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‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. < Back Reviews on the Real: My Therapy by Aaron J Burke Nicole Brice May 5, 2025 Share ‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. Out today everywhere is the latest release from the talented Irish singer-songwriter Aaron J. Burke . Aaron is a gifted storyteller whose lyrics vividly capture the human experience and life in general. When he reached out to let me know he had another single dropping soon, I was thrilled and couldn't wait to hear it. I must say, wow, what a fantastic new release! I listened to it six times before starting to write this review. It’s excellent. The official video for 'My Therapy' by Aaron J. Burke Released May 5, 2025 I love Aaron’s songwriting because it is brutally honest. There’s no fluff or frills, and the lyrics truly resonate with me. I feel them in my soul. We have been reviewing Aaron’s music for about a year now, and no two songs sound alike; each one is thought-provoking. He typically leans towards a more acoustic sound, but in ‘ My Therapy ,’ he takes a heavier approach that I really enjoy. ‘ My Therapy ’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. There are no truer words. Music is my therapy, too, so I can relate. Although this song marks a departure from the sound Aaron has become known for, the grunge feel in this track is undeniable. It’s as if Aaron has traded his acoustic guitar for an electric, grunge-infused style that sounds unlike anything I have ever heard. The song starts with a groove that immediately gets your head nodding. The guitar tone is deep, and everything about this song hits hard, so I encourage you to check out ‘ My Therapy ’ today on all your favorite streaming services. Other Reviews: Reviews on the Real: Run for Cover by Aaron J. Burke Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Reviews on the Real: Rise Not Fall by Aaron J. Burke Facebook: Facebook Instagram: Aaron J. Burke (@aaronjburkemuso) • Instagram photos and videos Spotify: Aaron J. Burke | Spotify Apple Music: ‎Aaron J. Burke - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Come On Home’ is an upbeat and heartfelt anthem. < Back Reviews on the Real: Jared Daws Invites Us Back to Appalachian Roots with Soulful New Single ‘Come on Home' Nicole Brice Sep 16, 2024 Share ‘Come On Home’ is an upbeat and heartfelt anthem. Music truly can transport us to different places and times if the lyrics, vibe, and tone are just right. Enter Louisiana country artist Jared Daws , who has just released his latest, ‘ Come on Home ,’ an upbeat homage to rural country life and the relaxation that comes with it. Released September 6, 2024 The track has a strong opening that leads to crisp, clean vocals and a toe-tapping, head-nodding sound. With sing-along choruses and an incredible mix, Jared has managed to craft a feel-good song full of nostalgia and longing. Yes, just take me back to Appalachia, please. With a tinge of Louisiana flavor, Jared’s voice resonates with soul and strength. His vocals alone draw you into a song full of emotion that never lets up. This is truly an enjoyable track. The video , which was released on September 13, 2024 and is available on YouTube , paints a vivid visual and truly brings the entire song to life. We were able to ask Jared a few questions so you can get a better feel for his newest tune. Check out our conversation below. MaM : Tell us a little about the inspiration behind your latest release, ' Come on Home '. What is the song about? How long did it take you to write the track? JD : ‘ Come on Home ’ is a tune about just getting back to your roots and doing the things that inspire you. For me, that’s being out in nature. Just breathing the air and hearing the sounds of the woods does something for me. The song came about from a little riff I wrote. From there, it all came together quickly. My buddy Pat Lyons , who plays for Colter Wall , helped me shape it up a bit, and it all came together from there. Credit: Cherish Ann / Memory Lane Photography MaM : Where was the new music recorded, and what are your plans for the rest of 2024 into 2025? JD : We recorded this tune in Nashville at The Owl studio in Berry Hill. A huge thanks to Pat Lyons (Colter Wall), Solly Levine (ex-Colter Wall, Noeline Hofmann), Preston Wait (Brothers Osborne), Geoff Henderson, Mitch Furr , and Katie Lang for helping me make this record! For 2024, we will just be ripping some gigs and getting ready to tour in 2025! MaM : What inspires you to create the music that you love? JD : Honestly, it all comes from my life experiences. I’ve dealt with and seen a lot in 30 years. Music helps make good and bad memories exist in a space where I can utilize their power. Being able to take a bad memory and turn it into something I enjoy or use a good memory and make it even better with music helps me out a ton mentally. Credit: Black Heart Media / Tayler Blackhart MaM : How would you describe the music you typically create? JD : They say country music is three chords and the truth. Most of my music has more than three chords, but that is true. So, I guess we will call it “country for the most part.” I just make what feels right, and it typically walks the line of country, folk, & Americana. It doesn’t matter what ya call it; I need ya to listen! MaM : Are there any musicians or bands you'd like to share the stage with in the future? If so, who? JD : The list would take up every bit of the space allotted for this interview, so I’ll keep it short and sweet. Sierra Ferrel , who, in my opinion, is the new-age queen of Americana music. Tyler Childers , for sure, as well. His sound is so raw, and I love that he’s just genuinely him. Lastly, I’ll say Chris Stapleton . That man has the soul of three generations inside of him. To make music with him would be an honor. MaM : We saw that you just released an album in January 2024. What are your plans for new material? Are you going to continue promoting your catalog, or do you have plans to push forward with new stuff? JD : I’ll always promote my catalog because I am proud of those songs. However, I see myself pushing my newer music more because it shows where I am currently in life. I’m living in the moment more these days, so pushing the music that’s with me right then and there is very important to me. I have a lot more music coming showcasing what life has been like lately, and I’m super excited and proud of it. ‘ Come on Home ' is a soothing, calming, relaxing song full of harmony that makes you think of campfires, hanging out, telling stories, and just the good times, so be sure to stream it today on your favorite streaming platform and catch Jared Daws live this fall at a venue near you. For more information on Jared Daws: www.jareddaws.com Jared Daws Official Website Home of country music artist Jared Daws. Shop for merchandise, stream and purchase music, as well as find tickets to upcoming events involving Jared Daws. *Cover photo by Cherish Ann / Memory Lane Photography Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Tides moves like moonlight across an endless sea, with melodies rising and falling gently. < Back Reviews on the Real: Tides by What Will Be Nicole Brice Sep 13, 2025 Share Tides moves like moonlight across an endless sea, with melodies rising and falling gently. Released on September 12, 2025 , ‘ Tides ’ begins with a fuzzy guitar and a steady groove, which leads into haunting vocals accompanied by a faint guitar melody in the background. The vocals take center stage and pave the way for an explosive chorus in this latest release from Manchester-based band What Will Be . Released September 12, 2025 Since 2022, What Will Be has consistently released exceptional music, and this latest track is no different. It marks an excellent sound progression for the band, which possesses a unique sound that defies definition. We’ve covered past releases from What Will Be , and truly, this one is our favorite so far. ‘ Tides ’ moves like moonlight across an endless sea, with melodies rising and falling gently. The song drifts between a steady tide that pulls at your heart and a loud, boisterous roar. Throughout the track, the guitar sounds like scattered shimmering notes. The strength and conviction of the vocals are impressive. As the song progresses towards the breakdown at the end, hints of synths blend with the guitar and bass, creating hypnotic, trance-like sounds. A chilling question lingers as the song fades out with the echoed line, “ Sink like a stone or do you swim? ” Tides by What Will Be Listening to ' Tides ' feels less like hearing a song and more like being carried by something vast and unseen—a gentle current that refuses to let go. Go stream it now! To learn more about What Will Be: Spotify: What Will Be | Spotify Apple Music: ‎What Will Be - Apple Music Bandcamp: Music | What Will Be Facebook: Facebook Instagram: What Will Be (@ whatwillbe.band ) • Instagram photos and videos YouTube: What Will Be - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. < Back Reviews on the Real: Exploring Peregrine Stanzas by Andy Connolly Nicole Brice Jul 14, 2025 Share Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. Wow! This is incredible! Those were my exact thoughts after I hit play on my iPod to dive into the new EP from Andy Connolly called Peregrine Stanzas . Andy Connolly was born and raised in the suburbs of Boston, where he has navigated his musical journey through various contrasts. He skillfully blends powerful guitar chords with delicate acoustics, showcasing both sides of his musical personality through well-delivered vocals and carefully crafted arrangements. In his fifth solo album, Peregrine Stanzas , Andy has refined this balance of extremes. Andy is more than a musician, though; he’s a songwriter and author, too, with his work currently available for purchase on Amazon . Released May 30, 2025 On Peregrine Stanzas , each song is more enjoyable than the last, and no two songs sound alike . Andy's vocals are extraordinary . Released on May 30, 2025 , Peregrine Stanzas is a 6-song EP that features an exciting mix of pop punk, rock, metal, new wave, and much more . It showcases heavy basslines complemented by crisp vocals and exceptional guitar playing . It’s a fantastic collection of goodness, no lie. With exhilarating highs and reflective lows, it evokes everything from the thrill of speeding to deep contemplation . Listeners should prepare to be transported to an otherworldly musical realm characterized by melodic guitar playing and memorable hooks , all woven into catchy songs that will have you hitting the replay button. Andy has collaborated with renowned musicians, including bass legend Billy Sheehan ( Mr. Big , The Winery Dogs ) and drumming virtuoso Ray Luzier ( KoRn , ex- David Lee Roth Band ), along with many other talented artists and special guests. Peregrine Stanzas draws on familiar sounds while pushing the boundaries of Andy’s unique style. Peregrine Stanzas Unabridged on YouTube Produced by Dan Kupka and Scott Bush on different tracks, Peregrine Stanzas marks Andy's first solo effort that features contributions from outside writers and session musicians. With outstanding lyrics by Patrick Walsh , Andy composed the music for the breakout single ‘ Rough Diamonds .’ The track is backed by Billy Sheehan on bass and Ray Luzier on drums, making it an enjoyable high-energy song. As for the rest of the album and Andy's future sounds, only time will tell, so stay tuned. Photo courtesy of Andy Connolly Let’s get into these tracks, shall we? ‘ Rough Diamonds ’ is full of energy as soon as the song kicks off. The guitar tone is superb and crisp. It's an excellent song, and everything about it hits. ‘ Dear Tragedy ’ begins with a raw guitar sound that has a rockabilly vibe. Andy's powerful vocals shine through; his voice truly seems made for this genre. The heavy bass kicks in right from the start, giving the song a grunge sound, in contrast to the opening track, which leans more towards pop punk. Overall, this song is fantastic. In ‘ In the Belly of This Whale ,’ the spoken word vocals are potent and give me chills. Andy's voice has a more acoustic vibe, yet it maintains the same intensity as the previous two tracks. He speaks with truth and strength in his words, so it's essential to pay attention. ‘ Taken by the Night ’ has an entirely different vibe compared to the previous three tracks. It reminds me of 80s new wave but with a modern edge. The track features no vocals and is entirely acoustic. ‘ Leave It All Behind ’ starts with an energetic “Heeeeyyy!” that sets the tone for the track. It reminds me of a gritty, grunge-alternative song that is full of charisma and oozes with it. ‘ Taken by the Night (Dr. DK Remix) ’ reminds me of the remix of ' Torn Apart ' by Stabbing Westward for the Spawn soundtrack . This remix jams and offers a unique take on the original track , adding more of a groove. It would be an excellent addition to a video game soundtrack. Peregrine Stanzas is an EP that is worth checking out and adding to your collection. It is well-crafted and showcases a great deal of diversity. It's best enjoyed by listening to all the songs in the order they appear, preferably with headphones on. Be sure to stream it today! To learn more about Andy Connolly: Website: http://andyconnolly.com All links: Peregrine Stanzas by Andy Connolly - DistroKid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The latest from Vudu Sister leaves a memory as vivid as a whispered confession. < Back Reviews on the Real: Vudu Sister Nicole Brice Aug 20, 2025 Share The latest from Vudu Sister leaves a memory as vivid as a whispered confession. Today, I’m excited to share two songs from Vudu Sister , a gothic folk ensemble based in Providence, Rhode Island , with over two decades of performance experience. Led by French American songwriter Keith J.G. McCurdy , Vudu Sister's live sound features a rich arrangement of acoustic guitar, violin, cello, and vocals. Their music is inspired by European folk, 90s grunge, the works of H.P. Lovecraft , and the poetry and myths of classical antiquity. Vudu Sister is Keith J.G McCurdy (Guitar, lyrics, vocals), Isabel Castellvi (Cello), and Diane O'Connor (Violin). Credit: Vudu Sister The first song is titled ‘ Magic Powers ,’ released on July 8, 2025 . It begins with a haunting string arrangement, followed by some of the most soothing sounds I've heard in a long time. This romantic gothic waltz features a powerful chorus that is obsessive, and its arrangements linger in your mind long after it's finished. Released July 8, 2025 In my opinion, ' Magic Powers ' is a masterpiece, filled with conviction in both its lyrics and delivery. The raw quality of the song, without heavy production, makes it feel incredibly authentic—as if the artist is sitting right in front of me, expressing profound truths with nothing but strings, guitar, and voice. I highly recommend giving it a listen, and then you can thank me later. 'Magic Powers' LIVE "I wanted to write a song about falling desperately and painfully for an intoxicating, domineering matriarch; falling completely under her spell," says Vudu Sister songwriter Keith J.G McCurdy. Credit: Vudu Sister The second track, ‘ The Valley ’ (featuring Silver Rein ), was released on August 7, 2025 . This song blends Danny Elfman-inspired sounds with doom-metal string textures and Victorian gothic moods. It's both melancholy and surreal, and truly incredible. Released August 7, 2025 ‘ The Valley ’ strips the music down to its purest form, leaving nothing to hide behind. Every note, lyric, and breath resonates deeply, cutting straight to my heart. As the song ends, it leaves a memory as vivid as a whispered confession. Vudu Sister’s music is a mesmerizing blend of styles draped in soul-stirring melodies that intertwine artistry and emotion. Both tracks are from the band’s upcoming fifth album, titled Adynata , which is set to be released in March 2026 , so be sure to put them on your list of new music to check out now. To learn more about Vudu Sister: Spotify: Vudu Sister | Spotify Apple Music: ‎Vudu Sister - Apple Music Bandcamp: Music | Vudu Sister Facebook: Facebook Instagram: Instagram *All photos provided by Vudu Sister www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stockholm Syndrome is a mental exercise that challenges you to think critically. < Back Reviews on the Real: Stockholm Syndrome by Fishbone Nicole Brice Sep 25, 2025 Share Stockholm Syndrome is a mental exercise that challenges you to think critically. It's rare for an entire album to resonate with me as deeply as the latest release from Fishbone, titled Stockholm Syndrome . This masterfully crafted album is filled with profound truths that emerge in every song. Each track flows seamlessly into the next, and no two songs sound alike. The strength of this album lies in its lyrics, which convey wisdom to those who are awakened while also offering narratives that are accessible to the general audience. For those of us who truly understand, we recognize the significance of the messages on this album, and Fishbone provides the perfect soundtrack for our ongoing journey. Released June 20, 2025 Fishbone's latest album isn't just a collection of songs; it's a mental workout, challenging you to think critically in an age where mindless consumption is the norm. The band has never shied away from confronting uncomfortable truths, and this time they invite you to engage mentally—an idea that feels foreign in a culture hooked on passive scrolling and shallow perspectives. This fourth incarnation of the band includes: Angelo Moore (Vocals, Sax, Theremin, Percussion), Christopher Dowd (Vocals, Keyboards, Trombone), Tracey Singleton (guitar), Hassan Hurd (Drums), JS Williams (Trumpet, Vocals), and James Jones (Bass). Credit: Matt Dessner Thematically, the album explores the concept of psychological captivity, echoing the haunting complexity of Stockholm Syndrome, where the oppressed not only accept their chains but also defend their captors. It serves as a reminder that mental freedom begins with awareness, and Fishbone is here to shake things up. " Now that you've got a stake in the game. Now that you've got your own lane. On with the show, let's go... this is it! Now that you've got a full tank of gas. With a crew at your back when it's time to whoop ass. On with the show, let's go... this is it! " -Suckered by Sabotage Let’s roll with a detailed review of every track. Last Call in America (ft George Clinton) This is an upbeat tune that poses all the questions we have while announcing the "last call" for America. It’s truly remarkable! I found myself throwing my arms up and singing along while dancing in the laundry room to this one. "Last Call in America!" Who knew that doom and gloom could be so upbeat? I have to keep dancing until the world ends. Last Call in America Video Adolescent Regressive Behavior This track is high-energy and packed with the grooves that Fishbone is famous for—it's another solid addition to their repertoire. Dog Eat Dog Cheerful and engaging, yet it conveys a profound story. Pay attention to this one. Suckered by Sabotage I love everything about this song. The beginning has such a punk rock energy that I feel like bumping into people and slam dancing. Then, when it slows down and the groove takes over, it creates a laid-back vibe that's full of funk. And that chorus! It sneaks up on you, and before you know it, you'll be singing along. Video for Suckered by Sabotage Secret Police Truth. This song embodies all truth: the guitar, the groove, the drums, and the message. Listen closely. The guitar work on this track is truly exquisite; it establishes the tone for the powerful message. Secret Police Lyric Video Gelato the Clown Guess what? Bullies always get what’s coming to them, and Fishbone wants you to know this. Amazing track. Why Do We Keep on Dying This is an outstanding reggae track with a powerful message. You’re going to love it! Hellhounds On My Trail It’s just fun ska with a great message. Hellhounds on My Trail Video Racist Piece of Shit Try not to sing along to this one. I dare ya. I double dare ya. It’s just too damn catchy. Living On the Upside Down It’s got an ethereal 80s vibe with more truth. Dive in. All About Us The beginning has a great rockabilly vibe that makes you want to dance. When the horns start, be prepared to look for someone to dance with. Love is Love The most impactful message to conclude an album, especially in today's world. Experience it fully with headphones. I listened using my pink ones. What makes this album so important is its timing. In an era of political unrest, cultural upheaval, and increasing polarization, Fishbone serves up an urgent and unfiltered perspective rooted in decades of lived experience. This isn’t nostalgia – it’s resistance, revival, and a reckoning. To learn more about Fishbone: www.fishbone.net Fishbone Fishbone is Red Hot! Welcome to the official website for the legendary Ska-Punk band from California. Hailed as one of the greatest live bands of all time, Fishbone hasn't slept for 40 years and keeps getting better! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Escape Your Fate blends alt-rock energy with undeniable conviction. < Back Reviews on the Real: Escape Your Fate by Caustic Waves Nicole Brice Sep 9, 2025 Share Escape Your Fate blends alt-rock energy with undeniable conviction. Released on September 5, 2025, ' Escape Your Fate ' makes a thunderous entrance, showcasing the strong alternative rock sound that Caustic Waves is becoming known for. This head-nodding track is filled with fuzzy guitars and a captivating groove. It’s truly impressive that Neil handles all the instruments and recordings himself for Caustic Waves . He is a remarkable Renaissance man . Released September 5, 2025 As a standout act, Caustic Waves is steadily building a reputation with their distinctive take on alternative rock , tailored for a new generation. They aren't just playing alternative rock; they are redefining it for an audience eager for something authentic. Neil’s voice, echoing shades of Brandon Boyd from Incubus , serves as the heartbeat of ' Escape Your Fate ,' providing the song with a timeless yet contemporary energy. One notable aspect of Neil’s compositions is that there is no build-up; each song kicks off with energy right from the start. The phrase “Trapped in a cage, there is no escape” resonates in my mind as I reflect on ' Escape Your Fate ' further. Around the 2:15 mark, an incredible guitar solo elevates the song to a new level, paving the way for Neil’s vocals to soar back in, continuing the strong lyrics and message. The official video for 'Escape Your Fate' by Caustic Waves ' Escape Your Fate ' showcases Neil at his best, blending his Boyd-like vocal grit with Caustic Waves’ heavy alt-rock energy, all delivered with undeniable conviction. Stream ' Escape Your Fate ' now and get ready for the full EP release in October. I know we can't wait for that! To learn more about Caustic Waves: Spotify: Caustic Waves | Spotify Bandcamp: Music | Caustic Waves YouTube: CAUSTIC WAVES - YouTube Apple Music: ‎Caustic Waves - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cinder’s new song blurs the lines between shoegaze, industrial, and grunge. < Back Reviews on the Real: Breathing by Cinder Nicole Brice Jul 18, 2025 Share Cinder’s new song blurs the lines between shoegaze, industrial, and grunge. UK-based band Cinder has returned with their latest release, ' Breathing ,' a magnificent song filled with fuzz and distortion that is sure to captivate you. This track creates an alternate universe where, if Robert Smith had founded Deftones , the result might resemble this sound. Still, in all honesty, it reminds me more of what might happen if Catherine Wheel and My Bloody Valentine had a musical collaboration, with a touch of Nine Inch Nails added to the mix. Truly, Cinder’s new song blurs the lines between shoegaze , industrial , and grunge . Released July 16, 2025 ‘ Breathing ’ is a slower track, but everything about it resonates. The spoken word section, which begins around 2:07, enhances the melancholic vibe before the song transitions into a glorious, fuzz-filled guitar solo. It then returns to the chorus. As I listen to ' Breathing ,' I can envision a backdrop behind the band performing the song, complete with psychedelic visuals to accompany it. This is one song you need to check out now—it's that good. In keeping with the spirit of the band's previous release, ‘ Impermanence ,’ this new track showcases Lewis's talents as he expertly handles the vocals, synths, and overall production, creating an immersive soundscape. Cal plays lead guitar on this track, except for the outro, where both Daniel and Cal play rhythm guitar, with Zach on drums. 'Breathing' by Cinder ‘ Breathing ’ is a living entity you need to enjoy with headphones, so stream it now . To learn more about Cinder: Instagram Cinder (@cindernoise) • Instagram photos and videos Website: cindernoise www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nicholas Johnson’s music is soulful and nostalgic < Back Nicholas Johnson: The Shape of Americana to Come Nicole Brice & Chris Pryor May 30, 2023 Share Nicholas Johnson’s music is soulful and nostalgic Americana, what is it exactly? A sound? A feeling? A moment? For singer/songwriter Nicholas Johnson, based out of Cincinnati, Ohio, it is a masterfully crafted album that showcases his songwriting and vocal talents. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” picks up where “Shady Pines Vol. 1” left off with country-tinged folk songs that tell stories of love, loss, and redemption. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” On “Shady Pines Vol. 2,” Nicholas Johnson’s songwriting is more mature and nuanced than ever before. The lyrics are poetic and introspective, painting vivid pictures of the characters and settings in the songs. His vocals are powerful and expressive, and he delivers the songs with a sense of conviction and emotion. Johnson always had the goal in mind to craft a recording that matched the intensity of his live shows, and the result is a brand of rock that manages to sound familiar and original with hints of nostalgia thrown in. Mixed with great modern production, thanks to superstar Dayton producer Patrick Himes , this album is sure to resonate for years to come. Feeling as if you're on a steam locomotive shredding across the wild west with the eerie style harmonies of "On the Avenue" is an exhilarating experience, and the lyrics fall right in place with the backdrop that the arrangement paints. One might even say his music could fit in perfectly with the show Yellowstone , and the ghostly sound of the guitar solo in “Dark And Bloody Ground” is killer and a masterpiece. It’s one of our favorite tracks on the album. With seven songs coming in at a little under 30 minutes of listening, the tunes evoke a sound reminiscent of Bruce Springsteen if he teamed up with Toad the Wet Sprocket—pure, enjoyable American rock. Photo provided by artist Nicholas Johnson is extremely talented, and why we are not hearing his music on radio stations across the nation is beyond me. There is an audience for him anywhere and everywhere. “Shady Pines Vol. 2” is a must-listen for fans of country music, folk music, and singer-songwriters. This album will stay with you long after you have listened to it. We reached out to Nicholas so we could learn more about him and his craft, so be sure to check out his music after you finish reading this interview. We guarantee you’ll love it as much as we do. MaM : Nicholas, thanks so much for taking the time to chat with us. Your music is so soulful and full of nostalgia. How did you get linked up with Patrick Himes to do both albums? NJ : Well, it was a weird set of circumstances and very serendipitous. I got kicked out of Italy, which was crazy because it was on my birthday. It was the weirdest thing ever. Honestly, there were little moments leading up to it, but I think the Italian motto should be like, ‘It’s ok, it’s ok, it’s ok,’ but it’s not ok. It’s never ok. I had sold my house, car, everything, and so when I got kicked out of Italy, I was couch-surfing between Louisville, Kentucky, and friends in Dayton, Ohio. When I was in Dayton, I was around fellow musicians and was showing them this group of songs, and they’re like ‘Dude, you gotta record these.’ I’d had some bad experiences in the studio, and so I was apprehensive about going back in, but then I found out that the producer who had worked on one of my favorite albums actually had a studio in Dayton and through a series of very fortunate circumstances, I was able to work with him, but we only had two or three days to knock out all of the songs. It was really quick and [was] an awesome experience. It made me fall in love with the studio all over again just by working with him. MaM : Wow, that is incredible. NJ : Yeah, it was, it was so quick and that was part one. I ended up telling him that I had such a great experience that I wanted to come back and record more. That’s why I labeled the first [album] Volume 1 just to have an excuse to come back. MaM : That was smart thinking. As far as the recording process, how do you approach going into the studio? Do you do anything to prepare first? NJ : Well, I think with Patrick, we have learned how to work with each other and honestly, every time I go to the studio now, I feel it’s an evolutionary step because I went from being super green to a little apprehensive, and then when I went back for this new album, I had formulated this plan. I knew exactly who to use for drums and who else to work with. I definitely had a bit more of a plan going into Volume 2. Photo provided by artist MaM : Tell us a little more about your backing band, The Same Old Strangers. NJ : Yeah, I call it the ‘same old strangers’ because I never know who is going to be in it. (laughs) MaM : That’s awesome. Not just a clever name! NJ : It’s the curse of knowing all these super-talented people, but they’re always busy. I’m used to doing things solo, but I’m also glad I get to have these guys on the road to do something, and it feels like every time I am on the road, it’s a different experience and a different group of people. The cool part of that is I get to hear my songs played in different ways because I give the musicians free reign on how they play the songs. I want to hear their personality come through on the instruments. Whether it changes the tone and makes the songs appear more bluegrass, punk, or funk, then so be it. When I was in Italy, I had a traditional Irish folk violinist in the band and a punk drummer, so it’s crazy. We sounded like Flogging Molly for a minute. It had this whole Guinness rock-type feel. MaM : I see you are currently residing in Ohio. What brought you to Ohio from Kentucky? NJ : After college, I worked two jobs. One was working the night shift at a mammoth cave hotel there in Mammoth Cave, Kentucky. I was sleeping behind the desk, and then I’d wake up in the morning and I would go to an Australian-themed animal park called Kentucky Down Under where I worked with kangaroos and wallabies. I was working 16 hours a day and not really making much money, so my buddy, who worked in pipeline construction, said he would help me. I had this English degree I wasn’t using from Western Kentucky, so he asked me to come and be his helper. He was a welder. He then took me on the road and so I was able to quit my other two jobs. I ended up going from New Mexico to Wyoming and eventually wound up in Indianapolis and Champagne, Illinois. I would work from six in the morning till four or five in the afternoon and then play in the bars until two in the morning. MaM: That is pure insanity! (laughs) So, I read you started off as a drummer in your high school pep band but now, of course, you play guitar. How was the transition going from percussion to guitar? NJ : Oh, man … I just beat the hell out of it! (laughs) I’ve broken a lot of strings and I’ve really had to learn over time that it’s not a percussion instrument. MaM : Right. You gotta treat it gently, man! NJ : Right, but I’m a hard learner. The percussive element is there, and the rhythmic element is there, but I’m learning how to craft it into a different kind of sound where you’re doing the picking and hammer on/off and all that stuff. MaM: Do you have a favorite guitar to play as far as sound? NJ : Yeah, it’s just a matter of affording them. I’ve had a Takamine Santa Fe since 2001, so it’s been my workhorse. It’s been everywhere with me and is kind of my safety blanket. I love the way it sounds and know every inch of it. I know how it’s going to react to certain things, and it travels well. Even when I try to switch to a different guitar, I always gravitate back towards it. MaM : You just came off tour in March. What were the crowds like? Were they receptive to your new material? NJ : Oh absolutely! I was pleasantly surprised since this was the first big tour I’ve done. I did a little East Coast thing last year, but this one was over 20-something straight days. I was on tour with The Pinkerton Raid, so some folks are familiar with them, and some were familiar with me depending on where we were. I think the Midwest is where we’ve planted our flag now and it was great. Hopefully we’ll go back there. MaM : Do you have any plans to tour more this year? NJ : Actually, I’m going on an East Coast tour in August. [I’m] headed up to Columbus, Pittsburgh, New York, Boston, and New England and all that. A big chunk of August will be that. In September, I have Americana Fest in Nashville, and in October, I’m going to go back overseas for the first time since COVID. I’ll be doing Ireland, UK, and Italy. Photo provided by artist MaM : Right on! I want to ask you about your vocal influences. I love your style. Who do you cite as influencing you vocally? I hear hints of Tom Petty, Bruce Springsteen, and Toad the Wet Sprocket, among others. NJ : Well, Springsteen and Petty are at the top of my list. Petty, for sure, he’s kind of my musical hero. When you’re growing up in Kentucky and going over the hills and the curves there in the backwoods, that’s who you have blaring with the windows down, and it’s such an honor to hear someone say [his name] in relation to my music. Toad the Wet Sprocket, too. They’re a representation of that alternative movement and my favorite from that movement is Oasis, but Adam Duritz is a big influence of mine, too; I don’t know about vocally but, for sure, lyrically. The way he’s able to paint a picture with every lyric … [there’s just] not a wasted word. Not one. MaM : All of your songs tell a story. What inspires your lyrics and what goes into the songwriting process? NJ : Well, you know sometimes, you’re just drunk and stumbling, and I’m a visual person. I’m not able to paint, so I use my words. Take, for example, [the lyrics] on ‘Lost and Found,’: ‘green glass on the sidewalk, shimmers like stars.’ … I was drunk in Milan at 2 a.m. and I saw this green bottle. And from one image to the next, some of it is observational and some of it you pepper in yourself and [add] your own experiences. Sometimes, it just starts with being drunk and seeing an image, and sometimes it’s just hanging out and watching a situation. I’m a barfly—a pub guy—and sometimes you just hang out there and see certain situations play out and that becomes a story. I don’t like to be completely blatant and biographical. MaM : One of my favorite song titles on your new album is “Binghamton, Ny Is a Portal to Hell.” (laughter) Can I get a backstory on that one? NJ : (laughs) I’ve got family up there. They have the second most gray days besides Seattle, and you wake up and the morning looks like 4 p.m. (laughs) Time gets lost up there. It’s funny, too; Rod Sterling from The Twilight Zone , he’s from there, and I feel like things are just weird there. We had a series of unfortunate things happen there, like family’s health, and our dogs passed away when we were up there one time, too, so there’s just this series of unfortunate events and things. It just became this thing where Rod Sterling knew what he was talking about. This is definitely the twilight zone. (laughter) Honestly, I may have upset some people with that title. (laughs) It wasn’t intentional, and it all started as a joke. It was a punk song at first. Patrick was like, ‘That works, man; [just] slow it down,’ and it happened. It almost didn’t get recorded because it did start as a joke. MaM : Nice. Okay, last questions: What are your future aspirations? Where do you see yourself headed? NJ : Well, I’m all in. This is what I want to do. It’s been a long and winding road to figure out that this is what I should be doing. I just want to keep producing, getting better, and writing good songs. It would be fun to do a project where I didn’t have my name on it. Maybe a little side project. I would love to tour with a bigger act or cool band. I’ve always wanted to open for Wilco or something like that. I’m going to keep plugging away and see what we can produce and hopefully keep doing albums with Patrick. - To experience the music of Nicholas Johnson yourself, hit one of the links below and indulge! Nicholas Johnson | Spotify nicholas johnson (nicholasjohnsonmusic.com) ‎Nicholas Johnson on Apple Music Nicholas Johnson (@nicholasjohnsonmusic) | Instagram Nicholas Johnson | Cincinnati OH | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. < Back Reviews on the Real: Shoot Out the Satellites by The BIG Reveal Nicole Brice Apr 14, 2025 Share Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. Last Friday, The BIG Reveal , a band from Grand Bay, Alabama , released their debut album— a captivating 39-minute journey of pure, unfiltered alternative rock. Shoot Out the Satellites , released on April 11, 2025 , is a significant contribution to the overall rock scene. Drawing inspiration from the energy of ‘90s alternative rock, the album showcases The BIG Reveal ’s commitment to authentic, guitar-driven music . Standout tracks such as ‘ New Scars ’ and ‘ Fallout ’ highlight the band’s ability to blend different nostalgic rock elements into a modern sound that is both fresh and familiar . The band consists of a group of friends with exceptional talent, and their musical style is surprisingly mature for their young ages, showcasing a variety of sounds and textures. Each song is unique, offering a distinct experience. I encourage you to stream and add this album to your playlists; it’s excellent. There’s no filler either; every track is a gem. Released April 11, 2025 The BIG Reveal features Gavin Parker on guitar and vocals, Blake Hall on drums, and Luke Puckett on bass. Although the band has only been together for about a year, they really started to gain momentum after Luke joined. To learn more about The BIG Reveal , check out Bud Gambrell 's recent interview with them. Let’s dive into the track listing, as you absolutely need this album in your life. - New Scars – This thrashing, guitar-driven track begins with a thunderous guitar tone that draws you in until the smooth vocals hit—wow! Everything about this song is spot on. It features a hint of a southern rock sound while maintaining its solid alternative rock essence. - Fallout – This song plays with expectations; it starts out slow, but when the pre-chorus and chorus hit, it’s incredible—full of depth. - The World And All – This upbeat and enjoyable song showcases the raspier side of Gavin’s vocals at times. - Me and You – The guitar tone at the beginning has a distinct southern twang. This song is a departure from some of the band’s other tracks, leaning towards a milder, slower feel. - What I Want to Be – This one strays from the alternative sound and reminds me of a more pop-oriented country song. It’s a great track. - Can’t Find the Feeling – This track incorporates more country influences throughout. It’s enjoyable and a bit slower than the others until about 1:56, when a grunge fuzz guitar sound takes over. - Shoot Out the Satellites – The title track of the album is rich and full of depth. - It Follows – This song starts with a heavy grunge guitar sound and evolves into a head-nodding track full of rhythm. - Will You Believe Me – A hauntingly beautiful and powerful song. - Back to Goodbye – This track reminds me of a blend of Matchbox Twenty , Vertical Horizon , and 3 Doors Down ; you can definitely hear those influences. - Imagine That – A loud, powerful, and guitar-driven track—be sure to turn it up loud! This album is a must-listen , so be sure to put it on your list of things to check out today. Just click one of the links below to check it out. To learn more about The BIG Reveal: Website: The BIG Reveal Facebook: www.facebook.com/profile.php?id=61557900071233 ‎ Apple Music: The BIG Reveal - Apple Music Spotify: The BIG Reveal | Spotify TikTok www.tiktok.com/@_thebigreveal www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hawthorne Oachs brings deep awareness to everyday life < Back Hawthorne Oachs: A Free-Spirited Young Artist Full of Beautiful Harmonies Nicole Brice & Chris Pryor May 30, 2023 Share Hawthorne Oachs brings deep awareness to everyday life Sometimes, a musician comes onto the scene and just blows us away to where we are left virtually speechless. The next musician we are bringing to you has done just that and her name is Hawthorne Oachs. At the young age of 12, this spirited artist wrote, produced, and released her first single, “My Lullaby,” which was released in November of 2021. At 14 years old, Hawthorne has many talents and is not only a musical artist but also a digital artist and award-nominated actress with Z-Fest 2023 as a Best Child Actress Nominee. She has created the cover art for all her music released thus far and is frequently known to share her artistic creations on social media. With song lyrics written from the perspective of a young teenage girl, Hawthorne has a mature-sounding voice that is both powerful and contains soulful evoking memories of LeAnn Rimes when she first broke on the scene in the mid-90s. Photo provided by artist An incredible storyteller drawing inspiration from everyday life, Hawthorne’s songs are often about personal experiences with her relatable and thought-provoking lyrics. In addition to her music and art, Oachs is an advocate for mental health awareness, where she has spoken publicly about her own struggles with anxiety and depression. She hopes to use her platform to help others who are struggling with mental illness and wants to be a role model for young people everywhere. If you’re looking for music that is both powerful and meaningful, then we highly recommend checking out the music of Hawthorne Oachs. In fact, we listened to her entire catalog and could not find a single song we did not like. Her music is that good. Oach’s latest single, which released on April 21, 2023, is titled “A Single Flower.” It is a hauntingly beautiful arrangement full of abundant wisdom for a girl so young. Listening to it gave us the chills, and when that happens, you know something is resonating with your own energy. It has excellent production value and a good use of effects, and the harmony flows perfectly with the medley of the music. We cannot recommend it enough. Set to release another new single in June, Hawthorne is a talented artist with a bright future ahead of her, so stay tuned! We recently had the opportunity to ask her a few questions, so check out her responses below and then go listen to her beautiful catalog of tunes. She is sure to become a household name in the years to come. MaM : Hawthorne, thanks so much for taking time to talk with us. Your vocals are so melodic, soulful, and strong for such a young lady. Who are your vocal inspirations and why? HaO : Thank you so much for the kind words, Nicole! Some specific singers that I really respect are my mom, Mafumafu, and Hayley Williams of Paramore. My mom is a talented singer and has been such a fantastic mentor throughout my life. I know I would have made my way to music eventually if I was born with different parents, but my mom and dad have given me the gift of a life immersed in music, and I wouldn't have had it any other way. Mafumafu is a very emotional and passionate singer and I connect with that. I find a lot of joy listening to his work, and I found his music at the height of the pandemic, so his songs comforted me. I’m massively grateful for that in ways I’m not sure I can clearly articulate. Because of my mom, I’ve been listening to Paramore since before I could understand the meaning of the lyrics, so their music has always held a special place in my heart. They were my first concert when the ‘After Laughter’ album came out! Hayley has such a wonderful, powerful voice and I really love listening to both her solo work and Paramore’s whole discography. Their new album is a such a banger, too! Zac is a superb drummer and Taylor is a stellar guitarist who also has curly hair, like me! Listening to these people play their hearts out really inspires me to keep learning, growing, and improving as I turbulently make my way through these adolescent voice-changing years. Photo provided by artist MaM : When did you realize you wanted to create music and why? HaO : I’ve always been way into music starting from when I was really young. I'd sort all of the CDs and records in my house, taking them off the shelf, looking at the album art, listening, then putting them back. I also used to run around the house playing my little pink acoustic guitar, singing at the top of my lungs, making up songs. The piano was a safe place to play and decompress from the events of the day. I still do that. I was around [five years old] when I started taking formal lessons for both piano and guitar, and I immediately wanted to quit because if I didn't get something right on the first try, I would get discouraged. I'm also tenacious and headstrong, which I’m grateful for, because I stuck with those lessons and now piano and guitar are my favorite songwriting tools. During the pandemic, most of us turned to art to consume and keep us soothed and entertained. In the beginning, I ended up writing a considerable [number] of songs cathartically. Through that catharsis, I developed a love for songwriting and a realization that I was fastened to music for life. Photo provided by artist MaM : Who are your musical influences for your sound? HaO : Because I've grown up in a musical household, I've listened to quite possibly every genre that exists. As a result of that immersive education, I have an extensive collection of favorites that I've held closely in my heart. I can usually find something to like in whatever I'm listening to, and every day I'm discovering new artists that I love. For example, I've been listening to Minami, Mitski, and Blü Eyes lately. Right now, the songs I have on repeat obsessively are ‘Thick Skull’ and ‘Running Out Of Time’ by Paramore. I think inevitably over time, everything you've ever listened to influences your own sound. Experimenting and figuring out who I am as a musical artist has been a welcome adventure. My fifth single ‘Chase Me’ was probably the first time my sound and aesthetic felt most like home. With the latest songs that I've been creating, I've got a solid vision for the path forward and I'm exhilarated about that! Since I started releasing songs at [age] 12, there has been growth in me personally as well, so it seems logical to see growth in my music. In the fall, it'll have been two years since I started doing this. What's cool about it is that I can look back to where I started and see the growth and changes. I'm proud of everything I've done so far, and I wouldn't have changed anything! MaM : If you could share the stage with any artist, who would it be and why? HaO : Mafumafu! A few years ago, I had to pick a second language to learn for school. I started learning French, but that was a big non-merci from me after about a month. I just couldn't get the pronunciation right and wasn't feeling it. Since my appreciation for Japanese culture, candy, and food had grown, I chose to learn Japanese. Early on, it was suggested that I listen to and learn songs in the language to engross me, which would aid in familiarizing myself with pronunciation and vocabulary. When studying one day, a J-pop playlist was on autoplay, and I heard Mafumafu's cover of ‘Hated by Life Itself’ for the first time. I felt like I was hit by lightning. I understood him without understanding a single word. Between a global pandemic and the trials of adolescence, I needed brightness in my life. When I heard Mafumafu's voice, I felt seen, heard, and understood. I listened to that song incessantly for a while. All of his music and variety of content was the fortification I needed to see me through to better days. Admittedly, without something to hold onto then, I'm not sure what would've happened. I hope someday I'll get to meet him and tell him just how truly grateful I am, and wouldn't a Mafumafu x Hawthorne Oachs musical collaboration be the most beautiful finishing touch to that story? Photo provided by artist MaM : What music or things around you are inspiring you to create these days? HaO : Mental health awareness has been on my mind for the past two years, and lately I find myself digging into the problems we face as a society, but particularly those directly related to mental health. The surgeon general recently declared loneliness to be a public health crisis and said it's comparable to smoking. While I wrote and released it before this news broke, my most recent song ‘A Single Flower’ tackles the topic and the debilitating effects of loneliness. Another thing that's been on my mind is the alarmingly high rates of teenage suicide. My new song ‘Red Spider Lilies’ that is coming out on July 27th addresses the grief that one might feel when the person tethering them to this world is gone forever and they want to go, too. Maybe they were already thinking about it, and this was their breaking point, or maybe the grief was so unbearable they made the decision in a split second. I think if anyone said they were having those feelings out loud, it would be divisive, and some might even chastise them for those thoughts. This song is acknowledging that those thoughts and emotions can be part of being human and we should do better by supporting mental health, listening to others without judgment, acknowledging that humans can and do have dark thoughts, and normalize talking about those struggles. I think about how I turn to the creative output of others to comfort me, so if the art I create can be of that same service to others, then it feels like it's a small contribution and my own way of making the world a better place. Photo provided by artist MaM : What are your aspirations for the future? HaO : My primary aspiration is that my music gets to the ears and the hearts of the people who need it the most. I always set short-term goals for myself and celebrate them wildly when I reach them. I appreciate that this industry is overly saturated and jumping to the head of the line isn't realistic, nor is it a goal. I simply want to help people first and foremost. I want my music to be of service to others in the same way that music has been of service to me in my life. If that turns into something bigger than I am imagining right now, I will enthusiastically embrace whatever comes from it. The one thing that is non-negotiable and that I refuse to do is stop creating music. Music has been and always will be a comfort to me, and my true aspiration is that the music I release will be a comfort to others. - Be sure to add the music of Hawthorne Oachs on your playlist today! This young lady is creating something magical, and we cannot wait to see what she has in store for all of us in the future. To check her out, follow any one of the below-listed links. Hawthorne Oachs (@hawthorneoachs) • Instagram photos and videos Hawthorne Oachs | Facebook Hawthorne Oachs | Spotify ‎Hawthorne Oachs on Apple Music Hawthorne Oachs - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Journey into cosmic malevolence with JAELYN's latest single < Back Reviews on the Real: JAELYN Nick Cline Jun 6, 2024 Share Journey into cosmic malevolence with JAELYN's latest single JAELYN is the Philadelphia-based creative endeavor of vocalist Jaelyn Robinson. It focuses on thoughts of the universe, undertones of mental health, the intrigues and meanings of life, and the battles between light and dark. The rest of the band includes Stephen Skilton on guitar, Mattie Boyd on bass, Frank Bianco on drums, and Chris on guitar. The new single, Mire Mite (The Twins) , explores multiple themes and inspirations from art, music, philosophy, and more and is a very enjoyable listen. Released May 31, 2024 Mire Mite (The Twins) takes you on a journey throughout the cosmos, with lyricism that roots you in the emotional tales within the universe of the evil Seven Sisters. In this track, it delves into the relationship between the deadliest members, Mire and his sister Mite. The battle between light and dark is the centerpiece of this mystical and gut-wrenching journey through space, inviting the audience to connect with the story's emotional depth. The mixing of this track is a unique blend of genres, offering a taste of what it is trying to convey. The melodic tones stack on top of the pounding rhythm section, creating a mystical bond between prog-metal, metalcore, and almost operatic versions of pop-punk vocal tones. This fusion of styles is a testament to the creative process of JAELYN , and it's sure to pique the interest of any music enthusiast. The mix is heavily centered on ensuring the lyrics and music are a conjoined being, adding a layer of tension and depth to the song. The verses and chorus share an overbearing tension between the music and the song's story. They convey the ever-present battle between light and dark in the universe and everyday life. The mix for this track is very well put together for both the music and the story's tone within the song. But the music takes up a lot of the space in the track. The vocals take a back seat in the song compared to the music. The mix clashes at times, but the overall sound is excellent. The message is there, but the reliability of the vocals could be felt a lot more if the vocals were pushed a couple of decibels in the mixing and production stage of the song. Other than that, it is a very well-executed track. Mire Mite (The Twins) sets an extravagant tone that excites the audience for future projects connected to the tale this track has started unfolding. The battles and unraveling of the cosmos within its stories will keep just about anybody intrigued until the release of another single and the entire LP. To check out Mire Mite (The Twins) , just hit one of the links below! JAELYN | Sodeh ‎ Mire Mite (The Twins) - Single - Album by JAELYN - Apple Music Mire Mite (The Twins) - song and lyrics by JAELYN | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. < Back Reviews on the Real: 3AM 666 by Antania Nick Cline Sep 15, 2025 Share From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. Antania is a band that blends visceral intensity, thematic depth, and unwavering dedication. Their sound draws from a diverse range of influences, including Slayer , Ministry , and The Prodigy , crafting a unique soundscape characterized by hard-hitting beats, aggressive sounds, and haunting vocals and their latest release is no different. Released June 20, 2025 This signature sound is prominently showcased in their latest release, 3AM 666 , a ten-track powerhouse album featuring songs like ' Pigz ,' ' Sewn ,' and ' Abysmal ', which was released on June 20, 2025 . From start to finish, 3AM 666 offers a dynamic experience that I would describe as a horror movie rock opera . The album’s scale and visceral nature resonate with every guttural scream, lingering beats that stick with you long after the initial listens and sounds that slice through the sound like sharp blades. The album encapsulates an artistic sense of dread, aligning perfectly with the band's intended vision for this project. It feels both mysterious and revealing, visceral yet impressive. Antania presents a collection of sounds wrapped in a thorn-covered display of musical artistry, and they deliver it with remarkable ease. Credit: The Triad Rec My personal favorite track is ' Blood Love .' The synth intro feels like an episode of The Twilight Zone , and suddenly you’re swept away into an untamed execution of tone and musicality . From beginning to end, the music captivates your senses and draws you in completely. Credit: The Triad Rec Overall, this album stands as a testament to the band's ability to channel immense creative energy into a tightly wrapped package—something that few bands can achieve . It’s a powerhouse of concepts, energy, and raw musicality. The album’s visceral yet appealing nature makes it a fitting listen for fans of Rob Zombie films or anyone seeking a more aggressive edge in their musical repertoire. Go stream it now! To learn more about Antania: Linktree: antaniaofficial | Facebook | Linktree Facebook: Facebook Instagram: Instagram The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Do you want to know who brings you all the content? We do! contributors Nicole Brice Editor-in-Chief, Managing Editor, Digital Content Editor, Head Writer, Marketing Director, Brand Manager, Producer/Host Reviews on the Reel , Producer/Host Unscripted Verbiage, Video Editor the_nicolebrice@mixedaltmag.com www.Amazon.com/author/nicole_dewey_brice Nicole Brice is a Veteran, former college radio DJ, published author, owner of MAM, and she’s a total music snob. She has been since age 7, when she became obsessed with music after hearing Depeche Mode for the first time. Located in Baton Rouge, La., she likes the obscure things that people haven’t heard, as well as the things that are LOUD. She likes to go against the grain and the norm, challenging mainstream ideals and beliefs. With a background in Marketing, Advertising, and Brand Management, she hopes to bring her vision of a free artistic space to life with MAM. Never being one to follow, she likes to research things on her own. With an extreme love for the aesthetic of music & art merged, she is obsessed with fashion – but not just any fashion; it must reflect her punk rock/grunge style and be different from the norm. Bright colors, bright patterns, and a mixture of many textures are what draw her in. Nicole’s also a hardcore wrestling fan and a former Divas Champion. Don’t believe it? She has the belt to prove it, and the smacketh is often laid down on those who make her angry with no mercy. She wants to draw attention to and put focus on those who create in hopes of banding together to spread a message of love and unity in a world so divided by hate. bud gambrell Lead Photographer - North Alabama Region / Music Writer Off the Charts the_budgambrell@mixedaltmag.com www.bgambrellphotography.com Bud Gambrell is a published author and music photographer located in Hazel Green, Alabama, and we are beyond excited to have him on our team. Bud first discovered his love for live music in 1976 when he was captivated by the atmosphere at a KISS concert. Since then, he has attended many other shows featuring both local and national acts and has been producing content for concert reviews via Sound Check Entertainment, UnRated Magazine, Sonic Perspectives, and AL.com. Bud’s passion for photography began at a young age when he started out as an amateur shutterbug. Known for his stunning crispy images in and around North Alabama, Bud continues to photograph many notable acts and recently published his first book about the much-loved Side Tracks Music Hall, which was located in Huntsville, Alabama. The book is currently available on Amazon.com. tim jackson Entertainment Writer www.clippings.me/timwjackson Tim is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. But we promise he doesn't bite. He's a freelance communicator who likes to tell all kinds of stories with words, photos, and video, and he has extensive experience working in traditional media (newspapers, magazines, and book publishing). With an MFA in Creative Nonfiction from Goucher College and a B.A in Communication from the University of Alabama, he loves storytelling by any method. A native of Russellville, Alabama, Tim currently lives in Tuscumbia with his wife, Taryn, who has an affinity for tarot cards, and their dog, Maple, who has an affinity for chewing remote controls. Don't let his clean looks fool you, though; he fits right in with our cool-kid shenanigans. jeff crespi Lead Photographer - New Jersey Region www.jeffcrespirocks.com Jeff Crespi is … well … he’s a riot; can you not tell? No way we were gonna pass on having him come play in our sandbox. Jeff is an award-winning professional concert photographer out of New Jersey covering hundreds of shows each year. He’s the house photographer for the legendary Stone Pony and Asbury Lanes in Asbury Park, NJ, and he is one of the house photographers at Starland Ballroom in Sayreville. He’s also the winner of the Asbury Music Award Top Music Photographer five years running. Expect some badassery from this one. gary governale Lead Photographer, Videographer BR & NOLA Regions / Music Writer www.GovernalePhotoVideo.com Gary has been working as a video professional since grunge kicked the door down on rock radio, then he picked up his Nikon just a few years later. A lifelong music enthusiast, Gary enjoys band photography and album art just as much as the music itself. He’s a big fan of any-and-all rock ‘n roll, including classic rock, punk, alternative, and hard rock, but he certainly enjoys some jazz and classical vibes when it’s time to relax. He has been serving as band photographer for Christian Rock group, Empowered, including directing, shooting, and editing one of their music videos. When not following the band around or toiling away at his regular video job, Gary spends his time lamenting the loss of the local record store-shopping experience. He is located in Baton Rouge, LA. ezekiel "zeke" kincaid Entertainment Writer https://www.amazon.com/Ezekiel-Kincaid/ He looks scary, but we promise he’s not. He does write scary stuff though, and we can vouch for his filthy, incredible talent. Zeke is known by his fans as “The Paranormal Pastor” or “The Pastor of Horror” because, well, he’s a fantastic horror author with over 20 years in ministry. He’s also a paranormal investigator with some pretty incredible experiences, and because of all of that, he brings a unique and original touch to the dark fiction genre. His writings run the gamut of human existence, and he likes to write in various styles and voices to allow his tales the narration and visceral characters needed to make the words jump off the page. And jump, they do. Right in your face. The only other language he’s fluent in is sarcasm, which explains why he’s such a perfect fit with us. With three theological degrees, a romantic side, and an affinity for martial arts, he’ll fight anyone who says they don’t like Bruce Campbell. seth thomas Co-host Unscripted Verbiage http://therageonline.com/ https://www.listentotheplanet.com/loud-hour Seth Thomas is the host of the Louisiana LOUD Hour on Planet Radio 106.7, a popular Rock station based in Lafayette, Louisiana. Known for his deep passion for local music and energetic on-air presence, Seth curates a high-octane mix of Rock, Metal, Punk, and Independent, and Alternative music, delivering a raw and authentic listening experience. He has become a prominent voice in the local rock scene, engaging with fans through interactive segments and supporting local bands by giving them airplay and exposure. Seth’s dedication to the genre and his connection with the community have made the Louisiana LOUD Hour a must-listen for rock enthusiasts in the area. In addition to the LOUD Hour, Seth recently launched his own indie station called The Rage. The Rage is available in the Apple App store as well as on Google Play, so go download your new rock animal today! kimberly bryant Music, Comedy, and Entertainment Writer http://www.youtube.com/@popculturegreenroom Kimberly is an experienced entertainment writer and media personality, known for her insightful take on pop culture and the entertainment industry. She earned her bachelor’s degree in Broadcast and Journalism from Southeastern Louisiana University, where she began her career as a sports reporter for The Southeastern Channel. After relocating to San Diego, CA, for 12 years, Kimberly delved deeper into the entertainment world, following in her family's footsteps in film, television, and theater. As the co-host of The Pop Culture Green Room podcast and YouTube channel, she covers the latest in celebrity news, reality TV, and current events. Her sharp commentary and engaging style have also landed her appearances on TMZ , where she shares her expertise with a national audience. When she's not hosting or writing, Kimberly enjoys exploring new facets of the entertainment industry, connecting with her audience through various media platforms, diving into new trends, working out, staying healthy, and spending time with her dog Lucy. corey nichols Creative & Promotions Designer Corey Nichols is a multi-talented artist and business owner based in a small Louisiana town. His journey began with simply a pencil and a love for art and drawing. In 2016, Corey began his career in the tattoo industry, using his experience in drawing and illustration to develop a natural talent for tattooing. Learning from the popular tattoo artist, Micro, Corey honed his skills and acquired the iconic Burning Lotus tattoo shop. Known across Louisiana, Burning Lotus has earned the prestigious Best of 225 award for "Best Tattoo Shop" four years running, solidifying its reputation in the tattoo game. Motivated by a desire to expand his creative horizons, Corey recently embarked on a new journey—Painterly Portraits. What began as a few commissioned pieces for charity auctions quickly evolved into a potential business. Through Painterly Portraits, Corey channels his immense love for art, creating each portrait with deep passion and precision. His goal is to inspire others by sharing his work with the world and bringing his vision to life. View More

Subliminal Landmines are back with a new, harder-edged sound. < Back Subliminal Landmines: Detonating Their Return to Louisiana’s Punk Scene Nicole Brice Dec 3, 2025 Share Subliminal Landmines are back with a new, harder-edged sound. The Louisiana music scene is brimming with great bands, and one that is set to make a significant comeback in 2026 is the Lafayette-based punk band Subliminal Landmines . After a brief hiatus due to lineup changes, the band is back with a new, harder-edged sound and is ready to take the stage by storm. Credit: Gary Governale Since their inception in 2017 , Subliminal Landmines has continued to grow in scope, with numerous releases all showing a steady progression in sound. When asked about the origins of their band name, founder Grant Duhon explained, "Each of the songs we write has a deeper context, a subliminal aspect to each, and then once the listener connects the dots, and it clicks that you understand what the song is about, it's like a landmine that goes off triggered by realization." The name definitely reflects the essence of a band that never stops gaining momentum. Subliminal Landmines is more than just a punk band; it is a trio of creative individuals from diverse backgrounds who share a passion for making music and creating art. Initially, the band’s sound was more reminiscent of Green Day and a bit poppier, but over the years, their sound has evolved to embrace the skate-punk aesthetic, in the vein of Pennywise , and has now expanded into the hardcore punk genre. The new lineup features Scratch on vocals, Fry on bass, and Taz on drums. Credit: Gary Governale Recently, Scratch opened a multi-use chill space in downtown Lafayette called The Devil’s Den , which he hopes to house a barrage of shows in the future. As a hydro/hydra lounge and boutique , The Devil’s Den offers numerous beverages and oddities for purchase, including handmade corsets and jewelry , along with game rentals and more. With this new venue, Subliminal Landmines is poised to make a comeback that promises to be even more intense than before. The first show with the new lineup is scheduled for Friday, December 19, 2025, at The Devil’s Den . Mark your calendars and be there! Subliminal Landmines make their return on December 19th! The band recently stopped by the house to hang out and chat, so take a moment to learn more about what they have been up to as well as what’s in store for 2026 . MaM : So, tell us a little more about this new line-up and how things came to be. Scratch : We were looking for a bassist and a drummer, and some time had passed, and then my friend Steven ran into Fry one night, and they linked up, and he gave Fry my number. He then hit me up and tried out for bass and fit the spot perfectly. Then we had drum tryouts, and that’s where Taz came in. We then started practicing and writing, and we actually just recorded four new songs. Credit: Gary Governale MaM : Nice! Are you still going to promote Restless Thoughts from Different Cities that came out with the old line-up? I know once it came out, not much else was done in terms of promotion. Scratch : Well, I kind of plan to promote it, but for the most part, it’s just a release that is out there because we don’t have any physical copies. We had those songs in the vault for over two years, and we didn’t want to sit on them. MaM : It’s such a great EP. So, let’s talk to your new members, Fry and Taz. Guys, no last name? Just a first name? (nodding) MaM : (to Fry) How long have you been playing bass, and what got you into it initially? Fry : Well, I tried out guitar, and it was cool, but I like bass because I’ve always heard it prominently. I actually found Gorillaz, first off, and I started playing acoustic bass. Then I saw Red Hot Chili Peppers and Primus, and I always wanted to learn the hardest song to practice. That taught me you could do vocals while playing bass, so I’ve been trying to freestyle while playing bass. Credit: Gary Governale MaM : (to Taz) How long have you been playing drums? Taz : Three years. I had a drum set for a long time, and finally got to practicing on it. One day, I just looked at it and started. Played it, liked it, upgraded to the set I have now. Credit: Gary Governale Scratch : Fry has his own signature bass style. You can hear him slapping that bass. Fry : Double thumb is what we’re doing a lot of on this new stuff. Lowkey. I’ve been adding little strums and whatnot, too. I like to keep the action low so it’s a bit more rumbly. So, I’ll do some complex fingerstyle if I’m going to play fingerstyle, and it usually works out. You don’t hear enough slap in punk. It’s criminally underrated. Credit: Gary Governale MaM : (to Grant) So, you’re going by Scratch now? Why the persona change? Take us through that. Scratch : It’s a nickname I’ve always had, but when we brought Fry on, I was like, you know, it would be cool if we each had our own identities tied to the band, and I actually came up with a last name, too, as I was creating a character for The Devil’s Den . For the PS4 profile, I put Scratch as the first name, but then I needed a last name, so I picked Wilson because who can make it happen? Scratch WILL SON ! It just rolls off the tongue. (laughter) Credit: Gary Governale MaM : (looks to Fry and Taz) Are you guys going to add a last name to match Grant’s? Fry : I started with Fry Lock . So, like Fry’s locked in. MaM : That’s awesome! Fry : I have an adlib that I’ll do a lot, where I’ll spell out my name F-R-Y. MaM : Well, think about the whole gimmicky nature of previous bands choosing personas over their real names. Look at The Ramones, and The Donnas … I love when bands do that. It brings it full circle. Taz : I guess I need to find a last name now. Scratch : Mine naturally made itself. I didn’t actually think of it. The universe gave me a circumstance. It was like choose your last name, and Wilson was the first thing that came to mind. Credit: Gary Governale MaM : It’s almost as if you could change your whole persona within the band and make it to where people don’t know your real name. Scratch : So, with The Devil’s Den , I introduce myself as Scratch . That’s just my persona downtown [Lafayette]. I don’t really want people knowing my real name because I’m meeting a lot of people every day. Credit: Gary Governale MaM : So, let’s talk new venue. How did this all come about? Scratch : Well, so the name, obviously, has been floating around for a while in my head, but as a restaurant originally. A spicy food-based restaurant, actually, but it just didn’t work out that way. When The Grouse Room closed down, I was thinking about how Lafayette has lost another music venue, and what an opportune time to do what I do on a bigger scale or more consistently, not just once a year like Radfest . If I could house an event center where people can hang out, host events regularly, and host Radfest, then that would be it. But you can literally walk out of The Devil’s Den , and Parc International is right there. Right in our backyard. MaM : Tell us a little more about the venue. Scratch : I looked into The Grouse Room when it closed down, and I didn’t know whether they wanted a lease or if they were trying to sell it. They wanted to sell it, so then I saw a building two doors down, and when I tell you universal synchronicities with this building … things kept lining up and happening to make it happen. MaM : That’s usually how it works out. Scratch : The building was already red and black. The main wall inside, an original, beautiful brick wall, was basically sculpted by Fry, Taz, me , and a couple of other people. We got a crowbar and a hammer, chiseled off the rest of the wall to expose the brick, and then I basically revamped that whole building. It’s red-lit inside; it has this vibe. We’ve been getting some foot traffic. Basically, it’s just an awareness period right now, but a lot of peace and love went into those walls. Credit: Gary Governale MaM : So, what’s on the horizon for 2026? Tell us about the new music. Scratch : Yeah, the new stuff is a little more hardcore punk . It’s all recorded, four songs. My vocals are more aggressive, too. We recorded with Ben Finley at The Shed Sound Hole , and we hope to have it released by January or February 2026 . I hope to be booking regular shows at The Devil’s Den , not just for Subliminal Landmines , but also for other bands, and to do some fashion shows there, too. All kinds of things will happen in 2026 . Credit: Gary Governale As Subliminal Landmines continue to carve out their place in the Louisiana music landscape and beyond, make it a point to check out their first live show with the new line-up on December 19, 2025 , at The Devil's Den in Lafayette, LA. To learn more about Subliminal Landmines: Spotify: Subliminal Landmines | Spotify Apple Music: ‎Subliminal Landmines - Apple Music Facebook: Facebook Instagram: Subliminal Landmines (@subliminallandmines) • Instagram photos and videos YouTube: "Where's My Coke?" - OFFICIAL VIDEO *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Musicians on the local scene currently that you need to hear and know about. On the Scene Dec 3, 2025 Subliminal Landmines: Detonating Their Return to Louisiana’s Punk Scene Subliminal Landmines are back with a new, harder-edged sound. Read More Jun 13, 2025 Who On Earth: Bringing the Thunder Back to Modern Hard Rock Who On Earth is blending a classic rock vibe with modern twists and turns. Read More Jun 2, 2025 Biff Swenson: An Architect of Asbury Park’s Indie Scene Biff Swenson is helping to foster a community of independent creatives. Read More May 7, 2025 Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Read More Apr 21, 2025 HolleeStar Shines Bright: Louisiana’s Alternative Scene Gets a New Sound HolleeStar's music is an organic fusion of sounds. Read More Feb 19, 2025 Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Daemon Grimm is drawing their influence from more than just metal. Read More Oct 1, 2024 CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Hey! Ho! Let’s Go! 50 Years Of CBGB! Read More Sep 18, 2024 Hammond’s Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media The Green Room brings together local musicians for a night of fun and music. Read More Aug 8, 2024 On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 The Harmonic Stew showcase is a vibrant celebration of emerging talent. Read More Mar 13, 2024 SÖŪP: A Rich Tapestry of Musical Expression SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. Read More Mar 2, 2024 The Dynamic Sound of the New Jersey Band Spyne Spyne!’s music is raw unfiltered rock with a nod to the classics. Read More Jan 18, 2024 Steve Mignano: A Man with a Lust for Movement and Change How Steve Mignano found his way to music, New Orleans, and soundscape success with musical projects Drab and Garguts. Read More Jan 17, 2024 Moon Tree: Reflecting the Sounds of the Cosmos Moon Tree is a down-to-earth musical odyssey intertwining jazz, blues, country, and rock to create art built of timeless stories. Read More Dec 6, 2023 Perry A: Just Two Guys Making Music Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Read More Nov 30, 2023 Shane Webb: A Drumming Odyssey Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. Read More Nov 27, 2023 Rothstein Beatz: Worth the Gamble Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. Read More Nov 14, 2023 Neon Rayon: Redefining Electronic Rock Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. Read More Nov 9, 2023 Unveiling Small Town SINdrome: The Band, The Name, and The Music STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. Read More Sep 14, 2023 Hollow Heroes: Rising Against the Trends Towards a Cohesive Sound Hollow Heroes music is a melodic masterpiece Read More Jun 7, 2023 Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks His ethereal music makes for one magical, introspective ride Read More May 24, 2023 Justin Holder: North Alabama's Self-Proclaimed Drummer Ho One studio drummer who's tearin' it up Read More May 16, 2023 Electric Age: Reinventing Sludge Rock with No Rules Drawing inspiration from Southern roots Read More May 2, 2023 FIREKID: Living and Making Music on Their Own Terms Life on Merry Hill Read More May 1, 2023 Of The Roses: Austin's Moody & Mysterious Indie Art Rock/Pop Band Ripe with fuzz, psychedelia, and haunting rhythms Read More Apr 28, 2023 Vinnie La Bella An intimate conversation Read More Apr 18, 2023 Easy, Breezy Sounds: The Music of Tommy Thibodaux Mellow & Smooth Read More Mar 21, 2023 When Metal and Rock Collide: 4 Mag Nitrous A Soundtrack for Navigating Hell Read More Mar 2, 2023 An Ugly/Beautiful Dichotomy: The Music of Morbid Orchid Presenting Grunge-Gaze Read More Feb 24, 2023 A Musical Cabinet of Macabre Curiosities Charming Disaster Conjures New Album Read More Jan 26, 2023 Punk Rock with Ferocity: DeadCentered and USER UNAUTHORIZED Best Heard Loud Read More

Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Finding the Song in Everyone: Conversations with Dash Rip Rock Click to read more Conversations with an Indie Filmmaker: DeOndria Michelle Click to read more Subliminal Landmines: Detonating Their Return to Louisiana’s Punk Scene Click to read more ART WITH HEART OFF THE CHARTS WAY BACK WHEN Video premieres Check this out! All Categories Play Video Play Video 04:35 FISHBONE LAST CALL IN AMERICA Featuring George Clinton Last Call In America is the 2nd release from the new album Stockholm Syndrome coming out on June 27, 2025 The return of Fishbone hitting you with topical and critical observations of the world while having you move to it. Featuring George Clinton, Last Call in America sadly tells the story that has been relevant for decades and sadly hasn't changed. Inspired by Don Letts and The Clash's "This is Radio Clash", edited by Anuj Chaudary for Frequency Illusions, the video takes current and past news footage showing how things should have gotten better, but stayed the same and we went backward vs moving forward and intertwined with live performances of Fishbone from this past 2024 Red Hot Holiday Tour showing a strong and reinvigorated line up of players out to make a mark, tell a story and get and keep you on your feet. Pre-Order your vinyl or cd or bundle at www.fishbone.net See Fishbone on tour all summer on the Less Than Jake Summer Circus 2025. Play Video Play Video 04:58 Fishbone - Suckered by Sabotage Official visual accompaniment for Suckered by Sabotage from Fishbone’s 2025 album Stockholm Syndrome. Life is about challenges and overcoming them. With all the curve balls thrown at you, the worst of them all are the ones you throw at yourself. Self Sabotage is the worst, because it’s self inflicted… but with the right group of people in your corner to support you, we can get past it. It takes a Familyhood. Play Video Play Video 03:02 COST OF HEAVEN OFFICIAL VIDEO music & merch: https://linktr.ee/Krisruss twitter: https://x.com/KrisrussMusic spotify: https://open.spotify.com/album/2xvcZ8d6NxTT7nCZNTT1Fx?si=U3uQgMG2TA2IOmPNIuJVQA produced: nick maggio mixed/mastered: lowland records COST OF HEAVEN LYRICS: Take it as you will Take it cuz you won't How can you provide any answers When you're the cause of the problem Do you feel empty? Would it even help? What if we kill the drive That seems to destroy everything? So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well I don't They say the price is steep The gates are painted gold Selling faith like a drug Attached with a ransom note Can we pave the way? Will we ever know? Hiding behind "honesty" And ignoring the echo's So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well And I don't Want to feel a thing And I can't Feel empathy So what's the COST OF HEAVEN? Is it watching people as they try to harm themselves Give them GRACE Give them Virtue Can you show me a way out when Were not doing so well So what's the cost? What's the cost? What's the cost? What's the cost? I don't Want to feel a thing drums: hickman plaisance guitar & vocals: Kris Russ Bass: Jose Gregorio Stand in: Joshua fassbender Drummer for VEDAS and Closur Play Video Play Video 03:52 Deep Sleep Atlantic - From My Side (Official Music Video). Concept by Danika Andrade and Travis Marc. Director of Photography - Danika Andrade. Edited by Danika Andrade. Purchase 'From My Side' - https://deepsleepatlantic.bandcamp.com/track/from-my-side Huge thank you to the following personal for their appearances in this music video (in order of their first performing appearance), they are - Brandy Payne, Scott Burris, Monique du Plooy, Ed Estalote, Lacey Troutman, Casey Last, Alex Harris MacDonald, Kristie Hendricks, Kouda Brown, Janson Lohmeyer, Chris Vincent, Stephen Brashear. Support 'Deep Sleep Atlantic' here - Facebook: / deepsleepatlantic Instagram: / deepsleepatlantic Soundcloud: / deepsleepatlantic Spotify: https://open.spotify.com/album/0sTn0f... TikTok: http://tiktok.com/deepsleepatlantic Twitter: / deepsleepatlc Website: https://deepsleepatlantic.com YouTube: / deepsleepatlantic Play Video Play Video 03:12 LA Phantoms TightGrip OfficialVideo 1 PunK RocK from Lafayette, La. Filmed and Edited by Corey Harrington. Play Video Play Video 03:13 RobenX - "Window Pain" (Official Music Video) RobenX - Window pain (Official Music Video) Stream Window Pain https://vyd.co/RobenxWindowPain Starring @iamtredeaton @_strikerofficial @jahova901 @metal_motherfit Direction & Cinematography- @weemscreative Anastasia Elliot- in charge of photography and BTS video @Anastasiaelliot Josh L. Saltzman - Lighting Director and Gaffer - @freedomswhenyoublink Vicki Elliot - On Set Help and Owner of some of set - @athenagal Connect with RobenX https://mobile.twitter.com/therobenx https://www.instagram.com/therobenx/ https://www.facebook.com/Teamrobenx/ Play Video Play Video 03:31 First ever music video!! Yall share it around!! Play Video Play Video 03:27 Deep Sleep Atlantic - On My Knees (Official Music Video). Concept by Danika Andrade and Travis Marc. Director of Photography - Danika Andrade. Edited by Danika Andrade. Purchase 'On My Knees' - https://deepsleepatlantic.bandcamp.com/track/on-my-knees-2 Support 'Deep Sleep Atlantic' here - Facebook: / deepsleepatlantic Instagram: / deepsleepatlantic Soundcloud: / deepsleepatlantic Spotify: https://open.spotify.com/album/0sTn0f... TikTok: http://tiktok.com/deepsleepatlantic Twitter: / deepsleepatlc Website: https://deepsleepatlantic.com YouTube: / deepsleepatlantic

STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. < Back Unveiling Small Town SINdrome: The Band, The Name, and The Music Erica Machen Nov 9, 2023 Share STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. Small Town SINdrome, also known as STS, is a notable alternative rock band hailing from Grand Rapids, Minnesota. STS has rapidly gained attention with their distinctive sound, as their music seamlessly blends the raw power of classic punk rock with intricate pop melodies and compelling lyrics . STS offers unique listening experience that resounds heavily with fans. Established in 2018, this three-piece band consists of Brian Gandy, a charismatic vocalist and guitarist; Adam Mahoney, the rhythmic section of the band on drums; and John Hakala, vocalist and bass guitar virtuoso. The name "Small Town SINdrome" itself draws inspiration from the small-town-ness of Grand Rapids. Despite Brian and Adam's roots in larger cities, the band has embraced the small-town mindset and ethos, infusing their music with a down-to-earth sensibility. Some may even pick up on a bit of garage band vibes. STS explores a rich array of emotions and themes in their music, forging a deep and energizing connection with their audience. From writing jam-worthy songs when freestyling together to electrifying live performances, Small Town SINdrome is on a path to become a major force in the world of alternative rock. STS has themselves poised for a tremendous journey in the world of music, sharing their authentic stories, talent, and energy with us all. Photo provided by artist. MaM : Guys, thanks so much for rapping with us today. Let’s jump right in with some of those broken-record questions: With a name as unique as Small Town SINdrome, there has to be a story. Please enlighten us how the band name came about! BG : We spent nights sitting around trying to figure out what the hell our name was going to be, because there is a lack of available names. We even went so far as to use a band name generator online. It was funny because everything we came up with sounded really cool. Then, Google would say someone in Portugal has got the name. John actually came up with it because we're here in a small town. With the small-town mentality and that sort of thing, we thought, that's kind of a cool idea. We flipped from Syndrome to SINdrome and nobody has sued us yet. MaM : Can you share a bit about how you all came together as a band? I understand that Brian and Adam have a family connection, but what led to recruiting John as the bass player? BG : We don’t talk about that publicly. (Laughs) No, Adam is officially my stepson, but he's more like my little brother. John, I look at him as my other little brother. We’re a family, a three-piece family. JH : Adam and I were living with a buddy, and Brian would come jam with him. They’d try to get me to play, but I would run and hide in my room. They finally wore me down and liked it. We started writing together, and it was just really easy. We all fit together. It’s still easy. We start jamming and that’s when the good stuff comes out. MaM : When listening to your music, I hear a mix of alt-rock, punk, and even some classic rock with a garage band vibe. How do you describe your genre, and how does your diversity play into shaping your sound? BG : You’re absolutely right in hearing all of that in our music. When we write a song, we don't necessarily say we're going to write a specific type of the song. Like John said, we just start jamming, and we go with it. Then we have songs that could be a little punk rock, pop-punk, alt rock, or could be a little classic rock. We all share a lot of the same influence, but, then again, we also have a lot of very different influences. JH : We might be jamming and listening to different bands separately from each other through the week, but then we come together and it’s a totally different style from what we’ve been doing. It really depends on what we're all listening to, what kind of moods we're in, and what's going on. We come to practice, just let it out, and see what happens. BG : I'm the Smashing Pumpkins/Nirvana wing of the band. It's funny. John came to practice a few weeks back with a bass riff and we started playing on it. It sounded really good, but it was so Smashing Pumpkins. For the next week to two weeks, I couldn't write or think of anything else … I kind of get pulled in by that. MaM : It's clear that your music appeals to a broad audience. How do you navigate such a diverse range of listeners and expectations? BG : We get feedback, and people do say different things. Really, we want everybody to like everything we do, but there's also the reality that some people are going to like this, some people are going to like that. That’s why we want to be as diverse as we can with our music, with the understanding that what some may like may not be what someone else likes. We want to try to reach as many people as we can. Back in February, we released the first cover we've ever done: ‘Blister in the Sun’ by Violent Femmes. I tell the story because it's so true that this is the one song of ours that no matter what genre people are into or what age demographic, people love it. MaM : With such an eclectic reach, I’ve no doubt the journey has been filled with interesting moments. Could you elaborate on the highs and lows you've experienced along the way? (Lots of laughter between the band.) AM : This may be a little off topic, but I just have to … About two weeks ago, John left practice about two minutes before I did, and he hid in the dark. He was going to jump out and scare the shit out of me, but he ended up tripping over a fire pit and breaking his femur. He’s never even broken a bone before. Two weeks later, and we just had our first practice today. When you asked about highs and lows … I’d say that this dude is in a pretty low one right now. We have a lot of cool music times too, though. As for highs and lows, there’s a lot of ‘em. In September, we did do the coolest show of our lives. We played at Rocklahoma with a bunch of bad-ass bands. So, yeah, a lot of cool music moments too, but the broken leg is most recent. MaM : Regarding Rocklahoma, tell me more about the impact the band felt playing alongside legendary acts like Pantera, Rob Zombie, and Limp Bizkit? BG : As Adam said, it was the high point so far … not just for us being able to be on a stage in front of people at that venue, but just being able to see some of the bands we've always admired. The other highlight was the ability to be able to be backstage and kind of go where we want. I think we'd all agree. You aren’t often able to share a bill with, you know, the Chris Daughtrys of the world and Eddie Van Halen's kid. Until we got on that stage, I was thinking somebody was going to call us and say, 'Whoops, we made a mistake. We meant the other Small Town Syndrome with the I.' … [It] was a fun time for sure. MaM : I see that you recently released a new single, "Matches to Ashes". How have your fans been reacting to your latest track? BG : Pretty positive. It was kind of a weird year for us as far as releasing music. We had some festivals and things we did over the summer with the goal to get to Oklahoma. We really wanted to release at least a couple of songs during 2023. That's why we put “Matches to Ashes” out there when we did. It’s definitely one we all enjoy playing, and it's been well received when we have gotten to play it. MaM : Here comes my quirky question: What came first, the chicken or the egg? BG : Hmm, I don’t have a strong opinion either way. If I have to pick between the two, I’m going to go chicken. AM : Chicken. JH : Then I’m going to have to go egg. MaM : Honestly, I wanted to get you thinking so I could ask about your writing process. What comes first, the lyrics or the instrumentals? AM : It can be different. I think it's like that with a lot of bands, but not everyone can do it. Sometimes Brian will have pretty much a whole song already down on guitar with some lyrics. He'll come to us with it, and we'll fill it in. We piece it together. John has done it too, but then there's times we'll just get in the room and within 20 minutes have a super song from freestyling. MaM : As a band, where do you see yourselves in the next five years? Any particular goals or aspirations you'd like to share with your fans? BG : From my perspective, Dave Grohl said it perfectly. He did an interview a few years back and said something to the effect of if you do this just for the love of music and nothing else, with no illusion of winning American Idol or The Voice or something, you’ve already won. Obviously, bands want to make a career out of this and sustain without having to work multiple jobs, but I think that’s really it for me. We definitely want to keep creating and pushing ourselves to improve as a band and as individual musicians. Rocklahoma was a big bucket list thing, but now it’s not enough. Once you have a taste of that, you say ‘Ok, now what?’ We are looking at touring next year and making a stop in the UK. That’s another big bucket list item for us. And, of course, back to the music, it's just finding those bigger stages and keeping that rolling. I should say this too—Erica, you're kind of getting a scoop on this: We haven't said this publicly, but we will have an album coming out tentatively on February 1st. It’s totally unreleased music we have done and some new stuff we're working on. MaM : That’s excellent! We’re happy to share that news! What should we be looking for next from STS? BG : We want to play in a lot of places in 2024 that we've not played. We want to see as many people at our shows as we can, and we want to be able to meet a lot of people. We're going to work on getting to different corners of the world and see some new stages. As I said earlier, the immediate goal is to get the new music out and into everybody’s ears. JH : I think pretty similar to Brian. Get out, play a lot of shows, heal my leg, and get back to jumping and messing around. I love playing live, feeling that energy, and feeding off of it. That's my goal: just get back out there. AM : Same. I mean, put some new music out there, write some new stuff, and play some play some dope shows with some bad-ass crowds. While we anticipate the new sounds from Small Town SINdrome coming in February 2024, check out what they currently have to offer by visiting them online at www.SmallTownSindrome.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Spyne!’s music is raw unfiltered rock with a nod to the classics. < Back The Dynamic Sound of the New Jersey Band Spyne Nicole Brice Mar 2, 2024 Share Spyne!’s music is raw unfiltered rock with a nod to the classics. In the 90s, the musical landscape was full of rock tunes, but over the years the music being pushed to the masses has changed, taking on a different sound and vibe. With the industry focused more on overproduction and autotune, newer generations of independent musicians are starting to bring rock music back to where it belongs – on top. By reinventing guitar-driven music for a new generation, these bands are looking to make a revolutionary change by authentically creating tunes full of originality. New Jersey is known for its vibrant music scene and is continually churning out all sorts of musical creatives. Formed in New Jersey in 2021, the band Spyne! is steadily making a name for themselves on the local music scene, and includes frontman and rhythm guitarist Kyle Moyer, drummer Eric Muhler, lead guitarist Liam Muhler, and bassist Toni Manousos. Full of personality and charisma, Spyne! are four talented musicians on a mission to push boundaries and create music that resonates with listeners on a deep level, and the best way to describe Spyne!’s music, for those not familiar, is it is unfiltered rock with hints of punk and pop. It is simply feel-good rock. The band’s latest single “ Win ” was released on September 15, 2023, and is an anthem for any underdog facing criticism. With crisp, clean bluesy guitars and powerful vocals, the chorus asks, “Yeah what if I win?” in a sort of mocking tone. One of the defining features of the band’s sound on this track is Kyle’s powerful and soulful vocals , which could be compared to Daniel Johns from Silverchair meets Wolfgang Van Halen meets Dave Grohl . His dynamic range and emotive delivery add depth and intensity to all the band’s songs creating a powerful and enjoyable listening experience. Since their formation, Spyne! has been steadily releasing new music, and their debut EP, “ Away ”, released in 2022, showcases the band’s raw talent with an enjoyable 14 minutes of sound. Spyne! is currently working on a full-length album to be released in the future, but in the meantime, you can stay up to date on all their music via their social media. With a growing catalog of original songs and dynamic live shows, Spyne! is poised to continue making a name for themselves in the music industry and their solid booked calendar for 2024 can attest to that. Credit: Photo provided by band Mixed Alternative Magazine had the opportunity to chat with the guys in Spyne! recently to discuss aspirations, what makes them so unique, and upcoming plans. Take a moment to learn a little more about this talented and comedic group of musicians and then go stream their music and crank it up to 11. MaM : Hey guys, thanks for chatting with us today. First question – where did the band name and clever logo come from? Kyle : So, this goes back to me and our old drummer. We were sitting around, and he had just gotten done with treatment for scoliosis, so the name “spine” popped into our heads. We decided to add the “y” for a different take on the spelling and then the exclamation point at the end to show emphasis, so it reads as “Spyne!”. Also, too, with the “y”, it looks like a crooked back. MaM : What got each of you into music initially? Liam : I initially got into music because every member of my family plays an instrument, and we all play different instruments, so that has definitely been an influential factor in my interest in music. It was almost destined to happen and just seemed normal. I love all sorts of genres and we all have a different style, so it all just meshes well. Eric : Since Liam and I are brothers, you know we had a pretty similar upbringing. Both of our parents are teachers, so there was always a push for us to do something with music. Over the years, I tried numerous instruments, so it was about finding something I wanted to stick with. I started playing the drums, and over time, that ended up being the instrument that stuck with me. Toni : I was always fascinated with people moving people with their music. I think it’s a very powerful thing. Kyle : The earliest memory I have is listening to a bunch of different CDs in my mom’s car on the way to school. Growing up, I had a lot of eye surgeries done in New York, so we would have some long drives from New Jersey to New York and I remember listening to a lot of Deep Purple , Aerosmith , Van Halen , and anything classic rock , to be honest. My mom and dad were huge influences on my music taste, though. They introduced me to some great stuff. Credit: Photo provided by band MaM: That’s great parenting! How would you describe the music you typically create now? Kyle : I guess you could say it’s got a classic rock sound with a modern twist. We’re not trying to copy anyone, but we’re looking for a new sound that incorporates things from the past. Liam : I like to think of it as reinventing classic rock. An extension of an already rich tradition, but for a different demographic … more for our age group. I don’t feel like we’re making music to appeal to an older audience but more to a diverse audience. MaM : How do you approach writing music? Take us through the creative process. I read that you’re going to release a full-length album later this year, so tell us a little more about all of that, too. Liam : We are very privileged to have a great songwriter in Kyle. He writes from the heart and with his songwriting and Eric’s drumming skills, it’s just an excellent combination for Toni and me to add some riffs and harmony. We have a great formula and with live performances, we can stretch our muscles a little bit to change up the songs for the performance. Maybe change up a solo here or there. Our chemistry has these really consistent roles. Kyle : He’s right on the dot. It starts with me and then goes to Eric and then to the other two guys. We’re very lucky. Credit: Jeff Crespi MaM : If you could collaborate with any musician in the future, who would it be and why? Kyle : There are so many. I love Dave Grohl and have been a Foo Fighters fan since I was 12 years old, but I love Aerosmith, too. Liam : So, I have a bad answer for this. If I could collaborate with any artist, it would have to be Bruce Springsteen so I could complain to him. (laughter) No matter where I play or where I go, people keep mentioning him. The funny thing is that everyone around me has said they have met or seen Springsteen , so I feel like I owe it to myself to meet him. Everyone sitting at this table today has seen Springsteen . I’ve even done two Springsteen tributes in other bands, and I have yet to see or meet the guy. (laughter) MaM : If you ever do meet him, you need to tell him that he’s like Waldo … where’s Bruce ? (laughter) Toni : Paul McCartney for me. He’s influenced me the most. Eric : Rise Against for me. I would love to work with them and meet them. Credit: Jeff Crespi MaM : You guys are younger than me, and probably can’t remember a time without it, but how do you feel the internet has impacted the current state of the music industry? Liam : I think that the internet has fundamentally changed how we advertise things. I think that part of interacting with these social media platforms means that you must play by their rules a good bit and so we try to keep up with all of that. We try to put up cute and funny posts every so often. Something that can promote things seriously, but have a punchline, too. Sometimes having a sense of humor with what you post helps because it shows that your material is friendly and inviting. Kyle : I feel the same as Liam. Doing cute and funny things is great, but we’ve seen a good bit of changes with the internet just through the time we’ve grown up. Everything is so accessible now. Growing up it was more recreational, but since the 2010s, it feels like everything is media. The biggest struggle for us has been getting people to the shows, and in the past, it was more about just supporting the venues. Today, it’s so hard to pull people in and sometimes it’s the short funny media that makes them come to a show. It’s a learning experience. Credit: Jeff Crespi MaM : Do you have a favorite song to perform live? Eric : “ Away ” or “ Heaven Find You ”. People usually start jumping around during “Away” and it’s just fun to play. With “Heaven Find You”, I’m a big fan of the drum part I wrote for the song and love playing it. The chorus of the song is well-received by the fans, too. Toni : I think “ Win ” is my favorite original song to play. It’s just one of the best Spyne! songs and fun to play. Now, our cover of “ No One Knows ” by Queens of the Stone Age is one of the best we’ve done, and everyone loses their minds when we play it, too. Kyle : I don’t have an answer since I wrote all the songs. (laughter) I love each one. If I had to pick, though, it would be “ By the Bay ” and “ Heaven Find You ”. I also like it when we play “ Pride and Joy ” by Stevie Ray Vaughan, too. Liam : I’m going to start with my favorite cover to play live. Generally, with the covers, I love it when the songs have a good solo section because I like to make up stuff a lot. The guys give me a good bit of freedom to go crazy, but we played a cover at our last set at The Stone Pony by Kiss … we did “ Love Gun ”. That fulfilled something for my inner child because I grew up listening to Twisted Sister and other hair metal bands, and I just love the guitar work. With this cover, I was able to go crazy on stage and I think we have a recording of the performance somewhere. As far as originals go, I would have to pick “Win”. It’s got a kickass guitar riff that everybody remembers, and my friends have come up to me after a show to tell me that they really like “Win”. It’s such a terrific song. Credit: Jeff Crespi MaM : Ok, going to throw you guys a funny question. Do any of you have any useless talents outside of the musical realm? Liam : I can juggle pins on a unicycle. (laughter) MaM : That’s awesome. Kyle : I’ve seen that happen. I want to say automotive repair because I suck at it, but it’s not exactly useless. I can play drums on my stomach and can do that incredibly well for no reason. (laughter) Credit: Jeff Crespi MaM : So, when can we expect the new album? Where do you see yourself headed in the future? Kyle : We’re looking towards 2024, but I have a feeling it will push into 2025. We want it to be right. We have these songs that are an amalgamation of everything perfect. We want it mixed the way we want, and I think we’re going to fulfill our full artistic capabilities. The goal is to open for bigger acts and get our name out there to similar music tastes because the internet isn’t great at that. Liam : I think it’s really good that we’re going to be patient with the process. We’re not the type to rush into releasing something a little bit premature. I want to wrap it with a neat bow when we release it. As Spyne! continues to evolve and explore new musical territories, one thing remains constant – their passion for creating music that connects with people on a visceral level. Whether you’re a fan of rock or alternative, Spyne’s music is sure to resonate with you on a profound level. To check out the music of Spyne!, click the link below. Spyne! | Instagram, Facebook | Linktree *Photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Biff Swenson is helping to foster a community of independent creatives. < Back Biff Swenson: An Architect of Asbury Park’s Indie Scene Nicole Brice Jun 2, 2025 Share Biff Swenson is helping to foster a community of independent creatives. When I first discovered the Asbury Park music scene, I found it to be a vibrant mix of sounds and genres, offering something for everyone, and I wanted to learn more. However, I didn’t know much about the locals who make things happen. Enter Biff Swenson. Biff is a key player in this community of creatives, as he plays in eight different bands and organizes the Happy Mondays series at The Wonder Bar , a role he has maintained since a couple of years after the COVID-19 pandemic along with his fellow musician and co-conspirator Brian Erickson. Credit: Jeff Crespi The Happy Mondays series is a showcase that offers a platform for local musicians, particularly at a time when many venues tend to focus primarily on cover bands and established artists. No particular format or genre rules are in place, as Biff is a multi-talented instrumentalist and vocalist himself, who fills various roles across his own projects, contributing whatever is needed. After a decade of being in existence, the Happy Mondays series has proven to be an excellent community outreach staple for the original music community of Asbury Park, New Jersey , and Biff is one of the guys that makes it happen. Credit: Jeff Crespi Our favorite New Jersey photographer, Jeff Crespi , has echoed these sentiments about the Happy Mondays series and its impact on the scene: “With all the smaller venues closing up, having Happy Mondays at a professional, well-known venue is incredibly essential. Professional audio and visual components on top of getting paid, and a stacked green room with snacks and drinks provided.” When I first heard about Biff , I was intrigued to explore his music, but I was left wondering: which band should I check out to get me started? With so many options to choose from, it was overwhelming, but I managed to dive into at least three, and after completing this interview, I had many more to check out. Credit: Jeff Crespi Biff Swenson is a genuine Renaissance man , dedicating his time to a diverse range of projects that span nearly every genre. His infectious enthusiasm makes him an invaluable asset to the Asbury Park music scene. Through an introduction from one of my favorite people, Jeff Crespi , I had the opportunity to learn more about Biff and his various endeavors. Although he initially presents as a typical alternative music enthusiast when you first meet him, our conversations revealed a much deeper and more complex personality. One full of laughter and wisdom. His creative passion is a driving force behind the Happy Mondays series, which he aims to keep inclusive and open to all styles and genres. If you ask him to book you, he will, regardless of whether he likes your music, as Happy Mondays is dedicated to fostering a community of independent creatives. Biff is THE man with many plans, and they usually involve more people. Read on to learn more. MaM : So, let’s dive in – I’ve heard you play in six bands. Tell me a little more about that. Biff : It’s actually eight. (laughter) MaM : Wow … eight bands … tell me what the genres are and the differences between them all? Biff : We have a very incestual crew. (laughter) There are four core guys, and between them, there are probably 15 or 16 bands total. We mostly just all play for each other. With Grasser , I write all the lyrics, but I’m not necessarily the lead singer. Dana Why is the singer of Grasser’s solo project, but we all play as his backing band. Bristler is Rudy’s band that he fronts, but then Dana and I are his rhythm section, so it’s like we’re aging. (laughter) We found the people who are willing to work hard and are not thrown off by the manner in which we carry ourselves. We jokingly say, at this point, it’s just mental illness. (laughter) Everytime we add a new band, we’re just unwell. (laughter) We found a really cool group of people, and this is our “golf”. What else are we gonna do? Sit around and watch TV? We spend most nights in our rehearsal space and studio. Some nights, we’re recording from 4 p.m. to 6 p.m. for Bristler , and then from 6 p.m. to 8 p.m., we have Grasser practice. After that, we’ll do a shoot for a Yawn Mower music video . So, it’s usually seven days a week, and we miss most holidays. (laughter) Credit: Jeff Crespi MaM : Sounds about right. So, what bands are we missing? You mentioned Grasser, Dana Why, Bristler, Yawn Mower, and what else? Biff : Grasser is like a genre-less pop R&B hip-hop infused, but very punk rock ethos of DIY. We handle everything from engineering and mixing to mastering, artwork, photography, music videos, and more. The hardest thing to pull off with that band is live shows because it’s an eight-piece band. It began as a mostly recording project, which we eventually turned into a live band. It’s the most fun to do, but the most difficult to wrangle in and make happen. Yawn Mower is our most active band, and the one that I’ve been doing the longest. We hit ten years in August. That band started as a fuzzy rock two-piece, but at this point, members of all the other bands have joined, and it’s become a full band. We tour the most and even played at the Sea.Hear.Now.Festival a couple of years ago. It was the biggest thing we’ve ever done. Yawn Mower gets the most opportunities just based on how long we’ve been doing it. Bristler is a subdued indie rock band , reminiscent of Minus the Bear , Death Cab for Cutie , and Modest Mouse . MaM : Hell yeah Biff : Dana produces and sings for Grasser so that you would expect a lot of overlapping. He’s very introverted and maximalist, so most of his songs are pretty long, and they feel more cinematic than they do rock. It’s very ethereal, and you cannot passively listen to Dana’s music. If you’re not looking to hear an album, then it’s not for you. MaM : Right? Biff : So, some people find that one to be the most difficult to dive into, but it’s rewarding. He spends the most time on the most minute details that only a music fan is going to acknowledge or appreciate. Prop House is my newest band. I play bass in that band, whereas in my other bands, I typically play drums. It’s got like a 2000s emo revival sound, kind of like Thursday or Title Fight . Credit: Jeff Crespi MaM : That’s awesome. I don’t know how you do it all. So, I have been told you are THE person to speak to about booking a show for Happy Mondays at the Wonder Bar in Asbury Park. Tell me a little more about how you got involved with that? Biff : The series started in town over a decade ago, and it’s switched hands many times. I believe I may be the sixth person to take over this role. I do all this with Brian Erickson ; he’s in a few bands around town. It was a staple here. We used to have a lot of smaller venues – 150-capacity rooms. There was a place called The Saint , and if you started a band, your first show was always at The Saint. It was never a “no”. Always allowed. We lost it after COVID, and so there are no real small rooms anymore, and the ones that are still out there don’t have sound, lights, or a stage. They’re all DIY. Post-COVID, Happy Mondays still hadn’t come back, and I reached out to see what I could do since we are an original music town. Ended up finding out that Brian had reached out before me, so they had the idea of us just doing it together. We took it back over, and this is our third year doing it. It’s community outreach. It does not make money, but it’s where new bands started. That’s what it always was. Have you heard of the band Separatr ? MaM : Yes! Love them! I actually got to interview them twice. They have had quite a journey. Biff : The first week they were in town, they approached me about booking a show, and it was a no-brainer after they told me their story. I was like, done. You guys can play. Anyone who has committed their lives to music to move across the country, like them, deserves to play. Booking Happy Mondays for me is about building connections and networking. It’s not that I enjoy booking shows I’m not playing, but every week when I’m feeling down and out or burnt out, there’s always one person who comes up to me at a Happy Mondays show and says the right thing at the right time, and then it all makes sense. This is very affirming. This is why it exists. Since I’m a drummer and I live in town, I always seem to have a spare drum kit in my car. (laugher) Biff : So many weeks, though, someone will show up and not have a drum set, so I’m like, ‘You can use mine.’ Then they’ll ask me, ‘Are you playing tonight?’, and I’m like ‘no.’ (laughter) Credit: Jeff Crespi MaM : Just gotta have that extra drum kit no matter what. Biff : Sometimes, they’ll go, ‘I don’t have a bass amp.’ I’ll be like, ‘No problem. My rehearsal space is just down the street. I’ll be right back.’ It’s about community. MaM : I’ve got a curveball for you, so we have a huge cover band scene down here. Sometimes, it can be overwhelming because a good majority of the venues will only book you if you play covers. What’s the cover band scene like up there in Jersey? Tell us a little more about the scene up there in general. Biff : Well, New Jersey , in general, is like cover band central. Asbury is an original music city, but ya know. Well, once COVID was over, I actually was in a cover band for a couple of years, and did it for money, but left because it wasn’t what I wanted to play, and it wasn’t fulfilling. Playing ‘ Flagpole Sitta ’ every night just wasn’t doing it for me. MaM : Throw a little Harvey Danger in there, why not … (laughter) Biff : The people I was in that cover band with were all guys from original bands, and after two years of not a single free weekend, we decided it was dumb. I think Asbury is Bruce country, and so there are a ton of classic Bruce-esque cover bands. People do respect you more for doing original music here, but nobody is shitting on cover bands. We have New Brunswick , which is about an hour away from here, and it is punk. 110% DIY punk. It’s where all the house shows are. If a band isn’t from Asbury , they are from New Brunswick. That would be the alternative. Then there is Jersey City, which is pretty much New York. It’s right at the top of the state, and you can see New York from there. They have a really cool music scene, but it’s really lo-fi. It’s punk in ethos, but dogshit in quality. People don’t mind out of tune guitars and piss drunk singers. Always a packed house. Jersey City has a place called Pet Shop , and it’s just a bar. No stage. No PA. No lights. But 100-150 people are going to be there every night. It’s one of the only hubs to see that type of stuff. Outside of those three scenes, though, it’s just cover bands. Credit: Jeff Crespi MaM : When did you first discover your love for music, and what band made you want to play music? Biff : There’s a couple of pillar points with this. Even today, I love hip-hop . I listen to more hip-hop than I do new bands because bands are getting worse. (laughter) Biff : At a young age, I got into rap, and then my sister, who is seven years older than me, brought home Green Day’s Dookie on cassette, knowing I was into hip-hop . She was like, ‘Yo, these guys curse a lot.’ I was like, ‘That’s pretty cool,’ so I listened to it, and that was the first time rock music seemed cool to me. It wasn’t all 80s hair metal. After a few more years, around sixth grade, I discovered Blink-182 , and they are 100% the reason I started playing music. As a drummer, even today, my friends often tease me because I tend to overplay the drums. I’m always in the pocket. I’m always like, ‘We could put a ton of shit there! This song could use a little more. Travis Barker would put a fill right there.’ (laughter) Credit: Jeff Crespi MaM : So, you become like Animal from Muppet Babies ? (laughter) Biff : Exactly. I’ve been told that I look like Animal when I’m playing, but I don’t care about what I look like when I play. I only care about how it sounds. My first real concert was actually Green Day and Blink-182 together. MaM : Wow, I think I remember that – what year was that? Biff : 1999? Maybe? Around then. MaM : I’ve never seen Blink live, but I saw Green Day in like 2003? Maybe? Biff : It was The Pop Disaster Tour , if I remember, and Saves the Day opened. MaM : I used to love Saves the Day. They just dropped off the face of the earth. Biff : That day, though, I was watching Green Day pull kids on stage on the biggest stage in Jersey , in my eyes, and I was thinking about how I could do that and achieve that. Another thing, too, I was a church kid. Grew up around the church and even played in the church band. That’s how a lot of musicians cut their teeth playing music, though, because the church can’t exactly tell you no. After all, you’re doing it for the Lord. Oddly enough, the church influenced my music playing as much as Blink-182’s dick and fart jokes did. (laughter) Credit: Jeff Crespi MaM : So, do you only play bass and drums, or can you play guitar, too? What’s your favorite instrument to play? Biff : I can play guitar, too, but I’m so bad in comparison to all of my friends. Drums are the one I am most comfortable on, and you can see the most of my personality in them. I’ve put in over 10,000 hours on the drums. (laughter) That’s the one where I’m reliable. I sing in Grasser , and that’s the most fun. I’ve been sitting down at my instrument for over 20 years, so any opportunity to stand at the front of the stage, and I’m like, ‘It’s really cool up here. You guys must have a lot of fun up here.’ I’m most able to serve a song on drums. When I play bass, it’s just like … tell me what to play. It’s so rare that I’m like, ‘What about this?’ (laughter) Bass is just the rhythm section. I like to play the bass for the drummer, but I’m never playing to make people be like, ‘Yo, the bassist is really good!’ (laughter) No, it’s like, the bassist made the drummer look really good. (laughter) Credit: Jeff Crespi MaM : When it comes to writing new music for one of your gazillion bands, how do you approach that? Biff : It used to be compartmentalized, but in the last few years, it’s been more of an amalgamation of all of it. For Grasser , I'll demo the whole song, from soup to nuts, including bass, drums, vocals, and then I’ll send it to the group. Anything is up for change, so if the guitar part sucks, just delete it. Bristler is all Rudy . Dana Why is all him. Yawn Mower , the singer, Mike would write everything, and I’m just drumming on it. Since we became a full band, we have become a collective . Since the collective has been active as a group, it has been a collaborative writing process. Credit: Jeff Crespi Our new album is coming out soon. On that, I started three of the songs on guitar, Dana began two, and Mike brought full fleshed out ideas, but was open to all of us. As a singer, that’s fun. Now, I can write a whole melody and a batch of lyrics I would not have come up with on my own. It started with Grasser . I love to free associate. I love to riff. Eventually, it becomes this Frankenstein sentence that means nothing to nobody, but that’s when I think it’s a great idea to use it. We spend so much time together that we have our own language. We’re slowly not using regular words anymore. (laughter) By November, the four of us will have put out twenty albums in two years. Yes, you read that last line correctly. Biff Swenson is undoubtedly a seasoned artist and musician who will continue making music as long as he can. His dedication is truly inspiring, and I'm excited to see what he does next. I highly recommend that you create a list of the bands he has mentioned, look them up, and give their music a listen, and if you are in the Asbury Park area, stop in at the Wonderbar and discover some new talent. Where to learn more about Biff and his gazillion bands: Instagram: Yawn Mower Instagram: Grasser Instagram: Dana.why Instagram: ProphouseNJ Instagram: Bristler Instagram: Earth Telephone Instagram: Scumming Band Instagram: Quiltary *Photos by the one and only Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mellow & Smooth < Back Easy, Breezy Sounds: The Music of Tommy Thibodaux Nicole Brice Apr 18, 2023 Share Mellow & Smooth We all love listening to live music, whether it be at a huge venue with a local band or at a restaurant while enjoying a few drinks and food, and this is where this next local musician fits in. A self-taught musician based out of Walker, La., Tommy Thibodaux has been playing guitar longer than I have been alive. He is a man who enjoys playing for those who appreciate it, and his takes on classic songs by George Benson, The Temptations, and Neil Diamond are refreshing. He adds his own unique twist when performing these tunes and others. With over 800+ songs in his knowledge base for performance, Tommy’s outgoing personality and wardrobe, paired with his even brighter guitars, make him stand out from the others. Thibodaux plays music five nights a week—sometimes even more, and he can sing for over three hours without his voice ever cracking. Mellow, cool, and calm is the best way to describe him. With his laid-back vibe, his music puts you in a calm space, and one could even say he might just be Jimmy Buffet’s long-lost twin. At the end of the day, though, Tommy is just a genuinely nice guy who loves what he does and who loves music. After you read this interview, be sure to check out his Facebook page for any upcoming dates of performances. credit: Gary Governale MaM : Thank you for taking time to speak with me today. I appreciate it. I’ve been checking out your videos on Facebook to get a better feel for your music and want to tell your story. Give us a brief background on your music career. What got you into playing music? TT : I started out in school playing drums and then I was exposed to guitar through a friend who had an electric guitar. When I saw him play it (laughs), from then on, I was hooked and I had to have one. MaM : Do you remember the type of guitar your friend had? TT : No, sure don’t. It was some type of cheap Japanese guitar. MaM : Who or what do you cite as your influences musically? TT : Eric Clapton, of course. Jimmy Page, Stevie Ray Vaughn, Steve Lukather, and Neal Schon. MaM : Great picks! I saw on your videos this bright orange guitar that you play. Is that a Strat? TT : No, that is actually a Charvel. MaM : Really? Wow. From the angles you had posted in the videos, it looks like a Strat. It’s a pretty guitar. TT : Well, the funny thing about it is that it is made by Fender, but Charvel acquired Fender many years ago. Fender has many guitars that look like others. credit: Gary Governale MaM : When you’re playing your sets, it’s just you, correct? Have you ever thought about putting together a band? TT : No, I do this for a living, and so I don’t want to form a band. If I had a band, I wouldn’t make as much money, so I like to just keep it solo since it’s a full-time gig for me. MaM : What influenced your decision to perform full time? Were you just like, “This is what I love to do and so I’m going to just go for it?” TT : Pretty much. You find out what you’re good at and you stick with it. Plain and simple. MaM : Do you try to emulate a specific sound with your guitar tone when playing? TT : Sort of. I’ve got a pedal board or guitar modeling processor that has a lot of amps and effects to it. I like to stick with the basics, though, with Fender amps and Marshall and Mesa Boogie. I like the Fender Amps for old school rock or blues … for my clean sound. I use the Mesa Boogie on songs by Carlos Santana or something that needs that heavy high-gain distortion, and then the Marshall is just for playing any kind of rock songs that require that chunky, British sound. MaM : As far as gigs, do you have a certain area you like to stick to or do you like branching out to as many areas as possible? TT : I like to stick to about a 90-minute drive. I live in Walker, so that can put me in Bay St. Louis, Miss., or Lafayette or Thibodeaux, La. I even play in McComb, Miss. I do play places in between, but I don’t want to go past 90 minutes. MaM : I can understand that. The older I get, the less I want to drive. TT : I used to sell cars and I just got tired of that environment. Happy to be making music and doing what I love. credit: Gary Governale MaM : So, do you only play covers when performing or do you have some originals you perform? TT : … [For] the songs I perform, I like to put my own little spin on them. I use virtual instruments on the computer for my tracks, and it takes me about 20 minutes or so for one song, but you really [have to] know what you’re doing with the software to be able to get it right and finish it up in a short span of time. MaM : What else would you like our readers to know about you? TT : I’ve been playing music for over 40 years. Before I started performing solo, I used to have an act with my daughter. Same kind of act but just with her singing. That was fun, but when I decided to go solo, the first thing in my mind was, ‘Can I sing a three- or four-hour gig by myself?’ It was almost like I needed someone with me as a crutch. When I finally embarked on the solo stuff, I realized I can sing for that long, and I can sing for possibly six or eight hours if I really want to. With that kind of confidence, people have asked whether I warm up when I sing or drink anything special. I tell them, ‘No, I drink ice water, soda, or an iced tea.’ The only thing that affects my voice is coffee. It messes with the muscles in my vocal cords because of the heat. MaM : See, hot coffee puts me to sleep. Cold coffee keeps me awake, though. So strange. TT : Right, but it’s been a long journey. When you look at it from different angles, it’s not really acoustic. I don’t know what to call it, really. It’s just an electric solo gig. I’ve had people ask me to swap my electric for an acoustic, which I don’t want to do. When I was coming up in the 80s, there weren’t really that many of us doing solo electric gigs. I did a solo gig with my first wife, which we had just come out of a band that had broken up, and then we just decided to perform as a duo. Now, it seems like more people are doing what I do, but it’s a lot of fun. credit: Gary Governale MaM : What are your favorite songs to perform live? TT : I like playing sing-along songs like ‘Country Roads’ or ‘Sweet Caroline’ or even ‘My Girl’ … songs [people] know the words to. I play over 800 songs, though, so it’s difficult for me to pick a favorite. When I start my set, I like to open it up with ‘Reason’ by George Benson, which is a jazzy instrumental. It lets me get a good feel for the room. I like to make sure I’m not too loud or too soft—just balanced. After that, I start going into my set. MaM : What are the three things about playing music you feel are important when reeling in the crowd? TT : Well, people must like the way you sing, the guitar playing, and the song choices. If you have that nailed down, then you pretty much have it. Those things matter whether the audience is going to applaud, dance, or tip you after. The thing about it is that when I’m on stage, I get a chance to capture the audience. I don’t want to be the guy in the background that no one is paying attention to. If that becomes the case, then I just need to hang it up. - To check out Tommy’s music or to book him for a gig, be sure to check out his Facebook page below. Tommy Thibodaux | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chillin' with Fred Westra < Back A Humble State of Calmness Keeley Brooks Jan 12, 2023 Share Chillin' with Fred Westra You know that music that plays in yoga studios and on meditation apps, how soothing and relaxing it is? Sometimes it doesn’t even sound like a real person could be playing it because it’s so intricate, so ethereal. But, a real person does play those sweet meditative sounds you zone out on, and thank the stars for the internet because without it, I never would have stumbled across this beautifully artistic gem of a musician, who does just that. He is, without a doubt, sent from another planet to ease the minds of all who are stressed out with day-to-day life and need some gentle vibrations to relax and return us to center. That’s exactly what Fred Westra and his music do. I should know, because I’ve been listening to his music for a few years now when practicing yoga and meditation, and the effects on mind and body have been nothing short of healing. I won’t lie and pretend I don’t visit his YouTube channel from time to time just to watch him play an instrument with which I’m unfamiliar, and that is just as relaxing as listening to what he produces. Fred is a composer of some of the most calming, creative musical vibes your sweet little ears have ever heard, and that’s an editorial guarantee. Perhaps the only thing better than listening to his music is watching him play these multi-cultural instruments with such tender care and emotion you just can’t help but be moved at your core over what you’re hearing and seeing. He lives in Beverwijk (near Amsterdam) in the Netherlands with his wife, Erika (a former yoga teacher), and is a composer, musician of many different instruments, studio technician, and producer. He’s also a man of deep humility and outward kindness, who positively affects everyone who crosses his path. He’s well known in many yoga circles for the music he produces and is a very popular go-to for teachers when searching for music to accompany their classes. I reached out to Westra on a whim, and he ever so kindly took some time out of his busy schedule to kick it in conversation with me, so settle in all you stressed-out beings; I've got your solution to stress right here. MaM : Fred, thank you so much for taking the time to speak with me. You and your music have accompanied me on more meditative journeys than I can count, so this truly is an honor. Tell us what all you play. FW : I play lots of instruments a little bit and I'm specialized in playing the guitar, though I think of myself as a total musician, more composer than musician. MaM : When did your creative talents began to emerge? FW : When I was five years old, I heard the music of Ennio Morricone from the movie “Once Upon a Time in the West,” and I remember the sound of the violins and [the] opera voice made a huge impression on me. [To] this day, Morricone is still a great inspiration to me. When I was eight, my parents bought me a guitar. I was always very interested in music, but I did not know what to do with the guitar because I wanted to be a drummer. When I was 10, my neighbor friend [taught] me how to play blues on the guitar, and [I remember how] fantastic [it was] to learn to play! After that, I learned to play tunes from The Shadows (a pre-Beatles era English instrumental rock group) by ear. My taste evolved to Jimi Hendrix, Van Halen, and all other famous rock guitarists. I just wanted to be the greatest guitarist alive! MaM : When did you know you wanted to pursue music? FW : I wanted to pursue music when I heard Stevie Ray Vaughan and (Swedish guitarist) Yngwie Malmsteen. These guys where so incredible! They inspired me to practice 10-12 hours a day. MaM : That’s true devotion to honing your craft, man. Very respectable. I understand you used to be in a metal band, Xhausted. Tell us about your time with them and how that took off. FW : In the early 90s, I was very inspired by metal bands like Machine Head and Pantera, so we started the metal band Xhausted. I never had a record deal, so I bought lots of recording equipment to get [one]. We recorded a demo and got [a] deal in Japan! By that time, my son was born, and he cried a lot ... a [whole] lot! My wife and I could barely handle [that] situation, so I quit Xhausted. [And] here's where my dream ended. I think it was a good thing to quit, because I am not the type to go on tour with a band. I love being at home. MaM : Oh, I very much relate to that! I’m an absolute homebody and much prefer to be in my own environment. What made you move towards meditative music? FW : In the early 2000s, my wife asked me to compose some yoga music for her. I was always interested in yoga and meditation music because I loved the positive vibe of [it] … just like nowadays I love the positive vibe of the music of Snatam Kaur (an American singer/songwriter/author who makes Indian devotional music). It makes me feel so peaceful inside. When I was recording metal music, [which is] technically very demanding, I always got a headache. Really. [laughter] It was hard working to play fast, technically, and precise. When I was recording yoga music, I felt very calm. Instead of making music with my head (to impress people creating complicated guitar parts), I was creating music with my heart. About six years ago, I said goodbye to the metal music. I sold most of my electric guitars and all my amps and pedals. I just wanted to focus on yoga music. My wife and daughter say I have ADHD, so creating calming music is almost a must for me. It keeps me grounded. MaM : I’m so glad you said that. That is exactly what your music does for me: grounds me. I don’t just listen for yoga or meditation; I also listen when I’m writing sometimes. Allows me to be more mindful and deliberate in my work. Would you tell us what you are currently involved in doing? FW : At this moment, nothing special … just creating new music for all yoga music lovers, and massage and Reiki therapists. MaM : What’s your relationship with/to music and to the art of meditation through your music? FW : Meditation is always a struggle for me. Can you imagine having ADHD and finding time to meditate? A few times a week, I'll meditate but find it hard to incorporate it into my daily life. Hopefully my music can inspire people to meditate more than I do. MaM : As someone who does not deal with ADHD, I cannot imagine. I just have an anxious brain that never shuts down, and I often find meditation difficult—unless there is soothing music to help me focus. That’s what your stuff does for me, so I’m certain it is doing that for others. Are there any current or upcoming albums? FW : There are always new albums on [the] way! I upload music to digital music stores under three different names: Zentral Ztation, Fred Westra, and The Samata Society. Zentral Ztation is massage and Reiki music. (Click images below to listen.) My newest release under Zentral Ztation is "State of Calmness." The Samata Society is a project I started to collaborate with other musicians, but I don't record with other musicians anymore. The music is more Eastern-oriented and [is] slightly more experimental. The curators of Spotify put together a playlist of Samata Society tunes. [It's all the essential Samata Society tracks in one playlist.] Music released under Fred Westra is yoga and meditation music. My most recent albums under [my name] are "Chakra Flute" and "Earth Frequency." MaM : If there’s a message in your music, what do you intend it to be? FW : If there's a message in my music, it would be acceptance . Every emotion needs to be felt and seen. When I listen to Bach's “Air”, I feel so much emotion. I also think it's unbelievable that someone can create such beautiful music. I hope one day someone thinks the same of my music. Bach's “Air” and Morricone's “Once Upon a Time in the West” are the templates of my music. If you hear one of my songs in minor, you actually hear Bach or Morricone. Mam : What’s next for Fred Westra? FW : Good question! I am 57 now and [have worked] for 40 years in (night) shifts. I hope that my music will [be well received] so I can make a living of it and don't have to work in the steel factory, though I also love this job. Luckily my music is doing very good, and I feel so grateful! MaM : Where can people find you and your music? FW : People can find me on Facebook and my music is on all the digital music stores like Spotify , Apple Music , iTunes , Amazon Music , Deezer , etcetera. And there you have it, my friends. If you're in the market for some creatively soothing tones to wash away your stress and leave you feeling completely rejuvenated amidst the chaos, I urge you to explore Fred's music under all his artist names. He is absolutely worth it, and your body and mind will thank you. *images courtesy of Fred Westra www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. < Back Shane Webb: A Drumming Odyssey Erica Machen Nov 30, 2023 Share Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. What view could be better than from the front row of a rock concert? The perspective Shane Webb , aka T-Bone, gives leads me to wonder if the best experience could be from the seat of a drum kit. I was able to have a chat with Shane, who’s drumming career brought him that perspective with bands such as Puddle of Mudd , Shinedown , Tried by Twelve , and multitudes of others. Twenty-plus years after embarking on his drumming career, Shane is fueled by his experiences and maintains an emblazoned passion for his art. Amidst captivating lights, vibrant sounds, and contagious energy emanating from lead vocalists, a drummer’s significance is often overlooked. Without these guys, rock shows would be haunted by a palpable void and undefined listlessness. The rhythm we all vibe to would be absent, as would those rich layers of texture and depth a drummer infuses into each performance with his (or her) distinctive style, creative fills, and unique enhancements. This is why Shane says his journey—his mission—is still incomplete. He expressed repeatedly in one way or another his desire to create a true legacy in his artistry via his musical career. Not only is it Shane’s mission to create such a legacy, but, throughout our conversation, I sensed his desire to pay homage to those who influenced and lifted his career, as well as to those friends whose journeys ended too soon. In an industry where rivalry and bitterness are frequently showcased both in the media and behind the scenes, Shane is seemingly in a place where he has realized grudges and animosity bare rotten fruit. Instead, Shane chooses to move forward by finding peace with those who didn’t believe in him and even with old friends, such as Fred Durst , who have fallen out of his life. At the end of the day, his motivation remains the same: Create music, create art. Webb is one noteworthy drummer who's doing just that. Mixed Alternative caught up with him to get some intimate details about his career and catch the story behind his drumming odyssey . MaM : Shane, with a drumming journey beginning at 12 years old, you've come a long way in your art. Can you share a pivotal moment from those early years that ignited your passion for drumming? SW : I asked for a drum set when I was four or five. My father took me to some restaurant, and I remember watching this guy play the drums and I was just fascinated by it. Growing up in Jacksonville, Florida, I used to go to the Coliseum to watch bands play. My first rock show was Ted Nugent when he opened for KISS, before they had the make-up. I remember looking at the stage, listening to the sounds and crowd, and immediately falling in love. I knew I wanted to do that … I had the bug. I was a break dancer and R&B guy way before I was into rock and roll. Big time. … By the time I started to get into rock and roll, I wanted to be Eddie Van Hall. When I got to seventh grade, I had to choose an elective … I said I'd play in the band … on drums. And, as they say, the rest is history. Image provided by Shane Webb MaM : I’ve heard hints about some of your unique experiences, like sleeping on Dimebag Darrell's couch. Could you share that story, and do you have any other particularly unusual or memorable moments from your career? SW : I have countless! As for Dimebag Darrell [of Pantera and Damageplan], I was on tour with this band called Operator after being in Puddle of Mudd. Paul Phillips, who also used to be in Puddle of Mudd, was in Operator. I believe Paul knew Vinnie Paul. Someone came on the tour bus to say Vinnie wanted to come pick us up that night. Of course, you hear that, and you're like, ‘Absolutely!’ He picked us up in his limo … Suddenly, we were at Dime’s house. … I ended up passing out mad drunk and woke up the next morning on Dimebag’s couch. … I just walked around and touched stuff. I mean, when you watch the Dimevision videos, you see the stop sign he crashed his car into. I touched that thing on his wall. It was wild. It was crazy. Ms. Rita, his now-widow, took us to breakfast and told us all kinds of inside stories, like when Dime and Metallica used to hang out and where songs came from. She showed us his guitars. This man had to have at least a thousand guitars in his house. It was the craziest. Very intoxicating. Back in that time, we didn’t have cell phone cameras. One of my regrets is not having any pictures. MaM : What's the mission behind your new venture in rock and roll, and what inspired you to embark on this new chapter? SW : Not having done it the full way [inspired me]. Lots of people say I have really done it, but, for me, the mission hasn't really fully been accomplished yet. I’m 51 and still learning how to navigate things. Thankfully, I have Jason, who became my manager in the past six months or so. He is actually my best friend from high school who was around when I ran away to do all of this at 15. MaM : Can you expand on your leaving home at 15? SW : I always had this blind faith I’d already made it. I just had to go through the motions. I always knew I was doing it, with or without people's help. I lived with my mom and stepdad. It was rough at the time. We are all good now, and they have helped me tremendously. Long story short, one night I crawled out the window at 1 a.m. I said, ‘All right, bye. I'm out.’ Music is my medium because I am an artist. I am an artist first, songwriter second, and then a musician. MaM : You mention being a songwriter, so you’ve elicited my favorite question: What comes first, the chicken or the egg? SW : Probably the music. I hear music in my head. I still play guitar (bass) and a little bit of keyboard. I have my studio set up here at home. … Lyrics and melody usually come second. Occasionally, I have vocal ideas first. Those take a little longer. It’s writing backwards for me. MaM : You've played with various bands, including Puddle of Mudd and Shinedown. How did you become friends with Fred Durst, and what was it like collaborating with him? SW : We would not be having this conversation if it wasn't for Fred Durst. I did the hard work, but he was the person who stuck his neck out for me. He believed in me and saw talent and drive in me. I met Fred around 1993. Fred has done tattoos on me, I toured with him, we wrote together, and we have been in bands together. Fred always saw talent. L to R: Shane Webb, Fred Durst (Limp Bizkit), and Paul Phillips (Puddle of Mudd) He called me in 1997 and said, ‘The record company wants somebody to video the day in the life of the band, and you're the first person I thought of.’ I said yes, but then he said, “Here's the only thing… you’ve got to leave at nine o'clock tomorrow morning.”I went to my job, and … They didn’t understand I was letting them know I was going on tour. I don't think I did anything significant … but we always stayed in touch. Puddle of Mudd was signed to his record label, and he called me up to audition. I learned the songs, flew out to L.A., and I had the gig. … That was all because of Fred talking me up. We’ve had some rough patches, but we’ve never gone toe to toe. Unfortunately, we don’t talk now, but I owe so much to that guy. It's 20-something years later. I don't hold grudges. MaM : Looking back, what kind of advice would you give to a young teenager when it comes to music? SW : Just stay true, man. Stick to your guns. Work really hard play, play as much as you can, and be there for other people. That's something important to me. MaM : What should our readers look out for next from you? SW : I have a back catalog, and I'm a writer. I like to write, and I want people to hear my new stuff. There is just so much stuff people haven't heard that only I have ... old Shinedown demos, old Puddle of Mudd demos. I was in a band with my best friend [Brad Stewart’s brother] Mark Stewart and Nolan Neal called Tried By Twelve. L to R: Mark Stewart, Nolan Neal, Jeff Winston, Shane Webb Nolan was on America's Got Talent and The Voice. He had more record deals than anybody I've ever known and was the only artist to get signed with Virgin Records … [a] sight unseen. Unfortunately, Mark died in 2015 and we lost Nolan last year. Shane Webb and Nolan Neal on "The Voice" That was a huge deal, and I still have those songs. … I don't want to just put this stuff out there. I want to protect … integrity and these boys. They were my buddies. As I said, it's a very touchy thing. I have to release these songs in a very sensitive way. We don't know if we're going to do it as an album, an EP, or just one song at a time. I'm also working on a way for me to release some of these old Puddle of Mudd demos. They need work studio-wise. I also have my solo material. I've been writing songs for a long time, and I have several of my own solo songs where I play most of the instruments. I had a talk with Bob Marlette, the producer of Seether and many more, and he is willing to work with me on a song I'm writing. Very excited about that. When Shane isn’t working on building connections with his local community in Jacksonville, he can be found in his studio playing his drums, bass, and keyboard. As we wait to hear what he will release from within his vault, stay updated by visiting his website at www.ShaneWebbDrummer.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ripe with fuzz, psychedelia, and haunting rhythms < Back Of The Roses: Austin's Moody & Mysterious Indie Art Rock/Pop Band Nicole Brice May 1, 2023 Share Ripe with fuzz, psychedelia, and haunting rhythms Of The Roses is an Austin, Texas-based indie art rock/pop band led by singer-songwriters and multi-instrumentalists Serenity Autumn Hernandez Bogert and Josh Delarosa. The band also features Will Lord on bass and Alexander "Wilhelm Scream" on drums. These guys are making serious waves on the music scene in Austin and should be put on your list of bands to devote some listening time to. Prior to the band formation, Hernandez Bogert and Delarosa led other music projects that saw them in the studio with Austin superstar Jackie Venson and performing as an Official SXSW Showcasing Artist opening for Priests and D.C.-based label sister Polygon Records in 2019. Paths soon collided and Hernandez Bogert and Delarosa met in 2020 and began writing songs together, where they enlisted the help of Lord and Wilhelm Scream to record and perform live, thus rounding out their unique sound. The band released their debut EP "Mirror's Always Round" in 2022, which is a soundscape of textures and melody. Ripe with fuzz, psychedelia, and haunting rhythms, the band's engaging sound is defined by Hernandez Bogert's soaring vocals, Delarosa's intricate guitar playing, and the tight rhythm section of Lord and Wilhelm Scream. Vibrant and diverse, this band continues to evolve and grow with their mix of indie rock, art rock, and pop. credit: Greg Taylor/Taylored Eye My favorite tracks from the “Mirror’s Always Round” EP are “Falling Through” and “Friends”, but the entire album is solid. “Falling Through” is a powerful and emotional song about the feeling of being lost and alone. The song’s lyrics are raw and honest, and the vocals echo with shadow and beauty. The music has a driving beat and atmospheric guitars with the song building to a powerful climax, leaving the listener feeling both exhilarated and powerful. “Falling Through” is a song sure to resonate with anyone who has ever felt lost and alone, and I highly recommend it to anyone who is looking for an intelligent listen. “Friends” is a catchy, danceable track with a dark, twisted edge. The song’s lyrics explore the themes of control and paranoia, and the music reflects this with its distorted guitars. The song starts with a slow, atmospheric intro that builds tension. The drums and guitars wade their way in, and the song picks up pace. The vocals are clear and powerful, and the lyrics are delivered with conviction. The song’s chorus is catchy and memorable, and the bridge is a nice change of pace. “Friends” ends with a powerful outro that leaves you wanting more. It’s a well-crafted and enjoyable song worthy of getting stuck in your head. The band also has made a video for “Friends” that is available to watch on YouTube. It is visually stunning and full of emotionally resonant exploration. You can check it out below. The other tracks are “Gone”, which has a cool and funky vibe; “I Hope You Love Me More”, which has a 60’s psychedelic tone to it; and “Fear”, which starts out with crunching guitars and leads to a pleasant cornucopia of sound. With Hernandez Bogert and Delarosa being the primary songwriters, the band's lyrics are often personal and introspective, but they also deal with broader themes of love, loss, and identity. Of The Roses is a band that is not afraid to be vulnerable, and their music reflects that. The band has been praised for their live shows, which are known for their energy and enthusiasm, and they are currently working on releasing their next single, which is expected in the summer of 2023. In addition to this, they also have recorded a Christmas song that is certain to pique your interest. More details about that are in the interview, though. Of The Roses is definitely a band to watch, and their music is sure to continue to resonate with fans of indie rock and art rock. They’ll impress you with their music, energy, and their infectious live shows. credit: Greg Taylor/Taylored Eye Because they are one of my new favorite bands, I just had to speak with them to learn more about what makes them tick, and I was able to connect with Serenity Autumn and Josh. Both are witty, intelligent, and just downright fun. I feel that within the next five years Of The Roses will become a household name, so be sure to check out their music, then go download their latest EP. credit: Greg Taylor/Taylored Eye MaM : Thank you for taking the time to speak with me today. I am so impressed with your music. I feel like the biggest fan girl, so I made several notes that I would like to share with you before we kick this off. Your sound is hypnotizing and catchy with an incredible guitar tone and I feel your vocals complement each other amazingly. Also, too, I totally dig your lyrics. Who is the primary songwriter in the band? JD : Whoever is singing on the track usually is the person that wrote the song. With “Falling Through”, we both kind of sing and we wrote that song together. Usually, the music comes together first and the lyrics second. We collaborate in that regard, but Serenity writes a good bit of the lyrics and if I write them, then I bring them right back to Serenity to see if they are grammatically correct and make sense. SA : Right. Well, I study journalism, and I’m an editor, too, so that’s why he brings it to me. MaM : What inspires your lyrics? Everyday life, or do you see something and think it would make a great inspiration for a song lyric? SA : Everyday life. It’s a lot of different things. Josh has some good stories in terms of the song “Fear”, actually. JD : For me, songs just come to me, and it’ll be like if I’m driving a long trip or if I’m falling asleep or if I’m in bed, I’ll just hear it in my head and will get up to record it. “Fear” came to me when I was taking a hot shower one day. I just had this melody in my head and I thought, “This sounds cool,” so it’s sort of like the music just comes to me. Along with the music, you kind of hear a few lyrics in there, but sometimes the lyrics don’t make sense. It’s just words that go along with that melody, so you must sit down and actually write. The funny thing is that when I write, I don’t intend it being autobiographical, but sometimes it just comes out that way. It just subtly happens. credit: Greg Taylor/Taylored Eye SA : Yeah, you’re tapping into something that you don’t realize you’re tapping into. MaM : They do say that life experiences make the best inspiration. JD : Absolutely. There is a lot going on in the world, of course, and I think it makes for inspiring music in terms of painting a picture with the music. I think it’s having a conversation, too. SA : Some of our songs are love and romance based. I also write from a politically conscious perspective, I guess, kind of like Talking Heads. I like interesting characters. The song “Friends” is like a character to me. I also have Type I Diabetes, too, and I’ve been through a lot with that. That’s probably its own interview, though. Image taken from artist social media MaM : I was reading about that and actually have a question about it because I read that the band kind of formed around your last hospital stay in 2016. SA : Sort of. I may have written it that way. Kinda. (laughs) MaM : Would you mind elaborating on that? How did the band initially form? SA : Sure. Personally, that’s just how I came into making music in general—because of my hospital stay—but me and Josh met playing in a cabaret band, so it was really that meeting that pushed us together to start writing music. MaM : Well, you two complement each other. You couldn’t have picked a better band mate or songwriting partner. Really, the dynamic you two have is incredible, especially with the latest EP. Don’t change a thing. So, are you both living in Austin now? I saw that your band is based there. Image taken from artist social media SA : Yeah, we live, work, and play in Austin. MaM : So, one thing I like to ask artists and musicians is what they are currently listening to that is helping to inspire them to create. What is on your playlist? SA : Because I am a music journalist as well and work at a record store, I kind of have to listen to everything all the time and I really like that. MaM : Well, that’s a good thing. Best job ever! SA : I am in complete bliss, most of the time, but I have been listening to a lot of Lana Del Ray. I have been listening to a ton of her music recently. My favorite artist, though, is St. Vincent. MaM : What about you Josh? JD : Lately, there have been a few bands. Since I’ve never gone through an 80’s phase, I’ve been listening to a lot of electronic 80’s stuff. MaM : Nice. Some of my fave music. JD : Yeah, some of the bands are ones that Serenity turned me onto. Elvis Costello and Franz Ferdinand are a couple. Serenity really was the one to get me into Franz Ferdinand and I think they are just brilliant. Someone else that I have gotten into recently, too, is Taylor Swift. (laughs) SA : Wait, what? (laughs) MaM : I feel like an arrow has been put right through my heart. (laughter) JD : Listen, give me a chance. (laughs) MaM : Serenity seems just as shocked. JD : Let me say it’s the melodies, for me. I would never buy a record, but I can appreciate the music and the songwriting, and for me— MaM : Ok, I’ll let you slide with that. (laughs) JD : Thank you. (laughs ) I won’t go spend over $1,000 on nosebleed tickets or anything, but I will say that, for me, it’s just something that is selling and that people like, but the biggest thing for me, as a songwriter, [are] the melodies and the poppy tone that reels me in. I like good pop songs. Like a three-minute song that is very catchy is great to me. MaM : I guess you could say you admire her songwriting capabilities and her ability to bring it all together, which I can dig. So, that leads me to your band name. How did you come up with the name? Image taken from artist social media SA : Josh? JD : No, you can go. (laughs) SA : Josh doesn’t like to tell, so I guess I will. (laughs) I would like to say it was not Josh’s idea because it does seem narcissistic at first, but — JD : Yeah, it was not my idea, but Serenity, tell how it came about. SA : So, Josh’s last name is Delarosa, which in Spanish translates to “of the rose.” MaM : Ah, I see what you did there. SA : Yeah, we had a brief romantic relationship, but our closeness has lasted longer than the relationship, and we’re still really close, but it was my idea because I thought it sounded pretty. MaM : Well, it fits! It’s a bad-ass name. SA : Thank you. MaM : Another question for Josh: I’ve read that you’ve had some of your music featured on local and national radio. Can you tell us a little more about that? JD : Yes, I’ve been blessed to have had experience in bands that had music on college radio and just radio in general. Yeah, it’s sort of … (laughs) … yeah, I’ve been on the radio … I don’t even know what to say … MaM : Well, you’ve been in some other bands, so tell us a little more about that. JD : Well, they were sort of in the same vein. This is my first band that I’ve actually had a hand in. I’ve been in other bands where I was a songwriter, but I was always on the side. I didn’t want to be in the front. This is our first where it is OUR band. In the past, I’ve always been in the same wheelhouse, if you will. MaM : So, you guys released your latest EP in 2022, but are y’all currently recording or writing new material? I know Serenity mentioned releasing a new single. What’s in the queue? SA : So, I am getting ready to graduate college, so everything is moving at a glacial pace. (laughs) We have a song ready to go, but we just need to start the process of getting it posted. I can send you a copy so you can include it in the article. We also have a Christmas song we recorded that I think you would really like, but that’s not coming out until Christmas. It’s a goth version of the of the song “Snow Miser” from The Year Without a Santa Claus . credit: Greg Taylor/Taylored Eye MaM : That’s awesome!! SA : It’s one of my favorite Christmas songs, so I told Josh, “Do the Smiths thing you do so well” and then we put a Johnny Marr-sounding guitar riff on it and a dance floor beat, and it’s hilarious in my opinion, but it’s also really sad when you listen to the lyrics in that context. (laughs) MaM : I can’t wait to check it out. I bet it’s epic. I have one last question for you guys. What are the future aspirations for the band? Do you want to make a career out of this or just do this as a side thing? SA : Well, I know that personally, I want me and Josh … well, we have explicitly spoken about doing this full time. That is the goal. Doing this as a job would be the best thing to happen to us. We look forward to it. - To experience all that is Of The Roses, head on over to all of their pages, put in some headphones, and enjoy! Home (oftherosesband.com) Of The Roses | Facebook Of The Roses (@oftherosesband) • Instagram photos and videos Mirror's Always Round EP | Of The Roses (bandcamp.com) Of The Roses - YouTube Of The Roses | Spotify ‎Of The Roses on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One Super-Cool Writer in Love with the Land < Back Jonathon Engels Keeley Brooks Jan 11, 2023 Share One Super-Cool Writer in Love with the Land Sometimes, there’s a man, and sometimes, well, there’s a man who holds such deep mystery in his eyes, you just have to dig in and get to know him. That’s the case with creative, travel, and permaculture writer Jonathon Engels. Having graduated with Jonathan back in the Nineties, I thought I knew where he was headed in his life, which, having briefly known him like I did, I was certain was towards something technical, even though I was aware he had creative interests and abilities. But, he proved me (and I’m sure plenty of others) wrong by moving on to secure a Master of Fine Arts degree in Creative Writing from the University of Memphis, then on to embark on a hefty career abroad traveling, teaching English as a foreign language, and writing about it all. Engels is from a suburb outside of Baton Rouge, La. He started out writing poetry at an early age, then developed an interest in writing fiction and playing music in his late teens in the Nineties. By his late 20s, he was tinkering with nonfiction in the form of travel writing and by 2014, he was focused on permaculture and on sharing his wealth of knowledge and worldly experience from a personal perspective. In speaking about his year teaching abroad, he said, “That adventure led me to write about the world I was discovering. I started getting published as a travel writer first (in 2011), became a staff writer for One Green Planet and Permaculture News (in 2013), and expanded from there.” Today, Jonathon is back living in the States and has been busy with his wife, Emma, building their homestead, which is made predominantly out of recycled materials in a wholesome effort to become one with the land. He stays busy writing non-fiction articles and essays that are so insightful, educational, humble, and direct, it’s as though you’re right there with him experiencing what he’s talking about or he’s with you as you’re reading. His words are a gentle guide through certain necessary human processes, of which we should all be more aware. Engles hooks you with his writing, drops you right in the middle of what he’s talking about, and presents you with something more than just a story to read; he presents you with an undeniably human truth worthy of consideration. He guides readers through the depths of each journey to ensure you stay on track and, most importantly, have an enjoyable ride. His candid use of humor reminds you not to take yourself or what you’re doing so seriously that you miss the beauty of life unfolding right before your eyes. Jonathon kindly took some precious time away from his land and work to chat with me about how he fell into this path, where he has been, what he has written, and what he’s up to today. I highly recommend checking out his work, especially if you are interested in or are considering traveling abroad, learning how to live as one with this great land, and writing about it. MaM : How did you foster your creative talents? JE : I wrote poetry here and there when I was a young teen, but when I started going to college (Louisiana State University), it just exploded. I wrote constantly, mostly out of a need to do it rather than a fine-tuning of a craft. I experimented a lot in the form. [I] still do when I occasionally attempt writing poems. Prose became my main concentration in graduate school (U of Memphis) when my sensibilities didn’t quite mesh with the poetry crowd there. I concentrated on fiction, again playing with form a lot, exploring different ways to piece a story together. Engels is also a musician—a guitarist, to be exact, which no doubt fosters his creative abilities and has been a source of release and entertainment over the years. JE : I’ve played music a lot on porches with friends. Mostly, I play guitar and sing. I played regularly at a bar/coffee shop when I was at LSU. I [also] worked at a guesthouse off and on for years in Guatemala and played a lot while there, often entertaining guests and occasionally plugging in for shows on weekends. I’ve never really tried to do it professionally or even develop my skills to that level. I like to play and sing and have a laugh with it. I also have ukulele, which I mostly play when someone else is playing guitar and singing in order to add a different sound to the mix. I have a picked a banjo from time to time, but I don’t [own] one. MaM : Do your write your own songs? JE : I’ve done it but didn’t feel that I was particularly good at it. So, mostly I just play music from artists that I like: Tom Waits, Bonnie Prince Billy, Bob Dylan, Devil Makes Three, The Band, etc. MaM : Are you playing anywhere? JE : Just at home and with friends. Some friends have encouraged me to do an open-mic night in town, but I’ve not as of yet. MaM : Take us through your time abroad and how life began to unfold for you as a writer. JE : Travel writing began when I lived in Korea (2005-2008), working as an EFL teacher. From there, I traveled and worked abroad for another 10 years. It seemed natural to write about my adventures, and it gave me the plot I always struggled to find when writing fiction. Though it started as a creative pursuit, my travel writing is now sometimes practical (for which I get paid) and sometimes creative (for which I get to say I’m literary and receive no money). The travel stuff morphed into more non-fiction avenues when I found opportunities to write for One Green Planet, a vegan/environmental website, and Permaculture News, a permaculture site. I’ve also written text for permaculture courses. These two outlets, as well as Green Global Travel, Transitions Abroad, and Blue Ridge Mountains Travel Guide, are how I’ve made a modest amount of money writing. Even so, I have continued to seek out avenues to be creative. I did some of that on Permaculture News, and I’m on the masthead of Panorama, a literary travel journal. I write a minimum of 12-15 articles/stories a month and have done so for about 10 years now. Permaculture became a daily part of life during a work-trade trip from Guatemala to, though we never reached it, Patagonia. My wife Emma and I spent about four years traveling around Latin America and Spain trading labor and knowledge for room and board. We also did quite a lot of volunteer work. Now, I live on a permaculture homestead, which means I practice it every day. We built our off-grid home ourselves, maintain a big garden and orchard, and both write about permaculture topics for One Green Planet. We also grow organic vegetable and flower gardens for a living, as well as volunteer doing it at a community music school in our nearest town: Elkin, N.C. MaM : That’s cool, man—both of you doing what you love together, then writing about it for others to absorb. Take us through your journey that led to a writing degree, multiple publishings, and a life rich in travel and culture. JE : I started LSU as a chemical engineering major because I’d been a good math student in high school, and my father was an engineer at Exxon. By the second semester, I was skipping Physics and Chemistry classes to go bowling, and Calculus had bowled me over. I wrote poetry all the time on my own time, so I started taking more writing and English classes. I switched my degree to English and that was that. [From there] I went to graduate school in Memphis. I moved there, got a job waiting tables, and applied to the University of Memphis the next year. Luckily, they took me. After I got an MFA in Creative Writing, I decided to teach for a year abroad. That turned into over a decade abroad. That adventure led me to write about the world I was discovering. MaM : Any creative writings currently in the works? JE : Panorama: The Journal of Travel, Place, and Nature published a piece at the end of November [last year]. I wrote it in September-October while I was in England. It’s about an experience in Guatemala. The journal, which I’ve written a few things for, went on hiatus for a couple of years, and this is the relaunch issue. [Click the image below to read Jonathon's story.] Otherwise, I still write (practical stuff) for One Green Planet every week, as well as a website called Blue Ridge Mountains Travel Guide. Neither of these are creative work, but they keep me busy and leave little space for other writing. MaM : Tell us about some of the creative works you’ve written and where they are published. JE : Panorama: The Journal of Travel, Place, and Nature: - There’s No Place – about finding a home after living out of a backpack for about 12 years. Published by Panorama. - From Texas to Turkey and Back Once More – about my father coming to visit me in Istanbul while I was teaching there. Won 2nd place in Expatriate Writing Contest on Transitions Abroad. - Living the Homesteader Dream: Everything Works Out, and Works, Kind of” – about the woes of off-grid living. Published on Permaculture News. I was a featured author in a print journal called Poiesis Review . The issue (#7) has five of my stories, including “5 Miscues in Packing: Hard-Earned, Largely Ignored Advice from a Vagabond,” “The Bibimbap Man,” “The Other Side of Texas,” “10½ Lessons in Misadventure Travel,” and “On Motorcycles with Milkshakes.” I’d actually submitted these to a different publication, “Go Read Your Lunch,” and through some connection, the stories got passed over to Poiesis. The editor contacted me wanting to do the featured author thing. Dumb luck. “Go Read Your Lunch” did publish one piece: Another Cup of Tea: A Personal Survival Guide to England . It’s about my first trip to England with my British wife Emma, and that involved a lot of having to pee because of the overabundance of tea and being unable to find a public restroom anywhere in the country. MaM : Let’s talk about permaculture. Dish about it and your specific approach and why. JE : Permaculture is a way of designing human habitats and habits, from personal spaces to communities, so that we work in harmony with nature, each benefiting the other. Most people, including me, come to it via gardening, but it is much more involved than that. It includes how we build homes to fit our surroundings, how we collect and distribute water, get/use power, interact with others, and more. To truly practice permaculture is life-altering, much more than putting in a raised bed garden, with which it is often confused. My approach to permaculture has been to use what’s around as opposed to buying in new materials. For example, we dismantled a shed and [some] two-hundred-year-old, dilapidated homes to get the lumber to build our house. We built our fencing from limbs and such that I scavenged from work when we had to clean up trees. The gardens are made from pond bottom that was excavated when digging our pond, and we have used leaves, hay, stones, wood, and so on that we’ve collected from various sources that had deemed them refuse. This has also been the case with many of the plants, particularly flowers, growing on the property. There is something rewarding and pure about doing it this way. It takes longer, but I feel it stays true to making a minimum, or even positive, impact on our immediate environment. Plus, the improvisational nature of using what’s there keeps the design process creative and innovative. To some, this approach has seemed extreme at times, but there are many out there doing a much more thorough job of it. We did buy some new stuff, mostly because we had to in order to pass our building inspection. MaM : What drew you to permaculture? JE : I was volunteering on a farm/eco-hotel in Nicaragua. The owner turned me on to it. From there, I read some books, visited a few more farms, and started seeking it out. Within the year, I’d read a bunch of texts, was developing a property in Panama, and actually began writing articles for Permaculture News about what we were doing. MaM : What has been and is your current relationship with the land? JE : We are in love with each other. For more on Jonathon and his travel and permaculture adventures, you can find him at Panorama , One Green Planet , and Blue Ridge Mountains Travel Guide . *images provided by Jonathon Engels www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Best Heard Loud < Back Punk Rock with Ferocity: DeadCentered and USER UNAUTHORIZED Nicole Brice Jan 26, 2023 Share Best Heard Loud When one thinks of punk music, the stereotypical image of spikey hair, leather jackets, and studded bracelets and belts comes to mind, but punk music can take on many forms and a uniform is NOT required. Punk Rock is order. Everything else is just chaos. Straight out of Baton Rouge, La., DeadCentered is an aggressive hardcore punk band with a little rock and roll and some thrash thrown in. Although their sound can seem a little unhinged at times, their vibe is truly unique and different. Each member of the band gives their all during a performance, and you can see the love for the music and the craft shine through each time, especially with the banter in between songs. Like a well-oiled machine, the band is comprised of Joshua Michael Selser on guitar / vocals, Justin Tatman on bass, and Mike Poole on drums. With the classic three-piece band, these guys have solidified their sound. With many line-up changes over the years, their current offering is one to take notice of because the sound is so tight. With three EP’s under their belt, their latest one released in 2021 is titled “Strongholds, Sheep, and Scapegoats", and the band continues to forge ahead with writing and recording new material for future releases. Selser first picked up the guitar at 13 years old and shortly after, he taught himself bass, too. Multi-talented and multi-faceted, he lends his talent to other bands besides DeadCentered like T. Mason & the Bricklayers. Drawing inspiration from a family of musicians, and from some of his favorites such as Tom Waits, Dave Mustaine, Minor Threat, and Black Sabbath, Joshua’s talent radiates with charisma. Maintaining a busy schedule of playing music and overseeing many other projects not related to music, Josh’s passion for life and art shows in all he does. credit: Gary Governale Mike Poole is a busy man playing drums in three bands locally, but that doesn’t stop him from loving every minute of it. Citing Phil Collins as his main inspiration to play, Mike’s skills are top notch and his ferocity on the kit sets him apart from many others. credit: Gary Governale Justin Tatman is no stranger to the local music scene either, with many years of experience under his belt from playing in bands like Left with Everyday, Ghosts in Low Lights, and Minus One. In September 2022, Justin joined DeadCentered and has been jamming with them ever since. Justin’s main drive to playing music is, “being able to communicate emotionally through sound. Through sound, I’m able to express myself by being REALLY loud and grabbing the listener’s attention.” He goes on to say, “the most amazing thing to me about music is you don’t even need words to communicate feelings. You can just let the music take you there.” Although not a technical player, Justin always puts his entire heart into his playing and looks forward to the future with DeadCentered. L to R: Mike Poole, Justin Tatman, and Joshua Michael Selser Recently, the band teamed up with USER UNAUTHORIZED from Austin, Texas to play a show in the parking lot of Safe Voyage Tattoo in Denham Springs, LA. It was the perfect setting to hang out and listen to some good music, plus nothing is more punk rock than playing a show in a non-traditional setting and venue. The thing that first struck me as unique with USER UNAUTHORIZED was the female bass player. To be honest, any band that has a female on bass has my seal of approval right away. She was tiny, but her playing was fierce. I later found out that she not only plays bass, but guitar, too. Their set opened with a punch right to the gut and had me hooked instantly. The aggressive guitar and drums with Sage’s vocals set the tone for a raw in-your-face sound. Formed in 2019, USER UNAUTHORIZED plays hardcore punk, and they play it loud. With an impressive discography under their belt thus far, you must check out their music. USER UNAUTHORIZED is Sage (vocals/bass), Johnny Cash (guitar), Rooster (drums), and Isabella (bass/guitar). DeadCentered played last and opened with “To Live” and then pounded through a savage set ending with “Joyless Life of Discontent.” These guys truly love what they do, and it shows. Joshua’s playing is always on point, and his musicianship is top notch. Check out this video from the show: Be sure to check out the social media for both DeadCentered and USER UNAUTHORIZED and stream their music. You won’t regret it. Links are below. USER UNAUTHORIZED: 𝐔𝐒𝐄𝐑 𝐔𝐍𝐀𝐔𝐓𝐇𝐎𝐑𝐈𝐙𝐄𝐃 (@userunauthorized) • Instagram photos and videos Music | User Unauthorized (bandcamp.com) 𝐔𝐒𝐄𝐑.𝐔𝐍𝐀𝐔𝐓𝐇𝐎𝐑𝐈𝐙𝐄𝐃 | Austin TX | Facebook USER UNAUTHORIZED (@UUnauthorized) / Twitter ‎User Unauthorized on Apple Music Spotify – User Unauthorized DeadCentered: DeadCentered | Facebook DeadCentered Official (@deadcentered_official) • Instagram photos and videos Strongholds, Sheep and Scapegoats | DeadCentered (bandcamp.com) Stream DeadCentered music | Listen to songs, albums, playlists for free on SoundCloud ‎DeadCentered on Apple Music DeadCentered (@dead_centered) / Twitter www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Harmonic Stew showcase is a vibrant celebration of emerging talent. < Back On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 Rian Nickels Aug 8, 2024 Share The Harmonic Stew showcase is a vibrant celebration of emerging talent. ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An intimate conversation < Back Vinnie La Bella David Trahan Apr 28, 2023 Share An intimate conversation To be painfully honest, excess seemed to be the goal of my life while growing up; the most booze, the most parties, the most drugs, the most women. Slowly, my life began to become the locust swarm. I existed to consume and move on, until I was satiated or unconscious. But somewhere along the way, my quest for quantity gave way to quality. Upon reflection, my past had become a misguided detour. And all those allies who shared in my crusade, liars. I began cutting people out in pursuit of the answers to unending questions. Who am I? What do I want out of life? Why are the things that I want and the things that I truly need always at odds? Looking back, although traumatic in nature, I believe this to be an integral part of growing up; maturation at its essence. Through our talks, I believe this to be the crux of Vinnie La Bella. But Vinnie La Bella consumed for a reason that would land him on stages in front of hundreds of thousands. He moved for what was to be an organism that would usher him around the globe. The desire, the intensity, and the results would maturate rewards and costs of epidemic proportions, leaving physical and moral values lying in limbo. Vinnie grew up in University City, a small neighborhood in Kenner, Louisiana bordering several suburbs and one veritable marshland. His father was a singer in a cover band that played mostly top 40 hits of the time. Being around musicians as far back as he can remember, the set-ups for practice, the camaraderie, and the grown banter were some of the appeals that drew him in. He can recall his father bringing home the Fandango! album by ZZ Top to learn a song and falling in love with that album. Between sneaking playtime with the guitar of his father’s bandmate, and classes in jazz theory, his love for guitar was solidified as early as eight years old. By the time he was eleven, he had learned enough to feel comfortable on the thing. It started to occur to him that this was something he could actually do for a living, perhaps in part, because of his father’s influence. But the mechanics of play had definitely become more familiar with time. And in time, nothing would move him more. His parents divorced when he was fourteen. And by age fifteen he was living with his mother on Hessemer Avenue in Fat City. Up until this point, guitar had helped to solidify a foundation between him and his father. So, to hear him tell it, his parents’ parting of ways didn’t really bother him. But he did, however, take advantage of his new digs. In the 80’s, Fat City was still a bustling neighborhood full of bars with live music. And at fifteen, Vinnie was beginning to establish roots of his own. Fat City would serve as a fertile medium to facilitate his growth; both as a young man and a budding musician. For all intents and purposes, Vinnie was a loner. With just enough people he called “friends” counted on one hand, he was resolved to explore the world on his own. This translated into a person that possibly grew up too quick. He would quit school early to become a hustler, and admits he may have squandered opportunities. A reckless lifestyle would prove a comfortable place for him to exist. And those who were there know Fat City could give you all you could eat. From where he lived with his mother, 17th Street was just a two-minute walk. “Now the walks to the bar were always nice and clean. The walks back got interesting. You know, I woke up in a few alleys along the way, ten o’clock the next morning. But that was the stomping ground”. Though stumbling at times through life, he always seemed to fall in the right direction. And even his vices would prove of value. Fat City is where he met Kirk Windstein (Crowbar). It’s where he met Phil Anselmo (Pantera, Down, Superjoint Ritual, Necrophagia, etc). It’s where he met Andy Villafarra and David Main, with whom he would go on to form Exhorder. Fat City is where he played his first show in a cover band called Sabotage. And it also served as the place where he would draw a line in the sand. But before his own assertions, he would need confirmation elsewhere; confirmation that his suspicions were correct. Speaking strictly from personal perspective I can tell you that there’s always been a voice inside my head. Maybe not so much a voice; it’s more like an inaudible message center. We’re all born with it in fact. In some, it’s just louder than in others. In our latter years, we learn of it to be the Id. It’s a part of the psyche, residing in the unconscious, that is the source of instinctive impulses. It wants nothing more than to be satisfied but is constantly modified by the ego and the superego before being given overt expression. It provides all of the energy for, and is the driving force of, personality. Unto itself, it has no organization. Being guided by his vices, seemingly falling in the right direction at times when his Ego or Superego would shine through, brought Vinnie to a defining moment in his life. Through this guiding force, Vinnie would often find himself venturing outside of the microcosm that was Fat City. One of those destinations was uptown New Orleans where hardcore and punk were prominent. This was a breeding ground for those that shunned society and smeared the edge. Sonic exploration was not only prominent. Here it was a prerequisite which fed Vinnie’s Id. “I remember walking out there for the first time, like, going to Jed’s. It was on like, Oak Street or Maple; right down the street from Jimmy’s Music Club. And that’s where they would have the punk and hardcore activity weekends. That was basically where we would all go. So, Circle Jerks played, Black Flag, I got to see all them bands… Dead Kennedys. And we would go over there and start hanging over there and noticing woah, this is a totally different world. Not only musically but, you don’t play cover songs out here. No band gets up there and plays a Black Flag song. You would probably get tomatoes thrown at you. You had to be an original thing offering something to the scene, being part of the culture, and growing”. This confirmed to him that the scene in Metairie really had grown stale. Metairie had the Ratts and the Poisons of cover bands. It had mostly become a hairspray haven where leotard clad man boys were chasing a path that had already been, by now, cliched. Punk and hardcore influenced thrash in metal. And cover bands influenced… nothing. On campus at Tulane University is a radio station, WTUL. And back then, on the weekends, it would host a metal night one evening and a hardcore night on the other. Vinnie would also venture out there to a basement where the radio station was housed, bearing any goodies he may have procured throughout the evening. Two brothers were DJs. And together with Vinnie and friends they would pass around records, discussing them and giving them a spin. These uptown experiences, at the radio station and at live shows, were the building blocks upon which Vinnie’s own first band was founded. It would be the Id, his Id, incarnate. It would be proof positive that a dissention from what had become the norm of his environment was not only in order. It was necessary to avoid furthering apparent necrosing. Things would come to a head one evening in the dressing room before a performance with his first band, ironically named, Sabotage. “I was basically given an ultimatum in that band. I was in the dressing room. We were about to play a show and I was thrown some garments. ‘Here, wear these tonight’. And when I looked at these garments I was like, I can’t go out there like this. And he said ‘well you have to or you’re out this band’. And I said well, I’ll be out this band then… tonight mother fucker. ‘Aight, aight well you don’t have to wear that’. So, that was the last show I played with them”. This wasn’t at all about cover bands. Vinnie respected cover bands. His father was in a cover band. At one time, he even subbed guitar for a cover band when he was asked to bail out a friend in need. He was handed a list of one hundred and fifty songs to learn with two weeks to learn them. But again, having seen what the hardcore scene was like, and knowing it was more the direction he wanted to move in, left him with little vested in what things had become. And ever the hustler, he would soon take members of that band with him. Establishing himself in a fishbowl of clones would not prove easy. Though he could see the gateway from his doorstep, anything west of New Orleans was just, not New Orleans. And Fat City was the fishbowl of not New Orleans. To become a deflection in this biosphere meant facing backlash. And staking one’s claim sometimes meant going on the offensive. “I was kind of frowned upon. And it caused a lot of beefs. I was an asshole man. And I would make fun of guys for doing it after a while because they were making fun of me for hanging out with the punks. So, it got to be a lifestyle kind of thing. You know, like I’m willing to whip your ass over this shit. That’s how deep we were into this. If you talked bad about Exhorder in the 80’s, you might not be around today talking about it. I’m serious. We were fucking assholes man”. The same guys that would say you’ll never make a dime doing that or the chicks will never listen to that were the same guys who would eventually break out of this redundant mecca. But latency meant they would have a new band to follow. In retrospect, Vinnie feels as though it would have behooved those people to pivot sooner than later. A lot of great talent was born out of the moment when they finally steered clear of mimicking the hair bands of that bygone era. But at that time, he felt as though he was defending his honor. At any rate, once he left that band and this scene, there was no turning back. Writing for Slaughter in the Vatican would start almost immediately, but with only Vinnie and Andy Villafara, it would be an arduous task. David Main would soon follow suit leaving Sabotage. And the better part of a year would pass while writing and securing a permanent lineup. But throughout it all and no matter what, hardcore music had entranced Vinnie. He would rather die than see himself end up where he was headed. Music and life had become synonymous. And both, in Vinnie’s eyes, were secondary to this alliance. Given his proclivity for extremes and his perception that Exhorder was more like a gang than a band, things would become violent at times. Being that the foundation of this band was forged in contrast to everything out there, opposition could be found everywhere; even within the band itself. “To be honest man, I wasn’t the only lunatic in the band. I mean, these guys were legitimate fuck-ups man. We were all fucking nuts. I got in a fight with my drummer over some bullshit, year one. I kicked his fucking door down. I ended up going to jail and doing community service. So that’s kind of how we started; out of just anger and violence. And we were taking it out on our instruments and just making a hell of a noise musically about it. After that little scuffle with Chris, him, Kyle, and David left”. This would be the first of several partings for Exhorder. And the band was still so new, to themselves as well as everyone else. This occurred in late 1987. Their very first gig was just the year before on Franklin Avenue in 1986. At this point in time, they had yet to finish recording the demos for Slaughter in the Vatican. The process of rebuilding would go on for a year. During that time, Jay Ceravalo (rhythm guitar) would enter the picture. At best, Jay was an aspiring guitarist. But Vinnie saw a bit of himself in Jay; the air of tenacity. So, he made a deal with him. Vinnie affirmed, “Bra, I’ll give you six months. If you can play this shit… and I will help you. I’ll come and show you. I will make you tapes and whatever you need. If you can do this shit you’ve got the job. And that’s when he got rid of his old lady, he quit his job and locked himself in a room. So, at the time it’s just me, Andy, and Jay trying to put some semblance of Exhorder back together”. Through this process, Jay would risk (and lose) most everything. He turned his back on a secure job with the city of Kenner, his parents kicked him out. Above all else, Vinnie recognized the loyalty and dedication and never forgot it. Sid Montz (Victorian Blitz, Crowbar, Valume Nob, Southern Isolation) would come in on drums about this time. But Vinnie still had to find a singer. One day in early 1989, Sid called Vinnie with some news. Vinnie recalls, “This is a good piece of history that I’ve never told anybody. But it’s important to where we land in this later. He (Sid) says listen man I talked to Phil (Anselmo). He’s not happy with his current situation. He wants to do something heavier and he can’t get the guys to get on board. So, he wants to come try out. So, I called him and said try out? There ain’t no fucking try out. You’re Phil. You can do this. You’re bad, you know? You’ve got the gig. Come home. He’s like no no no, I want to do it right. I’m going to fly in and try out. And I’ll come back and we’ll finish it. I said, ok. So, he came down and was as good as you thought he would be. I said I told you. You wasted your plane ticket. You got the gig! So, I put this mother fucker on an airplane right after rehearsal. He’s flying back to Dallas and he’s going home to quit Pantera. Now by this time Power Metal was the last thing they had released. The sound was still… the sound. So anyway, he’s in the air. I drive home from the airport. I walk into the house and the phone is ringing. I pick up the phone, it’s Kyle. I hadn’t heard from this mother fucker in a year. I haven’t seen him. I haven’t talked to him. He goes, hey man I heard you had Phillip in the room. I said what are you talking about? I haven’t talked to you in a year! How’d you know? He says, I wanna come back. I said he’s in the air right now! He’s going home to quit! So, I said dude let me call you back. I hung up the phone. I called up Jay and I said this mother fucker’s calling me. He’s like bro, it’s your call. So, I thought about it for a second, and I did the right thing. I said absolutely Kyle; come on home. We wrote these songs together. You’re the only mother fucker I can envision singing for this thing. I said, you got it. I just need to stop him (Phil) from fucking his own thing up. So, I said let me see what I can do. So, I called over there and Phil wasn’t upset or anything. He was actually pretty happy. He said ‘that’s good news. I’m disappointed because I really wanted to give it a go with you. But, I’m glad he’s back”. With Kyle back, Chris Nail would once again take over on drums. Anselmo would go on to record the famed Cowboys From Hell album with Pantera. And Exhorder would complete Slaughter in the Vatican, getting signed to Roadrunner Records. The what-ifs that ran through my head at this point in the interview came flooding in. But tumultuous times were not behind the band. The signing was merely a piece to a puzzle that was never quite complete. Sure, they had remained in New Orleans, besting the labels turning them down left and right claiming that they needed to get out of New Orleans in order to make it. And one must realize this was the 80’s. This was the Regan era where shoulder pads and rampant consumerism dominated the arena. Even when they were finally signed, their first album came out mischaracterizing them as a ‘brutal thrash band from the depths of the swamp in Louisiana’. Their propensity for violence was getting them thrown off tours. This was no help either. But they knew they were on to something good. And this all would open up the door for many more out the south; a region negated as illegitimate in the world of musical significance. Between inner band tensions and music business complications, by the time The Law was released in 1992, the group was more than worse for wear. Vinnie had a baby. Chris was getting married. None of them could hold one another together or ever align their ways with normative business practices. Passion holds no court with principals. Principals are societally based. And passion is otherworldly. Exhorder would once again disband. Make-ups and break-ups would be scattered throughout the coming years. A turbulent giant would be remitted to a twenty-seven-year recording dormancy. In 2017, through specifics not revealed, Vinnie and Kyle would reunite for the last time, culminating in Exhorder’s 2019 release entitled Mourn the Southern Skies. It would be produced and engineered at OCD Recording & Production by Duane Simineaux under Nuclear Blast, one of the world’s largest independent metal labels. It is by far, in my opinion, the greatest work ever to come from Exhorder. Which at this point housed only two of its founding members. It would also mark the last time Vinnie would ever play with the band he started. “We tried to put it back together a couple of times. This last time the table was set pretty good. We had a good shot and it was working. We ended up in a dispute as usual. And this time the only original guys left were me and Kyle. The dispute was basically between me and him. It was basically over two bullet points that he just couldn’t get past, and I couldn’t get past. And finally, I was like fuck it. Hey if you want it this bad bro, take it. But you’re going to get your wallet out this time. Because a lot of times they leave me sitting there with the bill”. He went on to point out, “It is of my opinion that he, at this particular moment, probably hates my fucking guts. He won’t say it in the media but he probably does. It’s my opinion. I could be wrong. But five years, seven years, eight years from now you know, who knows”. They were maturing in the midst of this all. Their needs changed over time. With only two founding members remaining, what was considered Exhorder had changed as well. “Whenever Exhorder would break up in the past, we would just lay it to rest. Nobody owned the trademark or the copyrights or anything to that name. It just sat there. And it would always sit there until most of us, or all of us, decided to do it again. And it was always home base for us. If we ever wanted to make something of that thing we built when we were kids, it was always there for us. And it started when I said… yes”. Vinnie reflected on the Phil Anselmo story here, citing it as a moment in time that should’ve reinforced a standing precedence for the band. When it came to Kyle’s desires to return, he didn’t mull it over. He simply said yes. But this time, through communications with his lawyer, he was confronted by a standing vote to oust him. The organism would no longer be the sum of its parts. These days, Vinnie remains deeply involved in music. He has established roots in production, and continues with recording and composition. Among his many projects, you will hear his work on Kirk Windstein’s upcoming second solo album, projected to be released possibly this fall. He went on to talk about that experience, as well the many projects that he’s currently involved in. You can hear this info first-hand and the details surrounding his life in music on our podcast by picking your streaming platform of choice below. Please be sure to subscribe, as this keeps our musicians’ names in the wind and gives our show a greater voice. As seen originally on: Neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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A Soundtrack for Navigating Hell < Back When Metal and Rock Collide: 4 Mag Nitrous Nicole Brice Mar 21, 2023 Share A Soundtrack for Navigating Hell Louisiana metal has a distinctive presence in the South—one which is loud, savage, heavy, and full of sludge. Better than a morning cup of coffee, the music of 4Mag Nitrous not only hits you with a distinct sound that knocks you on your ass, but their stage presence is larger than life, too. If you need a soundtrack for navigating the hell that is Baton Rouge traffic, the music of 4Mag is it. Their latest offering, “Electric Conception,” was released in 2021 and is THE perfect music for cruising the road at a snail’s pace in and around the city, and on into outlying areas down I-10 and I-12. You must listen to it on full blast, though, with the windows down. I insist. Pioneers in defining a sound and scene beginning all the way in the 90s with other projects that each member was involved in, such as Leak, Blower Mower, Slaves of Freedom, Mutehound, and Routine Fiend, the men of 4Mag Nitrous have been a constant fixture on the southern metal scene in one way or another and are establishing themselves as the OGs of untamed southern metal. credit: Gary Governale Aggressive, loud-crunching guitars, brutally heavy riffs, and striking melodic vocals round out this band, and if Pantera, Slayer, and Motorhead had a band baby, it would be 4Mag Nitrous. Formed in January 2000, the band was on a mission to play the truest form of southern metal, and they have succeeded. Nitrous has gained much recognition by extensive playing and are currently played on 175 radio stations and heard worldwide via XM/Sirius satellite radio. These guys have solidified their place amongst the metal elite, and it’s time for the rest of the world to take notice. credit: Gary Governale 4Mag Nitrous's music has also been featured on the Discovery Channel's series Monster Garage , along with the compilation CD and DVD for both seasons. They have also licensed songs for the A&E series Dog the Bounty Hunter , and in 2010 signed on with Lionsgate Films to license music in six upcoming films. Having performed on nationally syndicated music television shows like Louisiana Jukebox and SXSW Music Showcase , these guys continue to make an imprint all over the southern region of the U.S. In 2005, 4Mag Nitrous charted at #17 on the CMJ charts. The band is comprised of Joel Cangiolosi (vocals, guitar), Ben Michon (guitar), Josh Klipstein (drums), and Kib (bass). credit: Gary Governale We recently caught up with the guys to ask them a few questions about the upcoming album they are recording, amongst other things we were just dying to know more about. So, grab a Snickers and kick back as we introduce you to a little bit more about what makes these guys tick; afterwards, go download their entire catalogue. I promise, you will thank me. MaM : I know you guys are currently writing and recording new material. What is the direction of the new album, and what music are you currently listening to that is influencing the writing and creative process? Kib : We write what we have fun playing and music we like to hear that we’re NOT hearing. There’s some of our songs we all agree are more fun to play, so, of course, the new stuff naturally follows that direction. We tend to like to play heads down & haulin’ ass! We like our songs and shows to have a lot of energy and to have music that, when you’re driving, you subconsciously push that gas pedal all the way to the floor! I would never want anything to be heavy just for the sake of being heavy. It needs to have feeling. Joel : I’ve been currently listening to a death pop duo called VOWWS, Monster Magnet, and Ice Cube. All over the place, I know. (laughs) I try to stay away from the same genre of music that we play while in the writing process. Ben : Lately I’ve been listening to Eminem’s last two albums quite a bit, as well as ‘Sometimes’ by City and Color, ‘Still Standing’ by Goodie Mob, and ‘Déjà Vu’ by Crosby, Stills, Nash, and Young. The new songs we are writing have more of a thrash element to them than our last effort, in my opinion. Klip : As far as I know, the new album's direction is faster and more aggressive. I actively am trying not to listen to too much music while we write this one, although it seems to be more old-school thrash when I do. MaM : Joel, give us a brief background history on past music endeavors. You have always been a fixture on the local music scene for as long as I can remember, and I’m getting old, so that has been a long time. Also, who are your vocal influences? Your vocals are insanely melodic for being metal. Joel : My musical journey started with a band called Big Daddy while I was in high school. Then in college, I had an original band called Sement. Then I moved on to a cover band called Bone China. Then we formed 4Mag and I played until 2004 when I moved out of state. Next was Lagerhead, Blower Motor, and finally back in 4Mag in 2017. It’s interesting that you asked me about my vocal influences. I was really hoping to just play rhythm guitar, but Kib talked me into getting on the microphone. I’ve always just thought of myself as just a guitar player, so honestly, there’s not just one singer that I have been influenced by. But don’t get me wrong—there are plenty that I enjoy hearing. credit: Gary Governale MaM : Ben, you, too, have been on the scene for a very long time. Give us a brief background history on past music endeavors. Also, your guitar tone is insane! Who are your guitar influences? What equipment do you currently use, and what is your favorite type or types of guitars to use and why? Ben : I started playing guitar when I was a freshman in high school at 13 or 14, I think. My grandmother bought me a $50 acoustic she found in the classified ads because I had been wanting a guitar. I have had quite a few music endeavors over the years, probably too many to list briefly. The most notable, I guess, would be Slaves of Freedom, Mute Hound, Big Frank, Routine Fiend, Glitchell, and Chemical City Rebels. I am still currently in Big Frank and Chemical City Rebels. credit: Gary Governale My guitar influences include Kirk Windstein, Scott Gorham, Brian Robertson, David Gilmore, Warren Haynes, Jerry Cantrell, Matt Pike, Brent Hinds, Bill Kelliher, John Baizley, Pete Adams, Chris Wollard, and Chuck Ragan, to name a few. I currently play primarily on a Bogner Uberschall amplifier through an Orange 4x12 cab loaded with Celestion vintage 30 speakers. I run several different effects, primarily a Crybaby 535Q, Earthquaker Avalance Run, Electro Harmonix Micro Pog, and a Boss RC-1 looper. I really don’t have a favorite type of guitar. Now that I think about it, though, I guess Gibson guitars would be my favorite, because all the guitars that I own are either Gibson’s or shaped like guitars Gibson offers. My favorite one is an early 70's Yamaha SA-50 that’s shaped like a Gibson ES335 that I bought at a pawn shop for $200 years ago. credit: Gary Governale MaM : How did the 4Mag sound come about initially? When did you realize, “This is it,” this is OUR sound? Details. Kib : The main thing we go for as far as our sound is thick tones with a bottom end that growls. Each of us like so many different styles of music. When we write, each of us [is] sprinkling their own style into the pot and mix[ing] it all up. But the most important part of it is letting the song dictate the direction. We’ll try different versions of parts when we get to it, but most of the time, the parts will write themselves. You have to stand back, see how the parts are speaking to each other, and not just force something because you like it (because you wrote it). We know when something is good because we seem to all react to it with excitement at the same time. And when all four of us are smiling after we come up with something, we know it’s a keeper! credit: Gary Governale Joel : Well, our sound is still evolving. Now that we have Josh and Ben in the band, it has opened our scope of musical exploration. Both guys are very familiar with writing, so we’ve been working on our sound now that we have all the key members in place. As far as our early quest for a sound, I remember Kib saying he wanted a rumbling type of sound mixed with big rigs, cool cars, my painting endeavors, and our way of life down here. We mixed a concoction of our own style. credit: Gary Governale MaM : Klip, we must know more about your mad drumming skills. Give us some more deets. Klip : I have always been a "metal" drummer in our neck of the woods in Ascension Parish. [I] started off playing percussion in [sixth] grade. By the time high school hit, I had started on a drum kit and played with some friends. I have played music with Joel for roughly 25 years and Ben roughly 20. Ben and I are currently in another band called Big Frank. I play drums and am one of three vocals for the outfit. Although we are on a hiatus for the moment, my third band is Wicked River Rising. My drumming influences range from Dave Lombardo to Dave Weckl. credit: Gary Governale MaM : Kib, you are a beast on the bass! Obviously, someone had to influence your playing style, so who would that be and why? Kib : I was put in piano lessons at [four years old] and until I was 12, I played bass instruments in band in middle school, but when I was 14, I got a bass and started a punk band the same week. I loved The Ramones, The Dead Milkmen, and early 80’s thrash. I never played guitar; it was always the bass. From playing piano, I immediately understood the job of the instrument and made playing with my fingers easier. For me, writing songs on bass helps with coming up with solid, catchy riffs. credit: Gary Governale MaM : Guys, name one band you would like to share the stage with but haven’t yet, and why. Ben : High on Fire because I think our style and theirs would work well together, and I love their music. Klip : I don't necessarily have one band I would like to share the stage with but would like to play a large festival. It has always been a bucket-list item. Joel : Currently, probably Gojira but my inner child would say Metallica or Pantera (original lineup). All these bands rip, and it would be a great opportunity for our band to jump on a tour with them. credit: Gary Governale MaM : With all you have going on, what are your future plans? Kib : Hoping for new opportunities to share the stage with bands we love and new friends as we keep chuggin’!! NEVER STOPPING!! Ben : Finish writing the new record, release it, and play as much and as far out as we can. Klip : I want to keep writing albums and playing them live. Joel : Keep writing and booking gigs. Concentrate on our music and not some hokey gimmick(s) that I see a lot of bands doing. Keep pounding on doors and knocking down walls! _ If you want some good ole southern metal that fuses rock and everything in between, you’re gonna want to check these guys out. Their discography is impressive as a mofo. Also, too, to learn more about this intense band with the untamed sound, be sure to check out their social media links and website. Discography: 4Mag (Self-Titled) – 2005 Monster Garage (Comp CD – Season 1) – 2004 Monster Garage (Comp CD – Season 2) – 2005 High-Road EP – 2019 Electric Conception – 2021 4MAG NITROUS | New Orleans LA | Facebook 4Mag Nitrous Official (@4magnitrous) • Instagram photos and videos 4Mag Nitrous - YouTube ‎4mag Nitrous on Apple Music 4Mag Nitrous | Spotify www.4magnitrous.com 4MAG NITROUS The Official 4MAG NITROUS website. Electric Conception | 4Mag Nitrous (bandcamp.com) *Cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. < Back Rothstein Beatz: Worth the Gamble Erica Machen Nov 27, 2023 Share Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. Meet Stanley Harris, the creative force behind the persona Rothstein Beatz. Originating from Las Vegas, Nevada, Rothstein is not just a seasoned producer; he's a multi-faceted artist , seamlessly blending his skills as a comedian, radio personality, and film score composer. His diverse musical palette, drawing inspiration from legends like Nottz, Kanye West, and DJ Premier, has established his presence in the hip-hop community. Today, he’s one of the hottest producers on the Clubhouse platform and his beats are dominating the music industry. As a voting member of the Recording Academy, Rothstein's influence extends beyond the studio. He is endowed with the keen ability to recognize and celebrate talent within the industry, a responsibility he embraces with unwavering passion. His musical prowess isn’t the only thing setting him apart: Rothstein has etched his name in the digital sphere, creating tidal waves on Clubhouse. There, he has created a space where industry professionals, hopefuls, and enthusiasts alike converge to discuss, learn, and connect with a community of over 32,000 members. The name "Rothstein Beatz" isn't just a pseudonym; it's a well-suited persona. The evolution of being called Roth to Rothstein Beatz is a testament to his journey as an artist. His story is one of growth in learning the ropes of the music industry through networking, studio sessions, and internships that resulted in collaborations with lauded artists like Papoose, Trev Rich, and Miesha from 702. Rothstein Beatz (courtesy of Rothstein Beatz) With his budding label, Casino Gang Records , Rothstein is not only sculpting his artistic identity but also paving the way for rising talents. Beyond his beats and melodies, his " Roth Talk Podcast " offers a glimpse into the industry's complexities, featuring insightful conversations with seasoned industry professionals that provide those with musical aspirations with encouragement. As we delve into our rap session, we unravel the layers of Rothstein Beatz's journey—one marked by innovation, collaboration, and motivation. MaM : What’s the story behind the name "Rothstein Beatz"? R : Las Vegas is my hometown. There was a movie that came out back in the day called Casino with Joe Pesci and Robert De Niro. His character’s name was Sam Rothstein. He wore suits and shades and smoked cigars. I won some money, bought a nice suit, and had my shades and cigar walking through the casino. One of my boys yelled, ‘Man, who you think you are? Sam Rothstein?’ My real name is Stan, so I said, ‘I'm Stan Rothstein.’ I was called Roth for a long time. I took it from Rothstein to Rothstein Beatz. MaM : Working with artists like Papoose and Trev Rich is impressive. What led to these opportunities, and can you share memorable experiences or challenges faced in collaboration? R : First and foremost, I'll say networking was the reason I was able to get those opportunities. Trev Rich is a Grammy-nominated songwriter and artist. I actually met him on Twitter. I reached out to him. We built a relationship online, and the next thing you know, he had one of my tracks on one of the tapes he [released]. Later, he used that tape to help find his career and get Grammy nominated. As for Papoose, I have to shout-out my fellow producer, J-Swift. He grew up with Papoose … kind of took him under his wing. He told me Papoose was looking for some beats, and I sent him some. I didn't hear anything for months. I was … in session with another artist [and] J Swift kept calling me. … He tells me [Papoose] loves this one beat, and he needs the music and my information that night. … That was the first time I worked with him, and something similar happened the second time. Now we have some things working in the future. MaM : You’ve gained recognition on Clubhouse as a producer. How did you first get involved with the platform, and what impact has that had on your career? R : First, I gotta shout-out my family, The Music Network and No Egos family. It’s just amazing how a bunch of strangers can … come together and become family. I also have to give love to my sister, T from Harlem. She told me about Clubhouse when it first started. At that time, it was invite-only, and it changed my life. I was able to speak to celebrities, label executives, and people you would just dream to have a conversation with. Through that, I was able to create my own space. … Now, we are at about 32,000 members. We’ve had legendary artists, comedians, civil rights people, and even presidential candidates. We’ve had all types of people in the music, film, fashion, and whatever industry you want. Just amazing professionals to connect with on a daily basis. It’s been an extreme blessing. I owe a lot of my music career going forward to Clubhouse. I’ve been able to work on movie soundtracks and had chances on video game soundtracks. MaM : Speaking of impressive guests, you have a podcast called “ Roth Talk Podcast .” What topics and guests have stood out the most during your podcasting journey? R : Podcasting started because of Clubhouse … [which] is kind of like doing a podcast. There, I have great team members who give me great advice. I’ve been able to have the legendary Bob Sumner, who’s the co-creator of Def Comedy Jam; platinum producers and engineers; and movie filmmakers. I’ve had a slew of industry professionals, including 20-30-plus-year professionals on my podcast. It’s more of an inspirational podcast, because you get to hear the stories of how people came up and how they got into what they got into. They always leave with some great advice for the listeners as well. MaM : Can you share defining moments that led you to pursue music production and a career in the music industry, considering your diverse influences, like Nottz? R : I’m blessed enough to be a good friend of Nottz. Being a fan of somebody and then becoming their friend is a cool experience. Defining career moments [are] between that and then-DJ Premiere, who’s a legendary producer, scratching my beat [and] cosigning me, and telling me he loves my production. When you have the chance to meet and talk to people you used to read about on album covers and used to jam and listen to their songs over, and over, and over again, it’s a surreal moment. It took me back to when I was a teenager. It was a nostalgic moment. I would say being able to meet some of my musical idols inspired me to know I’m on the right path. Not everybody’s going to be able to meet whoever they want to meet. I feel like it’s a divine energy. MaM : Earlier, you touched on the inspiration of the name "Rothstein Beatz" from the movie Casino . Now, your new label is called Casino Gang Records. Can I assume the link between the two? Could you tell me more about your vision for the label and what sets it apart in the music industry? R : I see you, you’re a smart young lady over here! Yes, that is correct. It’s tying the movie Casino and the casino game [together]. That was the motivation. The slogan for Casino Gang is, ‘Where winners win.’ We’re going to come together, and our goal is to win. Our goal is to be the best that we can be. I have some amazing artists on my roster (four R&B singers and one rapper). Megan B is an amazing vocalist and is a part of Pharrell’s choir, Voices of Fire. Check out her debut album called ‘ Mood .’ I produced the whole project. I also have my baby sister, Naomi World. She hasn’t yet released any music yet, but she has sung hooks on a lot of dope records. We have her ready to roll out music next year. I also have my guy Bran the Brain . I produced his debut single, ‘One’, with Botz and it’s out streaming now. Last, I [have] my rapper Bakeskeeza. He has some mix tapes, and we’re getting ready to release a project next year as well. The vision for the label is to release records representing the artist individually. We are making sure our sound is original, authentic, and it tells a story. We plan on 2024 being the year we submit for the Grammys. MaM : Being a voting member of the Recording Academy is a significant honor. How do you see your role in influencing the industry and recognizing talent within the Grammy process? R : I just voted with the last nominations for the first time. So, congrats to people who are now Grammy nominated. I feel great to have a voice and an opinion to vote. I love that everybody gets a chance to say who they think deserves record of the year or album of the year, and all of those great things. It’s another surreal moment … Watching the Grammys, [I] always wanted to go to, and now I have the opportunity this February ... I want to win, but I still feel like I won a Grammy [just] being a part of the recording academy. It’s a small group of individuals who decide career-changing awards. For me to even be able to log in on the Grammy website, see my name and information, and be a part of a chapter is a dream come true. Now that I understand the process and how it works, it gives me a better insight of having a chance to win. MaM : Looking ahead, what can readers look forward to next from Rothstein Beatz? What projects or endeavors are on the horizon? R : I’m going to tell you exclusively that I have my beat tape, ‘Almost Platinum’, coming out December 23rd! I am already a gold-selling producer, [and] I’m almost a platinum-selling producer. 2024 will be the year I can claim I have over a million streams I’ve produced. I do two beat tapes a year. I dropped one in March called ‘ The Cook Up 3’ , which is available on all streaming platforms. That’s kind of my thing … I like to let fans know I have a bunch of beats. The second order of business is that I will be on a reality show. I can’t say the name … yet because I am still planning to sign the contract. Be looking out for Rothstein on a reality show! That’s another hot-off-the-press exclusive for y’all. Just know, 2024 is looking real bright. Rothstein Beatz (courtesy of Rothstein Beatz) And there you have it! Rothstein Beatz is like playing the table with a royal flush in your hand. The big payout is in his links! Official Website | Rothstein Beatz Instagram @iamrothsteinbeatz YouTube @RothsteinBeatzYT X (formerly Twitter) @RothsteinBeatz *Roth Talk Podcast: YouTube @rothtalkpodcast Instagram @rothtalkpodcast *Papoose Songs: Album Title: "July" Song Title: " Don't Embarrass Ya Boss " Album Title: "December" Song Title: " 50% Human " Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. < Back SÖŪP: A Rich Tapestry of Musical Expression Nicole Brice Mar 13, 2024 Share SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. Music has always been a powerful medium for expressing emotions, telling stories, and connecting people from different backgrounds. Growing up, I was introduced to many notable classic rock acts, and the complexity of the songs I heard opened my mind and consciousness to new concepts and ideas in a way that pop music could not. Legendary acts such as Ten Years After , Led Zeppelin , and Rush paved the way for generations of rock enthusiasts with a diversified range of intricately crafted sounds, and their legacy continues to this day because of pockets of emerging musicians who are discovering the music for the first time. Continuing the legacy of well-crafted music for the masses out of Asbury Park, New Jersey , is a 3-piece hard rock group with divine creativity called Sӧῡp. With a whimsical and progressive style, Sӧῡp is a group of musicians who have come together to jam and create music spontaneously and organically, and they are proving to be an up-and-coming force in the new emerging face of rock music. Consisting of Harrison on guitar, Monica on drums, and Mercedes on vocals, bass, and keyboards, the band is gaining momentum with its vibrant energy, steady bookings, and clear, concise ideas of what they want to accomplish musically. They are full of ingenuity, drive, and passion, with talent far beyond their years, and have come up with a sound so fierce that it’ll knock you on your ass. Photo provided by band Drawing influence from progressive rock greats Rush and rock legends Led Zeppelin , this trio knows how to command attention with their thunderous presence. Released on January 1, 2024, “ The Captain ” is the first recorded release by Sӧῡp in a series of songs to be released this year and is a meticulously crafted orchestration of creativity, taking you on an epic journey of sound. Mercedes’ range is dynamic and powerful, with soaring vocals reminiscent of the great Cherie Currie of The Runaways , evoking the nostalgia, solidarity, and influence of 70’s rock. Paying homage to the past while embracing the future, Sӧῡp’s music is a harmonious blend of diverse musical influences serving as a bridge between the past and the present, and if I were to describe their music, I would have to say it is an experience to be had with headphones and the volume turned up. The layered textures and sounds take you back to a different time and place and allow for complete escapism. Photo provided by band Mixed Alternative Magazine had the opportunity to catch up with the band recently in between their many upcoming shows, and we were able to have an authentic discussion about the state of the industry, influences, plans, and much more. Take a moment to learn a little more about the band called Sӧῡp, and then be sure to jam out to their latest music on your favorite streaming platform. MaM : Mercedes, your vocals on the new track, “ The Captain ,” are phenomenal, with so much power and passion. It reminds me of Cherie Currie ’s performance on the song “ Neon Angels on the Road to Ruin ." Who do you cite as your ultimate vocal influence, and why? Mercedes : I really appreciate the compliment. I tend to get my vocal technique from a good number of male artists that I listen to. A lot of people do draw comparisons with me and several other female vocalists in the classic rock realm, but truthfully, I have been influenced by Geddy Lee from Rush and Robert Plant from Led Zeppelin. MaM : You know the Wilson sisters from Heart were heavily influenced by Zeppelin, too. Mercedes : I did not know that. Honestly, it’s an honor to be compared to many of these iconic female vocalists, but the surprising thing is that I don’t take a lot of inspiration from them. Credit: Jeff Crespi MaM : Were your parents influential in determining your music tastes? Mercedes : That’s actually a common misconception. I grew up listening to current music, but my Dad would listen to a good bit of John Denver , Frankie Valli and The Four Seasons , and James Taylor . As far as classic rock goes, I didn’t know anything about the bands I’m currently influenced by back then. I discovered all their music on my own, and then, when I became friends with Monica, she and I went on to discover even more together. MaM : Take us through a little band history. How did you come together as you are now? Mercedes : Both Monica and I were taking music lessons at the same place, and our music teacher noticed a good bit of similarity between us. He decided to introduce us, and we really hit it off and just started becoming great friends. Eventually, we decided we wanted to form a serious band, and we’ve been working hard at it ever since. The biggest setback has been finding consistent band members to take it as seriously as us. We did not go to school with any musicians, so it was a bit of a trial until we found Harrison because we clicked with him in ways we didn’t with anyone else. Credit: Jeff Crespi MaM : Harrison’s guitar playing is exceptional, too. His tone is so crisp and clean. Mercedes : It’s almost as if Monica and I manifested his existence. We knew exactly what we were looking for, and then he walked into our lives, so it’s been perfect. MaM : What drew you to playing the instruments you play? Monica : So, we had a little issue when we first met because both Mercedes and I played the bass, and what were we going to do with two bass players, right? We didn’t have a drummer, though, so I picked it up, and it’s been about three years. It all clicked so fast, and I never thought I’d love another instrument as much as the bass, but I certainly love the drums more. I feel like I can express myself by playing drums in ways I could not with the bass. I’ve never felt more creative in my life. Credit: Jeff Crespi MaM : I have so much respect for drummers because what they are doing looks so difficult and exhausting. Monica : I will say that sometimes your fingers cramp up, and it is a test of strength. It’s cool to watch yourself get stronger and more capable with it as you progress. I found that the stronger I got, the more improved I got with my playing. MaM : Were you self-taught, or did you have a few lessons? Monica : Both; some things I was taught, but others I just figured out along the way. Photo provided by band MaM : Harrison, how did you start playing guitar? Harrison : My whole family is full of musicians. My dad plays bass, and my uncle plays guitar. They had a band when I was younger, and it got me inspired to play music when I would see them perform live. I was about 7 years old when I picked up a guitar, and I’ve just stuck with it. It’s the only thing I’ve ever stuck with. MaM : I love the tone of your guitar. Do you have any specific gear you use to achieve your sound? Harrison : I really like to use a Les Paul guitar with a Marshall amp and my chorus pedal. That’s my favorite pedal right now. MaM : Who would you cite as your ultimate influence for what you do? Harrison : David Gilmour of Pink Floyd. Photo provided by band MaM : Who do you collectively cite as the one band that made you want to pursue music as a career? Sӧῡp : Rush Mercedes : Yeah, Rush — across the board. MaM : Back to your new single, “ The Captain ,” how did the concept for that piece come together? Give us a little backstory. Mercedes : About two years ago, Monica and I realized we wanted to create one big theme with our music. One big concept. We wanted to establish a visual vibe with a storyline instead of just music with lyrics. Looking ahead, we want to create a visually poignant nautical theme with our music, one about discovering new horizons and what is encountered along the journey. “ The Captain ” grew out of that, and we’re in the process of writing the other songs, too, so you’ll have to stay tuned. A lot of our songs are about the ocean and water, ultimately leading to a concept album about a journey. Rock operas and concept albums have always fascinated and inspired me, so it’s just about channeling my inspirations into one big piece as my take on it all. Credit: Jeff Crespi MaM : How do you approach the songwriting process? Is there a formula you follow? Mercedes : Usually what we do for any song is write the music first. That’s how things came together for “ The Captain ”. I heard the riff first before we had even started writing. I was sitting in my yard one day trying to figure out how to write the song, and I was looking in my notes, and I found a small fragment of a poem about a captain that I had written, but it wasn’t complete. I was able to take that small fragment, though, to turn it into our song, and a few minutes later, I told everyone I had the lyrics done. We then put it with the music and tweaked it and it came together like magic. Monica : Once we play a song live, we usually find more things we want to change. We like to add more flavor here and there, but sometimes we’ll play a song live for many months, thinking it’s complete, but then right before the recording process, we find something else to change. It’s never quite complete. Credit: Jeff Crespi MaM : Where do you see yourselves headed in the future? I know you already have a busy 2024 shaping up. Mercedes : Our main goal is to release music that people will love. We will release singles, but we hope to draw more people to us by getting our audience hooked on a few songs, allowing them to marinate with the ideas, and then selling them the entire concept. We hope to unite people by presenting a new take on a vintage sound. Monica : There’s nothing better than taking a journey with your two best friends, especially when it resonates with people. As Sӧῡp continues to evolve and grow, they will undoubtedly leave a lasting impact on the music industry and inspire future generations of musicians to push the boundaries of musical expression. To learn more about the band and to experience their music for yourself, visit www.soupofficial.com . *Photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

How Steve Mignano found his way to music, New Orleans, and soundscape success with musical projects Drab and Garguts. < Back Steve Mignano: A Man with a Lust for Movement and Change David Trahan Jan 18, 2024 Share How Steve Mignano found his way to music, New Orleans, and soundscape success with musical projects Drab and Garguts. Drab has rich soundscapes. There seems to be a thirst lately for bands with driving basslines whose guitars saturate the aural soundscape with lavish, soulful melodies. That may sound elementary, but the truth is that too many bands these days are trying to find the next direction with compositions that have shed elements of the tried and true. For me, Drab’s sound hearkens back to an era when grunge rock was mighty. And music like I’m hearing from these guys was the tasteful counter to that movement that somehow found a way to compliment it simultaneously. It was anything but pop, super original, and slightly unpolished in its own right. A band like Drab is tipping its hat to this notion that there exists a space between extremes that does not lend itself to popularized conformity. In other words, you don’t have to commit yourself to either death metal or typified pop extremes to express a deviation from the norm. There’s a vein of rock that maintains an edge slightly left of center that is still respected by those who would normally find their comfort zone right in the middle. For his whole life, Steve Mignano has been able to move freely throughout these spectrums due to his lust for movement and change, and his ability to achieve accuracy amongst chaos affords listeners a guide through these waters. You can’t understand the plot if the acting sucks, and you can’t get a feel for a sound if it’s not in tune or on time. Now Garguts, Steve’s second project, pushes the division between what works and what doesn’t. They take the above notion of “unpolished” and kick it in the teeth. But again, Mr. Mignano embraces change here while feeling his way through at the top of his lungs. Because for this project, Steve isn’t holding a guitar. He’s strictly singing. Dylan Hemard (Green Gasoline) checks the axe for him, allowing him the freedom to roam. This band delivers the reassurance that can be sometimes felt in extremity. Because oddly enough, you can hear a bit of Zeppelin in the beginning of their song “Miller High Death”, but then the kicking starts, giving listeners a bit of “Oh yeah, I remember that!” followed by “Oh sh*t!”. We will get into the line-up of this band later. But trust me, we’re all in for a wild ride with this one. To read the full article on Steve Mignano, Drab, and Garguts, visit www.NewOrleansMusicians.com . Podcast : https://Neworleansmusicians.Podbean.com YouTube : https://youtube.com/@neworleansmusicians Blog : https://Neworleansmusicians.com/blog www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Moon Tree is a down-to-earth musical odyssey intertwining jazz, blues, country, and rock to create art built of timeless stories. < Back Moon Tree: Reflecting the Sounds of the Cosmos Erica Machen Jan 17, 2024 Share Moon Tree is a down-to-earth musical odyssey intertwining jazz, blues, country, and rock to create art built of timeless stories. Have you ever sat cross-legged, captivated by your grandpa’s extraordinary stories? The mysticism and legacy within words passed through generations lasso your attention. A similar enchantment echoes from the sonic musings of Moon Tree. Hailing from the Muscle Shoals area in Alabama, the band, consisting of Jeremy Parvin, Greg Chapman, John (aka Chet) Hicks, Kevin Reed, and Grayson Wright, intertwines jazz, blues, country, and rock. They may be sharing some folklore, but these are no classic folk songs. Band members contribute distinct elements. Vocalist Jeremy Parvin draws from Southern Baptist roots, infusing vocals with 70’s artists, blues, and southern rock influences. Guitarist Greg Chapman underscores the collaborative songwriting process defining the band. Drummer Kevin Reed injects high energy and jazz nuances. Chet Hicks, the bass player, emphasizes the band's melting-pot vibe with his musical experiences from across the country. And Grayson Wright, on keys, ties everything together with his incredible talent and youthful spirit. Each of the guys brings their own flavor to their musical gumbo, creating a uniquely soulful blend. Just as each of their flavors is unique, so are their albums. Moon Tree’s journey through genres is evident, from the gritty jazz-and-blues blend of their debut to the country-blues rock of "Too Much Honey". Moon Tree’s latest album, "Into the Unknown," released in October and immerses fans in a cosmic odyssey, merging 70’s hard rock sounds with blues and gives vibes reminiscent of The Black Crows. Moon Tree’s streaming catalog is a musical space odyssey. “Footsteps and Stones” tells of one North Alabama man’s tribute to his indigenous ancestor through a hand-built stone wall. She walked for five years from Oklahoma to come home to the “Singing River” that is the Tennessee. Not only is this a testament to the tale, but it is a testament to Moon Tree’s journey in crafting musical masterpieces. Like the story they are telling, their art is being built of timeless stones. Inspired by the ethereal and space, "Into the Unknown" takes listeners on an epic celestial journey. Mixed Alternative caught up with these down-to-earthers to learn more about what inspires their sound, how their name is tied to the Apollo 14 mission, and the recent release of their third album, “Into the Unknown”. Check out our conversation below, then be sure to follow them on social media and get lost in the ride. MaM : In the spirit of Moon Tree's unique sound, each of you, in your own words, please give us a snappy introduction that captures the heart and soul of your musical vibe. L to R: Grayson Wright, Chet Hicks, Jeremy Parvin, Greg Chapman, Kevin Reed Credit: Amanda Chapman JP : I sing and don't play an instrument, which is probably best for all of us. I'm the front man. I was raised a Southern Baptist minister’s son. Gospel has always had a big influence. In my vocals, I draw a lot from 70’s artists with blues and Southern rock-and-roll influences. GC : In Moon Tree, we all have different musical backgrounds. We come up with things on our own, then bring it together for everyone to work on it. We put it on vinyl and hope people will listen like they used to listen to music. KK : I’m Kevin, the drummer. I’ve always played in more hard rock bands. Coming into this group, they weren’t necessarily a hard rock band, but they had really cool songs. We blended a little high energy with some of the jazz-type stuff they had going on. We build new things with each album. The first album is kind of jazzy, the second is kind of country, the third album is kind of hard rock stuff, and the next one … who knows what it's going to sound like? I try to help facilitate that as best I can by making it louder. CH : I’m Chet, the bass player. I’d say the vibe of our band is what most of our shows have shown: a melting pot. MaM : I’m glad you mentioned a melting pot. I was going to say Moon Tree's sound is a gumbo pot of gospel, classic rock, Texas blues, and jazz. How do these musical flavors come together in your songwriting to create something uniquely Moon Tree? CH : There are a lot of different kinds of influences. Everybody brings something different and are from different backgrounds. I think that's what made Muscle Shoals so cool back in the 70s. It's really the same thing with us. We all try to come up with song ideas, and then we try to make it sound like Moon Tree. It always does. It's great! JP : There's a tradition here [Huntsville, AL] in sort of making your own music and making your own fun. We really like working on the songs and getting them to that point. We all seem to gravitate toward the same musical point, which is really nice. We start off with the idea that's pretty raw; at the end, it's really refined. I think everybody's songwriting skills come into play, because everybody's bringing something to it in a creative way. MaM : Chet, with extensive experience, you have been around the musical block, so to speak. Would you share how your diverse experiences help shape the band's process in creating original tunes? CH : I have just played in so many different kinds of bands that when we started doing this one, it was easy. It was easy because it was kind of clear from the beginning. It was like ‘Ok, we're not really going to have any musical rules.’ We're just going to try to write the best songs we can write and get the best recordings we can make. There’s a lot of things coming from different genres since I played a bunch of different kinds. I was ready to do it [integrate genres]. A lot of what we do is really unspoken and understood between us. MaM : The Moon Tree name is tied to the Apollo 14 mission … pretty cosmic stuff! How does this out-of-this-world connection influence your storytelling, especially when delving into themes like folklore, spirits, and alternative perspectives? Credit: Amanda Chapman GC : The Moon Tree name came from the moon tree over at Ivy Green. Steven Tyler came here, and he hugged the moon tree. Whenever we saw that, it was like ‘Moon Tree?’ You know, that would be a good name. JP : There was a forestry expert who went on the Apollo 14 mission with the astronauts. He orbited while they went to the moon, but he was tasked with taking some seeds up with him in the orbit around the moon. When they came back in the early 70s, they spread those out amongst all the forestry commission. They planted seeds in certain areas. There are lists online for them. A lot of our music is inspired by ethereal things and space itself. Our latest album is titled ‘Into The Unknown’ and is very much in that lane, especially the title track, which is written by our drummer (Kevin). It has a very sort of, I don't want to say spacey, but let's say heavenly feel to it. MaM : You’ve opened for heavy hitters like Jimmy Hall and Jefferson Starship. How have these experiences shaped your live performances, and can you spill the beans on a standout moment from those gigs? GC : I just want to say we really appreciate everything we've had an opportunity to do. We've been very fortunate to play some shows like Jefferson Starship. It's an amazing opportunity to play those kinds of show. It gives you experience for future shows so that you're ready for anything that might happen. That makes you want to play better. Whenever we opened for Nick Saban, that was quite fun. That was the first time I ever used one of those in ear monitors. It gave me experience. It’s those experiences that prepare you for when something big comes up. JP : The show he is referring to was a charity event we were able to play very early in our career as a band together. We were very fortunate to play before Coach Saban was going to speak for the event, and it was great. MaM : You guys just released your third studio album, “Into the Unknown”, in October. What fresh sounds or themes can fans expect, and what cool surprises should everyone be on the lookout for in Moon Tree's upcoming adventures? Click image to experience Moon Tree KC : Hopefully, in the coming year, we're going to be playing in different towns. We’ve done Huntsville, Birmingham, and things like that. We want to spread out a little and really play behind this new album. We're really proud of this album. It's still new. So, hopefully we're going to be coming to more towns, playing more shows, and writing new music. Tonight, we've been rehearsing and have already worked on four new songs. They're all kind of gelling together real good [sic], and it’s totally different from the last album. We're always kind of moving forward. There's never much of a down period in this band. We record an album, we put out an album, we play some shows, and then we do it all over again. That's kind of the way it goes around here. GC : I would just like to say that I really appreciate having great local places around here where we can play original music, like Lava Room , For the Record , and Champy’s Shoals . JP : We also want to throw a shoutout to our superhuman keyboard sorcerer, who doesn’t always practice with us, because he is perfect and doesn’t have to! His name is Grayson Wright, and he is young and hip to what the kiddos like! He provides brilliant, often improvisational, chops on any style of piano/keys/synth, you name it! Venture out a little further on your expedition and be sure to visit Moon Tree online at www.MoonTreeBand.com . Moon Tree | YouTube Moon Tree | Facebook Moon Tree | Instagram Moon Tree | Spotify Moon Tree | iTunes *Cover photo by Amanda Chapman Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. < Back Neon Rayon: Redefining Electronic Rock Nicole Brice Nov 14, 2023 Share Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. We’ve all been there: We hear a band and we’re instantly hooked. It does happen, and in the vast and ever-growing world of music, certain bands emerge to capture our attention and resonate with our energy in a way that touches our soul. That band for me right now is the indie outfit Neon Rayon out of New Jersey . With infectious grooves, electrifying synths, and heavy danceable beats, Neon Rayon redefines what it means to be a modern-day electronic rock band. Credit: Jeff Crespi Formed in 2022 around the iconic Asbury Park area of New Jersey , members J. Nixon (bass and vocals), Alex Holland (guitar and vocals), and Bob Paulos (the big ship commander, aka the electronics guru) round out a visionary group of musicians who are seamlessly combining genres in ways that are innovative and enchanting. With releases “ CHiPs ” and " IM:Sb " the band crafted well-written, tightly produced blends that compel you to listen on repeat so that each time, you can discover something new about what you’re hearing. Neon Rayon reminds me of early Ministry meets Front 242 meets A Split Second . Their music showcases creativity and originality in an industry full of musicians looking to gain recognition. And thanks to my dear friend and superstar photographer Jeff Crespi , their tunes are now included as part of my own personal playlist. I reached out to Neon Rayon and was able to chat with J. Nixon and Alex about their beginnings, influences, and challenges so far. Here’s what they had to say. MaM : Thank you, guys, for speaking with me today. Tell us a little about your beginnings and more about the band in general. JN : [Well,] in 2022, Alex , Bob , myself, and our friend, Matt, got together to do a Halloween set [as a cover band] of Jay Reatard stuff. [As you may or may not know], he passed away a few years ago, and he left behind a couple of great records, and we wanted to do those songs [live]. We got together to do three shows. [It was] a house show, and then two club shows. It went well, and so we decided to make a real band. Bob and I got together for practice and Matt couldn’t make it, and he was the drummer, so we decided to try out a drum machine and then it just came together very naturally after that. Credit: Jeff Crespi MaM : How did you choose your band name? AH : I had been kicking around with a solo project before the band, and I just thought of it in terms of a name of something and I’m really into fashion. I noticed the tags of many of the shirts I was wearing always said, “Made of Rayon,” so I had this idea for the name Naked Raygun and then I had the idea of putting the two words Neon Rayon together , so it just means colorful fabric. But I felt the two words together sort of make up this space-age kind of queer-type thing. I held onto it and then when we didn’t have a name, I asked the guys if they wanted to use this name I had been thinking of, and they agreed. Credit: Jeff Crespi MaM : How did you all get your start in music? AH : I knew J. because we played in a couple of bands together, but I got my start in New Brunswick , which is basically the basement show scene. I started playing in bands in that area but then moved over to hanging and playing in Asbury as well. JN : I started playing when I was 14 or 15 years old. Anything I could get my hands on really. A little Casio keyboard or a guitar or a drum pad or anything but then settled on bass because everyone needs a bass player (laughs) and I liked it. I played in some ska bands out in California in the Orange County area as a kid, and then I moved here as a late teenager and started doing a bunch of really basement bands (laughs) . I mean, we never really put out recordings or anything, and then the first real one was a band called Hunchback and we were on Don Giovanni Records . I started doing all kinds of musical projects, honestly, anything I could get my hands on, and then now, this, which is my favorite right now. Credit: Jeff Crespi MaM : … and it’s freakin’ incredible! How would you describe Neon Rayon’s musical style? JN : I would say it’s electronic dance with a punk infusion. Basically, it’s just music we want people to move to. I would say it’s electroclash. We’re really inspired by bands like Suicide , Peaches , The Faint , and Le Tigre . We’re all big Le Tigre fans. MaM : That is incredible! I wish I could catch them live. So, what I got from your music was catchy industrial pop with a rock vibe. JN : My feeling and approach with it were always to do something that is punk that people would dance to but pretty much keep it basic. I mean, we do get a little complicated with some of the programming, but I don’t want to be a prog band, you know? (laughs) Catchy and still edgy, I guess. MaM : What is the story behind the title of your latest single, ' IM:Sb '? JN : Oh, it’s not really that interesting, but go ahead. (laughs) Alex ? AH : All of our songs are very collaborative, and Bob would start with a drum beat or a sample to kind of build it from there. There would be times where we’d be like, ‘What are we gonna call this one?’, so we [said], ‘Let’s call this one, ‘Sexbot’’. So, when we were writing it, I started calling it ‘Inside Me’, but Bob and J. would call it different things, so we were calling it [both] ‘Sexbot’ and ‘Inside Me’, and we decided to just do both. We’ve had this idea for a while where we wanted to just do acronyms for the titles. Eventually, it became ‘ IM:Sb ’. JN : Honestly, I think it came from having to have a file name to save on the equipment that Bob is working with. Credit: Jeff Crespi MaM : Who do you cite as your biggest influences and why? AH : I think for me it’s just this sort of a revolving door, but at this moment, Suicide and Alan Vega because when we started the band, we were going to have a drummer with a drum machine on the side and I was inspired by bands that didn’t have a template of drums, bass, guitar, vocals. Like kind of going past that. For me, three big bands: Suicide , Big Black , and Alan Vega ’s solo stuff. JN : For me, Big Black and Devo , who is my absolute all-time favorite band. MaM : Really? I love Devo! Do you guys like Kraftwerk ? JN : Oh, for sure. We were just Kraftwerk for Halloween. (laughter) AH : I would also like to say that another influence for us is a lot of Chicago house music from the late 70s/early 80s. What is so inspiring about that is that J. comes from the world of punk where you just pick up guitars and go. I was researching house and dance music and that’s how they started, too—by getting different machines to make their beats—and that was so inspiring because it doesn’t matter about your technical prowess. Just go and make music that you’re just happy with. Credit: Jeff Crespi MaM : How do the lyrics come about for your songs? What inspires that? JN : Oh, this is all Alex . (laughter) AH : It has been an interesting process because, for me, it has always been a bit introspective. The melody is the most important thing, or the rhythm, and then the words will come through that. If I’m feeling crappy, the lyrics write themselves. Introspective, though. And I want people to connect with them if they feel similarly. Self-expression of what you feel. If people can sing to it, then that’s cool, but I’m hoping they can feel a connection to it. MaM : What would you say sets your music apart from others in the genre? AH : We blow out speaker systems. (laughter) JN : We have done that! MaM : There ya go! AH : It’s funny because I think what sets us apart is our energy, but I do think our instrumentation … [and] the fact that we are a punk band, but we do have these synthesizers and we do have this drum machine. We sort of just make our way and make our sound to do that. Bands are like a penny a dozen. We always want to give a great show to the audience, and we hope that people love the material. We are just a loud band. Credit: Jeff Crespi MaM : So, what’s next and where do you see yourself headed in the future? JN : We’re finishing up an EP that will have five songs and we’re in discussion with a label to put it out digitally, but we’ll have it released by Winter or Spring. After that, we’ll begin work on our full-length [album]. AH : Yeah, and then we were talking about essentially doing more shows and cultivating a scene to check it out. Neon Rayon’s music serves as a reminder that true artistry lies in the ability to push boundaries, experiment fearlessly, and connect deeply with one’s audience. I feel we’ll be hearing much more from Neon Rayon in the future, so stay tuned. To learn more about Neon Rayon: Bandcamp : https://neonrayon.bandcamp.com/ Instagram : https://www.instagram.com/neon_rayon/ *Many thanks to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves music. Plain and simple. Do you have something you think she’d love? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Daemon Grimm is drawing their influence from more than just metal. < Back Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Jennifer Touché Feb 19, 2025 Share Daemon Grimm is drawing their influence from more than just metal. Last year, I had the opportunity to work with Eddie Sartor , bassist of Daemon Grimm . Through that connection, I was introduced to the rest of the band. Learning about their adversity over the years made it clear that their bond is built on more than just music—it’s a brotherhood forged in resilience. This is their story. Credit: Facebook Emerging from the underground scene of NOLA , Daemon Grimm was formed in 2016 as a studio collaboration among friends. Leading the partnership was drummer Brock Champagne , joined by original members Brandon Landry (guitar), Eddie Sartor (bass), and Jake Walker (vocals). In the beginning, there was no real direction for the band, just four good friends creating music together with each member bringing their unique style and emotion to the mix. Once the songs were complete, the band knew they had created something much more than just a few recordings. They made an entity, an alter ego, now known as “ Daemon Grimm .” Credit: Jennifer Touché In 2017 , the band dropped their first single, ' Peaceless World ', and their self-titled debut EP, Daemon Grimm —a collection of early recordings. However, it wasn’t until the release of their 2019 EP Big Bad Daze that Daemon Grimm’s signature sound was truly defined. The band draws inspiration from The Acacia Strain , Trapped Under Ice , and Portrayal of Guilt , with a distinct infusion of New Orleans hip-hop. “As far as taking inspiration outside the genre, we absolutely do. I think being from New Orleans, it's second nature to be into or listen to hip-hop, and in our music, certain songs, you can hear the hip-hop crossover. Whether it be the way Jake [Walker] does vocals, or a certain drum beat that Brock [Champagne] plays behind the music,” Brandon Landry explains. Since the release of Big Bad Daze to their most recent single release, ' DLYH Don’t Lose Your Head ' , the band has matured and morphed into a sound of heavy riffs, trippy music visuals, and lyrics written to reel you in. The latest release from New Orleans' own Daemon Grimm Over the years, Daemon Grimm has faced significant adversity. Their biggest setbacks were line-up changes and the pandemic, which caused them to lose the momentum they had built. In 2019 , the band had just purchased a van to begin their journey on the road, only to have their plan crushed by the world’s shutdown of COVID-19 . In addition to the pandemic lockdown, they lost members while in the middle of recording. It was an emotional turmoil with such a devastating blow combined with bad timing. All hope was lost, and they sold the van in which they had invested their dreams. Eventually, Jake and Brandon brought in bassist Nick Moore and drummer PJ Huesmann , allowing them to play a few shows. Their last performance in 2022 seemed to mark a possible end to their journey, as the absence of Eddie and Brock left a noticeable void in the band's chemistry. Credit: Jennifer Touché By 2024 , the band’s future had begun to take shape. Brock ’s return in 2022 , the addition of a second guitarist, Lacy James , in 2023 , and the solidified return of Eddie in 2024 provided precisely what the band needed to rebuild their momentum. The band reignited their passion for their musical journey. “It just sparked that ignition to put in months of work learning and teaching songs, building an entirely new backline, just a newer version of the band, while being the same band you knew before,” recalls Daemon Grimm. By August 2024 , all their hard work paid off when they played their first show back at Southport Hall , supporting Entheos alongside Transient and Edifice . Shortly after, they played a second show supporting Texas-based Upon a Burning Body alongside Baton Rouge-based Branded for Exile . Kicking off 2025 at Chelsea’s Live , Daemon Grimm supported Swamp Stank alongside local acts Voice of the Enemy and Branded for Exile , making for a night to remember. “It was amazing to start the year with that show at Chelsea's, especially with such great local acts. Our expectations were surpassed tremendously…,” recalls Jake, “… honestly the whole night was memorable. It was one of our best shows since coming back, and to be the first to start the year set the bar for all of our upcoming shows. It is always great to have the crowd singing along to your songs, moshing from the set's first song to the last song.” Credit: Jennifer Touché Daemon Grimm ’s electrifying live performances have made them one of my favorite bands—not just to photograph but to experience. Their relentless energy and crushing groove riffs make it impossible to stand still. Don’t miss out—catch them live and throw yourself into the chaos of the pit! To learn more about Daemon Grimm: linktr.ee daemongrimm | Instagram, Facebook, TikTok | Linktree View daemongrimm’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away! Upcoming Shows: Friday, February 28, 2025 Intracoastal Club 8448 Main St Houma, La $10 Doors @ 7pm Show @ 9pm *All photos by Jennifer Touché Jennifer Touché (@jennatouche) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Green Room brings together local musicians for a night of fun and music. < Back Hammond’s Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media Rian Nickels Sep 18, 2024 Share The Green Room brings together local musicians for a night of fun and music. Come with me to revisit the night of July 5th, 2024, for Feel Alive Media ’s first event under its new name. I, Rian Nickels, along with my partner Jay Hutchins (Which you might recognize as “ JAYD3D! ”), started this journey in 2017 under the name The Young Visionaries (Inspired by our late friend, Ally Budde). Over the years, we’ve hosted unforgettable annual music events like “ Llamapalooza ”, “ Hellaweird ”, and “ Fuzziefadoodle Fest ”; along with weekly flow events, memorials, fundraisers, birthday parties, and numerous punk and EDM events. In 2019, we took a five-year hiatus on hosting events to focus on our growing family. We’re thrilled to return with a refreshed vision, bringing you Feel Alive Media. This night at The Green Room in Covington, Louisiana, felt like a homecoming for the local punk and alternative scene, and the energy was familiarly electric. Everyone, from fans to friends, was excited about what JAYD3D! , Jean Claude Seagal , and The Gosh Darn Dangs had in store. First to warm us up for a night of music (not that we needed warming up because it was scorching Louisiana summer) was Singer/Songwriter JAYD3D! accompanied by Tim Dugas , the drummer from The Gosh Darn Dangs . Despite not rehearsing together, the chemistry between them was undeniable. Tim’s precision on the drums complemented JAYD3D!’s vocal style, adding an extra layer of texture and rhythm to the performance. To help everyone feel at home JAYD3D! started with pop-punk-esque covers of ' If It Makes You Happy ' by Sheryl Crowe and Oliver Tree’s ' Cigarettes .' JAYD3D!’s vocal delivery was gritty yet polished, capturing the emotional core of each song, while Tim’s drumming added subtle fills and dynamic shifts that energized the crowd. Credit: Rian Nickels Once they had everyone’s attention JAYD3D! moved on to playing originals like ' Funnyman ,' ' Better Than ,' and ' Dripped in Crimson .' Even with a room full of new and old faces JAYD3D! played their songs with the utmost confidence and flair. One standout moment was their cover of Colbie Caillat’s ' Bubbly .' It wasn’t just a cover—it was a communal experience. The crowd sang the chorus in unison, creating a rare intimacy between the performer and the audience. It’s these kinds of moments that JAYD3D! excels at—breaking down the barrier between stage and floor, making everyone feel like they’re part of something bigger. JAYD3D! typically ends with this cover, but just when we thought the set was over, they closed with a surprise performance of their new track 'No More Circles,' a song that blends introspective lyrics with a driving beat, leaving the audience craving more. Credit: Rian Nickels Taking the stage next was Jean Claude Seagal , a three-piece from Watson, Louisiana, with Robbie on the drums, Nick on the bass, and Justin on the guitar and vocals. To read more about Jean Claude Seagal ’s background, you can check out Mixed Alternative Magazine’s Jean Claude Seagal Interview . Credit: Rian Nickels Their set was a nostalgic trip back to the grunge era, with influences that ranged from Nirvana ’s brooding angst to Silverstein ’s post-hardcore melodies, with a hint of Staind ’s reflective alt-rock. Jean Claude Seagal brings an edgy 90’s grunge sound -that punk fans have been missing dearly- to 2024. They opened with ' If I’m Not Here ,' immediately drawing the crowd in with thick, distorted guitars and a bass line that rumbled through the room. Robbie’s drumming added a steady backbone, while Justin’s gravelly vocals poured out raw emotion. You could feel the years of practice and passion in their performance; every chord, every drum, and every bass strum felt purposeful and deeply connected to their message. Credit: Rian Nickels A highlight of their set was when Mike Spoon from The Gosh Darn Dangs joined Justin for a collaborative performance of their track ' By the Way ,' a Louisiana punk crossover of the century. Their vocals blended seamlessly, with Mike’s raspy tone providing a perfect counterpoint to Justin’s more melodic delivery. The energy was palpable, and the chemistry between the band members reflected the close-knit nature of the local punk scene. There’s something about Jean Claude Seagal that resonates deeply with fans of 90s grunge; they evoke that same sense of youthful rebellion and introspection but with a fresh, modern edge. Credit: Rian Nickels Finally closing out the night was The Gosh Darn Dangs , a four-piece alternative band from Hammond, Louisiana, known for their quirky, high-energy performances and folk-lore-type storytelling. I previously covered The Dangs for an acoustic busking performance in downtown Hammond in May with former members Kris and Jake, and I was excited to cover them again for a complete band set. Mike Spoon (vocals/guitar), Tim Dugas (drums), Lexy Bowers (vocals/keys/theremin), and brand-new bassist J Rees stormed the stage in true Gosh Darn Dangs fashion. Mike and Lexy’s entrance in matching cat maid outfits and Justin Tatman, the vocalist from Jean Claude Seagal, attempting to speed run Chip N Dale Rescue Rangers on the original Nintendo console set the tone for a playful and friendly set. Credit: Rian Nickels To warm up the crowd to their overall playful vibe, they launched into their song 'paradewindy320,' a humorous, fast-paced song about the frustrations of modern life – like needing the WIFI. Though they faced technical difficulties with Mike’s microphone, Lexy quickly stepped up to lead vocals, turning what could’ve been a setback into a unique, unforgettable moment. Her performance was captivating, especially on tracks like 'Defender of Mankind,' a poignant song that nods to her name, Alexandria, and delves into themes of protection and resilience. The band’s well-loved song, 'Going 100 MPH in a 30 MPH Zone While Wearing Sunglasses at Night,' brought the house down with its mix of reckless energy and nostalgia for youthful misadventures. Then they wrapped up the night of music with their song 'Not Gonna Die Today (A Song to Die To).' The Gosh Darn Dangs are more than just a band; they’re a spectacle, blending musicianship with performance art in a unique way. They offer a distinctive sound that isn’t found anywhere else, and if you haven’t yet experienced their music, you’re in luck—their upcoming split EP with Jean Claude Seagal , titled Defending The Daydream , is set for release in October. It promises to capture the essence of both bands and is sure to be a must-listen for anyone in the alternative scene. Credit: Rian Nickels As the night ended, it was clear this event was about far more than just the music. The energy in The Green Room wasn’t just from the amplifiers or the powerful performances—it was the bond between the bands and the audience that made the night truly special. The deep friendships between performers like JAYD3D! , Jean Claude Seagal , and The Gosh Darn Dangs mirrored the connection between them and their crowd. From Mike Spoon’s unexpected vocal duet with Justin Tatman to Lexy stepping in with her soulful voice when technical difficulties hit, these moments exemplify this community's collaborative and supportive spirit. This was more than a concert; it was a gathering of like-minded people who have weathered highs and lows together. The smiles exchanged between band members, the shared singalongs, and the laughter in the room told a story of friendship, resilience, and passion for punk and alternative music. Each performance felt like a love letter to the local scene. Credit: Rian Nickels Feel Alive Media 's return felt like a revival for the musicians and all of us in the music community. It reminded us why we gather in the first place—not just for the music, but for the sense of belonging that comes with it. Whether you were an old friend or a new face, July 5th was proof that the music scene in Louisiana is alive, well, and more connected than ever. Here's to many more nights like this, where the lines between performer and audience blur, and we all feel like family. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Who On Earth is blending a classic rock vibe with modern twists and turns. < Back Who On Earth: Bringing the Thunder Back to Modern Hard Rock Nicole Brice Jun 13, 2025 Share Who On Earth is blending a classic rock vibe with modern twists and turns. Who On Earth? My sentiments exactly when I first discovered this band – a badass group that carries the torch for those who came before, that’s who. Blending a classic rock vibe with modern twists and turns, Who On Earth features epic solos and some of the cleanest-sounding guitars I've ever heard, not to mention those heavy basslines I love. This band is poised to dominate in the coming days with their hard rock and heavy metal straight from New Jersey . So, who is Who On Earth? Photo provided by band The lineup includes Coosh (vocals), Pete Rizzi (bass), Johnny James Barone (guitar), Jimmy Kocha (guitar), and Howie Fallon (drums). With a larger-than-life stage presence and a bellowing voice full of range, Coosh embodies the quintessential badass frontman. There is so much soul in every note he sings, and Who On Earth is actively bringing rock back. As I dove into their discography, I found that not a single song is lacking. Every track is fantastic and feels like a rocket waiting to launch . Yes, it's that good. Credit: Jeff Crespi Since 2022 , Who On Earth has released numerous songs , the latest being ' Yesterday's Future ' on April 29, 2025 . With a visually stunning lyric video to accompany it, ' Yesterday's Future ' is a thought-provoking piece of music with a powerful message, and I urge you to check it out after reading this article. Who On Earth’s music transcends typical compositions; it narrates stories. These poignant tales require your attention to the lyrics, which create vivid images of landscapes and scenarios, some rooted in folklore and others not. Official music video for 'Yesterday's Future' by Who On Earth This busy band is ready to perform and expand its empire, and if you love classic Iron Maiden with heartfelt storytelling , this band is for you. If you're into crushing guitar riffs and head-nodding grooves , you'll also love them. They even have an amazing cover of Toto's 'Hold the Line' that showcases their love for the greats of yesteryear. Full of personality and charisma with a message, Who On Earth is prepared to dominate a new era of rock with their desire, drive, and ambition to propel the band forward. Read on to learn more. MaM : First question – who designs your album and single covers? They are phenomenal! Pete : So, we’re big on artwork because we grew up looking at the art on the album covers, and because of all the songs put out every day, you want to stand out, and we want those strong covers that have meaning to them. For example, Smoke & Mirrors , Blame , and some of the singles on Blame , we had Ken Adams , who does all of Lamb of God ’s artwork; he did the artwork for that. We love Ken and love working with him. Smoke & Mirrors is all Ken , and it’s always Coosh and I getting on the phone with him discussing a new concept, and he’s just like ‘Oh, I love it!’, so we have an excellent synergistic working relationship with Ken. A lot of the others are AI-generated , where I’ve done a few, and my son is a graphic design artist, and he does a bunch, too. He’ll take an image based on a concept, and he’ll tweak it and get it how he wants, so it’s been a combination of things. Artwork by Ken Adams MaM : So, next question – the logo. Who designed it? It’s powerful and stands out. Coosh : He put out a contest on the internet or something. I’m not sure of all the details. Pete : So, there was a contest, and I can’t remember the website, but me and Coosh started the band, and we didn’t even have a guitarist yet or anything, but we did a logo, and made it on one of these online logo makers, but somehow, they made it a competition. People could put in their suggestions for us. We could put ‘these are the colors we want’, ‘it’s heavy metal and rock’, ya know, and we got back some crazy suggestions. (laughter) Pete : Some people didn’t realize we were a band and thought we were a lawn company or something. (laughter) This one guy was from Indonesia , and that logo you see was his creation. We didn’t even have the album yet, but we had the logo. That was it! We were so psyched. That’s been the logo ever since. The official logo for Who On Earth MaM : So, I went down the rabbit hole and checked out your entire discography. Man, not a single bad song. Not a one. You could put all your songs on a playlist and not have to skip a single one. No lie. Pete and Coosh : Thank you. MaM : Seriously, though, you are so tight as a band, and you can tell you are seasoned musicians, and that you are on a mission to bring this type of music back to the forefront. Your sound is what is missing today in music, which leads me to ask: what inspires your creativity, and what do you each bring to the mix with that? Pete : Well, for one, we would never put something on that we didn’t love, and so how we approach each song is that they have to be different from each other, so most of the music comes from me. I’ll write it, put it together, pre-produce it, and then it goes to Coosh . He’s the melody guy. We both work on lyrics. We’re very focused on lyrics. What we’re saying, how we’re saying it … we want to say it … but we don’t want to give it all away. We want it to remain open to interpretation. We want to tell a story and stimulate you to think about what the song and lyrics mean to you, but it starts with the music, and the music has to have groove. Credit: Jeff Crespi Sometimes, I’ll have a melody idea, but Coosh usually takes my melody and makes it ten times better, or eliminates it, and comes up with his own. He gets a feel from the music and a working title, and that’s how it starts. It’s got to have groove and melody, though. If there’s no melody, there’s no groove, and there’s no dynamic. That’s what we try to create. MaM : Coosh, what inspires your lyrics with these songs? Coosh : So, like Pete says, he’s the one who creates the music, but before he hands it off to me, he has the essence of the song planned out. He’ll go, ‘I hear a couple fighting with this,’ or something to that nature, and he gets this moment with the music where he relays the information to me, and I want to be able to put out his feelings, too, so I take that initial form and then go from there. Credit: Jeff Crespi MaM : Now, Coosh, let’s talk about your voice. The range, soul, and depth! Is there anything you do to keep your voice in shape? Coosh : I didn’t use to do anything, but now I do these scales and humming. I’m no spring chicken anymore, so I have to do maintenance these days. A lot of the songs are hard for me to sing, so sometimes, I prefer doing a cover because it’s easier for me to sing than anything we’ve done in the studio. (laughter) Credit: Jeff Crespi MaM : Yeah, man, when I first heard a few songs, I thought it had a very Bruce Dickinson vibe from Iron Maiden , and just the vocal range, I’m like ‘Dude!’ You have got some pipes on you. You don’t sound like anybody out there right now. So, a new EP came out in March, and now a new single, ‘ Yesterday’s Future ’, was released in April. However, I noticed that you have been steadily releasing singles as a lead-up to the EP, but you are still releasing singles after it. How did the EP come together, and what made you decide to release it instead of just the singles? Pete : In the old days, you’d put out an album, and then bands would just put out more albums every year or every few years, and we could do that. We have the five original songs on the EP, but then we also have five in our back pocket. We did five, but we have ten. We didn’t want to release the whole album because if you do, you might get a review or something, and then people move on to the next thing. The best method we’ve found is to spoon-feed it out. Give as many songs as a highlight, a video, and their artwork. It’s like a slow release of all your music. Additionally, you have to play the Spotify game, and Spotify is particularly friendly to bands like us who are doing that. We’re finding it’s also more content for us, social media-wise, and so we can remain relevant all year long. We’re staying ahead of the game. We have those five more songs, so they’ll be more content, more artwork, and pretty soon we’ll be working on new material that you’ll see sometime next year, so it’s just constant content from Who On Earth . Whereas I waited 13 years for a new Tool album. (laughter) Photo provided by band MaM : Have you found that all your numbers reflect one thing, but then people are just not coming to the shows? Pete : Yeah, oh yeah. Coosh and I have seen it. Yeah, we have great numbers, but to get people to get off their ass and come out, yeah. They’ll see the tribute bands, the cover bands, who cost more to see, and we’re only charging $10 to get in. We’re not making any money on this. (laughter) And it used to be, again, when we were younger, you would go out to hang out, and there would be bands playing, and it was part of your life. Now, it’s hard. People will stay in because of rain, and we had venues close because of COVID , so if you’re a bar band or a tribute band, you’re killing it. MaM : Same here Pete : If you’re an original band or even a line-up of three or four original bands, it’s tough. Credit: Jeff Crespi MaM : We’re finding the same here, too. So, I wanted to talk about this ‘ Hold the Line ’ cover. I’m a HUGE fan of Toto, especially this song, and ‘ Africa ’ is my jam. If I’m in the supermarket, and it comes on, I will stop what I am doing, and it’s my moment. (laughter) MaM : So, this cover … doesn’t even sound anything like the original song at all. It’s reimagined. Take me through how you decided to go with this song. Coosh : We had a handful of songs we were looking at, and how do you pick the perfect cover song to do? We’re going back and forth, throwing around ideas, and ‘ Hold the Line ’ came into play. I was around the house, staying at Pete’s house, and all of a sudden, I started singing this thing, and the part where he goes ‘TiiiiIIMMEE’, I was like, ‘That’s IT!!’ Look no further! (laughter) Pete : (sings) Love isn’t always on ‘TIME!’ (laughter) Pete : I was like, ‘That’s it!’, and I was hooked. You know what’s great about that song is it’s popular, but it’s not like ‘ Stairway to Heaven ’, and we wanted to remake it, not cover it. His distinct voice, tuning it down, double bass drums, changing some lines, taking out the keyboards, and adding a different guitar. I wanted to do it because of his vocals. When we jammed it, I knew that was the one. The inflection that he used, and the balls that he sang it with. Cause it’s a yacht rock song classic, and I hate yacht rock. (laughter) Official Music video for 'Hold the Line' MaM : Same – not a fan of yacht rock, but I do love me some Toto . Pete : I do like some Christopher Cross songs, too, but that’s what my parents listened to. (laughter) MaM : Right! Pete : Holy crap! Coosh , we did a yacht rock classic before the yacht rock tribute stuff started blowing up! (laughter) Credit: Jeff Crespi MaM : Do you have a favorite song to perform, and if so, which one? Coosh : Just because it’s the most emotional, I’ll have to go with ‘ Watch the Fires Burn ’. I guess you could say it’s our environmental song , but it’s a heartfelt message of having the passion as a society to take care of the planet. All of us. Pete did this when he was like 18 or 19 years old, and it’s excellent, and I didn’t know what to do with it when he first handed it to me, but it has this great dynamic and has so much emotion. Pete : Yeah, that song I wrote when I was in my very early 20s, and it was called ‘Matter of Life and Death’ , and I wrote it about abortion. That’s a topic; at the time, and it was from the perspective of the unborn child. Like, ‘Hey, what about me?’ I didn’t want to go there with it in this day and age, so I was thinking, what’s a great and important topic? I’m sitting here watching the Amazon burning , and I’m like, ah, watch the fires burn. Not so much about hey, stop burning our trees, but we’re all just sitting back here watching this. Somebody has got to do something about it, and nobody is doing anything about it. To Coosh’s point, you can take that and broaden it to a lot of topics. It’s just about sitting back and watching things go to waste. But the song itself, its ups and downs … it’s a six-minute song, and some songs need to be six minutes. As long as you’re doing something different in it, and then, man, it’s heavy … it’s got groove. It’s got funk. MaM : Yes, lots of tempo changes. Pete : Tempo changes, which our producer always makes fun of me for, but I love tempo changes. MaM : I do, too. It keeps the song interesting. Pete : Playing it live is really fun. MaM : Which song do you feel is the crowd favorite and gets people most engaged? Pete : I’m gonna say ‘ Black Swan ’. MaM : I made a note on my notes about that song, actually. Pete : Coosh may disagree, but he does a great job of coaching the crowd to sing along, and it’s got this chorus that allows everyone to get involved. MaM : So, Coosh, your vocals, let me ask you … you have range like I haven’t heard in a long time, so obviously you’ve been doing this a while. When did you first discover you had a gift for singing with such a powerful voice to do rock music? Coosh : I’m not a rock music guy, so that’s the crazy part. When I was in my early 20s, we would all do the karaoke thing, but I would stick to songs like ‘ Suspicious Minds ’, and it was all a great time. Everyone enjoyed it, but I ended up buying a karaoke company, singing, and becoming a host, until one day, a buddy came in. He mentioned he had lost the lead singer of his band, and I went up and sang ‘ Drops of Jupiter ’ for him by Train , and that was it. I was in. Credit: Jeff Crespi MaM : What would you like to see in the next five years as far as your music and audience? Pete : I’d love to see it all continue to grow. We understand we need to keep working hard. I like what we’re doing, too, but I want it all to gather momentum, and I want to keep playing shows. Maybe even go on a small tour , even if it’s regional. Want to get out there live. There is nothing like the impression you leave on someone after they see you perform live. Coosh : I’d love to figure out how to get the exposure we need and get people to listen to the song more than once. Most of the time, you have to listen to a song twice and be attentive to it. We’re not a regular band. Most of our songs tell stories because they’re relatable. We have inspiration. We have devastation. We have messages about life. We have stories that people need to hear. As Who On Earth continues to grow their brand and presence, they are sure to inspire and leave a lasting impression on music fans for generations to come. Check out their music on your favorite streaming service, and if you live nearby, be sure to catch a live show. You won’t regret it—these guys deliver a powerful sound! *cover photo provided by band *other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Who On Earth: www.whoonearththeband.com Who on Earth Official Website The official website and store for the band Who On Earth. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charming Disaster Conjures New Album < Back A Musical Cabinet of Macabre Curiosities Tim W. Jackson Feb 24, 2023 Share Charming Disaster Conjures New Album The song titles let you know this album ain’t from Taylor Swift or Harry Styles: “Mold and the Metals,” “Grimoire,” Manta Rays,” “Bat Song,” and “Disembodied Head,” for example. These tracks plus five more come from the fifth album by Brooklyn-based indie goth-folk duo Charming Disaster . They’re unusual, spooky, wickedly talented, and completely unafraid to delve deep into the underworld in exploration of all things lurking in the dark. Their new album Super Natural History releases on CD, as a 12-inch colored vinyl LP, and on all digital platforms on March 3, 2023, and is self-described as, “a musical cabinet of curiosities … [uniting] the worlds of magic and science with songs that explore subjects like witchcraft, monsters, and the underworld, alongside bats, plants, poisons, and parasites.” In short, it presents alternate ways of seeing the world and considering its mysteries. I can’t recall whether I stumbled across the Charming Disaster video for their song “Blacksnake” or if someone who knew my penchant for all things dark, macabre, and somewhat sinister sent it to me, but I do remember immediately loving it. That was about a year ago, and I quickly discovered that the duo had just released an album called Our Lady of Radium . Then, I watched the video for “Radium Girls ,” which again, was superb, and off I went down the Charming Disaster rabbit hole. A year later, and with the duo on the verge of birthing a new album, I was eager to hear the new music and pass along my thoughts to you, the beloved readers of Mixed Alternative. But first, a wee bit of background on this wonderfully weird pairing that is Ellia Bisker (ukulele and vocals) and Jeff Morris (guitar and vocals). With song topics dabbling in the mythical and macabre, nature and science, Charming Disaster blends those motifs in an amalgamation of folk, cabaret, and even musical theater to produce eclectic songs rooted in their own particular interests. credit: Shervin Lainez Some of the songs on Super Natural History were first recorded as early as 2021. Four tracks were recorded that year at Figure 8 in Brooklyn, NY, engineered by Hillary Johnson with bassist Bob Smith and drummer Rob Garcia joining Bisker and Morris. Five songs were recorded more recently at Tonal Park in Takoma Park, MD, with Don Godwin contributing bass, drums, and horns as well as engineering and mixing. The final track was a home recording, so, even their recording methods are eclectic! As you dig into the album, a familiar theme of the paranormal pops up in the lead track, “Monsters”: Can’t help what we hunger for With appetites of carnivores Teeth and talons, horns and fur We are grotesque and powerful This song is a wonderful opener to the album and sets the stage for the odd journey that lies ahead as the listener proceeds to hear a collection of songs far from the overproduced pop or country tunes that rule the radio. In fact, you won’t hear “Monsters” or any of the other nine songs on this album on mainstream radio, and that’s probably a good sign. In fact, we think that's definitely a good sign. Bisker and Morris say they find their inspiration “in the gothic humor of Edward Gorey and Tim Burton, the murder ballads of the American Folk tradition, and the dramatic flair of the cabaret.” I can attest those influences hold true on this new album. In a departure for the duo, the ninth track, “Manta Rays,” is a spoken collection of information about, well, manta rays. Factual and fun, weird and wonderful, it feels like it could have roots in Pee Wee’s Playhouse . Another song that is somewhat a departure from the usual for Charming Disaster is “Bat Song,” which is a slower, beautiful melody with stripped-down instrumentation and higher-octave vocals. After some initial indecision, I finally concluded that “Disembodied Head” is my favorite song on the album. Bisker and Morris mentioned it has the vibe of something from Mark Mothersbaugh and Devo, but I’m hearing a bit of B-52s or even Southern Culture on the Skids in this tune that is the definition of an earworm. You might be tempted to think Charming Disaster is some sort of novelty act, and in some ways, I suppose that’s true. But their song “Monsters,” for instance, is a long way from “The Monster Mash” or any of those one-hit, quirky novelty tunes. (Looking at you Rick Dees and “Disco Duck.” ) With subject matter that almost always strays from the mainstream, Charming Disaster uses makeup, fashion, and theatrical techniques in its live shows to create a certain vibe that has been developed over the past decade. Seeing them adds to your overall narrative regarding what Charming Disaster is all about. But as this album proves, the music stands on its own as an enjoyable listen, even without the optics. credit: Krys Fox Ultimately, Bisker and Morris are talented storytellers, and they prove that you can have interesting songs about topics other than love and lust, yearning and loss. They also have a knack for making the macabre fun. Super Natural History is certainly worth checking out, which we urge you to do. And looking into my crystal ball, I predict you’ll find yourself listening to their previous four albums as well. I spent some time talking with this dynamic duo to uncover who they are as individuals underneath all the chills, thrills, and frills. So, let’s get personal. Enjoy the conversation, music lovers. *cover photo credit: Krys Fox www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hey! Ho! Let’s Go! 50 Years Of CBGB! < Back CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Rian Nickels Oct 1, 2024 Share Hey! Ho! Let’s Go! 50 Years Of CBGB! What a night it was at the Hey! Ho! Let’s go! 50 Years of CBGB benefit concert! On September 20th, 2024, the members of the band Splendid Failure and talented musicians of Louisiana came together to throw a benefit event in honor of the legendary punk rock music venue that was in New York City, CBGB , also known as Country, Bluegrass, & Blues. The show was held at the Columbia Theatre in good old downtown Hammond, America (Louisiana). This concert was also put together so that they could raise money for The Kay Butler Performing Arts Project at Swamplight Theater in Ponchatoula, Louisiana. The Kay Butler Project does workshops for many things: acting, dancing, singing, to name a few. Alongside Splendid Failure were many talented local musicians and bands such as Talking Pictures, Byron & The Five Dead Dogs , Tim Weaver, J Rees , Callie Hines, DD Drott, Joe Burns , Dave Ensminger, Jason Kareores, Ava Greichguaer, and Harmony Wood. The doors opened at 7 PM, and my first quest as a concert photographer for the night was to find Ralph J. Wood, Drummer from Splendid Failure , and have him show me around because this was my first time at The Columbia Theater . The theater was beautifully architected with high ceilings, a superb second-floor balcony for a larger and more personal view, a large stage with all the bells and whistles needed for a proper punk rock gig and adorned with many different types of instruments. After I learned my whereabouts, my partner and I met up with some good friends, found some seats close to the front, and eagerly but patiently waited for the show to begin. Credit: Rian Nickels By 7:30 PM, the lights began to dim, and the fog machines started to gear up; it was show time! Jim Winter , artistic director at The Columbia Theatre for the Performing Arts, came out on stage to tell us about himself, the history of CBGB, The Kay Butler Project, to thank everyone who was involved with making the show happen, but most importantly he said this, " Right here is for general admission, luckily all of you have general admission tickets " while pointing at the floor in front of the stage. He then kindly demanded that we all get off our butts and come to the floor to enjoy the concert the way that all the punks do, on our feet and so close to the stage that you can feel the music bouncing through your body. Most of the audience stood and rushed to get a good spot while still being mindful and respectful of each other's space and safety. Once we were all settled and ready to move our bodies Jim welcomed Splendid Failure onto the stage. Credit: Rian Nickels Splendid Failure is a four-piece made up of drummer Ralph Wood , his wife Angie Wood , and Bill Robison, sharing the role of bassist, guitarist, and vocalist, and Scott Furtwengler on guitar. They got it right, too, with a smooth start. What better way to begin a night of rock and roll than the iconic late 70s track ‘ Sheena Is a Punk Rocker ’ by The Ramones ? This was especially fitting because of the event's slogan, “ Hey! Ho! Let’s Go! ” inspired by the song. My krewe and I squeezed our way right to the front of the stage so that we could be front and center (Well, front and to the right a little bit). Immediately you could feel the fierce energy coming from the crowd because they didn't waste any time and jumped on their feet. They played hit songs like ‘ Search and Destroy ’ by The Stooges and the award-winning Talking Heads track ‘ Psycho Killer .’ You could hear that the band members had years of experience and dedication to their talents as they could pull off these well-known and beloved songs with ease. Before welcoming the band Talking Pictures onto the stage, Splendid Failure was joined by Southeastern Louisiana University communications professor Dr. Joe Burns to help on vocals and guitar for the song ‘ What’s So Funny About Peace, Love, and Understanding ’ By Elvis Costello & The Attractions . After an incredible set from Splendid Failure, the stage was taken over by the energetic Talking Pictures, a band of younger folks who are quickly making a name for themselves in Tangipahoa Parish. They are made up of five members: the frontman and lead vocalist Ethan Price , Ethan Lauricella on the drums, Matthew Perez and Aiden Dixon on the guitar, and Bradyn Finn on the bass. They confidently performed covers of the songs ‘ Juicebox ’ and ‘ Reptilla ’ by The Strokes . Talking Pictures only played two songs, but that was enough for anyone to become a fan of their sound. Splendid Failure returned to the stage for a second set and was joined by several other talented individuals. First up for the second set is Dave Ensminger for ‘ God Save The Queen ’ by the Sex Pistols . A notable moment was when DD Drott , vocalist of Hammond's local band Stone Mother , joined them for hit songs ‘ I Put a Spell on You ’ by Screamin’ Jay Hawkins and ‘ I Hate Myself for Loving You ’ by Joan Jett and The Blackhearts . DD has a voice that echoes through the theater, and the show's attendees were undoubtedly excited to see her perform. Another highlight was when the daughter of Ralph and Angie Wood, Harmony Wood, and her best friend Ava Greichguaer joined Splendid Failure for The Go-Go’s track ‘ Our Lips Are Sealed ’. They both had such angelic voices, which seemed to unite the whole audience. Splendid Failure finished their second set with ‘ Turn on The News ’ by Husker Du before a brief intermission so that attendees could get some refreshments from the lobby or take a picture at the photo booth, a replica of The CBGB Venue’s bathroom , created by the Southeastern Louisiana University’s theater technology crew. Many people sent in decals and stickers to contribute to giving the full effect of the legendary punky bathroom. After the 15-minute intermission, it was time for the other half of the event! I was super eager for what was to come because many musicians I’ve worked with or have just been in my inner circle were due to perform. Starting with J Rees and Callie Hines from the band Jupiter Flood . I was so excited about this because J Rees is the bassist of one of my all-time favorite local bands, The Gosh Darn Dangs. I had no idea that they also did vocals, and I couldn’t wait to hear their voice. I also photographed Callie Hines in 2019 for a songwriters’ night at Low Road Brewing in Hammond , and I was curious to see how Callie and I had grown in our art forms since then. Together, they performed the classic song (and one of my favorites) ‘ Iris ’ by The Goo Goo Dolls . To say they blew me away would be an understatement. With Callie playing guitar and sharing vocals with J, their voices blended and harmonized together beautifully to pull off the perfect cover for the song. J and Callie were joined again by Splendid Failure to perform ‘ I Melt with You ’ by Modern English . One of my favorite moments of the show was when J Rees and Splendid Failure performed ‘ Seven Nation Army ’ by The White Stripes . You could feel the iconic bass line in your heart as it traveled through the floorboards. Splendid Failure didn’t miss a beat, and J had the perfect voice with just the right amount of “Jazzy” rasp and could easily hit the high notes. J Rees and the band showed us no less riotous energy for Bikini Kill ’s iconic track ‘ Rebel Girl .’ To finish their set, Splendid Failure was joined by Jason Kareores, Callie Hines, and Byron Daniel for more popular 70s-90s songs before welcoming Byron Daniel & The Five Dead Dogs to the stage. Another performance I was super excited to see was Byron & The Five Dead Dogs . They are a four-piece of vocalist and guitarist Byron Daniels , their drummer Christian Colonna , Andrew Ates on the guitar, and Monroe White playing the bass. Back in 2018-2019, I took photos of Byron and Andrew in a band together called The Dirty Spoons (The first era of The Gosh Darn Dangs), and I was super excited to see what they’ve been up to since. These guys looked like absolute rock stars as they played ‘ Nearly Lost You ’ by Screaming Trees and ‘ Sonic Reducer ’ by Dead Boys . They were supposed to be joined by Mike Spoon for the Misfits song ‘ Hollywood Babylon ’ and ‘ Thunder Kiss ‘65 ’ by White Zombie ; however, the universe had other plans. Byron explained to the crowd that Mike Spoon couldn’t be there because his daughter decided early that she was ready for the world. Byron then asked everyone to support Mike, and the audience went wild. I don’t know if the Columbia Theaters’ walls had ever heard something so loud. Everyone excitedly clapped, cheered, yelled, and stomped their feet to congratulate Mike. Showing that even in the chaos of a punk show, family and community always come first. The band's bassist, Monroe, stepped forward to fill in for ‘ Hollywood Babylon ,’ followed by Tim Weaver to perform White Zombie’s ‘ Thunder Kiss 65 ’, and they did not disappoint. With Tim Weaver’s riotous voice and energetic punk stage presence, he was the perfect person to substitute. Splendid Failure came out to rock the stage for a final time to perform ‘ I Wanna Destroy You ’ by Uncle Tupelo and was accompanied by Monroe once again . Joe Burns then joined them for ‘ Gloria ’ by Patti Smith Group . Splendid Failure and friends welcomed everyone to the stage to perform ‘ People Who Died ’ by Jim Carroll Band . Now, when I say everyone, I mean everyone. I don’t think I’ve ever seen or heard anything like it! With two drummers, a handful of vocalists, bassists, and guitarists, they came together to create an unforgettable experience. It was so memorable not only because of the outstanding talent of everyone involved but also because you could see that, more importantly than anything, they were having a fantastic time. The stage transformed into a chaotic, joyful mess, with musicians from across the night uniting for one final blowout. Guitars wailed, voices soared, and as the crowd screamed along, it felt like we were all part of something larger—a fitting end to a night that captured the essence of punk: community, rebellion, and raw, unfiltered emotion. The producers of 50 Years of CBGB successfully gave us an amazing night of music that made us feel like we were at a 70s-90s Punk Rock gig. They also succeeded in bringing together Tangipahoa Parish’s musicians and giving them a place to let their talents shine. The Hey! Ho! Let’s Go! 50 Years of CBGB benefit concert was a remarkable celebration of music, community, and the enduring spirit of punk rock. The event not only honored the legendary CBGB, a cornerstone of punk history but also showcased the talent and passion of Louisiana’s musicians. Splendid Failure and the many artists who joined them delivered electrifying performances, blending iconic punk anthems with heartfelt tributes. More than just a cover concert, it was a gathering of local music lovers who came together for a cause—supporting The Kay Butler Performing Arts Project and a tribute to the roots of punk music. From the raucous sing-alongs to the heartfelt moments, it was a night that left everyone buzzing with the energy of the music, the camaraderie of the scene, and a deep appreciation for the power of live performance. The legacy of CBGB was alive and well in Hammond, Louisiana, and for those in attendance, it was a night to remember. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. < Back Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene Nicole Brice May 7, 2025 Share With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Emerging from the heart of Louisiana’s underground metal scene, Inner Anguish is a band that channels raw emotion and relentless intensity into every note. By blending crushing riffs with visceral lyrics, the group serves as a powerful testament to the enduring spirit of Southern metal— dark, unfiltered, and unapologetically honest. Credit: Justin Hammer Photography Since its formation, the band has undergone several changes and now boasts a solid lineup of musicians who were brought together for a specific purpose. Each member contributes their unique flair, resulting in a well-rounded listening experience highlighted by their impressive stage presence and larger-than-life personalities. Inner Anguish consists of Taylor Redwing on vocals, Smitty Lange on bass, Keith Alleman on guitar, Ben Finley on guitar, and Taylor Guidry on drums. The poetic lyrics are crafted by lead singer Taylor Redwing , who writes from the heart. Every word reflects his genuine feelings and carries deep meaning. Inner Anguish draws from a diverse array of influences, creating a sound that is both distinctive and recognizable , appealing to metal enthusiasts. With the help of their secret weapon, Ben Finley of Shed Sound Hole , each release is polished to perfection. As an organic collaboration among friends and music lovers, Inner Anguish ’s sound and dynamic defy categorization. Their unique approach enables them to adapt to whatever comes their way, ensuring a refreshing and authentic musical experience. Inner Anguish is not just making noise; they are making a statement. Read on to learn more. Credit: Elise Hanks MaM : Give us a little background history about how you came together as a band. Keith : I had a lot of the songs written and recorded already at my home studio. ‘ Sin and Bleed ’ and ‘ This Guilt ’ were two of them. We started playing with Ben Finley , and then we were looking for a singer. We had worked with Taylor previously, so we decided to bring him in. Ben was originally on bass , but then we decided to become a 5-piece, so we brought in Smitty , and that’s how it all came together. Credit: Elise Hanks MaM : Where did the name for the band come from? Smitty : We had about 10-12 names to consider, so we voted on them. Inner Anguish received the most votes. MaM : I think it’s a great name because it just rolls off the tongue. Taylor : Yeah, we were careful when we picked it because a lot of the names we liked were already taken, so that we couldn’t use them. Smitty : What’s cool, too, is that with Inner Anguish , if you listen to all of Taylor’s lyrics, it matches very well. Credit: Justin Hammer Photography MaM : How did you all decide on the type of music to play, and who influenced you musically growing up? Smitty : Keith wanted more of that Southern sludge sound, and once Taylor got in the band, his vocals helped to pick up the pace of the songs. The songs were originally much slower. It’s remarkable how each of us brought our own unique contribution to it, and it all just works, becoming our distinct sound. Now, whatever that sound is, I don’t know. It crosses so many boundaries. Credit: Elise Hanks MaM : I was just about to say that – I can’t define your sound. Smitty : Yeah, it’s got a little of everything. People have said how they like the rapping portion of ‘ This Guilt ’, which just happened. Taylor’s big on Mudvayne , so that’s where that comes in. Growing up, I was big into Type O Negative . MaM : I saw Type O Negative at the House of Blues in NOLA back in the early 2000s. It was insane. I still have the ticket stub. Smitty : I saw them on their last tour, and I had the opportunity to meet Peter Steele in 2010 . I also love all the Southern stuff, too, like Acid Bath . You can’t be in a band down here and not say Acid Bath . MaM : Acid Bath was huge for me in high school. Keith : I’m a big Misfits fan. I enjoy a wide range of melodic black metal and death metal . I like stoner rock , too, but pretty much anything. I hate classic rock . MaM : What? You hate classic rock? (laughter) Keith : Well, I like Black Sabbath and Led Zeppelin , but that’s it. Credit: Elise Hanks MaM : Ok, we’ll let you slide with that. Taylor : My most significant influence on what I do with Inner Anguish is Chad Gray of Mudvayne . Garrett Russell of Silent Planet , too. I believe that anyone who appreciates the type of vocals I do also loves Lamb of God . MaM : What is it that drives you guys to make music? What is your primary motivation? Smitty : Fun – just having fun. It’s a release, and I understand why some of those bands go to cocaine. (laughter) MaM : I can agree. Keith : I can’t remember a time when I wasn’t playing music. My mother played guitar and piano and raised me to play. It’s just something I’ve always done. Taylor : Music has always been there for me. It’s my biggest love and growing up watching my favorite performers on stage live just really made me feel included. Metal has always been there for me and has always made me feel empowered. I want to do what I love, and I want to inspire others with my music. It’s a selfish thing for me, at the end of the day, because it’s a release. Keith : He’s thrown up after a performance before. MaM : Seriously? Keith : Oh yeah. Taylor : I feel like all the songs we play are emotional, and it’s therapeutic for me. MaM : Well, music is therapy because of frequency. Smitty : Yeah, I bring that brown note. (laughter) Credit: Elise Hanks MaM : I recently saw that you have your own beer, which will be available soon. Tell us a little more about that. Taylor : We’re playing May 17th in Gulfport, Mississippi, at the Metal and Beer Fest , and each band on the bill gets its own signature beer. Available May 17, 2025, at Metal and Beer Fest at Gulfport Dragway MaM : So, what is your signature beer? What is the taste? Taylor : It’s a honey brown ale, basically, and will only be available at the festival, I believe, so come out and try it! Click the picture for more information MaM : You guys are currently in the studio recording new material. How’s that going so far? Taylor : It’s going great. We’re about to wrap up the drum tracks, and then we'll lay down some vocals. However, we’re aiming for a late-September release. MaM : How do you guys approach writing new material? Is there a process? Keith : Whoever brings in a riff, we listen to it and then go from there. Smitty : It’s not like we go into the studio intending to do a stoner or black metal song. Whatever comes out works. We don’t just sit in one pocket. Credit: Elise Hanks MaM : What are you finding as a common theme with this new batch of songs? Do you have one? Taylor : A lot of this new album revolves around suicide , so I’m not sure how palatable that will be to some, but it seems to be a recurring theme throughout the record. It’s more around the ideation and the activist. MaM : Tell us a little bit more about the lyrics for ‘This Guilt’. How did those come about? Taylor : I was afraid this question would come. (laughter) Taylor : It’s a difficult question to answer. Usually, when I write lyrics, I’m not thinking about anything. I’ll listen to a track and then write out how it makes me feel. Sometimes it doesn’t make sense, but I’m just vibing with the music and letting it guide me. After a song is finished, I can sit there with the lyrics and read them, and then it all makes sense. To me, though, ‘ This Guilt ’ is about abuse - whether that be self-inflicted or from another. That’s what I get from that song and the lyrics I wrote. MaM : What would you guys like to accomplish this year? What would be the ultimate achievement to make this year perfect? Taylor : I would love to play a show with Eyehategod . I don’t even think we’d have trouble finding a third band because everybody wants to play a show with them. I hope we can make that happen in the future. As Inner Anguish continues to churn out new material and play shows, they stand poised to bring about a new era in metal – one that defies categorization. Be sure to check out their social media to catch them live soon. For more information about Inner Anguish: Facebook: Facebook Instagram: INNER ANGUISH (@inneranguish) • Instagram photos and videos Spotify: Inner Anguish | Spotify Apple Music: ‎Inner Anguish - Apple Music *Band photos by Justin Hammer Photography: www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. *Live Photos by Photography by Elise Marie Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

His ethereal music makes for one magical, introspective ride < Back Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks Keeley Brooks Jun 7, 2023 Share His ethereal music makes for one magical, introspective ride In a sea rife with performing and touring musicians, most don’t realize there are also composers swimming around out there who aren't necessarily looking to tour venues and play live music but to find the right TV show, documentary, and/or major motion picture to showcase their work. Perhaps one of the most popular soundtrack composers of the 21st century is Bear McCreary, who has scored everything from television ( The Walking Dead, Black Sails, The Lord of the Rings: Rings of Power ) to movies ( 10 Cloverfield Lane, The Cloverfield Paradox, Knights of Badassdom ) to video games (" God of War," "Call of Duty: Vanguard" ). Recently, I had the chance to meet a composer in North Alabama who creates such hauntingly beautiful music, it makes you feel like you might just be listening to a potential soundtrack for some of the most intimate parts of your life. His name is Rickey Mitchell, and his work is as unique as he is … it’s even reminiscent, at times, of one of my favorite bands, Pink Floyd. We all know the type of music—that ethereal, ambient, emotionally charged flow that drives a particular scene in a film or theme of a documentary production, even a character’s identity and understanding of the world around him or her in a series or show. It’s that music in the background that compels you to focus mindfully on artistic detail. We often don’t pay too much attention to the music in the background, but there’s a good reason we should: Without it, those rich, quality nuances used to draw in an audience and help propel an art form forward would be noticeably absent. And that’s what Mitchell’s music does: It gently draws your artistic gaze to hone in on the tiniest bit of detail, detaches you from the busyness of your mind, and breathes new life into your world as it takes you on a full introspective ride. Mitchell has been playing music his entire life. Originally from Kenosha, Wisconsin, he currently residents in the Muscle Shoals-area of Alabama. He’s an extremely talented composer attempting to break not into mainstream music but into major motion pictures, documentaries, independent films, and television. photo provided by Rickey Mitchell Mitchell achieved one of those goals back in the early Nineties when Magic Johnson retired. NBC picked up one of his songs to accompany the sports highlights that spanned Johnson’s career. “A fan actually pitched one of my compositions to NBC for a Magic Johnson documentary. You can hear my song ‘Deep Cut’ from my first album ‘Money Talks, Beauty Screams.’ It’s playing during a lot of the sports highlights. So, that’s how that happened. I hope to one day score epic films or anything Steven Spielberg produces,” says Mitchell. A lifelong composer and musician, Rickey shows no signs of slowing down or giving up on his dreams, and after getting a sneak listen at his upcoming new album, I’d say he’s got a bright future full of opportunity just waiting for him. His music makes you want to shut out the world and ponder your deepest thoughts and feelings. Mitchell is one super cool dude making some very intriguing music with some very notable people. Here’s what he had to say about his influences, his new album, and what’s next for him in his creative endeavors. MaM : Rickey, thanks so much for taking the time to talk with us. We really dig the tunes you shared with us from your upcoming album. How long have you been playing music? RM : Thank you for having me! I began playing music in 1969 at four years old. I was heavily influenced by the 1968 comeback NBC TV special of Elvis, but the desire to pursue music came from my cousin, C. Gaby Mitchell . He was and still is an incredible musician and screenwriter. He wrote for the films Blood Diamond and Get Low . He’s one of my biggest supporters who helps me navigate the industry. MaM : What would you say your style is? RM : My style of composition and finished product is usually labeled as art rock, a type of neo-classical composing not typical of current mainstream music heard on the radio today. MaM : Well, it’s very interesting and engaging. What instruments do you play? RM : I play piano, mostly, but I began as a percussionist. The natural gravitation to piano was seamless for me. photo provided by Rickey Mitchell MaM : After hearing you play piano, I’d say “seamless” is the perfect way to describe your efforts. Who would you say have been your biggest influences? RM : Where writing is concerned, I’m most influenced by Keith Green, early Elton John, Billy Joel, and the band Kansas. MaM : Ooh, nice. They’re all such great songwriters. I dig some Kansas! Tell us what has your music career been like? What motivates you? RM : Music as a career has been a labor of love. It’s the joy of creating that motivates me. I create everyday. MaM : Over the years, have you worked and/or played with anyone of notability? RM : Most of my career, I’ve been blessed to play in [studio] sessions with some great players. The most notable is Jerry Donahue , who is an American guitarist primarily known for his work in the British folk-rock scene as a member of Fotheringay and Fairport Convention , as well as a member of the rock guitar trio The Hellecasters . But as a rule, most of my last 30 years have been spent writing. MaM : I understand you have a new album on the brink of release. What can you tell us about that? RM : I do. My first album released in 1991, so this second album has been a long time coming. It’s called ‘Midnite at the Pianotorium’ and is eight tracks of pure, original progressive art rock with a few surprises. It features a good bit of people, too, like Will McFarlane, formerly of Bonnie Raitt’s band, on guitar; Kirk Bowie Russell, of An Abstract Theory band, also on guitar; Kevin Reed, also of An Abstract Theory, on drums; Tyler Ross, of Grace & Tony band, on bass; Danley Murner on cello, bass, and synth axe; Al Barrow, formerly of Magnum from the UK, on bass guitar on the title track; Jessica Rothstein on vocals; and Kimi Samson on violin and viola. Kimi is easily one of the best musicians I’ve ever known. No one else plays like her; she is sublime. Rickey Mitchell and Kimi Samson, photo provided by Rickey Mitchell ‘Midnite at the Pianotorium’ releases June 25, 2023, at midnight. The goal is to entertain and hopefully catch the ears of those who hear this music or music of the like in a film, documentary, or major motion picture. The album will be available locally in The Shoals area at Vinyl Junkies Record Lounge , as well as on the web through Amazon for CD purchase and download. MaM : It was very kind of you to let us sample some tunes from the new album. We loved “Afternoon at Ghost Bridge” and I understand you had an important co-writer on that. Would you please elaborate? RM : The song was inspired by a trip I took to Ghost Bridge in Florence, Alabama, in January 2004. I had never been. I pondered all the urban legends as I walked across the bridge--just me, my friend, and her dog. I ventured back to my studio and by mid-April, I had finally worked out the sequence for my Korg Triton with a CD burner and 16-track capability … out came ‘Afternoon at Ghost Bridge.’ … I think I needed the time working in the studio and absorbing all the stories I heard and feelings I felt that day. It was magical. [But] the bridge is no more. It was demolished in 2013. I wrote ‘Afternoon at Ghost Bridge’ with my friend Phil Keaggy , who is an American acoustic and electric guitarist and vocalist with more than 55 albums under his belt and more recordings in both the contemporary Christian music and mainstream markets. In 2007, Keaggy was inducted into the Gospel Music Hall of Fame and in 2010, he was ranked #43 in Gibson’s list of the ‘50 Greatest Guitarists of All Time.’ Phil Keaggy, photo provided by Rickey Mitchell Phil and I met in 1986 in Los Angeles but have never worked together until now. Phil is a world-renowned guitarist—one of the best who has ever lived. It was an honor to work with him and I hope to continue working with him. We remain close friends. MaM : It really is a beautiful song. And speaking of “Afternoon at Ghost Bridge,” I believe now is the perfect time to debut it to the world! RM : Yes! I agree. This is the actual world premiere of ‘Afternoon at Ghost Bridge,’ written by me and Phil Keaggy. (Select the track below to listen!) 1 Audio Track .aiff Download AIFF • 36.69MB MaM : Well, Rickey, we think you’re one cool dude who is long overdue on some press coverage, so thank you for allowing us to nose around in your business and learn a little more about you! Before we go, though, inquiring minds want to know what are you watching when you aren’t composing? RM : (laughs) I’m a composer first and foremost, but I do watch movies every single day. The best movie I’ve seen in a decade is Where the Crawdads Sing . Also, I highly recommend Till , an excellent film about a southern tragedy. For more information on Rickey Mitchell, you can find him on Facebook . And don't forget to check Amazon at midnight on Sunday, June 25 for the release of Rickey's new album "Midnite at the Pianotorium!" You'll be glad you did. That album is worthy of kicking back in your best Dude sandals with a White Russian and letting the world (and all your troubles) melt away. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Presenting Grunge-Gaze < Back An Ugly/Beautiful Dichotomy: The Music of Morbid Orchid Nicole Brice Mar 2, 2023 Share Presenting Grunge-Gaze Sometimes a girl just needs to listen to some good ole fuzzy indie rock, and this next band I’m about to hit you with has mastered that catchy indie-rock vibe made famous in the mid-90s by many notable acts. Morbid Orchid is their name, and they are based out of Nashville, TN. Formed in 2019 with core members Taylor Santangelo on guitar and Joel Murray on vocals and drums, these two almost didn't meet. It was after a few failed attempts, and one dick pic, that Taylor almost deleted a Craiglist ad he had posted in hopes of finding bandmates. As a last-ditch effort, he said to himself, “just one more week.” Endurance paid off when Joel responded, “hey, I live 20 minutes away.” The two would soon meet, and find the chemistry between them to be nothing short of palpable. I just want to note that Joel makes playing drums and singing seem flawless and effortless, and I must give mad props to anyone who can do both of those with ease. Their newest release is titled Siamese TV Lamp , and this album jams from start to finish. These guys are on to something with their Grunge-gaze sound, swooping chords, and their secret weapon producer, Tom Whall, who not only played bass on their debut but also gave the recording that extra TLC it needed to define their sound. credit: Cordie Nicole From the bluesy guitar opening on “Like Moths” to the fuzz explosion on “Couldn’t Be Better,” these guys rock it way out there and back. Be sure to check out their music and show some love right after you read this interview. credit: Loee Murray MaM : Good Morning! How are ya’ll doing today? TS & JM : Hey! We’re good! MaM : Guys, I just want to break the ice and start by telling you how impressed I am with your music. I made a note that your sound is Mudhoney meets The Breeders meets Hum meets My Bloody Valentine. Would you agree with that? I know that is all over the place, but I hear so many hints and nods to acts from the past. Influence is everywhere! TS: I’m not too familiar with Mudhoney. MaM : Really?!? You need to put them on your list and go check them out. TS : I know that they are a Grunge band, but I’ve never really listened to them. The other two bands—I am flattered to be put in the same category as them, so thanks for that. MaM : Who gave you the inspiration for the name Morbid Orchid, and where did it come from? TS : So, it was actually inspired by Marilyn Manson, and I am a fan of his music, but his philosophy was combining a negative thing with a positive thing to form the names of the band members and the band name itself and hearing that kind of stuck with me over the years. JM : The whole ugly/beautiful dichotomy. We thought it was a cool name, but it’s been a guiding principle in the band, too, with Taylor’s guitar tones being a little more aggressive, grungy, and dark, while my voice kind of naturally is lighter and prettier, and all of those elements kind of make up the sound. MaM : So as far as influences go, is your music taste all over the place? I would think with Marilyn Manson being an influence that your taste is very diverse. Who’s the big Manson fan? JM : Taylor more than me. TS : One of the things when we met, that we actually bonded over, was just how broad and diverse our music tastes were. My only litmus for if something is good or bad is that good music can exist in any genre. credit: Loee Murray MaM : If the music resonates with you on a certain level, then that’s all you need. So, current line-up: Give me the rundown on who all is involved in Morbid Orchid. Is it just you two? I could have sworn I saw two other band members in pictures. L to R: Taylor, Joel, Loee, and Alex JM : Taylor and I are the core of the band. We do all the songwriting and recording. We’ve used a producer, but it’s mainly the two of us, but then for live shows, we have a bassist who is named Alex Aer and then a back-up singer, I guess … or co-singer? TS : A provider of harmony. (laughs) credit: Cordie Nicole MaM : A provider of harmony … (laughs) … I like that. That works. JM : Her name is Loee Murray actually. It’s her nickname. credit: Cordie Nicole MaM : So, you guys are based in Nashville. Tell us a little more about that. Born and raised there? JM : We both moved here. Taylor is originally from kind of all over, but mostly from Philadelphia, and you’ve been here, what, five years? TS : I think four years and some change. JM : I’ve lived here for three years, and I moved from L.A., but I’m originally from upstate New York. MaM : So, what brought you both to Nashville? Strictly music or something else? JM : Yeah, that was part of it. TS : For me, music didn’t really factor into the decision at all. I was fresh out of college and had a job that was fine enough, but nothing to stick around for, and then I went on a vacation to Nashville … where I had never been … and really loved it. At the time, my girlfriend and I wanted to do something crazy and a month later, we were living in Nashville. It wasn’t the most thought-out thing, but it’s really worked out. credit: Cordie Nicole MaM : So, a spontaneous move led to Morbid Orchid. TS : Yeah, it’s funny how you think your life is this big grand plan, but a lot of it is just coincidence, and I’m very lucky to have met Joel just based off a random move that turned into something important to me. MaM : So according to your bio, you two met on Craig’s List, right? A shining light in a sea of dick pics. (laughs) See, I never trusted it. I always thought some weirdo might come to chop me up or something if I responded to an ad on there. (laughs) TS : Yeah, you have to wade through the dicks to find you a Joel. (laughs) MaM : So, what was the official year you guys formed? TS : Late 2019 and then we worked together for a few months and were put on hold because of COVID-19, so it wasn’t until 2020 when we truly got started. MaM : What led to wanting to form the band? JM : I was a drummer first and I always loved to play. I played in bands in high school and college and always seemed to take it more seriously than anyone else. I taught myself to play guitar and sing, too. I saw Taylor’s post with a link to some of his solo material and I really connected with it. At first, I didn’t know what form the band would take and I thought maybe I would just play drums for Taylor’s solo material, and then we had our first couple of sessions … He encouraged me to do more of the singing, and we co-wrote the first song we ever did together. It just became collaborative. In the past, it was always someone else’s project, and you would write your parts and that was that. This is the first time where it has felt like a creative partnership and each song has to make it though the gauntlet of both of our tastes and have both of our fingerprints in terms of the arrangements and the melodies. MaM : As far as influences on your sound, do you both share similar influences that has led to the sound you have currently? TS : I would say we have a lot of common ground, and then we have quite a lot of things we bring to the table as far as influences the other person has never heard. I think the first artist that we both agreed on was Death Cab for Cutie. Obviously, Nirvana and all the Grunge bands you can think of, too. JM : Courtney Barnett, obviously, too. She’s Australian and great. She’s an incredible songwriter and the observations she interjects into her lyrics are oddball, but very relatable. She’s amazing. MaM : Now, take me through the writing process for your lyrical content. Do you put a heavy emphasis on what you write, or do you just let it flow? How would you describe it? TS : That’s where our priorities differ. While Joel doesn’t want to write throwaway catchy lyrics, I am a bit more particular with what’s being said. Joel does make it an accessible package that sounds good, so it’s a nice give and take we have. JM : I focus on melody more, and Taylor focuses more on lyrics, which works out. MaM : So, you balance each other out. He’s the yin to your yang. In 2020, you released Siamese TV Lamp ; is there anything else currently in the queue? What are you working on? TS : We’re finished with about 11 songs for our follow-up—well, they’re in various forms of completion. We’re getting really close to recording our next effort. JM : We want the whole record to be written before we go into the studio. We want it to feel like one cohesive statement. Taylor has a cool penchant for writing songs that flow together. There’ s a little of that on the first album where the songs bleed together. It’s fun to go into the studio and have a clear vision of that before the recording process begins. It’s getting there. We’re hoping to start recording this year. MaM : What’s the anticipated release date for the new material? JM : I think we’re aiming to record this summer and then release in the fall. TS : Fall kind of fits our vibe. credit: Loee Murray MaM : Yeah, it sure does. That’s awesome. As far as local shows, what’s going on with all of that? Do you have anything upcoming? JM : We played a lot last year, but Taylor is moving this month, so he’s been busy. We do have a gig coming up on March 18th. It’s a St. Patrick’s Day Extravaganza in Manchester, TN ( https://stpatricksextravaganza.com/ ). We are actively booking, though! MaM : So, guys, a few more questions, and I like to talk gear when I’m honing in on a sound for a band, so give me a rundown of what all you use to achieve your sound. JM : Taylor is a tone warrior. That’s one of my favorite things about working with him because he has such an amazing ear for those guitar textures. TS : Thanks, man. So, while I will agree to being a tone warrior, what I am not … well, guitar players actually annoy me, because if it’s not some rare vintage thing, it’s crap, and I don’t subscribe to that at all. So, the first album was an old Aria guitar that was manufactured in Japan. Basically, it was a knockoff Fender Jaguar, and the amp for that first album was a Fender Hot Rod Deville 4 x 10. As far as pedals go, the philosophy behind that is that I have a medium-sized pedal board and if it doesn’t fit, it doesn’t get used, so I have an octave pedal. It’s a Boss OC3 … just a standard octave pedal, but … my favorite pedal is a Stomp Underfoot Black Russian Fuzz. How I got that is that one of my favorite local bands called JEFF the Brotherhood has a great guitar tone, and they use a Big Muff Black Russian, but when I looked to try and buy that pedal, I couldn’t find one used at a reasonable price, so … I found this other manufacturer who makes a great reproduction of that pedal. For my less fuzzy tones, I have a Boss OD-3, which is a pretty time-tested yellow overdrive. I also have an MXR Flanger, and am I missing anything? Joel? Oh, I have an Ibanez Tremolo, which I’ve used on some stuff, but nothing recorded yet. MaM : So, you use a lot of gear, and you’ve got it all ironed out with what you’re trying to achieve sound-wise. You are a meticulous musician. (laughs) TS : Yeah, I guess it is a bit overboard. All my pedals have little pieces of tape on them with settings marked for my different tones. credit: Loee Murray MaM : So, my last question involves future plans. What all do you want to achieve going forward? JM : Yeah, we’ve talked about this a little bit. We don’t have illusions that the band will last forever. We both have life plans that take us away from Nashville and each other, eventually. I think we’re just trying to enjoy every moment, every show, and just live it. In the short term, we really want to make this new record and just do some short local tours this summer. Some bigger audiences. TS : It’s a fine balance between having all those crazy dreams but also not knocking where we are at and trying to enjoy what we have achieved and being a little more realistic. To check out all that is Morbid Orchid, hit one of the links below: www.morbidorchid.com Morbid Orchid (@morbidorchid_official) • Instagram photos and videosMorbid Orchid | Facebook Spotify – Morbid Orchid Morbid Orchid (bandcamp.com) Morbid Orchid - YouTube ‎Morbid Orchid on Apple Music Tik Tok: @morbidorchid_official Morbid Mag www.morbidorchid.com Morbid Mag, Vol. 1 — Morbid Orchid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One studio drummer who's tearin' it up < Back Justin Holder: North Alabama's Self-Proclaimed Drummer Ho Keeley Brooks May 24, 2023 Share One studio drummer who's tearin' it up I love doing what I do because I stumble across so many independently talented artists—like musician Justin Holder, for example. If you live up in or close to the Muscle Shoals area of Alabama, chances are you know who he is and not just because of his super funky hairdo. Holder is the go-to drummer in North Alabama for studio work, and he’s also a live drummer. I first met him back in early 2022 when he sat in the drummer seat to accompany UNA Entertainment Industries Professor Dr. Charles Brooks on his Black History Month tribute to Jimi Hendrix, which was beyond badass and had everyone on their feet. In case you missed it, you can catch that show in its entirety HERE . For now, here’s a peek at Hendrix’s “Foxy Lady” mixed with a bit of “Purple Haze.” Brace yourselves, though—it will melt your face off in every aspect from melody to groove to overall musical experience. Each of the musicians on that project put on one hell of an outstanding show. Holder becomes another person when he sits in the captain’s chair, losing sight of everything but the drums and the groove. He plays masterfully with such professional intelligence and finesse that watching and listening to him sucks you right into the music to get lost in his rhythm. He’s always prepared to the nines, and he knows his shit. Don’t mistake anything about him, though; he’s a pro through and through. He studies hard the music he plays, and he keeps a notebook nearby full of meticulous notes so he doesn’t have to worry about what he’s going to hit; he can just be musical. He’s got an incredible ear and a gifted sense of awareness that allows him to play off the rest of the band. He’s able to mesh easily with other musicians, too. “He's a consummate professional,” says Brooks, “the very definition of a hired gun who can walk into any situation and not just adapt to a style but emulate it in a way that’s authentic to the source of origin and fresh for the listener.” I had to know more about this self-proclaimed drummer ho and go-to studio drummer (at least in the North Alabama area), so I sat down to rap with him about how he fell into studio drumming, what he loves most about everything he does, and what advice he has for up-and-coming drummers out there. Check out our conversation. MaM : Justin, thank you so much for taking the time to rap with me about your groovy talent and occupations. Are you a Muscle Shoals-area native or a transplant? Tell us about yourself. JH : Thank you for having me! I’m actually born, raised, and currently live in Florence, Alabama. I’m both a studio drummer and a live drummer. I started out as a live player and then converted over to studio work. I’ve wanted to do studio work my whole life. I grew up around it. I love it. MaM : It’s our pleasure! First, let’s address this “Drummer Ho” thing, because inquiring minds want to know its origin. Please, the floor is all yours. JH : (laughs) Well, I’m Justin Holder, and when JLo came out, my buddy started calling me “JHo” and it just stuck. I sign everything with that [moniker] and when I went to make an email, I just did DrummerHo because it fit. (laughs) MaM : Dude, that is hilarious. And awesome. It fits you perfectly. Never, ever change it, please. So, drummer ho, what type of equipment do you use to drum shit up, and what are your favorite symbols and sticks? JH : (laughs) I have a DW drum set and a 1969 Ludwig kit. But the current one I use is a Maple YAMAHA Custom kit. My preferred symbols are the companies. I'm sponsored with Sabian symbols and Vater drumsticks. credit: Justin Holder social media MaM : Has music always been a part of your life? JH : From birth, my dad was a musician and he toured around my whole life. He had a studio, so I would grow up just doing homework at his studio and listening to him mix. And, you know, all the legendary musicians from our area were there in my house, but I didn't know who they were. They were just guys my dad recorded with. So, I've been around music my entire life ever since I was born. MaM : What was your life like during middle school and high school? Were you playing any music then? If not, where were you headed after graduation? JH : So, during middle school and high school, that's all I did. I mean, coaches gave me a hard time because they wanted me to play sports and I was like, ‘Nah, I'm just gonna play drums.’ (laughs) So, I did. We had a band called Salvatron and I was in a band called Prototype, and we played a bunch of churches and stuff like that. One was a punk band, hardcore. So, different kinds of music all through my high school and middle school days. And I played at church, of course, with my dad. That's where I first got my start. I remember it was a Tuesday night and it was a worship night … he let me get up, and I was just terrified. And there were seven people in the auditorium or whatever. But, after graduation, nothing was really going on here. I graduated in 2001 and moved to North Carolina with a guy named Will McFarlane; we just wanted more opportunity in life. MaM : When did you know you wanted to play drums? JH : Oh, I knew from the first time I saw Animal from The Muppets. He was in a tree singing ‘Rockin’ Robin,’ and I saw his drum set and just went, ‘Whoa.’ And that was it. I remember just being a young kid, I had pots and pans I would beat on. And my dad, like I said, was in a band, so I saw all the drummers. MaM : (laughs) Ah, Animal. He was the best. Do you remember your first live show as a drummer? JH : Of course, I do. But my dad and Will McFarlane were the first two that gave me an early shot to play live. I think I was, gosh, maybe 13? And I can't remember which one of them it was, but one of them paid us 50 bucks and it was just like, ‘Wow, I can do this and make $50?!’ (laughs) credit: Justin Holder social media MaM : Haha. Hey, fifty bucks is fifty bucks, man! Do you ever get nervous at live gigs? JH : I did, and I still do, to this day, get anxiety and nervous. [I could have a gig] in front of four people [and I’d} still get nervous. And I love that, because once those nerves are gone, you might as well give it up, start something else that makes you nervous, and get your blood flowing. But I always have a process, kind of, when I have to learn a lot of songs. I cram, cram, cram, cram. And I constantly question myself and think, ‘I'm never gonna remember all this. I'm not. I'm just not.’ So, I let it go. The night before [and] the next day, I wake up freaking out, [saying to myself], ‘You're never gonna remember all this.’ But as long as I do my due diligence and notate everything—I need to notate on a piece of paper or chart—I can make it through anything, and I've figured that out along the way. And so, but I still get nervous for any show, really. When I'm setting up, once I hit that first note, I'm comfortable—maybe the first song, sometimes, depending on how much I'm feeling or how much I've drunk. But usually everything works out. The moment I hit that first note, I'm like, ‘Okay, you do remember this. You've practiced, you know what you're doing.’ So, yes, I do still get nervous at live gigs. MaM : I can dig that, man. I know many people can. What does playing drums mean to you as an artist? What is drumming a source of for you? JH : For me, it's a source of … that's a good question. My father was a musician, so for me, it's, it was important to be a musician like him. That was, to me, I guess being a man back then. As an artist, the drum is the groove you know because when we're in the studio and I'm listening to something and the guitar players listening to something, we're listening to totally different things. He's going to accomplish one thing, I'm going to accomplish another, but we're gonna tie them together. So, you have a room full of guys that kind of know what they're doing and [know] what to look for, and, you know, I'm not hearing melodic changes a lot. I'm hearing rhythmic changes and timing, so as a drummer, I'm totally focused on the groove, the timing, what the tempo should be, and just how to make the song better. It's always about making the song better. That's why we check our egos at the door, first and foremost, because that could definitely get in the way. There's no ego involved. It's just whatever is best for the song. MaM : What does your evolution as a drummer encompass from where you started versus where you are now? JH : Wow, I'm only 40 years old, and I feel like lately I've kind of just been like, ‘You know what? This is easier than I thought it was.’ … But where I was to now, it's just experience, honestly. I mean, 10 years ago, I wouldn't have listened to what I know now, because I would think I'm not gonna have to do all that, like country and blah, blah, this, and this, and now it's like, ‘That's my job.’ So, knowing a lot of different types of music [and being able to] instantly relate to an artist [by being] aware of where they're coming from, that’s my job—to understand where people are coming from and to know what they mean by saying this, this, and this. MaM : What do you love most about what you do? JH : My dad was a musician, and all I ever wanted to do was play music because I saw him do it. He passed away 13 years ago, and I'm just continuing the legacy. Studio work is forever. Live gigs are in one ear out the other. But when you track a song, it's there forever. And that's what I love about the studio. I love the fact that it's an art in the studio. It's decisiveness. It's a gut feeling. It's gut reaction. But I love the excitement and not knowing what I'm getting into. credit: Justin Holder social media People always said, ‘You want me to sing any songs beforehand?’ Nope, I don't. I want to meet the artist the day of. They're gonna look at me all weird, I'm gonna look at them all weird, and then all of a sudden, with the first time we kick into a song, or they hear me do a drum check, they're like, ‘Okay, I feel good now; this guy's good.’ So, that's what I love about studio. It's forever, and there's an art form to it, and getting better at this art form is really fun. MaM : That’s beautiful, man. Well, I know you're in a couple of bands, so tell us about them. JH : So, one band I'm in is called Drumb and Drumber with a guy named Chad Berdine. I play guitar and sing and play some hand drums. It started because I needed to pay my utility bill and drums weren't paying me a lot. (laughs) I didn't have a lot of work when i moved [back] here twelve years ago, and I didn't want to get a job, so I said, ‘You know what? I can play some covers,’ and I did it one night [and realized] I don't need to rely on anybody else anymore. I can do this all on my own. And then Chad came to me and said, ‘Let me play with you.’ Next thing you know, we called it Drumb and Drumber. We've opened McDonald's for corporate events, we've played at the National Predators Game nine times or something like that, and now he owns wedding venues. So primarily, we do a lot of weddings. I’m also in another group called Fathers and Sons . We put this together just for us. It's a bunch of studio guys: Jamie McFarlane, Kelvin Holly, Will McFarlane, Janet McFarlane, and C Thurman and me. We play whenever we get booked, but we mainly play every Tuesday night at FloBama Restaurant in downtown Florence from 7-10 p.m. We kind of put that together just for us to get our rocks off … cut loose and play. We just wanted to put together a band and have fun and do some songs that we wanted to do. I also play with a guy named Cole Nichols, but my other project is Gary Nichols. I've been playing with Gary for a long time, and he's a Grammy winner with The Steel Drivers who won Bluegrass Album of the Year. He and I just recorded his new record, and we're gonna be putting that out, hopefully see where that goes. I’m also currently playing with Dixie Mafia. So, a lot of exciting things on the horizon mixed in with also doing session work, you know? MaM : When did you become a session drummer? How did you fall into that? JH : My dad was a studio musician and [I grew] up around all The Swampers (aka The Muscle Shoals Rhythm Section ) here in town. There's something special about recording. It really is special. I've grown up around it and I've seen the art form my whole life, so I wanted to do that. When I moved back from North Carolina to Muscle Shoals, I knew … there were session guys and they were getting the work, but, you know, they were all aging. And I hate to say it that way, because we had some greats: Bob Evans, Roger Clark, Milton Sledge, Roger Hawkins, and Mike Dylan, who's still around with us. But … there was a need for more drummers, I have to say it. So, I moved back and plugged myself in, and I got really close with the guys at Fame Studios , and they just started using me slowly but surely. And next thing you know, twelve years later, I feel like I'm the go-to guy. I don't wanna call myself that, but I'd like to think that I am, you know? I'm still aspiring to be ‘that guy’ and get better at things. I've sacrificed a lot to be a session drummer. I probably could have been on the road playing with other people, but I knew that that session drumming is what I wanted to do. I wanted to get better at that. I could get better at being a live player and going out and networking and schmoozing my way up the ladder like anybody could do, you know, but I wanted to plug away at the studio … because it's forever. It's very special to me and my father all that kind of stuff. credit: Justin Holder social media MaM : Drop some big names you’ve played with over the years. JH : Little Richard, Delbert McClinton, Kris Kristofferson, Foy Vance, Jason Isbell, John Paul White, Rick Hall, Jim Gaines, Jimmy Hall, Shenandoah, Donny Fritz, The Swampers, T. Graham Brown—I’m on his new record, which features Sammy Hagar, Billy Gibbons, and Daniel Tucker—but that hasn't come out yet. Those are just a few names. There’s many more. MaM : Your life must be pretty busy. Given all that you do, how do you find a balance between working, playing, and home life? JH : I'll be honest with you, I struggle at that a lot of times, because I'm a kind of guy who if I'm working from ten in the morning until ten at night, I'm gonna have time to myself in that night … I can't just come home and go to bed. I have to have my personal mental quiet time. I play Fortnight with my wife a lot. (laughs) I'm not a gamer, but something about that is very peaceful after I’ve been in the studio dissecting songs all day. It's not physically tiring on me; it's mentally draining. And that's tough. credit: Rachel Neal Pictures I have a 14-year-old daughter and a wife. We find our ways to bond with each other. I still am challenged with finding a balance in everything. Right now, I'm in a season of just working as much as possible. And whenever somebody calls me, I go; I'm a yes man. … I don't get a lot of days off, and so when I do, I do nothing … absolutely nothing. MaM : Any advice for those interested in maybe becoming a studio drummer? JH : If you're interested in becoming a drummer, the first thing I could tell you to do that I wish somebody would have told me to do is to suck it up, nancy boy, and listen to every kind of music you don't like! If you wanna be a studio guy, you're gonna do a lot of shit that you don't wanna do. And it's not that you can't find the joy in it, it's just, ‘Wow, this isn’t really my cup of tea. I don't really listen to this.’ Well, you f**king need to listen to it because you're gonna need to know how to do this kind of stuff in the studio. And I've learned that along the way. I was stubborn and didn't want to do that. And guess what? [They’ll just get] somebody that can do it. So, in my opinion, if you want to be an overall versatile player that gets called all the time, you gotta listen to so much crap you don't like and stuff you do like. If you want to be a Tik-Toker, you want to be a YouTuber, you wanna be a live drummer, go practice all the chops and the licks that you can do, get as fast as you want. But if you want to become a session studio drummer, nine times out of ten, you're not gonna get called for that. You know, they always say a bad drummer makes a good band sound bad, and a good drummer makes a bad band sound good. And that's very true. All an artist needs us to do is be the anchor and be the groove. So, I would say listen to every style of music there is [and] give yourself seven days out of the week. One day do jazz. Second day do country. Third day, do another genre. And just dissect how drumming is different in each one of those categories, because that's what you're gonna be using when you come into the studio. Also, learn how to tune a f**king drum set. I probably get hired more because of my tuning than I do my playing. And learn fundamentals. I think the three basic rudiments to start off with are singles, doubles, paradiddles. And there you have it, folks. Studio Drumming 411 from the studio drummer ho himself. To see Justin play live, you can catch him every Tuesday night at FloBama Downtown Restaurant and Music Venue in Florence, Alabama, from 7-10 p.m. Drumb and Drumber plays every other Thursday at the Marriott Inn in Florence from 5-7 p.m. at Swampers Lounge . For more on Justin Holder, hop over to YouTube and search “Justin Holder Drummer” or “Justin Holder Fame” and peruse through the many videos of him in the studio and elsewhere. You can also find Justin on Facebook @JustinHolderDrummer . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

T. Mason and the Bricklayers < Back Laying the Foundation: Brick by Brick Nicole Brice Dec 12, 2022 Share T. Mason and the Bricklayers My late teens and early twenties were filled with nothing but punk music. At 41 years old, getting to hang with punk bands while conducting interviews for Mixed Alt Mag , I feel I am getting a chance to rediscover my youth and it’s almost as if I’m listening to punk music for the first time. Travis Mason has been a fixture on the South Louisiana music scene ever since I can remember. I first was acquainted with his talent and stylings via a friend’s punk band, The Skullniks , when I was 19 years old. With the nickname, “Tiny”, this man is nothing short of even being remotely small and that includes his talent. Getting to hang with him and learn a bit more about what all he brings to the music scene was a hilarious experience and I, literally, look up to him now. No, seriously, he’s so tall that I must stretch my neck to look up at him. May I present T. Mason & the Bricklayers . Josh Selser, Andy Clancy, and Travis Mason of T. Mason and the Bricklayers (credit: Gary Governale) Taking their band name from a combo of his own name and that of his beloved canine friend, this group of guys are full of personality, so get ready! Bricklayers, mount up! The next big band on the scene. I can feel it. The time is long overdue for some new and fresh good old-fashioned pop punk music. The band is comprised of Travis Mason of Justin Bailey on drums and vocals, Josh Selser of DeadCentered on bass, and Andy Clancy , formerly of Starscream’s Revenge, on guitar. Using the three-piece band formula made famous by many others before them, these guys bring the noise both musically and personality wise. credit: Gary Governale When Travis is not focusing on T. Mason and the Bricklayers, he is heavily involved with Justin Bailey , Audrey Seymour , and iLiaka , all of which have different sounds and are of different genres making him a very well-rounded musician. He also runs his own studio out of the house called Volcano Studios , which I had the pleasure of seeing and this beast of a set-up was impressive. What does this man NOT do? Growing up in a strictly country music household where he began writing song lyrics when he was an adolescent and citing Tre Cool from Green Day as the reason for his want and need to play drums at 13 years old, Travis is one of the most ferocious drummers on the kit locally. Not to mention, his sense of humor will leave you in stitches. credit: Gary Governale NB : So, I’ve been checking out some of your stuff and you are so talented. Anyone that can play drums and sing at the same time, do you know how incredible that is? TM : Well, thank you so much. NB : No, dude, I’m just being serious. First, love the band. Love “Future Retro”. TM : Have you gotten a chance to listen to the three-song demo? “Future Retro” is the single, bay-bay. NB : Yes, love it, too. Not sure if you’ve gotten this comparison, but if Fat Mike from NOFX joined Face to Face, that’s T. Mason & the Bricklayers. TM : Oh, honey, that is high praise. Thank you so much. Face to Face is like my favorite vocalist. NB : Your music takes me back to those days of skateboarding and just listening to music and just hanging out and it’s that feel good punk rock sound that we need these days. TM : Because when you’re young, especially in those times it’s like every day was an adventure and anything could happen and you’re on the edge of eternity. You get together with your friends and every day is a new exploration into something amazing. You’re working at McDonald’s three days a week, not giving a damn. Yep, I can see that. NB : I see good things for your band, because I don’t know if you notice, but the type of punk you play is making a comeback. It’s like there is a nostalgia for it. They say time repeats and it’s coming back, dude. So, Demolition demo, you have it on Bandcamp, but are you doing physical CDs at the shows? TM : Right. Exactly. I’ve got a CD burner and I’m burning them myself and putting in the work, writing on them, the whole handmade feel to it. NB : Well, you know that’s the whole punk aesthetic, the DIY attitude. Just do it yourself. So, production. Did you do all the production and recording on this yourself, too? TM : Absolutely. Very proud to be able to work on a lot of that self-sufficiently. I have a lot on there that I recorded myself, but I also had some other people help me mix it and finalize it and all. I’m finally getting confident enough to put out stuff I did solely in house, which is an achievement. It might not be as good as some of the other stuff, but I take a lot of pride in the fact that I took it from conception to production and then a final product. NB : Knuckles, homie. TM : That’s right, knuckle up! The thing I’m most proud of is the band I’ve put together. We’ve got Josh Selser on bass, kind of like a secret weapon, but it ain’t no secret that guy gets right out front with it. Everybody tells me after they hear us play or hear a recording, “Man, your bass player”, and I’m like, “I know”. credit: Gary Governale NB : Josh is so talented as a musician, and I keep telling him that. TM : Yeah, I recognized his talent when I first met him probably when I was 15 years old. Before I was in the Skullniks, I was in another band. He was in a band called Bleeding Power with Michael Poole. He’s always played with Michael Poole. NB : They’re like a duo. TM : Yeah, they’re like a duo. Yeah. Mike inspires me because his bands have put stuff out. They’re out there recording. Audrey Seymour hasn’t recorded anything and iLiaka has a few things, but nothing comprehensive. [Justin] Bailey is kind of coming back from extinction. credit: Gary Governale NB : Now, let’s turn to current. As far as currently, are there any current bands on your playlist inspiring you? TM : Oh boy. Man. Yeah, sure. One of my favorite bands is a band called High and they’re from New Orleans and they’re comprised of all kinds of dudes from way back in the day that I know from New Orleans. I remember the first show we ever played. It was at Library Joe’s. Those guys played in two different bands and we just kind of put on a show and then we recognized each other from other bands and so they’re like us. Guys that have chosen this lifestyle and persevered to do cool shit. NB : Well, that’s the best lifestyle to have, to be quite honest. TM : Absolutely. NB : So, I want to ask you one more thing. Everyone wants to know future goals. What do you want to achieve going forward or what would you like people to know about you and your music? TM : Well, a lot of my material is quite personal and draws from my personal experiences I go through and a lot of it is very relatable because we all go through a lot of the same stuff. I like to make light of it. Light of some of these heavy issues to make them not so bad. A lot of it deals with loneliness or other things. I feel it puts a positive spin on these things, though. Through the process of the lyrics and making sense of it, by the end, you have something you can be proud of that brings you joy, and I think, man…if I hadn’t been through that trying circumstance, then I wouldn’t have this final product. I like to take a feeling and make something great out of it. I want people to connect with the lyrics and concepts and be inspired by it. I want to get deep, but not over people’s heads. I want them to be able to relate. On one level, you can listen to my music, and it hits you one way, but then in another way, people can listen and go, “Whoa, this dude’s kind of insightful here”. credit: Gary Governale To hear T. Mason and the Bricklayer’s newest release, head on over to their social media pages, Bandcamp, or YouTube. “The Demolition Demo” is out NOW ! Bandcamp: the demolition demo | T. Mason & The Bricklayers | T. Mason and the Bricklayers (bandcamp.com) Facebook: T. Mason & The Bricklayers | Facebook Instagram: T. Mason & The Bricklayers (@t.mason_and_thebricklayers) • Instagram photos and videos YouTube: brick vs. window - YouTube *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to the_nicolebrice@mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

HolleeStar's music is an organic fusion of sounds. < Back HolleeStar Shines Bright: Louisiana’s Alternative Scene Gets a New Sound Nicole Brice Apr 21, 2025 Share HolleeStar's music is an organic fusion of sounds. Louisiana is known for its vibrant metal scene, but among all the heavy sounds lies a musical group poised for greatness, thanks to the unwavering heart and dedication of its members. Enter HolleeStar . HolleeStar is the brainchild of Jakob Bollich and Brennan Sanders , two musicians from areas just outside Lafayette, Louisiana . Both have a natural talent for creating the unique textures, sounds, and rhythms that define a HolleeStar song . Credit: Gary Governale So, what exactly characterizes a typical HolleeStar song ? The truth is, there is no formula. No two songs sound alike, and no two concepts are the same. The music is an organic fusion of sounds that emerges from the creativity of Brennan and Jakob. As best friends and collaborators, they have recorded a diverse catalog that will capture your interest and lead you down a musical “rabbit hole.” HolleeStar is making music on their own terms, choosing not to follow the crowd. Their sound showcases an alternative style that incorporates elements of synth rock , industrial , and a hint of nu metal . While some listeners might compare the band's style to that of the legendary Linkin Park , such a comparison barely scratches the surface . It’s challenging to categorize a sound that draws from so many diverse influences, ultimately defying easy definition. We’ll leave it up to you to decide for yourself. Since the early 2010s , HolleeStar has consistently released singles, completing one project and then promptly moving on to the next without pause. Mixed Alternative Magazine recently had the opportunity to chat with the members of HolleeStar to learn more about who they are as musicians and friends. Read on to discover more about this duo from Louisiana with one of the state’s most unique sounds. Credit: Gary Governale MaM : Tell us a little more about where you’re from. I know you’re based close to Lafayette. Jakob : I’m actually from Eunice . Brennan : I’m from Maurice , which is just outside of Lafayette . MaM : What city do you claim as your hometown? Brennan and Jakob : We can claim Eunice . MaM : Give us a little history of how you met. Brennan : Well, that’s a cool story. I was friends with a guy named Matt Rougeau , and he introduced me to Jakob and Tim D'Aville when Jakob and Tim were playing in a band together. Tim was our old bassist . I played in a little band for probably six months, and it was the first time I had played in a band. I was trashing drums. It wasn't perfect, but I got better from practice. Matt eventually said he knew a couple of guys in Eunice who were auditioning drummers, so I thought that was perfect. I went by and I was super nervous. We started vibing and playing, and it all ended up working out. We meshed well. That was also when Tim , who was playing lead guitar , decided we needed to be a 3-piece, and he decided to play bass . The rest is history, and we played music together for about six or seven years until Tim decided to start doing his own thing. Then, Jakob and I went through a few more members until we decided to do things ourselves. Credit: Gary Governale MaM : I like that dynamic, too, with it being just you two guys. So, I know you play the drums, Brennan, but take us through who does what musically. Jakob : I make a bunch of stuff at my house, to be honest. I’ll make a whole song from beginning to end and then send it to Brennan . I have an entire Dropbox full of songs, and we’ll talk about what needs to be done to improve each song. Maybe Brennan should sing on this verse—stuff like that. We produce everything together. Brennan : Jakob will go in and create the bones of a song. He’ll make a generic beat and then lay a guitar over it, maybe even a rough melody , and then once he gets the general idea going for the song, he shoots it over to me. We both have our studios at home, so when we link up, we start working in each other’s studios and practicing. We always have everything set up to record. It’s a constant creative process. Credit: Gary Governale MaM : So, you both collaborate on beats and vocals, but how are you getting the bass there? Jakob : I used to write in a normal way, I guess, on my guitar to come up with the lyrics and song, but now I sit at my computer, and I have a process of how to make a song. The bass is EDM ish bass, which is all made electronically. A virtual instrument. It fills in what we need. I feel that our sound wouldn’t work with a traditional bassist. Brennan : For those at home who like to listen to music, and not produce it, you’ll hear a lot of modulated bass in our songs, similar to dubstep or techno . A real bassist can’t give us that sound all the time. We want the type of bass flowing in and out of guitar riffs, beats, etc. It lets us explore many new sounds and textures without a regular bassist. MaM : How did the name for the band come about? Jakob : I have no idea. (laughter) MaM : Was it just a series of words thrown out? Jakob : The band came together just out of high school, so I can’t quite remember. (laughter) Credit: Elise Hanks MaM : Well, kudos to the name because when you search for your music , you are the only band that pops up with that name, and it’s easy to find you guys. So, let’s touch upon your discography. From 2014 to now, you are at a completely different place musically, but your debut has some standout tracks I could see you guys reenvisioning or rerecording. Have you ever thought about that? Brennan : Oh no … (laughter) MaM : Am I wrong for that? Jakob and Brennan : Not entirely. You’re kind of psychic for that. MaM : Well, let me tell you what I wrote down. ‘ Don’t Bring Me Down ’ – that song is catchy as hell with a great chorus, and then when the chorus fades into the guitar break, you’ve got that great breakdown at the end. I could see this rerecorded and released as a single. How would you explain your evolution in sound? Brennan : Well, the cool thing is that you can see that evolution with our YouTube channel. Between the Demons EP in 2014 and our latest material , the songs that are coming out are so different. We have three albums' worth of material on our YouTube channel , though, and you can see the progression and evolution of sound through those releases. We go from being a raw rock band to a raw, almost post-grunge band that then progresses into an electronic sound you can’t define. No one around here is doing that. Credit: Gary Governale MaM : I wrote down that you have an interesting dichotomy of sounds. Brennan : Thank you for that. MaM : I also noticed that some of the sounds you create have an industrial, almost metallic vibe. Have you guys ever listened to Throbbing Gristle ? They’re pioneers of industrial, but their sounds are intriguing and draw you in, and I feel the same about your music. It draws you in. Take us through the creation of the song, ‘ Throwing Stones .’ Jakob : That was one of those songs that just happened one afternoon. I started writing a progression with the synth, then sang over it and freestyled. The piano right at the beginning, and me singing lightly, that’s where it all started. It all came together quickly. Brennan : He had sent me a chorus because it came together instantaneously, and the song was almost done, except for the verses. It reminded me of a Linkin Park vibe, and I started writing rap lyrics because I felt this Mike Shinoda type of energy with it, and it all fit perfectly. Credit: Gary Governale MaM : What’s next for the rest of this year as a band? Brennan : We’re working on many t-shirt designs to hit the website. We’ve got a ton of shows booked, too, but we want to push out the whole album this year. We’ve got another four or five songs we have to finish. We’re working on completing one of my favorite songs. Jakob : A lot of it has a more defined industrial sound. Credit: Elise Hanks MaM : Watch out. The next Atticus and Trent , the next Ministry —you guys could be it. Who has been your biggest musical influences? Jakob : Mike Shinoda from Linkin Park . He’s a musical genius. Korn also made me want to start playing music as a teenager because I felt connected to their music. I’ve always liked The Beatles , too. Brennan : Korn and Linkin Park – Korn took me out of some real dark places in middle and high school. Jonathan ’s lyrics were powerful and gave me the will to keep going. Trent Reznor , too. Credit: Gary Governale MaM : If you could open for any band in the future, dream band, who would you pick and why? Also, where do you see yourselves headed in the next five years? Jakob : Linkin Park and Korn . Smile Empty Soul , too. I love them. They come all the time around here, too. Would love to share the stage with them. Brennan : I can agree with that. This is literally all we do. If we’re not working our full-time jobs, we’re making music. If we’re recording a song, we’re thinking ahead about every single facet to drive the band forward: Merch, graphics, videos, the whole package. We just want to drive things forward and see where they go. As they carve out their place in the modern rock scene, HolleeStar shows that the heart of Louisiana beats loudly through every note they play, and we cannot wait to see what the future holds for them musically. To learn more about HolleeStar: Facebook Website: Holleestar - Electronic Rock from Eunice, Louisiana Instagram: Holleestar (@holleestar_official) • Instagram photos and videos YouTube: HolleeStar - YouTube *Photos by Elise Hanks and Gary Governale Photography by Elise Marie: Facebook Instagram: Photography by Elise Marie (@photosbyelisemarie) • Instagram photos and videos Governale Photo Video: www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States Instagram: Gary Governale (@govphotovideo) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Drawing inspiration from Southern roots < Back Electric Age: Reinventing Sludge Rock with No Rules Nicole Brice May 16, 2023 Share Drawing inspiration from Southern roots Southern rock is distinct and heavy. Southern rock also has soul and can be very melodic at times and that is exactly where the music of Electric Age fits in. Formed in 2011, Electric Age is a southern sludge rock band out of Louisiana comprised of local music mainstay, Jason Ogle on bass, Shawn Tucker on guitar and vocals, and Kelly Davis on drums. With influences such as Corrosion of Conformity, Black Sabbath, Pantera, and Led Zeppelin these guys are forging their own path in the oversaturated music scene with their nonconformist approach to making music on their own terms. Paying attention to the artistry of the music rather than making tunes that are catchy, Electric Age’s songwriting approach is a refreshing nod in an industry full of prefabrication. credit: Gary Governale With prior projects such as Execution, Guilt Trip, and Slaves of Freedom, Electric Age’s Jason Ogle adds a veteran touch to the band on bass. Vocalist Shawn Tucker’s previous projects include Soul Erosion and Black Market Halos and his southern rock vocals show hints of influence from Dax Riggs amongst other notable southern vocalists. Kelly Davis’ savage skills on the kit round it all out and brings the sound full circle. The band has released three albums, Sleep of the Silent King (2016), Live at the House of Blues – Nola – EP (2017), and Painter of Saints (2022) with all being heavy, melodic, and just plain incredible. credit: Gary Governale - the band performing at Chelsea's Live in Baton Rouge May 6, 2023 Getting ready to begin work on their third album, I recently had the pleasure of taking these gentlemen to breakfast where we sat down and chatted about anything and everything. Personality, precision, and sheer talent are what makes the music of Electric Age so enjoyable, so sit back and dive into this entertaining conversation and then be sure to go stream all their music. MaM : Thank you for sitting down with me today. I was listening to your music on iTunes, because I’m an Apple girl and prefer it to Spotify and have a few notes I’d like to share with you about it. “The Threshold” – love it, “Priestess- Part 1” – wow, amazing! EA : ::in agreement:: Yeah, that’s all Shawn. MaM : Painter of Saints, the song = could be a soundtrack for WWE Monday Night Raw or an action film. Painter of Saints - released February 11, 2022 EA : (laughter) MaM : I’m a wrestling fan, so that’s why that popped into my brain. (laughs) Shawn : We’ll take it. MaM : Seriously, though, that song is so action packed, I could see it being on a soundtrack. Oh, and “Soothsayer” – ripping off Kashmir a little bit? (laughs) Jason and Shawn : We called it “Kashmir” when we were writing it. (laughs) Shawn : You don’t hear that too much. Just people straight ripping off “Kashmir”. MaM : My husband was sitting next to me and goes, “Are you listening to Zeppelin?” EA : (laughter) MaM : …and I go, “Noooo”. He goes, “Why does that sound like ‘Kashmir’?” and I pulled up the actual song and did the comparison and was like, “Holy crap”. Shawn : Yeah Jason : We talked about doing it. We were like, “You know what?”. Shawn : Yeah, you don’t hear too many other people using those chords. That’s why it’s so recognizable. Kelly : The white board in the room during recording, on it the song was called “Kashmir”. MaM : What was the inspiration behind having a song that sounds so close to the original? As far as the riff…I mean, it does, but it doesn’t. It’s that riff. Shawn : We didn’t really think too much about it, honestly, we had the riff and were just like, alright. Jason : We didn’t really make a decision like “ok, we know it sounds like that”, but we do love Led Zeppelin, so why not do it? credit: Gary Governale - Jason Ogle MaM : Well, yeah, of course. It’s a tribute to a legendary band. Shawn : We do a lot more power chording than Zeppelin ever did in that song. MaM : Also, the production sounds great. Who mixed it? Jason : I did all the mixing, but I didn’t mix the first album. MaM : You guys are a solid rock band that is hypnotizing in moments because of your breakdowns in songs. EA : Thanks credit: Gary Governale - Shawn Tucker MaM : COC with soulful vocals, too. I hear the Corrosion influence a good bit, which is awesome. You don’t ever hear people saying Corrosion is such a powerful influence on them with their sound. Jason : Oh yeah, definitely for us. MaM : I used to be obsessed with Pepper Keenan in high school. Don’t ask me why, though. (laughs) Jason : Most reviews we’ve gotten have been COC, Thin Lizzy. Shawn : Down, of course, too. It’s in the water, you can’t get away from it honestly. MaM : Well, yeah, it’s all part of the whole southern metal scene and culture. Shawn, your vocals are incredible, and you have such a soulful voice. Kelly : I tell him daily. (laughs) Shawn : Thank you. Jason : The first record was his first-time doing lead vocals. MaM : Really? Shawn : Yeah, I didn’t start singing until 12 years ago. credit: Gary Governale - Shawn Tucker MaM : So, have you had any formal vocal training, Shawn? Shawn : Well, I’d sing in the room, but no not really. One day I just started picking up the acoustic guitar and started singing. And then I practiced for two years straight before I ever did anything. MaM : Origins of the band. How did the band form? Jason : It’s a funny story. Kelly : It’s one of those stories where we all say, “We’ve got to get together and jam”. We ran into each other at a Slayer concert, and we actually did get together and jam. credit: Gary Governale - Kelly Davis MaM : So, you all already knew each other? Jason : I called Shawn and said, “Man, I really want to go see this show.” And it was Slayer, Anthrax, and Megadeth. MaM : What year was this? Jason : 2010? 12? We’ve been together 10 years now, but Shawn was kind of hesitant to go, but he rides with me, and I hadn’t seen or talked to Kelly in years. We had gone to high school together, but anyway, we’re in the beer line and that’s when we saw each other and thankfully, The Facebook is how I found you. MaM : I love how you call it “The” Facebook. (laughs) Kelly : Everybody always says, “We should get together”, but we actually did it. Shawn : Well, you started jamming together first ::looks at Kelly::. Jason : Yeah, we started jamming and actually Matt Dupre of Big Frank. MaM : I know Matt, I went to high school with him. Jason : Yeah, he goes, get Tucker to sing and I was like, “Man, he’s not gonna do it” and then you said… ::looks at Shawn:: Shawn : I’ll do it with a guitar in my hand. credit: Gary Governale MaM : And that’s just how it came to be. Jason : Cause I wanted to be the guitar player and I got kicked back to bass. MaM : You got kicked back to bass, so you don’t enjoy being a bass player? Jason : I didn’t at the time. MaM : Well, what about now? Jason : Well, now I do. It’s kind of like a ZZ Top type of metal thing. It’s a 3-piece. MaM : Well, and then the beards. (Kelly and Shawn have similar beards) Kelly : (laughs) credit: Gary Governale MaM : So, last release was just in February 2022, but as far as new music…what’s the direction for the band going forward? Jason : The first record was written as a concept record because Shawn had this vision and it was a big undertaking to make the first album, and it’s over an hour long and some of it was written with me on guitar. The second record sounds more like what we sound like now. On the first record, we hadn’t played a lot of shows and the third record will sound more like the second. MaM : So, would you say the second record defined your sound? Jason : Definitely. The 3-piece sound. The first record is so orchestrated. Some of the songs on the first record we can’t even play live, so we just don’t. Because they’re too complicated. We just can’t with 3 people. It was a concept record, so we didn’t hold back. We weren’t worried about whether we could play it live. When we do albums, we have album tracks. We know certain songs we can’t do live, but we don’t care. We’re making a piece of art. Kelly : It’s got keyboards, tambourine. Jason : Dog whistle? MaM : Cowbell? EA : More cowbell, please? (laughs) Jason : We have not used a cowbell yet. We’ve used beer bottles once. Shawn : Yeah, that was a failure. Jason : And the guy that made the record said, “Uh, no.” (laughter) credit: Gary Governale MaM : As far as the creative process, how do you come up with songs? Take me through that. Shawn : Different methods. For the first record, I demoed a lot of songs on an acoustic guitar and a little Tascam recorder and that worked, but now, Jason will bring a riff and I’ll bring a riff, or we’ll listen back to a recording of us jamming and then we’ll go over it, but there’s not really no set rules. It just kind of happens. A lot of times, we just write in the moment. While we’re jamming. Spontaneous. Kelly : Yeah, a lot of times, it’s just a free jam session and then we’re like, “What are we doing”? MaM : As far as lyrical inspiration…what inspires your lyrics? Shawn : I guess it’s more poetic and abstract, the way I write. The first album, no one knows what it’s about. That’s kind of a running joke. There’s no real meaning. It’s real ambiguous, but it’s up to anyone to decide what the song is about. Kelly : In fact, that’s what he told me one day. I was like, “Dude, I was listening to ‘Sleep of the Silent King’ and when you say this…what does it mean? “Uh…it’s open to interpretation”, he goes. (laughter) Shawn : That’s the beautiful thing about art, though. You can make it whatever you want. MaM : ::kind of hesitant:: May I ask what the title of the new album is? Shawn & Jason : We don’t know yet. Jason : Yeah, we have no idea. Shawn : We’re not done writing songs yet. We have quite a few written, but they just haven’t been working. credit: Gary Governale MaM : So, when are we expecting a completion date? Jason : We actually just signed to Argonauta Records again. They released our first record. Label out of Italy and they are going to take care of distributing it. We don’t want to rush the record, though. We’re pretty close, though, and my studio is set up, so we have plenty of time to record it. We’ll knock it out quick, though. MaM : So, you mentioned studio? Tell us a little more about that? So, you built your own studio at your house? Jason : Yeah, pretty much. Volume 10 Studios. I’m doing Branded for Exile’s record right now. I’ll be wrapping that up soon. But I’m fully functional. Ready to be recording bands and I’ve been recording since…I was always the guy that recorded. Whether it was a jambox or a phone, I was the guy putting it in the right spot and all that. MaM : Now, I want to know…of all the shows you guys have played, have there been any funny happenings or stories you could share? Jason : Kelly pissed off Meat Loaf’s daughter. (laughter) Kelly : Oh yeah, I can tell you that one. MaM : Oh, now I have to hear about this one. Kelly : We were playing at the Varsity and I’m stuck unloading everything by myself and I get it all in and then I decide to go sit outside. We’re opening for Anthrax and all of a sudden, a car comes zooming in and they block me in. I’m like “ah, man…what is this” and so I’m boxed in. Suddenly, I see Scott Ian and Meatloaf’s daughter, which is his girlfriend, start walking up to their tour bus. Nowhere am I thinking about this dude being like my high school idol, instead I’m like, “Hey dude, is your car going to stay there all night?” (laughs). Scott Ian, though, super cool goes…”I don’t know, talk to my girlfriend” and he goes in the tour bus and she comes up and says, “Oh, I have to go get the guys some food and I’m going to be in and out all night, but I’m going to be moving it” and so I tell her that I’m going to just get out of her way, right? It’s crazy, though, because there was Scott Ian. So, I tell Jason and Shawn about the story, and they go, “So you cussed out Scott Ian’s wife?” and I said, “No, I just asked her if she was going to move her car” and they’re like, “You were yelling at her, right?”, but the legend is that I cursed her out and there was a confrontation. (laughter) It just sounds cooler. Jason : There was one time they left me at TSA by myself. (laughter) Jason : When you left me at the airport? ::looks at the guys:: I bought an amp I could fly with and so I had the amp in my luggage and I didn’t unload all my electronic devices and when they slid it through the x-ray machine, it looked like a bomb. TSA grabbed me and I looked up and the guys kept walking and just left me. Kelly and Shawn : We didn’t know. (laughter) Shawn : I didn’t know you brought a bomb, bruh. credit: Gary Governale MaM : So, memorable shows…are there any shows that are memorable you have played? EA : Anthrax…Crowbar and Goatwhore at the House of Blues. Shawn : Oh, and the Acid Bath benefit show at Twist of Lime after the flood. MaM : What was this benefit show? I must have missed this. Shawn : It was a benefit show after the flood of 2016 and Jason played bass in Acid Bath with the original members and Ben Michon filled in for Sammy, because he was on tour. Jason : We played a set, though, but they had these jam sessions, too with everyone. It was fun. MaM : I can’t believe I missed that. So, as far as bands you have not played with, but would like to…who are they? Jason : I know of one. COC. MaM : COC comes here a good bit, too. Jason : We had King’s X. Shawn : Yeah, we were gonna play with King’s X except COVID got us. MaM : I remember King’s X was going to be at The Varsity. Shawn : Yeah, we were on that show. credit: Gary Governale MaM : As far as the state of local music now vs then, do you think things have changed for the better or worse? Of course, things are different post COVID, but things are starting to look up. Jason : It’s worse. The all ages shows, I mean…I don’t understand why they don’t have all ages shows like they used to. We used to have them all the time. I don’t see any bands doing that anymore. All you have to do is go rent a civic center. There’s really no venue, though, for the all ages shows…I mean, Mid City ballroom, but… MaM : So as far as aspirations for the future, where do you guys see the band headed? Jason : I think we all agree that we’re comfortable right where we are…writing records and putting out music. We like to play shows, but we just kind of pick what we want to play. With no pressure, it’s fun. Shawn : Yeah, it’s just about creating at this point. MaM : Any parting words or anything else we can let our readers know about you? Shawn : We’re just out here having fun and if people like what we’re doing, that’s an added benefit. Kelly : We’re just good friends. Jason : Yeah, we’re not just a band, we’re a family. - To experience all that is Electric Age, be sure to hop on over to their Spotify and then download their tunes via Apple Music. Be sure to check them out on social media, too, and give them a like and follow. Electric Age (facebook.com) Jason Ogle (@electric_age) • Instagram photos and videos Electric Age (bandcamp.com) Electric Age | Spotify ‎Electric Age on Apple Music Argonauta Records - YouTube *Cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. < Back Perry A: Just Two Guys Making Music Keeley Brooks & Nicole Brice Dec 6, 2023 Share Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Gen Xers (like me and Nicole) love to hear modern music reminiscent of one of the best decades for music: the 90s . It was a turning point in music history, seeing the emergence of new genres like industrial, grunge, emo, and alternative rock that were eventually overshadowed by technology. Enter Perry A, a southern-based, two-man band working to combine the best of the best of the 90s in their upcoming EP “OK Wait”. Perry A is an indie-rock duo out of New Orleans, Louisiana, who brings to mind bands like Cracker and The Screaming Trees, except their music is of a darker sound and is heavily politically inspired. Perry A is comprised of “two neighbors in a home studio" making music, and they are C.G. Smith (acoustic guitar, drum programming, bass, synth, and vocals) and J. Pitre (lead guitar, harmonica, and creepy vocals). It’s been a busy year writing, recording, and releasing for Perry A, who have been working on their forthcoming EP “OK Wait”. May 2023 saw the release of their first single, “ Opinion ”, and the guys recently released their second single, "Fiction". “Opinion” is a mellow alt-rock tune with explosive choruses and just the right amount of fuzz, also featuring a lot of political opinion. “Fiction” is darker in tone and stands out due to its bad-ass harmonica playing paired with Pitre’s creepy vocals. Their third single, “Sorrowful Days”, releases at the end of this year. Mixed Alternative had a chance to rap with Perry A about their inception, what influences their sound, and what kind of mirages appear on their horizon. Check out our conversation below--these guys are super fun! MaM : Guys, thanks for talking with us today; it’s nice to have you. Would you tell us a little about the inspiration behind Perry A and how the name developed. CGS : Well, when my wife and I moved back Uptown from the Irish Channel in February 2022, we moved to a place on Perrier St. Shortly after moving in and getting my humble Hearwaxx Studio set up there, I met my neighbor, JP, and we hit it off over both being songwriters. JP & CG (credit: Chad Besse) The name is part genius and part lazy. I’d heard people pronounce the street we live on like ‘carrier’ (and also like the sparkling water), so I said we should call our little project Perry A. (laughter) We’ve also kicked around the idea of a mysterious figure who seems to be involved in the inner workings of politics being called Perry A, but right now it’s just a play on the street we live on. There’s actually a song with the title ‘Perry A’ that is going to be amazing when we get it done, but that will probably be on the second release. I originally envisioned [it] as something like the ‘Dessert Sessions’ albums, where Queens of the Stone Age leader Josh Homme had a rotating cast of musicians and friends come make music, but baby steps! JP : [Our band name] is simple, not profound as far as I know. Band names are fun though. There are bands like Oasis and Hootie and the Blowfish. Where did those names come from? Who is Hootie? If you know, please tell me! MaM : Perry A just saw its second release with “Fiction" from your forthcoming EP “OK Wait”. Give us some insight on both. CGS : The first [release] from ‘OK Wait’ was a song called ‘Opinion’ that we released back in May of 2023. [It] was music that JP wrote, and I put lyrics and vocals to. [It holds a lot of our political opinion]. ‘Fiction’ is a song I had been working on for a while and it finally culminated once Perry A was born. It has lyrical themes of the separation of Americans since MAGA, as well as the use of religion to drive wedges instead of bringing people together. JP’s solos are madness and I love it. He also did the harmonica and most of the creepy voices in the track. Click image to listen to "Fiction" by Perry A. ‘OK Wait’ was originally an inside joke. JP says it all the time when we are working on playing/arranging a new song, but it also seems like a fitting phrase for political change in this country to me. There will be a track on the album with that title as well. MaM : When do you plan to release “OK Wait”? CGS : Good question. … It’s really tough to get much done with the limited time we both have, but I’m learning more and more about being a producer. I record, mix, and master everything myself and it can be slow-going, [but] we HOPE to have the Perry A ‘OK Wait’ EP out in early 2024. MaM : Talk a little about doing everything yourself. How has having your own studio to do all this in changed your process as a recording musician? CGS : Well, it’s nice to have everything in my house, but again, JP and I both have a 9-to-5 and family, so just because the studio is right there doesn’t mean we are working on music 24/7. … I honestly had given up making music for a long time—well over a decade—but during the [lockdown] in the height of the pandemic in 2020, I dusted off my acoustic and wrote songs. Then I decided to record an album. credit: Chad Besse I ended up getting some affordable mics, a budget interface, and software and watched a lot of YouTube videos to teach myself how to produce. I’m still learning every time I sit down at my workstation. I’m sure there are glaring errors that pros can pick apart in my productions still, but I’m getting better! Overall, it is nice to have the space set up in my home, and JP right next door, but there is never enough time in a day, or week, or year when you have other responsibilities. (laughter) MaM : What are y’all’s instruments, and what are your favorites to play? CGS : I play guitar, sing, and dabble in keyboards and synths. I’m learning bass, and I am getting better at programming drums since we don’t have a real drummer. Oh, I also have an old, used Boomba (look it up) that was my wife’s grandmother’s. … That was fun to play around with. My favorite will probably always be acoustic guitar just because that’s what I’ve known for so long. JP : I play mostly guitar and bass. I do keys and vocals. I like to do falsetto and baritone on recordings. I like to add layers of vocals and guitar parts and keys and make harmonies and blend everything together to create a soundscape. I would say I don’t have a favorite instrument. My favorite thing is to create and just keep creating. It’s all about patterns and unpredictable ideas. I don’t always adhere to the typical song structure you hear in most music. credit: Chad Besse MaM : What inspires you guys musically? CGS : (in a Jack Black voice) The search for inspirado! (laughter) I’m inspired by many things. Life is full of inspiration if you just take the time to see it. I’d say for Perry A, the inspiration has definitely come from watching the GOP and MAGA traitors attempting to destroy the progress America has made over the years. My wife, my friends, and my family all inspire me to be a better person every day. JP : What inspires me musically? Well, usually it’s the pain of life. Some of the songs I’ve written come from tragic experiences. Music is something I don’t always care about, to be honest. I sometimes feel like my motive is to use music to heal pain. Being human isn’t easy for anyone. I don’t care who you are or what your social media looks like, we all wear masks, and everyone is a little crazy. Some people are just not interested in exploring the darker aspects of human nature. I think it’s important to make art and be authentic. MaM : Any live performances on the horizon? CGS : Ha! JP keeps saying we need to do more practicing and get an acoustic three-song set so we can go do open mics, but I’ve always been much more comfortable in a studio setting than live on a stage. … Right now, it is just a home-studio-production type of outlet for us. JP : We may never play live and that’s ok. I think we are like those old guys who are trapped in a different era. I love the 90s. Music today is all the same to me. Lady Gaga, Adele, Ed Sheeran, and Billy eyelids. If we play live, I pray we don’t f*ck up. I know CG will be mortified, and I will be mortified about him feeling those powerful emotions. I don’t really know how much people care about music these days. It’s 2023. What do people want? They wanna stare at the phone and watch YouTube or porn. Why would they care about Perry A? I wouldn’t mind playing live, but I enjoy just the process of creating music. Music is the way we decorate time. See, that’s deep. But how could anyone ever appreciate the music if they’re too busy watching Nikki Minaj twerk and say stuff about her WAP? credit: Chad Besse MaM : Last question: What are you guys watching at the moment? CGS : I’m currently obsessed with Kane Pixels’ Backrooms . They are a collection of fictional YouTube short videos that delve into anomalies brought on by a corporation’s scientific experiment gone wrong. This kid was 16 when he wrote and produced these amazing videos, and he is now making a movie with A24 based on them. Besides that, my wife and I are currently enjoying watching new seasons of Apple TV’s The Morning Show , Netflix’s Sex Education , and our guilty pleasure CBS’ (formerly MTV’s) The Challenge , although more and more of our long-time favorite competitors are retiring and these new challengers just aren’t the same. (chuckles) JP : I like Black Mirror . I’ve watched a lot of episodes. I really enjoy the tension and nightmare scenarios the characters wind up in. Have you ever gone to Canal Place? You know that parking garage? It has an exit that winds over and over like you’re going in circles. I imagine that happening forever and that’s what hell is probably like. Or maybe hearing Tiny Tim sing the same song over and over forever. Black Mirror is sort of like that kind terror—the terror you can’t escape from. I also like that show 90-Day Fiancé . That is disturbing and suspenseful as well. And there you have it, folks. Just two guys in a home studio making music, doing the best they can with “limited knowledge of production techniques,” hoping “people like the songs, even with their technical shortcomings.” Check out Perry A’s singles, “Opinion” and “Fiction”, at any of their links below, and be sure to catch their newest single, “Sorrowful Days”, when it drops at the end of the month! For all things Perry A: Perry A Online Perry A | Instagram Perry A | Bandcamp Perry A | Spotify Perry A | Apple Music Perry A | Soundcloud *cover photo credit: Chad Besse cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hollow Heroes music is a melodic masterpiece < Back Hollow Heroes: Rising Against the Trends Towards a Cohesive Sound Nicole Brice Sep 14, 2023 Share Hollow Heroes music is a melodic masterpiece Beers for breakfast, you say? Well, not exactly, but the newest single by Hollow Heroes does mention breakfast beers in its title, and with this clever nod to the frothy goodness known to many, I decided I needed to know more about this band. A group of well-rounded musicians make up Hollow Heroes , who hail from New Jersey . Since their inception in January of 2020, Hollow Heroes has been making waves in the industry, and in August of 2022, the band released their debut album Burn Another Bridge . While the entire album is a solid alt-rock offering, I must touch upon the opening track ' Save Me .' With captivating lyrics, heavy choruses, and crunching guitars, the transitions and changes in the melody complement this roller coaster of a song that reels you right in from the beginning and does not let up the entire six minutes it plays. Released August 18, 2022 The remainder of the album is a mashup of loud and heavy alternative rock that takes you on a sonic journey into an abyss of sound. These guys are on to something, so take note. With their latest single, ' Refuse (Breakfast Beers) ', the band has changed things up a bit to reflect more of a pop-punk offering reminiscent of Rise Against . Drawing inspiration from both Rise Against and Breaking Benjamin , Hollow Heroes is a band that is unafraid to explore the complexities of making music on a profound level, so who are these guys? Released July 14, 2023 Hollow Heroes are comprised of Alex White (vocals), Tom Riccoboni (drums), James Romano (bass), and CJ Palmisano (guitar). With all members being from various parts of New Jersey and drawing inspiration from their years of playing music in one capacity or another, be it the school band or independently, the band grew from an initial phone call between Alex and CJ , who played music together many years prior; after over an hour on the phone, the two decided to meet up to see what they could pull together. When COVID-19 hit, though, the guys were derailed a tad, but later in 2020, when they met up at The Burn Room in Jefferson, New Jersey, they ended up recording their first single, ' Alone .' By 2021, enough material was written to record the debut album, and the rest is history. I recently sat down to chat with the guys. No beer was present, but we did take a deeper dive into the meaning behind the title of their newest single and much more. Take a moment to read about Hollow Heroes and then go check out their music. Credit: Jeff Crespi MaM : Obviously, you have the Rise Against element in your newest single, “Refuse (Breakfast Beers),” but collectively who would you cite as your musical influences? CJ : I’m really big into Metallica , Blink 182 , A Day to Remember James : I’m super into Parkway Drive , Silverstein , Circa Survive , Dance Gavin Dance … Tom : If you didn’t say Dance Gavin Dance , I was going to have a heart attack. (laughter) I think we all have a good overall consensus of bands that we all like. They kind of overlap. I think once me and James came on, we added more of a progressive vibe. I’m super into Dream Theater , Rush , and Periphery … stuff like that. So, that’s something the original two members weren’t as keen on. Alex : I grew up on Breaking Benjamin and it was the hardest thing I listened to in late high school as well as Rise Against . Our newest single is very influenced by them. MaM : So, Alex, when it comes to writing lyrics, do you prefer more of a poetic approach, or do you just come up with random ideas and then let them flow? Alex : It’s definitely ideas and let it flow. (laughter) No rhyme or reason. (laughter) Tom : Alex is the most go-with-the-flow person you will ever meet. Alex : When I write my stuff, vocals are kind of the last thing. Just kind of see what fits. I don’t like things that are overly corny or somatic, I must say. I don’t want it to sound stupid or too dramatic. Credit: Jeff Crespi MaM : So, leading into the new single you just released in July, can I get a little background info on the title? It’s a little confusing. (laughter) How did “breakfast beers” fit into the equation? (laughter) Everyone : It’s a bit of an inside joke with us and was the working title when we were trying to figure out the actual title. Tom hates it. Tom : I hate it, by the way. (laughter) Everyone : Yeah, everyone grew to like ' Breakfast Beers ' except for Tom. He was a sourpuss. CJ : We called it “breakfast beers” because we didn’t have the name yet. When we actually released the song, there was a vote to see if we would put “breakfast beers” in parentheses or not. The refuse part of it was all my dad. It was very random. We kept the inside joke, though, for the original Hollow Heroes fans who know it. Credit: Jeff Crespi MaM : With all the options for streaming these days, which platform do you guys prefer? Do you feel there are too many avenues to get the products out and should it be streamlined more for a cohesive offering? Tom : I think we’re past the point of no return with that to have an opinion and it’s almost as if you have to play the game. MaM : I can agree with that. Going back to your album, ' Burn Another Bridge ,' which is solid and I love it, you said you recorded it over the course of a year, but how long did it take you to actually write it? CJ : The writing didn’t take too long. There were songs that I had finished and there were songs that Alex had finished and maybe we just tweaked a few things here and there. The recording process was longer than the writing process. Alex and I worked out our schedule when we could, and we got the drums done in an entire weekend. The guitar tracks took the longest honestly. Credit: Jeff Crespi MaM : I wanted to touch upon the opening track, ' Save Me ,' and I wanted to get a little more info behind the lyrics because of how much they resonated with me. What inspired the writing of the song? Alex : Honestly, I wrote that song when I was 17 or 18 years old and I think there was a time when I was a little different than now and I had some dark things going on, but it was drawn from life experiences and things are better now. But it was some angsty teen issues. MaM : If you guys could share the stage with any band in the future, who would it be? CJ : It’s either Foo Fighters or Metallica for me. We fit in well with that crowd and those are my favorites. James : Number one would be Bad Religion and number two would be Silverstein . Alex : Rise Against and Blink 182 for sure. Tom : For me, it’s Dream Theater , even though we sound nowhere close to them. [They’re] the whole reason why I fell in love with music. My dad was a fan of their music and he’s always played their music in the car. They are easily my biggest influence and why I play drums. I also agree with Alex about Breaking Benjamin , too. Credit: Jeff Crespi MaM : Last question – where do you see yourselves for the rest of 2023 and beyond? CJ : We’ve had a pretty busy year so far, and we did a show in January at a place called Jimmy’s in Kearney, NJ and that was the first show we had packed, and all of our friends and family were there. It was a great night and I think Tom can go on record that he got emotional that night. Tom : I did; it was kind of crazy. CJ : He did, it was a beautiful night. This summer has been so busy, too. In June we did a show in Hazlet, NJ and opened for Marc Rizzo of Ill Niño and Soulfly then less than a week later, we had the House of Independents show, where we met Jeff Crespi , and then in July, we had The Stone Pony show. Tom : Our biggest goal was to hit Asbury this summer and the whole Jersey Shore scene of rock, so we did it. CJ : We played Wonderbar in March, too, and from March until the end of this summer, we were just going. Tom : Yeah, then during that we released ' Refuse (Breakfast Beers) ,' so we were busy recording, too. … I think the rest of 2023 will be focused on writing more music, but not necessarily a new album or EP. With the months getting colder and not as many people getting out there, that’s what we’d like to do. Credit: Jeff Crespi As the band grows and experiments further, we feel they will continue to cultivate a loyal fanbase that will appreciate their authenticity and style of music. Their current offerings are only the tip of the iceberg, so stay tuned for more from Hollow Heroes and check out one of the links below! Facebook : Hollow Heroes Facebook Instagram : Hollow Heroes (@hollowheroesband) • Instagram photos and videos ‎ Apple Music : Hollow Heroes on Apple Music Spotify : Hollow Heroes | Spotify YouTube : youtube.com/@hollowheroes7816 Amazon Music : Hollow Heroes on Amazon Music Unlimited *Cover photo via band's Facebook *All other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice isn't a huge fan of Breaking Benjamin, but she loves Rise Against. She highly recommends you listen to this band and if you would like her to check something out, then e-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Meet Mike Poole < Back Uno, Dos, Tres: The Man with the Plan in Three Bands Nicole Brice Oct 20, 2022 Share Meet Mike Poole Meet Mike Poole. Mike plays the drums, and he plays them loud! He is one busy man, and he not only holds down a normal 9-5 job, but he also finds time to play drums in not one, not two, but THREE bands that are heavily involved in the South Louisiana music scene. Seriously. How DOES he do it all? Recently, I reached out to Mike to speak with him about what drives him to perform and what interests him about being a musician. With a lengthy history in the Baton Rouge, Louisiana, music scene, Mike isn’t just another drummer. His current projects are DeadCentered , Vatic Decryption , and Glacial Coffin , and all three bands have original music available you should check out, with even more on the way. A percussionist is a more fitting term for Mike because of the technical aspects he incorporates into his playing. LIKE WHAT? His ferocity on the kit is what sets him apart from all the others twirling the sticks out there. This man can play! credit: Gary Governale MaM : Obviously, you have someone or something that inspired you to pick up the sticks when you were younger. Who would you cite as your ultimate inspiration if you could only pick one? MP : Honestly, Phil Collins was my earliest influence. I've been a huge fan of his since middle school. I remember watching a live video of him playing the drums fill on ‘In the Air Tonight’ (yes, THAT drum fill) and that was the moment I knew I wanted to play the drums. MaM : I think everyone loves Phil Collins and you can't help but turn the radio up when the epic part of that song starts to come in. I can relate. You are currently involved in many projects ranging from Punk Rock to straight up Death Metal, but I'm sure you have an eclectic mix of music you listen to daily, as do I. What type of music inspires you to create? MP : I guess anything metal would be a given and obvious but oddly enough, a lot of my creativity and inspiration for wanting to create comes from a good bit of the pop music I listen to. Lady Gaga, to me, is one of the greatest artists of this day and age. Brian Fallon and any project he is a part of, too. And the Killers are one of my all-time favorite bands, too, so you have that. Their drummer, Ronny, is one of the greatest drummers I've ever had the privilege of seeing play live. His playing inspires me so much. MaM : I, too, am a huge Killers fan, and I feel they do not get enough recognition. What age were you when you first realized you had a heavy interest in music and what truly made you want to become an actual musician? MP : Well, I'll circle back to Phil Collins because I was heavily into his music in middle school, but it was probably around 8th grade when I decided I wanted to get a kit and start playing drums. Discovering heavy metal music really lit a fire under me, too, and it was somewhere between hearing the band Tourniquet, which is THE band that got me into metal, and hearing Metallica's ‘And Justice For All’ that turned my want to play drums into a NEED to play drums. credit: Gary Governale NB : Lars Ulrich is truly one of the greats, but I'm pretty sure he knows that. ::laughs:: Now, at the moment you’re involved in three music projects, right? Tell us a little more about those. MP : Well, currently, I am in three different bands, and I've been in all of them since 2017. I joined them all within a few months of each other. DeadCentered is a hardcore punk/thrash band. Glacial Coffin plays what I would call melodic Scandinavian death/black metal, and Vatic Decryption is a death metal band rooted in the second wave of death metal (90's Florida/New York death metal scene). All of my bands are currently active, and we have music available via all streaming outlets. NB : If you had to pick a favorite time of the year for playing music, what time would you pick? MP : Fall, hands-down! There is just something about the beautiful mild weather and the smell of bonfires and burning leaves in the air. It automatically puts me in a great mood. Plus, it's nice to not be sweating so much. And for us big guys, that is a very big deal. ::laughs:: For more info about all of Mike's current projects and to hear him in action, check out: DeadCentered | Facebook Vatic Decryption | Facebook Glacial Coffin | Facebook DeadCentered Official (@deadcentered_official) • Instagram photos and videos Vatic Decryption (@vaticdecryption) • Instagram photos and videos Glacial Coffin (@glacialcoffin) • Instagram photos and videos DeadCentered - YouTube Vatic Decryption Official - YouTube Glacial Coffin - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or Comments? Reach out to the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Life on Merry Hill < Back FIREKID: Living and Making Music on Their Own Terms Tim W. Jackson May 2, 2023 Share Life on Merry Hill A couple in their 30s based in Florence, Alabama, playing music with bluegrass roots might not seem to fit the bill of alternative, but that’s why we don’t judge books by their covers. Dillon Hodges and Heidi Feek make up the duo firekid , a moniker originally created for Hodges’ music pre-Feek. But this enigmatic pair marches to the beat of its own drum— namely a drum machine programmed by Hodges to bring a different sound to roots music and to appeal to a wider audience. “We want to make music that sublimates the horror of reality,” Hodges says, adding that they are keenly aware of the problems and struggles of the world but want to take the view of gratitude and let that inform their art. “It’s a distraction really,” he continues, “but also an anchor to something. It’s firm ground when nothing else matters. It’s liberating.” credit: Tim W. Jackson Hodges comes across as remarkably intelligent and a deep thinker. Feek, who always seems to exude empathy and calm, is perhaps a salve for Hodges’ runaway mind. Their music is what brings many to know firekid, but their values and the life they’ve created for themselves are exceptional departures from stereotypes. Growing up in traditional Southern homes and living in a politically conservative part of the country, being atheists, socialists, and prison abolitionists is about as badass as it gets in Northwest Alabama. Early Dillon Hodges started to play guitar at age 11. While the Shoals area of Alabama where he was raised is technically Southern Appalachia, the music the area is known for is the rock and soul that came out of the area’s studios in the 1960s and ‘70s. In fact, local cover bands still play many of those songs, such as “Mustang Sally,” made most famous by the Wilson Pickett recording from FAME Studios in Muscle Shoals. Bluegrass—popular in middle Appalachia—is actually uncommon in Northwest Alabama. But Hodges’ teacher and neighbor, Mark Campbell, had bluegrass roots, and Dillon quickly became obsessed with the music and the style of guitar playing known as flatpicking. courtesy of firekid “We thought he was going to be a writer,” says his mother, Karen. “When he was in about 4th grade, he would write things that we just couldn’t believe were coming out of someone so young. But once he picked up [the] guitar, we thought, ‘Well maybe this is his calling.’ I guess he’s really doing both.” He set a goal for himself to win the National Flatpicking Championship and would travel to play at bluegrass competitions. But then he won! At age 17, his lifelong dream had already come true. He was the second youngest flatpicking champion but afterward, he became somewhat aimless and bored before even graduating from high school. He came back to Florence a champion, but few really cared about bluegrass locally. He attended the University of North Alabama in Florence and continued playing music. A few years later he created firekid, releasing his first album under that name in 2015. Self-described as “experimental Appalachian,” Hodges says part of his goal was to bring the music that he loved so much to a younger audience with plenty of pop influences and electronic sounds. Meanwhile, says Feek, “I brought my own stamp and creative energy to firekid.” credit: Melissa Madison Fuller This ain’t your granddaddy’s bluegrass. The firekid brand has a groove. Heidi + Dillon Each having married and divorced in their 20s, Dillon and Heidi met at the suggestion of a couple of folks in the Nashville area, where each was living. Musically, there was some overlap. While Feek’s solo albums brought to life influences from yesteryear, Hodges was trying to bring the music he loved to the masses by making it more modern. So, they connected, as friends, playing music and bonding through the tough times they were experiencing individually. For Feek, that included being part of a very public national story: Joey + Rory. Heidi’s father, Rory, had married fellow singer and songwriter, Joey Martin, 10 years his junior, in 2002—making Joey a stepmom to Heidi and her younger sister, Hopie. Joey + Rory had moderate success as a duo. The two had a daughter of their own in 2014, Indiana, born with Down syndrome, and just a few months later, Joey was diagnosed with cervical cancer. Much of the nation latched on to the gripping story that saw Joey succumb to cancer in 2016. She was buried in the family cemetery on the Feek farm in Columbia, Tennessee. Meanwhile, Heidi says she understands the interest. “It was a compelling story,” she says. “There was the music plus life and death and then a young child with special needs. But living through that was much different than just reading about it from afar. It was hard and then actually got even more complicated. It also tainted my view of the music establishment.” Having been friends for a couple of years, Hodges and Feek officially “got together” in that same year, after Hodges was divorced from his college sweetheart. In a cruel and obviously unexpected twist, his ex-wife, Elise, died in a hit-and-run accident just a few months after the divorce, bringing up yet another host of complicated feelings. Needless to say, 2016 saw traumatic circumstances from which both Dillon and Heidi had much to recover as individuals while trying to build a life together. With firekid a vague enough name, Heidi slid into Dillon’s life and his music project, bringing her own beautiful voice and songwriting skills to what was now a duo. courtesy of firekid Instagram The two moved back to Florence from the Nashville area, in part to be closer to Hodges’ family and to add distance from Feek’s. Dillon’s mom, Karen, is usually seen at firekid shows in the Shoals. Meanwhile, Feek’s father, Rory, has been less accepting of his progressive, non-religious daughter’s life decisions. In fact, sister Hopie fled the Feek farm to move in with her sister and Dillon in late 2022. “I love living here,” Heidi said. “I love having my sister here. I love having roots.” Karen Hodges says she is thrilled to have a larger family in the area. “We love Heidi,” she says, “and we know that Hopie moving here, too, really helped make Heidi’s life complete. I always wanted five kids but could only have three. But now I have five! I love the life they are all building.” Twitch Like many musical acts that made the majority of their money by touring, 2020 was a bit hellish for firekid. Various bands sought an array of solutions. On the Twitch platform, firekid managed to eke out a living and find a sense of community. Initially known as a streaming service for gamers, Twitch expanded to include entertainment, sports, music, and more. At first, firekid just played music on the site and then began to live more of their lives online. These days, the duo can be found on Twitch four or five days per week cooking, puttering in the garden, gaming, watching videos or movies, answering audience questions, having a bluegrass jam, or recording in the studio. credit: Tim W. Jackson Financially, the two have survived the past couple years mainly via Twitch and Patreon . “We love the community we’ve created on Twitch,” Dillon says. “And it’s interesting that it really is a community. People have gotten to know each other and interact. It has become a special thing.” So much so, that firekid has no real plans of touring these days. They are content to continue building their Twitch following, work on new music projects, and play a few local shows (which they also stream on Twitch). Merry Hill Now the Twitch community knows the duo by their username, merryhill, coined by an early Twitch follower who nicknamed the couple’s property in Florence. Literally on a hill, the quaint old house and grounds are themselves an alternative statement compared to the path of their peers. Not caught in the trappings of “keeping up with the Joneses,” their house is relatively sparse with a vintage refrigerator and stove in the kitchen, where they stream their cooking nights. The Twitch “Garden Gang” assembles outside where flowers and shrubs fill the yard. A small greenhouse allows some plants to grow year-round. The house, which is actually quite close to town and the university where Dilon graduated, feels like it’s out in the country. It’s a bastion of simple living and a perfect space for Heidi to exercise her green thumb. She arranges flowers and creates wreaths as a side hustle. Hodges is slowly becoming a plant expert, too. credit: Tim W. Jackson Reconnecting Roots Recently, firekid received the good news that they will have a bigger (paying!) role in the PBS show Reconnecting Roots, which they’ve been part of for its first three seasons. The show’s third season just launched in April 2023. Through culture and history, host Gabe McCauley reconnects Americans to their roots through an array of topics. Along with Mandy McCauley, firekid has been instrumental in taking iconic songs from the American public domain and rewriting and reimagining them for the show. The new firekid video for “In the Gravel Yard”, which is currently available for the duo’s Patreon supporters, will debut on Reconnecting Roots the week of May 19. (Check your local PBS listings for that episode and for when the show airs in your area in general. And stay tuned for season four, when firekid will be producing a host of songs for the series.) Here’s firekid along with Mandy McCauley performing the show’s theme song live. New Music Having released its last album, “Muscle Shoals Metaphysical” , in 2021, the duo has been in the studio of late and has new tunes ready to roll out. The songs will be released as a series of singles, eventually culminating into the four-song EP “The Merryhill Sound.” “In the Gravel Yard” is the first single. With the doubling of banjos and an array of synth sounds, firekid again is again creating alternative roots music. In the video below, Hodges and Feek discuss their new EP. “Alternative” comes in lots of different forms. For firekid, it’s being authentic despite where they live and what others expect. They are true to themselves and create music that they love. And they are slowly bringing others into their wonderful world. For more on firekid, visit them online and follow their social media for the latest updates and releases. Firekid on Facebook Firekid on Twitter Firekid on Instagram Firekid on YouTube Firekid on Twitch Firekid on Spotify *Cover photo from firekid Facebook Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and his remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link