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Daemon Grimm is drawing their influence from more than just metal. < Back Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Jennifer Touché Feb 19, 2025 Share Daemon Grimm is drawing their influence from more than just metal. Last year, I had the opportunity to work with Eddie Sartor , bassist of Daemon Grimm . Through that connection, I was introduced to the rest of the band. Learning about their adversity over the years made it clear that their bond is built on more than just music—it’s a brotherhood forged in resilience. This is their story. Credit: Facebook Emerging from the underground scene of NOLA , Daemon Grimm was formed in 2016 as a studio collaboration among friends. Leading the partnership was drummer Brock Champagne , joined by original members Brandon Landry (guitar), Eddie Sartor (bass), and Jake Walker (vocals). In the beginning, there was no real direction for the band, just four good friends creating music together with each member bringing their unique style and emotion to the mix. Once the songs were complete, the band knew they had created something much more than just a few recordings. They made an entity, an alter ego, now known as “ Daemon Grimm .” Credit: Jennifer Touché In 2017 , the band dropped their first single, ' Peaceless World ', and their self-titled debut EP, Daemon Grimm —a collection of early recordings. However, it wasn’t until the release of their 2019 EP Big Bad Daze that Daemon Grimm’s signature sound was truly defined. The band draws inspiration from The Acacia Strain , Trapped Under Ice , and Portrayal of Guilt , with a distinct infusion of New Orleans hip-hop. “As far as taking inspiration outside the genre, we absolutely do. I think being from New Orleans, it's second nature to be into or listen to hip-hop, and in our music, certain songs, you can hear the hip-hop crossover. Whether it be the way Jake [Walker] does vocals, or a certain drum beat that Brock [Champagne] plays behind the music,” Brandon Landry explains. Since the release of Big Bad Daze to their most recent single release, ' DLYH Don’t Lose Your Head ' , the band has matured and morphed into a sound of heavy riffs, trippy music visuals, and lyrics written to reel you in. https://www.youtube.com/watch?v=Ci-TZIKv1kw The latest release from New Orleans' own Daemon Grimm Over the years, Daemon Grimm has faced significant adversity. Their biggest setbacks were line-up changes and the pandemic, which caused them to lose the momentum they had built. In 2019 , the band had just purchased a van to begin their journey on the road, only to have their plan crushed by the world’s shutdown of COVID-19 . In addition to the pandemic lockdown, they lost members while in the middle of recording. It was an emotional turmoil with such a devastating blow combined with bad timing. All hope was lost, and they sold the van in which they had invested their dreams. Eventually, Jake and Brandon brought in bassist Nick Moore and drummer PJ Huesmann , allowing them to play a few shows. Their last performance in 2022 seemed to mark a possible end to their journey, as the absence of Eddie and Brock left a noticeable void in the band's chemistry. Credit: Jennifer Touché By 2024 , the band’s future had begun to take shape. Brock ’s return in 2022 , the addition of a second guitarist, Lacy James , in 2023 , and the solidified return of Eddie in 2024 provided precisely what the band needed to rebuild their momentum. The band reignited their passion for their musical journey. “It just sparked that ignition to put in months of work learning and teaching songs, building an entirely new backline, just a newer version of the band, while being the same band you knew before,” recalls Daemon Grimm. By August 2024 , all their hard work paid off when they played their first show back at Southport Hall , supporting Entheos alongside Transient and Edifice . Shortly after, they played a second show supporting Texas-based Upon a Burning Body alongside Baton Rouge-based Branded for Exile . Kicking off 2025 at Chelsea’s Live , Daemon Grimm supported Swamp Stank alongside local acts Voice of the Enemy and Branded for Exile , making for a night to remember. “It was amazing to start the year with that show at Chelsea's, especially with such great local acts. Our expectations were surpassed tremendously…,” recalls Jake, “… honestly the whole night was memorable. It was one of our best shows since coming back, and to be the first to start the year set the bar for all of our upcoming shows. It is always great to have the crowd singing along to your songs, moshing from the set's first song to the last song.” Credit: Jennifer Touché Daemon Grimm ’s electrifying live performances have made them one of my favorite bands—not just to photograph but to experience. Their relentless energy and crushing groove riffs make it impossible to stand still. Don’t miss out—catch them live and throw yourself into the chaos of the pit! To learn more about Daemon Grimm: linktr.ee daemongrimm | Instagram, Facebook, TikTok | Linktree View daemongrimm’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away! Upcoming Shows: Friday, February 28, 2025 Intracoastal Club 8448 Main St Houma, La $10 Doors @ 7pm Show @ 9pm *All photos by Jennifer Touché Jennifer Touché (@jennatouche) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A special night of Louisiana metal on March 7, 2026. < Back Reunited and Loud: Black Market Halos Mark 13 Years with a Comeback Show Nicole Brice Feb 11, 2026 Share A special night of Louisiana metal on March 7, 2026. Heavy metal along the Gulf Coast carries a cultural gravity all its own, fusing southern grit with the unfiltered force of loud guitars to produce a sound that feels both homegrown and far-reaching. Shaped by the state’s deep musical heritage, the local music scene has long served as a crucible of sorts for bands that turn real-life struggle, perseverance, and community into profound expression. Part of the mystique lies in how legacies are formed quietly with these bands – nurtured in garages, sweaty clubs, and through word-of-mouth – before their impact is fully realized years later. Hailing from Ascension Parish , Black Market Halos reflect that journey, standing on the brink of a milestone as they prepare for their first show in 13 years on March 7, 2026 , at The Varsity Theatre in Baton Rouge with support from 9Slug and Voice of the Enemy . This is more than a return to the stage; it’s a testament to endurance and a reminder that a band’s legacy can take root long before the spotlight ever arrives. Credit: Gary Governale The underground metal scene in Louisiana doesn’t get nearly the attention it deserves—it’s a community overflowing with talent, from veterans to rising artists. Many of these musicians balance day jobs with their passion, yet they still bring relentless dedication and precision to their craft. Black Market Halos are a product of that scene: seasoned, skilled players, some of whom have spent their lives performing in various metal bands across Louisiana’s underground. Credit: Gary Governale This reunion show at The Varsity matters for two reasons . First, it’s a chance to prove that Louisiana’s underground metal scene can draw a crowd at an iconic venue. Second, it’s a reminder that for many, metal isn’t just a genre—it’s the heart and soul of music itself. With a fresh 2026 lineup, Black Market Halos now features Shannon Guillot on vocals, Aaron Levy on drums, Shawn Tucker on guitar, Cody DeRouen on guitar, and Scott “Bozo” Hood on bass. As Black Market Halos gears up for their much-anticipated return, Mixed Alt Mag recently joined forces with Ryan Bordelon , aka “J Heist” of Backstage 504 , to catch up with the band and talk shop. Below is a snippet from our conversation—stay tuned for the full interview dropping soon on YouTube . MaM : So, let’s talk about this Varsity show. We were actually discussing off camera how many of the musicians in this room today have never played the Varsity. For those who aren’t familiar with Black Market Halos, what is the best way to describe your music to someone who has never heard it, so we can get them to the show? Shannon : We are just southern metal. Like we were talking about earlier, we just mixed different genres together and made a gumbo of sorts so that people who don’t normally like heavy metal will listen to us, and we’ve gained a lot of fans that way. MaM : Let’s talk about the line-up for this show. We have 9Slug and Voice of the Enemy on the bill as well, so how did it come to you ending up with those two bands on the show? Shannon : Well, 9Slug is our boys. They cut our teeth with us in Black Market many many years ago, and Jaide has always told me that if Black Market got back together, then he wants to play the first show, so we honored that. MaM : Hell yeah Black Market Halos : Nice guys, too. Shannon : When we started thinking about it, there were a couple of people we had in mind, as far as another band to play, but when it came down to it, some of the other bands we talked to couldn’t do it. Voice of the Enemy are really good guys, and they pull people to shows. MaM : Hard-working! Shannon : They promote, too. This is our comeback, so we wanted to put together a good enough show to make people understand that this is not just a one-time thing; we’re back on it. MaM : So, we have a nice night of southern metal planned with three different sounds because none of the bands sound alike. How long of a set are we thinking for this show? Shannon : We have 15 songs. We decided to pull songs from all three records. The first two are online, Hymns of Rebellion and Cleansing , but then there’s a third record we wrote and started playing songs off of before we went on hiatus. There are songs on there that our fans haven’t even heard yet, but there is one song that we’re playing that night called ‘These Scars’ that has never been played live yet, so we’re not only coming back, but we’re debuting a new song as well. MaM : (to Ryan from Backstage 504) What questions you got? You sitting over there all quiet and just letting me lead the conversation. (laughter) Ryan : You know you’re doing such a great job. (laughter) Shannon : Ask away, brother! Ryan : I don’t really know any of you guys, and I’m new to the scene, so I haven’t really heard of Black Market Halos until she called me up and said, ‘These guys are playing at the Varsity.' Shannon : What a shame. Ryan : I know, man! I missed a lot doing the raising the kid thing and all, but now I’m in the scene, and I’m learning about everybody. Shannon : What’s funny to me is that we were playing music while we were having kids, and now our kids are old enough to come to the bars to actually watch us play this music. Credit: Gary Governale Ryan : Who are some of your influences? MaM : Oh, they have them all over the place. (discussion) Ryan : Ok, let’s scratch that. Who is the guy or girl that got you wanting to play? Shannon : There are three vocalists who got me wanting to be a vocalist. Axl Rose , Sebastian Bach , and Phil Anselmo . Ryan : Okay! Shannon : I mean (points) – she knows, I tell her all the time that my songs have “Phil isms” in them. MaM : He’s got a very Phil-full voice. It’s incredible. I told him he could sing a freakin menu, and it would sound amazing. (laughter) MaM : I’m being honest! Cody : That’s our next album! (laughter) Ryan : Doing all the restaurant menus. Shannon : I mean, I grew up listening to classic rock and outlaw country with my father. I love Ronnie Van Zant , and the 70s style bands, but when Guns N' Roses came out, that was a big thing, you know, and then Skid Row , which is my favorite 80s band, but then when I heard Pantera … I was like, ‘Oh Lord!’. (laughter) Shannon : It was the future of metal, and when I heard ‘ Mouth for War ’ on MTV, I was like, ‘Dude, this is where it’s at!’ MaM ; So, ‘Mouth for War’ was your first Pantera song you heard? Shannon : Yep MaM : For me, it was ‘ Becoming ’, and I remember my brother was listening to it in his room, and I walked into his room. We were getting ready to go see Pantera in concert, and I didn’t know much about them at that time, so he plays ‘Becoming’ for me, and I hear that guitar at the beginning, and I’m just like, ‘What is this??? It’s so freakin good!’ Ryan : Mine was ‘ Drag the Waters ’, so I was late to the party. As Black Market Halos gear up for a special night of Louisiana metal, be sure to stay tuned for the full interview dropping on YouTube soon, where you’ll hear more from the members themselves about the show, their stories, and what’s next. See you on March 7, 2026 , at The Varsity Theatre in Baton Rouge . To purchase tix: Black Market Halos Tickets, Sat, Mar 7, 2026 at 7:00 PM | Eventbrite To learn more about Black Market Halos: Bandcamp: Music | Black Market Halos Facebook: Facebook *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. < Back Neon Rayon: Redefining Electronic Rock Nicole Brice Nov 14, 2023 Share Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. We’ve all been there: We hear a band and we’re instantly hooked. It does happen, and in the vast and ever-growing world of music, certain bands emerge to capture our attention and resonate with our energy in a way that touches our soul. That band for me right now is the indie outfit Neon Rayon out of New Jersey . With infectious grooves, electrifying synths, and heavy danceable beats, Neon Rayon redefines what it means to be a modern-day electronic rock band. Credit: Jeff Crespi Formed in 2022 around the iconic Asbury Park area of New Jersey , members J. Nixon (bass and vocals), Alex Holland (guitar and vocals), and Bob Paulos (the big ship commander, aka the electronics guru) round out a visionary group of musicians who are seamlessly combining genres in ways that are innovative and enchanting. With releases “ CHiPs ” and " IM:Sb " the band crafted well-written, tightly produced blends that compel you to listen on repeat so that each time, you can discover something new about what you’re hearing. Neon Rayon reminds me of early Ministry meets Front 242 meets A Split Second . Their music showcases creativity and originality in an industry full of musicians looking to gain recognition. And thanks to my dear friend and superstar photographer Jeff Crespi , their tunes are now included as part of my own personal playlist. I reached out to Neon Rayon and was able to chat with J. Nixon and Alex about their beginnings, influences, and challenges so far. Here’s what they had to say. MaM : Thank you, guys, for speaking with me today. Tell us a little about your beginnings and more about the band in general. JN : [Well,] in 2022, Alex , Bob , myself, and our friend, Matt, got together to do a Halloween set [as a cover band] of Jay Reatard stuff. [As you may or may not know], he passed away a few years ago, and he left behind a couple of great records, and we wanted to do those songs [live]. We got together to do three shows. [It was] a house show, and then two club shows. It went well, and so we decided to make a real band. Bob and I got together for practice and Matt couldn’t make it, and he was the drummer, so we decided to try out a drum machine and then it just came together very naturally after that. Credit: Jeff Crespi MaM : How did you choose your band name? AH : I had been kicking around with a solo project before the band, and I just thought of it in terms of a name of something and I’m really into fashion. I noticed the tags of many of the shirts I was wearing always said, “Made of Rayon,” so I had this idea for the name Naked Raygun and then I had the idea of putting the two words Neon Rayon together , so it just means colorful fabric. But I felt the two words together sort of make up this space-age kind of queer-type thing. I held onto it and then when we didn’t have a name, I asked the guys if they wanted to use this name I had been thinking of, and they agreed. Credit: Jeff Crespi MaM : How did you all get your start in music? AH : I knew J. because we played in a couple of bands together, but I got my start in New Brunswick , which is basically the basement show scene. I started playing in bands in that area but then moved over to hanging and playing in Asbury as well. JN : I started playing when I was 14 or 15 years old. Anything I could get my hands on really. A little Casio keyboard or a guitar or a drum pad or anything but then settled on bass because everyone needs a bass player (laughs) and I liked it. I played in some ska bands out in California in the Orange County area as a kid, and then I moved here as a late teenager and started doing a bunch of really basement bands (laughs) . I mean, we never really put out recordings or anything, and then the first real one was a band called Hunchback and we were on Don Giovanni Records . I started doing all kinds of musical projects, honestly, anything I could get my hands on, and then now, this, which is my favorite right now. Credit: Jeff Crespi MaM : … and it’s freakin’ incredible! How would you describe Neon Rayon’s musical style? JN : I would say it’s electronic dance with a punk infusion. Basically, it’s just music we want people to move to. I would say it’s electroclash. We’re really inspired by bands like Suicide , Peaches , The Faint , and Le Tigre . We’re all big Le Tigre fans. MaM : That is incredible! I wish I could catch them live. So, what I got from your music was catchy industrial pop with a rock vibe. JN : My feeling and approach with it were always to do something that is punk that people would dance to but pretty much keep it basic. I mean, we do get a little complicated with some of the programming, but I don’t want to be a prog band, you know? (laughs) Catchy and still edgy, I guess. MaM : What is the story behind the title of your latest single, ' IM:Sb '? JN : Oh, it’s not really that interesting, but go ahead. (laughs) Alex ? AH : All of our songs are very collaborative, and Bob would start with a drum beat or a sample to kind of build it from there. There would be times where we’d be like, ‘What are we gonna call this one?’, so we [said], ‘Let’s call this one, ‘Sexbot’’. So, when we were writing it, I started calling it ‘Inside Me’, but Bob and J. would call it different things, so we were calling it [both] ‘Sexbot’ and ‘Inside Me’, and we decided to just do both. We’ve had this idea for a while where we wanted to just do acronyms for the titles. Eventually, it became ‘ IM:Sb ’. JN : Honestly, I think it came from having to have a file name to save on the equipment that Bob is working with. Credit: Jeff Crespi MaM : Who do you cite as your biggest influences and why? AH : I think for me it’s just this sort of a revolving door, but at this moment, Suicide and Alan Vega because when we started the band, we were going to have a drummer with a drum machine on the side and I was inspired by bands that didn’t have a template of drums, bass, guitar, vocals. Like kind of going past that. For me, three big bands: Suicide , Big Black , and Alan Vega ’s solo stuff. JN : For me, Big Black and Devo , who is my absolute all-time favorite band. MaM : Really? I love Devo! Do you guys like Kraftwerk ? JN : Oh, for sure. We were just Kraftwerk for Halloween. (laughter) AH : I would also like to say that another influence for us is a lot of Chicago house music from the late 70s/early 80s. What is so inspiring about that is that J. comes from the world of punk where you just pick up guitars and go. I was researching house and dance music and that’s how they started, too—by getting different machines to make their beats—and that was so inspiring because it doesn’t matter about your technical prowess. Just go and make music that you’re just happy with. Credit: Jeff Crespi MaM : How do the lyrics come about for your songs? What inspires that? JN : Oh, this is all Alex . (laughter) AH : It has been an interesting process because, for me, it has always been a bit introspective. The melody is the most important thing, or the rhythm, and then the words will come through that. If I’m feeling crappy, the lyrics write themselves. Introspective, though. And I want people to connect with them if they feel similarly. Self-expression of what you feel. If people can sing to it, then that’s cool, but I’m hoping they can feel a connection to it. MaM : What would you say sets your music apart from others in the genre? AH : We blow out speaker systems. (laughter) JN : We have done that! MaM : There ya go! AH : It’s funny because I think what sets us apart is our energy, but I do think our instrumentation … [and] the fact that we are a punk band, but we do have these synthesizers and we do have this drum machine. We sort of just make our way and make our sound to do that. Bands are like a penny a dozen. We always want to give a great show to the audience, and we hope that people love the material. We are just a loud band. Credit: Jeff Crespi MaM : So, what’s next and where do you see yourself headed in the future? JN : We’re finishing up an EP that will have five songs and we’re in discussion with a label to put it out digitally, but we’ll have it released by Winter or Spring. After that, we’ll begin work on our full-length [album]. AH : Yeah, and then we were talking about essentially doing more shows and cultivating a scene to check it out. Neon Rayon’s music serves as a reminder that true artistry lies in the ability to push boundaries, experiment fearlessly, and connect deeply with one’s audience. I feel we’ll be hearing much more from Neon Rayon in the future, so stay tuned. To learn more about Neon Rayon: Bandcamp : https://neonrayon.bandcamp.com/ Instagram : https://www.instagram.com/neon_rayon/ *Many thanks to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves music. Plain and simple. Do you have something you think she’d love? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Harmonic Stew showcase is a vibrant celebration of emerging talent. < Back On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 Rian Nickels Aug 8, 2024 Share The Harmonic Stew showcase is a vibrant celebration of emerging talent. I've been wanting to write on The Harmonic Stew Showcase for quite a while, and on June 6th, 2024, I finally had the opportunity to visit Chelsea's Live , a venue in Baton Rouge, Louisiana , to experience the showcase myself. The Harmonic Stew is a local music showcase designed to shine light on up-and-coming talents in and around Baton Rouge. Though I missed the last acts of the night, Soul Jettison and Carter Patrick & The Telegram Salesmen , I got to catch South Louisiana local bands: The Dale Harris Band , Goodbye Academy , and Hey Thanks ! Credit: Rian Nickels The Dale Harris Band To kick off the night was Dale Harris , a singer/songwriter and multi-instrumentalist from Baton Rouge, Louisiana. He sometimes performs as a solo act, sometimes as a duo with his brother Glenn Harris on lead guitar, but tonight, we got to experience the full Dale Harris Band with Dale and Glen alongside Adam on the bass and Mikey on the drums. They took the stage, and Chelsea's Live was filled with jazzy tunes and electric strums of songs like "The River" and " South Bound Train " that gave anyone from Louisiana a sense of home. With Dale's soulful voice and the rest of the band's rhythmic energy, it was easy for the atmosphere to wake up and come to life. This made The Dale Harris Band the perfect warm-up for the other acts in the local showcase. Goodbye Academy Next on the lineup was one of my favorite Louisiana alternative bands, Goodbye Academy . The trio (bassist and vocalist Jake, guitarist and vocalist Kris, and drummer Chase) exudes a well-practiced chemistry that shines through in their performances. They played mellow songs like " Intermission " and " Shaver, What A Last Name " to a smaller and more intimate crowd, but their audience got a little bigger with each song. By the time they got to more riotous and upbeat songs like "Thanks for the Toy" and "Best Ways, Worst Days," day-one fans sang along, and first-time listeners moved their bodies to the drum beat. Chase's endless versatility on the drums, Jake's ability to communicate with the audience, Kris's unique voice, and their entire harmony show that they belong on a big stage with all their works. Goodbye Academy did a spectacular job of drawing in the audience and keeping them interested and engaged with odes to past lovers and verses about growing up. With their deeply nostalgic lyrics and melodic guitar strums, I think Goodbye Academy makes the perfect "blueprint" for what I would call "Southeastern Emo." Hey Thanks! The last band I was able to catch was Hey Thanks! from New Orleans, Louisiana. They are a four-piece band with Travis as the frontman, vocalist, and bassist. Backed by bandmates Trevor on the drums and Micah and Jason on the guitars, this was their first live performance in six months, and their fans were ready for another chance to see them play. The very moment they arrived on the stage, the crowd became fuller and more excited, and it was easy to see that Hey Thanks was locally loved and supported. Their energy immediately got people onto their feet, ready to emerge themselves into the band's pop-punk-pop-synth-alternative type beats. With older songs like " I'm Sure It's on the Way " from their first record, " Start/Living ," and unreleased and untitled tracks, they had a perfect set list that shows you where they were and where they're going. Hey Thanks! brings a lot of musical variety, with bandmates playing multiple instruments, vocal range, and songs covering a spectrum of genre types and emotions. One of the things that stands out to me the most about them is their ability to bring a crowd of people with different music tastes together to enjoy just existing and listening to music. Harmonic Stew at Chelsea's Live was a testament to the vibrant and diverse music we have in Baton Rouge and beyond. From the soulful, jazzy rhythms of The Dale Harris Band to the nostalgic, emo-infused melodies of Goodbye Academy and the high-energy, genre-blending sounds of Hey Thanks!, the night celebrated talent and community. Each band brought their unique flavor to the stage, creating a night of music that felt both intimate and electric. Even though I missed the final acts, the performances I did see were enough to leave a lasting impression, reminding me of the power of live music and its ability to connect us. This showcase helped to show some of the best of what South Louisiana has to offer, making it a night to remember, and I cannot wait to experience more showcases in the future. Credit: Rian Nickels To learn more about the bands: Dale Harris Band: (Facebook) https://www.facebook.com/daleishous (Website) www.daleharrisband.com (Spotify) https://open.spotify.com/artist/6SyHhI6ofWwqIvcZeJ09J0 (Apple Music) https://music.apple.com/us/artist/dale-harris/1570984678 Goodbye Academy: (Facebook) https://www.facebook.com/profile.php?id=100092575554398 (Spotify) https://open.spotify.com/artist/7q4JZHQjgEEkZ8q8dAhw2N (Apple Music) https://music.apple.com/us/artist/goodbye-academy/1750154912 Hey Thanks! (Facebook) https://www.facebook.com/heythanksla (Spotify) https://open.spotify.com/artist/6kVxSrnHJh6Lzq0qJuBEwS (Apple Music) https://music.apple.com/us/artist/hey-thanks/1051345321 *All photos courtesy of Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Biff Swenson is helping to foster a community of independent creatives. < Back Biff Swenson: An Architect of Asbury Park’s Indie Scene Nicole Brice Jun 2, 2025 Share Biff Swenson is helping to foster a community of independent creatives. When I first discovered the Asbury Park music scene, I found it to be a vibrant mix of sounds and genres, offering something for everyone, and I wanted to learn more. However, I didn’t know much about the locals who make things happen. Enter Biff Swenson. Biff is a key player in this community of creatives, as he plays in eight different bands and organizes the Happy Mondays series at The Wonder Bar , a role he has maintained since a couple of years after the COVID-19 pandemic along with his fellow musician and co-conspirator Brian Erickson. Credit: Jeff Crespi The Happy Mondays series is a showcase that offers a platform for local musicians, particularly at a time when many venues tend to focus primarily on cover bands and established artists. No particular format or genre rules are in place, as Biff is a multi-talented instrumentalist and vocalist himself, who fills various roles across his own projects, contributing whatever is needed. After a decade of being in existence, the Happy Mondays series has proven to be an excellent community outreach staple for the original music community of Asbury Park, New Jersey , and Biff is one of the guys that makes it happen. Credit: Jeff Crespi Our favorite New Jersey photographer, Jeff Crespi , has echoed these sentiments about the Happy Mondays series and its impact on the scene: “With all the smaller venues closing up, having Happy Mondays at a professional, well-known venue is incredibly essential. Professional audio and visual components on top of getting paid, and a stacked green room with snacks and drinks provided.” When I first heard about Biff , I was intrigued to explore his music, but I was left wondering: which band should I check out to get me started? With so many options to choose from, it was overwhelming, but I managed to dive into at least three, and after completing this interview, I had many more to check out. Credit: Jeff Crespi Biff Swenson is a genuine Renaissance man , dedicating his time to a diverse range of projects that span nearly every genre. His infectious enthusiasm makes him an invaluable asset to the Asbury Park music scene. Through an introduction from one of my favorite people, Jeff Crespi , I had the opportunity to learn more about Biff and his various endeavors. Although he initially presents as a typical alternative music enthusiast when you first meet him, our conversations revealed a much deeper and more complex personality. One full of laughter and wisdom. His creative passion is a driving force behind the Happy Mondays series, which he aims to keep inclusive and open to all styles and genres. If you ask him to book you, he will, regardless of whether he likes your music, as Happy Mondays is dedicated to fostering a community of independent creatives. Biff is THE man with many plans, and they usually involve more people. Read on to learn more. MaM : So, let’s dive in – I’ve heard you play in six bands. Tell me a little more about that. Biff : It’s actually eight. (laughter) MaM : Wow … eight bands … tell me what the genres are and the differences between them all? Biff : We have a very incestual crew. (laughter) There are four core guys, and between them, there are probably 15 or 16 bands total. We mostly just all play for each other. With Grasser , I write all the lyrics, but I’m not necessarily the lead singer. Dana Why is the singer of Grasser’s solo project, but we all play as his backing band. Bristler is Rudy’s band that he fronts, but then Dana and I are his rhythm section, so it’s like we’re aging. (laughter) We found the people who are willing to work hard and are not thrown off by the manner in which we carry ourselves. We jokingly say, at this point, it’s just mental illness. (laughter) Everytime we add a new band, we’re just unwell. (laughter) We found a really cool group of people, and this is our “golf”. What else are we gonna do? Sit around and watch TV? We spend most nights in our rehearsal space and studio. Some nights, we’re recording from 4 p.m. to 6 p.m. for Bristler , and then from 6 p.m. to 8 p.m., we have Grasser practice. After that, we’ll do a shoot for a Yawn Mower music video . So, it’s usually seven days a week, and we miss most holidays. (laughter) Credit: Jeff Crespi MaM : Sounds about right. So, what bands are we missing? You mentioned Grasser, Dana Why, Bristler, Yawn Mower, and what else? Biff : Grasser is like a genre-less pop R&B hip-hop infused, but very punk rock ethos of DIY. We handle everything from engineering and mixing to mastering, artwork, photography, music videos, and more. The hardest thing to pull off with that band is live shows because it’s an eight-piece band. It began as a mostly recording project, which we eventually turned into a live band. It’s the most fun to do, but the most difficult to wrangle in and make happen. Yawn Mower is our most active band, and the one that I’ve been doing the longest. We hit ten years in August. That band started as a fuzzy rock two-piece, but at this point, members of all the other bands have joined, and it’s become a full band. We tour the most and even played at the Sea.Hear.Now.Festival a couple of years ago. It was the biggest thing we’ve ever done. Yawn Mower gets the most opportunities just based on how long we’ve been doing it. Bristler is a subdued indie rock band , reminiscent of Minus the Bear , Death Cab for Cutie , and Modest Mouse . MaM : Hell yeah Biff : Dana produces and sings for Grasser so that you would expect a lot of overlapping. He’s very introverted and maximalist, so most of his songs are pretty long, and they feel more cinematic than they do rock. It’s very ethereal, and you cannot passively listen to Dana’s music. If you’re not looking to hear an album, then it’s not for you. MaM : Right? Biff : So, some people find that one to be the most difficult to dive into, but it’s rewarding. He spends the most time on the most minute details that only a music fan is going to acknowledge or appreciate. Prop House is my newest band. I play bass in that band, whereas in my other bands, I typically play drums. It’s got like a 2000s emo revival sound, kind of like Thursday or Title Fight . Credit: Jeff Crespi MaM : That’s awesome. I don’t know how you do it all. So, I have been told you are THE person to speak to about booking a show for Happy Mondays at the Wonder Bar in Asbury Park. Tell me a little more about how you got involved with that? Biff : The series started in town over a decade ago, and it’s switched hands many times. I believe I may be the sixth person to take over this role. I do all this with Brian Erickson ; he’s in a few bands around town. It was a staple here. We used to have a lot of smaller venues – 150-capacity rooms. There was a place called The Saint , and if you started a band, your first show was always at The Saint. It was never a “no”. Always allowed. We lost it after COVID, and so there are no real small rooms anymore, and the ones that are still out there don’t have sound, lights, or a stage. They’re all DIY. Post-COVID, Happy Mondays still hadn’t come back, and I reached out to see what I could do since we are an original music town. Ended up finding out that Brian had reached out before me, so they had the idea of us just doing it together. We took it back over, and this is our third year doing it. It’s community outreach. It does not make money, but it’s where new bands started. That’s what it always was. Have you heard of the band Separatr ? MaM : Yes! Love them! I actually got to interview them twice. They have had quite a journey. Biff : The first week they were in town, they approached me about booking a show, and it was a no-brainer after they told me their story. I was like, done. You guys can play. Anyone who has committed their lives to music to move across the country, like them, deserves to play. Booking Happy Mondays for me is about building connections and networking. It’s not that I enjoy booking shows I’m not playing, but every week when I’m feeling down and out or burnt out, there’s always one person who comes up to me at a Happy Mondays show and says the right thing at the right time, and then it all makes sense. This is very affirming. This is why it exists. Since I’m a drummer and I live in town, I always seem to have a spare drum kit in my car. (laugher) Biff : So many weeks, though, someone will show up and not have a drum set, so I’m like, ‘You can use mine.’ Then they’ll ask me, ‘Are you playing tonight?’, and I’m like ‘no.’ (laughter) Credit: Jeff Crespi MaM : Just gotta have that extra drum kit no matter what. Biff : Sometimes, they’ll go, ‘I don’t have a bass amp.’ I’ll be like, ‘No problem. My rehearsal space is just down the street. I’ll be right back.’ It’s about community. MaM : I’ve got a curveball for you, so we have a huge cover band scene down here. Sometimes, it can be overwhelming because a good majority of the venues will only book you if you play covers. What’s the cover band scene like up there in Jersey? Tell us a little more about the scene up there in general. Biff : Well, New Jersey , in general, is like cover band central. Asbury is an original music city, but ya know. Well, once COVID was over, I actually was in a cover band for a couple of years, and did it for money, but left because it wasn’t what I wanted to play, and it wasn’t fulfilling. Playing ‘ Flagpole Sitta ’ every night just wasn’t doing it for me. MaM : Throw a little Harvey Danger in there, why not … (laughter) Biff : The people I was in that cover band with were all guys from original bands, and after two years of not a single free weekend, we decided it was dumb. I think Asbury is Bruce country, and so there are a ton of classic Bruce-esque cover bands. People do respect you more for doing original music here, but nobody is shitting on cover bands. We have New Brunswick , which is about an hour away from here, and it is punk. 110% DIY punk. It’s where all the house shows are. If a band isn’t from Asbury , they are from New Brunswick. That would be the alternative. Then there is Jersey City, which is pretty much New York. It’s right at the top of the state, and you can see New York from there. They have a really cool music scene, but it’s really lo-fi. It’s punk in ethos, but dogshit in quality. People don’t mind out of tune guitars and piss drunk singers. Always a packed house. Jersey City has a place called Pet Shop , and it’s just a bar. No stage. No PA. No lights. But 100-150 people are going to be there every night. It’s one of the only hubs to see that type of stuff. Outside of those three scenes, though, it’s just cover bands. Credit: Jeff Crespi MaM : When did you first discover your love for music, and what band made you want to play music? Biff : There’s a couple of pillar points with this. Even today, I love hip-hop . I listen to more hip-hop than I do new bands because bands are getting worse. (laughter) Biff : At a young age, I got into rap, and then my sister, who is seven years older than me, brought home Green Day’s Dookie on cassette, knowing I was into hip-hop . She was like, ‘Yo, these guys curse a lot.’ I was like, ‘That’s pretty cool,’ so I listened to it, and that was the first time rock music seemed cool to me. It wasn’t all 80s hair metal. After a few more years, around sixth grade, I discovered Blink-182 , and they are 100% the reason I started playing music. As a drummer, even today, my friends often tease me because I tend to overplay the drums. I’m always in the pocket. I’m always like, ‘We could put a ton of shit there! This song could use a little more. Travis Barker would put a fill right there.’ (laughter) Credit: Jeff Crespi MaM : So, you become like Animal from Muppet Babies ? (laughter) Biff : Exactly. I’ve been told that I look like Animal when I’m playing, but I don’t care about what I look like when I play. I only care about how it sounds. My first real concert was actually Green Day and Blink-182 together. MaM : Wow, I think I remember that – what year was that? Biff : 1999? Maybe? Around then. MaM : I’ve never seen Blink live, but I saw Green Day in like 2003? Maybe? Biff : It was The Pop Disaster Tour , if I remember, and Saves the Day opened. MaM : I used to love Saves the Day. They just dropped off the face of the earth. Biff : That day, though, I was watching Green Day pull kids on stage on the biggest stage in Jersey , in my eyes, and I was thinking about how I could do that and achieve that. Another thing, too, I was a church kid. Grew up around the church and even played in the church band. That’s how a lot of musicians cut their teeth playing music, though, because the church can’t exactly tell you no. After all, you’re doing it for the Lord. Oddly enough, the church influenced my music playing as much as Blink-182’s dick and fart jokes did. (laughter) Credit: Jeff Crespi MaM : So, do you only play bass and drums, or can you play guitar, too? What’s your favorite instrument to play? Biff : I can play guitar, too, but I’m so bad in comparison to all of my friends. Drums are the one I am most comfortable on, and you can see the most of my personality in them. I’ve put in over 10,000 hours on the drums. (laughter) That’s the one where I’m reliable. I sing in Grasser , and that’s the most fun. I’ve been sitting down at my instrument for over 20 years, so any opportunity to stand at the front of the stage, and I’m like, ‘It’s really cool up here. You guys must have a lot of fun up here.’ I’m most able to serve a song on drums. When I play bass, it’s just like … tell me what to play. It’s so rare that I’m like, ‘What about this?’ (laughter) Bass is just the rhythm section. I like to play the bass for the drummer, but I’m never playing to make people be like, ‘Yo, the bassist is really good!’ (laughter) No, it’s like, the bassist made the drummer look really good. (laughter) Credit: Jeff Crespi MaM : When it comes to writing new music for one of your gazillion bands, how do you approach that? Biff : It used to be compartmentalized, but in the last few years, it’s been more of an amalgamation of all of it. For Grasser , I'll demo the whole song, from soup to nuts, including bass, drums, vocals, and then I’ll send it to the group. Anything is up for change, so if the guitar part sucks, just delete it. Bristler is all Rudy . Dana Why is all him. Yawn Mower , the singer, Mike would write everything, and I’m just drumming on it. Since we became a full band, we have become a collective . Since the collective has been active as a group, it has been a collaborative writing process. Credit: Jeff Crespi Our new album is coming out soon. On that, I started three of the songs on guitar, Dana began two, and Mike brought full fleshed out ideas, but was open to all of us. As a singer, that’s fun. Now, I can write a whole melody and a batch of lyrics I would not have come up with on my own. It started with Grasser . I love to free associate. I love to riff. Eventually, it becomes this Frankenstein sentence that means nothing to nobody, but that’s when I think it’s a great idea to use it. We spend so much time together that we have our own language. We’re slowly not using regular words anymore. (laughter) By November, the four of us will have put out twenty albums in two years. Yes, you read that last line correctly. Biff Swenson is undoubtedly a seasoned artist and musician who will continue making music as long as he can. His dedication is truly inspiring, and I'm excited to see what he does next. I highly recommend that you create a list of the bands he has mentioned, look them up, and give their music a listen, and if you are in the Asbury Park area, stop in at the Wonderbar and discover some new talent. Where to learn more about Biff and his gazillion bands: Instagram: Yawn Mower Instagram: Grasser Instagram: Dana.why Instagram: ProphouseNJ Instagram: Bristler Instagram: Earth Telephone Instagram: Scumming Band Instagram: Quiltary *Photos by the one and only Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. < Back Rothstein Beatz: Worth the Gamble Erica Machen Nov 27, 2023 Share Rothstein Beatz is one of the hottest producers on Clubhouse whose beats are dominating the music industry. Meet Stanley Harris, the creative force behind the persona Rothstein Beatz. Originating from Las Vegas, Nevada, Rothstein is not just a seasoned producer; he's a multi-faceted artist , seamlessly blending his skills as a comedian, radio personality, and film score composer. His diverse musical palette, drawing inspiration from legends like Nottz, Kanye West, and DJ Premier, has established his presence in the hip-hop community. Today, he’s one of the hottest producers on the Clubhouse platform and his beats are dominating the music industry. As a voting member of the Recording Academy, Rothstein's influence extends beyond the studio. He is endowed with the keen ability to recognize and celebrate talent within the industry, a responsibility he embraces with unwavering passion. His musical prowess isn’t the only thing setting him apart: Rothstein has etched his name in the digital sphere, creating tidal waves on Clubhouse. There, he has created a space where industry professionals, hopefuls, and enthusiasts alike converge to discuss, learn, and connect with a community of over 32,000 members. The name "Rothstein Beatz" isn't just a pseudonym; it's a well-suited persona. The evolution of being called Roth to Rothstein Beatz is a testament to his journey as an artist. His story is one of growth in learning the ropes of the music industry through networking, studio sessions, and internships that resulted in collaborations with lauded artists like Papoose, Trev Rich, and Miesha from 702. Rothstein Beatz (courtesy of Rothstein Beatz) With his budding label, Casino Gang Records , Rothstein is not only sculpting his artistic identity but also paving the way for rising talents. Beyond his beats and melodies, his " Roth Talk Podcast " offers a glimpse into the industry's complexities, featuring insightful conversations with seasoned industry professionals that provide those with musical aspirations with encouragement. As we delve into our rap session, we unravel the layers of Rothstein Beatz's journey—one marked by innovation, collaboration, and motivation. MaM : What’s the story behind the name "Rothstein Beatz"? R : Las Vegas is my hometown. There was a movie that came out back in the day called Casino with Joe Pesci and Robert De Niro. His character’s name was Sam Rothstein. He wore suits and shades and smoked cigars. I won some money, bought a nice suit, and had my shades and cigar walking through the casino. One of my boys yelled, ‘Man, who you think you are? Sam Rothstein?’ My real name is Stan, so I said, ‘I'm Stan Rothstein.’ I was called Roth for a long time. I took it from Rothstein to Rothstein Beatz. MaM : Working with artists like Papoose and Trev Rich is impressive. What led to these opportunities, and can you share memorable experiences or challenges faced in collaboration? R : First and foremost, I'll say networking was the reason I was able to get those opportunities. Trev Rich is a Grammy-nominated songwriter and artist. I actually met him on Twitter. I reached out to him. We built a relationship online, and the next thing you know, he had one of my tracks on one of the tapes he [released]. Later, he used that tape to help find his career and get Grammy nominated. As for Papoose, I have to shout-out my fellow producer, J-Swift. He grew up with Papoose … kind of took him under his wing. He told me Papoose was looking for some beats, and I sent him some. I didn't hear anything for months. I was … in session with another artist [and] J Swift kept calling me. … He tells me [Papoose] loves this one beat, and he needs the music and my information that night. … That was the first time I worked with him, and something similar happened the second time. Now we have some things working in the future. MaM : You’ve gained recognition on Clubhouse as a producer. How did you first get involved with the platform, and what impact has that had on your career? R : First, I gotta shout-out my family, The Music Network and No Egos family. It’s just amazing how a bunch of strangers can … come together and become family. I also have to give love to my sister, T from Harlem. She told me about Clubhouse when it first started. At that time, it was invite-only, and it changed my life. I was able to speak to celebrities, label executives, and people you would just dream to have a conversation with. Through that, I was able to create my own space. … Now, we are at about 32,000 members. We’ve had legendary artists, comedians, civil rights people, and even presidential candidates. We’ve had all types of people in the music, film, fashion, and whatever industry you want. Just amazing professionals to connect with on a daily basis. It’s been an extreme blessing. I owe a lot of my music career going forward to Clubhouse. I’ve been able to work on movie soundtracks and had chances on video game soundtracks. MaM : Speaking of impressive guests, you have a podcast called “ Roth Talk Podcast .” What topics and guests have stood out the most during your podcasting journey? R : Podcasting started because of Clubhouse … [which] is kind of like doing a podcast. There, I have great team members who give me great advice. I’ve been able to have the legendary Bob Sumner, who’s the co-creator of Def Comedy Jam; platinum producers and engineers; and movie filmmakers. I’ve had a slew of industry professionals, including 20-30-plus-year professionals on my podcast. It’s more of an inspirational podcast, because you get to hear the stories of how people came up and how they got into what they got into. They always leave with some great advice for the listeners as well. MaM : Can you share defining moments that led you to pursue music production and a career in the music industry, considering your diverse influences, like Nottz? R : I’m blessed enough to be a good friend of Nottz. Being a fan of somebody and then becoming their friend is a cool experience. Defining career moments [are] between that and then-DJ Premiere, who’s a legendary producer, scratching my beat [and] cosigning me, and telling me he loves my production. When you have the chance to meet and talk to people you used to read about on album covers and used to jam and listen to their songs over, and over, and over again, it’s a surreal moment. It took me back to when I was a teenager. It was a nostalgic moment. I would say being able to meet some of my musical idols inspired me to know I’m on the right path. Not everybody’s going to be able to meet whoever they want to meet. I feel like it’s a divine energy. MaM : Earlier, you touched on the inspiration of the name "Rothstein Beatz" from the movie Casino . Now, your new label is called Casino Gang Records. Can I assume the link between the two? Could you tell me more about your vision for the label and what sets it apart in the music industry? R : I see you, you’re a smart young lady over here! Yes, that is correct. It’s tying the movie Casino and the casino game [together]. That was the motivation. The slogan for Casino Gang is, ‘Where winners win.’ We’re going to come together, and our goal is to win. Our goal is to be the best that we can be. I have some amazing artists on my roster (four R&B singers and one rapper). Megan B is an amazing vocalist and is a part of Pharrell’s choir, Voices of Fire. Check out her debut album called ‘ Mood .’ I produced the whole project. I also have my baby sister, Naomi World. She hasn’t yet released any music yet, but she has sung hooks on a lot of dope records. We have her ready to roll out music next year. I also have my guy Bran the Brain . I produced his debut single, ‘One’, with Botz and it’s out streaming now. Last, I [have] my rapper Bakeskeeza. He has some mix tapes, and we’re getting ready to release a project next year as well. The vision for the label is to release records representing the artist individually. We are making sure our sound is original, authentic, and it tells a story. We plan on 2024 being the year we submit for the Grammys. MaM : Being a voting member of the Recording Academy is a significant honor. How do you see your role in influencing the industry and recognizing talent within the Grammy process? R : I just voted with the last nominations for the first time. So, congrats to people who are now Grammy nominated. I feel great to have a voice and an opinion to vote. I love that everybody gets a chance to say who they think deserves record of the year or album of the year, and all of those great things. It’s another surreal moment … Watching the Grammys, [I] always wanted to go to, and now I have the opportunity this February ... I want to win, but I still feel like I won a Grammy [just] being a part of the recording academy. It’s a small group of individuals who decide career-changing awards. For me to even be able to log in on the Grammy website, see my name and information, and be a part of a chapter is a dream come true. Now that I understand the process and how it works, it gives me a better insight of having a chance to win. MaM : Looking ahead, what can readers look forward to next from Rothstein Beatz? What projects or endeavors are on the horizon? R : I’m going to tell you exclusively that I have my beat tape, ‘Almost Platinum’, coming out December 23rd! I am already a gold-selling producer, [and] I’m almost a platinum-selling producer. 2024 will be the year I can claim I have over a million streams I’ve produced. I do two beat tapes a year. I dropped one in March called ‘ The Cook Up 3’ , which is available on all streaming platforms. That’s kind of my thing … I like to let fans know I have a bunch of beats. The second order of business is that I will be on a reality show. I can’t say the name … yet because I am still planning to sign the contract. Be looking out for Rothstein on a reality show! That’s another hot-off-the-press exclusive for y’all. Just know, 2024 is looking real bright. Rothstein Beatz (courtesy of Rothstein Beatz) And there you have it! Rothstein Beatz is like playing the table with a royal flush in your hand. The big payout is in his links! Official Website | Rothstein Beatz Instagram @iamrothsteinbeatz YouTube @RothsteinBeatzYT X (formerly Twitter) @RothsteinBeatz *Roth Talk Podcast: YouTube @rothtalkpodcast Instagram @rothtalkpodcast *Papoose Songs: Album Title: "July" Song Title: " Don't Embarrass Ya Boss " Album Title: "December" Song Title: " 50% Human " Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hey! Ho! Let’s Go! 50 Years Of CBGB! < Back CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Rian Nickels Oct 1, 2024 Share Hey! Ho! Let’s Go! 50 Years Of CBGB! What a night it was at the Hey! Ho! Let’s go! 50 Years of CBGB benefit concert! On September 20th, 2024, the members of the band Splendid Failure and talented musicians of Louisiana came together to throw a benefit event in honor of the legendary punk rock music venue that was in New York City, CBGB , also known as Country, Bluegrass, & Blues. The show was held at the Columbia Theatre in good old downtown Hammond, America (Louisiana). This concert was also put together so that they could raise money for The Kay Butler Performing Arts Project at Swamplight Theater in Ponchatoula, Louisiana. The Kay Butler Project does workshops for many things: acting, dancing, singing, to name a few. Alongside Splendid Failure were many talented local musicians and bands such as Talking Pictures, Byron & The Five Dead Dogs , Tim Weaver, J Rees , Callie Hines, DD Drott, Joe Burns , Dave Ensminger, Jason Kareores, Ava Greichguaer, and Harmony Wood. The doors opened at 7 PM, and my first quest as a concert photographer for the night was to find Ralph J. Wood, Drummer from Splendid Failure , and have him show me around because this was my first time at The Columbia Theater . The theater was beautifully architected with high ceilings, a superb second-floor balcony for a larger and more personal view, a large stage with all the bells and whistles needed for a proper punk rock gig and adorned with many different types of instruments. After I learned my whereabouts, my partner and I met up with some good friends, found some seats close to the front, and eagerly but patiently waited for the show to begin. Credit: Rian Nickels By 7:30 PM, the lights began to dim, and the fog machines started to gear up; it was show time! Jim Winter , artistic director at The Columbia Theatre for the Performing Arts, came out on stage to tell us about himself, the history of CBGB, The Kay Butler Project, to thank everyone who was involved with making the show happen, but most importantly he said this, " Right here is for general admission, luckily all of you have general admission tickets " while pointing at the floor in front of the stage. He then kindly demanded that we all get off our butts and come to the floor to enjoy the concert the way that all the punks do, on our feet and so close to the stage that you can feel the music bouncing through your body. Most of the audience stood and rushed to get a good spot while still being mindful and respectful of each other's space and safety. Once we were all settled and ready to move our bodies Jim welcomed Splendid Failure onto the stage. Credit: Rian Nickels Splendid Failure is a four-piece made up of drummer Ralph Wood , his wife Angie Wood , and Bill Robison, sharing the role of bassist, guitarist, and vocalist, and Scott Furtwengler on guitar. They got it right, too, with a smooth start. What better way to begin a night of rock and roll than the iconic late 70s track ‘ Sheena Is a Punk Rocker ’ by The Ramones ? This was especially fitting because of the event's slogan, “ Hey! Ho! Let’s Go! ” inspired by the song. My krewe and I squeezed our way right to the front of the stage so that we could be front and center (Well, front and to the right a little bit). Immediately you could feel the fierce energy coming from the crowd because they didn't waste any time and jumped on their feet. They played hit songs like ‘ Search and Destroy ’ by The Stooges and the award-winning Talking Heads track ‘ Psycho Killer .’ You could hear that the band members had years of experience and dedication to their talents as they could pull off these well-known and beloved songs with ease. Before welcoming the band Talking Pictures onto the stage, Splendid Failure was joined by Southeastern Louisiana University communications professor Dr. Joe Burns to help on vocals and guitar for the song ‘ What’s So Funny About Peace, Love, and Understanding ’ By Elvis Costello & The Attractions . After an incredible set from Splendid Failure, the stage was taken over by the energetic Talking Pictures, a band of younger folks who are quickly making a name for themselves in Tangipahoa Parish. They are made up of five members: the frontman and lead vocalist Ethan Price , Ethan Lauricella on the drums, Matthew Perez and Aiden Dixon on the guitar, and Bradyn Finn on the bass. They confidently performed covers of the songs ‘ Juicebox ’ and ‘ Reptilla ’ by The Strokes . Talking Pictures only played two songs, but that was enough for anyone to become a fan of their sound. Splendid Failure returned to the stage for a second set and was joined by several other talented individuals. First up for the second set is Dave Ensminger for ‘ God Save The Queen ’ by the Sex Pistols . A notable moment was when DD Drott , vocalist of Hammond's local band Stone Mother , joined them for hit songs ‘ I Put a Spell on You ’ by Screamin’ Jay Hawkins and ‘ I Hate Myself for Loving You ’ by Joan Jett and The Blackhearts . DD has a voice that echoes through the theater, and the show's attendees were undoubtedly excited to see her perform. Another highlight was when the daughter of Ralph and Angie Wood, Harmony Wood, and her best friend Ava Greichguaer joined Splendid Failure for The Go-Go’s track ‘ Our Lips Are Sealed ’. They both had such angelic voices, which seemed to unite the whole audience. Splendid Failure finished their second set with ‘ Turn on The News ’ by Husker Du before a brief intermission so that attendees could get some refreshments from the lobby or take a picture at the photo booth, a replica of The CBGB Venue’s bathroom , created by the Southeastern Louisiana University’s theater technology crew. Many people sent in decals and stickers to contribute to giving the full effect of the legendary punky bathroom. After the 15-minute intermission, it was time for the other half of the event! I was super eager for what was to come because many musicians I’ve worked with or have just been in my inner circle were due to perform. Starting with J Rees and Callie Hines from the band Jupiter Flood . I was so excited about this because J Rees is the bassist of one of my all-time favorite local bands, The Gosh Darn Dangs. I had no idea that they also did vocals, and I couldn’t wait to hear their voice. I also photographed Callie Hines in 2019 for a songwriters’ night at Low Road Brewing in Hammond , and I was curious to see how Callie and I had grown in our art forms since then. Together, they performed the classic song (and one of my favorites) ‘ Iris ’ by The Goo Goo Dolls . To say they blew me away would be an understatement. With Callie playing guitar and sharing vocals with J, their voices blended and harmonized together beautifully to pull off the perfect cover for the song. J and Callie were joined again by Splendid Failure to perform ‘ I Melt with You ’ by Modern English . One of my favorite moments of the show was when J Rees and Splendid Failure performed ‘ Seven Nation Army ’ by The White Stripes . You could feel the iconic bass line in your heart as it traveled through the floorboards. Splendid Failure didn’t miss a beat, and J had the perfect voice with just the right amount of “Jazzy” rasp and could easily hit the high notes. J Rees and the band showed us no less riotous energy for Bikini Kill ’s iconic track ‘ Rebel Girl .’ To finish their set, Splendid Failure was joined by Jason Kareores, Callie Hines, and Byron Daniel for more popular 70s-90s songs before welcoming Byron Daniel & The Five Dead Dogs to the stage. https://video.wixstatic.com/video/999a0f_c1b4b5fceda249a3ada2b057679f4fd3/1080p/mp4/file.mp4 Another performance I was super excited to see was Byron & The Five Dead Dogs . They are a four-piece of vocalist and guitarist Byron Daniels , their drummer Christian Colonna , Andrew Ates on the guitar, and Monroe White playing the bass. Back in 2018-2019, I took photos of Byron and Andrew in a band together called The Dirty Spoons (The first era of The Gosh Darn Dangs), and I was super excited to see what they’ve been up to since. These guys looked like absolute rock stars as they played ‘ Nearly Lost You ’ by Screaming Trees and ‘ Sonic Reducer ’ by Dead Boys . They were supposed to be joined by Mike Spoon for the Misfits song ‘ Hollywood Babylon ’ and ‘ Thunder Kiss ‘65 ’ by White Zombie ; however, the universe had other plans. Byron explained to the crowd that Mike Spoon couldn’t be there because his daughter decided early that she was ready for the world. Byron then asked everyone to support Mike, and the audience went wild. https://video.wixstatic.com/video/999a0f_105aef9087a84b67a3ec5dbe45dd5e4a/720p/mp4/file.mp4 I don’t know if the Columbia Theaters’ walls had ever heard something so loud. Everyone excitedly clapped, cheered, yelled, and stomped their feet to congratulate Mike. Showing that even in the chaos of a punk show, family and community always come first. The band's bassist, Monroe, stepped forward to fill in for ‘ Hollywood Babylon ,’ followed by Tim Weaver to perform White Zombie’s ‘ Thunder Kiss 65 ’, and they did not disappoint. With Tim Weaver’s riotous voice and energetic punk stage presence, he was the perfect person to substitute. Splendid Failure came out to rock the stage for a final time to perform ‘ I Wanna Destroy You ’ by Uncle Tupelo and was accompanied by Monroe once again . Joe Burns then joined them for ‘ Gloria ’ by Patti Smith Group . Splendid Failure and friends welcomed everyone to the stage to perform ‘ People Who Died ’ by Jim Carroll Band . Now, when I say everyone, I mean everyone. I don’t think I’ve ever seen or heard anything like it! With two drummers, a handful of vocalists, bassists, and guitarists, they came together to create an unforgettable experience. It was so memorable not only because of the outstanding talent of everyone involved but also because you could see that, more importantly than anything, they were having a fantastic time. The stage transformed into a chaotic, joyful mess, with musicians from across the night uniting for one final blowout. Guitars wailed, voices soared, and as the crowd screamed along, it felt like we were all part of something larger—a fitting end to a night that captured the essence of punk: community, rebellion, and raw, unfiltered emotion. https://video.wixstatic.com/video/999a0f_3180e7d91c4a4b4b829b20f658c5e05a/1080p/mp4/file.mp4 The producers of 50 Years of CBGB successfully gave us an amazing night of music that made us feel like we were at a 70s-90s Punk Rock gig. They also succeeded in bringing together Tangipahoa Parish’s musicians and giving them a place to let their talents shine. The Hey! Ho! Let’s Go! 50 Years of CBGB benefit concert was a remarkable celebration of music, community, and the enduring spirit of punk rock. The event not only honored the legendary CBGB, a cornerstone of punk history but also showcased the talent and passion of Louisiana’s musicians. Splendid Failure and the many artists who joined them delivered electrifying performances, blending iconic punk anthems with heartfelt tributes. More than just a cover concert, it was a gathering of local music lovers who came together for a cause—supporting The Kay Butler Performing Arts Project and a tribute to the roots of punk music. From the raucous sing-alongs to the heartfelt moments, it was a night that left everyone buzzing with the energy of the music, the camaraderie of the scene, and a deep appreciation for the power of live performance. The legacy of CBGB was alive and well in Hammond, Louisiana, and for those in attendance, it was a night to remember. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Leaning Studios is a budget-friendly premium recording studio. < Back Inside Leaning Studios: The Studio Amplifying Louisiana’s Alternative Voices Nick Cline May 26, 2026 Share Leaning Studios is a budget-friendly premium recording studio. ! Widget Didn’t Load Check your internet and refresh this page. If that doesn’t work, contact us. Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Spyne!’s music is raw unfiltered rock with a nod to the classics. < Back The Dynamic Sound of the New Jersey Band Spyne Nicole Brice Mar 2, 2024 Share Spyne!’s music is raw unfiltered rock with a nod to the classics. In the 90s, the musical landscape was full of rock tunes, but over the years the music being pushed to the masses has changed, taking on a different sound and vibe. With the industry focused more on overproduction and autotune, newer generations of independent musicians are starting to bring rock music back to where it belongs – on top. By reinventing guitar-driven music for a new generation, these bands are looking to make a revolutionary change by authentically creating tunes full of originality. New Jersey is known for its vibrant music scene and is continually churning out all sorts of musical creatives. Formed in New Jersey in 2021, the band Spyne! is steadily making a name for themselves on the local music scene, and includes frontman and rhythm guitarist Kyle Moyer, drummer Eric Muhler, lead guitarist Liam Muhler, and bassist Toni Manousos. Full of personality and charisma, Spyne! are four talented musicians on a mission to push boundaries and create music that resonates with listeners on a deep level, and the best way to describe Spyne!’s music, for those not familiar, is it is unfiltered rock with hints of punk and pop. It is simply feel-good rock. The band’s latest single “ Win ” was released on September 15, 2023, and is an anthem for any underdog facing criticism. With crisp, clean bluesy guitars and powerful vocals, the chorus asks, “Yeah what if I win?” in a sort of mocking tone. https://www.youtube.com/watch?v=57hhuIemfqg One of the defining features of the band’s sound on this track is Kyle’s powerful and soulful vocals , which could be compared to Daniel Johns from Silverchair meets Wolfgang Van Halen meets Dave Grohl . His dynamic range and emotive delivery add depth and intensity to all the band’s songs creating a powerful and enjoyable listening experience. Since their formation, Spyne! has been steadily releasing new music, and their debut EP, “ Away ”, released in 2022, showcases the band’s raw talent with an enjoyable 14 minutes of sound. Spyne! is currently working on a full-length album to be released in the future, but in the meantime, you can stay up to date on all their music via their social media. With a growing catalog of original songs and dynamic live shows, Spyne! is poised to continue making a name for themselves in the music industry and their solid booked calendar for 2024 can attest to that. Credit: Photo provided by band Mixed Alternative Magazine had the opportunity to chat with the guys in Spyne! recently to discuss aspirations, what makes them so unique, and upcoming plans. Take a moment to learn a little more about this talented and comedic group of musicians and then go stream their music and crank it up to 11. MaM : Hey guys, thanks for chatting with us today. First question – where did the band name and clever logo come from? Kyle : So, this goes back to me and our old drummer. We were sitting around, and he had just gotten done with treatment for scoliosis, so the name “spine” popped into our heads. We decided to add the “y” for a different take on the spelling and then the exclamation point at the end to show emphasis, so it reads as “Spyne!”. Also, too, with the “y”, it looks like a crooked back. MaM : What got each of you into music initially? Liam : I initially got into music because every member of my family plays an instrument, and we all play different instruments, so that has definitely been an influential factor in my interest in music. It was almost destined to happen and just seemed normal. I love all sorts of genres and we all have a different style, so it all just meshes well. Eric : Since Liam and I are brothers, you know we had a pretty similar upbringing. Both of our parents are teachers, so there was always a push for us to do something with music. Over the years, I tried numerous instruments, so it was about finding something I wanted to stick with. I started playing the drums, and over time, that ended up being the instrument that stuck with me. Toni : I was always fascinated with people moving people with their music. I think it’s a very powerful thing. Kyle : The earliest memory I have is listening to a bunch of different CDs in my mom’s car on the way to school. Growing up, I had a lot of eye surgeries done in New York, so we would have some long drives from New Jersey to New York and I remember listening to a lot of Deep Purple , Aerosmith , Van Halen , and anything classic rock , to be honest. My mom and dad were huge influences on my music taste, though. They introduced me to some great stuff. Credit: Photo provided by band MaM: That’s great parenting! How would you describe the music you typically create now? Kyle : I guess you could say it’s got a classic rock sound with a modern twist. We’re not trying to copy anyone, but we’re looking for a new sound that incorporates things from the past. Liam : I like to think of it as reinventing classic rock. An extension of an already rich tradition, but for a different demographic … more for our age group. I don’t feel like we’re making music to appeal to an older audience but more to a diverse audience. MaM : How do you approach writing music? Take us through the creative process. I read that you’re going to release a full-length album later this year, so tell us a little more about all of that, too. Liam : We are very privileged to have a great songwriter in Kyle. He writes from the heart and with his songwriting and Eric’s drumming skills, it’s just an excellent combination for Toni and me to add some riffs and harmony. We have a great formula and with live performances, we can stretch our muscles a little bit to change up the songs for the performance. Maybe change up a solo here or there. Our chemistry has these really consistent roles. Kyle : He’s right on the dot. It starts with me and then goes to Eric and then to the other two guys. We’re very lucky. Credit: Jeff Crespi MaM : If you could collaborate with any musician in the future, who would it be and why? Kyle : There are so many. I love Dave Grohl and have been a Foo Fighters fan since I was 12 years old, but I love Aerosmith, too. Liam : So, I have a bad answer for this. If I could collaborate with any artist, it would have to be Bruce Springsteen so I could complain to him. (laughter) No matter where I play or where I go, people keep mentioning him. The funny thing is that everyone around me has said they have met or seen Springsteen , so I feel like I owe it to myself to meet him. Everyone sitting at this table today has seen Springsteen . I’ve even done two Springsteen tributes in other bands, and I have yet to see or meet the guy. (laughter) MaM : If you ever do meet him, you need to tell him that he’s like Waldo … where’s Bruce ? (laughter) Toni : Paul McCartney for me. He’s influenced me the most. Eric : Rise Against for me. I would love to work with them and meet them. Credit: Jeff Crespi MaM : You guys are younger than me, and probably can’t remember a time without it, but how do you feel the internet has impacted the current state of the music industry? Liam : I think that the internet has fundamentally changed how we advertise things. I think that part of interacting with these social media platforms means that you must play by their rules a good bit and so we try to keep up with all of that. We try to put up cute and funny posts every so often. Something that can promote things seriously, but have a punchline, too. Sometimes having a sense of humor with what you post helps because it shows that your material is friendly and inviting. Kyle : I feel the same as Liam. Doing cute and funny things is great, but we’ve seen a good bit of changes with the internet just through the time we’ve grown up. Everything is so accessible now. Growing up it was more recreational, but since the 2010s, it feels like everything is media. The biggest struggle for us has been getting people to the shows, and in the past, it was more about just supporting the venues. Today, it’s so hard to pull people in and sometimes it’s the short funny media that makes them come to a show. It’s a learning experience. Credit: Jeff Crespi MaM : Do you have a favorite song to perform live? Eric : “ Away ” or “ Heaven Find You ”. People usually start jumping around during “Away” and it’s just fun to play. With “Heaven Find You”, I’m a big fan of the drum part I wrote for the song and love playing it. The chorus of the song is well-received by the fans, too. Toni : I think “ Win ” is my favorite original song to play. It’s just one of the best Spyne! songs and fun to play. Now, our cover of “ No One Knows ” by Queens of the Stone Age is one of the best we’ve done, and everyone loses their minds when we play it, too. Kyle : I don’t have an answer since I wrote all the songs. (laughter) I love each one. If I had to pick, though, it would be “ By the Bay ” and “ Heaven Find You ”. I also like it when we play “ Pride and Joy ” by Stevie Ray Vaughan, too. Liam : I’m going to start with my favorite cover to play live. Generally, with the covers, I love it when the songs have a good solo section because I like to make up stuff a lot. The guys give me a good bit of freedom to go crazy, but we played a cover at our last set at The Stone Pony by Kiss … we did “ Love Gun ”. That fulfilled something for my inner child because I grew up listening to Twisted Sister and other hair metal bands, and I just love the guitar work. With this cover, I was able to go crazy on stage and I think we have a recording of the performance somewhere. As far as originals go, I would have to pick “Win”. It’s got a kickass guitar riff that everybody remembers, and my friends have come up to me after a show to tell me that they really like “Win”. It’s such a terrific song. Credit: Jeff Crespi MaM : Ok, going to throw you guys a funny question. Do any of you have any useless talents outside of the musical realm? Liam : I can juggle pins on a unicycle. (laughter) MaM : That’s awesome. Kyle : I’ve seen that happen. I want to say automotive repair because I suck at it, but it’s not exactly useless. I can play drums on my stomach and can do that incredibly well for no reason. (laughter) Credit: Jeff Crespi MaM : So, when can we expect the new album? Where do you see yourself headed in the future? Kyle : We’re looking towards 2024, but I have a feeling it will push into 2025. We want it to be right. We have these songs that are an amalgamation of everything perfect. We want it mixed the way we want, and I think we’re going to fulfill our full artistic capabilities. The goal is to open for bigger acts and get our name out there to similar music tastes because the internet isn’t great at that. Liam : I think it’s really good that we’re going to be patient with the process. We’re not the type to rush into releasing something a little bit premature. I want to wrap it with a neat bow when we release it. As Spyne! continues to evolve and explore new musical territories, one thing remains constant – their passion for creating music that connects with people on a visceral level. Whether you’re a fan of rock or alternative, Spyne’s music is sure to resonate with you on a profound level. To check out the music of Spyne!, click the link below. Spyne! | Instagram, Facebook | Linktree *Photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

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Recaps of all your fave live events! Weekend Rock Apr 4, 2026 Pop Evil Delivers Old and New at The Stone Pony in Asbury Park on April 2 It was a set of perfectly balanced fresh material. Read More Feb 4, 2025 Weekend Rock: Smile Empty Soul at the Freetown Boom Boom Room in Lafayette, Louisiana It was a night of unfiltered rock music to remember. Read More Oct 16, 2024 Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy A Night of Raw Emotion and Fan Favorites Read More Oct 8, 2024 Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances It was a night of dynamic performances and captivating energy. Read More Sep 6, 2024 Weekend Rock: Open Up The PIT The PIT is Louisiana’s Bold New Stage for Live Music Read More May 10, 2024 Judas Priest: Probst Arena at Von Braun Center Judas Priest roll into Huntsville, AL with the Invincible Shield Tour. Read More Apr 30, 2024 Weekend Rock: Branded for Exile Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. Read More Jan 17, 2024 Saxkixave: Igniting the Stage with Electrifying Hip-Hop and Jazz Fusion Baton Rouge, Louisiana January 13, 2024 Read More

Indie authors and writers you should check out NOW! The Book Nook May 21, 2026 The Book Nook: Rockstar Echoes by Zach Taylor Rockstar Echoes leaves us asking who the Rockstar is. Read More Mar 12, 2025 Book Review: Playboys, Celebrities, and Me by Dianne Dorman It’s intriguing, it’s glamorous, and it’s full of nostalgia. Read More Mar 8, 2025 The Book Nook: We'll Try and Get That on For You Joe Burns has an innate ability to make you laugh out loud in this non-stop ride of hilarity. Read More Oct 25, 2024 Book Review: Brothers by Alex Van Halen Brothers is a Compelling Story about Rock Royalty Read More Mar 25, 2024 Everything’s Poetic: David Donihue The Enigma of Depression Through a Rose-colored Lens Read More Dec 13, 2023 Blood Machines: Book Review “Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. Read More Nov 14, 2023 Lowdown Road: Book Review Scott Von Doviak's newest book Lowdown Road mixes hick cinema, blaxploitation, and 70's cinematic archetypes into one hell of a crime-thrilling story. Read More Sep 20, 2023 Sidetracks Music Hall by Bud Gambrell: Book Review Bud Gambrell has compiled a journey through music in “Sidetracks Music Hall”—a memoir rich with local history Read More Jan 9, 2023 Tyler Harrison An Undercover Talent on the Rise Read More Dec 5, 2022 Ezekiel Kincaid The Pastor of Horror Read More

Rockstar Echoes leaves us asking who the Rockstar is. < Back The Book Nook: Rockstar Echoes by Zach Taylor Bud Gambrell May 21, 2026 Share Rockstar Echoes leaves us asking who the Rockstar is. What are the odds that in a town as small as New Market, AL , two authors would live close to each other? To narrow that down a bit more, what are the odds that those two authors each wrote a book about music? I have no idea what the odds are, and my new friend Zach Taylor is much more of an author than I am. I just used that reference to get this article started. I first met Zach at the Rocket City Reading Festival , held at the Orion Amphitheater this spring. We were both set up as vendors, trying to convince people to buy our books. I’ll let you in on a little secret. He did way better than I did. Credit: Facebook Once we met, it seemed a friendship was bound to happen. The conversation was easy. During that conversation, we agreed to trade books. I traded him a copy of Side Tracks Music Hall , and Zach traded me a copy of his new book, Rockstar Echoes . Rockstar Echoes by Zach Taylor I had seen Zach’s book advertised on Instagram and had also seen a copy for sale at his uncle Jeff’s mercantile shop. Sidenote: If you are in the New Market area, be sure to stop by Moonpie John’s Mercantile . It is a great little shop that serves an amazing sandwich! Back to the book. I saw it one day while getting a bite to eat. The title grabbed my attention, so I looked into it further. I received my copy from Zach and began reading it within days. It caught my attention because I love a good story, whether it's a book, movie, or TV series. Rockstar Echoes by Zach Taylor As I finished the book, I felt I needed to sit down with Zach and dig a little deeper into Rockstar Echoes . I wanted to ask questions about some of the characters, his thoughts while writing, and his general writing preferences. It just so happened that I had a local photo shoot, and Zach asked if he could tag along. I said yes, of course—the more the merrier. After the shoot, Zach and I found a shady spot, and here is the conversation we had. Credit: Facebook MaM : Zach, thanks for joining me. Let’s talk a little bit about your book. When did you first start writing? Zach Taylor : Well, I started writing in second grade, probably. Since teachers needed a day off, they would tell us to write a story, think it'd be a page or two, and then I'd always end up with like 10 pages. MaM : Is that when you first realized you wanted to write? ZT : Yeah, I like the idea of expressing myself through words. But I didn't decide to become a published author until my youngest son did. Then the ideas in this book were so striking to me, especially given a lot of what's considered successful at the time, shows like The Bear and Daisy Jones & The Six . I felt like I had a story that would cross that bridge, too. MaM : What was your process when you wrote Rockstar Echoes ? ZT : Well, I had the original idea for it, and I just sat down and started writing. I didn't know who the characters were. I didn't know who they would be or how many characters there would be. I just had the idea of a plot, and I just kind of made it up as I went. Credit: Facebook MaM : What do you think makes a good story? ZT : It certainly is one that conveys an idea with a lot of subtlety that you don't even realize that the book is telling you something about society, about yourself, about the people around you. I think that's what makes a great book: it entertains you, and then at the end of it, you realize it was actually telling you something. MaM : What is your favorite part of the writing process, and what is your least favorite part? ZT : The least favorite part probably has to be the editing, even though I don't really do the editing because you're turning over your work to somebody else. And editing is just not about grammar and structure. An editor is also going to be paring down your work a ton. They're going to be cutting what they think is fluff. And it's very stressful because you may make a reference to something, to a song, or maybe there's an inflection of your character that they make a very certain choice of words. It's stressful because when you get that finished work back, your ideas are often cut. Rockstar Echoes by Zach Taylor MaM : Did getting published change your process of writing? ZT : It absolutely did. I think we live in a merit-based society when it comes to work, and one of the ideas that I had, wrongly, I'll add, is that if you author a good book and you throw it into the world, it's going to get picked up. It might be slow, but eventually it's going to become successful, and that's not right. One of the things that I learned very quickly was that you don't just author a book, publish it, and throw it into the world. There are six months of work where you're trying to get advanced readers, you get beta readers, alpha readers, so much stuff that leads to that success. That's one of them for sure. MaM : Do you make plans to sit down and write, or do you just sit down and write as a thought comes to you? ZT : I try to do a little bit of both. I typically don't work on Fridays, so especially during the winter, I sit at home and write. But I certainly do think that I have to be in a writing mood to be creative because if I ever feel like it's a chore and I've got to work through a scene, then obviously that scene probably is not that important. Credit: Facebook MaM : We're going to dive into the book itself a little bit now. What was the hardest scene in the book for you to write? ZT : I think it has to be the scene where The Painted Queens are playing at Harvard & Stone , and Rayne has a meltdown on stage. She's just written this song about an experience she had a couple of days ago. And just like I think with me and my writing style, her best work is when she's maybe emotionally moved. So, she writes this great song. She's really excited about sharing it with the world. But as she starts singing it, she has a mental breakdown. And it was really hard for me because what she was experiencing was not something I'd ever experienced in my life. I'm not a woman. I've never dealt with a lot of these troubles. I've never been poor. I've never faced eviction. And so, it was really hard for me to convey those ideas, knowing I couldn't align with them. And I wanted to make sure I got that right. MaM : Each chapter begins with that date and time stamp. That alone had to take a lot of planning. Tell me about the process that you came up with for that part. ZT : Well, so you asked about my structure. This is where structure helps, right? So, I sat down and wrote this book without even thinking about the dates. I did think about the passage of time between the scenes. So, it was really, really hard to go back in retrospect and start adding these dates because there were some dates that might not align, that might have been on a holiday or something like that. But one of the fun things about those dates is that, typically, all the dates I use align with cultural events, and some are personal to me. But that was really, really hard to invent structure when you’re writing with no structure. Credit: Facebook MaM : Are any of the characters in the book based on real people, like Lloyd Brannon, for example? ZT : Absolutely. Pretty much every character in this book is based on a musician, an artist, a personal friend of mine, or an acquaintance. You know, we kind of talked about Lloyd Brannon and Aberdeen in general. I'm a huge Incubus fan, and I respect him so much. The characters in this book are nothing like the guys in Incubus. They're really not. There's no connection between personalities. But there's a lot of connection between Lloyd Brannon and Brandon Boyd , the late singer of Incubus . And then the bandmates themselves all share names with some of my favorite bands. MaM : Aberdeen loses its lead singer, Lloyd Brannon, and then they bring in Klein and Eddie. Mike Kilmore, the guitarist, didn't welcome them in. What were your thoughts or motivation behind that? ZT : Well, mostly it's because I wanted to make Kilmore the prototypical rock star, right? So, this is a guitarist. And probably like a lot of these guys, they're not the most famous person in the band. It's always the lead singer, even though they're super important. So, he's used to being second-tier. So, he was the prototypical, ‘Hey, I'm the next man up. I'm going to be the artist.’ And so, when they bring in an outsider who robs him of what he thinks is an opportunity. But he's also motivated, as you're going to learn through Echoes and into Mirrors , that he had other monetary reasons why, not necessarily that he hated Kline and Eddie. He did not want to be successful. He didn't want this album to be successful. He wanted it to fail, but you have to read the book to find out why. Rockstar Echoes by Zach Taylor MaM : My next question is kind of leading into the next book. It would appear that Rayne Harlow and Klein have a budding romance. Where is that romance going, and what part of that does Chrys play in it? ZT : I'm not going to spoil it, but we finally kind of get to learn who Chrys is at the end of Echoes inside the epilogue. And yes, Rayne was created as a love interest because she's actually not based on anybody. She’s inspired by famous female artists, specifically punk artists. But I found it far more interesting to deny that romance between the two of them in Echoes and into Mirrors and even in the final show, because I just, I thought it was so much more complicated to have two people that clearly want each other but can't because of their separate situations. And that friction, it jumps off the page. I'm not saying it's lazy to create love interests and see them come to fruition. I think we all want the happy story at the end, right? We all want to see the two be happy and get together. And maybe they will, maybe they won't. You're going to have to read to find out. MaM : Burning question, especially for me, once I finished the book, who is the rock star? Lloyd, Klein, Eddie, Kilmore, Raine? Who's the rock star? ZT : That's a great question. And the answer is none of them and all of them, right? We chose this title because it was ambiguous. And I've kind of said this before, but a lot of people are going to say, "That's such a lazy answer.” You read a book about rock stars and call it rock stars. But for me, the idea was that after they get done with this book and Mirrors and all the books going forward, what you're going to learn is that none of them are rock stars, but all of them are rock stars. Rockstar Echoes by Zach Taylor MaM : I've heard you mention a playlist for the book. Where can we find that playlist? ZT : Spotify – both books have one. MaM : It seems that the manager, Paul White, and Aisha Holt have a history. Are we going to find out more about that history between the two of them in Mirrors? ZT : Yeah, so Aiesha Holt was probably the last character created in Rockstar Echoes . And that was because I wrote this book, but I didn't really understand the industry. I love live music, I love rock'n'roll, and I wanted to write a book about the inside of that. But I wrote all of Echoes literally, realized I didn’t have a publicist or an A&R person. She was brought in by Paul White to address Aberdeen's waning popularity. And of course, you know, Lloyd Brannon dies, but she left Washington, DC, where she was working with politicians and running their campaigns. She took this job to do that. And one of the things that people read this book and go, a band like that wouldn't have such a small team. Well, they would when they're struggling the way that Aberdeen is. They've run out of money. They don't have this big team. So instead of having more people do fewer jobs, they have Paul and Aiesha who can pretty much do everything. And they're a two-man team, and they work really well together. Rockstar Echoes by Zach Taylor MaM : You know what else you're missing? The book. You don't have a photographer in that book. I noticed that. (laughs) ZT : Well, we're going to solve that. MaM : What character surprised you the most, either in their actions or their personality, after you developed them? ZT : I actually think it was Aiesha Holt because I created her for a need. And later on, and especially in Mirrors , she kept growing. Her influence kept growing. And a lot of that's because I created this really strong African American woman who's super successful. But as I developed her and wrote, she surprised me by taking the reins, because that's what a person like her would do, right? And she's really driving things behind the scenes. MaM : How did you do your research for the scenes? For example, there are scenes in the Whisky Go Go. ZT : Some of those scenes came from watching movies like The Doors that famously were, you know, there at Whisky Go Go . They were a house band for a long time. I did a lot of just pulling up on Google and looking at pictures of how the bar was laid out. A big thing was just watching, and I think The Dirt . Motley Crue played there, and there's a scene where it's in Whisky Go Go. Harvard & Stone was one I couldn't find much information on. I couldn't see the bands playing or how the stage was set up. Credit: Bud Gambrell MaM : Now, I noticed in the book as I read, there's a lot of song lyrics, not full songs, but partial songs. Are you an aspiring songwriter? ZT : I think so. I actually wrote a lot of these songs to completion and used Suno AI to finish them. And it's not the perfect way to do it, but you can get close. There's only so much you can do with creating those songs with AI. I can give it a style. I can kind of give it timing. I can lead the horse to water, but I can't make it drink most of the time. I found that I can actually write pretty good songs, and that kind of came out early. Now, the irony is that the songs that appear in Echoes and then Mirrors are some of the first songs I wrote, and the more I wrote songs, the better they got to the point where I wish I had used some of my later songs. MaM : If you could sit down right now and have a drink with one of the characters from the book, who would it be and why? ZT : Well, Ava would be a great one because I'm a glutton for punishment. I like having good sparring contests. Good mental logic sparring contests with friends and family. My wife hates that about me. Not all my friends have the same political or cultural ideals, or anything like that. But she's someone who could have a great stand-up fight with me. But other than that, I think Markus is a great one because he has so little page time, especially in Echoes , and he has more going forward. And you start learning a little bit about him. And he was a DJ, right? And so, it's really easy to stereotype, oh, he's the African American male that did the DJ thing and some of the rap parts. Then, the more you learn about him, the more you learn that, as time went on, as Aberdeen came out of Nu Metal, he went back to school, learned how to produce, and became a PhD in a couple of different things. He's super educated, super nice, just very mellow. I think he'd be an awesome guy to sit down and just talk about music with. Credit: Facebook MaM: How do you hope that your work, like Rockstar Echoes and Mirrors, will impact your readers? ZT : One of the main reasons that I wanted to feature grunge in particular was that we've not seen a lot of grunge in pop culture, right? So, we have Daisy Jones and the Six , which kind of covers the 70s . We've seen a lot of that 70s and 80s , and we obviously live in the modern era, but nobody has used grunge except the artists themselves. Kim Thayil had just had a book come out. Mark Lanegan has his own book. Scott Weiland's got his own book, but those are memoirs, those are autobiographies. We've not seen any fiction that features grunge . And so, I want readers to either revisit it if they lived through the grunge era or, for new readers, discover it. What we're finding is that, believe it or not, our main market is women ages 18 to 25 because the Painted Queens' characters align with them. MaM : What is the best advice that you have been given as a writer? ZT : Not to rush things and to know that this game is 95% rejection. I sat down and wrote a book, and then went, "Okay, what's the next step?" I didn't understand that you need years to write a book successfully if you want to be serious about it and go back through it over and over and over. Then the cover design and the interior design. Then once that's done, you're not ready to publish yet. You still need six months to get that feedback from your beta readers, alpha readers, and advanced readers. And so, build in whatever time you think you need to write and publish a book, you need to double that or triple that. Credit: Facebook MaM : Can you share any news about your upcoming projects for your future books? ZT : Yeah, I'm really excited about Mirrors in particular because we get to really start delving into a lot of these characters. So, right now, Rockstar Echoes is 80% Kline, 20% Rayne, and really nothing for anybody else. That was just how I developed as a writer. And then in Mirrors , we start getting far more characters. We actually get some new characters going into Mirrors . In particular, there will be Mary and Olivia. Mary is Clara's editor, and Olivia is her roommate who works for the legendary KROQ . She's the secretary at LA's KROQ . So, we get to learn about these new characters and their backstories, and see them in action. I'm really excited about expanding a lot of these characters. MaM : How can our readers discover more about you and your works? ZT : Well, the best thing to do is to follow us on social media. We use Instagram more than anything. I also do Facebook . Zach Taylor Books for Instagram and TikTok , Zach Taylor Author on Facebook . I'm always pleased when people reach out to me to ask questions or talk about it. One thing I didn't dig into deeply is Zach’s day job. Not only is he a gifted writer, but Zach is also an engineer with NASA , and I will leave those questions to you. Go find Zach on social media and ask him about the latest Artemis II launch he was involved in. Now’s your chance to ask a NASA engineer about man’s trip back to the moon. You don’t get that opportunity every day. Zach and I are teaming up on more projects in the future, so stay tuned! Where to find Zach Taylor: Facebook Instagram zach taylor, author (@zachtaylorbooks) | TikTok Amazon: Amazon.com : Rockstar: Echoes: 9798999679710: Taylor, Zach: Books https://www.facebook.com/messages/t/zachtaylorbooks/ Check out this podcast with Zach: Rockstar: Echoes - Author-Ized Access With Zach Taylor - Midnight Chapters With Danni | Podcast on Spotify Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell Bud's new book: My Time In The Pit: By Bud Gambrell: Gambrell, Bud: 9798274523677: Amazon.com : Books www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Pastor of Horror < Back Ezekiel Kincaid Keeley Brooks Dec 5, 2022 Share The Pastor of Horror So, sometimes there are men, and then sometimes, there’s a man … with such a fascinating story, you can’t help but stop and have to know the deets. Such is the case with a recent horror author I stumbled up by sheer happenstance, and I’m so glad I did, because I’ve been bursting with excitement to spotlight him ever since. His name is Ezekiel Kincaid, also known as—I’m not kidding—“The Paranormal Pastor” and “The Pastor of Horror.” And that’s what makes him so fascinating (aside, of course, from the fact that he’s a very talented writer): he’s a pastor writing horror fiction. Let me say that again: a pastor writing horror fiction … fiction involving demonic spirits and exorcisms, hauntings and slayings, and innocent characters of visceral bloody terror. His work is so fantastic, it pulled me right in while cooking breakfast over the weekend, and I managed to burn my bacon to a crisp and set off the fire alarm, because I was fully distracted at listening to Zeke read an excerpt from the second book in his “The Dreadful Death” series, “The Gathering.” “The Dreadful Death” series is a three-book series put out by Raven Tale Publishing and, if it’s being described in movie terms, “is a mix of The Exorcist , Carrie , and Pan’s Labyrinth ,” says Kincaid. “It’s a possession story about … a young girl [who also] has psychic abilities, and [she] opens herself up to this world where there are all kinds of creatures and demons, and some of these guardian demons are protecting her so she can fulfill her destiny of meeting this dark entity, The Tetromet,” describes Zeke. Set in the early 1800s in Chapel Hill, North Carolina, “The Gathering” tracks this young girl’s life as she descends deeper and deeper into darkness and madness, until finally the evil takes full control of her and she unleashes demonic terror upon her family, her friends, her loved ones, and her town. And that’s just the second book in the series. Kincaid is a self-described southern boy, born and raised in Baton Rouge, Louisiana. He spent over 20 years in ministry as a pastor before shifting his focus to chaplaincy … and horror writing. He’s also (get this) a paranormal investigator with some pretty unexplainable experiences that’ll leave you as speechless as they did me. Dude is gifted, in more ways than one. And he trains in martial arts—Krav Maga and Jiu Jitsu, to be exact—so, in addition to exorcising demons, he also whips their ass. Zeke has three theological degrees and is an avid student of theology, philosophy, physics, and evolutionary science. (I know; it’s so amazing, I can barely believe it myself.) He’s also a, “former addict, who now uses his story to help encourage [and ensure] victory in others with the disease of addiction," and he has a "deep-seated passion for social justice and those who have been marginalized and oppressed." “Having been given the Scarlett letter by many in the former denomination I was ordained in because of my writing," he says, "I can empathize with those who have been rejected, ostracized, or condemned for their beliefs.” I had the extreme pleasure of getting to rap with Zeke over several in-depth conversations, so I figured I’d lay that Q&A down right here and let you see for yourselves just why you should not only know who Ezekiel Kincaid is but also why you should be following, reading, and supporting him as the brilliant artist he is. KB: So Zeke, tell us about yourself. Who are you, really? EK: Having walked through enough trials for six lifetimes, I am a man of deep strength, passion, conviction, love, empathy, courage, mercy, grace, and compassion. I also have a very dark sense of humor and love watching it get me into awkward social interactions. The worst thing anyone can try to do is fit me into a mold. I have a tendency to bust the edges. KB: Have you always been a writer? EK: I’d like to think so. When I was in first grade, I wrote this epic story for class about how my dog takes a crap. I got a C on it, but I’m pretty sure that was because my content was looked down upon. So, people have tried to censor me for decades! My parents didn’t know about it, because it was an in-class assignment. When they asked me why I wrote a story about my dog’s feces, I replied, “The teacher said to write about what we know.” KB: Ha! You can't tell a writer to write what they know, then condemn them for their subject matter! So, when did your skills fully emerge, and when did your love for horror begin? EK: My writing skills began to emerge in my creative writing class … in high school. This class, mixed with my English Literature classes and love for horror novels, began to birth within me a love for writing. It wasn’t until I got into seminary (the first time) that I really developed a real heart for writing. My passion for theological and doctrinal study led me to a deep desire to dissect, investigate, and share my findings with others. After years of writing theology and poetry, I decided to explore my other passion–horror fiction. Around 2018 I decided to give it a go. This season really developed my skill as a technical writer. However, once I started to get published in horror fiction, I met Lisa Vasquez. She is an author and CEO for Stitched Smile Publications. She began to mentor me and bring out hidden talents I never knew were there. She still helps me [to] this day, and we remain close friends. I pretty much owe all that I am as a horror writer to Lisa and her investment in me. KB: Do you write anything other than horror fiction? EK: I also love to dabble in poetry. This desire was also developed in high school through my creative writing and English classes. Currently, I find myself hopping back and forth [between] horror fiction, theology, and poetry. I love being able to switch gears like this. It keeps my brain active and my creativity fresh. I am also diving into the realms of horror fantasy and science fiction. KB: What drew you to the horror genre? EK: Two life-changing events happened in my childhood to get me into horror. First was watching the movie The Demon Murder Case with none other than … Kevin Bacon. It was a made-for-TV movie that came out in 1983, but I didn’t see it for the first time until I was [six]. Fans of The Conjuring series will recognize it as the inspiration for the latest installment, The Devil Made Me Do It . The show was based on one of the controversial Warren’s case files. This movie scared the lemon-yellow childhood pee out of me. I probably shouldn’t have watched it at [six] years old, but it definitely birthed my love for horror. The second event was my viewing of another made-for-TV movie called The Midnight Hour , made in 1985. If The Demon Murder Case birthed my interest in demonic possession, then this movie is the origin of my love for witches, zombies, and vampires. [High school is] where my love for horror went into overdrive. A steady dose of horror flicks finally merged with my introduction to Stephen King, Clive Barker, and William Peter Blatty books. My appreciation for the genre has done nothing but evolve and grow since then. KB: What was your first published piece/book? EK: My first published story was actually the first horror story I ever wrote called “Call of the Tetromet” with Fantasia Divinity [Magazine]. My first novelette to get published was also the first one I ever wrote. It’s called “The Memoir of Darius Fischer” and was published by Grinning Skull Press. The same goes for the first novel I ever wrote. It’s a horror comedy called “Johnny Walker Ranger: Demon Slayer.” It was picked up in 2020 by Stitched Smile Publications. KB: Are you with an agent/publisher at the moment? EK: Right now, I’m seeking an agent for my current horror/fantasy book called “The Gospel of Lilith.” I’ve been published by Fantasia Divinity, LVP, Grinning Skull, Stitched Smile, Raven Tale, Crystal Lake (Patreon), Black Hare Press. Shackelbound Books, Ghost Orchid Press, Siren’s Call, Horror Bound, Puzzle Box Horror, Jakob’s Horror Box, Horror Bites, and Hellbound Books. KB: Tell me about your books. As much as you wanna tell us, we wanna know. EK: Let’s start with “Johnny Walker Ranger: Demon Slayer.” This book was birthed from my love of The Evil Dead franchise, rednecks, and “South Park.” It follows a redneck alcoholic who discovers the secret to actually killing demons. He forms a demon-killing team full of rednecks and emos called The Bruce Campbells. With the help of Gabriel the angel, they have to stomp out a demon outbreak in Oxford, MS, that Johnny single-handedly created. If you love Evil Dead- style horror and offensive humor, this is the book for you. KB: That’s definitely my kind of book! What about “The Dreadful Death” series? EK: Currently in “The Dreadful Death” series, [there are] “The Dawning” and “The Gathering.” Book three is still forthcoming. The series follows a young girl named Theodosia Whitfield into a depth of horror like you’ve never read before. [This is the book that is compared to] a mixture of The Exorcist , Carrie , and Pan’s Labyrinth . The story takes place in the early 1800s in North Carolina. Theo is being groomed in preparation to serve a dark entity called The Tetromet. Because of her gifts, there are other creatures lurking in the Ethereal Plane that want her. To keep her safe, a demonic guardian named Hophni is sent to protect her from these monsters and make sure she fulfills her calling to The Tetromet. As Theo descends into the darkness, the evil she unleashes on those around her is malicious and insidious. The series is full of visceral, nightmarish imagery, intense, complex characters, and thought-provoking, realistic dialogue. Readers have said the story is like a cinematic experience in novel form. [As far as] “The Memoir of Darius Fischer,” anytime a writer takes on a well-known genre, they have to make sure there are enough original ideas to keep it fresh. This is the case with this novelette. Darius’s grandfather is dead, and he has left behind a myriad of secrets, one of those being a lone chest in his attic loft. Within it lies secrets so dark, they take Darius Fischer down a road of no return. Written in the style of Darius Fischer’s journal entries and his psychologist’s session notes, the story provides an original take of lycanthropy but also stays true to all the things we have come to love about the folklore. KB: Do you have anything in the works? EK: Yes, lots! First, I’ll mention the book I’m querying agents for, “The Gospel of Lilith.” This book is a horror/fantasy that combines the Hebrew and occult mythos of Lilith, along with a little made-up Zeke mythos thrown in there. The book shows how, through heartbreak, misogynist oppression, and betrayal, Lilith becomes the creature that we know her as today. It bears to mention that I do not go the traditional route with making Lilith an origin story of vampires. So no, this is not a vampire novel … but the next one I’ll mention is! “The Vengeful Lambs.” This one is a novella that I am sending out to publishers now. The story follows Sampson and Ruth as they travel the New Mexico desert after an encounter with a vampire. The story combines the claustrophobic feel of Phantasm and the grit of From Dusk till Dawn , along with some supernatural elements and Lilith mythos thrown in. Like my werewolf story, this one gives a fresh, original take on vampires, while also staying true to some of the things we have come to love about these creatures of the night. Speaking of night, let’s talk about another upcoming novelette of mine called “Night of the Blood Cum.” Yes, you read that right, and it is exactly what you think. It is about a giant, demonic sperm that wreaks havoc on a redneck family from Alabama. In an unforeseen event, the jizz of an ancient Warlock drips on a Ouija board. The demon sperm is born and if not stopped, all humanity will succumb to its wrath. The only hope is a redneck named Jim. Aided by the ghost of his dead buddy Earl (who died in a bungee jumping accident from stringing old underwear bands together), Jim must find a way to kill the sperm and make it sterile. Fans of Tucker and Dale vs. Evil- style horror will love this story. Coming soon from Godless. KB: Dude, you are utterly fascinating. Any upcoming appearances where fans can find you? EK: I’m a regular on the panel for the Professional Paranormal Research YouTube channel. You can find me there a few times a month. Over the past two months, I’ve done shows with Citywide Blackout, Raven Tale Publishing, The Magical World of G. Michael Vassey, AfterRot, and Panic Room Radio. I’ll be back on Ghostly Talk for the third time this January, talking to them about the paranormal and my recent and upcoming releases. KB: Any new or upcoming releases? EK: Yes! In 2023, “The Mourning,” book three of “The Dreadful Death” series will be released, as well as “Johnny Walker Ranger: Demon Slayer, Vol. 2.” KB: What’s next for Ezekiel Kincaid? EK: In February, my fiancée, my kids, and I will be going to Kentucky again to join Dustin from Professional Paranormal Research to do another investigation. I’m also hoping to get an agent soon, as well as expand my audience by finding new shows to appear on. I also have some new stories and books that I’m preparing to write: “One Flesh” (psychological/body horror), “The Whore House Massacre” (1970’s grindhouse-style horror), “The Tetromet Tapes” (found footage-based novella in my Theodosia/Tetromet universe), and “The Man in Black” (next book that chronologically takes place after “The Dreadful Death” series). There’s more, but I’m not giving away all my secrets. So there you have it, folks. Right from The Paranormal Pastor / Pastor of Horror’s mouth. You can find him, his books, his interviews and recordings, and his congregation online at https://theparanormalpastor.square.site , Amazon , Twitter @EzekielKincaid, and Instagram @ezekielkincaid. Happy reading, bookworms! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Main Attraction feels like a cinematic trip through nostalgia. < Back Reviews on the Real: Main Attraction by Glitter Litter Nicole Brice May 12, 2026 Share Main Attraction feels like a cinematic trip through nostalgia. Released on May 8, 2026 , ' Main Attraction ' by Glitter Litter is a nonstop rush of aggression, punk energy, pop sensibilities, and colorful lyricism that paints a vivid story from start to finish — something Glitter Litter consistently excels at. Every song they release is sharply produced and packed with unforgettable imagery, creating scenes that linger in your mind like memories you’ve lived yourself. Released May 8, 2026 We previously reviewed the song ' Johnny’s Got a Girlfriend ' and the album Shocks to Sleeping Beauties , so if you haven’t checked those out yet, now’s the perfect time. This time, Glitter Litter takes you on a ride through the eyes of a guy out on a date, making it clear that no one else can steal his attention. She’s the main attraction. The repeating echo of “you’re my main attraction” is instantly infectious, the kind of hook you catch yourself humming long after the song ends. It’s vibrant, nostalgic, and ridiculously fun. https://www.youtube.com/watch?v=GEcZzs1u5xs 'Main Attraction' by Glitter Litter For those not familiar with Glitter Litter , it is a solo project from Sweden featuring Andreas (ex- Sugar Shock ). Inspired by glam, comic, bubblegum, and ‘80s happy metal, the project has had numerous releases since its inception, so be sure to check them all out. Main Attraction feels like a cinematic trip through neon-lit movie theaters, moonlit amusement parks, and reckless young romance. One of the strongest things about Glitter Litter’s music is how effortlessly the hooks stay with you long after the final note fades. Go stream it now. To learn more about Glitter Litter: Website: Glitter Litter - bubblegum glam/punk Spotify: Glitter Litter | Spotify Apple Music: ‎Glitter Litter - Apple Music YouTube: youtube.com Glitter Litter www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Brothers is a Compelling Story about Rock Royalty < Back Book Review: Brothers by Alex Van Halen Nick Cline Oct 25, 2024 Share Brothers is a Compelling Story about Rock Royalty Brothers is the newly released memoir by Alex Van Halen . Most of you would know Alex from his hand in creating the legendary Van Halen . He is hands down one of the most underrated and perfectly rated drummers of the 80s (or maybe all-time). There is so much depth to the story and creation of the legendary brotherly duo Alex Van Halen and Eddie Van Halen . This is more than an excellent book for Eddie and Van Halen fans. It is also a great book for anyone wanting to glimpse the wild animal in the music business, the struggle and achievements of an immigrant family, and a story of a bond that defined music history. Released October 22, 2024 The story starts with a beautiful introduction that tells the overall sentiment and dedication of the book. Eddie Van Halen died four years ago this year, and the effects of his legacy will never know its bounds. Alex understands that the world sees his brother as a mythical creature and lives with the guilt of his younger brother's death. He introduces the book, claiming that he failed as an older brother because he was meant to die first. He makes light in his darkness by admitting that Ed, like always, was quick to burst in front of the line. The book, which delves into themes of family, music, and the human experience, is a compelling read for anyone interested in these topics. This sentiment is the first insight into the humanity of the two brothers. It's a reminder that artists, including the Van Halen brothers, start as everyday people. They fight tooth and nail to become the people we idolize in music. Their journey from nothing to everything they ever wanted is a testament to the transformative power of music. But it also shows the struggle of losing purpose in the world that initially gave them their purpose, a feeling many of us can relate to. Every word in the book will give you a new outlook on how everything can change in your life. It can all change in an instant. It makes you understand that no one is ready for their dreams and changed lives even though people have prepared and worked for it their whole lives. Living your dream, your truth, is much different than the constant days of preparation, dreaming, working, and killing yourself for the life you crave. But the Van Halen brothers' story is a testament to the fact that it's all worth it in the end, inspiring you to keep pushing forward. The Van Halen brothers' story is a testament to the transformative power of music. Alex vividly recounts their unconventional upbringing, a journey that took two outcast kids from Amsterdam to the United States in pursuit of a life they could only dream of. The beauty and darkness of the music industry are palpable in every chapter, as you witness the hardships and sacrifices required to become a musical icon. It's a journey that turns you from an unknown into a revered entity, a transformation that is both fascinating and inspiring. This is more of a tale of triumph and legacy than a run-of-the-mill memoir. It captures the bond that Alex and Eddie had, described as a bond very few people experience in this life and any other. The Van Halen legacy is not just a legacy of virtuoso musicians, but it is a legacy of sentiment, hard work, brotherly bond, family, strife, and everything in between. 'Brothers' captures all of that because Alex is unapologetically himself throughout the whole work, which grips the reader from the first line till the end of the last page. Eddie Van Halen and Alex Van Halen were everyday people with dreams. They found their dream. They fought for it, and they got everything they wanted. This is a book I highly recommend reading for fans of Van Halen , anyone in the music industry, striving artists of any class and caliber, and anyone who's dealt with the challenges of feeling like an outcast. The Van Halen brothers' story is a powerful reminder that even when you feel like you don't belong, you can still achieve your dreams. It's a story of triumph over adversity, and it's a must-read for anyone who's faced the ups and downs of life. To buy a copy for yourself: Amazon: https://a.co/d/hPnmIHd www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. < Back Blood Machines: Book Review Shaun Corley Dec 13, 2023 Share “Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. Depending on whom you talk to, the vampire is either a potent metaphor or is derivative and “done to death”. A quick look around the pop culture landscape shows compelling evidence for both sides of the argument. On one end are classic books of the genre, such as Bram Stoker’s “Dracula” or Richard Matheson’s “I Am Legend”, which do not glorify vampires but instead show them for the fearsome creatures they are. On the other end we have works, such as " Twilight" or " The Vampire Academy" , that play up the more sexual aspects of vampire mythology and add a layer of luster to the undead. And then there is the novel “Blood Machines”, which uses the blood-lusting creatures to explore the concept of a surveillance state . While also the subject of numerous films, vampires have made their way to television as well in shows like True Blood and What We Do in the Shadows . They even star in video games, such as the mega-popular “Castlevania” series and “Vampire: The Masquerade”, a popular role-playing game centered around vampire clans. Those who argue that vampires are still relevant point to the creature as a potent allegory for issues of class and sexuality; Anne Rice’s seminal “Interview with the Vampire” touched on these themes, as did Francis Ford Coppola’s adaptation of Stoker’s original novel. Commentators who believe the vampire to be cliche use the shallow and superficial nature of works like " Twilight" as evidence for their argument. They believe that these works strip the vampire of its literary power, instead focusing solely on the sexuality element at the expense of other themes. While the two sides continue to debate with no satisfactory answer in sight, J.K. Gravier has slipped under everyone’s radar with the excellent “Blood Machines” . This novel, which deftly mixes the police procedural genre with elements of vampire lore, imparts new symbolic importance to the creatures . “Blood Machines” is set in an alternate America, where vampires have begun entering mainstream society. The vampires of “Blood Machines” are not sexy, they do not turn into bats, and a bite from one will not convert their victim. Gravier does not dwell on the nature of the vampires too much, instead opting to focus on world building and exploring the ramifications of such creatures in the real world. “Blood Machines” follows Allison Drew, a vampire (or “sanguinarian” as they are called throughout) working for the federal government. As part of their efforts to assimilate into the larger world, they have created the Vampire Bureau of Investigations. This agency, working closely with the FBI, polices vampires. Drew is sent to Detroit to investigate a series of murders where the victim's blood was drained. There she uncovers a massive conspiracy, stretching all the way to the highest echelons of the VBI … and the FBI. At every turn, Gravier subverts vampire tropes and cliches . As mentioned earlier, Gravier’s vampires lack many of the creature’s traditional powers, such as the ability to turn to mist or the ability to “charm” someone. These vampires can come out during the day, although it requires sunscreen and special clothing. Gravier even downplays the very word “vampire”, as some prefer to label themselves “sanguinarians”. Gravier also dispenses with a great deal of vampire lore, stripping it down to its bare essence and injecting it with new life. Playing around with these tropes allows Gravier to discuss issues of surveillance and the police state . Allison Drew learns that both the VBI and the FBI have plans to implement a tracking system for vampires, one that would allow various agencies to keep tabs on them. The novel does not make it clear if this surveillance program would carry over to humans, but the implication is there. In “Blood Machines”, vampires also become a metaphor for race and class . Allison and her vampire friends existed on the margins for centuries, only making gains within the past 100 years. Their march into the mainstream has been slow, and they are still greeted with suspicion and fear. It is not a stretch to see Drew and her fellow vampires as stand-ins for any oppressed and marginalized groups. “Blood Machines” also explores the nature of the police state, and the relationship between law enforcement and the people they are pledged to serve. It does not glorify the police work Allison does. Her colleagues are corrupt, and the novel heavily implies this corruption goes all the way up the ladder. “Blood Machines” contains themes of the erosion of civil liberties and the rise of the surveillance state , which resonate loudly in today’s world. Numerous novels, television shows, and movies have centered themselves around these issues, some of them with nothing really new to say. With “Blood Machines”, J.K. Gravier takes vampires—which are often dismissed as “overexposed”—and uses them to talk about these very themes. The end result is a highly creative vampire novel that subverts tropes left and right. “Blood Machines” is currently available for your reading pleasure. To learn more about J.K Gravier and “Blood Machines”, visit any of the below listed links and be sure to leave a solid review. The book is worth it, especially if you’re a vampire fan. J.K. Gravier | Author Info “Blood Machines” | Amazon “Blood Machines” | Barnes & Noble “Blood Machines” on Audible Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It’s intriguing, it’s glamorous, and it’s full of nostalgia. < Back Book Review: Playboys, Celebrities, and Me by Dianne Dorman Nicole Brice Mar 12, 2025 Share It’s intriguing, it’s glamorous, and it’s full of nostalgia. For those who know me, it’s no secret that I have always had an obsession with Playboy magazine and Hugh Hefner . The obsession stems more around trying to figure out who the man truly was vs who he projected to those closest to him, but this book review is not about that. After doing a random search online for more books containing anything Playboy -related, I instantly found Dianne 's book and ordered it because I’ve been down the rabbit hole on that for quite a while. The book starts a little slow, but around the chapter titled The Candy Store , the pace picks up significantly, and from there, it’s a whirlwind of events, from a passionate romance with one of baseball’s greats to hanging out at the Beverly Hills Hotel and more. Click to purchase Name-dropping abounds with a who’s who of the celebrity world in the 1970s and 1980s. This book truly is an insider’s look at some of the private affairs of the Hollywood elite. Dianne does a great job of explaining the superficial reasoning behind who made “it” back then via slimy casting agents, which still applies today, and through that, she makes you realize how fake it all truly is and how we are merely actors performing in our plays. It's all there, from modeling for Playboy , Linda Lovelace adventures, and an awkward first meeting experience with the legendary Telly Savalas . Dianne ’s narrative speaks of self-confidence, love and loss, and finding oneself amid all the chaos. A blonde beauty who attracted the attention of many men, Dianne ’s career involved modeling and acting, sometimes in entertaining situations. It involved some of Hollywood ’s finest men, and most interestingly, Dianne Dorman even once dated the “ Winchester Cigarette Guy .” Notable career moments include being considered for Farrah Fawcett ’s replacement on Charlie’s Angels and being asked to be Katherine Hepburn ’s double on the film Stagecoach . Dianne also tells the tale of being chosen for a spot as a reindeer girl for Bob Hope ’s Christmas Special in the late '70s. Ladies, there is even a chapter titled The Grotto . I’ll let you figure out what that one is about. It includes a steamy narrative with Ronnie Caan , brother of the legendary James Caan , and it is sure to get your pulse going. Google what he looks like. Not bad. Dianne vividly describes the Playboy Mansion , where you feel like you were there, and I wish I could have been just once in my life. It’s sad to think that what once was is no more. Beyond the bad times I’ve read more about, which occurred at the mansion, Dianne ’s book is more positive and keeps the original spirit of what I think Hugh wanted the mansion to have. Overall, Playboys, Celebrities, and Me is a very engaging book. I recommend you check it out. To purchase your copy on Amazon: https://a.co/d/bFzpjb5 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Scott Von Doviak's newest book Lowdown Road mixes hick cinema, blaxploitation, and 70's cinematic archetypes into one hell of a crime-thrilling story. < Back Lowdown Road: Book Review Shaun Corley Nov 14, 2023 Share Scott Von Doviak's newest book Lowdown Road mixes hick cinema, blaxploitation, and 70's cinematic archetypes into one hell of a crime-thrilling story. The 1970s saw an explosion of “car” and “road” movies, such as 1971's Vanishing Point and Two-Lane Blackto p , among others. The decade also saw the rise of the “blaxploitation” genre, seen in movies like Shaft (1971) and Dolemite (1975) . Finally, the “Me Decade” featured a wide variety of colorful, larger-than-life media personalities, such as Evel Kneivel, who held millions spellbound with their antics. The 1970s were also a time of great social upheaval. Americans’ faith in their leaders took a serious hit during the Watergate Scandal; oil shortages led to long lines at the gas pumps; the war in Vietnam raged through the early part of the decade; and drug use, especially cannabis, permeated society. The hippie, “free love” movement of the 1960s had come crashing down at Altamont and never recovered. All of these seemingly separate threads converge beautifully in Scott Von Doviak ’s " Lowdown Road" —a crime thriller that Stephen King calls “ a f**king great story … it’s a blast.” “Lowdown Road” is published by Titan Books as part of their Hard Case Crime series and is Von Doviak’s second novel, following 2018’s “Charlesgate Confidential”, also part of the same series. A pop culture journalist for publications such as The AV Club , Von Doviak is also the author of several pop-culture reference books, including “ Hick Flicks: The Rise and Fall of Redneck Cinema ” and “ The Stephen King Film FAQ ” . “Lowdown Road” follows a cast of characters who would have been at home in the grindhouse, drive-in movies of the 1970s . The action kicks off when cousins Chuck and Dean Meville rip a million dollars worth of weed off dealer Antonie Lynch. Their plan: abscond with the product to Snake River Canyon in Idaho, where thousands of people are gathering to watch stuntman Evel Kneivel attempt to jump it on a motorcycle. There, they plan to make a fortune—one that will secure their futures. Naturally, Antonie does not take highly to Chuck and Dean’s plan, and after the cousins steal his weed, he takes off in pursuit. Also on Chuck and Dean’s trail is Sheriff Geddings. Geddings’ mistress tried to use Chuck and Dean in a plan to kill her husband, Geddings’ deputy; however, Chuck and Dean threw a spanner into his works by killing Geddings’ mistress in self-defense. Now blind with anger and seeking revenge, Geddings is a man on a single-minded mission: avenge his lover by killing Chuck and Dean—and God help whoever gets in his way. Von Doviak’s “ hick cinema ” background is a huge influence on “Lowdown Road” . Chuck and Dean are just a pair of good ole boys who mean no one harm, who suddenly find themselves fleeing for their lives while trying to chase what is left of the American Dream. The types of movies Von Doviak is invoking with “Lowdown Road” also regularly featured corrupt law enforcement officials, and Sheriff Geddings is cut from this mold as well. Meanwhile, Antonie could have walked straight out of a blaxploitation movie, another nod to 70s drive-in movies. Yet Von Doviak imbibes each character with nuances and quirks that take them beyond being mere caricatures, Antonie Lynch in particular. Lynch is engaged in a number of criminal enterprises, not just limited to dealing drugs. It may be tempting to write Lynch off as a “crook” or a “thug,” but Von Doviak digs deep into Lynch’s psyche and makes him a well-rounded character. Lynch, who is also a closeted gay man, meets Julian, who is also Black and gay. The two share not only a bed and a car but also their love of movies, particularly the works of French New Wave director Jean-Luc Godard. Julian and Antonie are perfect for each other, even if they do not realize it until it's too late. Beyond Chuck, Dean, Antonie and Sheriff Geddings, Von Doviak creates a number of compelling and quirky characters whose lives weave in and out of the main story. Some of these minor characters also invoke 70’s cinematic archetypes ; for example, Chuck and Dean run afoul of a bootlegging, backwoods family who could have been plucked from The Texas Chainsaw Massacre . Uptown Mike, the short-fused biker Chuck and Dean encounter, could have come from Easy Rider. These characters add spice and color to the narrative. As befitting its influences and inspirations, “Lowdown Road” moves at a breakneck pace. Never once does the plot drag, and Von Doviak infuses it with a number of twists and turns—some funny and others devastating. The book’s climax, set at Evel Knievel’s iconic jump of the Snake Canyon River, is gut-wrenching , with twists the reader will not see coming. The book is fittingly cinematic. The 1970s were one of the most turbulent decades in American history. The pop culture of the time reflected this, mirroring the concerns and fears of a world where the illusion of stability and progress was slowly slipping away. These anxieties manifested themselves in a variety of genres, and Scott Von Doviak’s “Lowdown Road”perfectly recreates these seminal works, while adding new and unexpected layers along the way. "Lowdown Road" is currently available at Amazon and Barnes & Noble, and you can check your local bookstore, as they'll likely be carrying it too. For more on Author Scott Von Doviak, visit his official page at www.ScottVonDoviak.com . Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Bud Gambrell has compiled a journey through music in “Sidetracks Music Hall”—a memoir rich with local history < Back Sidetracks Music Hall by Bud Gambrell: Book Review Nicole Brice Sep 20, 2023 Share Bud Gambrell has compiled a journey through music in “Sidetracks Music Hall”—a memoir rich with local history When Bud Gambrell first contacted me to read his newly published book about the now-defunct Sidetracks Music Hall in Huntsville, Alabama , I had never heard of it … but I was intrigued. After reading the meticulously orchestrated memoir from cover to cover, I became engrossed in the history behind a truly unique establishment that not only touched the hearts of the patrons who frequented the space but also had a lasting impact on the musicians who played there. “ Sidetracks Music Hall ” offers a unique perspective on the magic of those live performances and on the lasting impact of the energy the space provided. Bud’s attention to detail in firsthand accounts from musicians, employees, and fans presents an engaging book that leaves no stone unturned and immerses readers in the vibrant atmosphere that was Sidetracks Music Hall . Though only open for a few years, the venue had a huge impact on the area that persists even today and is felt in the narratives of local musicians and patrons who offer a rare glimpse into the passion and dedication that goes into running a music establishment. Released June 8, 2023 The narrative of “ Sidetracks Music Hall ” seamlessly intertwines Gambrell’s personal anecdotes with the historical evolution of the music space, and through his encounters with renowned musicians—both big names and rising stars—the author offers readers an intimate glimpse into the creative process and the inner workings of the music and restaurant industry. What sets “ Sidetracks Music Hall ” apart is Gambrell’s ability to paint vivid portraits of the artists he met. From poetic songwriters to energetic performers, Bud captures the essence of their unique musical styles and personalities in moments that provide an intimate connection between the reader and the musicians, evoking a deeper appreciation for their craft. Gambrell’s attention to detail pulls the reader into the heart of what Sidetracks Music Hall was, not just to the locals, but to the artists and musicians who frequently took the stage there. It is worth noting that while “ Sidetracks Music Hall ” beautifully captures the spirit of live music, it also touches upon the challenges faced by the industry. Credit: Bud Gambrell “ Sidetracks Music Hall ” is a compelling memoir that takes readers on an unforgettable journey through the world of live music in Alabama . Through evocative storytelling and insightful reflections, Gambrell not only pays homage to various musicians but also sheds light on the unique power of live performances. Whether you’re a devoted music fan or are just simply curious about the magic that happens on stage, this book will leave you with a deeper appreciation for the music that moves us all. In order to get a better feel for the love behind the narrative, I reached out to Bud, who’s also a photographer, for a deeper knowledge of the lasting legacy Sidetracks Music Hall has provided. MaM : Thank you for taking the time to chat with us today. Give us a little background info on you. BG : Well, if I go back to the very beginning, I was born in Louisiana but raised in North Alabama. I’ve been a music lover my entire life and have actually been accused of being a music snob a few times. I’ve looked it up in the Urban Dictionary, too, and the first definition of it is definitely me. I’ve been going to concerts for a long time, and when they first opened Sidetracks Music Hall, I didn’t know that much about it. I knew that they were trying to cater to original bands and musicians, but one day I just started going and it just kind of became a second home to me. It just had something about the place … this aura. It’s hard to explain if you weren’t there, but the atmosphere was amazing. MaM : What gave you the idea to write and compile your book? BG : I actually got my idea when I was at Sidetracks last year. I was there shooting Ace Monroe and I was talking to the road manager. We were discussing my coming up to shoot a show they were playing at the EXIT/IN, and we were sitting at the bar, and I saw a book for this venue right there and the idea came from those who had chronicled and circled back all these bands and acts that had played EXIT/IN. It was around this time, too, that I found out Sidetracks was closing. Various logos of Sidetracks over the years MaM: How long did it take you to compile everything? BG : Well, I started on the book, and within a month, Sidetracks closed. September 4, 2022, was the last night. By the first of October, I had already started doing interviews and talking to people. Around the holidays, though, I almost abandoned it because it was so much, but by the first of the year, I told myself that I needed to finish it. I wanted to prove to myself that I could do it, but the inspiration came about because of my love for the place. It was a true labor of love. MaM : You mentioned photography earlier. Give us a little more info about your work in that arena. BG : Well, I’ve always been a hobby shutterbug ... I remember being in the Boy Scouts and taking pictures with a camera, but I can’t remember the model, and they don’t make them anymore, but it was a Kodak shaped like a box and you had to look down through the top of it and there was a thumb button to take the pictures. So, I would take those cameras on camping trips, and I’ve always had some type of camera around, but three years ago in 2020, to keep from going stir crazy, I got a drone and started with that. Several people told me the photos and videos from it were great and that I should become a professional and the next thing I knew, I was starting a photography business. Ace Monroe with Bud Gambrell at Sidetracks Music Hall. All of the photos on the wall behind them were shot by Bud. MaM : So, where do you like to shoot? BG : Right now, I shoot some local stuff at some bars, but a good bit of what I’m doing is at our local civic center. They’ve got four rooms there, and you’re shooting photos and listening to music, so it never feels like work. I got to shoot Joe Satriani last year, which was a dream show, and I’ve shot Gov’t Mule, Warren Haynes, and ZZ Top, too. Joe Satriani - photo by Bud Gambrell MaM : So, as far as all the bands and musicians that performed at Sidetracks over the years, who was your favorite to see and shoot? BG : Damon Johnson is one. I’ve been a fan of his for over 29 years, since his first or second album came out, and I’ve never had a chance to see him live until he played Sidetracks. Them Dirty Roses was another one, which I mention them a good bit in the book. There are so many, honestly, but if I had to pick just one, it would be Tab Benoit . I’ve actually got a picture on my office wall that I took of him, had blown up, and then had him sign it. MaM : How would you say Sidetracks Music Hall touched you personally? What takeaways do you have from the entire experience of seeing live music performed there? BG : It was the atmosphere. It had a home vibe and just always felt head and shoulders above everyone else. You know, there were nights I would go there by myself, and it was never a consideration whether I should or not because it always felt safe. It felt like home. Some nights, I could go and know half the people there, and some nights I didn’t, but by the end of the night I did. I wasn’t intentionally looking for a new place to hang out when I found Sidetracks, but the more I started going there, the more I realized how awesome the place was. It had this Cheers- type vibe where everyone knew your name, and to be honest, I don’t think I ever saw one fight the entire time I was there. I saw a lot of funny stuff, but never anything bad. Nobody at Sidetracks was ever in a bad mood. To experience the nostalgia of Sidetracks Music Hall yourself and to learn more about the establishment, Bud Gambrell’s book “Sidetracks Music Hall” is currently available for purchase on Amazon. The link is below, so be sure to check it out! The book is currently available via paperback, hardcover, and on Kindle. Side Tracks Music Hall: Gambrell, Bud: 9798396341999: Amazon.com: Books www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An Undercover Talent on the Rise < Back Tyler Harrison Nicole Brice Jan 9, 2023 Share An Undercover Talent on the Rise I am the type of person who is constantly looking for new and interesting people with which to surround myself, virtually or physically. If I feel a connection to another human, then I want to know more about them. That’s how I first stumbled upon Tyler Harrison. A random follow request from Tyler on Instagram grew into a discovery of what he’s about and who he is as a person, and that led to a burning desire to showcase him to all of you. Tyler Harrison is a writer and internationally published author, who is not well known … yet, but I feel his time is coming. With a creative flair like no other, Tyler’s ability to assemble words in a poetic, imaginative way is what sets him apart from others his age. His knack of rhyming and word flow is incredible, and at 27 years old with all he has witnessed and endured throughout his young life, he is a man with wisdom far beyond his years and his writing reflects that. Enduring a traumatic upbringing as a child, Tyler was able to turn his pain into art that jumps off the page at you and makes you stop to breathe and think so you can process the words you just read. A very creative poet, fiction and sci-fi author, and a screenplay writer with three books under his belt, Harrison has just completed a screenplay and is on the path to success, so watch out! His current books are “An Apocalyptic Assistance,” “I Couldn’t Find Her So I Created Her,” “Letter in a Bottle,” and the newly finished screenplay, “Rewriting History: The Mind Trip for Centuries.” I was able to chat with Tyler recently about his work, his hopes and dreams, and his upcoming projects. This guy has so much in the queue, it’s insane! MaM : Tyler, thank you for speaking with me. I just finished reading your first book and I wanted to get a little more info about it from you. What a read! TH : So, yeah, “I Couldn’t Find Her So I Created Her.” I started writing it when I was in beauty school. During my first semester, I started talking about writing a book, so in my second semester I had this … me and my dad, yeah … my dad blew up on me and I was like, ‘I’m going to write about everything I’ve ever witnessed in the home.’ … In this book, I tell my story inside and outside the home, and [I] also talk about the memories and the people that I’ve met, and [the] different encounters [I’ve had] as much as I can remember, from the time I entered the world (or Earth) to the point where I was in college, and it was very therapeutic for me. [I was inspired by] talking to this girl and she was a creative writing major at the university I was attending. I was like, ‘Maybe if I show her I am into creative writing, I can impress her and woo her. It started as an initial collection of poems and I always wondered how one goes about being published, so I googled publishing companies and I … saw Austin McCauley Publishers and read about submitting things for publication. It was late one night and half asleep, I submitted the initial manuscript, which consisted of the selection of poems and other drastic stuff, and I didn’t expect to hear anything back from them … a few weeks later, I got an e-mail. MaM : To have published three books by age 27 is amazing. Tell me a little more about your other book, “An Apocalyptic Assistance” and some of your other work. TH : “An Apocalyptic Assistance” is a sci-fi fantasy novel … about Atlantis and the light. … I start by trying to capture the reader with the introductions of the characters. “Letter in a Bottle,” which is another book I’ve written, is a collection of poems [and] romantic poems, and I’ve got six illustrated books in production with the publishing house and those are waiting to be released. The illustrator is still working on the artwork, and they still have things to finalize on the business side. I just finished writing my first film screenplay, so I’m pretty excited about that as well. I’ve been writing so much that I’m actually tired of writing right now. MaM : I can relate to that. The creative process is definitely interesting. You have all these ideas and if you don’t write them down, you lose them. Your story, though, is what really drew me to you. Your background in an abusive household—I can relate to that because I grew up in an abusive household, too, and you’ve been through so much that I feel your strength comes through in your writing. [It] is inspiring to others. It inspired me. So, what do you see as your plans for the future? What all would you like to accomplish? TH : I just got finished writing the screenplay for a production company out of Atlanta, and I’m submitting it to them and … hoping they will want to sign a deal to use [it]. MaM : Tell us a little more about your screenplay. Is it a continuation of your books? TH : It’s a historical narrative … an alternate narrative, if you will. Basically, Ben Franklin becomes a traitor to the United States and helps the natives win back the land from the Americans. Ben is described as a war hero and [is] younger and not how most [people] think he would look. It’s been an amazing experience to develop these characters and write this script, but it has also been challenging. MaM : I want to know a little more about your book, “Letter in a Bottle.” Give us a brief synopsis of it. TH : So, it was 2019, and I went to this concert … it sounds kind of bizarre, but I am a hopeless romantic and I believe in divine intervention, and I fell in love with this female drummer … I felt drawn to her and developed this collection of poems inspired by her, and that’s basically the book. MaM : What inspires you to write all of this? You have such a diverse portfolio. You go from romantic to sci-fi fantasy to historical fiction and so, is it just life happenings you use as inspiration? TH : I just really want to write something that has never been written before. I can put all my memories into a time capsule with my writing and I don’t have to think about them anymore. It’s therapeutic. I can put them in this ‘box’ and they’re out of my world and I can forget about them and the past. All I then am left with is this moment, and it’s beautiful. MaM : I really like that analogy. It’s like closing a chapter on your life and just moving forward. I dig that. So, what else does the future hold for you? Any other projects upcoming? TH : Well, [I’m] working to get all my books on Audible and I’ve got the other six books in the queue, and I just want to keep writing and become internationally known. I’d like to eventually quit my day job and just do this for a living. I hope that my story will inspire others and reach other people’s hearts and hopefully my words can help transform how people see the world. To learn more about Tyler Harrison and to purchase his books, you can visit: Tyler Harrison | Facebook Tyler Harrison (@undercover_star_talent) • Instagram photos and videos Amazon.com: Tyler Harrison: books, biography, latest update www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Joe Burns has an innate ability to make you laugh out loud in this non-stop ride of hilarity. < Back The Book Nook: We'll Try and Get That on For You Nicole Brice Mar 8, 2025 Share Joe Burns has an innate ability to make you laugh out loud in this non-stop ride of hilarity. I just finished reading a phenomenal book , so I felt inclined to share my thoughts with all of you so that you, too, can enjoy this honest and heartfelt narrative of the glory days of radio. We'll Try and Get That on For You is the latest from author Joe Burns. Burns has published books on web design and other creative endeavors in the past, but this is his first book of this nature, which I call an autobiographical comedy fiction satire masterpiece . No seriously. This book is a " Sandlot " narrative with " Anchorman " antics. I could see it being made into a hilarious screenplay. Click to buy Reading this book was personal because Joe Burns was one of the many phenomenal professors who taught me when I attended Southeastern Louisiana University in Hammond, Louisiana . Some of my fondest memories of college include his classes. He taught me so much, and now, after reading this book, I realize why he was so knowledgeable. If you talk with Joe in person, he is just a shy, goofy, and loveable human who is too smart for his own good. Did you know that he once took the Mensa test? More about that can be found in our interview with him on our website. As I write about him, it's difficult for me to type just his name without the "Dr." attached to it. Behind the scenes shot from our photoshoot with Joe Burns back in 2023. Trying on his guitar. Notice I'm sporting the KSLU shirt. Forever proud to have worked there. We'll Try and Get That on For You is a story told through the eyes of the 'intern,' aka Joe Burns . With tales of morning show DJs running for governor, procuring votes with promises of Taco Tuesday becoming mandatory, to vivid details of characters, this book is a riot of entertainment. It's funny, it's entertaining, and it never lets up . Radio contests and shenanigans abound, even going as far as stealing the thunder from another local station promoting a concert by the Beach Boys . With his innate storytelling ability, Joe Burns brings these events to life with such detail that you find yourself laughing out loud. The book is filled with unexpected humor, from an electrocution to a death threat, and even getting told off by multiple clowns. Yes, clowns . Reading Joe’s retelling of the events of 9/11 unfolding while he helped facilitate local coverage on my former college radio station, 90.9 FM KSLU , now known as 90.9 The Lion , felt personal because I was a student at Southeastern at the time. I will never forget how I stayed home from classes that day because I was just exhausted. I love that the university utilized his radio experience and expertise on this day because if you’ve ever heard him speak, he truly does have a gift for radio. When Joe gets to the part of the book about his later career outside of the station that shaped him, he recounts the ending of radio with personality and the beginning of formulaic conformity in radio. It’s a bittersweet ending as he sums it all up and updates the later years of the cast of characters once they had moved on from the beloved Z-107. There are many other surprises, so I will not spoil them for you, but do yourself a favor and immerse yourself in this vivid and entertaining narrative. It’s fun. Buy here: We'll Try and Get That on for You: My Life in Personality Radio: Burns, Joe: 9798892110600: Amazon.com : Books *Photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Enigma of Depression Through a Rose-colored Lens < Back Everything’s Poetic: David Donihue Erica Machen Mar 25, 2024 Share The Enigma of Depression Through a Rose-colored Lens In a world where we are drowning in society's lies about mental health, yet we thirst for those words to be substantiated, David Donihue poetically expresses a cyclic refrain emblematic of the empathetic souls of our time in "Everything's Poetic.” David showcases a resilient determination to find meaning and beauty in life despite adversity and mental health struggles. Bringing the poem to cinematic life, David has provided his readers—and YouTube followers—with a profound visual experience. Who knew invisibility could be so expressive? Without giving away too much, I'll limit my details here, but check out the video. https://www.youtube.com/watch?v=6arQezwpJBg The repetition of the phrase "This is the most depressed I’ve ever been," followed by reflections on past instances of depression, reflects a pattern of struggle with mental health. While acknowledging one’s own mistakes and the pain inflicted by others, he also expresses a longing for life to be meaningful and poetic, even amidst an endemic sense of despair. David also explores the idea that everything can be seen through a poetic lens, especially for those who are empathetic and introspective. He finds beauty in empathy and in understanding others' struggles and traumas. Maybe that poetic lens is rose-colored, but the understanding he seems to find is entirely bittersweet. There's a sense of unity and acceptance in David's poem as he acknowledges the diversity of human experiences, from "the hurting and the healers" to "the homos and the breeders," suggesting that despite differences, there is beauty and poetry in every life story. Ultimately, this is surely a celebration of resilience and the ability to find beauty and meaning in the midst of pain and chaos. It encourages embracing empathy, honesty, and a willingness to love life even in the face of adversity. David's raw honesty truly sets the tone for a remarkable poem full of thought and character. We recommend you check out more from this insightful poet and you can do so by clicking one of the links below. www.daviddonihue.com Facebook Instagram YouTube TikTok www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Bands that are on the up and up. Check them out NOW! Jan 30, 2026 Owls & Aliens Embrace Transformation on Powerful New Single Shape Shifting combines the power of thrash metal with the intensity of punk rock. Read More Feb 13, 2025 Grey Areas: A Louisiana Metal Band Looking to Inspire Hope in a World Filled with Chaos Grey Areas isn’t just a band; they are a movement. Read More Nov 4, 2024 The LA Phantoms: A Louisiana Punk Band with a Rich History The LA Phantoms have the strength and will to create music that resonates. Read More Oct 31, 2024 Goodbye Academy: Bringing Pop-Grunge to the Masses Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. Read More Oct 28, 2024 Herakleion: The New Orleans Metal Band Forging a Fierce New Sound Welcome to the Necroverse Read More Sep 3, 2024 Straight from the Bayou: Few Blue’s Vibrant Sound Redefines New Orleans Music Few Blue has the rhythm that will bring you to your knees. Read More Aug 26, 2024 Phantum Sun: An Immersive Journey Through Sound Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. Read More May 8, 2024 On the Rise: RobenX RobenX is promising a legacy of influence that transcends music alone. Read More Apr 11, 2024 The Enigma of XEMNAS: Turning Pain into Art The music of XEMNAS is a transcendent journey through sound. Read More Mar 22, 2024 Jean Claude Seagal: A New Journey through Alternative Rock The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Read More Feb 20, 2024 Separatr: Making Innovative Noise Pop Waves from Asbury Park Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. Read More Dec 11, 2023 Branded for Exile: A Force in Louisiana Metal “Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Read More Nov 29, 2023 She Might Be a Beast: An Enigma of Youth, Retro Vibes, and Energy She Might Be a Beast unleashes the raw power of Neo-Grunge with their latest album, “Art Class” Read More Jul 31, 2023 Baquenne: Soothing, Ethereal Music The music of Baquenne is diverse and intricately constructed Read More Jun 9, 2023 Everfelt: A Harmonic Driving Force on the Rise Everfelt's mix of genres and sounds will leave you wanting more Read More May 8, 2023 Cyberattack Rearranges the Electronic Music Scene A New York Musician taking the World by Storm Read More Mar 31, 2023 NITE: Revamping New Wave A New Era of Synths Read More Mar 22, 2023 New Orleans Band Deep Sleep Atlantic Announce Debut Single A Hypnotic Pulse Read More Mar 21, 2023 They Bring the Party: Von Mons A Classic Sound and Vibe Read More Mar 21, 2023 Melodic and Atmospheric Hailing from Manchester: What Will Be A Nod to the 90's Read More Mar 17, 2023 Authentic, Heartfelt, Soulful, and Deep The Music of Tyler Underwood Read More Feb 27, 2023 A Melodic Rock Offering: Caustic Waves Solid Alternative Rock Read More Feb 22, 2023 A Wave of Nostalgia: The Clifftones Reviving Britpop Read More Feb 17, 2023 When Punk Turns Acoustic: William Edward Thompson Beyond Secret Smoker and Heavy Mantle Read More Feb 7, 2023 Unparalleled Talent and Personality: Subliminal Landmines A Nonconformist Sound Read More On the rise

Beyond Secret Smoker and Heavy Mantle < Back When Punk Turns Acoustic: William Edward Thompson Nicole Brice Feb 17, 2023 Share Beyond Secret Smoker and Heavy Mantle Being a native of South Louisiana and born and raised near Baton Rouge , which was always a short distance away from me, my late teens and early 20s were spent immersed in all the local music the various scenes had to offer. Over the years, though, adulthood would lead me to no longer be part of those scenes that molded and shaped me as a youth, and so, many local acts were lost to me over the years. The recent discovery of the local projects associated with William Edward Thompson led me to want to know more about this man with the incredibly expressive lyrics and perfect screamo voice resembling Geoff Rickly from Thursday . Involved in numerous projects throughout the years like Girl Scout Heroin and Jenaset , William is currently wrapped up in Secret Smoker and Heavy Mantle . His knack for writing poetic and insightful lyrics places him in the “need to know” category of musicians. Citing the skate culture that defined him as a child, William’s interest in music grew out of the environment around him. Credit: Gary Governale As a multi-talented artist, William not only sings, but he also plays bass, guitar, and drums. When asked about his different talents, he modestly acknowledges his abilities. If I could describe William Edward Thompson in one word, it would be humble. With his acoustic tunes, his voice turns away from the tone used in his other projects and instead is replaced with a softer, more genuine one. Truly, Thompson’s sound is both exceptional and classic—his colorful use of words creating an imaginary landscape full of symbolism. His thought-provoking lyrics on his upcoming new solo single make “ On Your Way ” a song you must listen to; it releases February 24 via Protagonist Music. A full-length LP is planned for release later in the year from Protagonist Music as well. Soft-spoken, polite, and modest, William Edward Thompson , known to most as Billy , possesses a rare vibe mostly absent from the scene these days—a vibe evoking the nostalgia of the iconic James Dean . His music, vibe, and charisma will draw you right in. Credit: Gary Governale MaM : Thank you for carving out some time for me. I appreciate it. What led to you wanting to make a solo record? WT : I started playing acoustic more during the pandemic, and that’s what kind of prompted it. I was listening to a lot of acoustic stuff and solo artist stuff, and it influenced me in a way. Mark from Secret Smoker and I also did a cover of a Small Brown Bike song for one of their compilations with some other artists. They are my favorite band. Mark recorded the acoustic with his cell phone and I sang over it, and I thought, “Hey, this doesn’t sound bad. This can be done.” I kind of looked around at the genre we focus on, and there are not a ton of people doing acoustic stuff in our community of hardcore and punk, and I just wanted to bring it out and do it. MaM : What would you say the direction of the solo album is artistically? WT : So, with all of my bands, the music has always been full of complex sounds and rhythms, and I wanted to make it as simple as possible. When I approached the acoustic material, I thought, ‘How can I make this simple and as straightforward as possible?’ Even more so, my most recent band Heavy Mantle, that’s the direction we have been going as well. I just wanted to make an album that anyone could say, ‘Hey, I can play that. I could do that.’ MaM : What inspired the songs on the upcoming album? WT : I’ve been reading about Dharma Art for several years now, and I kind of take that approach with writing and with lyrics, too. I try to not make them overly complicated. A lot of it just comes to me. Sometimes I just sit down with a guitar and the lyrics come along with the chords. It goes back to serving the song. They’re just poems. That’s all they are. It’s not like I go, ‘This is going to be a poem, and I’m going to make it out into a song.’ It happens. It just happens in the moment. With cell phones, too, I can record anything, and it makes it much easier to retain what was written in that moment. Credit: Gary Governale MaM : Have all of the songs been written for the upcoming album, or is it still a work in process? WT : The album is done. I’m still writing more songs, though … always. MaM : So, you’ve already decided on a set number of songs for the album and you’re not going to add anymore? I’ve heard you always seem to have a ton of songs written. WT : Nope. This album is done. The A and B side is done. It’s going on vinyl. That’s probably going to come out in late summer/early fall depending on the pressing plant. The single ‘ On Your Way ,’ which I recorded on my cell phone … I wanted to keep it in its purest form … [it] came out really good, surprisingly, is being released on February 24th on all platforms. Credit: Gary Governale MaM : How many songs are going to be on the new album? WT : I think we ended up with ten or eleven. I can’t remember the number. MaM : Which of your many guitars did you use to record this solo material? WT : I’ve got a Gibson Acoustic that I used. I just like the tone of it. It sounds good. Credit: Gary Governale MaM : Have you decided on a title yet for the upcoming LP? WT : The LP will be called ‘ Sleep Test ,’ which is also the title track on the record. MaM : We look forward to checking it out and good luck with all you currently have in the queue. ' On Your Way ' is out February 24th on all streaming platforms. To learn more about William Edward Thompson , his music, and his bands, visit his social media platforms. William Edward Thompson | Baton Rouge LA | Facebook secret smoker | Facebook Heavy Mantle | Baton Rouge LA | Facebook Secret Smoker (@secretsmoker_the_band) • Instagram photos and videos Heavy Mantle (@heavymantle) • Instagram photos and videos @williamedwardthompson666 • Instagram photos and videos Weights & Measures | Heavy Mantle | Tor Johnson Records (bandcamp.com) Dark Clouds | Secret Smoker (bandcamp.com) Terminal Architecture | Secret Smoker | adagio830 (bandcamp.com) Split 7" | Alarms & Controls / Secret Smoker | PROTAGONIST MUSIC (bandcamp.com) *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or Comments? E-mail the_nicolebrice@mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

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Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. < Back Reviews on the Real: Quicksand by Caustic Waves Nicole Brice Jun 6, 2025 Share Quicksand kicks off with an immediate jam, diving straight into a perfect balance of heaviness. Following the release of their debut six-track EP, Full Circle , in 2023 , Caustic Waves is launching the second chapter in 2025 with a new single titled ‘ Quicksand .’ This track serves as the lead single for the upcoming album, Echoes . We actually covered the release of Full Circle back in 2023. You can learn more about it here . Released June 6, 2025 Founded in 2022, Caustic Waves is the musical project of Neil Thomas , a one-man band based in Glasgow, Scotland . Drawing inspiration from his love for 90s and 00s alternative rock, metal, post-hardcore, and grunge , Neil is influenced by bands from that era, including Incubus , Far , Deftones , and Helmet . Neil's music seems to belong to a different time due to its strong 90s influences, but that's exactly my style, and I'm fully on board with it. Now, let’s dive into this new track. ‘ Quicksand ’ kicks off with an immediate jam, diving straight into the action without any build-up. The intense vocals kick in right away, delivering a solid and refreshing dose of 90s alternative rock , reimagined for the modern era. It strikes the perfect balance: not too heavy, but just heavy enough. If Helmet and Incubus were to merge , this is what it would remind me of. Overall, it's solid rock all the way through, and Neil’s vocals truly soar on this track . Photo provided by artist I cannot wait to hear the entire album when it drops in September , but for now, stream ‘ Quicksand ’ on your favorite streaming service. https://www.youtube.com/watch?v=whvUfQZ069s Official lyric video for 'Quicksand' To learn more about Caustic Waves: Linktree: https://linktr.ee/causticwaves Spotify: https://open.spotify.com/artist/5YFSnuEccV4gdfzlxKkdu9 Bandcamp: https://causticwaves.bandcamp.com Instagram: https://www.instagram.com/causticwaves YouTube: https://www.youtube.com/@causticwaves Facebook: https://www.facebook.com/causticwaves TikTok: https://www.tiktok.com/@causticwaves www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. < Back Reviews on the Real: My Therapy by Aaron J Burke Nicole Brice May 5, 2025 Share ‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. Out today everywhere is the latest release from the talented Irish singer-songwriter Aaron J. Burke . Aaron is a gifted storyteller whose lyrics vividly capture the human experience and life in general. When he reached out to let me know he had another single dropping soon, I was thrilled and couldn't wait to hear it. I must say, wow, what a fantastic new release! I listened to it six times before starting to write this review. It’s excellent. https://www.youtube.com/watch?v=YDp-AcNvJFA The official video for 'My Therapy' by Aaron J. Burke Released May 5, 2025 I love Aaron’s songwriting because it is brutally honest. There’s no fluff or frills, and the lyrics truly resonate with me. I feel them in my soul. We have been reviewing Aaron’s music for about a year now, and no two songs sound alike; each one is thought-provoking. He typically leans towards a more acoustic sound, but in ‘ My Therapy ,’ he takes a heavier approach that I really enjoy. ‘ My Therapy ’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. There are no truer words. Music is my therapy, too, so I can relate. Although this song marks a departure from the sound Aaron has become known for, the grunge feel in this track is undeniable. It’s as if Aaron has traded his acoustic guitar for an electric, grunge-infused style that sounds unlike anything I have ever heard. The song starts with a groove that immediately gets your head nodding. The guitar tone is deep, and everything about this song hits hard, so I encourage you to check out ‘ My Therapy ’ today on all your favorite streaming services. Other Reviews: Reviews on the Real: Run for Cover by Aaron J. Burke Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Reviews on the Real: Rise Not Fall by Aaron J. Burke Facebook: Facebook Instagram: Aaron J. Burke (@aaronjburkemuso) • Instagram photos and videos Spotify: Aaron J. Burke | Spotify Apple Music: ‎Aaron J. Burke - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

XIII Minutes delves into the dynamics of power and influence on their latest offering. < Back Exploring XIII Minutes’ Bold New Track: ‘Cult Leader’ Nicole Brice Jun 26, 2024 Share XIII Minutes delves into the dynamics of power and influence on their latest offering. Sometimes, a song comes across my radar and instantly hooks me. “Cult Leader” by Tulsa-based XIII Minutes has done just that. Released June 23, 2024, and currently available via Bandcamp, “Cult Leader” is a gripping mix of hard-hitting lyrics and compelling instrumentation with a solid four minutes of sound to get your pulse and adrenaline pumping. The mix sounds great—the vocals have a pop-punk vibe, and the chorus is a powerful standout. XIII Minutes continues to push boundaries with a track that is both sonically aggressive and lyrically profound. The song is structured around dynamic shifts between explosive verses and a chorus that is both anthemic and chilling, with the soundscape being chaotic yet controlled. Overall, ‘Cult Leader’ is a solid and enjoyable track that cleverly weaves hints of early 2000s rock with the high energy of pop punk, creating a unique and intriguing sound that will surely get you going. Click to experience 'Cult Leader' for yourself! Written by Jamie Kucinski (drums), Thomas Wheat (guitars), Jerrod Cunningham (vocals), and Preston Bell (bass), ‘Cult Leader’ starts jamming as soon as the song begins and does not let up the entire time. This song has it all, and I highly recommend you listen to it today. To learn more about XIII Minutes: xiiiminutesofficial | Instagram, Facebook | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. < Back Reviews on the Real: Blueprints for a Breakdown by T Mason & The Bricklayers Nicole Brice Apr 9, 2025 Share Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. The members of T. Mason & the Bricklayers , based in Baton Rouge , Louisiana are well-versed in creating music that resonates with audiences. Each member has been involved in various projects over the years, but they have now come together to make an impact in the reemerging pop-punk scene. Their latest release, Blueprints for a Breakdown , is a classic punk EP filled with catchy hooks, heavy basslines, and feel-good music reminiscent of the early 2000s. It truly captures the sound of my youth. Released March 9, 2025 Travis Mason 's vocal delivery is strikingly similar to Fat Mike from NOFX , making the comparison quite remarkable. He could easily cover a NOFX song. Joshua Selser is a powerhouse on the bass, and that's no exaggeration. He takes center stage with his playing, and the tone he adds to each song by T. Mason & The Bricklayers is undeniable. Andy Clancy ’s guitar playing is precise, creating a remarkable sound that ties the Bricklayers' overall sound together. Credit: Gary Governale Released March 9, 2025 , Blueprints for a Breakdown is one of those EPs you can listen to repeatedly without growing tired of it. Each time you hear it, the music feels even fresher than the last. After reading this review, I encourage you to check out the band's music. They have released quite a bit over the years. Let’s get into the tracks, shall we? Busy Signal – no lead-up – jumps right out of the gate – a solid track. Another Friday Night begins with that heavy bassline that I love. Travis then comes in on the drums, and Andy’s guitar parts are tight and energetic. Turn this one up loud! Shabang! A thunderous rolling of the instruments begins this track, which just starts going and never lets up. It's another solid tune. Sour Candy is my favorite track on the EP; however, all the songs are amazing. Everything about this song feels just right. The guitar parts at the beginning perfectly match the song's slower pace. I also really like the lyrics. ‘Sour Candy’ has a more alternative sound vs the pop punk sound heard on previous tracks. Stand on My Shoulders is another pop punk banger. It’s upbeat, poetic, and embodies the sound of T. Mason & The Bricklayers . Blueprints for a Breakdown is an enjoyable EP that is best listened to in the car with the windows down. This way, you can fully appreciate all the sounds it has to offer. The EP is now available on all streaming platforms, so add some local Baton Rouge punk rock to your playlist today. To learn more about T. Mason & The Bricklayers: YouTube: brick vs. window - YouTube Bandcamp: Blueprints for a Breakdown | T. Mason and the Bricklayers Facebook: Facebook Instagram: T. Mason & The Bricklayers (@t.mason_and_thebricklayers) • Instagram photos and videos Spotify: T. Mason & The Bricklayers | Spotify Apple Music: ‎T. Mason & The Bricklayers - Apple Music *Additional photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Come On Home’ is an upbeat and heartfelt anthem. < Back Reviews on the Real: Jared Daws Invites Us Back to Appalachian Roots with Soulful New Single ‘Come on Home' Nicole Brice Sep 16, 2024 Share ‘Come On Home’ is an upbeat and heartfelt anthem. Music truly can transport us to different places and times if the lyrics, vibe, and tone are just right. Enter Louisiana country artist Jared Daws , who has just released his latest, ‘ Come on Home ,’ an upbeat homage to rural country life and the relaxation that comes with it. Released September 6, 2024 The track has a strong opening that leads to crisp, clean vocals and a toe-tapping, head-nodding sound. With sing-along choruses and an incredible mix, Jared has managed to craft a feel-good song full of nostalgia and longing. Yes, just take me back to Appalachia, please. With a tinge of Louisiana flavor, Jared’s voice resonates with soul and strength. His vocals alone draw you into a song full of emotion that never lets up. This is truly an enjoyable track. The video , which was released on September 13, 2024 and is available on YouTube , paints a vivid visual and truly brings the entire song to life. https://www.youtube.com/watch?v=7rXvOFv6kJQ We were able to ask Jared a few questions so you can get a better feel for his newest tune. Check out our conversation below. MaM : Tell us a little about the inspiration behind your latest release, ' Come on Home '. What is the song about? How long did it take you to write the track? JD : ‘ Come on Home ’ is a tune about just getting back to your roots and doing the things that inspire you. For me, that’s being out in nature. Just breathing the air and hearing the sounds of the woods does something for me. The song came about from a little riff I wrote. From there, it all came together quickly. My buddy Pat Lyons , who plays for Colter Wall , helped me shape it up a bit, and it all came together from there. Credit: Cherish Ann / Memory Lane Photography MaM : Where was the new music recorded, and what are your plans for the rest of 2024 into 2025? JD : We recorded this tune in Nashville at The Owl studio in Berry Hill. A huge thanks to Pat Lyons (Colter Wall), Solly Levine (ex-Colter Wall, Noeline Hofmann), Preston Wait (Brothers Osborne), Geoff Henderson, Mitch Furr , and Katie Lang for helping me make this record! For 2024, we will just be ripping some gigs and getting ready to tour in 2025! MaM : What inspires you to create the music that you love? JD : Honestly, it all comes from my life experiences. I’ve dealt with and seen a lot in 30 years. Music helps make good and bad memories exist in a space where I can utilize their power. Being able to take a bad memory and turn it into something I enjoy or use a good memory and make it even better with music helps me out a ton mentally. Credit: Black Heart Media / Tayler Blackhart MaM : How would you describe the music you typically create? JD : They say country music is three chords and the truth. Most of my music has more than three chords, but that is true. So, I guess we will call it “country for the most part.” I just make what feels right, and it typically walks the line of country, folk, & Americana. It doesn’t matter what ya call it; I need ya to listen! MaM : Are there any musicians or bands you'd like to share the stage with in the future? If so, who? JD : The list would take up every bit of the space allotted for this interview, so I’ll keep it short and sweet. Sierra Ferrel , who, in my opinion, is the new-age queen of Americana music. Tyler Childers , for sure, as well. His sound is so raw, and I love that he’s just genuinely him. Lastly, I’ll say Chris Stapleton . That man has the soul of three generations inside of him. To make music with him would be an honor. MaM : We saw that you just released an album in January 2024. What are your plans for new material? Are you going to continue promoting your catalog, or do you have plans to push forward with new stuff? JD : I’ll always promote my catalog because I am proud of those songs. However, I see myself pushing my newer music more because it shows where I am currently in life. I’m living in the moment more these days, so pushing the music that’s with me right then and there is very important to me. I have a lot more music coming showcasing what life has been like lately, and I’m super excited and proud of it. ‘ Come on Home ' is a soothing, calming, relaxing song full of harmony that makes you think of campfires, hanging out, telling stories, and just the good times, so be sure to stream it today on your favorite streaming platform and catch Jared Daws live this fall at a venue near you. For more information on Jared Daws: www.jareddaws.com Jared Daws Official Website Home of country music artist Jared Daws. Shop for merchandise, stream and purchase music, as well as find tickets to upcoming events involving Jared Daws. *Cover photo by Cherish Ann / Memory Lane Photography Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Phoenix’ is a soothing journey through sound with raw emotion. < Back Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Nicole Brice Sep 6, 2024 Share ‘Phoenix’ is a soothing journey through sound with raw emotion. Aaron J. Burke is a singer and songwriter from Ireland. He has gone from recording demos in his room to having frequent airplay on radio stations across his home country and the world. Growing up on a steady diet of rock music, in his twenties, he moved into a more acoustic sound inspired by the rich singer/songwriter scene in Ireland. Aaron has been busy working on his first EP, backed up by the latest release, an acoustic song called ‘ Phoenix .’ ‘ Phoenix ’ is a hauntingly beautiful song reminiscent of tunes by XTC and R.E.M. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Naturally, the day I listened to this track for the first time, it rained outside like crazy. Acoustic tunes suit my mood on rainy days, and Burke has captured the essence of renewal lyrically and musically with a deeply personal and universally relatable piece. Aaron J. Burke said of the lyrical inspiration for the song, “The song 'Phoenix' is over ten years old, so I don't recall the specific events that inspired the lyrics. However, it was written during a dark time for me. I wrote the song as a personal pep talk or motivational thing, but I also wanted it to be well-rounded so everyone could relate.” Credit: Aaron J. Burke The song's arrangement is atmospheric and dynamic, and the music truly resonates on multiple levels. It’s the kind of song that uplifts but also challenges you to reflect on your moments of struggle and triumph. With a new EP in the works, Aaron J. Burke is not rushing the creative process but instead is taking his time. “There is one track left to record for the EP, so I hope it will be released in October.” In the meantime, check out ‘ Phoenix ’ on all streaming services. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘These Chains’ is an amalgamation of everything good in music. < Back Breaking Free: A Review of ‘These Chains’ by Byron Daniel and the Five Dead Dogs Nicole Brice Jul 13, 2024 Share ‘These Chains’ is an amalgamation of everything good in music. New music always makes me happy, and today, I have a new track from Byron Daniel and The Five Dead Dogs , a band from Southeast Louisiana. ‘These Chains’ is an amalgamation of everything good in music. It’s got soul, fuzz, thundering bass, and a great groove. Reminds me of a modern incarnation of The Allman Brothers . It’s classic rock with a twist that gets your head nodding. “ Rural Infused Sweat Rock ” is how the band describes their music, and I have to say I agree. That is one of the most descriptive terms I have heard to describe music ever. When asked about the recording process for the new material, lead vox Byron Daniel said, “We recorded this song with Bryon Knight at Melancholy Mixing and Mastering . I played an acoustic show with Bryon, and he told me about his studio. Shortly after, I heard a single that Bryon had done for a band called She Might Be a Beast and really loved it. He was a pro and very easy to work with.” Byron Daniel and The Five Dead Dogs is comprised of Byron Daniel (Guitar/Vocals), Andy Ates (Guitar), Monroe White (Bass/Vocals), and Christian Colonna (Drums). ‘These Chains’ begins with a smooth and mellow vibe when Byron’s weathered and raspy vocals kick in. This man’s voice is full of so much soul and depth. Because of his vocal delivery, he is one of my favorite local frontmen, and even though I have not caught them live yet, I hope to in the future. With catchy lyrics, Byron said of the lyrical inspiration behind the song, “The inspiration comes from my upbringing and the people that have kind of come and gone out of my life. ‘These Chains’ is just about partying and using rock n’ roll to break free of small-town syndrome. Most of my writing is just me trying to accept who I am, what I’m doing, and what I’ve done.” One of the best parts of the song is the guitar tone on the solo from 2:15 to 2:47. Wow, it knocked me on my ass because it doesn’t come at you all at once; no, it builds to a powerful crescendo. ‘These Chains’ is an enjoyable track from start to finish, but I insist you listen to it loud in your car with the windows down while driving a long, windy country road. With plans to release a full album in the future, the band will be hitting the road in October to bring their sound to the masses, so keep your eyes and ears open. Click picture to listen to the new track “Definitely excited to be branching out and doing some shows in Baton Rouge and Lafayette. We spend most of our time in New Orleans or on the north shore, so we’re stoked to be seeing some new faces and converting some folks to the ways of Sweat Rock! We are looking to have our album ‘Armadillo Soup’ out by 2025. We will certainly be releasing a single or two before that.” https://www.youtube.com/watch?v=gc2h-Ox2XXo ‘These Chains’ by Byron Daniel and the Five Dead Dogs is a powerful, emotionally charged track that showcases true musical craftsmanship and stays with you long after the first listen, so do yourself a favor and go stream it today. Upcoming Shows: Click picture for more info To learn more about Byron Daniel and the Five Dead Dogs, just hit one of the links below: www.bdandtfdd.com #RISR | Byron Daniel and The Five Dead Dogs Byron Daniel and The Five Dead Dogs are available to book for music clubs, festivals, events, parties, and acoustic shows. Facebook : https://www.facebook.com/ByronDMusic/ Instagram : https://www.instagram.com/bdandtfdd/ Spotify : https://open.spotify.com/artist/6NUAE8mTYyxW3FLMaKmfu7 Apple Music : https://music.apple.com/us/artist/byron-daniel-and-the-five-dead-dogs/1546819944 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. < Back Reviews on the Real: Megahera J. Heist Nov 1, 2025 Share This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. Founded on October 11, 2008, by Sardinian singer and guitarist Mario Marras, Megahera was created from a strong desire to revive the sound and vibe of the 1980s. The name "Megahera" combines "MEGA" (meaning "great") and "Hera" (meaning "era"), reflecting the band's connection to the vibrant period in music history known as the 1980s. Credit: Megahera Drawing inspiration from various 1980s bands, Megahera developed a unique blend of NWOBHM (New Wave of British Heavy Metal) and Bay Area Thrash . Following the release of their demo, the band received praise from both fans and the media. They were invited to participate in the Eventi Metallici Fest , a well-known competition for metal fans in Sardinia , where Megahera won the final session, sharing the stage with special guest Paul Di'Anno , the former vocalist of Iron Maiden . During an active touring period, the band diligently worked on their first album, Metal Maniac Attack , released by My Graveyard Production in 2011 . To promote their debut, the band organized their first Australian tour, called the Insanity Attack Tour , in collaboration with Metal Evilution Organization (Australia), performing a series of shows worldwide. While in Australia, Megahera also released the EP Leather in London . Today, Megahera continue to produce new music, and we would like to recommend them if you're not yet familiar with their work. What do I love more than '80s thrash metal ? Bands that keep the genre alive! I just listened to their song ' Before the Night ' from their debut album, Metal Maniac Attack , and it's an absolute banger. I am hooked. ' Before the Night ' is fast paced from start to finish, with no breaks, making it the perfect song to introduce you to Megahera . The drums are relentless, the vocals are in-your-face, and there are not one, not two, but five guitar solos—count them, five! Who else does that? Megahera does. This song could easily fit on Kill 'Em All , and I bet the guys in Metallica would agree. This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. So, check out ' Before the Night ' first as your introduction to Megahera , and then indulge yourself in their latest release, Back to the 80s , which was released on August 22, 2025 . Back to the 80s is a non-stop ride of pure thrash metal goodness. Released August 22, 2025 I just gave you a new favorite band to add to your list, and I promise you won't regret it! Peace, love and music -J Heist To learn more about Megahera: http://www.megahera.net www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trailer Park is a song that resonates in all the right ways. < Back Reviews on the Real: Trailer Park by Mayrunner Nicole Brice Aug 1, 2025 Share Trailer Park is a song that resonates in all the right ways. Mayrunner , an alternative and punk band based in Lafayette, Louisiana, has returned with a new single titled ‘ Trailer Park ,’ and we can't stop listening to it. For those who aren't familiar with the band, Mayrunner has been a prominent part of the Lafayette music scene for quite some time. We even featured them in an article for RADFest back in 2023. Released August 1, 2025 Although the band took a hiatus when their lead vocalist, Devric Taylor, relocated to another state, they are now making a strong comeback and are ready to make their mark in the evolving music landscape. Credit: Elise Hanks The current line-up of Mayrunner is: Devric Taylor (vocals/guitar), Henry Milliman (bass), Coleman Wilson (guitar), and Phil Hardy (drums). Some of their past releases include Good for What We Are , which came out in 2018 , and Tell Me Where You’ve Been , released in 2023 . Today, let's explore the new song ' Trailer Park .' It opens powerfully with Devric's echoing vocals, then transitions into a beautifully chaotic sound before gradually softening into a slower tempo. I enjoy it when bands incorporate tempo changes; it keeps the music feeling fresh. As the chorus begins to build, it rolls effortlessly and is incredibly well-crafted. Once it starts building, it does not let up until it has to end, and then it trails off with one of those heavy basslines I love. https://www.youtube.com/watch?v=rwT9_Ksiv_0 'Trailer Park' by Mayrunner ' Trailer Park ' is a song that resonates in all the right ways. Be sure to stream it today! *photos by Elise Hanks Facebook To learn more about Mayrunner: Facebook: Facebook Instagram: Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp: Music | Mayrunner www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trust Devoured offers a bold, cathartic journey that demands attention and rewards you with depth and intensity. < Back Reviews on the Real: Exploring Trust Devoured by pMad Nicole Brice Jul 23, 2025 Share Trust Devoured offers a bold, cathartic journey that demands attention and rewards you with depth and intensity. Released July 19, 2025 , Gothic post-punk artist pMad has unveiled Trust Devoured , a captivating new EP that is part of an international music collaboration called Exquisite Corpses . Teaming up with the Australian dark rock band Killtoys and the intercultural cinematic group Lunar Paths , pMad explores a fresh approach to artistic creation—one grounded in rhythm, trust, and transformation. This unique musical endeavor brings together three artists from around the globe to create a project that is greater than the sum of its parts. I always appreciate when bands collaborate, as the results can be extraordinary, and this project is no exception. If you're a fan of music that is just good, you'll love this. Released July 19, 2025 Inspired by the classic parlor game " Exquisite Corpse ," where each participant adds their piece without seeing the previous contributions, the three artists challenged themselves to apply this concept to their songwriting. The result is three EPs that form a rich, atmospheric collection of nine tracks , seamlessly blending their styles, perspectives, and creativity in an unconventional way. Together, they present Trust Devoured , a distinctive contribution to the Exquisite Corpses project by pMad . The title of the EP reflects the thematic thread connecting its source material: "Feed," "Eating for Pleasure," and "Zero Trust Mentality"—all songs deeply rooted in themes of self-consumption, trust, and emotion. Photo provided by pMad "It's a Frankenstein of feelings—each version stitched from the same drumbeat, yet telling a different story." – pMad While each band in the collaboration has released its own EP, we will focus solely on pMad's contribution, the Trust Devoured EP. The result is three deeply personal and emotionally intense tracks: 1. Celestial (feat. Lunar Paths) This track is amazing. The intro sets the perfect stage for the rest of the song. The vocals are spot on, the beat is solid, and every sound meshes beautifully. I love everything about this song. https://www.youtube.com/watch?v=dCrT8g1aU2k Video for 'Celestial' 2. Closer (feat. Killtoys) This song reminds me of what it would be like if Joy Division and Killing Joke collaborated and Bauhaus added a few notes. It features layered guitar parts with a steady rhythm and haunting vocals that lead you into a tunnel of sound, engulfing you completely. https://www.youtube.com/watch?v=LqFkp3kYgug Video for 'Closer' 3. Feed A smooth groove and a howling guitar create a dreamy and atmospheric sound. The pounding drums and bass build up to a melancholic chorus that throbs and pulses with emotion. https://www.youtube.com/watch?v=Q-aYp35GFWA Video for 'Feed' The Trust Devoured EP offers a bold, cathartic journey that demands attention and rewards you with depth and intensity. If you’re craving music that hits hard and inspires , streaming Trust Devoured is essential. To learn more about pMad: linktr.ee pMad | Instagram, Facebook, TikTok, Twitch | Linktree New album 'I in Power' out now on Bandcamp & hit singles in all the usual places streamondistro.lnk.to Trust Devoured EP Listen to content by pMad. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. < Back Reviews on the Real: Serenity by Nicki Needham Nicole Brice May 12, 2025 Share ‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. Today, we’re exploring the latest release from Louisiana-based singer-songwriter Nicki Needham . She has become a prominent figure in the local music scene, thanks to her remarkable talent, unwavering drive, and exceptional work ethic. Nicki is frequently performing and has taken the stage at numerous music festivals throughout the state, including Festival Internationale and Fête du Void . Released May 8, 2025 Released on May 8, 2025 , ‘ Serenity ’ possesses a surreal and atmospheric quality that takes you on a soothing journey. I always listen to new songs with headphones to fully immerse myself in the rich textures and layers of the music, and this release was no different. https://www.youtube.com/watch?v=qvgaZplXxJw The official music video for 'Serenity' by Nicki Needham. The opening of ' Serenity ' is hauntingly beautiful, filled with soul and depth. It leads into one of the most soothing and captivating voices I've ever heard, giving me chills from start to finish. Nicki’s voice reminds me of American singer-songwriter Anna Nalick , whose music was the soundtrack to my endless drives to and from Hammond during college. The mixing of this track is flawless, and the production quality is exceptional. Nicki’s lyrics paint a vivid picture of someone searching for themselves amidst the world's chaos. She encourages listeners to take time for self-reflection and to discover their own serenity. The spoken word segment at the end of the song is particularly noteworthy; I closed my eyes and felt myself slipping into a semi-meditative state. As ' Serenity ' concludes, it erupts into a powerful chorus filled with emotion. It truly is a rollercoaster of a song! The track ends on such a high note that it leaves you wanting more. No joke—go stream ‘ Serenity ’ now, and you can thank me later. Look for a full EP release from Nicki Needham in the fall of 2025, too. To learn more about Nicki Needham: YouTube: Nicki Needham - YouTube Website: www.nickineedhammusic.com Facebook: Facebook Instagram: Nicki Needham (@nickineedhammusic) • Instagram photos and videos Spotify: Nicki Needham | Spotify Apple Music: ‎Nicki Needham - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Last Giant's music is nostalgic and fresh < Back Last Giant: Captivating and Catchy Chris Pryor Jun 21, 2023 Share Last Giant's music is nostalgic and fresh In the vast world of music, it's always a pleasant surprise to come across a band that manages to impress with its unique style and sound. Last Giant is one such band that has caught my attention, and in this review, I'll be focusing on two standout songs from their latest album, "Monuments" released on June 9, 2023, by indie label Little One Ate the Big One and distributed via The Orchard. Released on June 9, 2023 via indie label Little One Ate the Big One Beginning in 2014 from the ashes of former Northwest indie-rock heavy-hitters System and Station (1998-2013), Last Giant is comprised of frontman RFK Heise (vocals, guitar, keys), Palmer Cloud (bass), and Matt Willes (drums). Last Giant has toured the U.S. extensively and has been featured in film and television, as well as shows including Mike Watt's "The Watt from Pedro" and Allen Epley's "Third Gear Scratch." Last Giant's video for "Captain My Captain" was the winner of MTV's indie video award with over 70,000 votes and they were a featured artist on MTV2. courtesy indie label Little One Ate the Big One With "Monuments," demoing started in early 2021 before Last Giant's film release, "Live from The Hallowed Halls." Shortly after, personal tragedy derailed the band from living in a consistent zip code. Band leader RFK Heise continued to write and hone songs, most of which would become Monuments while living throughout Northwest and Southern California. Lyrical inspiration was found in observation and introspection on not having a consistent home and being a stranger in a constant strange circumstance. First up for review is "Lost and Losing," a track that immediately captures your attention with its captivating guitar work in the intro. The vocals exude a smooth yet bluesy/folksy quality reminiscent of the legendary Bob Dylan. However, Last Giant infuses their music with a modern touch, resulting in a sound that is both nostalgic and fresh. "Lost and Losing" stands out as the perfect contrast to the rest of the album, and it's a fantastic choice for a closing track. The production is top-notch, allowing the listener to fully immerse themselves in the West Coast scene that Last Giant expertly captures. https://www.youtube.com/watch?v=G6g5IV4647A Moving on to my personal favorite, "Soldiers." Right from the start, this song hits you with a heavy, crunching sound similar to the legendary Motley Crue. The riffs are undeniably catchy, while the driving drums keep the energy high throughout. The transition to the bridge and subsequent lead guitar solo is seamless and adds another layer of excitement to the track. As the song progresses, it momentarily slows down, building anticipation for a rockin' crescendo that doesn't disappoint. The structure of "Soldiers" is masterfully crafted, making it a perfect fit for modern rock radio. https://www.youtube.com/watch?v=sR0iBZ_0esU Last Giant's musicianship and production shine brightly throughout the entire album. The band has honed their style and sound, resulting in a cohesive body of work that showcases their talent and creativity. Last Giant is a well-rehearsed group of musicians who know how to captivate their audience. Based on their impressive performance on "Monuments," there's no doubt that Last Giant is a band destined to be seen and heard. Their ability to blend classic and modern rock influences sets them apart from the crowd, and I have no doubt that we'll be hearing even more from them in the future, so keep an ear out because they're ready to rock your world. To check out more from Last Giant, visit their website at www.LastGiantBand.com or hit one of the links below. Last Giant | Spotify ‎Last Giant on Apple Music Monuments | Last Giant (bandcamp.com) Christopher Pryor is a multi-talented Renaissance man who currently fronts the Louisiana-based band Chris Pryor & The Main Event. He loves to listen to new music and give his opinions. Got something you'd like him to listen to? Hit us up at the_nicolebrice@mixedaltmag.com or mixedalternativemag@gmail.com . *cover photo provided by indie label Little One Ate the Big One www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

10 Miles Into the Dark is a carefully crafted journey. < Back Exploring Darkness and Depth: A Review of Dark Miles’ 10 Miles Into the Dark Nicole Brice Sep 26, 2024 Share 10 Miles Into the Dark is a carefully crafted journey. With fall here, I have decided to review one of my favorite new albums from this year for you because it perfectly fits the fall mood. Released on April 25, 2024, 10 Miles Into the Dark is the first solo album from Portuguese musician Pete Miles and is a meticulously crafted piece from start to finish. No stranger to the music scene, having fronted the band MOSH previously, Pete has crafted a fantastic album with a constant theme of 80s new wave influences; it’s got synths, guitars, and beautifully crafted lyrics, making for one solid effort. This 10-track album blends heavy, melodic undertones with a shadowy ambiance that makes it strangely cathartic. Released April 25, 2024 As the album title suggests, 10 Miles Into the Dark isn’t just a collection of songs but a thematic journey. The “10 Miles” could be interpreted as the stages of emotional descent, exploring themes of isolation, personal struggle, and the human experience when faced with despair and uncertainty. The “dark” isn’t literal darkness but a metaphor for the unknown, the fears and doubts we often hide from. The concept of a gradual descent is prevalent throughout the album, with each song building upon the last, moving deeper into a dense, gloomy atmosphere. The tracks serve as individual chapters in this narrative, guiding you into the album's complex emotional soundscape. Let’s get into the track listing, shall we? 10 Miles … It is a hauntingly beautiful opening song that starts softly and then continues to build, setting the tone for the album. Your Heart is an Empty Street This song is the first single released from the album. It’s upbeat, with a new wave edge, and full of soul and depth. We also reviewed it here , so read more about it via the link. https://www.youtube.com/watch?v=GI-hZGHrhes When the Lights Go Out It is one of the most influential and poignant songs to come out of the industry in a long time. It resonates with lyrics that speak of hope, love, and unity. We need freedom for all. Yes, yes, we do. Pete’s vocals are full of emotion and conviction. This song will evoke some feelings, so have the tissues handy. Because of the message and lyrical content, I feel this song will be a very important song in the future. I could even see Pete re-recording this song with the legendary Aaron Lewis of Staind . It's that good. https://www.youtube.com/watch?v=rsLyx8Eo3sk Running in Circles This is a low-key track with beautiful synths and soft vocals. It’s very mellow and soothing. Don’t Let Me Fall Apart This song departs from the vibe of the rest of the album. It starts with a country twang on the guitar and beautiful vocals. Nothing Left to Feel This song starts with a pulsing synth beat and evolves into a song full of 80s nostalgia. The synths remind me of Depeche Mode . Favorite lyrics from ‘Nothing Left to Feel’ : “ Save me from this poisoned room – just take me anywhere but here. ” The Waiting This song has a Smiths meets Echo and the Bunnymen vibe. Great track. One Last Goodbye This song starts with the sound of rain coming down and then the guitar – and it hits you. All at once. Pete’s voice has tinges of Andrew Eldritch from The Sisters of Mercy on this track, which is terrific. Dear Enemy This is a solid rock song. Quite enjoyable. …Into the Dark ‘Into the Dark’ is the perfect exit for a well-crafted album. It’s plain hypnotic. 10 Miles Into the Dark is a stunning debut that establishes Dark Miles as a band to watch. The album’s ability to balance beauty and brutality, light and darkness, makes it a compelling listen from start to finish. Be sure to check it out NOW! I’m confident you’ll love it as much as I do. To learn more about Dark Miles: Bandcamp : musicdarkmiles.bandcamp.com 10 Miles Into The Dark, by Dark Miles 10 track album Distrokid : distrokid.com Your Heart Is An Empty Street by Dark Miles Stream and Save Your Heart Is An Empty Street - Distributed by DistroKid Spotify : https://open.spotify.com/artist/4XvSRfdTywsHsvqbCHbOgQ?si=A_NaSa0gS0uCBTmX0xHG2A Facebook : https://www.facebook.com/darkmilesband Instagram : https://www.instagram.com/darkmilesband X : https://x.com/darkmilesband YouTube : www.youtube.com Dark Miles Dark Miles the solo project of Pedro Lima (a.k.a. Pete Miles), lead singer of the extinct band from Portugal (MOSH). MOSH were a rock band that existed between 2004/2010. MOSH played at big festivals, and as a support act for renowned bands, like Marilyn Manson, Ill Niño, Soulfly. Their video had frequent airplay on MTV Portugal and nominated for Best Newcomer Act by MTV in 2007. They were also invited by the streetwear brand "Volcom" to play at the brand's world event in Biarritz. Pete went into an artistic hiatus that ended with the arrival of the pandemic, which led to an album focused on his influences beyond the heavier spectrum of rock, the 80s and 90s alternative rock. Influences from Depeche Mode, David Bowie, Peter Murphy, The Sound, Psychedelic Furs and Peter Gabriel, to Mad Season, Stone Temple Pilots, Chris Cornell, Mother Love Bone, Temple of the Dog, Mark Lanegan, etc, Pete Miles tries with this album to pay homage to these two brilliant decades of international music. *Cover photo via Facebook Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Kevin’s music is a hybrid of blues, rock, and pure Americana < Back Kevin Dorin: A Soulful Traveling Renaissance Man Nicole Brice & Chris Pryor Jun 2, 2023 Share Kevin’s music is a hybrid of blues, rock, and pure Americana Who is Kevin Dorin? That was the question that popped into our brains when he first came onto our radar. Although not well known here in the United States, Kevin has been making music for almost his entire life starting out in his home country of Canada as part of the rock band Bigger Fish Than Guns. Bigger Fish Than Guns was a band out of Calgary in the Canadian province of Alberta who saw great success in the late 2000s to early 2010s until they broke up in 2012. “We had a meteoric rise after recording our first EP, and our single “Texas T” won us $25,000 in a radio station contest in Calgary. The song was added to stations across Canada and the NE U.S. and charted the Top 30 alt rock up in the great white north. Sound-wise, we rode the coattails of bands like The Black Keys and regularly beat out Young the Giant for radio placements”, says Dorin. “We even got an awesome opening gig for AWOLNATION, and just as we were offered an opportunity to audition for a Live Nation booking agent, the band dissolved.” After the dissolution of Bigger Fish Than Guns, Dorin continued making music and working in the industry that shaped him. With a history rooted in Entertainment Business Management, thanks to his certification from The Metalworks Institute in Mississauga in Ontario, Canada, Kevin managed to make his way to the U.S. He currently lives in Idaho and consults for a venue in Sandpoint called The Hive. Being no stranger to the background workings of the biz, in the past Kevin managed the band Frankie McQueen and has had the opportunity to tour as a musician and as technical support for the indie band Sidney York. Photo provided by artist In addition to touring, making music, running things on the business side, and helping young artists with his songwriting competition, the Sandpoint Songwriting Competition , Dorin made a documentary in 2013 called What is Canadian Music? A true Renaissance man, Kevin Dorin is multi-talented and multi-faceted, and on April 7, 2023, he released a new single called “I Am Not Afraid” via all streaming platforms. The song is funky, soulful, and sounds like good, classic southern rock. The song fits our political landscape of today and we love the tones used with the music. The flow of the vocals is bluesy and merges well with the overall tone, which presents a powerful and evocative message about struggle, suffering, and resilience. The repetition of the phrase “I am not afraid” reinforces a sense of determination and courage in the face of adversity. The use of imagery like “body rotten bloody scene” and “sowing reaping feeding me” creates a dark and intense atmosphere that emphasizes the challenges faced today. The use of repetition and rhyming in the pre-chorus and chorus creates a strong sense of rhythm and adds emphasis to the message of the lyrics. Additionally, the use of metaphor like “the devil is the distance between our choices” adds depth and complexity to the song. https://www.youtube.com/watch?v=TzN87MxSkZY Overall, the lyrics present a complex and nuanced exploration of the themes of struggle, love, and resilience, and according to Kevin, “It's a song, it's a mantra, it's the Zeitgeist written to be a tool to give people HOPE in the ongoing chaos that is our world. Risk four minutes and it may just make you feel better.” “I Am Not Afraid” is a song to take note of and we were so intrigued by Kevin’s history and backstory that we reached out to him to ask a few questions. Kevin Dorin’s talent is one to be heard and seen, so after you read this interview, we encourage you to go check out his entire back catalog. He is sure to impress you with his talent, energy, and passion, which comes through in his music. MaM : Kevin, thanks so much for taking the time to chat with us. We love your song "I Am Not Afraid.” It's soulful, it's funky, and it's pure southern soulful rock. What was the inspiration behind the subject matter and lyrical content? KD : The song was inspired seven years ago by immigrating to the U.S. from Canada. I couldn’t work until my green card was approved and so I found myself watching more American news than ever before. At that time, Canadian news had much more integrity—not so much so nowadays, though. [At the time], I wasn’t used to the sensationalism and fear mongering. I took the feeling of how the American media made me feel and turned it into the lyrics for this song. I’ve been performing it ever since in the U.S. whenever things get especially weird and scary here. My fans tell me that they use the ‘I Am Not Afraid’ mantra in their own lives, and first-time listeners as well as fans sing it with me when I play the song live. MaM : Did you record and produce the song yourself? The production sounds great. KD : The song was recorded over a period of years, and I never felt like it was quite right, so I sent it out to a friend and mentor I'd worked for, Producer Trey Mills. He put the finishing touches on it. I sat on that recording for another 18 months and finally the chaos of the world got so insane, I figured the world could use the song. Photo provided by artist MaM : When did you start playing music and what inspires you to create? KD : I'm 36 and I've been in the music business my whole adult life. I was in a successful Canadian Alt Rock band called Bigger Fish Than Guns in my early 20s, but just as that band was peaking, we broke up and I moved to Idaho to get married. Since moving to the U.S., I've been getting deep into Americana styles of music and playing hundreds of shows a year so I can develop my skills to entertain at the highest level. As far as inspiration is concerned, if I live a strong life and maximize the potential of every day, I am always inspired to create. The adventure of life and the dynamic of pushing through the highs and lows provides me with endless emotion and stories to draw from. MaM : Are you currently playing shows? If so, where do you showcase your talents? KD : I consult for a gorgeous world-class venue in Sandpoint, Idaho called The Hive and I'll be recording my next show June 3rd on video and high-quality audio. We will be releasing a live video recording from that set of ‘I Am Not Afraid’ in mid-June, so follow my YouTube channel! Then I plan to get back on the road and play as many dates in 2023 and 2024 as possible to share the positive messages in my new music with the world. Photo provided by artist MaM : I see you put out an album in 2010 and then another in 2018. Tell us a little more about your past endeavors. Why was there a gap in releases? KD : My last album ‘Invisible Lines’ is one of my proudest achievements. It was recorded as a one-take, one-two microphone-style project through a mostly vintage analog recording process. It was a bit of a departure from my alt rock roots after living in the U.S. for a while and absorbing Americana. The goal was to be able to capture moments in the recordings like the quality of the heroes of old. I've studied the recording processes of music quite deeply and the records that make the most impact in my life are always recorded by musicians who have worked hard to be able to track a record live off the floor. As far as why I leave so much time between releases, all my favorite artists usually only release major projects every four to six years. This seems to be a time-tested recipe to achieving quality control and amassing songs that are worthy of something notable that can really make an impression on people’s lives. Most great songs are timeless, so you should be able to sit on them for years until the time is right to respect the art and release it in a way that achieves the full potential of the songs. ‘I Am Not Afraid’ is a return to more of my alt rock sound developed in my band Bigger Fish Than Guns, and I have many more songs I'll be releasing as singles over the next 12 months that are a similar vibe. We just re-released our Bigger Fish Than Guns album ‘Through the Green Door’ after taking it off streaming services for about eight years. It's an awesome album. I’m excited for new people to discover it. MaM : Where do you see yourself headed in the future musically? KD : I've been storing a stack of songs over the last five years and working to become the best performer possible, so you'll be seeing a steady stream of music released from me and I'll be playing it all over North America. - To experience the music of Kevin Dorin, head on over to all of his social media pages and his YouTube. His music and talent are unmatched. Kevin Dorin | Facebook Kevin Dorin (@kevindorin) • Instagram photos and videos Kevin Dorin - YouTube Kevin Dorin | Spotify ‎Kevin Dorin on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Night of Raw Emotion and Fan Favorites < Back Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy Rian Nickels Oct 16, 2024 Share A Night of Raw Emotion and Fan Favorites On a muggy night in Louisiana -October 7th, 2024—the historic House of Blues New Orleans brought together three different corners of the alternative music scene. The Used , an alternative rock band, was deep into their 2024 headlining world tour; for their New Orleans spot, they were supported by up-and-coming alternative grunge band Raue (Pronounced: Roo—ay) and well-loved soft rock band the Plain White T’s. Kicking off a night with a surge of high energy, Raue , a two-piece band from Santa Cruz, California, made a lasting impression with their gritty sound and riotous stage presence. The band comprises vocalist and guitarist Paige Kalenian and drummer Jax Huckle . I was super excited to photograph Paige and Jax, but sadly, I missed my first three-song opportunity. Fortunately, I still made it in time to enjoy their performance. A highlight of the performance was when they covered Radiohead ’s famous track ‘ Creep .’ Here’s a Clip from Raue’s Instagram of Creep cover . This was a perfect way to capture the audience's attention and give them something to remember. Paige has the ideal voice to achieve the dynamic shifts of softly sung verses and the mighty long shouts of the chorus. Raue also performed original songs ‘ Karma ’ and ‘ Ruby Glow ’ . Their sound and stage presence brought back that raw, filthy, and chaotic energy from 90s grunge bands like Nirvana and Screaming Trees , which is particularly impressive because the members have yet to hit their 20s! Raue’s throwback sound set the mood for a nostalgic performance from The Plain White T’s . Credit: Rian Nickels Credit: Rian Nickels Credit: Rian Nickels After Raue's angsty performance, the Plain White T’s were up next to slow things down a little. The Plain White T’s are a four-piece soft alternative pop rock band from Illinois. Members include multi-talented Tom Higgenson as the band’s lead vocalist (and sometimes you’ll find him playing keyboards or the acoustic guitar), Tim Lopez on lead guitar as well as backing and lead vocals, bassist and backing vocalist Mike Retondo , and De ’Mar Randell Hamilton on percussion. You can tell right away that these guys have spent the last 20 years making and playing music together as they play with perfect harmony and never miss a beat. They won the crowd with long-loved favorites like ‘ Hey There Delilah ’ and ‘ 1, 2, 3, 4 ’. These were two of their greatest hits, and the whole crowd sang, “ Hey there, Delilah, what’s it like in New York City ?” in unison, a moment of connection all the early 2000s kids have been yearning for. The Plain White T’s performed a perfect mix from across their discography with older, more nostalgic songs to tracks from their most recent Self-Titled album before ending their set with their popular hit ‘ Rhythm of Love ’ and welcoming The Used onto the stage next. After a heart-warming and calm set from the Plain White T’s, it was time to switch up the vibe a bit with a gritty, loud, and riotous alternative rock band from Utah, The Used . They are a 4-piece band comprising the following members: Bert McCracken as lead vocalist, Jeph Howard on the bass and backing vocals, drummer Dan Whitesides , and guitarist and backing vocalist Joey Bradford . As I waited for the performance to start, I noticed that their stage was adorned with a chain-link fence and chain-shaped mic stands, and many of their instruments had barbed-wire accents. A personalized stage setting like this shows their dedication to standing out with their individualism. Credit: Rian Nickels Credit: Rian Nickels Credit: Rian Nickels The energy of the entire audience shifted from ironically singing Taylor Swift’s ‘ Our Song ’ to being confused once the track warped into an announcement that stated that the concert had been canceled and where you could find your refund. This was so confusing while standing in the photo pit, but it was sure to be a playful trick as an intro, right? Everyone laughed it off, hoping it was a joke, and the member ran out to the stage. Before they were even able to play, someone in the crowd started a ruckus; I’m not sure what happened, but all the House of Blues security swarmed him, escorted him out, and Bert said, “ Bye Bye ” and left him with an endearing yet sarcastic wave. This showed the security and the band's dedication to making the concert a safe and enjoyable experience. The Used immediately went into performing an array of their discography. I was surprised at how chaotic and metal (for lack of a better term) their performance was. Between their lively and thrashy stage presence, the crowd surfers, and the mosh pits, it all added up to make quite an intense set. The audience was incredibly excited when they played tracks like ‘ The Bird and The Worm ,’ ‘ Blue and Yellow ’ and, ‘ Blow Me .’ A highlight of the performance was when Bert asked the crown to hold up their middle fingers at him and chant “ Fuck You ” over and over again before performing their track ‘ Fuck You .’ The Used’s set was a wild wave from start to finish, blending theatricality, heavy riffs, and crowd interaction in a way only they could. Their unapologetic energy and connection with the audience made every moment feel unique to our night on the tour, from the sarcastic humor to the raw intensity of their performance. The Used knew how to push boundaries, creating an unforgettable experience that left the crowd buzzing long after the lights faded and the music stopped. This night at House of Blues New Orleans was a perfect example of how diverse genres can come together to create a memorable concert experience. From the raw, filthy energy of Raue to the heartwarming, sing-along vibes of the Plain White T's , and finally, the chaotic, high-octane performance by The Used , the night showcased the incredible range of alternative music. Each band brought their unique style to the stage, but together, they created a seamless flow of emotion and sound that kept the audience engaged and on their toes. The intermingling of soft rock, grunge, and alternative punk made for an eclectic yet cohesive evening, proving that when it comes to live music, the blend of different genres can be more potent than any single sound. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? HIt us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. < Back Unearthing Depths: A Review of Eldergrey’s New EP ‘Well of Souls’ Nick Cline Jul 9, 2024 Share Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. Based in the United Kingdom, the doom metal band Eldergrey has officially released their debut EP, ‘ Well of Souls ,’ which does not disappoint. It is an electrifying fusion of various metal influences, a unique blend that promises to fill the gaps left by modern metal. Eldergrey formed in late 2023 when the creative minds of seasoned musicians Ian Field-Richards and Clive Withers joined forces. The creative sparks between the two led to the recording of ‘ Burden ’ by Outrun the Day , another project, in the summer of 2023, but it did not end there. While initially conceived as part of the next Outrun the Day album, it quickly became evident that the new material was slower, darker, and heavier, necessitating a distinct musical identity. Credit: Photo provided by band The recording process was a crucible that forged an intense synergy between Ian Field-Richards and Clive Withers' creative minds. Drawing inspiration from bands such as Crowbar and Conan , they have carved out a unique sonic space with profound lyrical content. Released July 5, 2024 ‘ Well of Souls ’ starts with the track ' Superlithic ', a song full of so much sludge from start to finish that it’ll make you think you’ve landed in the mud pits of Louisiana. ' Southern Star ' rounds out the EP with raw aggression and crunching guitars. From start to finish, this EP was an electric experience filled with pounding riffs, walls of fuzz, and screaming solos. It was just so good. I really enjoyed listening to it. The best part was the absolute crushing riffs and walls of fuzz that wrap around you like a blanket of chainsaws—almost like a cocoon of sound. It is reminiscent of metal greats such as Pantera , Black Sabbath , and Mayhem . I enjoyed how such a range of influences were integrated into the music. These musicians are damn talented. ' Empire ', by far, is my favorite track on the EP, but listen to it and decide for yourself. All of the tracks are bangers. I can't wait for the full-length to be released in the fall. https://www.youtube.com/watch?v=TWMFul9ZcZo The only downside of the album I could find is that some of the mix is off-balance. The guitar and drums overpower the bass and vocals in certain pieces of the songs. I think the bass and vocals should be raised, just a tad more. This would allow the mix to be evenly balanced musically and vocally. Tonality would be helped because it would create a fatter sound to cover all foundations of the track. At the same time, the vocals would allow itself to hover over the pounding tones of the music. The foundations laid by Eldergrey's debut EP will undoubtedly open the door to many inspirations and concepts for future exploration. This band is one to be watched, so take note. I anticipate hearing more from Eldergrey and commend the band on a solid first effort. ‘ Well of Souls ’ is available to stream now, so be sure to add it to your list of new music to check out. This EP is a journey worth taking. To learn more about Eldergrey : Facebook: https://www.facebook.com/theeldergrey YouTube: https://www.youtube.com/@Eldergrey Instagram: https://www.instagram.com/theeldergrey/ Linktree: Eldergrey | Instagram, Facebook | Linktree *cover photo provided by band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a night of dynamic performances and captivating energy. < Back Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian Nickels Oct 8, 2024 Share It was a night of dynamic performances and captivating energy. Strap up your black boots, throw on some eyeliner, and come along with me for one of the most exciting nights of my life. On October 4th, 2024 I got to photograph one of my absolute dream bands – Sleeping With Sirens – at The House Of Blues in New Orleans, LA . (To say I was thrilled is an understatement; I think my inner teen was healed that night.) Sleeping With Sirens is currently on tour to celebrate the 13th anniversary of their second album Let’s Cheers to This released in 2011. Supporting Sleeping with Sirens were alternative rock bands Teenage Joans and Holding Absence . The House of Blues started the night with the Australian punk rock duo – Teenage Joans. The duo consists of drummer and vocalist Tahlia Borg and guitarist and vocalist Cahli Blakers. Unfortunately, I arrived at the show a little late due to traffic and lack of parking (That’s the good ole French Quarter of New Orleans for ya), so when I walked in, I wasn’t sure if the band was still on the first three songs and sadly missed my opportunity to photograph them. However, I got this clip of Sleeping with Sirens on stage in between songs to sing Tahlia Happy Birthday and hand deliver her a cake! https://video.wixstatic.com/video/999a0f_0b1a6b0a416948e8bf9d14372729f836/720p/mp4/file.mp4 “Imagine being 14 years old and Sleeping With Sirens is your favorite band, and then being 22 and they are hand delivering you a cake and singing you Happy Birthday”, Tahlia said to the crowd before the duo went on to play a cover of one of Pierce the Veil 's most popular tracks ‘ Circles .’ This was the perfect move to get everyone excited about what was in store for the night. Teenage Joans also performed original songs from their debut album The Rot That Grows Inside My Chest . I was thoroughly impressed by the talent level they could achieve with only two members. Not every day you get to see a punk rock duo of women, and I indeed became a fan. Teenage Joans thanked everyone, threw guitar picks and setlists, and then made sure to get everyone excited for the following supporting act – Holding Absence. Holding Absence is a Welsh alternative rock band from Cardiff, Wales that consists of lead vocalist Lucas Woodland, bassist Benjamin Elliot, drummer Ashley Green, and guitarist Scott Carey. The energy they all brought to the stage felt very fun and lively. Lucas and the rest of the band members delivered a high-energy, chaotic stage presence that electrified anyone in the room. The amount of energy and movement they brought to the stage amplified the overall experience and kept the crowd engaged and in the moment. I had never heard of Holding Absence before, but the crowd indeed did; almost the whole audience of the sold-out show knew the lyrics to every song. Holding Absence gave their all for their set and then got the attendees screaming for who they’ve all been waiting for Sleeping with Sirens. Credit: Rian Nickels Credit: Rian Nickels Sleeping With Sirens is a post-hardcore band from Grand Rapids, Michigan , and has been blessing our ears since circa 2009. The band consists of four members: Kellin Quinn as lead vocalist, Matty Best on the drums, Justin Hills doing backing vocals and bass guitar, rhythm guitarist and backing vocalist Nick Martin, and touring lead guitarist Tony Pizzuti. As I said before, Sleeping with Sirens was on tour to celebrate the 13th anniversary of their second album, Let’s Cheers to This , and they were about to perform it for us in its entirety. Credit: Rian Nickels The lights dimmed and they allowed the press photographers in the photo pit; I’d be lying if I said that wasn’t one of the most incredible things I’d ever experienced just walking down the steps with other individuals with the same dreams and goals as mine. I wondered how many of our dreams were coming true that night. The anticipation of waiting for them to go on stage to let me loose to photograph a band I’d looked up to for over a decade was eating me alive. Upon coming out and the crowd going insane, I could only look up and smile. They started with the track ‘ Tally It Up, Settle the Score ’, a song about proving all the people who said you couldn’t do It wrong, which was the perfect track to get the crowd head banging and jumping and pumping my blood because there’s nothing more motivating than the people who don’t believe in you. They followed this with ‘ Do It Now Remember It Later ’, which follows similar themes with lyrics like “ Remember when they said that what we want can never be done? When it all comes falling down, we'll do what we want to ”. This was a full circle moment for me, from being 16-years-old and crowd-surfing at Warped Tour to this same song to photographing them performing it at 28-years-old at a venue that has many times felt like home. Credit: Rian Nickels After they played their third song, ‘ Four Corners and Two Sides ,’ it was time for me to leave the photo pit and enjoy the show with the attendees. This was a sold-out show at the House of Blues, which, if you don’t know, means that you packed in there like sardines, so I went all the way to the back for an easy exit after the show. Sleeping With Sirens went on to play more of their album, but a surreal moment for me was when they played ‘ A Trophy Father’s Trophy Son ’, which at its barest is a song about having a rocky relationship with your dad. It meant so much to me to see a room of so many people screaming, “ Is this what you call a family? ” in unison. It was one of those moments when you realize you’re not alone in your feelings and life experiences. Credit: Rian Nickels For their track ‘ All My Heart ,’ Kellin had everyone pull out their flashlights on their phone. The flashes lit up the House of Blues, and everyone sang, “ You still have all of my heart ,” in unison to create one of the most beautiful moments I’ve seen within those walls. Kellin then told us the whole story of his first time on tour with the band Enter Shikari in New Orleans . He mentioned how he had just gotten lost in the quarter and had gotten separated from all his friends and bandmates after being given one of his first Hand Grenades– a feeling almost every Louisianan knows all too well – Kellin’s Wife had called another bandmate and demanded they find her husband, after seeing Kellin fall asleep on top of the tour bus and wake up with one of the worst sunburns of his life. I liked this story because it felt like an authentic New Orleans experience and not a fabricated story for excitement like some bands will do. They went on to play more songs from the album, such as the title track ‘ Let’s Cheers to This ,’ ‘ Who Are You Now ,’ and ‘ Your Nickel Ain’t Worth My Dime ,’ before telling us goodnight and exiting the stage. Credit: Rian Nickels It’s important to note that earlier in the show, he told us they’d be leaving the stage soon and returning for five more songs. (Five Encore songs are wild, but I’m here for it). This had the crowd screaming “FIVE MORE SONGS” and “ONE MORE SET” which I’ve never heard before at a concert. They came back out on stage in different outfits and used this opportunity to perform songs that weren’t on the second album—starting with the song that rose them to fame, ‘ If I’m James Dean and You’re Aubrey Hepburn .’ This was another beautiful moment as everyone in the building knew every word and didn’t miss a beat. Kellin told us to sing it, and we didn’t deliver anything less. You could see how emotional this made Kellin, but he brushed it off with a bounce and big smile. Other songs they played for their encore were ‘ Kick Me ,’ ‘ Leave it All Behind ,’ and one of my personal favorites, ‘ Better Off Dead .’ Before playing this track, Kellin told us that he wrote this song for the people who sometimes can’t stand the reflection in the mirror and sometimes feel like they’re better off dead. They then finished off with an extended version of their biggest song from the album, ‘ If Ya Can’t Hang ,’ which was another one that had the whole House of Blues practically roaring. Everyone knew the words as they chanted, “ IF YOU CAN’T HANG, THERE’S THE DOOR BABY ,” while, of course, pointing out where the door of the venue was. It's a staple moment at almost every Sleeping with Sirens concert. Ironically, the concert was over, and we would hit the door soon because we couldn’t hang. Funny how that worked out, huh? Photographing Sleeping with Sirens at The House of Blues felt like more than just capturing a moment—it was a personal milestone that brought my teenage dreams full circle. I’ve been a fan of this band since my teens, and to stand in front of them, camera in hand, was nothing short of surreal. It’s an accomplishment that means the world to me, not only because of how long I’ve carried their music with me but because it represents growth, passion, and a love for music and photography. That night, the mix of nostalgia, excitement, and pure joy reminded me of one of the many reasons I do what I do. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? HIt us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nick Sabia’s new release “Back East” is a peaceful trek through nature. < Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. https://www.youtube.com/watch?v=-ingZ0SKZfo MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. < Back Reviews on the Real: Shoot Out the Satellites by The BIG Reveal Nicole Brice Apr 14, 2025 Share Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. Last Friday, The BIG Reveal , a band from Grand Bay, Alabama , released their debut album— a captivating 39-minute journey of pure, unfiltered alternative rock. Shoot Out the Satellites , released on April 11, 2025 , is a significant contribution to the overall rock scene. Drawing inspiration from the energy of ‘90s alternative rock, the album showcases The BIG Reveal ’s commitment to authentic, guitar-driven music . Standout tracks such as ‘ New Scars ’ and ‘ Fallout ’ highlight the band’s ability to blend different nostalgic rock elements into a modern sound that is both fresh and familiar . The band consists of a group of friends with exceptional talent, and their musical style is surprisingly mature for their young ages, showcasing a variety of sounds and textures. Each song is unique, offering a distinct experience. I encourage you to stream and add this album to your playlists; it’s excellent. There’s no filler either; every track is a gem. Released April 11, 2025 The BIG Reveal features Gavin Parker on guitar and vocals, Blake Hall on drums, and Luke Puckett on bass. Although the band has only been together for about a year, they really started to gain momentum after Luke joined. To learn more about The BIG Reveal , check out Bud Gambrell 's recent interview with them. Let’s dive into the track listing, as you absolutely need this album in your life. - New Scars – This thrashing, guitar-driven track begins with a thunderous guitar tone that draws you in until the smooth vocals hit—wow! Everything about this song is spot on. It features a hint of a southern rock sound while maintaining its solid alternative rock essence. - Fallout – This song plays with expectations; it starts out slow, but when the pre-chorus and chorus hit, it’s incredible—full of depth. - The World And All – This upbeat and enjoyable song showcases the raspier side of Gavin’s vocals at times. - Me and You – The guitar tone at the beginning has a distinct southern twang. This song is a departure from some of the band’s other tracks, leaning towards a milder, slower feel. - What I Want to Be – This one strays from the alternative sound and reminds me of a more pop-oriented country song. It’s a great track. - Can’t Find the Feeling – This track incorporates more country influences throughout. It’s enjoyable and a bit slower than the others until about 1:56, when a grunge fuzz guitar sound takes over. - Shoot Out the Satellites – The title track of the album is rich and full of depth. - It Follows – This song starts with a heavy grunge guitar sound and evolves into a head-nodding track full of rhythm. - Will You Believe Me – A hauntingly beautiful and powerful song. - Back to Goodbye – This track reminds me of a blend of Matchbox Twenty , Vertical Horizon , and 3 Doors Down ; you can definitely hear those influences. - Imagine That – A loud, powerful, and guitar-driven track—be sure to turn it up loud! This album is a must-listen , so be sure to put it on your list of things to check out today. Just click one of the links below to check it out. To learn more about The BIG Reveal: Website: The BIG Reveal Facebook: www.facebook.com/profile.php?id=61557900071233 ‎ Apple Music: The BIG Reveal - Apple Music Spotify: The BIG Reveal | Spotify TikTok www.tiktok.com/@_thebigreveal www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Wrestlers are a three-piece thrash metal powerhouse with nostalgic sounds. < Back Reviews on the Real: The Wrestlers J. Heist Aug 28, 2025 Share The Wrestlers are a three-piece thrash metal powerhouse with nostalgic sounds. Hailing from Oristano, Italy , The Wrestlers are a three-piece thrash metal powerhouse. Combining the nostalgic sounds of classic thrash metal and heavy metal, this band is "A Fuoco" (on fire)!!! With driving bass riffs, intricate guitar work, hardcore metal vocals, and non-stop drumming, they transport you back in time. If you enjoy thrash music, such as Metallica , Testament , and Megadeth , combined with elements of Judas Priest , Iron Maiden , and hardcore punk , I highly recommend giving this record a spin. The Wrestlers' self-titled album gets two thumbs up from me. Credit: The Wrestlers The Wrestlers are Alex Murru (Guitar/Voice), Simone Mura (Bass), and Samuele Oggiano (Drums). Released March 7, 2025 Necrophilic Woman This song is a fantastic way to kick off the album. Fast guitar playing and a catchy vocal melody set the tone where the song travels at breakneck speed, offering a brief moment of peace with a melodic breakdown before overwhelming you with an incredible guitar solo. This track serves as a perfect introduction to what the rest of the album has to offer—great riffs, impressive harmonies, and an overall fantastic composition. Look at the Dark This song takes a more melodic approach throughout. The vocals showcase their range in the chorus, while the rhythm section brings it back down to Earth. This track has everything, from solid songwriting to music that perfectly matches the title. ' Look at the Dark ' is one of my favorites on the album and will definitely have you contemplating the shadows. Rapist Demon This song brings hardcore punk vibes, reminiscent of Propagandhi but with a death metal twist. It has that old-school/new-school sound that will leave you wanting to press play again. It feels like a party anthem, and I can easily see it featured in a film. With its straightforward chord progressions, it epitomizes the concept of "less is more." You won’t know whether to get in the pit, headbang, or sing along. Explosion of Skull This track comes in strong with heavy guitars from the very start, reminding you that The Wrestlers didn’t come to play. The song is confrontational, featuring heavy metal and punk riffs along with a bass breakdown that leads into harmonized guitars and a stellar solo. If you're not in the pit by the end of this song, you might not be listening closely. The Apocalypse of Blood This song is a fast-paced beast that also offers some breathing room. Its breakdowns demonstrate that they came to both melt faces and woo you with metal, only to ramp up the speed again. This song has Slayer vibes, especially with a solo that would make Kerry King proud. ' The Apocalypse of Blood ' perfectly encapsulates what The Wrestlers are all about. After the Apocalypse When a metal song starts with a bass line, you know it’s going to be good. This track is on the slower side compared to the others on the album, showcasing their ability to craft guitar harmonies and groove riffs. It serves as the first song on the B-side of the album and as a great way to kick off that part. ' After the Apocalypse ' is as close to a ballad as metal gets. Le Leggi Dell'Umanità On this song, The Wrestlers utilize their multilingual skills to bring a taste of Italy to the mix serving up a drum intro, multiple time signatures, a bass break, and fast guitars. This track is an excellent representation of several of their writing styles combined into one. If you play this on a road trip, be sure to put it on cruise control. Mr. Beer This song brings back hardcore punk vibes. It differs slightly from the others, but still effectively represents their music. The bass player showcases his melodic talent with another catchy bass intro. This one's a bit of a happier version of their music but retains that metal edge. The Wrestlers indeed demonstrate their diversity with this song. Metal Father ' Metal Father ' introduces more hardcore punk sounds with great, simplistic yet effective guitar progressions and a sing-along-worthy chorus. The interlude strips things down a notch, offering a moment to catch your breath—if you have a lighter, this would be the perfect time to hold it up. It’s another example of the "less is more" approach, complete with superb dynamics. Violent Storms The closing track, ' Violent Storms ,' is an excellent way to end the album. It features classic 80s thrash metal grooves and powerful vocals that light up the speakers. Even the lyrics are perfectly crafted to conclude the album. This song might even be my personal favorite on the record, demonstrating once again that The Wrestlers can do more than play fast. Credit: The Wrestlers Overall, this is a fantastic album from start to finish, with a good flow from song to song. Each track has its own identity and leaves you wanting to hear more. If The Wrestlers aren’t in your playlist, you’re definitely missing out. Spin this album at full volume. The Wrestlers' self-titled album is a must-listen. Peace, love, and music, - J Heist To learn more about The Wrestlers: Facebook: The Wrestlers Facebook Instagram: The Wrestlers Instagram Spotify: The Wrestlers - Album by The Wrestlers | Spotify Apple Music: ‎The Wrestlers - Album by The Wrestlers - Apple Music The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for J. Heist to check out? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. < Back Reviews on the Real: Thieves and Tyrants EP by Gnashing Nicole Brice Feb 4, 2025 Share Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. Sometimes, music comes onto our radar long after it has been released. It’s the nature of the business these days, with the market being oversaturated with new original music. Today, we review Thieves and Tyrants , an EP released by New Orleans-based band Gnashing on September 15, 2023. Released September 15, 2023 - Click to listen Formed in 2022 in New Orleans, Louisiana, Gnashing's sound is a unique blend of old school death metal , thrash , and black metal . As one of the newer bands on the scene, Gnashing has been steadily booking shows since its inception. The band has performed at Creepy Fest in New Orleans in 2022, The Marsh Room in Metairie, the Intracoastal Club in Houma, Siberia in New Orleans, and many other venues, and the band shows no signs of slowing down anytime soon. New Orleans has long been known for its rich musical heritage, and at the core of Gnashing’s appeal is their ability to balance melodic dark beauty with a sense of tension and discomfort. Lyrically, Gnashing explores themes of inner conflict , isolation , and the pursuit of understanding in an increasingly fractured world, creating a layered experience that invites interpretation for each playthrough. Recorded, Mixed, & Mastered by James Whitten of HighTower Recording in New Orleans, Thieves and Tyrants is a rollercoaster ride of melodic death metal with a little groove and thrash thrown in. Gnashing is Chris Lilly (vocals/guitar), Taylor Hinkel (guitar), Erik Haley (bass), and Brennan Ledet (drums). Let’s dive into these tracks, shall we? Metamorphosis – starts heavy straight out the gate—an excellent opening to this EP. Head nodding abounds. Assertive guitars and vocals. It's a great tune to crank up to eleven. The Befallen – nice crispy opening with crunching guitars—this one has a slightly faster pace. Rush to Judgment – my favorite track on this EP. This high-energy song delivers a potent punch to the gut with a blistering pace of aggressive, distorted guitar riffs and pounding drums. Grandiosity rounds out the EP and is a little slower, but once the vocals hit, it puts you in a trance. The song builds and picks up the pace, maintaining this steady vibe of aggression. Thieves and Tyrants is an EP that hits both musically and thematically . We had a few questions for the lead vox of Gnashing, Chris Lilly , and he was kind enough to speak with us. Check out our conversation below. Credit: Facebook MaM : How did you come up with the sound for Gnashing? What led you to play the type of music you play? CL : We never really chose the style we were going for. It just happened organically. I grew up listening to all of the music of the 90s, but it was thrash metal in particular that I found myself very drawn to as a child. As I grew older, I started to rediscover that kind of music and became even more of a melomaniac. From there, I listened to more extreme genres and was heavily influenced by bands like Skeletonwitch , Stormlord , second-wave black metal, and especially Chuck Schuldiner of Death . The rest of my bandmates have similar influences, so our sound was created naturally and unforced. There's something about the darkness of extreme music that I find very intriguing, along with the concept of good versus evil. Within this kind of music, you'll find stories told in ways like no other, and I think there's a beauty in the ugliness of life, which makes for great art and is all a part of the human experience . An appropriate amount of pain, heartache, and suffering is necessary. Just as love, happiness, and joy is as well. The yin and yang concept. Chris Lilly of Gnashing (credit: Facebook) MaM : Walk us through the creative process for your EP Thieves and Tyrants . How did you approach writing each song, and is there a formula you follow when writing music? The title is fitting with all that is happening worldwide currently, right? CL : One of the first songs (titled The Befallen ) I wrote for this project was written before I had any members. I was always writing material and hoping to put together a band one day, and once I met our drummer, Brennan , we started the writing process. We clicked right away, and after the first practice, I knew he was the right person. Our bassist, Erik (former bassist of Drug Money ), was recommended to me by a mutual friend, and our guitarist, Taylor, was recommended to us by Erik, his stepfather. I was the primary writer for those songs, but every member had input, including some parts, such as Taylor's solo on the Metamorphosis track. It's been a group effort putting this EP together, and I would say having good chemistry with your bandmates is a must for a good formula for writing material. It starts with the riffs and how to combine each riff to see what works. Our drummer has helped with the arrangements as well. Yes, the title for our debut episode fits today's world and throughout history. https://www.youtube.com/watch?v=f2FZUPOEaz4 MaM : Do you have new music in the works, and if so, what theme are you finding is a dominant force in your writing these days? CL : We have new music written and hope to record it this year. We have some work to polish the already-written songs and finish writing new ones. A dominant force of the subject matter would be mostly medieval-themed . MaM : You have quite a few shows coming up in the coming months, but what are your main goals for 2025? CL : Our main goals are to finish the new material, record it, and work hard to ensure our performances are to the best of our abilities. https://www.youtube.com/watch?v=3SjTZx3m-7s MaM : What key message would you like fans to take away from your music? CL : I don't know that we ever really had a key message for people to take away from our music. It's mainly been a very therapeutic and creative outlet for us, but I hope it will provide the listener with the same enjoyment we get from creating and performing the music. Credit: Ian Ashley Ball As Gnashing continues making their mark on the local music scene and beyond, they stand poised to dominate with an unwavering dedication and organic approach to making music. We look forward to what the future will bring for Gnashing , so be sure to catch them live near you soon so you can experience the sonic abyss of sound only they can create. Upcoming Shows : Saturday, February 22, 2025 - the Intracoastal Club in Houma, LA with Psychic Bastard & EYEHATEGOD . Saturday, March 15, 2025 - Tales From The Riff Festival in Lafayette, LA at The Pic at Epic Performing with Christworm , Writhings , Cemetery Frost , Necromire , and Reptilian War Machine Friday, April 4, 2025 - the Twist of Lime in Metairie, LA for Dio's Legacy: A Tribute to Ronnie James Dio To learn more about Gnashing : Bandcamp: Thieves & Tyrants | 𝔊𝔫𝔞𝔰𝔥𝔦𝔫𝔤 Pandora: Gnashing on Pandora | Radio, Songs & Lyrics YouTube: Gnashing - YouTube Spotify: Gnashing | Spotify Social Media : Instagram: https://www.instagram.com/gnashingofficial?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Facebook: Gnashing Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Rise Not Fall’ is an expertly crafted acoustic EP full of emotion. < Back Reviews on the Real: Rise Not Fall by Aaron J. Burke Nicole Brice Nov 13, 2024 Share ‘Rise Not Fall’ is an expertly crafted acoustic EP full of emotion. Irish singer / songwriter Aaron J. Burke has expertly crafted an acoustic EP that is a powerhouse of emotion, with each song delivering a potent punch. This EP is best experienced with headphones, allowing you to be fully immersed in the raw power and artistry of the music, inspiring you with every note. ‘ Rise Not Fall ’ captures the essence of resilience and self-reflection with the raw emotional lyrics that are deeply personal yet universally relatable. “The message I’d like people to come away with [from my music] is honestly, it’s okay to fall down in life. It’s okay to have bad days or to struggle mentally, if you know you’re not alone. There are people out there that love and care, so just reach out if you’re struggling. Help is just a click or phone call away.” Released on October 25, 2024, ‘ Rise Not Fall ’ does not disappoint from start to finish. Let’s get into the track listing, shall we? Click the picture to listen Rise Not Fall A hauntingly beautiful instrumental song full of intricate guitar work and soothing tones. I closed my eyes when listening to this track, and you should, too. Take it all in. “Originally, the instrumental was titled ‘Silence in the Chaos’, but during recording the EP, I changed the name to the title track. Honestly, the inspiration [behind the song] was I was just messing around on the guitar in 2016 and stumbled upon the riff, which is how I sometimes come up with guitar pieces that become songs.” Run For Cover There are no frills – just straight, enjoyable music. That’s the best way I can describe ‘Run for Cover’ by Aaron J. Burke. It’s melodic from start to finish, with excellent lyrics. Reviews on the Real: Run for Cover by Aaron J. Burke Faceless An open and honest letter to the world from Aaron’s eyes. Very potent. Phoenix ‘Phoenix’ is a hauntingly beautiful song reminiscent of tunes by XTC and REM. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Hurray for Rock Bottom I started tearing up listening to this song. Maybe it’s the guitar work. Maybe it’s the lyrics. Either way, it is a powerful song. We have all been there – rock bottom, and if you haven’t, then count your blessings. I truly love the emotion throughout this track. Overall, ‘ Rise Not Fall ’ is a compelling showcase of Aaron J. Burke’s talent as a songwriter and musician. His music is strong and authentic because he speaks from his heart, and I admire that tremendously. If you would like to enjoy five songs full of meaning, then I recommend you listen to this newest EP release by Aaron J. Burke. His sincerity alone makes this collection of songs a spiritual experience. In an industry full of shallowness, Aaron’s music is a beacon of hope for those wanting to make a lasting impact through words. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. < Back Juan Blak's Interpretation of Tina Turner's "One of the Living": A Powerful Metal Metamorphosis Erica Machen Oct 27, 2023 Share Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. " You're one of the living, and if we can't stick together … " These words echo with profound resonance as Juan Blak brings this sentiment to life. He not only captures the essence of these lines but embodies their message in a remarkable way. By uniting a diverse group of living music artists for a cover of the late Tina Turner's ' One of the Living ', Juan Blak achieves something magical. It is truly an auditory delight. Over the course of roughly 22 years, Juan Blak been a part of the heavy metal scene in Los Angeles and later in Indianapolis . He reveals that his relocation to Indianapolis has yielded more musical progress than any of his time spent in Los Angeles . The connections made through his journey with his band BlaK SundaY and his own ever-evolving talent culminated in this incredible collaborative cover, redefining the sound of the rock anthem. Photo provided by artist This bold undertaking features Juan Blak on lead vocals, AIR-IK of Willow Wisp on guitar, Gene Migaki of Thorns of Sin on bass, Justin Hall of Artificial Zero and Synkhole Studios producing. What was once a classic rock song with outstanding vocals has now evolved into an eargasmic blend of metal and industrial rock. The infusion of heavy bass lines, symphonic vocals, and just the right touch of synth elements offers listeners a fresh perspective on the lyrics. GROUP As I sat astonished at what my ears were hearing, the lyrics took on new meaning to me. What once brought on the thoughts of Mad Max ’s post-apocalyptic world and survival now brings on the feelings of surviving life in the present. The depths of the lyrics are pushed by Blak’s force of a voice as the heavy instrumentals and synth deliver like a stake right through the heart of listeners. Lines like " They always said that the living would envy the dead " tug at the weariness of the human experience yet ultimately inspire us to persevere. In this metal-inspired rendition, Blak's unique baritone sound and tenor range shine, with hints of Chino Moreno from Deftones , making ' One of the Living ' an extraordinary listening experience. Even if you've never considered yourself a fan of metal, this cover demands your attention and leaves little room for disappointment. Blak's talent and vision are undeniably a force to be reckoned with in the music world. Photo provided by artist Blak mentions that a music video for ' One of the Living ' was in the works but was temporarily sidelined by his commitments with BlaK SundaY . The band remains his primary focus, as they are set to release their new album, Songs of Love, Death & Revolution , on Halloween. With live performances, recording sessions, and jam sessions, Blak's solo project serves as a fun creative outlet for him as well as an avenue for exciting collaborations with friends. In anticipation of their album release, BlaK SundaY has already shared a couple of videos, ' 11:59...Midnight ' and a cover of The Sisters of Mercy 's ' Lucretia, My Reflection '. https://www.youtube.com/watch?v=ZPyLz_dNeaY Blak Sunday '11:59...Midnight' Whether you explore Juan Blak as a solo artist or immerse yourself in the sonic world of BlaK SundaY , you're in for a musical journey that's bound to leave a lasting impression. Don't miss the chance to witness his artistic prowess unfold. To learn more about Juan Blak: Bandcamp: https://juanblak.bandcamp.com YouTube: https://youtube.com/@JuanBlaktv Patreon: https://patreon.com/blaktv www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stirring to Wake is a seamless journey using frequency to open the mind. < Back Reviews on the Real: Everfelt’s Stirring to Wake Nicole Brice Dec 15, 2025 Share Stirring to Wake is a seamless journey using frequency to open the mind. The latest album from Illinois-based Everfelt is nothing short of extraordinary. Opening with a spoken-word segment, the 8-track Stirring to Wake blends hypnotic background tones with a powerful message from lead vocalist Adam Steglich . It’s a striking way to kick things off, and Adam’s words are worth hearing. Everfelt first caught my attention in 2022 , when Mixed Alt Mag launched, and their sound has always felt like a psychedelic twist on Bauhaus —harder-edged, with rich lyrical depth and complex guitar work. Corey Robinson’s guitar tones are downright otherworldly, delivering incendiary sounds that demand attention. An enigmatic, ever-flowing current of sound, Stirring to Wake plays as a seamless journey, using frequency to open the mind and expand awareness. Adam’s poetic lyrics conjure vivid imagery, making the music feel like more than just music—it’s a spiritual experience. After several releases and lineup changes since 2022, Everfelt seems firmly on track to fulfill their mission: to make you think by opening hearts and minds through sound and pure, inspiring poetry. Slip on some headphones, close your eyes, and let the journey begin. Let’s dive into these tracks, shall we? Credit: Everfelt Epic One This song begins with a slow tempo intro that fades into a fuzzy guitar that builds. A strong riff sets in, and the music keeps getting stronger. A steady groove abounds, and Adam’s vocals are full of depth and range. This song never lets up. Wow. Sludge This track starts with a nice head-nodding groove and crunching guitars, with Adam’s heavy vocals. This dude knows how to control his voice, and he does it well. The range and depth of what he accomplishes with his voice are incredible. Sludge is less psychedelic than other tracks and more rock. In fact, this song reminds me of Bauhaus a bunch. I love Bauhaus, though, so you know I love this song. At times, it reminds me of soldiers marching because of the guitar work. Awesome song. Silhouette Wow … The Doors vibes all over with this one. The rain sounds at the beginning, melting into the faint guitar parts. This song feels like one big epic dream. Medicate I love Adam’s strong vocals. Medicate is astounding. Wow. Such a fun track. This song is a little more upbeat than some of the others, but it’s got that signature Everfelt sound. So far, this is one of my favorite songs on this album. Tombstone If there were going to be a showdown at the O.K. Corall today, this would be the theme. With my eyes closed, I envision two cowboys standing across from each other, about to duel. What an exceptional song. Man, Corey’s guitar parts on this. Inside My Mind The tribal-sounding drumbeat at the beginning of this song is faint but steady. It’s got a great rhythm and pulse to it. Adam’s vocals are a little lower than his usual boisterous range with this one until they’re not. Metal growls meet howling guitars. This has faint hints of the psychedelia of The Doors mixed with some Sabbath sounding riffs and pounding drums. Solid. Stranger I saw someone recently compare Everfelt’s music to Type O Negative 's, and I didn’t think that was a spot-on comparison until I heard this track. This song is very reminiscent of a Type O Negative vibe. It’s doomy and sludgy with just the right amount of intricate guitar parts. Stirring to Wake is a strong album from beginning to end, and I genuinely enjoy every track, though ' Medicate ' and ' Tombstone ' are my top picks. This is an album worth experiencing with your full attention—it’s not something to have on in the background. It takes you on a thematic journey through sounds and textures that lift your spirit to a state of pure bliss and peace. Music is art, and Everfelt has truly created a masterpiece. For more information about Everfelt: www.everfelt.net EverFelt Home page of EverFelt, a rock group from West Frankfort, Illinois. EverFelt is an American rock band infused with psychedelic metal and a driving progressive blues foundation. Founded in the summer of 2022, our bands lineup includes vocalist/lyricist Adam www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link