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Show up on May 30, 2026, in Henderson, Louisiana. < Back Let the Good Times Boil: Burning Crawfish Festival Returns This May Nicole Brice Apr 12, 2026 Share Show up on May 30, 2026, in Henderson, Louisiana. The Burning Crawfish Festival returns this year on Saturday, May 30, 2026 , in Henderson, LA , at Big Brown (1065 Nina Hwy) . Since it began in 2009 , founder M’Lyn Usie has continued to build on the festival's success by featuring a new lineup of talent each year. This year’s lineup of musicians is packed for the celebrations. Bands such as Nest, Slow the Knife, Cheater Pipe, Shivering Demons, Sunrise:Sunset, The Brown Stripes, Totem, Blood Show, and LA Phantoms will start playing at 1:00 p.m. There will be food, drinks, vendors, and more. The event is open to all ages and will also include a waterslide for kids. Additionally, there will be a clothing swap and a plant swap . The flyer for the 2026 Burning Crawfish Fest in Henderson, LA The idea for the festival began when founder M’Lyn Usie decided to use some of the skills she learned in college to promote music. She always wanted to put on a music festival, and in 2026 , here we are. With a background in the music business, the festival started as a gathering among friends and continues to grow. Usie has said of the festival’s origins, “ I went to Loyola University in New Orleans at the time, and in 2005, when Katrina hit, one of our favorite professors at Loyola, he and his wife, they actually bought the big brown house in Henderson, and it is right down the road from where I grew up. When we couldn’t go home to New Orleans, we spent a lot of time hanging out at Big Brown, and we had all these ideas. Dr. Jimbo would always ask me what I wanted to do with my music business degree, and I told him I’d love to put on a festival, and then it happened. It’s like the Burning Man but for crawfish country. ” Tickets for the 2026 Burning Crawfish Festival are $15 now via this presale link and will be $20 on the day of the festival. Show up, bring friends, and plan for a great day of music. There will also be a gigantic papier-mâché crawfish lit in the evening to bring it all together. The mascot of the Burning Crawfish Fest To learn more about the bands: Nest Facebook Slow the Knife Facebook Cheater Pipe Facebook Shivering Demons Facebook Sunrise:Sunset Facebook The Brown Stripes Facebook Totem Facebook Blood Show Facebook LA Phantoms Facebook Tickets can be purchased here: Burning Crawfish Fest 2026 | Event Details | Passage - Your event. Your fans. Your mobile box office. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Grey Areas isn’t just a band; they are a movement. < Back Grey Areas: A Louisiana Metal Band Looking to Inspire Hope in a World Filled with Chaos Nicole Brice Feb 13, 2025 Share Grey Areas isn’t just a band; they are a movement. It's always a thrill to unearth a new band from Louisiana, each one a unique sonic journey. Recently, I stumbled upon the metal band Grey Areas from DeRidder, Louisiana. Their first single, ‘ Burial ,’ is a testament to their distinct sound that instantly captivated me. Released August 23, 2024 ‘ Burial ’ was released on August 23, 2024 . It is a healthy blend of metal and metalcore with progressive elements and a melody. With hard-hitting vocals and a strong opening – the song starts jamming early and is a solid tune sure to get your head nodding. The band is comprised of like-minded musicians with tenacity, personality, and ambition. Brad Nesbitt plays the drums, Cody Alexander plays the bass, Randy Taylor is the vocalist, and Xander Lee plays the guitar. With new music set to release in April, Grey Areas is steadily letting those creative juices flow to drive their vision forward. More than just a typical metal band, Grey Areas' music has an underlying message of unity and hope. They want to illuminate things that are not always black and white in a world filled with chaos and to do so, have created Hope Fest , which will take place on Saturday, April 12, 2025 , at the DeRidder Fairgrounds Pavillion – a local original music festival designed to give back to those in need, with proceeds being directly donated to Foundations Sober Living House in Lake Charles , LA. With the recent addition of Randy Taylor from Twisted eXistence on vocals, Grey Areas has solidified their line-up with a powerhouse frontman destined to light the stage on fire with his explosive vocals. What struck me immediately about Grey Areas was their unwavering professionalism and genuine kindness. They are a group of guys you'd love to hang out with, and Mixed Alt Mag had the privilege of a lengthy chat with them. Take a moment to get to know them better. Credit: Gary Governale MaM : What other musical projects have you been involved in? Cody : Brad and I were in the band Southern Death Toll . Brad : It was classic death metal – hard and fast … thrashy. We had a solid ten-year run with that. MaM : So, what led to the formation of Grey Areas? Xander : I was in some groups back in the day, too, so this was in 2010 when we realized we all had something musically in common, but in 2023, we decided to do something and jam. MaM : How did you decide on the genre of music to play? I listened to ‘Burials,’ and it has so many influences. You can’t categorize it. You’ve got some prog, death metal, regular metal, and thrash … but it’s truly unique. I actually saw a comment on your Facebook page recently, too, where someone mentioned you are one of the most creative bands out there. I can honestly agree with what I’ve heard so far. Who are some of your influences musically? Xander : Black Label Society , Pantera , Slipknot – pretty much anything metalcore. Randy : Killswitch Engage , Pantera … bands that incorporate some clean singing with some screaming. Cody : I agree with the metalcore bands, but I’ll branch out and listen to various genres and artists. A little rhythm and blues, a little rap … I like to funk it up a bit. Credit: Gary Governale MaM : Growing up, how did you know you would end up playing the instruments you currently play? For instance, Brad, how did you decide to become a drummer? Brad : I was a bass player first and didn’t realize I wanted to be a drummer until I suffered an injury. My arm became paralyzed, so playing drums was a type of physical therapy that stuck with me. It just became my thing, I guess. It was constant motion, and it still is therapy, honestly. I think I got good at it. Xander : My parents were always playing music growing up, and something about guitar – or just the sound – it stood out to me. I always just wanted to play and make noise. Randy : I started playing guitar at about ten and just stuck with it. I still play guitar for another band, Twisted eXistence , too. I’ve known Xander for a couple of years now, and when he told me about Grey Areas , I started coming to the shows. Once their last singer departed, things just came together. Vocals are a relatively new concept, but it’s fun so far, and I’m just winging it. Credit: Gary Governale MaM : It was just a natural fit. See how things work out. Cody : It came out of necessity. When I was about eight or ten, I started taking guitar lessons, and my dad was a drummer in a church band. I couldn’t touch drums but had always wanted to play guitar. The church band needed a bass player, so I swapped over to that when I was a teenager, and it naturally came together. I’ve played church music, country, and metal. MaM : What have you worked on since the single dropped in August? Any new music? Xander : Absolutely. Cody : We’re still pushing for the whole album. We’ve been practicing and have the structure of the new songs. We're also trying to get the old set fully recorded. Credit: Gary Governale MaM : When can we expect that? Xander : Maybe the end of 2025, but we’re not quite sure yet. Very soon, though. MaM : Are any shows coming up for 2025? Xander : So far, we’ve been invited to Eclipse Fest 2025. MaM : Hell yeah! It's a great festival that Nick Cline does. Xander : Yeah, we’re excited to play that. We’ve some other shows in March, and then we have a festival we’re putting on called Hope Fest in DeRidder in April. This will be our first big event. Randy : It’ll be big for rock and metal, especially for this town and this area because it’s a rural area—very country. The metalheads are out there, though. Xander : When we were younger, if you wanted to go to a concert, it was either Lafayette, Houston, or New Orleans, two to three hours away. This will bring it all closer to home. Credit: Gary Governale MaM : So, let’s talk about the new single. Your sound is so strong on this track, and now, with the addition of Randy on vocals, I can’t wait to see the band's progression and how your sound evolves. How do you keep yourselves in a creative mindset to write new music? Is there something you do to influence that creative vibe? Xander : Not really, to be honest. My writing methods are not traditional. I like to improvise when we jam. I’ll come up with a ton of stuff in a session, but sometimes it just doesn’t stick. When I find something that works, I’ll try to find something that fits with it, and then it all builds. It’s a long process sometimes. We don’t try to force anything. Brad : We just let it create itself. MaM : Yeah, that’s what you’ve indeed got to do. Don’t force creativity. Randy : Yeah, once Xander has his piece done, and we have the guitar riff, we can map out the drum patterns, etc. My notes on my cell phone are loaded with words and phrases. Catchy stuff. If it fits, it fits. Credit: Gary Governale MaM : What would you like listeners to know about your music if they discover it for the first time? Randy : It’s authentic. We’re not trying to copy anyone. We’re just trying to put our ideas out there. Xander : I want it to speak to people going through things in the grey. What society doesn’t deem typical — grey issues. MaM : If music doesn’t speak to or inspire me somehow, then I won’t be interested. I get that. Xander : We want to have fun and inspire people. It's as simple as that. As Grey Areas continues to carve their path through the underground Louisiana music scene, they stand poised to bring their heavy, brooding sound to the masses. They embody the modern metal landscape, blending complexity, emotion, and, most importantly, authenticity in a way that feels distinctly Southern while planted in the global metal scene. Grey Areas isn’t just a band; they are a movement. They represent the boldness of Louisiana’s musical spirit, reinterpreted through the lens of metal, and as their fanbase grows, it’s clear that this band will leave a lasting impact on the genre for years to come. For more information on Hope Fest coming up in April, visit: Hope Fest 2025 | Facebook For more info about Grey Areas: Grey Areas | Instagram, Facebook, TikTok | Linktree Press Kit for Grey Areas Upcoming shows: Click picture for more info. Click picture for more info. Click picture for more info. *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Want to be featured? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. < Back Southern Happenings: Meet The Gosh Darn Dangs Rian Nickels Jun 7, 2024 Share The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. Take a stroll with me as I look back on my magical evening of May 10th, 2024, when I had the pleasure of experiencing The Gosh Darn Dangs , a beloved local band from Louisiana, busking on the vibrant streets of Downtown Hammond. I want to take a moment to introduce the (at the time members) of the band: Leading the way was Mike, the band's founder and charismatic lead vocalist, who occasionally added a soulful touch with his harmonica. Lexy added a unique charm to the group, whose enchanting harp melodies and vocals provided a delicate and captivating layer to their sound. Keeping the rhythm steady and dynamic was Tim, the talented drummer whose beats infused the performance with energy and drive. Rounding out the ensemble was Jake, the bassist whose deep grooves and harmonious vocals added depth and richness to the band's musical tapestry. Completing the lineup was Kris, the skilled guitarist whose riffs and vocals added a powerful and harmonious vibe to their performance. Credit: Rian Nickels The adventure began at PJ's Coffee , located at the bustling corner of West Thomas Street and North Magnolia Street. Here, the band gathered for some last-minute instrument tuning and practice. Watching them prepare for their performance felt like a rare privilege, a behind-the-scenes glimpse into their world of music. With instruments finely tuned and spirits high, we set off down West Thomas Street, searching for the perfect spot to share their music. The lively atmosphere of downtown Hammond, with its charming streets and buzzing nightlife, provided the ideal backdrop. The anticipation grew with every step as the band and their followers sought the perfect place to set up and play. Credit: Rian Nickels When they reached their first stop, the sidewalk outside the beloved local bar Benny's Place , they had to change their plans out of charming respect for the skillful jazz players performing across the street at Mariner's Inn . Undeterred, they continued their stroll through the brightly lit streets until we arrived at the heart of Hammond's latest addition, Railroad Park . The city center was the perfect place to begin truly. Equipped with a well-lit stage, bench seating, and ample room for people to gather, it offered an ideal setting for the performance. Here, the band launched into their melancholic tunes, including " Going 100mph in a 30mph Zone ," a poignant song about the trials and tribulations of youth and the journey toward adulthood. The atmosphere was warm and cozy, but after a complete set, they only got a few passersby, so they returned to Hammond's busy sidewalks! Credit: Rian Nickels As we walked from the Railroad Park to our next destination, The Gosh Darn Dangs did a cover of “ Scott Pilgrim vs. My GPA ” by Midwest Emo band Mom Jeans . The harmonies bounced and echoed off the tall downtown buildings until they landed across from a locally cherished bar, The Red White and Brew . The calming riffs and strums drew the attention of the bar patrons, even from across the busy street. After incredibly relatable songs like “ I’m Not Gonna Die Today ,” the band started to build an audience of late-night strollers and bargoers. Credit: Rian Nickels As each song ended, the intimate audience cheered. When asked about the origins of the song “ I’m Not Gonna Die Today ”, lead vocalist Mike Spoon said, “ Writing this song was a turning point for me. Getting it out in music form helped me understand myself better and set me on the path to having a better attitude about things. It's a journey I am still taking. So, in a way, this isn't a sad song. It's kind of like the dark cloud just under the silver lining. We all must go through it in our way. ” Credit: Rian Nickels The contrast between live music in a dedicated venue and busking on the streets is profound, rooted in the unique connection fostered between musicians and their audience. While a venue encapsulates sound within walls and confines emotions to a designated space, the experience of street performances allows emotions to ripple through the open air, touching everyone in its path. That night, The Gosh Darn Dangs’ music brought a piece of the community of Downtown Hammond together to enjoy a night of soulful tunes, and it reminded me that our time on Earth is limited, so we need to experience all there is out there just once. To learn more about the The Gosh Darn Dangs , just hit one of the links below. Facebook The Gosh Darn Dangs (@thegoshdarndangs) • Instagram photos and videos *cover photo by Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Rian Nickels is a total music junkie. Do you have a show you’d like her to review? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Jill Mulkey Art < Back Raw, Unapologetic Artistry Keeley Brooks Feb 13, 2023 Share Jill Mulkey Art During my years living in the heart of Baton Rouge , La., straight fumbling my life thing after college, I ran across some very talented artists of all kinds nurturing their individual crafts in a most pure, non-conformist way. It was awesome because back then, the city vibrated with electricity emanating from the super-cool types of art being created; the 2000s were quite a colorful time on the BR entertainment scene , if I do say so myself! Nowadays, the city isn't just vibrating; it seems to be exploding with all sorts of art, and now that I no longer live there, it's kind of up to chance when it comes to noticing more of its artists, whether it be through recommendation or random happenstance online. And that’s how Jill Mulkey filtered into my gaze: She randomly popped up in my social media feed one day, and her distinctive abstract style caught my eye … okay, it caught both of them. I zoomed in on several of her pictures and noticed some wonderful, subtle textures and shapes full of artistic nuance, and I was intrigued. Her art appealed to me because it said, in a sense, real talk. It screamed honest, real shit like I'm here and I'm colorful and I'm loud, but at the same time I'm also full of depth and exposure because I live, I breathe, I experience, and I create as a result--not for you, for me. There were no distractions. It wasn't all neat and tidy in a perfect, little, expected bow--no. It was loud and vivid and raw and messy in the best of possible ways. It was connectable ... proud ... unapologetically human, purely exposed artistry ... and that's what I loved about it: its humanity. I felt the emotion behind every piece I ogled and believe me; I spent way too many hours on both her social media sites clicking through images and getting lost in them. Mulkey is a mixed-media abstract artist, photographer, and fashionista out of Baton Rouge playing with different textures of shape and color to express herself, her messages, her feelings, and the world around her. In fact, her expressive patterns of repeating tiny squares and circles have become very popular in her shows and largely draw in the commission requests. Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Having always had the artistic talent deep within her, Jill spent her time after high school doing hair and nails by day and painting by night. The more she painted and showcased, the more attention she garnered for herself. Over the past decade, she has done and continues to do some really cool work, like reproducing different Rock album covers, for example. During a time when she was experimenting with multiple new techniques, she took some pictures of some famous people and portraits of rock stars and worked them through her own interpretations. Art by Jill Mulkey While her early paintings included a lot of portraits and closeups of faces and different city scenes, her style evolved and delved deeper into the abstract world. Some of her works incorporate printmaking techniques, like doing portraits by repeatedly stamping ink on the canvas in high and lesser concentrations to affect lines and shading, and she isn’t shy about collage work. Her images incorporate paint and print materials to illicit interpretations. One of her earlier works, a popular choice depicted below, “Pisces Girl" started out with a compilation that included a girl, a guitar, and a pear, but as the woman’s arm began to take shape, Mulkey's focus shifted from the objects to the woman. You can see how gently and effortlessly she and the guitar are beautifully entwined, both revealed with the implied sexiness of the distinct hourglass shape--the neck of the guitar ever so slightly separated from the woman's to partially hide her face just enough to illicit intrigue and admiration while conveying a union between worlds ... ah! What sweet, emotional depth it displays. It showcases beautifully sequenced artistic style. And, to tie in the title, Mulkey added water elements and a fishbowl to represent the zodiac. Art by Jill Mulkey Canvas isn’t her only medium, though. Early in her career, she used to paint on bottles and even tinkered with unconventional canvases, like paintings on doors and other found pieces. She also paints on … waaait for iiit … JEANS! I’m not kidding. And they look pretty badass, if I do say so myself. Her jeans became so eye-catching, that she now stages fashion shows in various locations. Jeans by Jill Mulkey Jeans by Jill Mulkey “I paint really fast,” Jill says. “I work really fast with my hands,” which explains how she’s able to generate so much in so little time. This challenge of mixing multi-media efforts into one cohesive piece for visual pleasure has been seemingly effortless for Jill, who is constantly scoping out new outlets. “I continue to paint and participate in many art shows all over Baton Rouge. … When I [began to focus] on my art career full time, I painted pretty much every day and sold a lot through social media, mostly on Facebook. I still have a large client base there,” she says. Mulkey has also been featured in several art galleries over the years, including Gallery N , owned by Mark Nikoff , and Williamson Howard Fine Art . It wasn’t long before she realized the gallery display opportunities held more than just a place to display; they became places to grow. “One of my proudest [shows] was in Downtown Baton Rouge at The Shaw Center in the LSU Art Museum,” she says. “I had an art and fashion show inside and a local DJ outside that I worked with on many shows. He was playing music and above him was a huge, white parachute floating in the air off the building on the 4th floor with images of my art, photography, and fashion flashing across this monstrous screen all night. It was so amazing. I haven’t seen anyone do anything like that since, but I’d love to make it happen again!” Over time, Mulkey has become an art dealer of sorts, curating shows at different galleries in and around the Baton Rouge area and promoting new, young talented artists, as well as making sales for herself and the new talent. In 2010 , she curated a show in Los Angeles at the Thompson Hotel on Wilshire Boulevard that amped up her abilities. “Somewhere in there, I began painting live—something I never thought I would do years before,” she gleans. “I became a regular in Battle of the Brushes, a monthly live art battle I did in New Orleans with Alex Harvie and TJ Black (and other chosen artists) on Magazine Street.” It seems more and more people these days find a deeper connection with live painting, and why wouldn’t they? It’s personal, exciting, and curious--utterly fascinating to watch, sober or not. There’s so much mystery around what is being created, that for just a tiny moment, we as viewers often forget there’s even someone there working their ass off to convey to you what they are seeing, hearing, and/or feeling in that specific moment. Then, when an image begins to emerge, a peek of the artist is seen just long enough for the question of why the artist is doing what he/she/they is/are doing to seep in, and once an artist's awareness of that happens, it oftentimes can create an intense palpable pressure. But Mulkey doesn’t seem to mind that one bit. She doesn't even notice, really, because she's a badass who paints right through it as though it doesn't even exist. For those of you wondering, this is what we call "the zone." Jill Mulkey “When I paint live, I sometimes start … by writing with paint in cursive across the entire canvas: first line forward, next line backwards, then forward again, and backwards every other line. I’ve become quite good at writing backwards because of this. It’s fun to see people react when they realize what I’m doing,” she explains. “It’s a great touch in the end, even though it’s just a technique for texture and getting an idea of where I’m to go with the painting. It makes for good live painting, too, because no one knows what the painting is going to be until the very end.” She adds, “People always comment on my process, saying they never know what’s going to happen next or what the painting is going to end up being. The funny thing is, I didn’t want to paint live in the beginning, so it worked out well!” Today Jill stays between Baton Rouge and Minnesota , where her other studio is. She’s currently working on collections and several commissioned pieces. Her zodiac collection , which instantly drew me in even deeper than I already was, involves characters with traits and symbols from each house of the zodiac . She tells me started years ago with “Pisces Girl” and has since completed the signs Taurus, Cancer, Libra, Virgo, and Sagittarius. As a Taurus, I personally connect to her representation of Taurean nature: still, yet loud, messy, confusing to some, and organically earthbound ... refusing to conform; I love it. Art by Jill Mulkey Art by Jill Mulkey Mulkey says she loves all the interesting aspects of each sign, and there’s so much to include in each piece that the process has been nothing short of enlightening and entertaining for her. Work on the zodiac series continues, although she’s had to put it on hold, “to complete various commission work, including this Boba Fett piece, which has compelled me to start a ‘Star Wars’ collection. Once I posted the finished Boba Fett piece [online], I got two commissions from it. I grew up on ‘Star Wars’ and love it, and I’ve always wanted to do some art based on the early movies, so that is in the works.” Art by Jill Mulkey Other commissions she’s been working on involve religious themes taken from a statue of Mary and the baby Jesus , as well as her popular bikes. Art by Jill Mulkey Art by Jill Mulkey She also works on layering in lyrics and parts of songs into her art. “I’ll start with the very first songs I remember as a kid and make art out of them. There’s [sic] so many eras of music that I love. … [I] could have a different theme forever. … [E]veryone loves to see their favorite songs in art and connect [with them].” Speaking of music, Mulkey talks of switching between listening to metal, 90s or Pop music when she paints, depending on her mood, and when she isn't listening to music, she works with a podcast rolling--either true crime or haunted stories, or "Conan O'Brien Needs a Friend," "Jeff Lewis Has Issues," or "Smartless," to be exact. When she isn't painting and is indulging in some well earned chill-out time, she's probably on Netflix, Hulu, or Tubi. "My latest guilty pleasure has been the Netflix series 'You.' ... [And] for some reason, I've been hooked on 80s cult movies lately ... and Conan O'Brien," she adds with a laugh. When asked what about this world inspires her most to paint and create, she says she wants to be able to see the things visualized in her mind emerge into tangible form. That's the magic. "I'm also very into pop culture, and that is very influential on things that I paint," she adds, noting that her absolute favorite mediums to work with are charcoal and acrylic, but she also loves spray paint and enjoys experimenting with all mediums. Mulkey currently is focused on completing her commissioned pieces, as well as her zodiac collection, and she says she's also looking forward to working with local Baton Rouge gallery owner Mark Nikoff , who is planning future art openings starting in March 2023 . It's no doubt her arsenal is full of an expansive variety of creations on a multitude of subjects with a myriad of focused perspectives and messages, but if you ask her what her favorite thing in the whole world to paint is, she'll smile and tell you it's her faces, which are nothing short of worthy of your admiration and exploration. So, just for you, art lovers, I leave you with a mini gallery of some faces and other selections from her digital portfolio I found interesting. Enjoy, my friends. Be sure to find, follow, and support Jill Mulkey Art online to stay plugged into her latest pieces, any current and upcoming shows, and updates to any of her unique collections. https://www.facebook.com/JILLMULKEYART https://www.instagram.com/jillmulkeyart/ *Images courtesy of Jill Mulkey Art Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey Art by Jill Mulkey www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Few Blue has the rhythm that will bring you to your knees. < Back Straight from the Bayou: Few Blue’s Vibrant Sound Redefines New Orleans Music Nicole Brice Sep 3, 2024 Share Few Blue has the rhythm that will bring you to your knees. In my many years of discovering new music, it never ceases to amaze me how Louisiana talent can be so different in so many ways. Louisiana has become known for its intense metal scene as well as zydeco and jazz , but often, the more unique bands coming out of this state tend to get buried. It’s not because they are not talented but because people’s musical tastes are focused elsewhere. When a band is recommended, I never know what to expect. After receiving the recommendation to check out Few Blue ’s music, it only took one listen to fall in love. Few Blue is one of those bands with an infectious lead singer who reels you in with her pure talent and powerful vocal stylings—stylings reminiscent of great female singers like Miranda Lambert , Pat Benatar , and the ever-forgotten Alannah Myles . Camryn Wisniewski’s energetic persona and insatiable personality are a perfect fit for the well-rounded outfit of talented musicians she shares the stage with, who play a style of music so rowdy that you can’t help but get excited. This band is so tight. If Miranda Lambert were to front Pat Benatar’s band from the 80s, then you would have Few Blue. Their first EP, So Damn Wrong , was released in January 2024 and is an intense kick to the gut with standout tracks such as, ‘ Oops ,’ which makes you snap to attention instantly because of how powerful it is. It’s an ass-kicking female anthem with pure, fierce sonic energy. ‘ Call Me Crazy ’ is another high-powered track with impressive and compelling lyrics that speak of love and longing. To be honest, this entire EP kicks so much ass. Truly, it does. There is not one single bad song. Put So Damn Wrong on your list of EP’s to check out NOW ! A tight-knit group of friends who began their careers together at Louisiana State University in Baton Rouge, Few Blue is on a path to greatness because of its intense energy in the musical landscape. The band is comprised of: Brad Boozer (guitar), Rob Schexnayder (drums), Christian Liang (bassist), and Camryn Wisniewski (vocals). If you were to ask me how to describe Few Blue’s music, I would have to say that it’s just good. It's as simple as that. Based in New Orleans these days and fresh off playing a show at LSU’s Welcome Week , the band has a busy rest of 2024 lined up with even more planned for 2025, so I was thrilled to catch lead singer Cam on an off day. We discussed the history of the band, vocal influences, what the future holds, and more. Read on below. Camryn Wisniewski (vocals) - Credit Gary Governale MaM : So Damn Wrong was just released in January. What has the response been so far to the EP, especially with such a strong opening track as ‘ Oops ’? That song is a swift kick to the ass. Cam : This song was a joke song. I think we were hanging out and drinking a few beers when it was written because we do these jam sessions when we go on trips together where we sit down and write songs. Brad will start strumming random chords … like B, A, D, right? As he’s playing, I’ll freestyle on top of it. ‘ Oops ’ is one of those situations. It started with a story about this red-haired girl, and she’s one of my good friends, but it was a strange situation at the time, and it made a great song which the term “ Oops ” is one of Brad’s favorite terms for when something wrong happens, like “Oops, my bad.” MaM : It’s just such a powerful track! Cam : That’s the attitude we wanted to convey, too. It’s like an instant rollercoaster. MaM : How do you usually approach writing material? Cam : Well, we’re actually writing some new material now and figuring out a process that works for us. This is going to be our first album but our second release. When we started the band, it was just four kids in college who wanted to jam together, but now things are getting more serious, and people want us to make more music, so we’re trying to figure out how to become actual songwriters. When we started writing the So Damn Wrong EP , usually we would have the melody first, or Brad would have a riff first, but for like ‘ Call Me Crazy ’, that was my melody with some simple chords that we jazzed up. We also changed the chorus to make it more upbeat and exciting, but for the rest of them, it was all Brad with a riff, and we would build on it. Once you get the first verse done, then you can pretty much do anything with the song. It’s been a challenge because we just started off having fun. For ‘ Song Why ,’ the bass player came up with this simple bass line, like three notes back and forth. Then, I wrote on top of it next, and it started to build. Build the base and then put layers on top of it. Credit: Gary Governale MaM : I love that. You never know where the song could go when you have a mass collaboration like that. Cam : I will say, though, that sometimes, if you have too many minds involved, it can get a little crazy, but it worked out great when we recorded ‘ Oops .’ MaM : Where did the name Few Blue come from for the band? Cam : For a long time, we have tried to come up with a meaning to tell people about the name, but it is just from a random word generator. None of us could think of anything at first, so one of the names the guys threw out was “Piraha”. (laughter) They wanted to be different and stand out, but obviously, “no” with that name. (laughter) My drummer, Rob, had this random word generator and was messing with it. These two words pop up each time, and you must decide which word to keep and which to toss. So, it generates the word “few” and another word. He liked “few”, and then “blue” came up, and we liked it, but it was a bit of a tongue twister, but I think it’s different from what we’re seeing around us. Fleetwood Mac probably sounded like a terrible name at some point but look at what the name means now. Credit: Gary Governale MaM : Right?! So, what made you want to pursue the type of music you play? Cam : My background is a little crazier and different than the guys. The guys are all about classic rock legends and own tons of vinyl. I did musical theater growing up. That’s where I get my confidence and stage presence from. I was not a musical theater kid, but I did musical theater. Does that make sense? It was an excellent outlet for me. I wouldn't say I liked the acting part, but I loved the dancing because it was fun and carefree. Through the years, I found that ABBA was my favorite music for musical theater. I always pick the ABBA songs for karaoke and whatnot when I sing. When the guys said they did classic rock, though, I had to convince them to blend a little of my style with theirs, but finding the perfect mix is doing what I do now. Credit: Gary Governale MaM : Your sound is big. What is it about music that makes you feel so passionate? Cam : I get an adrenaline rush going on stage, and it is just a feeling. It’s my outlet I could not live without, and I’ve written poetry for years since I was a kid, but I would sit down with my ukulele and put all these puzzle pieces together through song while staying genuine and authentic with what I wanted to say. I love all the alliteration and wordplay with music, too. I feel emotions deeply, also, and I’ve always been a writer. It’s just something I need to do. Even if no one hears it. MaM : What’s your favorite song to perform? Cam : Right now, it differs, but ‘Zombie’ by The Cranberries is one of them. We rock that song up enough to where everyone is headbanging, and it sits so perfectly in my range that I can easily let it all out and scream. It's such a fun song to perform. Credit: Gary Governale MaM : What would you say your songs are primarily about, and how would you describe your music to a random stranger if you were trying to sell it? Cam : We love rock music and are just trying to pay homage to our inspirations, but lyrically, we’re just telling a story, and people are relating to it. Heartbreak and tough times will always be an influence, but ‘ So Damn Wrong ’ is about a bad relationship at the time. A bad guy and a good girl trying to make things work. It’s so damn wrong, but it could be right, and she’s not gonna wait for ya. That’s exactly how I felt at the time, too. ‘ Call Me Crazy ’ stemmed from high school and relationships with the message that if you’re not crazy, are you really in love? At that point, just call me crazy because I am in love, and I’m crazy. I’m sure a lot of the lyrics are from boys pissing me off. (laughter) MaM : Life experiences. Cam : Exactly, life experiences. MaM : Life experiences make the best art! Tell me about your worst and best performance so far. Cam : So, our worst performance … we got hired to do a private event, and as you know, in the south, the rivalries go hard. At this event, half of the LSU people and half of the Alabama people were there. The two parties didn’t quite know each other well, so when it came to the music being played, we weren’t told much. In fact, about a week before the event, we were told we needed to learn a bunch of new songs. The problem was that the girl who hired me was for LSU, so I started singing more Baton Rouge-based songs like ‘ Calling Baton Rouge ’ and ‘ Louisiana Saturday Night’ because I was ready to get people going. At one point during the party, one of the Alabama people came up to me because they said I was only singing LSU songs, and they wanted Alabama songs. We didn’t mean to do anything wrong, so at one point, I even got on the mic to tell people we would play whatever they wanted to hear. It was just one of those events where you don’t have enough information and then shoot yourself in the foot once you get there. It was so awkward. We packed up early because the Alabama people wanted us to stop playing and turn on other music. The best performance … there are quite a few. We just played at FLORA BAMA , and they scheduled us for the 6:30 p.m. -10:00 p.m. spot, which is a fantastic spot to have. I’ve done that spot with another band before because it was a great spot, but once we played the 10:00 p.m. to 2:00 a.m., it was just insanely packed. There were people all the way to the back, and all were engaged with us the entire time. I’d tell them to put their hands up, and everyone had their hands up. It was phenomenal! Everyone was so into it. Credit: Gary Governale MaM : Have any other musicians ever given you any advice, and if so, what was it? Cam : I talked to Randy Jackson from Zebra , and it was so surreal since the guys in the band love them. Zebra means something to me. I finally got to meet Randy Jackson because my music teacher is friends with him. He gave me advice on how to preserve my voice. I used to have this very princess-sounding falsetto voice, which I still do, but it’s changed because I’m screaming so much on stage. I’m learning to control it. He told me some excellent singing advice, told me to drink grapefruit juice, and told me tea dehydrates you, too. I have talked to older bands on the scene, too; everyone has told me not to worry about what I’m writing and to write what I feel. Credit: Gary Governale MaM : Is there anyone you would like to collaborate with in the future, and if so, who? Cam : David Shaw and the Revivalists . Our drummer, Rob, has gone to so many of their shows. Rob and I are close, so if we sit around and need some cheering up, he’ll play their music for me. It’s special to me—dream collaboration. MaM : What do you have going on for the rest of the year, and where do you see yourselves headed in the future? Cam : We’re trying to get some new music out by the end of 2024 / early 2025. We have a few more shows scheduled at FLORA BAMA , some others, Southport Hall , Rock N Bowl , etc. We’re booked through the year's end so you can catch us somewhere. We play almost every weekend. We’re just going to be putting our heads down and grinding. Everyone is so passionate about moving the band forward, and it’s not easy, but we’re doing it. Credit: Gary Governale As Few Blue continues to grind it out on the local scene and beyond, they stand poised to influence a new generation of music lovers with a refreshing sound that can only be attributed to the cohesive energy found within this well-rounded and talented group of musicians. With a busy rest of 2024, be sure to try and catch a show with this up-and-coming act before they sell out stadiums worldwide. To learn more about Few Blue: New Orleans Young Band - Live Music (fewblue.com) *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

City Primeval: High noon approaches < Back Hills, Hollers, and Hoodlums: Raylan Givens Returns in Justified Sequel Keeley Brooks Apr 18, 2023 Share City Primeval: High noon approaches Back in 2010, FX brought us one hell of an entertainment drama series in a show about a charming but stubborn U.S. Marshal with his own methods of ensuring justice, Wild West-style. Justified won several awards during its run, including two Emmys, a Peabody, and the American Film Institute TV Program of the Year prize. If you’ve never seen the hit series, now is your chance to binge all six seasons before its sequel revival season returns this summer with eight new episodes. Justified originally ended its run in 2015 but this past January, FX announced the show will be returning this summer for a limited series run with a sequel titled City Primeval . Here’s a recap of the original series followed by everything we know about the sequel and what to expect. Deputy Marshal Raylan Givens, played by the inimitable Timothy Olyphant ( The Crazies ), is a bad-ass gunslinger who hunts criminals in his own way, with no regard for crossing legal lines. This, along with his bold, brash, no-bullshit attitude, puts him at odds with the higher ups in the U.S. Marshals Service, and after a pretty sweet (but illegal) gunslinging incident in Miami goes down in the opening scene of episode one, Givens is reassigned to his hometown Kentucky district full of hills, hollers, and hoodlums ... and memories he wants to forget. https://www.youtube.com/watch?v=UrpyJzAq7Ro (For the layperson, a holler (or hollow) is the area of ground space between hills, in this case in Kentucky … it's unclaimed territory, if you will.) Developed by executive producer Graham Yost , the original series is based on a character from the late great American author Elmore Leonard and his novella “Fire in the Hole”. Leonard also wrote classic crime stories that turned into feature adaptations, such as Get Shorty , Be Cool , Rum Punch, and 3:10 to Yuma , among many others. To date, Justified is one of the most critically acclaimed shows of this century, along with Sons of Anarchy, Breaking Bad , and Better Call Saul . In addition to Olyphant, Justified also features Walton Goggins ( Sons of Anarchy, The Shield, The Righteous Gemstones ), Nick Searcy ( NCIS, The Old Way ), Joelle Carter ( Home Before Dark, Chicago Justice ), Natalie Zea ( The Detour ), Jere Burns ( Breaking Bad ), Jeremy Davies ( The Black Phone, Twister, Lost ), Margo Martindale ( Sneaky Pete, Cocaine Bear ), and many other recognizable faces. While Olyphant and Goggins were nominated for Emmys for their roles, Martindale took home the award for Best Supporting Drama Actress for her role as the tough as nail Mags Bennett. credit: IMDB Her portrayal in Justified is unforgettable, and after experiencing her there, you're gonna want to jump over to Sneaky Pete on Amazon and check her out her in that. Jeremy Davies, who plays one of Mags’s sons, also took home a guest Emmy, and you’ll see why after you visit the story. Each character has so many unique qualities, they bring the storyline to life with their rich dialogue and memorable idiosyncrasies. The series centers around a long-standing conflict (and inevitable anticipated showdown) between Raylan Givens and career holler criminal Boyd Crowder, played by an equally as charming Walton Goggins. The banter between these two is so much fun, you just can’t help but love and root for them both. In fact, I guarantee you’ll fall in love with every single character in these stand-alone, season-long arcs that offer up the perfect balance of comedy and drama. The show is written and acted out that well. credit: IMDB credit: FX Justified originally ended its run in 2015 with its sixth season, but this past January, FX announced the show will be returning July 18 for a limited series run. Here’s everything we know about the sequel and what to expect. Justified: City Primeval is based on one of Elmore Leonard’s other novels, the 1980 crime drama “City Primeval: High Noon in Detroit”. The book itself does not feature Raylan Givens, but the story was updated by Leonard's son to include the character. It's set in Detroit and follows a dangerous criminal by the name of Clement Mansell, aka The Oklahoma Wildman, played by Boyd Holbrook of The Predator and The Sandman . credit: IMDB The show’s creative team, which reunites much of the team from the original series, was reportedly excited to explore Raylan as a stranger in a strange land after spending years in the familiar, crime-ridden hollers of Eastern Kentucky—Harlan County, to be exact. “We weren’t trying to recapture the show we [previously] did,” explained co-showrunner Michael Dinner at the Television Critics Association winter press tour. “We were trying to recapture Elmore’s tone. This is a book that we really loved. We loved the characters in the book. We thought it would be interesting to pick up with Raylan and catapult him into this story and see him some years down the road. … What we’ve done is true to the show but not the same show.” Dinner served as executive producer on Justified during its original run and went on to produce and direct for Sneaky Pete and fellow FX crime drama Mayans M.C. Sharing the directing role with Dinner is Dave Andron, who is known for being the co-creator and show runner for FX’s Snowfall , which is coming to an end later this year. Justified: City Primeval picks up 10 years after the original series ended. Givens is long gone from his hometown of Harlan and now lives in Miami with his 15-year-old daughter Willa, who is played by Olyphant’s real-life daughter, Vivian. He balances his life between U.S. Marshal and part-time father, but a chance encounter on a lonely Florida highway sends him to Detroit where he crosses paths with the violent, sociopathic desperado The Oklahoma Wildman, who’s already slipped through the fingers of Detroit’s finest once and is looking to slip away again. Givens also has the pleasure of going up against the desperado’s big-time powerful lawyer. Together, these three characters set sail on a collision course a la Elmore Leonard style, and it’ll be a nailbiter to see who makes it out of City Primeval alive. credit: FX "While the setting and characters will are new, it’s still very much Justified in nature," said executive producer Sarah Timberman . “It’s an extension of the show in a kind of storytelling mode even though it’s Detroit. A hallmark of the original show was that you’d spin out into Margo Martindale and Kaitlyn Dever’s world, and you’d just live there and just leave our regulars. And they became the regulars.” The revival reportedly does this as well with characters played by Vondie Curtis-Hall ( Daredevil ), Aunjanue Ellis ( Lovecraft Country ) and Adelaide Clemens ( Rectify ). “You really get into these other lives over these eight episodes, and it’s really fun to watch,” said Graham Yost . And although the math doesn’t exactly add up, it has been 15 years since Raylan left Harlan for Florida, and Willa was only four at the time. The choice to finagle the timeline a little ultimately came down to dramatic considerations. “The age that she plays—15 going on 16—there’s a short window that Raylan has,” said Director Michael Dinner . “He’s at a point in his life where that road is pretty short in front of him. … He’s facing mandatory retirement in the marshal service.” Olyphant continues, “We were attracted to the idea that this is a ticking clock. Raylan is about to lose [Willa] no matter what [because of her age].” City Primeval is also rumored to address what has happened to some of our favorite characters from Justified . Allegedly, early in the revival’s development, the producers didn’t want to bring back any character from the show’s original run, but they eventually reconsidered and decided that as long as it made sense organically within the story, they would explore the idea. However, no deets have been released yet on who might show up or be addressed, but producers have confirmed through FX we will find out what has happened to some of the show’s finest (Wynn Duffy, anybody?). Director Michael Dinner has spoken out on the changing perception of law enforcement as it relates to depicting that in the show. Since Justified went off the air in 2015, there’s been a giant reckoning regarding police brutality. The complications presented by putting a law enforcement officer like Raylan, who (very much like Dexter Morgan in Dexter) is not a bad man but obviously lives by his own code, in Detroit and surrounding him with Black men and women are well understood by producers. “We’re not beating the drum [about race], but it’s certainly front and center,” said Dinner . “The world has changed. And Raylan’s world has changed. … It was important for us to try to get it right, to try to get what Raylan’s life is like in a changing world." Olyphant added, “We’re not a show that cheerleads for law enforcement. Part of what makes Elmore Leonard’s world, and our world, something a little different is the characters are self-aware a little bit. They’re aware of their flaws and they’re aware of their shortcomings. And they’re aware it’s complicated.” While the sequel series revival is meant to stand on its own and be an extension of the Justified universe, creators have alluded to the presence of Easter eggs for longtime fans. My recommendation is that if you have not seen Justified , now's the time to give it a go before tuning into City Primeval . It makes for a fantastic binge. You'll be glad you did, and you'll notice it’ll enhance your revival experience that much more. Here’s the original trailer from Season One. Enjoy the holler, my friends, and be sure to catch City Primeval on FX July 18 and FX on Hulu July 19. https://www.youtube.com/watch?v=zDkih-LVZtU Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for content and an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. < Back Throttle Fest 2023: Southern Happenings Bud Gambrell Oct 24, 2023 Share Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. The announcement of Throttle Fest 2023 indicated the return of a huge music event that, since 2020, has brought joy to many people. Originally held at Sidetracks Music Hall in Huntsville, Ala., Throttle Fest is the brainchild of booking agent Shane Bickel. While Throttle Fest continued in 2021, the music event did not return in 2022 due to Sidetracks’ unfortunate closing. Luckily, opportunity struck this past summer when Bickel announced to adoring fans all across the South that Throttle Fest would be returning this October to Huntsville, now taking place at Rocket Republic . The lineup for Throttle Fest 2023 featured some of Southern rock's brightest rising stars —six bands originating from six different states. Hailing from Biloxi, Miss., newly formed hard rock band The Heavy Strides kicked off the event on Friday, Oct. 13, with their unique, signature sound known for marrying deep rhythmic grooves with searing guitars under the guidance of soulful lead vocals. The Heavy Strides promise an electric fusion of classic influences , including the likes of Led Zeppelin to Soundgarden, all wrapped up with a temporary edge. The Heavy Strides are Drew Fulton on lead vocals and rhythm guitar, Josh Estes on bass, Cedric Feazell keepin' the beat on the drums, and Tyler Storms on loead guitar. Cedric Feazell of The Heavy Strides (credit: Bud Gambrell) Next up were The Josephines out of Bowling Green, Kentucky. These guys are always a crowd pleaser with their raw, rough-around-the-edges rock and roll that’s sure to have you dancing while you shed a tear or two. The Josephines—consisting of Brad Tabor (lead vocals, acoustic guitar, mandolin), Zach Lindsey (lead guitar, vocals), Alex Lindey (lead guitar, pedal steel, lap steel, vocals), and David Page (drums, percussion)—arrived with a different lineup this year, which included special guest guitarist Kyle Daniel. Kyle Daniel with The Josephines (credit: Bud Gambrell) Mixed Alternative Magazine was there and had a chance to talk to The Josephines’ lead singer Brad Tabor about how it feels to play Throttle Fest again. Says Brad, “It was awesome! We got to play with some new guys. We had a couple of players with us who don't normally go out with us, and they ripped it! And then, you know, the set sounded good to me, so people had fun and that's kind of the goal. I'm glad to be here for that reason. People got to enjoy themselves.” Brad Tabor of The Josephines (credit: Bud Gambrell) Closing out the first night was Them Dirty Roses from Gadsden, Alabama. This Southern rock band knows how to bend a string and break a heart Skynyrd-style. From the Alabama clay to Europe to festivals all across the United States, Them Dirty Roses are used to bringing the fireworks in their headlining abilities. The Throttle Fest crowd was treated to a bass solo from Ben Crain, a lead guitar solo from Andrew Davis, and a rousing drum solo from Frank Ford. Andrew Davis of Them Dirty Roses (credit: Bud Gambrell) After that set, Mixed Alternative pulled Them Dirty Roses lead singer James Ford aside to get his thoughts about Throttle Fest and being able to play in Huntsville again. “It does really feel good [to be back in Huntsville playing Throttle Fest],” Ford says, “because it [was] scary when Sidetracks went away. It was kind of like, ‘Damn, where are we gonna play now?’ We just didn't have a home in Huntsville anymore. And we've been doing it since 2018. So, I'm hoping this is the new place that's our new home in Huntsville. And I thought [the set] went great! … The crowd seemed to be into it.” Them Dirty Roses (credit: Bud Gambrell) Kicking the music off on Saturday, Oct. 14, was Southern soul/rock ‘n roll band One For The Road , who came straight out of “a small building back in the woods of Resaca,” in North Georgia. I have been hearing about this band from my good friend Todd Dean , an outstanding musician photographer who sat in with OFTR to sing Marshall Tucker’s “Can’t You See” . If you enjoy totally unadulterated Southern rock music , you have to look into this band. One For The Road features frontman and lead singer Zach Crumley, drummer Chris Webb, organ/piano player Joe Morgan, and bassist Jaithan Neal. Zach Crumley of One For The Road (credit: Bud Gambrell) Up next, and straight out of Little Rock, Ark., deFrance ’s rock ‘n roll style did a slammin’ job of setting the table for the classic rock sounds of Jive Mother Mary , from Burlington, N.C., who closed out the night. deFrance is cut straight from the roots of the best in Southern music , blending elements of true folk and country music with the classic songwriting styles of Tom Petty, Neil Young, and Ryan Adams into a fresh take on rock ‘n roll. I should also mention that deFrance travels in a church van. I think band leader Drew deFrance enjoys the reaction when the church bus pulls in to play at a rock club. Drew deFrance of deFrance (credit: Bud Gambrell) Jive Mother Mary, who headlined the second night, put on a damn good set, with several attendees mentioning that their Throttle Fest 2023 performance may have been the best JMM set they’ve seen. It comes down to this: Mason Keck and JMM never cease to amaze me at just how good of musicians they are. The word stunning comes to mind. When it was announced that they were coming back to Throttle Fest, I saw it as an opportunity to sit down and talk to Jive Mother Mary lead singer Mason Keck . In response to what Throttle Fest means to Keck as a performer, he says, “Man, Throttle Fest just kind of feels like a family reunion . Huntsville is a really cool little market for us. You know, we're from North Carolina originally and we kind of just had a core group of folks that really were supporting us strongly down in Huntsville. We played at Sidetracks a couple of times, then the first couple of Throttle Fests were there, and Huntsville was always a spot we could kind of count on as a good mood lifter, you know what I mean? The people that were going to be there were there to see [us] and that was an important part of it—always getting to see the folks that [come] out time and time again.” Jive Mother Mary (credit: Bud Gambrell) (In my best infomercial pitchman voice): But wait there’s more! Prior to Day 2 kicking off, Mixed Alternative also had the chance to talk to Throttle Fest organizer supreme , mastermind, genius, and promoter extraordinaire Shane Bickel . (If you can’t tell, we love Shane in Huntsville.) When asked what Throttle Fest means to him, Bickel replies, "It’s hardcore love for Southern rock music … just bringing a bunch of familiar faces together with some new faces and just creating a family atmosphere. All of the bands and the fans just get along so well. It's just, I don't know, something about it I like. It's a small version of a festival, but more like a family reunion with live music." In 2022, Throttle Fest didn’t happen due to the closing of Sidetracks Music Hall. This year, it was out of the blue when Bickel announced Throttle Fest 2023. We wanted to know what his plan was behind that, so we asked. "I miss y’all!" Bickel laughs. How else can we get everybody who used to support Sidetracks for most of the shows together? How can we get them all back in one room? Because so many people come from out of town, out of state. You have to put six of these bands together so you can get all different parts of the South to show up. And so far, we've done that: I think we had eight or nine different states show up [the first day]. So, it's pretty impressive that people still care about these bands and follow them . Most of these bands we won't be able to [accommodate] in a smaller setting or hopefully, they'll honor me with doing … Throttle Fest whenever we need to do it. " He continues, "It's like a family reunion, but these guys are going to move on to bigger and better stages. I mean, [we have to] enjoy it and embrace it while we can because a lot of these bands are going to be too big for us soon. [Everything has gone] really well. Everybody enjoys the new venue, so that is really comforting to hear positive feedback on that. So, all in all, [Throttle Fest 2023] has been a home run! " And I'd have to agree, especially when taking note of the festival's main theme, in addition to showcasing Southern music: family . Take it from someone who attended all three Throttle Fests: This is truly like a family reunion . There was also a phrase I heard repeated many times throughout the two-night event. I heard so many people tell someone else that they loved them, and in this day and age, where there is so much hate in the world, it was quite refreshing to see and hear. It is a shame that more people are not able to attend and share a loving, family-like experience one gets with Throttle Fest. For more information on Throttle Fest or any of the bands, follow their links and be sure to browse the gallery of images below! Throttle Fest Official Website The Josephines Official Website Them Dirty Roses Official Website Jive Mother Mary Official Website One For The Road Official Website The Heavy Strides Official Facebook deFrance Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

It was a night of dynamic performances and captivating energy. < Back Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian Nickels Oct 8, 2024 Share It was a night of dynamic performances and captivating energy. Strap up your black boots, throw on some eyeliner, and come along with me for one of the most exciting nights of my life. On October 4th, 2024 I got to photograph one of my absolute dream bands – Sleeping With Sirens – at The House Of Blues in New Orleans, LA . (To say I was thrilled is an understatement; I think my inner teen was healed that night.) Sleeping With Sirens is currently on tour to celebrate the 13th anniversary of their second album Let’s Cheers to This released in 2011. Supporting Sleeping with Sirens were alternative rock bands Teenage Joans and Holding Absence . The House of Blues started the night with the Australian punk rock duo – Teenage Joans. The duo consists of drummer and vocalist Tahlia Borg and guitarist and vocalist Cahli Blakers. Unfortunately, I arrived at the show a little late due to traffic and lack of parking (That’s the good ole French Quarter of New Orleans for ya), so when I walked in, I wasn’t sure if the band was still on the first three songs and sadly missed my opportunity to photograph them. However, I got this clip of Sleeping with Sirens on stage in between songs to sing Tahlia Happy Birthday and hand deliver her a cake! https://video.wixstatic.com/video/999a0f_0b1a6b0a416948e8bf9d14372729f836/720p/mp4/file.mp4 “Imagine being 14 years old and Sleeping With Sirens is your favorite band, and then being 22 and they are hand delivering you a cake and singing you Happy Birthday”, Tahlia said to the crowd before the duo went on to play a cover of one of Pierce the Veil 's most popular tracks ‘ Circles .’ This was the perfect move to get everyone excited about what was in store for the night. Teenage Joans also performed original songs from their debut album The Rot That Grows Inside My Chest . I was thoroughly impressed by the talent level they could achieve with only two members. Not every day you get to see a punk rock duo of women, and I indeed became a fan. Teenage Joans thanked everyone, threw guitar picks and setlists, and then made sure to get everyone excited for the following supporting act – Holding Absence. Holding Absence is a Welsh alternative rock band from Cardiff, Wales that consists of lead vocalist Lucas Woodland, bassist Benjamin Elliot, drummer Ashley Green, and guitarist Scott Carey. The energy they all brought to the stage felt very fun and lively. Lucas and the rest of the band members delivered a high-energy, chaotic stage presence that electrified anyone in the room. The amount of energy and movement they brought to the stage amplified the overall experience and kept the crowd engaged and in the moment. I had never heard of Holding Absence before, but the crowd indeed did; almost the whole audience of the sold-out show knew the lyrics to every song. Holding Absence gave their all for their set and then got the attendees screaming for who they’ve all been waiting for Sleeping with Sirens. Credit: Rian Nickels Credit: Rian Nickels Sleeping With Sirens is a post-hardcore band from Grand Rapids, Michigan , and has been blessing our ears since circa 2009. The band consists of four members: Kellin Quinn as lead vocalist, Matty Best on the drums, Justin Hills doing backing vocals and bass guitar, rhythm guitarist and backing vocalist Nick Martin, and touring lead guitarist Tony Pizzuti. As I said before, Sleeping with Sirens was on tour to celebrate the 13th anniversary of their second album, Let’s Cheers to This , and they were about to perform it for us in its entirety. Credit: Rian Nickels The lights dimmed and they allowed the press photographers in the photo pit; I’d be lying if I said that wasn’t one of the most incredible things I’d ever experienced just walking down the steps with other individuals with the same dreams and goals as mine. I wondered how many of our dreams were coming true that night. The anticipation of waiting for them to go on stage to let me loose to photograph a band I’d looked up to for over a decade was eating me alive. Upon coming out and the crowd going insane, I could only look up and smile. They started with the track ‘ Tally It Up, Settle the Score ’, a song about proving all the people who said you couldn’t do It wrong, which was the perfect track to get the crowd head banging and jumping and pumping my blood because there’s nothing more motivating than the people who don’t believe in you. They followed this with ‘ Do It Now Remember It Later ’, which follows similar themes with lyrics like “ Remember when they said that what we want can never be done? When it all comes falling down, we'll do what we want to ”. This was a full circle moment for me, from being 16-years-old and crowd-surfing at Warped Tour to this same song to photographing them performing it at 28-years-old at a venue that has many times felt like home. Credit: Rian Nickels After they played their third song, ‘ Four Corners and Two Sides ,’ it was time for me to leave the photo pit and enjoy the show with the attendees. This was a sold-out show at the House of Blues, which, if you don’t know, means that you packed in there like sardines, so I went all the way to the back for an easy exit after the show. Sleeping With Sirens went on to play more of their album, but a surreal moment for me was when they played ‘ A Trophy Father’s Trophy Son ’, which at its barest is a song about having a rocky relationship with your dad. It meant so much to me to see a room of so many people screaming, “ Is this what you call a family? ” in unison. It was one of those moments when you realize you’re not alone in your feelings and life experiences. Credit: Rian Nickels For their track ‘ All My Heart ,’ Kellin had everyone pull out their flashlights on their phone. The flashes lit up the House of Blues, and everyone sang, “ You still have all of my heart ,” in unison to create one of the most beautiful moments I’ve seen within those walls. Kellin then told us the whole story of his first time on tour with the band Enter Shikari in New Orleans . He mentioned how he had just gotten lost in the quarter and had gotten separated from all his friends and bandmates after being given one of his first Hand Grenades– a feeling almost every Louisianan knows all too well – Kellin’s Wife had called another bandmate and demanded they find her husband, after seeing Kellin fall asleep on top of the tour bus and wake up with one of the worst sunburns of his life. I liked this story because it felt like an authentic New Orleans experience and not a fabricated story for excitement like some bands will do. They went on to play more songs from the album, such as the title track ‘ Let’s Cheers to This ,’ ‘ Who Are You Now ,’ and ‘ Your Nickel Ain’t Worth My Dime ,’ before telling us goodnight and exiting the stage. Credit: Rian Nickels It’s important to note that earlier in the show, he told us they’d be leaving the stage soon and returning for five more songs. (Five Encore songs are wild, but I’m here for it). This had the crowd screaming “FIVE MORE SONGS” and “ONE MORE SET” which I’ve never heard before at a concert. They came back out on stage in different outfits and used this opportunity to perform songs that weren’t on the second album—starting with the song that rose them to fame, ‘ If I’m James Dean and You’re Aubrey Hepburn .’ This was another beautiful moment as everyone in the building knew every word and didn’t miss a beat. Kellin told us to sing it, and we didn’t deliver anything less. You could see how emotional this made Kellin, but he brushed it off with a bounce and big smile. Other songs they played for their encore were ‘ Kick Me ,’ ‘ Leave it All Behind ,’ and one of my personal favorites, ‘ Better Off Dead .’ Before playing this track, Kellin told us that he wrote this song for the people who sometimes can’t stand the reflection in the mirror and sometimes feel like they’re better off dead. They then finished off with an extended version of their biggest song from the album, ‘ If Ya Can’t Hang ,’ which was another one that had the whole House of Blues practically roaring. Everyone knew the words as they chanted, “ IF YOU CAN’T HANG, THERE’S THE DOOR BABY ,” while, of course, pointing out where the door of the venue was. It's a staple moment at almost every Sleeping with Sirens concert. Ironically, the concert was over, and we would hit the door soon because we couldn’t hang. Funny how that worked out, huh? Photographing Sleeping with Sirens at The House of Blues felt like more than just capturing a moment—it was a personal milestone that brought my teenage dreams full circle. I’ve been a fan of this band since my teens, and to stand in front of them, camera in hand, was nothing short of surreal. It’s an accomplishment that means the world to me, not only because of how long I’ve carried their music with me but because it represents growth, passion, and a love for music and photography. That night, the mix of nostalgia, excitement, and pure joy reminded me of one of the many reasons I do what I do. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? HIt us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Night of Raw Emotion and Fan Favorites < Back Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy Rian Nickels Oct 16, 2024 Share A Night of Raw Emotion and Fan Favorites On a muggy night in Louisiana -October 7th, 2024—the historic House of Blues New Orleans brought together three different corners of the alternative music scene. The Used , an alternative rock band, was deep into their 2024 headlining world tour; for their New Orleans spot, they were supported by up-and-coming alternative grunge band Raue (Pronounced: Roo—ay) and well-loved soft rock band the Plain White T’s. Kicking off a night with a surge of high energy, Raue , a two-piece band from Santa Cruz, California, made a lasting impression with their gritty sound and riotous stage presence. The band comprises vocalist and guitarist Paige Kalenian and drummer Jax Huckle . I was super excited to photograph Paige and Jax, but sadly, I missed my first three-song opportunity. Fortunately, I still made it in time to enjoy their performance. A highlight of the performance was when they covered Radiohead ’s famous track ‘ Creep .’ Here’s a Clip from Raue’s Instagram of Creep cover . This was a perfect way to capture the audience's attention and give them something to remember. Paige has the ideal voice to achieve the dynamic shifts of softly sung verses and the mighty long shouts of the chorus. Raue also performed original songs ‘ Karma ’ and ‘ Ruby Glow ’ . Their sound and stage presence brought back that raw, filthy, and chaotic energy from 90s grunge bands like Nirvana and Screaming Trees , which is particularly impressive because the members have yet to hit their 20s! Raue’s throwback sound set the mood for a nostalgic performance from The Plain White T’s . Credit: Rian Nickels Credit: Rian Nickels Credit: Rian Nickels After Raue's angsty performance, the Plain White T’s were up next to slow things down a little. The Plain White T’s are a four-piece soft alternative pop rock band from Illinois. Members include multi-talented Tom Higgenson as the band’s lead vocalist (and sometimes you’ll find him playing keyboards or the acoustic guitar), Tim Lopez on lead guitar as well as backing and lead vocals, bassist and backing vocalist Mike Retondo , and De ’Mar Randell Hamilton on percussion. You can tell right away that these guys have spent the last 20 years making and playing music together as they play with perfect harmony and never miss a beat. They won the crowd with long-loved favorites like ‘ Hey There Delilah ’ and ‘ 1, 2, 3, 4 ’. These were two of their greatest hits, and the whole crowd sang, “ Hey there, Delilah, what’s it like in New York City ?” in unison, a moment of connection all the early 2000s kids have been yearning for. The Plain White T’s performed a perfect mix from across their discography with older, more nostalgic songs to tracks from their most recent Self-Titled album before ending their set with their popular hit ‘ Rhythm of Love ’ and welcoming The Used onto the stage next. After a heart-warming and calm set from the Plain White T’s, it was time to switch up the vibe a bit with a gritty, loud, and riotous alternative rock band from Utah, The Used . They are a 4-piece band comprising the following members: Bert McCracken as lead vocalist, Jeph Howard on the bass and backing vocals, drummer Dan Whitesides , and guitarist and backing vocalist Joey Bradford . As I waited for the performance to start, I noticed that their stage was adorned with a chain-link fence and chain-shaped mic stands, and many of their instruments had barbed-wire accents. A personalized stage setting like this shows their dedication to standing out with their individualism. Credit: Rian Nickels Credit: Rian Nickels Credit: Rian Nickels The energy of the entire audience shifted from ironically singing Taylor Swift’s ‘ Our Song ’ to being confused once the track warped into an announcement that stated that the concert had been canceled and where you could find your refund. This was so confusing while standing in the photo pit, but it was sure to be a playful trick as an intro, right? Everyone laughed it off, hoping it was a joke, and the member ran out to the stage. Before they were even able to play, someone in the crowd started a ruckus; I’m not sure what happened, but all the House of Blues security swarmed him, escorted him out, and Bert said, “ Bye Bye ” and left him with an endearing yet sarcastic wave. This showed the security and the band's dedication to making the concert a safe and enjoyable experience. The Used immediately went into performing an array of their discography. I was surprised at how chaotic and metal (for lack of a better term) their performance was. Between their lively and thrashy stage presence, the crowd surfers, and the mosh pits, it all added up to make quite an intense set. The audience was incredibly excited when they played tracks like ‘ The Bird and The Worm ,’ ‘ Blue and Yellow ’ and, ‘ Blow Me .’ A highlight of the performance was when Bert asked the crown to hold up their middle fingers at him and chant “ Fuck You ” over and over again before performing their track ‘ Fuck You .’ The Used’s set was a wild wave from start to finish, blending theatricality, heavy riffs, and crowd interaction in a way only they could. Their unapologetic energy and connection with the audience made every moment feel unique to our night on the tour, from the sarcastic humor to the raw intensity of their performance. The Used knew how to push boundaries, creating an unforgettable experience that left the crowd buzzing long after the lights faded and the music stopped. This night at House of Blues New Orleans was a perfect example of how diverse genres can come together to create a memorable concert experience. From the raw, filthy energy of Raue to the heartwarming, sing-along vibes of the Plain White T's , and finally, the chaotic, high-octane performance by The Used , the night showcased the incredible range of alternative music. Each band brought their unique style to the stage, but together, they created a seamless flow of emotion and sound that kept the audience engaged and on their toes. The intermingling of soft rock, grunge, and alternative punk made for an eclectic yet cohesive evening, proving that when it comes to live music, the blend of different genres can be more potent than any single sound. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? HIt us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Thrice Sovereign < Back Ripe with Nostalgic Talent Keeley Brooks Jan 30, 2023 Share Thrice Sovereign The Muscle Shoals area of Alabama is ripe with all kinds of indie talent just waiting to showcase themselves. Recently while online perusing artists in the area to write about, someone first suggested a local duo called Thrice Sovereign. So, I cruised on over to their website for some exploration and found some lyrically expressive tunes full of emotion with some creative, catchy compositions. Thrice Sovereign is an up-and-coming pop-rock duo out of Florence and is the brainchild of self-taught multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott. Well, I say duo, but I stand corrected: Technically there are four members, according to Kristen and Amanda, but I’ll get to that a little later. “Kristen and I met through a mutual friend as an intent for friendship. Love had a different plan. We started dating seven years ago and have been married for five years,” Amanda gushed. Initially the Talcott’s were focused on having a taco truck, but that soon changed when they uncovered their deepest creative desires and hidden talents neither really knew existed on the level they did. “Kristen gave me a safe place to share my painful writings,” says Amanda. “I heard in her so much music wanting to come out, so we wrote a few songs, then a few more, and shared them with friends and family, who all wanted more. We decided [to] record [those songs] a bit nicer and make them easy for people to find. Through a string of necessity, creativity, and hope, Thrice Sovereign was born.” For Kristen—born and raised in Florence—music has always been a backdrop for her life, ever since her Pepaw taught her to play the guitar as a child. After years of playing softball and a bout in the MMA world, she had a lot of damage to her hand. When an injury left it broken, Kristen put music aside for a while … until, as Amanda puts it, “we started to goof off together, [with] her strumming random things and trying to re-teach herself [to play] Skynyrd’s ‘Sweet Home Alabama.’ [As she did that], I’d hum, sing, and make random sounds and parodies about what was going on right then. [Now], she plays anything put in front of her.” Kristen plays by ear and, other than small moments on that tiny guitar from Pepaw, is completely self-taught. And this brings me to the third member of Thrice Sovereign: Blue. Blue is Kristen’s baby and first love … her first acoustic guitar. Image provided by Thrice Sovereign “I got Blue, if I remember correctly, for Christmas when I was 11. I specifically asked for a blue guitar, and she’s been with me ever since. She’s got some chunks missing and some bangs here and there, but Blue plays a sound like no other. I’ve had several people want to buy her from me, but I could never imagine her in someone else’s hands,” says Kristen. “Blue is fully an extension of my wife,” adds Amanda. The first moment Kristen took her off the wall and played her for me, I could see a new part of the woman I loved shining though. Blue resonates a special sound behind her string vibrations that harmonies beautifully with Kristen’s and my voice in a way that seems like a third human singing.” Amanda was born in the land of grunge and coffee, Washington state. After spending most of her life traveling around the U.S., she now calls Florence home. She’s always loved to write and soon discovered she was spinning raw emotions into lyrics full of pain, lessons, and growth. She is also self-taught and is continuously writing lyrics and music in addition to creating graphics. “I have always loved to mimic sounds and feel what it’s like to make them. In my youth, music was an escape—a safe place where I felt seen. I didn’t think I could be a part of that world, so I’d sing in the crowds to myself or those I trusted. For both of us, our talents have grown immensely in the past three years. I am grateful to have talents I can use to help others feel seen, just like music did for me.” Thrice Sovereign recently released their title single from their debut album “Waiting to Thunder,” which is a groovy song composed in a popular style that draws on heavy guitar riffs and the fat distorted sounds of hard rock, while the lyrics and theme of the song are relatable to many because they’re about things we all experience as human beings, as artists, and as experiencers in this realm. It is written by Amanda Lee Borden Talcott, composed by Kristen Borden Talcott, then the instruments were digitally recreated for release due to COVID needs. https://www.youtube.com/watch?v=0vIa7bn3Klg It is also their first music video, which brings me to “the fourth band member,” as they put it: techmaster Josh Brown. “After asking local businesses if we could shoot a music video [at their venue], Arx Mortis said, ‘Yes!’ With the help of our then-new friend Josh, the music video was born,” they say. “We see it as a musical/visual interpretation of the desire to do something that one is passionate about, believing there are reasons to wait, and knowing (eventually) that now is the time to do what you love.” credit: Amanda Chapman As for how the name Thrice Sovereign wove itself into the mix, Amanda best explains it. “The name … happened while I was doodling random words that I felt were relevant to both of us. The number three has always been a massive … sign in my life? Tip of the iceberg [is] I am one of three daughters, my mother is one of three daughters, I have given birth to three daughters, and my birthday is [in the third month of the year]—a fact I didn’t know until my 33rd birthday. During that year, our littles were ages five, nine, and 13, and they were born in 2005, 2009, and 2013. [Also at the that time, it would be] five, nine, and 13 years before our littles would be adults. The many plays on the two words that represent the art we make are endless. Sovereign’s many meanings give hope in my heart that all can see we are each ‘supreme leaders’ of our own worlds. Each can be monarchs in their own rite and live in all capacities of that word as well.” In addition to their musicianship, the Talcotts are also the founders of TechTonic Crucible Records LLC, as well as the benefit music festival MighTyekiM, which raises money for those in need. Last year was the first for the festival, which is named in honor of Mighty Mike, who passed away from Ewing’s Sarcoma, a type of bone cancer, in early 2022. “MighTyekiM is the benefit music festival we … started as a way for musicians and artists of all levels and all kinds to come share their art with anyone who wants to listen,” said Amanda. “[It’s] a place where people can come experience free music, art, pizza donated by Dominos, beverages donated by Buffalo Rock, and so much more.” Thrice Sovereign accepted donations to raise funds … to help Mike’s family purchase a headstone for him. They note their initial intent was to raise the donated money for Mighty Mike before he passed so he could do something he found blissful but, unfortunately, they didn’t make it in time for that to happen. “We did, [however,] host a beautiful and memorable event in his honor. We had over 21 artists performing over two days at Wilson Park in downtown Florence [last June]. With a silent auction table and a kids’ fun area, it was a family-fun time, and we have secret plans in the works for the next one! We were so blessed to have so many local and corporate businesses and individuals donate their time and talents to help us make [that] amazing weekend happen.” This year’s MighTyekiM Festival will benefit a little girl, who also has Ewing’s Sarcoma. Currently there’s no word yet on where the festival will happen, but rest assured, we’ll keep you updated. TechTonic Crucible Records LLC is the newest addition to Sovereign’s distractions from what they call “the inevitable end.” The label developed out of the realization that most record labels are not what people believe they are. “We decided to find a way to help artists, and others, to have someone who taught themselves to do the things that are key from recording, distribution, website creation, and persona development to graphic design, songwriting, backing musicians, etc. So that and more is what we are offering—a place to learn how to maintain the world we help them create.” credit: Amanda Chapman Thrice Sovereign’s first album, “Waiting to Thunder,” will be out by summer 2023. Amanda notes it’s a concept album with some comforting songs that can work their way into becoming ear worms. Others, she says, are filled with lyrics of emotive imagery dramatically laid amongst the captivating instrumentals driven by the soul of Kristen. “Our first album is a nod to nostalgia in ways too many have forgotten they loved, with modern depth and truths weaved through descriptive metaphors and stories based in emotion and experience.” For more information on Thrice Sovereign and their music and shows, the MighTyekiM Festival, and TechTonic Crucible Records, hop on over to http://ThriceSovereign.com and check ‘em out. They’re music and personalities are totally worth it! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. < Back Eric Johanson: A Distinctive Blues Musician with an Intoxicating Sound Bud Gambrell Jan 30, 2024 Share NOLA blues musician Eric Johanson takes his distinctive, intoxicating sound on the road, kicking off his “Don’t Hold Back” tour in North Alabama. New Orleans blues musician Eric Johanson recently embarked on his maiden headlining tour, kicking off his first show in Decatur, Alabama. Eric’s style of music cannot be classified into one category, as he is about more than traditional blues. His songs are steeped in the blues, but he also includes the influence of rock, funk, soul, and a little bit of Louisiana style. Born in Alexandria, Louisiana, Eric now calls New Orleans home and uses his travels abroad to gather the many influences that give him a distinctive and intoxicating sound. With the release of his new album, “The Deep and The Dirty,” the power trio sets out to make a name for themselves. Opening Night of the 2024 “Don’t Hold Back Tour” kicked off this past Saturday, January 27, at The Princess Theatre in Decatur. The power trio gave all that they had to please the undersized crowd. Led by guitar slinger Eric Johanson, the band laid into two sets running just over two hours. Eric hit the road in support of his 2023 release The Deep and The Dirty . While playing plenty of tracks from the new album, the evening had a generous helping of tracks from Eric’s previous releases. While Eric was in town, Mixed Alternative had the chance to sit down and have a chat with this brilliant guitar wizard. Read our conversation below! MaM : Your current tour, Don’t Hold Back , starts tonight in Decatur, Alabama. How do you feel about your upcoming tour which is your first headlining tour? EJ : We've certainly had headline dates out there, but this is the first time we're hitting a lot of these venues in a row to headline, so it's exciting! It's really good to be getting back out there and playing for the people. It's always nice when you headline the shows. You can play more material and stretch out. Credit: Bud Gambrell MaM : Since this is your debut headlining tour, is there anything that you are out to accomplish? EJ : We're just wanting to get out there and see folks that maybe heard us online and haven't gotten a chance to see us yet. The live show is really what it's all about for me. It's where the music takes on a life of its own. And you know we never play things the same way twice. There's always improvisation involved and we try to change up the set so we're hoping to see some familiar faces and also turn on some new folks to the to the live experience. Credit: Bud Gambrell MaM : Is there anything that you can tell a newcomer, like myself, on what to expect from an Eric Johanson show? EJ : Well, my music is heavily [influenced by the blues], but it kind of is a little broader than that. It has elements of rock and funk and has that Louisiana influence, and also a little bit of the jam band-like The Allman Brothers-type vibe in there. I don't like to keep it in a box but basically, it's a power trio and we perform mostly all original material from the albums that I've released. Credit: Bud Gambrell MaM : What can we expect to hear on the setlist? EJ : I'll play stuff from all three of the studio releases. I play a couple of things that came out on the ‘Covered Tracks’ releases sometimes, but honestly, these days, a lot of times, I don't write out a set list and we just kind of go with the feeling. I've found that it keeps it more on the edge of our toes to just come up with the next song based on what the moment feels like and the energy that we're getting from the crowd. So a lot of the time I'm really coming up with the set on the spot, but it's always a mix of the original tunes from my three records and you know occasionally we'll throw an old blues tune in there or an old New Orleans tune. MaM : This is a return trip for you to The Princess Theater. I understand the last stop had an interesting mishap. EJ : Yeah, the last time I was there something happened with a breaker or something and the PA went out for a little bit, and I actually ended up just sitting on the edge of the stage and singing acoustically to the room for a couple of songs while they got the PA back up. (laughs) And it actually was a cool moment and a testament to the sound of the room itself. It is a great-sounding theater. Credit: Bud Gambrell MaM : 2024 is looking to be a bright year for you: You just released the tour dates for Europe, as well as a new music video for “Just Like New”, and you are kicking off a tour tonight in support of the new album “The Deep and The Dirty”. In 2023, the album debuted at #1 on the Billboard Blues chart. How did you feel when you received the phone call giving you the news that it debuted in the top spot? EJ : It feels good! I mean you don't want to get too hung up on things like that, but it definitely is a nice feeling. When you're working on a record you just want to make the best thing that you can make. I want to make something like the music that I want to hear but I can't find or, you know, just something I would want to listen to. You really don't know how people are going to respond to it. So, when you get the news that it's not only sold well but that it's debuting at the top of the genre, it kind of gives you some … feeling like [you’re] onto something. You know what I mean? You just don't know. All you can do is what you think sounds good and it's been great to see other people getting into it. The album is not traditional blues, it's experimental. But I like to think that it's organic, it's raw, it's honest. And if people will respond to that it’s everything. It's great to see it charting and it's been great to hear peoples feedback and reactions to it. We're still excited, man! It's been out for about half a year now and so a lot of people these days get turned onto music through word of mouth. People are still discovering it all the time and it's just cool to see it kind of having legs. https://www.youtube.com/watch?v=jUwUD92mLlY MaM: You've been in the music business for several years now, and obviously the music business is evolving. What are your thoughts on the state of the music industry today, especially with the invention of digital music. Where do you stand on all that? EJ : Well, it's kind of a mixed blessing because you don't really make any money from the streaming. I mean, some people will make the argument that you can, but it's such an enormous amount. Millions of people have to be streaming the music for you to make minimum wage. It's basically just a way for people to discover music, but it's not really a money maker for most of us. But that said, you know it really allows for a whole lot more people to find music that they might be interested in. … Back in the day, if you weren't on the radio, if you weren't on MTV, then only your buddies that passed on a tape were going know about your music. I think it's good that there's so much diversity of music out there and that there is a way to put your art out there no matter what. It kind of is what it is. Thankfully, there are still people that are buying physical copies of music, whether it's with vinyl coming back or whether it's people that are buying CDs. Some people buy CDs, and I don't even know if they're playing them in a CD player or if it's just something to sign. But thankfully there are still people that do that because the merchandise table on tour is really how it all works. Without that, it's pretty hard to tour. I would prefer that there was a way to still encourage people to buy records. These days it's hard to even figure out how to buy a record on iTunes. It's all just streaming now, but you know there's not a whole lot that you can do to turn back the clock on that. I just try to look at it as it's a way that people can discover new music and hopefully, they'll come to a show and … buy a T-shirt or vinyl or a CD or something. For more on Eric Johanson or to catch a show on his Don’t Hold Back tour, visit the power trio online at www.EricJohanson.com , where you can find tour dates, news, and shop the online store. *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Boiler Room are on a mission to make a significant impact in the world of metal. < Back Boiler Room’s Revival: A Resurgent Force in Metal Nicole Brice Mar 28, 2025 Share Boiler Room are on a mission to make a significant impact in the world of metal. I was a teenager in the late 90s / early 2000s , a time when nu metal , a subgenre of alternative metal , dominated the airwaves. Bands like Korn , Limp Bizkit , Slipknot , and Deftones were everywhere, and because of the mediums we had back then to bring us new music, only certain bands were filtered my way. Here I am in 2025, and I was recently introduced to Chris Lino , vocalist for the New York City-based nu metal band Boiler Room , thanks to my good friend and photographer , Jeff Crespi . Unbeknownst to me, Boiler Room had a very successful career for a while from 1996-2001 , sharing the stage with Type O Negative , King’s X , Clutch , Orgy , Life of Agony , and Static-X . Still, after changes at their label, they walked away from forging their legacy, so why are they back now, and what has been going on all these years? Credit: Jeff Crespi Gritty, raw guitar riffs and an aggressive yet melodic style, Boiler Room , were part of the broader DIY movement until they were discovered and signed. Chris Lino ’s vocals are thick, raspy, and full of soul. With a unique combination of sounds and clean screams, he can go from sweet to sour in only a few seconds. Truly, this man's voice is amazing. It’s remarkable how music machines work. Oodles and oodles of bands come out yearly, but it’s up to the geniuses who market these bands to make them stand out, so how and why did Boiler Room get lost amongst the shuffle? Credit: Jeff Crespi With their recent resurgence, Boiler Room is on a mission to make a significant impact in the music world. Their blend of rock and metalcore is a force to be reckoned with, and they're not holding back. They released the single, ‘ No Patience ,’ in 2024 , followed by ‘ Changes ’ in 2025 . The band's focus on live shows in the days ahead is a testament to their determination to share their music with audiences everywhere. Boiler Room’s past labels include Roadrunner and Tommy Boy Records , two significant players in the music industry. After years out of the spotlight, they are currently looking for a new home, a move that could potentially reshape their musical journey. Boiler Room’s current line-up is Chris Lino (vocals), Nick Seditious (guitar), Tommy Spano (drums), and Peter Rizzi (bass). A humble, charismatic, and talented human, I truly enjoyed my recent conversation with Chris Lino . We delved into the band's past, current journey, and future plans. Please take a moment to dive into our conversation below and then listen to their latest ‘ Changes ’, which is out now on all streaming platforms. The official music video for 'Changes' by Boiler Room - out NOW! MaM : Thank you for joining me today. I had to go down the Wikipedia rabbit hole to learn more about you guys, but you started as a thrash metal band in 1996, correct? Chris : Actually, we started in 1992 , and we were called Bible Black . In 1993 , we were selected to play the Foundations Forum alongside Accept , Kiss , I Mother Earth , Quicksand , and Rob Halford , who was working with his new band Fight at the time. We had a demo with the song ‘ Judgment Day ’ that passed the board with Concrete Marketing , so they voted us in, and we were selected for the show. I don’t know if they still host the Foundations Forum , but it used to feature signed bands, established bands with new material, bands that had just been signed , and then there was us – we were an unsigned band looking for a deal. We ended up playing, and it was awesome. Life of Agony was there, too. We knew them from Brooklyn . Rob Halford was actually at the side of the stage, and when we completed our set, his manager said, “Mr. Halford would like to meet you guys.” MaM : Wow, that’s awesome. Hell yeah. Chris : He was the nicest guy, and he gave us some simple yet great advice. “Just keep writing”, he says in his British accent to us, and he was thinking about managing us at that time. He was looking to start a label and had a management company. We ended up touring with Type O Negative and Life of Agony . We had Ken Kriete , their manager, who was helping to manage us at the time. That relationship fizzled out, and our original guitar player ended up leaving, so we put an ad out in The Village Voice – back in the day, that’s how it was done. MaM : Man, back in the day, that was the only way you could advertise for anything—no social media. Remember paper flyers for shows, too? Chris : Oh yeah. So, we ended up putting the ad out there, and we had to go through approximately 128 demo tapes . We were very popular in the tri-state area and on the verge of something significant. At the time, we were also in talks with some labels. We eventually went through all the demos until we came upon Rob Caggiano ’s demo, and it was different because he wasn’t just shredding on it and playing. He remade a Misfits ’ song, sang on it, and created a versatile demo that stood out. He could sing backing, but he never did in the band. Man, so he pulls up and right away, he just had this swag and this attitude out of the gate. (laughter) He showed up, though, and had all the right equipment and everything. We had asked him to learn four of our songs from our recently released indie album, and he nailed two of them. However, he didn’t put in the work for the other two. The drummer and bass player were kind of “eh” at first, but then I told him to show us a couple of his riffs and stuff he was working on. He busted out some riffs that just blew me away, and I was inspired immediately. I was like, “Do that again!” (laughter) That was one of our singles, too, ‘ Do It Again ’, no pun intended, but once he busted out this riff, I immediately started adding vocals to it, and that was it. He and I hit it off immediately, and we wrote all of what turned out to be the first Boiler Room record. We wrote about 80% of it. We had a creative connection. It was around this time that our music also began to be played on KROQ . MaM : KROQ was the place to be heard back in the day. Chris : Yeah, they had a metal show on Sunday , and we were one of the first unsigned metal bands to be played on it, and we had a couple of shows in the area. One was at Irving Plaza where we opened up for Machine Head , and then another time it was Orgy, and when we opened up for Orgy , it was insane. We have a video of it on our Facebook page . We just blew it up that night, and we had another manager give us his card while saying, “I’ve never had a local band blow my signed band away.” (laughter) After that, the phone calls started coming in, and we initially signed with Roadrunner . We went out to L.A. and recorded the whole album out there. ‘ Do It Again ’ ended up being released on MTV’s “ The Return of the Rock ” CD Volume 1, alongside many other heavy hitters. It was Kid Rock , Korn , P.O.D. , Papa Roach , Sevendust , us, and a plethora of other great bands . We were off to a good start, but we ultimately hit a brick wall with some of the politics in the music industry. It had nothing to do with us, but there was a change in leadership, and the original CEO who had signed us ended up leaving the label, and the new person showed no interest in us. They kept pushing our release date back, so we knew we needed to get off the label. We ended up getting off the label eventually and signed with Tommy Boy/Warner Bros . They were trying to get into the nu metal scene at the time because you had bands like Limp Bizkit blowing up. We were off to the races after that. Photo provided by band We went on tour with Disturbed and Kittie . Kittie was the headliner back then. So, Disturbed started taking off with their first album and ultimately left the tour. We decided we needed to get back on a tour with them, and we ended up touring the tri-state area with them. It was great. Then, we toured with Mudvayne to promote the release of their first album, and from there, we embarked on a club tour in Europe , which also went very well. Came back from Europe , and the label dropped us because we weren’t selling enough records in the States . They owed us for another album, though, so we settled that and then decided we needed to regroup. Rob , though, had already agreed to join Anthrax , so we knew that conversation was coming. Everyone just ended up going their separate ways until I hooked up with Mike Orlando from Adrenaline Mob . He suggested that we redo the Boiler Room record because he’s a producer and engineer and has a studio in Staten Island , and he thought we had a sort of legacy going with Boiler Room . I decided to select the choice songs that Rob Caggiano and I wrote, which I felt did not receive their fair share of recognition. So, we re-recorded them with new production, and we pumped them up. We did four songs from the Boiler Room record, and everything else is new material. One song, ‘Rectify,’ on which Ron Thal played an insane, ripping solo, but we had to edit it for radio, so we have two versions of that song. On tour with Disturbed - photo provided by band MaM : Who all did you bring into the mix for recording this go-round? Chris : So, Mike Orlando hooked me up with Peter , and we found Nick , the guitarist, and Tommy Spano on drums. That got the line-up back together, but I started recording the album before I met Pete . We had Jason Bittner from Shadows Fall and Overkill play the drums, and then Pete came in to record the bass. Mike Orlando did the guitars. Nick did a bunch of leads on it, but the album had already been recorded when we hooked up with them. We then released the single ‘ No Patience ’, which was initially titled ‘Patience’, as the song has nothing to do with actual patience. Additionally, Guns N' Roses already had a song called ‘ Patience ’, so we reworked it and released it as a single. We have a video on YouTube that is performing well, with over 400,000 views. The official video for 'No Patience' by Boiler Room MaM : Then you have ‘Changes’, so tell us a little more about that one. Chris : That I wrote with Mike Orlando . I didn’t get into that story, so after Boiler Room broke up, he tracked me down before he blew up. We hooked up and started writing, and did something called Out of Body , so ‘ Changes ’ was an Out of Body song. A lot of the songs, his songs, ended up on Adrenaline Mob's first album , which they changed the melodies and the lyrics, but ‘ Changes ’ was the song we wrote together, and he never used, so I was like, “Let’s re-record that one and put it on the new Boiler Room album.” Credit: Jeff Crespi MaM : Hell yeah, man, so you just decided to dive right back in to start releasing music. Was it because you missed it, or because you felt there was something there that you just needed to express? Chris : Both. Orlando is like, “Dude, when you gonna get back in the saddle again?”, and I’m like “Eh…” I told him I was thinking about doing something different, but he was like, “Nah, redo some of that older material. Redo the whole album.” I was like, yeah, I’ll redo some of the songs, but I’m not redoing the entire album. Like some of the songs that fell by the wayside, like ‘ No Patience ’, which we used to do at soundcheck when we were touring with Mudvayne , and they would stop in their tracks to listen. Imagine you’re touring with Mudvayne , and they stop to listen as you’re doing soundcheck, asking what the name of the song is and why the song isn’t in your set. That was the one song that I always wanted to redo because it never got a fair shot. Chris Lino of Boiler Room - photo provided by band MaM : So, tell us about the new album and when it will be released? Chris : It’s going to be nine songs with the edit of ‘Rectify’. We're looking at June for the release date. Pete and I also wrote a new song for the album called, 'Haunted'. We can't wait for everyone to hear it. MaM : Who were some influences that shaped your sound when you were first starting out? Did the idea for the band come about in high school, or how old were you when you first decided to start a band? Chris : I was in college when the band started. We had all the influences prevalent at the time, including Pantera , Black Sabbath , and Metallica . Then, Limp Bizkit and Korn were gaining immense popularity, which also influenced us. I don’t think there is any musician out there who a Black Sabbath riff hasn't influenced. MaM : In fact, down here in Louisiana, most bands are always influenced by Black Sabbath and Pantera. Pantera is a southern thing, though. You can’t live in the south and not like Pantera. Chris : We actually got to meet them when we were touring with Type O Negative because Phil is a fan of Carnivore and Peter Steele . After Type O Negative started taking off, Pantera jumped on a tour with them. We got to see them in Albany, New York , I think. Ken , Type O’s manager, was still managing us, and he invited us backstage to meet the guys. Phil was nowhere to be found, but Dime and Vinnie were awesome. They told me, though, that if I wanted to hang out with them, I needed to start drinking. (laughter) MaM : Oh yeah, gotta hang with them Pantera boys. Chis : You'd better start banging some shots out now. They were really cool. Rex was somewhat standoffish and asked us who we were, but overall, it was a great experience. I met Vinnie a second time years later because, after the lead singer of Drowning Pool passed away, I tried out to be their new singer. Credit: Jeff Crespi MaM : Wow! Did you? I had no idea. Chris : Yeah, they called me up after a year of mourning. Boiler Room was done. I was demoing with Mike Orlando , and I was shopping again. My old A&R guy, who had my demos, knew I was trying to secure another deal. However, he informed me that he had sent my demos to Paul Bassman , Drowning Pool’ s manager at the time, and that they were interested in meeting with me. They reviewed over 300 demos from around the world and narrowed it down to me and another guy. They sent me the album with no vocals so I could practice on it, and then they also sent two new songs . They asked me to write melodies and lyrics for the two new songs. I was in New York and did this, and it took me a couple of weeks. They ended up flying me down to Dallas, Texas , and the drummer was cool. Here I'm playing the entire Drowning Pool record, singing it, and it was surreal. It felt like Drowning Pool karaoke, but I had the actual band. (laughter) MaM: So, what ended up happening? Did you not take the gig because you would have to move? Chris : That was some of it, but they had another guy they were looking at, too. It just didn’t work out, but I was honored. They were very nice guys. So, after we did our jam and everything, they took me to the strip joint in Texas that Vinnie and Dime owned. They said they wanted to “send me off”, but they hadn’t let me know yet what their decision was. I walked in, though, and met Vinnie Paul again, and he goes, “You gonna be the next singer of Drowning Pool?”, and I go, “I hope so, we’re gonna see what happens.” The rest of the night, I was hanging out with Vinnie Paul , the guys from Damageplan , and the guys from Drowning Pool , and man, they were drinking like fish, man. I fell right into it, too. They go, “We hear you don’t really drink", and I go, “Ah, man…” (laughter) They end up passing me a bottle of Jack , and go, “Give me a five count.” MaM: Oh no … (laughter) They got me bombed, and the next thing I know, their manager goes, “You’ve got about four hours. We’re gonna drive you to the airport and drop you off.” They then let me know that they hadn’t made their decision yet, but they ended up going with the other guy. Paul Bassman tried to help me and Mike Orlando with Out of Body by getting us signed to Drowning Pool’s label , but that fell through, too. That was it for a bit, and I gave it a break until Mike Orlando tracked me down again. He kept pushing me to do something, and at the time, I was doing an acoustic thing that later evolved into a plugged-in thing. Still, the whole time, Mike is trying to push me to redo the first Boiler Room record, which led to the decision of doing the songs Rob and I wrote, but not the entire album. MaM : That’s actually a smart way to approach it. Chris : Yeah, so I had some new music I wanted to do as well, so I kind of just leaned on my strengths with what I do. I put the rapping thing away. My three most significant influences at the time were Chino from Deftones , Scott Weiland from Stone Temple Pilots , and Phil from Pantera . I was becoming a hybrid of those influences. What I realized, though, is I needed to just “come with it” – that ballsy, raspy voice and forget about the rapping and the ominous whisper thing that Chino does. I veered away from that by just doing what I do best. Then, one night, I was watching a show with Steve Vai , and they asked him what he attributed his success to. He told them that you have to lean on your strengths. If you do something well, lean on it. …and here we are. MaM : Do you feel technology has helped or hurt the music industry? What’s your take on all the technological advancements in music? Chris : I’d have to say both. When we were growing up, you’d buy the whole album and listen to the entire CD . You’d open it up, look at the artwork, read the credits, and examine the pictures— it was a whole experience. You became a true fan. Some songs you liked. Some you didn’t, but at least you knew the entire album. Now, it’s like they’re promoting Attention Deficit Disorder . You download one or two songs. There’s no actual record sales anymore. It’s all based on streams , and that’s misleading because you don’t have real fans anymore. At that time, securing a record deal was highly challenging. You had to do it from the ground up – garage band style. Now, anyone can put up anything. It’s great because you can access the music more straightforwardly, but in a way, it’s not. MaM : What are the plans for the rest of 2025 and beyond for Boiler Room? Chris : Well, we’re gonna release the new album in June . My focus is this … I know everyone wants to focus on social media these days, but I’m grassroots, and the social media only goes so far … I’m all about getting people to shows . We’re looking to partner with a larger national act to secure a spot on some of these tours. I want to flood out the entire tri-state area, hit the East Coast or the South , such as Louisiana . If we could secure a good show with a national act, that would work. We’re in a rebuilding process right now, though. We’re trying to rebuild the foundation of our fanbase and replant the flag. Shows … quality shows. We’ll see where it goes. As Chris Lino and Boiler Room move forward in the modern music scene, they stand poised to bring their powerful music to a new generation. They stand out as a band that embodies grit and substance. Their music isn’t just something you hear; it’s something you feel. I look forward to watching their journey unfold. Boiler Room is a name to remember. They’re not just playing metal—they're living it. To learn more about Boiler Room: Facebook: Facebook Discogs: Boiler Room Discography: Vinyl, CDs, & More | Discogs Wikipedia: Boiler Room (band) - Wikipedia All Music: Boiler Room Songs, Albums, Reviews, Bio & More... | AllMusic YouTube: BOILER ROOM - YouTube Instagram: (@boilerroom_band) • Instagram photos and videos *Some photos by Gessner Photography Eric (@ gessner.photography ) • Instagram photos and videos *Other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An insider’s perspective on the Louisiana film industry < Back Behind the Screens with Kelly Mills C.G. Smith Jul 5, 2023 Share An insider’s perspective on the Louisiana film industry For quite some time now, Louisiana has been dubbed Hollywood South due to the many film and television productions happening in and around the state, mostly down in New Orleans but also in the capital city of Baton Rouge. According to the Louisiana Film & Entertainment Association , there have been over 2,5000 films and tv series shot in the state thus far. However, of all the cities used as settings, New Orleans is surely the city that has seen the most, with an explosion in numbers of productions being filmed pre- and post-Covid. More productions mean a greater need not just for actors but also for all the important people running around behind the scenes making everything work and flow. These are the people responsible for ensuring filming goes smoothly and according to plan, for creating the costumes and building and operating props, sets, and cameras … all the choreographers and coaches and stand-ins, the sound engineers and crews and special fx teams, the assistants and screenwriters and editors—all the people who make up the industry’s foundation but don’t often get the attention and credit they deserve. Kelly Mills is one of those people. courtesy of Kelly Mills Having been involved in the Louisiana film industry for over a decade now, Mills has had experiences working as a production assistant, as part of the camera department, as part of the art department in set decoration, and most recently as a grip. “It just depends what I get hired for,” Mills says. “It’s a gig-based industry, so it changes.” From working on popular tv shows like Strangers Things , Salem , and Your Honor to known films like Where the Crawdads Sing , Mills has been an instrumental part of making sure what’s supposed to run smoothly (and be historically accurate) does just that. She’s a hunter, a gatherer, a creator, a set designer, a prop master, an art director, a fixer, and a most dedicated, loyal worker. She’s also a complete ball of fun to be around. I was able to sit down with Kelly in January of 2023 to talk about the good, the bad, and the ugly of it all from an insider’s perspective. Grab yourselves a tasty beverage and kick back as you read about what it’s like working in the Louisiana film industry today. MaM : So, you’ve been working in the Louisiana film industry for ten years, right? KM : The first gig I ever had was in 2009. That was up in Shreveport, and I’ve been working in the film industry since then—full time since 2010. MaM : How’d you get started, what did you start out doing, and what do you do these days? KM : This takes a little bit of exposition. So, I graduated with a degree in theater in East Texas, which had absolutely no jobs whatsoever, so I moved to Shreveport and started tending bar. These two guys started coming into my bar with carpet samples. I asked, ‘Why are you sitting at my bar, taking up space with these damn carpet samples?’ They said, ‘[We’re] from California and we are art directors in the film industry.’ One day they asked me what I thought about their carpet samples. I told them they were all ugly and they needed new samples. Then they asked [if I wanted a job] and I said yes. I had no idea what this job would entail, but yes. The next day they called and said, ‘[We are] working on this movie and we need an art department intern.’ I asked, ‘When does it start?’ and they said, ‘Now, but we can’t pay you anything.’ So, I did it. Sometimes it’s kind of obvious when things are being thrown in your face, like this is what you need to do. So, I worked during the day on set for this movie and at night I still did my full bartending shifts. I did the whole movie that way. MaM : What movie was it? KM : It was called Playing for Keeps with Gerard Butler and a bunch of other people. It was ye old general romance, ‘Oh no, what do I do? There’s a kid. I’m in love with her, I’m in love with him – divorce – ahh!’ You know, that kind of thing. That’s where I first started. MaM : So, you weren’t just picking carpet samples. What did you start out doing and what are you doing now? KM : I started out as an art department intern, which legitimately meant I went and got coffee, I rode around with the art director, I helped him take notes, [and] I did a lot of basic sign designs and things of that nature. Then I figured out that I was going to next move to working on set as a production assistant. Because at that time there were some movies in Shreveport, but not a lot, and you needed to get paid for what you were doing, so I started working on set as just a general production assistant – getting actors coffee, shushing people, telling people to be quiet, where you can’t walk – that kind of thing. I was a production assistant for a very long time, probably three-and-a-half years. To move from a production assistant to work in the director’s guild, you need about that amount of time to get your days and submit all the information to try to join. I quickly figured out that it was a miserable job, and I didn’t want to do that anymore, so, I got lucky when a TV show called Salem came and I got to move back into the art department and set decoration world. I started working with them as their coordinator and working with their set decoration buyers. So, essentially, for a good while I was nothing but a professional shopper, which is a wonderful and incredibly stressful job all at the same time. Then I moved from set decoration to working the property department, which is very, very similar. I moved in the art department world for a good while. This was in the days before then-Governor Bobby Jindal put the cap on the tax incentives, but it was after Katrina hit New Orleans and a bunch of the productions had moved up to Shreveport. So, it was kinda like this weird wild, wild west where you just took whatever job you could take at the time—it didn’t really matter what department it was in. You just did what you had to do to get the job because that was the only job in town. Then, in 2015, I believe in June, Bobby Jindal put the cap on the tax incentives. I moved to New Orleans because [he did that]. Literally within a week of him announcing that he was capping everything, I knew that Shreveport was never going to see – at least for a good stretch of time – they weren’t going to see a union job, and I had just gotten into the union. The only place in all of Louisiana – if you were going to be filming in 2015 and after, you were either going to be working in New Orleans or living in New Orleans and working in Baton Rouge, that’s it. Maybe there [were] a couple of little low budget ‘I heart Jesus movies’ or Hallmark or whatever, but not anything that was union or paying. MaM : I heard you say that cap on the tax incentives actually led you to get married. KM : It did! It did! My poor husband, bless his heart. So, my husband Joe also works in the film industry. He’s a grip. He had come up a couple of times, working in Shreveport, and we did this LOW budget ‘I Heart Jesus’ movie called Dancer and the Dame . We met and hit it off, became friends, and we did a couple more low-budget things together in Shreveport. Then, in June 2015, the TV show I had been working on, Salem, had just wrapped and not a week after, Governor Jindal announced that the tax incentives were being repealed. I was like, ‘Crap, what am I gonna’ do?’ I called Joe and was like, ‘Hey dude, so I gotta’ move away from Shreveport and I’m moving in with you.” He was like, ‘Oh, that’s cool. Well, I totally would love to have you, but I don’t have an extra bedroom.’ I was like, ‘No, that’s fine, I’m literally moving into your bed – I’m your girlfriend now.’ He was like, ‘Oh, well, yeah, I think that’ll work. You’re gonna’ do that?’ I said, ‘Yeah, man, I literally just sold everything that I own, I bought a new car so I could get myself down to New Orleans, and I’m coming tomorrow.’ He’s like, ‘Oh, well, I guess that’s what we’re gonna do!’ We decided to get married six months later. MaM : What a great story. (laughs) So what are you doing now? KM : I move back and forth between the camera department. courtesy of Kelly Mills I got really lucky—I worked in the art department for years and years; it’s one of my favorite jobs. I love doing it, but it kinda got stale for a little while, so I was talking to a couple of my friends that work in the camera department and they were like, ‘You could do this.’ I was like, ‘Yeah! I could do that! Show me what to do!’ At the time, in the summer of 2021, we had so much work it was just crazy, because we were still trying to come back from the demand from the gaping hole of Covid-19. We were creating content like nobody’s business, and that requires union labor. So, they hired me, and I’ve been really enjoying working in the camera department now. It’s been interesting because I’m learning a whole bunch that I never even thought that I’d be capable of – I’ve always been the art girl. I’m the ‘I’ll bring the glitter, I’ll bring the fake drink, do you need orgies? We’ll do the orgies.’ That was my gig for years and years and years. Then, all of a sudden, they were like, ‘Here’s this camera that’s worth, like, a house; why don’t you pick it up and mess with it?’ I was like, ‘Oh, God!” MaM : That’s a lot more technical than the arts department. KM : In the art department, I have eight different ways that I can make vomit, depending on what the scene calls for. I have lovely vomit recipes. I know how to move a couch by myself … that kind of work. This [camera] is completely different work, and I’m really having a great time learning how to do it and stretching myself as a union employee to be able to do this work. MaM : Tell us about an average day on a set. Are there major differences between film and TV? KM : There aren’t really a lot of major differences between film and TV, except for with TV, you pretty much shoot a little film every week, which is rough. You have a shorter prep time, but you’re still expected to produce a film-like quality production. On an average day, our call time will be between 6 and 7:30 a.m. You show up and they provide what they call a non-deductible breakfast, which is a courtesy breakfast. You go, you eat breakfast, and then you show up to your prospective truck – whichever department you happen to be working in. courtesy of Kelly Mills So, let’s say I’m working in the prop department. I get my tool belt and look at the call sheet so I know exactly what to anticipate for the day. Say we’ve got [an] ‘explody bomb’ [on the list]. I already know how the bomb works, [and] this is what I need to give to the special effects guys who are actually going to make it all ‘splody.’ I know how to explain to the people that this is safe, it’s not going to ‘splode all over them, things of that nature. So then at call time, that’s when we start unloading our trucks and pushing our carts. Everything is in bins and carts. We usually send someone ahead that works with the actors on set for any hand props they need for the day. We set up and then you find out two important things: Where’s the bathroom and where is craft services. Do they have sandwiches? You make sure that you anticipate any unexpected needs, you wind up coming up with a lot of creative solutions for really, really, weird requests, whatever it may be. Whatever you can possibly think of, we have come up with weird solutions on the fly. Then there’s lunch, which is a good six hours after you start, Then you go back to work for another six to eight more hours. Our minimum is usually twelve [hours]. It’s not guaranteed that we’ll be in the same place all day. You’ve got to move your carts, you gotta take props away, you gotta give props back to them—a lot of minute details. Then you wrap and go to Avenue Pub (when it was open for 24 hours) and have a drink, then you go home and wonder why you made the decisions in life that led you to work fourteen-hour days. MaM : What are the most locations you’ve been to in one day? KM : In one day I had five different truck moves, which means you unload the truck completely, you do your thing, then you load the truck back up and you go to the next location. That’s just the shooting crew. When you’re on the pre-production [team,] you move around all day. MaM : As with any job, it depends on the people you work with. Is it one big happy family on set, or are there ever issues? KM : I am extremely proud to work with the brothers and sisters of 478. courtesy of Kelly Mills Generally speaking, we are kind, courteous, and professional to each other. Of course, when you spend twelve to fourteen hours together, you’re gonna’ wind up butting heads, but I have never met anyone in the 478 that I can say I dislike working with. There are definitely a number of directors I’ve wanted to murder—learn how to read a plan! MaM : Can you tell us about your worst and best days on a set? KM : Oh God, it’s probably all the same day! (laughter) No, so my worst day was in Arkansas [on] a movie called Greater . This was in my last couple shows where I was still a [production assistant] but I was moving over to the art department. It was low budget, low rates, miserable non-union, and the last day we had to shoot for 24 hours straight. At that point, it doesn’t matter if everything has gone well, you still have been physically at work for 24 hours. It was just the worst feeling I’ve ever had in my life. I was in North Arkansas, of all places. It was cold. I was in the Arkansas University stadium; it was just miserable. MaM : Now what about your best day? KM : My best day was probably the first day that I really, really understood what I was doing in the camera department. The first day that I was able to go into the camera truck—this was on a movie called Fast Charlie with Pierce Brosnan (who is a lovely man, sweet man)—and pull out and prep everything that I knew I needed. It was just a good day! Nothing went wrong; nothing f**ked up on the camera; our cables didn’t fail; I didn’t have to haul heavy shit anywhere; and we were just in three different areas in the same place. I didn’t have to push the cart and it was just, it was lovely. I was just really proud of myself for being able to do it—something that I would have never thought that I could possibly do. courtesy of Kelly Mills MaM : … coming from bartending. KM : Yeah, coming from bartending and telling two guys their carpet samples were ugly. (laughter) MaM : Why do you think Louisiana gets so many film industry jobs? Is it just the allure of the city, the way it’s stepping back in time, or … ? KM : It’s a combo of things. Some of it is, of course, is the French Quarter, and then some of it is being able to … so many stories are southern. New Orleans, in particular, is equitable to other southern states. New Orleans can play Alabama, Mississippi, Florida, and Savannah, Georgia. You wanna do it, you can do it in New Orleans. You want mountains? Can’t do it in New Orleans. We also have the Central Business District, and we have an infrastructure, thankfully, based around the film industry. We have rental houses, Panavision—the camera rental house—prop houses, and stages where you can shoot all of this stuff. So, [I’d say it’s] between the allure of the French Quarter and the allure of telling southern stories in a southern city. Also having the infrastructure to do so, and then, I think, the icing on the cake are the crews of New Orleans. The grip brothers and sisters and kin, the prop people—all of the people that routinely work in the film industry that are dedicated to the job that we do. Simply put, I don’t think that I’m bragging here when I say that New Orleans and Louisiana crew works hard and are generous and kind people to spend a really long time around. Producers come back for that. Who wants to work with crews that are bickering and are mean to each other, which of course make delays that cost money? We have a strong and compassionate union behind us. I really think … all of that … is a 1-2-3 punch—a knockout. MaM : What are some of the most memorable productions you’ve worked on? KM : Obviously, Stranger Things . I was very lucky to work on Seasons 2 and 3 of that. That was rewarding. I worked the set dec department as a buyer. My job on Season 3 was to carve. It was set during Halloween, [so I had to] carve hundreds of pumpkins. Just hundreds of pumpkins. That was my job. That and they just pretty much gave me a van and cash and said, ‘Go to estate sales.’ They were very conscious of being period correct in literally everything that is on that set. I was literally taking apart appliances and looking for the serial number to see if it was made in 1983 or 1984. Some crazy person on the internet is going to find your name on IMDB, figure out that you worked in the set dec department and then message you. That happened to me. They’re crazy. That was one of my favorite ones. I worked on a TV show called Salem for three years. It was set in Salem during the witch trials and that really taught me how to work in time periods and period-correct shows. I really honed my skills on doing the research that was necessary. MaM : Was there ever a piece or something that you couldn’t find? KM: Thankfully not on Stranger Things . On Salem, we pretty much just had to roll with what we could get. I had a lot of things manufactured. The hardest thing for me was bicycles for Where the Crawdads Sing . We had kids on kids on kids riding period-correct bicycles. They had to be working and functioning, and period correct. So finally, I drove up to Texas, because thank God my dad randomly collects vintage bicycles. I went and raided the man’s barn. I took every one of them to the Freret Street Bike Shop (shout out to Aaron!) and was like, ‘Fix these for me!’ Working on period pieces is my favorite. That’s what I like to do. MaM : So, Stranger Things , Salem , and Where the Crawdads Sing— anything else that stands out? KM : Let me look at my IMDB, I’ve done so many things. Ok, I was the prop master on a movie called The Card Counter . [It was] the first movie I did coming back from Covid, and it’s been nominated for a couple awards, I believe, which I’m really excited about. It was directed by the same guy who did Taxi Driver . I did the entire first season of Your Honor as well. I was really, really proud of that. The thing that I am least proud of: So, I did a movie called The Case for Christ . It was the first movie I ever did in Atlanta. It was miserable, and it was with Pure Flix, which is the worst. They didn’t pay their bills. I had to fight them for every paycheck. They should call Jesus to ask them how to run their business. It was rough. MaM : You’ve worked in the art department. Anything you’ve made that you’re really proud of? Like the pumpkins on Stranger Things ? KM : Yes! Pumpkins on Stranger Things ! One of the things I am most proud of is that in my career I have helped create three different orgy rooms. MaM : Each one’s different! KM : Each one is completely and utterly different! My favorite one that I helped to create was on the TV show Claws . I was lucky enough to be the assistant art director on the third season and we just had so much fun. There was this big orgy room. The research I did, I can’t even begin to tell you how many lists I’m on now because of that. (laughs) MaM : Because of your web searches? KM : Because of my web searches! Like, every kink that you could possibly think of we crammed into one giant warehouse orgy and I’m just so proud of it! That’s one of three orgies I have helped create—NOT been a part of, but that I just helped create. I would like to point out that at one of them I did have a buffet a la It’s Always Sunny in Philadelphia. The industry has been almost my entire adult life. I’m proud of the work that I’ve done. I’m proud of the union labor that we are able to do in the Deep South, despite such strong anti-union sentiment that is just built into the way that we’re raised. I’m grateful for our union leadership and the work that they do. If any of our crew members are reading this, right now we’re in such a very strong economic downturn, but I want to encourage you that we have been through this before, we will go through it, and we will not just survive, but we will come back, be strong, and make movies. Because that’s what we do. We love stories. We will continue to do it. For more on Kelly Mills, visit her IMDB page and take a peek at all the cool shit she’s done and been an integral part of helping create. And to Kelly and those like her, we as viewers have to recognize how much we appreciate all of your effort and hard work in creating something of quality that entertains the masses. As viewers, we often do not know what it’s like for any workers in the industry unless we personally know of someone, so next time you meet a Kelly Mills, be sure to thank him/her/them for all the hard work. Without them, we’d have to say to Russell Crowe in Gladiator , “No, Maximus, we are not entertained.” Fortunately, we’re all in a different position so we don’t have to say that. Let’s hope the entertainment continues to flourish, and as it does, Mixed Alternative Magazine will be there as a landing spot for all the independent artists working so hard to make it happen. For more on the Louisiana Film Industry, visit them online at www.LouisianaEntertainment.gov . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Anna Byars is an inspiration for future generations of female musicians < Back Anna Byars: A True Musical Luminary Nicole Brice Aug 25, 2023 Share Anna Byars is an inspiration for future generations of female musicians You may have seen her around town since she has been a fixture on the local music scene in Baton Rouge for many years starting in the early 2000s, and you may know her as the guitarist and background vocalist for Polly Pry , but who is Anna Byars , truly? Credit: Gary Governale Byars is kind and genuine in addition to being extremely witty, funny, and charming ; she is bursting with personality . Anna holds her own as an extraordinarily gifted musician and guitarist captivating audiences with her soulful melodies and masterful skills, but she does not limit herself to just one instrument: She also played drums in a band called The Rakers . “I like to say I’m a drummer as a second language because the guitar is my first language,” Byars says. With a unique blend of talent, passion, and authenticity, she has carved her path through the bustling music scene in South Louisiana , leaving a lasting impression and continuing to forge ahead. Credit: Gary Governale Anna Byars was born and raised in Baton Rouge, Louisiana , in a musically inclined family and started honing her craft at a very young age. Both of her parents are professional musicians and play piano. Gravitating towards the guitar, she picked up a random one under her mom’s piano one day and that was all it took. At 10 years old, Anna officially started strumming and loved it because of the emotional depth and versatility it offers. After proving to her mother that she indeed had plans to stick with it, she began to take professional classical guitar lessons at age 12. With a knack for sight-reading music, Anna built the foundation for her guitar knowledge. Growing up in a house where her mother taught piano lessons, Byars started writing songs and singing and says of the time, “It was the 90s, you know, and we were all dreaming of making it big. I kept playing and performing wherever I could, and then in college I knew I wanted to get a band together.” During her teenage years, her passion for music fully ignited, and after meeting her bass player for her first band just after she turned 19, Byars met her drummer, too, and all the pieces fell into place. This ultimately led to the formation of The Anna Byars Band . Drawing inspiration early on from the music that inspired her as a child, such as the Indigo Girls and Green Day , and consisting of all original music, the band flourished for a few years before calling it quits. After college in 2005 is when Anna met Kristen Foster , and they instantly hit it off. “We fell in love as friends, just super hard,” says Byars, and with Foster’s ukulele in hand, the two embarked on a career together. “She played me one of the songs she had written called ‘The Atlantic Ocean’ and it was just so damn good that I forced her to start a band with me.” The rest is history. Credit: Gary Governale Calling themselves The Casuals at first, Byars and Foster put out a couple of EPs together after recording in a makeshift studio and practice space located behind the now-defunct legendary music venue in Baton Rouge known as The Caterie . After seeing modest success with their initial run of EPs, the women decided to team up with Foster’s father , renowned music producer Fred Foster , who is best known for producing classic recordings for Roy Orbison and for helping found Orbison’s label, Monument Records . He also helped launch the careers of Dolly Parton , Tony Joe White , and Kris Kristofferson in addition to co-writing the classic song made famous by Janis Joplin , ' Me and Bobby McGee '. “Yeah, every time I tell people [that], I’m like, ‘It’s okay if you don’t believe me because I barely do,” says Anna. “We threw ourselves into it until he liked what he heard and invited us up.” Anna and Kristen then went up to Nashville to record and in 2012 , the album Two Warm Minutes was released. Released August 17, 2012 After its initial release, Anna and Kristen saw modest success with the record, but they felt it did not truly capture their essence, so they took to the road to play live shows and build their following. At 29 years old, Anna embarked on her first tour with Polly Pry , which saw them adding a double bass player to make their duo a trio. “And after that, I just really knew in my soul that I just did not want to do the singer/songwriter thing, even if it was as a duo,” so Anna switched gears and stopped playing acoustic guitar and switched over to electric. “When you play acoustic guitar, and you’re female, you get pigeonholed.” By meticulously studying the techniques of her idols and incorporating her own artistic sensibilities, Byars managed to create a sound that is entirely her own—a sound that resonates with listeners on a profound level. The year 2016 brought about Polly Pry contributing to a compilation of Aerosmith cover songs called Deuces are Wild: A Tribute to Aerosmith , which is currently available for listening to on Apple Music. Since then, the ladies have continued to play shows here and there while working on their follow-up album, Hola Perfecto . The release date for their sophomore effort is to be determined, so stay tuned. When Anna is not devoting her time to Polly Pry , she plays guitar in her other project, Sunrise People , which, according to Byars , “sounds like a band that would play CBGBs in the 70s.” On her involvement with Sunrise People , Anna goes on to say, “I really love playing guitar in that band because I get to take all my years of everything and just fly, you know? It’s just right.” Byars possesses an uncanny ability to create a profound connection with her audience through her music. Listeners feel the raw emotions she channels through her guitar playing, carrying them on a hypnotic journey. Her ability to convey a range of emotions that encompasses joy, sorrow, nostalgia, and everything in between creates an intimate bond that transcends typical boundaries. Credit: Gary Governale Beyond being gifted with extraordinary talent, Anna is constantly seeking growth and evolution. She embraces any opportunity to experiment with new sounds, techniques, and genres and has been steadily writing songs. “My body and brain just started writing songs about six months ago and I’m in an infant stage of trying to get 12 solid songs. I want to be a little bit of Juliana Hatfield mixed with a little Radiohead,” she says. “I want to do another band. I’m playing with names, but I am really excited about the stuff that I have been writing.” With a promising future ahead of her and so many projects in the works, Anna comments on her work ethic: “I have always dug my heels right in whether it’s right or wrong,” and continuing to dig her heels in is just what she has been doing. In addition to music, she stays busy by making comedic shorts on TikTok as well. “I have sort of a hobby in comedy. I like to put on wigs and make up funny characters and put out snappy videos.” When asked whether she has considered stand-up comedy as a possible career move, Byars elaborates, “You know, I did stand-up one time and I’ve lived my life on stage, or so it seems, but doing stand-up was one of the most terrifying experiences and I’m not scared of performing. I really want to press myself to do that, but doing stand-up does require rigor and focus. Everything must flow and work. Kristen has been inspiring my world with her stand-up career, so you never know!” When Byars isn’t focused on music, she prefers to play pinball and has even created her own Ladies’ Pinball Club at local hangout BR.cade , which is located on Government Street in Baton Rouge . Credit: Gary Governale “I like to say it’s a ladies’ pinball club but that guys are welcome, too. My motto is ‘no pressure, we’ll always be there.’ I just started playing pinball one day and noticed that it’s all dudes [and] no girls. They would stand to the side, and I think that’s because pinball doesn’t look like it’s as much fun as it really is. You gotta put your hands on the machine. It’s a physical thing. It’s an arcade game, but it’s not a video game.” To get her club started, Anna says she would purposely leave extra credits and games on the machines so she could approach people to play games with her. This proved to be successful, and an official Pinball Club was formed in late 2022/early 2023. “It’s my one-year anniversary of playing, but the club has been around for about 4-6 months,” she says. Anna modestly acknowledges her mad pinball skills, but I got to witness them firsthand and she’s pretty damn good. “Yeah, I’ve gone to a couple of tournaments, and for a little while, I was the number seven female player in Mississippi. In Louisiana, I’ve placed last, and I believe they call it The Plunger Award when you place last.” On whether she has plans to continue playing in the future, she says, “It’s such a new thing, though, and I love it and am just trying to get better at it.” Credit: Gary Governale So, in conclusion, who is Anna Byars , really? She’s a true musical luminary and her boundless creativity and commitment to her art ensure that her journey as a musician will remain one that captivates and inspires for years to come. Through her unique style and collaborative spirit, she has successfully set herself apart on the local scene. As she continues to evolve and explore new frontiers, she will undoubtedly leave an indelible mark on the music world, inspiring future generations of female musicians to follow in her footsteps. To check out Anna’s projects and music, hit one of the links below and be sure to catch her in action with Sunrise People on September 1, 2023 at Midcity Ballroom in Baton Rouge with William Edward Thompson and The Rakers . To learn more about Anna Byars: Polly Pry Apple Music : ‎Polly Pry on Apple Music Polly Pry Facebook : Facebook Sunrise People : Facebook *All photos shot on location at BR Cade by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Deondria is a visionary with a remarkable natural talent. < Back Conversations with an Indie Filmmaker: DeOndria Michelle Nicole Brice Nov 20, 2025 Share Deondria is a visionary with a remarkable natural talent. Sometimes the best introductions to new talent come from our very own friends. Originally from Chicago, Illinois , and now residing in Hobbs, New Mexico , DeOndria Michelle is an up-and-coming cinematographer, director, filmmaker, and editor who specializes in cultural documentaries, product productions, and imagery . She’s got a visionary mind that brings realism to all her work, and what I love most about her portfolio is her own style. I can’t describe it. It’s just raw and vivid and rich. Credit: Deondria Michelle A visionary, DeOndria has a remarkable talent for using natural light to create warm, inviting shots. Her careful use of light gives her videos an authentic, lifelike quality that draws you in, making each scene appear both effortless and beautiful. While she is currently working on a new commercial for a client, her portfolio continues to grow with many other endeavors, including three short horror films, also in the works. Initially, she wanted to pursue music, but then found her calling with the video camera, so how did we learn about her? As I mentioned above, sometimes the best introductions to new talent come from our very own friends, and my good friend Ronzo Cartwright from Stone Deep was the one who put DeOndria on my radar. Read on to learn a little more about her aspirations and more. MaM : Thank you for joining us today. So, you are a cinematographer, director, and editor, and you do it all. Tell us a little more about that. DM : I feel like you have to. You gotta do it all, especially when you don’t have the funding to outsource. Everything I’m doing, I learned on my own. I went to the same university as everyone else, YouTube , and I incorporated what I learned from there into what I do. I took the little bit I learned and have expanded on it as I go, so that I can incorporate it all into one vision. I like that I can edit it myself. It’s been a tough road, but I feel like I should have pursued this a long time ago. When you’re doing your own work, you know what your vision is, and to place it in the hands of someone else is hard. Filmmaking should be a team effort, in my opinion, but when you’ve done it so long by yourself, you don’t trust anyone else with your vision. You can only tell a person so much about what it should be. Art is subjective, so they can interpret it as they see it, but ultimately, it’s your vision. https://www.youtube.com/watch?v=p32br1XzOIw Beautifully Black by Deondria Michelle MaM : I read that you specialize in cultural documentaries and product promotion, but could you tell us a little more about what you do? I also see that you originally wanted to pursue music. DM : Music was my first love. I started as a singer-songwriter. I worked with a well-known producer at one point, but I realized that while music held my heart, it’s not my passion. My writing partner would be up early writing, and I just wasn’t in it. I didn’t want to be in a studio laying vocals and all that, but when I picked up a camera, I realized I loved it, and I could do that stuff all day long. From sunup to sundown, I could do videography. You get that feeling when you’re doing something that aligns with your soul. You know. MaM : What is your proudest achievement so far on this journey? DM : Recently, actually. I had stopped posting on Instagram during COVID for several reasons and just got back on. I realized I had almost 1,000 followers. When I first opened that page, I was doing a bunch of “follow for follows,” not realizing I was gaining dead followers rather than authentic ones, and that the algorithm would send this content to these followers, with very few engaging, because no one is actually there. So, I took it upon myself to test this theory, and I hope others will test it for themselves. I deleted and blocked every single account that was following me and left the 142 people I knew had followed me for a reason. I feel that the smaller person with fewer followers has a dedicated audience that has fostered trust, and trust is important in this industry. MaM : You kept the organic followers. DM : Correct, and prior to me doing that, my channel on Instagram was getting maybe 200-300 views, but as soon as I made the change, I posted a video, and that video skyrocketed my views. After that, each video kept getting good views and rising, and I realized my views were increasing by 250% or more. Even my engagement is up, and that was just last week. MaM : That’s incredible. See, most don’t even do a deep dive into the logistics of who is engaging and whatnot. In fact, every single follower we have on Instagram is organic. They found us and liked us. I have not done any tricks or anything. DM : Exactly, growing organically, and while companies think that inflated numbers are the way to go, I started reaching out to companies right after I did it, because my views had gone up. I optimized my platform for engagement. I want people who love the niche I’m in to follow me, and while it may have hurt me on the business side of things with fewer numbers, I’m now pushing my content to those who want to see it. https://www.youtube.com/watch?v=NP5W16Hqac8 When the Sun Goes Down by Deondria Michelle MaM : So, what is it about video and filmmaking that inspires you and makes you want to pursue it anyway? DM : Initially, it was a dream, and one day I decided to take my camera out while watching TV because it had been in storage. The past two years, I have come a long way working on things. I think bringing stories to life is the most important thing. It’s more than a picture. It’s a footprint that will never go away. Good, bad, or terrible, it’s there, so for me, that’s something I want especially in this space, because in cinematography, there aren’t a lot of women. MaM : You are right about that. DM : My mentors are men. Even my unofficial mentor is a man—all men. There aren’t many black women in this space. For me, to build a position in this space is the most essential piece of the puzzle. I want to create that space for black women to thrive. You have your directors, filmmakers, and writers, but there should be a black woman in every single filmmaking space. https://www.youtube.com/watch?v=cbj1Vs59u4s Stuck by Deondria Michelle MaM : I agree – I’m calling it now. You will become one of the most prolific woman cinematographers and videographers of our time. I have a feeling. You are going to inspire other girls and women. DM : I tell all women that being a cinematographer isn’t easy. I always chip a nail. Before I got really into this, I’d have my hair done every two weeks, etc. That was a constant. Doing it the way I’m doing it now; this is not a job where you get up and put on a full face of make-up. This is a space for your gym shoes, jeans, and a t-shirt. Get to work. MaM : What are you working on currently? DM : I am working on three short films, actually. They are horror films, so I’m working on a Thanksgiving one, a Christmas one, and a New Year’s one. MaM : That’s awesome. I love scary movies, too. DM : Each day, too, I try to do a complete lighting setup to practice. I’m still learning. A teacher is always a student, too. I’m not a master at it, but I keep trying new things each day. Credit: Deondria Michelle MaM : Do you have a favorite professional in this industry that you admire? DM : I really like Malik Hassan Sayeed , who worked with Spike Lee . He worked on Belly and Clockers and has done so many other films. I love his style and his work because it’s not the typical Hollywood look. I love the way he creates this bright, contrasty, noisy look in his work, and what I like most is that his style is achievable. He’s one of those whose work is complex but simplified. MaM : What is your ultimate goal you’d like to achieve as a creative in this visual world? DM : To leave a footprint. I want to leave my footprint so that the generation behind me knows who I am. I want to be in someone’s Mt. Rushmore. I want to make a place for women to be included in that conversation. With many projects in the works, Deondria’s talents will soon be known once she fully unleashes her creative prowess on the world. Be sure to follow her on social media to stay up to date on all her endeavors. To learn more about Deondria Michelle: YouTube: DeOndria Michelle - YouTube Website: deondriamichelle.com deondriamichelle.com www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. < Back Blood Machines: Book Review Shaun Corley Dec 13, 2023 Share “Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. Depending on whom you talk to, the vampire is either a potent metaphor or is derivative and “done to death”. A quick look around the pop culture landscape shows compelling evidence for both sides of the argument. On one end are classic books of the genre, such as Bram Stoker’s “Dracula” or Richard Matheson’s “I Am Legend”, which do not glorify vampires but instead show them for the fearsome creatures they are. On the other end we have works, such as " Twilight" or " The Vampire Academy" , that play up the more sexual aspects of vampire mythology and add a layer of luster to the undead. And then there is the novel “Blood Machines”, which uses the blood-lusting creatures to explore the concept of a surveillance state . While also the subject of numerous films, vampires have made their way to television as well in shows like True Blood and What We Do in the Shadows . They even star in video games, such as the mega-popular “Castlevania” series and “Vampire: The Masquerade”, a popular role-playing game centered around vampire clans. Those who argue that vampires are still relevant point to the creature as a potent allegory for issues of class and sexuality; Anne Rice’s seminal “Interview with the Vampire” touched on these themes, as did Francis Ford Coppola’s adaptation of Stoker’s original novel. Commentators who believe the vampire to be cliche use the shallow and superficial nature of works like " Twilight" as evidence for their argument. They believe that these works strip the vampire of its literary power, instead focusing solely on the sexuality element at the expense of other themes. While the two sides continue to debate with no satisfactory answer in sight, J.K. Gravier has slipped under everyone’s radar with the excellent “Blood Machines” . This novel, which deftly mixes the police procedural genre with elements of vampire lore, imparts new symbolic importance to the creatures . “Blood Machines” is set in an alternate America, where vampires have begun entering mainstream society. The vampires of “Blood Machines” are not sexy, they do not turn into bats, and a bite from one will not convert their victim. Gravier does not dwell on the nature of the vampires too much, instead opting to focus on world building and exploring the ramifications of such creatures in the real world. “Blood Machines” follows Allison Drew, a vampire (or “sanguinarian” as they are called throughout) working for the federal government. As part of their efforts to assimilate into the larger world, they have created the Vampire Bureau of Investigations. This agency, working closely with the FBI, polices vampires. Drew is sent to Detroit to investigate a series of murders where the victim's blood was drained. There she uncovers a massive conspiracy, stretching all the way to the highest echelons of the VBI … and the FBI. At every turn, Gravier subverts vampire tropes and cliches . As mentioned earlier, Gravier’s vampires lack many of the creature’s traditional powers, such as the ability to turn to mist or the ability to “charm” someone. These vampires can come out during the day, although it requires sunscreen and special clothing. Gravier even downplays the very word “vampire”, as some prefer to label themselves “sanguinarians”. Gravier also dispenses with a great deal of vampire lore, stripping it down to its bare essence and injecting it with new life. Playing around with these tropes allows Gravier to discuss issues of surveillance and the police state . Allison Drew learns that both the VBI and the FBI have plans to implement a tracking system for vampires, one that would allow various agencies to keep tabs on them. The novel does not make it clear if this surveillance program would carry over to humans, but the implication is there. In “Blood Machines”, vampires also become a metaphor for race and class . Allison and her vampire friends existed on the margins for centuries, only making gains within the past 100 years. Their march into the mainstream has been slow, and they are still greeted with suspicion and fear. It is not a stretch to see Drew and her fellow vampires as stand-ins for any oppressed and marginalized groups. “Blood Machines” also explores the nature of the police state, and the relationship between law enforcement and the people they are pledged to serve. It does not glorify the police work Allison does. Her colleagues are corrupt, and the novel heavily implies this corruption goes all the way up the ladder. “Blood Machines” contains themes of the erosion of civil liberties and the rise of the surveillance state , which resonate loudly in today’s world. Numerous novels, television shows, and movies have centered themselves around these issues, some of them with nothing really new to say. With “Blood Machines”, J.K. Gravier takes vampires—which are often dismissed as “overexposed”—and uses them to talk about these very themes. The end result is a highly creative vampire novel that subverts tropes left and right. “Blood Machines” is currently available for your reading pleasure. To learn more about J.K Gravier and “Blood Machines”, visit any of the below listed links and be sure to leave a solid review. The book is worth it, especially if you’re a vampire fan. J.K. Gravier | Author Info “Blood Machines” | Amazon “Blood Machines” | Barnes & Noble “Blood Machines” on Audible Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. < Back Originally Huntsville: Monthly Music Event Bud Gambrell Oct 27, 2023 Share Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. When most people think of “Music City,” Huntsville, Alabama, is likely not the first place that comes to mind … but Chris Hendley wants it to be. Having been working towards building a Music-City atmosphere in Huntsville for several years now, Hendley kicked off 2023 by bringing a monthly music concert series to the city that would put local artists and local music at the forefront. Hosted by The Electric Belle at Stovehouse and event management connoisseurs The Hendley Group , Originally Huntsville shines the spotlight on musicians with ties to North Alabama. There is a catch though: In order to be considered, you can’t play covers. According to Hendley, the Originally Huntsville showcase is about showcasing North Alabama’s local talent and providing them with a space to perform their own original music. Originally Huntsville doesn’t allow any cover songs and in order to even be considered, you must have a set of at least 45 minutes that features your own original music. Originally Huntsville, which kicked off in January 2023, has definitely set a tone on the Huntsville music scene. Every person who walks in the door is privy to what, exactly, they’ll be hearing, and that, my friends, is original music—the kind these artists poured their hearts and souls into—matched with an authentic performance. Here is the win-win to Originally Huntsville: Not only do we get to see local bands highlight their original music, but the concert series also has a charity side. Originally Huntsville benefits Huntsville Hospital Pediatric Audiology. It’s no surprise, then, that Originally Huntsville has seen success and been a huge draw for local lovers and players of music. October’s event, which featured local bands HunniVega and The Grassring with headliner 5ive O’clock Charlie , brought with it a big change that saw the event moved to Mars Music Hall in Von Braun Center. Mixed Alternative Magazine was at Originally Huntsville and got to chat with Mike Roberts of 5ive O’clock Charlie about how it feels to be headlining such a worthy event. We were also curious why the change in venue, so we managed to snag founder/promoter Chris Hendley for a quick chat too. See what they had to say! MaM : Mike, thanks for speaking with us before you go on. What were your feelings when you were asked if you would headline Originally Huntsville in October? MR : We're pretty happy about it! You know, I'm pretty excited! Credit: Bud Gambrell MaM : A lot of big acts come through Huntsville and play at Mars Music Hall. How does that feel as a musician to be able to play on that stage? MR : It's good to be back on that stage. I played it a couple of times. Yeah, it's always fun to play on a big stage. MaM : You've been playing as a four-piece, but tonight you’re down to a three-piece. How's it going to feel to be back down to a Power Trio? MR : We were three-piece for a long time, so it should be pretty comfortable. We were in Key West last night as a three-piece and it was solid! Looking forward to it! Next, we caught up with event founder and promoter Chris Hendley. Credit: Bud Gambrell MaM : Chris, thanks for a taking a second to speak with us. We are curious: What led you to change Originally Huntsville from The Electric Belle and bring it over to Von Braun Center at Mars Music Hall? CH : The Electric Bell Stovehouse people have been so gracious with the with the rent deal and the event deal that we have with them. With scheduling, we had the flexibility in our scheduling that if they came up with a client or someone who wanted to rent the room, we would slide [our event] one week up or one week back. But in talking with Mike Roberts, who curated with 5ive O'clock Charlie, October 19th was the date we had, and we couldn't get [Electric Belle] to slide one way or the other. So luckily, in having a relationship with Mars Music Hall, they were able to work with me … We worked a really good deal here. So, we are excited about it—5ive O'clock Charlie and HunniVega and The Grassring needed a little bit more space than what Stovehouse and the Electric Belle had, so it just kind of worked out. MaM : Not only is this a spotlight for local talent, but it also has a charity side to it as well. Would you please elaborate on that? CH : We work with the Huntsville Hospital Pediatric Audiology department, and it is really for families and children who have hearing deficiencies that are not going to be cured by a hearing aid. Most of these audiologists will tell you really quickly whether hearing aids are going to work or not. Most insurances require a family to have a hearing aid for an infant or a toddler for at least three to six months before they'll even consider them for a cochlear implant, and that hearing aid for a pediatric, or for a young child, costs between $8,000 and $10,000. They have a loaner program, and they need to refurbish those hearing aids. It's just a stopgap between the hearing aid before they can get the cochlear implant. They know the hearing aid isn’t going to work, so we've been blessed to work with these guys, and you know, it just made sense for music and kids. All of the bands love the idea of being able to support this type of cause because their music is their passion, and they want these kids to experience it. As you can see, there’s a more than one reason to get to November’s Originally Huntsville event , which is the last Originally Huntsville of the year and takes place Thursday, Nov. 2 at 7 p.m. (doors at 6 p.m.), back at The Electric Belle. November’s event will feature Tim Cannon , Drunk In Memphis , and 3 Below . Tis the season for giving and kindness, and for some badass live, local North Alabama music, so mark your calendars and make those plans to get out and support live local music and give to a worthy cause. For more information on Originally Huntsville, visit them online at www.TheHendleyGroup.com Check out some more photos from the event below, in case you missed it! 5 O'Clock Charlie Hunnivega The Grass Ring *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Coming together to celebrate the summer solstice < Back Festival of Litha Returns to Downtown Florence in June Keeley Brooks May 18, 2023 Share Coming together to celebrate the summer solstice Summer is right around the corner, and with it comes all of those highly anticipated festivals full of food, fun, music, and crafts. Returning to downtown Florence, Ala., for the third consecutive year is the increasingly popular Festival of Litha, hosted by Hesperia Mystic Shoppe out of Sheffield, Alabama. Last year, the festival was held in Wilson Park in Florence and featured dozens of local vendors and live music over the course of three days. This year, the event will feature close to 80 vendors and will be held on Sunday, June 11, 2023, at a new location: The Historic Sweetwater Depot located at 502 S Royal Avenue in downtown Florence. “I have felt drawn to this historic area of Florence,” says Hesperia owner Kendall Gilchrist, “and I am happy to introduce an event to bring more attention to this side of town that holds cute little restaurants.” The festival is a FREE family friendly event that runs from 10 a.m. to 8 p.m., and locals are invited to come out and enjoy some great food, local arts/crafts/goods, and live music by local and surrounding-area musicians. courtesy of Hesperia Mystic Shoppe Litha (pronounced Lee-tha) is the celebration of the summer solstice and the beginning of Summer, which occurs this year on Wednesday, June 21. It has been a celebration amongst many cultures for many, many years but its origins are rooted in Celtic lore. Litha is said to be a time to celebrate the power of nature and its fertility, as the solstice represents the transition from action to nourishment, which is exactly what the sun gives us during the long nights of Summer. Even in those who do not mark the summer solstice, there is an internal flame within when the days get longer, and the sun leads us through better times. By celebrating the sun and the power it provides to all nature, humans are spiritually ignited and thus connected to its life force. For those familiar with the Eastern concepts of yin and yang, the solstice is a time of maximum yang—the longest day of the year. “This year,” says Gilchrist, “people can expect more of a market feel with bits of entertainment for both adult and kids alike. There will be food, live music, and a bar inside the Depot where you can cool off. We currently have around 80 vendors this year—such growth from around 25 in previous years!” courtesy of Hesperia Mystic Shoppe Vendors will be placed inside and outside The Depot, with many vendors selling metaphysical-themed arts and crafts as well as candles, bath and body goods, jewelry, books, and so much more. “I've always been community-driven, I just couldn't figure out for a long time what I could do to bring together like-minded individuals and support small businesses like myself,” adds Gilchrist. “It feels good to see others succeed in doing something they love, and I get to witness that at each festival I do now. I'm happy to support these local vendors as they have supported me in so many ways. I hope each of my vendors gain more and more confidence in what they do because some have never had their craft out for the world to see. There are such beautiful, talented, gifted crafters and creators in this area! I'm so glad I can provide a safe space for them.” As far as the music goes, this year will feature live performances from jazz/funk/blues/rock multi-instrumentalist Charles Brooks, singer/songwriter Bryson Bishop, and pop-rock duo Thrice Sovereign. Charles Brooks (by Rachel Neal), Bryson Bishop (social media), Thrice Sovereign (by Amanda Chapman) Kicking off the live music at 4:30 p.m. will be Dr. Charles Brooks , UNA Entertainment Industries professor and a multi-instrumentalist across a slew of genres. He is most known for his wicked four-mallet jazz vibraphone skills, but he is also a classically trained percussionist who plays drum set, piano, hand drums, synth keytar, and acoustic guitar, to name a few. For Litha, he’ll be rocking faces off with the synth keytar as heard below in this year’s Black History Month tribute to Stevie Wonder. For more on Charles Brooks, visit www.TheCharlesBrooks.com . https://www.youtube.com/watch?v=0R2OK689L2U Bryson Bishop will take the stage at 5:30 p.m. He is a Shoals-area singer/songwriter who will keep you entertained with some of your favorite covers from artists like James Brown, Michael Jackson, and so many others, and you might just hear an original song or two in his mix. To check out Bryson's beautiful singing, visit him on Facebook and Instagram . courtesy of Bryson Bishop Music social media Up next around 6 p.m. will be Florence-area singer/songwriter Aaron Dean . courtesy Aaron Dean social media And closing out the music for the evening at 6:30 p.m. will be Thrice Sovereign , a Florence-based pop-rock female duo comprised of multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott, who recently released their title single from their debut album “Waiting to Thunder.” Their songs are groovy tunes composed in a popular style that draws on heavy guitar riffs and the fat, distorted sounds of hark rock with artistically relatable lyrics. You certainly won’t want to miss the energy! For more on them, visit www.ThriceSovereign.com . https://www.youtube.com/watch?v=0vIa7bn3Klg Festival of Litha isn’t all Gilchrist has in the works for this. year, though. On Tuesday, May 23, from 6 p.m. to 10 p.m., Hesperia Mystic Shoppe and Lava Room will partner to host Brooklyn-based goth-folk musical duo Charming Disaster with a pop-up shops experience full of metaphysical items in downtown Florence on Mobile Street in support of the band. The duo will perform from 8-9:30 p.m. inside the Lava Room, and blue-cup cocktail drinks will be served alongside a delicious menu. You can even take the blue cups out onto Mobile Street to accompany you in your shopping. Charming Disaster will also be selling their merch after the show. Says Gilchrist, “Overall, it will just be a fun evening to get out midweek and take a break from it all!” So, mark your calendars, people in the Shoals area! The Charming Disaster Pop-Up Shops Experience happens Tuesday, May 23, from 6-10 p.m. at the Lava Room , and Festival of Litha happens Sunday, June 11, from 10 a.m. to 8 p.m. There’s even a new Halloween festival coming this year, courtesy of Kendall Gilchrist and Hesperia Mystic Shoppe, but you’ll have to stay tuned for that. I promise to bring you everything you need to know about Samhain Horror Night closer to October! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Brett Carlisle is an award-winning songwriter paving his way with family, faith, and a new record. < Back Off the Charts: Brett Carlisle Bud Gambrell Apr 30, 2025 Share Brett Carlisle is an award-winning songwriter paving his way with family, faith, and a new record. Hello everyone! Welcome back! I'm thrilled you’re here and taking the time to join us. Your support means a lot, and I appreciate each and every one of you! This local songwriter first contacted me in September 2024 . He asked if I would be interested in his story. I told him that I was, and we found a local show that I could attend and conduct an interview. That local show happened to be The Alabama Smoke Show Unplugged , a songwriter showcase scheduled for September 17, 2024 . As life sometimes happens, it stepped up and cancelled my plans to attend. How about that. Fast forward to early 2025 . I ran into Brett at the Otis Walker show at Tangled Strings Studio , and I asked him if he might still be interested in an interview. Brett was still very interested. I was very close to sincerely apologizing for my cancellation last September, but as I looked closer at Brett's activities, it was almost a stroke of fate that the interview was happening now. There has been a lot going on within his musical world. By the way, I still apologized. Credit: Bud Gambrell Photography Brett informed me of a few shows that he had coming up. If you know me, you already know that when I saw he was playing at the new Rocket City Honky Tonk that is the one I picked. The venue is run by my old friend Shane Bickel . Shane and I once saw each other often when he worked at Side Tracks Music Hall . I pulled Brett aside to have a quick talk. We stepped out to the outside bar to hear each other and not compete for the juke box playing some old school country. It was a good thing the outside bar was covered, as it was a stormy evening in Huntsville . Credit: Bud Gambrell Photography The following is part of the conversation. We laughed a lot. This was a very relaxed but serious conversation. Check it out. OTC : Tell me about Brett Carlisle. Where are you from? Are you married? Do you have any children? BC : Well, I’m Brett Carlisle . I'm married. We have five children. Let me explain that first. We have two boys whom we adopted. They were her brother's kids. He passed away. We also have 3 girls—two of our own and one from my previous marriage. I was born and raised in Hazel Green, AL . We moved to Athens when we got married. OTC : Born in the downtown Hazel Green Memorial Hospital, huh. BC : (laughs) Yessir! If you’re from North Alabama , you get the joke here. Hazel Green is a small town that relies on Huntsville for hospital care. Hazel Green may not have had an urgent care facility back then. OTC : I understand that country music wasn't your first musical calling. BC : Country music was not my first music calling. Country music came, I guess, out of my rebellious side. I was more of a Christian artist at the beginning. I wanted to be like my dad growing up. I wanted to do Gospel music . Now and then, some of my stuff kind of flares into going on the side of Jesus . I was bringing it back to him, but I found my way. So it went from Gospel to Contemporary Christian to Country . Credit: Facebook OTC : You were the opening act when we met at the Otis Walker show over at Tangled Strings Studio. Now you're on your own tonight. Is there any difference in how you would approach being an opener compared to how you would approach this one? BC : The Tangled String Studios show was a storytellers' type show, and we were telling about the songs we wrote. Here at Rocket City Honky Tonk , great venue, by the way, if you haven't been here. This will be playing covers back-to-back, to back-to-back, trying to get the crowd involved, you know, playing stuff, they know. I'll throw in an original here and there, but that's the difference between the venue, where they're focused on you, and the venue where they're not focused on you. You’re just there for entertainment. Credit: Bud Gambrell Photography OTC: Is there anything you do while you're on stage doing covers to make that connection with the audience? BC : Definitely! I feel that you have to sing the songs so that they can sing something back. ‘ Dixieland Delight ’ is a big one! It's always been a big one. ‘ Sweet Caroline ’ is another song like that. ‘ Family Tradition ’ is another big one; we always like to play the songs that everybody knows. To get them going with you. And once you sing an original, they're paying a little more attention, bringing the attention to your music. Credit: Bud Gambrell Photography OTC : As I was doing my homework on you, I noticed that you promote not only your music on your social page but also other musicians. BC : Yes, sir. I feel it's important to support each other in this business. We can't get anywhere without support. And I think it's very, very, very important to help other artists as well as promote yourself. And I think that's the way we grow. I think that's how we grow as artists. And grow as people as well. OTC : While reviewing your social media, I saw a few EPK pictures of you with a busted guitar. There has to be a story there. BC : So, we found this guitar at a thrift store. It cost $6. And I thought, man, this would be fun to redo. It would be a fun project for me to build this guitar from scratch, so I intend to do that. And then my wife suggested that we take some pictures. And I was like, OK. She said, I think you should do a busted guitar picture. And I was like, with what guitar? And she suggested, of course, the one we bought for $6. I was like, OK, yeah, I'm down with it. We want to take more pictures now, so I need to find another $6 guitar. (laughter) Credit: Facebook OTC : You traveled around and played a lot of places all over the southeast. How do you maintain your work-life balance while you're on the road? BC : The biggest thing I have in my corner is a family that supports me. And they will go wherever it's family friendly. If I can travel somewhere like Gatlinburg or I want them to come with me. I want them to be there and experience it with me. Around here, there aren't a lot of places they can get in, but being close to home, it's OK. But as far as work goes, I'm very fortunate to have a job where I go in at 4:00 in the morning and get off around 11:30 to 12:00 noon. So, it gives me time with my family, and then I hit the road to do a show later that evening. Credit: Bud Gambrell Photography OTC : The first time we spoke was in September of last year. You reached out and wanted to sit down and talk, and for me, life happened. I couldn’t make it happen then. I'm sorry that didn't happen. At this point, I'm kind of grateful it didn’t. Because there's a lot to talk about. Have you ever heard of BAM Records ? BC : I have heard of BAM Records. I'm signed by them. I signed a recording contract with them two months ago. Credit: Facebook OTC : Now, there had to be a phone call or a conversation that BAM Records wanted to sign you. Tell me about this. This conversation had to be just amazing. BC : So, it wasn't a phone call. I played at a place called the Tennessean Truck and Travel Stop . There was a guy named Bobby Spivey there. Bobby wore a blue blazer and a ball cap. It just said the word MUSIC on it. After I completed my first set, he sat down with me and my wife, and he said, 'Hey man, I want to talk to you a little bit about what I do, he said. I'm a producer. I have my own label. I have my studio,’ he said. ‘I’d like to invite you to come and record any time for free, and I’d also like to talk to you about possibly signing a recording contract with me.’ And at the time, he'd been sipping on a little something. I didn't know if he was serious or not. So, it was kind of up in the air. I was thinking about it all night after that. We met the next day, Sunday after church, and he actually sat down with me and offered me the deal, the contract, and I signed it probably two weeks later. OTC : And you haven't stopped smiling since. BC : (laughs) It's hard to believe. It hasn’t hit me yet. I'm not sure of the exact release date yet, but by next Saturday , everything's done with the album, and I think that's when it will hit. When we do that whole album release party and all that, all the pre-sale stuff, I think that's when it will hit me! OTC : That's another thing that happened, you know, since we talked back in September. You've got the record deal. You've been in the studio. Tell me about the studio experience. Was this your first time in the studio? BC : My first time in a studio was at Silver Fox Sound with Robert Fox . Robert recorded three of my songs and produced some. What a great guy! He most definitely makes you feel at home when you're there. But this experience was very different because not only did I sing and play simultaneously, but I also had my drummer, Richard Best , playing while I was playing and singing. So it was like a live session. It's been different than my first experience recording the music and then going back and singing over the track. OTC : You mentioned something about a possible showcase coming up to accompany the new album. BC : In the fall, they're discussing a showcase at the amphitheater in Decatur with some of my label mates and me. I don't know who that's going to be yet. They have not conveyed all the information yet. They're still working on many details, but I'm hoping we pull that together and get it going. OTC : While I was looking at your social media page, I saw a post that you got a possible CMA Fest invite. BC : My label has contacted CMA Fest and was trying to work on getting me in there for May 3rd . I don't know if it's going to happen or not. I have not been contacted. I've not been told anything, just the possibility of it happening. It's just crazy to me! Credit: Facebook OTC: So, I'm hearing a suitcase at home packed in case they call, so you can leave now, right? BC : Yeah, I'm ready to go if they call me! Absolutely! Since this interview, the CMA Fest has become a reality. Brett received word that he will play during the CMA Fest on June 8, 2025 , at Bootleggers on Broadway from 6-9 pm. That’s excellent news, Brett! Congratulations! If you make it to the CMA Fest , stop by and check him out! Also, since this interview, I spoke with Brett , who informed me that a music video is in the making. Be sure to be on the lookout for that. OTC : Let's talk hardware and some things that have happened since we spoke in September. You won the 2024 Alabama Music Association Vocalist of the Year and the 2024 Alabama Music Association 2024 Male Entertainer of the Year. It has to be a little overwhelming that all these things are happening. BC : It is, but I try not to take anything for granted. I don't want to get an ego over it. I don't want to get a big head about it. It's a big honor. Big, big honor! And of course, that took me to nationals, where I went out and played the Country Tonight Theater in Pigeon Forge. OTC : Now there's another one, the NACMAI, that is a mouthful. You won Rising Vocalist of the Year and Rising Entertainer of the Year. That’s two more pretty big honors there. BC : Yes, it is! That's nationwide and for the North American Country Music Association International . They've been doing this every year, and they have a Hall of Fame show on Saturday Night when you're there. Randy Travis was inducted last year. He was there when we were there. Credit: Facebook OTC : So, this last six months or even the last year has been a whirlwind with a lot happening. The record deal, the album, the four awards. With all that in mind, how do you define success as an artist at this point? BC : One song at a time. I try to take it one song at a time. I want my music to be felt and not just to be heard. I define success as wherever I go, whenever I go to a bar, whenever I go to a restaurant to play, somebody requests one of my songs. I think that's the most significant sign of success to me. Credit: Facebook OTC : Two-part question. What inspired you to start writing songs? And is there any particular event or experience that led you to pursue songwriting? BC : There definitely is. When I was 21, I was married, divorced, and had a child. In the same year, my ex-wife left and took my daughter with her. I didn't see her for six months. That propelled me to write my first and what I consider my best song, ' Barbie Car ', which is one of the songs Mr. Fox produced for me. I was not a very good kid. I was not a very good high school student. I wasn't a perfect teenager or young adult, period. So, I did a lot of things, made a lot of stupid mistakes, and all of that culminates in many of the songs I write. OTC : What values and beliefs do you hold that are reflected in your songwriting, and how do those values inspire and guide you through your creative process? BC : I want to keep Christ strong in everything I do. I do, and I want people to hear the pain I went through in these songs. But I also want them to see the pain I’ve endured with my faith in Jesus. Credit: Facebook OTC : What lessons have you learned through your songwriting, and how have those lessons shaped your perspective and creative process? BC : I've learned I can't write a song in five minutes. (laughter) I always thought it was going to be easier and getting stuck on one song for two months kind of sucks. But it's made me patient. It's made me think a lot more, and I've been very grateful for that. I'm not a patient person by any means. Credit: Facebook OTC : What do you feel is the hardest part of songwriting? BC : Writer's block. Thinking about the following line. I have this notebook of songs that I don't know where to go with. So, I have probably 10-12 songs that are just sitting there. OTC : Sounds like you need a collaborator. BC : (laughs) I do. I would love to have somebody to write with. I wrote some with Tim Cannon. He's amazing! I've also had some help from Brad Thomas with some guitar parts, and he's also a great guy. As for sitting down face to face with someone and co-writing a song, I have not done that, and that's something that one of these days I will be doing very soon. OTC : Is there a favorite time of day that you find is better for songwriting or a particular setting that gets you in the flow? BC : I write songs in my bathroom. Not sitting on the toilet or anything like that. Yeah, on the edge of the bathtub after work. A lot of times, I'll come up with ideas and lines for songs while I'm at work. I'll be singing them in my head. I'll record something on my phone. When I get home, there's nobody there. The kids are still at school. My wife is still at work, and I will go into the bathroom, sit, and start playing what I hear in my head. Right around 1:00 until 2:00. It's the best time for me to write a song. OTC : While it’s nice and quiet? BC : Yes! Credit: Facebook OTC : What are your plans for the future, Brett? BC : I hope and pray that one day I'll be able to pursue a full-time music career. Right now, that's not feasible, but I plan to continue to push toward that goal and that dream. OTC : Who are your favorite songwriters? BC : My first favorite is a guy who got me into the genre that I am in. I'm a Southern Americana writer, and Drake White is probably my most significant influence on songwriting. He's a fantastic songwriter, and he is so underrated. So many people have no clue who he is. OTC : He is also an Alabama boy. BC : Yes, he is an Alabama boy. Another amazing songwriter is the Red Clay Strays and The Alabama Boys . OTC : I can relate to that. Do you have any last words that you want to add for any of your current fans and any future fans? BC : Chase your dreams! Do what you love to do. Do what you feel in your heart that you need to be doing because it will work out. If you believe in it enough, it's going to work out. With that closing remark, I’ll get out of here. I don’t have any more inspiring advice to offer beyond that. Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find Brett: Facebook: https://www.facebook.com/people/Brett-Carlisle-Music/100087867837794/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Reach him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Welcome to the Necroverse < Back Herakleion: The New Orleans Metal Band Forging a Fierce New Sound Justin Hammer Oct 28, 2024 Share Welcome to the Necroverse Herakleion , a heavy-hitting trio from New Orleans, LA , comprises members Speed Wilson , Christian Woerner , and Apollo Xydias . Formed in 2021, their journey from the southern Louisiana metal scene to the national and international spotlight, supporting legendary New Orleans death metal pioneers Goatwhore on their latest North American Venomous Evocation Tour , is a testament to their dedication and talent. They have also embarked on their own tours, spreading their unique sound to various states nationwide. This band is definitely on the rise, so take note. Credit: Justin Hammer Their latest achievement is the brand-new release of their second EP, Necroverse in September 2024. After two years of writing and planning, they embarked on a collaborative journey with producer Pete DeBoer at Sonic Ranch Studios in Tornillo, TX, to assemble this masterpiece, and this album is one that will resonate with you if you are a true lover of metal. The album crafts a dark and immersive atmosphere with distorted guitars, pounding percussion, and other textures to evoke a sense of dystopian grandeur. They also partnered with the talented metal imagery artist Noah Meihoff for the album artwork, adding a visual layer to the story told in the music. With numerous releases to their credit since their inception, I was able to sit down with the guys in Herakleion recently to get some insight into their process when creating their newest effort, Necroverse , as well as some band history, and how touring is going. Take a moment to learn more, and then be sure to stream Necroverse today. MaM : Thanks for speaking with us today. How did you all come up with the name Heraklion? Apollo : I was sitting on the couch with my roommate. It was before I joined the band, but sometimes, we would get off work, scroll through YouTube videos, and pass the time instead of watching a TV show. I saw a documentary on the ancient city of Herakleion and was interested in the story. They had only recently discovered it about 30 years ago. I just thought it was cool that, you know, there’s the same city from which they thought the story of Atlantis came. When running band names, we didn’t want those classic name generator names, an adjective, a noun type deal, or two and three-word names. We wanted one punchy word that hadn’t been said before, and it seemed like it just clicked in my brain. I was like, “Hey, why don’t we just go with this?” we’ve been running with it ever since. Credit: Justin Hammer MaM : How did y’all create the new album, Necroverse ? Give us a few details. Herakleion : Necroverse was meant to be a purely conceptual album. Each song has a story about crossing from the mortal plane into the realm of the dead. So that’s pretty much the theme for every song and every story within each song. We wanted it to be a bit more varied in tempos and writing than the first EP, being its own thing. It’s a bit more mid-tempo, and we got a lot more creative with the riffs and the flow of every song. It was an enjoyable writing process; it was certainly different, and the product is different; it’s cool. Released September 13, 2024 MaM : How would you all say it differed from the first EP? Herakleion : The production quality is much higher than that of the previous efforts. The thing about it is it’s not all that different from when we recorded Curse of Eternity because we did everything for that record basically like we were recording analog, even though it’s technically a digital recording. Still, we did all the recording live off the floor. There are no punch-ins or anything like that. At this point, it’s kind of just how we know how to do it: to get that good take right off the floor and do it live. We took what we got from Curse of Eternity and ramped up on the production, went to the excellent studio, got the producer we wanted, and just took it to the next level from what we were already doing. Writing was a lot more thought-out, too, because the first album we made before we even played a show so that we would have some stuff to play. It came together over a few months, but we had been working on the new release for over a year, so it’s much more refined and honed than the first one. Credit: Justin Hammer MaM : Who did the recording and production for the new album? Herakleion : Pete Deboer from Denver. We went to a studio in Tornillo, TX , called Sonic Ranch . It was an incredible experience. MaM : I love the album artwork. Who came up with that? Herakleion : Noah Meihoff . Noah did an amazing job. We found him through some artwork he did for this horror magazine cover, and up until that point, we didn’t see anything we felt fit the record's theme. We knew we needed this guy to do it as soon as we saw his work. We saw his process and its uniqueness, which fit the analog feel of the whole record we were going for. We talked to him about the record's themes, and he came up with a concept for the cover, which came together nicely. There are a lot of subtle details in that album artwork as well that if you’re looking at it, you can find, you know, hidden little things in there that even had to be pointed out to me even after I had seen it for a month or so I like that it has that dimension and those layers to it. He just really knocked it out of the park, and we couldn’t be happier with how it turned out. Released September 13, 2024 MaM : What was it like getting out on the road with the legendary Goatwhore ? Herakleion : We know those guys well, so it’s like going out on the road with some good buddies, but we all stayed professional despite our friendship status. It was just a lot of fun, you know. The biggest takeaway from touring, whether it’s our run with Goatwhore or on our own, especially from those guys, is to learn how to be 100% efficient, professional, cool to everybody, and don’t go and screw around when you’re on the road, you’re there for a reason. The wheels don’t take long to come off track. You must adapt and keep your head on a swivel. You know, you could pop a tire, or something could break at a show, or leave a cable at a venue. You take something different away from every show you play, and when you tour with guys like Goatwhore that have been doing it for twenty-plus years, I mean, you can get the “Hey, don’t do this!” before you make that mistake, so you learn a lot from taking to those guys. You know the most when it’s the end of the night, and you’re putting away each other’s stuff in each other’s trailers and sharing stories, asking questions, and if you're paying attention, you can take those notes and don’t forget them if it’s something you want to do for a long time. We are lucky to have friends in the business who have been doing it for a while and can pass the knowledge along to us. Credit: Justin Hammer MaM : Do you guys have any up-and-coming touring plans? Herakleion : We have a mid-west run planned for November , where we will visit Memphis , St. Louis , Chicago , Cleveland , Dayton , Louisville , and New Orleans . Then, we are planning a Texas run in December . That’s pretty much it for the year, but next year will be pretty much nonstop on the road, either on our own or with other bands. Catch Herakleion on tour this fall! Check Herakleion's Instagram and Facebook pages for all upcoming tour dates and information about their current activities. To purchase their new EP Necroverse on vinyl, cassette, or CD, along with all their other merchandise, follow the link tree in the bio on their Instagram page. Necroverse is out NOW on all streaming services. Facebook www.facebook.com/HERAKLEI0N Instagram www.instagram.com/herakleion504 NECROVERSE EP/Merch Store https://herakleion-shop.square.site/ *All photos by Justin Hammer www.justinhammerphotography.com Shop Photography Art | Justin Hammer Photography Shop art is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com The Alabama Heathens Load the Merch and Drive Anyway Click to read more Inside Leaning Studios: The Studio Amplifying Louisiana’s Alternative Voices Click to read more Bay Simpson Is Writing Muscle Shoals’ Next Chapter Click to read more ART WITH HEART OFF THE CHARTS WAY BACK WHEN Video premieres Check this out! All Categories Play Video Play Video 02:12 Goodbye Academy - DM Me 4 My PayPal (Official Video) Listen to DM Me 4 My PayPal here or wherever you listen to music! Thanks so much for supporting us. Filming / Editing: Goodbye Academy: @GoodbyeAcademy Original Mixing/Mastering: Nick Maggio: https://www.instagram.com/nizzletonmaggizzle/ Subscribe for Alt/Emo music from your boys!! 🎸 Bandcamp: https://goodbyeacademy.bandcamp.com/ 🖥️ Website: https://goodbyeacademy.com/ 👚 Merch: https://goodbye-academy-merch-store.square.site/s/shop 📷 Instagram: https://www.instagram.com/goodbyeacademy/ 🦅 Twitter: https://x.com/GoodbyeAcademy 📱 TikTok: https://www.tiktok.com/@goodbyeacademy Play Video Play Video 03:51 Goodbye Academy - Drywall (Official Video) Listen to Drywall here or wherever you listen to music! Thanks so much for supporting us. Filming / Editing: Goodbye Academy: @GoodbyeAcademy Original Mixing/Mastering: Nick Maggio: https://www.instagram.com/nizzletonmaggizzle/ Subscribe for Alt/Emo music from your boys!! 🎸 Bandcamp: https://goodbyeacademy.bandcamp.com/ 🖥️ Website: https://goodbyeacademy.com/ 👚 Merch: https://goodbye-academy-merch-store.square.site/s/shop 📷 Instagram: https://www.instagram.com/goodbyeacademy/ 🦅 Twitter: https://x.com/GoodbyeAcademy 📱 TikTok: https://www.tiktok.com/@goodbyeacademy ___ __ _ Lyrics: I can see the claw marks left by Hairy, flying rodents eating out the Drywall And you say that they are cute so I Guess that they can stay, but they are wearing out their welcome No matter how you cut it we are running Round in circles and you don't seem to see the problem There's a little perfume bottle dyed black Just the color With a little hint of sweat drops And I, I, I feel left behind And I, I, I, really shouldn't mind And I, I, I feel left behind And I really shouldn't mind Guess I could think it a hundred times But it comes out, comes out and it's not what I had thought of But we are artists, we interpret I was losing creativity and I just think you caught on Blue and orange are supposed to be Complimentary, but to me mixed they look like mud Remember that time you explained to me what Bisexual Lighting was? And why it's important To the film industry To put those colored lights on the screen But listen you me I wouldn't see I couldn't tell you a Goddamn thing about Why, why, why do I feel left behind? And I, I, I really shouldn't mind I, I, Why do I feel left behind? You don't mind You don't mind Why don't you mind? Why don't you mind? Most of the time I can't interpret you Most of the time it's not just me and you Most of the time you got me feeling blue Most of my time looking at the Drywall Play Video Play Video 02:54 Fishbone - "Them Bones" by Alice In Chains | MoPOP Founders Award 2020 Fishbone performs "Them Bones" by Alice In Chains at MoPOP's Founders Award fundraiser. The Museum of Pop Culture's one-night-only annual benefit event streamed for FREE on Tuesday, December 1, 2020 with an unforgettable performance from Seattle's own Alice In Chains, plus an acclaimed lineup of tribute artists who put their own spin on some of the band's most iconic songs. The Founders Award event serves as the nonprofit museum’s principal annual fundraiser for youth development programs, access initiatives, community engagement, and world-class exhibitions. Donate to MoPOP: https://mopop.org/donate or text 'MoPOP' to 41444 This year’s celebration featured performances by award recipients Alice In Chains, as well as tribute performances from Chris Chaney (Jane’s Addiction), Billy Corgan (The Smashing Pumpkins), Dallas Green (City and Colour), Fishbone, Taylor Hawkins (Foo Fighters), KORN, Mark Lanegan (Screaming Trees, Mad Season), Ann Wilson, Duff McKagan (Guns n’ Roses), Mastodon, Metallica, Dave Navarro, Krist Novoselic (Nirvana, Giants in the Trees), Corey Taylor (Slipknot), Kim Thayil (Soundgarden), Nancy Wilson, and the debut musical performance of Lily Cornell Silver (daughter of Chris Cornell and Susan Silver), among many others. The event also featured appearances from members of Pearl Jam, Sammy Hagar, Tom Morello (Rage Against The Machine, Audioslave), Les Claypool, Robert Downey Jr., and many more. The event also included appearances by artists from MoPOP’s 21-and-under music showcase and competition Sound Off!, including Katyrose Jordan, The Human Missile Crisis, David’s Van, and Talaya. View the full event on YouTube: https://youtu.be/7zTIF6CM1tI Learn More About MoPOP Founders Award: https://mopop.org/foundersaward #MoPOP #FoundersAward #AliceInChains The official YouTube of the Museum of Pop Culture {formerly EMP Museum}, a museum focusing on music, film, science fiction, gaming, and more located in Seattle, WA below the Space Needle. Our exhibits currently include Body of Work: Tattoo Culture, Minecraft: The Exhibition, Pearl Jam, Nirvana, Fantasy, Sci-Fi, Horror, Indie Games, Jimi Hendrix, and more! Subscribe to MoPOP's Channel: https://www.youtube.com/c/MuseumofPopCulture Facebook: https://www.facebook.com/MoPOPSeattle/ Twitter: https://twitter.com/MoPOP Instagram: https://www.instagram.com/mopopseattle/ Snapchat: https://www.snapchat.com/add/mopopseattle Blog: https://mopop.org/MoPOPDontStop Play Video Play Video 04:35 FISHBONE LAST CALL IN AMERICA Featuring George Clinton Last Call In America is the 2nd release from the new album Stockholm Syndrome coming out on June 27, 2025 The return of Fishbone hitting you with topical and critical observations of the world while having you move to it. Featuring George Clinton, Last Call in America sadly tells the story that has been relevant for decades and sadly hasn't changed. Inspired by Don Letts and The Clash's "This is Radio Clash", edited by Anuj Chaudary for Frequency Illusions, the video takes current and past news footage showing how things should have gotten better, but stayed the same and we went backward vs moving forward and intertwined with live performances of Fishbone from this past 2024 Red Hot Holiday Tour showing a strong and reinvigorated line up of players out to make a mark, tell a story and get and keep you on your feet. Pre-Order your vinyl or cd or bundle at www.fishbone.net See Fishbone on tour all summer on the Less Than Jake Summer Circus 2025. Play Video Play Video 04:58 Fishbone - Suckered by Sabotage Official visual accompaniment for Suckered by Sabotage from Fishbone’s 2025 album Stockholm Syndrome. Life is about challenges and overcoming them. With all the curve balls thrown at you, the worst of them all are the ones you throw at yourself. Self Sabotage is the worst, because it’s self inflicted… but with the right group of people in your corner to support you, we can get past it. It takes a Familyhood. Play Video Play Video 03:02 COST OF HEAVEN OFFICIAL VIDEO music & merch: https://linktr.ee/Krisruss twitter: https://x.com/KrisrussMusic spotify: https://open.spotify.com/album/2xvcZ8d6NxTT7nCZNTT1Fx?si=U3uQgMG2TA2IOmPNIuJVQA produced: nick maggio mixed/mastered: lowland records COST OF HEAVEN LYRICS: Take it as you will Take it cuz you won't How can you provide any answers When you're the cause of the problem Do you feel empty? Would it even help? What if we kill the drive That seems to destroy everything? So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well I don't They say the price is steep The gates are painted gold Selling faith like a drug Attached with a ransom note Can we pave the way? Will we ever know? Hiding behind "honesty" And ignoring the echo's So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well And I don't Want to feel a thing And I can't Feel empathy So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well So what's the cost? What's the cost? What's the cost? What's the cost? I don't Want to feel a thing drums: hickman plaisance guitar & vocals: Kris Russ Bass: Jose Gregorio Stand in: Joshua fassbender Drummer for VEDAS and Closur Play Video Play Video 03:52 Deep Sleep Atlantic - From My Side (Official Music Video). Concept by Danika Andrade and Travis Marc. Director of Photography - Danika Andrade. Edited by Danika Andrade. Purchase 'From My Side' - https://deepsleepatlantic.bandcamp.com/track/from-my-side Huge thank you to the following personal for their appearances in this music video (in order of their first performing appearance), they are - Brandy Payne, Scott Burris, Monique du Plooy, Ed Estalote, Lacey Troutman, Casey Last, Alex Harris MacDonald, Kristie Hendricks, Kouda Brown, Janson Lohmeyer, Chris Vincent, Stephen Brashear. Support 'Deep Sleep Atlantic' here - Facebook: / deepsleepatlantic Instagram: / deepsleepatlantic Soundcloud: / deepsleepatlantic Spotify: https://open.spotify.com/album/0sTn0f... TikTok: http://tiktok.com/deepsleepatlantic Twitter: / deepsleepatlc Website: https://deepsleepatlantic.com YouTube: / deepsleepatlantic Play Video Play Video 03:12 LA Phantoms TightGrip OfficialVideo 1 PunK RocK from Lafayette, La. Filmed and Edited by Corey Harrington.

Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. < Back Blacklite District: Building a Digital Era Legacy Nicole Brice Sep 2, 2024 Share Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. From the depths of personal tragedy to the triumphs of renewal, Blacklite District , aka Kyle Pfeiffer, is on a path to becoming the Trent Reznor of his generation with his one-man approach to making music. Since the early 2010s, Kyle has crafted a well-known brand with a loyal fanbase on social media and YouTube because of his impactful music videos referencing gaming culture, mainly Minecraft . Most known for the songs ‘ Cold as Ice ,’ ‘ Living in a Nightmare ,’ and ‘ Goodbye ,’ Blacklite District has had four Billboard Top 40 hits and is currently averaging over 242k monthly listeners on Spotify and over 65 million views on YouTube and has been granted a Grammy nomination in 2025 for Best Alternative Performance . For those who have never listened to Blacklite District’s music, it is a bit of hip-hop mixed with alt-rock and a little pop at times. It has a little something for every taste but remains dark and heavy at its core, just as Kyle Pfeiffer always intended. A visionary creating a culture of acceptance for future generations of fans , Kyle hopes his music will continue to be the soundtrack for kids who need uplifting positivity to feel like they matter and belong. Devoted to making his shows accessible for all, Pfeiffer has become known for offering earlier start times, and because of this, entire families sometimes travel many hours to catch a live performance. Set to embark on a new tour this fall, dubbed The Red Carpet Tour , in support of his latest album titled ‘ You Can Do Better ,’ we were able to catch up with Kyle Pfeiffer of Blacklite District recently as he gets ready to hit the road. Read on to learn more about this musical creative and the legacy he is creating. Kyle Pfeiffer of Blacklite District MaM : You have an impressive career, and I want to discuss your legacy so far. I read that you started in 2002. Is that correct? KP : 2011-12 was when I started getting attention, but 2002 or so was when I started jamming in my garage with friends. I was only 12 years old. I even started a band in 5th grade, too. All these years later, and here we are. MaM : So, what was the official year Blacklite District formed as a “band”? Take us through a bit of band history. KP : There’s been so much stuff over the years. It’s just been my project since the first day. It’s my brainchild. MaM : Like Trent Reznor with Nine Inch Nails ? KP : Exactly. I’ve had different members over the years, but then there have been shows where it has just been me on stage. My guitarist is Justin Sundlin . He’s been with me for almost three years now. My bass player is a guy named Clinton Cunanan . He’s also on my management team. Been working with him for a long time. We’re having fun. MaM : That’s awesome. So, do you have a drummer right now? KP : In an official sense, we don’t have a permanent member who is the drummer, but Chance Jones from No Resolve comes out and plays often for us. Blacklite District MaM : The new album was just released on May 3rd. How’s that going so far? KP : I love it. I’m happy with it. If the fan base likes it, then I’m good. The response we have been getting has been incredible. We’re about to release the second animated video, which we do these Minecraft videos , and it should be in the next couple of weeks. The momentum is just considerable, and streaming has doubled this week alone since the announcement of the new video. I think something has occurred with me as an artist, though I’m 34 now – I’ve been doing this consistently for the past decade or so, but something about this last project makes me feel so complete that I’m in a different headspace. It’s cool, though. The thing I love about music is that the journey can take you through many places, emotionally and even physically. It’s cool to see the growth and to feel that evolution through all of this. MaM : Yeah, just the creative journey. I’ve had a similar journey, so I get it. I’ve read that you’ve shifted genres a bit here and there. Have you noticed any differences in how your music was perceived when doing that? KP : You know, not really. It’s hard to say. I never came out and said I was changing my style to pop. When COVID happened, and the year before that, there was a slight switch in styles, but it was that it just didn’t have as heavy of guitars and was more beat-driven, but the melodies and vibes of the songs have always been dark. Even if there isn’t a guitar in the music, I still find heaviness. In 2021, I went to rehab and got into this new era of life where I wanted to return to my rock roots by having a full live band. Having some minor success with rock radio and then seeing these younger kids start blowing up with hip-hop and stuff made me have, I guess, like an identity crisis, and then all this hardcore stuff started happening to me personally, so coming out the other end was almost like I didn’t care anymore about being the next big thing. I decided I just wanted to make music that I’ve always loved, which has been rock music. That’s kind of where I’m at now. MaM : I’ve read that Ozzy Osbourne has been one of your biggest musical influences. I’m a huge Black Sabbath and Ozzy fan, but tell us more about that. KP : I actually have the tattoo right here, and the song ‘ No More Tears ’ just did it for me. MaM : Yes! I love that song! Even today, the beginning of ‘ No More Tears ’ gets me so pumped. I crank it up in the car. Do you think that song was the key factor in pursuing the type of music you play, or were there other things? KP : I always go back to the period when my mom passed away because it wasn’t just the music in the song but the message of no more tears and trying to move on. It was what I needed as a ten-year-old kid to feel strong. The second I heard it, I was hooked and asked my uncle to play the song again after it finished. That song made me know that any music I played had to be rock and roll because of how the music made me feel strong as a small kid going through so much. That’s the beauty of music. MaM : What do you think it is about music that makes you feel so passionate? KP : I always try to think about this, and it’s hard, but as a young kid who was afraid and shy growing up, it was a way I could say the things I wanted about people without actually saying it directly to them. If I wasn’t around and people wanted to know things about me, it’s all in the music. MaM : How are you approaching writing new songs these days? KP : It can be many ways. Sometimes, I’ll hum a tune and put it in my voice notes to save it. The title of this new album, ‘ You Can Do Better ,’ is a simple melody that popped into my head. My guitar player came up with some chords, and then eight months later, we started working on it after stumbling upon the voice notes. The ones that stick with me months later are the ones we tend to work on. That’s a good sign to me that something is there. Or, sometimes, we’ll write a song in ten minutes, and it’ll be great. It just all depends. MaM : Tell us a little about The Red Carpet Tour you have this fall. I heard that you’re doing some unique things for the fans. KP : We are! My audience includes many young YouTube kids who come out as families to see our shows, for which I am so grateful. These kids are so passionate about my music. It’s crazy that they are also discovering my music in different ways, like YouTube, but we’re doing these shows differently for this tour. We’re starting the shows at 6 p.m. to get the families out there. We’re making it more intimate for the fans. We’re also booking smaller venues, so it’s perfect. The Red Carpet Tour kicks off September 6, 2024 in Des Moines, IA. MaM : That’s incredible! That’s your audience, and you’re embracing it. I love it. Do you have a favorite song to perform these days? KP : Well, I have so many, and the cliché saying is they’re like my kids, and I love all of them, but ‘ Cold as Ice ’ is one of my most famous songs, and we’re looking to have it certified platinum because it has well over the number of streams. I look at that song as one that has changed my career. Another song of mine, ‘ The Struggle ,’ is my second most popular song and resonates well with fans. They’re also fun to play. Video for Cold As Ice by Blacklite District MaM : You know how to connect with your audience, which is excellent. Tell us about your best and worst performance so far. (laughter) KP : I love that. Well, there have been some bad ones over the years. I'm not going to lie about that, but one time … this was back when I was in my early 20s; we would play in this town called Deadwood . On the night of the show, it looked like it wouldn’t be a good show because we didn’t sell that many tickets, but about twenty minutes before we were set to go on, my bass player and I decided it was a good idea to start chugging beers and smoking a little. We got messed up in a short amount of time. So, we went to go back in, and the venue ended up being packed, and we did not have the experience to play drunk, and it just turned into a shitshow. (laughter) In terms of the best, it’s been these smaller shows I’ve been doing because of the audience's passion. I spent so many years playing where I was the opener, and no one would come to see us, so now, when I see a line of kids out the door to see us play, it’s remarkable. It’s like a dream come true. That vibe is what I’m so grateful for. Video for The Struggle by Blacklite District MaM : Over the years, have you ever received a good piece of advice from a fellow musician that you’ve carried with you? KP : You know, that’s a great question, and over the years, I’ve tried to sponge up anything I could. On my first tour, I opened for Saving Abel , and I remember being in awe of being on tour with bands I had heard on the radio. I remember the singer of Art of Dying telling me they could be opening for me a year from now, and I just thought that was the coolest thing ever. They ingrained in me that you never know whom you will encounter on the way up and how the roles may be changed or reversed quickly. MaM : Any plans or aspirations for collaborations in the future? KP : I always wanted to collaborate with Ozzy , but he’s not doing his best. I also want to collaborate with Jelly Roll , but it hasn’t happened yet. I would love to do something with Post Malone , too. I love how Post Malone is doing this sort of country thing, and even Jelly Roll has shifted to that, too. It’s almost as if hip-hop culture is shifting to more of a country culture right now. MaM : Outlaw country in a way. KP : This shift could lead to more guitar-driven stuff. It could be great for the rock stuff in the future. MaM : I agree. Last question for you. Where do you see yourself in the next five years? KP : That’s a great question. I have a decade’s worth of music now and several hits that the fans love online, so I am just focused on growing with these tours and doubling and tripling the ticket sales. I would like to see in the next five years that I can keep the momentum going, continue expanding on the fanbase, and build that real core audience that connects with me and the music, just as I’ve always done. I hope you and I can talk five years from now and be on different levels, just doing our thing, because I genuinely believe that the vibe and work you put out there is how you get there. Insightful, charismatic, and driven with many years of success and many more to come, Blacklite District hits the road on September 6 in Des Moines, IA, and wraps its tour on November 2 in Atlanta, GA. Be sure to catch a date if it comes near you. In the meantime, check out the latest, ' You Can Do Better ,' on all streaming platforms. To learn more about Blacklite District: www.blacklitedistrict.net Blacklite District Home page of Blacklite District, a rock artist from Black Hills, SD. Official Blacklite District website! The story of Kyle Pfeiffer, new music, photos, bio, and more. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

More Than a Petty Betty < Back Team Gwen: Erica is the Next Voice You Need to Win! Nicole Brice Oct 29, 2022 Share More Than a Petty Betty Erica Calle possesses a timeless beauty. One which invokes memories and feelings for years gone by. With her big tulle skirts, pageboy hairstyle, and Riot grrrl personality, Erica channels all the old Hollywood glamour into a complete package for 2022’s local music scene. Credit: Gary Governale Known locally as the frontwoman of Petty Betty , a popular novelty band in South Louisiana , Erica is known to bring “ it ” when belting out tunes such as ' Johnny B. Goode ' and other favorites. With a booming and boisterous voice combined with a larger-than-life persona, Erica truly exemplifies what it means to be a star. Surrounded by some of the most talented musicians on the scene, Erica credits the men behind her as the ones to inspire and push her to the limits vocally. Credit: Gary Governale The band, Petty Betty , is comprised of Tony Busby (guitar), T-Mike Galliano (bass & vocals), and Chris Lyons (drums), as well as the gorgeous Erica Calle (lead vocals). Petty Betty is a music group native to Baton Rouge with over 50+ combined years of experience in music & entertainment. With upbeat lyrics and catchy music, they bring the party when they perform. https://www.youtube.com/watch?v=LQrbR0JkUKU Red, Rock, & Blue 2022 Erica started singing when she was very young, but says, “Starting out, I wasn’t any good and I sounded like a drowning cat.” Credit: Gary Governale Well, folks, those days of sounding like a drowning feline are sure over because this leading lady has some of the best pipes in and around Baton Rouge , AND she even auditioned to be on the national TV show The Voice at 22 years of age. At the audition, she made it through the first round of the pre-auditions and ended up getting a nasty cold but managed to push through, which afterwards damaged her vocal cords. She was unable to sing for a while after that, but by doing karaoke, she was able to retrain her voice to do what she wanted. Once the pieces fell into place, Petty Betty was formed. Inspired by Blues and Swing music, Erica credits her look and vocal stylings to the music that she adored as a child, such as Cab Calloway , Buddy Guy , Etta James , and Ella Fitzgerald , and she has said, “I was born at the wrong time.” Credit: Gary Governale When we asked Erica who she is digging these days musically she replied with, “ Kaleo ! I just LOVE their music!” When asked about her personal style, Erica said, “Thankfully the group of guys that I work with each bring their own unique style and ideas that makes for an amazing blend. Personally, I love Rockabilly but sometimes will add a Stevie Nicks look to my wardrobe so I can change it up a bit.” Credit: Gary Governale “Bettie Page definitely influences my stage look, but I try to look towards the strong female lead singers such as Jinjer , The Pretty Reckless , Bishop Briggs , and Halestorm as far as their energy/persona. I like to blend vintage and current rock vibes for my look.” Credit: Gary Governale Petty Betty has quite a following, and you can rest assured that if they are playing a show, it will be packed. The energy from every member of the band radiates throughout all performances with none being stale or boring. Their on-stage energy is so infectious that you’ll end up wanting to be on stage just to experience the party with them. When asked if Petty Betty has plans to record any original material in the future, Erica has said, “We would love to pursue some originals! I wake up in the middle of the night to write down lyrics that just pop into my head, and we’ve played around with a few song ideas, BUT we would really need to slow down to focus on it properly.” Catch Petty Betty LIVE in and around Baton Rouge and be sure to visit their social media accounts to show some love. October 30 - 52nd Annual Parish Fall Fest in Denham Springs 2-4pm November 4 - TrickShots Sports Bar in Denham Springs 9pm November 5 - Boudreaux & Thibodeaux's in Baton Rouge 10pm November 12 - Mike Bruno's Harley Davidson in Baton Rouge 1-4pm November 12 - Big Mike's Sports Bar & Grill in Denham Springs 9pm Erica Calle - YouTube Petty Betty LIVE | Facebook Petty Betty fan club | Facebook Petty Betty (@pettybettylive) • Instagram photos and videos *All photos by Gary Governale * www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. < Back Off the Charts: Jim Parker’s Songwriter Series Bud Gambrell May 13, 2024 Share The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Hello all! Welcome back to Off The Charts! The Von Braun Center in Huntsville, AL, hosts a monthly music event called Jim Parker’s Songwriter Series . Jim Parker, a Huntsville favorite, hosts this exclusive event. May’s edition of the Songwriter Series saw the event moving from its usual location of the VBC Playhouse to Mars Music Hall, also located in the VBC. I saw this as a unique opportunity to introduce you, the reader, to this intimate listening room-type event and maybe a couple of songwriters you may not be familiar with. For those unfamiliar with Jim Parker , Jim came to the North Alabama area from Nashville, Tennessee, and has been a songwriter for over 50 years. Having co-written songs with many award-winning artists, Jim's journey is the heart of the Songwriter Series. He began the Series in 1985, showcasing hit songwriters from Nashville, Muscle Shoals, Atlanta, Canada, and other surrounding areas. My journey with Jim Parker began in 1985 while working at a local television station. Jim would often drop by for interviews to promote the Songwriter Series. Over the years, our paths have crossed numerous times, and I have even had the honor of photographing the series on two occasions. This personal connection has allowed me to understand the event and its significance better. Before this most recent May 10, 2024, showcase, I pulled Jim aside and got some insight into this entertaining event. Take a moment to read more below. OTC : Jim, tell me about the origins of the songwriter series. JP : Well, I came from Nashville. I moved to Nashville in 1975, played all the listening rooms there, and wrote songs with Jon Anderson and other fine songwriters. Then, after getting off the road with Dave and Sugar , I moved here because we were raising the family, and I wanted to get off the road. So, my wife got me into real estate in Nashville. I got my license in 1979. We started having babies, and she was out there selling real estate with the baby on her chest, and it wasn't working out too well. So, I just had to take over, thinking that was a trick. I think she tricked me. After being in Madison, AL, from 85 to 87, I was standing before my beautiful wife, weeping like a child because I was not fulfilled by what I was doing. It was a business. And it is emotional, but it's not that creative. I can write a creative contract, but that's not like writing a creative song. She said, well, take some time off. I took two months off and regurgitated everything that was built up, and I told her that I would start my songwriting career here in beautiful Alabama. Then I was playing at the Bluebird in Nashville, and it just happened that Steve Maples, who runs this complex, was there with his son-in-law, who was also a songwriter. And I mentioned I'm looking for a home in Madison, AL. He approached me and said you ought to come and check me out. Let's talk about bringing it to the Von Braun Center. It took me a few days to get around to it because every day you take off from real estate, you're behind two or three days. So, I caught up with him, and he said, bring it here. That was 19 years ago, and we're still doing it. And we're very pleased with what's happening. I have some of the most exceptional songwriters in the world and some of the best songs you could ever hear on the radio. They're just too good! Credit: Bud Gambrell OTC : Why do you do it? JP : Well, it's a genetic disorder, and it's terminal. Creativity is a weird thing. You do it because you cannot keep from doing it, and it's a constant conflict because you may be having a conversation, and somebody says something, and you want to write it down, so you have to excuse yourself. I had a furniture guy who was trying to sell me a sofa. I said, “Man, that's expensive. You wouldn't cheat me, would you?” He said “No, man, I'll cheat you right.” I say, “Excuse me a minute.” I had to go write that down. So that's kind of how it happens. And I do it because the only cure for this disease is more of it. I can't visualize my life without music. Credit: Bud Gambrell OTC : What are you trying to accomplish? JP : I've already accomplished everything. I've recorded with an orchestra, I've got a song cut by Mark O'Connor, who's brilliant, and I have a bunch of cuts by Billy Droze. We're doing a country record for him now, and I can't tell you who's producing it, but it's a big producer. I've accomplished everything and written hundreds and hundreds of great songs, which've been cut by many great people. John Anderson cut Chicken Truck in 1980. I’ve been writing to him, and we wrote to him about two months ago. So, it's just a process. I must keep doing it. Credit: Bud Gambrell OTC : Tell me about tonight. JP : We're here at the Mars Music Hall. I've got Brent Moyer, Tim Styles, and Bob Tobin. I met them down at the Frank Brown International Songwriter Festival. I've been doing that for about 15 years, and I just picked the guys I like to sit with who write good songs and tell good stories. In addition to chatting with Jim Parker, I was able to chat with one of the performers of the showase, Tim Styles , too. Check out our conversation below. OTC : Tell me a little bit about who Tim Styles is. TS : Well, I'm a singer-songwriter from New Mexico, but I've lived all over the country. The first time I went to Nashville, I was 14 years old, and so I've been running the roads ever since. I never did grow up. Credit: Bud Gambrell OTC : What does something like this, a singer-songwriter series, mean to you? TS : It means to me that people want to listen. I've spent so much of my time fighting crowds at bars. They don't want to listen, which is OK too. I know everyone wants to have a good time. But when songwriting is really my passion and when people are willing to sit and listen to stories, I get to delve into that part of myself. That's nice. It's the other side of being just an entertainer. You can be a storyteller. Credit: Bud Gambrell OTC : So, you consider yourself a modern-day troubadour. For someone who doesn't know what that means, tell me what you consider a modern-day Troubadour. TS : I'm a performing songwriter, another way to say it. I don't just write songs and sing. I like to perform my original music—like a Kristofferson kind of thing, you know. I can also perform my own music and put my own spin on it. OTC : So, you mentioned Kris Kristofferson . I'm assuming he's an influence on you. What are some of your other influences? TS : All the great singer-songwriters like Townes Van Zandt , Guy Clark , and even rock guys like Warren Zevon have been a huge influence on me. Just all the music you pick up along the way, but I always find myself returning to the singer-songwriters. To make the night special for the songwriters, Jim had local artist Don Howard design a caricature of each performer. The caricature of future performers may be produced and sold at shows. Credit: Bud Gambrell OTC : Jim, can you give me a sneak peek into future series? JP : Yeah, I'm doing a Trop rock show on August the 2nd, bringing in Bill Whyte , Darrell Clanton , and Brooke Graham . She's #4 on the Texas Rock Charts, so it's always great people. And in November, Billy Droze and Kentucky Blue will be here with me with his bluegrass band. He'll take the whole stage. OTC : Any other plans in the future for the songwriter series? JP : Sure, 2025, man! I'm working on it now. Yeah, we have dates. Y'all come and see us. You will not be disappointed, and it's a cheap date. Credit: Bud Gambrell If you enjoy the listening room-type experience where you hear the stories behind the songs, I highly recommend you stop by for any future Jim Parker’s Songwriter Series. Like Jim said, you will not be disappointed. Send me an email. Let me know what you think. Also, tell me about any performers you would like to see in future editions. Until next time, Keep your diamond down in the groove! Jim Parker Music Brent Moyer : https://brent-moyer.com/ Tim Styles : https://music.apple.com/us/artist/tim-styles/267070949 Bob Tobin : www.bobtobinmusic.com To reach Bud: Email : the_budgambrell@mixedaltmag.com Bud's sites : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Amazon: https://a.co/d/1CLA9Tz Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. < Back Shawn Franklin: Music Producer Extraordinaire Nicole Brice Oct 2, 2023 Share Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. Often in music entertainment, we heavily focus on those in the foreground— the artists and musicians —but we don’t focus on the talent behind the scenes delicately tweaking and fine-tuning songs and albums, making sure everything is perfect. In the dynamic world of music production, some individuals stand out because of their sheer talent, versatility, and ability to add a distinct touch to all they lay their eyes, ears, and hands on. Shawn Franklin is one of those people who stand out in the music production crowd. With artistry that spans many mediums, Shawn has solidified his place among the production elite with various projects spanning well over a decade. With over 23 years of experience in sound engineering and performing with his band, The Scallions, Shawn’s true specialty is audio restoration and re-mastering new and classic material. Photo provided by artist Franklin has worked on music for Anthrax , Stone Deep , Public Enemy , Chuck D , Chuck Mosley , Daddy O , Dirty Rotten Imbeciles , Prophets of Rage , Renaldo & the Loaf , The Residents , The Mentors , and many others. What started as pure love and enthusiasm for the music that inspired him as a kid became an innate understanding of the intricacies of music, allowing him to turn a lifelong dream into a reality, and he currently shows no signs of slowing down. Shawn Franklin has an uncanny ability to focus on sounds to determine how and where they need to be tweaked for a crisp, clean restoration. Born and raised in a musically inclined family, Shawn developed an affinity for music at a young age, eventually learning to play the drums. “My brother is four years older than me … and he played guitar. I wanted to play the drums, and before I got a drum kit, I would play on coffee cans. I’d play with pencils as my sticks and then for cymbals, I’d have the coffee cans upside down for the tin part. I would fill the center part with pennies for the snare,” he recalls. A young Shawn Franklin - photo provided by artist His upbringing laid the foundation for his future success, as he immersed himself in a vast range of musical styles from metal to hip-hop and everywhere in between. After discovering Kiss’ album Hotter than Hell , Franklin’s passion for music grew exponentially, and during his teenage years, he was led to explore the makings of what goes into a spectacular recording. “My brother heard ‘Calling Dr. Love’ from Kiss on the radio in ’76 … I think I was four years old … and then I heard it and we both loved the song. We got the 45 and had no clue what they looked like or anything like that. Just hearing that song and loving that song and then discovering everything they did image-wise, … I mean, that was just like icing on the cake.” As Shawn’s music tastes began to expand, so did his record collection, and once he discovered the band The Residents , he was hooked. The Residents would play a huge part in Shawn’s life later, so this discovery was fortuitous. With many other bands and musicians influencing him, such as The Beach Boys , Jefferson Starship , and The Beatles , Franklin was eventually led into the world of hip-hop when he discovered breakdancing . Shawn Franklin getting an autograph from Brian Wilson of The Beach Boys - circa 1998 - photo provided by artist “It was the summer of 1984,” says Shawn, “my friend started [dancing] doing the worm one day, and I had no clue what it was. I rented Breakin’ and I thought the movie was horrible but cool because it got me into the music. It had this street element … this energy.” Franklin’s love for hip-hop would continue to grow, and over the years, he would go on to discover many influential artists from the time, such as Kurtis Blow , Boogie Down Productions , The Beastie Boys , Public Enemy , and KRS-One . “I heard ‘ South Bronx ’ by Boogie Down Productions in 1986 and I had never heard anything like it. The little horn stabs and everything just blew my mind.” Franklin’s career with music would soon take a dramatic turn—one that would start to shape his destiny. In 1990 , Shawn and his brother Mike began making music as The Scallions . Described as “ Avant-Garde Power Pop ” and influenced by San Francisco cult giants The Residents , Mike and Shawn started shaping their sound. Mike and Shawn Franklin aka The Scallions - photo provided by artist In 1999 , the band began shopping material around when they hooked up with Tom Timony , a former owner of The Residents label, Ralph Records . In the year 2000, they put out their first commercially released album, Mud Pie , and following its release the album was promoted with interviews, reviews, and radio play. In 2001 , Tom’s label closed and left Shawn and Mike looking for a new home for their music. It was around this time Franklin reached out to Chuck D from Public Enemy via e-mail after obtaining his e-mail address on an online message board. After e-mailing him, Shawn met him in person at a lecture held on the campus of Wesleyan University in Middletown, Conn. where Chuck acknowledged he had received the copy of ' Gladys ' that Shawn had sent over. "He listened to the song and really liked it and that was it.” The Scallions In 2002 , the band signed with Chuck D’s label, SLAMjamz , and was asked to open for a few shows with Public Enemy in Massachusetts. “He told me, ‘You guys are different’, and that was that.” The year 2006 saw The Scallions release their album Agony Through Ceremony as part of a CD/DVD combo on Chuck D’s label. From there, Shawn Franklin and Chuck D would spark a professional friendship that led to various other projects outside of his band that continues to this day, with Franklin currently producing daily segments for Chuck D’s RAPstation radio network called “ This Day in Hip Hop History ”. Chuck D and Shawn Franklin - photo provided by artist One of the significant factors that sets Shawn Franklin apart is his remarkable versatility and after discovering he had a knack for restoring audio in a complex way , he began to experiment and push creative boundaries resulting in captivating and refreshing sounds. Of his early remastering days, Franklin says, “In the early 2000’s, I had been collecting bootlegs forever, and I was always zoning in on certain aspects of the recordings: ‘This one has got a lot of noise,’ and ‘This one could use a tweak here,’ and I remember thinking, ‘I wish I could clean this stuff up and restore these.’ The technology was not there yet, but I had a friend turn me on to some software that was incredible for the time. It was like a nuclear bomb went off over my head.” After discovering his secret weapon software, which he did not disclose the name of because it is his secret weapon, Shawn was able to start playing with audio. “I really started cutting my teeth, fixing these bootlegs,” Franklin said. “I really got into it … but I didn’t have any ambitions to be doing audio professionally.” Those first moments of tweaking audio for bootlegs began to set the stage for what was to come. “So, I became friends with Renaldo from Renaldo and the Loaf, and so, as the story progresses … around 2014, Brian, who is Renaldo, was taking a trip out to the United States where he had plans to stay at my house. There was this album, ‘Title in Limbo’ by The Residents, in collaboration with Renaldo and the Loaf. When the album was released on CD, some of the songs faded in, and it was horrible. Prior to Brian coming here, I was telling him about it, and he was like, ‘I have a mix down.’ He’s like, ‘Maybe you can fix it up and restore this album.’ So, I did and matched everything up EQ-wise and he flipped out over it.” That project then led to Shawn doing restoration professionally because the restored album was released worldwide. Title in Limbo by The Residents and Renaldo & The Loaf “Public Enemy is one of my favorite rap bands worldwide. Two friends and I, who coincidentally worked for Chuck, had this idea of making a comprehensive cohesive product of every single A side and B side from all their seven-inch, 12-inch, and CD singles. So, we did this whole thing and we presented it to the Public Enemy squad in 2014. Chuck, at this point, was like, ‘You know, you guys really should start a production team,’ and we were all like, ‘Hmmm … let’s do it. Let’s do this professionally.’” They decided to call their production team TDX , which stands for The Definitive Xperience. “We had all these plans of doing all kinds of reissues from bands,” says Franklin . From there, Shawn and his team embarked on a whirlwind career of numerous opportunities. Shawn Franklin’s reputation for excellence and his exceptional skills have attracted some of the most prominent names in the music industry and his collaborative works have earned him the trust and respect of many established artists such as thrash metal pioneers Anthrax . “I had the idea to reach out to Charlie from Anthrax since Public Enemy had collaborated with them,” Franklin explains. “I ended up sending Charlie [Benante] a tweet because I wasn’t friends with him. I told him, ‘Hey, listen. I’ve been a huge fan of Anthrax since ’86 and I did a really fat remaster of Spreading the Disease . I really want you to hear it and I work for Chuck D.’ He got back to me and said he would love to hear it, so I sent him what I did, and he loved it.” From there, Franklin spoke on the phone with Charlie , developing a professional friendship that led to numerous collaborations. Shawn Franklin with Charlie Benante from Anthrax - photo provided by artist “He said, ‘I’m going to send you some songs that I love and I’m not going to tell you what I don’t like about them audio-wise, and I want to see what you would do.’ I’m thinking, ‘Well, I’m just gonna trust my ears and see what I come up with.’ So, I did that and sent him samples of before and after. I didn’t hear anything for a while until one day, I was playing drums and my phone started blowing up. I look down at my phone to see Charlie messaging me and telling me that I ‘killed it.’” After successfully re-mastering those first few tracks, Shawn Franklin was sent more material that eventually led to him editing, assembling, and sequencing the Spreading the Disease 30th Anniversary album and the State of Euphoria deluxe album for Universal/Megaforce Records . Those projects then led to numerous other projects and collaborations with Anthrax and the professional relationship continues to this day. Remastered by Shawn Franklin Beyond his individual accomplishments, Shawn Franklin has had a transformative impact on the music production landscape by recognizing the importance of embracing technological advancements and utilizing innovative techniques to shape and enhance the soundscape of his creative projects. When asked about some of his other projects outside of Public Enemy and Anthrax, he said, “Working with Chuck Mosley from Faith No More, God rest his soul, was just incredible. I think that me being a fan of the music helps in my situation because knowing the catalog and the work makes it more personal.” He goes on to say, “It’s like saying, ‘Hey, this guy loves our stuff but can also deliver the goods audio-wise,’ you know?” In 2016 , Franklin was asked to master three songs for DJ Lord for the 2016 Make America Rage Again tour and says of the experience, “Chuck had an assistant named Kate. She came to me one day and said, ‘DJ Lord needs three songs mastered … instrumental versions.’ So, I didn’t even think anything of it and told them, ‘Let’s go!’” Credit: Green Left From there, Shawn went on to do the tracks with no problems and recalled the moment he got to experience his work firsthand live. “I’m at Mohegan Sun Arena watching the Prophets of Rage show and it’s going along, and ‘Bring the Noise’ starts when it dawns on me that this was what I had mastered for them. I look around the arena and it’s sold out. It’s packed. I’m watching people lose their minds to the music and I’m thinking, ‘I worked on this.’” As the music industry continues to evolve, Shawn Franklin remains relentless in his pursuit of excellence. While continuing to collaborate with renowned artists, Franklin strives to inspire others to follow their dreams and explore their creative potential. His journey from humble beginnings to working for Chuck D is a testament to his unwavering passion, exceptional talent, and commitment to musical quality. Through his versatility and groundbreaking production style, Franklin has redefined the music production landscape and left an indelible mark on the industry. As the music world eagerly awaits his next move, there is no doubt that Shawn Franklin’s influence will continue to shape the future of music production for years to come. To learn more about Shawn and his work, visit one of the sites below: Website: TDX: The Definitive Xperience (defexperience.com) The Scallions: The Scallions | blocGLOBAL Independent Record Label | Buy, download and listen to music online (blocsonic.com) Facebook (The Scallions): The Scallions (facebook.com) Rapstation Radio: Rapstation - Home www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chill Fest 2024 unquestionably lives up to its name and is an incredible opportunity to hear local music and support the community’s young musicians. < Back Chill Fest 2024 Music and Arts Festival Bud Gambrell Jan 25, 2024 Share Chill Fest 2024 unquestionably lives up to its name and is an incredible opportunity to hear local music and support the community’s young musicians. The inaugural Huntsville Winter music and arts festival known as Chill Fest 2024 happened on Saturday, January 13, in downtown Huntsville, Alabama. Presented by The Quantaphonics in partnership with Huntsville Music Scene, Downtown Huntsville, and The Camp at MidCity, the festival’s sole purpose is to help area families access quality music education by raising funds for the Huntsville City Schools band programs. Chill Fest Music and Arts Festival unquestionably lived up to its name and was successful in establishing itself as an incredible opportunity to support the community's young musicians and enjoy some fantastic music. Chill Fest was originally scheduled for early December, but it was postponed due to the threat of severe weather. When I learned about it, I remember wondering what an outdoor music event in January would be like in North Alabama, even though it’s in the South. Generally, mid-January is quite chilly and is sometimes susceptible to Winter storms of ice and snow. Luckily, any snow and ice held off until after the festival. When I arrived at the event location, it was 42 degrees, and by the time I left, the temperature had plummeted to near freezing. Chill Fest occurred at The Camp at MidCity , and I must say I was thoroughly impressed with the amount of effort that went into organizing this event. Apart from a spacious performance stage, there was also an artist market, food trucks, and games to keep the children entertained. To add to the excitement, local brewery Straight to Ale canned a special "Chill Out" beer exclusively for the event. Music entertainment was, of course, the main attraction of the day. All music was performed by talented local artists, such as Mae C. Jemison and Columbia High School Bands. The local bands that took the stage included Rocket Harmony, Huntsville Drumline, Wade Brown, You Gene Write, Element XI, Them Damn Dogs, Dave Anderson, Trevor Lee featuring DJ PrimeTime256, and event organizers The Quantaphonics. One would expect an event titled Chill Fest to be, well, chill, and this event didn’t disappoint. Despite the cold weather, it was clear that the organizers succeeded in creating a family-friendly environment. However, it was more than that: There was a palpable sense of camaraderie and fellowship that pervaded the entire event. It felt like everyone there was in a great mood, and I felt like I either knew or would soon get to know everyone in attendance. For those of you who are in or around Huntsville, I highly recommend keeping an eye out for the announcement of Chill Fest 2025. Put on some gloves and thick socks, and head over to enjoy this fantastic event. It can't get any better than this. You get to spend time outdoors, listening to great music and bonding with fellow attendees. And the best part is that the event supports music for children, so you get to have fun while contributing to a good cause. “I couldn’t have asked for a better inaugural festival,” said event organizer and lead singer of The Quantaphonics Leon Jordan. “The community showed up and showed out! We learned a great deal throughout the process of hosting a music/arts festival, and we plan on continuing our efforts for years to come. Chill Fest is here to stay to aid not only our Huntsville youth in music but also the small business owners and artists of Alabama.” For further information on Huntsville’s Winter music and arts festival, visit www.quantaphonicsband.com CHILL FEST — Quantaphonics *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Brax isn’t afraid to experiment with new textures and sounds. < Back Floating Above the Bayou: Brax is Elevating Southern Cloud Rap to New Heights Nicole Brice Apr 5, 2025 Share Brax isn’t afraid to experiment with new textures and sounds. One thing I love about music is that no matter how much you think you’ve heard, there is always something new to discover. Hip-hop and rap are fascinating genres that have evolved through many different styles over the years. As time passes, the younger generations continue to find ways to make these genres even more distinctive. I recently came across a musician named Brax . Brax hails from New Orleans , a city not typically recognized for its hip-hop and rap scenes, yet he has discovered his calling within the underground music community. His stage performances transcend hip-hop and traditional rap ; they are pure artistry . He incorporates theatrical elements into each show, even using fake blood as a visual tool to enhance the experience. Credit: Gary Governale When you meet Brax for the first time, his vibrant energy instantly draws you in. He exudes a unique combination of fragility and resilience , coupled with a depth of wisdom . At just 18 years old, he is articulate and insightful , sharing narratives that stem from the pain he has experienced throughout his life. His work is rich in emotion and heart. Brax isn’t afraid to experiment with different textures and sounds . Each piece he creates is distinct from the last. With a diverse sound that appeals to a broad audience, his goal is to create art that resonates with the masses in a direct and impactful way . This is his story. Read on below. MaM : Thank you for joining us today. Your music is genuinely heartfelt and emotional. You can feel the pain in the lyrics. Brax : Man, yeah, thank you. It’s all based upon life. When I was younger, I went through a lot, and when I was 13, I had a lot of problems with substances. It’s been more of a journalism self-reflection thing than it has been to make a quick buck with music. It’s been a way to express myself. Credit: Gary Governale MaM : Tell us a little more about yourself – your background and age. Brax : I’m 18 and have been doing live performances as Brax for two years, but I’ve been recording and releasing music for over five years now. I have a lengthy discography , which I think works great for live shows, and it took me a long time to find my sound. Have you looked back at all the older music? MaM : I have, and I listened to the new single . You've adjusted your sound a bit on that. Brax : Yeah, I feel like it keeps evolving. I’ve done alternative rock in the past, but it wasn’t the same type of shoegaze type stuff I’m doing now. It’s part of the self-reflection thing, too, because I’ll never feel again how I felt at 15. MaM : Of course – you change. Brax : That’s what the whole project of Teenage Delerium is about. I completed three years of high school instead of four, and graduated early because I began performing live shows out of state. I attend college and work currently, but the entire album is about the transition to adulthood , as I took music so seriously. Now, I’m trying to transition into the “real world” while still in college. It’s a lot of work. Credit: Gary Governale MaM : You’re putting in the work the right way. Keep going and you will see the results. Brax : Yeah, cause you could go viral, and it means nothing. Before I started performing live shows, I had an internet presence with around 8,000 monthly listeners for my music. Still, I wanted to transition away from being an internet-based artist . The New Orleans rap scene is primarily an internet-based scene , with live shows occurring occasionally, but it doesn’t consistently draw large crowds like other scenes. They have one or two shows a year, maybe, that will draw anywhere from 50 to 500 people per show, but unless you have a mainstream artist as the headliner, even those flop sometimes. The NOLA underground is all internet-based , which kind of sucks for the live music version of it. MaM : Let’s talk about your new song some more. I really dig the sound on this track, and it reminds me of this indie hip-hop artist I encountered in 2023 called tmdistant . He uses the shoegaze sound with hip-hop, and it’s incredible. Will you continue this new direction in your music, or are you just experimenting with it for now? Brax : It usually happens by accident. I like experimenting as an artist, and even my live performances are not straight rap . We bring in things like doors, and we break furniture, and it becomes more of a performance art . Sometimes I’m even covered in fake blood . It’s super punk and hardcore , and emotional . If I’m feeling rock music at a moment, then I’ll drop one project with that sound. That’s what the A Walk with Sadie EP was. It was a 3-song project . Just something different. A different sound. A different vibe. That’s the type of music I want to make. MaM : What type of music do you listen to in your everyday life? Brax : I listen to everything. Artist-wise, it’s Mac Miller and Yung Lean . ASAP Rocky , definitely, but I also like things like Jefferson Airplane , some country , a lot of psychedelic rock . I also like the Red Hot Chili Peppers . MaM : You sound like me. You listen to a little of everything. Brax : Yeah, I like to be well-versed. Credit: Gary Governale MaM : Same Brax : Yeah, especially as a rapper, I love working with all the bands because the band scene is so much more established than any rap scene here. I just did an almost sold-out show in Pensacola , and it was me with three other metal bands . It’s about building your scene. It just takes a while, though. As you mentioned earlier, regarding instant validity and building a presence , I’ve been around for two years , technically, on the scene as a live artist . Still, it’s as if in those two years, I have been pushing myself, not just here in Louisiana , but also in other states. It takes a good year to get your toes in the water. I’m building my foundation. Credit: Gary Governale MaM : How would you describe the type of music you make for someone not familiar? Brax : That’s a good one. One word. Realism. MaM : I think that fits accurately. Brax : I love art – Vincent Van Gogh , stuff like that, and honestly, I’ve been feeling like I can understand where he was with his art, and I relate it to Southern Cloud rap or Cloud rap . MaM : Take us through your songwriting process. Do you produce the music yourself, or do you have someone assist you? Brax : My beats consist of me crawling YouTube for hours and hours on the pages of producers I know, and so I’ll scroll to find that “needle in a haystack”, ya know? I write everything, and record and mix my vocals from my bedroom. Credit: Gary Governale MaM : That’s incredible. I love that DIY aesthetic . What is the primary theme in your music, do you find? Brax : Well, because it’s self-journalism , it’s hard to say. It’s just channeling my emotions. Storytelling. Expressing myself and documenting my life through music . MaM : When you perform live, do you do the vocals live, or do you rap over your vocals? There is a whole movement of “real MCs don’t rap over vocals”, and I wanted to get your perspective on that. Brax : I feel like my job, at the end of the day, is to be an entertainer , and I use backtracking , but I use it because I scream in my performances. Sometimes I may forget a word here or there, too, and when you’re screaming like the punk bands, you need that music to be in the background. We get crazy with it at the house shows, which I’m sure you’ve seen on YouTube . Credit: Gary Governale MaM : Oh yeah, I have. Brax : Right, and at the end of the day, you’re an entertainer , and you want it to be the best performance . My aesthetic is to get up, move around, and break shit. MaM : How has booking been going for this upcoming tour? Have you run into any issues? Brax : I do all my booking, for the most part, but things haven’t been bad this go-round. MaM : What would you like to achieve in 2025? Brax : I want to get into Houston more. That’s the plan, and I’m pushing for that. I also want to keep building my presence around the South . Keep building the Southern Cloud rap scene around the South . As Brax continues his hustle as an artist and musician , he stands poised to bring his musical story to the masses, and we look forward to watching the journey unfold. Check out his unique brand of Southern rap via all streaming services. To learn more about Brax: Website: Brax | Music Instagram: Brax (@braxfromdagrave) • Instagram photos and videos Apple Music: ‎Brax - Apple Music *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Merging Styles < Back A Bright Visualist: Robin Masterman Nicole Brice Oct 4, 2022 Share Merging Styles Robin Masterman is a Louisiana-based visual artist whose style resonates in multiple categories from the finest of art to facets of everyday life and right on down to the circumstances existing all around us. Art by Robin Masterman Currently living in the city where he grew up, Prairieville , he spends his time focusing on making art that not only catches your attention but also makes you stop and think about things that probably never occurred to you. His pieces use bright, vibrant colors with an extensive range of creative depth that spans from on-the-surface interpretations to subjects that cannot be seen at first glance with the naked eye. Art by Robin Masterman Masterman comes by his artistic gene honestly. His father is a sculptor, and his grandmother was a painter. It was she who introduced him the medium as a child and always kept him painting, encouraging his abilities. Because of that, he pulls a lot of his inspiration from her, as well as from his mother and father, to create works so deeply personal one cannot help but feel the energy behind his intention. But family isn’t his only source of inspiration. Art by Robin Masterman “Emotions, thoughts, losses, wins—it all depends on the day. Now, graffiti? That’s a different story because of the adrenaline bursts of wondering whether the cops are going to bust ya when [you’re] putting up a piece,” Robin replies when asked what other sources light up his creative spark. While he is, no doubt, a man of multi-faceted talents, he makes sure each piece he does is unique to itself to ensure no two pieces are the same. And while he uses a host of many mediums, Robin prefers marker and spray paint over anything else but says he will do some acrylic, “on occasion.” Art by Robin Masterman Mirroring the styles of famed pioneer fashion artist Stephen Sprouse and Neo-expressionist icon Basquiat , Robin’s talent is one to remember strictly because of the impression it leaves. He started drawing at the age of nine. It wasn’t until the late 90’s, when he was working at tattoo shops, that he truly got into making art. It started with canvas art in 2002 and he says of the time with a laugh, “It was acrylic ninja masks and arrows; it was bad.” Art by Robin Masterman But Masterman evolved well past his artistic beginnings and, at one time, worked under numerous well-known street artists. Says Robin , “I learned spray paint and acrylics from other graffiti artists, which also led to a strange fascination with painting numbers at times.” When asked of a famous artist he would like to spend the day with, living or dead, he responded, “Renoir. For the experience, conversation, and models. I respect his way of self-preservation and profit, while still doing what you love.” The artist at work Jackson Pollock is another one of his inspirations, specifically “his work with Benton pre-drip craze … [it]was amazing!” says Masterman. As for where Robin sees himself in the future, “Just trying surrealism a bit, and maybe traveling. Who knows?” Robin’s work can be purchased directly from the man himself by either reaching out via social media or e-mailing RobinMastermanArt@gmail.com. Facebook: https://www.facebook.com/peterobinnola/ Art by Robin Masterman www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Teen Idle’s music is a rich tapestry with heart and soul. < Back Woven with Feeling: The Artistry of Teen Idle Nicole Brice Oct 9, 2025 Share Teen Idle’s music is a rich tapestry with heart and soul. Sara Abdelbarry is an exceptionally gifted musician hailing from the vibrant shores of Asbury Park, New Jersey , who goes by the name of Teen Idle when she’s creating music. I had the pleasure of meeting her through my good friend Jeff Crespi recently, and her passion for music immediately struck me. Since her debut release in 2020 , she has taken the local music scene by storm, unveiling an array of captivating singles and EPs that showcase her extraordinary talent. Sara is a true force to be reckoned with because she not only makes music, but she also does all the production herself, too. Credit: Jeff Crespi With an angelic voice that resonates with profound depth and emotion , Sara has a remarkable ability to draw you in with every note she sings. I find myself completely entranced by her music; it’s beautiful, haunting, creative, and simply amazing. One of my personal favorites is ‘ Burning ,’ released in 2022. The guitar sound at the start is incredible. I love this song so much! It feels like a mix of Juliana Hatfield and Tanya Donelly , with a hint of PJ Harvey —a true alternative dream. In 2022, Abdelbarry was asked to contribute to a Jersey Shore compilation , where she put her own enchanting spin on The Beach Boys’ classic ‘ Don't Worry Baby .’ Additionally, she has taken iconic tracks such as ‘ Be My Baby ’ by The Ronettes and ‘ Bad Romance ’ by Lady Gaga and infused them with her distinctive style, breathing new life into these beloved songs. Sara’s music is a rich tapestry woven with heart and soul , and every time I listen, I experience a chill coursing through me. Her sound embodies a genre I like to call Alternative Americana Rock Pop —if that doesn’t yet exist, I’m more than happy to claim it as our own! Credit: Jeff Crespi In addition to being profoundly gifted, Sara Abdelbarry is a radiant spirit , overflowing with creativity and passion that shines through in her music. We warmly invite you to dive into her entire catalog and experience the artistry she offers. Discover more about the inspiring Sara Abdelbarry and her captivating project, Teen Idle , below. MaM : I was reading how you play numerous instruments, so with Teen Idle, are you a one-woman show? Is that all you? SA : Essentially, the band really started as basically my solo project in college. I started around 2018 . It was just my outlet for writing music, and I didn’t want to put it all under my own name because there’s a specific connotation that comes with using your own name, and it can cause assumptions about where you’re from culturally, just based upon a name. The general assumption usually is that this person isn’t a singer-songwriter, and so that was the last thing I wanted for this project. I’m making everything from acoustic rock songs to really big ballads. The moniker Teen Idle was something I had had in my back pocket since high school. I had seen the name somewhere, and I told myself that when I have a band, this would be the name. I do all the writing and production, and it is basically a solo project in that sense. However, in a live setting, I have a full five-piece band. I play rhythm guitar , and then we have a synth player , drums , bass , and then a lead guitarist . It’s cool because all of these songs I write in my bedroom, and I make these productions. Credit: Jeff Crespi My first EP was recorded in a local studio. Still, the first stuff I was recording, and really the point of making the name Teen Idle of the project, was just for me to get things out there, so I ended up posting a bunch of music to Bandcamp , and it was more like a solo project. Still, I had always intended to have a full band when playing shows. I was living in New York at the time, attending college in New York City , and when I moved back home after college, I realized that all my friends from high school were living in different places. So, I told myself that I wanted to be part of the music scene in Asbury Park . I had been a part of it growing up because I had taken music lessons in Asbury , so it was sort of my introduction to the scene because I was taught by people who fronted bands in Asbury , and it always inspired me. I told myself, ‘That’s what I need to do when I am older,’ and I guess after I had moved back home after graduating college, it was sort of like a daunting feat to find a way to become part of this music scene. I ended up investing all of my energy into it, but due to COVID, I didn’t play my first show as Teen Idle until 2021 . Credit: Jeff Crespi MaM : I want to say your voice is extraordinary, and as I was prepping for this interview, I was listening to your Beach Boys cover, and I absolutely love The Beach Boys. When did you discover you had a natural gift for singing, and how old were you when you really started to get into music? SA : You know, it’s interesting, because I’ve just been obsessed with music in every way, shape, and form since I was about six years old. I remember in second grade, when I was living in New York , I would go over to my neighbor’s house after school. We would sit down and watch MTV music videos, and his mom would make us frozen mac and cheese. It’s just such a core memory. I would watch these people, such as Gwen Stefani , Jennifer Lopez , and Avril Lavigne , and I started to develop an obsession with pop stars and their music. I think I bought my first CD shortly after, in second grade , and I would listen to music every day on the bus. I was always singing, yeah. I think I was nine when I picked up a guitar, and I was into the Jonas Brothers , and they were a big enough inspiration to me to pick up a guitar. I was always singing along to their music, accompanying everything I saw on the Disney Channel , and I've just realized I have a passion for singing. Credit: Jeff Crespi Vocals have been a real journey for me, though, honestly, and sometimes I think people think it’s easy for me. I’ll watch old videos of myself performing at The Stone Pony with the music school I was a part of. In high school and middle school, I was a shy child, but I was clearly passionate about singing and performing. Listening to how different my vocals sounded at that age compared to now, it’s almost as if I’ve developed this lower register, and I guess life happens, but it wears your voice down. It’s interesting to hear how much higher my voice was, but from when I started playing shows with Teen Idle to now, I have become more aware of how I am using my voice by watching older videos. It’s been a journey of learning how to use it correctly. MaM : On your song, ‘ Burning ’, you have this incredible guitar tone at the beginning of the song, and I wanted to see if you used any special pedals or anything to get that sound? It hooked me. SA : Oh wow, I’m trying to think, honestly. I haven’t listened to the recorded version in a while. MaM : It really caught my attention, and I tend to zone in on stuff like that. I’m a massive sucker for a heavy bassline, too. SA : I produced and recorded the song by myself and was experimenting with different sound effects and pedals. I honestly think it emerged from some weird audio mishap, and I just kept it. MaM : We call those "happy accidents". So, you also covered ‘ Be My Baby ’ by The Ronettes! Let’s talk about that. That’s always been one of my favorite songs. What an incredible rendition of a classic song. I love that you’re bringing these older songs into a newer generation, but with a different spin. You’ve got The Beach Boys cover and this one. What made you want to cover those songs, and do you have plans to cover any other classic songs? SA : There’s a local record label called Shore Points Records , and seasonally, they’ll put out different compilation albums, so the Beach Boys cover was actually part of this compilation called Local Summer . Just a bunch of Asbury artists covering songs that reminded them of summer, and I agonized over which song to pick. After I looked through my music library, I felt that I really knew this song well, and it’s such a vibe, and I’m constantly bobbing my head to it. I got into the studio with my drummer, James , at this place called Lakehouse , which is, coincidentally, where my drummer and I met when we were kids. Still, James is a talented producer and engineer, too, so just the two of us in the studio made that cover. He did the drums , and I played everything else on it basically. Additionally, he’s a heavy-hitting drummer , which inspired me to create a more rock-oriented version. I then decided to write a guitar riff over it that differs from the original. I think that song is so brilliant, and the chorus is fantastic. Now, ‘ Be My Baby ’, that was for a different compilation. I put together a compilation of all female artists and asked them to contribute a song. The funds went to a charity that fights against the trafficking of women. I just wanted to cover a really powerful female artist. MaM : Which leads me to ‘ Bad Romance ’ by Lady Gaga. How did that one come about? SA : That was another one that we did for a Shore Points compilation, and this one was all women-focused, highlighting different artists in the area. I got to do that one with Cory Blair ; she is just a phenomenal musician and one of my favorite songwriters. The concept was to pick a song from a powerful female artist you like, similar to the other one, but we toyed around with different stuff. We eventually landed on doing a Lady Gaga song, and we had to figure out which song was a doable song to do to make it our own and different. I’ve been obsessed with ‘ Bad Romance ’ since literally the day it came out. We wanted to honor her music and completely reimagine it. We took apart the entire song – rewrote the chords, redid everything. We wanted to slow it down, too, but when we did, it was eight minutes long, so we had to take out huge chunks. We then had the idea to do a sort of country version, because I haven’t seen that done yet for a Lady Gaga song. I had this clear vision in my mind, and then we just set it up. It was a grueling process, but we learned a lot. We basically wrote a new song using the lyrics and structure. MaM : What is your favorite genre to listen to, and do you have a specific top band? SA : I love so many different things. I think it would be impossible for me to say. I listen to a variety of genres, including classical, jazz , Middle Eastern funk , 90s grunge , and indie rock , but it depends on my mood—different bands suit different situations and moods. If I want a hype playlist, I’ll listen to those early 2000s pop songs. I’m open to everything. As far as bands, the reason I started writing music, I would have to say, is because of Fleetwood Mac . I remember discovering them as a teenager, and shortly after, I wrote my first song. I love Nine Inch Nails and St. Vincent . Her guitar playing and how she conducts herself in her career are amazing. I have so many. Credit: Jeff Crespi MaM : How do you approach writing a new song? Do you come up with a lyric or melody first? SA : I have definitely written stuff that is more on the intentional side, so I have to sit down and do it actively, but usually the way I work is I’ll make a demo , and if it’s not for an intentional compilation, then a song will usually start with a feeling . Maybe I was inspired by something that happened in my life. Perhaps I’m feeling really happy and uplifting . I’ll either be noodling around with the acoustic guitar or playing the piano, but sometimes, through noodling, I’ll discover a riff. I record everything I think is a good idea in my voice memos, so I have a million voice memos of stuff with me noodling with stuff that could become a song later. If I’m sitting down to write something, though, if I’m feeling a certain way, it’s usually me noodling around on the acoustic or humming a melody with words that don’t make sense to sort of get the syllables of what I want the song to sound like. When I’m actually writing lyrics, I’ll try to write something that follows those syllables and the rhyming scheme, but that actually makes sense. I’ll then make a full demo of everything, even if I’m going to be recording with someone else. Production and songwriting are really linked for me. Credit: Jeff Crespi MaM : What’s been the most challenging part of navigating today’s independent music scene? SA : Good question. It’s much different now than it was in 2015 , and I think the toughest thing is trying to figure out how to get people to listen to the music —trying to figure out how to do things organically and DIY with no budget, too. So, yeah, doing things on a budget and t rying to fight against the social media algorithms for exposure , and the trends, too. Trying to figure out how to break out of that mold and do something that’s really individual and goes against the grain. Walking that line, knowing what is going to get you exposure. As Teen Idle continues to establish a distinctive place in the indie music scene, fans won't have to wait long for the next release. A new single titled 'Vampires' will be available on October 24 , followed by a full-length album scheduled for release in spring 2026 . Teen Idle is only just beginning, so be sure to stay tuned for more updates. *Cover photos by Cory Blair and edited by Sara Abdelbarry To learn more about Teen Idle: www.teenidle.net Teen Idle Home page of Teen Idle, an indie group from Asbury Park, NJ. Teen Idle is the musical moniker of New Jersey songwriter, multi-instrumentalist, and producer Sara Abdelbarry. All live photos by the man with the plan, Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out at mixedalternativemag@gmail.com . 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Southern-based Indie Magazine for Music & the Arts with a 90s flair. We bringin’ it back, yo! FAQS Answers to All Your Questions WELCOME! We are a collective of music and entertainment lovers who are passionate about sharing what we like. If you've stumbled upon our little family, then we're happy to have you. HOW DO I GET IN TOUCH WITH you? Just drop us a line via social media or email us! mixedalternativemag@gmail.com Mail how do you decide on what to cover? We comb the interwebs and local scenes for what catches our eyes and ears, and voila! As for anything not music, it's just what we like and think is cool. HOW DO I SUBMIT A PITCH? Got something you'd like to see in the mag? Email us! Mail

A Hypnotic Pulse < Back New Orleans Band Deep Sleep Atlantic Announce Debut Single C.G. Smith Mar 22, 2023 Share A Hypnotic Pulse New Orleans’ Deep Sleep Atlantic announces the release of their debut single "Bipolar Tendencies" which drops March 31st, 2023 . Deep Sleep Atlantic consists of lead vocalist and guitarist/producer Travis Marc , and backing vocalist and drummer/producer Daniel Perez , both based in New Orleans . The single was mixed by Jetta In The Ghost Tree producer - Taylor Tatsch and mastered by Deep Blue Something's Todd Pipes . Photo provided by band The new and darkly energetic single ' Bipolar Tendencies ' by Deep Sleep Atlantic creeps into your ears with a hypnotic pulse that suddenly explodes into a chorus that encapsulates your entire being and gets your head nodding. The song is a powerful first step for this New Orleans-based band. "We're thrilled to finally share our debut single ‘Bipolar Tendencies’ with the world," say the band. "It's a song that we've poured our hearts and souls into, and we can't wait for fans to hear it and experience it with us." Travis played all the instruments and produced the song himself, but shortly after meeting Daniel , they decided to form the band. The duo is excited to start performing the new material for live audiences starting in April of 2023. “The song was written in a house in the Treme neighborhood after assisting at a session at Esplanade Studios,” says Travis. “The lyric that says, ‘I’ve had interviews cut’ is totally true. In my last band, a radio DJ in London stopped the interview because she said I was painting the music industry in a negative light while explaining some shortcomings that musicians often face.” The lyrics in the second verse reads: “… I’ve had interviews cut The couple times I almost made it They say I’m too negative To call it like it is but Coating it with sugar Only clogs up the arteries.” The production is top notch, and the single is catchy. This is absolutely a band to keep your eyes and ears on in 2023. ' Bipolar Tendencies ' releases worldwide on March 31st and is the last track the band recorded but the first single from their upcoming album Prelude . The band will be releasing a video for the single on April 7th, as well as hosting an intimate single release party at Henry Turner Jr’s Listening Room in Baton Rouge on April 8th, 2023. Stay up to date on their website at www.DeepSleepAtlantic.com , where you can join their mailing list and follow them on social media @deepsleepatlantic. To learn more about DSA: SoundCloud - Hear the world’s sounds Deep Sleep Atlantic | Facebook @deepsleepatlantic • Instagram photos and videos DeepSleepAtlantic (@DeepSleepATLC) / Twitter Deep Sleep Atlantic - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A woman who knows what she wants < Back Lauren “Madame Onça” O’Leary: A Mind for Art, Business, and Entertainment Tim W. Jackson May 23, 2023 Share A woman who knows what she wants Her website is HardestWorkingWomanInShowBusiness.com , and that’s an apt description for Lauren “Madame Onça” O’Leary. She’s an artist, entertainer, and businesswoman—and under each category is an entire sublist. Originally from Gloucester, Massachusetts, the town from the hit 2000 movie The Perfect Storm , Onça’s life has been somewhat of a perfect storm of activities and interests while striving for some sort of work-life balance. She’s spent much of her adult life further south, namely in Asheville, North Carolina, and now in Richmond, Virginia, and has frequently worked in Europe. But while in Gloucester, she says the region was richly supplied with famous artists. “Walker Hancock, who made the giant angel that is in the Philadelphia train station, was one of the monument men,” Onça says. ”My mom grew up with his kid. I used to model in their studio. Leon Kroll was a famous painter. Weirdly, there was this very powerful arts community there in the older generation. So, I grew up just thinking it was normal to go in and out of people's art studios to see old people hard at work on art that was gonna end up in museums. There is a really good literary tradition there, too.” Onça went to a liberal arts school that deepened her interest in the arts and normalized that world for her. “As a rising eighth grader, there was a girl with short hair carrying a cello across the campus. It was normal. They weren't gonna get beat up, you know?” Her parents also played a major role in her development but from two very different perspectives. Her father was a musician. Her mother was a master sign painter and an outstanding self-trained artist. “I grew up with a lot of art in a very art-rich area,” Onça says. “Even though I had a working-class upbringing, there was a lot of art in the environment. So, it was natural to me to always express through art.” credit: Boo It was the very different work ethics of her parents, though, that Madame Onça still tried to reconcile. “My dad ended his life living in a car because he was like, ‘I don't wanna work hard,’” Onca says. “My life has been a continuous course correction between these two very artistic people—one of whom worked herself to death, basically, and the other one who just slipped away because he didn't want to engage in the rat race. And because of that, his voice was largely unheard. So, for me, it's always been a matter of trying to figure out how to embody the best of my mom's work ethic without becoming a servant to it.” When you have as many talents and interests as Onça does, keeping a work-life balance is a constant challenge. She has staged more than 40 weekend-long festivals over the course of her career. One of the most famous, the Asheville Burlesque and Sideshow Festival , also known as ABSFest, makes its return this Memorial Day weekend after a brief pandemic-related hiatus. She and husband Paolo Garbanzo (also a festival producer and one who will perform at ABSFest) have run a number of events in Europe, too, and have more on the schedule. credit: Parrish Photography Her foray into this eclectic career began in Asheville. “I never saw myself being a performer,” Onça says, “although I always had a big energy.” She started taking Capoeira (a Brazilian sport that combines dance as well as fighting elements) classes in Asheville. “Brazilian foot fighting is actually the thing that gave me my start,” she says with a laugh. “That's where my name comes from, Onça; it's actually Brazilian. And then in order to play Capoeira, in order to do Capoeira, you have to sing and train and fight and build your own musical instruments. It's so immersive that I feel like the time I spent doing Capoeira prepared me for everything else. And then I ran a folk-art studio in Asheville for many years, the Future Traditions Center for Folkloric Arts.” About the Center, Onça explains that it had different cultural artists and fine artists all under one roof. “It really gave me the opportunity to bloom in all directions,” she says. “I grew up in a musical and artsy household, but it never occurred to me that I could do it for a living. Just walking into the right class at the right time opened all the doors for me. I started taking belly dancing classes in Asheville above the co-op, and it changed my life. I needed something to do, and it set me on a path.” Onça works in other art forms, too. “I paint and sculpt and do print art,” she says. Years ago under her real name, Lauren O’Leary, she co-authored The World Spirit Tarot and illustrated it entirely with 79 original color block-prints. credit: Isaac Harrell “I mostly have written tarot-related articles and texts,” she explains, “and I was a touring belly dancer, so I've written lots of articles in that industry. I've always pretty much just written in my fields, but abundantly.” Onça, also a lover of witchy things and most everything non-mainstream, certainly stays busy but she has learned some key tips for survival over the years. “If I was trying to do all of the things every day, there wouldn't be enough time in a day to practice singing, practice piano, practice ukulele, organize an event, teach a tarot class, make a piece of art, organize a tour,” she says. “I couldn't put all of that in a day and still take care of my family.” She likens her work schedule to the agricultural year. “It’s a seasonal thing,” she says. “I've moved out of the winter season when you're in more of an introspective space anyway. That's when I get to turn inward: make music, practice instruments, do more visual art. Now we're coming to the season where I'm gonna be out and about doing events with people, travel, all that stuff. There's a rhythm to the agricultural year. You can't say, ‘Today I want to harvest because there's nothing to harvest in January. And that's how it is for me, with the creative process, you just have to understand there are times when you're creating, there are times when you're workshopping things and it's messy. There are times when you're polishing things so that other people can enjoy them. There are times when, frankly, 50% of being a professional creative is office work.” Her system obviously has been successful. She has an ability to create a magical atmosphere on stage and connect with her audience in a powerful and mesmerizing way but she's also a teacher and mentor to many young performers, helping them hone their skills and develop their own unique style. She's known for her generosity and kindness, always willing to lend an ear or offer advice to those in need. “I think one of the big challenges, particularly for women, is that if you don't grow up in the business background, then the challenge is you come into the arts filled with love and passion for art but no idea how to keep art alive, honest, and collaborative,” Onça explains. “I see women coming into business, self-made women, struggle a lot with ‘This was fun, so why does it now feel competitive? Why is there drama?’ I feel like a lot of that drama comes up because you come to something with love and passion and then are surprised if you don't have an infrastructure of how budgets work and how spreadsheets work and how contracts work. If I had a piece of advice for somebody, I would say if you're artistically inclined, study business so that you can make a living as an artist.” Another key to success, she says, is finding your tribe and getting the proper support. “I'm very lucky,” she adds. “I feel very well supported. They may not even be artistic in the same way that you are, but just finding other people in your life who understand what it is to be a maker or a doer or whatever your thing is. Are you a person who just really wants to have goats or you're a person who really just wants to hike? Are you a person who wants to go to music festivals? Whatever your thing is, finding other people who can understand the merit of making some space in your life for your passion, I feel like, is a huge part of mental health.” As part of that nod toward mental health, Onça warns about the cult of busyness that glorifies the hustle. “The hustle is not the point,” Onça says. “Being busy isn't the point. Making the art, relationships, or life that you want is the point. I had a therapist once say, ‘You have permission to not always do the hardest thing.’ Treat yourself as kindly as you would anyone else who came to you for advice.” Onça's impact on the burlesque world can't be overstated. Her impact in so many areas and on so many people cannot be measured. Through it all, she's remained true to her vision and her art, and her influence can be seen in the work of countless performers around the world. credit: Isaac Harrell Madame Onça is a true artist who has dedicated her life to her many talents and to sharing those talents with others. Long into the future, she’ll be known as a trailblazer, a mentor, and a friend to many. For more on Madame Onça, visit https://HardestWorkingWomanInShowbusiness.com . Questions or comments? Are you an artist looking for some feature love? Hit us up at the_keeleybrooks@mixedaltmag.com . Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. < Back Finding the Song in Everyone: Conversations with Dash Rip Rock Gary Governale Nov 15, 2025 Share Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Legendary Louisiana cowpunk band Dash Rip Rock is finishing up their set with a powerful cover of an old Minutemen song. Bassist Izzy Grisoli bounces and grooves to the beat, while drummer Wade Hymel pounds out the rhythm. Meanwhile, band founder and leader Bill Davis sits quietly in the corner, shredding on guitar like only he can. This isn’t the end of a beer-soaked set at an edge-of-town roadhouse; it’s actually Izzy’s living room in the Broadmoor area of New Orleans . It marks the last song of a more than two-hour rehearsal as Dash prepares to close out 2025 with a series of shows, culminating in the release of a brand-new album. Credit: Gary Governale It’s been a long and winding journey for Davis . He started the band in the mid-1980s while attending Louisiana State University in Baton Rouge , using it as a way to earn some extra money on the side. Let’s dive into who Dash Rip Rock is today and where they are headed. Bill : I love Punk Rock and New Wave, and there weren't that many punk rock and new wave bands in Baton Rouge . But the LSU fraternities were hiring punk and new wave to play their fraternity parties. So, I kind of just put the band together to make a little extra side money and then to write songs and start doing kind of a creative punk thing. The guys in the band were just sort of like newbie musicians, just like me, and we were mostly in school. We were at school at LSU , going to classes, and then we formed a band in the summertime, and it just took off. Yeah, we instantly started doing really well and drawing crowds, and then transferred over into New Orleans , and then it just took off from there. Credit: Gary Governale MaM : Did you intend on going into “Cowpunk” necessarily, or was it more punk at first? Bill : It wasn't called “ Cowpunk ”, but you know, we were calling it “ Country Punk ”. There were bands like Rank and File , The Long Ryders , Jason and the Scorchers , The Beat Farmers …They all came through Baton Rouge . It was kind of a good stop off for touring bands. And so, you had a great college radio station there, KLSU , and so all these bands stopped in, and when they did, I instantly went out there and made buddies, made friends with them, got drunk with them, brought them to the house, and made a gumbo. We just befriended all these cool Cowpunk bands. But it wasn't really called “ Cowpunk ”; it was “ Country Punk .” MaM : But it stuck, and you obviously embraced it. Bill : Yeah, I mean, I've embraced it because it's fun. It's just a fun thing to say, like, “ Yacht Rock ”, you know? It's “ Cowpunk !" Like Mojo Nixon used to say, “There are more bands than fans in Cowpunk. Everybody loves playing Cowpunk, but nobody goes to see it!” You know, it's like empty audiences. (laughs) Izzy : And it's not really true. They do turn up. Bill : Like outlaw country , the cruise and the radio station have all sorts of lifted Cowpunk up recently, but it has been a rough slog. But it's been fun because Cowpunk is a blast. It's a blast to play. It's fast, and it’s country! Credit: Gary Governale In fact, the current lineup of Dash Rip Rock seems determined to stretch beyond Cowpunk . The band, at heart, has always embraced its Southern roots. Influenced by Georgia bands like R.E.M. and Guadalcanal Diary , Dash followed in their footsteps: finding inspiration in Southern Gothic literature, poetry, and atmosphere. Creating fresh new music isn’t always easy for long-established bands, but Davis has found the solution: creating the most collaborative and creative version of Dash Rip Rock yet. Releasing January 30, 2026 via Dial Back Sound Bill : I would say this band is beyond Cowpunk . I mean, we made a record called “ Cowpunk ” several years ago. But this band is something else, right? The record label has been sort of digging around for something else to call us, because as much as we love playing Punk Rock and Country, this is just a different band. It's something else. It's better, you know? A million times better. Really, you're not going to pigeonhole this band by saying we're Cowpunk, because we are. But we're looser and more fun… like the members in this band, Wade, Bill, and Izzy, we have something that extends past Cowpunk. Wade : Yeah, it is a melting pot. MaM : You have a lot of different influences that go into it and a lot of various kinds of vibes that I guess you bring to the band. Bill : Absolutely. I've had several people pass through the ranks of Dash Rip Rock , as you know. I had a lot of cool guys come through and play in the band, but this one has been the one that seems more creative, most creative, most outgoing, and ambitious. We try a lot of different stuff that the old guys would not have done. So, we're more experimental. The rehearsal we just had, you know, we were messing around and a lot of stuff came to be… I was saying, “No, that's too much, we can't do it!”. And they were like, "Let's try it… it’s practice!” And then all of a sudden, it happened, and it was just brilliant. So, it's good. Everybody's chipping in. Credit: Gary Governale Izzy : Yeah, it's supposed to be like rootsy, rock, and punk… let's try it. And Wade's like, “Jam! Let's try it!” And then it just comes together in this power trio kind of way where we can achieve these fucking prog rock feats. Bill : Wade brings Jam and Prog to the project, and then Izzy brings a lot of punk , and then me, whatever I've been doing my whole life, which is Country and Punk . Yeah, it just blends really well, and we enjo y playing together. It's always an adventure and really, really fun. Wade : It is. It is. We have a lot of natural chemistry , and we also practice a lot. We're pretty diligent about getting together regularly for rehearsal when we can. So, the combination of those two things makes it really potent. Izzy : But everybody listens really well to each other while we play. That's why we're so tight. We’re constantly listening to each other, looking at each other. I fit in pretty easily because everybody’s so focused on the song, and so am I. So, it just works. Credit: Gary Governale MaM : I think part of the magic of Dash was always a certain level of improvisation, too. I mean, there's a lot of that. Bill : A lot of that. Yeah. And that's the adventure part because it's fun. You know, we could play our songs backwards and forwards perfectly, but we enjoy getting there and just messing them up, you know? Taking the puzzle pieces and throwing them in the air, and then they all come back down differently. Taking all those ideas and influences, the band has poured plenty of energy and excitement into their upcoming new album, A Song in Everyone . Recorded in Water Valley, Mississippi , with Matt Patton of Drive-By Truckers , the new album features the expected rockin’ riffs and humor that make Dash a Southern institution. But the album also expands on and builds the trio’s efforts to broaden the sound, creating something fresh and interesting. Bill : Matt Patton , who's the bass player for Drive-By Truckers , bought the old Fat Possum studio. The minute he asked us to make this record, I was like, "Fat Possum, say no more!” Because I would love to cut anything up in that old studio. There’s a lot of great music that came out of there. You already picture how it's gonna sound. So, we jumped at the chance and we're basically on his record label. It's just a bunch of really cool rock songs, and we're very excited about it. These guys get to sing a couple, and it's a real team effort. It's an amazing record. MaM : Would you say that's the most team effort you've had as far as crafting an album? Bill : Yeah, I would say that. You know, in the history of Dash Rip Rock , it's always been sort of just me putting all the albums and records together. And it's better ever since Wade joined. He's been a good partner in recording and getting studio stuff done … just more imagination, you know. Dash used to be “just stick to your style, stick to your genre.” Now it’s “let's just go outer space with it”. And we do, and it's a freaking awesome one. It's great. Credit: Gary Governale MAM : How many songs are you going to have on it? Bill : Ten. MAM : All brand-new original music? Bill : We’re doing a cover of ' Mean Mister Mustard ' by the Beatles . And it's a New Orleans style Huey Smith intro, and Wade plays piano on it. So, it's a New Orleans, James Booker , Huey Smith , Fats Domino version of ' Mean Mister Mustard .' It's really awesome. And then the rest are just songs that we've all written and cowritten. Izzy : It was cool to get to play on the new record, you know. Since joining the band, I didn't know whether I'd get to play on the record. Bill told me that not all the bass players play on the record; sometimes they stay in Baton Rouge . Bill : I played bass on a lot of Dash records! I mean, we had interesting people working with us. We had Henry Barbe . His dad is Dave Barbe , and he recorded all the Drive-By Truckers . He teaches music at the University of Georgia, and he was in the band Sugar with Bob Mould from Hüsker Dü . So, Dave Barbe's son engineered our first session, and then Clay Jones came, and he worked with Modest Mouse and R.L. Burnside . He was a monster. And then Jim Diamond , mastered it. He worked on a bunch really cool garage music, like the White Stripes . Izzy : We trusted him (producer Matt Patton ) a lot on this record. We really trusted his say. Wade : He’s so warm and relatable. He jumps into the stream, and you can follow his vision. He's just very easy to work with. And so, we fell into a natural chemistry. Bill : Matt just feels it . It's not like he's even listening. He feels it. He's using some spiritual guidance to make things happen. And then he would pop in and make these suggestions that were out in left field, and we would go, “Really?” And then we'd do it and we'd go, "Fuck, yeah, that was great!” Izzy : Dudes got the coolest vibe and coolest accent, and he'd be like, “I don't know, man. That one, if you don't say something about Rush Limbaugh , you ain't got no hair on your nuts or something.” (laughter) Wade : Well, yeah, that's the other thing… Even with his criticism, he's very gentle. My favorite thing would be like, if I had an idea and I came in and tried to play something, he'd go, “It's too intelligent” . Which was his way of saying, “Take most of those notes out. You’ve got a good idea but simplify it.” Izzy : Yeah, and he hates pedals. Bill : Yeah, he has a lot of vintage gear, and everything goes direct. And you never use a guitar pedal. If I say anything else about the record, I want to say that. Wade : It gives the record a really classic, timeless sound . Bill : Well, they have an incredible way of engineering and producing things there, and it's almost like it's a secret. I can't even tell you what they do, but it's insane. And when they did it, I go, "Are you serious? Are you really gonna do that to the music?” And they're like, "Yeah, we do this on every record”. And they did it. Holy shit, that sounds awesome! I can't even tell you what they did. I mean, this would be a whole different interview about their production techniques, but it just made the record sound a million times better. Experiencing a live Dash Rip Rock show is always a whiskey-fueled celebration. The concert features classic hits from the band, such as ' DMZ ,' ' Bumf**Egypt ,' ' Shake That Girl ,' and ' Pack Your Bags ,' as well as memorable covers of Dead Kennedys and ZZ Top songs. Even now, the band continues to introduce fresh music into their setlist, including Bill's current favorite, ' Pain Pills Never Expire ,' which is playing on SiriusXM’s Outlaw Country station. Like much of Dash's discography, the new songs are characterized by barroom swagger , Southern storytelling , and the band's signature humor . The new album from Dash Rip Rock, A Song in Everyone , was recorded at Dial Back Sound in Water Valley, Mississippi , and will be released January 30, 2026 , on the Dial Back Sound record label. Be sure to add it to your list of upcoming releases to check out. Track Listing: 1. Taking You On II 2. Dangerous Ways 3. 2 Much 2 Do 4. I Don’t Want to be a Whore 5. Shakin’ Out The Days 6. Pain Pills Never Expire 7. Mean Mr Mustard 8. Water Valley Throwdown 9. River 10. Hell & Back *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.dashriprock.net Dash Rip Rock Home page of Dash Rip Rock, a group from New Orleans, LA www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Big in the 90s < Back For a Good Time, Call Keeley Brooks Oct 25, 2022 Share Big in the 90s The 90s are remembered (and missed!) for so many reasons—one of the main ones being that the decade was important in music history. When grunge, hip-hop, alternative rock, and industrial rock emerged, so too did hordes of fans. These genres gave us so much good music that produced a slew of hits still making crowds go wild. One band having fun with that is New Orleans-based ultimate 90s cover band Big in the 90s. With a repertoire of pop music, grunge, R&B, and alternative, their set list includes everything from Britney to Brit-pop (Hello PULP! Anybody? No?), Gin Blossoms to Ginuwine, and everything else in between. Big in the 90s is Jonathan Pretus on lead vocals and rhythm guitar, Stephen Turner on lead guitar and backing vocals, Joe Bourgeois on bass and backing vocals, and Kyle Melancon on drums and backing vocals. Occasionally you’ll hear Melancon and Turner on lead vocals as well. Singer Jonathan Pretus and drummer Kyle Melancon both spent time in New Orleans-based bands that actually WERE big in the 90s. Pretus was guitarist for Cowboy Mouth, and Melancon was drummer for Dash Rip Rock and Imagination Movers. Bassist Joe Bourgeois was in MyNameIsJohnMichael, Stephen Turner was guitarist in EPIC, and for years, Turner, Bourgeois, and Pretus were part of the acclaimed rock band The Breton Sound. During that time, the guys kept hearing the same thing from record labels, management, and radio programmers, “You guys are great. You’d have been big in the 90s.” So, after 8 years in The Breton Sound, around 2019, the guys “put the brakes on” the band but didn’t want to stop playing music. Recognizing that all their musical roads intersected somewhere in the 90s, it seemed like a natural progression to start a band playing the eclectic 90s songs they loved and grew up with. “We could just play music for fun and not worry about the business aspects that being in an aspiring band brought,” said Pretus. “The name came about because with The Breton Sound, we were told multiple times by a variety of labels, radio programmers, and industry-type folks that they loved what we were doing but [that we’d have been big in the 90s]. So, [the band name] came from that, and we all agreed it was going to be the name almost as quickly as we agreed to start the band.” The guys also say that each show is like filling a six-disc changer with all your old mix CDs and hitting shuffle. Every song in their set is a classic that’ll provoke you at some point to squeal, “This is my JAM!” to your girlfriends and boyfriends, I guarantee it. Hell, even the band themselves have songs that make them squeal. They aren’t shy about it. Here’s what the guys had to say when asked about favorites of their own: JP : My favorites are usually “Flagpole Sitta” by Harvey Danger or anything by Oasis. KM : My favorite 90s song is probably “You Get What You Give” by New Radicals. It’s just a perfectly crafted song. I hope to put that in our set one day. As far as songs we currently play, my favorite has to be “Semi-Charmed Life” by Third Eye Blind. [It’s definitely] one of the most fun songs to play on drums, ever. ST : My favorites are “Larger Than Life” by Backstreet Boys, “Sweater Song” by Weezer, and “No Scrubs” by TLC. MAM: So, then, I have to know if there are any songs that take it a step further and make everyone lose their shit? JP : Our set’s pretty banger-heavy, [so] there’s a lot of shit-losing throughout the night! “Semi-Charmed Life” by Third Eye Blind always crushes. KM : I never would’ve thought that it would’ve had this kind of staying power when it came out but “My Own Worst Enemy” by Lit sends people into an absolute frenzy. It’s bananas. I don’t quite understand it, but I absolutely love it. ST : For me, “Pony” by Ginuwine. It’s hilarious. Especially when Jonathan uses his prop pony on a stick. MAM: Shut up! Are you serious? You’re right: That is hilarious. Is there a video of this somewhere out there? ST : There absolutely is. Readers, click PLAY below, and enjoy the giggles . https://video.wixstatic.com/video/999a0f_81162f99493342eb88044f23b0f222e4/240p/mp4/file.mp4 Big in the 90s bring these and many other songs to life, faithfully and with the energy of a top-notch live show from seasoned performers who’ve played stages of all sizes, to crowds of all sizes, all over the country. While Big in the 90s is based in New Orleans, they aren’t limited to playing in the city. The guys are branching out beyond the NOLA area and often play in Baton Rouge, but they have spent the past year kind of “cautiously cementing” themselves in their home market. “COVID is so unpredictable, and we never know what’ll happen with cancellation due to it,” said the band. They hope to branch out through the Gulf South region in the New Year. While there are no albums for Big in the 90s, their collective work as The Breton Sound and Kyle’s work with Dash Rip Rock and Imagination Movers are readily available. There are, however, plenty of opportunities to catch them live for the rest of this year. Be sure to check their website frequently for additions and updates, too. Nov. 12 St. Rita Fall Fest, Harahan, LA Nov. 18 English Turn Country Club, New Orleans, LA Nov. 25 The Broadside, New Orleans, LA *featuring strings quarter Electric Yat Quartet Dec. 17 Zony Mash Beer Project, New Orleans, LA To squeal about a song to the guys, or for booking and further information, visit them online at www.Biginthe90sBand.com . Facebook /biginthe90s Instagram @biginthe90sband Twitter @biginthe90sband *photos courtesy of Big in the 90s www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Insightful, brilliant, and talented < Back Alfred Banks: A Blessing from the Crescent City Nicole Brice May 22, 2023 Share Insightful, brilliant, and talented Growing up, I loved the hip-hop showcased on programs like Yo! MTV Raps . The music had heart and a meaningful message. However, over the years, hip-hop has seemingly evolved away from impactful rhymes and verses towards themes focused on excess, elaborate stage shows, and corporate endorsements. As a result, I stopped paying attention and shifted my musical tastes elsewhere—until one artist emerged who could rhyme about anything and everything, with verses that had both meaning and heart. Alfred Banks ' body of work is so diverse that it will leave you amazed. He can take a blank piece of paper and create a rhyme about it right on the spot. Banks is a hip-hop musician based out of New Orleans, La. , and his latest release, ' Blessing ,' is a nod to the city that raised him. In the song, he says, “It’s a blessing coming from the Crescent” and for Alfred Banks, indeed it is. The man reps New Orleans wherever he goes, and we are lucky to be able to enjoy his talent. Banks got his start in the industry under the moniker Lyriqs Da Lyraciss at age 17 and has shared the stage with Rakim , Lupe Fiasco , Wu-Tang Clan , Tyga , Desiigner , and Kendrick Lamar , among others. He has performed at New Orleans-based events Voodoo Fest and Jazz Fest , and he even visited Reeperbahn Festival in Hamburg, Germany. Did I mention one of his songs was used for a Volkswagen commercial and that numerous songs of his are licensed to shows and movies? His knack for rhyming, his charisma, and his insightful lyrics are what got him noticed in the biz and, as we like to say, the rest is history. He has been steadily churning out music ever since, with many new ones this year, but he does not limit himself to solo material—no. This man is involved in so many projects, we lost count after a while. We did ask him about all those wonderful endeavors, though, and you can read more about them in this interview. Currently, Alfred is focused on promoting his newest album Nectarine Peels , which is part of his collaboration with Albert Allenback of Tank and the Bangas in a group called Saxkixave . These two are like the odd couple of hip-hop and their infectious videos are beyond hilarious and showcase Bank’s personality in a whole new light. In fact, the duo goes together like peanut butter and jelly and truly do complement one another. Albert makes these killer beats and Alfred comes up with the wittiest rhymes to go with them. Released May 18, 2023 In addition to Saxkixave , Alfred is continuing to perform shows like crazy, showcasing his solo material. Check out this convo we had with him recently, then go check out his catalog of material. You will fall in love with him as much as we have. MaM : When I first discovered your music, the thing that drew me in was your use of words. You can pretty much make a rhyme about anything. When did you realize you had this gift with words to take it to the next level professionally? AB : I remember when I was in sixth or seventh grade, I used to freestyle a lot. I lived in Tallulah, Louisiana for, like, three years and I would freestyle a lot with some of the kids around there. I would gravitate towards anybody who rapped—actually, I’ll go back a little further. Fifth or sixth grade was when I started noticing that I liked remixing songs in my own way. Me and my man Nigel would make comedic remixes for them. We would take any song that was hot at the time, which was 2000/2001 , and remix them about food. I started noticing I could do that off the top of my head. … Junior high was when I started to write raps, which were kinda cool. I was more into that battle type of energy. My sophomore year of high school was when I truly started writing, though. … I really started freestyle battle rapping and I noticed I could think of things on the spot. My whole thing was coming from New Orleans , you have to know how to rib and I got ribbed a lot … picked on a lot and my way to fight back was to just rap. I would just head to toe and people would die laughing. That’s kind of how I got my name. I started uploading music to MySpace and stuff. It started getting a little bit of traction and I did some shows around town. I started battling first. … I just started noticing that if I looked at someone, I could make a rap about it to whatever degree. I fell off it for some years, though, and focused on my songwriting and touring. Around 2019 , I did a tour with my man Mega Ran and he did this thing where he would ask people to hold stuff up in the air and he would freestyle about it on the spot and I [thought that was amazing and wondered if I could do that]. I started doing it with Saxkixave and it goes over well and keeps my freestyle sharp. People kind of know me as a freestyle guy now, so it’s kind of cool, then you meet someone like Ray Wimley , who is a freestyle savant, and he went viral because he freestyled with Common a few years back for Essence Fest . We actually did a freestyle battle at a Pelican’s game and that was me in front of thousands of folks having to put my freestyle skills to the test and, respectfully, I was the victor in that situation. … I don’t really write a lot, not as much as I’d like, but freestyling just kind of works. credit: Gary Governale MaM : Well, as far as your lyrics for your songs, what inspires your lyrics? 'Blessing,' of course, is based upon your love for New Orleans, but I was listening to your music and you’re all over the place with content and what you talk about. None of your songs are the same. AB : I know sometimes it makes it hard to be marketable when you do a lot of different things, but I just have a lot of different interests and I’m not always in the same space. To some degree, I guess I need to find a vein, but for the most part, I’m all over the place and I love that. https://www.youtube.com/watch?v=LIbOpf3wVp8 'Blessing' performed at the New Orleans Jazz & Heritage Festival in 2023 MaM : Where did Underdog Central come from? AB : That’s my life mantra I live by. Underdog Central is the place where the overlooked go to hone their skills to come back and become admired. It’s my label name, too, and my social media handle. I made it my social media handle ‘cause Alfred Banks was taken, but because it’s my label, I wanted that name to be first before anything. I want people to know what my brand is. When I first came out, I was a little rough around the edges, a little unrefined, so I had to go back into my proverbial batcave and fix things. I came back out, though, and now am who I am. I feel like the people who are extremely talented tend to get overlooked and are always having to fight from behind from a deficit and always must prove who they are no matter if they are the most talented one in the room or not. You can’t take anything for granted and you must treat every moment as if it’s your last, so that’s what Underdog Central is about. credit: Gary Governale MaM : Are you born and raised in New Orleans? AB : Uptown, yeah, uptown New Orleans. Uptown kid for sure. MaM : Your brand of hip-hop is the type that is missing these days. It has those classic undertones and that hint of nostalgia. Your lyrics with 'Blessing' are so insightful and that song truly resonates with me. AB : Yeah, that’s a style of record I have never done before. One thing I have been noticing lately is I am the most off-brand New Orleans person you will ever meet. [I’m] born and raised in this bad boy, but when you look at my everything … I don’t even look like I’m from New Orleans. I don’t act like I’m from New Orleans…like some things I don’t even relate to, but I am definitely from here, but I never made a song I felt could resonate here. All the music I make is more for everyone. I also made it from the angle of where if someone from Detroit heard it, they could be like, ‘I feel this way about my city.’ https://www.youtube.com/watch?v=7KbtuRVxlQ4 'Blessing' on YouTube MaM : What struggles or roadblocks did you encounter when you first tried to break into the industry? AB : Just making hip-hop in New Orleans. There was a big scene from 2007-2015 where it was a community and there were shows happening and people would come out to the shows and we all tried to support each other and spread the word about each other’s stuff, then after that, there was a shift in the music. I can say to a degree that I’ve stayed contemporary with my style. It doesn’t sound like it’s from 1989 or anything, but the more lyric heavy and conceptual idea-driven music doesn’t have as big of a platform here as other stuff. The people in the scene here, though, started to get older and started [coming out less]. That and the fact that New Orleans is not a hip-hop city, and so it doesn’t matter how talented you are. It’s been like, ‘Where’s your bounce song?’ or ‘You got a dude playing trombone on it?’. It’s funny now, though, the response I’ve gotten for the song ' Blessing ' … thirteen years into my career, you would have thought it was the first song I ever made because everyone is like ‘Finally, you got a record we like.’ I’ve got albums that have charted across the U.S., but that record is doing pretty good in New Orleans, specifically. Pick your battles. My biggest thing was just trying to do my brand and my style of hip-hop and bust open these doors that are solely reserved for people who do Zydeco or brass band music—stuff people consider New Orleans but, to a fault, it’s so New Orleans that no one wants to hear anything else. But I always thought it was weird that these big platforms—these big festivals here—only portray a certain style of New Orleans; where’s the hip-hop? That’s always been the main issue with me. I want to be the guy that can go into a room filled with musicians who do not do hip-hop to any degree but do my thing and it resonate or translates with them. I’ve kind of become that guy, though. I’m the guy in a room full of brass bands and zydeco bands who is the hip-hop representation, which is a gift and a curse because I never get to perform for my people. I always get to perform for people who are being exposed to what I do for the first time, so it kind of creates this very uncomfortable energy, which can be a bit weird at times. I’m a part of this group called Glbl Wrmng and we’re doing this Wednesday at the Square thing, which I don’t know the last time they had a hip-hop group perform there, but … I have this never say die, blind optimistic view of life, though, so I just keep going for some strange reason. credit: Gary Governale MaM : No, but that’s a good thing! You’re not admitting defeat at all. You’re just like, “I don’t care what you’re gonna throw at me. I’m just gonna keep doing my thing until it resonates,” ya know? AB : …and the funny thing is it hasn’t stopped me. I’ve been able to tour all over the world. I guess it’s not that big of a deal, but for me it is. I’m doing it less about me and more about the next. I’m a young guy, but I’ve been out for a while, and so I just want to look out for the next guys coming up that feel like me because everybody is a street rapper, and there’s nothing wrong with that. I come from the hood, but I don’t see it from that angle. I was in a house and my mom kept me in the crib, and not everyone is from that cloth. There are people, though, that take those experiences and turn them into something else. Not what you would expect. I just try my best to be that alternative for people who love hip-hop, care about bars, care about lyricism and concepts, good beats, melodies, etc. MaM : … and you bring it all. You’ve got the whole package with it. AB : I appreciate that. credit: Gary Governale MaM : Glbl Wrmng — tell me more about this. AB : Word, so Glbl Wrmng is a collective about 35 people in the city from engineers to producers to singers to rappers, graphic artists, etc., and we just all [come together] … so Glbl Wrmng is like, ‘Nope! We can!’ So that’s what we’ve done and as a collective. We’ve performed at Buku Fest , we’ve opened for Tyler the Creator , and we’ve played Jazz Fest . We’re going to be playing Wednesday at the Square , and so we’re using this as a platform to get some of the guys in the group exposure with their first big stages to give them that experience and to be around people like Pell or Train or me to help usher in those guys to just make great music. I love being a part of Glbl Wrmng. It’s very interactive. It’s teaching me how to support people from a very active standpoint, and I truly mean it when I do it and vice versa. It’s allowing me to also get involved with other people’s careers to some degree, which is fire. MaM : Well, it’s a collective grouping of like-minded individuals all supporting each together, which is awesome. AB : Yeah. Glbl Wrmng put out an album during the pandemic and I’m on it. Saxkixave is on it. It’s called ‘ Glbl Wrmng Vol. 1 ’ and it’s a dope record. We’re working on Vol. 2 right now, but at the end of the day the one thing I have learned is that collaboration is very important, especially for me the past three years. Working with Soul Rebels , working with Brassaholics , working with Flow Tribe , working with Glbl Wrmng , working with Tank and the Bangas , and all these different people has been helping me elevate my platform and get in spaces where I probably wouldn’t be normally. I’m very grateful for that. Just working to get that buzz to where it needs to be and it’s been a trial at times, but I want to just keep rapping and keep working and the inevitable will happen at some point. credit: Gary Governale MaM : So, 2023 you’re gonna just do a lot of touring or are you working on any other new solo music? AB : … Instead of putting out new stuff to the same folks, I already have music that resonates, so from there I think I’m going to use videos and promos as a ploy to get people to check out the catalog I have and then go from there. I have a lot of music that hasn’t been unearthed just yet. I have a project called Mere-Exposure Effect , which I feel is one of my best projects writing-wise. It shows I could do radio records if I really wanted to. Mere-exposure effect is an idea that if you recognize it, you’ll like it, so the whole project sounds like radio records. If it sounds like something you already know, then you’ll like it by default. I have a project called ‘ Road to a Rolex ’—some of my hardest hitting beats. I’m rapping about getting money the entire project but from a couple different aspects. I have a project titled ‘ One Guy Standing by Himself. ’ That project debuted at number three on iTunes . It was one of my most successful projects to date. That’s a project I wrote to get myself out of the mind state of COVID . I wrote that project in like a week and it’s more introspective and a little lighter-hearted. I [also] have a project called The Beautiful and that’s my magnum opus and is my biggest project to date. That project is about my brother and his struggle with schizophrenia and his ultimate suicide. The day of his funeral, I had to leave in the middle of his service because I had a show to play that night, and so I wrote an album about the car ride from the funeral to the show, so in that album, I develop schizophrenia too; so, I sort of battle it throughout the album. That’s my biggest project to date and a lot of people don’t even know it exists. I’ve also got The Range 1 and 2 . I do a song with Wheatus and a bunch of people. It’s like five different genres in one project. credit: Gary Governale MaM : I am just blown away with all the projects you have. How do you even sleep? AB : Well, for me, I did go through a time where I was putting out a lot of music and it does seem like a lot, but it really isn’t. I’ve got songs that if someone goes back in like 15 years to discover them, they’ll be like, ‘That shit was fire!’. A catalog full of those records. Some may consider me a conscious rapper and I’m not conscious in the vein of social or political issues, but I rap about things from my point of view. MaM : Well, just life. I’ve listened to all your music, and you are all over the place. No song is alike. You have so many different styles and facets to your personality and what you do. You can go from a silly track to something super serious. AB : For sure. MaM : … which I feel is so endearing and is going to continue to resonate with people—even those who are just now discovering you for the first time. AB : Honestly man, that’s just how my brain works, cause we’re human. We all go all over place. There are some days where you are very happy and so you want to listen to a happy song and then there are days where you are not happy and you don’t want to even hear music, but if you do, you want to hear some sad stuff that is introspective. Some days you want to hear something lyrical. Some days you will want to hear something conceptually driven, but that’s just how I feel. Sometimes I don’t want to write a rap record, I want to write a dance record. I want to do some EDM . I want to do like a hyper-pop record. There are some days I want to do some industrial shit. credit: Gary Governale MaM : That’s what I’m talking about. That’s my kind of music. AB : Some days I wake up, I want to go work with Albert and do some jazz or acid hip-hop or some days I just want to rap my ass off to show people how good I am. That’s just where I’m at and the path I’m on and people seem to like it. MaM : I think it’s a great path and, in fact, I don’t think you should change a thing with what you are doing. I think it shows diversity and it does not keep you in a certain type of music or anything. You are unique and different and have your own brand that is going to resonate because it is so unique and different. AB : Thank you. I’ll tell you this with all the things that have gone against me, all I’ve ever had [were] my skills and [they have] gotten me further than anything else I’ve ever done. I think that is what is going to keep me busy and keep my lights on. I just care about music, and I care about being good. I do come from the competitive aspect where if you put me on stage with other rappers, I’m going to try and outperform. I want to be the best in every room I’m in and I don’t know too many who still care about that. credit: Gary Governale MaM : You are nothing but heart. AB : Thank you. I want people to go, ‘I want to be invested in his brand of great because that boy is good.’ At the end of the day, though, I’m an entertainer, so it’s not about me. It’s about you, the audience, and I like to keep those things in mind. MaM : What are your plans for the rest of 2023? I know we’re halfway in, but where do you see the rest of the year headed for you? AB : It’s weird, I’m at this weird transitional part of my career where the business infrastructure that has been supporting me is not there because we decided to do our own thing and go our separate ways, but I’m back solo. I’ve been adjusting to that. We do have some other things down the line, though. Pre-COVID, I was doing close to 100 shows a year and in June, I’m going to Ohio. I’ll do three shows out there, then I’m going to Colorado in July. Just trying to get back to the West Coast. To experience all that is Alfred Banks, hit one of the links below. You won’t regret it. Alfred Banks (@underdogcentral) • Instagram photos and videos Alfred Banks | Facebook Alfred Banks | Spotify ‎Alfred Banks on Apple Music Saxkixave | Facebook SaxKixAve (@saxkixave) • Instagram photos and videos @SaxKixAve | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves good music and loves discovering new music she has not heard yet. Do you have something you’d like her to hear? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Fresh Approach to Pop Art & Surrealism < Back Brilliance for a New Era: Lori Bequette Nicole Brice Nov 6, 2022 Share A Fresh Approach to Pop Art & Surrealism Sometimes an artist’s work catches my eye, and I am instantly hooked. This go-round one artist has truly exemplified what it means to learn from the greats to make new interpretations of mediums made famous by those before her, and eye-catching her work is , indeed. May I introduce, Lori Bequette . Lori Bequette Lori is based out of Baton Rouge, LA where she lives with her husband and 4 y/o daughter trying to balance motherhood with creating art. Growing up, Lori cannot recall a time when she was not fascinated with or not actually creating something. “I think a huge part of my entire identity has been always knowing that I am an artist. It has always just been there, ya know?”, says Lori upon being asked when she knew she had the itch to create. In recent years, Lori’s path has taken a detour due to her duties as a mother, but that has not stopped her from doing what she loves. “I went from painting everyday to not painting at all. Having a supportive partner, and allowing myself to create again, has been detrimental to my mental health, and I honestly assumed I would be rusty [when picking up a paint brush again], but instead picking up my brushes again was like riding a bike, and in many ways, I felt like my skills had somehow ‘leveled up’. It felt SO GOOD to be painting again.” Art by Lori Bequette Lori’s work is so stunning that you can’t help but stop to take notice and admire the detail she puts into each painting. With a knack for capturing life in vivid detail, Lori’s pieces jump right out at you. Art by Lori Bequette When asked who or what inspires her style, Lori responded, “This is hard for me to answer. I am self-taught and have never taken any classes or courses, so my style and techniques were developed by me. I take inspiration from an enormous variety of artists and turn to diverse styles and mediums to guide and influence my creativity. I especially love when I find a new artist with work that leaves me questioning my own interpretation of a message or story.” Lori’s work is ever-changing and geometrically guided with influences from both Pop Art and Surrealism . Often incorporating abstract components, her paintings usually begin with a face or character where she builds upon that concept to tell a story. Art by Lori Bequette “I’m often blending nature and animals into my work in an unusual way. The hexagon is a shape I implement quite regularly. It’s such a precise and symmetrical design, yet like a puzzle, forming a more fluid shape or figure.” Art by Lori Bequette When asked which famous artist she would like to spend the day with, living or dead, given the chance, she replied, “Well, that does not seem fair, BUT I am going to choose Rene Magritte . He had such talents, and I mean, he had the ability to forge other artists’ work to sell when he struggled with poverty showcasing a wide skill range. He was able to aesthetically play with illusion within his own work by giving ordinary objects new context and meaning. His pieces were always thought provoking. I would love to tour his mind.” Lori doesn’t credit one specific person with giving her the want and need to create, but instead says, “I don’t think there’s just one person. My family, my friends, even strangers whom I never met on social media have always supported me in my adventures. My husband has always been extremely supportive in me pursuing my dreams and I feel lucky to be able to work from home. I gained support early in life from teachers who recommended I be evaluated for creative giftedness, but I remember just loving that. With support from teachers, I found school to be less exhausting than others. I do have ADHD and am a victim of childhood abuse and trauma, so having the opportunity to have a safe place to withdraw and create was a relief at times. It goes without saying that art, even in my 40’s, is still a tool to withdraw and escape because we all need that. I need it.” To check out Lori’s amazing masterpieces and to see about purchasing some of her work, you can visit her on social media via Facebook and Instagram . Lori Bequette Art | Facebook Lori Bequette (@art_bylori) • Instagram photos and videos Art by Lori Bequette www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Strumming Through Struggles to Stardom < Back Off the Charts: Brandon Elder Bud Gambrell Jul 11, 2024 Share Strumming Through Struggles to Stardom Welcome back to Off the Charts . I’m so glad you’re here! I have not had an article out in a couple of weeks because I took some time to rest and clear my mind. For the most part, I took June off from writing and photography. Everyone needs a break, even me! When I began this column, I jotted down some names of people or bands I would like to introduce you to. The name Brandon Elder was on that list! I was first introduced to Brandon’s music in March of 2024 when I had an assignment to shoot the Conference USA basketball Championship. The Von Braun Center hosted three nights of local entertainment as part of the celebration, and Brandon happened to be playing the Friday Night show. I had heard the name Brandon Elder while researching my book on Side Tracks Music Hall . Of course, now I wish I had seen him perform at Side Tracks . After hearing him for the first time in March, though, I became a quick fan. I didn’t get a chance to meet Brandon face-to-face at the concert in March, but we did chat via messenger on Facebook, where I messaged him a couple of the pictures I took that night. For this interview, I met Brandon at Big Spring International Park in downtown Huntsville . We sat and talked about him and his musical journey. I now know him better, and soon, I think you will, too! My first question, of course, was to dig deeper into who Brandon Elder is, so read on below. Credit: Bud Gambrell OTC : For those who may not be familiar with you, tell me a little bit about Brandon Elder. BE : I’m 29 years old and from Union Grove, Alabama. I started playing music about 7-8 years ago and just started writing and working on songs, and it just went from there. Then, I just started making a career out of it. I love playing music! I love all my fans and am excited for the Alabama Smoke Show coming up here on July 26th . https://www.youtube.com/watch?v=z2x7TQMG0Ec OTC : I saw that you were a contestant on American Idol . Tell me a little about that experience. BE : So, American Idol was cool! It was my first time on an airplane in LA, so all the firsts were fun! The TV part was a little weird, but I had a good time with it. You know, I’ll go back tomorrow! American Idol was awesome! https://www.youtube.com/watch?v=SgA9nEDQo_I OTC : I watched the video of your audition in 2018. You played an original song called Gone. At the end of the song, the judges compliment you pretty much. What did that feel like? BE : It was excellent! It was nice for multiple reasons. It was the second song I've ever written. I had been playing guitar for maybe a year, so it was nice to get those compliments early on in my career, especially those they gave me about my songwriting. I think that's one of the reasons why I will probably continue to write as much as I do. Getting compliments from people like that makes you want to work even harder for it. OTC : One of the judges was Alabama native Lionel Ritchie . When he compliments you, this has to build your confidence slightly. Tell me how that felt. BE : For sure! And it's incredibly cool coming from him since he is from Alabama. I also cover about three or four of his songs in my set. I've always been a big fan of Lionel . So, it was cool! It was nice to get their compliments and be in the same room with them for a little while. https://www.youtube.com/watch?v=cGnXZN7BN1w OTC : There are several ways that you perform your songs. It can be a solo acoustic, or it could be a full band. What is your favorite way to present your original songs? BE : I mean, I like playing with the band. I like it with the acoustic guitar, and I do a lot of shows with my fiddle player. Most of the time, my favorite way to perform my original songs would probably be like me, with another guitar player being more acoustic. I would say it's probably my favorite because most of the stuff I write is not party songs. It's hard for me to write those, which I have some, but it's hard to write the drink-a-beer song or the party songs. A lot of times, when I'm writing, it's a little deeper. It’s deeper than just the beer song or the whiskey song. But most of the time, it's just me and an acoustic guitar—either me and a guitar player or a fiddle player. Credit: Bud Gambrell OTC : Being a songwriter, where are you hoping your songwriting takes you? What's your next step? BE : The next step is to continue putting pen to pad. I would say keep doing what I'm doing and see where it goes. You know, doors open, and you hop through when they open and see where it goes. That's all you can do. OTC : Tonight, as a songwriter, you sit down to write a song with anybody you could pick; who would you write that song with and why? BE : Oh boy! That’s a tough one! Chris Stapleton would be up there for sure. Drake White , an Alabama boy. Jamey Johnson , another Alabama player. I guess the reason I think I gravitate most to those guys is because a lot of the stuff that they write is about a little bit of everything. But most of the things they write are not just about the party stuff. It's more about real-life things, and it just seems more heartfelt. So, I feel like all three guys aren't trying to write for the radio. They write what they want, and if people like it, cool. And if they don't cool. Credit: Bud Gambrell OTC : You’re a local musician, and you’ve gotten to play onstage at the VBC Mars Music Hall . How does it feel to be playing on the big stage? BE : Yeah, it's always fun to get on big stages like Mars because of multiple reasons. It's just a change of scene for one. And then, often, when you're opening for more significant acts, your set is condensed. Some people may think that's a bad thing, but I look at it like, OK, I have 45 minutes to give it the best I've got. You know, I get to get up and sing my songs for 45 minutes and maybe sprinkle a cover or two in there, but I'm not just singing other people's songs all night. So it's nice! It allows you to showcase what it is, who you are, and what you want to do as an artist. It also gives you a chance to let the people in the crowd get to know who you are, not just as an artist but also as a person. Credit: Bud Gambrell OTC : On July 26th, you once again get to get up onstage at Mars Music Hall . This will be a part of a local showcase. Are you looking forward to that? How do you feel about that show? BE : Yeah, it's going to be great! I know everybody on the ticket so that it will be great fun! All of us are never together at the same time, so it's going to be fun to get up there and have a good time with all the guys who are trying to do the same thing I'm trying to do and make a show out of it and get some people there and have some fun. OTC : There will be a lot of local talent on that stage. Does that give you some extra motivation to get up there and show out and do your best? BE : Absolutely! I guess it gives me some extra motivation, but at the same time, I give my best all the time. I don't want to say it will be just another night. It's not going to be just another night, but at the same time, I give it my best, no matter if I'm playing at Mars Music Hall or Moe’s. I will go up there and do my thing anyway, no matter what. Credit: Bud Gambrell OTC : Is there anything you want to say to a prospective new fan reading this right now? BE : With me, you get what you get. I hope that everybody likes what they hear. Ultimately, I'm not trying to change for anybody, and I hope to see you at the show I am putting on soon. OTC : Where can we find your music? BE : You can find it on Spotify and Apple Music . I think it's on like 50-something streaming platforms. It's in the works to get in the studio in the next month or so and start putting out some of the stuff I've been working on to the public. We will try to get in there and get some new music out for people because I haven't put anything out in a little while, but just because I haven't put anything out doesn't mean I haven't been working. We will try to get some new stuff out for the fans and see where that goes, though. Credit: Bud Gambrell I enjoyed talking with Brandon . We could have sat there and talked for who knows how long. But we had to go. Brandon had a rehearsal for an upcoming gig, and I had to get home and start writing this article for you. If you are in Huntsville, I highly recommend attending the Alabama Smoke Show on Friday, July 26th, at Mars Music Hall . Brandon will perform his songs along with several other local bands. It will not be a night to be missed! Click the picture to learn more! I hope you enjoyed this latest article for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, please email me and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands you know and love and think others will. Until next time, Keep your diamond in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Amazon : https://a.co/d/1CLA9Tz Facebook : https://www.facebook.com/bud.gambrell To learn more about Brandon Elder: Instagram : https://www.instagram.com/brandoneldermusic/?hl=en Facebook : https://www.facebook.com/brandoneldermusic/ Spotify : https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music : https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube : https://www.youtube.com/c/BrandonElderMusic *cover photo by Bud Gambrell Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

RobenX is promising a legacy of influence that transcends music alone. < Back On the Rise: RobenX Nicole Brice May 8, 2024 Share RobenX is promising a legacy of influence that transcends music alone. Who is RobenX ? He is a fearless artist, a beacon of authenticity. His life is a testament to the triumph of the human spirit, drawing inspiration from the depths of human existence here in the School of Earth. With a profound narrative of resilience, talent, and empowerment, Roben is not just a musician but also an author, model, anti-bullying advocate, and advocate for albinism . His journey took him to Geneva, Switzerland, in 2018, where he spoke and performed at the United Nations during their Human Rights Day Celebration , a testament to his unwavering spirit. Credit: Andrew of Ejji Studios RobenX, originally Robdarius Brown, hails from Memphis, Tennessee, a city steeped in the rich musical traditions of blues, soul, and rock ‘n’ roll. His early life was marked by significant challenges, but it was through these trials that he discovered his refuge in music. It became his voice, escape, and a way to share his experiences with the world. RobenX's music is a unique fusion of genuine expression and profound emotional depth. It resonates with the vocal stylings of two hip-hop legends, Onyx and Eminem . If these two had a musical lovechild, it would be RobenX. His music is a return to intelligent hip-hop, reaching into the depths of your soul with its raw emotion. The energy he infuses into every song is palpable, radiating from every note and lyric, creating a powerful connection with his listeners. https://www.youtube.com/watch?v=S2siUBr5-ho His newest single – “ Blood on the Leaves ,” – was released on April 3, 2024, and is a journey from the depths of pain and existence. It’s dark. It’s gritty. It’s honest. It is exactly what we need in music because it is authentic. On my favorite track, - “ Dial Tone ,”- released in 2022, Roben changes things up and sings a little more while going through the real emotions associated with disassociating from someone. The words are intense and full of pain, culminating in the chorus with the words, “This shouldn’t be the price of love.” So true, my friend, so true. Another favorite song of mine, “ Devoid ,” was released on the Mental Interlude EP in 2020 and is pure poetic genius because I’m sure many can identify with Roben's feelings of just being over everything in a moment of frustration and anger. However, what truly sets RobenX apart in the hip-hop community is his unwavering commitment to advocacy. Through his lyrics and public presence, he not only raises awareness about albinism but also challenges the stereotypes and misconceptions that surround individuals with this condition. His advocacy is a beacon of light, illuminating the path toward a more inclusive and understanding society. https://video.wixstatic.com/video/999a0f_357554171ccd4987857a8a68c089271b/1080p/mp4/file.mp4 Mixed Alternative Magazine recently had the opportunity to catch up with the extraordinary RobenX, and we enjoyed chatting about anything and everything. With so much depth to Roben’s character, we had a good bit of ground to cover, so take a moment to read more of our conversation below to learn about the phenomenal artist, RobenX. Credit: Andrew of Ejji Studios MaM : You’ve released a ton of music since 2012. What was the first song that you ever wrote? How did it feel to bring your musical vision to life via song? RobenX : I was a freestyler when I first started, and I was doing that when I recorded my first song, “They Love Me,” which is still out there, probably buried on my YouTube , but the first song I wrote was a song called “Just Maybe,” but I never released it. That was the first time I had decided to hone my craft. Writing was such a weird concept to me regarding writing music. I used to write stories all the time, but I had never written a song. I had to catch all the words flying by me with all these fleeting emotions, but once I started crafting a song, I realized how much more potent it could be and how much control I had over what I could say. MaM : How old were you when you wrote that? RobenX : I was 13 or 14. Credit: Daneel Ferreira MaM : Who would you say has influenced you the most when making music? I noticed you have quite a bit of diversity in your music. RobenX : I’m just going to rattle off a bunch of names because there are so many, but they are near and dear to what I do: Korn, Three Days Grace, Tupac, Tech N9ne, Bone Thugs-n-Harmony, System of a Down, Breaking Benjamin, Disturbed, Thousand Foot Krutch, Mindless Self Indulgence, The Temptations, Kendrick Lamar, and Eminem. I almost forgot Michael Jackson and David Ruffin, too. MaM : There is such diversity. What mission statement would you like to convey to people discovering your music for the first time? RobenX : I want people to take my stories and use them to help themselves. I want to use my pain to heal the pain. I experienced a lot of different scenarios and got to experience things I probably shouldn’t have at a young age. Still, I want to testify that your past helps define you, but don’t let it limit you. The world is yours to do what you want, so use my words to appeal to you. Use my stories and find yourself in the music. Take my words and apply them to you. Credit: Andrew of Ejji Studios MaM : How do you approach the songwriting process? Take us through that. RobenX : It’s different every time because I’ve written some songs in five minutes. Some songs, though, can take months. Sometimes, I have an idea that I’ll record or write stuff down, but sometimes, the concept is there, but I just haven’t found the right instrumental. It all must align with the universe. I try not to do things the universe doesn’t need, so if the idea doesn’t speak to me, I usually discard it or set it aside until it’s time. Usually, I’ll hear a track and listen to what it is trying to get me to say, and I listen to the universe and the higher-ups who give me the stories I need. For example, a lot of what is going to be on “Shoulda Died” is just internal and reliving some of the past trauma that I experienced as a teenager and as a young adult. Credit: Andrew of Ejji Studios MaM : I like to call those universal happenings when you listen to the divine guidance given. So, the next question I have for you is funny but one that will get you thinking. You’re headed to live on a deserted island and can only bring CDs by five artists. What are you bringing? RobenX : Believe it or not, my list would be small. Ok, Smino’s “ Noir ,” Tupac’s “ All Eyez on Me ,” Kendrick Lamar’s “ Good Kid ,” Three Days Grace’s self-titled album , System of a Down’s “ Hypnotize ” or “ Toxicity ”. (laughter) Man…I can’t forget about Michael Jackson’s “ Thriller ”, too. That’s hard. (laughter) MaM : I love that. You are such an inspirational individual. So, what are you working on currently? You released a new single in April but must have something else in the pipeline. RobenX : I am working on a new project, and I’ll go ahead and give you the title; it’s called “Shoulda Died.” We’re also working on a coloring book inspired by my book, “ The Colors of Olleh ,” a children’s book, and Teiyonna Douglas is the illustrator of that book. She created all the pictures. She also did the cover art for several of my releases, including “ The Mental Interlude ” EP and for a mixtape I have on YouTube called Moldy . Her artwork is on that cover, too, and she’s been helping me a lot. She is creating the coloring book all by herself, though, and I give suggestions here and there, but I will also be releasing some songs from “ The Mental Interlude ” EP in their live versions. Credit: Daneel Ferreira MaM : Wow! So much is going on! So, when do you anticipate some of that dropping? RobenX : If I can, I want to have something out by June, but my goal is June or July. MaM : Let’s discuss your book, “ The Colors of Olleh ”. What was the process like putting all of that together? RobenX : The inception of “ The Colors of Olleh ” was simple. I wanted to write a book and tell a story about a child with Albinism but not have Albinism be the main focal point. I just wanted a character who had Albinism. He sees colors and lives in a world of black and white. I called Teiyonna immediately to pitch the idea to her, and she loved the concept. However, she thought about making each page monochrome to show that Olleh can see color when others cannot. The idea started snowballing to where colors were representing differences. When people don’t see people for who they truly are, they are living in black & white. To see the beauty of difference is to see in color. If you say you don’t see color, you live blind. It’s all subjective. Richard Hervey is the producer. He goes by the name of Enigma, but he has helped on numerous tracks of mine, and he was the one who helped turn the entire concept into a book. He took Teiyonna’s ideas and made them bigger, and then “ The Colors of Olleh ” was born, and Olleh’s name is just “hello” backward. Olleh is a traveler, though he could be anyone, and he meets a young lady in the story named Vye, who ends up being the leader of the story. Her character is to show people that they can step up and not wait for a change, but they can be the change. Olleh goes to this town to tell people that he can see color, and they can see color if they accept him. At first, people are hesitant, but then Vye decides she’s curious, so she accepts Olleh, and when she does, it’s easier for others to do so. It shows leadership. Step up and be the change. Small note: Vye’s name is taken from the color violet. https://video.wixstatic.com/video/999a0f_19a08ae5304c461a84a2e6e4f0334441/1080p/mp4/file.mp4 MaM : You’ve done so much, a true Renaissance man, but I read you’ve also worked with the United Nations on some things. Tell us a little more about that. RobenX : I was doing some Albinism awareness and anti-bullying work and was asked to be part of a video educating people on Albinism. However, I didn’t think too much about it afterward. Years passed after I had done the video, and I didn’t hear from them. They didn’t have my e-mail, so they tried to reach out to me via my social media, but the messages went to my spam box for some reason. One day, I checked my spam folder, and there were many messages. I would have missed the opportunity if I had just waited a day later to read the messages. I was flown to Geneva, Switzerland, and I got to meet the High Commissioner of the United Nations, and it was insane. I was 18 or 19, and coming from Memphis, with growing up how I did, flying to a different country was wild. For reference, my grandmother has never left Memphis. My mom was the first in her family to graduate from college. This was a huge deal. Once I got there, I was allowed to speak about Albinism and human rights and what we could do to make a difference in other countries. See, in other countries, people with my condition are considered spiritual or magical and are often killed because of this. Their body parts are then used in rituals and incantations, but if the poachers don’t get them, then they are dying from skin cancer because of overexposure to the sun, and they don’t have access to proper healthcare for their conditions. I wanted to use my voice to see what we could do to help them. I was made a Human Rights Champion and allowed to meet other leaders from all walks of life. It was amazing. Very powerful. https://www.youtube.com/watch?v=cgktjQA3abc MaM : Where do you see yourself headed in the future? RobenX : I want to do so much, and I know I can’t save the world in a day, but the goal is to reach as many people through as many mediums as possible. I want to flood the market correctly with the right things. No matter where you turn, things aren’t full of love labor. I want to create mediums that speak to people, help people grow, and give people power. I believe we are on that journey, too, and I hope that in the next five years, we can reach people with positivity through all mediums. RobenX exemplifies the powerful intersection of art and advocacy with each new track, performance, and interview. His journey underscores the potential for music to entertain, enlighten, and provoke change. As his message spreads further, he promises a legacy of influence and change that transcends music alone. To check out Roben’s work catalog, hit the link below and be sure to follow him on social media. *cover photo by Andrew of Ejji Studios *videos provided by Extreme Dreams USA www.teamrobenx.com HOME | TeamRobenX www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. < Back Acid Bath’s Triumphant Return: A Night 28 Years in the Making Justin Hammer and Charles Sagona Apr 27, 2025 Share The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Friday night, the mythical Louisiana sludge metal legends Acid Bath returned to the stage, kicking off their reunion tour with a sold-out show at the Fillmore in New Orleans — their first performance in precisely 28 years . Credit: Justin Hammer Photography The current lineup features original members Dax Riggs (vocals), Sammy Duet (guitar), and Mike Sanchez (guitar), joined by Goatwhore's Zack Simmons on drums and Crowbar's Shane Wesley on bass . It's a blend of old blood and new energy , and from the moment they launched into the opening notes, it was clear this wasn't just nostalgia — Acid Bath came to reclaim their legacy. Dax Riggs by Justin Hammer Photography Acid Bath was one of Louisiana's most influential sludge metal bands in the 1990s , known for their unique blend of doom metal , punk , grunge , and Southern rock . The band was active from 1991 until 1997 , when they disbanded following the death of founding member and bassist Audie Pitre . After their final performance in Shreveport, Louisiana , on April 25, 1997 , it seemed to everyone, including the remaining band members, that this marked the end of an era and that their music would never be heard live again. Sammy Duet of Acid Bath by Justin Hammer Photography What makes Acid Bath 's return even more remarkable is how their legend status grew during their long dormancy. In their original run during the '90s, Acid Bath wasn't selling out venues like the Fillmore . They were packing into dive bars like Papa Joe's in Baton Rouge , Zeppelin's in New Orleans , and gritty all-ages shows in small-town halls like Gonzales, LA . Their glory days weren't measured in ticket sales , but in the cult following that quietly spread over the years, turning their two albums — When the Kite String Pops and Paegan Terrorism Tactics — into sacred texts of underground metal. In October 2024 , the Sick New World festival in Las Vegas announced its lineup, and to everyone's surprise, Acid Bath was included. However, shortly after the announcement, the festival was canceled. Despite this setback, more shows began to be organized, officially confirming the remarkable return of the iconic Louisiana band. Fast forward 28 years to the day: Acid Bath made their highly anticipated return to the stage at the Fillmore New Orleans on April 25, 2025 , performing to a packed and sold-out crowd. The show opened with an electrifying performance by Eyehategod , another iconic band from New Orleans and friends of Acid Bath 's members. Fronted by Mike Williams and featuring founding member Jimmy Bower from Down on guitar, Gary Mader on bass, and Aaron Hill on drums, Eyehategod set the stage with an incredible 45-minute set that energized the crowd. The biggest question lingering over the night: could Dax still deliver after three decades away? — was answered immediately. His voice was astonishing, shifting effortlessly from throat-shredding screams to hauntingly beautiful melodies , often within the same song. The years had done nothing to dull his dynamic range or emotional power. The audience was diverse , consisting of older fans who remembered seeing the band at their peak in the '90s, and younger attendees who were born well over a decade after the band disbanded. Acid Bath took the stage to a roaring, packed crowd. The moment's significance sank in as they began to play: Acid Bath was back. Looking over the audience, we could see everyone mouthing and singing along to their iconic songs, regardless of age, fully immersing themselves in this historic moment in music history . Immediately following ' Bleed Me an Ocean ,' the crowd couldn't contain their excitement and broke into chants of "Acid Bath! Acid Bath! Acid Bath!" Sammy grinned and told them, "Hey, y'all calm down — there's plenty more where that came from," which drew a giant pop. Sammy Duet of Acid Bath by Justin Hammer Photography Midway through the set, Sammy paused to ask the crowd, "Be honest — did you think this would ever happen again?" The thunderous "NO!" that followed said it all. The setlist , while powerful, leaned toward deeper cuts rather than expected anthems. Classics like ' The Blue ,' ' Cheap Vodka ,' ' Jezebel ,' and their traditional closer ' Cassie Eats Cockroaches ' were notably absent, leaving some fans both exhilarated and a little wistful. It wasn't a flawless performance. Early-show jitters led to a few songs being stopped and restarted. "Sorry," Sammy told the crowd after one hiccup. "You guys don't deserve this. Hold on — I just want to give you the best experience ever," before relaunching into a blistering rendition of ' Dr. Seuss Is Dead .' Sammy Duet of Acid Bath by Justin Hammer Photography But in the end , none of the minor missteps mattered. The sheer joy radiating from both the band and the audience was undeniable. It wasn't just a concert — a resurrection, a testament to how far their shadow had stretched while they were silent. This band has had a tremendous impact on the metal scene in New Orleans , and they continue to do so by selling out every show they announce within minutes. Their music resonates with younger generations, inspiring both local bands and fans. Even after being absent for 28 years, their influence remains significant. The merch line snaked through the venue, with fans waiting over an hour to score shirts, posters, and a piece of history. Acid Bath's long-dormant flame has been reignited, burning brighter than ever. Setlist: Tranquilized Bleed Me an Ocean Graveflower The Bones of Baby Dolls Dead Girl (Agents of Oblivion version) Old Skin New Death Sensation Venus Blue Scream of the Butterfly (dedicated to Audie Pitre) Paegan Love Song Dr. Suess is Dead Set List from 4.25.25 To learn more about Acid Bath: Website: The Official Acid Bath Website *All photos by Justin Hammer Photography Shop Photography Art | Justin Hammer Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Baton Rouge, Louisiana January 13, 2024 < Back Saxkixave: Igniting the Stage with Electrifying Hip-Hop and Jazz Fusion Nicole Brice Jan 17, 2024 Share Baton Rouge, Louisiana January 13, 2024 On Saturday, January 13, 2024, New Orleans natives Saxkixave energized Chelsea’s LIVE in Baton Rouge, Louisiana, with their awe-inspiring musical prowess. Saxkixave set the stage ablaze with their harmonious blend of talent, innovation, and comedic antics as the opening act for award-winning American rapper, Juvenile . This was the band’s first time playing together in Baton Rouge under the moniker Saxkixave and they killed it. Credit: Gary Governale Saxkixave is comprised of multi-award-winning rapper Alfred Banks and multi-instrumentalist Albert Allenback of the Grammy-nominated group Tank and the Bangas . The two came together musically a few years back after the suggestion of friends and have not looked back since. Both Alfred and Albert—the two Al’s—have infectious personalities that reel you into the magic they create when together, and if you’ve been following them on Instagram and TikTok, then you’ve surely seen their hilarious comedy bits and unique freestyle cover songs, including background music from Super Mario Brothers and beyond. With two albums under their belt, the duo is currently on tour promoting their newest release, Nectarine Peels , so be sure to check out their social media to stay up to date on all the upcoming shows and tour dates. Chelsea’s LIVE has been a fixture on the local Baton Rouge scene for many years, with their original location being just past the north gates of Louisiana State University. For the past two years, though, Chelsea’s LIVE has occupied a new space where they have hosted many notable statewide and national acts, as well as music genre theme nights. The venue was the perfect backdrop for Saxkixave’s debut performance in Baton Rouge. Credit: Gary Governale From the very first note, the musicians displayed unmatched virtuosity, opening with the track ' Humblebrag ' off their Nectarine Peels album. It was the perfect song to set the tone of the band’s set for those unfamiliar with their music. Without missing a beat, Saxkixave continued to captivate the audience with other notable titles such as ' Away from You (Too) ', ' Kaleidoscope ', ' Hashbrowns ', and their rendition of the Britney Spears classic ' Oops! ... I Did It Again '. They also performed their new single ' Done With The ' for the first time. https://video.wixstatic.com/video/999a0f_1f8d54137b774b0db6d8f5e3212ee523/1080p/mp4/file.mp4 There were many stand-out moments throughout the evening, one being when Alfred and Albert started bantering about the fact their names are both Al, which was a segue into their captivating and crowd-pleasing rendition of the Paul Simon classic ' You Can Call Me Al '. Another notable moment was when Alfred asked the audience to hold up random items so he could freestyle rap about the objects each audience member held up—an instant crowd-pleaser. Credit: Gary Governale Saxkixave’s performance at Chelsea’s LIVE was not just a concert but a sonic experience. As the final notes reverberated and the band rounded out their one-hour set, they closed with the humorous song ' Cheeks ', which is about a cell phone, but the lyrics would lead you to believe otherwise. When the crowd erupted in positive cheers and applause as the band finished, it was clear Saxkixave had successfully won over a new group of fans with their unparalleled talent. Credit: Gary Governale The duo’s electrifying fusion of sounds, masterful musicianship, and mesmerizing improvisations created a night of musical magic that will undoubtedly be etched in the memories of those lucky enough to experience it for many years to come. To learn more about Saxkixave, visit them online at www.Saxkixave.com . *cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is obsessed with music. Plain and simple. Do you have a show you think she should check out? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you're on the fence about it, check out these top 5 reasons to see "Napoleon". < Back Reasons to See Napoleon: Feast Upon This Keeley Brooks Nov 13, 2023 Share If you're on the fence about it, check out these top 5 reasons to see "Napoleon". It’s no secret I’m a big fan of historical adaptations. What I love most is the opportunity to experience a certain time period through different perspectives. Some of those perspectives are as historically accurate as possible while others are merely loosely based on a certain era. With Ridley Scott’s heavily anticipated Napoleon adaptation releasing soon, it’s safe to say we can gear up for a picture that’s as historically accurate as possible and just as rich in atmosphere. The film—guaranteed to be an epic masterpiece —stars Joaquin Phoenix ( Joker ) as Napoleon Bonaparte and Vanessa Kirby ( The Crown ) as the Empress Joséphine and is based on Napoleon’s astonishing life, offering an intimate portrait of one of history’s greatest military leaders. If you’re unsure about it, here are my top five reasons why you should see Napoleon . #5 : Deep Dive into Napoleonic History Given that Ridley Scott has expressed clear interest in Napoleon as a historical figure and this is his second go-around with the Napoleonic era, we can expect as accurate a depiction as possible. With 2023's Napoleon , not only are we getting a deep dive into the events surrounding one of the most mythological military commanders ever, but we’re also diving into the effects of his tumultuous private life , giving us as close to a personal look at the emperor’s private life as possible. During the French Revolution, Napoleon rose rapidly through the military ranks and, as a general, seized power in a coup d’état in 1799. He then crowned himself leader. Next, he set out waging war against European nations and expanding his powerful empire, all while embroiled in an intense romantic battle with Joséphine, which ultimately served as the force driving him to conquer the world. Over the course of a single decade, Napoleon led a revolutionary French army against the other great powers of Europe and succeeded, even bringing down the Holy Roman Empire. After tearing across Europe for a time, his career finally came to an end in 1821 on the remote island of Saint Helena, where he died at the age of 51. Scott reportedly will make Napoleon’s romance with Joséphine the center of his movie—an aspect often overlooked in previous Napoleonic adaptations. Vanessa Kirby and Joaquin Phoenix as Joséphine & Napoleon. (credit: Apple TV + Columbia Pictures) When the two met, he was a 26-year-old French military officer, and she was a 32-year-old single mother of two. They fell deeply in love and soon married, but both were known to have affairs. They spent five years in marital unbliss before divorcing in 1810 after Napoleon accepted Joséphine would never be able to give him the heir needed to maintain his line. Napoleon’s story is that of a war criminal , really— a psyche overrun with obsession and madness . What makes it so intriguing is that he was a man who came out of nowhere to seize and rule everything, all in the name of love. What’s makes it so tragic is that he did all he did in an effort to win Joséphine’s love, and when he couldn’t, he conquered the world to destroy her; unfortunately, in the process, he wound up destroying himself. To see this tragedy play out in the era of 21st Century film will be utterly exciting and captivating. Other iconic moments of French history teased in the trailer include the 1793 public beheading of Marie Antoinette; the 1795 defeat of French royalists, where Napoleon ruthlessly fired on protestors in the streets of Paris; and Napoleon’s infamous self-coronation as Emperor of France in direct antagonism of the Catholic Church and Pope Pius VII. #4 : Cinematic Reunion of Ridley Scott and Joaquin Phoenix Ridley Scott and Joaquin Phoenix on set (Columbia Pictures). Napoleon reunites Joaquin Phoenix and Ridley Scott for the first time since Gladiator (2000), in which Phoenix plays the power-hungry ruler and last emperor of the Pax Romana, Commodus. His performance there is masterful and chilling, slicing you right in half as a viewer. S tunning and gorgeous in its own right, Gladiator was Phoenix’s first big production, so it’s quite fitting now that the two artistic forces are teaming back up for one of cinema’s biggest historical portrayals . If you saw Gladiator , you know how well the two support and feed off of one another’s creative energy. You also know what these powerhouses are capable of producing together. Both Phoenix and Scott have had over two decades to refine their respective craft and explore themselves as they relate to that craft, so we have every reason to be excited about this reunion, which will no doubt be anything short of brilliant and thrilling. #3 : Costumes & Sets Vanessa Kirby as Empress Joséphine and Joaquin Phoenix as Napoleon (Columbia Pictures). Costumes and sets are integral aspects to creative and enhancing a story’s atmosphere. Lucky for us, Ridley Scott is known for going all in where both are concerned. His films are rich in detail with stunning visual style and are known for dropping us right into a certain time period so we can experience it for ourselves. And that’s what a good historical adaptation should do: represent history as accurately as possible in a way that allows viewers to lose sense of their own place in time. For Napoleon , Academy Award-Winning Costume Designer Janty Yates, known for her work on Gladiator , is teaming back up with Scott, so get ready to be awe-struck. The two have collaborated on several films, including Kingdom of Heaven and The Last Duel , and from those alone we know to expect opulent sets dripping in vibrant fabrics—in this case, of chiffon, silk, satin, and lace adorning the neoclassical styles that were widely popular during the Napoleonic era. Coronation outfits are always popular standouts, so pay close attention to Napoleon and Joséphine’s lavish outfits in particular: He wore a gold-embroidered white satin tunic and red velvet cloak embellished with golden bees, while she wore a white satin gown with puffed sleeves and gold detailing. # 2: Battle Sequences credit: Apple TV + Columbia Pictures Ridley Scott is no stranger to action epics featuring epic battle sequences and historical bloodshed incited by political turmoil. It’s his bread and butter. In fact, he’s already made the hefty proposition that Napoleon will feature not one, not two, but SIX large-scale battles spanning Napoleon’s prolific military career. Here’s why this is exciting. Where early Napoleon-centric films of the past also tackled the leader’s infamous battles, they often focused more on a specific military moment—The Battle of Waterloo, for example—and made a grandiose spectacle out of it. Technology has come a very long way since then, and with Scott’s vision at the helm, I’d say buckle up for quite the spectacle. Scott planned Napoleon ’s massive battle sequences, like the tactical masterpiece that was the 1805 Battle of Austerlitz, in regular meetings with the heads of various production departments and with military advisors in order to ensure scale, choreography, accuracy, and cohesion in presentation. As previously mentioned, Napoleon is Scott’s second attempt at capturing the lived experience of the Napoleonic Wars, so you know his heart is wholly in this presentation. His first attempt was with his 1977 debut film, The Duellists . Given how much he planned and consulted where these cause-and-effect sequences are concerned, one thing’s for sure: Napoleon will not skimp on spectacle. Not even a little. And isn’t that what we often love most about historical adaptations? I know I do. #1 : Joaquin Phoenix Joaquin Phoenix as Napoleon Bonaparte. (credit: Apple TV + Columbia Pictures) The Oscar winner is one of the most talented, versatile, impactful actors of modern-day cinema. He’s well known for his emotional, soulful, thunderous performances—especially those featuring a heavy psychological aspect, like Joker . Ridley Scott himself has said Phoenix is perfect to play Napoleon , that he is “the best player of damaged goods.” Excluding their reunion, the idea alone of seeing Joaquin Phoenix play one of the most powerful and emotionally complex military generals-turned-leaders is excitedly appealing. He has an authentic ability to dissolve himself into the psychology of his characters, which is part of what makes him so alluring. He understands darkness and uses that to create unforgettable dimension in his characters, layering them with varying levels of innocence and sadness mixed with power, love, and danger. To see Phoenix play any emotionally complex character is an experience that exposes us to deep empathy and awareness of something we haven’t yet considered. He often winds up carrying the entire film, as opposed to the film’s own story. Judging from early promotional materials, this will be the case with Napoleon . Reportedly, Scott realized his film centered around Phoenix’s performance and even rewrote the movie during filming to ensure Phoenix’s comfort level with his character portrayal. This allowed the actor to focus solely on bringing the depths of Bonaparte to life in an unforgettable way. Because of that, I imagine Napoleon will be the most immersive, authentic Napoleon Bonaparte film experience to date, one that sees us all hold Joaquin Phoenix in the highest esteem. Ridley Scott recently told Deadline , “No actor could ever embody Napoleon like Joaquin. He created one of movie history’s most complex emperors in Gladiator , and we’ll create another with his in Napoleon .” Mmm, I bet they will, and I can’t wait. Napoleon releases in theaters on November 22, 2023, before streaming on Apple TV+. https://www.youtube.com/watch?v=OAZWXUkrjPc Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The power of authentic expression < Back Women Who Rock: Wanda Wesolowski Tim W. Jackson Aug 7, 2023 Share The power of authentic expression Wanda Wesolowski doesn’t particularly sound like a rock star name. The bespectacled, coveralls-wearing, unadorned young woman, still in her 20s, doesn’t necessarily look like a rock star, either. But the North Alabama southern pop rock singer/songwriter/musician is becoming well-known as a talented force in the area’s rich music scene, leading Wanda Band to release its second full-length album, “Only Feeling” , on August 11. As that album prepares to drop, Wanda shared a bit about her success, her sobriety, and her sexuality in a beautifully unassuming and authentic way. Wanda grew up in Huntsville, Alabama, with supportive and musically gifted parents. She explains that her father, Chuck, plays guitar and bass while her stepmother, Jill, is a classical pianist. “We had a music room when I was a kid,” she says. “Guitars on the walls and a drum set and a grand piano. So, I just kind of grew up around that.” She started playing drums and took drum lessons at age 10. “I played snare in marching band and vibraphone, xylophone—all the phones,” she says. Wanda started playing the ukulele and then playing guitar and singing. By the time she was 14, she was gigging every week. Credit: Malachi Byrd “My dad would take me to my gigs, and he would stay the whole time and walk around and listen and kind of let me know what people were saying and give me tips and pointers.” She says that while her parents have always been very invested in what she does, it’s somewhat of a blessing and a curse, “because on the one hand, they're like, ‘Hey, what are you doing today for your music career to happen?’ I'm like, sometimes I'm doing nothing and that's okay,” she says with a laugh. Early on, Wanda was performing covers and even jingles because they were quicker to learn. Eventually she started going to an open mic night in Huntsville that required acts to play originals because the venue didn’t pay its PRO (performing rights organizations) fees. “That was really how I became a songwriter,” she says, “because I wanted to play and I was like, ‘I guess I have to write my own songs if I want to play at this open mic night.’” That was The Foyer, which, as Wanda remembers, “was kind of a golden age in Huntsville that a lot of people still talk about, ‘Remember The Foyer days?’ It was a coffee shop open until two in the morning and was a great hangout for musicians and college students.” In fact, it was at an open mic event in Huntsville where she first met its host, Andrew Sharpe. Wanda explains, “He said, ‘Hey, you're really good. You need a band. I wanna be in your band.’ And then I went in the next week, and he was like, ‘Hey, I got a band together for you. We rehearse on Monday.’ So, I was like, ‘All right, cool.’” And that’s how the Wanda Band was born. A few folks came and went but ultimately the band became a trio with Wanda on guitar and vocals, Andrew on bass, and Nick Recio (Black Jacket Symphony, the Artisnals, and Great Peacock) on drums. Credit: Andrea Belk “We have a lot of laughs and make fun music and it's good,” she says. After its initial album, “ One-Hit” , which was released in late 2020, Wanda Band signed this year with Single Lock Records out of Florence, Alabama, and has released a series of singles leading up to its release of the new album “Only Feeling.” Image Provided by Artist, Album Artwork by Gaby Wolodarski One of those singles, “Reggae Song”, was released in June as part of Pride Month. I want a woman to touch my thighs Who loves to sing and only smokes to get high I want a woman to scream my name She could be anybody, she just has to be gay In this song, Wanda is more explicit about her sexuality, although she says, “I guess a lot of my songs are about queer heartache and that experience and some of my frustrations with living down in the South and being a queer person. I think it's important for me as a woman, a queer artist, to be out and to show that there can be queer joy, there can be queer heartache, and just kind of giving a voice to those who feel the same way and maybe have experienced the same things.” She goes on to say with a laugh, “I definitely think that whether anybody wants it to be or not, all Wanda Band shows are a pride event .” Wanda says she’s been pleased with the reception of “Reggae Song” and the three other singles that have been released ahead of the full album. “I like the idea of giving everybody a little taste pretty relentlessly, like once a month, of our music,” she says. “And then we'll just give them all 12 (songs) for the full release and that will be fun. I'm really excited for everyone to hear the whole thing as a cohesive album.” As for the album, it was recorded with producer and musician Jay Burgess (The Pollies) at his studio in Greenhill, Alabama, which also happens to be the hometown of Jason Isbell . “Once it was done,” Wanda says, “Jay showed it to Ben (Tanner of Single Lock Records in nearby Florence) and Jay asked if Ben could put some stuff on it. So once Ben put all his keys on it, he was like, ‘I really want to pitch this to Single Lock and see if they want to put it out.’ So, they came to us and that was really special to me because it meant that they actually wanted to be involved with it. Using their resources has been extremely helpful and we're really thankful for their support in that way.” It probably doesn’t hurt that Wanda was a student of John Paul White ’s in the music department at the University of North Alabama. White, a noted singer/songwriter in his own right, is a co-owner along with Tanner and others of Single Lock Records. Wanda’s Shoals-area connections paid off in landing her a spot in the 2022 version of ShoalsFest, a musical weekend event brought to the area by Jason Isbell and his team. That was a dream come true,” Wanda says. “When I first moved to Florence, I worked ShoalsFest. I tore down the stage. I stood up on that stage and looked out and I was just like, ‘Now imagine yourself being here next year.’ So just being connected in the Shoals really has helped our career skyrocket in a way that it wouldn't have been able to just sitting in Huntsville.” In addition to the album release, another important date is looming for Wanda. She’s closing in on five years of sobriety. “I just was like ‘I guess if I'm an artist, I need to be troubled,’” she says about her early days of drinking. “As soon as I got out of high school, I just started drinking and smoking and doing a bunch of things I shouldn't be doing because I thought, ‘Oh, this is what it means to be young. This is what it means to be a brooding artist.’ And I took it a little too far and realized after about four years of regular heavy drinking that it wasn't helping me. It was kind of making me hate myself for not pursuing my dreams in the real meaningful way that I wanted to because I was so concerned with drinking and partying and being an artist in that way—and not really focusing on my art.” Credit: Tim W. Jackson She realized, “Some people can casually have a drink or two. I was not one of those people. It was like, as soon as I have a drink I'm blacking out. It was not good and not healthy. So, I finally made that decision (to choose sobriety) and started The Wanda Band like six months later and just really poured myself into my art and my music. In a way, maybe I traded one addiction for another— just being addicted to working on the band. But it was a healthy outlet for me, and it helped me pass the time and gave me a creative outlet that I didn't have when I was drinking all the time.” The focus on music has definitely paid off. The band has gotten more notoriety, and not just because of what has become their trademark coveralls. “I just got a pair of coveralls one day and thought, ‘Hey, I look pretty good.’ And then the boys were like, ‘I wanna wear some coveralls.’ So, our first album release show we got matching coveralls for the event, and we never looked back. We were just like, ‘I guess we're a coveralls band.’ “It's so funny,” she continues. “With the coveralls, I don't have to think about (what to wear). I'm just like, what color do I want to wear today? Sometimes I forget to tell the boys what color to wear and they'll show up to the gig with all of their coveralls in the back of their truck. I like that they're into it. They both work in construction, so it kind of just goes with their aesthetic.” Catch the “coveralls band” in a handful of album release shows in Alabama and the Florida Panhandle, and give the album a listen on your streaming service of choice. And keep your eye on this rising star who stands as a testament to the profound impact of music when it emerges from the heart and soul of a genuine artist and storyteller. Wanda’s dedication to her craft and ability to connect with audiences will ensure her indelible mark on the world of music, reminding us all of the power of authentic expression. For more on Wanda Wesolowski and Wanda Band, visit her below at any of the following links: www.TheWandaBand.com Instagram @TheWandaBand Facebook @TheWandaBand YouTube @WandaBand Spotify @TheWandaBand *Cover photo by Andrea Belk Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Alabama, with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. < Back Gino V.: Redefining the Music Scene with Rhythm and Soul Nicole Brice Oct 20, 2023 Share Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. In South Louisiana, we have a rich musical landscape with bands playing many genres of music. From rock to zydeco to metal and everywhere in between, the market is saturated with talented individuals all looking to showcase their craft to the masses, and in the ever-evolving landscape of music, there are those rare individuals who possess the talent and vision to create something truly unique. When I first stumbled upon the Gino Vallecillo (aka Gino V.), I was blown away because it was unlike anything I’d ever previously heard, and it did not fall into one category. It’s a little bit of pop with a little bit of soul and a little bit of rhythm & blues. To be frank, it’s just good. Credit: Gary Governale Hailing from the town of Delcambre and stabilizing himself as a fixture on the local music scene in Lafayette, Louisiana, Gino V. has made a name for himself with various projects, including being a touring musician and playing in such bands as Sailor Mouth, Random Animals, HoleOpener, and The Band Forgiven. Gino’s diverse range of projects shows he is a man on a mission to be heard and seen. Multi-talented, Gino plays drums and sings, which is no small feat. With unparalleled skills and an ability to seamlessly blend various genres, Gino possesses an innate musicality—one that is sure to leave an indelible mark on the industry. Born and raised in a musically inclined family, Vallecillo was exposed to a diverse range of music from a young age where he absorbed the various musical styles, forming the foundation of his artistic journey that shows no signs of slowing down anytime soon. Having just released two new singles independently under his solo brand with the tunes “Shine” and “Back Home”, we were able to steal a few moments of Gino’s time to chat with him recently where we spoke about the state of the music industry as well as upcoming projects in the queue and what the future holds. Take a moment to read a little more about Gino V. and then be sure to check out his music on all streaming platforms. MaM : Thank you for speaking with us this morning. We did a little research on you, and it is insane how many projects you have been involved with over the years. Tell us a little background and history on you. GV : Well, my full name is Gino Vallecillo, but I shortened it to Gino V. because I’m Hispanic but grew up in Cajun Country. Since people have slaughtered my name my entire life, I figured it was easier for people to remember it this way. They can’t mess up Gino. I’m from Delcambre, which is south of Lafayette – about 35 minutes. I started playing drums around 12 years old but didn’t start playing on a kit until I was 14. I’ve been singing as long as I can remember, too, and I grew up in a very musical household where no one else played instruments, but everyone loved music. My dad is from Honduras, so I was exposed to salsa, mambo, and bachata dance styles early on—a lot of Afro-Cuban stuff. He was also into disco and soul music, so I absorbed that influence as well. My mom was more into rock from the 50s and 60s and also into 90s country, so I have those influences, too. Now, my brothers were the ones who liked hip-hop and R&B, so that kind of changed me. As a youth, it helped me to create the gumbo, if you will, of influences that got me here. Initially, when I first started, I was gigging in hardcore and metal bands from the time I was 14 and 15 years old, and that went all through college. In 2015, I decided to move on from the group I had been playing with for the past six years so I could start doing my own thing. I started trying to fill the pool with my singing again because I had taken a hiatus from it to focus on playing drums. I had been gigging in Lafayette in the heavy scene for a while but then decided to jump over to do more soul, blues, and R&B, which in Lafayette, oddly enough, is divided. You do have a few of us that do kind of catch every genre, but there’s so much out here including zydeco, which is huge. Credit: Gary Governale MaM : Obviously. GV : You can go out and see many genres in Lafayette, though, but I started taking the jump to do something different. Then in 2017, I started a band that I had initially hoped would be a dirty blues band, but it wound up taking shape to be more R&B-esque with a little rock influence. We were called Sailor Mouth. For about four years, I was in Sailor Mouth, and then in 2021, I was allowed to go on the road with a national recording act for about seven months. I got to experience the world and travel the country, and it lit a fire under me. Being out there inspired me, and I came across many musicians who had given their lives to other artists with nothing that was truly theirs. People don’t realize it, but the music industry is extremely hard. It’s one of the toughest industries to be a part of because it takes so long to establish yourself. There’s no security either. The best way to establish that security for yourself, though, is to have your own thing to fall back on no matter what. MaM : So true … go on. GV : After coming home from that road gig, I didn’t have my own thing anymore, so with the help of one of my best friends, we were able to write “Shine”. He has been super influential in my taking this next step. For the past year, I have written a ton of music and am sitting on close to 20 songs. Credit: Gary Governale MaM : Oh wow, that’s a lot. GV : “Shine” is the first release and I have some more music I want to release. My goal is to just continue to build my discography and try to elevate my brand. I have a lot of cool things coming up. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier? GV : To be honest, I feel it’s a little bit of both. I use Distrokid and with that, there’s a lot of content put out because anyone can use it. I do think that because everyone is using streaming services our attention spans are not what they used to be, and for me as an artist, I don’t think I’ll be putting out a full record anytime soon. It would take so much of my time because I would obsess about every single detail including tracking and flow. I feel like singles are the way to go for me to establish my discography. I do like where technology is these days, but I think we’re on a different playing field than where it used to be with music. Credit: Gary Governale MaM : I can agree especially with the whole attention span thing. I couldn’t tell you the last time I listened to an entire album. I keep my music collection on shuffle, so it’s ever-changing. It’s crazy to think how far the industry has come and to think about how much things have changed. Of all these bands you have played in, are any of them still active? GV : Well, with Sailor Mouth, we are on a hiatus. A member moved and one had a baby and then I went on the road. Our guitarist is the guitarist for Wayne Toups right now, so he’s got that gig. Life just happened. I do still play for a very small circle of people currently. I still play for Ray Boudreaux. He’s a singer from Carencro and was on The Voice back in 2013. I also play for a soul singer out of Port Barre named Sarah Russo, who is incredible. I have a few projects. This is what I do full time and it’s what I want to do. Credit: Gary Governale MaM : So, mad respect for the fact that you play drums and sing. I’m not gonna lie: It looks difficult. How do you stay coordinated? How did you hone that skill to where you are just rockin’ the hell out of it? GV : Well, I think that it kind of started when I was younger. I was actually rapping and drumming when I was 14. I kind of dipped my toes into the water just to see if I was capable. Getting into the heavy scene, I found other drummers doing it in rock and metal bands. I got into Atreyu big time and Brandon Saller was a kick-ass drummer who sang. Underoath, Aaron Gillespie, another band with one who plays drums and sings. I was always inspired by it and wanted to do it. In 2016, I found Anderson .Paak and was very inspired by him, and I think that was one of the things in 2016 that gave me a kick in the ass when I saw him live because I knew I could do it. I wasn’t where I needed to be because I needed the mic time, but I knew it could be done. You’re not gonna get good at it unless you’re doing it constantly, so I’m always singing. Credit: Gary Governale MaM : That leads me to your new song, “Shine”—how did the lyrics come about for it? The entire vibe is so strong. GV : So, I had just come off the road and was trying to establish what I was going to do next. Josh, my homeboy, sent me the basic riff while I was on the road, and I had started messing with it. When I found the time to sit down, the song just poured out of me. The melody hit first and then the words came. The song “Shine” in general, I believe, is my outward expression of gratitude for the love I received from my partner. I went through some dark times in 2020 and I would have never gotten through them without my partner in my corner. So, the song is essentially that, but I think it’s up to interpretation, you know? It could be whatever that light in your life is, whatever that thing is that you can cling to that kind of pulls you out of the darkness when it doesn’t really feel like that’s possible. https://www.youtube.com/watch?v=bq7mIvKU-Gs MaM : I can definitely resonate with that. You said for the rest of the year you plan to release singles, but what are your goals for the remainder of 2023 and into 2024 and beyond? GV : I want to continue to release music and I would love to do more on the local festival circuit. I’m going for Festival International next year here in Lafayette. I’d also like to do more road gigs … maybe travel through the Bay St. Louis area, maybe Mississippi, New Orleans, Baton Rouge, Lafayette, Lake Charles, and then go through Texas. The biggest thing for me right now is elevation. I want to take what I’ve been doing and do it on a new level. As Gino Vallecillo’s musical journey continues to evolve, his future projects will undoubtedly push the boundaries of contemporary music even further. His unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. To check out the music of Gino V., just hit one of the links below! DistroKid : Shine by Gino V. - DistroKid Linktree : ginovmusic | Instagram, Facebook | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An interview with Travis Marc < Back No Sleep for Deep Sleep Atlantic C.G. Smith Jul 12, 2023 Share An interview with Travis Marc New Orleans-based alt-rock/alt-post-grunge duo Deep Sleep Atlantic is making some pretty big waves with the recent release of their debut album, Prelude . Earlier this year on March 31st , the duo released their debut single ' Bipolar Tendencies ,' a darkly energetic tune less about the mental illness and more about the fragmented way in which society operates. The song was a powerful first step for them, and they’ve successfully backed that power up with the release of their first album. Comprised of singer/guitarist Travis Marc and drummer Daniel Perez , the album is full of creatively catchy lyrics that focus on remaining aware and mindful while facing and connecting to life and its challenges, and on doing so with courage. All the parts on the album were recorded by Travis , and after meeting Daniel , the two joined forces. Daniel Perez and Travis Marc, photo courtesy of Deep Sleep Atlantic Travis is a SAMA-nominated multi-instrumentalist/producer/songwriter originally from Johannesburg, South Africa , who spent time in London with different bands before landing here in the States. He has been playing and writing music professionally for about 25 years. He’s a hell of a guy, a consummate professional, and keeps himself insanely busy. Credit: Gary Governale I was fortunate enough to get the opportunity to sit down with him and talk about his musical history, his work ethic, and his most recent project, Deep Sleep Atlantic. Here’s what he had to say: MaM : So, you’re on your third continent. You spent your first 19 years or so in South Africa, then moved to London to play in a band, and now you’re here in New Orleans. How did you end up here, and how does New Orleans rank? TM : So, I was going through some stuff, and it was a real tough period in my life, and I just needed to get away, so I booked myself a trip across America. While I’ve been in bands my entire life and toured pretty much everywhere, there were parts in America I’d never been to. New Orleans was one of those places. I came here and was here for a few days, then I met a girl. We hit it off and we did the distance thing for, give or take, three years; it was tough. We … eventually were like, ‘What are we doing here? Let’s start looking into one of us moving.’ We weighed out the pros and cons and it made more sense for me to move than her. MaM : You had a project in England at the time? TM : I did, I did— Dead Days . In fact, we’ve got a record that we are still trying to finish. We’re doing it remotely, so that record will come out, I’m hoping, this year. At a push, maybe next year. We’re jokingly calling it ‘English Democracy’ because it’s taken us a better part of four years already, but it’s outstanding. We’ve put out three records, and it’s by far the best one. It’s totally different from Deep Sleep Atlantic. MaM : Now you moved down here, happily ever after. How long did it take you to get into the scene here in New Orleans? TM : I auditioned for my first band about six days after I arrived, on the 11th of February. I got married the 22nd. The week before I got married, I went and did an audition. ... It was the strangest audition I’ve done in my life, and I’ve done some weird ones. But I got the gig, and I then went to two jam sessions, both at DMACS, and I think by the 27th or 28th everything started shutting down [because of Covid]. So, it was really bizarre because the day we got the call that people needed to start going home and stuff, I was supposed to play that night. So, at that point I guess I was here for twelve days or so? Thirteen days? I got very lucky because I was working as an assistant at Esplanade Studio at the time, and everything shut down except for the studio. So, while the gigs stopped, the studio was busy as hell, so I was in the studio every single day. Credit: Gary Governale MaM : What changes do you think you’ve gone through from the very first project you’ve been in until now? Are there any major changes that you can point out, or were you just out of the womb a natural? TM : Hmmm. That’s a tough one. I’d love to claim that, but no. I still feel like I really have to work, but I don’t mind it. I enjoy the process, you know? I guess there’s no massive changes. I can listen to stuff that I was involved with as a teenager and go, ‘I think I’m a better singer now,’ or, ‘My lyrics definitely make more sense now as a writer,’ but that’s not necessarily fair, because how can you relate to something you wrote as a 15- or 16-year-old and now listen to it and say, ‘Those lyrics are crap.’? Because they weren’t crap at the time. They meant something to me, even though I can’t relate to them now. If I’m really pushed, I’d say I think I’ve become a better writer. I’m less worried about whether I can put all the cool things in and make people think, ‘Oh, wow; what a cool little guitar part.’ I don’t care. It’s all about the song. I do not care about the genre. I do not care about anything else—just the song. Now that being said, I do care about the sonics of the song while we’re living in this it’s-all-cool kind of world, and I do think of little details: ‘Were the snare drum hits consistent or did the one guitar part go out of tune on the last chorus? Or, man, I can hear that sibilance kind of mouth noise. Stuff like that drives me crazy. MaM : We both had music in our lives growing up, thanks to family. Do you think you’d be the same without that experience? TM : It really plays a part. Whether it helps shape you, I’m sure it does. I recently read this very interesting article. This DNA scientist was saying he’s on the cusp of proving that humans are who they are, and it’s set in your DNA from day one, and while your surroundings and upbringing will play a part in who that shapes, the bottom line is you are who you are. Now I don’t know if I believe this, but I’m also not a scientist. It got me thinking. Credit: Gary Governale I definitely had other ambitions and aspirations, other things that interested me that I was gung-ho on achieving, but once I discovered music, none of that mattered. Music was a big part of my upbringing—not to the point where I was playing or anything, although my parents always told me I was doing certain musical things that made [them] go, ‘Huh.’ I don’t know if I’ve spoken of this before, but something that always makes me wonder, especially as I get older, so I was, I guess, luckily, expelled from kindergarten. For a year, I was at home … with my coloring books and my mum. She had a side hustle where she would knit jerseys, beanies, and gloves. She had this room with a big knitting machine and a radio. The radio would stay on, she would do her knitting, and I would sit there coloring in my coloring books while listening to the radio. I fell in love with Fleetwood Mac and Bonnie Tyler, Tina Turner, Michael Jackson, and Madonna, Phil Collins—whatever the big hits of the day were—Tom Petty, all that kinda stuff. Keep in mind, I don’t know how knitting machines work now, but I do know that then, it was this long, rectangular thing, and this bracket would go from left to right and then back. It had a timing kind of thing to it. (Imitates the sounds of the machine going back and forth) Now subconsciously, maybe that did something, I don’t know, but I’ll tell you, my parents are adamant it did something. My dad was a printer. He had proper machinery that weighed hundreds and hundreds of tons. So, I had this year off and these machines—they’re called Heidelbergs. So, this thing comes down, almost like a mechanical karate chop. It goes up and it comes down. (Imitates the rhythmic sound of the machine) MaM : (Begins to sing Pink Floyd’s “Money” in time to the sounds) TM : Exactly! I obviously didn’t know who Pink Floyd was, but my parents swore to God that I would, between sitting there in the room with my mum falling in love with these 80’s melodies and standing inside my dad’s factory with this machine, they claim that I would stand there and make up these raps to the machinery timing, or I would play paint buckets, trying to stay in time with this machinery. So, that particular year was everything. I can’t give it all the credit because I don’t know, but I’ve never struggled to work with a metronome, ever. I do put that down to the knitting machine and the Heidelberg printing press. MaM : What inspires or influences you nowadays? TM : I take inspiration from anything: conversations, words, podcasts, songs—anything I can listen to and go, ‘That’s cool.’ Credit: Gary Governale If it’s cool and I want to explore it, I’ll make a note of it, and when I’m at my wit’s end and I can’t think of something, I’ll pull up my notes. For the most part, I’ve never needed to wait for inspiration to hit. It’s like, I work at it. I’ve always treated it like a job. So, 8 to 5 I need to create, or work in studio, or get better at editing, or producing, or creating content. I’ve never been that stereotypical sleep-‘til-4-o’clock musician. The long and short of it is, if I don’t do something that makes me feel like I worked on trying to get better at my craft every single day, I can turn into a moody bastard. So, keeping my own shit together means I’ve either got to get up early and practice, or when those around me that I love go to bed, I’m going to stay up for a few hours and practice. Whatever I need to do to allow myself to feel like I’m alive. MaM : Plus, I think you need to stay connected to whatever that is that we’re trying to tap into, right? I think the longer you’re away from it, the harder it is to get back to it. TM : One hundred percent. I write a song every day. Might not always be a whole song, but I’ll at least do a verse and a chorus, and I’ll put it on the back burner. I could pick up your guitar now and write us a song. It would not be difficult for me. I consider that a true, true blessing, okay? I know people who will spend six, seven years on one song, you know? It’s different for everybody, but for me, it just comes. I do think, to your point, if I took it for granted and I had this attitude of, ‘I can write songs whenever,’ take a ten-year sabbatical and come back, I’m pretty convinced that that gift [would] be gone. I’ve definitely had a couple people get frustrated over the years. ‘What’s that song about?’ I’ll be like, ‘Well, what do you think it’s about?’ They’ll go, ‘Well, you wrote it.’ I’ll reply, ‘Well, did I? I mean, my name’s on the credits, but somebody else wrote that song. It just came out in the form of my hands on a guitar.’ I’m not trying to sound arty; I genuinely believe this. I remember reading interviews with certain people that were like, ‘It just comes out of me,’ and I’d always be like, ‘This motherf*cker. It just comes out of me. Bullshit.’ Whatever that is, is a hundred percent true. It just takes a little bit of refinement from my side. MaM : Do you have a favorite song of yours that just came out and has been untouched since it first came out? TM : There’s a couple, yeah. In my last band, we had this song called ‘Liar Liar,’ and I’ve got early demos of that from when I was 16, 17. It’s identical. On this new record, ironically that first single we put out, ‘ Bipolar Tendencies ,’ I got home from the studio that one day, picked up my guitar, sat on the bed, [and] fifteen minutes later I had ‘Bipolar Tendencies,’ and I was like, ‘I should put this on the record.’ I went and demoed it, did the drums a couple days later. That’s identical to how it was. Nothing changed, except I put a sample of a heartbeat in it. https://www.youtube.com/watch?v=kgBPk-zff-U Official Video for 'Bipolar Tendencies' MaM : You recorded and engineered this new album yourself, right? TM : I was never the guy who was like, ‘I’m gonna produce my own record, I’ll engineer it.’ Listen, I do think there are strengths in letting other people do stuff, like the Deep Sleep Atlantic record--my buddy Taylor Tatsch , he mixed that record. He did a superb job as far as I’m concerned. You can get too close to the stuff. Where my thought process behind it all changed was, I was in a very well-known studio, and I was just there playing on this person’s record. It wasn’t my record, but I’d known the producer. This particular artist, they couldn’t get their thing right. They were in the live room and I’m in the control room with this producer, and I don’t know if he knew that I was in the control room, or if he just didn’t care, but a comment was made, something along the lines of, ‘Ah, fer f*ck’s sake, just get it right already! It’s a shit song as it is.’ The artist never heard that, but I heard [it]. It suddenly got me thinking, ‘Wait, I’ve been in hundreds of studios by now. I wonder if this is how they feel when I’m paying to have my music recorded?’ That was the changing moment. After that I was like, ‘Nope, I’ll do it myself.’ … If you put some true care into it, people can tell, man. Credit: Gary Governale MaM : So, the new band, Deep Sleep Atlantic, tell us how that came about and where do you see it going from here? TM : I’d been in bands forever. I decided I was moving to America—I was done with bands. A friend of mine introduced me to a mutual friend, who is fairly visible in the music industry, who says to me, ‘We’d love to have you on our books.’ I’m thinking, ‘Me, on his books? Why now? I leave in less than a week.’ So, I said, ‘No, thanks, man. If you take me as a writer, but as far as bands go, I think I’m a little burnt out.’ I’d been gigging more than 20 years at that point, closer to 25. Bands are hard, you know? You’re dealing with all these different personalities and not always in a nice, positive way, you know? So, I come over here and I’m working at Esplanade [Studio], and every day I’m seeing really great artists coming in to do their thing. I’m sitting at home after a few of these sessions and I’m thinking, ‘Yeah, that was great, but I’ve got songs that I think are better than that, or different.’ Not in an egotistical way, just in a comparable way. So, I start writing songs. Next thing you know, I’m creating logos, writing down band names, and I’ve got about 43, 44 songs. I’m still talking to this guy who wants to manage me, and eventually he says to me, ‘You will come out as an artist, and I’ll focus on pushing you as a writer. That’s the only way we’re doing it.’ So, I said, ‘Okay.’ So that’s what led to Deep Sleep Atlantic being created, but by this point, I’m almost finishing the record and I don’t have a band. I’m still not sure if I want to have a band. Then I meet Daniel at Esplanade Studio. He and I hit it off. So, I tell him that I’ve got all these songs and I don’t know what I’m gonna do with them. I sent him, like, three songs. He comes back and says, ‘Dude, I loved the songs. We should jam sometime.’ And that was it: He and I started the band. It was as easy as that. Where we see it going, who knows? I mean, you never know where these things could go. As an actual band, we’ve only been officially out there now since the 31st of March, and it’s exceeded all my expectations thus far. I’ve been in some very good bands; I’m extremely blessed to say that. We seem to be getting a lot of feedback and a lot of love and a lot of positive response. So, where do we see it going? We’ve got some plans. I’m not going to be juvenile enough to talk about them because if they don’t transpire, then you get egg on your face. MaM : How did you come up with the name? TM : It wasn’t taken. (laughter) I hate to use the word ‘woke’ in a wrong manner, but the play on it would be just being insightful and awakened to your surroundings. Chad from the Musical Lab podcast … told me that he thought it was that we had traveled across the Atlantic. Now listen, I can’t take credit for that. I hadn’t even thought of that, but it’s a fairly cool concept. Daniel and I have both lived in several places at this point and we travelled from those places across the Atlantic to get here. Now that didn’t inform or influence the band name but, you know, America is one of the biggest countries to exist, and there’s so much going on here at the moment. Some people are very sensitive to it, and some people aren’t. So, for me, I think the name is kind of just a play on … we’re at this point where there doesn’t seem to be middle ground. You’re either one of these really insightful and have-to-preach-about-it kind of people, or you’re one of those other, ‘Naw, it’s not even a real thing’ when it is. So, I don’t know. I just think it’s much like a song. You take from it what you will. For me, it’s an important name because of certain situations around it, but that would be how I describe it. We went through hundreds of names. Originally, we wanted to go with something else. We even did a couple tester gigs under a different name, only to be at a gig and this bass player I know came to me and said, ‘I tried to check you out before the gig. You know, there’s a rapper out there using that name. So, I went and checked. We are big do-stuff-behind-the-scenes kind of guys, and we had done all this work. We were about to launch, we registered all the socials, we registered the website, we did all the things that you do, right? We put up one little post and about three weeks afterwards, this rapper puts out a song and emerges under the same name. Three weeks after our post. Now, I’m not saying he took the name, but that name was so unique, that I think it would be very hard for someone else to think of that exact thing. Humans are more similar than we admit, so I’m not saying it’s not possible, but when that was brought to my attention, I was like, ‘Okay, pull everything back. We’re not launching. Shut all of that stuff down and let’s regroup. That’s what eventually led to us taking the name Deep Sleep Atlantic. MaM : Talking about live shows, you have a few under your belt now with Deep Sleep Atlantic. How have those gone? TM : Fantastic. MaM : So, Daniel is on drums and vocals, you’re on guitar and vocals, now, to fill in the other spaces … TM : I split my signal between a guitar and a bass cab, so that fills a lot, and we play with tracks. We’ve got a Pro Tools rig, and that fills the little keyboard-y parts that we’ve got on the record and a couple little nuances. We play with in-ears, we play to click. We do all our own sound, so basically when we get to a venue, they give us what they want to mic, we then feed them our tracks so it’s in the mixing desk, then they feed the signal back to us and we have control over all the levels. It definitely takes a bit of that spontaneity away because we are locked into playing to our tracks. Every now and then, some inspiration hits and you want to go jam it over here, [but] you can’t do that. It takes some serious discipline to do what we’re doing, but it’s also not so bad because I have always been a fan of bands that sound like [they do on] the record. MaM : So, let’s talk about the album Prelude . Where did you record that album? How long did it take, and are there any stories from the recording sessions? TM : [We] recorded that album in my house, except for the guitar solo in ‘ Bones ’—that’s my buddy Zack [Loy] from the band Live. https://www.youtube.com/watch?v=GJPeOMB7tEU Official Video for 'Bones' There’s a saxophone solo in ‘ Blue ’—that’s Dave; he plays in the Dave Mouton Experience . https://www.youtube.com/watch?v=1wvpZFEpwiI Official Video for 'Blue' And then there is a cello part in ‘ Mess We’re In ’ that I didn’t play. Everything else, I did in my house. I was doing it in between gigs, and sessions, so I did it sporadically. A story regarding it would be, it was shotgun house. I’ve since moved—the neighbor who basically convinced me to move was extremely, uh, [long pause] I think if she could have, she would have done everything she could to prevent that record from being made. It started getting to a point where I couldn’t even cough without banging coming from the other side of the wall. It started to become a bit of a joke, but not in a good way. It was in a—and I don’t mean for this to sound condescending—but it was in a ‘I think this person needs some help’ kind of way. MaM : Well, after months of hearing drums through the wall! TM : Well, ironically, I had the drums done before they even moved in! Okay, guitars—I’m a bit of a stickler for the guitar. You may have to do a part 500 times before you find the tone that you like. So, I do understand that from a neighborly point of view, especially if you are at home and you hear the same riff all day. I understand that can be frustrating. It got to the point where my wife and I would turn the television on and [within] two or three minutes, the pounding on the wall would start. Then we started to hear violin. Not properly played violin, more like the screeching sound from Psycho . After that, these notes started. You’d come to the house and there’d be a note on the door about something, or there’d be a note in the backyard about something, or there would be a note under your door, or in your post box. I tried to meet in the middle. I made a schedule, and I said, ‘Look, I’m not going to make noise every day. I definitely won’t make noise after 7 p.m. I get that you want to relax and stuff, but you’re at home all day.’ At this point, I’m only home maybe two days a week because I’m working at the studio. It was really reasonable; it wasn’t, like, every day. She said, ‘Oh, no, I need those times for my clients.’ I said to her, ‘There’s nothing more I can do. I’ve stopped the noise, we don’t turn the television on, and we don’t even have guests at the house because we don’t want to upset you.’ MaM : You have cough drops ready. TM : Exactly! So, it got to a point where we were like, ‘Let’s just move.’ That did hinder the album process. It was an album that could have taken me, let’s say, a month. Let’s say a week for drums, a week for bass, maybe a week for guitar, and a week for vocals. I could have been done. The drums and the bass were done before she got there. She just wasn’t willing to meet me in the middle. So that was both a funny and frustrating aspect of the album. MaM : Do you think any of that influenced any of the vibe on the music you were recording? TM : No, no. I mean, definitely some of the frustration while playing guitar came through. There were definitely moments where I was like, ‘Okay, you’re gonna make this hard for me? I’ll turn it up.’ Credit: Gary Governale MaM : How do you balance the art versus the business? You’re obviously talented creatively, but you also have a lot of knowledge and experience in the business side. How do you work in both without going crazy? TM : I think it’s much harder than anyone gives it credit for. I think if you start thinking about the business stuff too much, it will affect the art. You don’t want that to happen. So, I, personally, try not to think about that when I’m making music. I try and look at them completely separate. It really doesn’t make me sound rock n’ roll at all, but I will have lists … of stuff that I need to do to take care of business and I will dictate certain hours of the day to do that, whereas when I’m creating, or recording, or making art or anything, I worry about none of that. I think you NEED to think about the business though, unless you have someone who can take care of that for you. People are listening to music with their eyes now, so you could have the greatest record out there and it might be discovered (the good ones always are discovered eventually), but if you’re not taking care of something that [allows] people [to] somehow find you, I think you’re doing yourself an injustice. Plus, it’s in your best interest to learn that side of it now because no one’s going to care about your music, or your art, or you as much as you. I’m happy to do the work, I’m not lazy. I’m many things, but I’m not lazy. Follow Travis and Deep Sleep Atlantic on all social media and streaming platforms, available at www.DeepSleepAtlantic.com . To see their tour schedule, click here. *cover photo credit: Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Nonconformist Sound < Back Unparalleled Talent and Personality: Subliminal Landmines Nicole Brice Feb 7, 2023 Share A Nonconformist Sound All musicians and bands draw inspiration from others, and often you will find hints of those influences scattered throughout their music. For Subliminal Landmines , though, their new sound hints at nonconformity and is one that is uniquely their own. If you like good, loud, punk rock, this band is for you. Taking a cue from Green Day , who are just one of their influences, these guys have solidified a solid line-up and continue to evolve as musicians and friends. Initially possessing a sound reminiscent of the Riddlin Kids , complete with catchy hooks and choruses, the sound of their new material takes on a harder edge with more of a skate/punk vibe . I was lucky enough to hear some of the new material, and I cannot wait until everyone else can check it out, too, because it is killer. Credit: Gary Governale Fronted by Grant Duhon on guitar with Chris Hayes on bass and Casey Bateman on drums, the men of Subliminal Landmines prove they are more than just another punk band. Each member brings an interesting dynamic and personality to the mix for a truly well-rounded listening experience best heard with the volume turned all the way up. The release of 2020’s Gibberish saw Subliminal Landmines forging their way into an over-saturated market during the height of COVID-19 but, truth be told, this album is distinct and unlike anything else out there. https://www.youtube.com/watch?v=QBTKzw76z6M Official video for 'Where's My Coke' by Subliminal Landmines If I had to pick one vocalist to compare Grant’s sound with, I just can’t. Truly. In fact, the writer in me wants to bring you these snazzy descriptive words for him, but they escape me. His voice is smooth and edgy and just what you’d expect to hear in a punk band, but yet, does not sound like anyone else. He possesses a style all his own. Credit: Gary Governale Chris has more of the classic punk vibe going for him, complete with a bad-ass wardrobe and an even more idiosyncratic personality. He exemplifies what it means to be punk rock and, in his other life, owns Leviathan Studios, a tattoo shop in Baton Rouge, La., where he has inked more people than I have purses and shoes. With a flair for art and individuality, Chris possesses a strong stage presence and an even larger-than-life persona. Credit: Gary Governale Casey rounds out the band on drums, and this dude hits those drums so hard, you feel their vibrations through your clothes clean into your soul. He’s really good and oozes talent, not to mention he is a Veteran of the U.S. Marine Corps. Props, my dude. Credit: Gary Governale I had the pleasure of hanging with these guys recently to talk about everything from music, influences, and sound to why Chris owns Twilight on DVD but refuses to watch it, and everywhere in between. A bad-ass, eccentric mix of classic punk rock is how I would describe Subliminal Landmines. Be sure to find their music and jam out as soon as you finish reading this article. You’ll thank me later. Credit: Gary Governale MaM : So, you guys formed in 2017, but you (looks at Chris) were NOT a part of that. Chris : Yes, formed in 2017, but the band has been around for a long time … We’re trying to push what we are doing now, and there have been several changes, but this is the core group now. MaM : Chris, I know you personally from working with you back in the day but give me a brief background on you for our readers. What’s your age? Chris : Do I have to give my real one? MaM : It would be nice, ideally. (laughs) Chris : I mean, I identify as, like 26, but … MaM : Well, you’re a couple years younger than me, and I’m 41, so … Chris : I’m, uh, 37. I’m a baby, remember? I’m a tattoo artist professionally, and I play bass in the band. Grant and I both sing. Hell, Casey sings now, too. It’s really a three-way entourage going on. MaM : Chris, who do you cite as your influence with your playing? Please don’t say Sid Vicious. (laughs) Chris : No, uh, singing-wise, yeah, we’re in the same range vocally. (laughs) It’s kind of a funny thing. A lot of the way I play, if you talk about it, like how I play bass … I started out getting into a lot of basslines from, like, Tool and then some more funky basslines like Gap Band and stuff like that, but that’s not how I play in this band. I bring more technical melodies to this band but more in that punk vein. I’d say as far as that vein of influences, it’d be more Hot Water Music, Alkaline Trio, and I don’t really know. MaM : Ok, let’s talk gear. What’s your favorite bass to play and what type of gear do you use? Chris : I’m a big fan of neck-through basses. That’s always been a thing for me. I always end up going back to an old 90s Peavey Unity neck-through body. I’ve had that since, like, the 6th grade, so over 20+ years. I’ve stripped it down, rebuilt it, and made it all my own. Most gear I try to customize it and make it my own. Credit: Gary Governale MaM : Ok, so now, Grant, tell the readers a little about yourself. Grant : So, I’m Grant. I’m 27, and I’m unemployed. (laughs) Got fired on the 2nd day of this year, so I got to start my new year without a job. (laughs) MaM : Well, what were you doing before you got fired? Grant : I was managing a smoothie place in Carencro, La., and I had been working for them since college, but I did that for about four or five years, did the band, got married, and had two kids. I have a son who is two, and a daughter who is about to be one. MaM : So, you’re only 27? Chris : Oh yeah, I got a kid, too. MaM : I know you have a kid. (laughs) Chris : Well, I feel like an asshole if I don’t mention it since he mentioned his. (laughs) Grant : Yeah, so the world is kind of just open with opportunity right now, and I’m just trying to decide what I want to do. I kind of want to be more in the kitchen if I do something, like maybe be a chef or manage a kitchen or something like that. MaM : Go to school for that. Grant : Yeah, exactly. Culinary school. I just want to find something short term, though, to bridge the gap, but I’ve been playing guitar since I was eight years old. Self-taught, no lessons or anything. One of our main influences for me—and you can hear it in our music—is Green Day. Writing style, performance … [I] kind of just took some of that from them. ‘American Idiot’ is one of the first albums I heard by them when I was eight. MaM : Oh my gosh, that makes me feel old. Grant : I ended up, though, going back to listen to some of their older stuff, like ‘Dookie’ and ‘Nimrod’, but out of all of those that influenced me, it would be ‘Dookie,’ ‘Nimrod,’ and ‘Insomniac.’ Each of those albums has a distinct sound for the era they were in. I did listen to a lot of Hoobastank growing up, too, and my mom listened to a lot of Creed. MaM : Chris just made a funny face. Chris : I’m making all the freakin’ faces at Grant talking. Like, stop talking. (laughs) Grant : Just kind of saying what was around me as a child (looks at Chris ), but as I’ve gotten older, my choices have changed. MaM : Hey, we all went through a Creed phase. No judgement. (laughs) Don’t knock ‘em! Grant : I started writing my own songs at nine and even played in front of my 5th grade class with one of my friends, who played the drums. MaM : Wait, what did you guys play? Grant : So, we played some original songs I had written. Did that. As I turned 17, I was focused on college and didn’t play for a couple of years, but when I dropped out of college, I picked the guitar back up and then got the band started, which, 2017 is when the band really got started with me and my friend, Zack, who is now in the Marines, and I told him, ‘Dude, I really want to get a band going,’ and we walked around Lafayette and put up signs looking for a drummer and bassist and eventually, we found some people [and] time passed. [P]eople come and people go, and now we have the line-up we have currently. Credit: Gary Governale MaM : What type of guitar do you prefer playing? Grant : I have a guitar that was a Christmas present—my first guitar when I was eight. It’s a knock-off Fender guitar that you buy from Guitar Center for $199. It has the white pick guard with the tan to black(ish) fade like a lot of the original Fenders have, and it has stickers plastered all over it. Chris : Cherry sunburst? Grant : Yeah, whatever color you’re looking for. That’s the one I used to play with, and it still works to this day, but what I’m playing with right now is an Ibanez that I took apart and kind of pieced together and made my own. It’s dark blue … new knobs, new bridge, got some locking tuners put on it. I would say it’s a Frankenstein guitar, but it’s new besides the body, so it’s not a bunch of used parts. That’s what I play with. Amp-wise I have a 4 x 12 Orange Cab I play with, and I have the Orange Crush Pro head for it. I don’t really use any pedals; I use a distortion Senders pedal and a tuning pedal. Keep it simple. Credit: Gary Governale MaM : So, (looks at Casey), tell me a little more about you. Casey : So, I am Casey Bateman. I’m 32. Grew up in St. Amant. Started playing music around the house because of my dad. I got my own drum kit when I was 12, which is the one I’m playing on today. I started percussion in middle school [and] played in the marching band, but when I got out of high school, [I] went into the Marine Corps and played in the Marine Corps band—played in that for four years. That’s where I learned drum set, percussion, and random things. Chris : Scalping? Casey : Yeah, scalping, too. (laughs) Sure. MaM : Much respect for your service, thank you. Casey : After that, I was in a bunch of random bands—cover bands. I guess the biggest one I was in was in Denver. It was a reggae band, which is really cool, because it was the only band I was able to play shows with in other states. Credit: Gary Governale MaM : What would you say your musical influences are, as far as genre? Casey : Genre? Growing up I was into metal and rap. Eventually, I got my drum set and discovered Blink 182 and My Chemical Romance. I still love those bands, too. I was super into Travis Barker back in the day. MaM : (Us, too, Casey.) Too bad he had to marry a Kardashian, right?! Chris : They’ll be divorced soon. Only a matter of time. Casey : Like him, though, I try to be choppy, and I was inspired by that. I’m really into metal. Like the Acacia Strain and Hatebreed. I think I bring a Hatebreed-type of aggressiveness to my playing. Credit: Gary Governale Chris : I feel you bring a bit of the Creed and Hoobastank vibe into the band. Casey : (laughs) Yeah, I also play jazz drums. I play that around town and I’m actually in a jazz band called Florida Street Blowhards . They’re a bunch of old jazz heads and we just play some music every now and then, and I don’t exactly use those chops here with this band, but it’s fun. When I was in Denver, I actually played in the Denver Nuggets drumline for a while, and it was really fun. I did that for about three years and that inspired me to get back into music, [so] I started my music education degree, and I’m at LSU now, about to finish. I graduate this fall and will be finished by the end of the year. Chris : Wait, so Denver has a team called the Nuggets? Casey : Yeah, it used to be the Golden Nuggets. Not what you’re meaning. Chris : I mean, Colorado is, like, the top state for legalizing weed, so how appropriate they would name their team the Nuggets. (laughter) Casey : Their mascot was this, like, miner. Chris : Now it’s like a hippie? Looks like Jerry Garcia? (laughter) Casey : It’s quite convenient how that worked out. MaM : So, do you feel your fans have been receptive to your sound so far and with what you are trying to accomplish? Grant : I definitely feel that this past year they have been. The energy that Casey brings to the band is new, and then Chris and I are really finding our niche playing together. All three of us [are] synching up. The way crowds have reacted to us this past year has been way different than previous years. We’re more involved with them, but they’re more receptive with wanting to hear us play, and it’s a good feeling. Chris : You know what I just realized? Every single show we’ve had for the past year, like the past five or six shows, we’ve had the entire crowd go, ‘Uhhhh!’ (makes moaning noise). (laughs) MaM : Uh huh, and how did you manage that? Chris : We literally paused the song and hit the crowd with a, ‘Can I get a uhhhh?!’. (laughs) Grant : They usually all do it back. Credit: Gary Governale MaM : How would you describe your sound? I made a note about your music and that it sounds like Blink 182 with an edge. Would you agree with that? Chris : The last album we put out, I could agree with that, but with the new stuff we are doing, we’re moving away from that sound. MaM : So, what would you say you’re evolving towards with your current sound? Chris : I really couldn’t give you something to compare it to, off hand, but it’s just progressed more into an aggressive style. It’s got a heavier edge than before. We’re pushing faster, heavier, and more technical. MaM : So, you don’t want to be as poppy as before? Grant : We’re moving away from the pop punk. Chris : Yeah, we’re pushing away from the older music and moving towards the newer stuff we’re doing. MaM : If you could give me one band that your new stuff compares to, who would it be? Chris : It’s more in the vein of the skate/punk vibe or more traditional punk, like Pennywise . MaM : So, do you guys have any aspirations for the future? Do you want to do this full time, or do you want to keep it as more of a hobby? Chris : I’ve always looked at it as if you’re gonna play in a band, you need to approach it professionally, but we’re not making money at this. Any money earned is put back into the band. You know you can throw us some more risky questions, just saying. Credit: Gary Governale MaM : Ok, so, what was this you said earlier about you being a movie buff who owns “Twilight” on DVD, yet you will NOT watch it? Why even spend the money? (laughs) Chris : ‘Cause it’s a movie and I collect movies, but people don’t buy DVDs anymore. Very few. They’re actually losing money on that. I’m buying it for the studios so they’ll keep making movies, but they just can’t keep making THAT movie. (laughs) MaM : Ok, well that leads me to … name one guilty pleasure band or artist that is in your music collection. Chris : Oingo Boingo. MaM : That’s not a terrible band. That’s actually a really good band. Chris : Oh, you mean that I don’t listen to? MaM : No, that you don’t want people to know you listen to. Like, if they saw it, you would be like, “That’s not mine. Someone put that there.” Chris : Honestly, I wouldn’t be ashamed of any of the music I listen to. I listen to weird shit. (laughs) I do have a lot of stuff that people would be surprised of, but nothing to be embarrassed of. I have shit like Patsy Cline and stuff. Grant : I kind of feel the same way, but I can’t pinpoint it to an exact artist. Chris : It’s easier for you because you own the newer Green Day albums. (laughs) Grant : I guess the later Green Day I can’t really get behind. (laughs) I do listen to it, though, but I don’t exactly enjoy it. (laughs) I guess, though, if I had to pinpoint an artist, then it would probably be NBA Youngboy. MaM : Can’t say I have any of that in my music collection. Grant : Like, I enjoy some of the stuff he has put out, but I can’t say that I listen to rap these days. MaM : Well, any closing words? Chris : You know how there is pull-apart monkey bread with the cinnamon on it? MaM : Yeah … Chris : Why don’t we just call it Simian rolls? (laughs) To check out all that is Subliminal Landmines , head on over to their various pages and listen NOW! New material coming soon, as they guys are currently mixing the new stuff. Stay tuned! Subliminal Landmines | Facebook Subliminal Landmines (@subliminallandmines) • Instagram photos and videos (195) Subliminal Landmines - YouTube Spotify – Subliminal Landmines Music | Subliminal Landmines (bandcamp.com) ‎Subliminal Landmines on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Classic Sound and Vibe < Back They Bring the Party: Von Mons Nicole Brice Mar 21, 2023 Share A Classic Sound and Vibe Sometimes, my music tastes can be a bit different than the norm, and I like to reminisce on the good ole days with some nostalgic sounding rock ‘n’ roll, so it’s quite fitting that I would stumble upon this next band, which I’ll now introduce to you. Von Mons are a four-piece band hailing from New Jersey , whose sound exemplifies what a party in the 60s should sound like . The guitars have a surf vibe to them, and the vocals are distorted just enough to sound like an old-school 45 that has been played one too many times. For a truly throwback listening experience, Von Mons music is best enjoyed loud, and if you happen to be near a beach, even better! Pull out that beach blanket, put the boombox down, and crank it up! Photo provided by band I genuinely wish I could pinpoint their sound and compare it, but I just can’t. Sure, there are hints here and there of Tom Petty , The Cramps , The Kinks , The Troggs , and even a little Herman’s Hermits , but when you really try to categorize or even compare them, you just can’t. These guys are unique and refreshing. Their sound is one that is missing these days amongst the clutter that has become rock music. One could even say their music would be the perfect soundtrack to a Quentin Tarantino movie. In the end, though, they are truly just a funky mash-up of underground pop. https://www.youtube.com/watch?v=lO1wAEAC9uI So, who, exactly, are Von Mons ? credit: Jeff Crespi Well, in a nutshell, they are Cory Williams (vocals, guitar), Tyler Kolling (drums, vocals), Brian Manser (lead guitar), and Casey Estelle (bass, vocals). Releases include Von Mons (2017) and Von Mons 2 (2020). All music can be found via the various streaming platforms and on YouTube . These guys are so much fun, they’ll make your head spin. I reached out to the band recently to gain a little more insight into what makes them so distinctive and was able to connect with Tyler Kolling , the drummer. Here’s what he had to say. MaM : What year did the band form and what inspired the formation? Give me a little band history if you don’t mind. TK : The band originally formed back in 2012. Sleepy (Cory) and I (Ty) were working at a bar in Asbury Park . We had a lot in common and bonded over our similar interests in music. We would always talk about playing together. We both didn’t really know what we were doing—still don’t, really—but [we] both had an interest in writing and performing music. Sleepy knew another dude named Sean that was really good at playing guitar. I guess you could say this was the first line up of the band: Sleepy on keys and rhythm guitar, me on drums, and Sean on lead. All of us singing. We played like that for a while, mainly in Sean ’s garage or at Ty ’s mom’s house. After a bit, we started taking it more seriously. We added Casey on bass and started playing gigs. Those early days were pretty wild and sloppy. Still are but just differently. Over the years we have had a couple line-up changes. Ty took a break for a bit and Sean moved to Atlanta . Shawna Grabowski from Late Waves filled in on drums for a bit. She rips. Corey Frank filled in on lead guitar for a bit—also a ripper. Ty came back and we added Brian on guitar full time. That’s really where we are at now. Cory “Sleepy” Williams on lead vocals and rhythm guitar, Ty Kolling on drums and backing vocals, Casey Estelle on bass and backing vocals, and Brian Manser on lead guitar. credit: Jeff Crespi MaM : How would you describe your music influences for your sound? TK : All of us grew up in the area surrounding Asbury Park . There was this radio station 1410AM Golden Oldies that played all the platters that mattered from back in the day … all the blasts from the past. We all grew up listening to that station, so it would be impossible to deny that as an influence. Other influences are stuff that our parents and siblings played when we were growing up—everything from Elvis and Buddy Holly to the Grateful Dead to Crass and the Ramones . Also, growing up near the beach for sure adds a bit of a surfy vibe to anything we do. Obviously, the garage rock groups of the 60s are a huge influence as well. If you listen to the garage/punk compilations of ‘ Nuggets ,’ ‘ Pebbles ,’ or ‘ Back from the Grave ,’ you will hear a lot of stuff we rip off. MaM : Any new music being recorded currently? When can we expect a new album? TK : We recently just finished our latest record called “ Shakin’ with VON MONS .” We recorded it in Brian ’s basement with Brian at the controls and the kids running around. It’s going to be released within the next couple of months. We are just working out a record release party and some last-minute art stuff. Follow our Instagram @vonmons for more info . We are really proud of this record. As we have said before, we are still on this adventure of figuring out how to make music. We feel like we are really starting to crack the code with this one. It’s a lot of fun. Not to say that the first two records weren’t, [but] we are just figuring out and refining our voice a bit more. Fourth record will follow shortly after this one. Recording for that starts soon. credit: Jeff Crespi MaM : Take us through the creative process. How do you come up with songs? TK : We usually write music by bringing an idea to band practice. That idea could be as simple as a song title or a progression or a little lick of a song, OR that idea could be a fully realized song. That idea could be somewhere in between those examples. Whatevers. Anyways, the idea gets brought to the group and we all flesh it out and put our input into it. Then we learn it and mess it up when we play it out live. It’s a blast. We all submit ideas, but I would say the majority of them come from Sleepy . He’s a hit-making machine. MaM : What music or things around you are inspiring you to create these days? TK : Anything and everything. We hear, see, feel, or experience something and try to boil it down to a simple 2:30-long bopper. Hope our fun comes through to the listener. That’s our biggest challenge when recording—capturing our fun feeling. We really want the listener to experience that above all. credit: Jeff Crespi MaM : Have there been any notable shows you have played and why? TK : Oh man. There’s been a bunch of great shows over the years. We love playing local gigs with friend bands. There’s also been some “bigger” gigs with touring bands that have been memorable and a lot of fun. Out of town shows with Todd-O-Phonic are always a blast. We are really just grateful that people wanna hear what we make. We have a lot of fun playing. Without people coming out to see our shows, that wouldn’t be possible. The best shows are really the ones where the crowd is engaged and there is that give and take between us and the crowd. We really dig it. We are just really appreciative for those early gigs, cuz [sic] we stunk, but people kept coming out and having a good time. That meant we kept getting more shows. We got better. Not much better, but hey, we couldn’t get much worse! credit: Jeff Crespi MaM : Love your “fuzz” sound with the guitar! What brand of instrument is used? Also, too, what pedals do you use to achieve your sound? TK : Sleepy plays a Fender Mustang with some simple Overdrive pedals and lets it rip. Brian is getting this custom handmade guitar made by his brother-in-law and Petillo guitars ; it’s a total frankenfreak of everything awesome. His pedals are always moving around and switching in and out. He usually centers them around a simple Overdrive pedal as well, though … cranks it and lets it rip. credit: Jeff Crespi MaM : With all you currently have going on, what are your aspirations for the future? TK : We always joke around that being a true garage rock act means that we play music for a while, make a bunch of recordings, and then disappear, only to have our music rediscovered 40 or 50 years later and re-released, prompting us to go on tour in our mid-sixties and totally blow minds. More realistically though? We will just continue to have fun and make music we think is cool. Hopefully the crowds dig it and nice people like you keep taking interest in us. To experience all this is Von Mons, hit one of the links below! VON MONS (@vonmons) • Instagram photos and videos Stream Von Mons music | Listen to songs, albums, playlists for free on SoundCloud Von Mons | Facebook Von Mons Von Mons | Spotify ‎Von Mons on Apple Music Von Mons on TIDAL VON MONS - Lyrics, Playlists & Videos | Shazam Von Mons - YouTube Thank you to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got something you’d like us to listen to? Hit us up! Send an email to the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. < Back Jonathan Machen aka Profit: Finding Refuge in Music Nicole Brice Dec 11, 2023 Share Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. In the ever-evolving world of music, talented artists constantly emerge, each with their unique style and sound. But every once in a while, a truly gifted artist emerges—one who not only speaks to your own experiences but also captivates you with his memorable sound. Jonathan Machen aka Profit is one of those musicians with an inherent musical gift and with it he has carved his path, drawing in listeners with his smooth, soulful voice and heartfelt insightful lyrics, as well as his hybrid-fusion sound merging hip hop and R&B with hints of rock and country. Jonathan Machen aka Profit is one voice you hear and don’t easily forget simply for one reason: You can’t. His effect lingers long after the music fades. Credit: Gary Governale Born in Crowley, Louisiana, Machen grew up a burn survivor, meaning he is no stranger to the depths of physical pain—pain that quickly compounded when he found himself the target of insensitive bullying. As an adult and single father of three, Machen suffered extreme personal loss, and his only refuge was the peace and motivation music provided him. The awareness he gained through experiences like these have molded him into the empathetically enlightened vessel of talent he is, reminding us that words—and how we treat other people—really do matter. He's a smart musician. Jonathan Machen aka Profit is as eclectic as, say, someone like Beck or Louis Cole ; he’s definitely traveling along the same interstate. With a passion for storytelling—as is evidenced on songs “ Refuge ” and “ Long Night ”—he shows he doesn’t stick to one style or genre but rather a menagerie of subgenres living amongst rock and hip hop. Mixed Alternative had the opportunity to sit down with Jonathan Machen aka Profit to learn a little more about his life, find out the scoop on that “Daydreaming” video featuring No Limit Gangsta, and see what’s next for him. MaM : Jonathan, thank you for taking the time to speak with us today. I’ve been going through your YouTube and music catalog, and you have such a diverse body of work. Tell us a little more about how you fell into making music. JM : I was born in Crowley, Louisiana, near Lafayette. … A lot of people don’t know it, but I am a burn survivor. At 2 ½ years old, I was burned by a crawfish pot that someone had taken off a propane burner and set down. I was running backward playing, tripped, and caught myself, so I ended up with second- and third-degree burns from my bellybutton up to my neck and from right above my knees down to my ankles. During the healing process, I had to wear a pressure suit and go through extensive physical therapy, where I also underwent several blood transfusions and skin grafts, too. I’m a miracle baby. After the accident, they had to airlift me to Baton Rouge from Lafayette, and I actually died and came back. From there, growing up consisted of being teased and hazed because when kids don’t understand something, they attack it. I’ve always loved music, and I can recall dancing around to old records in my mom’s living room. She had four bookshelves full of CDs and we had boxes all over full of records, so I grew up hearing and listening to everything. I immersed myself in it all as an emotional release. It was where I could find acceptance and be heard. Credit: Gary Governale MaM : Who or what inspired you musically when you were growing up? Did you have any favorite bands or artists? JM: Otis Redding, King Richard, Frank Thomas, Phil Collins—believe it or not. Anything Motown, too. It just ha[s] this soul and vibe. A good bit of R&B, too. MaM : What initially got you into writing lyrics? JM : As far as lyrics go, I started out writing poetry, and it was more a cry out than anything because I felt like I didn’t have anyone else who understood me besides my mother. I had no other outlet for these emotions I was dealing with. See, I was angry at the world because of what I had been through, and I had to go through some serious mental warfare with controlling my anger so I wouldn’t just snap on people. After I had been writing poetry for a while, I won a contest in school, and they published a poem of mine. That taught me that my words do matter. The first time I heard Eminem, as corny as it sounds, I realized I could put my words to a beat, and that’s how it all began. Credit: Gary Governale MaM : Let’s talk about the video for “Daydreaming”. The song is a bit mesmerizing to listen to … and it features No Limit Gangsta . How did you get him to guest on the track? JM : He’s a friend of mine who was signed to No Limit Records. The video for “Daydreaming” came about because the whole concept of that video is one big dream where we fall asleep and the dream plays out, and then we wake up and we’re like, ‘What is going on? Where did all the riches go?’. It’s as simple as that. https://www.youtube.com/watch?v=zKWS8IhM4ow MaM : What was the first song you ever wrote or recorded? JM : It was a track called “Angels Talking” when I was about 14 or 15 years old. The song never got released, but we did put it on Reverb Nation, and it was recorded on a stick mic with a laptop. MaM : When did you realize you could be on to something with your music? JM : When I was about 18 or 19, I would do a bunch of open-mic nights at Club Rags, and I was always the only white guy there. I would go on stage nervous as hell, but when people started moving and jumping to my music, I started going more, and it got to a point where I was there every week, and I would have a line of people almost at the door wanting to shake my hand. That experience helped me get my foot in the door with the local scene. Credit: Gary Governale MaM : With a background in rap and hip hop, how would you describe your sound these days and what’s next? JM : I would say I am my own genre. My music has country, bluegrass, and some R&B in it, and I try to put my heart into every song because each one is a story. I have a song called ‘Survival’ that I’m going to release in the second quarter of 2024 and it’s about my mother, who passed away from cancer. The main hook talks about God pulling flowers from the garden, and so it’s a very deep and meaningful song for me. ‘Hollow Rain’ is another song that I’m releasing in the first quarter of next year and that one is more about me as a whole because of my scars from my burns. The beginning verse says, ‘He walks around with no tattoos because he ain’t got [sic] the point yet, but he’s still bruised, and pain hangs around like open wounds. He was hazed by cowards and fools …’ See, it’s a story, and I have about 13 or 14 more that I need to record that are just as powerful. MaM : Do only life experiences inspire your lyrics, or do you draw from fantasy, too? JM : Everything that I write and choose to release comes straight from the heart. …[W]ith ‘Daydreaming’, the idea was to get people interested with a cool concept, but ‘Refuge’ was about God being my refuge through everything. ‘ No Colors ’ is another song that talks about the political division being forced on Americans as well as the racism, and so I wanted to express with the lyrics that I won’t hate my brother because we come from different mothers … this is about love for me. Credit: Gary Governale MaM : Where do you see yourself in the next five years? JM : Well, I’ve got new music coming out and when I have about seven of the songs recorded, I plan on having a listening party with family and friends and I want to get them to pick the best five, which will be put on an EP. I hope to do that in the first quarter of next year. I want to be able to write songs for other artists, too. I don’t need all the credit either, but I just want to get more of myself out there. I also have a plan for helping impoverished communities with hydroponic gardens that I want to teach the youth about. Maybe make a non-profit to help with that endeavor, and have it include even more than that. You could have the garden, but maybe a basketball court or other things to keep them interested. I feel that the youth of today is losing essential survival skills like we had back in the day, and I want to teach them these things … fishing, too—show them that a fish can feed their family. I have a lot of plans, and more is coming soon. For more on Jonathan Machen aka Profit, visit any of his links below. Be sure to follow him on social media to stay up to date on that forthcoming EP! Jonathan Machen | YouTube Jonathan Machen aka Profit | Spotify Jonathan Machen aka Profit | Apple Music Jonathan Machen aka Profit | Facebook Jonathan Machen aka Profit | TikTok *Cover Photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jrago < Back What Do a Musician, an Indie Label, and a Video Game Have in Common? Nicole Brice Oct 18, 2022 Share Jrago Jeremy Pourcy is what you might call a veteran of the local music scene in South Louisiana. He originally started out with Knever in 2001 and continues making music with his very own metal band Jrago , in addition to playing bass with the First Baptist Church Worship Team in Denham Springs , LA. And did I mention he is developing his very first video game, Jrago – The Demon Hunter ? Because he sure is! Jeremy was previously involved with bands Eden , The Mysterious Stranger , Ambassador , and Branded for Exile . Multi-talented and multi-faceted doesn’t even begin to cover what all this man is about. We recently sat down with Jeremy to pick his brain on many topics, and he was incredible! Set to release a new album on December 16, 2022 , Jrago and Jeremy Pourcy are a MUST on your worth-checking-out list. credit: Gary Governale MaM : Give us a short bio of everything you have been involved in. I’ve been reading up on you and you’ve been on the scene for many years. JP : Well, in 2001, I joined my first real band called KNEVER playing bass. The lineup was Jason Ourso on vocals, Rusty Laughlin on guitar, and Jon Maher on Drums. I attended high school with Jason and Rusty , so that’s how we knew each other. After a few years, we added Cody DeRouen on guitar. During this time, we almost got a record deal, which failed, but it led to me starting an Indie label called Jrago Records . By 2004, we ended up replacing Rusty on guitar with a dear friend of ours named Luke Fauver . We had played shows with his other band, Caustic 6 , but unfortunately in the summer of 2006, Luke passed away and the band broke up. MaM : …and then from there, you created Eden with your wife, correct? JP : Yes, later that year in 2006, I married my wife, Kelly Smith , and we began to write and record music together. We called our project Eden , and it was mainly just writing and recording at home. MaM : After Eden, you had quite a long list of projects. credit: Gary Governale JP : Yes, I did. So, in 2007, I got a call from Jason Ourso , and he was starting up a new rock band and needed a bass player. It was called Murder on Sunday , which would eventually be renamed to The Mysterious Stranger . My time in the band was short lived, however, and I was replaced with another bassist. A couple of years later, I was invited to play for an A Perfect Circle cover band called Sea of Names (Mer de Noms) . The line-up was Rusty Laughlin on vocals, Adam Shelton on guitar, and Jeremy Rasti on drums. I was playing bass and keyboards. We never played any shows, but we had a good 10 songs we practiced for several months. MaM : It was about this time that you guys decided to bring Knever back, right? JP : Rusty and I joined Jon and Cody again, but this time Rusty was singing. We called it Never Again as a bit of a joke. By 2011, it was finally show ready, but I ended up leaving the project after the birth of my daughter. MaM : And when did Ambassador come about—after the reunion of Knever? JP : 2015 – I get a call from Jason Ourso once again, and he’s starting a new rock band. This time, with Gabriel Vicknair on vocals and Ean Savoy on drums. That was the beginning of Ambassador … but, then in 2016, Knever was back in action and needed a new bassist, so I joined them once again. https://www.youtube.com/watch?v=8b0T32Wg8do In 2018, Kelly and I released our third Eden album, Window , and Ambassador released its first album, Belly of the Whale . Coincidentally, Knever also released an album, which was to become the final album, The Collection . credit: Gary Governale MaM : So, what happened in 2019? I know a good bit went down but tell me a little more. JP : Well, in 2019, Ambassador gave me the boot, developing problems in Knever led to a breakup again, and I started to play with Branded for Exile for a few months but then ended up leaving that, too. https://www.youtube.com/watch?v=KNk0knNcoSY So, by 2020, I was pretty much all alone musically and was trying to record a song unsuccessfully. After a few months, I got a call from Jon Maher , who also left Branded for Exile , and eventually we got our song “ Into the Precipice ” recorded. And that was the start of Jrago . MaM : Obviously, Jrago’s name is a play on your own name and you guys have been releasing songs like crazy. I can’t even keep up. Give us a little more info. JP : With Jrago , we decided to treat each song like an album and release them all as singles. This method of writing and recording allowed us to focus on each song individually. By the summer of 2021, we had six songs finished and decided to put out some CD’s (yes, I realize it’s an outdated medium these days, but we’re kind of old skool). So, our first album was called Destruction Breeds Creation . Our second album will feature eight songs and it’s called Disconnect . We have the release planned for December 16, 2022. credit: Gary Governale MaM : So, you obviously do everything yourself, which I admire tremendously. I, myself, am the same way. What recording software do you prefer to use? JP : I use Apple’s Logic software for recording. As far as why? I had previously used Apple’s “ Garageband ” software, and the interface and button configurations are similar. In Jrago , my main goal was to be able to write, record, mix, master, and produce music without having to get anyone else involved. https://www.youtube.com/watch?v=XoD54kktIUE MaM : What has been the biggest obstacle musically since starting Jrago? JP : Guitar. Without a doubt, guitar. Being a bass player, it took quite a bit of practice to get my first guitar chops up to par to be taken seriously. Even now, I still consider myself amateur at best. In addition, vocals and lyrics were tough, too. Jon had been doing back-up vocals in our previous projects, and now he was able to shine as Lead Vocalist. So, both Jon and I are stepping out of our comfort zones and filling multiple roles in this project. While it’s difficult sometimes, it has allowed us to both grow musically. credit: Gary Governale MaM : As far as inspiration, from whom or where do you draw inspiration? JP : I believe music comes from God . As far as my influences, it would have to be my friends and fellow musicians. Growing up in South Louisiana , there has always been a ton of fresh, original bands all around me. I, honestly, listen to more local music and band room/live recordings than I do mainstream releases. If I had to list some big bands that inspired me, it would have to be Metallica , Tool , A Perfect Circle , Avenged Sevenfold , Nirvana , Pearl Jam , Soundgarden , Killswitch Engage , Dredg , Evanescence , Fear Factory , Times of Grace , The Empire Shall Fall , Eighteen Visions , 36 Crazyfists , Blindside , and Pink Floyd just to name a few. Be sure to check out and follow Jrago on YouTube , Facebook , and Instagram for the latest on upcoming releases and shows! Jrago | Facebook Jrago Studios | Facebook Jrago Records | Facebook Jrago (@jrago_) • Instagram photos and videos Music | Jrago (bandcamp.com) Jrago Records - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

P.A.C.A. < Back Punk Music Festival to Benefit Local Non-Profits that Work with At-Risk Youth and Children of Child Abuse/Neglect Nicole Brice Feb 25, 2023 Share P.A.C.A. P.A.C.A. or Punks Against Child Abuse was formed in a living room late one night in early January 2023 with the purpose being to showcase a music festival from September 15-17, 2023 in Catoosa, TN that includes other vendors to use the funds raised in supporting non-profits that work with children and youth that are impacted from abuse/neglect. The organizations chosen to be supported are a vital resource to the state of Tennessee, especially in rural counties like Jamestown, Cookeville and Crossville. The non-profits are CHANCE Girls Youth Home, UC Foster Closet and STARS Nashville. The UC Foster Closet works hard to support families by hosting and providing special events, establish community support through Foster Friendly Partners, and provide opportunities for fellowship with other foster/kinship families with “Connecting Families.” CHANCE provides a safe, highly structured, therapeutic environment where each youth knows their value, and with compassion and perseverance, relationships can be restored; providing an opportunity to change these kids lives to where they can discover their strengths and gain the confidence needed to lead healthy, harmonious, and productive lives when given a second chance. This facility serves youth, ages 12 – 18, and their families, primarily from the Upper Cumberland area of Tennessee. STARS Nashville helps all young people pursue their unlimited potential. STARS has served some of the most disenfranchised populations by providing school-based prevention and intervention services, as well as intensive outpatient treatment services for adolescents with substance use and co-occurring disorders. According to Kids Count 2020, Tennessee had over 67,000 cases of child abuse. CACTN also reported that in one year alone, over 4,000 cases of child abuse were reported in the state of Tennessee. According to Kids Count, youth in Tennessee experience two or more ACEs (Adverse Childhood Experiences) and this is higher than the national average and one in ten are living in poverty. The plan is to bring in bands, craft and food vendors at Catoosa, TN for a two-and-a-half-day charity festival that will be an all-ages event where alcohol will not be served. There will be a wrestling match on site sponsored by the wrestling group in Crossville also. In addition to music and wrestling, there will be goat yoga and/or goat cuddling and a balloon vendor that offers face paint for the children. The current band list is comprised of different types of punk bands that include punk rock; hardcore punk; skate punk; folk punk and more. Most of the bands are from Tennessee but some are coming from Ohio, Oklahoma, Indiana, and even New York. There will be a wide variety of food offerings from coffee to pizza to Germanic/Hispanic food and day and weekend passes will be available for the event. More than forty bands, craft vendors and food vendors have signed on to participate thus far. Since this festival is at Catoosa, there will be 180 acres of land which will allow the patrons to camp on site if needed. PACA is currently seeking donations and sponsors for this incredible event and there are three levels of sponsorships available. For more information about sponsorships, contact Kassandra Morgan at 931-704-2919 or you can e-mail pacafestival@gmail.com . To learn more about the event, visit www.pacafestival.com or visit them on social media at: Punks Against Child Abuse | Twitter, Instagram, Facebook | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Everfelt's mix of genres and sounds will leave you wanting more < Back Everfelt: A Harmonic Driving Force on the Rise Nicole Brice Jun 9, 2023 Share Everfelt's mix of genres and sounds will leave you wanting more With so much music being produced these days, sometimes it’s difficult to stand out amongst the clutter. One band from Johnston City, Illinois, is defining who they are with a sound so unique, it can’t be compared, and that band is Everfelt. The band has many years of musical experience between them and they know what they want to accomplish and even have a plan as to how to do it. Since forming in 2022, the band is steadily gaining momentum on social media and these guys are building a platform to show the world their brand and style of music. Photo provided by band Drawing inspiration from many genres and artists, Everfelt’s music is characterized by its heavy guitars, emotional and powerful vocals, and introspective lyrics. With guitar solos emanating like straight southern sludge rock, the sound coming from these talented musicians is sure to resonate with many. One might even say they have created the perfect soundtrack for the apocalypse with hints of blues, metal, post-punk, goth, and psychedelia. Everfelt isn’t afraid to be different, so if you are looking for a band with tunes that are both emotionally powerful and sonically heavy, these guys are for you. They are on the rise and are sure to grow in popularity in the years to come. Everfelt is comprised of Adam Steglich on lead vocals, Corey Robinson on lead guitar, Jacob Crawford on rhythm guitar, Jason Hensgen on bass, and Stone on the kit. Currently, the band is finalizing the tracks for their upcoming “Ascension” EP, which is scheduled for release later this summer. We had a few questions for the guys, so we sat down with them for a little Q & A, which you can dive into below. With plenty of music streaming on all platforms, we’re certain you’ll find something to pique your interest, so be sure to check them out. New album coming summer 2023 MaM : Hey guys, thanks for chatting with me today. We really appreciate you. So, how did the name for the band come about? Adam : Everfelt was created in memory of a friend of mine, whom I used to play music with, that passed away two years ago. He and I had a prior project called Angerfelt. [His] last name was Lingerfelt, and so that’s where Everfelt came from. I love the concept, too, of the music being forever felt in your mind and in your heart. That’s something you’ll remember no matter what. That was the original thought process behind Everfelt, but now it’s become something else between all of us. We want you to actually feel and experience the music. Stone : One of the things that makes this band so successful, I think, is that each member … does what they do best, and we work very well together. We’re very open-minded with each other. We don’t hide or harbor any BS. We get it out in the open. We get it taken care of and we work together as a team, and this is the result of it. MaM : With such a unique sound, as far as influences go, you are all over the board with STP, Zeppelin, etc., but who are your true inspirations as far as bands and musicians? Corey : My guitar influences are David Gilmour from Pink Floyd, and I grew up listening to Slayer and Metallica—stuff like that. I started playing guitar in 1991 during the grunge era. I developed my own style by listening to everything that I liked. Photo provided by band MaM : So, you have more of the metal influence, then? Corey : Yeah, but I listen to a good bit of blues and jazz, too, and I can honestly say I am just influenced by music in general—even hip-hop. Don’t get me wrong, though; I take some of their beats and ideas and throw it in music because I do have that respect for all genres of music. MaM : I take it, then, you have music in your collection ranging from “awesome” to “please don’t judge me?”(laughs) Corey : Yeah, I listen to a good bit of blues and solo stuff like Joe Bonamassa—every realm of music you could possibly think of. Adam : For me, growing up, it was Layne Staley from Alice in Chains and Jonathan Davis from Korn. Even Ozzy and Black Sabbath were huge influences for me. Maynard, of course, too. Vedder was an influence, too. MaM : Everyone wants to make fun of his vocals, but you couldn’t have had the 90s without Vedder, right? Adam : Right! (laughs) When I listen to us and what we’ve been coming up with, there’s even a hint of Danzig influence, too, but I can’t really put my finger on any one band that we sound like. What’s coming together and being created is because of the recipe of the people involved. It’s creating a new sound you’ve never heard before, and that is Everfelt. MaM : Your sound is very different, and I feel you are on to something with it. How did the band come together with the core grouping you have now? Stone : Let’s go back to 2018. We had a cover band out of my studio here, the Man Cave, called the Los Hombres. We were a five-piece cover band. Jacob, our rhythm guitar player, was a part of that. He went on to play with Adam a good bit, and then COVID hit, so after COVID, I’m sitting here … and I’ve been on a solo drum mission for a few years. I’m a fan of Motorhead, 5 Finger Death Punch, Judas Priest, Nickelback—and all the haters can just hate, but ... Photo provided by band MaM : I was just about to say something about that. (laughs) Stone : Hey, good music is good music . (laughs) So, I’m seeing Corey posting all these videos of himself playing with a blues track, ripping it up, and then I found out he was living close to me … four miles down the road … so I invited him to have coffee with me and … Corey : After the phone call for the coffee, we started playing cover songs of Santana and stuff like that. [We were] trying to get that psychedelic feel and vibe and I was like, ‘Screw this shit.’ We were doing good, but I was like, ‘If I’m going to do my own music, then I’m going to do it right.’ I wanted people to know my music and the music we create, so I started writing rhythms, and Adam had an ad on Craig’s List, so we brought him in. The first jam was perfect. Jacob came in, too, and it was like magic. We then had a first bass player come in, but he didn’t want to show up for practice, so … Jason : So, as the story goes along, I’m at home having a cup of coffee before work one day, and literally just a week before that, I had seen these guys on Facebook, and they were local guys, so I gave them a thumbs up. I listened to their jams and really liked it and thought it was fresh. A week later, I heard the hook of our song ‘Stranger’ in my head and [knew I had to] holler at these guys because their videos on FB at the time didn’t show a bass player in the lineup. I’m local, so, long story short, I hit them up and showed up to practice where we started jamming. Everyone in the band is easy to get along with and it all just came together. They appreciate good tones, and everything was meshing naturally and now here we are. It’s just a comfortable fit. Photo provided by band MaM : What inspires you to create, and what inspires the lyrics of your songs? Corey : The main reason for me creating these songs is that it allows me to sleep better at night. Adam : I completely concur with the sleeping better, but for me … the medium of art, whether it be writing or music or painting, helps me to fulfill my purpose here. Every single day we are practicing, not just at home, but everywhere. We are always focusing on the music. Giving back to the gift that has been given. This is a gift to us. [It’s] the energy and the opportunity to have a message and help people relate to us, not just to talk about their dark tunnel but also to talk about the light we have found. Corey : I envisioned this for a long time in my conscious state and in my daydreams and throughout life. I already know it’s part of my destiny. That’s how I created these songs: from dreams I had. It seems I have done this in a past life. Stone : This is blowing up bigger than we could have imagined. Jacob : I just look at music in a different way than most. There are multiple factors, though. It all depends on my mood. Jason : Music inspires me. Since I was young, I have always listened to rock. The basic rhythm of music … 1, 2, 3, 4 hand claps – stomp – sing – dance and 1, 2, 3, 4 two-steps. As simple and primal as that. The communication and synergy of multiple people doing it together, too, and then adding creativity to it as an expression is what I found works. It’s like magic. The music is invisible, but you can hear it and feel it. Being able to participate in a live band and being able to make live music with other guys is what it is for me. MaM : So, you guys have a new album slated for release this summer. What direction are the songs taking? Adam : We have 18 songs we are working on, but it’s going to be split into two albums with nine songs each on the albums. The first album is going to have some of our current releases. It is called ‘Ascension.’ We’ve seen an evolution with some songs that didn’t make the cut right now. We want every song to be a banger and we want you to be able to put the album on and just push play. Where we are right now, we are working on finishing all the pieces. It’s coming along. MaM : You can’t rush progress! Adam : It’s been a natural progression … allowing ourselves to become music. The music is not ours; we are the music. Each song has its own theme and its own way. Photo provided by band MaM : What would you say your mission as a band is? Adam : We would like to be playing arenas and stadiums in the next two years. We’ll be together a year on August 14, so we think we can get there. - To experience Everfelt’s sound, be sure to hit one of the links below. The guys have some shows booked for this summer, so be sure to check out their social media to stay up to date on all live performances. You’re gonna want to go ahead and put this indie band on your radar now! Home | EverFelt Facebook EverFelt Band - YouTube Eric Wilburn Corey Robinson Adam Steglich Jacob Crawford (@everfelt_band) on Instagram EverFelt | Spotify ‎EverFelt on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link