Musical Gumbo Master Continues with Spring Forward Tour and a New Album < Back Off the Charts: Otis Walker Bud Gambrell Mar 25, 2025 Share Musical Gumbo Master Continues with Spring Forward Tour and a New Album The making of this article goes back a few months. I first spoke with Otis Walker in November 2024. Otis had a new album release coming up, and my plans were to be there. Well, as sometimes happens, life steps in and changes your plans. Our original interview was set to be at the album release party on November 29, 2024, the day after Thanksgiving. The morning of the party, I woke up with a flare-up of vertigo . There go those plans. Fast-forward to March 17, 2025, where I received a message from Otis, “I would like to personally invite you to our show this Saturday night.” I had been attempting to fill up my schedule for the spring and summer, but it so happens that my Saturday night was open. So, my reply was, “I am going to see about taking you up on this invite. Thank you!” Saturday Night’s show was to be held at Tangled Strings Studio in Huntsville . I was familiar with the venue by name only. I have seen the shop, but since they specialize in custom guitars , I have never stopped by. Lo and behold, it is a concert venue, too! I am unsure of how I missed out on that news. This is a very special place for live music. It is not too large or too small. It is just right for a songwriter/storyteller-type event. I tell you all that to set the table, as they say, so you can get a better visual for the space. Saturday March 22, 2025 As I walked into Tangled Strings Studio , the first person I met was Lisa Chang . She was up front selling tickets. Lisa is also a local musician with a fantastic voice. Otis and Lisa did a vocal duo during Otis’ set. I had never seen either of them perform, so I was mind-blown! Credit: Bud Gambrell The second person I ran into was Otis himself. Sometimes, it’s odd how these things work out. Otis and I began conversing as if we’d known each other for a while. We had just met for the first time. It’s always a bit of a concern with me that an interview will be stale due to no chemistry within the interview. That was not to be a worry tonight. Credit: Bud Gambrell We quickly realized common ground while talking about the band and stage set-up for the night. Otis added Kim Coffey to the percussion to add that extra beat. At almost the same time, we said, “similar to The Allman Brothers ” dual drummers. Otis told me that they are his favorite band. Mine too! Kim’s husband Donnie Cox is also in the band playing lead guitar. The pair also play in another band I worked with a few months ago. The band is rounded out by Richard Best on drums and Otis’ son Eli Brown on bass . Many moons ago, I worked with Richard , so the band was no stranger to me. Local songwriter Brett Carlisle opened the show. You will meet Brett and read more about him in an upcoming Off the Charts article. Our second band of the night was The Silver Silos , led by Taylor Burton . The Silver Silos are Taylor on guitar , Jacob Greene on bass , and his brother Brad Greene on saxophone and lap steel . Taylor is a friend of mine, and it is always a pleasure to have a conversation with him and hear his songs. The following is part of our conversation. For time and space purposes, I cannot include the entire conversation. Our conversation seemed very open-ended and long-winded. OTC : Otis, it is great to see you! It's nice to meet you finally! OW : Thanks for having me, man! OTC : We were first supposed to meet in November at the album release party. I'm sorry I couldn’t make it. So, tell me how the new album is doing. OW : It's our first time ever doing an album, so, you know, I have no metrics to measure against another album, but the first release did all right. The second single has had over forty streams in less than a month on Spotify . So, I mean, I think that's pretty remarkable. Hardly any of the streams are from my hometown, which is funny. We got lucky to get on a playlist and move forward. This is funny because the album's name is ' Forward ', so that's what we're doing. We're just trying to keep one foot in front of the other. OTC : Where can we find this new album? OW : You can go on the website at otiswalkerband.com . We've got the full album up for sale there. We're releasing one single every six weeks out to the wild. If you want the entire album, you can go to the website and you can purchase it there. Click picture to purchase OTC : Where did you find inspiration to write this new album's songs? OW : Well, you know you're going to find that you came to the right show tonight because we're doing the storytellers type show. I will tell you different stories about the different songs tonight. But, you know, I get a lot of different inspirations. Sometimes, it's a personal experience. Sometimes, I hear a lyric from another song that sends me in another direction. And you know, I feel like I'm an old bird now. I’m in my late 40s now. When I first started songwriting, it all had to be about something I felt. And now, I like to stew on it and get a story. So, in my older years, it's more story based. OTC : We will stop talking about how old we are at this point in the interview. (laughter) OTC : Did you write the songs on the new album, or did you have any interesting collaborations? OW : Out of the ten songs, one song was co-written by a buddy from college. The other nine songs were 100% mine, and then as far as the way that we did in the studio, you know, we all sat down at Clear Wave Studio and came up with how we wanted to produce the songs. They were all 100% mine, minus ' Southern Twist '. OTC : Do you have any future plans for any collaborations? OW : I've talked with a few guys. Taylor Burton and me, who we're playing the show with tonight. We've talked about that. We're gonna get together. I have also talked to Brett Carlisle , who's opening up tonight. He is a young songwriter, and we're also looking at it. My life hero is Barry Billings ; he's a great songwriter. Hopefully, we'll get to sit down and write a song together one day. OTC : As spring and summer are here, you've got new show dates. Do you have any particular dates or venues that you're looking forward to playing? OW : Well, tonight is! Here in Huntsville is our ticketed advance show. We're playing many shows where I’m solo and with the whole band. I love coming out and playing at a Tangled String Studio show where we get to have such an intimate chance to be with the audience because you're four feet from the first row. I love that! Credit: Bud Gambrell OTC : Do you have any goals for 2025? OW : Man, I would love to get to the part where we become a regional act . That is my goal! My dream is to be able to start playing some festivals and take out on the road what we're doing here in Huntsville and take it out to the people not here. The Huntsville music scene is intense. We could take it out to the rest of the southeast. OTC : What got you into music? OW : Well, I'm going to tell that story tonight. When I was growing up, we had a Ford Falcon , and it had a tape deck in it, and in that tape deck, there was a Roger Miller tape. I heard a song from Roger Miller and all those stories he tells. Man, it just lit a fire under me. Now, the other side of it is that my uncle, Bo Jack Killingsworth , is a member of the Rockabilly Hall of Fame , and so growing up with him, I got to see people and be around people that not everyone would get to be around and experience. My uncle is my hero. Roger Miller lit the flame, and going to see Uncle Bo at a show. I thought he walked on water. OTC : So, Roger Miller lit the flame, and Uncle Bo fanned that flame? OW : He sure did! OTC : Are there any past or present instructors that you look up to, and what qualities do they have that you admire? OW : I went to college and got a degree. But while in college, I got to play with the Iguana Party , which had Barry Billings , Danny Kirsch , and Joey Flippen . Those three men were my age now, and I was in college. They taught me everything I know about music. From how to roll up a cord to knowing the right song to play at the right time and how to play with dynamics. I mean, all those boys are my heroes. No guitar player can outdo Barry Billings . I'm sorry. I know some great players are around, but Barry hung the moon! OTC : What's the best piece of advice another musician ever gave you? OW : (laughs) That's a great question! I think that I was told once that I can't play everything in the first song. I get very emotional. One of my band mentors told me I had to leave something for the third set. When I first got up there, I just started trying to play everything simultaneously. OTC : What is it about music that makes you so emotional and feel passionate? OW : Man, you hear that bass drum, and then you hear that snare, and that's my heartbeat! And then my emotions kick in as soon as I hear the drums, and the passion comes out! Because I get to do something that is very much, honestly, my drug! I mean. I love music! It's not about money. It's not about fame. It is as if there's none of that. I'm still playing music in my basement on a Saturday night because I cannot live without getting the music out of me! The recommendation from this music lover to the music lover reading this is to get to an Otis Walker show if you are in the North Alabama area. Otis Walker 's music, a unique blend of styles, is something you won't want to miss. You will want to grab the LP or CD from the merch table while you are there, too. I know you will want to hear the songs repeatedly because the album is good but hearing them live is even better! For those not in the North Alabama area, let’s all hope that Otis Walker becomes a regional touring band so you will also get the chance to experience him live. One way that you can help make that happen is to support local original music in your scene wherever you may be. Show up for shows and let these musicians know you appreciate what they are doing. Until next time, Keep your diamond down in the groove! Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find Otis Walker: Website: https://otiswalkerband.com YouTube: https://www.youtube.com/@OtisWalkerBand Facebook: Facebook Instagram: Otis Walker Band (@otiswalkerband) • Instagram photos and videos Soundcloud: Stream The Otis Walker Band music | Listen to songs, albums, playlists for free on SoundCloud ‎ Apple Music: Otis Walker Band - Apple Music Where to find Tangled Strings Studio: Website: Tangled String Studios Facebook: Facebook Instagram: Tangled String Studios (@tangledstringstudios) • Instagram photos and videos *all photos by Bud Gambrell www.bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Reach him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” < Back She Might Be a Beast: An Enigma of Youth, Retro Vibes, and Energy Erica Machen Nov 29, 2023 Share She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” She Might Be a Beast, hailing from the melting pot of eclectic music that is New Orleans, La., electrifies listeners with their unique Neo-grunge sound. The band is comprised of the Brezinsky brothers, Jake and Julian, alongside John Williams. Jake is the lead vocalist and guitarist, with Julian on bass and back-up vocals, while John bangs on the drums. They infuse their music with a blend of 90s-inspired grunge, punk, and metal, dashed with that distinctive NOLA spice. The trio's live performances are nothing short of exhilarating, which can be found all over their YouTube page. As a matter of fact, I was excited to interview them after just a few minutes of video watching. Following our chat, I am beyond motivated to catch a live performance. It doesn’t hurt that sharing the stage with iconic acts like Doyle from the Misfits and Powerman 5000 is propelling their rise in the local music scene, and their fan-base is gaining momentum. “ Art Class ” is the latest album from She Might Be a Beast, and it reveals their unwavering commitment and adeptness in showcasing their distinct Neo-grunge style that continues to bewitch their listeners and audiences. Released August 1, 2023 Their creative process is dynamic, with instrumentals and lyrics converging into powerful compositions at the band’s creative hub called "The Maze". That’s where spontaneous jam sessions become the breeding ground for evolving riffs and energizing lyrics that can transform into future hits. The band's future is brimming with excitement, with an upcoming single set to pump us up. They have a drive to provide unforgettable experiences through their music that sets them apart and makes way for an engaging journey ahead. With that being said, She Might Be a Beast's passion and exceptional talent have promise for lasting impact on the music scene. Keep an eye out for their next performance and be prepared, because they ARE a beast! Check out our conversation! MaM : Hey guys, thanks so much for speaking with me today. I have Jake, Julian, and John, correct? Jake : That’s right! We’re pretty excited for the interview! MaM : Cool, so am I! Since our readers are getting introduced to She Might Be a Beast today, and all three of you are here, how about each of you give a brief self intro? Jake : All right. Sounds good. I guess I'll go first. I'm Jake. I sing lead vocals, and I play guitar … And, yeah, I really enjoy playing in our band. I do a lot of the management for the band as well. I couldn't do it without Julian and John. John : What's up? I'm John. I'm a drummer, of course. What can I say? We got good thing going here. We’re really motivated with a level head and a lot of good and interesting material, from our writing to our live shows. Things have been moving forward and progressing, and we’ve really been putting in a lot of work. Julian : And I'm Julian, bassist and mostly harmony. It's such an awesome thing, being able to play music and do it, you know, semi-professionally right now. That's the dream, you know. So, we're having a great time! MaM : Jake and Julian, y'all are brothers, right? SMBAB : That’s right. MaM : John, how did you come into the mix? John : They had another drummer prior to me. He had some complications in his life and kind of wanted to take [a break from] music for a little bit. I met Jacob when he was still in another band called Everyday Addiction. [He] and I met up before the rehearsal, jammed in my space, and got pretty cool with each other. We kept each other's contact information, and once the other drummer decided to take a break, he called me. The next thing you know, I auditioned with them, and I was in the band. Credit: Facebook MaM : Awesome! Sometimes it just falls into place like that. Please, go on … John : Oh, yeah, it was a nice little thing how it happened. But, ya know … MaM : Y’all hit me out of nowhere with a blast of nostalgia coupled with some New Age sounds. How did you find your sound? Tell me about your influences. Jake : Well, we all love rock and roll, and some of our favorite bands are Alice in Chains, Green Day, and The Red Hot Chili Peppers. We also mix that kind of heavier grungy metal vibe with the music that we've grown up with. You know, we are all born and raised in New Orleans, so there’s a dash of NOLA spice in there. We see our music as a mix of punk rock, 90’s grunge, metal, and then, like I said, that little dash of NOLA funk. MaM : I feel that! I immediately heard Green Day as one of your influences when I checked you guys out. I kind of even felt some 311 vibes in your instrumentals, with an STP edge. I even heard a little Brandon Boyd (Incubus) with you, Jake, in your vocals. Do you all get compared to other bands often? Julian : Yeah, people tell us all the time … that we sound just like whomever from the 80s or 90s, but it’s always a different band in every show that someone says we sound like. Some nights we get Alice in Chains, and the next weekend we hear Green Day. Credit: Facebook MaM : Do you find it flattering or are some of the comparisons confusing for y’all? Julian : I like it. I mean, if it was just one band all of the time we got compared to, I feel like it would get old. With the variety, sometimes I hear a band that I never even really knew I was very inspired by, but the connections were there. MaM : Tell me about She Might Be a Beast’s peaks and valleys through the industry so far? Jake : I feel like that's a good question for me, because I deal with a lot of the management and reaching out for booking and stuff. We've had a lot of support through a lot of the people we've met in this industry, and the community is really one of the biggest things that propels us to the next level. With that being said … 95% of the people that I reach out to will definitely ignore me. It's just something that happens, but that can't stop you. [Eventually] we started getting onto bigger shows where we’re opening for more famous people. … We actually opened for Doyle, who is the guitar player for the Misfits. Credit: Facebook MaM : What performance that y'all have done so far spoke to y'all? John : We’ve done a couple of House of Blues shows, and this placed called Southport Hall. We played a gig on a Monday night; I believe it was for a band called Cynic. They had a lot of fans there, especially that show, for the opening act. It's kind of a blessing whenever your fan base is semi-growing and starting to get established, but you don't really have to rely on your fans showing up with everyone at that show. You can gain new fans from playing for other people. MaM : How do you get so much energy going before you play? How do you shake the nerves and bring the same intense level every time? Jake : Well, we do really love to jam. It's what keeps us doing this. It's what started us doing this in the first place, and we get really excited playing our music. You're only on stage for a lot of these shows for maybe 30 minutes to an hour. So, we want to leave everything on the stage and give the fans the best, best show possible. They're paying for these shows. So, we want to give them all the energy. We want them to go to sleep thinking about the show and wake up and talk to their friends about how much fun they had. Credit: Facebook MaM : It truly looks like y'all are accomplishing that! So, with things like the pandemic, AI infiltration, and even social media algorithms directly impacting artists and bands, how do you stay motivated to keep pushing through all of that? Jake : You know, that is an interesting one, because it seems like every single day there's another AI to steal somebody's job doing the things a lot of creatives have done for a long time. At the same time, that AI can do some pretty impressive things, there's just no way for AI to replicate human soul and music in writing and stuff like that. I think there's always going to be something special about the human mind and heart when they're putting themself into a piece of work. You know? Credit: Facebook MaM : Absolutely, and you can't match that human experience. So, I am going to ask you my favorite question now. Just hear me out: What came first the chicken or the egg? SMBAB : Um … What do y'all think? I don’t know, the egg. I think it would have to be the egg, for sure. MaM : That’s my cheeky little way to ask you about your writing. SMBAB : There it is! (laughs) Julian : It’s different because there are lyrics that we will hold on to. If you come up with something that you really find to be a good lyric, you hold it. But then we’ll come up with instrumentals separately and pair them sometimes. Most of the time, because we are all heavy on improvisation, we’ll just be in the jam room together and come up with a riff. Usually, the riff comes first when we're playing together, we come up with a song, and the lyrics are usually added after. But like we said, sometimes those lyrics could have been saved from before. We are a musician’s band, so we love playing the instruments … totally playing chronologically like that—writing the riffs and the lyrics all in the same day. Credit: Facebook MaM : What are you currently working on? Jake : We just released our full-length album, ‘Art Class’, and we’re really happy with that. At the same time, we do have a few new songs we've been playing live and a few even newer ones we're trying to write at the same time. So, I think next for us, when it comes to the music, we're going to be releasing a single. It’s going to be called ‘Walk with Me’, and it’s a really, really high energy, exciting rock song. We’re told all the time that people have a lot of fun when we play that song. MaM : Very cool. Well, guys, congrats on the release of “Art Class”, and thank you guys for a dope interview! I appreciate your time! SMBAB : And thank you so much! *cover photo from Facebook For more on She Might Be a Beast, visit them online at www.SheMightBeABeast.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Extraordinary < Back Funny, Filthy, and Full of Superpowers Keeley Brooks Feb 17, 2023 Share Extraordinary In an age of urgency and digital content overload, sifting through available titles on different platforms searching for something new to watch can be super frustrating and time consuming. Lucky for you, I’m a bit of a content hooker and am here to kind of help narrow down some of those titles for you by bringing you some of my personal recommendations. This past weekend, while taking a breather from binge-watching MTV’s “Teen Wolf,” I decided to jump over to Hulu and see what’s up with one of their new shows, a comedy series called “Extraordinary.” And I’m glad I did, because I spent the next few hours bingeing season one, giggling, laughing out loud, and falling in love with everything about it. “Extraordinary” is British superhero comedy about a hopeful but desperate girl in her mid-20s adrift in a big ol' confusing world. She’s skating on thin ice at her retail gig, is sexually frustrated, and is anxious about the fact she doesn’t have much to show for her young-adult life thus far. Oh, and it takes place in a world where everyone gets a superpower on their 18th birthday. Some people can walk through walls (or over them). Other people can fly. Some people wear eye patches because their superpower is getting other people to tell the truth. Others have super-human strength or the ability to shapeshift or move through objects or teleport. There’s even a character known as “the jizz guy” simply because he holds the power to make any living being—even a cat—have an orgasm if he touches them at all, in any way. I’d really love to be able to gift you the scene of the cat having an orgasm because it’s hilarious, but I couldn’t find it online. I can tell you it’s in the beginning of episode two, though! So, everyone gets a superpower on their 18th birthday, except for our main character Jen; she’s been waiting for six years to find out what hers is. Her life and what that’s like for her is our main storyline, and it’s quite an entertaining one. Jen lives with her BFF Carrie and Carrie’s boyfriend, Kash. Carrie can channel dead people, and Kash can turn back time at least a few minutes, but he uses it to do shit like rewind time to make sure Jen doesn’t see him in a costume that says “SUPER COCK” on it. He also prefers to create a group of vigilantes over getting an actual job. Jen also has a cat named Jizzlord, who is actually a dude unable to figure out how to control when and where he takes on cat form. He’s been stuck in cat form for three years and as a result has forgotten a lot about human life. https://www.youtube.com/watch?v=YdtyxmTRABs The show has some pretty big laughs, some moments that are tender and sweet, and it offers up a unique take on the whole superpower thing. Having a superpower isn’t as big a deal in this world, and that sets up an entirely different vibe than most superhero content we’ve seen. The gag is that most people use their powers for dull, often selfish reasons. With an entirely English cast, “Extraordinary” is created by Emma Moran and season one has eight 30-40-minute episodes you can get lost in for a little while. Enjoy, my friends. *Quick side note: I also recommend getting into the “Teen Wolf” series. I have a thing for werewolves, and this one is really great, especially once you get past some of the young-adult stuff, and it boasts a great storyline, some pretty awesome werewolves that are cleverly designed, a good bit of blood and gore, and some super-cool fight scenes. The wolf fights are a-plenty! Plus, Dylan O’Brien of the “Mazerunner” movies is hysterical and absolutely perfect as Scott’s best friend Stiles. He’s a bit different from the Stiles most of us were introduced to in the 80s movie “Teen Wolf,” though. I haven’t seen him surfing on the top of any vans through the middle of town ... yet. Here, he's very smart and funny, especially with piecing things together and helping his cop dad solve different crimes. He’s very analytical. O’Brien also is reminiscent of the very funny Jim Carrey. Not only does he favor him in appearance, but he also favors Carrey in his ability to make people laugh. He adds a touch of levity to every single scene. You can find all six seasons streaming on Hulu and on Paramount Plus. Then, when you finish that, go watch the new "Teen Wolf" movie that released recently; it's streaming on Paramount Plus. You’re welcome. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Who On Earth is blending a classic rock vibe with modern twists and turns. < Back Who On Earth: Bringing the Thunder Back to Modern Hard Rock Nicole Brice Jun 13, 2025 Share Who On Earth is blending a classic rock vibe with modern twists and turns. Who On Earth? My sentiments exactly when I first discovered this band – a badass group that carries the torch for those who came before, that’s who. Blending a classic rock vibe with modern twists and turns, Who On Earth features epic solos and some of the cleanest-sounding guitars I've ever heard, not to mention those heavy basslines I love. This band is poised to dominate in the coming days with their hard rock and heavy metal straight from New Jersey . So, who is Who On Earth? Photo provided by band The lineup includes Coosh (vocals), Pete Rizzi (bass), Johnny James Barone (guitar), Jimmy Kocha (guitar), and Howie Fallon (drums). With a larger-than-life stage presence and a bellowing voice full of range, Coosh embodies the quintessential badass frontman. There is so much soul in every note he sings, and Who On Earth is actively bringing rock back. As I dove into their discography, I found that not a single song is lacking. Every track is fantastic and feels like a rocket waiting to launch . Yes, it's that good. Credit: Jeff Crespi Since 2022 , Who On Earth has released numerous songs , the latest being ' Yesterday's Future ' on April 29, 2025 . With a visually stunning lyric video to accompany it, ' Yesterday's Future ' is a thought-provoking piece of music with a powerful message, and I urge you to check it out after reading this article. Who On Earth’s music transcends typical compositions; it narrates stories. These poignant tales require your attention to the lyrics, which create vivid images of landscapes and scenarios, some rooted in folklore and others not. https://www.youtube.com/watch?v=oZKGUAGaRTc Official music video for 'Yesterday's Future' by Who On Earth This busy band is ready to perform and expand its empire, and if you love classic Iron Maiden with heartfelt storytelling , this band is for you. If you're into crushing guitar riffs and head-nodding grooves , you'll also love them. They even have an amazing cover of Toto's 'Hold the Line' that showcases their love for the greats of yesteryear. Full of personality and charisma with a message, Who On Earth is prepared to dominate a new era of rock with their desire, drive, and ambition to propel the band forward. Read on to learn more. MaM : First question – who designs your album and single covers? They are phenomenal! Pete : So, we’re big on artwork because we grew up looking at the art on the album covers, and because of all the songs put out every day, you want to stand out, and we want those strong covers that have meaning to them. For example, Smoke & Mirrors , Blame , and some of the singles on Blame , we had Ken Adams , who does all of Lamb of God ’s artwork; he did the artwork for that. We love Ken and love working with him. Smoke & Mirrors is all Ken , and it’s always Coosh and I getting on the phone with him discussing a new concept, and he’s just like ‘Oh, I love it!’, so we have an excellent synergistic working relationship with Ken. A lot of the others are AI-generated , where I’ve done a few, and my son is a graphic design artist, and he does a bunch, too. He’ll take an image based on a concept, and he’ll tweak it and get it how he wants, so it’s been a combination of things. Artwork by Ken Adams MaM : So, next question – the logo. Who designed it? It’s powerful and stands out. Coosh : He put out a contest on the internet or something. I’m not sure of all the details. Pete : So, there was a contest, and I can’t remember the website, but me and Coosh started the band, and we didn’t even have a guitarist yet or anything, but we did a logo, and made it on one of these online logo makers, but somehow, they made it a competition. People could put in their suggestions for us. We could put ‘these are the colors we want’, ‘it’s heavy metal and rock’, ya know, and we got back some crazy suggestions. (laughter) Pete : Some people didn’t realize we were a band and thought we were a lawn company or something. (laughter) This one guy was from Indonesia , and that logo you see was his creation. We didn’t even have the album yet, but we had the logo. That was it! We were so psyched. That’s been the logo ever since. The official logo for Who On Earth MaM : So, I went down the rabbit hole and checked out your entire discography. Man, not a single bad song. Not a one. You could put all your songs on a playlist and not have to skip a single one. No lie. Pete and Coosh : Thank you. MaM : Seriously, though, you are so tight as a band, and you can tell you are seasoned musicians, and that you are on a mission to bring this type of music back to the forefront. Your sound is what is missing today in music, which leads me to ask: what inspires your creativity, and what do you each bring to the mix with that? Pete : Well, for one, we would never put something on that we didn’t love, and so how we approach each song is that they have to be different from each other, so most of the music comes from me. I’ll write it, put it together, pre-produce it, and then it goes to Coosh . He’s the melody guy. We both work on lyrics. We’re very focused on lyrics. What we’re saying, how we’re saying it … we want to say it … but we don’t want to give it all away. We want it to remain open to interpretation. We want to tell a story and stimulate you to think about what the song and lyrics mean to you, but it starts with the music, and the music has to have groove. Credit: Jeff Crespi Sometimes, I’ll have a melody idea, but Coosh usually takes my melody and makes it ten times better, or eliminates it, and comes up with his own. He gets a feel from the music and a working title, and that’s how it starts. It’s got to have groove and melody, though. If there’s no melody, there’s no groove, and there’s no dynamic. That’s what we try to create. MaM : Coosh, what inspires your lyrics with these songs? Coosh : So, like Pete says, he’s the one who creates the music, but before he hands it off to me, he has the essence of the song planned out. He’ll go, ‘I hear a couple fighting with this,’ or something to that nature, and he gets this moment with the music where he relays the information to me, and I want to be able to put out his feelings, too, so I take that initial form and then go from there. Credit: Jeff Crespi MaM : Now, Coosh, let’s talk about your voice. The range, soul, and depth! Is there anything you do to keep your voice in shape? Coosh : I didn’t use to do anything, but now I do these scales and humming. I’m no spring chicken anymore, so I have to do maintenance these days. A lot of the songs are hard for me to sing, so sometimes, I prefer doing a cover because it’s easier for me to sing than anything we’ve done in the studio. (laughter) Credit: Jeff Crespi MaM : Yeah, man, when I first heard a few songs, I thought it had a very Bruce Dickinson vibe from Iron Maiden , and just the vocal range, I’m like ‘Dude!’ You have got some pipes on you. You don’t sound like anybody out there right now. So, a new EP came out in March, and now a new single, ‘ Yesterday’s Future ’, was released in April. However, I noticed that you have been steadily releasing singles as a lead-up to the EP, but you are still releasing singles after it. How did the EP come together, and what made you decide to release it instead of just the singles? Pete : In the old days, you’d put out an album, and then bands would just put out more albums every year or every few years, and we could do that. We have the five original songs on the EP, but then we also have five in our back pocket. We did five, but we have ten. We didn’t want to release the whole album because if you do, you might get a review or something, and then people move on to the next thing. The best method we’ve found is to spoon-feed it out. Give as many songs as a highlight, a video, and their artwork. It’s like a slow release of all your music. Additionally, you have to play the Spotify game, and Spotify is particularly friendly to bands like us who are doing that. We’re finding it’s also more content for us, social media-wise, and so we can remain relevant all year long. We’re staying ahead of the game. We have those five more songs, so they’ll be more content, more artwork, and pretty soon we’ll be working on new material that you’ll see sometime next year, so it’s just constant content from Who On Earth . Whereas I waited 13 years for a new Tool album. (laughter) Photo provided by band MaM : Have you found that all your numbers reflect one thing, but then people are just not coming to the shows? Pete : Yeah, oh yeah. Coosh and I have seen it. Yeah, we have great numbers, but to get people to get off their ass and come out, yeah. They’ll see the tribute bands, the cover bands, who cost more to see, and we’re only charging $10 to get in. We’re not making any money on this. (laughter) And it used to be, again, when we were younger, you would go out to hang out, and there would be bands playing, and it was part of your life. Now, it’s hard. People will stay in because of rain, and we had venues close because of COVID , so if you’re a bar band or a tribute band, you’re killing it. MaM : Same here Pete : If you’re an original band or even a line-up of three or four original bands, it’s tough. Credit: Jeff Crespi MaM : We’re finding the same here, too. So, I wanted to talk about this ‘ Hold the Line ’ cover. I’m a HUGE fan of Toto, especially this song, and ‘ Africa ’ is my jam. If I’m in the supermarket, and it comes on, I will stop what I am doing, and it’s my moment. (laughter) MaM : So, this cover … doesn’t even sound anything like the original song at all. It’s reimagined. Take me through how you decided to go with this song. Coosh : We had a handful of songs we were looking at, and how do you pick the perfect cover song to do? We’re going back and forth, throwing around ideas, and ‘ Hold the Line ’ came into play. I was around the house, staying at Pete’s house, and all of a sudden, I started singing this thing, and the part where he goes ‘TiiiiIIMMEE’, I was like, ‘That’s IT!!’ Look no further! (laughter) Pete : (sings) Love isn’t always on ‘TIME!’ (laughter) Pete : I was like, ‘That’s it!’, and I was hooked. You know what’s great about that song is it’s popular, but it’s not like ‘ Stairway to Heaven ’, and we wanted to remake it, not cover it. His distinct voice, tuning it down, double bass drums, changing some lines, taking out the keyboards, and adding a different guitar. I wanted to do it because of his vocals. When we jammed it, I knew that was the one. The inflection that he used, and the balls that he sang it with. Cause it’s a yacht rock song classic, and I hate yacht rock. (laughter) https://www.youtube.com/watch?v=p8f6EPqGHhA Official Music video for 'Hold the Line' MaM : Same – not a fan of yacht rock, but I do love me some Toto . Pete : I do like some Christopher Cross songs, too, but that’s what my parents listened to. (laughter) MaM : Right! Pete : Holy crap! Coosh , we did a yacht rock classic before the yacht rock tribute stuff started blowing up! (laughter) Credit: Jeff Crespi MaM : Do you have a favorite song to perform, and if so, which one? Coosh : Just because it’s the most emotional, I’ll have to go with ‘ Watch the Fires Burn ’. I guess you could say it’s our environmental song , but it’s a heartfelt message of having the passion as a society to take care of the planet. All of us. Pete did this when he was like 18 or 19 years old, and it’s excellent, and I didn’t know what to do with it when he first handed it to me, but it has this great dynamic and has so much emotion. Pete : Yeah, that song I wrote when I was in my very early 20s, and it was called ‘Matter of Life and Death’ , and I wrote it about abortion. That’s a topic; at the time, and it was from the perspective of the unborn child. Like, ‘Hey, what about me?’ I didn’t want to go there with it in this day and age, so I was thinking, what’s a great and important topic? I’m sitting here watching the Amazon burning , and I’m like, ah, watch the fires burn. Not so much about hey, stop burning our trees, but we’re all just sitting back here watching this. Somebody has got to do something about it, and nobody is doing anything about it. To Coosh’s point, you can take that and broaden it to a lot of topics. It’s just about sitting back and watching things go to waste. But the song itself, its ups and downs … it’s a six-minute song, and some songs need to be six minutes. As long as you’re doing something different in it, and then, man, it’s heavy … it’s got groove. It’s got funk. MaM : Yes, lots of tempo changes. Pete : Tempo changes, which our producer always makes fun of me for, but I love tempo changes. MaM : I do, too. It keeps the song interesting. Pete : Playing it live is really fun. MaM : Which song do you feel is the crowd favorite and gets people most engaged? Pete : I’m gonna say ‘ Black Swan ’. MaM : I made a note on my notes about that song, actually. Pete : Coosh may disagree, but he does a great job of coaching the crowd to sing along, and it’s got this chorus that allows everyone to get involved. MaM : So, Coosh, your vocals, let me ask you … you have range like I haven’t heard in a long time, so obviously you’ve been doing this a while. When did you first discover you had a gift for singing with such a powerful voice to do rock music? Coosh : I’m not a rock music guy, so that’s the crazy part. When I was in my early 20s, we would all do the karaoke thing, but I would stick to songs like ‘ Suspicious Minds ’, and it was all a great time. Everyone enjoyed it, but I ended up buying a karaoke company, singing, and becoming a host, until one day, a buddy came in. He mentioned he had lost the lead singer of his band, and I went up and sang ‘ Drops of Jupiter ’ for him by Train , and that was it. I was in. Credit: Jeff Crespi MaM : What would you like to see in the next five years as far as your music and audience? Pete : I’d love to see it all continue to grow. We understand we need to keep working hard. I like what we’re doing, too, but I want it all to gather momentum, and I want to keep playing shows. Maybe even go on a small tour , even if it’s regional. Want to get out there live. There is nothing like the impression you leave on someone after they see you perform live. Coosh : I’d love to figure out how to get the exposure we need and get people to listen to the song more than once. Most of the time, you have to listen to a song twice and be attentive to it. We’re not a regular band. Most of our songs tell stories because they’re relatable. We have inspiration. We have devastation. We have messages about life. We have stories that people need to hear. As Who On Earth continues to grow their brand and presence, they are sure to inspire and leave a lasting impression on music fans for generations to come. Check out their music on your favorite streaming service, and if you live nearby, be sure to catch a live show. You won’t regret it—these guys deliver a powerful sound! *cover photo provided by band *other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Who On Earth: www.whoonearththeband.com Who on Earth Official Website The official website and store for the band Who On Earth. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. < Back Shane Webb: A Drumming Odyssey Erica Machen Nov 30, 2023 Share Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. What view could be better than from the front row of a rock concert? The perspective Shane Webb , aka T-Bone, gives leads me to wonder if the best experience could be from the seat of a drum kit. I was able to have a chat with Shane, who’s drumming career brought him that perspective with bands such as Puddle of Mudd , Shinedown , Tried by Twelve , and multitudes of others. Twenty-plus years after embarking on his drumming career, Shane is fueled by his experiences and maintains an emblazoned passion for his art. Amidst captivating lights, vibrant sounds, and contagious energy emanating from lead vocalists, a drummer’s significance is often overlooked. Without these guys, rock shows would be haunted by a palpable void and undefined listlessness. The rhythm we all vibe to would be absent, as would those rich layers of texture and depth a drummer infuses into each performance with his (or her) distinctive style, creative fills, and unique enhancements. This is why Shane says his journey—his mission—is still incomplete. He expressed repeatedly in one way or another his desire to create a true legacy in his artistry via his musical career. Not only is it Shane’s mission to create such a legacy, but, throughout our conversation, I sensed his desire to pay homage to those who influenced and lifted his career, as well as to those friends whose journeys ended too soon. In an industry where rivalry and bitterness are frequently showcased both in the media and behind the scenes, Shane is seemingly in a place where he has realized grudges and animosity bare rotten fruit. Instead, Shane chooses to move forward by finding peace with those who didn’t believe in him and even with old friends, such as Fred Durst , who have fallen out of his life. At the end of the day, his motivation remains the same: Create music, create art. Webb is one noteworthy drummer who's doing just that. Mixed Alternative caught up with him to get some intimate details about his career and catch the story behind his drumming odyssey . MaM : Shane, with a drumming journey beginning at 12 years old, you've come a long way in your art. Can you share a pivotal moment from those early years that ignited your passion for drumming? SW : I asked for a drum set when I was four or five. My father took me to some restaurant, and I remember watching this guy play the drums and I was just fascinated by it. Growing up in Jacksonville, Florida, I used to go to the Coliseum to watch bands play. My first rock show was Ted Nugent when he opened for KISS, before they had the make-up. I remember looking at the stage, listening to the sounds and crowd, and immediately falling in love. I knew I wanted to do that … I had the bug. I was a break dancer and R&B guy way before I was into rock and roll. Big time. … By the time I started to get into rock and roll, I wanted to be Eddie Van Hall. When I got to seventh grade, I had to choose an elective … I said I'd play in the band … on drums. And, as they say, the rest is history. Image provided by Shane Webb MaM : I’ve heard hints about some of your unique experiences, like sleeping on Dimebag Darrell's couch. Could you share that story, and do you have any other particularly unusual or memorable moments from your career? SW : I have countless! As for Dimebag Darrell [of Pantera and Damageplan], I was on tour with this band called Operator after being in Puddle of Mudd. Paul Phillips, who also used to be in Puddle of Mudd, was in Operator. I believe Paul knew Vinnie Paul. Someone came on the tour bus to say Vinnie wanted to come pick us up that night. Of course, you hear that, and you're like, ‘Absolutely!’ He picked us up in his limo … Suddenly, we were at Dime’s house. … I ended up passing out mad drunk and woke up the next morning on Dimebag’s couch. … I just walked around and touched stuff. I mean, when you watch the Dimevision videos, you see the stop sign he crashed his car into. I touched that thing on his wall. It was wild. It was crazy. Ms. Rita, his now-widow, took us to breakfast and told us all kinds of inside stories, like when Dime and Metallica used to hang out and where songs came from. She showed us his guitars. This man had to have at least a thousand guitars in his house. It was the craziest. Very intoxicating. Back in that time, we didn’t have cell phone cameras. One of my regrets is not having any pictures. MaM : What's the mission behind your new venture in rock and roll, and what inspired you to embark on this new chapter? SW : Not having done it the full way [inspired me]. Lots of people say I have really done it, but, for me, the mission hasn't really fully been accomplished yet. I’m 51 and still learning how to navigate things. Thankfully, I have Jason, who became my manager in the past six months or so. He is actually my best friend from high school who was around when I ran away to do all of this at 15. MaM : Can you expand on your leaving home at 15? SW : I always had this blind faith I’d already made it. I just had to go through the motions. I always knew I was doing it, with or without people's help. I lived with my mom and stepdad. It was rough at the time. We are all good now, and they have helped me tremendously. Long story short, one night I crawled out the window at 1 a.m. I said, ‘All right, bye. I'm out.’ Music is my medium because I am an artist. I am an artist first, songwriter second, and then a musician. MaM : You mention being a songwriter, so you’ve elicited my favorite question: What comes first, the chicken or the egg? SW : Probably the music. I hear music in my head. I still play guitar (bass) and a little bit of keyboard. I have my studio set up here at home. … Lyrics and melody usually come second. Occasionally, I have vocal ideas first. Those take a little longer. It’s writing backwards for me. MaM : You've played with various bands, including Puddle of Mudd and Shinedown. How did you become friends with Fred Durst, and what was it like collaborating with him? SW : We would not be having this conversation if it wasn't for Fred Durst. I did the hard work, but he was the person who stuck his neck out for me. He believed in me and saw talent and drive in me. I met Fred around 1993. Fred has done tattoos on me, I toured with him, we wrote together, and we have been in bands together. Fred always saw talent. L to R: Shane Webb, Fred Durst (Limp Bizkit), and Paul Phillips (Puddle of Mudd) He called me in 1997 and said, ‘The record company wants somebody to video the day in the life of the band, and you're the first person I thought of.’ I said yes, but then he said, “Here's the only thing… you’ve got to leave at nine o'clock tomorrow morning.”I went to my job, and … They didn’t understand I was letting them know I was going on tour. I don't think I did anything significant … but we always stayed in touch. Puddle of Mudd was signed to his record label, and he called me up to audition. I learned the songs, flew out to L.A., and I had the gig. … That was all because of Fred talking me up. We’ve had some rough patches, but we’ve never gone toe to toe. Unfortunately, we don’t talk now, but I owe so much to that guy. It's 20-something years later. I don't hold grudges. MaM : Looking back, what kind of advice would you give to a young teenager when it comes to music? SW : Just stay true, man. Stick to your guns. Work really hard play, play as much as you can, and be there for other people. That's something important to me. MaM : What should our readers look out for next from you? SW : I have a back catalog, and I'm a writer. I like to write, and I want people to hear my new stuff. There is just so much stuff people haven't heard that only I have ... old Shinedown demos, old Puddle of Mudd demos. I was in a band with my best friend [Brad Stewart’s brother] Mark Stewart and Nolan Neal called Tried By Twelve. L to R: Mark Stewart, Nolan Neal, Jeff Winston, Shane Webb Nolan was on America's Got Talent and The Voice. He had more record deals than anybody I've ever known and was the only artist to get signed with Virgin Records … [a] sight unseen. Unfortunately, Mark died in 2015 and we lost Nolan last year. Shane Webb and Nolan Neal on "The Voice" That was a huge deal, and I still have those songs. … I don't want to just put this stuff out there. I want to protect … integrity and these boys. They were my buddies. As I said, it's a very touchy thing. I have to release these songs in a very sensitive way. We don't know if we're going to do it as an album, an EP, or just one song at a time. I'm also working on a way for me to release some of these old Puddle of Mudd demos. They need work studio-wise. I also have my solo material. I've been writing songs for a long time, and I have several of my own solo songs where I play most of the instruments. I had a talk with Bob Marlette, the producer of Seether and many more, and he is willing to work with me on a song I'm writing. Very excited about that. When Shane isn’t working on building connections with his local community in Jacksonville, he can be found in his studio playing his drums, bass, and keyboard. As we wait to hear what he will release from within his vault, stay updated by visiting his website at www.ShaneWebbDrummer.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Presenting Grunge-Gaze < Back An Ugly/Beautiful Dichotomy: The Music of Morbid Orchid Nicole Brice Mar 2, 2023 Share Presenting Grunge-Gaze Sometimes a girl just needs to listen to some good ole fuzzy indie rock, and this next band I’m about to hit you with has mastered that catchy indie-rock vibe made famous in the mid-90s by many notable acts. Morbid Orchid is their name, and they are based out of Nashville, TN. Formed in 2019 with core members Taylor Santangelo on guitar and Joel Murray on vocals and drums, these two almost didn't meet. It was after a few failed attempts, and one dick pic, that Taylor almost deleted a Craiglist ad he had posted in hopes of finding bandmates. As a last-ditch effort, he said to himself, “just one more week.” Endurance paid off when Joel responded, “hey, I live 20 minutes away.” The two would soon meet, and find the chemistry between them to be nothing short of palpable. I just want to note that Joel makes playing drums and singing seem flawless and effortless, and I must give mad props to anyone who can do both of those with ease. Their newest release is titled Siamese TV Lamp , and this album jams from start to finish. These guys are on to something with their Grunge-gaze sound, swooping chords, and their secret weapon producer, Tom Whall, who not only played bass on their debut but also gave the recording that extra TLC it needed to define their sound. credit: Cordie Nicole From the bluesy guitar opening on “Like Moths” to the fuzz explosion on “Couldn’t Be Better,” these guys rock it way out there and back. Be sure to check out their music and show some love right after you read this interview. credit: Loee Murray MaM : Good Morning! How are ya’ll doing today? TS & JM : Hey! We’re good! MaM : Guys, I just want to break the ice and start by telling you how impressed I am with your music. I made a note that your sound is Mudhoney meets The Breeders meets Hum meets My Bloody Valentine. Would you agree with that? I know that is all over the place, but I hear so many hints and nods to acts from the past. Influence is everywhere! TS: I’m not too familiar with Mudhoney. MaM : Really?!? You need to put them on your list and go check them out. TS : I know that they are a Grunge band, but I’ve never really listened to them. The other two bands—I am flattered to be put in the same category as them, so thanks for that. MaM : Who gave you the inspiration for the name Morbid Orchid, and where did it come from? TS : So, it was actually inspired by Marilyn Manson, and I am a fan of his music, but his philosophy was combining a negative thing with a positive thing to form the names of the band members and the band name itself and hearing that kind of stuck with me over the years. JM : The whole ugly/beautiful dichotomy. We thought it was a cool name, but it’s been a guiding principle in the band, too, with Taylor’s guitar tones being a little more aggressive, grungy, and dark, while my voice kind of naturally is lighter and prettier, and all of those elements kind of make up the sound. https://www.youtube.com/watch?v=DIC3gNQ13og MaM : So as far as influences go, is your music taste all over the place? I would think with Marilyn Manson being an influence that your taste is very diverse. Who’s the big Manson fan? JM : Taylor more than me. TS : One of the things when we met, that we actually bonded over, was just how broad and diverse our music tastes were. My only litmus for if something is good or bad is that good music can exist in any genre. credit: Loee Murray MaM : If the music resonates with you on a certain level, then that’s all you need. So, current line-up: Give me the rundown on who all is involved in Morbid Orchid. Is it just you two? I could have sworn I saw two other band members in pictures. L to R: Taylor, Joel, Loee, and Alex JM : Taylor and I are the core of the band. We do all the songwriting and recording. We’ve used a producer, but it’s mainly the two of us, but then for live shows, we have a bassist who is named Alex Aer and then a back-up singer, I guess … or co-singer? TS : A provider of harmony. (laughs) credit: Cordie Nicole MaM : A provider of harmony … (laughs) … I like that. That works. JM : Her name is Loee Murray actually. It’s her nickname. credit: Cordie Nicole MaM : So, you guys are based in Nashville. Tell us a little more about that. Born and raised there? JM : We both moved here. Taylor is originally from kind of all over, but mostly from Philadelphia, and you’ve been here, what, five years? TS : I think four years and some change. JM : I’ve lived here for three years, and I moved from L.A., but I’m originally from upstate New York. MaM : So, what brought you both to Nashville? Strictly music or something else? JM : Yeah, that was part of it. TS : For me, music didn’t really factor into the decision at all. I was fresh out of college and had a job that was fine enough, but nothing to stick around for, and then I went on a vacation to Nashville … where I had never been … and really loved it. At the time, my girlfriend and I wanted to do something crazy and a month later, we were living in Nashville. It wasn’t the most thought-out thing, but it’s really worked out. credit: Cordie Nicole MaM : So, a spontaneous move led to Morbid Orchid. TS : Yeah, it’s funny how you think your life is this big grand plan, but a lot of it is just coincidence, and I’m very lucky to have met Joel just based off a random move that turned into something important to me. MaM : So according to your bio, you two met on Craig’s List, right? A shining light in a sea of dick pics. (laughs) See, I never trusted it. I always thought some weirdo might come to chop me up or something if I responded to an ad on there. (laughs) TS : Yeah, you have to wade through the dicks to find you a Joel. (laughs) MaM : So, what was the official year you guys formed? TS : Late 2019 and then we worked together for a few months and were put on hold because of COVID-19, so it wasn’t until 2020 when we truly got started. MaM : What led to wanting to form the band? JM : I was a drummer first and I always loved to play. I played in bands in high school and college and always seemed to take it more seriously than anyone else. I taught myself to play guitar and sing, too. I saw Taylor’s post with a link to some of his solo material and I really connected with it. At first, I didn’t know what form the band would take and I thought maybe I would just play drums for Taylor’s solo material, and then we had our first couple of sessions … He encouraged me to do more of the singing, and we co-wrote the first song we ever did together. It just became collaborative. In the past, it was always someone else’s project, and you would write your parts and that was that. This is the first time where it has felt like a creative partnership and each song has to make it though the gauntlet of both of our tastes and have both of our fingerprints in terms of the arrangements and the melodies. MaM : As far as influences on your sound, do you both share similar influences that has led to the sound you have currently? TS : I would say we have a lot of common ground, and then we have quite a lot of things we bring to the table as far as influences the other person has never heard. I think the first artist that we both agreed on was Death Cab for Cutie. Obviously, Nirvana and all the Grunge bands you can think of, too. JM : Courtney Barnett, obviously, too. She’s Australian and great. She’s an incredible songwriter and the observations she interjects into her lyrics are oddball, but very relatable. She’s amazing. MaM : Now, take me through the writing process for your lyrical content. Do you put a heavy emphasis on what you write, or do you just let it flow? How would you describe it? TS : That’s where our priorities differ. While Joel doesn’t want to write throwaway catchy lyrics, I am a bit more particular with what’s being said. Joel does make it an accessible package that sounds good, so it’s a nice give and take we have. JM : I focus on melody more, and Taylor focuses more on lyrics, which works out. MaM : So, you balance each other out. He’s the yin to your yang. In 2020, you released Siamese TV Lamp ; is there anything else currently in the queue? What are you working on? TS : We’re finished with about 11 songs for our follow-up—well, they’re in various forms of completion. We’re getting really close to recording our next effort. JM : We want the whole record to be written before we go into the studio. We want it to feel like one cohesive statement. Taylor has a cool penchant for writing songs that flow together. There’ s a little of that on the first album where the songs bleed together. It’s fun to go into the studio and have a clear vision of that before the recording process begins. It’s getting there. We’re hoping to start recording this year. MaM : What’s the anticipated release date for the new material? JM : I think we’re aiming to record this summer and then release in the fall. TS : Fall kind of fits our vibe. credit: Loee Murray MaM : Yeah, it sure does. That’s awesome. As far as local shows, what’s going on with all of that? Do you have anything upcoming? JM : We played a lot last year, but Taylor is moving this month, so he’s been busy. We do have a gig coming up on March 18th. It’s a St. Patrick’s Day Extravaganza in Manchester, TN ( https://stpatricksextravaganza.com/ ). We are actively booking, though! MaM : So, guys, a few more questions, and I like to talk gear when I’m honing in on a sound for a band, so give me a rundown of what all you use to achieve your sound. JM : Taylor is a tone warrior. That’s one of my favorite things about working with him because he has such an amazing ear for those guitar textures. TS : Thanks, man. So, while I will agree to being a tone warrior, what I am not … well, guitar players actually annoy me, because if it’s not some rare vintage thing, it’s crap, and I don’t subscribe to that at all. So, the first album was an old Aria guitar that was manufactured in Japan. Basically, it was a knockoff Fender Jaguar, and the amp for that first album was a Fender Hot Rod Deville 4 x 10. As far as pedals go, the philosophy behind that is that I have a medium-sized pedal board and if it doesn’t fit, it doesn’t get used, so I have an octave pedal. It’s a Boss OC3 … just a standard octave pedal, but … my favorite pedal is a Stomp Underfoot Black Russian Fuzz. How I got that is that one of my favorite local bands called JEFF the Brotherhood has a great guitar tone, and they use a Big Muff Black Russian, but when I looked to try and buy that pedal, I couldn’t find one used at a reasonable price, so … I found this other manufacturer who makes a great reproduction of that pedal. For my less fuzzy tones, I have a Boss OD-3, which is a pretty time-tested yellow overdrive. I also have an MXR Flanger, and am I missing anything? Joel? Oh, I have an Ibanez Tremolo, which I’ve used on some stuff, but nothing recorded yet. MaM : So, you use a lot of gear, and you’ve got it all ironed out with what you’re trying to achieve sound-wise. You are a meticulous musician. (laughs) TS : Yeah, I guess it is a bit overboard. All my pedals have little pieces of tape on them with settings marked for my different tones. credit: Loee Murray MaM : So, my last question involves future plans. What all do you want to achieve going forward? JM : Yeah, we’ve talked about this a little bit. We don’t have illusions that the band will last forever. We both have life plans that take us away from Nashville and each other, eventually. I think we’re just trying to enjoy every moment, every show, and just live it. In the short term, we really want to make this new record and just do some short local tours this summer. Some bigger audiences. TS : It’s a fine balance between having all those crazy dreams but also not knocking where we are at and trying to enjoy what we have achieved and being a little more realistic. To check out all that is Morbid Orchid, hit one of the links below: www.morbidorchid.com Morbid Orchid (@morbidorchid_official) • Instagram photos and videosMorbid Orchid | Facebook Spotify – Morbid Orchid Morbid Orchid (bandcamp.com) Morbid Orchid - YouTube ‎Morbid Orchid on Apple Music Tik Tok: @morbidorchid_official Morbid Mag www.morbidorchid.com Morbid Mag, Vol. 1 — Morbid Orchid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Despair’ is a song full of truth. < Back Reviews on the Real: ‘Despair’ by Hawthorne Oachs Nicole Brice Mar 20, 2025 Share ‘Despair’ is a song full of truth. Hawthorne Oachs released her latest musical offering, ‘ Despair ,’ on February 22, 2025, and this track stands out from her usual style. Featuring her soothing, angelic voice, ‘ Despair ’ begins with haunting synths and progresses to a more upbeat tempo than her previous songs. Beautiful guitar parts weave throughout the track, filled with dark imagery that conveys deep meaning. Oachs' lyrics resonate with my soul , making it feel like she is in my mind with this song. Not only is Hawthorne a talented lyricist, but her wisdom shines through in everything she writes. I often find myself lost in an imaginary world while immersing in her music. Released February 22, 2025 - click to listen Lyrically, ‘ Despair ’ addresses the current state of our world and conveys the message that we are doomed to fail unless we unite . In one part, the artist expresses, "We're all in this together, yet we find ways to hate one another. Division will be our downfall." These words could not be more valid. Hawthorne's vocals always make me feel like I’m floating on a cloud, and in ‘ Despair ,’ this feeling continues. With a catchy chorus of "We're trapped, trapped, trapped, and we can't get out," I became wholly consumed by the song due to its powerful lyrics . https://www.youtube.com/watch?v=U2Dh0y_XIdc Hawthorne has a way with words, and she speaks the truth , so do yourself a favor and get lost in ‘ Despair .’ It’s out now on all streaming platforms. To learn more about Hawthorne Oachs: Musical Artist | Hawthorne Oachs www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Main Attraction feels like a cinematic trip through nostalgia. < Back Reviews on the Real: Main Attraction by Glitter Litter Nicole Brice May 12, 2026 Share Main Attraction feels like a cinematic trip through nostalgia. Released on May 8, 2026 , ' Main Attraction ' by Glitter Litter is a nonstop rush of aggression, punk energy, pop sensibilities, and colorful lyricism that paints a vivid story from start to finish — something Glitter Litter consistently excels at. Every song they release is sharply produced and packed with unforgettable imagery, creating scenes that linger in your mind like memories you’ve lived yourself. Released May 8, 2026 We previously reviewed the song ' Johnny’s Got a Girlfriend ' and the album Shocks to Sleeping Beauties , so if you haven’t checked those out yet, now’s the perfect time. This time, Glitter Litter takes you on a ride through the eyes of a guy out on a date, making it clear that no one else can steal his attention. She’s the main attraction. The repeating echo of “you’re my main attraction” is instantly infectious, the kind of hook you catch yourself humming long after the song ends. It’s vibrant, nostalgic, and ridiculously fun. https://www.youtube.com/watch?v=GEcZzs1u5xs 'Main Attraction' by Glitter Litter For those not familiar with Glitter Litter , it is a solo project from Sweden featuring Andreas (ex- Sugar Shock ). Inspired by glam, comic, bubblegum, and ‘80s happy metal, the project has had numerous releases since its inception, so be sure to check them all out. Main Attraction feels like a cinematic trip through neon-lit movie theaters, moonlit amusement parks, and reckless young romance. One of the strongest things about Glitter Litter’s music is how effortlessly the hooks stay with you long after the final note fades. Go stream it now. To learn more about Glitter Litter: Website: Glitter Litter - bubblegum glam/punk Spotify: Glitter Litter | Spotify Apple Music: ‎Glitter Litter - Apple Music YouTube: youtube.com Glitter Litter www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Meet Mike Poole < Back Uno, Dos, Tres: The Man with the Plan in Three Bands Nicole Brice Oct 20, 2022 Share Meet Mike Poole Meet Mike Poole. Mike plays the drums, and he plays them loud! He is one busy man, and he not only holds down a normal 9-5 job, but he also finds time to play drums in not one, not two, but THREE bands that are heavily involved in the South Louisiana music scene. Seriously. How DOES he do it all? Recently, I reached out to Mike to speak with him about what drives him to perform and what interests him about being a musician. With a lengthy history in the Baton Rouge, Louisiana, music scene, Mike isn’t just another drummer. His current projects are DeadCentered , Vatic Decryption , and Glacial Coffin , and all three bands have original music available you should check out, with even more on the way. A percussionist is a more fitting term for Mike because of the technical aspects he incorporates into his playing. LIKE WHAT? His ferocity on the kit is what sets him apart from all the others twirling the sticks out there. This man can play! MaM : Obviously, you have someone or something that inspired you to pick up the sticks when you were younger. Who would you cite as your ultimate inspiration if you could only pick one? MP : Honestly, Phil Collins was my earliest influence. I've been a huge fan of his since middle school. I remember watching a live video of him playing the drums fill on ‘In the Air Tonight’ (yes, THAT drum fill) and that was the moment I knew I wanted to play the drums. MaM : I think everyone loves Phil Collins and you can't help but turn the radio up when the epic part of that song starts to come in. I can relate. You are currently involved in many projects ranging from Punk Rock to straight up Death Metal, but I'm sure you have an eclectic mix of music you listen to daily, as do I. What type of music inspires you to create? MP : I guess anything metal would be a given and obvious but oddly enough, a lot of my creativity and inspiration for wanting to create comes from a good bit of the pop music I listen to. Lady Gaga, to me, is one of the greatest artists of this day and age. Brian Fallon and any project he is a part of, too. And the Killers are one of my all-time favorite bands, too, so you have that. Their drummer, Ronny, is one of the greatest drummers I've ever had the privilege of seeing play live. His playing inspires me so much. MaM : I, too, am a huge Killers fan, and I feel they do not get enough recognition. What age were you when you first realized you had a heavy interest in music and what truly made you want to become an actual musician? MP : Well, I'll circle back to Phil Collins because I was heavily into his music in middle school, but it was probably around 8th grade when I decided I wanted to get a kit and start playing drums. Discovering heavy metal music really lit a fire under me, too, and it was somewhere between hearing the band Tourniquet, which is THE band that got me into metal, and hearing Metallica's ‘And Justice For All’ that turned my want to play drums into a NEED to play drums. NB : Lars Ulrich is truly one of the greats, but I'm pretty sure he knows that. ::laughs:: Now, at the moment you’re involved in three music projects, right? Tell us a little more about those. MP : Well, currently, I am in three different bands, and I've been in all of them since 2017. I joined them all within a few months of each other. DeadCentered is a hardcore punk/thrash band. Glacial Coffin plays what I would call melodic Scandinavian death/black metal, and Vatic Decryption is a death metal band rooted in the second wave of death metal (90's Florida/New York death metal scene). All of my bands are currently active, and we have music available via all streaming outlets. NB : If you had to pick a favorite time of the year for playing music, what time would you pick? MP : Fall, hands-down! There is just something about the beautiful mild weather and the smell of bonfires and burning leaves in the air. It automatically puts me in a great mood. Plus, it's nice to not be sweating so much. And for us big guys, that is a very big deal. ::laughs:: For more info about all of Mike's current projects and to hear him in action, check out: DeadCentered | Facebook Vatic Decryption | Facebook Glacial Coffin | Facebook DeadCentered Official (@deadcentered_official) • Instagram photos and videos Vatic Decryption (@vaticdecryption) • Instagram photos and videos Glacial Coffin (@glacialcoffin) • Instagram photos and videos DeadCentered - YouTube Vatic Decryption Official - YouTube Glacial Coffin - YouTube *All photos by Gary Governale* Questions or Comments? Reach out to the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest is coming May 10, 2025 < Back Eclipse Fest: A Pillar of the Louisiana Alternative Scene Nick Cline Dec 3, 2024 Share Eclipse Fest is coming May 10, 2025 What is Eclipse Fest ? This question has been thrown around a lot since its first incarnation at the beginning of 2024, and that only escalated once the show happened on June 15th, 2024 . Well, who better to answer the question? Hello, my name is Nick Cline , and I am the mastermind behind Eclipse Fest . Click to go to the Facebook page for Eclipse Fest 2025 Eclipse Fest is my brainchild, which I concocted in January 2024. It started as a statement of ability and love for the scene but became something I did not expect. It became more than a statement of ability. It became a statement for a unified scene across all the genres that desperately need light shined on them. I started Eclipse Fest because I genuinely love music. I love the community music makes regardless of who you are. Music truly binds us together as a people. That is the energy I put into the tireless hours I pour into the festival. The statement and mission I bring are an extension of my love of music, community, media, and everything in between. The craziest part of Eclipse Fest is that I have, for the most part, handled most of the planning stages by myself. Before Eclipse Fest 2024 , I had zero experience planning events, marketing on a big scale, or anything like that. I was solely working on my band, Phantum Sun . That changed once I took the mantle of running and concocting Eclipse Fest . I took the vision in my head and threw it into the wild. The event brought a lot of shine to the scene through unorthodox booking styles, genres that on paper shouldn't work together, and whatever other plans I had that would give a typical event planner a reason for a thousand-second glance. I'm shocked that it turned out as good as it did, but the help I had leading up to it, the connections I made going through the process, and the bands were a tremendous part of the success. I aim to make Eclipse Fest 2025 an even bigger statement for the overall scene. It will be a statement of the great original music that Louisiana can provide from one side of the state to the other. Finally, it will be a statement of community. Announcements will start rolling out on the first Friday of January ! Stay tuned because you won't want to miss this one! We have an amazing line-up of talent, and some of these bands are going to blow your mind. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trailer Park is a song that resonates in all the right ways. < Back Reviews on the Real: Trailer Park by Mayrunner Nicole Brice Aug 1, 2025 Share Trailer Park is a song that resonates in all the right ways. Mayrunner , an alternative and punk band based in Lafayette, Louisiana, has returned with a new single titled ‘ Trailer Park ,’ and we can't stop listening to it. For those who aren't familiar with the band, Mayrunner has been a prominent part of the Lafayette music scene for quite some time. We even featured them in an article for RADFest back in 2023. Released August 1, 2025 Although the band took a hiatus when their lead vocalist, Devric Taylor, relocated to another state, they are now making a strong comeback and are ready to make their mark in the evolving music landscape. Credit: Elise Hanks The current line-up of Mayrunner is: Devric Taylor (vocals/guitar), Henry Milliman (bass), Coleman Wilson (guitar), and Phil Hardy (drums). Some of their past releases include Good for What We Are , which came out in 2018 , and Tell Me Where You’ve Been , released in 2023 . Today, let's explore the new song ' Trailer Park .' It opens powerfully with Devric's echoing vocals, then transitions into a beautifully chaotic sound before gradually softening into a slower tempo. I enjoy it when bands incorporate tempo changes; it keeps the music feeling fresh. As the chorus begins to build, it rolls effortlessly and is incredibly well-crafted. Once it starts building, it does not let up until it has to end, and then it trails off with one of those heavy basslines I love. https://www.youtube.com/watch?v=rwT9_Ksiv_0 'Trailer Park' by Mayrunner ' Trailer Park ' is a song that resonates in all the right ways. Be sure to stream it today! *photos by Elise Hanks Facebook To learn more about Mayrunner: Facebook: Facebook Instagram: Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp: Music | Mayrunner www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Muscle Shoals artist on songwriting, artistic identity, and why songs are everything. < Back Bay Simpson Is Writing Muscle Shoals’ Next Chapter Zach Taylor Jul 6, 2026 Share The Muscle Shoals artist on songwriting, artistic identity, and why songs are everything. Bay Simpson speaks with the confidence of someone who knows his roots, even as he’s still discovering where he’s headed. And that’s important when your hometown is Muscle Shoals, Alabama. For many, Muscle Shoals is almost mythical. Even if you’re not in the music industry, you probably know the legend. For me, it always felt like a landmark on the way to Pickwick Lake —a monument more than a living, breathing town. It’s a place frozen in black-and-white photos, old studio walls, and legendary names. But for Simpson , it’s more than legend—it’s home. For him, Muscle Shoals was fishing, the river, and growing up surrounded by music—long before he could grasp the size of its shadow. That’s what made talking with him so interesting. Credit: Bud Gambrell Bay is anything but dismissive of the past. He lights up when talking about The Beatles, Tom Petty, The Who, The Everly Brothers, Zeppelin, the Stones —all the giants whose songs endure far beyond the moment they were made. But he’s also keenly aware of what it’s like to be a young artist today, where music has to compete with algorithms, shrinking attention spans, and the endless demand for content. Sometimes, it’s just content for content’s sake. In other words, Bay Simpson isn’t trying to outrun Muscle Shoals’ history. He’s trying to keep it alive—without getting trapped by it. Graphic from the June 26, 2026 show at Mars Music Hall in Huntsville I sat down with Bay backstage before his June 26, 2026 show at Huntsville’s Mars Music Hall. We talked about his name, Muscle Shoals , songwriting, time, regret, ' Fortunate Son ,' artistic identity, and why, even with all the booking agents and PR, no one will ever care about an artist’s career as much as the artist themselves. *The following conversation has been edited lightly for clarity. MaM : Let’s start with your name. What is the origin of Bay? Bay Simpson : There was an indie artist named Bay Chandler . My mom was about seven months pregnant with me, and I think she was going to name me Seth or something. Bay Chandler came and played at the little white amphitheater on campus, and my mom saw him play and loved the name. She said, “I’m going to name my kid Bay.” MaM : Do you associate your name with anything? An image? A feeling? Bay : Not really. I’ve always felt like my name made me unique because not many people have it. I like that aspect of it. When I think of a bay, I think of something closer to the ocean, for sure. Credit: Bay Simpson MaM : You come from the Muscle Shoals world. It is in your blood, and it has this almost mythological weight for people. Was it special to you growing up, or was it just home? Bay : It was both. Growing up in it, being around FAME through my parents and stuff, you learn the history of it as you get older, and then it becomes cool. But to me, it was just a really cool place to grow up. I was on the river a lot. My dad was a big fisherman, so I was always familiar with the river and the lakes, whether it was Wilson, Pickwick, or Wheeler. I got to know the land pretty well, as well as the music scene. There’s definitely a mythical thing about it, sure. MaM : Smallmouth, largemouth, or spots? Bay : I’ve probably caught more largemouth than anything else, but there’s nothing like catching smallmouth. MaM : What do people get wrong about Muscle Shoals? Bay : In the music world, people see Muscle Shoals and associate it with the 1950s or 1960s . But there are still many mainstream ties in the modern day. Jason Isbell is from the Shoals. He grew up writing at FAME . That was his first deal. Chris Tompkins is from the Shoals, and he’s one of the most decorated songwriters in modern Nashville country. John Paul White is another current Shoals guy who had a ton of success, won a Grammy , and played on the Grammys. The misconception is that Muscle Shoals is a thing of the past. It’s still a thing. For me, I just want to carry it on. I want to keep it current and add to the legacy. Credit: Bud Gambrell MaM : That brings up something I think gets overlooked. People think about the product, but you’re talking about songwriting. Do you think songwriting is an underrated part of the music industry? Bay : Oh yeah. I think it is what makes the icons who they are. Nobody would see Tom Petty or Paul McCartney as these Mount Rushmore figures if they didn’t have songs people will sing forever. The Beatles were sixty years ago, and people still know so many choruses of so many songs. As an artist, yeah, you can have a hit. You can have a moment of success. A lot of people do. But some of them are more memorable than others, and to me, that goes back to the songs. Ultimately, we’re in the songs business. Songs are everything. Credit: Bud Gambrell That idea—that songs are what survive—became the thread running through the rest of our conversation. I found myself thinking about the music I grew up loving, especially the influence of the Seattle scene. Some songs live on, even when the artists who wrote or performed them are gone. The music endures. Bay Simpson may come from Muscle Shoals , but he’s not interested in treating that legacy like a museum piece. He’s focused on what lasts, what fades away, and what it means to make guitar-driven music in a world that often feels more interested in content than in actual songs. From there, our conversation turned to influence, time, attention spans, regret, and the sound he’s still chasing. Credit: Bud Gambrell MaM : Listening to your music, I picked up on some Beatles influence. Was that a major influence for you? Bay : I have a lot of Beatles influence. I have a lot of Tom Petty . I have a lot of ’90s influence, too, and much of that came from The Beatles . I’ve studied so many bands. Most of the iconic rock bands of the time. I was a Zeppelin fan and a Stones fan primarily, and then it wasn’t until later, probably five or six years ago, when I first got into my twenties, that I really started to appreciate and understand The Beatles. Credit: Bud Gambrell MaM : One thing I noticed in your writing is how often the idea of time shows up. “Time Waster.” “A Thousand Years From Now.” “Too Old for This.” “21st Century.” You’re still in your twenties, but time seems to weigh heavily on your mind. Why do you think that is? Bay : I think a lot of it comes from the stuff I’ve always been drawn to. It is typically the stuff of the past. Those are my biggest influences. Being in this modern era of music is tough, man, because it's less about the music and more about who can make the best social media content. To me, that is unfortunate. There are still people whose music rings true, and that is the reason people like them. BlackBerry Smoke is an example. But I am constantly thinking, “What would it have been like fifty years ago? What will it be like fifty years from now?” We are already in a place where attention spans are so short. I’m only in my twenties, and I’m sitting here thinking, “If people’s attention spans are only about ten seconds now, what are they going to be when I’m seventy?” I stay in that headspace. Plus, I’m a nerd. I’m a Star Wars nerd. I like old alien movies. Space, time, and all that stuff are cool to me. MaM : There is angst and regret in some of your songs, especially the breakup songs. But then you also cover “ Fortunate Son ,” which is interesting because that song carries a lot of generational anger. Do you feel any dissatisfaction with the world you inherited, or am I reading too much into that? Bay : I would not say that exactly. I am a big believer that everything is relative. There is nothing new under the sun. History repeats itself. My reason for covering a song like that is, first, because I love it. That is some of the coolest music ever. And second, my granddad was a Vietnam veteran, and he has told me stories about flying into battle listening to that song, which is crazy to me because it is literally like a scene from Forrest Gump. I do have moments where I think, “Man, I wish I had existed in a time when music seemed to be the thing.” But then I also have moments when I think maybe it has always been a bit of a gimmick. https://www.youtube.com/watch?v=akKsPtkq9zM Fortunate Son - Bay Simpson MaM : So maybe it is less about dissatisfaction and more about bringing back a sound or a feeling that you think still has a place? Bay : That is more so the deal. An artist's career is so challenging. I love it, don’t get me wrong. I would not do anything else. But I would not be doing it if I did not feel I had a space to carve out for myself. If I did not feel like I had something to say or that I could fill a space that needed to be filled, I do not think I would be doing it. And I do feel that way about what I do and who I am as an artist. MaM : In ten years, what does Bay Simpson sound like? What sound are you chasing? Bay : I feel like the sound I am chasing is already there in a lot of respects. I feel like the way I sing is already pretty unique, and I know who I am as a songwriter and as a player. For me, the focus has been on how to get to the next level. That comes with putting in the time, putting in the hours, and figuring out how to really connect with fans. A lot of luck plays into music and who blows up and who does not. But the ones who stay in it and keep working are the ones who get those breaks. So, I am just going to keep writing, keep doing what I love, and keep writing what I want to say and what I want to hear until something really breaks through and goes to the next level. Credit: Bud Gambrell This is where the conversation struck me personally. Bay Simpson transitioned from an artist with songs I could relate to into an artist and a person I could relate to. Bass fishing and Star Wars helped, sure. Those things made him human. Familiar. But what connected with me most was the struggle. The grind. The strange, frustrating reality of trying to make something meaningful in a world that often rewards visibility before substance. As a debut independent author, I have experienced firsthand many of the struggles Bay referred to: shrinking attention spans, constant content creation, the pressure to promote yourself, and the waiting. Always the waiting. Waiting for the right person to notice. Waiting for the work to break through. Waiting for talent, timing, effort, and luck to finally land in the same room. There are plenty of sayings on motivational posters about how the only things you can control are yourself and your work ethic. There is truth in that. But it is naive to believe dedication, work ethic, and even raw talent automatically translate to success. It takes more than that. And Bay knows it. Credit: Bay Simpson MaM : As you’ve grown and become more established, is there anything you used to have to do yourself that you can now hand off to somebody else? Bay : That is a big misconception in the business. Even the people who are successful still have to keep their hands in everything. I have a booking agency, but you still have to hound it to get gigs. That is just how it is. I have PR. I have people like that, and they are great, and they do a great job. But as an artist, especially now, there is no shortage of artists out there trying to get everybody’s attention. You have to be the one who drives the ship. There are certain things I have handed over, but I still keep my hands in everything I do. Nobody cares about my career as much as I do, and that will never change, no matter how big it gets. Credit: Bud Gambrell MaM : You have a rider. What do you put on your rider? Is there anything funny on there, and what does it say about you? Bay : My rider does not have anything crazy on it, and that probably says a lot about me. I am just pretty professional. I just kind of roll in. I am not one of those high-maintenance people. I just want some Coke and some water . Throw us some pizza or put some chips out. Something like that. MaM : You put a lot of emphasis on songwriting, both your own and other people’s. If one artist could cover one of your songs, who would it be and why? Bay : I would probably bring somebody back from the dead and say Prince . Somebody like Prince is just the coolest. Very artistic. I think he could do a cool version of “ A Thousand Years from Now .” MaM : Tell me about the origin of "Where Do I Go From Her." When I saw the title before hearing the song, I wondered if you had written down “Where do I go from here?” after a heartbreak and then scratched off a letter. Bay : It was just one of those clever things that falls out. It does not come from trying. Somebody probably said, “Where do I go from here?” and I thought it would be interesting if you changed it. It is a breakup song. Sometimes, if I have a title I know is really good, then it becomes about coming up with the coolest possible melody. I took that into a co-write and ended up with that jangly chord progression. I am a big fan of The Who , so I like acoustic-guitar rock and the way you can use acoustic guitar rhythmically, kind of like Pete Townshend did or like The Everly Brothers . That was one where I wanted to write a song with a driving acoustic track. I had that rocking chord progression, and it just kind of fell out. There is not much science behind it. You just do it until the heavens, or whatever you want to call it, open up. https://www.youtube.com/watch?v=C6JSVbHA7ig Where Do I Go From Her by Bay Simpson And there it goes. Bay Simpson may be chasing something old, but he does not sound stuck in the past. He sounds like an artist trying to figure out how to make songs matter now. In a world built on clips, scrolls, and seconds, that might be the most Muscle Shoals thing about him. Go check out his music today on your favorite streaming platform. It's incredible. Credit: Bud Gambrell Where to find Zach Taylor: Website: https://sites.google.com/view/zach-taylor-author/home TikTok: zach taylor, author (@zachtaylorbooks) | TikTok Facebook: Zach Taylor Books Facebook Where to find Bay Simpson: Website: http://www.baysimpson.com TikTok: baysimpsonmusic (@baysimpsonmusic) | TikTok Instagram: Bay Simpson (@baysimpsonmusic) • Instagram photos and videos Facebook: Facebook Spotify: Bay Simpson | Spotify Apple Music: ‎Bay Simpson - Apple Music Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Phoenix’ is a soothing journey through sound with raw emotion. < Back Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Nicole Brice Sep 6, 2024 Share ‘Phoenix’ is a soothing journey through sound with raw emotion. Aaron J. Burke is a singer and songwriter from Ireland. He has gone from recording demos in his room to having frequent airplay on radio stations across his home country and the world. Growing up on a steady diet of rock music, in his twenties, he moved into a more acoustic sound inspired by the rich singer/songwriter scene in Ireland. Aaron has been busy working on his first EP, backed up by the latest release, an acoustic song called ‘ Phoenix .’ ‘ Phoenix ’ is a hauntingly beautiful song reminiscent of tunes by XTC and R.E.M. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Naturally, the day I listened to this track for the first time, it rained outside like crazy. Acoustic tunes suit my mood on rainy days, and Burke has captured the essence of renewal lyrically and musically with a deeply personal and universally relatable piece. Aaron J. Burke said of the lyrical inspiration for the song, “The song 'Phoenix' is over ten years old, so I don't recall the specific events that inspired the lyrics. However, it was written during a dark time for me. I wrote the song as a personal pep talk or motivational thing, but I also wanted it to be well-rounded so everyone could relate.” Credit: Aaron J. Burke The song's arrangement is atmospheric and dynamic, and the music truly resonates on multiple levels. It’s the kind of song that uplifts but also challenges you to reflect on your moments of struggle and triumph. With a new EP in the works, Aaron J. Burke is not rushing the creative process but instead is taking his time. “There is one track left to record for the EP, so I hope it will be released in October.” In the meantime, check out ‘ Phoenix ’ on all streaming services. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Iron Lung is a unique watch that sucks you in. < Back Film Review: Iron Lung Nick Cline Mar 12, 2026 Share Iron Lung is a unique watch that sucks you in. 2026 is looking to be a stellar year for horror fans. We are only three months in, and the realm of mainstream and indie horror is making a big name for itself. With that being said, the film Iron Lung has become a favorite so far this year. Iron Lung is a passion project from multifaceted YouTube personality Mark Fischbauch. He is better known by his YouTube handle, Markiplier . This was a film without any mainstream production company, distribution, or anything of the sort. It was self-funded, self-written, self-directed, and self-advised. It was a project fueled by passion, love for the work, and the artistic endeavor to push the story forward. Iron Lung 2026 The film is based on the 2022 game of the same name. The game explores a desolate moon where a prisoner, confined to a submarine, navigates a sea of blood as a “prison sentence”. The world and lore of the game came into pocket-sized fragments that would unearth the situation. The film takes the bare bones lore and elevates it into a 127-minute film. I describe Iron Lung as a Cosmic Horror project with a deep sense of dialogue, existential angst, and passion for the unfolding unknown. From start to finish, this is a film that brings the audience right into the situation. It starts with a recounting of the end of days. All life has been wiped out of existence by something called the silent rapture. The only things left are the remnants of mankind and the memories of times past. This bombshell of a monologue transitions to an opening shot of our main character, Simon . He is a prisoner locked away in a submarine that is being used to explore the sea of blood on an unknown moon. He is forced into a situation where he must explore the blood ocean in the hope of being set free from his prison sentence. This is the beginning of a continuous story, driven by a high-stakes series of events. https://www.youtube.com/watch?v=x8E8Ryx49so Iron Lung Official Trailer As the film progresses, the intentions, ideals, horrors, and everything in between come to life. Over time, the stakes of the situation are felt in a slow but high-stakes chain of events. It starts off with Simon finding the bones of a giant alien-like creature, “something” bashing into his submarine, and the eventual dance of delusion and oxygen loss. The next stages of this review will be dancing the line between spoilers and non-spoilers. I want to offer a breakdown of the project's scope, ripping the magic out of its reveals before you even get to see it. I will try my best because this is a movie that deserves to be watched, not read. https://www.youtube.com/watch?v=IaEtA56pd_w Iron Lung Final Trailer The story progresses till the point of “no return”. The conflict and climax merge into one center of action. It's an unusual way for a film to find its footing, but, overall, it is executed well. Simon finds himself in a pit of self-realization, existential angst, and anxiety of finding clarity and resolution in the situation. A creature stalks Simon as he slowly “loses” his mind. What is real? What is part of the radiated frenzy of reality? These are the two questions that haunt the narrative from the midpoint of the film until the rolling of the credits. This locking point in the film kickstarts some of the best visuals and creature design I've seen in a long time. It is baffling that this was a film made for only 3 million dollars, given its size and scope. I could go on and on about the direction this film takes, but that would reveal too much. This film deserves support and viewing. It is a passion project that would get any cosmic horror fan excited. The monsters, lore, existential dread, twists, twists of reality, visuals, sound design, and so much more make this a good watch for anyone who's a fan of cosmic horror, Markiplier , or story-driven horror. The only downside I could find is the slow-paced start, but that is something that usually comes with the film's style. Other than that, I had very few complaints as a viewer. It is a unique watch that sucks you into the world if you give it the chance. I couldn't recommend Iron Lung more. Do yourself a favor and give this a watch! Overall rating: 8.5/10 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Sugarfuzz is full of pop melodies and catchy hooks < Back Sugarfuzz: Feel Good Rock Nicole Brice Jul 3, 2023 Share The music of Sugarfuzz is full of pop melodies and catchy hooks Forever on the hunt for new tunage, or so it seems, I recently came across a band out of Georgia who calls themselves Sugarfuzz . The band features members of Atlanta rock bands Hanging Francis, Chain Poets, My Rebel Episode, and the Bloody Hells with Greg Kaegen (vocals/guitar), Kenny Tsao (bass), Gary Spano (drums/vocals) and Johnny Powell (lead vox/rhythm guitar). Having just wrapped up the recording for their debut album, the men of Sugarfuzz were nice enough to let me listen to an advance copy so I could give my perspective on the music. Recorded at Furies Studios in Blue Ridge and Marietta, Georgia, and produced by Ed Burdell (of Magnapop), this album rocks from start to finish. With no fillers and every song being a banger, Sugarfuzz have managed to craft a solid recording full of tunes that’ll make you want to hop in your car and roll the windows down with the stereo blaring. Beginning with the track “Are You with Me,” which has a riff reminiscent of the intro for the 90’s comedy show Kids in the Hall , each song after that sets the stage for a refreshing and nostalgic album full of fun, sing-along tunes. “Boy Meets Girl” is another stand-out track, and the guys currently have a music video on YouTube with the song for everyone to lay their eyeballs on. https://www.youtube.com/watch?v=p6nn424fBIw In fact, I feel that once it’s released, the Sugarfuzz debut will be one of the feel-good albums of 2023, if not 2024 , to coincide with the 90’s alt-rock revival currently beginning. The band is looking to release the album in Fall 2023, so we’ll have to just sit back and wait for now, but there are plenty of samples of their work to check out either by canvassing the band’s social media or by catching them live at a music venue near you. To get a better feel for the musicians behind the sound, I reached out to the band so we could chat a bit more in-depth. You’ll want to listen to their music after reading this article, I’m certain of it. Check out our conversation below. MaM : Guys, thank you for chatting with me. I want to start by asking when can we anticipate this amazing album you sent me being released? It is so good! Johnny : We are kind of holding on to it for a little bit, but we’re thinking sometime in the fall. We are sitting on it to see what kind of anticipatory buzz we can get on it first. MaM : The entire album is solid with each song jamming. It reminds me of the great albums of the past where you could put the CD in, press play, and just go! Johnny : That’s exactly the kind of idea we had when we started this project. We got together after admiring each other’s work in other local bands and then started writing together about a year and a half ago. We just started cranking out a bunch of songs together and then we brought the other guys on board. Kenny was playing in a cover band with me, and I invited him into the group. Ya know, we were playing stuff like Hall & Oates and stuff to get people dancing (laughs), but it never really got off the ground. It was fun, but this is really my passion. This original stuff. We wrote it as a whole record, though. All of us admire records, but it seems everyone does singles these days. Photo provided by band MaM : Oh, I get it. I remember when actual albums did exist. (laughs) Johnny : We got together with this guy, Ed Burdell, who is an old friend of ours and he has a log cabin up in Blue Ridge in the mountains of Georgia. He always wanted to record a band up there, so he invited us up and we went and recorded the album in a weekend after much comedy and maybe too many drinks. (laughs) We did the basic tracks in one day. Greg : It was a six-and-a-half-hour session and we cut all the basic tracks for all the songs. MaM : That goes to show the cohesiveness you guys have as musicians. You are already vibing. Greg : Plus, we went up on a Friday and started playing on a Saturday. That Friday, though, we got to hang out together, just us guys, and we bonded and then we made a record. It felt great from the moment we started playing. Johnny : The producer actually produced Magnapop and that’s one of his most notable production credits. He’s truly a master. He’s got great microphones, too, and we had one up in the loft recording everything as it was happening, but he’s a zen master at production. He really found some good sounds with this basic batch of songs. MaM : This album sounds like what a 90’s rock revival should sound like. Truly. Now, a bit of a deeper dive into the band history, what initially drew you together? Was it more because of like styles? Johnny : I don’t think it was necessarily stylistic, but Greg and I both fronted bands and would support each other. We always admired each other’s songwriting and guitar playing and I always toyed with the idea of writing with Greg. It just never happened until a year and a half ago and when we did get together, we discovered it was effortless. Greg : So, one day, Johnny is setting up microphones for us, and I just plugged into one of his amps and I started playing the opening riff for “Don’t Tell Me That,” and by the time he’s done setting up the mics, he grabs a pad and pen and starts scribbling. He just starts writing this verse over the song I was playing and the song came together in about an hour. It took no effort. It’s all come together easy. Johnny : We wrote almost all of it in the rehearsal space and would stop each other when something sounded cool and then we would come up with a verse or chorus melody to go over it, and it just fell together naturally. We’re just getting rolling and just getting started, so we are hoping to have some great gigs later this summer and fall. MaM : As far as your sound, did you have a sound you were going for initially going into this project? Johnny : We didn’t really design it. It’s just what fell out of us. Greg : There was never a discussion about it, honestly. I wasn’t looking to get the monster ultimate guitar sound. I had nothing I wanted in my head. I decided to just plug into an amp with no effects or anything. We weren’t shooting for anything, and it just came out the way it came out. Very organic. MaM : As far as future aspirations go, what can we expect? Johnny : The sky is the limit. We just want to make music and have fun doing it. To experience the music of Sugarfuzz for yourself, hit one of the links below and keep your eyes and ears peeled for their debut album coming soon! Facebook Sugarfuzz - YouTube Album Teaser by Sugarfuzz (soundcloud.com) www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charles Brooks, D.M.A. < Back Big, Easy, Body-Melting Vibes Keeley Brooks Oct 3, 2022 Share Charles Brooks, D.M.A. As promised, each article I’ll direct your gaze towards an artist worth checking out, and then I’ll tell you all about why they’re worth it. Maybe they’re hip and chic, just like you. Maybe they’ve got some funky, groovy vibes that resonate so loudly, you simply can’t afford to pass on hearing more about him/her/them. Or, maybe they have a super-cool ability to melt your face off with one bitchin’ musical experience that’ll leave you reeling for days. For this first article, I do not disappoint. (And if I do, then by all means send me an email and let me know so we can rap about it.) I bring you more than just a musician. I bring you a unique body-melting experience that clings to you like static and leaves one hell of a lasting impression. My people, meet Dr. Charles Brooks, a multi-talented, classically trained professional jazz vibraphonist, percussionist, hand drummer, pianist, clinician, composer, and educator. Hold up. A what? A vibraphone? What the hell is that? Here’s the easy answer: think xylophone, only bigger, more octaves, and with pedals, like a piano. Remember NBC’s former tone that played on TV between your favorite primetime shows … ding dang dong … that’s a vibraphone. You with me? Cool. The vibraphone itself is a unique instrument for many reasons, one being because it’s not that widely known outside of the professional music community, and secondly because of its main special feature: a set of small, electrically operated fans that sit above the resonators and below the bars, or keys, of the instrument. This positioning allows for a smooth vibrato, or pulsating change of pitch, effect by rapidly closing and opening the resonators. Still with me? For those of you who are music lovers and not players, resonators are the tubes placed underneath the tone bars (i.e., keys) through which the vibrations travel. What makes Brooks’ sound equally unique, if not more, is his method of running the vibes through effects pedals, and that , my friends, is where this bitchin’ musical experience begins, if I do say so myself. “Running the vibes through these pedals provides added texture to its distinctive sound. [The pedals] roll out those rich vibraphone tones to listeners in waves with multi-dimensional effects that leave quite an impression. And that’s what I try to do when I play music—give listeners an unforgettable experience through a sound that imprints upon them in some way,” said Brooks. And imprint upon you, it will. Cases in point: check out the livestreams of his 2017 Pink Floyd tribute show ( https://www.periscope.tv/theCBDMA/1dRJZAYnrdaGB ) and his 2022 Black History Month Jimi Hendrix tribute show ( https://youtu.be/0R2OK689L2U ). Or, stroll on over to his YouTube channel and check out his smooth jazz vibes from this year’s W.C. Handy Festival ( https://youtu.be/_ibe3G-X8Uk ). But definitely after that, you’ll wanna peruse through any or all of his Friday Night Vibes shows, which feature both originals and covers. Selections of FNV shows are available on YouTube, and all FNV shows in their entirety are available for your pleasure at www.TheCharlesBrooks.com/friday-night-vibes . https://www.youtube.com/watch?v=0R2OK689L2U Credit: YouTube When COVID locked us all down with nothing to do but, I don’t know, be with ourselves without a social construct and learn to communicate and self-entertain, Brooks started live streaming a one-hour solo vibraphone concert (often with various hand drums and drum set) every Friday night “I knew people were going stir crazy being stuck at home—especially those who enjoy live music. When there is no live music and everything’s locked down, it leaves a gaping hole in people’s lives. So, I started doing FNV to help music lovers and listeners unwind and disconnect from their stress so they could feel somewhat reconnected to music … to themselves, in a sense,” said Brooks. You’ll definitely want to set yourself an atmosphere before settling into any of these concerts. Relax, get comfy, turn the lights down, grab a drink, get mellow, then get lost in the waves that come rolling out at you. Let the energy of sound and the magic of music take you wherever they go. Get lost, babies. That’s what it’s about. We have to have a way to check out of our physical reality from time to time—in healthy ways, of course—and what better way to do that than with music? Let its healing power flow all through your sexy little body and do what it’s meant to: create, inspire, and impress an experience upon your being. Credit: Rachel Neal After viewing one of his shows, you’ll understand what I mean by “experience.” Brooks is known for his personalized high-energy performances, not to mention his wildly innovative improv talents and the speed at which he is able to play. He uses four mallets and often moves so fast up and down the face of the vibes it’ll make your head spin. Like a record. Right ‘round, baby. Right ‘round. It is truly a spectacular, unforgettable experience. And Brooks doesn’t just stick to jazz tunes, no. He has an ever-expanding repertoire that includes rock, blues, soul, and funk genres, as well as his own original tunes. He currently has four albums out, and they’re all available on his website and most streaming platforms. For each album, he composed, performed, recorded, mixed, and mastered everything himself. His albums range from a meditative hand drum experience inspired by martial arts forms he has studied over the course of his life, to a meditation and relaxation album for stress relief, to albums with a mix of jazz, blues, funk, and soul. Each of his tunes reflect on a special person, time, or experience in his life. Credit: Rachel Neal Brooks isn’t just a musician though. He’s also a professional audio engineer and educator (with a doctorate from good ‘ole LSU (Geaux Tigers)) with over 30 years’ experience. And in 2021, after nearly 26 years in Baton Rouge as a music and audio educator, mentor, and performing musician within the Baton Rouge and South Louisiana community, he accepted a position as Assistant Professor of Audio Engineering at the University of North Alabama in their department of entertainment industry. Since settling up in the Shoals area, he has returned to his role of freelancing as a studio musician with numerous musical capabilities at the legendary FAME Studios in Muscle Shoals, Alabama. Brooks can be heard playing the vibraphone on Southern Retro Soul artists Bonneville’s recent self-titled album, currently out now, and playing the steel drum on Nashville’s Outlaw Country recording artist Rickie Joe Wilson’s song “Reggae Redneck,” also recently released. So, what are you still doing reading this article? Go! Go listen! Go watch! Go experience! For further info on Dr. Brooks, his music, upcoming shows, and/or his audio program, visit www.TheCharlesBrooks.com , Facebook @TheCharlesBrooksMusic, Instagram @Cbreezington, and YouTube @MFCharlieB73. Credit: Rachel Neal *All photos by Rachel Neal Pictures* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Hypnotic Pulse < Back New Orleans Band Deep Sleep Atlantic Announce Debut Single C.G. Smith Mar 22, 2023 Share A Hypnotic Pulse New Orleans’ Deep Sleep Atlantic announces the release of their debut single "Bipolar Tendencies" which drops March 31st, 2023 . Deep Sleep Atlantic consists of lead vocalist and guitarist/producer Travis Marc , and backing vocalist and drummer/producer Daniel Perez , both based in New Orleans . The single was mixed by Jetta In The Ghost Tree producer - Taylor Tatsch and mastered by Deep Blue Something's Todd Pipes . Photo provided by band The new and darkly energetic single ' Bipolar Tendencies ' by Deep Sleep Atlantic creeps into your ears with a hypnotic pulse that suddenly explodes into a chorus that encapsulates your entire being and gets your head nodding. The song is a powerful first step for this New Orleans-based band. "We're thrilled to finally share our debut single ‘Bipolar Tendencies’ with the world," say the band. "It's a song that we've poured our hearts and souls into, and we can't wait for fans to hear it and experience it with us." Travis played all the instruments and produced the song himself, but shortly after meeting Daniel , they decided to form the band. The duo is excited to start performing the new material for live audiences starting in April of 2023. “The song was written in a house in the Treme neighborhood after assisting at a session at Esplanade Studios,” says Travis. “The lyric that says, ‘I’ve had interviews cut’ is totally true. In my last band, a radio DJ in London stopped the interview because she said I was painting the music industry in a negative light while explaining some shortcomings that musicians often face.” The lyrics in the second verse reads: “… I’ve had interviews cut The couple times I almost made it They say I’m too negative To call it like it is but Coating it with sugar Only clogs up the arteries.” The production is top notch, and the single is catchy. This is absolutely a band to keep your eyes and ears on in 2023. ' Bipolar Tendencies ' releases worldwide on March 31st and is the last track the band recorded but the first single from their upcoming album Prelude . The band will be releasing a video for the single on April 7th, as well as hosting an intimate single release party at Henry Turner Jr’s Listening Room in Baton Rouge on April 8th, 2023. Stay up to date on their website at www.DeepSleepAtlantic.com , where you can join their mailing list and follow them on social media @deepsleepatlantic. To learn more about DSA: SoundCloud - Hear the world’s sounds Deep Sleep Atlantic | Facebook @deepsleepatlantic • Instagram photos and videos DeepSleepAtlantic (@DeepSleepATLC) / Twitter Deep Sleep Atlantic - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

The BIG Reveal are Off the Charts < Back Unveiling The BIG Reveal: Alabama’s Rising Alternative Rock Band Bud Gambrell Apr 7, 2025 Share The BIG Reveal are Off the Charts 395 ! Three hundred ninety-five miles. That amounts to a car ride lasting around six hours. You are likely asking yourself why this is relevant. Well, I will tell you. I was contacted on Tuesday of last week by my editor and publisher, Nicole , regarding a band she wanted me to research called The BIG Reveal . Just a quick sidenote: Nicole is the one who makes it possible for me to write these articles. She has been so very supportive of me since we first met. If you get the chance, stop by the contact page and show her some love. Let her know you appreciate what she does. Now, back to business. I reached out to the band she suggested, The BIG Reveal , and was able to interact with their manager, Chad Parker , to get things rolling. We had a nice conversation, and he provided me with some background information. It was enough information for me to dig in and learn what I could before I interviewed them. One thing to note about The BIG Reveal is that this is a young band , which I truly enjoy learning more about the up-and-coming talent out there. They are the future of music , so we need to delve deeply into the music they are creating. The music industry has become a shell of its former self, and with so many avenues to discover music, when you think about it, there really isn’t one good avenue. It’s all so cluttered, and amongst the clutter stands The BIG Reveal . Photo provided by band The number 395 I mentioned above represents the number of miles it would have taken me to get in my car and drive to Grand Bay, Alabama , where The BIG Reveal originates. Since that was not possible on short notice, I relied on the interwebs to assist me. We live in the glorious days of technology. We have YouTube , which hosts a plethora of videos. (Mark one off the bucket list. I got to use plethora in a sentence.) YouTube is great because you can see the video of a band, not just an audio recording . We also have social media pages at our disposal. Like many bands, The BIG Reveal has music available on their website , which is a feature that a good number of bands these days don’t even have. Can you believe that? When you can visit one spot to see it all, it makes things easier when researching a band. Once I did my homework, it was time to call the band and have a conversation. Dive in below to learn more about The BIG Reveal . OTC : Hello guys! Thanks for taking my call. Introduce me to the band. Gavin Parker : I'm Gavin . I play guitar and sing. Blake Hall : I'm Blake . I play drums. Luke Puckett : I'm Luke . I play bass and sing harmonies. OTC : How long have you guys been together? Gavin : We've been together for about a year, but Luke just came in a couple of months ago to play bass for us. OTC : How did you guys meet? Gavin : I started the band with a couple of friends from school, and we were having fun. We got pretty good, but then it started getting serious. So, they backed out because they had other commitments at school, such as sports. Then Blake , the drummer , ended up living like five minutes away from me. Someone gave me their number, and I contacted them. After we met, he started playing drums for me, and then we met Luke online a couple of months ago. Click to visit The Big Reveal's website OTC : Can you tell me about your musical background and how you got started? Gavin : My entire family plays music. I grew up around it and just listened to the ' 90s pop-rock stuff. It has been my favorite since I was a little kid. Blake : I started playing drums about two years ago. I have always liked music a lot and always loved the drums! Luke : No one in my family is musical whatsoever. I decided I really wanted to about four years ago. I've always been classically trained on the piano . That started when I was about six or seven years old. I took lessons, and then I self-taught myself the bass about four years ago. OTC : Did the bass clef from your piano lessons carry over to the bass guitar? Luke : Yes, sir, it did. It helped me learn bass guitar quickly. OTC : While I was talking to your manager, he mentioned the Arts Block Party at UAB . Tell me about that. Gavin : Yeah, that was back in September 2024 . We entered a competition they had. It was like 150 something submissions . People got to vote on four bands that they wanted to play at the Block Party . Our fans showed up to vote for us! So, we ended up playing there! Jemison Hall at UAB was really cool! Photo provided by band OTC : So, the competition with The Arts Block was going to be in Birmingham , and you guys are in South Alabama. Your fans must have really stepped up for that. Gavin : Yeah, so that's when our TikTok page was starting to get a lot of traction. We made a couple of videos, and they all went and voted for us. OTC : Tell me a little bit about your fan base. They seem to be loyal. Gavin : Our TikTok site started picking up around June 2024 . We currently have approximately 37,000 on there. The local fan base is pretty devoted! They come to a lot of our shows! Our fan base is pretty cool for voting for us in multiple competitions that we've won. OTC : You also won a radio competition for WCPR . Tell me about that competition. Gavin : That was a competition to play at the Biloxi Crawfish Festival . 97.9 , CPR Rocks was running an ad explaining where you could submit your band’s music, and then people could vote for you to play. So, again, the same people, the same thing. People voted for us to win. I guess they like us! We will be opening for Puddle of Mudd , Hinder , Cowboy Mouth , and Marcy Playground at the Crawfish Music Festival on April 26th . Click to go to 97.9 WCPR's website OTC : You have a new album coming out. I'm assuming it's your first time in the studio. Could you describe the process of recording the new album? Gavin : We tracked everything at our home studio. One of the bands that we met in Birmingham at the Arts Block Party connected us with their mixing engineer in Knoxville . So, we tracked everything at home, and then we sent it to him, and he makes it sound good. OTC : Can you share with me a memorable experience while recording the new album? Gavin : I'm trying to get everything right and not being too much of a perfectionist. Just getting it how we want it because it's going to be there forever. It’s our first album, so we’re trying to make it as good as possible. Upcoming shows for The BIG Reveal OTC : Did you learn anything about yourself through your music during that recording process? Gavin : The thing I learned is that I'm more of a perfectionist than I thought I was. It took a while for me to accept some stuff. Blake : I learned that recording is a lot harder than it seems. I prefer the live shows to the recordings. It's just a long process. OTC : How would you describe the music that you created for the new album? Gavin : I'll say that it's real close to ’ 90s alternative rock , pop rock , post-grunge stuff. One of my favorite bands is Sister Hazel . You can hear their influence on this album. The ’90s pop-rock stuff is really what this album is influenced by. OTC : Blake, what would you say your influences are? Blake : My influences are bands like Foo Fighters , Nirvana and Led Zeppelin . They have influenced the way I play. OTC : What about you, Luke? Luke : Nirvana for me as well, and The Beatles . And then there were a lot of the 90s bands, like Green Day . However, I also really enjoy alternative rock , such as Goo Goo Dolls and The Killers . OTC : What are your long-term goals for the band, and what are you most excited about for the future of your music? Gavin : I think the goal has always been to do it until we can't anymore. Just keep doing it, having fun, and getting a larger and larger fan base. Luke : I think for me, it's definitely that I want a tour. I would love to go on a tour. The BIG Reveal album release show coming on April 11, 2025 OTC : What role does your social media play in the way you're focusing your career? Gavin : Our social media got us some attention from a couple of major independent labels that we are keeping in contact with. It has really helped us out a lot. TikTok has been strong for us. We are able to record live videos of what we are doing. It’s a way to put yourself out there and let people know what you are doing. OTC : What's the most unusual fan interaction that you've had so far? Gavin : We had this guy at our very first show. He had a little too much to drink, and he ended up coming up and almost getting up on stage. He was pointing the finger at me and singing the wrong words. But he was having fun. Blake : They always want me to sign broken drumsticks. I hit hard during shows! OTC : You are a new band. Do you have a favorite venue that you’ve played at so far? Gavin : Bozos in Pascagoula. We're having our album release party there. People always show up there, and we always have a great time. We played at The Soul Kitchen in Mobile for 92.1 the ZEW 's Christmas show, which was pretty cool. OTC : I have one more question. I'm going to ask all three of you with this one to see what y'all come up with. If your band had a superpower, what would it be and why? Gavin : I would fly so that I could fly around. Fly around the shows and I could surf on my guitar—air surf, you know, with a wireless setup. OTC : Like the Silver Surfer ? Gavin : Yeah, that would be pretty cool. OTC : What about you, Luke? Luke : My mind is a little bit more practical. Just to be able to play everything and not mess up, and just be impervious to making mistakes. OTC : Blake, what do you got? If your band had a superpower, what would it be and why? Blake : Probably not to run out of energy. Three-hour shows can really take a toll on you! OTC : Any final thoughts for your fans, old and new? Gavin : Our debut album is set to release on April 11th on Spotify , TikTok , and across all our social media platforms. At an early stage in their musical journey, this group of young men already has a loyal following. The one thing missing from their fan base is you. Get on board! One thing I haven’t mentioned before is the band's age. I wanted this article to be based on their music, rather than having any preconceived notions about their youth. Gavin is only 16. Luke is 18 and Blake is 17. This is a promising young band, and they are only going to get better. Until next time, Keep your diamond down in the groove! Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell My new book Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find The Big Reveal: Website: The BIG Reveal Facebook: www.facebook.com/profile.php?id=61557900071233 ‎ Apple Music: The BIG Reveal - Apple Music Spotify: The BIG Reveal | Spotify TikTok www.tiktok.com/@_thebigreveal *photos provided by the band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Reach him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One studio drummer who's tearin' it up < Back Justin Holder: North Alabama's Self-Proclaimed Drummer Ho Keeley Brooks May 24, 2023 Share One studio drummer who's tearin' it up I love doing what I do because I stumble across so many independently talented artists—like musician Justin Holder, for example. If you live up in or close to the Muscle Shoals area of Alabama, chances are you know who he is and not just because of his super funky hairdo. Holder is the go-to drummer in North Alabama for studio work, and he’s also a live drummer. I first met him back in early 2022 when he sat in the drummer seat to accompany UNA Entertainment Industries Professor Dr. Charles Brooks on his Black History Month tribute to Jimi Hendrix, which was beyond badass and had everyone on their feet. In case you missed it, you can catch that show in its entirety HERE . For now, here’s a peek at Hendrix’s “Foxy Lady” mixed with a bit of “Purple Haze.” Brace yourselves, though—it will melt your face off in every aspect from melody to groove to overall musical experience. Each of the musicians on that project put on one hell of an outstanding show. https://www.youtube.com/watch?v=YVgBGC0Vrqs Holder becomes another person when he sits in the captain’s chair, losing sight of everything but the drums and the groove. He plays masterfully with such professional intelligence and finesse that watching and listening to him sucks you right into the music to get lost in his rhythm. He’s always prepared to the nines, and he knows his shit. Don’t mistake anything about him, though; he’s a pro through and through. He studies hard the music he plays, and he keeps a notebook nearby full of meticulous notes so he doesn’t have to worry about what he’s going to hit; he can just be musical. He’s got an incredible ear and a gifted sense of awareness that allows him to play off the rest of the band. He’s able to mesh easily with other musicians, too. “He's a consummate professional,” says Brooks, “the very definition of a hired gun who can walk into any situation and not just adapt to a style but emulate it in a way that’s authentic to the source of origin and fresh for the listener.” I had to know more about this self-proclaimed drummer ho and go-to studio drummer (at least in the North Alabama area), so I sat down to rap with him about how he fell into studio drumming, what he loves most about everything he does, and what advice he has for up-and-coming drummers out there. Check out our conversation. MaM : Justin, thank you so much for taking the time to rap with me about your groovy talent and occupations. Are you a Muscle Shoals-area native or a transplant? Tell us about yourself. JH : Thank you for having me! I’m actually born, raised, and currently live in Florence, Alabama. I’m both a studio drummer and a live drummer. I started out as a live player and then converted over to studio work. I’ve wanted to do studio work my whole life. I grew up around it. I love it. MaM : It’s our pleasure! First, let’s address this “Drummer Ho” thing, because inquiring minds want to know its origin. Please, the floor is all yours. JH : (laughs) Well, I’m Justin Holder, and when JLo came out, my buddy started calling me “JHo” and it just stuck. I sign everything with that [moniker] and when I went to make an email, I just did DrummerHo because it fit. (laughs) MaM : Dude, that is hilarious. And awesome. It fits you perfectly. Never, ever change it, please. So, drummer ho, what type of equipment do you use to drum shit up, and what are your favorite symbols and sticks? JH : (laughs) I have a DW drum set and a 1969 Ludwig kit. But the current one I use is a Maple YAMAHA Custom kit. My preferred symbols are the companies. I'm sponsored with Sabian symbols and Vater drumsticks. credit: Justin Holder social media MaM : Has music always been a part of your life? JH : From birth, my dad was a musician and he toured around my whole life. He had a studio, so I would grow up just doing homework at his studio and listening to him mix. And, you know, all the legendary musicians from our area were there in my house, but I didn't know who they were. They were just guys my dad recorded with. So, I've been around music my entire life ever since I was born. MaM : What was your life like during middle school and high school? Were you playing any music then? If not, where were you headed after graduation? JH : So, during middle school and high school, that's all I did. I mean, coaches gave me a hard time because they wanted me to play sports and I was like, ‘Nah, I'm just gonna play drums.’ (laughs) So, I did. We had a band called Salvatron and I was in a band called Prototype, and we played a bunch of churches and stuff like that. One was a punk band, hardcore. So, different kinds of music all through my high school and middle school days. And I played at church, of course, with my dad. That's where I first got my start. I remember it was a Tuesday night and it was a worship night … he let me get up, and I was just terrified. And there were seven people in the auditorium or whatever. But, after graduation, nothing was really going on here. I graduated in 2001 and moved to North Carolina with a guy named Will McFarlane; we just wanted more opportunity in life. MaM : When did you know you wanted to play drums? JH : Oh, I knew from the first time I saw Animal from The Muppets. He was in a tree singing ‘Rockin’ Robin,’ and I saw his drum set and just went, ‘Whoa.’ And that was it. I remember just being a young kid, I had pots and pans I would beat on. And my dad, like I said, was in a band, so I saw all the drummers. MaM : (laughs) Ah, Animal. He was the best. Do you remember your first live show as a drummer? JH : Of course, I do. But my dad and Will McFarlane were the first two that gave me an early shot to play live. I think I was, gosh, maybe 13? And I can't remember which one of them it was, but one of them paid us 50 bucks and it was just like, ‘Wow, I can do this and make $50?!’ (laughs) credit: Justin Holder social media MaM : Haha. Hey, fifty bucks is fifty bucks, man! Do you ever get nervous at live gigs? JH : I did, and I still do, to this day, get anxiety and nervous. [I could have a gig] in front of four people [and I’d} still get nervous. And I love that, because once those nerves are gone, you might as well give it up, start something else that makes you nervous, and get your blood flowing. But I always have a process, kind of, when I have to learn a lot of songs. I cram, cram, cram, cram. And I constantly question myself and think, ‘I'm never gonna remember all this. I'm not. I'm just not.’ So, I let it go. The night before [and] the next day, I wake up freaking out, [saying to myself], ‘You're never gonna remember all this.’ But as long as I do my due diligence and notate everything—I need to notate on a piece of paper or chart—I can make it through anything, and I've figured that out along the way. And so, but I still get nervous for any show, really. When I'm setting up, once I hit that first note, I'm comfortable—maybe the first song, sometimes, depending on how much I'm feeling or how much I've drunk. But usually everything works out. The moment I hit that first note, I'm like, ‘Okay, you do remember this. You've practiced, you know what you're doing.’ So, yes, I do still get nervous at live gigs. MaM : I can dig that, man. I know many people can. What does playing drums mean to you as an artist? What is drumming a source of for you? JH : For me, it's a source of … that's a good question. My father was a musician, so for me, it's, it was important to be a musician like him. That was, to me, I guess being a man back then. As an artist, the drum is the groove you know because when we're in the studio and I'm listening to something and the guitar players listening to something, we're listening to totally different things. He's going to accomplish one thing, I'm going to accomplish another, but we're gonna tie them together. So, you have a room full of guys that kind of know what they're doing and [know] what to look for, and, you know, I'm not hearing melodic changes a lot. I'm hearing rhythmic changes and timing, so as a drummer, I'm totally focused on the groove, the timing, what the tempo should be, and just how to make the song better. It's always about making the song better. That's why we check our egos at the door, first and foremost, because that could definitely get in the way. There's no ego involved. It's just whatever is best for the song. MaM : What does your evolution as a drummer encompass from where you started versus where you are now? JH : Wow, I'm only 40 years old, and I feel like lately I've kind of just been like, ‘You know what? This is easier than I thought it was.’ … But where I was to now, it's just experience, honestly. I mean, 10 years ago, I wouldn't have listened to what I know now, because I would think I'm not gonna have to do all that, like country and blah, blah, this, and this, and now it's like, ‘That's my job.’ So, knowing a lot of different types of music [and being able to] instantly relate to an artist [by being] aware of where they're coming from, that’s my job—to understand where people are coming from and to know what they mean by saying this, this, and this. MaM : What do you love most about what you do? JH : My dad was a musician, and all I ever wanted to do was play music because I saw him do it. He passed away 13 years ago, and I'm just continuing the legacy. Studio work is forever. Live gigs are in one ear out the other. But when you track a song, it's there forever. And that's what I love about the studio. I love the fact that it's an art in the studio. It's decisiveness. It's a gut feeling. It's gut reaction. But I love the excitement and not knowing what I'm getting into. credit: Justin Holder social media People always said, ‘You want me to sing any songs beforehand?’ Nope, I don't. I want to meet the artist the day of. They're gonna look at me all weird, I'm gonna look at them all weird, and then all of a sudden, with the first time we kick into a song, or they hear me do a drum check, they're like, ‘Okay, I feel good now; this guy's good.’ So, that's what I love about studio. It's forever, and there's an art form to it, and getting better at this art form is really fun. MaM : That’s beautiful, man. Well, I know you're in a couple of bands, so tell us about them. JH : So, one band I'm in is called Drumb and Drumber with a guy named Chad Berdine. I play guitar and sing and play some hand drums. It started because I needed to pay my utility bill and drums weren't paying me a lot. (laughs) I didn't have a lot of work when i moved [back] here twelve years ago, and I didn't want to get a job, so I said, ‘You know what? I can play some covers,’ and I did it one night [and realized] I don't need to rely on anybody else anymore. I can do this all on my own. And then Chad came to me and said, ‘Let me play with you.’ Next thing you know, we called it Drumb and Drumber. We've opened McDonald's for corporate events, we've played at the National Predators Game nine times or something like that, and now he owns wedding venues. So primarily, we do a lot of weddings. I’m also in another group called Fathers and Sons . We put this together just for us. It's a bunch of studio guys: Jamie McFarlane, Kelvin Holly, Will McFarlane, Janet McFarlane, and C Thurman and me. We play whenever we get booked, but we mainly play every Tuesday night at FloBama Restaurant in downtown Florence from 7-10 p.m. We kind of put that together just for us to get our rocks off … cut loose and play. We just wanted to put together a band and have fun and do some songs that we wanted to do. I also play with a guy named Cole Nichols, but my other project is Gary Nichols. I've been playing with Gary for a long time, and he's a Grammy winner with The Steel Drivers who won Bluegrass Album of the Year. He and I just recorded his new record, and we're gonna be putting that out, hopefully see where that goes. I’m also currently playing with Dixie Mafia. So, a lot of exciting things on the horizon mixed in with also doing session work, you know? MaM : When did you become a session drummer? How did you fall into that? JH : My dad was a studio musician and [I grew] up around all The Swampers (aka The Muscle Shoals Rhythm Section ) here in town. There's something special about recording. It really is special. I've grown up around it and I've seen the art form my whole life, so I wanted to do that. When I moved back from North Carolina to Muscle Shoals, I knew … there were session guys and they were getting the work, but, you know, they were all aging. And I hate to say it that way, because we had some greats: Bob Evans, Roger Clark, Milton Sledge, Roger Hawkins, and Mike Dylan, who's still around with us. But … there was a need for more drummers, I have to say it. So, I moved back and plugged myself in, and I got really close with the guys at Fame Studios , and they just started using me slowly but surely. And next thing you know, twelve years later, I feel like I'm the go-to guy. I don't wanna call myself that, but I'd like to think that I am, you know? I'm still aspiring to be ‘that guy’ and get better at things. I've sacrificed a lot to be a session drummer. I probably could have been on the road playing with other people, but I knew that that session drumming is what I wanted to do. I wanted to get better at that. I could get better at being a live player and going out and networking and schmoozing my way up the ladder like anybody could do, you know, but I wanted to plug away at the studio … because it's forever. It's very special to me and my father all that kind of stuff. credit: Justin Holder social media MaM : Drop some big names you’ve played with over the years. JH : Little Richard, Delbert McClinton, Kris Kristofferson, Foy Vance, Jason Isbell, John Paul White, Rick Hall, Jim Gaines, Jimmy Hall, Shenandoah, Donny Fritz, The Swampers, T. Graham Brown—I’m on his new record, which features Sammy Hagar, Billy Gibbons, and Daniel Tucker—but that hasn't come out yet. Those are just a few names. There’s many more. MaM : Your life must be pretty busy. Given all that you do, how do you find a balance between working, playing, and home life? JH : I'll be honest with you, I struggle at that a lot of times, because I'm a kind of guy who if I'm working from ten in the morning until ten at night, I'm gonna have time to myself in that night … I can't just come home and go to bed. I have to have my personal mental quiet time. I play Fortnight with my wife a lot. (laughs) I'm not a gamer, but something about that is very peaceful after I’ve been in the studio dissecting songs all day. It's not physically tiring on me; it's mentally draining. And that's tough. credit: Rachel Neal Pictures I have a 14-year-old daughter and a wife. We find our ways to bond with each other. I still am challenged with finding a balance in everything. Right now, I'm in a season of just working as much as possible. And whenever somebody calls me, I go; I'm a yes man. … I don't get a lot of days off, and so when I do, I do nothing … absolutely nothing. MaM : Any advice for those interested in maybe becoming a studio drummer? JH : If you're interested in becoming a drummer, the first thing I could tell you to do that I wish somebody would have told me to do is to suck it up, nancy boy, and listen to every kind of music you don't like! If you wanna be a studio guy, you're gonna do a lot of shit that you don't wanna do. And it's not that you can't find the joy in it, it's just, ‘Wow, this isn’t really my cup of tea. I don't really listen to this.’ Well, you f**king need to listen to it because you're gonna need to know how to do this kind of stuff in the studio. And I've learned that along the way. I was stubborn and didn't want to do that. And guess what? [They’ll just get] somebody that can do it. So, in my opinion, if you want to be an overall versatile player that gets called all the time, you gotta listen to so much crap you don't like and stuff you do like. If you want to be a Tik-Toker, you want to be a YouTuber, you wanna be a live drummer, go practice all the chops and the licks that you can do, get as fast as you want. But if you want to become a session studio drummer, nine times out of ten, you're not gonna get called for that. You know, they always say a bad drummer makes a good band sound bad, and a good drummer makes a bad band sound good. And that's very true. All an artist needs us to do is be the anchor and be the groove. So, I would say listen to every style of music there is [and] give yourself seven days out of the week. One day do jazz. Second day do country. Third day, do another genre. And just dissect how drumming is different in each one of those categories, because that's what you're gonna be using when you come into the studio. Also, learn how to tune a f**king drum set. I probably get hired more because of my tuning than I do my playing. And learn fundamentals. I think the three basic rudiments to start off with are singles, doubles, paradiddles. And there you have it, folks. Studio Drumming 411 from the studio drummer ho himself. To see Justin play live, you can catch him every Tuesday night at FloBama Downtown Restaurant and Music Venue in Florence, Alabama, from 7-10 p.m. Drumb and Drumber plays every other Thursday at the Marriott Inn in Florence from 5-7 p.m. at Swampers Lounge . For more on Justin Holder, hop over to YouTube and search “Justin Holder Drummer” or “Justin Holder Fame” and peruse through the many videos of him in the studio and elsewhere. You can also find Justin on Facebook @JustinHolderDrummer . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. < Back Reviews on the Real: Serenity by Nicki Needham Nicole Brice May 12, 2025 Share ‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. Today, we’re exploring the latest release from Louisiana-based singer-songwriter Nicki Needham . She has become a prominent figure in the local music scene, thanks to her remarkable talent, unwavering drive, and exceptional work ethic. Nicki is frequently performing and has taken the stage at numerous music festivals throughout the state, including Festival Internationale and Fête du Void . Released May 8, 2025 Released on May 8, 2025 , ‘ Serenity ’ possesses a surreal and atmospheric quality that takes you on a soothing journey. I always listen to new songs with headphones to fully immerse myself in the rich textures and layers of the music, and this release was no different. https://www.youtube.com/watch?v=qvgaZplXxJw The official music video for 'Serenity' by Nicki Needham. The opening of ' Serenity ' is hauntingly beautiful, filled with soul and depth. It leads into one of the most soothing and captivating voices I've ever heard, giving me chills from start to finish. Nicki’s voice reminds me of American singer-songwriter Anna Nalick , whose music was the soundtrack to my endless drives to and from Hammond during college. The mixing of this track is flawless, and the production quality is exceptional. Nicki’s lyrics paint a vivid picture of someone searching for themselves amidst the world's chaos. She encourages listeners to take time for self-reflection and to discover their own serenity. The spoken word segment at the end of the song is particularly noteworthy; I closed my eyes and felt myself slipping into a semi-meditative state. As ' Serenity ' concludes, it erupts into a powerful chorus filled with emotion. It truly is a rollercoaster of a song! The track ends on such a high note that it leaves you wanting more. No joke—go stream ‘ Serenity ’ now, and you can thank me later. Look for a full EP release from Nicki Needham in the fall of 2025, too. To learn more about Nicki Needham: YouTube: Nicki Needham - YouTube Website: www.nickineedhammusic.com Facebook: Facebook Instagram: Nicki Needham (@nickineedhammusic) • Instagram photos and videos Spotify: Nicki Needham | Spotify Apple Music: ‎Nicki Needham - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! < Back Reviews on the Real: Let the Moonshine by Chris Pryor featuring Amber Lynn Nicole Brice Dec 21, 2025 Share If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! Those who know me know I am not a fan of country music unless it’s only stuff like some Hank Williams . Still, in the past few years, I’ve begun to embrace some of the newer country music I’ve been hearing, like the latest from Louisiana’s own Chris Pryor featuring Amber Lynn . Released on November 21, 2025 , ‘ Let the Moonshine ’ is a high-energy four-minute ride that never lets up. This song starts so strong right out of the gate, and never, I mean, never lets up. If you want a good song to get the mood going at your next party, ‘ Let the Moonshine ’ is it. Released November 21, 2025 “‘Let the Moonshine’ isn’t just a song; it embodies every time I heard 'no,' every setback I turned into motivation, and every late night spent pursuing something meaningful. It’s about resilience, redemption, and the enduring fire within us,” Pryor explains. Written by Kenneth Kleinpeter and produced by Chris Pryor , ' Let the Moonshine ' was recorded at Brignac Lane Studio in St. Amant, LA , and mastered by Robert Smith at Audiosmith Studio in Baton Rouge . The track features a steady groove with irresistible guitar melodies that grab hold of you and don’t let go. Once the guitar fuzz kicks in, you know you’re in for a treat. The strong sing-along chorus concludes with the memorable lines, “Let the Moonshine.” This latest release continues the momentum from Chris Pryor’s previous release, ‘ Just Take a Look at Me ,’ in 2024. It’s fun, it’s danceable, and it’s just a good time. https://www.youtube.com/watch?v=PWZ1hgGvaMw 'Let the Moonshine' lyric video 'Let the Moonshine' is available now on Spotify, Apple Music, Amazon Music, YouTube Music , and all major digital platforms. To learn more: YouTube: Chris Pryor - YouTube Facebook: Facebook Instagram: The Main Event (@maineventrocks) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Run for Cover’ is an evocative track with introspective lyrics. < Back Reviews on the Real: Run for Cover by Aaron J. Burke Nicole Brice Oct 1, 2024 Share ‘Run for Cover’ is an evocative track with introspective lyrics. ‘ Run for Cover ’ is the latest release from Irish musician Aaron J. Burke , released on September 16, 2024, and offers a captivating and catchy blend of emotional sincerity and musical finesse. The song opens with a gentle and upbeat guitar riff, setting the tone and vibe. “Run fast, run for cover,” echoes the pre-chorus and chorus as Burke’s honest and raw vocals are delivered with vulnerability and intensity. The chorus – urgent yet melodic – serves as the song’s emotional core, reflecting between confrontation and retreat. Released September 16, 2024 Thematically, ‘ Run for Cover ’ explores escape, self-reflection, and the desire to find safety amidst inner turmoil. Burke’s lyrical style is poetic, and I genuinely enjoy it. The song's production is bare and stripped down, allowing Burke’s voice and lyrical content to take center stage. In contrast, the subtle build with instrumentation throughout the song adds layers of intensity, culminating in a powerful climax. There are no frills – just straight, enjoyable music. That’s the best way I can describe ‘ Run for Cover ’ by Aaron J. Burke. It’s melodic from start to finish, with excellent lyrics. For the lyrical inspiration behind his latest single, Aaron J. Burke said, “Run for Cover lyrically is a mash-up of various things, times when I've felt powerless or oppressed in life; it was my way of dealing with those emotions and writing something where I was saying, ‘No more, I won't be treated this way, I'm taking control over my life.’” https://www.youtube.com/watch?v=og2TUD8YZns I can even envision this song with a full band accompanying Aaron. I’ll be curious to see the future direction of his musical career as time progresses, so be sure to stream ‘ Run for Cover ’ on your favorite streaming service today. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Asteroid City is a fun science fiction story with dark and melancholic overtones < Back Asteroid City: Film Review Shaun Corley Aug 16, 2023 Share Asteroid City is a fun science fiction story with dark and melancholic overtones Acclaimed filmmaker Wes Anderson returns in a grand fashion with his latest offering, Asteroid City . After the fair-to-middling Isle of Dogs (2018) and The French Dispatch (2021), Anderson has found his verve once again with Asteroid City . The film is his first foray into the realm of science-fiction and while it contains all of his trademark idiosyncrasies and quirks, it is also one of his most melancholic efforts. Asteroid City is, without a doubt, a fine addition to the Wes Anderson canon. Wes Anderson exploded onto the scene with 1996’s Bottle Rocket and followed it up two years later with Rushmore (1998) before achieving mainstream recognition with 2001’s superlative The Royal Tenenbaums . This film earned Anderson his first Oscar nomination and remains a favorite among fans. Three years later, Anderson delivered the divisive The Life Aquatic with Steve Zissou . While a commercial success, the film received mixed reviews from critics. After 2007’s The Darjeeling Limited , Anderson stretched his creative muscles on 2009’s classic stop-motion feature The Fantastic Mister Fox . Later films of Anderson’s have included Moonrise Kingdom (2012) and the Oscar-nominated The Grand Budapest Hotel (2014). After Budapest , Anderson entered something of a creative lull. Isle of Dogs attempted to recreate the magic of Fantastic Mister Fox , and while an entertaining movie, it fell flat; the same can be said of 2020’s The French Dispatch , which saw Anderson stuck in a holding pattern. However, Asteroid City breaks this cycle and reasserts the formalist director as one of America’s greatest living filmmakers. Asteroid City can be best described as a “play within a movie.” The play, written by playwright Conrad Earp (Edward Norton) is about a group of children attending an astronomy convention in the town of Asteroid City. 3000 years prior, a giant asteroid hit the area, leaving behind a small fragment. Set in an alternate 1955, the convention is rocked when an alien steals the meteor fragment, leading to a government cover-up, which fails when the same youths who came for the astronomy convention help expose what is going on in Asteroid City. Meanwhile, interspersed throughout are stories of the play’s actors and crew and how their lives outside of the play start bleeding into it. If this sounds like an incredibly dark premise for a Wes Anderson movie, it is. However, Anderson employs his trademark style to soften the edges of the narrative. The kids attending the astronomy convention are typical, precocious Anderson youths, who in some ways are hipper to the world around them than their parents. They do not rely on a major news outlet such as The New York Times to get the story out, instead going with one of the kids’ school newspapers. Likewise, while the military is doing something morally questionable, they are depicted as buffoonish and, in the case of General Gibson (Jeffrey Wright), purely unhinged, spouting off seemingly random babble during a speech. Asteroid City does not just mine its drama from politics and conspiracy theories—there is a very real human element present in the story. Perhaps no one character better embodies this than photographer Augie Steenbeck, played by Anderson regular Jason Schwartzman . Schwartzman has been in many of Anderson’s movies, and here the director gets what might be one of Schwartzman’s best performances. Augie has been a distant father to his children, and when their mother dies, he finds himself suddenly saddled with four kids and no real clue as to what he is doing. Augie bonds with actress Midge Campbell, played by Scarlett Johansson , but this relationship brings no real solace. Augie is truly alone, and Schwartzman perfectly captures his melancholic nature. Schwartzman & Johansson as Augie & Midge Schwartzman is joined by a host of stars from Anderson’s seemingly growing stable of actors. Wes Anderson’s movies are always huge ensemble pieces, and Asteroid City is no different. Anderson regulars Willem Dafoe, Jeff Goldblum, Liev Schreiber, Jeffrey Wright, and Adrien Brody are joined by several newcomers to Anderson’s world, including Maya Hawke, Tom Hanks, Bryan Cranston, Steve Carrell, Stephen Park, and Scarlett Johansson. Johansson in particular stands out as the aforementioned Midge Campbell; as Midge, Johansson channels Marilyn Monroe, right down to her voice and mannerisms. Science fiction is new ground for Anderson, and here he manages to employ tropes of the genre to tell a great story. The movie is steeped in the UFO lore of the 1950s, and Anderson successfully recreates this era, giving viewers an idealized version of 1955, with jet packs and disintegrator rays. Asteroid City downplays the Cold War paranoia that gripped the United States at the time, opting instead to focus more on the political than the personal. Now, 27 years into his career, Wes Anderson has firmly established himself as an American filmmaking institution. He has a distinct style unlike any other director working in America, and in Asteroid City he uses his trademark style to tell a fun science fiction story with dark and melancholic overtones. Asteroid City is currently available to stream exclusively on Peacock and to rent or buy on Video On Demand and Apple Movies. https://www.youtube.com/watch?v=9FXCSXuGTF4 Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, but they're far outnumbered by comic books and the smell of rich mahogany lingering in the air. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Harmonic Stew showcase is a vibrant celebration of emerging talent. < Back On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 Rian Nickels Aug 8, 2024 Share The Harmonic Stew showcase is a vibrant celebration of emerging talent. I've been wanting to write on The Harmonic Stew Showcase for quite a while, and on June 6th, 2024, I finally had the opportunity to visit Chelsea's Live , a venue in Baton Rouge, Louisiana , to experience the showcase myself. The Harmonic Stew is a local music showcase designed to shine light on up-and-coming talents in and around Baton Rouge. Though I missed the last acts of the night, Soul Jettison and Carter Patrick & The Telegram Salesmen , I got to catch South Louisiana local bands: The Dale Harris Band , Goodbye Academy , and Hey Thanks ! Credit: Rian Nickels The Dale Harris Band To kick off the night was Dale Harris , a singer/songwriter and multi-instrumentalist from Baton Rouge, Louisiana. He sometimes performs as a solo act, sometimes as a duo with his brother Glenn Harris on lead guitar, but tonight, we got to experience the full Dale Harris Band with Dale and Glen alongside Adam on the bass and Mikey on the drums. They took the stage, and Chelsea's Live was filled with jazzy tunes and electric strums of songs like "The River" and " South Bound Train " that gave anyone from Louisiana a sense of home. With Dale's soulful voice and the rest of the band's rhythmic energy, it was easy for the atmosphere to wake up and come to life. This made The Dale Harris Band the perfect warm-up for the other acts in the local showcase. Goodbye Academy Next on the lineup was one of my favorite Louisiana alternative bands, Goodbye Academy . The trio (bassist and vocalist Jake, guitarist and vocalist Kris, and drummer Chase) exudes a well-practiced chemistry that shines through in their performances. They played mellow songs like " Intermission " and " Shaver, What A Last Name " to a smaller and more intimate crowd, but their audience got a little bigger with each song. By the time they got to more riotous and upbeat songs like "Thanks for the Toy" and "Best Ways, Worst Days," day-one fans sang along, and first-time listeners moved their bodies to the drum beat. Chase's endless versatility on the drums, Jake's ability to communicate with the audience, Kris's unique voice, and their entire harmony show that they belong on a big stage with all their works. Goodbye Academy did a spectacular job of drawing in the audience and keeping them interested and engaged with odes to past lovers and verses about growing up. With their deeply nostalgic lyrics and melodic guitar strums, I think Goodbye Academy makes the perfect "blueprint" for what I would call "Southeastern Emo." Hey Thanks! The last band I was able to catch was Hey Thanks! from New Orleans, Louisiana. They are a four-piece band with Travis as the frontman, vocalist, and bassist. Backed by bandmates Trevor on the drums and Micah and Jason on the guitars, this was their first live performance in six months, and their fans were ready for another chance to see them play. The very moment they arrived on the stage, the crowd became fuller and more excited, and it was easy to see that Hey Thanks was locally loved and supported. Their energy immediately got people onto their feet, ready to emerge themselves into the band's pop-punk-pop-synth-alternative type beats. With older songs like " I'm Sure It's on the Way " from their first record, " Start/Living ," and unreleased and untitled tracks, they had a perfect set list that shows you where they were and where they're going. Hey Thanks! brings a lot of musical variety, with bandmates playing multiple instruments, vocal range, and songs covering a spectrum of genre types and emotions. One of the things that stands out to me the most about them is their ability to bring a crowd of people with different music tastes together to enjoy just existing and listening to music. Harmonic Stew at Chelsea's Live was a testament to the vibrant and diverse music we have in Baton Rouge and beyond. From the soulful, jazzy rhythms of The Dale Harris Band to the nostalgic, emo-infused melodies of Goodbye Academy and the high-energy, genre-blending sounds of Hey Thanks!, the night celebrated talent and community. Each band brought their unique flavor to the stage, creating a night of music that felt both intimate and electric. Even though I missed the final acts, the performances I did see were enough to leave a lasting impression, reminding me of the power of live music and its ability to connect us. This showcase helped to show some of the best of what South Louisiana has to offer, making it a night to remember, and I cannot wait to experience more showcases in the future. Credit: Rian Nickels To learn more about the bands: Dale Harris Band: (Facebook) https://www.facebook.com/daleishous (Website) www.daleharrisband.com (Spotify) https://open.spotify.com/artist/6SyHhI6ofWwqIvcZeJ09J0 (Apple Music) https://music.apple.com/us/artist/dale-harris/1570984678 Goodbye Academy: (Facebook) https://www.facebook.com/profile.php?id=100092575554398 (Spotify) https://open.spotify.com/artist/7q4JZHQjgEEkZ8q8dAhw2N (Apple Music) https://music.apple.com/us/artist/goodbye-academy/1750154912 Hey Thanks! (Facebook) https://www.facebook.com/heythanksla (Spotify) https://open.spotify.com/artist/6kVxSrnHJh6Lzq0qJuBEwS (Apple Music) https://music.apple.com/us/artist/hey-thanks/1051345321 *All photos courtesy of Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? 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Godzilla: Minus One deftly balances social commentary with eye-popping monster action amid personal trauma, drama, and guilt. < Back Godzilla: Minus One: Film Review Shaun Corley Dec 11, 2023 Share Godzilla: Minus One deftly balances social commentary with eye-popping monster action amid personal trauma, drama, and guilt. With a dense mythology, many argue the Godzilla franchise has drifted away from its original intent. While entertaining, the new Godzilla movies lack the social commentary that made the 1954 original so iconic. Fans looking for a Godzilla film that deftly balances social commentary with eye-popping monster action need look no further than this year’s Godzilla: Minus One . Directed by Takashi Yamazaki ( Parasyte: Part I and II ), Godzilla: Minus One is a back-to-basics approach to Godzilla , taking its cues from the original 1954 Godzilla film, perhaps more than any other Godzilla film to date. Godzilla: Minus One features not only one of the best-looking Godzillas ever, but it also remembers that people are just as essential to these movies as the monsters are. Godzilla: Minus One also dispenses any notions of heroism on Godzilla’s part, instead showing him as a primordial force, one that never relents and can never be killed. Photo: Toho Studios The original Godzilla film is a stone-cold classic, a potent allegory for the devastating effects of atomic radiation on both Japan and the rest of the world. Released in Japan in 1954, Godzilla introduced the movie-going public to the behemoth, and to the concept of “kaiju” as a whole. Godzilla made his way to Western audiences two years later when an Americanized version starring Raymond Burr ( Rear Window ) was released: Godzilla, King of the Monsters! However, during the transition, studios emptied Godzilla of his anti-atomic bomb context. While King of the Monsters! is a perfectly fun monster film, it lacks the punch and the heft of the Japanese original. Since 1954, there have been a few different Godzilla franchises, both in Japan and America. Each of these took different approaches: For example, in Godzilla’s Shōwa-era depiction (Japanese political era from 1926-89), he was a champion of humanity; the Heisei era (Japanese political era from 1989-2019) restored his reputation as a destructive force. Then there is also the Millenium era , which identifies films in the Godzilla series released from 1999-2004, as well as two different American reboots—the most recent being 2024’s Godzilla X Kong . That is also to note nothing of the various spin-offs, such as the Mothra films, Rodan , and others. Godzilla: Minus One is set shortly after the end of World War II and sees Japan largely in ruins. Koichi (Ryunosuke Kamiki, of The Great Yokai War ) is a kamikaze pilot who abandons his post in the war’s final days. Landing on Odo Island, Koichi bears witness to Godzilla’s first attack on humanity. During the ruckus, Koichi has a golden opportunity to end Godzilla’s reign before it starts. However, he freezes up, and Godzilla destroys the base, killing everyone except Koichi and another man named Sosaku (Munetaka Aoki, of Rurouni Kenshin: Final Chapter Part I - The Final ). Riddled with survivor’s guilt, Koichi desperately tries to put what he saw behind him. Fate has other plans, though, as Godzilla returns even bigger and more powerful than the first time. Now Koichi must overcome his trauma to help save Japan. As both the American and Japanese Godzilla films began moving away from the social and cultural commentaries, Godzilla became one of the good guys, often rising up to turn back other monsters, such as King Ghidorah. Photo: Legendary Pictures This was particularly true during the Shōwa era of Japan. While the Heisei era returned Godzilla to his destructive ways, the most recent American films have, once again, made him a hero. Godzilla: Minus One dispenses any notions of heroism on his part, instead showing him as a primordial force, one that never relents and can never be killed. With this return to villainy for Godzilla comes the social commentary for which the first movie was known. The 1954 version famously dealt with the fallout of the first atomic bomb tests; two such bombs were dropped, both on Japan. This incident scarred the Japanese psyche, and Godzilla was the result. The 1954 Godzilla was also released as the Cold War was ramping up, and the dangers of atomic radiation were on everyone’s mind. Godzilla tapped into these fears and doubts. Godzilla’s atomic aspects are baked into the character and are indeed present in Godzilla: Minus One . These issues, however, take a back seat to explorations of trauma and guilt . Koichi very much has PTSD, which holds him back both in his career and his life. He meets Noriko (Minami Hamabe, of Let Me Eat Your Pancreas ), a young woman living in the ruins of postwar Japan. Koichi cares very much for her, but his past will not let him love. Kiochi and Noriko (Photo: Toho Studios) Likewise, Koichi’s relationship with Sosaku, the other survivor of Odo Island, is also frayed: Sosaku is angry at Koichi for not opening fire on Godzilla when he had the chance. A key plot point of Godzilla: Minus One is Koichi’s attempts to get Sosaku to join the anti-Godzilla team. Sosaku and Koichi reconcile just in time for the final battle against Godzilla. In giant monster movies such as Godzilla: Minus One , it can be tricky balancing the monster action with personal drama; sometimes one gets little attention. However, Godzilla: Minus One blends the two well. Godzilla looks as good as he ever has—a remarkable feat given the film’s relatively low budget. The special effects, particularly when Godzilla activates his “atomic breath”, are first-rate. The human drama also sustains Minus One . Koichi’s anti-Godzilla team is perfectly cast, and the viewer is left with the impression they are a genuine family, one brought together not by blood but by shared traumas. 2024 marks 70 years of Godzilla. In that time, he has been many things to many people: hero, villain, and protector. While this has made for some fun movies, it ignores the original subtext that made the first Godzilla film so good: the social commentary. However, Godzilla: Minus One brings the monster back to form, using him to discuss themes of guilt, family, and trauma . Godzilla: Minus One is currently in theaters. Catch it on the big screen while you can! https://www.youtube.com/watch?v=r7DqccP1Q_4 Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A conversation about East Tennessee and more. < Back Natty’s Common Roots: A Music Collective Making Waves Zach Taylor Sep 9, 2026 Share A conversation about East Tennessee and more. I don’t know what is more fun: going to see a band you already love or stumbling across a band you had never heard of and realizing, almost immediately, that you really like them. That’s exactly what happened when I experienced Natty’s Common Roots at Dirty Birds in historic Cocoa, Florida . With a band you love, there’s the anticipation. The buildup . The excitement of finally hearing those songs live. But there’s something different about the surprise of liking a band as soon as you hear them. Credit: Zach Taylor I was down at Cape Canaveral for a week supporting engine installation work for the Artemis III mission. For those who don’t know, I work for NASA . I flew into Melbourne and, after a storm chased me off the beach, found myself sitting in my hotel wondering what I was going to do with the rest of the afternoon. Naturally, I looked for live music. Scrolling through social media, I found that Natty’s Common Roots was performing nearby. I looked them up, listened for a few minutes, and the vibe seemed perfect for the afternoon. Reggae. Rock. Beach vibes. More importantly, they had original music. I decided to make the short drive. Natty’s Common Roots was scheduled to play a four-hour set. Yes. Four hours. That alone sold me on them. Any band that can play for four hours has to have a catalog. They have to be able to play. And there was a pretty good chance they were going to play something I knew. https://www.youtube.com/watch?v=P2HNCH0hwNQ Be Heard - Natty's Common Roots As luck would have it, they closed part of their set with Sublime’s “ Badfish ,” a song very close to my heart. Not only is “ Badfish ” one of my go-to karaoke songs, but it also represents an important connection between me and some of my favorite artists, particularly Bradley Nowell . That connection, and the complicated relationship between creativity, addiction, and self-destruction surrounding artists like him, became part of the impetus for my series of books. I decided I wasn’t going to walk straight up to the stage and introduce myself. That would have been weird. Instead, during a break, Natty walked to the bar to order a drink and, unfortunately for him, found himself standing next to me. Much more natural. I introduced myself, told him what I was doing with Mixed Alternative , and we started talking. A few minutes later, Natty happily agreed to sit down with me during the band’s next break for an interview. And that’s how an afternoon spent hiding from a Florida storm turned into a conversation about East Tennessee, reggae, addiction, Tom Petty, four-hour sets, the changing Space Coast, and, somehow, coconut shrimp. Read on to learn more. Photo provided by artist *Conversation has been edited lightly for clarity MaM : There’s an East Tennessee history here, but now this music feels completely at home on the Space Coast. Walk me through that journey. How did you get from East Tennessee to Cocoa Beach, and what did each place teach you about your sound? NATTY : We like to describe Natty’s Common Roots as beach vibes with its roots in the mountains. I’ve been all over the country, but I came here from East Tennessee . We had a band out of Knoxville, Tennessee , and a couple of the members were active military, so they couldn’t be touring. Out of respect for them, I took the songs I had written and took a different band on the road. After a full year of playing in Florida and realizing how conducive the beach vibes are to reggae music, I decided to make the move over here full-time and expand. MaM : Are there things about Appalachia, the storytelling, acoustic music, the way people play together, that stayed with you even as you picked up reggae and these other influences? NATTY : Absolutely. You can hear it, especially in some of the stuff we’re releasing on this upcoming album. It has bluegrass roots throughout it. I’ve got bluegrass side projects, too, so that’s still strong in me. I feel like it’s a good mashup of all the different styles that make my music. Photo provided by artist MaM : We talked about this earlier, and I told you I heard 311. I also hear some Dirty Heads and Slightly Stoopid. NATTY : Absolutely. Dirty Heads , Slightly Stoopid , and Pepper are huge influences. Sublime , of course. Bob Marley . But one of my biggest influences is David Lindley . He played with reggae bands and across different genres worldwide. He was heavily into international genres and brought all those different styles together. MaM : Let’s talk about “Badfish.” From the outside, it sounds like this great beach song. People hear it and want to sing along. But when you actually listen to it, it’s about addiction. What does that song mean to you? NATTY : Playing where we do, everybody is going to be screaming it at you all night. But I wanted to make sure it had more resonance than just another tune. Personally, I’ve had friends who have died from addiction, and it’s something that affects everybody. If somebody isn’t personally affected, they know somebody who is, whether it’s a family member or a friend. Everybody is suffering in this world. There are more and more people suffering every day. So being able to express something like that through an art form and reach people who might feel the same way, or know somebody who does, means something. MaM : There’s also this complicated relationship between addiction and artists. Bradley Nowell is obviously part of that story. There’s artistic expression, but there’s also addiction and self-destruction. How do you look at that relationship? NATTY : I feel like it’s one of the finest lines on Earth. Before addiction even plays a part, most artists are fighting an internal battle. In order to bring the art out, or sometimes just to bring their true selves out, they find themselves embracing certain substances because it makes it easier for them to reach inside. They don’t have to, but some find themselves doing that. They feel like they almost have to have it to break that wall down. https://www.youtube.com/watch?v=SE2U6oGl52c Coot from TN by Natty's Common Roots MaM : You’re playing a four-hour set on a Sunday afternoon. That’s completely different from playing a 45-minute set. How do you build four hours of music and keep yourself engaged, but more importantly, keep the crowd engaged? People are literally coming in off the beach. NATTY : It’s a balance. We do this for a living, and it’s not all about playing original shows. As you said, it’s not always a 45-minute , full-original set. Sometimes you’ve got a four-hour show. I like to tell the crowd right off the bat, “We’re here to play original reggae rock and some of our favorite cover tunes.” Those are songs we like and that we want to put our own spin on. They’re songs people will recognize, and hopefully they’ll hear what we do with them and then go home and search us out. But in order to go four hours, you’ve got to bring a little bit more to the table. MaM : This next one is a little more personal. I’m not a great guitar player. I’ve written about rock and roll a lot more than I’ve actually played it. But last night my wife asked me to play Tom Petty for her, so I picked up the guitar and figured one out. Then I hear you guys play “ Breakdown ” tonight, except you’ve turned it into reggae. What made you hear that song and think; there’s reggae in there? NATTY : It’s funny you mentioned that one. As I said, one of my biggest influences is David Lindley . The song we mash “ Breakdown ” into is a David Lindley song, and they’re in the same key. It just worked perfectly. I had been listening to that song for years. When we were looking for something to cover, I thought, this one has a great feel. There’s a pocket right here. Obviously, you heard it. It was nowhere near the way Tom Petty wrote it, but it didn’t lose any of the feeling. That was important. https://www.youtube.com/watch?v=GDDnyyd6PTQ Gypsy Cargo - Natty's Common Roots MaM : You also played “ Be Heard .” Talk to me about that song. NATTY : That one was written right before we basically, officially morphed into Natty’s Common Roots . I wrote it with the little person in mind. The person whose point of view doesn't get heard. The person who isn’t necessarily loud enough. The person who spends too much time focusing instead of speaking up. It’s about making yourself heard. If you’ve got something to say, if you’ve got the knowledge, if you have the voice, use it rather than letting yourself be shouted over, put down, or covered with dust. It’s about rising back up and finding your voice. MaM : I’ve been coming to Cocoa Beach for about twenty years, and I’m sitting here looking at a town that feels completely different from the one I remember. It used to be quiet. Now I’m watching families come off the beach. Young people are coming off the beach and coming into these places. There’s an energy here that did not exist twenty years ago. What happened to Cocoa Beach? NATTY : The secret got out. Small towns and small surf towns in Florida are becoming fewer and fewer. Cocoa Beach was such a low-key secret that it couldn’t be contained for very long. People come out here, maybe because they have a contract or something that brings them here, and then they realize how great this place is. Next thing you know, they’ve either moved here, or they have a second home here. MaM : Do you think that growth has changed the culture? NATTY : I think so. If you go out to the small dive bars in the area, you can still find plenty of that local, small-town feeling. But the culture is changing. It’s great for businesses. At the same time, I miss that sleepy town. MaM : All right. To close this up, the most important question of the interview. Coconut shrimp. It’s a thing down here. Who has the best? NATTY : See, I am forced to answer only one way. My wife and I had our first date at Ryan’s Pizza and Pub in Cocoa Village , and we shared an appetizer of coconut shrimp. I can’t even remember tasting coconut shrimp anywhere else, because that would get me in trouble with my wife. So, on the record, that’s where it’s at. MaM : Finally, tell me what the future looks like for Natty’s Common Roots. And what does success look like to you? NATTY : Success? I met my wife right across the street from here when I was still living in Tennessee and playing shows down here on the weekends. I built a life here. I bought our house and our car from playing music around Florida and the Southeast . So, in terms of success, I feel like I succeeded. I love where I’m at. In terms of the future of the band, we’re about to finally release an album that has been in the works for almost a decade. Life got away from us for a little bit, but we’re just a couple of months away from releasing it. I want to follow that with another national tour next year, because it’s been almost a decade since our last national tour, and then do a couple more regional tours through the summer. Then I want to start the next album. I’ve already got songs stacked up and ready to start working on. Credit: Adam Hudson And that's a great way to end this. I went to Dirty Birds because a storm chased me off the beach and I wanted to hear some live music. I expected reggae, a cold drink, and maybe a familiar song or two during a four-hour set. Instead, I found myself talking with an artist about East Tennessee and Cocoa Beach . About Sublime and David Lindley . About addiction, creativity, Tom Petty , finding your voice, and what it actually means to be successful as a musician. And maybe that answers the question I started with. There is something special about seeing a band you already love. You know the songs. You know what you are waiting for. The anticipation is part of the experience. But discovering a new band is different. You just walk through the door and give the music a chance. Sometimes, if you’re lucky, you walk back out a fan. Natty’s Common Roots made that pretty easy. Go check out their music today. To learn more about Natty's Common Roots: Facebook: Facebook Instagram: Natty's Common Roots (@nattyscommonroots) • Instagram photos and videos Spotify: Natty's Common Roots | Spotify YouTube: Natty's Common Roots - YouTube Apple Music: ‎Natty's Common Roots - Apple Music Where to find Zach Taylor: Website: https://sites.google.com/view/zach-taylor-author/home TikTok: zach taylor, author (@zachtaylorbooks) | TikTok Facebook: Zach Taylor Books Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. < Back Cecily: Soulful Music With Ambient Affirmations Erica Machen Nov 9, 2023 Share Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. If you’ve ever needed the perfect soundtrack to accompany the moments your eyes are gently closed and all you see is the warm glow of your eyelids as the sunlit breeze kisses your face, look no further than the melodic musings of vocalist and songwriter Cecily. With a family who infused influences from artists such as John Coltrane, Motown, Smokey Robinson, and R&B from the 70s, 80s, and 90s, her vocal artistry brings prismatic color and warmth to the soul as the purity of her message washes over the listener and leaves an indelible mark. Cecily’s soprano octaves provide a surprising duality with her ethereal yet earthy delivery, and, as we chatted for our interview, her soothing personality left me just as spellbound as her music did. Originating from Washington, D.C., with a background in Political Science and Black Studies, Cecily's journey as an artist began as a powerful call to bring purpose and empowerment to her community . After ten years of nurturing her musical talents as a passionate hobby, she took the leap to turn her passion into a full-fledged career. Supported by an exceptional team of hand-picked musicians, dedicated management, and her husband, Cecily has achieved numerous accolades and awards , solidifying her presence as a force to be reckoned with in music world. Just as her newest release “I Am Love” delivers a simple and positive message coinciding with depth and dimension , the same can be said for Cecily herself. It came as no surprise to discover her passion for healing, meditation, and affirmations, as all of those things are revealed within her music. Cecily is simply a breath of fresh air with the motivation to spread her positivity through her art. Prepare yourself to feel connectivity as you read along with our chat. MaM : Cecily, for those just discovering your music, could you describe your unique sound and the musical influences that have shaped your style? C : I describe my music as soul music with a lot of influences of jazz, 90’s R&B, with a little bit of folk mixed in as well. I like to work with live instrumentation and real musicians in a space creating together, because I think that's how you capture the best energy. In terms of who people liken my music to, I really love 1970’s soul and R&B. Generally, you'll find a lot of sounds from that era in my music. I've had comparisons to Minnie Riperton, for example, in terms of my vocal stylings and some of my arrangement choices. People have also compared me to Amel Larrieux, who is more of a 90’s or early 2000’s R&B singer. Some of my favorite current artists who I think my music kind of likens to are Cleo Sol and Lianne La Haves , who are both from the UK. Photo provided by artist. MaM : Your parents' record collection had a significant impact on your music. Can you share how their love for artists like Miles Davis and Smokey Robinson influenced your artistic journey? C : I actually inherited my parents’ record collection. My dad passed away a couple years ago. My mom said she didn't listen to records anymore, so I could have them. Now I have a pretty large record collection. Thanks to them for that. What's interesting is that my parents are nine years apart in age, and that gave them different tastes in music. When [my mom] was a little girl, Motown was huge, and she loved Motown. Smokey Robinson is her forever crush. I grew up on a lot of Motown. My dad, he really loved jazz. He kind of came of age during the Bebop era. He loved Miles Davis, Dizzy Gillespie, John Coltrane and Ahmad Jamal … A lot of jazz artists from the 50s and 60s. So, I have disparate influences. I had Motown with its classic soul sound, but also formulaic. You can kind of hear that in the way they approached things, and it works. Then, if you go to Miles Davis or John Coltrane, they were experimenting. There was thought and intention, but I definitely don't think a formula was the approach to things. It was very different kinds of things to grow up listening to. What my parents had in common is they both loved 70’s soul music. I also grew up listening to Stevie Wonder, Chaka Khan, Gil Scott-Heron, and those type of things. All stuck with me. I'm also the youngest of four, and all of my siblings are much older than me. They had their own music tastes. I grew up listening to hip hop and R&B of the 80ss and 90s. My brother listens to house music. I was introduced to a lot of different kinds of black musical forms, and it was a great way to grow up. MaM : Your debut album "Songs of Love and Freedom" received critical acclaim and won a Wammie Award . How does this album reflect your musical vision, and what was it like to receive such recognition for your work? Photo provided by artist. C : That album was a big turning point for me creatively, professionally, and spiritually, because I put out an EP prior. That [EP] was my first project. I still like it, but it was me figuring out what I wanted to do and working with people that were recommended to me by my managers at the time. I didn't always feel seen in that process. I felt like we made the music, but I wasn't necessarily sure if it was me. When I came back around to do the process again, I was doing it all on my own in choosing all of my co writers, letting it happen organically, finding different producers, choosing my band members, and doing a lot of sonic research. It really taught me a lot about myself and was an empowering journey. I still feel really good about that album. So, it's one of my things I am most proud of. MaM : This brings me right to “Awakening Pt. 1”. It, too, was well-received and earned you several nominations and awards. Can you tell us more about the themes and inspiration behind this project? C : That project was inspired by some books that I read leading up to when I got married. We all think we know so much about love, but maybe I should actually study it like people do everything else. So, I just picked up this one book, just off chance in a bookstore, called ‘How To Love’ by a Buddhist master who passed away last year, named Thich Naht Hanh. I just read this book back to front a few times, and it was really impactful for me. The next book I read was called ‘The Mastery of Love’ by Don Miguel Ruiz. It had so many lessons and was a good way to reflect on life and what I've been taught about love. It was good to reflect on places in my thinking that needed to be revised on what love is and what love can be. Later, when reading ‘All About Love’ by Bell Hooks, I decided I want to create a project pulling from these concepts and ideas. That was kind of the inspiration for both ‘The Awakening Pt. 1’ and ‘The Awakening Pt. 2.’ https://www.youtube.com/watch?v=z1D3_CJ1NZ8 MaM : You're not only a talented artist but also a healer who offers meditations, workshops, and sound healing sessions. Tell us more about how these practices are connected to your mission as an artist and a healer? C : In 2020, when things were locked down, I couldn't connect with people in terms of live performances. I also I felt like I couldn't create music in the way I was used to in being separated from my usual writing partners and bandmates. It started out when I had written some affirmations for myself in a time that was very fear-inducing. I called them ‘Affirmations for a Pandemic’. I decided, these are good, let me share these with people. So, my husband recorded me with video and audio. I put it on YouTube, Instagram, and this meditation app called Insight Timer. I was surprised by the reaction. People were saying, ‘Wow, this is so helpful. Thank you so much for this.’ Insight Timer chose the recording of it for their editorial pick and put it on the main page. I got a lot of engagement there and realized life is telling me this is something I need to dig into a little bit more. So, I started doing guided meditations live on Instagram. I love writing, I love words, I like using my voice. I started doing these guided meditations as another way to use my voice and my words. MaM : Your new single "I am Love" is generating attention. How has this song been received, and what message or emotions do you hope it conveys to your audience? C : I'm really happy with people’s response to the single. I love this song. I sometimes tend to be a little wordy and overly complicated in my writing. With this song, I wanted to write something that was simple. It definitely has depth to it. It started off as a poem, so it still has its poetic aspects. I wanted to write something that made you feel at peace and happy—just something that feels like a nice like warm summer day. You know, like where you're with someone you love or just yourself out in nature, eating good food. That was the energy of the song. … The message was really simple. As I said, affirmations are a big part of my life. I wanted to write a song that was an affirmation. The album ‘The Awakening Pt. 2’ is all about exploring unconditional love. Specifically, the kind written about in Bell Hook's book, ‘All About Love’. I had a poem where I had written, ‘I am love,’ and I thought, ‘This could be a song.’ I thought [it] would be a good way to bring forth my message of the power of love, acceptance, affirmations, and also Bell Hook's idea about simple living. She says living simply makes loving simple. I thought that was really beautiful. I'm kind of combining the two concepts of exploring the simplest pleasures in life with knowing that I am love. It’s about the belief in God, the source, the universe, or just this idea we all are connected to a genuine love, a deep, complete, and divine love. Stating plainly, ‘I am love’ can be very powerful. Even though it's a simple song and I wanted it to have … a singalong part or even something you can even two-step to; I also wanted to have some depth in there that people feel. I think the song has the combination of both. I love it for that reason. MaM : Are there any new announcements, news, or projects on the horizon that you'd like to share with your fans and our readers? C : ‘I Am Love’ is out now! https://www.youtube.com/watch?v=X7OWj3A2PRM There's a music video for it dropping very soon, and there will be some new merchandise soon to accompany the new release. The second single is coming out in January, and the new album is coming out in March. And there you have it—your breath of fresh air for the day! In a world filled with hyperbole and scattered focuses, Cecily recenters us with the ambient peace she exudes. Take a moment and explore her prismatic vocals by visiting the below-listed links. Cecily | Official Website Cecily | YouTube Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. < Back Reviews on the Real: Blueprints for a Breakdown by T Mason & The Bricklayers Nicole Brice Apr 9, 2025 Share Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. The members of T. Mason & the Bricklayers , based in Baton Rouge , Louisiana are well-versed in creating music that resonates with audiences. Each member has been involved in various projects over the years, but they have now come together to make an impact in the reemerging pop-punk scene. Their latest release, Blueprints for a Breakdown , is a classic punk EP filled with catchy hooks, heavy basslines, and feel-good music reminiscent of the early 2000s. It truly captures the sound of my youth. Released March 9, 2025 Travis Mason 's vocal delivery is strikingly similar to Fat Mike from NOFX , making the comparison quite remarkable. He could easily cover a NOFX song. Joshua Selser is a powerhouse on the bass, and that's no exaggeration. He takes center stage with his playing, and the tone he adds to each song by T. Mason & The Bricklayers is undeniable. Andy Clancy ’s guitar playing is precise, creating a remarkable sound that ties the Bricklayers' overall sound together. Credit: Gary Governale Released March 9, 2025 , Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. Each time you hear it, the music feels even fresher than the last. After reading this review, I encourage you to check out the band's music. They have released quite a bit over the years. Let’s get into the tracks, shall we? Busy Signal – no lead-up – jumps right out of the gate – a solid track. Another Friday Night begins with that heavy bassline that I love. Travis then comes in on the drums, and Andy’s guitar parts are tight and energetic. Turn this one up loud! Shabang! A thunderous rolling of the instruments begins this track, which just starts going and never lets up. It's another solid tune. Sour Candy is my favorite track on the EP; however, all the songs are amazing. Everything about this song feels just right. The guitar parts at the beginning perfectly match the song's slower pace. I also really like the lyrics. ‘Sour Candy’ has a more alternative sound vs the pop punk sound heard on previous tracks. Stand on My Shoulders is another pop punk banger. It’s upbeat, poetic, and embodies the sound of T. Mason & The Bricklayers . Blueprints for a Breakdown is an enjoyable EP that is best listened to in the car with the windows down. This way, you can fully appreciate all the sounds it has to offer. The EP is now available on all streaming platforms, so add some local Baton Rouge punk rock to your playlist today. To learn more about T. Mason & The Bricklayers: YouTube: brick vs. window - YouTube Bandcamp: Blueprints for a Breakdown | T. Mason and the Bricklayers Facebook: Facebook Instagram: T. Mason & The Bricklayers (@t.mason_and_thebricklayers) • Instagram photos and videos Spotify: T. Mason & The Bricklayers | Spotify Apple Music: ‎T. Mason & The Bricklayers - Apple Music *Additional photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Queen Charlotte: A Bridgerton Story < Back Belles, Balls, and British Accents: Bridgerton Spinoff Arrives in May Keeley Brooks Apr 26, 2023 Share Queen Charlotte: A Bridgerton Story If you’re a big Bridgerton fan, you’re gonna want to go ahead and clear a day next weekend to binge-watch its prequel series, Queen Charlotte: A Bridgerton Story . The six-episode limited series drops next Thursday on Netflix. While the show itself is based on Julia Quinn’s series of eight novels , each of which focuses on a different Bridgerton sibling’s quest to find love, the prequel is masterminded by Shonda Rhimes via her production company Shondaland. Centering on Queen Charlotte’s rise to prominence and power, it will tell her backstory and introduce us to her younger days while also chronicling her love story with and betrothal to King George. The show will also focus on the great societal shift that occurred as a result of their marriage, as well as on the early lives of Lady Danbury and Bridgerton matriarch Violet. India Amarteifio ( The Tunnel TV series) will play a young Queen Charlotte while Golda Rosheuvel returns as the Queen Charlotte we met in Bridgerton . courtesy of Netflix In an interview with RadioTimes , Rosheuvel says that in spite of the title, Queen Charlotte isn’t just about the young Charlotte, the young King George, or the queen in her middle years. “Lady Danbury and Violet and the whole matriarchy are there, too, both young and as they are in Bridgerton . It’s about how these women came to be – how a woman of colour [sic], in Danbury’s case, got into the court and then all of the emotional love, the relationships between the women and how they were built up. But throughout, it’s all kept under the umbrella of Bridgerton .” Roshuevel goes on to describe the inner workings that enable the older Queen Charlotte and her 17-year-old persona to exist in the same universe as “a behind-the-scenes Bridgerton ” and says the two series overlap in flashforward and flashback: “… so where in Bridgerton I might have been at the Presentation Ball and then leave the room, in Queen Charlotte I walk straight into a scene that’s in the spinoff.” To ring in the New Year, Netflix released an image from the show featuring Arsema Thomas ( Redeeming Love ) as a young Agatha Danbury. courtesy of Netflix In February, they released an image of a young King George, played by Corey Mylchreest ( The Sandman ). courtesy of Netflix In a TUDUM exclusive first look online, we get to see the cute but awkward first time they meet. https://www.youtube.com/watch?v=XUONzsAzv1I For Valentine’s Day, Netflix teased us with a literal peek at the new series and released its premiere date. https://www.youtube.com/watch?v=-DUXYyTkerU While the Bridgerton storylines are all works of fiction, Queen Charlotte is actually based on a real individual (she wasn’t a figure in the novels but was added to the TV production). In a 2021 interview with Variety , show creator Shonda Rhimes commented on her fascination with the monarch. “I’m very obsessed with Queen Charlotte, and I always call her the Beyoncé of the show,” she told the magazine. Sophia Charlotte of Mecklenburg-Strelitz was born a German noble and became queen consort to George III upon their marriage in 1761. She married him in a whirlwind love story. King George announced his plans to marry Charlotte, a princess at the time, without ever meeting her. According to the royal family's website , the couple tied the knot a whopping six hours after meeting each other for the first time when Charlotte arrived in Britain that September. Definitely love at first sight. The couple had—hold your breath—15 children (14 of which were born at Buckingham Palace) and were happily married the first 25 years of their marriage. It’s a miracle she survived so many births, given the time period. While in the series the monarch mostly fills her time indulging her proclivity for society gossip, in real life Queen Charlotte was also an amateur botanist and a passionate patron of music, especially the works of German composers like Handel and Mozart, who, at age 8, was invited to play at court. As portrayed in Bridgerton , King George III suffered several bouts of mental illness, which were reportedly kept a secret from the Queen. Eventually his illness became a permanent condition and made it impossible for his wife to be around him. As his condition deteriorated in the late 18th century, Queen Charlotte found refuge in a country estate she purchased near Windsor Castle called Frogmore House. A few years later, in 1801, she commissioned an addition to the grounds: Frogmore Cottage . King George III died of mania in 1811, and after serving on the throne for 57 years, Queen Charlotte died in 1818 at the age of 74. Their granddaughter Victoria, daughter of their third son Edward, would later become queen in 1837. The Frogmore properties are now most famously associated with Prince Harry and Meghan Markle, who hosted their wedding reception at Frogmore House and later called Frogmore Cottage home for a brief period before permanently breaking away from their working royal roles in early 2020. Currently, Princess Eugenie lives there with her husband Jack Brooksbank and their son August. For readers who might be wondering, there will be a book tie-in. Rhimes will co-author a book with Bridgerton author Julia Quinn about the queen’s rise to power , and that book, published by Avon Books, is set to be released the same day the show premieres. “Taking Bridgerton from book to screen was fascinating for me to watch, and it's such an exciting challenge for me to take it in the other direction, this time crafting Shonda's brilliant vision into a novel," Quinn said in a statement. "I'm especially thrilled to have the opportunity to write about Queen Charlotte, who was not in the original novels. Her character —and Golda Rosheuvel's brilliant portrayal of her— was a tour de force, and I think readers will love getting a chance to know her more deeply." Rhimes’ prequel series looks to continue the refreshingly un-stuffy tone that made the original show such a hit, though whether it will return to the steamy, raunchfest of Season 1 remains to be seen—though, something tells me we can expect plenty of passion. Beyond Queen Charlotte , Netflix has confirmed that Bridgerton will be back for at least two more seasons . The upcoming Season 3 is set to disrupt the book order and adapt Julia Quinn’s fourth book in the series, “Romancing Mister Bridgerton”. It’s expected to arrive either later this year or early next year. If you want more of the inside scoop on what’s to come, you’ll have to wait and get it from Lady Whistledown. Queen Charlotte: A Bridgerton Story premieres May 4 on Netflix. https://www.youtube.com/watch?v=oLtnNw0KT78 Keeley Brooks is an entertainment writer who hibernates in NW Alabama and is a voracious consumer of film and streaming content, much to the chagrin of her family. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mayrunner’s music is a melting pot of styles and genres < Back Mayrunner: Thrashing Guitars for a Solid Rock Offering Nicole Brice Aug 14, 2023 Share Mayrunner’s music is a melting pot of styles and genres Have you heard of Mayrunner yet? Well, if not, you will soon. Mayrunner is an alt-rock band based in Lafayette, Louisiana , that was formed in 2014 . Founding members Devric Taylor and Hailey LeBlanc were looking to start a new project outside their previous band. They organized a search for a drummer to complete their lineup, which led them to Alex Mamolo , marking the beginning of the band, and here we are today. Over the years, there have been numerous lineup changes, but Mayrunner continues to move forward, creating music that defines their unique sound and brand. Currently, the band consists of Devric Taylor on vocals and guitar, Henry Milliman on bass, Finis Robinson on guitar, and Phil Hardy on drums. Their debut album, Good for What We Are , was released in 2018 and is just amazing, and then when I thought it couldn't get better, the band recently launched their highly anticipated follow-up album, Tell Me Where You've Been , on August 4, 2023 . This album is now available on all streaming platforms and features 37 minutes of enjoyable rock with fuzzy guitars and catchy sing-along choruses. You'll love it, trust me. Released August 4, 2023 Mayrunner excels at crafting beautiful songs that I feel deeply. I love everything about their music, to be honest. Their lyrics tackle themes that resonate with me because of their emotional depth. The lyrics are perfectly complemented by haunting melodies and harmonious arrangements , too. With each song having its own unique sound, this band creates music they are truly passionate about, and you can see that reflected in the final product. One thing I truly love about this band is that they feature intricate riffs that are rich in depth, supported by a tight-knit rhythm section consisting of a bassist and a drummer with impeccable timing. With such a solid foundation, I have no doubt they will continue to gain popularity and success in the music industry, but I need you beautiful people to check out their music, so what are you waiting for? https://www.youtube.com/watch?v=eiLTlAOGYuw Music video for 'Slowburn' by Mayrunner If you'd like to catch this band live, Mayrunner is taking the stage on August 19, 2023, to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana , so come out and see why I love them so much. We recently chatted with Devric Taylor , the lead voice of the band, where we discussed gear, band history, and everything in between. Sit back and learn a little more about Mayrunner as you make your way through our conversation. Credit: CobraTai Media MaM : Who or what do you attribute to defining your sound? DT : I think there are a lot of different artists that have inspired us as a band collectively, but I know for me some of my earliest influences were Coheed and Cambria and Incubus - pop-punk bands such as Fallout Boy , too, and metal and Midweset emo bands. I would say it's all over the place, though. MaM : Your music is a melting pop of different styles, and I really enjoy it. I can definitely tell you were influenced by the late 90's and early 2000's rock scene. DT : Thank you. We all grew up on that kind of music. And you know what? When we were learning how to play our instruments or writing songs, we would revisit the music from those bands that we just were super inspired by, and it helped with the songwriting process. MaM : That's a great way to go about it, too. What influences you to make music? DT : I've been asked that before, and I feel like the best and truest answer I can give is that it gives me a sense of identity. I make music because it inspires me, and I'm inspired to write music based on things that are going on in my life. But also, when I can get into that mindset of writing or being creative, I tend to say things that I don't know if I would have ever thought of just talking to somebody. I'm able to access different parts of my brain when creating and it helps me get to know the real me in the process. Credit: CobraTai Media MaM : How did the name for the band come about? DT : It's funny how it came about because we weren't initially called Mayrunner . We were trying out different names and at the time, it was me and two women in the band. Initially, we were playing on the fact that there were women in the band. We called the band Sons and Daughters . When we added our fourth member, we decided to change it again and we ended up coming up with the name The Sleepless May . I really liked that name for some reason, so I brought the name to the band, and they didn't like it at all, but I really wanted to keep the name May in there because of the sentimental value to it. I had a really good friend of mine that had passed away and he was born in that month. It made a lot of sense to me. For a long time, it was basically me and our original drummer just going back and forth with names. She suggested the name Runner at some point, and I was like, I don't like that because there was a band that I knew called Runner Runner and I just didn't like that. And then I said, I really wanna keep the word May in there, so she said, 'What about May Runner?' And I was like, 'I don't hate that.' So, we talked about it, and we sat on it, and it stuck. We just thought it was a cool pairing of words, though. MaM : I mentioned earlier about your sound being unique and I love that every song is different from the last. And I really do enjoy that. As far as the tones you guys have in your music, do you have specific gear that you use to achieve that sound? DT : Actually, yeah, so if I get all gear nerdy on you, I’m sorry. MaM : No, you're good. I'm a guitar player and I grew up playing piano, so go for it! DT : I’ve played around with a lot of guitars throughout the years. I had an Epiphone Les Paul . I had a Gretsch Electromatic Jet . I even had an Epiphone Black Beauty . There's probably a whole lot more that I can't think of, but I did play around with a few different configurations of guitars and amps. At one point, I found out that I really liked a British tone , too. My thing was, I really wanted a good distortion tone, and this is where influence comes in and it is Incubus related. So, Ben Kenney put out this album called “ Burn the Tapes ” and he did every instrument himself and he would do these live videos, too, with him playing everything. I would watch him play drums and bass and guitar, and his tone was amazing. He had a forum, and I would go and see what gear he was using and then make a note of it, but I didn’t have the money to get what he was using. Then, a friend of mine when I was in high school, had a Gibson SG , and he was a really talented player, but I'm not gonna lie, I was jealous of how he played, and I didn't exactly want to get a guitar that he played, so I was like, just let me find something else other than that. I then played a Gibson SG guitar at Guitar Center , and I couldn’t deny that it sounded the way I wanted it to, so I bought it and then ended up buying an Orange Amplifier . The natural distortion on that or natural overdrive rather was incredible. It was close to what I wanted, but not fully there. So, I had a tube in my pedal set up for a long time, and I tried different distortions like the Boss Distortion Pedals , but I just could not nail what I was searching for. And then I tried some random pedal, and I paired it with my Tube Screamer . My distortion by itself sounded more like an overdrive than anything, and it was kind of a dry overdrive mixed with the Tube Screamer. For some reason, it popped, and I had the Tube Screamer set in a certain way that it would kind of just crunch up my clean tone from the Orange which was already full sounding and then the SG brought it all together. I'm still playing with that setup to this day. Credit: Facebook MaM : That brings me to the next question, what are your plans and future aspirations for the band? DT : We are always thinking about moving forward, but things have changed recently for me. I’ve actually moved out of state. I'm coming back home right now to Lafayette because I’ve got a couple of shows, but then I'm going back and I will be out of the state for the foreseeable future, but we will still be a band, and if things happen with the band in its current state, I really want to get behind it 100% and push it as much as I can from a distance. To experience the music of Mayrunner , hit one of the links below and be sure to catch them at Rad Fest 2023 on August 19, 2023, at PARC International in downtown Lafayette . Mayrunner Links: Facebook : www.facebook.com/mayrunner4 Instagram : Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp : Music | Mayrunner (bandcamp.com) Tik Tok : Mayrunner (@mayrunner__band) | TikTok Spotify : Mayrunner | Spotify Apple Music : ‎Mayrunner on Apple Music *Band interviewed by Je'an Paul Keller - article written by Nicole Brice *Cover photo by CobraTai Media - @cobrataimedia - https://www.instagram.com/cobrataimedia/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is secretly a ninja. It's true. If you have something you think she should check out, e-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From Misery to Malice is turning passion into progress in the Louisiana music scene. < Back From Misery to Malice: Louisiana’s Rising Force in Deathcore Nicole Brice Mar 24, 2026 Share From Misery to Malice is turning passion into progress in the Louisiana music scene. Louisiana deathcore plays a vital role in the state’s music scene, demonstrating that the region’s cultural identity extends beyond its famous roots in jazz , blues , and cover bands. The genre’s mix of extreme metal and hardcore elements has a dedicated underground following among those who appreciate the craftsmanship that goes into creating a heavier sound. Although it may not always attract mainstream attention, Louisiana deathcore continually strengthens the local music scene by uniting fans through tight-knit support and a shared passion that keeps it alive and evolving. Despite being largely underrepresented in Louisiana , deathcore is a genre that combines the best aspects of both worlds to produce a full, powerful sound—and those vocals are not easy to perform. https://www.youtube.com/watch?v=Vexmdx1KnUU Chaos Theory by From Misery to Malice Enter From Misery to Malice . From Misery to Malice is a deathcore band from Lafayette, Louisiana , formed in 2021 . With influences ranging from Michael Jackson to Cannibal Corpse , each member brings something unique to the mix, and that’s one reason I’ve kept this band on my radar for a while. Not to mention, the personalities in this band have helped them build a positive reputation, not just for their sound but for everything they do. From Misery to Malice is turning passion into progress in the Louisiana music scene, and we are here for it. Credit: Justin Hammer Deathcore , what a concept, really. This subgenre gained popularity in the early 2000s and merges two equally important genres to create a more well-rounded sound, but for me, From Misery to Malice adds a little groove at times, too. Just listen. It’s there. Consisting of Jon Michael on vocals, Matt Denais on lead guitar, John Citizen on rhythm guitar, Hayden Poche on bass, and Dylan Poche on drums, these guys are consistently playing shows everywhere from Lafayette to New Orleans , and we urge you to see them live if they come close by. Credit: Justin Hammer Mixed Alt Mag recently had the chance to participate in an interview with the band for Backstage 504 , which you can watch here . Wanting to learn even more, we reached out to lead vocalist Jon Michael to get the scoop on what else we felt should be shared about From Misery to Malice . Dive in to learn more. https://www.youtube.com/watch?v=FDkVkaxfh3k Backstage 504 - Episode 22 MaM : Let’s touch on this new single you guys have coming out. What is the projected release for that? Didn’t you say April? Jon : Hopefully, yeah. The song is being mixed and mastered right now by a friend of ours, but we also want to do a video. Maybe sometime in May . Credit: Justin Hammer MaM : What is the ultimate goal you want to achieve as a band? Jon : Ultimately, we’d like to play shows with Lorna Shore or even get the opportunity to play Louder Than Life or the Mayhem Festival . Become one of those bands who is a household name. Lorna Shore , for example, is one of our biggest inspirations, and they’ve been around since the MySpace days. I would even like us to become as big as Falling In Reverse . They pay their bills with their music and have built their lives and careers around it. I would love to be able to leave my day job to just play music. From a business standpoint, I hope that the more we get Lafayette on the map and the bigger bands hear about it, the more big-name artists will come to Lafayette . It would also help boost the bands in the area, looking to do the same. Credit: Justin Hammer MaM : What shows do you guys have coming up? Jon : We don’t have anything booked right now, but I’m currently getting a bill together for a show that isn’t finalized yet. Lafayette is really starting to come up, with a stronger music scene and a stronger sense of community among local musicians than in other places. The Lafayette scene is starting to draw people to shows. At a recent show at The Pit , people came all the way from Houma . Credit: Justin Hammer MaM : Do you feel the deathcore scene is underrepresented in Louisiana? How many actual deathcore bands are there in this state? Jon : There are a lot of hardcore bands I’ve been noticing, but the actual deathcore bands are Severed in Sleep , Alone in the Morgue , and Human Instinct , but Human Instinct is more hardcore at times. It kind of goes along with the extreme vocals in deathcore. Not everyone can do all this. There is a certain stigma associated with deathcore , not just in Louisiana , but certain people haven’t wanted to associate with the deathcore community because there are always a few bad apples in the bunch, and sometimes there is a lot of drama with the overall deathcore scene. It’s not the genre – it’s the people, so gotta take the good with the bad. As From Misery to Malice continues to build its presence in Louisiana’s heavy music scene, they’re clearly gaining momentum. In 2026 , they plan to release a new single with an accompanying music video, along with several other upcoming projects. The band shows no signs of slowing down. Make sure to listen to and stream their current catalog on your favorite streaming platform now. From Misery to Malice is a name worth watching as they push forward and continue turning ambition into reality. To learn more about the band: Apple Music: music.apple.com From Misery to Malice on Apple Music Listen to music by From Misery to Malice on Apple Music. Facebook: https://www.facebook.com/leprosariumband Instagram: *All photos by Justin Hammer Photography www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out. Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. < Back Reviews on the Real: Quicksand by Caustic Waves Nicole Brice Jun 6, 2025 Share Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. Following the release of their debut six-track EP, Full Circle , in 2023 , Caustic Waves is launching the second chapter in 2025 with a new single titled ‘ Quicksand .’ This track serves as the lead single for the upcoming album, Echoes . We actually covered the release of Full Circle back in 2023. You can learn more about it here . Released June 6, 2025 Founded in 2022, Caustic Waves is the musical project of Neil Thomas , a one-man band based in Glasgow, Scotland . Drawing inspiration from his love for 90s and 00s alternative rock, metal, post-hardcore, and grunge , Neil is influenced by bands from that era, including Incubus , Far , Deftones , and Helmet . Neil's music seems to belong to a different time due to its strong 90s influences, but that's exactly my style, and I'm fully on board with it. Now, let’s dive into this new track. ‘ Quicksand ’ kicks off with an immediate jam, diving straight into the action without any build-up. The intense vocals kick in right away, delivering a solid and refreshing dose of 90s alternative rock , reimagined for the modern era. It strikes the perfect balance: not too heavy, but just heavy enough. If Helmet and Incubus were to merge , this is what it would remind me of. Overall, it's solid rock all the way through, and Neil’s vocals truly soar on this track . Photo provided by artist I cannot wait to hear the entire album when it drops in September , but for now, stream ‘ Quicksand ’ on your favorite streaming service. https://www.youtube.com/watch?v=whvUfQZ069s Official lyric video for 'Quicksand' To learn more about Caustic Waves: Linktree: https://linktr.ee/causticwaves Spotify: https://open.spotify.com/artist/5YFSnuEccV4gdfzlxKkdu9 Bandcamp: https://causticwaves.bandcamp.com Instagram: https://www.instagram.com/causticwaves YouTube: https://www.youtube.com/@causticwaves Facebook: https://www.facebook.com/causticwaves TikTok: https://www.tiktok.com/@causticwaves www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chillin' with Fred Westra < Back A Humble State of Calmness Keeley Brooks Jan 12, 2023 Share Chillin' with Fred Westra You know that music that plays in yoga studios and on meditation apps, how soothing and relaxing it is? Sometimes it doesn’t even sound like a real person could be playing it because it’s so intricate, so ethereal. But, a real person does play those sweet meditative sounds you zone out on, and thank the stars for the internet because without it, I never would have stumbled across this beautifully artistic gem of a musician, who does just that. He is, without a doubt, sent from another planet to ease the minds of all who are stressed out with day-to-day life and need some gentle vibrations to relax and return us to center. That’s exactly what Fred Westra and his music do. I should know, because I’ve been listening to his music for a few years now when practicing yoga and meditation, and the effects on mind and body have been nothing short of healing. I won’t lie and pretend I don’t visit his YouTube channel from time to time just to watch him play an instrument with which I’m unfamiliar, and that is just as relaxing as listening to what he produces. https://www.youtube.com/watch?v=ZN9dZsyFWII Fred is a composer of some of the most calming, creative musical vibes your sweet little ears have ever heard, and that’s an editorial guarantee. Perhaps the only thing better than listening to his music is watching him play these multi-cultural instruments with such tender care and emotion you just can’t help but be moved at your core over what you’re hearing and seeing. He lives in Beverwijk (near Amsterdam) in the Netherlands with his wife, Erika (a former yoga teacher), and is a composer, musician of many different instruments, studio technician, and producer. He’s also a man of deep humility and outward kindness, who positively affects everyone who crosses his path. He’s well known in many yoga circles for the music he produces and is a very popular go-to for teachers when searching for music to accompany their classes. I reached out to Westra on a whim, and he ever so kindly took some time out of his busy schedule to kick it in conversation with me, so settle in all you stressed-out beings; I've got your solution to stress right here. MaM : Fred, thank you so much for taking the time to speak with me. You and your music have accompanied me on more meditative journeys than I can count, so this truly is an honor. Tell us what all you play. FW : I play lots of instruments a little bit and I'm specialized in playing the guitar, though I think of myself as a total musician, more composer than musician. https://www.youtube.com/watch?v=tWjLHfQsGZs MaM : When did your creative talents began to emerge? FW : When I was five years old, I heard the music of Ennio Morricone from the movie “Once Upon a Time in the West,” and I remember the sound of the violins and [the] opera voice made a huge impression on me. [To] this day, Morricone is still a great inspiration to me. When I was eight, my parents bought me a guitar. I was always very interested in music, but I did not know what to do with the guitar because I wanted to be a drummer. When I was 10, my neighbor friend [taught] me how to play blues on the guitar, and [I remember how] fantastic [it was] to learn to play! After that, I learned to play tunes from The Shadows (a pre-Beatles era English instrumental rock group) by ear. My taste evolved to Jimi Hendrix, Van Halen, and all other famous rock guitarists. I just wanted to be the greatest guitarist alive! MaM : When did you know you wanted to pursue music? FW : I wanted to pursue music when I heard Stevie Ray Vaughan and (Swedish guitarist) Yngwie Malmsteen. These guys where so incredible! They inspired me to practice 10-12 hours a day. MaM : That’s true devotion to honing your craft, man. Very respectable. I understand you used to be in a metal band, Xhausted. Tell us about your time with them and how that took off. FW : In the early 90s, I was very inspired by metal bands like Machine Head and Pantera, so we started the metal band Xhausted. I never had a record deal, so I bought lots of recording equipment to get [one]. We recorded a demo and got [a] deal in Japan! By that time, my son was born, and he cried a lot ... a [whole] lot! My wife and I could barely handle [that] situation, so I quit Xhausted. [And] here's where my dream ended. I think it was a good thing to quit, because I am not the type to go on tour with a band. I love being at home. MaM : Oh, I very much relate to that! I’m an absolute homebody and much prefer to be in my own environment. What made you move towards meditative music? FW : In the early 2000s, my wife asked me to compose some yoga music for her. I was always interested in yoga and meditation music because I loved the positive vibe of [it] … just like nowadays I love the positive vibe of the music of Snatam Kaur (an American singer/songwriter/author who makes Indian devotional music). It makes me feel so peaceful inside. When I was recording metal music, [which is] technically very demanding, I always got a headache. Really. [laughter] It was hard working to play fast, technically, and precise. When I was recording yoga music, I felt very calm. Instead of making music with my head (to impress people creating complicated guitar parts), I was creating music with my heart. About six years ago, I said goodbye to the metal music. I sold most of my electric guitars and all my amps and pedals. I just wanted to focus on yoga music. My wife and daughter say I have ADHD, so creating calming music is almost a must for me. It keeps me grounded. MaM : I’m so glad you said that. That is exactly what your music does for me: grounds me. I don’t just listen for yoga or meditation; I also listen when I’m writing sometimes. Allows me to be more mindful and deliberate in my work. Would you tell us what you are currently involved in doing? FW : At this moment, nothing special … just creating new music for all yoga music lovers, and massage and Reiki therapists. MaM : What’s your relationship with/to music and to the art of meditation through your music? FW : Meditation is always a struggle for me. Can you imagine having ADHD and finding time to meditate? A few times a week, I'll meditate but find it hard to incorporate it into my daily life. Hopefully my music can inspire people to meditate more than I do. MaM : As someone who does not deal with ADHD, I cannot imagine. I just have an anxious brain that never shuts down, and I often find meditation difficult—unless there is soothing music to help me focus. That’s what your stuff does for me, so I’m certain it is doing that for others. Are there any current or upcoming albums? FW : There are always new albums on [the] way! I upload music to digital music stores under three different names: Zentral Ztation, Fred Westra, and The Samata Society. Zentral Ztation is massage and Reiki music. (Click images below to listen.) My newest release under Zentral Ztation is "State of Calmness." The Samata Society is a project I started to collaborate with other musicians, but I don't record with other musicians anymore. The music is more Eastern-oriented and [is] slightly more experimental. The curators of Spotify put together a playlist of Samata Society tunes. [It's all the essential Samata Society tracks in one playlist.] Music released under Fred Westra is yoga and meditation music. My most recent albums under [my name] are "Chakra Flute" and "Earth Frequency." MaM : If there’s a message in your music, what do you intend it to be? FW : If there's a message in my music, it would be acceptance . Every emotion needs to be felt and seen. When I listen to Bach's “Air”, I feel so much emotion. I also think it's unbelievable that someone can create such beautiful music. I hope one day someone thinks the same of my music. Bach's “Air” and Morricone's “Once Upon a Time in the West” are the templates of my music. If you hear one of my songs in minor, you actually hear Bach or Morricone. Mam : What’s next for Fred Westra? FW : Good question! I am 57 now and [have worked] for 40 years in (night) shifts. I hope that my music will [be well received] so I can make a living of it and don't have to work in the steel factory, though I also love this job. Luckily my music is doing very good, and I feel so grateful! MaM : Where can people find you and your music? FW : People can find me on Facebook and my music is on all the digital music stores like Spotify , Apple Music , iTunes , Amazon Music , Deezer , etcetera. And there you have it, my friends. If you're in the market for some creatively soothing tones to wash away your stress and leave you feeling completely rejuvenated amidst the chaos, I urge you to explore Fred's music under all his artist names. He is absolutely worth it, and your body and mind will thank you. *images courtesy of Fred Westra www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The latest from Hawthorne Oachs is another song full of depth and honesty. < Back Reviews on the Real: Must’ve Been the Wind by Hawthorne Oachs Nicole Brice Jun 8, 2025 Share The latest from Hawthorne Oachs is another song full of depth and honesty. Oh my gosh, Hawthorne Oachs is speaking from my soul again. Hawthorne , are you reading my mind? I swear if Hawthorne and I were the same age at the same time, we would have been best friends back in the day. The latest from singer/songwriter Hawthorne Oachs is another song full of depth and honesty. Titled ‘ Must’ve Been the Wind ’, it vividly illustrates the struggle between wanting to express feelings and the hesitation to do so, but in the end, admitting the truth to both yourself and the other person. I guess it must have just been the wind. I’ve faced situations like this many times before, especially in my youth, and it really sucks. You start to second-guess yourself, so, once again, it must have just been the wind. Released May 5, 2025 Hawthorne’s music in this song is upbeat , yet the lyrics convey that sense of longing for someone who doesn’t feel the same way. Through her remarkable storytelling abilities with songwriting, you feel every single note she sings. Each word carries more meaning than the one before it. There’s a sweetness and honesty in her songwriting, too, along with a wisdom that seems far beyond her years. In this rapidly changing era of technology, Hawthorne stands out as an inspiring role model for the upcoming generation of girls. She is deeply connected to the natural world , which is evident in every song she creates. Her work reflects her fascination with both the darkness and light of nature, as well as the complexities of human emotions. She is on a mission to help others through her music by addressing topics that resonate with people of all ages, resulting in conscious and uplifting pop music. https://www.youtube.com/watch?v=rnH-PqJkt5Y Lyric video for 'Must've Been the Wind' Stream ‘ Must’ve Been the Wind ’ now on your favorite service. To learn more about Hawthorne Oachs: www.hawthorneoachs.com Musical Artist | Hawthorne Oachs Hawthorne Oachs is a teen multi-hyphenate songwriter, singer, producer, musical artist, digital artist, and award-nominated actress. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. < Back Branded for Exile: A Force in Louisiana Metal Nicole Brice Dec 11, 2023 Share “Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Louisiana metal has a unique vibe and sound unlike anything heard in other states. Hinting at darkness, the sound evokes visions of living in the humid swamp areas while also providing a gloomy backdrop for life. Louisiana metal is fierce, loud, and strong, but in a state oversaturated with metal bands, one band from Ascension Parish is standing out with their groove-metal style. Powerful metal outfit Branded for Exile has just released a new album, and metal fans, it’s intense. “ Born in the Flames ” features crushing riffs, melodic hooks, and powerful lyrics in a high-energy way, making for one hell of an enjoyable 37-minute listening experience. Click the album cover below to check it out! Released October 28, 2023 Branded for Exile hails from Prairieville, Louisiana, and is known for blending many styles, textures, and influences, ranging from Metallica to Killswitch Engage and everyone in between. Their music is best described as an amalgamation of aggression and emotion, resulting in a truly dynamic and cohesive sound enhanced by each member’s own set of skills: Shannon Guillot is the vocal magic; Scott Hood carries the bass; Blake Cage and Cody Derouen mix it up on guitar; and Zack Leblanc is the rhythm working the drums. Mixed Alternative had the chance to catch up with guitarist Cody Derouen and vocalist Shannon Guillot, where we chatted about their new album, the future direction of the band, influences, and much more. Take a moment to indulge in our chat, and then be sure to stream their new album on your favorite streaming service. “ Born in the Flames ” is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Credit: Chad Besse MaM : Thank you for taking the time to speak with us today! Let’s dive right in with your new album, “ Born in the Flames ”. The mix sounds amazing. Tell us a little more about that. Cody : [ Jason Ogle ] recorded the bass, vocals, and the guitar, but the drums were done at OCD [Recording and Production] by Duane [Simoneaux]. MaM : Shannon, your vocals are on point. When I first listened to the song “ Silver Tongue ”, I thought about how your voice is very reminiscent of David Draiman from Disturbed because of the range of your screams. Have you gotten that comparison before? Shannon : When we first went in to record that song, to me, something was missing. It was our weakest song, so we changed some of the vocal parts to make them heavier, and it fit better. MaM : If Pantera and Disturbed had a band baby, it would be Branded for Exile. Do you agree? Shannon : Alright! Cody : I will take that! (laughter) MaM : See, this is the thing, your voice … it has hints of Phil Anselmo at times, too. Shannon : … and I am not surprised that you said that. Growing up, two of my idols were Sebastian Bach formerly of Skid Row and Phil Anselmo . There are some parts on the album that I call ‘Phil-isms’. I intentionally did it the way I felt Phil would do it. Credit: Chad Besse MaM : Your music is so high-energy and in-your-face, and your sound is so different. I feel you guys stand out here locally because of it. “ Numbered Days ” is just a badass song. Tell us a little more about how it came together. Shannon : The funny thing is that ‘ Numbered Days ’ was written in 2013. Me and the guitar player, Blake, … started [the band] Wicked River Rising and [wrote] some songs, but things didn’t work out, so we split up. … [W]hen we got Blake in this band, we still had those songs we had written, so we decided to see if we could still use them. Three of those songs … ended up on this album. https://www.youtube.com/watch?v=pXwepGnFkcw MaM : Let’s get into a little band history. Cody : Well, we’ve always known each other, and Shannon and I have played in various bands since 2003, but I was an outsider. I was never from Ascension Parish or the Baton Rouge scene. I started playing in the band Knever with Jeremy Pourcy and John Maher, and at the time, Shannon was with Black Market Halos . We were always crossing paths … playing shows and we had a brotherhood between bands in the early 2000’s. Fast forward to 2019, Knever tried to get back together a few times, but we just couldn’t make it work. John calls me up one day, though, and asks me about Shannon, and then tells me to call him, so I did. That was the beginning of the first incarnation of the band, and Scott Hood, who plays bass—Shannon already knew him from playing in Black Market Halos and Soul Erosion. Eventually, Blake Cage came into the mix from Absolum, and we all meshed. Now, as far as the drummer goes, that’s a different story. We auditioned six people. Shannon : We went a whole year without a drummer. We just could not find anyone, so we got together to practice without one for a bit. One day, a friend sent me a video on Facebook of a drummer I should check out, and I liked what I saw, so I hit the guy up. I ended up sending him some music with no lyrics, and he wanted me to send something with my singing on it. We ended up going to Jeremy’s house [Pourcy], and we put vocals on three songs, and then I sent it to him, and he said, ‘When do you practice again?’ That was it. Credit: Chad Besse MaM : How did the name for the band come about? Shannon : I came up with the name from a song I wrote, and to me, Branded for Exile stands for all the people who grew up like I did. The Metalheads, the outcasts … the ones with the long hair … the ones with tattoos … we are all ‘branded for exile’ in a way. Originally, though, we wanted to call the band Undaunted, but another band already had that name. Everyone liked [Branded for Exile] and agreed upon it, so here we are. MaM : Take us through the songwriting process. How do you approach new material? Shannon and Cody : Someone comes in with a riff. Shannon : Yeah, we’ll start with the riff, and then I freestyle lyrics to it until we get everything together. By the time that is done, I usually have the lyrics written. I like to write straight off the vibe. When we have another practice, I’ll sing the lyrics exactly as they are written to make sure I don’t have to alter them in any way, and then boom—it’s a song. Cody : As far as the music is concerned, everybody plays their part and knows their roles. You can’t have five Alpha guys trying to write one song. Somebody must step back, and another must come forward. With each song, you can tell who came forward to add their special touch. Sometimes you’re the writer and sometimes you’re the producer. Sometimes, you have to just sit back and let it happen. We live by the rule that the song is not finished until it’s recorded. Credit: Chad Besse MaM : If you guys could tour with anyone in the future, who would it be and why? Also, where do you see yourselves headed in the future as a band? Shannon : Shit … (laughter) Shannon : I think I would want to play with Killswitch [Engage]. That is my wife’s favorite band. … but it’s so hard to even imagine being able to play with so many great bands … that’s a tough one. Cody : Since I grew up on 80’s thrash, it would have to be Metallica, Slayer, Anthrax , or Megadeth . Shannon : I know there is going to come a time when I won’t be able to play music anymore, so I just want to put out as much as I can. I want to add to the legacy. I want to get older and have my grandkids go, ‘This is my Grandpa’, ya know? When I was younger, I chased the music dream. I wanted to be a rockstar, but it just didn’t pan out that way. MaM : … but what if it did happen now? Cody : I love these guys and they’re like my brothers, but I don’t know if I want to be over 50 and out on the road touring. If I was still 20 or 30, then yeah, because we did chase that dream, and I did give it 100%. I don’t think that I’m going to look back and think that I didn’t give it enough effort. If something were to happen, whatever it is, I would hope it would benefit all the bands here in Louisiana. A high tide raises all ships. If we get out there and our name gets out there, I just hope that it helps somebody else younger. To learn more about Branded for Exile and to check out “Born in the Flames”, hit one of the links below. Facebook Instagram Distrokid *cover photo by Chad Besse www.cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like to hear? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

You’ll hear punk energy and hooks you can’t ignore! < Back Reviews on the Real: DC’s Burden’s Landing Bring Dreamy, Layered Vibes With New Releases Nicole Brice Jul 1, 2026 Share You’ll hear punk energy and hooks you can’t ignore! Burden’s Landing , an alt-rock band out of DC, is back with two new singles this month, “ Blank Page ” and “ Hallucination ”. Both are solid tracks that deserve your listening attention now. No, seriously, they do. How have I just now discovered this band? They’re really awesome, and I can’t wait to catch them live one day, but for now, I’ll enjoy their music with my favorite pair of pink headphones firmly on my ears. Burden’s Landing only started up in 2023 , but they’ve already been making noise all over the DC, Maryland, Virginia, and Pennsylvania music scenes with their wild live shows and a sound that’s all over the map. You’ll hear punk energy, dreamy shoegaze, and hooks you can’t get out of your head. Credit: Burden's Landing The band first showed up in 2024 with their DIY EP, Could This Be a Portal? —a wild mix of grunge, shoegaze, indie rock, and punk that really set the tone for what they’re all about. That EP was big and ambitious, and since then, they’ve basically become a regular at clubs, DIY spots, and even record stores all over DC, Maryland, Virginia, and Pennsylvania —pretty much anywhere that’ll let them turn things up loud. Credit: Alec Pugliese Let’s dive into these new tracks, shall we? Blank Page ' Blank Page ' kicks off with a thick, pulsing bassline and dreamy shoegaze vibes, layered under smooth vocals that pretty much melt you right into the groove. Then the tempo shifts, the drums hit hard, and honestly, this track just has everything. It’s all heart, all soul, no gimmicks—just pure music. If you’re into big, rich sounds, this one’s definitely up your alley. Hallucination ' Hallucination ' jumps right in with a steady punk groove and super-thick guitar and bass sounds. The vocals totally nail the vibe, and the energy just keeps building—this song never really lets you catch your breath. If you’re into punk, seriously, give this one a listen. Burden’s Landing’s new EP is coming out later this week, so keep an eye out—but in the meantime, go stream all their stuff wherever you listen to music. You can thank us later. *cover photo courtesy of Burden's Landing To learn more about Burden's Landing: Instagram Burden's Landing (@burdenslanding.mp3) • Instagram photos and videos Bandcamp 4 Songs | Burden's Landing Spotify Burden's Landing | Spotify Apple Music ‎Burden's Landing - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The absurdist megachurch comedy is back with more shenanigans < Back The Righteous Gemstones Returns for Season 3 Keeley Brooks Jun 12, 2023 Share The absurdist megachurch comedy is back with more shenanigans The Righteous Gemstones could quite possibly be one of Danny McBride’s best series yet, aside from Eastbound and Down , which aired back in 2009. If you missed that series, it stars Danny McBride as Kenny Powers, a former professional baseball pitcher who, after a career downturn in the major leagues (due, in part, to his childishness and arrogance), is forced to return to his hometown of Shelby, North Carolina, to substitute teach at his old middle school. It’s well worth the comedic four-season binge, which is full of so many laughs and excellent one-liners, you’ll be repeating them for weeks. The Righteous Gemstones is an HBO series, also created by McBride, that is a dark comedy crime show that follows a famously dysfunctional family of televangelists. It is the most quintessential absurdist megachurch satire ever to hit the airwaves, and McBride does not hold back on anything offensive—that’s his thing, right? Being offensive? Yes! So, if you’re one who is easily offended, maybe skip this show, but if you are not, I highly recommend binge-watching the first two seasons in preparation for the third, which airs this weekend. The Gemstones are an over-the-top wealthy religious family living in Memphis, Tennessee, led by widowed patriarch and church pastor Eli Gemstone (John Goodman of The Connors ). Image: HBO Eli and his incessantly immature (adult) children, Jesse (Danny McBride of Your Highness ), Judy (Edi Patterson of Violent Night ), and Kelvin (Adam Devine of Workaholics ) lead the kind of opulent lives that could only be provided by church donations given in the name of the Lord. The Gemstones all live near one another in their respective mansions spread across way too many acres of property—except for Judy, who winds up living in the “regular” house, presumably because she’s female and not as high up in the church. In the first season, we learn about what the Gemstones are currently up to in their lives, which entail a lot of secrets. The opening scene of the first episode is one of the funniest baptism scenes I’ve ever witnessed. Eli (Goodman), Jesse (McBride), and Kelvin (Devine) are in China for a 24-hour mass baptism, which takes place in a wave pool at a water park because it was the only space large enough to accommodate so many people. By hour 17, the brothers are wearing down and, in true rich-kid fashion, and start criticizing each other, bickering about the right way to baptize people when, out of nowhere, obnoxious party lights kick on and giant waves begin rolling through the pool. What ensues is complete hilarity as everyone scrambles to get out of the rave … I mean waves. https://www.youtube.com/watch?v=xq3IGAHbh0U As the Gemstones return home, though, we learn the shenanigans are just beginning. Jesse receives a salacious videotape of himself and some friends snorting cocaine and partying with a bunch of strippers—completely unacceptable behavior for the associate pastor of a megachurch. The tape is blackmail in exchange for a large sum of money, but from whom? Jesse enlists his brother and sister to help keep this quiet and track down the blackmailer, just as you’d suspect a bunch of eight-year-olds might go about handling such a task. Image: HBO Moreover, Eli’s estranged brother-in-law, played by Walton Goggins (who is known for his big, white teeth in roles from Justified and Sons of Anarchy ), is brought in to lead the Gemstones’ new shopping-mall-based satellite church, which impedes on a neighboring church. Image: HBO Season one ends with stolen money, the siblings confessing their sins to Eli, and the fate of the church up in the air as Eli kicks all three kids out of the church. Season two focuses on the Gemstones’ past—namely that of Eli. When an outsider from Eli’s younger days appears and tries to pick up old pastimes, we learn Eli used to be a criminal enforcer for a big-wig bad guy. Also, an investigative reporter by the name of Thaniel Block (Jason Schwartzman of Rushmore) turns up to investigate a tip he received about corruption running rampant in the Gemstone church. That catastrophe is one big hilarious fallout you have to see for yourself. Presumably, season three will focus on what the Gemstones will do to secure their future. Rest assured, there will be plenty more moral hijinks as the Gemstones battle for power and face off against some new opposers and face some violent pushback. They’ll also get involved in the NASCAR circuit and have to deal with an increasingly popular vocal religious movement consisting of boisterous, far right-wing gun-owning enthusiasts. For more details and a full recap of seasons one and two , read this article , which will tell you everything you need to know before the premiere of The Righteous Gemstones Season 3, which airs this Sunday, June 18, on HBO and Max. Catch the trailer below! https://www.youtube.com/watch?v=quK5D0s6Rh4 Keeley Brooks is a big ole movies and streaming nerd who watches way too much content, then faces an uncontrollable urge to write about it, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. < Back What Will Be: Slow Down Erica Machen Nov 3, 2023 Share Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. In the world of alternative rock, where raw emotion and edginess often take center stage, ' Slow Down ' by five-piece UK-based band What Will Be —due for release November 3rd —stands out as a refreshing departure. Strongly influenced by the sound of the 90s, ' Slow Down ' evokes a sense of nostalgia reminiscent of bands like Incubus and Hoobastank . For those who turn to alternative rock and grunge-era music as a source of solace, ' Slow Down ' not only captures the essence of the past but infuses it with positive vibes that resonate deeply and makes it a must-listen in challenging times. Released November 3, 2023 What Will Be is made up of Bram (guitar/vocals), Jonny (guitar), James (bass/vocals), JK (drums/vocals), and Chris (keyboard/piano). Bram doubles down his talent by being the band’s primary songwriter with lyrics inspired by his own life and observations. With his acoustic guitar in hand, Bram became a vessel for inspiration in weaving early lyrics and melodies together for ' Slow Down '. Upon bringing it to the rest of the guys at their purpose-built studio in Manchester , the true awakening happened. Organically, JK and James worked up the rhythm section, Bram added more layers with the guitar, and Chris wove in his piano melodies and strings. What they so naturally produced with ' Slow Down ' is a testament to the beauty of human creativity. Credit: Photo provided by band ' Slow Down ' has profound relevance in our post-pandemic world, where feelings of isolation have become all too common. While it was originally penned to convey the struggle against illness and the missed opportunities to connect with loved ones, its message touches the hearts of anyone who has felt the burden of isolation. The song invites you to embrace your support networks and acknowledge those who stood by you during your most vulnerable moments. https://www.youtube.com/watch?v=fQD9Tu0cG8U The official music video for 'Slow Down' by What Will Be One of the noteworthy characteristics of ' Slow Down ' is its compelling vocal performance . Bram pours raw emotion into his lyrics, highlighting the authenticity and heartfelt journey through pain, healing, and ultimately, resilience. The lyrics, with the recurring phrase " feel time slow down ," carry a powerful message. This line resonates with anyone who has experienced moments when life seems to come to a standstill, and yet, it also celebrates the rare instances when time aligns remarkably with our needs . With ' Slow Down ', What Will Be has achieved a fantastic ability to address complex emotions and responses to life's challenges while offering listeners a sense of understanding and shared experience— a must-listen in challenging times. In a world still struck with the aftermath of the global pandemic, What Will Be’s ' Slow Down ' serves as a poignant reminder that there's strength to be found in our connections and resilience in the face of life's challenges . The song's fusion of raw emotions, energy and positivity offers a ray of hope, and underscores the enduring spirit of the human experience. ' Slow Down ' is more than just a song; it's a testament to the healing power of music and a call to embrace the journey of resilience, no matter where you are in life. In capturing the essence of the past alongside deep human emotion, ' Slow Down ' showcases the boundless wellspring of talent within What Will Be and surely makes it a must-listen track. To learn more about What Will Be: Facebook: Facebook - What Will Be Twitter: Profile / Twitter Spotify: Slow Down - Spotify - What Will Be Apple Music: Apple Music - Slow Down - What Will Be YouTube: YouTube - What Will Be Instagram: Instagram - What Will Be www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

During this content drought, get lost in these epic historical fiction and fantasy series! < Back Historical Fiction and Fantasy Series to Binge Keeley Brooks Aug 29, 2023 Share During this content drought, get lost in these epic historical fiction and fantasy series! So, who’s feeling the effects of this continuing writers’ strike and subsequent content drought? Because I know it’s not just me. When the line was drawn in the sand in Hollywood months ago, I held out hope that studios would do the right thing; good thing I’m not holding my breath. Summer is a time of year when we are usually inundated with new streaming content, but this season offered slim pickins. If you find yourself flying through your queue content, now looking for something to get into while you await the next big series release, you’re in luck. Here are some of my favorite historical fiction and fantasy series sure to keep you entertained, worth a really good binge . BARBARIANS Created by: Barbara Eder, Stefan Ruzowitzky, Steve Saint Leger, & Lennart Ruff Where to binge it: Netflix Barbarians is a high budget German historical war drama that dropped on Netfix in 2020 right when we were all confined to our homes during COVID. That’s probably the reason this series soared in popularity: Everyone was home to see it. If you’ve yet to indulge, now’s your chance. Barbarians tells the story of what happened during the Roman Empire’s occupation of Germania—namely the resulting rebellion of the Germanic tribes during the Battle of Teutoburg Forest around 9 A.D. The Battle of Teutoburg was pivotal during this time because it was under the cover of darkness when an alliance of Germanic tribes targeted their oppressors. The result? Destruction of three Roman legions. Boom. Barbarians tells the story of three friends whose fates are intertwined in fighting for their freedom and dealing with the drama of love, loyalty, and betrayal. Barbarians is full of action, heavy on the bloodshed, and loaded with high production value, solid acting, and some pretty sweet camera work and effects. Currently there are two seasons around the Battle of Teutoburg, and while it’s yet to be announced, it’s assumed that season three will focus on the aftermath of conflict. Bring it on, Netflix! https://www.youtube.com/watch?v=-cA7kwBSUaU BRITANNIA Created by: Jez Butterworth, Tom Butterworth, James Richardson, & Terry Cafolla Where to binge it: Prime Video, MGM+, Fubo, Sky & Now, Apple TV Swords, sorcery, swears, and sassiness … and Romans and Druids—that’s the good time Britannia presents to us all wrapped up in a nice little bow. The series landed on Prime Video in 2018 then was picked up by EPIX in 2020 for Seasons 2 and 3. Sadly, and disappointingly, EPIX scrapped Season 4 (booo), a decision that left all of us fans on the edge of our seats craving closure to this fantastic drama series. They blamed it on COVID. Set during the primitive and mystical times of 43 A.D., Britannia follows the Roman army in their quest to conquer Britain after Caesar’s failed attempt 90 years prior. This mystical land, as we learn right off the bat, is home to some pretty tough, wild, and mouthy female warriors and powerful Druids, who have the unique ability to channel the mysterious forces of the Underworld. Britannia is an enthralling tale of extreme power struggles and clashing cultures in a gripping narrative that breathes life into this robust selection of characters, each with their own abilities, motives, and loyalties. Britannia stars Kelly Reilly ( Yellowstone ) as a powerful Celtic warrior and David Morrissey ( The Walking Dead ) as Roman General Aulus Plautius, who went on to become the first governor of this newly conquered land. It also stars MacKenzie Crook , whom you may best remember as the dude who kept losing his eyeball in the Pirates of the Caribbean movies. While both Reilly and Morrissey richly embody the characters they portray, Crook is the one who steals the spotlight in every single episode he appears. MacKenzie Crook as Veran, the powerful Druid leader Britannia focuses on Rome’s effort to crush the Celtic tribes, who just so happen to be divided and at war amongst themselves. At the same time, it also follows a great prophecy that exists and rolls off tongues from tribe to tribe: A “Chosen One” will save her war-torn land from the Romans. However, that prophecy falls into jeopardy with the arrival of “The Dead Man” (also played by Crook), which sets into motion a battle amongst the Druids, risking their demise. Britannia attracted a multitude of critical acclaim for its vivid portrayal of Rome’s invasion of Britain. It is one hell of a bloody, brooding series with an excellent plot, fascinating narratives, gorgeous visuals, even better plot twists, impeccable battle sequences, and a healthy mix of history and fantasy, not to mention superb acting, tribal tattoos, and costumes. Britannia is fun, active, engaging, and highly entertaining as opposed to historically accurate, and it promises a thrilling escape into a fantastical world where magic, swearing, brutality, levity, and a taste of the ancient past collide. https://www.youtube.com/watch?v=BhDAFAbv9e0 CAMELOT Created by: Chris Chibnall & Michael Hirst Where to binge it: Prime Video, Google Play, Vudu, Apple TV Camelot ’s one and only season saw much success when it debuted in 2011, but scheduling conflicts between cast members prevented a second season … allegedly. Regardless, Camelot is a must-see one-season series, especially for fans of the King Arthur legend. While there are many adaptations, this one is created by screenwriter Michael Hirst , who is responsible for the unforgettable historical series Vikings and The Tudors ; he is, in my opinion, the king when it comes to creating the most fantastic and memorable historical drama series. Hirst’s interpretation of the King Arthur legend breathes a very adult twist into the tale with its focus on sibling rivalry, passion, and romance. After King Uther dies in Camelot , Britain sits in chaos. Merlin (Joseph Fiennes, of The Handmaid’s Tale ) begins searching for an heir and winds up finding an impetuous young man named Arthur (Jamie Campbell Bower, of Stranger Things ). Arthur is Uther’s unknown son who has been raised as a commoner. Camelot revolves around the intense battle for the throne between Arthur and his evil half-sister, Morgan (Eva Green, of Penny Dreadful ), who is determined to fight her brother to the bitter end, even summoning unnatural forces to help her claim the crown. Arthur’s journey to unite a kingdom shredded by war becomes a series of profound moral tests and difficult challenges that make for a riveting watch . https://www.youtube.com/watch?v=vYZImCVvbVU The Last Kingdom Created by: Nick Murphy Where to binge it: Netflix The Last Kingdom is one of my absolute favorite historical fiction series on the planet. It’s a heart-wrenching British television series based on Bernard Cornwell’s novel of the same name . In case you’re unaware, Cornwell is an English-American historical fiction author with the penchant for writing some of the most dramatic, engaging historical tales, besides Philippa Gregory, but her focus is different. “The Last Kingdom” is the first novel in Cornwell’s “The Saxon Stories” series (2004), which tells the story of how England began under King Alfred the Great . While the series is spectacular, it doesn’t follow Cornwell’s books true to form, so if you’ve read them, don’t get lost in expectations. The Last Kingdom centers on Uhtred of Bebbanburg (aka Uhtred Uhtredsson and/or Uhtred Ragnarsson), who is played by American Horror Story ’s Alexander Dreymon . Born a young Saxon noble, Uhtred is kidnapped by Danish Vikings during an invasion and raised as a Dane in Ragnar Ragnarsson’s kingdom, but it’s not the same Ragnar you’re thinking—different time periods. While in captivity, Uhtred is woven into Danish culture, language, and religion for years before he finds himself in the service of King Alfred of Wessex, played by David Dawson , whom you may remember from Peaky Blinders . The Last Kingdom delves into the turbulent backdrop of King Alfred’s desire to unite the separate kingdoms while exploring Uhtred’s loyalties between his love for and loyalty to both Saxons and Danes. The series is a whole package replete with an engaging, dynamic storyline and is a must-see for anyone looking to get lost in an epic and thrilling historical drama. What you can expect: gorgeous cinematography, multi-dimensional characters, exciting battle sequences, and copious amount of blood, brutality, emotion, entertainment, and top-notch storytelling and acting . I do recommend watching with subtitles, though, because it’s often difficult to understand some of the accents. The Last Kingdom ended its five-season run in 2022 and wrapped up Cornwell’s “Saxon Stories” adventure with a movie in Summer 2023, Seven Kings Must Die . https://www.youtube.com/watch?v=WxPApTGWwas Norsemen Created by: Jon Iver Helgaker & Jonas Torgersen Where to binge it: Netflix Norsemen injects a different, comedic perspective into the Viking saga. This Norwegian series (also filmed in English) will have you laughing your butt off at a group of Vikings living in the village of Norheim. The series follows the life of these villagers and their day-to-day happenings full of strife and shenanigans, silliness and stupidity. Norsemen is unique and different with awkwardly hilarious moments , making it one of the most watchable and enjoyable medieval shows to dive into, especially now while new content is sparse. It serves up a highly entertaining take on the Viking Age and presents the challenges faced by a small Viking village; it also portrays quite a funny but childish rivalry between the chieftan and his little brother. In three seasons, we’re taken into silly disputes with neighboring villages, including a rival tribe led by a ruthless Viking and the efforts of a Roman slave to modernize Norheim’s culture, resulting in persistent ongoing conflicts. One character you’ll fall in love with is the sword-wielding, no-nonsense wife of the chieftan, Hildur . She’s a force to be reckoned with and is the most grounded, level-headed warrior amongst all the Viking men. Norsemen is good for three seasons of hearty laughs and offers a tongue-in-cheek take on the whole Viking craze . https://www.youtube.com/watch?v=HpMvIZRUPf4 Penny Dreadful Created by: John Logan Where to binge it: Showtime, Paramount+, Fubo, Sky Penny Dreadful (2014) is set in the 19th Century’s dark recesses of Victorian Gothic London. This psychological thriller series masterfully weaves together classic literary figures with a chilling narrative that keeps viewers craving more, exploring specifically the origin stories of Dr. Frankenstein and Dorian Gray. Season 1 begins in 1891 when avid explorer Sir Malcolm Murray (Timothy Dalton, of Doom Patrol ) and his seductive clairvoyant Vanessa Ives (Eva Green, of Camelot ) hire an American gunman and roadshow artist (Josh Hartnett, of Lucky Number Slevin ) to help locate and rescue Sir Malcolm’s daughter from a mysterious vampire, among other supernatural forces. They receive help from a young doctor named Victor Frankenstein, who is hunted (and haunted) by an undead man of Frankenstein’s creation, who is masterfully played by Rory Kinnear ( No Time to Die, Our Flag Means Death ). Season 2 of Penny Dreadful introduces some wild witchcraft within a coven of witches who answer to Lucifer and are on the hunt to bring Miss Ives to their master. Meanwhile, Dr. Frankenstein (Harry Treadaway, of Mr. Mercedes ) is forced to make his creature a bride, which is a story and process that clenches at your heart strings as you watch in moments of horror and awe. And in Season 3, our main characters encounter more supernatural events as they find themselves split up and placed all over the world, but when Count Dracula appears in London, the battle for Vanessa’s soul begins. With its ensemble cast led by the enigmatic Eva Green , Penny Dreadful delves into the supernatural world, unearthing creatures and legends that lurk in the shadows. It garnered critical acclaim for its superb acting, atmospheric cinematography, and rich storytelling , earning several awards and nominations throughout its three-season run. Effortlessly weaving together psychological drama with visceral horror, Penny Dreadful offers a psychologically immersive experience that lingers long after the credits roll. https://www.youtube.com/watch?v=YFXHfEqMcis Rome Created by: Bruno Heller, William J. MacDonald, & John Milius Where to binge it: HBO & Max, Prime Video, Vudu, Google Play, BritBox, Apple TV If you know who Ray Stevenson ( King Arthur, 2004) is, you don’t want to miss out on seeing him in Rome . A furiously crass British historical drama following the turbulent transition of the Roman Republic to an autocratic empire, Rome portrays both the aristocratic viewpoint of Julius Caesar and his allies, as well as the politically naive viewpoint of ordinary Romans like Lucius Vorenus (Kevin McKidd, of Grey’s Anatomy ) and Titus Pullo (Stevenson). It's a raw account of the lives and deeds of the rich, powerful, and historically significant as they navigate politics, war, and family dynamics in pursuit of a stable Roman Empire. Stevenson and McKidd as Pullo and Vorenus Rome Season 1 is all about Julius Caesar’s civil war of 49 B.C. against the traditionalist conservative faction in the Roman Senate. It focuses on his rise to dictatorship, followed by his subsequent fail, right on down to his assassination on the Ides of March 44 B.C. We also see the early years of the young Octavian, who is destined to become the first emperor of Rome. Season 2 is set around the power struggle between Octavian and Mark Antony following Caesar’s assassination and covers the time period from Caesar’s death to Antony and Cleopatra’s suicide in 30 B.C. High production values cancelled Rome ’s Season 3, but don’t let that deter you from checking it out. Rome is an exciting exploration of the complexities of the Roman Empire and its eventual rise to power . Featuring over-the-top production values—especially for 2005—as well as elaborate sets and costumes with intriguing storylines full of explosive drama and action, Rome is certainly one historical series you shouldn’t pass on watching. In addition to Stevenson and McKidd, Rome also features James Purefoy ( Pennyworth ), Tobias Menzies ( Outlander ), Polly Walker ( Bridgerton ), and Indira Varma ( Game of Thrones ). https://www.youtube.com/watch?v=rtUQqiIa0oI Spartacus Created by: Steven S. DeKnight Where to binge it: Starz, Roku Channel, Apple TV, Vudu, Google Play, Lionsgate+ Spartacus: Blood and Sand was one of the best shows on cable in 2010 —historically speaking, at least. The epic series received high acclaim for its extreme production value, mouth-watering narratives, tremendous combat sequences, and its lead actor, Andy Whitfield , who sadly left this physical plane in 2011 when he succumbed to non-Hodgkin’s lymphoma. He, indeed, left behind a huge mark on the industry not just for who he was but also for his efforts and success in bringing the character of Spartacus to such radical life. Andy Whitfield as Spartacus Spartacus: Blood and Sand tells the story of the Thracian gladiator Spartacus who, from 73 to 71 B.C., led a major slave rebellion against the Roman Republic departing from Capua. When he is torn from his homeland, and thusly separated from his wife, Spartacus is forced into slavery and is condemned to fight in the excessively violent gladiator’s arena in Rome. As he navigates the violent, brutal world, Spartacus comes to realize that not all battles are fought in an arena, as he must overcome lies, treachery, and temptation if he wants to survive. Executive producers Steven S. DeKnight ( Pacific Rim: Uprising ) and Robert Tapert ( Evil Dead, Evil Dead Rise ) focused on structuring the events of Spartacus’ obscure early life leading right up to the beginning of historical records, but after completing Season 1, they chose to delay Season 2 due to Whitfield’s illness. In the interim, Starz produced a six-episode prequel miniseries entitled Spartacus: Gods of the Arena , which is one of the best miniseries—let alone prequel miniseries—that exists. It features incredibly visceral gladiator games in a style reminiscent of a Zack Snyder film, and everything about it screams BADASS : characters, attitudes, training, brutality, loyalty, heart, and tolerance. When Season 2, Spartacus: Vengeance , finally released, actor Liam McIntyre ( The Flash TV series) took on the titular role of Spartacus, which ultimately ended with Season 3, Spartacus: War of the Damned . Spartacus is a seductively thrilling action-drama series rampant with blood, violence, drama, and lots of sex that brings to life the Roman Republic and its depravity. Through Spartacus’ struggle for vengeance, we accompany him on his heroic journey to free himself and his people from slavery. With epic arena battles, intense gladiator training, political intrigue, excellent effects, and passionate romances, Spartacus is a series that will, no doubt, captivate you from beginning to end. There’s no room for insecurity of any kind in this series, which’ll have you attempting to binge as much of it in one sitting as you can. Spartacus’ gripping story and outstanding performances make it one of the best medieval TV shows ever made . https://www.youtube.com/watch?v=yHxn8mTpAJU The Tudors Created by: Michael Hirst Where to binge it: Prime Video, Paramount+, Showtime, Fubo, Apple TV, Google Play, Sky When I discovered The Tudors (2007), I’ll admit I was obsessed. I’ve always loved the tale of Henry VIII, his court politics, his wives, and his crumbling sanity, and this series blew me (and most everyone else who watched it) completely away. Another hit historical series from Michael Hirst , The Tudors is set primarily in 16th-century England at King Henry VIII’s court . The show lured in audiences with its political intrigue, elaborate costumes and sets, intricate storylines, and emotionally charged performances—namely from Jonathan Rhys Meyers ( Vikings ), who plays King Henry. The Tudors is an enthralling and dynamic drama that brings to life the power struggles, romances, and political machinations of Henry VIII’s court while exposing us to his passionate, often volatile relationships with his six wives … and his power. It showcases one of the most tumultuous periods in English history , replete with treachery, ambition, lust, and greed. Henry is a shrewd, charming, passionate leader hell-bent on leaving his mark on the world, and we get a front-row seat as he impulsively navigates his way through love, war, and politics in an effort to secure England’s future. Jonathan Rhys Meyers brings so much emotional likeness to his character, it’s as though he truly channeled the sovereign while filming The Tudors . We as viewers are but flies on the wall in King Henry’s court watching his sanity unravel woman by woman, wife by wife. He. Is. Divine. Remember when Heath Ledger took on the role of the Joker and it was said he lived the role as though there were no separation between himself and it? Yeah, I’m pretty sure he was inspired by Rhys Meyers’ stellar portrayal of the legendary King Henry VIII. The Tudors is one series you’ll watch over and over and possibly over again— it’s that good . https://www.youtube.com/watch?v=WXNf9dxnQrM Vikings Created by: Michael Hirst Where to binge it: Prime Video, Hulu, Disney+, Peacock, Apple TV, Google Play Annnnd in yet another slam dunk from screenwriter Michael Hirst, we have Vikings . I feel like it needs no introduction, but just in case, it’s a beast of a historical fiction masterpiece that’s loaded with bad-ass shield maidens, ravenous Viking warriors packed in emotional depth, and raw tribal violence wrapped in near-perfect narratives garnished with drama, suspense, and mythology. Vikings is one of the rarest shows on earth that is never, ever dull and whole-heartedly entertaining in plot, action, cinematography, soundtrack, and acting. Vikings follows the legendary Viking chieftain Ragnar Lothbrok (Traves Fimmel, of Raised by Wolves ), who claims to be a direct descendant of the god Odin. He and his band of Norse warriors explore, pillage, and conquer new lands in all their brutal glory. Along the way, we’re introduced to all of Ragnar’s family and descendants, and the paths each of their lives take. Frustrated by the policies of Earl Haraldson, who only sends raiders to the east to Baltic states and Russia, Ragnar seeks to secure his legacy as a leader of men through epic battles and political alliances by forging west to the new world. On his journey, he must deal with betrayals, unexpected turns of fate, and the growing power of his enemies. His family and allies experience a mix of adventure and tragedy as they struggle to survive in the treacherous world of Dark Age Scandinavia . Vikings consists of six action-packed seasons chocked full of love, drama, war, brotherhood, community, and brutality and captures the gritty, savage reality of the Viking Age in a captivating and awe-inspiring manner, perfect for a binge-worthy medieval TV show . https://www.youtube.com/watch?v=9GgxinPwAGc And, though it is good but does not live up to its predecessor, you might as well continue the fantasy and follow up with Vikings: Valhalla —it’s the sequel series to Vikings . Created by Jeb Stuart ( Die Hard, The Fugitive ), Vikings: Valhalla is set 100 years after Vikings events and chronicles the beginning of the end of the Viking Age. It explores the adventures of Leif Erikson, Freydis (daughter of Erik the Red), Norweigan King Harald Hardrada, and the Norman King William the Conquerer in an action-packed drama that grows on you as it works to present traditional Viking stories with a twist. You can find Vikings: Valhalla streaming on Netflix. https://www.youtube.com/watch?v=Yi4YnwFT7Gk Every one of these series is a must-see worth making time to watch for the first time ever or to revisit for a whole new experience. With each viewing, you’ll fall deeper and deeper into their respective narratives and begin noticing varying degrees of beauty, art, and storytelling in places you didn’t see the first go-round. If you’re still looking for more historical fiction and fantasy series to binge after these, check out the following: The White Princess and The White Queen (Starz, Prime Video), The Serpent Queen (Starz), Merlin (Peacock, Prime Video, Apple TV), Marco Polo (Netflix), Kingdom (Netflix), Game of Thrones (HBO & Max), House of Dragons (HBO & Max), Outlander (Starz), The Lord of the Rings: The Rings of Power (Prime Video), Reign (Prime Video), The Spanish Princess (Starz, Hulu), The Great (Hulu), Pillars of the Earth (Prime Video, Vudu, Roku), Medici (Netflix), The Borgias (Hulu, Disney+ ), and Black Sails (Starz). Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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The Alabama Heathens are off the charts! < Back The Alabama Heathens: Southern Grit Meets Raw Rock Energy Bud Gambrell Apr 18, 2025 Share The Alabama Heathens are off the charts! Could there ever be a better way to begin an interview than with tacos ? That’s right, tacos . The only thing that could have made it any better would have been beer , but none of us were day-drinking, so the beer will have to wait another time. When I contacted Jude Roberts of The Alabama Heathens and asked about an interview, he picked the location for lunch. He chose a local restaurant, and away I went for a talk with Jude and The Heathens' lead singer, Dylan Johnson. It’s unusual for an interview to begin with a video, but in this instance, I feel it may be necessary to tempt your musical taste buds. Take my word for it. Turn this up! https://www.youtube.com/watch?v=jrO3XsywlzU The Alabama Heathens - Here for the Whiskey I have known these two young men for a couple of years now. If memory serves me correctly, I met them both while shooting a video for Jude’s father, Mike Roberts . That was the second music video for 5ive O’clock Charlie , Mike’s band , for which I had shot a drone video. Jude brings up a funny story about the shoot later in the interview. Stay tuned. Mike Roberts is a musical staple in the Huntsville music scene. Our story goes back several years. I met Mike several times and saw him play with 5ive O’clock Charlie and Travis McCready . Around 2021 , our friendship just seemed to bloom. Mike has become one of my favorite people to run into, either by accident or a planned lunch. He is genuinely a good soul! That day was also the first time I saw the now Alabama Heathens play. At that time, they were playing together under a different band name. I was working, so I didn’t get to listen closely, but from what I can remember, they were very good. If you know Mike , you know he always wears a smile and has wonderful things to say. Much is the same way with Jude . The apple didn’t fall far from the tree in this case. Dylan and I have gotten to know each other better, too. He is also always a pleasure to work with and become friends with. Unfortunately, I do not know his father. They say your children are a reflection of you. If that is the case, his father is a wonderful man. Fast-forward to July 2024 . The Alabama Heathens performed in The Alabama Smoke Show , if you remember the article I wrote for that event. Seeing those guys play on that big stage at such a young age was impressive. I have seen them since, and they keep getting better. During our lunch, we spoke at length about many things. I couldn’t tell you much about our discussion, as I was not recording that part. The banter and laughs did not stop. The parts I recorded are in the sections you are about to read. My first question was for Dylan . Credit: Bud Gambrell Photography OTC : Dylan, tell me, who are the Alabama Heathens? Dylan Johnson : The Alabama Heathens are a southern rock band out of North Alabama. On lead guitar , we have Jude Roberts . On drums , we have Ethan Chandler . On bass guitar, we have William O’Rear . And I'm on lead vocals. We pride ourselves on authenticity. I think we bring an old soul to our original music. OTC : What's the story behind the band's name? Dylan : It comes from a song I wrote two years ago called ' Alabama Heathens .' I wrote it about my buddies I grew up with. I felt like we were, you know, hometown heathens, I guess you could say. I can't really remember who mentioned it as the band name. I was initially against it, but maybe Jonathan said we should be The Alabama Heathens. https://www.youtube.com/watch?v=gbjEJIiVTTw The Alabama Heathens EP OTC : What got you into music? Jude Roberts : Well, my first instrument was the tuba in 6th grade, and by the end of 6th grade, I got braces. I didn't want to play because, you know, braces suck when you're trying to play a brass instrument. Michael Cline said, ‘Hey, you should play bass instead.’ So, Michael Cline got me playing bass. I've been into music since before I came out of the womb. Credit: Bud Gambrell Photography I would like to give you a side note: Michael Cline plays bass for Mike Roberts’ band, Five O’clock Charlie . OTC : Why is that? Jude : My dad was reading a music theory book in the lobby while I was being born. I remember crawling on stage at an early age, maybe two or three, with headphones on while everybody played loud guitar amps and drums. And I've always just been around music, you know. I took my dad's CDs to go show the kindergarten class or the pre-school class. But I didn't really get into playing music on my own until Michael Cline got me playing bass, and until I heard The Clash's London Calling album. The entire album is golden! Credit: Bud Gambrell Photography OTC : Dylan. what got you into music? Dylan : Well, I think listening to records at such a young age. And the earliest I can remember, I feel like it was the radio, too. Driving to school and riding in the car seat are the earliest I can remember. It was Johnny Cash . I guess it was the voice that I loved the most. I think it was ' Ring of Fire .' That was my favorite song. Kiss was another band that I loved as a kid. I would bang my head on my car seat. OTC : Were these your parents' records? Dylan : Well, some of these came from the radio, you know, from 95.1 The Rocket . My dad's records got me into wanting to play music. I just grew up listening to Bob Dylan , and Steely Dan was always on the record player. So much so that I would turn the record player off because I kept hearing the same song repeatedly. And then what got me into wanting to play was when I was 12, my dad took me to my first concert, ZZ Top . The production, the lights, the sound, the interaction of the crowd, you know, watching people cheer and laugh and cry, and seeing what music could do to somebody. It just hit me right away! I feel like I was born into it. Bud Gambrell with Jude and Dylan from The Alabama Heathens OTC : What are your main influences? Dylan : Ohh, man. I mean, musically, I would have to say one of my biggest influences would probably be Neil Young . As a songwriter, he has his sound; nobody else sounds like him or writes like Neil Young . Bob Dylan is the same way. Maybe it's because I was named after Bob. It's the reason that I'm so into him. But I just grew up on that music. OTC : Jude, what are your influences? Jude : My most significant influence is my father . You can't escape the DNA. That DNA influence , I guess, is a weird way to put it. I've always heard him playing, and he was my first reference for an electric guitar player and what an electric guitar player should be. That was my first taste of hearing music, and I love Jimi Hendrix . I'm a big Duane Allman and Derek Trucks fan on slide guitar . I'm a big Rory Gallagher fan, too. I like Paul Kossoff from Free and Mick Ralphs from Bad Company . For the longest time, I said my three significant influences were Mike Roberts , Jimi Hendrix , and B.B. King . I've added Rory Gallagher and Duane Allman to that list, making it five . Credit: Bud Gambrell Photography OTC : Now you guys just did some dates in Florida. Tell me how that went for you. Jude : Oh, that was great! That was fun! We played Docie’s Dock in Fort Walton Beach , which you can't see, but I'm wearing a hat they so kindly allowed me to keep. It was a warm reception for our first time playing in Florida . The crowd had their attention on us, which you can't say for some venues. We just had a great old time! OTC : Dylan, tell me some things the Alabama Heathens have coming up for this spring and summer. Dylan : Tomorrow, we'll open up for a band called The Skeeters in Fort Payne, Alabama. That should be a massive gig for us! We're looking forward to that! I know the Alabama Smoke Show is coming back on July 19, 2025 . I'm not exactly sure who is all on the bill for that, but I'm looking forward to playing Mars Music Hall again. That's a staple of Huntsville , so I'm very grateful to be a part of that. Hopefully, we will visit Minnesota to play some shows around August or September . We're getting that worked up for about five days or something. We will try to sneak our way from Tennessee to Kentucky and Minnesota . I think it would be cool if we could get that done. We want to try to get some real touring going on. I mean, that's our main thing. Plus, we've been in the studio. Credit: Bud Gambrell Photography OTC : Speaking of that, I’ve seen pictures of you in the studio. Can we expect some more new material coming soon? Dylan : Absolutely! Hopefully, by mid-summer, our song ' Throw the Dog a Bone ' should be coming out. We've already been in the studio and cut it. We're excited to put some new music out! I think we're just going to do singles for the next couple of months and see where that takes us, and hopefully be prepared, you know, by next year to do a full 12-song album . OTC : Speaking of singles, the latest one is ' Here for the Whiskey ' . I've heard it, and I’ve watched the video multiple times. I love this song! Jude, tell me a little about how the initial idea and the song's recording came about. Jude : Well. ' Here for the Whiskey ' was written by Dylan Johnson, James LeBlanc, and Jonathan Moody. They had a recording sent to me when I first joined the band with all of the original songs to learn. So, you know, I joined the band not long ago compared to these guys. And I just figured out how to add slide guitar to the songs. Playing in a band with two guitar players is pretty hard to figure out where you're supposed to fit. We had a pretty good idea of what we were doing, but Jeremy Stephens at Clearwave Studios helped us orchestrate and arrange it to be more professional. OTC : I think the slide stands out on a great song. You mentioned Duane Allman . Where do you get your slight guitar influence from? Jude : Again, my dad was my first slide influence. The first riff I ever learned was ' Whole Lotta Love ' by Led Zeppelin , and he showed me how to do the slide part. I've been playing the slide technically since I first started playing guitar, but I didn't get into it until I heard Derek Trucks playing slide . Derek Trucks is probably one of the greatest guitar players ever to walk the earth. So that led me back to Duane Allman . I've been listening to Elmore James . Warren Haynes is a huge slide influence on me. Warren plays slide in the standard tuning instead of an open tuning like Duane or Derek. We play many songs, and it's easier for me to go ahead and play in standard tuning. I don't want to have to switch guitars if I want to play slide. I just put my slide on my finger. George Harrison is also a considerable influence. Credit: Bud Gambrell Photography OTC : Have you gotten any feedback from the new song yet? Dylan : We posted it on Facebook , and I've received a lot of great feedback from friends, family, and fans. We also put out a music video for it, which was super cool! It has almost 1000 views. I'm not sure what the streaming aspect of it looks like, but I think it's done pretty well so far. OTC : We have worked together a couple of times. We’ve done photo sessions together, but I think the first time I met you, Dylan, and Jude may have been the first time I met Jude. We were in the field on a rainy day, shooting ' Fast Country ' for your dad's band, 5ive O’clock Charlie . Do you remember that? Jude : Oh, I remember that like it was yesterday. OTC : I think y'all were still called the Debriefers at the time. Now, that's an interesting name. Tell me about the name Debriefers. Jude : Before I do that, I will say the biggest thing I remember about that day is Bud Gambrell dropping a smoke bomb on us! I looked back at my drummer, who's also named Dylan. Dylan Hurley. He is a wonderful human being! Seeing the expression of terror on his face as he got engulfed by smoke , and then slowly but surely, the entire band got engulfed. I watched the video. We all just looked panicked and confused! Then we're just engulfed by smoke, and you see Bud leaving the crime scene. (laughter) I add a little smoke to everything he remembers about that day. Well, it was supposed to be a “little”. The smoke would make the video more visually appealing, right? Somebody back me up here. Mike? Duane? Dylan? Anyone? If one smoke bomb was good, two smoke bombs would be great. Anyway, it was funny, a little? Here is the video . You be the judge. https://www.youtube.com/watch?v=KvcDRB_2MF4 Fast Country by 5ive O'Clock Charlie Jude continues to explain the name of his previous band. Jude : The Debriefers is a spin-off of the Panty Droppers , a beautiful name. Dylan Johnson came up with that. We tried for a good month or two to figure out a name. Band names are hard. Man, it's just like a song title. You must find the right one but can't use any old name. So, I decided to do some Grissom academics and make it Debriefers . So, we were able to be school-friendly. OTC : Dylan, surely, there's something else you remember better about that day than the smoke. Dylan : Well, there was a damn downpour. I remember that. Yeah, I remember it rained like crazy! We were on a trailer. We were on a gooseneck trailer set up with a great sound system. And we had a crowd we were playing for. We played ' Whipping Post .' It was a bit rocky, but we had a good time that day. I remember it coming down in a downpour out of nowhere and packing up all that PA equipment in the rain. We were in Duane Walker's cow pasture. Credit: Bud Gambrell Photography Duane Walker also plays in 5ive O’clock Charlie. I met Duane at a Blackberry Smoke concert before I knew he was joining 5ive O’clock Charlie. We started a conversation and became friends, as if we’d known each other for a long time. OTC : What are your long-term goals for the band, and what are you most excited about in the future of your music? Dylan : To go on tour. I mean to live that tour life and play music. We could have shows like we do back home, but out on the road. The main goal is to play our music to people who want to listen to original music. Make them dance. You know, make them cry. It's a compliment to make somebody cry with your song because it means they're living it. You know what I mean? I'm not afraid to listen to music and cry. Because, I mean, that shows its authenticity. You know what I mean? For the long term, man, I'd love to get an album, a couple of albums under our belt, and eventually be headlining shows instead of opening them. Our brand can sell, make people happy, and have a promising career. Credit: Bud Gambrell Photography OTC : The headline shows are going to come. Trust me, it's coming. How do you define success as a musician? Jude : Playing something new every night that makes you happy. And if it gets you off, then great. If it gets the crowd off, too, then that’s what you're looking for. Being a musician, you're never going to be satisfied because you're always going to be working to be better or working to do something differently. So, having shows and getting paid for what you're doing is the goal: I'm happy if I can pay my bills by playing my guitar. But if I can be creative and expand my knowledge as a human being and musician, that's what you want. Credit: Bud Gambrell Photography OTC : What's the most important thing you want people to take away from your music? Jude : I want people to know who I am and what I've been through by listening to my notes, lyrics, and everything I put forward. I want people to feel like I did when I heard Jimi Hendrix or Derek Trucks for the first time. I want people to have an excitement for life that drugs can't give you. The enthusiasm that only music and God can give you. Credit: Bud Gambrell Photography Dylan : I want somebody to be able to listen to our music and relate to the hurt, the heartache, and even the good times of it. You know what I mean? I would hope that when people hear us, they don't think that we're just some other, you know, local band that's trying to do it. I mean, this is our full-time gig. This is full-time for me, and it is for Jude. I know that we put our heart and soul into this: traveling, playing, and riding. The writing is about things that we know. We're not trying to be somebody we're not, which happens often in this business because you get offered all this stuff, and then you buy into it. But I don't think we've ever settled for mediocrity either. I don't ever want to do that. And I want people to know that and keep on listening. Credit: Bud Gambrell Photography OTC : If you could perform anywhere worldwide, where would it be and why? Dylan : Veterans Park in Priceville, AL. (laughs) Dylan : My first thought was the Ryman Auditorium in Nashville . The history there! I got to see Jason Isbell for my first show ever at the Ryman. He's one of my all-time favorites. Who wouldn't want to play at Red Rocks ? I guess it would be the Ryman , just because it's the Mother Church! Everyone sits on church pews , and all eyes are on you. Jude : Well, it would not be Veterans Park in Priceville, Alabama. (laughter) Jude : I also want to say the Ryman because my father has played there , and I feel I owe it to myself to have two Roberts play at the Ryman instead of just one. That would be cool! I would also love to play at one of the Fillmores or the Apollo Theater in New York . I’m a big fan of old R&B , blues , and soul music . Man, the Apollo is where all those guys were at. B.B. King , James Brown , and you know all those greats. So, that'd be cool to play that room. Credit: Bud Gambrell Photography OTC : What's a fun fact about yourself that your fans may not know? Jude : Musically or not, musically? OTC : It can be either—just a fun fact about yourself. Jude : I've pissed on an Irish castle, and I found out later that it's a felony. I don't know if you can publish that, but you can. I'll give you permission. (laughter) OTC : As long as we don't say which one, they can't press charges, right? Jude : I reckon. I'll tell you which one. OTC : Let’s not invite the law into this. Jude : I was walking around, and I, you know, I had to go. It's really beautiful in Ireland ! It's beautiful with a lot of places to go to take a piss. (laughter) Credit: Bud Gambrell Photography Dylan : I used to be on a pool team. I love to shoot pool. I love playing golf when I'm not working. I have several hobbies. I love the gym. I try to eat clean. I don't eat the best, but I like physically caring for myself. I do kickboxing and boxing and run and all that. I enjoy that kind of stuff. I don't know if that's a fun fact. But that's what I'm doing when I’m not playing music. I'm either shooting pool, playing golf, or boxing. Credit: Bud Gambrell Photography OTC: One last question. If you had the chance to meet your favorite rock star and ask him or her one question. Who would you want to meet, and what would you ask them? Jude : I have two answers. Do I only have to give one? OTC : Two will be fine. Jude : My first one is Jimi Hendrix . He was always creating and on the forefront of just new shit and pushing everything to its boundary and to its edge and making new boundaries. And how did you do that? That'd be my question. How did you consistently break boundaries? OTC : Ok, number two? Jude : The second would be Gregg Allman . I would like to ask Gregg Allman what microphone he used on Eat a Peach . I've been wondering about that for the past month. Dylan : I mean, if I can meet anybody and ask anything, it would probably be Neil Young , honestly. How did you produce an album like Harvest ? You know, where does that sound come from? Who writes that? It's kind of the same with Bob Dylan . How does somebody write that kind of music and continue to write that kind of music in their late 70s? I would ask how they have made it this far. Being on the road and not losing their minds. I'm sure they're crazy, but you must be crazy to do what we're doing anyway. OTC : Do you have anything else to add for your fans, listeners, and new potential fans? Dylan : Man, come out and see us! Come talk to us. Buy a T-shirt and ask for a sticker. We'll give you a sticker. Follow us and like our music. We love y'all! We want to meet y'all and create a family, you know, that wants to support us. And we want to hear from you. You know what I mean? Just let us know if there's a certain song or anything you want to hear. Jude : Rock 'n' Roll isn’t dead, so come out and fucking rock with us! You heard Jude! Get up and get to a show to rock with this band. By all means, catch them between sets or after the show and introduce yourself. You will not meet a more sociable bunch of young men. Until next time, Keep your diamond down in the groove! *All photos by Bud Gambrell Photography www.bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find the Alabama Heathens: YouTube: Alabama Heathens - Topic - YouTube Facebook: Facebook Instagram: The Alabama Heathens (@thealabamaheathens) • Instagram photos and videos Where to find Dylan Johnson: Facebook: Facebook X: Dylan Johnson (@D_JohnsonMusic) / X Where to find Jude Roberts: Facebook: Facebook D o you have something that Bud should check out? Email him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. < Back Neon Rayon: Redefining Electronic Rock Nicole Brice Nov 14, 2023 Share Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. We’ve all been there: We hear a band and we’re instantly hooked. It does happen, and in the vast and ever-growing world of music, certain bands emerge to capture our attention and resonate with our energy in a way that touches our soul. That band for me right now is the indie outfit Neon Rayon out of New Jersey . With infectious grooves, electrifying synths, and heavy danceable beats, Neon Rayon redefines what it means to be a modern-day electronic rock band. Credit: Jeff Crespi Formed in 2022 around the iconic Asbury Park area of New Jersey , members J. Nixon (bass and vocals), Alex Holland (guitar and vocals), and Bob Paulos (the big ship commander, aka the electronics guru) round out a visionary group of musicians who are seamlessly combining genres in ways that are innovative and enchanting. With releases “ CHiPs ” and " IM:Sb " the band crafted well-written, tightly produced blends that compel you to listen on repeat so that each time, you can discover something new about what you’re hearing. Neon Rayon reminds me of early Ministry meets Front 242 meets A Split Second . Their music showcases creativity and originality in an industry full of musicians looking to gain recognition. And thanks to my dear friend and superstar photographer Jeff Crespi , their tunes are now included as part of my own personal playlist. I reached out to Neon Rayon and was able to chat with J. Nixon and Alex about their beginnings, influences, and challenges so far. Here’s what they had to say. MaM : Thank you, guys, for speaking with me today. Tell us a little about your beginnings and more about the band in general. JN : [Well,] in 2022, Alex , Bob , myself, and our friend, Matt, got together to do a Halloween set [as a cover band] of Jay Reatard stuff. [As you may or may not know], he passed away a few years ago, and he left behind a couple of great records, and we wanted to do those songs [live]. We got together to do three shows. [It was] a house show, and then two club shows. It went well, and so we decided to make a real band. Bob and I got together for practice and Matt couldn’t make it, and he was the drummer, so we decided to try out a drum machine and then it just came together very naturally after that. Credit: Jeff Crespi MaM : How did you choose your band name? AH : I had been kicking around with a solo project before the band, and I just thought of it in terms of a name of something and I’m really into fashion. I noticed the tags of many of the shirts I was wearing always said, “Made of Rayon,” so I had this idea for the name Naked Raygun and then I had the idea of putting the two words Neon Rayon together , so it just means colorful fabric. But I felt the two words together sort of make up this space-age kind of queer-type thing. I held onto it and then when we didn’t have a name, I asked the guys if they wanted to use this name I had been thinking of, and they agreed. Credit: Jeff Crespi MaM : How did you all get your start in music? AH : I knew J. because we played in a couple of bands together, but I got my start in New Brunswick , which is basically the basement show scene. I started playing in bands in that area but then moved over to hanging and playing in Asbury as well. JN : I started playing when I was 14 or 15 years old. Anything I could get my hands on really. A little Casio keyboard or a guitar or a drum pad or anything but then settled on bass because everyone needs a bass player (laughs) and I liked it. I played in some ska bands out in California in the Orange County area as a kid, and then I moved here as a late teenager and started doing a bunch of really basement bands (laughs) . I mean, we never really put out recordings or anything, and then the first real one was a band called Hunchback and we were on Don Giovanni Records . I started doing all kinds of musical projects, honestly, anything I could get my hands on, and then now, this, which is my favorite right now. Credit: Jeff Crespi MaM : … and it’s freakin’ incredible! How would you describe Neon Rayon’s musical style? JN : I would say it’s electronic dance with a punk infusion. Basically, it’s just music we want people to move to. I would say it’s electroclash. We’re really inspired by bands like Suicide , Peaches , The Faint , and Le Tigre . We’re all big Le Tigre fans. MaM : That is incredible! I wish I could catch them live. So, what I got from your music was catchy industrial pop with a rock vibe. JN : My feeling and approach with it were always to do something that is punk that people would dance to but pretty much keep it basic. I mean, we do get a little complicated with some of the programming, but I don’t want to be a prog band, you know? (laughs) Catchy and still edgy, I guess. MaM : What is the story behind the title of your latest single, ' IM:Sb '? JN : Oh, it’s not really that interesting, but go ahead. (laughs) Alex ? AH : All of our songs are very collaborative, and Bob would start with a drum beat or a sample to kind of build it from there. There would be times where we’d be like, ‘What are we gonna call this one?’, so we [said], ‘Let’s call this one, ‘Sexbot’’. So, when we were writing it, I started calling it ‘Inside Me’, but Bob and J. would call it different things, so we were calling it [both] ‘Sexbot’ and ‘Inside Me’, and we decided to just do both. We’ve had this idea for a while where we wanted to just do acronyms for the titles. Eventually, it became ‘ IM:Sb ’. JN : Honestly, I think it came from having to have a file name to save on the equipment that Bob is working with. Credit: Jeff Crespi MaM : Who do you cite as your biggest influences and why? AH : I think for me it’s just this sort of a revolving door, but at this moment, Suicide and Alan Vega because when we started the band, we were going to have a drummer with a drum machine on the side and I was inspired by bands that didn’t have a template of drums, bass, guitar, vocals. Like kind of going past that. For me, three big bands: Suicide , Big Black , and Alan Vega ’s solo stuff. JN : For me, Big Black and Devo , who is my absolute all-time favorite band. MaM : Really? I love Devo! Do you guys like Kraftwerk ? JN : Oh, for sure. We were just Kraftwerk for Halloween. (laughter) AH : I would also like to say that another influence for us is a lot of Chicago house music from the late 70s/early 80s. What is so inspiring about that is that J. comes from the world of punk where you just pick up guitars and go. I was researching house and dance music and that’s how they started, too—by getting different machines to make their beats—and that was so inspiring because it doesn’t matter about your technical prowess. Just go and make music that you’re just happy with. Credit: Jeff Crespi MaM : How do the lyrics come about for your songs? What inspires that? JN : Oh, this is all Alex . (laughter) AH : It has been an interesting process because, for me, it has always been a bit introspective. The melody is the most important thing, or the rhythm, and then the words will come through that. If I’m feeling crappy, the lyrics write themselves. Introspective, though. And I want people to connect with them if they feel similarly. Self-expression of what you feel. If people can sing to it, then that’s cool, but I’m hoping they can feel a connection to it. MaM : What would you say sets your music apart from others in the genre? AH : We blow out speaker systems. (laughter) JN : We have done that! MaM : There ya go! AH : It’s funny because I think what sets us apart is our energy, but I do think our instrumentation … [and] the fact that we are a punk band, but we do have these synthesizers and we do have this drum machine. We sort of just make our way and make our sound to do that. Bands are like a penny a dozen. We always want to give a great show to the audience, and we hope that people love the material. We are just a loud band. Credit: Jeff Crespi MaM : So, what’s next and where do you see yourself headed in the future? JN : We’re finishing up an EP that will have five songs and we’re in discussion with a label to put it out digitally, but we’ll have it released by Winter or Spring. After that, we’ll begin work on our full-length [album]. AH : Yeah, and then we were talking about essentially doing more shows and cultivating a scene to check it out. Neon Rayon’s music serves as a reminder that true artistry lies in the ability to push boundaries, experiment fearlessly, and connect deeply with one’s audience. I feel we’ll be hearing much more from Neon Rayon in the future, so stay tuned. To learn more about Neon Rayon: Bandcamp : https://neonrayon.bandcamp.com/ Instagram : https://www.instagram.com/neon_rayon/ *Many thanks to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves music. Plain and simple. Do you have something you think she’d love? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Teen Idle’s music is a rich tapestry with heart and soul. < Back Woven with Feeling: The Artistry of Teen Idle Nicole Brice Oct 9, 2025 Share Teen Idle’s music is a rich tapestry with heart and soul. Sara Abdelbarry is an exceptionally gifted musician hailing from the vibrant shores of Asbury Park, New Jersey , who goes by the name of Teen Idle when she’s creating music. I had the pleasure of meeting her through my good friend Jeff Crespi recently, and her passion for music immediately struck me. Since her debut release in 2020 , she has taken the local music scene by storm, unveiling an array of captivating singles and EPs that showcase her extraordinary talent. Sara is a true force to be reckoned with because she not only makes music, but she also does all the production herself, too. Credit: Jeff Crespi With an angelic voice that resonates with profound depth and emotion , Sara has a remarkable ability to draw you in with every note she sings. I find myself completely entranced by her music; it’s beautiful, haunting, creative, and simply amazing. One of my personal favorites is ‘ Burning ,’ released in 2022. The guitar sound at the start is incredible. I love this song so much! It feels like a mix of Juliana Hatfield and Tanya Donelly , with a hint of PJ Harvey —a true alternative dream. In 2022, Abdelbarry was asked to contribute to a Jersey Shore compilation , where she put her own enchanting spin on The Beach Boys’ classic ‘ Don't Worry Baby .’ Additionally, she has taken iconic tracks such as ‘ Be My Baby ’ by The Ronettes and ‘ Bad Romance ’ by Lady Gaga and infused them with her distinctive style, breathing new life into these beloved songs. Sara’s music is a rich tapestry woven with heart and soul , and every time I listen, I experience a chill coursing through me. Her sound embodies a genre I like to call Alternative Americana Rock Pop —if that doesn’t yet exist, I’m more than happy to claim it as our own! Credit: Jeff Crespi In addition to being profoundly gifted, Sara Abdelbarry is a radiant spirit , overflowing with creativity and passion that shines through in her music. We warmly invite you to dive into her entire catalog and experience the artistry she offers. Discover more about the inspiring Sara Abdelbarry and her captivating project, Teen Idle , below. MaM : I was reading how you play numerous instruments, so with Teen Idle, are you a one-woman show? Is that all you? SA : Essentially, the band really started as basically my solo project in college. I started around 2018 . It was just my outlet for writing music, and I didn’t want to put it all under my own name because there’s a specific connotation that comes with using your own name, and it can cause assumptions about where you’re from culturally, just based upon a name. The general assumption usually is that this person isn’t a singer-songwriter, and so that was the last thing I wanted for this project. I’m making everything from acoustic rock songs to really big ballads. The moniker Teen Idle was something I had had in my back pocket since high school. I had seen the name somewhere, and I told myself that when I have a band, this would be the name. I do all the writing and production, and it is basically a solo project in that sense. However, in a live setting, I have a full five-piece band. I play rhythm guitar , and then we have a synth player , drums , bass , and then a lead guitarist . It’s cool because all of these songs I write in my bedroom, and I make these productions. Credit: Jeff Crespi My first EP was recorded in a local studio. Still, the first stuff I was recording, and really the point of making the name Teen Idle of the project, was just for me to get things out there, so I ended up posting a bunch of music to Bandcamp , and it was more like a solo project. Still, I had always intended to have a full band when playing shows. I was living in New York at the time, attending college in New York City , and when I moved back home after college, I realized that all my friends from high school were living in different places. So, I told myself that I wanted to be part of the music scene in Asbury Park . I had been a part of it growing up because I had taken music lessons in Asbury , so it was sort of my introduction to the scene because I was taught by people who fronted bands in Asbury , and it always inspired me. I told myself, ‘That’s what I need to do when I am older,’ and I guess after I had moved back home after graduating college, it was sort of like a daunting feat to find a way to become part of this music scene. I ended up investing all of my energy into it, but due to COVID, I didn’t play my first show as Teen Idle until 2021 . Credit: Jeff Crespi MaM : I want to say your voice is extraordinary, and as I was prepping for this interview, I was listening to your Beach Boys cover, and I absolutely love The Beach Boys. When did you discover you had a natural gift for singing, and how old were you when you really started to get into music? SA : You know, it’s interesting, because I’ve just been obsessed with music in every way, shape, and form since I was about six years old. I remember in second grade, when I was living in New York , I would go over to my neighbor’s house after school. We would sit down and watch MTV music videos, and his mom would make us frozen mac and cheese. It’s just such a core memory. I would watch these people, such as Gwen Stefani , Jennifer Lopez , and Avril Lavigne , and I started to develop an obsession with pop stars and their music. I think I bought my first CD shortly after, in second grade , and I would listen to music every day on the bus. I was always singing, yeah. I think I was nine when I picked up a guitar, and I was into the Jonas Brothers , and they were a big enough inspiration to me to pick up a guitar. I was always singing along to their music, accompanying everything I saw on the Disney Channel , and I've just realized I have a passion for singing. Credit: Jeff Crespi Vocals have been a real journey for me, though, honestly, and sometimes I think people think it’s easy for me. I’ll watch old videos of myself performing at The Stone Pony with the music school I was a part of. In high school and middle school, I was a shy child, but I was clearly passionate about singing and performing. Listening to how different my vocals sounded at that age compared to now, it’s almost as if I’ve developed this lower register, and I guess life happens, but it wears your voice down. It’s interesting to hear how much higher my voice was, but from when I started playing shows with Teen Idle to now, I have become more aware of how I am using my voice by watching older videos. It’s been a journey of learning how to use it correctly. MaM : On your song, ‘ Burning ’, you have this incredible guitar tone at the beginning of the song, and I wanted to see if you used any special pedals or anything to get that sound? It hooked me. SA : Oh wow, I’m trying to think, honestly. I haven’t listened to the recorded version in a while. MaM : It really caught my attention, and I tend to zone in on stuff like that. I’m a massive sucker for a heavy bassline, too. SA : I produced and recorded the song by myself and was experimenting with different sound effects and pedals. I honestly think it emerged from some weird audio mishap, and I just kept it. MaM : We call those "happy accidents". So, you also covered ‘ Be My Baby ’ by The Ronettes! Let’s talk about that. That’s always been one of my favorite songs. What an incredible rendition of a classic song. I love that you’re bringing these older songs into a newer generation, but with a different spin. You’ve got The Beach Boys cover and this one. What made you want to cover those songs, and do you have plans to cover any other classic songs? SA : There’s a local record label called Shore Points Records , and seasonally, they’ll put out different compilation albums, so the Beach Boys cover was actually part of this compilation called Local Summer . Just a bunch of Asbury artists covering songs that reminded them of summer, and I agonized over which song to pick. After I looked through my music library, I felt that I really knew this song well, and it’s such a vibe, and I’m constantly bobbing my head to it. I got into the studio with my drummer, James , at this place called Lakehouse , which is, coincidentally, where my drummer and I met when we were kids. Still, James is a talented producer and engineer, too, so just the two of us in the studio made that cover. He did the drums , and I played everything else on it basically. Additionally, he’s a heavy-hitting drummer , which inspired me to create a more rock-oriented version. I then decided to write a guitar riff over it that differs from the original. I think that song is so brilliant, and the chorus is fantastic. Now, ‘ Be My Baby ’, that was for a different compilation. I put together a compilation of all female artists and asked them to contribute a song. The funds went to a charity that fights against the trafficking of women. I just wanted to cover a really powerful female artist. MaM : Which leads me to ‘ Bad Romance ’ by Lady Gaga. How did that one come about? SA : That was another one that we did for a Shore Points compilation, and this one was all women-focused, highlighting different artists in the area. I got to do that one with Cory Blair ; she is just a phenomenal musician and one of my favorite songwriters. The concept was to pick a song from a powerful female artist you like, similar to the other one, but we toyed around with different stuff. We eventually landed on doing a Lady Gaga song, and we had to figure out which song was a doable song to do to make it our own and different. I’ve been obsessed with ‘ Bad Romance ’ since literally the day it came out. We wanted to honor her music and completely reimagine it. We took apart the entire song – rewrote the chords, redid everything. We wanted to slow it down, too, but when we did, it was eight minutes long, so we had to take out huge chunks. We then had the idea to do a sort of country version, because I haven’t seen that done yet for a Lady Gaga song. I had this clear vision in my mind, and then we just set it up. It was a grueling process, but we learned a lot. We basically wrote a new song using the lyrics and structure. MaM : What is your favorite genre to listen to, and do you have a specific top band? SA : I love so many different things. I think it would be impossible for me to say. I listen to a variety of genres, including classical, jazz , Middle Eastern funk , 90s grunge , and indie rock , but it depends on my mood—different bands suit different situations and moods. If I want a hype playlist, I’ll listen to those early 2000s pop songs. I’m open to everything. As far as bands, the reason I started writing music, I would have to say, is because of Fleetwood Mac . I remember discovering them as a teenager, and shortly after, I wrote my first song. I love Nine Inch Nails and St. Vincent . Her guitar playing and how she conducts herself in her career are amazing. I have so many. Credit: Jeff Crespi MaM : How do you approach writing a new song? Do you come up with a lyric or melody first? SA : I have definitely written stuff that is more on the intentional side, so I have to sit down and do it actively, but usually the way I work is I’ll make a demo , and if it’s not for an intentional compilation, then a song will usually start with a feeling . Maybe I was inspired by something that happened in my life. Perhaps I’m feeling really happy and uplifting . I’ll either be noodling around with the acoustic guitar or playing the piano, but sometimes, through noodling, I’ll discover a riff. I record everything I think is a good idea in my voice memos, so I have a million voice memos of stuff with me noodling with stuff that could become a song later. If I’m sitting down to write something, though, if I’m feeling a certain way, it’s usually me noodling around on the acoustic or humming a melody with words that don’t make sense to sort of get the syllables of what I want the song to sound like. When I’m actually writing lyrics, I’ll try to write something that follows those syllables and the rhyming scheme, but that actually makes sense. I’ll then make a full demo of everything, even if I’m going to be recording with someone else. Production and songwriting are really linked for me. Credit: Jeff Crespi MaM : What’s been the most challenging part of navigating today’s independent music scene? SA : Good question. It’s much different now than it was in 2015 , and I think the toughest thing is trying to figure out how to get people to listen to the music —trying to figure out how to do things organically and DIY with no budget, too. So, yeah, doing things on a budget and t rying to fight against the social media algorithms for exposure , and the trends, too. Trying to figure out how to break out of that mold and do something that’s really individual and goes against the grain. Walking that line, knowing what is going to get you exposure. As Teen Idle continues to establish a distinctive place in the indie music scene, fans won't have to wait long for the next release. A new single titled 'Vampires' will be available on October 24 , followed by a full-length album scheduled for release in spring 2026 . Teen Idle is only just beginning, so be sure to stay tuned for more updates. *Cover photos by Cory Blair and edited by Sara Abdelbarry To learn more about Teen Idle: www.teenidle.net Teen Idle Home page of Teen Idle, an indie group from Asbury Park, NJ. Teen Idle is the musical moniker of New Jersey songwriter, multi-instrumentalist, and producer Sara Abdelbarry. All live photos by the man with the plan, Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out at mixedalternativemag@gmail.com . 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tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? https://www.youtube.com/watch?v=gvjYhlL1QjU t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Adventures of Pecos Hank < Back Dark, Moody, Mysterious, and Daring Keeley Brooks Feb 22, 2023 Share The Adventures of Pecos Hank Twenty years ago, when I was in my early stages as an entertainment writer in Baton Rouge, La., I was out covering some local bands when I discovered and fell right in love with a Texas-based opening act called Southern Backtones. I loved their vibe, their presence, their tone, and their music. Not only did the Backtones resonate with me, but they also resonated with everyone else in the room that night. So, I did what any self-respecting writer would do and walked right up to them the second they came off the stage. And I’m glad I did, because it landed me a friend for life in their lead singer, Hank Schyma. We bonded over our love for bands like Pulp, Radiohead, Black Rebel Motorcycle Club, and Portishead, and over our love for film—specifically the movie Clay Pigeons . (Shout out to my fishin’ buddy!) Schyma, now widely and most popularly known as Pecos Hank, is really one of the most unique individuals you’ll ever meet. He’s quite the popular singer, songwriter, musician, photographer, videographer, filmmaker, and snake charmer/wrangler on several scenes, but that’s not what makes him unique. It’s who he is at his core and his authentic perspectives, as well as his genuine kindness, that leave the lasting impression. His music deeply expresses a lot of who he is, which is a southern badass with a big ole heart. credit: Jay Dryden Oh, did I mention he’s also a professional tornado chaser? Because, for real, he is. He’s the kind of tornado chaser you might’ve seen in the 90s cult classic disaster hit Twister : in love and obsessed with tornadoes, daring to get up close and personal with them, and passionately unafraid yet deeply respecting of one of Mother Nature’s most powerful storms. When he isn’t Hank the musician or videographer or photographer, he’s Hank the tornado chaser and storm expert. Pecos Hank with a giant twister on his tail. Not only is Schyma talented at what he does, but he’s also very passionate about it. Dude spends half the year tracking storms and chasing one of Earth’s most stunningly terrifying energies, and he’s highly sought-after for his footage and live reports during tornado season by many news and weather outlets, including The Weather Channel. He also reports to the National Weather Service when other chasers don’t beat him to the punch. He has also served and continues to serve as a storm consultant on major motion pictures—most recently on Supercell , which is an upcoming disaster movie releasing March 17, 2023, starring Alec Baldwin, Skeet Ulrich, and the late Anne Heche. Not only was “a boatload” of Schyma’s tornado and lightning footage used in the movie, but also two of his tornado pictures were spliced together to create the image seen on the movie poster. The poster image originated from these two photos of Schyma's: credit: Hank Schyma Videos of his are littered throughout the trailer and movie. https://www.youtube.com/watch?v=n0Cs2DlZ15g Hank witnessed his first tornado in 2002 and captured the fastest tornado ever documented back in 2014, and on May 31, 2013, he was there in El Reno, Okla., to witness and capture the widest tornado ever recorded at 2.6 miles wide. photo credit: Hank Schyma On May 25, 2019, while chasing and documenting storms in Oklahoma, Hank discovered a specific type of transient luminous event (upper atmospheric lightning) called a GhOST, or Green emissions from excited Oxygen from Sprite Tops—in short, green upper atmospheric electrical discharges or green mini-auras. In the photo below, if you look just above the brightest part of the picture, you'll see a faint green hue that casts an afterflow across the sky; that's a GhOST. photo credit: Thomas Ashcraft “I video recorded some sprites over a storm … Later, when I reviewed the footage, I noticed a mysterious green afterglow above some of the larger sprites,” says Schyma. SPRITE stands for Stratospheric/mesospheric Perturbations Resulting from Intense Thunderstorm Electrification. They are large-scale electrical discharges occurring high above a thunderstorm cloud and are often reddish orange in color. Based on their shape, there are three types: jellyfish, column, and carrot SPRITEs. Hank tells me he then teamed up with photographer and SPRITE chaser, Paul M. Smith . “Yeah, this one I’m pretty proud of. [A] buddy and collaborator of mine, Paul Smith, and I discovered a faint green glow that occurs high above thunderstorms after powerful lightning strikes. Think of a random, brief aurora that lasts about one second,” explains Schyma. “We shared the footage with scientists and others on social media. Nobody had heard of it before. Many argued it might be a camera sensor artifact. Over the following weeks and months, Paul captured multiple other GhOSTs at high resolution, silencing the skepticism. This opened doors for us to directly chat with all the real scientist rock stars of meteorology.” The pair worked together to create this educational video explaining transient luminous events. Give it a watch and check out these atmospheric wonders for yourself. https://www.youtube.com/watch?v=tGPQ5kzJ9Tg So, yeah—see? He’s a general badass full of no fear and multi-leveled awesomeness. Born and raised in Houston, Texas, in the Pecos River Valley, Hank formed Southern Backtones in the late 90s with drummer Todd Sommer and guitarist John Griffin. As far as their sound goes, think American Southwestern dark, ethereal, gothic-y rock mixed with lonely echoes and moody twangs so delicious, they’ll leave your mouth watering … but not before they cast a spell on hidden parts of your soul and lull you in by the heart strings. They've often been described by media critics as, “Brit-influenced rock with roots firmly planted in Texas” and “moody voodoo rock that intertwines with Spaghetti Western and devil-may-care rock ‘n roll” ... windswept and gritty. In 1999, the Backtones headlined the Levi’s/Stage Stores promotional campaign with their hit song “ Fallen Angel ” from their first album, Los Tormentos De Amor , a self-described psychobilly surf punk album with cult Spaghetti Western twang. That resulted in the band touring through 80 towns across Texas in the first ever stretch Hummer, playing on top of it in retailer parking lots. Footage from those shows wound up as the basis for the Levi’s campaign and was even featured on MTV. Their second album, Unreleased Studio Tracks (2002), holds three surfy Tex-Mex cuts with vintage tones, and their third is self-titled Southern Backtones and released in 2006. It is pure dark indie rock with a heavy art movie soundtrack orchestration and was widely popular, hailed by Airplay Direct as "a beautifully dark cinematic embracement of Brit-pop and psychedelia in a philosophical search for more bohemian influences." IT IS SPECTACULAR. All of its songs longingly ache for a movie to come along and do dark justice in playing out their premise. They’re dark, bold, sexy, and mysterious. Tunes “Forever” and “Everything” were featured in the 2005 indie feature film Drop Dead Sexy with Jason Lee and Crispin Glover, and the music video for “Forever” saw regular rotation on MTV. https://www.youtube.com/watch?v=sSlcKZj3gCQ Personally, my favorite song from their self-titled album is “Glamorous.” Because I love it (and you) so much, click the image below to hear the siren song, but be careful: You will be compelled to listen to it twice, then you'll be compelled to listen to the entire album on repeat. I promise it's just as sexy and menacing and alluring as “Glamorous” is. (wink) Over the years, Southern Backtones evolved and now consists of Schyma, Sommers, and a pretty bitchin’ viola player named Jo Bird the Fiddle Witch , one of the founders of Two Star Symphony , Houston's best-known creators of contemporary classical music for more than a decade. Schyma says of her, “She is such a wicked force of nature, that our whole new sound has grown around her.” She is, indeed, ferocious with a fiddle. Hank recently took some very precious time of his to catch up with me and rap about old times, music, tornadoes, and snakes, as well as what the future holds next for Pecos Hank. MaM: Shit, man. It’s so good to be talking with you after all these years! Thanks for catching up with me. Let’s see, you’re a very unique artist full of many, many, many talents. You sing, you write, you play music, you make videos, you take pictures, you chase tornadoes—I don’t even know where to start with you, so I’ll start at the beginning! PH: Well golly gee, Keeley. Bless your heart. That’s might dern sweet of you. MaM: Ha! You were born and raised in Houston, but do you claim any other areas? PH: Mostly Houston, with a side of Dallas and Huntington Beach, California. MaM: When did you know you wanted to pursue music, and where did the inspiration come from? PH: At age 13, I knew rock and roll was my calling. The electric guitar was the Siren. MaM: Musically, your influences then and now … hit me. PH: The Doors, The Cult, and Danzig hogged my cassette player, until I discovered Elvis. From there, it was Robert Johnson, Chris Isaak, Dick Dale, Muddy Waters, Ennio Morricone, and The Reverend Horton Heat. After a decade of burning out rootsy 1-4-5s, I did a 180 [after] becomingly heavily inspired by Brit-pop. [That was] shortly after I met you [when] we connected admiring Pulp, BRMC, Radiohead, and Portishead over many, many cocktails. Great times! MaM: We did! Those indeed were some great times! So, what kind of success did you guys see over the years, and how has that success contributed to where you are today? PH: Success? Ha ha ha! Nobody down here wants to listen to all that shit fused together. So, we thrived in the small dives, making enough money to pay for gas and bar tabs. [Twenty years ago], thirty people packed in the [former] Red Star Bar in downtown Baton Rouge and it was a good night for us. We worked hard, though, and scored some decent CMJ radio airplay on the East and West Coasts. That helped us put cheese on our Whataburgers. MaM: What was the Backtones most popular album? PH: It was always the most recent one, 'La Vie En Noir.' (Click image to listen.) We were inspired to change themes and make something new rather than sound like a broken record. You get sick of your stuff when you play 75-100 shows a year. This disappointed a lot of old fans, but for everyone one we lost, we gained two—including you and (friend) Sam. MaM: I know for a fact (smile) that one of your favorite and most influential groups is the English rock band Pulp. This is Hardcore is one of my all-time favorite albums, and I have you to thank for that. Have you ever had a chance to meet or speak with Jarvis Cocker, and are you stoked about their comeback tour next year? (Click image to listen.) PH: That album was a game changer. I’ve never heard of Pulp ever playing in the [American] South. Nobody down here wants to hear that shit. (laughter) But I bet they could pack 40 people in the [former] Red Star Bar! MaM: Oh, no doubt! So, after Griffin left Southern Backtones, you spent some time in the acoustic performance area, often as one half of a duet with viola virtuoso Jo Bird of Two Star Symphony. Talk to us about the dynamic between you two and how you got together. PH: Jo was always the darkest, most beautiful artist in the Houston music scene. She sat in with all the best bands, while I gawked on the sidelines. For some reason, she still hangs out with me. MaM: Let’s talk about El Reno Blues , which was your first solo album with a new approach. Talk to us about what that approach was, how it was new for you, and how it was received. PH: In a three-piece band, when you lose a member to crack or a better gig, a big chunk of your sound is lost and replaced with another. When we lost Griffin (to a better gig) and replaced him with Jo, we weren’t the same. Package that up with a different brand, and voilà. … Todd (our drummer), being the badass he’s always been, is now also our bass player. We had our first gig as a trio with him on the upright bass last fall 2021. The show must go on. He does have a 9-5 gig and can’t always make the weekday gigs, but Jo can. So, she and I do a lot of duo gigs on the side. Over the years, some magic has emerged from that. https://www.youtube.com/watch?v=TR_F0e1UdZc MaM: Tell us what you’re up to today in a musical sense. Writing? Playing? Recording? Touring? Being a general badass, who’ll never forget his super-bitchin writer friend he met 20 years ago? (laughter) PH: We’re currently halfway through a new record. I suppose when that’s done, we’ll have the impulse to tour where we can. Is the Red Star still open? What about the Bayou? Or the Thirsty Tiger? MaM: (laughs) Well, I don’t think they’re open under those names anymore, but the amount of venues that’ve opened up in Baton Rouge is insane. You’d have no trouble booking there. Where are you currently playing, and what can you tell us about BowiElvis Fest? PH: Just the usual places in Galveston and Houston. Fifteen years ago, I started a festival here called BowiElvis Fest . David Bowie and Elvis have the same birthday, January 8, and every year we have a big party with lots of bands playing Elvis tunes, Bowie tunes, and our own tunes. Splice Records has taken control of it, and man, does it swing. MaM: Dude, that’s awesome. And it sounds like so much fun. So, when I met you, you were known as Hank Schyma, but your identity has evolved into Pecos Hank. How did you earn that nickname? PH: I adore and snuggle (and charm and wrangle) rattlesnakes and tornados. credit: Hank Schyma My bestie, Emilie, pasted my face over a cartoon of Pecos Bill (a fictional cowboy and folk hero in stories set during American westward expansion into SW Texas) . He had a rattlesnake for a lasso and was riding a tornado. It was meant to be. MaM: Let’s jump over to your filmmaker status. When did you notice an interest in filmmaking, and how did you cultivate that? PH: I’ve always loved tinkering with video and made a few low-budget thingies, but I don’t think I deserve that title until I’ve completed something more substantial. Texas Honky Tonk legend Johnny Falstaff and I have completed three scripts. The only thing we need now is 10 million dollars. MaM: Yeah, that’s all we need, too. (laughs) I understand that when you were fronting the Backtones, you also directed, produced, and starred in a full-length blood-thirsty indie film. Tell me more. PH: Johnny Falstaff and I spent five or six years making Honky Tonk Blood . It’s a murder thriller that slithered through the Houston music scene at the time. For many of the bands, clubs, dancers, and artists of that era, it's a deliciously crude little time capsule. https://www.youtube.com/watch?v=X_WJM_thk80 MaM: You also did the same with several music videos. I’m all ears. PH: Yeah, [music videos] are only four or five minutes long and don’t take five or six years to make. The time and money spent on an MV that lives forever on the inter-thingie is much more bang for the buck compared to touring. MaM: Now, rap with me about this tornado-chasing business. What drew you to tornadoes, then to chasing them, then to chasing them professionally for multiple different outlets? PH: I was drawing and sketching tornadoes before I could spell it. It began as a dream, became reality, and then a career. Weird, huh? MaM: When did you first get into chasing, and what was your first chasing experience like? PH: I feel like I’ve always been chasing storms. Whether it was just running into the front yard to see the lightning or driving my first car out to the fields for a better view of the coming storms, it’s always been an obsession. In 1995, Hank joined KHOU-TV’s news team working as a camera operator, which gave him the opportunity to work under their head meteorologist, Dr Neil Frank. Schyma gained professional storm-chaser status in 2007, when he was appointed as KRIV’s exclusive in-house storm chaser. MaM: You started photographing and filming your chases and the emergence of these beasts in a most gorgeous light. How up close have you gotten? Any close calls? PH: As close as you can get without your eyes getting wet! (laughs) Sorry, that’s a line from Old Gregg . Please tell me you’ve seen the Mighty Boosh's Old Gregg . Technically, I’ve been inside several weaker tornadoes and had too many close calls with powerful ones. I’m trying to cut that out. MaM: Unfortunately, I have not seen that one, but it’s now on the list! Do you ever get scared while chasing? Has a ‘nado ever shifted suddenly and seemingly come straight at you? PH: The weekly commutes from Houston to [Oklahoma City] are way more terrifying than tornadoes. I’d guesstimate [that] every 25 times I piss my pants almost getting killed by a distracted driver on I-45, I piss my pants from one tornado not doing what it’s supposed to be doing. MaM: What’s the most frightening tornado-chasing experience you’ve had? PH: It’s hard to compare that time you almost died with that time you almost died. The most recent was in 2019, when I accidentally positioned in front of a rain wrapped around [a] ¾-mile-wide beast. You think to yourself [that] any second now you could be rolling or flying. MaM: Talk to me about these weather, science, and nature documentaries you’re creating, and what kind of twist should we expect? PH: I can’t tell you the twist, that would ruin it. (laughs) For those interested, you can visit his Pecos Hank Patreon page and subscribe to watch his weather, science, and nature videos. MaM: You also create zoology and geography videos as well. Do tell. PH: Whatever neat-o thing I stumble across, I hope to document well. Whether it’s auroras over Russia or whales in Tahiti, I love it all. MaM: How is a typical year split up for you between music and chasing? PH: I’m always torn between music, critters, and storms, but lately music and critters are only getting the leftovers. Half my year is dedicated to capturing severe weather. To all my loving fans around the world, keep your Covid away from me! (laughs) MaM: You print and sell your photos of your tornado-chasing experiences. Have you seen a big demand to snatch up your shots? PH: It can always be bigger. photo credit: Hank Schyma photo credit: Hank Schyma MaM: Tell us where all you chase, how you decide where and what to chase, and what happens after destruction settles? What do you and your team do? PH: Most of the time, I chase alone anywhere from North Dakota to South Texas, Thailand to Australia. For two weeks a year, I join Dr. Anton Seimon’s scientific field operations team hoping to gather data that helps us understand [more about] tornadoes. Anytime we see destruction where human life may be impacted, we try to assist any way we can. Sometimes it’s just letting victims use our phones, and other times we are driving them to hospitals. MaM: Will you ever stop playing music or chasing tornadoes? PH: Only if I’m physically incapable. MaM: What’s the harmony you’ve found between making music and chasing tornadoes? PH: I score all my nature videos with my own music. Who’da thunk you’d sell way more records chasing tornadoes than touring? MaM: What’s next on the Pecos Hank agenda? PH: It’s 6 a.m. Time to go to bed. MaM: Okay, okay, haha. Tell people how they can find and keep up with you? PH: Just google 'tornado.' And he’s not kidding. Pecos Hank is everywhere accompanying the word tornado . For more on this music, snake, and tornado-wrangling cowboy, and for more on Southern Backtones, you can find all your heart desires by stopping by any of the below-listed sites. www.PecosHank.com Youtube @PecosHank Instagram @PecosHank Facebook @PecosHankOfficial Twitter @PecosHank Youtube @SouthernBacktones Instagram @SouthernBacktones Facebook @SouthernBacktones www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. < Back Goodbye Academy: Bringing Pop-Grunge to the Masses Nicole Brice Oct 31, 2024 Share Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. As a teenager from 1994 to 2000, I know a lot about music from that period. Music back then had a certain artistry to it. It was inspiring instead of being spiteful. It was playful yet powerful, but all in all, it had heart. An emerging Louisiana talent named Goodbye Academy is bridging the gap between current music and the favorites of the past with their conceptual and innovative tracks that take risks regarding different sounds and textures. Credit: Gary Governale How would I describe Goodbye Academy ’s sound? It’s a unique blend of pop-grunge with a hint of punk, yet in the grand scheme of things, they are truly alternative. Their sound would have resonated well in the early to mid-90s, and with the younger generations embracing the 90s culture, they are set to leave a lasting impression on the music scene. Goodbye Academy , a Baton Rouge-based group, is a collective of brilliant musicians dedicated to the true artistry of making great music. Their technical proficiency is evident in every note, and their music is a testament to their passion and dedication. With well-thought-out song titles that showcase their personality, reminiscent of the comedic antics of They Might Be Giants , Goodbye Academy is ready to make a significant impact on the music industry. Originating in the Hammond, LA area, but now claiming Baton Rouge as their home base, Goodbye Academy is comprised of Kris Ballard (guitar/vocals), Jake Shaver (bass/vocals), and Chase Chabaud (drums/vocals). The vocal styling reminds me of Jeremy Palaszewski from No Motiv meets Mark Lanegan from Screaming Trees . Credit: Gary Governale Having recently released their self-titled debut album , Goodbye Academy has crafted an album with no filler tracks and nothing but killer . Each song is more unique than the last. The album opens with a well-known phrase from a famous British comedy troupe that I adore: “ And now for something completely different .” Note: When I sat down to interview the guys, this was one of my first questions, and then we went around the table quoting the favorite famous British comedy troupe in our best British accents. There are heavy basslines throughout, too, and I’m a sucker for a heavy bassline. Jake is the classic tale of the need for a bass player turning into a guitar player taking up bass, but he’s pretty good at it and carves out a prominent and dominant sound in Goodbye Academy ’s music. I love it when a bass player stands out, too, like Craig Setari from Sick of it All . I always know a song by Sick of It All when it first begins because of Craig ’s bass playing. I have a feeling that as Jake refines his bass skills, he, too, will be one of those exceptional bass players who will stand out amongst the rest. Jake and Kris met while attending college at Southeastern Louisiana University in 2017 and have been inseparable ever since. You could say it was a meeting with destiny, in a sense. Chase is a humble and talented percussionist who combines rhythm into the packaged Goodbye Academy sound. With clever marketing and original graphics drawn by Kris Ballard , Jake developed the band’s brand identity through a unified, visually stunning website with a cohesive theme of nostalgia . Read on below. Credit: Gary Governale MaM : Tell us a little about how you came together. A little band origin, if you will. Kris : Well, Jake and I met in 2017 at Southeastern’s Welcome Week / Orientation, and we became best friends instantly. We were hanging out and living in an apartment for a bit. It was horrible. Jake : It was like a 1-bedroom apartment with four people living there. Kris : Yeah, but like 20 people were there every day. (laughter) Kris : God forbid that only four people are in the apartment. (laughter) Kris : I played guitar and dabbled in stuff, but we didn’t really do anything musically for a while. We were messing around with making a song called, ‘ Two Worlds ’, back then, and after a couple years of knowing each other, I ended up writing ‘ Drywall ’ after going through a pretty bad breakup in my room at like 3 o’clock in the morning, with a headset microphone. I put this headset microphone up to the guitar and was playing it. Credit: Gary Governale MaM : Hey, whatever you have to do, right? (laughter) Kris : The first version was so bad, and I put it on YouTube . We then started talking about it, so I did a second version, and it was at that point we decided we should actually make music and be a band. Originally, we were going to be an acoustic duo called Up N' Atoms , and we were playing together, for how long? Jake : Two years Kris : We made a couple of EPs, and Jake ended up meeting Chase at his work. He was like, ‘I met this guy at work, and he’s a drummer. We should go play with him.’ I was so nervous, too, when I went to Chase ’s house that I didn’t talk for over two hours. (laughter) Credit: Gary Governale MaM : That’s a great introduction. I want to play music with you, but I’m not going to talk to you. (laughter) Kris : I was terrified. There were microphones in the room, and every time I would talk, my voice would reverberate. (laughter) MaM : So, you guys share vocal duties. Generally, when it comes to singing the song, how do you decide that? Kris : It’s generally who writes it. MaM : What is more important, in your opinion, lyrics or sound? Kris : We might all have a different opinion on this. Jake : When listening to music, I tend to listen compositionally forward more than lyrically, but when I write, it’s lyrically forward with the composition on the back end. Kris : We’ll often write lyrics before he gets any instrumentation done. Chase : I’m the biggest metal head, so for me, I find the screams are an instrument of sorts , and they’re very valuable to the music. In execution, though, it all must sound right, so I would have to say the sound of the song matters more than the lyrics. Kris : When I write music, all the songs I wrote lyrics for have meaning. They have to mean something personally to me. Obviously, if I don’t like the way something sounds, I just drop the song, in general. I hyper-analyze and dissect all the lyrics first, though. Credit: Gary Governale MaM : I do that with every song. I get it. How would you describe the Goodbye Academy sound for someone who has never heard your music? Chase : This is actually a great segway into that. I’ve gotten a comparison to a genre I was unfamiliar with, called Midwest emo , and Rian stamped us as the genesis of a new genre called Southeast emo . MaM : But I don’t think ya’ll are emo. Chase : Midwest emo carries a similar style, and there are some bands like Hot Mulligan and Mom Jeans that carry the Midwest emo moniker, but it’s funny that we have been dubbed that. I don’t know if I would necessarily embrace the emo narrative either, but I think we carry more pop-punk and grunge elements, but I don’t want to limit what we do either. There is more to explore. Credit: Gary Governale MaM : That’s what I love about your band, though, because you don’t sound like any other band around here. That’s also what I love about Jean Claude Seagal , too. Their sound is refreshing, and that gives you an advantage. Keep the formula. Chase : I see similarities between how we approach music and Weezer . MaM : Love Weezer! That’s a good comparison. See, I would say They Might Be Giants . Have you heard of them? Goodbye Academy : Yes! Chase : They famously wrote the theme song to The Daily Show . I also think we have a lot of influence from Blink 182 with the way I play drums. There is also contrast in our vocalists because of the two different styles they bring. Jake : Someone recently actually described us as sounding like Hüsker Dü . Credit: Gary Governale MaM : That’s an excellent comparison! What do you guys listen to daily? Jake : I grew up on classic rock. Aerosmith , Led Zeppelin , AC/DC , Pink Floyd , etc. I started branching off into punk , though, and then actually fell into emo and prog. I ran into My Chemical Romance and Coheed and Cambria . Those two influences made me want to scream in my music with introspective lyrics. Get the anger out that I don’t normally express. It helps. Kris : My dad loves 90s music and some early 2000s, too, but bands like Barenaked Ladies , Blink 182 , Papa Roach , Weezer … that whole sphere …all of that was what I grew up listening to and what pushed me. I even loved Simple Plan , too. Jake : Fall Out Boy and Panic! at the Disco , too. Chase : I can’t end this interview without mentioning Meriwether . Meriwether and the bands of The Caterie were huge influences on me. Credit: Gary Governale MaM : What is your ultimate goal for this band? Kris : I guess it’s changed over time. The band has always been an outlet for me because I can write down what I want to say better in songs. MaM : That sounds like me when I write my books. Kris : Right? As we’ve come together and have played shows, I’ve decided I would like to do this as a career. I really want to pursue it. I want to go on tour. Jake : I just want to play power chords. (laughter) Kris : I just want to take this moment to apologize to every sound guy that has ever had to check us. (laughter) Kris : Because we take so long. Credit: Gary Governale MaM : Where do you say your greatest strengths and weaknesses lie as musicians? Kris : Chase’s weakness is that he’s extremely talented and thinks he’s god-awful garbage. (laughter) MaM : You’ve gotta give yourself more credit. Kris : My biggest weakness is probably the fact that I’ve fooled them into thinking I can play guitar. (laughter) Kris : I will practice the same song repeatedly. I don’t know a lot of chords. I know some scales. I don’t know what key I am playing ever … and then repeat it. My strength, I guess, is that I enjoy writing melodies and lyrics … and it’s in a key, but I have no idea what it is. (laughter) Credit: Gary Governale MaM : My brother – the riff from Blink 182’s ‘ Damnit ’ – dude … over and over … (laughter) Jake : I think my strengths are probably my ear because that’s how I play mostly. I can read music, but it’s not a strength. You’re good to go with your ear as long as you're adaptable. My rhythm hand, too, is a strength. My biggest weakness … I could go into so much … (laughter) Jake : I could pick myself apart. I have to work with the ADHD struggle of not always being able to rely on your ability. Sometimes it’s trying to recreate something you did, but not being able to. I do tend to do that quite a bit. Kris : (to Chase) So, if your biggest weakness is that you hate yourself, what’s your biggest strength? (laughter) Chase : I can combine different genres and musicians with my playing. I turn it into my own unique thing. When this band was a duo, they were melodious folk, and I wanted to make it more rock and roll. Credit: Gary Governale MaM : Final question: Where do you see yourself in the next five years, or where would you like to be? Kris : I would like to be in the Midwest … no … (laughter) Kris : As much as I like having a stable income and a place to work that is nice and cares about me, I would like to play in a band as a job. Whether or not that can happen is something that I have low expectations for. (laughter) MaM : No, you need to stay positive. Kris : Yes, we manifest. MaM : Exactly. Jake : Next year, I’m hoping we can play some festivals and see if we can cross state lines to expand our reach. As our kids get older, I feel it will get easier. Chase : I want to accomplish the same as these guys, but I want to get what we have now recorded. MaM : Capture the magic. Chase : We already have the second album, and it's pretty much done. I know we’re approaching it fast, but I want to return to the studio with Nick . Nick Maggio is a phenomenal person. MaM : Yes, he is amazing! Kris : Even beyond his talent, he’s just incredible. MaM : He’s just a good person. Kris : He understands the sound and vibe we want. He connects with the music, too. Chase : I want to get in with Nick before anything is lost or goes further down the line. That’s one of my primary drives. I’ve wanted to be in a band my entire life making music, but I don’t want to sit on what we have. Let’s get this out and on record. More than just a band, Goodbye Academy is a group of best friends united by their love for music and their desire to share their art with the world. Their friendship and camaraderie are palpable in their music, making them more than just a band-they are a community of like-minded individuals looking to bring their art to the masses. Stay tuned for great things from these guys. To learn more about Goodbye Academy : www.goodbyeacademy.com *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

A Soundtrack for Navigating Hell < Back When Metal and Rock Collide: 4 Mag Nitrous Nicole Brice Mar 21, 2023 Share A Soundtrack for Navigating Hell Louisiana metal has a distinctive presence in the South—one which is loud, savage, heavy, and full of sludge. Better than a morning cup of coffee, the music of 4Mag Nitrous not only hits you with a distinct sound that knocks you on your ass, but their stage presence is larger than life, too. If you need a soundtrack for navigating the hell that is Baton Rouge traffic, the music of 4Mag is it. Their latest offering, “Electric Conception,” was released in 2021 and is THE perfect music for cruising the road at a snail’s pace in and around the city, and on into outlying areas down I-10 and I-12. You must listen to it on full blast, though, with the windows down. I insist. Pioneers in defining a sound and scene beginning all the way in the 90s with other projects that each member was involved in, such as Leak, Blower Mower, Slaves of Freedom, Mutehound, and Routine Fiend, the men of 4Mag Nitrous have been a constant fixture on the southern metal scene in one way or another and are establishing themselves as the OGs of untamed southern metal. credit: Gary Governale Aggressive, loud-crunching guitars, brutally heavy riffs, and striking melodic vocals round out this band, and if Pantera, Slayer, and Motorhead had a band baby, it would be 4Mag Nitrous. Formed in January 2000, the band was on a mission to play the truest form of southern metal, and they have succeeded. Nitrous has gained much recognition by extensive playing and are currently played on 175 radio stations and heard worldwide via XM/Sirius satellite radio. These guys have solidified their place amongst the metal elite, and it’s time for the rest of the world to take notice. credit: Gary Governale 4Mag Nitrous's music has also been featured on the Discovery Channel's series Monster Garage , along with the compilation CD and DVD for both seasons. They have also licensed songs for the A&E series Dog the Bounty Hunter , and in 2010 signed on with Lionsgate Films to license music in six upcoming films. Having performed on nationally syndicated music television shows like Louisiana Jukebox and SXSW Music Showcase , these guys continue to make an imprint all over the southern region of the U.S. In 2005, 4Mag Nitrous charted at #17 on the CMJ charts. https://www.youtube.com/watch?v=9Zl9XzJoCsQ The band is comprised of Joel Cangiolosi (vocals, guitar), Ben Michon (guitar), Josh Klipstein (drums), and Kib (bass). credit: Gary Governale We recently caught up with the guys to ask them a few questions about the upcoming album they are recording, amongst other things we were just dying to know more about. So, grab a Snickers and kick back as we introduce you to a little bit more about what makes these guys tick; afterwards, go download their entire catalogue. I promise, you will thank me. MaM : I know you guys are currently writing and recording new material. What is the direction of the new album, and what music are you currently listening to that is influencing the writing and creative process? Kib : We write what we have fun playing and music we like to hear that we’re NOT hearing. There’s some of our songs we all agree are more fun to play, so, of course, the new stuff naturally follows that direction. We tend to like to play heads down & haulin’ ass! We like our songs and shows to have a lot of energy and to have music that, when you’re driving, you subconsciously push that gas pedal all the way to the floor! I would never want anything to be heavy just for the sake of being heavy. It needs to have feeling. Joel : I’ve been currently listening to a death pop duo called VOWWS, Monster Magnet, and Ice Cube. All over the place, I know. (laughs) I try to stay away from the same genre of music that we play while in the writing process. Ben : Lately I’ve been listening to Eminem’s last two albums quite a bit, as well as ‘Sometimes’ by City and Color, ‘Still Standing’ by Goodie Mob, and ‘Déjà Vu’ by Crosby, Stills, Nash, and Young. The new songs we are writing have more of a thrash element to them than our last effort, in my opinion. Klip : As far as I know, the new album's direction is faster and more aggressive. I actively am trying not to listen to too much music while we write this one, although it seems to be more old-school thrash when I do. https://www.youtube.com/watch?v=qwfWWRIeNEk MaM : Joel, give us a brief background history on past music endeavors. You have always been a fixture on the local music scene for as long as I can remember, and I’m getting old, so that has been a long time. Also, who are your vocal influences? Your vocals are insanely melodic for being metal. Joel : My musical journey started with a band called Big Daddy while I was in high school. Then in college, I had an original band called Sement. Then I moved on to a cover band called Bone China. Then we formed 4Mag and I played until 2004 when I moved out of state. Next was Lagerhead, Blower Motor, and finally back in 4Mag in 2017. It’s interesting that you asked me about my vocal influences. I was really hoping to just play rhythm guitar, but Kib talked me into getting on the microphone. I’ve always just thought of myself as just a guitar player, so honestly, there’s not just one singer that I have been influenced by. But don’t get me wrong—there are plenty that I enjoy hearing. credit: Gary Governale MaM : Ben, you, too, have been on the scene for a very long time. Give us a brief background history on past music endeavors. Also, your guitar tone is insane! Who are your guitar influences? What equipment do you currently use, and what is your favorite type or types of guitars to use and why? Ben : I started playing guitar when I was a freshman in high school at 13 or 14, I think. My grandmother bought me a $50 acoustic she found in the classified ads because I had been wanting a guitar. I have had quite a few music endeavors over the years, probably too many to list briefly. The most notable, I guess, would be Slaves of Freedom, Mute Hound, Big Frank, Routine Fiend, Glitchell, and Chemical City Rebels. I am still currently in Big Frank and Chemical City Rebels. credit: Gary Governale My guitar influences include Kirk Windstein, Scott Gorham, Brian Robertson, David Gilmore, Warren Haynes, Jerry Cantrell, Matt Pike, Brent Hinds, Bill Kelliher, John Baizley, Pete Adams, Chris Wollard, and Chuck Ragan, to name a few. I currently play primarily on a Bogner Uberschall amplifier through an Orange 4x12 cab loaded with Celestion vintage 30 speakers. I run several different effects, primarily a Crybaby 535Q, Earthquaker Avalance Run, Electro Harmonix Micro Pog, and a Boss RC-1 looper. I really don’t have a favorite type of guitar. Now that I think about it, though, I guess Gibson guitars would be my favorite, because all the guitars that I own are either Gibson’s or shaped like guitars Gibson offers. My favorite one is an early 70's Yamaha SA-50 that’s shaped like a Gibson ES335 that I bought at a pawn shop for $200 years ago. credit: Gary Governale MaM : How did the 4Mag sound come about initially? When did you realize, “This is it,” this is OUR sound? Details. Kib : The main thing we go for as far as our sound is thick tones with a bottom end that growls. Each of us like so many different styles of music. When we write, each of us [is] sprinkling their own style into the pot and mix[ing] it all up. But the most important part of it is letting the song dictate the direction. We’ll try different versions of parts when we get to it, but most of the time, the parts will write themselves. You have to stand back, see how the parts are speaking to each other, and not just force something because you like it (because you wrote it). We know when something is good because we seem to all react to it with excitement at the same time. And when all four of us are smiling after we come up with something, we know it’s a keeper! credit: Gary Governale Joel : Well, our sound is still evolving. Now that we have Josh and Ben in the band, it has opened our scope of musical exploration. Both guys are very familiar with writing, so we’ve been working on our sound now that we have all the key members in place. As far as our early quest for a sound, I remember Kib saying he wanted a rumbling type of sound mixed with big rigs, cool cars, my painting endeavors, and our way of life down here. We mixed a concoction of our own style. credit: Gary Governale MaM : Klip, we must know more about your mad drumming skills. Give us some more deets. Klip : I have always been a "metal" drummer in our neck of the woods in Ascension Parish. [I] started off playing percussion in [sixth] grade. By the time high school hit, I had started on a drum kit and played with some friends. I have played music with Joel for roughly 25 years and Ben roughly 20. Ben and I are currently in another band called Big Frank. I play drums and am one of three vocals for the outfit. Although we are on a hiatus for the moment, my third band is Wicked River Rising. My drumming influences range from Dave Lombardo to Dave Weckl. credit: Gary Governale MaM : Kib, you are a beast on the bass! Obviously, someone had to influence your playing style, so who would that be and why? Kib : I was put in piano lessons at [four years old] and until I was 12, I played bass instruments in band in middle school, but when I was 14, I got a bass and started a punk band the same week. I loved The Ramones, The Dead Milkmen, and early 80’s thrash. I never played guitar; it was always the bass. From playing piano, I immediately understood the job of the instrument and made playing with my fingers easier. For me, writing songs on bass helps with coming up with solid, catchy riffs. credit: Gary Governale MaM : Guys, name one band you would like to share the stage with but haven’t yet, and why. Ben : High on Fire because I think our style and theirs would work well together, and I love their music. Klip : I don't necessarily have one band I would like to share the stage with but would like to play a large festival. It has always been a bucket-list item. Joel : Currently, probably Gojira but my inner child would say Metallica or Pantera (original lineup). All these bands rip, and it would be a great opportunity for our band to jump on a tour with them. credit: Gary Governale MaM : With all you have going on, what are your future plans? Kib : Hoping for new opportunities to share the stage with bands we love and new friends as we keep chuggin’!! NEVER STOPPING!! Ben : Finish writing the new record, release it, and play as much and as far out as we can. Klip : I want to keep writing albums and playing them live. Joel : Keep writing and booking gigs. Concentrate on our music and not some hokey gimmick(s) that I see a lot of bands doing. Keep pounding on doors and knocking down walls! _ If you want some good ole southern metal that fuses rock and everything in between, you’re gonna want to check these guys out. Their discography is impressive as a mofo. Also, too, to learn more about this intense band with the untamed sound, be sure to check out their social media links and website. Discography: 4Mag (Self-Titled) – 2005 Monster Garage (Comp CD – Season 1) – 2004 Monster Garage (Comp CD – Season 2) – 2005 High-Road EP – 2019 Electric Conception – 2021 4MAG NITROUS | New Orleans LA | Facebook 4Mag Nitrous Official (@4magnitrous) • Instagram photos and videos 4Mag Nitrous - YouTube ‎4mag Nitrous on Apple Music 4Mag Nitrous | Spotify www.4magnitrous.com 4MAG NITROUS The Official 4MAG NITROUS website. Electric Conception | 4Mag Nitrous (bandcamp.com) *Cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Not a Rock and Roll Loser < Back Born to Perform: Dr. Joe Burns Nicole Brice Mar 9, 2023 Share Not a Rock and Roll Loser Influence … what is it, really? We all have people, places, things, or ideas that influence us in life via various forms, and this next musician I’m going to tell you about is no exception in the realm of inspiration and influence. I first met Dr. Joe Burns when I was a student of his at Southeastern Louisiana University in Hammond, La., back in the early 2000s. I graduated from SLU in 2005, so it was a long time ago, but when I was reacquainted with Joe , it felt like no time had passed at all. One of my favorite memories of Dr. Burns is when he would stand in the front of the class and tell a rowdy bunch of kids to pay attention to him by stating, “Pay attention to me, because I have a tie,” as he pointed to the necktie he was wearing with his collared shirt. He taught me so much, and as a Mass Communications major, I took so many of his classes, that most of my college memories include thoughts of happenings from within his classes. In fact, I credit Dr. Burns as being the one who truly taught me audio and video production because without his instruction, I would not know all I know today—of course, the hands-on experience I had working at 90.9 KSLU FM, now known as 90.9 the Lion , might have helped a tad bit, too. Back in the day when I called SLU home, the Mass Comm department was small, and we were like a family of sorts. I miss that time, and most of all, I miss that era. It truly was much simpler then. Going into this interview, I knew three things about Dr. Burns: he loved Eddie Van Halen , he had previously worked in radio full-time, and he had a great sense of humor. After speaking with Dr. Burns for over an hour and a half (because neither of us could shut up), I learned there is so much depth to his identity and the things he has accomplished and continues to accomplish is just plain remarkable. As one who has led an amazing life, he remains deeply humble. First and foremost, Dr. Burns is a communications professor at SLU , but he also is a f ather, a husband, a producer, a musician, an author, a podcaster, and a master woodworker. He even built his own recording studio, which he aptly titled Loser Studios as a nod to one of his albums, Rock and Roll Loser . Joe’s quirky take on rock music is entertaining, comedic, and sincerely authentic. Take a moment to read this interview, then go check out his latest music release Tools of the Trade via all streaming platforms. It’s very nostalgic for me to hear, because many of my old college buddies make guest appearances on the album in various forms, and it’s just a damn enjoyable album, as all of his releases are. Joe Burns is the epitome of the modern-day Renaissance man. credit: Gary Governale JB : You called a little early! MaM : Well, according to my phone, it says 14:00 on the dot … 2 o’clock! JB : Nicole, my gosh, Nicole! I haven’t seen you since you actually were in my classes. How have you been? MaM : Man, life has been crazy. I want to tell your story, though. You have one of the most distinct voices I have ever heard, and I can always tell it’s you, no matter what. Give me a little background info about where you were born and raised, because I remember you saying you were from Ohio back when I took your classes, and I know you went to Bowling Green University , correct? JB : That was for the Ph.D. I was born in Flint, Mich., actually … back when you could drink the water. It seems that I was always in a new place growing up. In 5th grade was when I made my way to Ohio—specifically Solon, Ohio , which is a suburb of Cleveland , and I grew up in Cleveland through the formative years: 5th grade all the way until the end of high school. That’s my Ohio connection, and I consider Cleveland, Ohio, home. MaM : That’s cool how you have that Ohio connection. My mom is from Ohio, too. She is from a little town called Ashtabula, Ohio , which is right there on Lake Erie . I had the pleasure of visiting up there in 2009 and just fell in love with the area. When did you first pick up guitar and start playing? If I remember correctly, you are a music junkie just like me, and I know you like Steely Dan and Van Halen . Give us a little more info about your music background. JB : Well, my mother put a gun to my head and made me play saxophone (laughs), because that's what a young boy should play … something to be in the high-school band. And, well, she decided one day to play guitar. So, she took lessons at the local cooperative, and we had this really piece of crap Stella guitar that my dad bought, probably from Sears . And she kept coming home with her lessons, and I would have the lesson in 10 or 15 minutes, and my dad finally said after a couple of months, ‘Why don't you just give the guitar to the kid because you're not getting it, and he's got it in about 10 minutes now?’ He probably paid for that for a year afterwards, but I just started getting better and better and better. And I remember I was invited, because all I had were acoustics, these cheap little things that we got at garage sales. And we—one guy asked me, ‘Hey, do you want to be in this band?’ And I said, ‘Yeah, I'd love to,’ and my dad talked to the local music guy because I would always go into the same little music store, and the guy said, ‘Oh, yeah, Joe could play rhythm guitar in a band right now.’ Easy to do. And I had gone in there and apparently picked this one guitar off the wall 10 times. It was a Morris electric in Cherry Sunburst . As a matter of fact, it's hanging on the wall right behind me. It maybe is the most balanced instrument I've ever had. You can't even buy them like that anymore; they don't make them. So, I took it and bought a cheap little amp from a friend, and that's when I started playing it: on my 15th birthday. That's really when it came to fruition. And I remember writing my first song on that guitar. I can remember most of the lyrics. It's really sad. (laughs) credit: Gary Governale MaM : So, 15 years old was when you decided, “This is it—I really love guitar, and this is what I want to do,” and you’ve just kind of done it as a hobby over the years, or did you want to do something serious with it? JB : I wanted to do something serious with it all the time. Here's the problem: I'm 6’4” and about 250 pounds, and in Cleveland , when you're that big, you don't become a musician. I was a football player. I was a wrestler. I threw shot put, and music always had to go on the back burner. It's just the way it was. And I mean that; I'm not trying to be clever about it. It's, you know, when you're within the top 10 biggest guys in the high school, you don't get to go play guitar. I played in bands with people now and again, but nothing ever came of it. It wasn't until I got out of college that I started to perform with bands. I was recording with the radio stations, but it wasn’t until I got out of college that I had the opportunity to perform. And, I remember the first real band I was in was a band called Theory. Our first album was going to be called ‘Hypothesis.’ How horrible is that? And then I picked up with a local band that was actually very good, and [I] did a lot of gigging. It was called Rick and the Rockets, and I was one of their rotating guitarists. I was a rocket, and that's pretty much how it went. MaM : So, you mentioned above that you were working in radio, which I know you had a huge career in, so tell us a little more about that. JB : I was not going to go to college and my parents said, ‘Oh yes you will,’ and I said, ‘Oh no I'm not! I'm gonna get on a bus. I'm gonna go out to California , and I'm gonna join up with a band.’ So, what they did was bribe me with a car. Now, don't get me wrong—it was a nice car. It was a ‘79 Camaro with a 354 barrel, you know, powder blue interior. Oh, yeah. If I wasn't ugly and fat, it would have brought the chicks a runnin’. (laughs) MaM : (laughs) Oh yeah, that does sound nice. JB : And I started playing in little bands in college here and there. But what was wonderful is, I got into radio and then you see radio took over, and I would go out now and again with a band. I would sit in with people. I would do a track here and there. But, you know, for 12 years, I ran radio stations and kept everything up and running. MaM : Which radio stations did you work for? JB : I started in Pennsylvania at Titan Radio . That was my college station. I was at two different stations during college—full-time gigs. That was WKST and WFEM . Left there, went to Oklahoma City for KCGK ? I can't remember exactly. I don't think it exists anymore. Left there for WQLT in Florence , Alabama . Left there for KG107 in Utica, New York . Left there for 92 Gold in Southern Pennsylvania . It was actually the Hagerstown, Maryland market. And after that, I quit and went back for a Ph.D. I got the masters while I was running the stations in Pennsylvania. MaM : Wow. How did you end up in Louisiana, of all places, after an incredible career like that? JB : Simple. I got the masters while I was in … and, and by the way, I got the masters on a bet. I used to use the questions in the morning. One of the bits that I did was … ask trivia questions, but they came from the MENSA book, the genius thing. And somebody joked to me, you know, ‘Hey, why don't you go test MENSA? You think you're so smart and all that.’ So, I went, and I tested for MENSA, and you go through about four IQ tests, and I scored above 140 on each of them. So, they invited me to go to York, Pa., and try out to get into the MENSA Society. I took tests and failed. You had to be in the top two percent. I still have the piece of paper because no one believes me. I scored in the top three percent, and I said to them, ‘Don't you people round up?’ And they said, ‘No.’ It’s just with my master's degree, I couldn't find work as a professor, so I kept calling all the rejection letters, and what I kept getting was, ‘You don't have a Ph.D.’ So, [I] went to Bowling Green . I applied to two places: Bowling Green and Kent State . Went to Bowling Green because Kent State said no. Did three years, because they say the average time to get your Ph.D. is five years, and I said, ‘Well, my wife doesn't want to be here very long.’ Bowling Green is nice, but it's just south of Toledo, so you can tell it's a little grungy-greeny. So, finished that up in three years, as quick [sic] as possible. I won the dissertation scholarship. What I didn't win, though, and this still makes me angry to this day, was ... I was up for graduate student of the year, and the woman who was doing the interview told me that she wouldn't vote for me because I, ‘stalked the students.’ MaM : What?!? JB : I didn't stand in one place and lecture to them. I walked around and I engaged them, and I made them speak. This woman is just sitting there filled with liberal arts confidence, right, and I said, ‘Radio communication. This is radio. This is television. We don't play well with introverts. You must understand what we do here.’ She didn’t like that very much, and so, I lost. credit: Gary Governale MaM : I’m assuming getting the job at SLU is what brought you to Louisiana, or was it something else? JB : Yes. Yeah. Well, no—here’s the thing. I got a job immediately. In fact, I was the first in my graduating class to get a job, and it was at a university I absolutely loved. It was one of these little richie, rich schools, and you would think the kids would all be complete jerks and all of it. No, they were great. And it was a school that had money and gorgeous radio stations. It was everything I wanted. It was two hours outside of New York City . So, this whole time we're trying like crazy to have a kid, and we couldn't seem to do it, and my wife finally said [she couldn’t] go through another northern winter. She's from Alabama. I met her when I was at WQLT . So, I kept giving her the chronicle, “Higher Education.” That's the magazine that tells you where the jobs are, and I applied to everything that she wanted me to. I was given two job offers. One in, I think it was Marietta, Ga., at Southern Polytechnic University. I would have been a computer professor. The other one was at Southeastern Louisiana University , and I took it. MaM : So that’s how you ended up here. You were all over the northern part of the U.S., and you get transplanted back down here. (laughs) JB : I don't know what's a better life, and I mean this … I don't know what's a better life because none of my cousins, and both sides of the family—mom and dad—none of my cousins have anything more than a B.A., and I'm not putting that down. Look, a bachelor's degree is, is an impressive thing, but none of them have over that. I am the only one that holds a master's degree. I think one of my cousins does, too, but I'm the only one to hold a Ph.D. … and you ask yourself, ‘Is it better to do what I did and move all over the United States, or is it better to stay put in one place?’ See, all my friends who stayed put in Cleveland all still get together and they all have a good time together. Me, on the other hand, it's a weird existence, and anybody who has had a job where you move all the time [knows] it's hard to make lifelong friends. My wife and I have lived in nine different states. MaM : I admire the fact that you have lived in so many places and have experienced so much. I can completely relate to what you said, though. I went on Apple music recently, to check out your music, and did you know there are two other musicians with the name, Joe Burns? JB : Sure … and there is a soccer player and an ex-football player. It is a very common name. I always tell people, ‘You gotta put that Ph.D. after it to find me!’ But the thing is, every time you put that in, it's not my music that pops up; it's my books, because I had a real success for a good, long while there with creating web pages, and [it was] right at the beginning of the internet and teaching people how to make web pages, and it ended up in a series of five books. That comes up long before the music does, but you know … time marches on. MaM : Refresh my memory on the titles of those books, so I can let our readers know about them. I think it was “HTML for Dummies” or “HTML Goodies?” JB: It was Goodies. ‘HTML for Dummies’ was some corporate thing, and I always hated it because the idea was you have to admit you were stupid to read the books. (laughs) JB : It was ‘HTML’ mainly because, you know, the books were about how to make a website. It was ‘HTML Goodies,’ because the first thing I ever did was put a series of cute little images up online, and my father made the statement that, ‘Oh, look! You got all these little goodies for people to give away.’ So, there you go: ‘HTML Goodies.’ There it was, and now it’s five books. It's been reprinted in at least three languages that I know of. MaM : Wow, that’s impressive. JB : One of them is Polish. (laughs) MaM : I noticed you released an album in 2017 prior to this most recent release. “ One Hell of a Story ” was the title, and I was wondering if that was the first time you had released music on your own? JB : No, as a matter of fact, that was the second album. Here’s the thing … I have always been an extremely pragmatic human being, meaning there are people that if they're not perfect when they come out of the gate, they get very upset and they quit. I put out an album called ‘ Rock and Roll Loser ,’ and you'd have to go to my YouTube channel to hear some of the songs, and there's about three songs on the album, which I think are very, very good, and I'd like to re-record them, but the rest of them are pure crud. MaM : (laughs) JB : I've had people say to me, ‘I listened to ‘ Rock and Roll Loser ,’ and it's terrible,’ and I said, ‘You're absolutely right!’ But you see, I recorded that entire album on a laptop, and the drums were all fake and I didn't understand to put in drum fills. It's horrible, and I urge people to go listen to it. If you want to hear a couple of the very good ones, listen to ‘ Believe ,’ which I really want to re-record, and [then] listen to ‘ Misinformed .’ Those are the two that are actually really good songs. They're just not recorded well because I didn't have the equipment. credit: Gary Governale MaM : So, when you released that, you just released it strictly on YouTube? JB : No, there's a website: www.RockandRollLoser.com . I refused to put out any music and expect someone to give me money for it. I don't want 50 cents or what have you getting between you and you listening to my song. So, I put it out. I just thought it was the greatest album in the world. This happens constantly. You know, you write something, and you go to bed thinking they're gonna hand me the Pulitzer this week, [then y]ou get up in the morning, you listen to it or you read it and you go, ‘What was I … was I drunk?!?’ MaM : (laughs) JB : I go back and listen. The song ‘ Rock and Roll Loser ’ is cute, but it's not much … it's not much more than me figuring out what the heck I'm doing. I'm playing in a couple of bands. The big one at the time was called Impaired Faculties. It was all professors from Southeastern. MaM : I remember hearing about them. Dr. Robison—wasn’t he a part of that? JB : He was the other guitarist. He's the one that came to me, and we played a little bit together and he said, ‘Okay, you and I have got to play dual guitars. We must.’ And I said, ‘Okay.’ So, the whole thing was supposed to be just a fundraiser, and then we discovered we weren’t that bad, and so we kept going. We recorded a couple of songs that nothing's ever happened with them, and then, I wrote a song called ‘ Water Line ’ after the floods, and we made a bunch of money by selling at a dollar a pop, but it was a fundraiser. The whole time, I was doing my radio show or, rather, my podcast ‘ Rock School ,’ and I kept building my home studio and I kept getting better equipment and better equipment. So, when you listen to the second album, which is called One Hell of a Story , you go, ‘Oh my gosh, the songs are getting better.’ And then a year later, my wife and I put out a Christmas album called ‘ Let's Get the Jingle Bell Out of Here ,’ and again, better. We had real success with that. We got on a CD that was sent out, and we were the nobodies next to Sia and Kelly Clarkson and Barry Manilow , and it got sent out to all these radio stations. We had phenomenal success with that album. It got 400 different radio stations to play it. I then started messing around musically with a buddy of mine. You probably remember him: Rusty Gregoire. Do you remember him? MaM : Sure do! I stayed good friends with him for a long time. Now, we’re just Facebook friends. JB : He and I started recording together and I think we have five or six songs, and they're really good. We need to record a few more and put it out, but again, with him … better. I hadn't recorded for, it had to be two years, and I finally just had all these songs that I had written for all these other people. By the way, I put out an entire album called ‘ My Key ’ with a singer named Naomi. If you go to any of the streaming services and you search ‘ My Key ,’ Naomi - N A O M I, Naomi, you'll find that one, and you'll listen to the other albums … and then you’re like, ‘When did you learn to play piano … and saxophone?’. I brought pros in to do all these things, and I think it’s sonically beautiful. credit: Gary Governale MaM : We’ll have to check that one out. JB : I don’t know how to explain it. I guess I don’t sit in a room and play chord after chord after chord, praying that somehow, I’m gonna come up with something. What I do is—in my car—I have found that to be at your most creative peak. Sit still, and let your mind go somewhere. If you sit and force yourself, and you go, ‘It’s time to write a song,’ you’re not gonna do it. Just keep your mouth shut and let your brain turn into clouds, and that’s where the riffs start coming. MaM : So, you mentioned previously that you build your own guitars. Do you play your custom guitars that you’ve built? JB : I built all my guitars. Literally, built all my guitars … and I set the whole system up, and that’s what I did. MaM : What type of blueprint do you use to build your guitars? JB : See, I buy a kit, and all I use from the kit are the neck and the body. I don’t use the crappy stuff. I do all my own electronics. I buy all different pick-ups. I always make a point of finishing them in different colors, and then I call for them by color when recording. MaM : Tell us a little bit about this latest album that you have released. JB : Well, it’s called ‘ Tools of the Trade .’ Why? I don’t know. My wife suggested it, and I thought it was okay. When you listen to ‘ Whadaya Say ,’ it goes to a jazz place in the middle, and the entire solo is played note, harmonic note, harmonic note, harmonic. The second song is called ‘ Not My Circus, Not My Monkey. ’ It has what’s known as a waterfall of harmonics because I want people to go, ‘Wait a minute? What the heck was that?’ It’s a heavy song, but right out of nowhere comes a harmonica. I don’t want to keep playing 145. I want every single song to make people go, ‘What?!? What was that?!’ credit: Gary Governale MaM : I did notice that each track is different and each one reels you in in a different way because of how unique they are. If you were to hear them consecutively, you would not know they are by the same artist. JB : Yeah, I’ve had people say to me, ‘Hey, look, ‘ Not My Circus ’ sounds like Nuno Bettencourt.’ If you write a song that sounds like somebody else, you’re not doing it right. I’ve gotta be honest, there is a little bit of Eddie Van Halen in everything I play, but it doesn’t sound like him. I write these songs and put them together and pray they don’t sound like anyone but me. I’ve probably got seven or eight more riffs just sitting in a file somewhere because I’m probably going to do it again. Somebody said, ‘Why would you release 18 songs in a row?’, and I said, ‘Because I’ve got another 18 … just give me a year.’ MaM : Do you have any plans to play any live shows? Have you thought about maybe doing some local gigs in Hammond? I’d come see it! JB : I’d love to do it, and I’ll contact you when it happens. I want to get out there and do it by myself. I’m not in a band right now, and I think it’s simply because of time. I’d like to get out there like a troubadour. Me and a guitar and do it about once every other week. My wife has even said to me, ‘Why are you not out there playing?’, and I think it’s just because I’m 58 and I’m lazy, but I don’t even need to get paid. I mean, give me some beer and maybe some food. The last time I played a gig, I went three hours straight and didn’t even take a break. I would just like to get up there and strum chords. I can tell you that I’m not a big requests person. I will show up and do a show, and if someone comes up and says, "Play ‘ Margaritaville ',’’ I guess I could, but that’s not my thing. MaM : I know quite a few local musicians who get zany requests when playing live. Like, people like to yell, “Play ‘Free Bird’” at live shows. Not sure why, but they just kind of laugh it off. JB : Wouldn’t it be wonderful to actually learn ‘ Free Bird ?’ The entire 10 or so minutes of it. Some drunk guy in the audience could go, ‘Free Bird!!’, and I could go, ‘Okay!’, and literally play the entire song. MaM : And I would love to see that, and I’d be cheering you on! So, Rock School Records is the imprint you are releasing your music under. Have you used that for all of your releases? JB : Yes, so DistroKid , they wanted a name of a record company, so I had to make something up. I call my studio, though, Loser Studio because the first record was ‘ Rock and Roll Loser .’ It was called that on purpose, because I had it in my head that if what I’m about to create is pure crap, then if I call myself a loser first, then you really can’t make fun of it. credit: Gary Governale MaM : As far as releasing the music, I know you have it on Apple Music, but are you releasing it on other platforms? Where is your music available? JB : I send it out to every venue that will accept it. It’s on Pandora, Spotify, and Apple, and I use YouTube as kind of a fun thing. The first single off the album, and I’m going to really start pushing it soon—it’s called ‘ Tickets Please ,’ and it’s got a video. By the way, there is also a video for ‘ Bad Idea ,’ which is also on the album. There are actually quite a few videos, but you have to go to my YouTube channel to find that. Just know that if you type in “Joe Burns,” you gotta put that Ph.D. behind it. I did have the entire album up there, but once I put it up, I immediately got a copyright strike from a company that makes ukelele music. MaM : (laughs) JB : I laughed at them and took the whole thing down, and I’m sure once I put it up again, I’ll get hit again. I’ll show them, though, that I have the original audio files and everything. MaM : So, your “Rock School” podcast / radio show. I know it used to run on KSLU. Is it still going? JB : Oh no, I’m still doing it. We have won several radio Emmy ’s, probably seven, and we’re now on 32 radio stations, two networks, and the NPR network. We’re trying to get on with the Armed Forces Radio Network . Haven’t heard anything about it, and I think our weekly downloads are somewhere between 25 and 27,000. My wife is actually my co-host now. The thing is, we kept running out of studio time, and I brought the whole thing to my studio. credit: Gary Governale MaM : Ok, last question, are you only using your home studio for recording your personal stuff, or do you plan to open it up to other musicians? JB : I’ve thought about it. I’ve got some ideas. I’ve thought about running wires to my gazebo and then have them record a show for 45 minutes, and then the band will walk away with maybe a five-song demo and a live recording … put it all on a jump drive for them. MaM : Any parting thoughts or words? JB : I really just want, like, 20 minutes of your time. Give my music a listen, and then pass it on to your people. This is a hobby for me. I’m trying really to create some quality music, and I hope you see it that way, too. To check out Joe Burns and his music, hit one of the links below! Joe Burns PhD - YouTube ‎Joe Burns on Apple Music Spotify – Joe Burns Rock School on Apple Podcasts Joe Burns Rock.com - Home Page (joeburnsrocks.com) Joe Burns, Rock and Roll Loser - Homepage Joe Burns - One Hell of a Story - Home Burns Christmas - Home *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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< Back What the Hell Did I Just Watch: Sharktopus vs Whalewolf Ezekiel Kincaid Share Aug 14, 2023 Sharktopus vs Whalewolf has its moments but is ultimately a flop Rating: 2 out of 5 aging MLB players whose career is tanking Welcome to the movie that tanked Casper Van Dien’s acting career! Ha ha, just kidding. His career was over not too long after he did Starship Troopers in 1997. With that said, if you’ve hung around the B-movie scene for any amount of time, you’ve probably heard of the Sharktopus movies. So what the hell is Sharktopus? It’s a genetically altered shark with the upper torso of a Great White and the lower torso of an octopus. Yes, it is a shark with tentacles. Got your attention? Sounds pretty cool, right? And it is, or it was—right up until Sharktopus vs Whalewolf . Sharktopus vs Whalewolf (2015) is the third installment of the Sharktopus film series and is the second sequel. It was directed by Kevin O’Neill , who only has a short six titles to his directing credit—none of which you’ve probably seen, unless you watched Dinoshark (2010) or Sharktopus vs Pteracuda (2014); he did, however, work on visual effects for Bram Stoker’s Dracula (1992), Blade (1998), and Piranha 3D (2010). Sharktopus vs Whalewolf stars Casper Van Dien ( Starship Troopers, Alita: Battle Angel ), Catherine Oxenberg ( Dynasty, The Lair of the White Worm ), Andrew E. Tilles (visual effects for Surrogates and Fast Five ), and Akari Endo ( Cristo Rey ). The plot is pretty basic and picks up where Sharktopus (2010) and Sharktopus vs. Pteracuda (2014) left off: Somewhere in the Caribbean at an anti-aging clinic, a psychotic genetic scientist named Dr. Elsa Reinhardt (Oxenberg) mixes the genes of a killer whale and a grey wolf, because, well, we’ve all been curious, haven’t we? In an experimental process, she then inserts the genetic mix into Felix Rosa (Tilles), an aging, disgraced Major League Baseball player whose career is tanking; Rosa hopes the experiment will be a success and that his talent will be restored, but the experiment goes awry. Rosa turns into an unstable werewolf creature and in order to stabilize the wolf in him, Dr. Reinhardt adds Orca DNA and boom! We have a whalewolf —moreover, we have a whalewolf who now threatens Sharktopus’s territory. Things get a little out of hand when Sharktopus and Whalewolf meet … and fight. Sounds like the plot of your typical monster movie, right? Yeah, that’s because it is. There is a little sub-plot though, but it makes absolutely no sense at all. Sharktopus vs. Whalewolf opens with a funeral taking place on a boat for a burial at sea. The funeral is interrupted almost immediately with an attack from Sharktopus. As a result, a woman goes missing and, long story short, local police chief Nita Morales (Endo) throws Captain Ray (Dien) in jail. A local voodoo priest bails Ray out of jail and wants him to fetch the heart of Sharktopus to use in a ceremony as payment for this debt. Meanwhile, Inspector Nita Morales is trying to figure out what is going on with all the killings and whalewolf sightings; she thinks people have gone nuts until she sees the insanity for herself. The movie ends with a less-than-climatic battle between the two sea titans. Who wins? Really? Like I’m going to give that away in a review. You’ll have to watch for yourself to see who comes out on top in this borefest. My advice is to just skip to the end and watch the final battle. You won’t be missing anything, I promise. There were a few comedic scenes that made me chuckle, but the comedy falls flat and encourages several eye rolls, not in a good way. Sharktopus vs Whalewolf has its moments but is ultimately a giant flop, especially in the face of its Sharktopus predecessors. Let’s talk about the effects. The CGI in Sharktopus vs Whalewolf is pretty bad, which is kind of to be expected in a SyFy Original movie but is still a little shocking, given that the effects in both Sharktopus and Sharktopus vs Whalewolf were pretty decent--also given the fact that its director is the founder of a special effects production company called Flat Earth Productions. Here, the filmmakers didn’t even try to make their effects look real or even hide the fact they are using CGI. It’s almost like they are proud of what a crap job they did; instead of any really fun effects, we’re given pure CGI involving a ton of CGI blood spatter that honestly couldn’t look more fake if it tried. At least go for real-looking blood, balance out the visuals a bit. It made me long for the days when actors dressed up in rubber suits to play the monsters. Now, if we could get a Sharktopus vs. Whalewolf remake with people in rubber suits fighting (and starring Will Ferrell), I’d watch that. I’d also be good with Simon Pegg or Rainn Wilson in the starring role. Any takers out there who want to start working on a script? All in all, Zeke gives this movie 2 out of 5 aging MLB players whose career is tanking. Sharktopus vs. Whalewolf is currently streaming on Tubi, Crackle, Fubo, Freevee, and Amazon Prime and Video On Demand. https://www.youtube.com/watch?v=kGTJ4Cv5ktE Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. < Back Shawn Franklin: Music Producer Extraordinaire Nicole Brice Oct 2, 2023 Share Shawn Franklin redefines the music production landscape with his top-notch restorations and collaborations. Often in music entertainment, we heavily focus on those in the foreground— the artists and musicians —but we don’t focus on the talent behind the scenes delicately tweaking and fine-tuning songs and albums, making sure everything is perfect. In the dynamic world of music production, some individuals stand out because of their sheer talent, versatility, and ability to add a distinct touch to all they lay their eyes, ears, and hands on. Shawn Franklin is one of those people who stand out in the music production crowd. With artistry that spans many mediums, Shawn has solidified his place among the production elite with various projects spanning well over a decade. With over 23 years of experience in sound engineering and performing with his band, The Scallions, Shawn’s true specialty is audio restoration and re-mastering new and classic material. Photo provided by artist Franklin has worked on music for Anthrax , Stone Deep , Public Enemy , Chuck D , Chuck Mosley , Daddy O , Dirty Rotten Imbeciles , Prophets of Rage , Renaldo & the Loaf , The Residents , The Mentors , and many others. What started as pure love and enthusiasm for the music that inspired him as a kid became an innate understanding of the intricacies of music, allowing him to turn a lifelong dream into a reality, and he currently shows no signs of slowing down. Shawn Franklin has an uncanny ability to focus on sounds to determine how and where they need to be tweaked for a crisp, clean restoration. Born and raised in a musically inclined family, Shawn developed an affinity for music at a young age, eventually learning to play the drums. “My brother is four years older than me … and he played guitar. I wanted to play the drums, and before I got a drum kit, I would play on coffee cans. I’d play with pencils as my sticks and then for cymbals, I’d have the coffee cans upside down for the tin part. I would fill the center part with pennies for the snare,” he recalls. A young Shawn Franklin - photo provided by artist His upbringing laid the foundation for his future success, as he immersed himself in a vast range of musical styles from metal to hip-hop and everywhere in between. After discovering Kiss’ album Hotter than Hell , Franklin’s passion for music grew exponentially, and during his teenage years, he was led to explore the makings of what goes into a spectacular recording. “My brother heard ‘Calling Dr. Love’ from Kiss on the radio in ’76 … I think I was four years old … and then I heard it and we both loved the song. We got the 45 and had no clue what they looked like or anything like that. Just hearing that song and loving that song and then discovering everything they did image-wise, … I mean, that was just like icing on the cake.” As Shawn’s music tastes began to expand, so did his record collection, and once he discovered the band The Residents , he was hooked. The Residents would play a huge part in Shawn’s life later, so this discovery was fortuitous. With many other bands and musicians influencing him, such as The Beach Boys , Jefferson Starship , and The Beatles , Franklin was eventually led into the world of hip-hop when he discovered breakdancing . Shawn Franklin getting an autograph from Brian Wilson of The Beach Boys - circa 1998 - photo provided by artist “It was the summer of 1984,” says Shawn, “my friend started [dancing] doing the worm one day, and I had no clue what it was. I rented Breakin’ and I thought the movie was horrible but cool because it got me into the music. It had this street element … this energy.” Franklin’s love for hip-hop would continue to grow, and over the years, he would go on to discover many influential artists from the time, such as Kurtis Blow , Boogie Down Productions , The Beastie Boys , Public Enemy , and KRS-One . “I heard ‘ South Bronx ’ by Boogie Down Productions in 1986 and I had never heard anything like it. The little horn stabs and everything just blew my mind.” Franklin’s career with music would soon take a dramatic turn—one that would start to shape his destiny. In 1990 , Shawn and his brother Mike began making music as The Scallions . Described as “ Avant-Garde Power Pop ” and influenced by San Francisco cult giants The Residents , Mike and Shawn started shaping their sound. Mike and Shawn Franklin aka The Scallions - photo provided by artist In 1999 , the band began shopping material around when they hooked up with Tom Timony , a former owner of The Residents label, Ralph Records . In the year 2000, they put out their first commercially released album, Mud Pie , and following its release the album was promoted with interviews, reviews, and radio play. In 2001 , Tom’s label closed and left Shawn and Mike looking for a new home for their music. It was around this time Franklin reached out to Chuck D from Public Enemy via e-mail after obtaining his e-mail address on an online message board. After e-mailing him, Shawn met him in person at a lecture held on the campus of Wesleyan University in Middletown, Conn. where Chuck acknowledged he had received the copy of ' Gladys ' that Shawn had sent over. "He listened to the song and really liked it and that was it.” The Scallions In 2002 , the band signed with Chuck D’s label, SLAMjamz , and was asked to open for a few shows with Public Enemy in Massachusetts. “He told me, ‘You guys are different’, and that was that.” The year 2006 saw The Scallions release their album Agony Through Ceremony as part of a CD/DVD combo on Chuck D’s label. From there, Shawn Franklin and Chuck D would spark a professional friendship that led to various other projects outside of his band that continues to this day, with Franklin currently producing daily segments for Chuck D’s RAPstation radio network called “ This Day in Hip Hop History ”. Chuck D and Shawn Franklin - photo provided by artist One of the significant factors that sets Shawn Franklin apart is his remarkable versatility and after discovering he had a knack for restoring audio in a complex way , he began to experiment and push creative boundaries resulting in captivating and refreshing sounds. Of his early remastering days, Franklin says, “In the early 2000’s, I had been collecting bootlegs forever, and I was always zoning in on certain aspects of the recordings: ‘This one has got a lot of noise,’ and ‘This one could use a tweak here,’ and I remember thinking, ‘I wish I could clean this stuff up and restore these.’ The technology was not there yet, but I had a friend turn me on to some software that was incredible for the time. It was like a nuclear bomb went off over my head.” After discovering his secret weapon software, which he did not disclose the name of because it is his secret weapon, Shawn was able to start playing with audio. “I really started cutting my teeth, fixing these bootlegs,” Franklin said. “I really got into it … but I didn’t have any ambitions to be doing audio professionally.” Those first moments of tweaking audio for bootlegs began to set the stage for what was to come. “So, I became friends with Renaldo from Renaldo and the Loaf, and so, as the story progresses … around 2014, Brian, who is Renaldo, was taking a trip out to the United States where he had plans to stay at my house. There was this album, ‘Title in Limbo’ by The Residents, in collaboration with Renaldo and the Loaf. When the album was released on CD, some of the songs faded in, and it was horrible. Prior to Brian coming here, I was telling him about it, and he was like, ‘I have a mix down.’ He’s like, ‘Maybe you can fix it up and restore this album.’ So, I did and matched everything up EQ-wise and he flipped out over it.” That project then led to Shawn doing restoration professionally because the restored album was released worldwide. Title in Limbo by The Residents and Renaldo & The Loaf “Public Enemy is one of my favorite rap bands worldwide. Two friends and I, who coincidentally worked for Chuck, had this idea of making a comprehensive cohesive product of every single A side and B side from all their seven-inch, 12-inch, and CD singles. So, we did this whole thing and we presented it to the Public Enemy squad in 2014. Chuck, at this point, was like, ‘You know, you guys really should start a production team,’ and we were all like, ‘Hmmm … let’s do it. Let’s do this professionally.’” They decided to call their production team TDX , which stands for The Definitive Xperience. “We had all these plans of doing all kinds of reissues from bands,” says Franklin . From there, Shawn and his team embarked on a whirlwind career of numerous opportunities. Shawn Franklin’s reputation for excellence and his exceptional skills have attracted some of the most prominent names in the music industry and his collaborative works have earned him the trust and respect of many established artists such as thrash metal pioneers Anthrax . “I had the idea to reach out to Charlie from Anthrax since Public Enemy had collaborated with them,” Franklin explains. “I ended up sending Charlie [Benante] a tweet because I wasn’t friends with him. I told him, ‘Hey, listen. I’ve been a huge fan of Anthrax since ’86 and I did a really fat remaster of Spreading the Disease . I really want you to hear it and I work for Chuck D.’ He got back to me and said he would love to hear it, so I sent him what I did, and he loved it.” From there, Franklin spoke on the phone with Charlie , developing a professional friendship that led to numerous collaborations. Shawn Franklin with Charlie Benante from Anthrax - photo provided by artist “He said, ‘I’m going to send you some songs that I love and I’m not going to tell you what I don’t like about them audio-wise, and I want to see what you would do.’ I’m thinking, ‘Well, I’m just gonna trust my ears and see what I come up with.’ So, I did that and sent him samples of before and after. I didn’t hear anything for a while until one day, I was playing drums and my phone started blowing up. I look down at my phone to see Charlie messaging me and telling me that I ‘killed it.’” After successfully re-mastering those first few tracks, Shawn Franklin was sent more material that eventually led to him editing, assembling, and sequencing the Spreading the Disease 30th Anniversary album and the State of Euphoria deluxe album for Universal/Megaforce Records . Those projects then led to numerous other projects and collaborations with Anthrax and the professional relationship continues to this day. Remastered by Shawn Franklin Beyond his individual accomplishments, Shawn Franklin has had a transformative impact on the music production landscape by recognizing the importance of embracing technological advancements and utilizing innovative techniques to shape and enhance the soundscape of his creative projects. When asked about some of his other projects outside of Public Enemy and Anthrax, he said, “Working with Chuck Mosley from Faith No More, God rest his soul, was just incredible. I think that me being a fan of the music helps in my situation because knowing the catalog and the work makes it more personal.” He goes on to say, “It’s like saying, ‘Hey, this guy loves our stuff but can also deliver the goods audio-wise,’ you know?” In 2016 , Franklin was asked to master three songs for DJ Lord for the 2016 Make America Rage Again tour and says of the experience, “Chuck had an assistant named Kate. She came to me one day and said, ‘DJ Lord needs three songs mastered … instrumental versions.’ So, I didn’t even think anything of it and told them, ‘Let’s go!’” Credit: Green Left From there, Shawn went on to do the tracks with no problems and recalled the moment he got to experience his work firsthand live. “I’m at Mohegan Sun Arena watching the Prophets of Rage show and it’s going along, and ‘Bring the Noise’ starts when it dawns on me that this was what I had mastered for them. I look around the arena and it’s sold out. It’s packed. I’m watching people lose their minds to the music and I’m thinking, ‘I worked on this.’” As the music industry continues to evolve, Shawn Franklin remains relentless in his pursuit of excellence. While continuing to collaborate with renowned artists, Franklin strives to inspire others to follow their dreams and explore their creative potential. His journey from humble beginnings to working for Chuck D is a testament to his unwavering passion, exceptional talent, and commitment to musical quality. Through his versatility and groundbreaking production style, Franklin has redefined the music production landscape and left an indelible mark on the industry. As the music world eagerly awaits his next move, there is no doubt that Shawn Franklin’s influence will continue to shape the future of music production for years to come. To learn more about Shawn and his work, visit one of the sites below: Website: TDX: The Definitive Xperience (defexperience.com) The Scallions: The Scallions | blocGLOBAL Independent Record Label | Buy, download and listen to music online (blocsonic.com) Facebook (The Scallions): The Scallions (facebook.com) Rapstation Radio: Rapstation - Home www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. < Back Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene Nicole Brice May 7, 2025 Share With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Emerging from the heart of Louisiana’s underground metal scene, Inner Anguish is a band that channels raw emotion and relentless intensity into every note. By blending crushing riffs with visceral lyrics, the group serves as a powerful testament to the enduring spirit of Southern metal— dark, unfiltered, and unapologetically honest. Credit: Justin Hammer Photography Since its formation, the band has undergone several changes and now boasts a solid lineup of musicians who were brought together for a specific purpose. Each member contributes their unique flair, resulting in a well-rounded listening experience highlighted by their impressive stage presence and larger-than-life personalities. Inner Anguish consists of Taylor Redwing on vocals, Smitty Lange on bass, Keith Alleman on guitar, Ben Finley on guitar, and Taylor Guidry on drums. The poetic lyrics are crafted by lead singer Taylor Redwing , who writes from the heart. Every word reflects his genuine feelings and carries deep meaning. Inner Anguish draws from a diverse array of influences, creating a sound that is both distinctive and recognizable , appealing to metal enthusiasts. With the help of their secret weapon, Ben Finley of Shed Sound Hole , each release is polished to perfection. As an organic collaboration among friends and music lovers, Inner Anguish ’s sound and dynamic defy categorization. Their unique approach enables them to adapt to whatever comes their way, ensuring a refreshing and authentic musical experience. Inner Anguish is not just making noise; they are making a statement. Read on to learn more. Credit: Elise Hanks MaM : Give us a little background history about how you came together as a band. Keith : I had a lot of the songs written and recorded already at my home studio. ‘ Sin and Bleed ’ and ‘ This Guilt ’ were two of them. We started playing with Ben Finley , and then we were looking for a singer. We had worked with Taylor previously, so we decided to bring him in. Ben was originally on bass , but then we decided to become a 5-piece, so we brought in Smitty , and that’s how it all came together. Credit: Elise Hanks MaM : Where did the name for the band come from? Smitty : We had about 10-12 names to consider, so we voted on them. Inner Anguish received the most votes. MaM : I think it’s a great name because it just rolls off the tongue. Taylor : Yeah, we were careful when we picked it because a lot of the names we liked were already taken, so that we couldn’t use them. Smitty : What’s cool, too, is that with Inner Anguish , if you listen to all of Taylor’s lyrics, it matches very well. Credit: Justin Hammer Photography MaM : How did you all decide on the type of music to play, and who influenced you musically growing up? Smitty : Keith wanted more of that Southern sludge sound, and once Taylor got in the band, his vocals helped to pick up the pace of the songs. The songs were originally much slower. It’s remarkable how each of us brought our own unique contribution to it, and it all just works, becoming our distinct sound. Now, whatever that sound is, I don’t know. It crosses so many boundaries. Credit: Elise Hanks MaM : I was just about to say that – I can’t define your sound. Smitty : Yeah, it’s got a little of everything. People have said how they like the rapping portion of ‘ This Guilt ’, which just happened. Taylor’s big on Mudvayne , so that’s where that comes in. Growing up, I was big into Type O Negative . MaM : I saw Type O Negative at the House of Blues in NOLA back in the early 2000s. It was insane. I still have the ticket stub. Smitty : I saw them on their last tour, and I had the opportunity to meet Peter Steele in 2010 . I also love all the Southern stuff, too, like Acid Bath . You can’t be in a band down here and not say Acid Bath . MaM : Acid Bath was huge for me in high school. Keith : I’m a big Misfits fan. I enjoy a wide range of melodic black metal and death metal . I like stoner rock , too, but pretty much anything. I hate classic rock . MaM : What? You hate classic rock? (laughter) Keith : Well, I like Black Sabbath and Led Zeppelin , but that’s it. Credit: Elise Hanks MaM : Ok, we’ll let you slide with that. Taylor : My most significant influence on what I do with Inner Anguish is Chad Gray of Mudvayne . Garrett Russell of Silent Planet , too. I believe that anyone who appreciates the type of vocals I do also loves Lamb of God . MaM : What is it that drives you guys to make music? What is your primary motivation? Smitty : Fun – just having fun. It’s a release, and I understand why some of those bands go to cocaine. (laughter) MaM : I can agree. Keith : I can’t remember a time when I wasn’t playing music. My mother played guitar and piano and raised me to play. It’s just something I’ve always done. Taylor : Music has always been there for me. It’s my biggest love and growing up watching my favorite performers on stage live just really made me feel included. Metal has always been there for me and has always made me feel empowered. I want to do what I love, and I want to inspire others with my music. It’s a selfish thing for me, at the end of the day, because it’s a release. Keith : He’s thrown up after a performance before. MaM : Seriously? Keith : Oh yeah. Taylor : I feel like all the songs we play are emotional, and it’s therapeutic for me. MaM : Well, music is therapy because of frequency. Smitty : Yeah, I bring that brown note. (laughter) Credit: Elise Hanks MaM : I recently saw that you have your own beer, which will be available soon. Tell us a little more about that. Taylor : We’re playing May 17th in Gulfport, Mississippi, at the Metal and Beer Fest , and each band on the bill gets its own signature beer. Available May 17, 2025, at Metal and Beer Fest at Gulfport Dragway MaM : So, what is your signature beer? What is the taste? Taylor : It’s a honey brown ale, basically, and will only be available at the festival, I believe, so come out and try it! Click the picture for more information MaM : You guys are currently in the studio recording new material. How’s that going so far? Taylor : It’s going great. We’re about to wrap up the drum tracks, and then we'll lay down some vocals. However, we’re aiming for a late-September release. MaM : How do you guys approach writing new material? Is there a process? Keith : Whoever brings in a riff, we listen to it and then go from there. Smitty : It’s not like we go into the studio intending to do a stoner or black metal song. Whatever comes out works. We don’t just sit in one pocket. Credit: Elise Hanks MaM : What are you finding as a common theme with this new batch of songs? Do you have one? Taylor : A lot of this new album revolves around suicide , so I’m not sure how palatable that will be to some, but it seems to be a recurring theme throughout the record. It’s more around the ideation and the activist. MaM : Tell us a little bit more about the lyrics for ‘This Guilt’. How did those come about? Taylor : I was afraid this question would come. (laughter) Taylor : It’s a difficult question to answer. Usually, when I write lyrics, I’m not thinking about anything. I’ll listen to a track and then write out how it makes me feel. Sometimes it doesn’t make sense, but I’m just vibing with the music and letting it guide me. After a song is finished, I can sit there with the lyrics and read them, and then it all makes sense. To me, though, ‘ This Guilt ’ is about abuse - whether that be self-inflicted or from another. That’s what I get from that song and the lyrics I wrote. MaM : What would you guys like to accomplish this year? What would be the ultimate achievement to make this year perfect? Taylor : I would love to play a show with Eyehategod . I don’t even think we’d have trouble finding a third band because everybody wants to play a show with them. I hope we can make that happen in the future. As Inner Anguish continues to churn out new material and play shows, they stand poised to bring about a new era in metal – one that defies categorization. Be sure to check out their social media to catch them live soon. For more information about Inner Anguish: Facebook: Facebook Instagram: INNER ANGUISH (@inneranguish) • Instagram photos and videos Spotify: Inner Anguish | Spotify Apple Music: ‎Inner Anguish - Apple Music *Band photos by Justin Hammer Photography: www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. *Live Photos by Photography by Elise Marie Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link