon! ALSO (you didn’t really think that was it, did you?), Deadline recently revealed in an exclusive that Warner Bros. has acquired King’s 2021 crime thriller bestseller “Billy Summers” to adapt into a feature film produced by J.J. Abrams’ Bad Robot and Leonardo DiCaprio’s Appian Way. Bad Robot have also adapted other King works like Lisey’s Story (Apple TV Plus), Castle Rock (Hulu), and 11.22.63 , also on Hulu. It was originally intended to be a limited series, but the big screen won out instead. Writing the screenplay are Ed Zwick ( Blood Diamond ) and Marshall Herskovitz, who co-wrote The Last Samurai with Zwick, and it is rumored that Leo will play the title character, but that is yet to be confirmed. The plot synopsis reads: Billy Summers is a hitman who is looking to retire and takes on last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, become more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion. *On a side note, if you haven’t watched Castle Rock , I urge you to roll on over to Hulu and check it out. While the two-season series isn’t based on any specific one of King’s works, it does share themes, characters, and most notably its name with one of the central locations found throughout the legendary author’s career. Season 1 tells the story of Henry Deaver, a death row attorney who returns home to Maine for the first time in years when a mysterious inmate at the local prison, Shawshank, specifically requests Henry as his lawyer. Several narratives unravel from there, including a troubled individual with apparent telepathic abilities, the shocking death of one of Castle Rock’s most prominent characters, and some pretty disturbing developments for Henry as he uncovers more and more about his past—like the time he vanished as a child. Season 2 is a chilling must-see! Instead of continuing on with the same characters and original cast, the series pivots and centers its story on Annie Wilkes, the infamously psychotic, murderous nurse from King’s 1987 psychological thriller novel “Misery” and 1990 film adaptation of the same name. In Castle Rock , we are introduced to Annie Wilkes pre-Paul Sheldon days, so it’s sort of a modern-day prequel. Lizzie Caplan ( Masters of Sex ) delivers a sharp, tense, and breathless performance as Wilkes navigates her life and career, and so much is revealed along that way that when it ends, it’ll leave you wanting more and most likely compel you to turn around and watch Misery again. And , just in case you missed its release back in September, don't forget to check out the Stephen King documentary King on Screen, which examines cinematic adaptations of the iconic author's works. With King's stamp of approval, it gives audiences an intimate sit-down with different directors who've all adapted the writer's works for the screen, looking at the movies and shows that have brought his stories to life, both the hits and the flops. Among those sitting down for interviews are Mike Garris (ABC's The Stand ), Mike Flanagan ( Gerald's Game , Doctor Sleep ), Frank Darabont ( The Shawshank Redemption , The Green Mile ), and director and special effects makeup titan Greg Nicotero ( Creepshow , Misery ), to name a few. Alright, kiddos, that's all for now, but stay tuned for more adaptations from THE original horror master ... and no doubt his son, Joe Hill. You know we'll be keeping you updated. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Unwelcome is Gremlins meets Straw Dogs and is rooted in tradition and mythology, infusing a creature feature with searing psychological horror. < Back Unwelcome: Film Review Shaun Corley Oct 16, 2023 Share Unwelcome is Gremlins meets Straw Dogs and is rooted in tradition and mythology, infusing a creature feature with searing psychological horror. The 2022 film Unwelcome mixes the real-world horrors of home invasions with a creature feature, and while the result can be a little uneven, it is still a satisfying watch. Directed by Jon Wright , who brought audiences Robot Overlords (2014) and Grabbers (2012), Unwelcome sets itself apart from other such movies by embracing 80’s style practical effects over CGI. Drawing on Irish folklore, Unwelcome was pitched by Wright as “ Gremlins meets Straw Dogs .” Unwelcome stars Hannah John-Kamen ( Ant-Man and the Wasp ) and Douglas Booth ( Great Expectations ) as Maya and Jamie, a young couple who are the victims of a brutal home invasion the night they learn Maya is pregnant. While Maya is unharmed in the invasion, Jamie is severely beaten. The trauma of the incident leads them to relocate to Ireland, where Jamie has just inherited his aunt’s old estate. Maya and Jamie are embraced by the locals—for the most part. The estate is in desperate need of repair, and the couple hire a family known as the Whelans to fix it up. credit: IMDb Colm Meaney as "Daddy" Whelan with Jamie & Maya (credit: IMDb) On their first night in the house, they are advised by local neighbor Maeve (Niamh Cusack, of The Tower ) to leave out a blood offering each night, to appease the “Redcaps.” Maya and Jamie dismiss Niamh’s warnings. The next day, the Whelan family arrives at the estate. “Daddy” Whelan (played to the hilt by Colm Meaney, of Hell on Wheels ) bullies his three grown children, played by Jamie-Lee O’Donnell ( Screw ), Kristian Nairn (Hodor, of Game of Thrones ) and Chris Walley ( The Last Voyage of Demeter ). The children, in turn, terrorize Maya and Jamie, starting by stealing small stuff from their house. Later, one of the children, Eoin (Nairn), tries to assault Maya, drawing the wrath of the Redcaps, who drag him away. Matters spiral out of control from there. Looking for his missing son, Daddy Whelan and his surviving brood ramp up their war against Maya and Jamie, ultimately culminating in another violent home invasion. All the while, the two must contend with the Redcaps and a legacy of evil that threatens to engulf them. The two stories collide in a brutal and unforgettable climax, ending on a truly horrifying note. Unwelcome has a good deal going for it. Like all good folk horror, Unwelcome is rooted in tradition and mythology, in this case from the British Isles. The film’s Redcaps are actual creatures from Scottish and English lore. Closely resembling leprechauns, Redcaps are said to kill those who enter their territory, staining their hats red with the blood of their victims. Also called the far darring , these creatures are evil and malevolent. The Redcaps are brought to glorious life using largely practical effects, which adds a layer of realism to their appearance. The Redcaps’ menacing look was designed by Paul Catling with prosthetics created by Shaune Harrison . The lack of CGI in Unwelcome is a breath of fresh air in today’s industry. credit: IMDb Yet Unwelcome is not merely another creature feature. Instead, Wright infuses the movie with searing psychological horror . Maya and Jamie have been through hell together, surviving a violent home invasion with their lives. Wright effectively explores the trauma the incident left on them: Jamie becomes increasingly violent and more protective of Maya, to the point of reading books on self-defense techniques. Maya, by and far, seems to have healed and moved on from the trauma, but Jamie cannot let it go. It is a bleak and stark reminder that recovering from trauma takes time, if it happens at all. Wright described the film as a “home invasion thriller,” invoking the classic Sam Peckinpah film Straw Dogs (1971). Indeed, there are a number of similarities. Maya and Jamie, much like David and Amy in Straw Dogs , have relocated to the countryside, running up against provincial thinking and customs and mores that are wildly different. And just like Straw Dogs , this mistrust and tension builds to an explosive final conflict, one in which there are no real victors. One of Straw Dogs ’ themes of violence causing us to lose our humanity is taken to its extreme here in a bloody and unsettling ending. These elements could make Unwelcome a truly great movie, but the execution is a little uneven. However, the performances, particularly from Colm Meaney, more than make up for any deficiencies in the script. Likewise, Douglas Booth does an excellent job of chronicling Jamie’s descent into madness, one spurred not only by painful memories from London but also by the supernatural events going on around him. A fine addition to the folk horror canon, Unwelcome manages to rise above any flaws to become an entertaining movie. Unwelcome is currently streaming on AMC+, Prime Video, and DirecTV and is available to rent or purchase on Shudder, Google Play, Vudu, AppleTV, and Roku Channel. Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cutting beneath the surface to explore the Saw franchise's inconsistencies in John Kramer’s convoluted morality, his supposed purpose, and the theme of pawn sacrifice. < Back The Philosophy of John Kramer and the Saw Franchise, Part 2: Film Analysis Ezekiel Kincaid Oct 23, 2023 Share Cutting beneath the surface to explore the Saw franchise's inconsistencies in John Kramer’s convoluted morality, his supposed purpose, and the theme of pawn sacrifice. Welcome back to part two of your blue-collar philosophy lesson led by your good Ole Uncle Zeke. In Part 1 of John Kramer and Saw ’s philosophy , I made the proposition that understanding John Kramer’s actions and statements from the Saw franchise only make sense when viewed through the philosophical lens of nihilism. In this post, I’m going to point out places in the Saw franchise where Kramer's morality seems to be confused , and then as we move forward, we are going to look at these things through both passive and radical nihilism (I will define these terms later in the series). But first, we need to investigate these instances and the criticism against Jigsaw in order to truly understand his ethical foundation in light of nihilism. To begin, much of the hate thrown at Jigsaw is understandable, given his poor word choices. What do I mean? Those of you who have watched the Saw movies will get where I’m coming from, but those of you who haven’t need to stick with me, because when you do go and watch the films, you can keep this in mind when exploring these places of convoluted morality. In the original Saw (2004), John Kramer/Jigsaw (Tobin Bell, of Let Us In ) tells Amanda (Shawnee Smith, of Kill Speed ) she needs a key to escape from the reverse bear trap wrapped around her face. He says the key is located in the stomach of her dead cellmate and assures her by stating, “Know that I am not lying.” Copyright Lionsgate Entertainment He says the key is located in the stomach of her dead cellmate and assures her by stating, “Know that I am not lying.” The only problem? Jigsaw was lying. Amanda’s cellmate is drugged, not dead. Now jump ahead to Saw III . Kramer says he is the only one who knows where Jeff’s abducted daughter is. Not true. Again, he lies; Hoffman also knows where she is. Granted, these could just be mistakes in the script but whatever they are, they make Kramer come across as completely incoherent, even more so when we move on to Saw IV (2007). In Saw IV , Jigsaw tells Rigg (Lyriq Bent, of She’s Gotta Have It ) to force Ivan (Marty Adams, of Hemlock Grove ) into a position and let him choose his own fate. The only catch? In 60 seconds, the choice will be made for him. If Kramer’s purpose is truly to teach Rigg that people must save themselves, this added caveat seems to nullify such ends . Moral critics of the Saw franchise have had a field day with the above-listed examples, saying they are proof positive John Kramer was a hypocrite. But the accusations don’t stop here. The critics further scrutinize his ethical demands by blasting Kramer for making his victims choose immoral actions. Let’s jump back to the original Saw movie. Kramer instructs Zep (Michael Emerson, of Lost ) to kill a mother and her child in order to save his own life. This makes Jigsaw come across as someone who loathes any type of altruism or self-sacrifice for others. To Kramer, it seems like self-sacrifice just gets in the way of people valuing their own lives. But it doesn’t stop there. Critics go after Kramer for his victim selection as well. Take Saw IV , for example. I’m trying to avoid spoilers when I can, so let’s just say Ivan and Brenda (Sarain Boylan, of Rookie Blue ) in this movie are both guilty of criminal acts. These acts, however, are vastly different and in no way deserving of equal punishment. But guess what? Jigsaw punishes them both in the same manner. This all takes place during Rigg’s game. And what was Rigg’s game? To teach him that he cannot save everyone, which means these victims were just pawns and meant to die. In fact, Rigg isn’t even given instructions on how to save Brenda at all! Then there is Adam (Leigh Whannell, of Insidious franchise) from Saw . Jigsaw never gives him a game of his own to play. He is just a pawn in Lawrence’s (Cary Elwes, of The Princess Bride ) game. This theme of “pawn sacrifice” carries on throughout the entire Saw series . Take Joyce (Gina Holden, of Alien vs. Predator: Requiem ) from Saw 3D (Saw VII) . She is completely innocent and is burned alive in order to punish her fiancé, Bobby (Sean Patrick Flanery, of The Boondock Saints ). Bobby even objects to Kramer by saying Joyce doesn’t deserve to be here. This random victim selection is a big problem in Saw 3D . We are never given any reasoning as to why Dina (Anne Lee Greene, of Femme Fatales ) or the racist gang are selected (other than they are racist). There is a great chance for Saw 3D to answer this question when Officer Mike asks himself, “Why them? Why now?” but these questions are never answered. There are more examples, but these are enough to show why critics say what they do about the Saw franchise, and about John Kramer’s convoluted morality and his supposed purpose. Indeed, these inconsistencies seem to really piss in the Cheerios of Kramer’s mission , which is to teach people how to value their lives . On the surface, his victim choice seems to be totally unjust and as random as natural selection in nature. This would indicate all of Kramer’s preaching on righteousness and justice are totally hypocritical. Mix this in with the fact many of the victims ARE NOT guilty of undervaluing their lives, and it is a glaring problem. Let’s go back to Rigg and Saw IV again. Rigg certainly seems to value life and seeks to preserve it. And what about the five victims in Saw V (2008)? I’ve watched it countless times and can’t find anywhere in the film where these people don’t value their lives. What is evident, however, is that they do not value the lives of other people. But the one victim in the entire franchise that doesn’t make a lick of sense according to Jigsaw’s mantra of appreciating life is Bobby in Saw 3D . He is not guilty of undervaluing his life or the lives of others—he simply lied about surviving a Jigsaw trap. Sure, it is a slap in the face to the real survivors, but it doesn’t mean he doesn’t value his life. The critics come out in full force over these apparent inconsistencies, arguing there is a huge disconnect between Kramer’s desire to save people and to murder them. To the critics, John Kramer is a murderer rather than the saviour he claims to be. Credit: Getty Images Jigsaw then becomes nothing better than the erroneous view of God who plays “Duck, Duck, Damn” with his creations, choosing people at random to condemn to hell. In their eyes, Kramer selects people just to eliminate them. So, I close with this: Given this information, what is Kramer’s mission? What’s his end goal? Is it to rehabilitate people or to kill them? Are the two outcomes really any different? Is true change only possible through the destruction of one's own flesh? Such questions belong to the paradigm of nihilism, and it is these questions we will seek to answer in the next two articles, which will compare John Kramer to both passive nihilism and radical nihilism. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Highly Anticipated Sequels Coming Soon (and Sooner) < Back Oh Fudge: The Soft Glow of Electric Sex + Tornadoes Keeley Brooks Oct 20, 2022 Share Highly Anticipated Sequels Coming Soon (and Sooner) I’ve always loved movies … ever since, I don’t know, Goonies and Star Wars , Mad Max and Conan the Barbarian ... The Neverending Story , Return to Oz ... they all had my attention. My obsession didn’t really kick in, though, until the early 2000s when a friend introduced me to a slew of titles in his collection, then Lord of the Rings burst through the door. Ever since, my need to own every title I love grows stronger and stronger with each new year, and there are just too many favorites to narrow down. I can say that one of my earliest favorite movies was just about everyone’s favorite at some point—the 1983 holiday classic A Christmas Story . As far back as I can remember, I have watched this movie every time it comes on TV. And now, in these glorious digital days, I can let it roll nonstop with no interruptions whenever I want. Now, on the off-chance you know nothing of this movie, allow me : it’s a holiday classic from the early ‘80s about a kid in the ‘40s who spends most of his time dodging a town bully and dreaming of ways to manifest his ultimate Christmas gift, a Red Ryder air rifle bb gun, which everyone just laughs about then says, “You’ll shoot your eye out [with that thing]!” We also get to experience the first time said nine-year-old kid drops the F-bomb in front of his cranky, super conservative father - the one from whom he heard it in the first place. Then, we get to see the aftermath unfold and it is so relatable. On all fronts, throughout the whole movie. No one will ever think of bunnies or weird gifts from strange aunts or even Santa Claus the same way again. You can imagine my excitement, then, when I first learned of HBOMax’s plans for A Christmas Story sequel, A Christmas Story Christmas . For real. After all these years. The trailer dropped earlier this week and featured the first footage of Peter Billingsley in his return to his iconic role as Ralphie Parker. Check it out here: The film follows Ralphie as an adult in the 1970s, who returns home to Indiana to his house on Cleveland Street with his own kids to deliver to them a magical Christmas like the one he had growing up. He reconnects with friends, and it is confirmed that Zack Ward—the actor who played town bully Scut Farkus—is reprising his role as well. Thing is, he’s now a police officer. Also returning is Ian Petrella, who played Ralphie’s younger brother Randy. While home, Ralphie also reconciles the passing of his Old Man and sows the seeds for the origins of the beloved holiday classic. A Christmas Story Christmas drops on HBOMax on November 17 , and I’m sure the lamps emanating the soft glow of electric sex in the window and triple dog dares amongst kids will be plentiful. And hysterical. And just in time to kick off your 2022 holiday season. Another one of my favorites from the 20th century I literally just learned is getting a sequel—and which my husband constantly laughs at me for loving—is the 1996 epic disaster blockbuster Twister , starring Helen Hunt, the late Bill Paxton, the late great Philip Seymour Hoffman, Jami Gertz, Cary Elwes … need I keep going? Plus, it’s about tornadoes! What I love about movies is their ability to (or not to) convince me that what’s happening is real. How real does everything look, from sets to blood to special effects, even accents? How far can one take it? Can a movie make me forget it’s just a movie ? I love it all! This tornado blockbuster allowed me to experience, in some way, what it might be like to live through a tornado—not that I have ANY interest whatsoever in finding out in real life, but Nature just fascinates me. A few days ago, entertainment news outlet headlines began surfacing with confirmation a Twister sequel is, in fact, in the works. According to Deadline Hollywood, Universal Pictures and Amblin Entertainment are meeting with directors hoping for a spring start on the big-scale sequel, which is to be called Twisters . The Dish reports that Steven Spielberg himself flipped for the script, which was written by The Revenant scribe Mark L. Smith, noting, “his enthusiasm provided the impetus for the fast-tracked film.” While a director hasn’t yet been nailed down, it is reported that those also under the helm of consideration include Oscar-winning Free Solo directors Jimmy Chin & Elizabeth Chai Vaserhelyi; Dan Trachtenberg, whom you’ll know from the recently terrific Predator reinvention AND the Hulu movie Prey and, before that, 10 Cloverfield Lane ; and Travis Knight, the Laika chief whose recent animated films were Missing Link and Kubo and the Two Strings . The hope is to bring Helen Hunt back and have the drama focusing on her daughter, whom she had with the character played by the late Bill Paxton and who has caught the storm-chasing bug her parents had. That’s all the deets we know for now but be sure to stay tuned! You know I consume all kinds of content and will you keep as posted as I possibly can! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Underrated 80s Horror Movie You've Probably Forgotten About < Back Dead Pit Ezekiel Kincaid Dec 8, 2022 Share The Underrated 80s Horror Movie You've Probably Forgotten About The year is 1990. Ten-year-old me is browsing the horror section one Friday night at Dixie Video, knowing good and well my parents aren't going to allow me to rent what I really want to watch. While perusing said shelves, I come across a video that makes me feel like Ralphie in A Christmas Story the first time he held his Red Rider BB gun. Dead Pit . On the cover, a zombie resembling Frankenstein crawls out of a pit, surrounded by a bunch of hands reaching out of the same hole. Behind him stalks more of the living dead. As you can see above, the color scheme is black and neon green. What made this case even more fascinating was that when you’d press the zombie, his eyes lit up! I was sold. Ten-year-old me had to see this movie! Ten-year-old me asked my parents. Ten-year-old me was told "no" because it was R rated. I had to wait a few years, but I finally got around to watching Dead Pit . As an adolescent, I remember liking the movie, but as time went on, the movie drifted into obscurity in my mind. Until a few years ago, when I was browsing Amazon Prime to find an 80s horror movie to pass the time. Lo and behold, what appeared! The memories surrounding this movie came flooding back. I was lost in nostalgia, wondering how in the world I could have forgotten about a movie like this. One euphoric memory after another tingled my soul. When the sensation ended, I went to my pantry, grabbed a jar of peanut butter, and commenced watching. And boy, was I glad I did! What's the movie about? Released in 1989, like most 80's horror, the plot is kind of silly. The psychotic Dr. Ramzi was walled up alive in a nuthouse. He had been caught performing experiments that involved one-part formaldehyde and one-part lobotomies. When he was done extracting the brains from his victims, he tossed the bodies into the pit. As his captors bricked him in and sealed him up, the crazy doctor swears he will get revenge on them. Jump ahead twenty years. Enter Jane Doe. She's admitted to the asylum for a bad case of amnesia. It just so happens that Jane Doe has some serious psychic powers. So powerful is she, that she awakens Dr. Ramzi from his sleep. Once awakened, Ramzi and Doe seem to share a psychic bond. Ramzi uses this bond to draw power from her to raise all his victims from the pit. Ramzi then sends out his zombie horde for revenge. This movie has some creative kills and descent 80s gore. There's also all the cheese that we've come to adore about 80s horror. My favorite (terribly cheesy) scene has to do with holy water and a water tower. Also, the zombies are somewhat intelligent, and they move fast. Overall, I enjoyed digging up this forgotten jewel of my childhood. If you're a fan of 80s horror, this is a must-see for you. Check it out now on Amazon while you still can! I’m an avid VHS collector and I’ve since been able to acquire a copy of Dead Pit (see pic below). The tape still works like a charm and the cover is in okay shape. The only down side is that the zombie eyes don’t light up. I’ve been trying to track down a copy with working LEDs, but I’ve had no luck. So, if any readers out there know where I can get a copy, hit me up! Until next time, keep it creepy, you bunch of freaks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link