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Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. < Back Goodbye Academy: Bringing Pop-Grunge to the Masses Nicole Brice Oct 31, 2024 Share Goodbye Academy is a collective of brilliant musicians dedicated to the true artistry of making great music. As a teenager from 1994 to 2000, I know a lot about music from that period. Music back then had a certain artistry to it. It was inspiring instead of being spiteful. It was playful yet powerful, but all in all, it had heart. An emerging Louisiana talent named Goodbye Academy is bridging the gap between current music and the favorites of the past with their conceptual and innovative tracks that take risks regarding different sounds and textures. Credit: Gary Governale How would I describe Goodbye Academy ’s sound? It’s a unique blend of pop-grunge with a hint of punk, yet in the grand scheme of things, they are truly alternative. Their sound would have resonated well in the early to mid-90s, and with the younger generations embracing the 90s culture, they are set to leave a lasting impression on the music scene. Goodbye Academy , a Baton Rouge-based group, is a collective of brilliant musicians dedicated to the true artistry of making great music. Their technical proficiency is evident in every note, and their music is a testament to their passion and dedication. With well-thought-out song titles that showcase their personality, reminiscent of the comedic antics of They Might Be Giants , Goodbye Academy is ready to make a significant impact on the music industry. Originating in the Hammond, LA area, but now claiming Baton Rouge as their home base, Goodbye Academy is comprised of Kris Ballard (guitar/vocals), Jake Shaver (bass/vocals), and Chase Chabaud (drums/vocals). The vocal styling reminds me of Jeremy Palaszewski from No Motiv meets Mark Lanegan from Screaming Trees . Credit: Gary Governale Having recently released their self-titled debut album , Goodbye Academy has crafted an album with no filler tracks and nothing but killer . Each song is more unique than the last. The album opens with a well-known phrase from a famous British comedy troupe that I adore: “ And now for something completely different .” Note: When I sat down to interview the guys, this was one of my first questions, and then we went around the table quoting the favorite famous British comedy troupe in our best British accents. There are heavy basslines throughout, too, and I’m a sucker for a heavy bassline. Jake is the classic tale of the need for a bass player turning into a guitar player taking up bass, but he’s pretty good at it and carves out a prominent and dominant sound in Goodbye Academy ’s music. I love it when a bass player stands out, too, like Craig Setari from Sick of it All . I always know a song by Sick of It All when it first begins because of Craig ’s bass playing. I have a feeling that as Jake refines his bass skills, he, too, will be one of those exceptional bass players who will stand out amongst the rest. Jake and Kris met while attending college at Southeastern Louisiana University in 2017 and have been inseparable ever since. You could say it was a meeting with destiny, in a sense. Chase is a humble and talented percussionist who combines rhythm into the packaged Goodbye Academy sound. With clever marketing and original graphics drawn by Kris Ballard , Jake developed the band’s brand identity through a unified, visually stunning website with a cohesive theme of nostalgia . Read on below. Credit: Gary Governale MaM : Tell us a little about how you came together. A little band origin, if you will. Kris : Well, Jake and I met in 2017 at Southeastern’s Welcome Week / Orientation, and we became best friends instantly. We were hanging out and living in an apartment for a bit. It was horrible. Jake : It was like a 1-bedroom apartment with four people living there. Kris : Yeah, but like 20 people were there every day. (laughter) Kris : God forbid that only four people are in the apartment. (laughter) Kris : I played guitar and dabbled in stuff, but we didn’t really do anything musically for a while. We were messing around with making a song called, ‘ Two Worlds ’, back then, and after a couple years of knowing each other, I ended up writing ‘ Drywall ’ after going through a pretty bad breakup in my room at like 3 o’clock in the morning, with a headset microphone. I put this headset microphone up to the guitar and was playing it. Credit: Gary Governale MaM : Hey, whatever you have to do, right? (laughter) Kris : The first version was so bad, and I put it on YouTube . We then started talking about it, so I did a second version, and it was at that point we decided we should actually make music and be a band. Originally, we were going to be an acoustic duo called Up N' Atoms , and we were playing together, for how long? Jake : Two years Kris : We made a couple of EPs, and Jake ended up meeting Chase at his work. He was like, ‘I met this guy at work, and he’s a drummer. We should go play with him.’ I was so nervous, too, when I went to Chase ’s house that I didn’t talk for over two hours. (laughter) Credit: Gary Governale MaM : That’s a great introduction. I want to play music with you, but I’m not going to talk to you. (laughter) Kris : I was terrified. There were microphones in the room, and every time I would talk, my voice would reverberate. (laughter) MaM : So, you guys share vocal duties. Generally, when it comes to singing the song, how do you decide that? Kris : It’s generally who writes it. MaM : What is more important, in your opinion, lyrics or sound? Kris : We might all have a different opinion on this. Jake : When listening to music, I tend to listen compositionally forward more than lyrically, but when I write, it’s lyrically forward with the composition on the back end. Kris : We’ll often write lyrics before he gets any instrumentation done. Chase : I’m the biggest metal head, so for me, I find the screams are an instrument of sorts , and they’re very valuable to the music. In execution, though, it all must sound right, so I would have to say the sound of the song matters more than the lyrics. Kris : When I write music, all the songs I wrote lyrics for have meaning. They have to mean something personally to me. Obviously, if I don’t like the way something sounds, I just drop the song, in general. I hyper-analyze and dissect all the lyrics first, though. Credit: Gary Governale MaM : I do that with every song. I get it. How would you describe the Goodbye Academy sound for someone who has never heard your music? Chase : This is actually a great segway into that. I’ve gotten a comparison to a genre I was unfamiliar with, called Midwest emo , and Rian stamped us as the genesis of a new genre called Southeast emo . MaM : But I don’t think ya’ll are emo. Chase : Midwest emo carries a similar style, and there are some bands like Hot Mulligan and Mom Jeans that carry the Midwest emo moniker, but it’s funny that we have been dubbed that. I don’t know if I would necessarily embrace the emo narrative either, but I think we carry more pop-punk and grunge elements, but I don’t want to limit what we do either. There is more to explore. Credit: Gary Governale MaM : That’s what I love about your band, though, because you don’t sound like any other band around here. That’s also what I love about Jean Claude Seagal , too. Their sound is refreshing, and that gives you an advantage. Keep the formula. Chase : I see similarities between how we approach music and Weezer . MaM : Love Weezer! That’s a good comparison. See, I would say They Might Be Giants . Have you heard of them? Goodbye Academy : Yes! Chase : They famously wrote the theme song to The Daily Show . I also think we have a lot of influence from Blink 182 with the way I play drums. There is also contrast in our vocalists because of the two different styles they bring. Jake : Someone recently actually described us as sounding like Hüsker Dü . Credit: Gary Governale MaM : That’s an excellent comparison! What do you guys listen to daily? Jake : I grew up on classic rock. Aerosmith , Led Zeppelin , AC/DC , Pink Floyd , etc. I started branching off into punk , though, and then actually fell into emo and prog. I ran into My Chemical Romance and Coheed and Cambria . Those two influences made me want to scream in my music with introspective lyrics. Get the anger out that I don’t normally express. It helps. Kris : My dad loves 90s music and some early 2000s, too, but bands like Barenaked Ladies , Blink 182 , Papa Roach , Weezer … that whole sphere …all of that was what I grew up listening to and what pushed me. I even loved Simple Plan , too. Jake : Fall Out Boy and Panic! at the Disco , too. Chase : I can’t end this interview without mentioning Meriwether . Meriwether and the bands of The Caterie were huge influences on me. Credit: Gary Governale MaM : What is your ultimate goal for this band? Kris : I guess it’s changed over time. The band has always been an outlet for me because I can write down what I want to say better in songs. MaM : That sounds like me when I write my books. Kris : Right? As we’ve come together and have played shows, I’ve decided I would like to do this as a career. I really want to pursue it. I want to go on tour. Jake : I just want to play power chords. (laughter) Kris : I just want to take this moment to apologize to every sound guy that has ever had to check us. (laughter) Kris : Because we take so long. Credit: Gary Governale MaM : Where do you say your greatest strengths and weaknesses lie as musicians? Kris : Chase’s weakness is that he’s extremely talented and thinks he’s god-awful garbage. (laughter) MaM : You’ve gotta give yourself more credit. Kris : My biggest weakness is probably the fact that I’ve fooled them into thinking I can play guitar. (laughter) Kris : I will practice the same song repeatedly. I don’t know a lot of chords. I know some scales. I don’t know what key I am playing ever … and then repeat it. My strength, I guess, is that I enjoy writing melodies and lyrics … and it’s in a key, but I have no idea what it is. (laughter) Credit: Gary Governale MaM : My brother – the riff from Blink 182’s ‘ Damnit ’ – dude … over and over … (laughter) Jake : I think my strengths are probably my ear because that’s how I play mostly. I can read music, but it’s not a strength. You’re good to go with your ear as long as you're adaptable. My rhythm hand, too, is a strength. My biggest weakness … I could go into so much … (laughter) Jake : I could pick myself apart. I have to work with the ADHD struggle of not always being able to rely on your ability. Sometimes it’s trying to recreate something you did, but not being able to. I do tend to do that quite a bit. Kris : (to Chase) So, if your biggest weakness is that you hate yourself, what’s your biggest strength? (laughter) Chase : I can combine different genres and musicians with my playing. I turn it into my own unique thing. When this band was a duo, they were melodious folk, and I wanted to make it more rock and roll. Credit: Gary Governale MaM : Final question: Where do you see yourself in the next five years, or where would you like to be? Kris : I would like to be in the Midwest … no … (laughter) Kris : As much as I like having a stable income and a place to work that is nice and cares about me, I would like to play in a band as a job. Whether or not that can happen is something that I have low expectations for. (laughter) MaM : No, you need to stay positive. Kris : Yes, we manifest. MaM : Exactly. Jake : Next year, I’m hoping we can play some festivals and see if we can cross state lines to expand our reach. As our kids get older, I feel it will get easier. Chase : I want to accomplish the same as these guys, but I want to get what we have now recorded. MaM : Capture the magic. Chase : We already have the second album, and it's pretty much done. I know we’re approaching it fast, but I want to return to the studio with Nick . Nick Maggio is a phenomenal person. MaM : Yes, he is amazing! Kris : Even beyond his talent, he’s just incredible. MaM : He’s just a good person. Kris : He understands the sound and vibe we want. He connects with the music, too. Chase : I want to get in with Nick before anything is lost or goes further down the line. That’s one of my primary drives. I’ve wanted to be in a band my entire life making music, but I don’t want to sit on what we have. Let’s get this out and on record. More than just a band, Goodbye Academy is a group of best friends united by their love for music and their desire to share their art with the world. Their friendship and camaraderie are palpable in their music, making them more than just a band-they are a community of like-minded individuals looking to bring their art to the masses. Stay tuned for great things from these guys. To learn more about Goodbye Academy : www.goodbyeacademy.com *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. < Back SÖŪP: A Rich Tapestry of Musical Expression Nicole Brice Mar 13, 2024 Share SÖŪP’s music is a harmonious blend of diverse musical influences, serving as a bridge between the past and the present. Music has always been a powerful medium for expressing emotions, telling stories, and connecting people from different backgrounds. Growing up, I was introduced to many notable classic rock acts, and the complexity of the songs I heard opened my mind and consciousness to new concepts and ideas in a way that pop music could not. Legendary acts such as Ten Years After , Led Zeppelin , and Rush paved the way for generations of rock enthusiasts with a diversified range of intricately crafted sounds, and their legacy continues to this day because of pockets of emerging musicians who are discovering the music for the first time. Continuing the legacy of well-crafted music for the masses out of Asbury Park, New Jersey , is a 3-piece hard rock group with divine creativity called Sӧῡp. With a whimsical and progressive style, Sӧῡp is a group of musicians who have come together to jam and create music spontaneously and organically, and they are proving to be an up-and-coming force in the new emerging face of rock music. Consisting of Harrison on guitar, Monica on drums, and Mercedes on vocals, bass, and keyboards, the band is gaining momentum with its vibrant energy, steady bookings, and clear, concise ideas of what they want to accomplish musically. They are full of ingenuity, drive, and passion, with talent far beyond their years, and have come up with a sound so fierce that it’ll knock you on your ass. Photo provided by band Drawing influence from progressive rock greats Rush and rock legends Led Zeppelin , this trio knows how to command attention with their thunderous presence. Released on January 1, 2024, “ The Captain ” is the first recorded release by Sӧῡp in a series of songs to be released this year and is a meticulously crafted orchestration of creativity, taking you on an epic journey of sound. Mercedes’ range is dynamic and powerful, with soaring vocals reminiscent of the great Cherie Currie of The Runaways , evoking the nostalgia, solidarity, and influence of 70’s rock. https://www.youtube.com/watch?v=cL5yBr-0uus Paying homage to the past while embracing the future, Sӧῡp’s music is a harmonious blend of diverse musical influences serving as a bridge between the past and the present, and if I were to describe their music, I would have to say it is an experience to be had with headphones and the volume turned up. The layered textures and sounds take you back to a different time and place and allow for complete escapism. Photo provided by band Mixed Alternative Magazine had the opportunity to catch up with the band recently in between their many upcoming shows, and we were able to have an authentic discussion about the state of the industry, influences, plans, and much more. Take a moment to learn a little more about the band called Sӧῡp, and then be sure to jam out to their latest music on your favorite streaming platform. MaM : Mercedes, your vocals on the new track, “ The Captain ,” are phenomenal, with so much power and passion. It reminds me of Cherie Currie ’s performance on the song “ Neon Angels on the Road to Ruin ." Who do you cite as your ultimate vocal influence, and why? Mercedes : I really appreciate the compliment. I tend to get my vocal technique from a good number of male artists that I listen to. A lot of people do draw comparisons with me and several other female vocalists in the classic rock realm, but truthfully, I have been influenced by Geddy Lee from Rush and Robert Plant from Led Zeppelin. MaM : You know the Wilson sisters from Heart were heavily influenced by Zeppelin, too. Mercedes : I did not know that. Honestly, it’s an honor to be compared to many of these iconic female vocalists, but the surprising thing is that I don’t take a lot of inspiration from them. Credit: Jeff Crespi MaM : Were your parents influential in determining your music tastes? Mercedes : That’s actually a common misconception. I grew up listening to current music, but my Dad would listen to a good bit of John Denver , Frankie Valli and The Four Seasons , and James Taylor . As far as classic rock goes, I didn’t know anything about the bands I’m currently influenced by back then. I discovered all their music on my own, and then, when I became friends with Monica, she and I went on to discover even more together. MaM : Take us through a little band history. How did you come together as you are now? Mercedes : Both Monica and I were taking music lessons at the same place, and our music teacher noticed a good bit of similarity between us. He decided to introduce us, and we really hit it off and just started becoming great friends. Eventually, we decided we wanted to form a serious band, and we’ve been working hard at it ever since. The biggest setback has been finding consistent band members to take it as seriously as us. We did not go to school with any musicians, so it was a bit of a trial until we found Harrison because we clicked with him in ways we didn’t with anyone else. Credit: Jeff Crespi MaM : Harrison’s guitar playing is exceptional, too. His tone is so crisp and clean. Mercedes : It’s almost as if Monica and I manifested his existence. We knew exactly what we were looking for, and then he walked into our lives, so it’s been perfect. MaM : What drew you to playing the instruments you play? Monica : So, we had a little issue when we first met because both Mercedes and I played the bass, and what were we going to do with two bass players, right? We didn’t have a drummer, though, so I picked it up, and it’s been about three years. It all clicked so fast, and I never thought I’d love another instrument as much as the bass, but I certainly love the drums more. I feel like I can express myself by playing drums in ways I could not with the bass. I’ve never felt more creative in my life. Credit: Jeff Crespi MaM : I have so much respect for drummers because what they are doing looks so difficult and exhausting. Monica : I will say that sometimes your fingers cramp up, and it is a test of strength. It’s cool to watch yourself get stronger and more capable with it as you progress. I found that the stronger I got, the more improved I got with my playing. MaM : Were you self-taught, or did you have a few lessons? Monica : Both; some things I was taught, but others I just figured out along the way. Photo provided by band MaM : Harrison, how did you start playing guitar? Harrison : My whole family is full of musicians. My dad plays bass, and my uncle plays guitar. They had a band when I was younger, and it got me inspired to play music when I would see them perform live. I was about 7 years old when I picked up a guitar, and I’ve just stuck with it. It’s the only thing I’ve ever stuck with. MaM : I love the tone of your guitar. Do you have any specific gear you use to achieve your sound? Harrison : I really like to use a Les Paul guitar with a Marshall amp and my chorus pedal. That’s my favorite pedal right now. MaM : Who would you cite as your ultimate influence for what you do? Harrison : David Gilmour of Pink Floyd. Photo provided by band MaM : Who do you collectively cite as the one band that made you want to pursue music as a career? Sӧῡp : Rush Mercedes : Yeah, Rush — across the board. MaM : Back to your new single, “ The Captain ,” how did the concept for that piece come together? Give us a little backstory. Mercedes : About two years ago, Monica and I realized we wanted to create one big theme with our music. One big concept. We wanted to establish a visual vibe with a storyline instead of just music with lyrics. Looking ahead, we want to create a visually poignant nautical theme with our music, one about discovering new horizons and what is encountered along the journey. “ The Captain ” grew out of that, and we’re in the process of writing the other songs, too, so you’ll have to stay tuned. A lot of our songs are about the ocean and water, ultimately leading to a concept album about a journey. Rock operas and concept albums have always fascinated and inspired me, so it’s just about channeling my inspirations into one big piece as my take on it all. Credit: Jeff Crespi MaM : How do you approach the songwriting process? Is there a formula you follow? Mercedes : Usually what we do for any song is write the music first. That’s how things came together for “ The Captain ”. I heard the riff first before we had even started writing. I was sitting in my yard one day trying to figure out how to write the song, and I was looking in my notes, and I found a small fragment of a poem about a captain that I had written, but it wasn’t complete. I was able to take that small fragment, though, to turn it into our song, and a few minutes later, I told everyone I had the lyrics done. We then put it with the music and tweaked it and it came together like magic. Monica : Once we play a song live, we usually find more things we want to change. We like to add more flavor here and there, but sometimes we’ll play a song live for many months, thinking it’s complete, but then right before the recording process, we find something else to change. It’s never quite complete. Credit: Jeff Crespi MaM : Where do you see yourselves headed in the future? I know you already have a busy 2024 shaping up. Mercedes : Our main goal is to release music that people will love. We will release singles, but we hope to draw more people to us by getting our audience hooked on a few songs, allowing them to marinate with the ideas, and then selling them the entire concept. We hope to unite people by presenting a new take on a vintage sound. Monica : There’s nothing better than taking a journey with your two best friends, especially when it resonates with people. As Sӧῡp continues to evolve and grow, they will undoubtedly leave a lasting impact on the music industry and inspire future generations of musicians to push the boundaries of musical expression. To learn more about the band and to experience their music for yourself, visit www.soupofficial.com . *Photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Unique analog collage displays manifesting as one collective dreamscape < Back Taryn Chase Jackson: Mixed Media Creative Keeley Brooks Aug 1, 2023 Share Unique analog collage displays manifesting as one collective dreamscape The older I get, the more I appreciate art that makes me think in a really outside-the-box way and doesn’t lay it all out for me. While I enjoyed that when I was younger, today I appreciate the mystery and curiosity behind exploring every little detail. I have more life experiences under my nails from which to draw my deeper conclusions and find hidden meaning and interpretation. I appreciated that when I came across the artwork of North Alabama analog collage creative Taryn Chase Jackson . Courtesy of Taryn Chase Jackson Jackson is no stranger to the creative world. As a child, she was unexplainably drawn to things visually without really knowing or being able to express why. Today, she knows and expresses it a lot over the canvas with her unique analog collage displays of mixed media and assemblage . Her work is nostalgic, full of vision manifesting as one collective dreamscape. Having always identified as a creative person, she currently spends her time as a creative writer, a grant writer, a singer, and an analog collage artist. Her genuine love for her visual craft is seen in the fine detail of her artwork, which is carefully pieced together with intention. It’s easy to get lost in exploring her creations, searching for your own message. It’s harder to pull yourself away from the stories and thoughts those creations inspire. Born and raised in New York , Jackson has lived in Virginia and North Carolina , and she now lives in Alabama. In high school, her work was published in the local newspaper and won a Tri-County Arts Council’s Scholastic Gold Key Award for Art. Since then, Jackson has completed a visual art concentration as part of her bachelor’s degree, and she also holds a Master of Fine Arts (MFA) degree in creative non-fiction writing. While in high school and college, Jackson says she took a variety of drawing and painting classes and even won some awards, but ultimately, she didn’t love those mediums and struggled to recognize what she did for fun as “real art.” In fact, it wasn’t until she moved to the Muscle Shoals area and joined a group of artists that she became more serious about pursuing collage as a medium. As an analog collage artist, Jackson says she doesn’t design or edit anything digitally. “Everything you see in my work is made of paper I cut by hand and glued down. … My process is less conceptual and more driven by using found images. Personally, I’m overwhelmed by the idea of having literally every image at my fingertips and being able to resize or manipulate them however I wish.” She further elaborates that she prefers the randomness and synchronicity of putting images together in a way that seems natural, and I have to say, I can understand that. Reject the mainstream, forge your own way. We hear that, Taryn. We hear that. "Smile Like You Mean It" (Courtesy of Taryn Chase Jackson) Jackson enjoys living creatively and avoids specializing, feeling it’s best not to limit yourself as an artist by sticking with one category or genre. Instead, she says, we could be, “exploring, blending, and creating new categories/genres that may not even exist.” She genuinely enjoys making the world a much more aesthetically pleasing place to experience, and that shines through in each of her visual efforts. Recently, I had the chance to chat with Taryn about her life in the arts, her preferred medium, and her artistic processes. Check out our conversation below! MaM : Taryn, thanks so much for taking the time to talk with Mixed Alternative. Please tell us about yourself. TCJ : This is an intimidating question, so here are a dozen phrases that collectively describe me: I’m a creative, grant writer, wife, bonus mom, dog mom, Gen-Xer, double Gemini, bisexual, pagan, elder goth, compulsive collector, and maximalist. MaM : That’s a mouthful, but I like it! When did art come into your life? TCJ : I went to parochial school (essentially being home schooled at church) through the 7th grade, so I didn’t get basic art education until I switched to public school. But I loved cutting up magazines growing up and would save bits of paper or candy wrappers for no reason other than I liked the color or texture. Later, my high school friends and I started a photocopied zine that relied heavily on collage. We also decorated FBs (also known as Friendship Books) with what were basically miniature mixed media ads that we mailed to pen pals to find other fans of new wave and alternative music—obviously, this was pre-Internet! (laughs) I eventually took a variety of drawing and painting classes through high school and undergrad … but I didn’t love those mediums, and of course, I never recognized what I did for fun as “real art.” It actually wasn’t until I joined a group of artists in the Shoals that I became more serious about pursuing collage as a medium. MaM : What has your life as an artist been like? TCJ : I've always identified as a creative person. … The term “artist” is so loaded. Many people narrowly define the term as one for just visual artists or for people who make a living from their work. But creating in the context of a capitalist culture means that we have to unlearn the myths we’re taught and then be brave enough to define our work and its value for ourselves. "Toxic Positivity" (Courtesy of Taryn Chase Jackson) MaM : Who has been your biggest artistic influence? TCJ : That’s a tough question! Years ago, I probably couldn’t have named a single 2-D collage artist, but I do remember the exact moment I discovered the work of Joseph Cornell , who pioneered the assemblage. And I always felt a kinship with the Surrealists, with René Magritte and Man Ray among my favorites. I suppose there is a parallel in the way they bring disparate, familiar things together to form a cohesive whole that surprises and delights. MaM : How did you find your art style? TCJ : “Style" is one of the great mysteries, I think. Art teachers can really only introduce you to basic skills and concepts, to artists who have led the way, and give you a forum to experiment—but developing your personal taste and style is a process you have to do on your own, intuitively. You build on what works and throw out what doesn’t, and eventually other people will claim that they can recognize your work without seeing your name. But I personally think everyone’s style should be evolving all the time. MaM : While you’re making a piece, what goes through your head? TCJ : I’ve learned that I work best if I think in terms of a series or a theme because it keeps me coming back. For example, in 2019, I started a project based on the 22 cards of the Tarot deck called the Major Arcana. Each card represents an archetype or symbolic meaning, so I tried to find images that resonated with the particular card I was working on that day, then piece them together in a way that made sense to me. It’s almost like putting together a puzzle, except one where you've lost the box that had the final image on the cover, and you have to figure it out. So, sometimes I start with a concept or a feeling, and other times I pull a couple of core images I’m drawn to and see what else might complement or play off of them. I’m often surprised by the final result, and that’s part of the joy. "Solar Plexus Chakra - Gut Feeling" (Courtesy of Taryn Chase Jackson) MaM : Some of your collages are whimsical and some are more serious. What affects your art process when you’re making art? TCJ : Maybe it’s the Gemini in me, but I do often combine images that seem opposed—the sweet and the dark, the safe and the dangerous—leaving the viewer to wrestle with their own associations and, ultimately, assign their own meaning to the composition. Sometimes my pieces start with a theme or a word/phrase that I focus on to select images and create a vibe. Sometimes I have so much fun playing with different compositions that it’s hard to commit to the final layout. But ultimately, I know I’m on the right path if I can amuse myself at some point. Not every attempt is a masterpiece, but you always learn something in the process. "Gaia's Messenger" (Courtesy of Taryn Chase Jackson) MaM : In what ways is creating healing for you? TCJ : Creating is the ultimate form of healing, because in the process we’re returning (or attempting to return) to our true selves—the person we were as a child, when we were unabashedly curious and self-accepting, before all the self-doubt and people-pleasing that comes with maturity. If we can successfully tap into that core while we’re creating, we’re headed in the right direction. MaM : Are you frequently involved with local art shows? When and where? TCJ : Since I started submitting my work to exhibitions in 2020, I’ve been fortunate enough to be included in several juried shows at the Tennessee Valley Museum of Art and the Kennedy-Douglass Center for the Arts here in the Shoals—as well as at the Carnegie Visual Arts Center in Decatur, AL; Jacksonville State University in Jacksonville, AL; and even the Arc Gallery in San Francisco, CA. Dates for my current shows are as follows: · “ArtWorks" 2023 Member Exhibition at the Tennessee Valley Museum of Art , Tuscumbia, AL (July 22-Aug. 12, 2023) · “Making Waves: Waterscapes in Art” 2023 Online Juried Exhibition by Southern Tier Center for Emerging Artists , Jamestown, NY (Aug. 1-31, 2023) · "Myth in Form” Alabama Women's Caucus for Art (ALWCA) Juried Exhibition, Carnegie Visual Arts Center , Decatur, AL (Sept. 29-Nov. 4, 2023) MaM : Any advice for other artists out there (interested in mixed-media collage)? TCJ : Fortunately, collage is an extremely accessible medium: If you have paper and glue, you can do it. You don’t even need scissors—just tear it! If you supplement it with paint or markers, you have mixed media. Make it 3-D by adding found objects, and you have assemblage. Unfortunately, the idea that anyone can do it is part of the reason some people think it doesn’t belong in the world of "Fine Art.” Historically collage was also something more women did than men, so of course, that counted against it as well. But my advice to those interested is to a.) ignore the gatekeepers, and b.) get familiar with collage artists—historical and contemporary—to figure out which styles you like (or don’t). Follow the collage community on Instagram and subscribe to Kolaj Magazine or other publications that include collage. Imitate one technique and then another. Make a piece based on a particular song or a piece that someone you care about might enjoy. Let yourself get weird. "Forbidden Fruit" (Courtesy of Taryn Chase Jackson) With all creative work, every single person—even those with decades of experience—has to start with a blank page. So, the most valuable skill you can develop is figuring out the best way to trick your own brain into creating. For example, if you make excuses about not having time, tell yourself you’ll only work for 15 minutes. If you feel self-conscious, just tell yourself you’re just going to test a new method or technique—anything that lowers the stakes. Of course, then you have to resist the urge to judge, stay curious, and come back and do it all again. For more on Taryn Chase Jackson, visit her online at https://AnySlyEnchanter.wixsite.com/my-site or on Instagram @AnySlyEnchanter . *Cover photo "Liminal Spaces" is courtesy of Taryn Chase Jackson. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Roger Ricks < Back Nothing But Heart and Soul Nicole Brice Dec 7, 2022 Share Roger Ricks If Bruce Springsteen and Dire Straits had a band baby, it would be Roger Ricks. No lie. Roger is a singer / songwriter based out of Zurich, Switzerland, but that’s not all he does. He also produces his own music and builds his own guitars, as well as markets himself AND giving the proceeds of his music sales back to charity. Wow, this man is incredible. I first stumbled upon Roger’s music via Instagram, which by the way, is an excellent way to discover new talent because of the visual aspect the medium allows. I often find myself scrolling through bands and artists and liking them, then following them, where I indulge in all they showcase on their profiles. The profiles then lead me to iTunes where I buy their music for my collection. With smooth, clear vocals and crisp, clean guitar work, Roger’s music inspires me. Truly, it does. Because I admire what Roger is doing so much, I decided to reach out to him to get to know a little more about what he makes him tick and guides his stance. With a new single releasing on December 9, 2022 via all streaming platforms, this is one artist you need to check out if you haven’t already. I threw Roger a few questions so I could learn more and was very delighted with his answers. Check it out and then go check out his music! MaM : Wow. I am very impressed with you. Your website is solid, too. Let me ask you, what led you to start producing your own music in lieu of having someone else do it? RR : I started recording my songs when I was about 12. At that time with two old tape recorders and much later with the computer. For me, music production is not a purely technical task, but part of the creative process of creating a song. Since I don't do music full-time and I also have a family, producing on my own allows me to work on my songs whenever I can and want to. Usually this is late at night when everyone else is already asleep and I can really dive into my creative flow. Roger's home studio setup MaM : So, you mentioned you have new music coming out. Tell us a little about the new single you are releasing. RR : The single is called "Lost,” and the lyrics were written by the wonderful Emme Pierre. Originally it was planned that she would sing the song and I would write the music but unfortunately, she lost her voice permanently before the recording due to health reasons, and we decided to record the song with my voice anyway. The song is about how people are willing to exploit others and take advantage for their own profit. This is a topic that always concerns me and is also a well-known phenomenon in show business. There is something energizing and intoxicating about striving for success, but you can also get lost in it and become too distracted from the essentials of life. MaM : Wow, what an amazing topic to tackle via songwriting. I can’t wait to listen to it. What music or things around you are inspiring you to create these days? RR : Musically, I am influenced by the older guitar gods like Slash, Eric Clapton, and Joe Perry. Of course, there are other virtuoso guitarists who can do technically amazing things with the guitar, too, but I'm more fascinated by catchy licks and melodic solos that you can also sing and that release emotions in me. Emotions of everyday life are also what inspire my music. My music is a diary of my feelings over the years. When something is bothering me, I process my thoughts into music and make them audible. Therefore, every song of mine in a way fits to a special event or a period of my life. MaM : I noticed on your website that you play a custom-built guitar. I want to know more about your custom guitars. Was it a particular sound you were looking for and that’s why you decided to build your own? Also, too, what type of guitar inspired the ones you build? RR : I am a typical Les Paul guitarist. I love the full sound. A few years ago, I was thinking about buying a flamed top Les Paul, but my budget didn't allow it. So, I had the crazy idea to build it myself. I always liked craftsmanship and so I watched YouTube videos of Luthiers for hours until I had the feeling that it could really work. I ordered the woods and parts and just started, and it grew from there. I had a lot of fun; it was like a meditation of sorts to grind the woods and in the end, I had a nice flamed top guitar resembling a Les Paul in my hands. Of course, it sounded a little different than if I had bought it but just different, not worse. This only further awakened my passion and since then the tones of my own guitars are an important part of my music. One of Roger's custom guitars MaM : I know that charity work is very near and dear to your heart. Can you tell us a little more about that and what you do? RR : Music has always been a very important part of my life. It has carried me through some really difficult times, and I don't know where I would be without the power of music. For me, music can build bridges, to connect people who otherwise would not communicate with each other and to make a positive difference in the world. I decided to set the goal of dedicating my music to a meaningful cause because 20 years ago, a school friend started an aid project in Ghana to help street children and to really make a difference through local education instead of just transferring money. Honestly, the money often doesn't get to where it's supposed to go or doesn't have a lasting effect, but through "Chance For Children" ( www.chance-for-children.org ), the children are given the opportunity to work out a long-term perspective for themselves. All my proceeds from my music goes 1:1 into this foundation. The idea is that people can donate money just by listening to music. You don't have to open your wallet, just spend a few minutes of your time listening to music to make a positive difference. This makes my music more meaningful and motivates me to put even more energy into it. I really hope that with time, more listeners will stream my music and I will be able to support more projects. For more information about Roger, visit his website at: Songwriter | Roger Ricks Music | Zürich On Social Media, he can be found at: Roger Ricks | Facebook Roger Ricks | Zürich | Facebook Roger Ricks (@roger_ricks_music) • Instagram photos and videos YouTube Roger Ricks - Topic - YouTube Spotify Roger Ricks | Spotify iTunes ‎Roger Ricks on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Best Heard Loud < Back Punk Rock with Ferocity: DeadCentered and USER UNAUTHORIZED Nicole Brice Jan 26, 2023 Share Best Heard Loud When one thinks of punk music, the stereotypical image of spikey hair, leather jackets, and studded bracelets and belts comes to mind, but punk music can take on many forms and a uniform is NOT required. Punk Rock is order. Everything else is just chaos. Straight out of Baton Rouge, La., DeadCentered is an aggressive hardcore punk band with a little rock and roll and some thrash thrown in. Although their sound can seem a little unhinged at times, their vibe is truly unique and different. Each member of the band gives their all during a performance, and you can see the love for the music and the craft shine through each time, especially with the banter in between songs. Like a well-oiled machine, the band is comprised of Joshua Michael Selser on guitar / vocals, Justin Tatman on bass, and Mike Poole on drums. With the classic three-piece band, these guys have solidified their sound. With many line-up changes over the years, their current offering is one to take notice of because the sound is so tight. With three EP’s under their belt, their latest one released in 2021 is titled “Strongholds, Sheep, and Scapegoats", and the band continues to forge ahead with writing and recording new material for future releases. Selser first picked up the guitar at 13 years old and shortly after, he taught himself bass, too. Multi-talented and multi-faceted, he lends his talent to other bands besides DeadCentered like T. Mason & the Bricklayers. Drawing inspiration from a family of musicians, and from some of his favorites such as Tom Waits, Dave Mustaine, Minor Threat, and Black Sabbath, Joshua’s talent radiates with charisma. Maintaining a busy schedule of playing music and overseeing many other projects not related to music, Josh’s passion for life and art shows in all he does. credit: Gary Governale Mike Poole is a busy man playing drums in three bands locally, but that doesn’t stop him from loving every minute of it. Citing Phil Collins as his main inspiration to play, Mike’s skills are top notch and his ferocity on the kit sets him apart from many others. credit: Gary Governale Justin Tatman is no stranger to the local music scene either, with many years of experience under his belt from playing in bands like Left with Everyday, Ghosts in Low Lights, and Minus One. In September 2022, Justin joined DeadCentered and has been jamming with them ever since. Justin’s main drive to playing music is, “being able to communicate emotionally through sound. Through sound, I’m able to express myself by being REALLY loud and grabbing the listener’s attention.” He goes on to say, “the most amazing thing to me about music is you don’t even need words to communicate feelings. You can just let the music take you there.” Although not a technical player, Justin always puts his entire heart into his playing and looks forward to the future with DeadCentered. L to R: Mike Poole, Justin Tatman, and Joshua Michael Selser Recently, the band teamed up with USER UNAUTHORIZED from Austin, Texas to play a show in the parking lot of Safe Voyage Tattoo in Denham Springs, LA. It was the perfect setting to hang out and listen to some good music, plus nothing is more punk rock than playing a show in a non-traditional setting and venue. The thing that first struck me as unique with USER UNAUTHORIZED was the female bass player. To be honest, any band that has a female on bass has my seal of approval right away. She was tiny, but her playing was fierce. I later found out that she not only plays bass, but guitar, too. Their set opened with a punch right to the gut and had me hooked instantly. The aggressive guitar and drums with Sage’s vocals set the tone for a raw in-your-face sound. Formed in 2019, USER UNAUTHORIZED plays hardcore punk, and they play it loud. With an impressive discography under their belt thus far, you must check out their music. USER UNAUTHORIZED is Sage (vocals/bass), Johnny Cash (guitar), Rooster (drums), and Isabella (bass/guitar). https://video.wixstatic.com/video/999a0f_7768df82a18b4405a9b4eb16bb6e9f45/1080p/mp4/file.mp4 DeadCentered played last and opened with “To Live” and then pounded through a savage set ending with “Joyless Life of Discontent.” These guys truly love what they do, and it shows. Joshua’s playing is always on point, and his musicianship is top notch. Check out this video from the show: https://video.wixstatic.com/video/999a0f_ada7f297544b47a19ba7fa3ba9507dbf/1080p/mp4/file.mp4 Be sure to check out the social media for both DeadCentered and USER UNAUTHORIZED and stream their music. You won’t regret it. Links are below. USER UNAUTHORIZED: 𝐔𝐒𝐄𝐑 𝐔𝐍𝐀𝐔𝐓𝐇𝐎𝐑𝐈𝐙𝐄𝐃 (@userunauthorized) • Instagram photos and videos Music | User Unauthorized (bandcamp.com) 𝐔𝐒𝐄𝐑.𝐔𝐍𝐀𝐔𝐓𝐇𝐎𝐑𝐈𝐙𝐄𝐃 | Austin TX | Facebook USER UNAUTHORIZED (@UUnauthorized) / Twitter ‎User Unauthorized on Apple Music Spotify – User Unauthorized DeadCentered: DeadCentered | Facebook DeadCentered Official (@deadcentered_official) • Instagram photos and videos Strongholds, Sheep and Scapegoats | DeadCentered (bandcamp.com) Stream DeadCentered music | Listen to songs, albums, playlists for free on SoundCloud ‎DeadCentered on Apple Music DeadCentered (@dead_centered) / Twitter www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Pastor of Horror < Back Ezekiel Kincaid Keeley Brooks Dec 5, 2022 Share The Pastor of Horror So, sometimes there are men, and then sometimes, there’s a man … with such a fascinating story, you can’t help but stop and have to know the deets. Such is the case with a recent horror author I stumbled up by sheer happenstance, and I’m so glad I did, because I’ve been bursting with excitement to spotlight him ever since. His name is Ezekiel Kincaid, also known as—I’m not kidding—“The Paranormal Pastor” and “The Pastor of Horror.” And that’s what makes him so fascinating (aside, of course, from the fact that he’s a very talented writer): he’s a pastor writing horror fiction. Let me say that again: a pastor writing horror fiction … fiction involving demonic spirits and exorcisms, hauntings and slayings, and innocent characters of visceral bloody terror. His work is so fantastic, it pulled me right in while cooking breakfast over the weekend, and I managed to burn my bacon to a crisp and set off the fire alarm, because I was fully distracted at listening to Zeke read an excerpt from the second book in his “The Dreadful Death” series, “The Gathering.” “The Dreadful Death” series is a three-book series put out by Raven Tale Publishing and, if it’s being described in movie terms, “is a mix of The Exorcist , Carrie , and Pan’s Labyrinth ,” says Kincaid. “It’s a possession story about … a young girl [who also] has psychic abilities, and [she] opens herself up to this world where there are all kinds of creatures and demons, and some of these guardian demons are protecting her so she can fulfill her destiny of meeting this dark entity, The Tetromet,” describes Zeke. Set in the early 1800s in Chapel Hill, North Carolina, “The Gathering” tracks this young girl’s life as she descends deeper and deeper into darkness and madness, until finally the evil takes full control of her and she unleashes demonic terror upon her family, her friends, her loved ones, and her town. And that’s just the second book in the series. Kincaid is a self-described southern boy, born and raised in Baton Rouge, Louisiana. He spent over 20 years in ministry as a pastor before shifting his focus to chaplaincy … and horror writing. He’s also (get this) a paranormal investigator with some pretty unexplainable experiences that’ll leave you as speechless as they did me. Dude is gifted, in more ways than one. And he trains in martial arts—Krav Maga and Jiu Jitsu, to be exact—so, in addition to exorcising demons, he also whips their ass. Zeke has three theological degrees and is an avid student of theology, philosophy, physics, and evolutionary science. (I know; it’s so amazing, I can barely believe it myself.) He’s also a, “former addict, who now uses his story to help encourage [and ensure] victory in others with the disease of addiction," and he has a "deep-seated passion for social justice and those who have been marginalized and oppressed." “Having been given the Scarlett letter by many in the former denomination I was ordained in because of my writing," he says, "I can empathize with those who have been rejected, ostracized, or condemned for their beliefs.” I had the extreme pleasure of getting to rap with Zeke over several in-depth conversations, so I figured I’d lay that Q&A down right here and let you see for yourselves just why you should not only know who Ezekiel Kincaid is but also why you should be following, reading, and supporting him as the brilliant artist he is. KB: So Zeke, tell us about yourself. Who are you, really? EK: Having walked through enough trials for six lifetimes, I am a man of deep strength, passion, conviction, love, empathy, courage, mercy, grace, and compassion. I also have a very dark sense of humor and love watching it get me into awkward social interactions. The worst thing anyone can try to do is fit me into a mold. I have a tendency to bust the edges. KB: Have you always been a writer? EK: I’d like to think so. When I was in first grade, I wrote this epic story for class about how my dog takes a crap. I got a C on it, but I’m pretty sure that was because my content was looked down upon. So, people have tried to censor me for decades! My parents didn’t know about it, because it was an in-class assignment. When they asked me why I wrote a story about my dog’s feces, I replied, “The teacher said to write about what we know.” KB: Ha! You can't tell a writer to write what they know, then condemn them for their subject matter! So, when did your skills fully emerge, and when did your love for horror begin? EK: My writing skills began to emerge in my creative writing class … in high school. This class, mixed with my English Literature classes and love for horror novels, began to birth within me a love for writing. It wasn’t until I got into seminary (the first time) that I really developed a real heart for writing. My passion for theological and doctrinal study led me to a deep desire to dissect, investigate, and share my findings with others. After years of writing theology and poetry, I decided to explore my other passion–horror fiction. Around 2018 I decided to give it a go. This season really developed my skill as a technical writer. However, once I started to get published in horror fiction, I met Lisa Vasquez. She is an author and CEO for Stitched Smile Publications. She began to mentor me and bring out hidden talents I never knew were there. She still helps me [to] this day, and we remain close friends. I pretty much owe all that I am as a horror writer to Lisa and her investment in me. KB: Do you write anything other than horror fiction? EK: I also love to dabble in poetry. This desire was also developed in high school through my creative writing and English classes. Currently, I find myself hopping back and forth [between] horror fiction, theology, and poetry. I love being able to switch gears like this. It keeps my brain active and my creativity fresh. I am also diving into the realms of horror fantasy and science fiction. KB: What drew you to the horror genre? EK: Two life-changing events happened in my childhood to get me into horror. First was watching the movie The Demon Murder Case with none other than … Kevin Bacon. It was a made-for-TV movie that came out in 1983, but I didn’t see it for the first time until I was [six]. Fans of The Conjuring series will recognize it as the inspiration for the latest installment, The Devil Made Me Do It . The show was based on one of the controversial Warren’s case files. This movie scared the lemon-yellow childhood pee out of me. I probably shouldn’t have watched it at [six] years old, but it definitely birthed my love for horror. The second event was my viewing of another made-for-TV movie called The Midnight Hour , made in 1985. If The Demon Murder Case birthed my interest in demonic possession, then this movie is the origin of my love for witches, zombies, and vampires. [High school is] where my love for horror went into overdrive. A steady dose of horror flicks finally merged with my introduction to Stephen King, Clive Barker, and William Peter Blatty books. My appreciation for the genre has done nothing but evolve and grow since then. KB: What was your first published piece/book? EK: My first published story was actually the first horror story I ever wrote called “Call of the Tetromet” with Fantasia Divinity [Magazine]. My first novelette to get published was also the first one I ever wrote. It’s called “The Memoir of Darius Fischer” and was published by Grinning Skull Press. The same goes for the first novel I ever wrote. It’s a horror comedy called “Johnny Walker Ranger: Demon Slayer.” It was picked up in 2020 by Stitched Smile Publications. KB: Are you with an agent/publisher at the moment? EK: Right now, I’m seeking an agent for my current horror/fantasy book called “The Gospel of Lilith.” I’ve been published by Fantasia Divinity, LVP, Grinning Skull, Stitched Smile, Raven Tale, Crystal Lake (Patreon), Black Hare Press. Shackelbound Books, Ghost Orchid Press, Siren’s Call, Horror Bound, Puzzle Box Horror, Jakob’s Horror Box, Horror Bites, and Hellbound Books. KB: Tell me about your books. As much as you wanna tell us, we wanna know. EK: Let’s start with “Johnny Walker Ranger: Demon Slayer.” This book was birthed from my love of The Evil Dead franchise, rednecks, and “South Park.” It follows a redneck alcoholic who discovers the secret to actually killing demons. He forms a demon-killing team full of rednecks and emos called The Bruce Campbells. With the help of Gabriel the angel, they have to stomp out a demon outbreak in Oxford, MS, that Johnny single-handedly created. If you love Evil Dead- style horror and offensive humor, this is the book for you. KB: That’s definitely my kind of book! What about “The Dreadful Death” series? EK: Currently in “The Dreadful Death” series, [there are] “The Dawning” and “The Gathering.” Book three is still forthcoming. The series follows a young girl named Theodosia Whitfield into a depth of horror like you’ve never read before. [This is the book that is compared to] a mixture of The Exorcist , Carrie , and Pan’s Labyrinth . The story takes place in the early 1800s in North Carolina. Theo is being groomed in preparation to serve a dark entity called The Tetromet. Because of her gifts, there are other creatures lurking in the Ethereal Plane that want her. To keep her safe, a demonic guardian named Hophni is sent to protect her from these monsters and make sure she fulfills her calling to The Tetromet. As Theo descends into the darkness, the evil she unleashes on those around her is malicious and insidious. The series is full of visceral, nightmarish imagery, intense, complex characters, and thought-provoking, realistic dialogue. Readers have said the story is like a cinematic experience in novel form. [As far as] “The Memoir of Darius Fischer,” anytime a writer takes on a well-known genre, they have to make sure there are enough original ideas to keep it fresh. This is the case with this novelette. Darius’s grandfather is dead, and he has left behind a myriad of secrets, one of those being a lone chest in his attic loft. Within it lies secrets so dark, they take Darius Fischer down a road of no return. Written in the style of Darius Fischer’s journal entries and his psychologist’s session notes, the story provides an original take of lycanthropy but also stays true to all the things we have come to love about the folklore. KB: Do you have anything in the works? EK: Yes, lots! First, I’ll mention the book I’m querying agents for, “The Gospel of Lilith.” This book is a horror/fantasy that combines the Hebrew and occult mythos of Lilith, along with a little made-up Zeke mythos thrown in there. The book shows how, through heartbreak, misogynist oppression, and betrayal, Lilith becomes the creature that we know her as today. It bears to mention that I do not go the traditional route with making Lilith an origin story of vampires. So no, this is not a vampire novel … but the next one I’ll mention is! “The Vengeful Lambs.” This one is a novella that I am sending out to publishers now. The story follows Sampson and Ruth as they travel the New Mexico desert after an encounter with a vampire. The story combines the claustrophobic feel of Phantasm and the grit of From Dusk till Dawn , along with some supernatural elements and Lilith mythos thrown in. Like my werewolf story, this one gives a fresh, original take on vampires, while also staying true to some of the things we have come to love about these creatures of the night. Speaking of night, let’s talk about another upcoming novelette of mine called “Night of the Blood Cum.” Yes, you read that right, and it is exactly what you think. It is about a giant, demonic sperm that wreaks havoc on a redneck family from Alabama. In an unforeseen event, the jizz of an ancient Warlock drips on a Ouija board. The demon sperm is born and if not stopped, all humanity will succumb to its wrath. The only hope is a redneck named Jim. Aided by the ghost of his dead buddy Earl (who died in a bungee jumping accident from stringing old underwear bands together), Jim must find a way to kill the sperm and make it sterile. Fans of Tucker and Dale vs. Evil- style horror will love this story. Coming soon from Godless. KB: Dude, you are utterly fascinating. Any upcoming appearances where fans can find you? EK: I’m a regular on the panel for the Professional Paranormal Research YouTube channel. You can find me there a few times a month. Over the past two months, I’ve done shows with Citywide Blackout, Raven Tale Publishing, The Magical World of G. Michael Vassey, AfterRot, and Panic Room Radio. I’ll be back on Ghostly Talk for the third time this January, talking to them about the paranormal and my recent and upcoming releases. KB: Any new or upcoming releases? EK: Yes! In 2023, “The Mourning,” book three of “The Dreadful Death” series will be released, as well as “Johnny Walker Ranger: Demon Slayer, Vol. 2.” KB: What’s next for Ezekiel Kincaid? EK: In February, my fiancée, my kids, and I will be going to Kentucky again to join Dustin from Professional Paranormal Research to do another investigation. I’m also hoping to get an agent soon, as well as expand my audience by finding new shows to appear on. I also have some new stories and books that I’m preparing to write: “One Flesh” (psychological/body horror), “The Whore House Massacre” (1970’s grindhouse-style horror), “The Tetromet Tapes” (found footage-based novella in my Theodosia/Tetromet universe), and “The Man in Black” (next book that chronologically takes place after “The Dreadful Death” series). There’s more, but I’m not giving away all my secrets. So there you have it, folks. Right from The Paranormal Pastor / Pastor of Horror’s mouth. You can find him, his books, his interviews and recordings, and his congregation online at https://theparanormalpastor.square.site , Amazon , Twitter @EzekielKincaid, and Instagram @ezekielkincaid. Happy reading, bookworms! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Creation, Passion, and Collaboration are forming a New Era in Louisiana Music < Back Bayou Harmony: The Rise of Louisiana’s Collaborative Alternative Music Scene Nick Cline May 31, 2025 Share Creation, Passion, and Collaboration are forming a New Era in Louisiana Music Let’s face it, the music scene in general has been very strange and bizarre for quite a while, and although I wasn’t even born yet, the '90s truly are the period of music I most identify with. Alternative music in the ‘90s was so raw, artistic, and full of creativity. You had average-looking folks up there performing, and it wasn’t polished at all. It was authentic and real. The alternative music scene in Louisiana these days exemplifies perseverance in the face of judgment, it truly does. When I first started Phantum Sun , I found there was no true alternative music scene for the type of music I wanted to play, so I set out on a quest of sorts to try and build the scene I wanted. Think like a Monty Python quest, but no one has lost a leg or arm yet. Building a genre and its accompanying community is never an easy task, but despite the hardships and challenges, Louisiana is experiencing a surge of artistic creation currently, and I am happy to be a part of it. It’s starting to feel like a family. Recently, the alternative scene here in Louisiana reached a pivotal moment. The artists have all collectively decided they are ready to make a significant impact both in Louisiana and nationwide. Bands are forming a community that pours every ounce of passion and creativity into their work, and the community is evident both on social media and at local shows. The rules set by traditional norms no longer confine this emerging community. Instead, they are forging their own path—one that is filled with possibilities, inclusivity, and opportunities for progress, and it’s awesome. The recognition of this new community I’m referencing began with the ideas established at Eclipse Fest 2025 . Eclipse Fest is a festival I started last year, and this year, the camaraderie and community came together in an even bigger way. The line-up was killer with bands that included Phantum Sun , HolleeStar , Pink Tooth/JAYD3D! , Jean Claude Seagal , Grey Areas , Kris Russ , Double Knockout , Goodbye Academy , She Might Be a Beast , WE ARE THE VIRUS , and Voice of the Enemy . Many of the bands mentioned above are dedicated to creating a new era of Louisiana music, just as I am. Every day, they lay the groundwork for events and collaborations, encouraging more bands to join this mission. I see them all working together, and this collective is expanding with each passing moment. As announcements are made, the collaborations between these groups grow stronger, with each band carving out its own identity while embracing a wide range of genres. This stands in stark contrast to the existing scene I walked into, which was characterized by gatekeeping and ego clashes, which are now behind us, because we stand for unity through music and only want to uplift others. We are on the verge of a new era defined by inclusion, passion, and artistic expression with music, I believe. Things have been stale for far too long. The alternative scene here, which has never been a staple of the state, has recently ignited into a wildfire that is slowly spreading across Louisiana , and we need to embrace that and build it. The state of mind in alternative music has always been unpredictable yet beautiful, welcoming anyone willing to collaborate and accept good people, regardless of their genre. This community we are building truly makes me proud. The electric energy, work ethic, and creativity of this burgeoning scene are genuinely remarkable. Louisiana—and indeed the entire country—may not be prepared for this powerful wave of artistic expression, but I know that we are all ready to take it to the next level by bridging the gap through various other successful scenes, such as the one in Asbury Park, New Jersey , which is where I plan to move soon . As the days continue to go by, let’s return to our roots of just good music, no matter the genre. Life is too short. Listen to good music. Thank you for reading my thoughts. -Nick- *cover photo by Elise Hanks Photography by Elise Marie www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: The Suckling Review Ezekiel Kincaid Share Mar 17, 2023 This B-horror movie is so bad, it's B-movie gold There are bad horror movies, and then there are so-bad-they’re-good horror movies. Ah, yes, the never-ending cesspool of B-horror movies. Some of us love them, and some of us hate them. And if you're in the vein of loving them, there are plenty for that. These days, there are so many B-movies out ther, one can get lost in the movie void when trying to figure out which ones are worth watching and which ones are worth skipping. But alas, have no fear, Zeke is here! I’m gonna wade through the B-movie junkyard so you don’t have to. Equipped with my high tolerance for bad acting, stupid plots, and excessive gore, I’m the perfect man for the job. Even my editor says so. This week we are kicking things off with an all-time favorite of mine and my fiancée’s called The Suckling. Directed by Francis Teri ( Flesh Eating Mothers , 1989—another great B-movie), this gem hit the horror scene on September 24th, 1990. The movie stars people you’ve probably never heard of as well: Geral Preger, Marie Michaels, Lisa Petruno, and Janet Sovey … anyone? ANYONE? Yeah, I didn’t think so. One of the things that makes this movie so great is that it absolutely takes itself seriously. In fact, in the opening credits, the director tries to make us think this is based on true events. What are those events and what is the plot of this movie? I’m glad you asked. Brace yourselves. Also known as Sewage Baby , the story follows a young couple in need of an abortion. The girl isn’t so sure about it but the boyfriend? He’s all in. from IMDB stills However, because of the taboo surrounding abortion, they are looking to try and take care of things in a discrete and cheap manner. And man, do they ever … they strike gold! The couple finds a brothel with a lady named Big Mamma, who happens to take care of such kind of needs. And, oh man, let me just tell you that the opening scenes taking place in this brothel are, well, absolutely trashy, completely offensive, and downright hilarious. Big Mamma, from IMDB stills The couple decides to go through with the abortion, and this is where things get loco. The fetus terminated in the operation is the largest, nastiest amalgamation of flesh imaginable. Then, like every good B-movie, toxic waste gets involved (think Toxic Avenger meets aborted baby). The dead fetus gets chunked down the sewer. which happens to be full of some sort of toxic waste. The waste mixes with the fetus, brings it back to life, and transforms it into this mutant-like creature that grows at an exponential rate. The beast is actually pretty cool-looking, despite the low budget. It has these razor-sharp teeth reminiscent of the creatures in Feast , along with flesh-serrating claws, as well as a special skill of attacking and killing people with its umbilical cord. There are also some great, low-budget kills with blood that looks like it was watered down to make it go farther, but it works. The Suckling, from IMDB stills To make things more interesting, the toxic fetus has a weird superpower. It is somehow able to wrap the entire outside of the building with a supermassive placenta. This traps everyone inside the brothel, allowing them to get picked off one by one. And don’t expect to care about any of the characters. They are all stupid, one-sided, and there just to be killed. Yes, this movie is every bit as crazy as it sounds—there’s even a wire hanger scene! Yikes. So, gather your Pro-Life and Pro-Choice friends for a watch party, and let the insanity begin! Zeke gives this one 5 out of 5 toxic fetuses. You can find The Suckling streaming on Tubi and Amazon Prime. https://www.youtube.com/watch?v=bHaXHv3X1Ko Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Capital City Records has a vibe all its own. < Back Keeping the Vinyl Spinning: Dana Labat and the Heart of Capital City Records Nicole Brice Feb 26, 2026 Share Capital City Records has a vibe all its own. In a world dominated by streaming giants like Spotify and Apple Music , physical media stands resilient, offering an experience that digital platforms simply can't replicate—a tangible, authentic connection to the music and its creators. The act of holding a vinyl record, flipping through liner notes, or admiring album artwork transforms passive listening into a meaningful ritual. Placing a record on a turntable or sliding a CD into a player requires intention, inviting one to slow down and truly engage with the moment. Physical albums, unlike ever-changing digital libraries, are enduring treasures to keep, revisit, and share. Dana Labat exemplifies the movement to keep physical media alive, curating a cozy atmosphere and unmistakable vibe at Capital City Records, 4641 Perkins Rd., in Baton Rouge, LA. Credit: Michelle Ramey Back in the ’90s, Paradise Records in the University Shopping Center near LSU was my go-to spot for CDs. After it closed, I never found another space in Baton Rouge that captured that same magic—until I discovered Capital City Records in 2017. The moment I walked through the doors, I was transported back to the glory days of the indie record store: music humming over the speakers, rows of carefully curated vinyl, and Dana welcoming me with a warm smile as he helped me hunt down the elusive Ministry albums I’d been searching for. Every corner of the shop reveals Dana’s passion for music, as showcased in a meticulously curated collection spanning genres and eras. The selection is impressively diverse—you’ll spot everything from Acid Bath to Jefferson Starship , and countless gems in between. Baton Rouge boasts a handful of other notable record stores, but what consistently draws me back to Capital City Records is more than just its convenient location or carefully chosen selection—it's the unmistakable energy that fills the space. This isn't just a store—it's an experience. Dana Labat by Michelle Ramey Mixed Alt Mag recently sat down with owner Dana Labat for an in-depth, one-on-one conversation. Read on to discover more about the passionate music lover behind Capital City Records . MaM : Thank you for speaking with me today. Tell us a little more about yourself. Where did you grow up? Dana : I grew up in LaPlace , just outside New Orleans , and I’m 68 years old. Growing up there, there wasn’t much, and everything we did, we did in New Orleans – you know, going to the doctor, going to Schwegmann’s , visiting Canal St. for shopping, but anyway, yeah, I grew up there in the River Parishes with a normal childhood. MaM : What got you into music initially? Dana : I don’t know if anything particularly got me into music, but my earliest recollection of stuff is that my sister, who’s 16 months older than me – I’m the oldest of six kids, yeah, she had two albums I remember listening to those things over and over. They were The Lovin' Spoonful ' s Greatest Hits and The Beatles’ Rubber Soul . I just remember listening to those non-stop, and then my sister had some friends who played music, and she had a boyfriend who played in a band, too. This was probably when we were pre-teens or teens. I call them “bands”, but they’re little garage-type bands. My folks would let her boyfriend practice in the garage or on the patio, so I would have to say it was many things, but most of it was because of my sister. Credit: Michelle Ramey MaM : Do you happen to remember the first record you ever bought? For me, it was Care Bears: Off to See the World. I bought it at K-Mart on Florida Blvd. in Baton Rouge with my mom. It was less than five dollars. Dana : That’s great, the Care Bears. And how old were you? You were just a young girl. MaM : I was five years old. Dana : I remember those two records I mentioned, but the first I ever bought … I’m trying to think. I do remember a 45 I had asked my mom to get me at TG&Y . I think it was John Lennon’s ‘ Instant Karma! ’, which would have been around 1970 or 1971 , so that would put me at 12-13 years old , but that’s the earliest one I can remember. I do remember listening to the radio and hearing ‘ I Wanna Hold Your Hand ’, so like, pre-Rubber Soul and all that. I really liked listening to AM radio because of all the British Invasion stuff that was going on in the early '60s, naturally, but yeah, it was all in my formative years. Credit: Michelle Ramey MaM : I still have my Care Bears record, too. It’s on my shelf with all the others. When my daughter was into Care Bears, she always wanted to hear it. Crazy how that stuff comes back around. Dana : Yeah, that’s great memories. As you get older, you don’t recall everything, but I remember going with either just my mom or my parents, I think it was just my mom at the time, or maybe my siblings were there, but we had gone to The Clearview Mall off Veterans , and there was a place – a record store called The Gramophone . It was on the side by Sears , but I remember buying Bruce Springsteen ’s second album, ‘ The Wild, The Innocent, & the E Street Shuffle ’ there. I’m thinking this was in ’ 72 , but maybe I was in 8 th grade. It was somewhere around that period, and I’d heard the song ‘ Rosalita (Come Out Tonight) ’ on the radio, and I was blown away, so I bought that album. I was even lucky enough to see him several times early in his career, playing small venues. MaM : Wow, what memories. Do you have any favorite bands or musicians? Dana : Well, it’s funny. I get that question a lot as a record store owner, but the answer is always, "It depends on my mood and the time of day, you know?" I mean, I like The Ramones , but not necessarily on a Sunday morning. I might listen to something more ambient on a Sunday morning. Throughout the decades and years, I could easily say that the 60s were the Beatles and the 70s were, you know, like progressive like Pink Floyd , and the 80s became R.E.M. and the indie stuff, and then in the 2000s , we had Radiohead , which I love. I mean, there are so many in between. I love really good lyric writers like Bob Dylan , Leonard Cohen , Elvis Costello – stuff like that. Credit: Michelle Ramey MaM : What about Jim Croce? Are you a fan? Dana : Well, yeah, of course. It’s hard not to be. It’s hard to not leave out people when they ask what you listen to. MaM : That’s how I feel. Too much to describe. Dana : Right, I mean, again, if I say I like some Hüsker Dü or something, you might think that’s all I listen to, but I also love Nat King Cole . If you’ve ever heard him sing ‘ Nature Boy ’ and it didn’t stir some kind of emotion, I’d be surprised. My tastes are really all across the board. MaM : So, what year did you open Capital City Records? Dana : 2014 – We started at the beginning of the year with the hope of being somewhere around a six-month start-up. If I recall, we started moving into the doors in July or August because the building needed some renovations. By the time natural setbacks were done, I think it was November 2014 when we were officially opened. Credit: Michelle Ramey MaM : How would you say business has evolved over the years with your store? Dana : Well, it’s been steady growth – more and more each year. Last year, I saw a slight decrease in business, but it was mostly due to the economy. Just the state of the world. I’m fortunate, though, because people seem to like the store. I always like getting good reviews or hearing customer feedback. Sometimes, it’s not a local customer, it’s a collector, and I like talking to people. Just like when you’re in another town on vacation, where do you go? To check out the local record stores. MaM : Do you find your customers to be younger or older? Or is it just a combination of both? Dana : It’s definitely across the board. One thing I see a good bit of is that when parents come in with their kids, they’re not only buying the popular stuff, but also classic rock like Led Zeppelin , Pink Floyd, and other older artists. MaM : Are there any records people come in seeking the most? Dana : By artist or type? MaM : Just anything, really. Dana : Acid Bath – now that you’re saying it. I sell a lot of them. I know the owner of Rotten Records , and I get them through him. MaM : How long do you plan to keep the store open? I’m hoping until you can’t do it anymore. Dana : I don’t know. I don’t really have a plan. I’ve thought about retiring again after these past 12 years, but I enjoy working at the store. I did cut back a few hours recently, because I lost my helper. Everybody wants to work at a record store, but it’s not just sitting at the register selling records. There’s a lot to do. You have to pay attention to what moves and what doesn’t, price points, and other factors. It’s fun, but getting in Baton Rouge traffic, the older I get, the more aggravated I am. MaM : I can relate. Dana : It wouldn’t be like I would just close. I would hope someone else would take over the store. It’s just a record store, but it’s a good business. If you haven’t visited Capital City Records in Baton Rouge yet, what are you waiting for? Dana always has something special on hand, with records, CD's, and tapes thoughtfully curated just for you—so stop in and see for yourself and be sure to strike up a conversation with him while you’re there. We guarantee you’ll walk away with a new music friend. For more information: Facebook: Facebook Instagram: Capital City Records (@capitalcityrecords) • Instagram photos and videos Email: mailto:ccrbatonrouge@yahoo.com *All photos by Michelle Ramey www.chellrameyphotography.com Chell Ramey Photography Denham Springs And Baton Rouge Family Maternity and Portrait Photographer www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Baquenne is diverse and intricately constructed < Back Baquenne: Soothing, Ethereal Music Nicole Brice Jul 31, 2023 Share The music of Baquenne is diverse and intricately constructed Soothing, laid-back, feel-good music with upbeat vocals, catchy hooks, and ethereal guitar sounds: That’s the music of Baquenne . A band from Asbury Park, New Jersey , drawing inspiration from classic rock to 90's alt rock, the band is comprised of Liam Moroney on lead vocals, Eric Rudic on guitar, Chad Sabo on bass, and Santo Rizzolo on drums. Baquenne’s music reminds me of the tunes you would hear as a backdrop to a film about being at the fair on the boardwalk while enjoying ice cream on a beautiful, bright sunny day. From the howling guitars on ' Mountain #1 ,' which are soothing and evoke memories of playing outside as a child, to the stomping intro on ' Baby You’re Mine ,' which features a rhythmic opening building to a strong chorus of loud guitars and danceable beats, this band has something for everyone in terms of musical diversity: They’re poppy, they’re fun, and their music is just plain good. credit: Jeff Crespi Another track of theirs, ' Dead ,' is a guitar-infused slow jam with introspective lyrics that calm you and sounds like the perfect soundtrack to taking a drive down country roads with the windows down and your hand waving in and out of the breeze as you cruise along. And, Liam ’s vocals are soft and mellow and have just the right amount of intensity for songs intricately constructed about life and loss. Hauntingly reminiscent of Brendan B. Brown of Wheatus , Liam Moroney has the perfect voice to sing alt-rock, and I truly enjoy listening to him. The band began during the pandemic and has just begun with the guys continually writing and recording material as well as playing shows. Currently, their catalog consists of five singles available via Apple Music and Spotify with clever album art for each single released. The cover is nothing more than a simple band logo against a backdrop of a solid color that varies with each release ala the style of Weezer . If you remember, Weezer has done the same album art for several releases but with each one showing a different color with the guys wearing different outfits and looking just slightly different. It is pure brilliance in its simplicity and it’s clever branding, too. credit: Jeff Crespi A quick search on YouTube pulls up Baquenne ’s video for “ This is Life ”, a song that begins with a mellow opening only to build to grungy guitar fuzz and visuals of Liam driving in the car, playing guitar on a bench in the snow, with Eric lingering nearby in a covered bus stop. The guys look like they’re freezing, but with all the winter gear they’re sporting, I’m sure they did just fine. https://www.youtube.com/watch?v=BDJxTM_Mgm0 To see more of the band, check out, “ Mountain #1 ”, which is a performance vid showing the band in action. I really dug this song, and I think you will, too. https://www.youtube.com/watch?v=AZRqu2vuKzk A friend turned me on to Baquenne ’s music and I’ve been a fan ever since, so I wanted to share them with you, the readers of Mixed Alt Mag , so you could add another band to your rotation of tunage. I recently had the opportunity to chat with Liam and Eric at length and these guys are humble, fun, and down to earth. I’ve included the answers to a couple of questions that were thrown their way so check it out. Baquenne is creating music that is different, quirky, and just plain enjoyable. I have a feeling we’ll be listening to their music for many more years to come. MaM : Where did the band name come from? It’s so unique! Liam : So, the short answer is we just like the way the name looks. It’s not a real word as you know. And it came about during the mixing of one of our songs. credit: Jeff Crespi MaM : When is the new single coming out or when can we expect new music? Liam : We are working really hard to have a single out by mid-September with an EP to follow shortly after. We’re putting the finishing touches on those tracks now. MaM : If you could share the stage with any current band, who would it be? Liam : As far as sharing the stage, quite frankly the list is endless. There are many bands that are putting on great shows and we’re always trying to create a fun atmosphere during our live set. We would love the play with bands like the Pixies and Weezer , who both are coming to our area in the near future. credit: Jeff Crespi MaM : What are the future aspirations for the band? Liam : Since this band is relatively new our immediate goals are to really keep creating and spreading the word. We want to play to new audiences and take this thing as far as we can. To experience Baquenne ’s music for yourself, hit one of the links below! We’re certain you’ll be adding their music to your collection after engrossing yourself in their tunes! YouTube: https://www.youtube.com/@baquenne9467 Facebook: https://www.facebook.com/baquenne/ Instagram: @baquenne • Instagram photos and videos Spotify: Baquenne | Spotify Apple Music: Baquenne on Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charles Brooks, D.M.A. < Back Big, Easy, Body-Melting Vibes Keeley Brooks Oct 3, 2022 Share Charles Brooks, D.M.A. As promised, each article I’ll direct your gaze towards an artist worth checking out, and then I’ll tell you all about why they’re worth it. Maybe they’re hip and chic, just like you. Maybe they’ve got some funky, groovy vibes that resonate so loudly, you simply can’t afford to pass on hearing more about him/her/them. Or, maybe they have a super-cool ability to melt your face off with one bitchin’ musical experience that’ll leave you reeling for days. For this first article, I do not disappoint. (And if I do, then by all means send me an email and let me know so we can rap about it.) I bring you more than just a musician. I bring you a unique body-melting experience that clings to you like static and leaves one hell of a lasting impression. My people, meet Dr. Charles Brooks, a multi-talented, classically trained professional jazz vibraphonist, percussionist, hand drummer, pianist, clinician, composer, and educator. Hold up. A what? A vibraphone? What the hell is that? Here’s the easy answer: think xylophone, only bigger, more octaves, and with pedals, like a piano. Remember NBC’s former tone that played on TV between your favorite primetime shows … ding dang dong … that’s a vibraphone. You with me? Cool. The vibraphone itself is a unique instrument for many reasons, one being because it’s not that widely known outside of the professional music community, and secondly because of its main special feature: a set of small, electrically operated fans that sit above the resonators and below the bars, or keys, of the instrument. This positioning allows for a smooth vibrato, or pulsating change of pitch, effect by rapidly closing and opening the resonators. Still with me? For those of you who are music lovers and not players, resonators are the tubes placed underneath the tone bars (i.e., keys) through which the vibrations travel. What makes Brooks’ sound equally unique, if not more, is his method of running the vibes through effects pedals, and that , my friends, is where this bitchin’ musical experience begins, if I do say so myself. “Running the vibes through these pedals provides added texture to its distinctive sound. [The pedals] roll out those rich vibraphone tones to listeners in waves with multi-dimensional effects that leave quite an impression. And that’s what I try to do when I play music—give listeners an unforgettable experience through a sound that imprints upon them in some way,” said Brooks. And imprint upon you, it will. Cases in point: check out the livestreams of his 2017 Pink Floyd tribute show ( https://www.periscope.tv/theCBDMA/1dRJZAYnrdaGB ) and his 2022 Black History Month Jimi Hendrix tribute show ( https://youtu.be/0R2OK689L2U ). Or, stroll on over to his YouTube channel and check out his smooth jazz vibes from this year’s W.C. Handy Festival ( https://youtu.be/_ibe3G-X8Uk ). But definitely after that, you’ll wanna peruse through any or all of his Friday Night Vibes shows, which feature both originals and covers. Selections of FNV shows are available on YouTube, and all FNV shows in their entirety are available for your pleasure at www.TheCharlesBrooks.com/friday-night-vibes . https://www.youtube.com/watch?v=0R2OK689L2U Credit: YouTube When COVID locked us all down with nothing to do but, I don’t know, be with ourselves without a social construct and learn to communicate and self-entertain, Brooks started live streaming a one-hour solo vibraphone concert (often with various hand drums and drum set) every Friday night “I knew people were going stir crazy being stuck at home—especially those who enjoy live music. When there is no live music and everything’s locked down, it leaves a gaping hole in people’s lives. So, I started doing FNV to help music lovers and listeners unwind and disconnect from their stress so they could feel somewhat reconnected to music … to themselves, in a sense,” said Brooks. You’ll definitely want to set yourself an atmosphere before settling into any of these concerts. Relax, get comfy, turn the lights down, grab a drink, get mellow, then get lost in the waves that come rolling out at you. Let the energy of sound and the magic of music take you wherever they go. Get lost, babies. That’s what it’s about. We have to have a way to check out of our physical reality from time to time—in healthy ways, of course—and what better way to do that than with music? Let its healing power flow all through your sexy little body and do what it’s meant to: create, inspire, and impress an experience upon your being. Credit: Rachel Neal After viewing one of his shows, you’ll understand what I mean by “experience.” Brooks is known for his personalized high-energy performances, not to mention his wildly innovative improv talents and the speed at which he is able to play. He uses four mallets and often moves so fast up and down the face of the vibes it’ll make your head spin. Like a record. Right ‘round, baby. Right ‘round. It is truly a spectacular, unforgettable experience. And Brooks doesn’t just stick to jazz tunes, no. He has an ever-expanding repertoire that includes rock, blues, soul, and funk genres, as well as his own original tunes. He currently has four albums out, and they’re all available on his website and most streaming platforms. For each album, he composed, performed, recorded, mixed, and mastered everything himself. His albums range from a meditative hand drum experience inspired by martial arts forms he has studied over the course of his life, to a meditation and relaxation album for stress relief, to albums with a mix of jazz, blues, funk, and soul. Each of his tunes reflect on a special person, time, or experience in his life. Credit: Rachel Neal Brooks isn’t just a musician though. He’s also a professional audio engineer and educator (with a doctorate from good ‘ole LSU (Geaux Tigers)) with over 30 years’ experience. And in 2021, after nearly 26 years in Baton Rouge as a music and audio educator, mentor, and performing musician within the Baton Rouge and South Louisiana community, he accepted a position as Assistant Professor of Audio Engineering at the University of North Alabama in their department of entertainment industry. Since settling up in the Shoals area, he has returned to his role of freelancing as a studio musician with numerous musical capabilities at the legendary FAME Studios in Muscle Shoals, Alabama. Brooks can be heard playing the vibraphone on Southern Retro Soul artists Bonneville’s recent self-titled album, currently out now, and playing the steel drum on Nashville’s Outlaw Country recording artist Rickie Joe Wilson’s song “Reggae Redneck,” also recently released. So, what are you still doing reading this article? Go! Go listen! Go watch! Go experience! For further info on Dr. Brooks, his music, upcoming shows, and/or his audio program, visit www.TheCharlesBrooks.com , Facebook @TheCharlesBrooksMusic, Instagram @Cbreezington, and YouTube @MFCharlieB73. Credit: Rachel Neal *All photos by Rachel Neal Pictures* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest is a celebration of community and music, inspired by hope and bold optimism. < Back Eclipse Fest 3 Returns to Lafayette: A May 2026 Gathering at Feed N Seed Nick Cline Jan 16, 2026 Share Eclipse Fest is a celebration of community and music, inspired by hope and bold optimism. Eclipse Fest is heading into its third year, growing each time into a celebration of community and evolution. It began with no connections, no experience, and no clear plan—just a passion to give the underdog a chance back in 2024 . That spirit has always driven the festival, serving as a platform for talent that might otherwise go unnoticed and offering the scene fresh sounds it deserves. What started as a small dream has now drawn participation from across Louisiana and interest from bands nationwide. The line-up for Eclipse Fest 3 In 2026 , a new vision is shaping Eclipse Fest , with alternative music and its unique aesthetic at the core. This year’s lineup features 14 bands over two days, plus a special guest from New York . Pre-sale tickets are $10 each / $15 at the door / or for a 2-day bundle, it's $25. More info can be found here . Day 1 welcomes back Double Knockout , HolleeStar , and Grey Areas , alongside Playing The Hero , Sick At Heart , Silvercapbaby , and Kismet —covering metal, emo/pop-punk, and indie/alternative for an eclectic day of music. Eclipse Fest Day 1 - May 15, 2026 Day 2 expands the sound, with returning acts Phantum Sun , Jean Claude Seagal , and Goodbye Academy joined by Carnelian , Elle H. , Belle Grove , and New York’s The Amatory Murder —bringing together grunge, alternative, emo, funk, and industrial influences for a dynamic close to the festival. Eclipse Fest Day 2 - May 16, 2026 The festival kicks off May 15th and 16th at Feed N Seed in Lafayette . Stay tuned to Eclipse Fest’s Facebook , follow-up articles, interviews, and band socials for all the details. Follow along as the story unfolds—a celebration of community and music, inspired by hope and bold optimism. For more info visit: https://www.facebook.com/share/17mopWCTRA/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Oppenheimer shines as Christopher Nolan’s best, most hypnotic film to date < Back Film Review: Oppenheimer Shaun Corley Jul 25, 2023 Share Oppenheimer shines as Christopher Nolan’s best, most hypnotic film to date Christopher Nolan has returned to theaters with Oppenheimer , which may stand as his best film to date. Nolan occupies a rare niche in American cinema: He makes intelligent, layered movies that are given the same marketing treatment as Mission Impossible or MCU offerings. Very few other filmmakers can pull this off; Nolan’s only peer in this realm may be Jordan Peele. For Oppenheimer , Nolan pulls out all the stops, creating a long, dense, and ultimately hypnotic film. Christopher Nolan left a grand impression on movie-goers with his second film, 2000’s Memento . Starring Guy Pearce, the movie followed an amnesiac as he attempted to piece together various clues, such as cryptic tattoos, in a bid to discover his life before. Memento was smart and did not insult the viewer’s intelligence. These qualities would be present in Nolan’s next movie, a 2002 remake of Insomnia . A career high for the late Robin Williams, Insomnia ensured Nolan’s place in American film, a promise that came to fruition with the director’s Batman trilogy. While movies such as Memento put Nolan on critics’ radars, Batman Begins and its two sequels made the director a household name, affording him a status unlike any other. In 2020, he released Tenet , which opened to fair reviews and a low box office–although to be fair, the film was released during the peak of the COVID-19 pandemic. For the first time in his career, Nolan had polarized the critics and audiences. While Tenet may be ripe for rediscovery one day, it remains the one film that did not receive universal acclaim from critics. However, with Oppenheimer , Christopher Nolan comes roaring back, reasserting himself as one of the best directors working today. Oppenheimer is, at its core, a biopic. It tells the story of Doctor Robert J. Oppenheimer, a young physicist who is recruited to the Manhattan Project during World War 2. Cillian Murphy (L) as Robert Oppenheimer (R); Source: Associated Press At the beginning of the war, United States intelligence learned that Germany was conducting atomic experiments, with the goal of creating a weapon. In response, the U.S. created the Manhattan Project, with the intent of beating Germany to the punch. Oppenheimer was recruited to lead the Project, despite protests from the military. A key aspect of the Manhattan Project was its secrecy and compartmentalization; the facilities and scientists were scattered across the country, all working towards the same goal—even if they didn’t know what it was. Of course, America did develop the atomic bomb, dropping it on the Japanese city of Hiroshima on August 6th, 1945. The film touches on Oppenheimer’s ambivalence towards the bomb, particularly after it is dropped. In one powerful scene, the Los Alamos scientists learn the bomb worked, and Japan has surrendered. Many of the scientists celebrate joyfully, but a few do not. As Oppenheimer leaves the party, he sees his fellow researchers crying or vomiting in horror of what they unleashed. Source: Associated Press The film’s final part focuses on this fallout. Before the war, Oppenheimer had talked to (but never formally joined) the United States Communist Party—a fact that Lewis Strauss tried to use against him when it came time to extend Oppenheimer’s security clearance. Some of his friends, such as Doctor Edward Teller, sold him out in the hearings, and the film touches on this as well. Oppenheimer features a jam-packed cast: Cillian Murphy ( Peaky Blinders ) as Robert Oppenheimer, Emily Blunt ( A Quiet Place ) as his wife Kitty, and Robert Downey Jr. ( Iron Man ) as Lewis Strauss, the former chair of the Atomic Energy Commission. Each of these actors gives great, Oscar-worthy performances. Murphy, a frequent collaborator of Nolan’s, hits a career high as the titular physicist, embodying both his hopes and his fears for atomic energy. Emily Blunt, as Kitty Oppenheimer, stands out as well. She is the woman of an intelligent man, and she is every bit as smart herself but must take a back seat to her husband. A pointed commentary on gender roles at the time, Kitty still nevertheless supports Oppenheimer through thick and thin. Cillian Murphy and Emily Blunt as Robert and Kitty Oppenheimer; Source: Associated Press Finally, Downey shines as Lewis Strauss. Strauss pretended to be Oppenheimer’s friend, but it was revealed he was ultimately the one who torpedoed Oppenheimer’s security clearance. Downey perfectly embodies this political sleaziness, pretending to be Oppenheimer’s friend while simultaneously selling him out. Robert Downey Jr. as Lewis Strauss; Source: Associated Press The supporting cast is enormous and also features some stand-out performances. Florence Pugh ( Black Widow ) plays Jean Tatlock, an ardent Communist who had an affair with Oppenheimer. Jack Quaid ( The Boys ) plays the notorious Richard Fenyman and Benny Safdie ( Licorice Pizza ) plays Edward Teller, two other scientists who worked with Oppeheimer on the Manhattan Project. Others turning in great performances include Tom Conti ( Peripheral ) as Albert Einstein, Josh Hartnett ( Penny Dreadful ) as Ernest Lawrence, and Gary Oldman ( Slow Horses ) as Harry Truman. As mentioned earlier, Oppenheimer is a biopic . This is a genre that has proven popular with moviegoers as well as critics. However, these films tend to be overproduced and over-sentimentalized; some use the term “Oscar Bait” to describe them. These arguments are not without merit, as these films can sometimes gloss over certain aspects of the subject’s life. Nolan breaks the biopic mold with Oppenheimer. The film is not a simple retelling of events but instead uses a challenging narrative structure to tell Oppenheimer’s story. The film regularly jumps from era to era, offering viewers the chance to see Oppenheimer both at the Manhattan Project and years later at his security clearance hearing after the Project ended. However, it is a testament to Nolan’s skills as a director that the story flows smoothly, despite the structure. There is much to like about Oppenheimer, such as the performances and its structure. It would be a disservice not to discuss Ludwing Goransson ’s stirring score, which he recorded in just five days. Nolan built a name for himself working with composer Hans Zimmer; however, Zimmer did not work with the director on Oppehemier . Instead, Goransson, whose other scores include Black Panther and Fruitvale Station, among others, delivers a fantastic soundtrack--his score perfectly complements the film. Oppenheimer ’s three-hour runtime may be daunting to some viewers, but rest assured it is time well spent. Between Nolan’s superior direction, the stellar performances, and a killer score, Oppenheimer is hypnotic, drawing fans in and keeping them hooked. While the film may be difficult to get through for some, patient viewers will be rewarded with not only one of the best films of the year, but also, perhaps, Christopher Nolan’s best as well. Oppenheimer is currently in theaters across the U.S. https://www.youtube.com/watch?v=uYPbbksJxIg Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, but they're far outnumbered by comic books and the smell of rich mahogany lingering in the air. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One studio drummer who's tearin' it up < Back Justin Holder: North Alabama's Self-Proclaimed Drummer Ho Keeley Brooks May 24, 2023 Share One studio drummer who's tearin' it up I love doing what I do because I stumble across so many independently talented artists—like musician Justin Holder, for example. If you live up in or close to the Muscle Shoals area of Alabama, chances are you know who he is and not just because of his super funky hairdo. Holder is the go-to drummer in North Alabama for studio work, and he’s also a live drummer. I first met him back in early 2022 when he sat in the drummer seat to accompany UNA Entertainment Industries Professor Dr. Charles Brooks on his Black History Month tribute to Jimi Hendrix, which was beyond badass and had everyone on their feet. In case you missed it, you can catch that show in its entirety HERE . For now, here’s a peek at Hendrix’s “Foxy Lady” mixed with a bit of “Purple Haze.” Brace yourselves, though—it will melt your face off in every aspect from melody to groove to overall musical experience. Each of the musicians on that project put on one hell of an outstanding show. https://www.youtube.com/watch?v=YVgBGC0Vrqs Holder becomes another person when he sits in the captain’s chair, losing sight of everything but the drums and the groove. He plays masterfully with such professional intelligence and finesse that watching and listening to him sucks you right into the music to get lost in his rhythm. He’s always prepared to the nines, and he knows his shit. Don’t mistake anything about him, though; he’s a pro through and through. He studies hard the music he plays, and he keeps a notebook nearby full of meticulous notes so he doesn’t have to worry about what he’s going to hit; he can just be musical. He’s got an incredible ear and a gifted sense of awareness that allows him to play off the rest of the band. He’s able to mesh easily with other musicians, too. “He's a consummate professional,” says Brooks, “the very definition of a hired gun who can walk into any situation and not just adapt to a style but emulate it in a way that’s authentic to the source of origin and fresh for the listener.” I had to know more about this self-proclaimed drummer ho and go-to studio drummer (at least in the North Alabama area), so I sat down to rap with him about how he fell into studio drumming, what he loves most about everything he does, and what advice he has for up-and-coming drummers out there. Check out our conversation. MaM : Justin, thank you so much for taking the time to rap with me about your groovy talent and occupations. Are you a Muscle Shoals-area native or a transplant? Tell us about yourself. JH : Thank you for having me! I’m actually born, raised, and currently live in Florence, Alabama. I’m both a studio drummer and a live drummer. I started out as a live player and then converted over to studio work. I’ve wanted to do studio work my whole life. I grew up around it. I love it. MaM : It’s our pleasure! First, let’s address this “Drummer Ho” thing, because inquiring minds want to know its origin. Please, the floor is all yours. JH : (laughs) Well, I’m Justin Holder, and when JLo came out, my buddy started calling me “JHo” and it just stuck. I sign everything with that [moniker] and when I went to make an email, I just did DrummerHo because it fit. (laughs) MaM : Dude, that is hilarious. And awesome. It fits you perfectly. Never, ever change it, please. So, drummer ho, what type of equipment do you use to drum shit up, and what are your favorite symbols and sticks? JH : (laughs) I have a DW drum set and a 1969 Ludwig kit. But the current one I use is a Maple YAMAHA Custom kit. My preferred symbols are the companies. I'm sponsored with Sabian symbols and Vater drumsticks. credit: Justin Holder social media MaM : Has music always been a part of your life? JH : From birth, my dad was a musician and he toured around my whole life. He had a studio, so I would grow up just doing homework at his studio and listening to him mix. And, you know, all the legendary musicians from our area were there in my house, but I didn't know who they were. They were just guys my dad recorded with. So, I've been around music my entire life ever since I was born. MaM : What was your life like during middle school and high school? Were you playing any music then? If not, where were you headed after graduation? JH : So, during middle school and high school, that's all I did. I mean, coaches gave me a hard time because they wanted me to play sports and I was like, ‘Nah, I'm just gonna play drums.’ (laughs) So, I did. We had a band called Salvatron and I was in a band called Prototype, and we played a bunch of churches and stuff like that. One was a punk band, hardcore. So, different kinds of music all through my high school and middle school days. And I played at church, of course, with my dad. That's where I first got my start. I remember it was a Tuesday night and it was a worship night … he let me get up, and I was just terrified. And there were seven people in the auditorium or whatever. But, after graduation, nothing was really going on here. I graduated in 2001 and moved to North Carolina with a guy named Will McFarlane; we just wanted more opportunity in life. MaM : When did you know you wanted to play drums? JH : Oh, I knew from the first time I saw Animal from The Muppets. He was in a tree singing ‘Rockin’ Robin,’ and I saw his drum set and just went, ‘Whoa.’ And that was it. I remember just being a young kid, I had pots and pans I would beat on. And my dad, like I said, was in a band, so I saw all the drummers. MaM : (laughs) Ah, Animal. He was the best. Do you remember your first live show as a drummer? JH : Of course, I do. But my dad and Will McFarlane were the first two that gave me an early shot to play live. I think I was, gosh, maybe 13? And I can't remember which one of them it was, but one of them paid us 50 bucks and it was just like, ‘Wow, I can do this and make $50?!’ (laughs) credit: Justin Holder social media MaM : Haha. Hey, fifty bucks is fifty bucks, man! Do you ever get nervous at live gigs? JH : I did, and I still do, to this day, get anxiety and nervous. [I could have a gig] in front of four people [and I’d} still get nervous. And I love that, because once those nerves are gone, you might as well give it up, start something else that makes you nervous, and get your blood flowing. But I always have a process, kind of, when I have to learn a lot of songs. I cram, cram, cram, cram. And I constantly question myself and think, ‘I'm never gonna remember all this. I'm not. I'm just not.’ So, I let it go. The night before [and] the next day, I wake up freaking out, [saying to myself], ‘You're never gonna remember all this.’ But as long as I do my due diligence and notate everything—I need to notate on a piece of paper or chart—I can make it through anything, and I've figured that out along the way. And so, but I still get nervous for any show, really. When I'm setting up, once I hit that first note, I'm comfortable—maybe the first song, sometimes, depending on how much I'm feeling or how much I've drunk. But usually everything works out. The moment I hit that first note, I'm like, ‘Okay, you do remember this. You've practiced, you know what you're doing.’ So, yes, I do still get nervous at live gigs. MaM : I can dig that, man. I know many people can. What does playing drums mean to you as an artist? What is drumming a source of for you? JH : For me, it's a source of … that's a good question. My father was a musician, so for me, it's, it was important to be a musician like him. That was, to me, I guess being a man back then. As an artist, the drum is the groove you know because when we're in the studio and I'm listening to something and the guitar players listening to something, we're listening to totally different things. He's going to accomplish one thing, I'm going to accomplish another, but we're gonna tie them together. So, you have a room full of guys that kind of know what they're doing and [know] what to look for, and, you know, I'm not hearing melodic changes a lot. I'm hearing rhythmic changes and timing, so as a drummer, I'm totally focused on the groove, the timing, what the tempo should be, and just how to make the song better. It's always about making the song better. That's why we check our egos at the door, first and foremost, because that could definitely get in the way. There's no ego involved. It's just whatever is best for the song. MaM : What does your evolution as a drummer encompass from where you started versus where you are now? JH : Wow, I'm only 40 years old, and I feel like lately I've kind of just been like, ‘You know what? This is easier than I thought it was.’ … But where I was to now, it's just experience, honestly. I mean, 10 years ago, I wouldn't have listened to what I know now, because I would think I'm not gonna have to do all that, like country and blah, blah, this, and this, and now it's like, ‘That's my job.’ So, knowing a lot of different types of music [and being able to] instantly relate to an artist [by being] aware of where they're coming from, that’s my job—to understand where people are coming from and to know what they mean by saying this, this, and this. MaM : What do you love most about what you do? JH : My dad was a musician, and all I ever wanted to do was play music because I saw him do it. He passed away 13 years ago, and I'm just continuing the legacy. Studio work is forever. Live gigs are in one ear out the other. But when you track a song, it's there forever. And that's what I love about the studio. I love the fact that it's an art in the studio. It's decisiveness. It's a gut feeling. It's gut reaction. But I love the excitement and not knowing what I'm getting into. credit: Justin Holder social media People always said, ‘You want me to sing any songs beforehand?’ Nope, I don't. I want to meet the artist the day of. They're gonna look at me all weird, I'm gonna look at them all weird, and then all of a sudden, with the first time we kick into a song, or they hear me do a drum check, they're like, ‘Okay, I feel good now; this guy's good.’ So, that's what I love about studio. It's forever, and there's an art form to it, and getting better at this art form is really fun. MaM : That’s beautiful, man. Well, I know you're in a couple of bands, so tell us about them. JH : So, one band I'm in is called Drumb and Drumber with a guy named Chad Berdine. I play guitar and sing and play some hand drums. It started because I needed to pay my utility bill and drums weren't paying me a lot. (laughs) I didn't have a lot of work when i moved [back] here twelve years ago, and I didn't want to get a job, so I said, ‘You know what? I can play some covers,’ and I did it one night [and realized] I don't need to rely on anybody else anymore. I can do this all on my own. And then Chad came to me and said, ‘Let me play with you.’ Next thing you know, we called it Drumb and Drumber. We've opened McDonald's for corporate events, we've played at the National Predators Game nine times or something like that, and now he owns wedding venues. So primarily, we do a lot of weddings. I’m also in another group called Fathers and Sons . We put this together just for us. It's a bunch of studio guys: Jamie McFarlane, Kelvin Holly, Will McFarlane, Janet McFarlane, and C Thurman and me. We play whenever we get booked, but we mainly play every Tuesday night at FloBama Restaurant in downtown Florence from 7-10 p.m. We kind of put that together just for us to get our rocks off … cut loose and play. We just wanted to put together a band and have fun and do some songs that we wanted to do. I also play with a guy named Cole Nichols, but my other project is Gary Nichols. I've been playing with Gary for a long time, and he's a Grammy winner with The Steel Drivers who won Bluegrass Album of the Year. He and I just recorded his new record, and we're gonna be putting that out, hopefully see where that goes. I’m also currently playing with Dixie Mafia. So, a lot of exciting things on the horizon mixed in with also doing session work, you know? MaM : When did you become a session drummer? How did you fall into that? JH : My dad was a studio musician and [I grew] up around all The Swampers (aka The Muscle Shoals Rhythm Section ) here in town. There's something special about recording. It really is special. I've grown up around it and I've seen the art form my whole life, so I wanted to do that. When I moved back from North Carolina to Muscle Shoals, I knew … there were session guys and they were getting the work, but, you know, they were all aging. And I hate to say it that way, because we had some greats: Bob Evans, Roger Clark, Milton Sledge, Roger Hawkins, and Mike Dylan, who's still around with us. But … there was a need for more drummers, I have to say it. So, I moved back and plugged myself in, and I got really close with the guys at Fame Studios , and they just started using me slowly but surely. And next thing you know, twelve years later, I feel like I'm the go-to guy. I don't wanna call myself that, but I'd like to think that I am, you know? I'm still aspiring to be ‘that guy’ and get better at things. I've sacrificed a lot to be a session drummer. I probably could have been on the road playing with other people, but I knew that that session drumming is what I wanted to do. I wanted to get better at that. I could get better at being a live player and going out and networking and schmoozing my way up the ladder like anybody could do, you know, but I wanted to plug away at the studio … because it's forever. It's very special to me and my father all that kind of stuff. credit: Justin Holder social media MaM : Drop some big names you’ve played with over the years. JH : Little Richard, Delbert McClinton, Kris Kristofferson, Foy Vance, Jason Isbell, John Paul White, Rick Hall, Jim Gaines, Jimmy Hall, Shenandoah, Donny Fritz, The Swampers, T. Graham Brown—I’m on his new record, which features Sammy Hagar, Billy Gibbons, and Daniel Tucker—but that hasn't come out yet. Those are just a few names. There’s many more. MaM : Your life must be pretty busy. Given all that you do, how do you find a balance between working, playing, and home life? JH : I'll be honest with you, I struggle at that a lot of times, because I'm a kind of guy who if I'm working from ten in the morning until ten at night, I'm gonna have time to myself in that night … I can't just come home and go to bed. I have to have my personal mental quiet time. I play Fortnight with my wife a lot. (laughs) I'm not a gamer, but something about that is very peaceful after I’ve been in the studio dissecting songs all day. It's not physically tiring on me; it's mentally draining. And that's tough. credit: Rachel Neal Pictures I have a 14-year-old daughter and a wife. We find our ways to bond with each other. I still am challenged with finding a balance in everything. Right now, I'm in a season of just working as much as possible. And whenever somebody calls me, I go; I'm a yes man. … I don't get a lot of days off, and so when I do, I do nothing … absolutely nothing. MaM : Any advice for those interested in maybe becoming a studio drummer? JH : If you're interested in becoming a drummer, the first thing I could tell you to do that I wish somebody would have told me to do is to suck it up, nancy boy, and listen to every kind of music you don't like! If you wanna be a studio guy, you're gonna do a lot of shit that you don't wanna do. And it's not that you can't find the joy in it, it's just, ‘Wow, this isn’t really my cup of tea. I don't really listen to this.’ Well, you f**king need to listen to it because you're gonna need to know how to do this kind of stuff in the studio. And I've learned that along the way. I was stubborn and didn't want to do that. And guess what? [They’ll just get] somebody that can do it. So, in my opinion, if you want to be an overall versatile player that gets called all the time, you gotta listen to so much crap you don't like and stuff you do like. If you want to be a Tik-Toker, you want to be a YouTuber, you wanna be a live drummer, go practice all the chops and the licks that you can do, get as fast as you want. But if you want to become a session studio drummer, nine times out of ten, you're not gonna get called for that. You know, they always say a bad drummer makes a good band sound bad, and a good drummer makes a bad band sound good. And that's very true. All an artist needs us to do is be the anchor and be the groove. So, I would say listen to every style of music there is [and] give yourself seven days out of the week. One day do jazz. Second day do country. Third day, do another genre. And just dissect how drumming is different in each one of those categories, because that's what you're gonna be using when you come into the studio. Also, learn how to tune a f**king drum set. I probably get hired more because of my tuning than I do my playing. And learn fundamentals. I think the three basic rudiments to start off with are singles, doubles, paradiddles. And there you have it, folks. Studio Drumming 411 from the studio drummer ho himself. To see Justin play live, you can catch him every Tuesday night at FloBama Downtown Restaurant and Music Venue in Florence, Alabama, from 7-10 p.m. Drumb and Drumber plays every other Thursday at the Marriott Inn in Florence from 5-7 p.m. at Swampers Lounge . For more on Justin Holder, hop over to YouTube and search “Justin Holder Drummer” or “Justin Holder Fame” and peruse through the many videos of him in the studio and elsewhere. You can also find Justin on Facebook @JustinHolderDrummer . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout. < Back Music Reviews by Nick: Playing with Fire by Caustic Waves Nick Cline Jul 4, 2025 Share The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout. Caustic Waves is back with an exciting new track that promises to captivate your eardrums with a wave of dissonance, distortion, and raw emotion. Launched in 2022 by the sonic mastermind Neil Thomas , this Glasgow-based one-man band draws inspiration from the diverse rock landscapes of the 90s and early 2000s. With this unique blend of musical tastes, Caustic Waves offers something for everyone looking for a mix of Deftones , Incubus , and other legendary grunge artists. The latest single, ' Playing With Fire ,' continues to build upon this rich soundscape. Released July 4, 2025 From the very beginning, ‘ Playing With Fire ’ grabs your attention with an explosion of distorted guitars . Within seconds, the song erupts as the full instrumentation and vocals kick in. The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout the entire track. Maintaining listener engagement has become a challenge in today’s music industry, but Caustic Waves achieves this effortlessly. The guitar tones and riffs are unmistakably hook-oriented, offering a subtle nod to the great metalcore projects of the early 2000s while also incorporating high-energy alternative influences from the 90s. There are very few complaints regarding the bass and guitar performance, which showcases a steady sense of melody and electrifying energy, creating a powerful musical storm. Overall, the single features impressive guitar and bass work, with excellent use of tone, riffs, and melody. https://www.youtube.com/watch?v=wkW9aeeWqmw The official lyric video for 'Playing With Fire' by Caustic Waves The song's rhythm provides a solid foundation that interacts like a living, breathing entity. This dynamic is one of my favorite aspects of the track. Although the high energy can sometimes overshadow this intricate interplay, paying attention reveals an effortless flow from beginning to end, capturing the crackle of flames to the first note, all the way through to the final crash of the cymbals. The vocals and lyrics convey a deep sense of emotion and a hopeful rage. The melodies tie the energy together, reflecting an intertwining of rage and a sense of hopeful embrace. This complex idea is executed with both intention and ease, allowing for a smooth dichotomy alongside the instrumentation. All these elements combine to create a sonic palette that will appeal to a wide audience. If you're a fan of 90s and early 2000s alternative and hard rock, you've found a new artist and track to add to your playlist. Caustic Waves delivers another standout single that connects seamlessly with their previous work. ' Playing With Fire ' is out now on all streaming platforms, so go enjoy! For more information about Caustic Waves: CAUSTIC WAVES | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Blood-Soaked Holiday Releases < Back Merry Christmas: The Shitter's Full Keeley Brooks Nov 29, 2022 Share New Blood-Soaked Holiday Releases If you’re like me, you’ve already started watching your favorite holiday movies. In fact, as I’m writing this article, I’m giggling at Chevy Chase while watching National Lampoon’s Christmas Vacation . It’s been a top favorite of mine ever since I first laid my eyeballs upon it in all of its hilarious glory. But this article isn’t about that movie. It’s about some other new holiday movies releasing this month … holiday horror flicks. And in terms of movies, and to quote Cousin Eddie, "the shitter's [indeed] full" ... of blood, with all the new horror titles releasing in December. First up is Curse of Jack Frost , which dropped on VOD Nov. 1. Frost is a bit of a demon in this British holiday cinematic offering, and he will stop at nothing this Christmas to exact his vengeance on those left in the bloodline. He terrorizes a family and must learn their family’s dark secrets that link to why they’re cursed. Check out the trailer below: https://www.youtube.com/watch?v=njsIRexup-E Next is Violent Night , which hits theaters this Friday, Dec. 2. I’d love to be able to tell all you streamers out there, who now prefer to stay home for movies (like me), that this one is also streaming somewhere on the same day, but no such luck. At least not yet. It will, of course, be available to rent at some point, but that date hasn't been announced. My advice is if you wanna see it now, it’s back to packed theaters full of smacking, slurping, coughing, snotting, sneezing people. The film has been anxiously awaited by many since its trailer dropped about a month or so ago and is from Director Tommy Wirkola ( Dead Snow movies, Hansel & Gretel ). Starring David Harbour ( Stranger Things ), John Leguizamo ( John Wick) , Edi Patterson ( The Righteous Gemstones ), and Beverly D’Angelo (by the way, my decision to watch Christmas Vacation as I wrote about Violent Night because Beverly D’Angelo is in both was completely unplanned and I’d forgotten she was even in Violent Night until this very moment. I love when that happens.), It’s a horror-action dark comedy that’s a twisted take on the milk-and-cookies-and-presents Santa Claus we all know. When an elite team of mercenaries breaks into a family compound on Christmas Eve, they get way more than they expected after taking everyone inside hostage. Also, Santa is there to do his thing … and he straight whips everybody mercenaries' ass in what looks like some pretty badass fight scenes. This Santa is no saint, and he’s about to expose why. Take a peek: https://www.youtube.com/watch?v=a53e4HHnx_s I gotta say, this movie looks like one hell of a good time, no matter where you watch it. I’m all in! Then there’s Christmas Bloody Christmas ! This little independent number features a Christmas Eve where fiery record store owner Tori Tooms just wants to get drunk and party, until the robotic Santa Claus at a nearby toy store goes haywire and makes her night more than a little complicated. Santa embarks on a rampant killing spree through the neon-drenched snowscape, ultimately forcing Tori into a blood-splattered battle for survival. The film is set to release on Shudder on Dec. 9. Watch the trailer here: https://www.youtube.com/watch?v=aiMc-RRqjaM And lastly, The Mean One --and I gotta say it looks pretty awesome. I love fx makeups, and this one is incredible. A slasher comedy directed by Steven LaMorte ( Bury Me Twice ), this Grinch teases a dark side. A very dark side. Unlike the other adaptations of the Doctor Seuss classic, this one is an unauthorized parody of the story, mean they didn’t acquire the rights. Due to the lack of permissions, the creators had to be extra cautious to avoid using any language or names taken directly from the book. It’s clear that this Grinch will be a very far cry from any previous versions … it’s a spoof. The setting is a sleepy mountain town, where a girl named Cindy has her parents murdered and her Christmas stolen by a blood-thirsty green figure in a red Santa suit—The Mean One. When this ravenous, Christmas-hating creature begins to terrorize the town and threatens to ruin the holiday, Cindy finds purpose in trapping and killing the monster. The Mean One drops next Friday, Dec. 9 AND, streaming friends, you’re in luck with this one. As a gift to all horror fans this holiday season, this flick drops everywhere on Dec. 15. Watch the trailer below: https://www.youtube.com/watch?v=9n9LmPRRmEw *BONUS WATCH: I happened to stumble across this one by chance, and no way I’d miss telling you guys about it. Another independent horror-comedy slasher, this one puts a psychological spin on the classic story of Santa Claus, Mrs. Claus, and, of course, the reindeer. Here are the deets on Christmas Slasher : as the holiday season rolls in, a murderous zombie reindeer wreaks havoc on the small town of Vixen, Minnesota. Local townsfolk are viciously attacked and killed, and even the hunters become the hunted. Then the film shifts forward ten years after the murders and centers around Alita Claus, when she and a group of her best friends from college decide to spend Christmas break in a cabin deep in the woods (and we all know what happens in cabins “deep in the woods”). The zombie reindeer is still on the loose, along with now-psychotic-monsters murderous couple Mr. and Mrs. Claus. Here’s the trailer, but an actual release date is yet to be announced and is projected for some time in December. Keep an eye on your favorite platforms. https://www.youtube.com/watch?v=3Nc1NGaWOrs There are, of course, many other holiday horror titles streaming this month, so visit your favorite places and see what’s in store. And always check your VOD titles, especially if you're an AppleTV user. They have some great categories and recent discoveries with little gems everywhere. Be sure to stock up on candy and popcorn before you get to watchin’! And if horror isn’t your thing, be sure to check out my list of non-holiday comedy recommendations , definitely guaranteed to have your face hurting from laughing so much. Enjoy, my friends. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Picks for December 2024 < Back Way Back When: Holiday Tunage Nicole Brice Dec 1, 2024 Share Picks for December 2024 It’s that time again … more music for your ears that you may or may not have heard before. I’m not going to give you a typical holiday list, because truth be told, I really don’t like holiday music. Here’s some songs to get you going this holiday season. 1. The Vandals - Oi to the World This classic punk holiday tune was covered by No Doubt in 1997, but nothing lives up to the original. It’s funny, it’s fast, it’s catchy. Sing along loudly! 1996 https://www.youtube.com/watch?v=oo4gEPiKm3w 2. The Ramones– Merry Christmas (I Don't Want to Fight Tonight) A typical Ramones song with a Christmas theme. Crank it up! 1989 https://www.youtube.com/watch?v=KIhIBFPtnoc 3. The Dickies - Silent Night A punk take on a classic tune. 1979 https://www.youtube.com/watch?v=PRCG8FU1C2s 4. Bad Religion - White Christmas It’s freaking Bad Religion singing Christmas tunes … nuff said. 2013 https://www.youtube.com/watch?v=R1KCjHbKM_s 5. Rise Against - Making Christmas One of my fave Christmas tunes because it’s Rise Against . Tim McIlrath can sing holiday music to me any day of the week. 2006 https://www.youtube.com/watch?v=0gpJCg_VbkA Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Dale Harris Music < Back Laid-Back Louisiana Southern Rock Keeley Brooks Oct 19, 2022 Share Dale Harris Music Who doesn’t love some good ole Southern rock music? Creedence, Skynyrd, ZZ Top, The Charlie Daniels Band … The Allman Brothers. Legends. And while all of these groups are surely amongst favorites in the classic rock community, I’m here to tell you about a new favorite Southern rock artist (and band) you just don’t know yet. Meet Dale Harris – singer, songwriter, guitarist, vocalist, and all-around awesome guy. What makes him unique is his multi-faceted ability to do pretty much anything, but relative to this article, I’ll clarify and add musically . In addition to playing lead in his band, the Dale Harris Band, he’s also a multi-instrumentalist, playing the rhythm guitar and drum set, and a singer/songwriter, who tries not to limit himself to just one style. “When I’m writing songs, I try to write music in as many genres as possible so as not to pigeon hole myself,” said Harris. Born and raised in Baton Rouge, Louisiana, Dale has been playing music pretty much his whole life. His father was a carpenter who exposed him, “to people from all walks of life.” In fact, it was one of his father’s concrete finishers, who ran the band at his local church, gave Harris his first snare drum. “I fell in love with music and learned musicianship from watching those concrete finishers play gospel music after work and on Sundays,” he said, with the reflections of those days shining in his eyes. Dale began guitar lessons at six years old, then started drum lessons with Lyman Mulkey as a teenager. After high school, Harris found himself playing in various local bands over the years, like The Black Box, Loverseed, The Invisible Men, The Roebucks, The Jazz Souls, and The Florida Street Blowhards. Though he writes mainly Southern rock songs, Harris is inspired by the swamp pop, jazz, soul, and gospel genres. Taught by his father at a young age to read chord charts and play folk, country, and gospel songs on guitar, Dale credits The Charlie Daniels band with inspiring him to become a musician. “My first source of inspiration came from the Charlie Daniels Band. When I heard ‘Devil Went Down to Georgia,’ well, it was the first time I heard someone just straight getting down on an instrument. It was my first example of trading solos. After that, I knew I wanted to become a musician; so, I did.” https://www.youtube.com/watch?v=P65N73_pRJ8 Harris also credits Ray Charles, Elvis Presley, and Dr. John with being major influences on his music, which is ripe with laid-back style that paints a smooth surface over rough terrain and consists of topics like heartbreak, hoodlums, and home repair. Currently he stays busy writing and recording music with his band, the Dale Harris Band. Harris leads the group on vocals, rhythm guitar, and drums, on occasion. Glenn Harris, his brother, plays lead guitar, and long-time co-writer Denvil Snyder plays bass. Personally, one of my favorite tunes is “I Woke Up.” From those laid-back, catchy guitar licks to the buttery smooth vocals that ooze out of Harris when he sings, the songs aspects and focus just pull you in sip by sip. It’s catchy, it’s rockin’, and it’s just a damn good song. And speaking of good songs, you should also check out “Dag Nabbit,” which, according to Dale, was inspired by watching Saturday morning cartoons. For more on that story, you’ll have to go to one of his shows and ask him the deets yourself! “Yeah, that one tends to be “the hit” amongst the kids,” Harris laughed. At the moment, he is in the process of recording demos for an upcoming album, and he currently has an EP available on Spotify and most streaming platforms. As far as upcoming shows, you can see the Dale Harris Band live at any of the below-listed shows, and be sure to catch him Halloween weekend doin’ his thang live at Phil Brady’s. Oct 29 Phil Brady’s, Baton Rouge Nov 12 Oyster Bar, St. Francisville Dec 1 La Davina Café, Baton Rouge New Year’s The Hilton Downtown, Baton Rouge *(with The Florida Street Blowhards) For further information on Dale Harris and the Dale Harris Band, and to stay up to date on live performances and album releases, visit www.jdharrismusic.com . *photos provided by Dale Harris www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Underrated 80s Horror Movie You've Probably Forgotten About < Back Dead Pit Ezekiel Kincaid Dec 8, 2022 Share The Underrated 80s Horror Movie You've Probably Forgotten About The year is 1990. Ten-year-old me is browsing the horror section one Friday night at Dixie Video, knowing good and well my parents aren't going to allow me to rent what I really want to watch. While perusing said shelves, I come across a video that makes me feel like Ralphie in A Christmas Story the first time he held his Red Rider BB gun. Dead Pit . On the cover, a zombie resembling Frankenstein crawls out of a pit, surrounded by a bunch of hands reaching out of the same hole. Behind him stalks more of the living dead. As you can see above, the color scheme is black and neon green. What made this case even more fascinating was that when you’d press the zombie, his eyes lit up! I was sold. Ten-year-old me had to see this movie! Ten-year-old me asked my parents. Ten-year-old me was told "no" because it was R rated. I had to wait a few years, but I finally got around to watching Dead Pit . As an adolescent, I remember liking the movie, but as time went on, the movie drifted into obscurity in my mind. Until a few years ago, when I was browsing Amazon Prime to find an 80s horror movie to pass the time. Lo and behold, what appeared! The memories surrounding this movie came flooding back. I was lost in nostalgia, wondering how in the world I could have forgotten about a movie like this. One euphoric memory after another tingled my soul. When the sensation ended, I went to my pantry, grabbed a jar of peanut butter, and commenced watching. And boy, was I glad I did! What's the movie about? Released in 1989, like most 80's horror, the plot is kind of silly. The psychotic Dr. Ramzi was walled up alive in a nuthouse. He had been caught performing experiments that involved one-part formaldehyde and one-part lobotomies. When he was done extracting the brains from his victims, he tossed the bodies into the pit. As his captors bricked him in and sealed him up, the crazy doctor swears he will get revenge on them. Jump ahead twenty years. Enter Jane Doe. She's admitted to the asylum for a bad case of amnesia. It just so happens that Jane Doe has some serious psychic powers. So powerful is she, that she awakens Dr. Ramzi from his sleep. Once awakened, Ramzi and Doe seem to share a psychic bond. Ramzi uses this bond to draw power from her to raise all his victims from the pit. Ramzi then sends out his zombie horde for revenge. This movie has some creative kills and descent 80s gore. There's also all the cheese that we've come to adore about 80s horror. My favorite (terribly cheesy) scene has to do with holy water and a water tower. Also, the zombies are somewhat intelligent, and they move fast. Overall, I enjoyed digging up this forgotten jewel of my childhood. If you're a fan of 80s horror, this is a must-see for you. Check it out now on Amazon while you still can! I’m an avid VHS collector and I’ve since been able to acquire a copy of Dead Pit (see pic below). The tape still works like a charm and the cover is in okay shape. The only down side is that the zombie eyes don’t light up. I’ve been trying to track down a copy with working LEDs, but I’ve had no luck. So, if any readers out there know where I can get a copy, hit me up! Until next time, keep it creepy, you bunch of freaks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Movie Recommendations of a Man of Extra-Large Talent < Back Peter Dinklage Keeley Brooks Nov 22, 2022 Share Movie Recommendations of a Man of Extra-Large Talent I’m not ashamed to say that most of my nights and weekends are spent watching movies and streaming series. And sometimes, because I’m a grown up, I play video games. From new titles and old titles to titles I come across by chance and those that come recommended, I love diving in deep to get lost. And what most of society labels as being “lazy” and “unmotivated” is something, for me, that is quite the opposite. In my world, things like this are exciting, enthralling, rewarding, and challenging because I thoroughly enjoy digging into and dissecting the cinematic arts. Why is that lazy or unmotivated? Consider all the aspects that go into one story: theme, characters, setting, plot, metaphors, foreshadowing, twists and turns, cinematography, special effects, costume designs, voice-overs, edits, music, actors, etc. All of these are what ignite my intellect. There’s nothing I love more (other than my lil family o’ dummies) than getting lost in a story and finding meaning in something I’m watching, and I love observing from different points of view: how real does what I’m watching seem? Is it truly believable, and why or why not? Does a story and its parts have what it takes not just to hold my attention but also to be so believable that I have to remind myself it’s just a movie? And, I won’t lie, I’m a bit of a snob in the sense that I do look for things missed in post-production and for continuity between cut frames in the same scene. I also love analyzing the work of art as a whole and discovering its effect on me. That , to me, is exciting, and I’d much rather spend my time doing that and being with my people rather than being out in the madness of the world. By no means am I a recluse; I just am who I am, and I won’t apologize for it. I also can’t hear those who call this content lover as “lazy” and “unmotivated” for engaging in what she loves, and that’s super-good news for those of you out there who are looking for recommendations on what to watch. That’s what I’m here for ... just ask my family and friends. I also enjoy following different actors through their careers. One I have loved and followed since 2005 is Peter Dinklage, whom you might best know as Tyrion Lannister from HBO’s Game of Thrones . He’s just awesome, with eyes full of meaning and emotion that speak to the hearts of viewers everywhere. He’s an intensely humble and marvelous actor to watch, and he brings such a captivating emotional depth and range to every title he’s in and character he plays that you just can’t help but love him, feel what his characters feel, and want to follow his career. I was first introduced to him in 2005 when a friend who shared my affinity for film introduced me to The Station Agent , which is an independent psychological comedy-drama by Tom McCarthy ( The Visitor , Win Win , Spotlight ) starring Dinklage, Bobby Cannavale, Patricia Clarkson, and Michelle Williams. It’s a sweet and quirky but also deeply heartfelt movie about an improbable group of lonely people in a small town who find their paths continuously crossing and are forced to befriend one another. It stars Peter Dinklage, Bobby Cannavale, Patricia Clarkson, and Michelle Williams and follows the life of train aficionado and downcast little person Finbar McBride (Dinklage), whose life takes an unexpected turn when his boss dies and leaves him a railroad depot in small-town New Jersey. Fin moves in to the depot and keeps to himself and his love and respect for trains, until his space is comically invaded by a very talkative and carefree food truck vendor, played by Bobby Cannavale. Then, an unhappy, reclusive artist/wife (Patricia Clarkson) shows up, and the trio’s unlikely interactions deepen as some eccentric conversations, relationships, and outcomes ensue. https://www.youtube.com/watch?v=031TV29V3e0 Dinklage’s performance will melt your heart, and the culmination of this movie will leave you with chills, forcing you to appreciate the good friends you have in your life and let them know you love them. I highly, highly, highly recommend this movie. One of his more recent works I recently saw is a 2018 independent flick called I Think We’re Alone Now , starring Dinklage, Elle Fanning, and Paul Giamatti, and directed by Reed Morano, who has directed and executive produced the pilot and some episodes of The Handmaid’s Tale and the movies Frozen River (2008) and Lemonade (2016). This movie is about two survivors who learn to co-exist and live together after a worldwide pandemic wipes out Earth’s population. Dinklage is on his own and has been for some time, going house to house in his city, clearing them of the dead and burying bodies, as well as “cleaning” houses for items he needs and can use to survive. One day, out of nowhere, a vehicle crashes into a nearby pole and inside he finds a girl (Elle Fanning) inside, bleeding and passed out with a head wound. Thinking he was the only survivor left in the world, he's hesitant of her but ultimately decides to help her and bandages her up. They then very cautiously begin to learn about one another, slowly building trust and a little openness into their individual worlds … right up until Paul Giamatti shows up and brings a twist that really amps things up, and Dinklage finds himself on a quest across the country alone to rescue the very person he helped then shunned after learning of her secret. https://www.youtube.com/watch?v=gPrnb_BYsdA It’s not your typical post-apocalyptic film but it's a very good flick with some fantastic acting, a great storyline, and some very well-done directing and camera work. I Think We’re Alone Now is a slow-burn of intensity building up to a shocking revelation that’ll leave you thinking about post-apocalyptic depictions, scenarios, and expectations in an entirely new light, while revealing the beauty of trusting, letting go, and opening up your world to other people. I just as highly recommend this movie, too. Dinklage has a slew of good movies, including the Will Ferrell Christmas hit Elf . You can check out his full repertoire on IMDB.com . Enjoy, my fellow movie lovers! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From the bayous of Louisiana to the amygdala and the amplifier – Joseph LeDoux rocks them all. < Back Neurons and Notes: The Musical Mind of Joseph LeDoux Nicole Brice Oct 2, 2025 Share From the bayous of Louisiana to the amygdala and the amplifier – Joseph LeDoux rocks them all. Joseph LeDoux is Professor Emeritus at New York University . He is also the author of the best-selling book “ The Emotional Brain: The Mysterious Underpinnings of Emotional Life ”, as well as numerous other influential writings. With decades of research experience, LeDoux is regarded as one of the world’s leading experts on the mind and brain. Credit: Richard Barone In addition to his academic contributions, LeDoux is a prolific musician and recording artist. He has collaborated with artists such as Rosanne Cash and performed with his band, The Amygdaloids , alongside musicians like Rufus Wainwright , Lenny Kaye , and Steve Wynn of The Dream Syndicate . He has also written scores for programs and documentaries. What has this man not done? Although he is renowned worldwide as a neuroscientist, LeDoux is fundamentally a gifted musician hailing from Eunice, Louisiana . He is a humble, kind-spirited individual who radiates positivity, and we encourage you to check out his music. The Amygdaloids , his band, is somewhat reminiscent of Devo due to their intelligent subject matter and the fact that the band is comprised of scientists. Their songs are quirky, thoughtful, unique, and extraordinary . The band’s music has been playfully described as "heavy mental”, and coincidentally, that is the name of their first album, which features a blend of classic and experimental sounds, with tracks that evoke the sound of Tom Petty meets Elvis Costello . The standout guitar work, characterized by clean tones, is only one profound layer to The Amygdaloids' music . It can be mellow yet soulful , but then completely take a turn into something more rockin'. With lyrics that delve into the complexities of the mind, you find yourself thinking as well as listening. Credit: Joseph LeDoux The Amygdaloids’ second album, Theory of My Mind , leans toward a more upbeat and rock-oriented sound, with each song distinctly unique. The compositions are intricate, showcasing a tight-knit group of musicians. If I could create a genre for this band’s music, I would have to title it Brain Rock . One standout track for me on The Amygdaloids’ second album is ‘ Brainstorm ’, which begins with a beautifully fuzzy guitar that howls gently , highlighting the talent of a truly gifted guitarist. In addition to two full-length albums, the band has also released a few EPs along the way, too. So, how did I come to learn about Joseph LeDoux ? My journey into the realm of Joseph began with a delightful twist of fate, sparked by my friendship with fellow musician Paul Sanchez when he introduced us. After that introduction, I had the incredible opportunity to engage in an enjoyable conversation with Joseph, delving into the nuances of his music and more. We left no stone unturned. Read on below. MaM : You were born and raised in Eunice, Louisiana, but now reside in New York. How much do you miss things down here? When you come to visit, do you ever think you’ll stick around this time? What drew you to New York initially? JL : Well, I grew up in Eunice , and the year that I graduated from high school, a junior college version of LSU opened up in Eunice , and my parents wanted me to stay and go to the junior college because it would be cheaper, even though LSU wasn’t that much. I told them “No” and that I wanted to go to LSU , and so we went back and forth, and they finally said, “Well, if you promise to be a banker after studying business, then we’ll allow it. We’ll do it.” I attended LSU for four years, studying Business Administration , and subsequently earned a master's degree in marketing. During this process, I also took several psychology courses. It was the late 1960s to early 1970s, and it wasn’t very cool to be in Marketing. MaM : (laughter) Right? JL : So, I’m looking for something else to do, and I fell in love with Psychology . I took a course called Learning and Motivation , expecting it to be relevant – I was working on consumer protection for my thesis, and it turned out the class was taught by a researcher studying rat brains and memory at LSU . He was the professor, and that was his class. I had no idea you could study the brain, let alone rat brains. I worked in his lab for a little while, and I mainly observed what was going on. I didn’t really know how to do anything. I decided, though, that I wanted that to be my career. Study the brain. He said to me that I didn’t have a chance and asked how I was going to get into graduate school with no qualifications. (laughter) I said, “Well, I’m gonna give it a shot.” So, I wrote twelve or so applications, and Stony Brook University , located on Long Island in New York, accepted me because there was someone there who knew the professor who wrote the letter on my behalf, and thus I was given a chance. Four years later, I had a PhD in consciousness and was studying patients with epilepsy, and a book that had come out with my thesis work, so it was like I was on speed dial or something. (laughter) Credit: Joseph LeDoux MaM : So, you had no choice but to move up there? Destiny decided it for you. JL : I could have left and come back, but I really always had a fascination with New York City because of the Yankees . I was a big Yankees fan as a kid. I also loved all the noir movies I watched as a kid … 50s black-and-white films with murder and all kinds of things happening in New York . I just had a feeling I was meant to live there, and I ended up leaving Stony Brook and moving to Manhattan, where I worked at Cornell Medical School for over ten years. I then moved to New York University , where I have been ever since, and I have just retired, by the way. MaM : That’s amazing. What a life. What was it like growing up in Eunice in those days? With our magazine, we’ve done a few photo shoots out there just because of the architecture and small-town vibe. Did it still have that country-where-everybody-knows-everyone type of feel? JL : Exactly. It was a perfect place to grow up, and I really enjoyed it. Just this past weekend, I was in New Orleans for a conference and some other work, but I also arranged a lecture and performance for the people of Eunice . It was advertised in the Eunice news – a big picture of me playing my guitar on stage. We had a good audience – approximately 45 to 50 people attended. Many of them I went to school with and hadn’t seen in a long time. I just lost touch with the whole community, and so I decided if not now, then when. It was the most pleasant and loving audience I have ever spoken to or played music for. It was quite amazing. They loved it so much that they want it to become an annual event. I was deeply touched and felt like I was truly back in the small community where I grew up. Even though I don’t live there, I now feel I have a stronger connection to it than I thought I did. Credit: Joseph LeDoux MaM : That’s amazing. The vibe and sense of community are what I love so much. I love that town. I saw that you were a DJ in high school. I was a DJ in college. Wasn’t that the best experience being a DJ? JL : It was. The highlight of my DJ’ing occurred when the radio station would bring in acts to play in town at the National Guard armory. Every Saturday night, there’d be an event. They’d book Little Bob and The Lollipops all the time. They were the go-to band. I think Little Bob is still around, but one of the things I did was host Percy Sledge . When it was time for him to go out, he pulled a flask of whiskey out of his back pocket and gave it to me for a swig. That was a highlight of my life, man. Drinking with Percy Sledge. MaM : What a story. I love your music, and nothing is cooler than the fact that your band is a bunch of scientists. What is it about music that makes you passionate and makes you want to continue to pursue it, especially today? JL : So, I actually put music down when I started becoming a scientist and got married. There just wasn’t enough time for everything. In 2005 , our son died from a heroin overdose, and so that’s what brought me back to music because music is a great healer, and I started hanging out with a biologist at NYU , and we were playing songs that had some science-based themes. I then thought I could write a few songs, so we did, and we got a gig in Brooklyn . The newspaper wrote a comment about ‘heavy mental’ and used that to describe our music, so that became the title of our first album and the genre. I think we’re the only band with that particular genre, and if there’s ever an award at the Grammys in that category, we definitely got it. https://www.youtube.com/watch?v=WBW6ZfDAP6E The Amygdaloids first show in Brooklyn, New York 2006 MaM : That would actually be a clever name for a band. When you do sit down to write, what is the process like for coming up with a song? JL : I guess there are two ways you can do it. Pick up a guitar, start strumming, and hope something comes out. The other way is to start with an idea or theme. The thing with having a genre-specific catalog of music is that a lot of what I did was start with a particular theme about the mind. Anything you could think of with the mind. Many of our songs are love songs about mind, brain, and mental disorders, but you could pretty much say any song is about mind, brain, and mental disorders. It’s front and center to what we do. MaM : Now, I know we all listen to different types of music, and we all enjoy the catalogs of our favorite musicians, but do you have a favorite song of all time that you love? Or a favorite musician? JL : I think for me, it would be ‘ She Loves You ’ by The Beatles. MaM : Ok, that’s a great one. That’s a timeless song. JL : I remember when I first heard The Beatles , I was young and had a transistor radio and was taking a bath listening to the music. Just soaking it all in. I must have been 15-16 years old at the time, but on comes this song ‘ I Wanna Hold Your Hand ’, and nothing sounded like it before. That was something different. I think The Beatles are just amazing. I’m writing a memoir right now, and the title of it is ‘Just Like Starting Over’. John Lennon and Yoko felt that every time they were together, it was just like starting over. My memoir is about all of the ways I have started over in my life. Eunice to Baton Rouge to Stony Brook to science. Lots of starting over. As a young kid, I was more interested in Paul than John , but over time, I developed an attachment to John and his sincerity. He had a tough life, and he really turned it all into wonderful music. I mean, Paul did, too, but there was something edgy about John that I came to love. Also in this book, I sort of used the Billboard Top 100 for every year of my life, starting with when I was five years old, to trigger memories from that time. If I wanted to try to drag up memories from when I was ten, I would pull up the songs that really lit the lightbulb in my head, and just by playing those songs, it would trigger more memories. It was a good strategy. Credit: Joseph LeDoux MaM : So, when is this memoir coming out? I'll be sure to check it out. JL : It’s at the publisher now, so it’ll take at least a year to come out. MaM : Your last music release was in 2017, correct? Any new music coming? JL : I guess that was the last one because everything went digital. I make music at home, creating albums, but what I have been doing since 2017 is collecting songs with two themes. One is songs of love, and the other is songs of life. I envision this as a vinyl A-side with songs of love and a B-side with songs of life. Credit: Noah Hutton MaM : I love that. How do you rate today’s music, and are there any up-and-coming musicians you like currently? JL : I’m not too hip on really present music. I don’t resonate with it as much as the old stuff I like. I am definitely stuck on a bunch of 60s artists, but bands that I like are really not current. Son Volt is one, and I like a lot of Americana country rock. I love Wilco . He apparently has just released a three-record album. It’s all acoustic and mellow. Just very mild. It’s nice. MaM : I love singer-songwriter material. I love the vibe. JL: I’ve been writing this thing, and I don’t know what it’s going to be on, but it goes like this: "I grew up in French Louisiana, in the area known as Acadiana, where it’s hot and humid most of the year; you fix that up with boudin and beer. Penguin nuns made me a pet. First communion came, I began to sweat. Watching the father, son, and the ghost, I choked on the host, and that made me toast. I had a hankering for the music called pop. When The Beatles came their pop was rock with two guitars, bass, and the drums. We had our own rockin fun …” and on and on. (laughter) MaM : I love that!!! JL : It’s going to be a long Bob Dylan-type rant. MaM : That’s what is missing in music. We really don’t have too many Bob Dylan types these days, or if we do, they aren’t in the mainstream with poetic lyrics like that. They’re more obscure. For listeners who are discovering your music for the first time, how would you describe it, and what do you hope they’ll take away from it? JL : Well, they are mostly love songs about the mind and the brain, and one in particular, ‘ Map of Your Mind ’, everyone seems to like. They’re songs about connection. Take our conversation for example, I have to get into your mind, and you have to get into mine. So, the song is about the relationship between a man and woman, my wife and I in particular, and how you have to float into the other person’s mind because sometimes, if you’re having an argument, you have to understand the other person’s perspective. Still, sometimes the hormones and the argument override that and you have to come back to it the next day and apologize. It’s more about the good part of love. Sailing deep inside and trying to find the heat of the person’s heart, keeping yourself warm. Credit: Alexi Gambis MaM : If within the next five years you could accomplish anything musically, what would it be? JL : I’m good friends with Rosanne Cash , and she has sung back-up vocals on one of my albums, and she and her husband are an amazing power couple. If I could do something with them, that would be amazing. Neil Young , too. I have a house in upstate New York , and it’s ten minutes away from the original site of the Woodstock festival. They created a big outdoor venue there, and I just saw Neil there recently. Great show. Dylan plays there, too, sometimes. Bob or Neil . Either of those. As Joseph LeDoux continues his journey, one thing is certain: we can expect more music in the future. In the meantime, be sure to check out his other releases with his band, The Amygdaloids and stay tuned for his memoir dropping in 2026 . To learn more about Joseph LeDoux and The Amygdaloids: Website: Joseph E. Ledoux Band Website: The Band – The Amygdaloids | Neuroscience meets Rock & Roll YouTube: The Amygdaloids Channel - YouTube Spotify: The Amygdaloids | Spotify Apple Music: https://music.apple.com/us/artist/the-amygdaloids/265644607 *Cover photo credit: Richard Barone, Tape Op Tape Op - Music Production Magazine, Recording, Audio, Technology www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

NOT Just a Girl < Back No Doubt About It: Gwen Stefani Is A Legend Nicole Brice Oct 3, 2022 Share NOT Just a Girl Do you remember the first time you heard music that truly resonated with you? I do. Do you remember your first concert? I sure as heck do. I also remember the feelings associated with those times in my life. The feelings of belonging and of warmth and of finally discovering something I was truly passionate about. The infamous ticket stub from my first concert. The year was 1996, and I was 15 years old . I had a friend named Danielle, and she loved music—especially good music. We would get her mom to drive us to every concert that came into town, and back then, there were tons. In the 90’s, all the big acts came to New Orleans, and if we were lucky, Baton Rouge. On February 16, 1996 , I was invited to see Bush , No Doubt , and the Goo Goo Dolls at UNO Lakefront Arena in New Orleans , and the excitement felt all day at school leading up to the big show was nothing short of epic. I remember religiously watching Bush on MTV , where ' Everything Zen ' and ' Little Things ' were in constant rotation, along with ' Machinehead ' and ' Glycerine '. At this point in time, Bush was the “it” band on MTV ; their album Sixteen Stone was hugely popular, and the lead singer, Gavin Rossdale , was so utterly perfect in every way that it made all of us teenage girlies swoon. Throw in an epic shirtless cover on Rolling Stone magazine with said hunk, and you have the complete package of a teenage girl’s fantasy man. The infamous cover of Rolling Stone Magazine Anyway, I was discovering new music acts daily, and I will honestly say that seeing Bush in concert kicked off my lifelong addiction to live shows. My brother had some of the coolest friends in high school, too, and my parents’ house was always the hang-out spot, or so it seemed. We would randomly have people showing up here and there just to hang out. In fact, every time there was a knock at the door, I never knew whom I would see on the other side because we had so many people who would just stop by. I must say, a few times, some of Nick’s friends caught me looking indecent, and I would open the door, yell “it’s for you!” and then dart back to my bedroom, mortified because I wasn’t properly dressed to entertain company. Anyway, you get the picture of the non-stop barrage of friends coming to the family compound. They were the ones introducing me to music, along with my brother, and when we heard Bush was coming to town with No Doubt and the Goo Goo Dolls , I remember trying to learn as much as possible about the other acts performing on the bill with Gavin and his dudes, because I knew very little about them, especially No Doubt. All these years later, and those No Doubt CDs have been replaced with vinyl. In 1995 , the Goo Goo Dolls released a song called 'Name' to the airwaves and MTV’s Buzz Bin . It was an acoustic hit, but one with lyrics that just hit you in the heart because, let’s be honest, Johnny Rzeznik has some incredible songwriting capabilities, even to this day. I still tear up when I listen to that song. I knew the Goo Goo Dolls were opening for Bush , but who the heck was No Doubt ? I had never heard of them. I had heard from Danielle that there was a video circulating on MTV called 'Just a Girl,' and I remember waiting anxiously each day as I binge-watched MTV, wondering if I would ever see the video or hear the song. Finally, one afternoon, there it was. I was hooked from the moment the first few chords started. There was Gwen Stefani on the screen, gorgeous, blonde, beautiful, and so cool! Her style! I was in awe of her style! She was wearing Dickies , a white cropped top resembling a preppy sweater, and Doc Martens . The girl had serious style, and from that moment on, I was obsessed. I could not wait to see them live! https://www.youtube.com/watch?v=PHzOOQfhPFg Official video for 'Just a Girl' The day of the concert was a Friday , so you can imagine how hard I was daydreaming at school instead of paying attention to what the teachers were teaching. Once the bell rang for dismissal, though, I couldn’t get to my friend Laurie’s car fast enough. Laurie was this girl who lived down the street from my parents. She had a short, dark bob, and she was so cool and so pretty, and I truly looked up to her. Her parents had recently blessed her with a brand-new teal-colored 2-door Honda Civic for her senior year, and I thought it was the coolest car ever. She and I had a speech class together, and she was a senior, and I was a freshman. One day, out of the goodness of her heart, she extended an invitation to give me a ride to school, and that was that. She was my ride to and from school my entire freshman year, and it was awesome. https://www.youtube.com/watch?v=XIeiWCWjrc4 No Doubt LIVE from the Tragic Kingdom Anyway, so the day of the concert, I’m practically sprinting to Laurie’s car, because I couldn’t wait to get home and prepare to leave for the show that night. Since this was 1996, my concert attire consisted of a baggy pair of Calvin Kleins with the bottoms cut off and frayed , my shiny red patent-leather Sketchers, and my brother’s army-green Filter t-shirt from when he saw them at the PMAC at LSU with Bush , Brother Cane , and the Toadies . Back then, I would just “borrow” my brother’s clothes, even if they were too big for me. He had some cool clothes and t-shirts, and I hated wearing anything tight or revealing. I was a Grunge chick, through and through. To this day, I don’t know if he actually liked me borrowing his clothes, but if ya didn’t, Nick, then I am sorry. Oops. So, there I am, all ready to roll, and I was anxiously awaiting the arrival of Danielle and her mom. Once in the car with the radio on, we got so hyped up. See, back in the day, the local radio stations would promote an upcoming show like there was no tomorrow, and all of the sweepers and promos with music clips had us teenagers salivating. So, we’re en route to NOLA, and Danielle and I are giggling and talking about how excited we are to see the bands. Because it was my first concert, I had no clue what to expect. Once we arrived at UNO , though, the excitement was so big I felt I could burst. You could see the oodles of people everywhere, dressed up, and ready to have a good time. No Doubt was to be the first band to take the stage that night, and I had no clue what to expect. As we made our way to our seats in the balcony, I could see the huge crowd of people on the floor near the stage, and I wished I could be down there in the crowd with them. I remember Danielle and I talking about how we would snag some floor seats for a show one day so we could be up close to the stage and crowd surf—which, by the way, I should note that while crowd-surfing looks cool, when you’re down on the floor and you have some big dude going over your head that you have to toss around, it is not fun. At all. In fact, it’s kind of aggravating, especially when all you want to do is see the show. No Doubt hits the stage, and Gwen comes out walking like a badass, doing ninja kicks and all this other cool stuff, and I was hypnotized. I was zoned out on her, the music, and the whole experience. I vowed that day that I would become cool like Gwen because, at this point, I wasn’t quite cool yet, but I was getting there. I had a lot to learn. As soon as No Doubt finished their set and we were waiting for the Goo Goo Dolls to come out, I told Danielle that I just had to go see if they had a No Doubt shirt in the merch section because I just had to have one. Lo and behold, they had this blue ringer tee with yellow piping, BUT they were sold out of my size, and all they had were size small. I just HAD to have this t-shirt, so I bought the small, ran to the restroom to change, and squeezed my boobies into it. I was in heaven, and it was awesome. A 15-year-old me! The rest of the show was truly amazing, but to be honest, I couldn’t stop thinking about No Doubt ; I had to see them again. Sure, the Goo Goo Dolls put on a great show, and yes, Bush was epic, BUT Gwen Stefani was it as far as I was concerned, and the rest of the night and the drive home were filled with thoughts of Gwen Stefani , her killer abs, and her killer style. …and so, Bush was my first real concert, but I had No Doubt on the brain, and if you were to ask me what I remember most about that first Bush concert, it would definitely be No Doubt . Over the years, I have been blessed with attending many, many shows, but those days of attending infinite shows has been put on hiatus for a bit due to my life as a mom. For now, I can reminisce and share my memories with you all in hopes of inspiring a new generation to experience music the way we 90’s kids did. Love and light. -Nicole- www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of XEMNAS is a transcendent journey through sound. < Back The Enigma of XEMNAS: Turning Pain into Art Nicole Brice Apr 11, 2024 Share The music of XEMNAS is a transcendent journey through sound. From Elizabeth, New Jersey, and currently residing in Fort Lauderdale, Florida, we bring you an up-and-coming talent who goes by the name of XEMNAS. At 26 years old, XEMNAS is a powerhouse when it comes to writing and producing his music. Taking his stage name from the video game “Kingdom Hearts,” XEMNAS is churning out music on his terms and making a name for himself in the underground music scene, with numerous collaborations already taking place. If I were to describe the music of XEMNAS, I would have to say it is hardcore with an artistic edge, and he has carved out a niche that defies categorization. Each track feels like a scene from an epic film, evoking a range of emotions and imagery and transporting you to an otherworldly realm. Credit: Facebook Having worked with Yung Oxzy , 4700RSIN , END HIM!, Kairo Kitana , Levi Zadoff , Butterfly, and AUDREYISAROSE , XEMNAS is currently working on more features from artists this year, including a feature with Frankie from Emmure . Recent releases include the tracks " Myhearthurts ," “ Idontwannadie ”, and “ Dear God ," which are available to stream on Apple Music now. “ Myhearthurts ” begins as a hauntingly beautiful guitar track and maintains the pace throughout with lyrics speaking of survival, love, and perseverance. It is a departure from some of XEMNAS’ other works but is perfect in its simplicity. “ Idontwannadie ” has a dance beat and sounds nothing like previous releases from XEMNAS. It’s more in vain with electronic body music, or EBM. I will say that with every release from XEMNAS, no two tracks sound the same, which I love. I never know what the sound experience will be like when I listen to a new track from XEMNAS. With a knack for throwing his entire heart, soul, and being into everything he creates XEMNAS’ passion shines and exemplifies perseverance in a market currently oversaturated with talent. Ethereal electronic soundscapes make up the brunt of XEMNAS’ music, with an enigmatic persona adding an extra layer of intrigue to the music. With all he has created and continues to create, one must ask, “Who is XEMNAS?”. With a penchant for anonymity, XEMNAS chooses to let his art speak for itself, allowing you to be fully immersed in the sonic universe that has been crafted. https://www.youtube.com/watch?v=VapIQNM0EVU We had the opportunity to speak with the masterful and mysterious XEMNAS at length recently about anything and everything. He truly is a remarkable being with a larger-than-life presence. Take a moment to learn a little more below. MaM : Let’s just dive right in, shall we? “ Iwannacry! "—the inspiration behind the song? How did the concept all come together? By the way, I really dig this track. XEMNAS : “ Iwannacry! ” is a big letter to myself. I felt lost and forsaken and just wanted to give up until I started listening to some of my favorite old bands and fell in love with music all over again, then boom! I just started writing and haven’t stopped. I’ve been getting very personal with this music lately because I want to connect with more people through my art. MaM : How would you describe the music that you make? XEMNAS : That’s a tough question. I don’t like to put myself in a genre or box, but I lean more towards Midwest Emo and metalcore with a dab of post-hardcore. I just enjoy making art, truly. All kinds. Credit: Facebook MaM : Who do you draw inspiration from lyrically and vocally? XEMNAS : Lyrically, I pull inspiration from the darkest and hardest moments of my life, but I like to take the negative aspects and try to convert them into something more beautiful. Vocally, I pull inspiration from bands like Bring Me The Horizon, Pierce The Evil, Deftones, This Wildlife, Dice, and also from more modern artists like JuiceWrld, SoFaygo, SuicideBoys, XXXXTentacion, and Lil Peep. MaM : Who or what are your songs about? XEMNAS : My songs are the leftover and in-the-moment emotions from my pain down to my happiest moments. My songs are my deepest secrets, feelings, and fantasies. Sometimes it’s the anger or sadness from a situation where someone hurt you, or sometimes it’s words we never get to say to someone, but my music is my story. Photo provided by artist MaM : That’s incredible. I see you have the “Gemini” EP out, but do you have plans to record an album in the future? XEMNAS : The “Gemini” EP project helped me find the sound and direction for my music that I really wanted to be remembered for. It has been a journey. I have been working on two albums in secret, actually, and I’ll be posting more about that after I’m done touring for the next few months. MaM : Where did you record your material or music? XEMNAS : I’m not gonna lie, making music is very personal for me, and it’s hard to find an engineer who can truly see my vision, so I set up my studio and engineer myself. Much more of a reward when you put out a song with sweat and tears. Photo provided by artist MaM : Are you currently performing any live shows? Where have you played recently? XEMNAS : I’ve been doing a lot of shows recently. I played in Vegas with Nascar Aloe and in LA with Kxllkodi and Lil Tracy. More recently, though, I’ve been playing underground shows in South Florida, mainly because I just moved out here. I plan to start touring on April 14, so stay tuned! Credit: Facebook MaM : What are you currently working on creatively? XEMNAS : As of recently, I’ve been experimenting with styles as I’ve learned that I can train my voice to sound like whatever I want, but my favorite projects would be my alternative and acoustic art. These new projects allowed me to dive deeper into myself and show my fans a different side of me. I just released four new songs on all platforms: Dear God , Myhearthurts , and Hell Girl (my favorite). The plan is also to release a song every week until the tour starts. MaM: What are your aspirations for the future? XEMNAS : I’ve been doing a lot of underground shows and festivals and slowly being placed on bigger stages with bigger names. My next move is to play a huge festival like Rolling Loud and take my art overseas, but it would be even cooler if they brought back Warped Tour because I’ve always wanted to perform on a stage there. As XEMNAS continues pushing boundaries with music and mystery, one thing remains certain: this journey is far from over. With each new release, the listener is encouraged to explore the depths of imagination and embrace the unknown, reminding us that in the vast expanse of the musical universe, anything is possible. To experience the music of XEMNAS, just hit one of the links below and then go follow him on social media. Linktree: https://linktr.ee/kingoftheheartless Apple Music: https://music.apple.com/us/artist/xemnas/1720084648 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Strays is a sweet, hysterical, raunchy comedy featuring potty-mouthed dogs in one of the best animal movies ever made. < Back Strays: Feast Upon This Keeley Brooks Oct 13, 2023 Share Strays is a sweet, hysterical, raunchy comedy featuring potty-mouthed dogs in one of the best animal movies ever made. Rating: 4 out 5 foul-mouthed Boston Terriers Strays is probably one of the best animal movies ever made. Yes, yes, I hear you all screaming at me about Milo & Otis and Black Beauty and all the others, but did any of them feature foul-mouthed dogs with a flair for the obscene and nasty, kind of like that one Jimmy Buffet song that makes most “squares” uncomfortable (i.e., “Why Don’t We Get Drunk”)? Nope? I didn’t think so, and that’s precisely why you’re gonna want to watch Strays ! Directed by Josh Greenbaum ( Barb and Star Go to Vista del Mar ), Strays features a whopping all-star cast that includes Will Ferrell ( Anchorman ), Randall Park ( Totally Killer ), Isla Fisher ( Wedding Crashers ), Jamie Foxx ( Ray ), Josh Gad ( Ghostbusters: Afterlife ), Harvey Guillén ( What We Do in the Shadows ), Rob Riggle ( 21 Jump Street ), Brett Gelman ( Stranger Things ), Jimmy Tatro ( American Vandal ), Dennis Quaid ( The Day After Tomorrow ), Phil Morris ( Doom Patrol ), Jamie Demetriou ( Barbie ), Sofía Vergara ( Modern Family ), and Greta Lee ( Spider-Man: Across the Spider-Verse ). Strays is lovingly brought to us by “the humans” who gave us 21 Jump Street (2012) and Cocaine Bear (2023), so right off the bat, you know this flick is gonna be hella funny. And it is. Nevermind those critics who’ve said that Strays , “wants to startle us with its tonal shifts … but its wild careening from sentimental to super scuzzy makes it seem like the moviemakers lost track of what they were trying to do.” To them I say: LIGHTEN UP, FRANCES. You knew it was a raunchy comedy going into it. No one expected Strays to be an Oscar contender, but we all like a good time, and Strays is absolutely that. (Warning: Video below features foul language!) https://www.youtube.com/watch?v=lGKmwKSpxeg The R-rated comedy follows the life of Reggie (Ferrell), a super sweet but extremely naïve and gullible Border Terrier who’s more of a glass-half-full personality. It’s a great role for Ferrell, allowing him to return to the nature of his character in Elf. credit: Universal Pictures Reggie lives with his owner, Doug (Will Forte, of Macgruber ), who’s a complete and total dick as far as pet owners go and a total loser as far as grownups go. Doug has no job, no money, no life, and no girlfriend, and he spends his days being a slob, smoking pot, guzzling beer, and living off his struggling mother’s social security checks. Will Forte as Doug (credit: Universal Pictures) Reggie loves Doug and thinks he’s a great pet owner who likes to play Reggie’s favorite game: “Fetch & F**k.” This is where Doug drives somewhere and throws a tennis ball then leaves while Reggie searches, hoping Reggie won’t find his way home. When he does show up with the tennis ball in his mouth, Doug’s response is always, “F**k.” So, one day after Reggie accidentally breaks Doug’s favorite bong, Doug drives Reggie four hours away to a big city, backs up to an alley, then throws the tennis ball for Reggie to chase. When Reggie runs after it, Doug leaves. Sad, right? It really is, right up until the moment Reggie meets Bug (Foxx), a once-owned-but-now-stray Boston Terrier with street smarts, a sharp tongue, lots of love, and a giant, tough-talkin’ personality. And as a recent Boston Terrier mama, I can say this personality is quite accurate. When Reggie tells Bug how he wound up in the alley, Bug tells Reggie his owner left him on purpose and he’s now a stray, then befriends him and decides to help him adjust. credit: Universal Pictures As Bug walks Reggie through the city, he tells Reggie there are three rules to being a stray: (1) If you want it, pee on it. (2) You can hump whatever you want. (3) You’re on your own: “You’re a stray now! You can do anything you want!” Bug also takes the time to point out how weird and mean humans can be. Bug notes that while they’re awesome because they drop food all the time, they’re also evil because they collect dog poop and snip the balls off of male dogs. Bug says humans love "this thing called chocolate,” and he’s convinced the reason chocolate is so good to humans is because the secret ingredients are dog poop and dog balls. So, along the way, Bug and Reggie hit the park, where Reggie befriends other animal companions: Maggie (Fisher), a person-owned Australian Shepherd who doubles as a scent queen, and Hunter (Park), a Great Dane (i.e., “the muscle”) who is a former police dog turned therapy dog, who always wears a cone—not for a medical reason but because it makes him feel safe. Hilarious, right? I know. credit: Universal Pictures credit: Universal Pictures When Reggie introduces himself to the pack, he says his name is, “Shitbag, or sometimes Dumbass Shitbag … or F**k Nugget.” When Maggie asks if that’s what his owner calls him and Reggie says yes, she, Hunter, and Bug kindly point out that those aren’t terms of endearment and that Doug sucks. As Reggie’s shiny, innocent reality shatters right before his sweet little eyes, his sadness turns to anger as, with the group's encouragement, he declares he’s going to find his way back home and take away Doug’s favorite toy: “I’m gonna bite his dick off." So, together the four embark on a long journey to get Reggie home, whereupon they encounter vicious predators, animal control officers, the wrath of God, and even some mind-altering mushrooms. There’s a lot about Strays that make it a must-own movie. In addition to its script and cast, Strays features an outstanding soundtrack full of N.W.A., Ludacris, Doja Cat, Olivia Rodrigo, Tony K, Travis Scott, Reem, Billie Eilish, The Weeknd (with Playboi Carti and Madonna), Post Malone, and more. And guys, these songs are paired with the perfect accompanying scenes, most of which are shot in super creative slow motion with epic comedic undertones. Sometimes overtones. Strays is packed levity throughout the cruelty driving the story, such as the festival scene. Reggie tells the group he remembers passing “a big wheel in the sky and it smelled like hot dogs.” Maggie goes to work and picks up a scent, leading the gang right to the county fair. As the strays make their way through the crowd of humans, Reggie steals a link of hot dogs. When the others find out he stole from a human, they panic, but Reggie tells them to relax, “No one saw.” At that very moment, fireworks erupt and Hunter shouts, “GOD SAW!” as they all freak out and run, thinking God is trying to bomb them for stealing hot dogs from a human. That scene, ladies and gents, is side-splitting hysterical. It’s so good, you’ll back it up and watch it again. Likewise, in another great moment, as the dogs stop to howl, it turns out that all can howl except for Hunter, who literally howls by saying the word “howww-ling.” It’s quite adorable. As a former Great Dane owner, I can attest that what they do sounds more like a “roooo” than a howl. Then there’s the scene where the dogs come upon a sea of mushrooms and think they’re food, so they eat as many as they can … and proceed to trip their balls off. It makes for one psychedelic good time, as the strays hallucinate a gaggle of toys they then proceed to tear up. When they awaken the next morning and realize the toys were actual rabbits, they feel like serial killers and leave the forest in shame. https://www.youtube.com/watch?v=SmWQmj7GJjk There’s even a story within this story that focuses on a little girl gone missing, whom the strays actually come across and rescue. It’s very, very sweet. And, I’ll go ahead and spoil it for you because it’s no big surprise, but Reggie does make it home to Doug and bite his dick off in an epic scene of vengeance that plays out to Miley Cyrus’s “Wrecking Ball.” Overall, Strays is absolutely one of the best animal movies ever made, for adults only. It’s a beautiful story of awareness, friendship, family, and brotherhood—er, doghood—as well as courage and strength. The writing is funny and clever, remaining sweet with endearing moments, and all dogs featured in Strays were absolutely amazing. In fact, they all were legit strays adopted and trained or came from the pound and were adopted and trained. For more on that, go down the YouTube rabbit hole and enjoy that ride. Strays is currently streaming exclusively on Peacock and available for rent or purchase on Apple TV, Video On Demand, and Prime Video. https://www.youtube.com/watch?v=BzwOLKTbCUw Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a night of unfiltered rock music to remember. < Back Weekend Rock: Smile Empty Soul at the Freetown Boom Boom Room in Lafayette, Louisiana Elise Hanks Feb 4, 2025 Share It was a night of unfiltered rock music to remember. Two weeks ago, I got the chance to see a band I have been dying to catch live, California-based Smile Empty Soul ! They made a stop at the Freetown Boom Boom Room on Sunday, January 19th, 2025, as part of their CONSUME and OBEY Tour , featuring Lines Øf Loyalty and Embers Rise , and let me tell you, this show did not disappoint. Credit: Elise Hanks The night kicked off with Embers Rise , hailing from Northern Illinois, and they brought their own brand of awesomeness to the mix. I first met Ethan Bartman (vocals/guitar) at the merch booth, and honestly, he felt like a local, super down-to-earth, like an old friend. The whole band had that southern gentleman charm, which makes sense considering they have their very own gentleman Rick Duncan , a.k.a. “ Mr. Mustache ”, in their lineup. A highlight of their set was hearing “ Victim ” live, a killer collab with Lines Øf Loyalty that had initially dropped in October of 2024 . Next up was Lines Øf Loyalty from Kenosha, Wisconsin, and wow, what a surprise! Their set hit me right in my soul. Their entire vibe is about staying true to who you are and screw all the rest. And frontman Nubz Morrison lives it through and through; he’s literally got the word Loyalty tattooed on his face . That’s dedication. Their performance was raw, emotional, and packed with the energy that makes you want to scream along. Last but certainly not least, we had our headliner, Smile Empty Soul. Leading up to the concert, I had ' Bottom of a Bottle ' stuck in my head all week . My anticipation was through the roof, and the live experience completely exceeded my expectations. Smile Empty Soul sounded just as raw and grungy as I remember when I first got into them in 2003 before I understood the songs' meanings. Jon Loree was seamless on the drums, and Sean Danielsen ’s voice sounded like it hadn’t aged one bit. Hearing them live and in person was everything I could have hoped for. This tour’s final stop was right here in Lafayette, and even though we were bracing for snow soon, the venue itself was filled with warmth and excitement. Every band brought something special to the stage, making it so worth braving the cold. (And yes, defrosting in my car afterward was absolutely necessary!) If you ever get the chance to see Smile Empty Soul , Lines Øf Loyalty , or Embers Rise live, do it. You will not regret it. To learn more about any of the bands mentioned above: Smile Empty Soul Embers Rise Lines Of Loyalty www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com *All photos courtesy of Elise Hanks Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Coming Soon! < Back Off the Charts Bud Gambrell Mar 17, 2023 Share Coming Soon! Hello to all! I hope you are here and curious about what Off The Charts is. Well, I’m going to attempt to explain what our goals here are. I am glad you’re here! My name is Bud Gambrell and I live in North Alabama. I am a published writer in several magazines and I have written a book, too. I also am a photographer who shoots mainly concerts big and small. In this maiden voyage of Off The Charts , I will attempt to lay out what you can expect from this column. What you will read here will be about bands that you may never have heard of from Alabama and the surrounding areas. That’s the point of the title. Off The Charts. The title embodies my goal. The bands included here are not on the charts, yet. I will be attempting to expose lesser-known acts with the hopes of you discovering new music that you enjoy. The articles that will periodically be posted here may include a concert review with pictures. Pictures are my favorite! The articles may also include interviews with any artists who are willing to sit down and have a talk. I may even branch out and attempt to get news out about new releases including singles and albums. Yes, I’m old school. I still call them albums. Listening to a new streaming release will be a good way to discover exactly what you are looking for. When I was first approached about starting this column, the intent was to focus on Outlaw Country. I thought, what a great idea! Then, as I thought more about it, I felt that there is so much more good music out there that deserves exposure. The genres that you can expect to read about will include Outlaw Country as well as good old Rock ‘N Roll. You will read about Southern Rock which is one of my favorites, too. We may even dive into some Blues. The point is to expose those hard-working men and women out there hustling to keep us entertained. One thing that you will not see here is critique. I am not a critic, so I’ll spare you reading about me pretending to be. I’m not here to criticize any musician. I’m here to help expose them and the wonderful work that they do. I’m a music lover. I’m a live music lover. Anyway, it almost seems that you would have to dislike music a little bit to sit back and pick someone’s art apart. Or you feel like you’re better at it than they are. Right? Another thing that you will not see here is major national recording bands. I would have to come up with another name. Remember, we are Off The Charts here. We don’t want to write about those bands. What could I say that hasn’t already been said and that you’ve read elsewhere? So, this section will inform you of your role in this column. Send me an email and tell me the bands that you love that may be lesser known. Maybe your favorite local band is releasing a new album soon. Tell me about it, so I can tell others. Maybe you are a musician that wants to spread the word about yourself or your band. You know the next line. Send me an email. We may even arrange an interview. When you stop by, grab yourself a cold beer. Grab that glass of wine. Grab whatever you indulge in to medicate your mind. Hopefully, I will turn you on to some new tunes that you can kick back and listen to and enjoy. Come happy and leave happier. Besides, we are all friends here. See you next time! Bud Bud Gambrell Photography ( bgambrellphotography.com ) Facebook To purchase my book, "Side Tracks Music Hall": https://a.co/d/a6lGy0O Questions or comments? E-mail me at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

During this content drought, get lost in these epic historical fiction and fantasy series! < Back Historical Fiction and Fantasy Series to Binge Keeley Brooks Aug 29, 2023 Share During this content drought, get lost in these epic historical fiction and fantasy series! So, who’s feeling the effects of this continuing writers’ strike and subsequent content drought? Because I know it’s not just me. When the line was drawn in the sand in Hollywood months ago, I held out hope that studios would do the right thing; good thing I’m not holding my breath. Summer is a time of year when we are usually inundated with new streaming content, but this season offered slim pickins. If you find yourself flying through your queue content, now looking for something to get into while you await the next big series release, you’re in luck. Here are some of my favorite historical fiction and fantasy series sure to keep you entertained, worth a really good binge . BARBARIANS Created by: Barbara Eder, Stefan Ruzowitzky, Steve Saint Leger, & Lennart Ruff Where to binge it: Netflix Barbarians is a high budget German historical war drama that dropped on Netfix in 2020 right when we were all confined to our homes during COVID. That’s probably the reason this series soared in popularity: Everyone was home to see it. If you’ve yet to indulge, now’s your chance. Barbarians tells the story of what happened during the Roman Empire’s occupation of Germania—namely the resulting rebellion of the Germanic tribes during the Battle of Teutoburg Forest around 9 A.D. The Battle of Teutoburg was pivotal during this time because it was under the cover of darkness when an alliance of Germanic tribes targeted their oppressors. The result? Destruction of three Roman legions. Boom. Barbarians tells the story of three friends whose fates are intertwined in fighting for their freedom and dealing with the drama of love, loyalty, and betrayal. Barbarians is full of action, heavy on the bloodshed, and loaded with high production value, solid acting, and some pretty sweet camera work and effects. Currently there are two seasons around the Battle of Teutoburg, and while it’s yet to be announced, it’s assumed that season three will focus on the aftermath of conflict. Bring it on, Netflix! https://www.youtube.com/watch?v=-cA7kwBSUaU BRITANNIA Created by: Jez Butterworth, Tom Butterworth, James Richardson, & Terry Cafolla Where to binge it: Prime Video, MGM+, Fubo, Sky & Now, Apple TV Swords, sorcery, swears, and sassiness … and Romans and Druids—that’s the good time Britannia presents to us all wrapped up in a nice little bow. The series landed on Prime Video in 2018 then was picked up by EPIX in 2020 for Seasons 2 and 3. Sadly, and disappointingly, EPIX scrapped Season 4 (booo), a decision that left all of us fans on the edge of our seats craving closure to this fantastic drama series. They blamed it on COVID. Set during the primitive and mystical times of 43 A.D., Britannia follows the Roman army in their quest to conquer Britain after Caesar’s failed attempt 90 years prior. This mystical land, as we learn right off the bat, is home to some pretty tough, wild, and mouthy female warriors and powerful Druids, who have the unique ability to channel the mysterious forces of the Underworld. Britannia is an enthralling tale of extreme power struggles and clashing cultures in a gripping narrative that breathes life into this robust selection of characters, each with their own abilities, motives, and loyalties. Britannia stars Kelly Reilly ( Yellowstone ) as a powerful Celtic warrior and David Morrissey ( The Walking Dead ) as Roman General Aulus Plautius, who went on to become the first governor of this newly conquered land. It also stars MacKenzie Crook , whom you may best remember as the dude who kept losing his eyeball in the Pirates of the Caribbean movies. While both Reilly and Morrissey richly embody the characters they portray, Crook is the one who steals the spotlight in every single episode he appears. MacKenzie Crook as Veran, the powerful Druid leader Britannia focuses on Rome’s effort to crush the Celtic tribes, who just so happen to be divided and at war amongst themselves. At the same time, it also follows a great prophecy that exists and rolls off tongues from tribe to tribe: A “Chosen One” will save her war-torn land from the Romans. However, that prophecy falls into jeopardy with the arrival of “The Dead Man” (also played by Crook), which sets into motion a battle amongst the Druids, risking their demise. Britannia attracted a multitude of critical acclaim for its vivid portrayal of Rome’s invasion of Britain. It is one hell of a bloody, brooding series with an excellent plot, fascinating narratives, gorgeous visuals, even better plot twists, impeccable battle sequences, and a healthy mix of history and fantasy, not to mention superb acting, tribal tattoos, and costumes. Britannia is fun, active, engaging, and highly entertaining as opposed to historically accurate, and it promises a thrilling escape into a fantastical world where magic, swearing, brutality, levity, and a taste of the ancient past collide. https://www.youtube.com/watch?v=BhDAFAbv9e0 CAMELOT Created by: Chris Chibnall & Michael Hirst Where to binge it: Prime Video, Google Play, Vudu, Apple TV Camelot ’s one and only season saw much success when it debuted in 2011, but scheduling conflicts between cast members prevented a second season … allegedly. Regardless, Camelot is a must-see one-season series, especially for fans of the King Arthur legend. While there are many adaptations, this one is created by screenwriter Michael Hirst , who is responsible for the unforgettable historical series Vikings and The Tudors ; he is, in my opinion, the king when it comes to creating the most fantastic and memorable historical drama series. Hirst’s interpretation of the King Arthur legend breathes a very adult twist into the tale with its focus on sibling rivalry, passion, and romance. After King Uther dies in Camelot , Britain sits in chaos. Merlin (Joseph Fiennes, of The Handmaid’s Tale ) begins searching for an heir and winds up finding an impetuous young man named Arthur (Jamie Campbell Bower, of Stranger Things ). Arthur is Uther’s unknown son who has been raised as a commoner. Camelot revolves around the intense battle for the throne between Arthur and his evil half-sister, Morgan (Eva Green, of Penny Dreadful ), who is determined to fight her brother to the bitter end, even summoning unnatural forces to help her claim the crown. Arthur’s journey to unite a kingdom shredded by war becomes a series of profound moral tests and difficult challenges that make for a riveting watch . https://www.youtube.com/watch?v=vYZImCVvbVU The Last Kingdom Created by: Nick Murphy Where to binge it: Netflix The Last Kingdom is one of my absolute favorite historical fiction series on the planet. It’s a heart-wrenching British television series based on Bernard Cornwell’s novel of the same name . In case you’re unaware, Cornwell is an English-American historical fiction author with the penchant for writing some of the most dramatic, engaging historical tales, besides Philippa Gregory, but her focus is different. “The Last Kingdom” is the first novel in Cornwell’s “The Saxon Stories” series (2004), which tells the story of how England began under King Alfred the Great . While the series is spectacular, it doesn’t follow Cornwell’s books true to form, so if you’ve read them, don’t get lost in expectations. The Last Kingdom centers on Uhtred of Bebbanburg (aka Uhtred Uhtredsson and/or Uhtred Ragnarsson), who is played by American Horror Story ’s Alexander Dreymon . Born a young Saxon noble, Uhtred is kidnapped by Danish Vikings during an invasion and raised as a Dane in Ragnar Ragnarsson’s kingdom, but it’s not the same Ragnar you’re thinking—different time periods. While in captivity, Uhtred is woven into Danish culture, language, and religion for years before he finds himself in the service of King Alfred of Wessex, played by David Dawson , whom you may remember from Peaky Blinders . The Last Kingdom delves into the turbulent backdrop of King Alfred’s desire to unite the separate kingdoms while exploring Uhtred’s loyalties between his love for and loyalty to both Saxons and Danes. The series is a whole package replete with an engaging, dynamic storyline and is a must-see for anyone looking to get lost in an epic and thrilling historical drama. What you can expect: gorgeous cinematography, multi-dimensional characters, exciting battle sequences, and copious amount of blood, brutality, emotion, entertainment, and top-notch storytelling and acting . I do recommend watching with subtitles, though, because it’s often difficult to understand some of the accents. The Last Kingdom ended its five-season run in 2022 and wrapped up Cornwell’s “Saxon Stories” adventure with a movie in Summer 2023, Seven Kings Must Die . https://www.youtube.com/watch?v=WxPApTGWwas Norsemen Created by: Jon Iver Helgaker & Jonas Torgersen Where to binge it: Netflix Norsemen injects a different, comedic perspective into the Viking saga. This Norwegian series (also filmed in English) will have you laughing your butt off at a group of Vikings living in the village of Norheim. The series follows the life of these villagers and their day-to-day happenings full of strife and shenanigans, silliness and stupidity. Norsemen is unique and different with awkwardly hilarious moments , making it one of the most watchable and enjoyable medieval shows to dive into, especially now while new content is sparse. It serves up a highly entertaining take on the Viking Age and presents the challenges faced by a small Viking village; it also portrays quite a funny but childish rivalry between the chieftan and his little brother. In three seasons, we’re taken into silly disputes with neighboring villages, including a rival tribe led by a ruthless Viking and the efforts of a Roman slave to modernize Norheim’s culture, resulting in persistent ongoing conflicts. One character you’ll fall in love with is the sword-wielding, no-nonsense wife of the chieftan, Hildur . She’s a force to be reckoned with and is the most grounded, level-headed warrior amongst all the Viking men. Norsemen is good for three seasons of hearty laughs and offers a tongue-in-cheek take on the whole Viking craze . https://www.youtube.com/watch?v=HpMvIZRUPf4 Penny Dreadful Created by: John Logan Where to binge it: Showtime, Paramount+, Fubo, Sky Penny Dreadful (2014) is set in the 19th Century’s dark recesses of Victorian Gothic London. This psychological thriller series masterfully weaves together classic literary figures with a chilling narrative that keeps viewers craving more, exploring specifically the origin stories of Dr. Frankenstein and Dorian Gray. Season 1 begins in 1891 when avid explorer Sir Malcolm Murray (Timothy Dalton, of Doom Patrol ) and his seductive clairvoyant Vanessa Ives (Eva Green, of Camelot ) hire an American gunman and roadshow artist (Josh Hartnett, of Lucky Number Slevin ) to help locate and rescue Sir Malcolm’s daughter from a mysterious vampire, among other supernatural forces. They receive help from a young doctor named Victor Frankenstein, who is hunted (and haunted) by an undead man of Frankenstein’s creation, who is masterfully played by Rory Kinnear ( No Time to Die, Our Flag Means Death ). Season 2 of Penny Dreadful introduces some wild witchcraft within a coven of witches who answer to Lucifer and are on the hunt to bring Miss Ives to their master. Meanwhile, Dr. Frankenstein (Harry Treadaway, of Mr. Mercedes ) is forced to make his creature a bride, which is a story and process that clenches at your heart strings as you watch in moments of horror and awe. And in Season 3, our main characters encounter more supernatural events as they find themselves split up and placed all over the world, but when Count Dracula appears in London, the battle for Vanessa’s soul begins. With its ensemble cast led by the enigmatic Eva Green , Penny Dreadful delves into the supernatural world, unearthing creatures and legends that lurk in the shadows. It garnered critical acclaim for its superb acting, atmospheric cinematography, and rich storytelling , earning several awards and nominations throughout its three-season run. Effortlessly weaving together psychological drama with visceral horror, Penny Dreadful offers a psychologically immersive experience that lingers long after the credits roll. https://www.youtube.com/watch?v=YFXHfEqMcis Rome Created by: Bruno Heller, William J. MacDonald, & John Milius Where to binge it: HBO & Max, Prime Video, Vudu, Google Play, BritBox, Apple TV If you know who Ray Stevenson ( King Arthur, 2004) is, you don’t want to miss out on seeing him in Rome . A furiously crass British historical drama following the turbulent transition of the Roman Republic to an autocratic empire, Rome portrays both the aristocratic viewpoint of Julius Caesar and his allies, as well as the politically naive viewpoint of ordinary Romans like Lucius Vorenus (Kevin McKidd, of Grey’s Anatomy ) and Titus Pullo (Stevenson). It's a raw account of the lives and deeds of the rich, powerful, and historically significant as they navigate politics, war, and family dynamics in pursuit of a stable Roman Empire. Stevenson and McKidd as Pullo and Vorenus Rome Season 1 is all about Julius Caesar’s civil war of 49 B.C. against the traditionalist conservative faction in the Roman Senate. It focuses on his rise to dictatorship, followed by his subsequent fail, right on down to his assassination on the Ides of March 44 B.C. We also see the early years of the young Octavian, who is destined to become the first emperor of Rome. Season 2 is set around the power struggle between Octavian and Mark Antony following Caesar’s assassination and covers the time period from Caesar’s death to Antony and Cleopatra’s suicide in 30 B.C. High production values cancelled Rome ’s Season 3, but don’t let that deter you from checking it out. Rome is an exciting exploration of the complexities of the Roman Empire and its eventual rise to power . Featuring over-the-top production values—especially for 2005—as well as elaborate sets and costumes with intriguing storylines full of explosive drama and action, Rome is certainly one historical series you shouldn’t pass on watching. In addition to Stevenson and McKidd, Rome also features James Purefoy ( Pennyworth ), Tobias Menzies ( Outlander ), Polly Walker ( Bridgerton ), and Indira Varma ( Game of Thrones ). https://www.youtube.com/watch?v=rtUQqiIa0oI Spartacus Created by: Steven S. DeKnight Where to binge it: Starz, Roku Channel, Apple TV, Vudu, Google Play, Lionsgate+ Spartacus: Blood and Sand was one of the best shows on cable in 2010 —historically speaking, at least. The epic series received high acclaim for its extreme production value, mouth-watering narratives, tremendous combat sequences, and its lead actor, Andy Whitfield , who sadly left this physical plane in 2011 when he succumbed to non-Hodgkin’s lymphoma. He, indeed, left behind a huge mark on the industry not just for who he was but also for his efforts and success in bringing the character of Spartacus to such radical life. Andy Whitfield as Spartacus Spartacus: Blood and Sand tells the story of the Thracian gladiator Spartacus who, from 73 to 71 B.C., led a major slave rebellion against the Roman Republic departing from Capua. When he is torn from his homeland, and thusly separated from his wife, Spartacus is forced into slavery and is condemned to fight in the excessively violent gladiator’s arena in Rome. As he navigates the violent, brutal world, Spartacus comes to realize that not all battles are fought in an arena, as he must overcome lies, treachery, and temptation if he wants to survive. Executive producers Steven S. DeKnight ( Pacific Rim: Uprising ) and Robert Tapert ( Evil Dead, Evil Dead Rise ) focused on structuring the events of Spartacus’ obscure early life leading right up to the beginning of historical records, but after completing Season 1, they chose to delay Season 2 due to Whitfield’s illness. In the interim, Starz produced a six-episode prequel miniseries entitled Spartacus: Gods of the Arena , which is one of the best miniseries—let alone prequel miniseries—that exists. It features incredibly visceral gladiator games in a style reminiscent of a Zack Snyder film, and everything about it screams BADASS : characters, attitudes, training, brutality, loyalty, heart, and tolerance. When Season 2, Spartacus: Vengeance , finally released, actor Liam McIntyre ( The Flash TV series) took on the titular role of Spartacus, which ultimately ended with Season 3, Spartacus: War of the Damned . Spartacus is a seductively thrilling action-drama series rampant with blood, violence, drama, and lots of sex that brings to life the Roman Republic and its depravity. Through Spartacus’ struggle for vengeance, we accompany him on his heroic journey to free himself and his people from slavery. With epic arena battles, intense gladiator training, political intrigue, excellent effects, and passionate romances, Spartacus is a series that will, no doubt, captivate you from beginning to end. There’s no room for insecurity of any kind in this series, which’ll have you attempting to binge as much of it in one sitting as you can. Spartacus’ gripping story and outstanding performances make it one of the best medieval TV shows ever made . https://www.youtube.com/watch?v=yHxn8mTpAJU The Tudors Created by: Michael Hirst Where to binge it: Prime Video, Paramount+, Showtime, Fubo, Apple TV, Google Play, Sky When I discovered The Tudors (2007), I’ll admit I was obsessed. I’ve always loved the tale of Henry VIII, his court politics, his wives, and his crumbling sanity, and this series blew me (and most everyone else who watched it) completely away. Another hit historical series from Michael Hirst , The Tudors is set primarily in 16th-century England at King Henry VIII’s court . The show lured in audiences with its political intrigue, elaborate costumes and sets, intricate storylines, and emotionally charged performances—namely from Jonathan Rhys Meyers ( Vikings ), who plays King Henry. The Tudors is an enthralling and dynamic drama that brings to life the power struggles, romances, and political machinations of Henry VIII’s court while exposing us to his passionate, often volatile relationships with his six wives … and his power. It showcases one of the most tumultuous periods in English history , replete with treachery, ambition, lust, and greed. Henry is a shrewd, charming, passionate leader hell-bent on leaving his mark on the world, and we get a front-row seat as he impulsively navigates his way through love, war, and politics in an effort to secure England’s future. Jonathan Rhys Meyers brings so much emotional likeness to his character, it’s as though he truly channeled the sovereign while filming The Tudors . We as viewers are but flies on the wall in King Henry’s court watching his sanity unravel woman by woman, wife by wife. He. Is. Divine. Remember when Heath Ledger took on the role of the Joker and it was said he lived the role as though there were no separation between himself and it? Yeah, I’m pretty sure he was inspired by Rhys Meyers’ stellar portrayal of the legendary King Henry VIII. The Tudors is one series you’ll watch over and over and possibly over again— it’s that good . https://www.youtube.com/watch?v=WXNf9dxnQrM Vikings Created by: Michael Hirst Where to binge it: Prime Video, Hulu, Disney+, Peacock, Apple TV, Google Play Annnnd in yet another slam dunk from screenwriter Michael Hirst, we have Vikings . I feel like it needs no introduction, but just in case, it’s a beast of a historical fiction masterpiece that’s loaded with bad-ass shield maidens, ravenous Viking warriors packed in emotional depth, and raw tribal violence wrapped in near-perfect narratives garnished with drama, suspense, and mythology. Vikings is one of the rarest shows on earth that is never, ever dull and whole-heartedly entertaining in plot, action, cinematography, soundtrack, and acting. Vikings follows the legendary Viking chieftain Ragnar Lothbrok (Traves Fimmel, of Raised by Wolves ), who claims to be a direct descendant of the god Odin. He and his band of Norse warriors explore, pillage, and conquer new lands in all their brutal glory. Along the way, we’re introduced to all of Ragnar’s family and descendants, and the paths each of their lives take. Frustrated by the policies of Earl Haraldson, who only sends raiders to the east to Baltic states and Russia, Ragnar seeks to secure his legacy as a leader of men through epic battles and political alliances by forging west to the new world. On his journey, he must deal with betrayals, unexpected turns of fate, and the growing power of his enemies. His family and allies experience a mix of adventure and tragedy as they struggle to survive in the treacherous world of Dark Age Scandinavia . Vikings consists of six action-packed seasons chocked full of love, drama, war, brotherhood, community, and brutality and captures the gritty, savage reality of the Viking Age in a captivating and awe-inspiring manner, perfect for a binge-worthy medieval TV show . https://www.youtube.com/watch?v=9GgxinPwAGc And, though it is good but does not live up to its predecessor, you might as well continue the fantasy and follow up with Vikings: Valhalla —it’s the sequel series to Vikings . Created by Jeb Stuart ( Die Hard, The Fugitive ), Vikings: Valhalla is set 100 years after Vikings events and chronicles the beginning of the end of the Viking Age. It explores the adventures of Leif Erikson, Freydis (daughter of Erik the Red), Norweigan King Harald Hardrada, and the Norman King William the Conquerer in an action-packed drama that grows on you as it works to present traditional Viking stories with a twist. You can find Vikings: Valhalla streaming on Netflix. https://www.youtube.com/watch?v=Yi4YnwFT7Gk Every one of these series is a must-see worth making time to watch for the first time ever or to revisit for a whole new experience. With each viewing, you’ll fall deeper and deeper into their respective narratives and begin noticing varying degrees of beauty, art, and storytelling in places you didn’t see the first go-round. If you’re still looking for more historical fiction and fantasy series to binge after these, check out the following: The White Princess and The White Queen (Starz, Prime Video), The Serpent Queen (Starz), Merlin (Peacock, Prime Video, Apple TV), Marco Polo (Netflix), Kingdom (Netflix), Game of Thrones (HBO & Max), House of Dragons (HBO & Max), Outlander (Starz), The Lord of the Rings: The Rings of Power (Prime Video), Reign (Prime Video), The Spanish Princess (Starz, Hulu), The Great (Hulu), Pillars of the Earth (Prime Video, Vudu, Roku), Medici (Netflix), The Borgias (Hulu, Disney+ ), and Black Sails (Starz). Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Her Riot! proved that when you give women the stage, they tear down walls. < Back Her Riot Ignites Mid City: A Fierce Celebration of Women in Music Rian Nickels Jun 17, 2025 Share Her Riot! proved that when you give women the stage, they tear down walls. If you’ve ever been to concerts or gigs, both underground and mainstream, there’s one thing that’s always been evident: the punk and alternative music scene is heavily saturated with men. After a year of photographing Louisiana’s underground, I noticed that I had only shot a few women. Don’t get me wrong, these men are insanely talented, but as a woman working in the music industry, I craved the feminine energy that I felt was missing from the stage. I thought to myself, “ How could I change this? ” So, as co-founder of Feel Alive Media + Events , I knew the answer was to organize a music showcase that was femme-focused, and that’s how “Her Riot!” came to life. Her Riot! is a Louisiana music showcase run by femmes and for femmes (and anyone down to support them). The ultimate goal of the showcase is to bring attention to women in music, to give them center stage, and create a space in alternative music that’s curated for feminine talent to thrive. On April 18th, 2025, Feel Alive Media + Events had their first installment of Her Riot! at Mid-City Ballroom in Baton Rouge, LA . For the lineup, we selected bands from around South Louisiana , featuring femme vocalists, some of which we had previously worked with, and others I had only been admiring from afar. The genre mixed bill consisted of: MADmoiselle , Abby and The Arsonists , Sick At Heart , and Gutzombie . The official flyer for Her Riot! Kickin’ off the night was MADmoiselle (also known as “MAD”), a four-piece band from Baton Rouge . Even though they are a relatively new and an underground band, they packed the venue from the start of the show. Many came to support them and were actively engaged to boost the crowd's participation. MAD performed their original music, featuring songs like ' Uneasy ,' and also sprinkled in well-loved covers, such as ' Daylily ' by Movements . These tracks were the perfect mix to show the insane, Hayley Williams -like vocal range that front-woman Maddi Delacroix is capable of bringing to the stage. Maddi and her bandmates brought just the right kind of feminine energy needed to set the vibe for the rest of the night. Credit: Rian Nickels After a brief intermission of concert-goer mingling, it was Abby and The Arsonists , from New Orleans , turn to bless our ears with underground tunes. The Arsonists are comprised of brother-sister duo Abby and Andrew Lewis , Kelsey Kroening , and drummer Luke Joia . I was excited for this set because Feel Alive hadn’t previously worked with them, and I had been following them on Instagram since the day I started my music photography profile. In a bayou of predominantly heavy metal Abby and The Arsonists are a breath of fresh air. They bring a shoegaze-emo-pop-folky-indie sound that admirably can’t be put into boxes. They played a complete lineup of originals with tracks from their newest album, Caterpillars in the Walls . Between songs, Abby spilled some gossip about the origins of their track ' Lala '. This made the set feel like a music and comedy performance all in one, while also breaking down the barriers between the performers and the audience, making us feel like we were all in on a secret. Credit: Rian Nickels After some whimsical, mellow vibes, it was time to kick it up a bit with Sick At Heart . Sick At Heart is a metalcore band from Lafayette fronted by Elise LeBlanc . Their sound brings me back to the nostalgic feel of bands like Evanescence and Flyleaf ; there’s no pitch that Elise can’t reach, and her bandmates help to bring back a sound in music that has felt forgotten recently. They shook the walls of Mid-City with Sick At Heart originals like ' Losing Control ' and ' The Game ' but really locked in the audience with covers like ' Decode ' by Paramore , and ' Face Down ' by The Red Jumpsuit Apparatus . To wrap up their performance, they played ' Zombie ' by The Cranberries . I think performing this song was a beautiful way to pay homage to the women in music who came before us, who had to pave the way to create a space for us in the industry. Credit: Rian Nickels Closing out and headlining Her Riot was Punk/Post-Hardcore band Gutzombie from Baton Rouge , fronted by Ashen Bonaventure . The energy Ashen brings is unmatched, and it’s evident that she pours her heart and soul into her passion. Starting strong with the femme power vibes, they played ' Just a Girl ' by No Doubt ; hearing women scream “ I’M JUST A GIIIIIRL ” in punk spaces was just what I needed to feel like my goal to have women heard was met. They went on to perform their tracks, such as ' Absolutely ' and ' Much Ado '. Aside from her voice, one of the most impressive things about Ashen is her stage presence. From jumping and thrashing around to crowd control, she brings just as much energy and dedication as large mainstream artists. A notable moment was when they played ' That’s What You Get ' by Paramore and let people from the front of the crowd sing the chorus into the mic. I love it when an artist breaks down the hypothetical walls between the stage and the floor. For their last song, they surprised everyone by bringing Maddi from MADMoiselle back to the stage to help cover Pierce The Veil 's hit song ' Bulls In The Bronx '. This was really sick for two reasons. This cover showcases the band's overall talent, featuring brutal guitar riffs, fast-paced drumming, vocal screaming, and the range of the vocals themselves. It’s also just neat to see two women come together to help their voices be heard; it felt like an actual sleepover with your friends rocking your favorite emo tunes. Gutzombie rocked the house so hard that I got to witness an encore call at an underground gig for the first time. Credit: Rian Nickels Her Riot! It wasn’t just a gig, it was a revolt. It was the scream from the back of the room that finally made it to the mic. It was the eyeliner-smudged, glitter-smeared reminder that women aren’t just guests in alternative music. It was black boots stomping floors that weren’t built for us. We weren’t there to be anyone’s opener or somebody’s girlfriend, but instead to be the main act . We weren’t there to ask for space, but to take it. Every band, every lyric, every scream pulled a piece of this scene into a new shape, one where femme voices aren’t background noise. For too long, alternative music has been a boys' club where women are expected to be quiet, to play nice, and be cheerleaders. But that night at Mid-City Ballroom , we flipped the script. We weren’t there to prove ourselves but to be loud, to be seen, and unignorable. There’s room for softness and strength, lipstick and leather, breakdowns and breakthroughs. Her Riot! proved that when you give women the stage, they tear down walls. https://video.wixstatic.com/video/999a0f_217e412a630349999d9fe77213ce5a80/1080p/mp4/file.mp4 A little recap for ya! If you missed the first Her Riot! that’s okay because we’re not done yet. April 2025 was only the first installment, and there are more voices to be heard. I’m planning for Her Riot to become a quarterly event with the hopes of having the first Her Riot! Fest in 2026. If you are a femme-fronted band or a vendor curated towards women, get in touch with us at Feel Alive Media + Events to be a part of a femme movement. *All photos by Rian Nickels Photography Rian.musicjpeg To learn more about the bands featured in this showcase, just hit one of the links below: MADmoiselle | Spotify ‎ MADmoiselle - Apple Music Abby and the Arsonists | Spotify ‎Abby and the Arsonists - Apple Music Sick At Heart | Spotify ‎Sick At Heart - Apple Music GUTZOMBIE | Spotify ‎Gutzombie - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Miles Nxbxdy pushes the boundaries of hip-hop by challenging expectations and broadening horizons. < Back Miles Nxbxdy: Revolutionizing Hip-Hop Nicole Brice Nov 13, 2023 Share Miles Nxbxdy pushes the boundaries of hip-hop by challenging expectations and broadening horizons. In the bustling world of hip-hop where trends come and go, there are a few artists who stand out with their unique style and unwavering authenticity. One such artist with introspective lyrics set to unconventional beats is delivering the goods by experimenting with the textures most often found in post-punk and industrial music. His name is Miles Nxbxdy. Hailing from New Jersey, born and raised in the heart of the urban landscape, Miles Nxbxdy’s career began in 2017 but did not start to take off until 2018. After meeting producer Jason Freeze in Asbury Park in 2018 at a show, the two began to embark on a working partnership that is still going strong to this day. Credit: YouTube From an early age, Miles was exposed to a rich musical tapestry, incorporating everything from gritty sounds to modern and experimental vibes. Miles weaves narratives with detail and emotional depth and is proving he is unafraid to tackle controversial topics and explore society’s underbelly. Plain and simple, Nxbxdy is an artist unafraid to speak the truth. He’s raw, he’s edgy, he’s honest … and he explores the darkness with carefully orchestrated songs that explore the full depth of human emotions. If I had to describe his music, I would have to categorize it as Art Rap. It does not sound like anything I have ever heard, and it is truly challenging expectations and broadening the horizons of hip-hop by bringing such a fresh perspective to the game. Credit: Jeff Crespi I reached out to Miles recently so I could learn more about his songwriting, his background, and future projects. I was able to chat not only with Miles but also with his producer and partner-in-crime, Jason Freeze, where we discussed the music we love, the music we hate, and the state of the industry in general, as well as what makes up the music of Miles Nxbxdy. With numerous collabs under his belt since 2018, including the likes of Desperry, Gnarly Nonsense of OFFTOPKILLS, and Drew the Recluse & h e a l (Craig Xen & Rico Nasty), Nxbxdy has shown he is unafraid to explore new horizons and the dark and intrapersonal side of rap, and it is refreshing. Take a moment to learn a little more about this artist who is pushing boundaries, then be sure to check out his discography. MaM : I’ve been diving into all your music, and you have released quite a bit since 2017. Tell us a little more about your various projects and what initially led you to making music? MN : It was about 2018 when I started taking music seriously. I have always had a background in it since I play four instruments, but in 2017 I released ‘Don’t 4get to Smile … Bitch’ and then in 2018 I released my album, ‘Free Bird for the Free World’ and that led into ‘Beautiful Scumbags’. When COVID-19 happened, I had to take a pause, but 2018 was when I truly started. I’m sort of a late bloomer. Released September 13, 2019 MaM : Writing lyrics just to have them—did you ever think you would do anything with them? MN : No, not really. … I didn’t take it seriously. When I released ‘Free Bird for the Free World’ was when I started taking it seriously because I was approached after the release by a couple of noteworthy people who liked my music, and their response was positive. I didn’t think it was that good, but when that happened, I thought, ‘Oh! I have talent!’ (laughter) JF : Miles and I have this conversation a lot and I think music is more of a necessity for both of us. It would be harder to stop making music than it is to just make it. Even on days off, when I tell myself I’m going to chill, I end up making a beat. MaM : I think all creative types are like that. We must be constantly creating. Do you have any other hobbies or interests outside of music? MN : I have too many interests and hobbies. (laughter) MN : I’m into anime, manga, comics, and fashion. The cost of fashion is a little much, but I’m big into movies, too. I’ll watch a French film, a Japanese one, a Kai film … it all just depends. Released October 19, 2018 MaM : My husband likes anime, too. Musically, what are your favorite genres and who would you say has been your biggest influence musically? MN : Man, oh, that is a hard question. Right now, I’m really into 2000’s alt-rock. I like post-punk. I like jazz and classical, too. The only thing I’m not really into is opera and modern country. I’d say everything is worth a listen, though. MaM : So, how would you describe the type of music you make? You have such a unique sound. What is your creative process like? Do you write to the beat or do the lyrics come first? MN : We’ve been working a lot the last few years. We have two full albums being mixed right now. Since ‘Beautiful Scumbags’ and ‘Free Bird [for the Free World]’, the music has become more electronic. JF : It has developed more since ‘Beautiful Scumbags’ for sure, and we both have become better at the craft. MN : I generally tell people I make post-rap, though, because it has so many layers. You know when The Clash made ‘London Calling’? That album is considered punk, but some consider it post-punk because of all the elements to it. My music now has so many elements from other forms and styles that I don’t want to call it rap or punk rap or experimental rap because it’s more specific than experimental rap but not as noisy as industrial rap. Credit: Jeff Crespi MaM : I’ll agree with post-rap. I think that’s an accurate way to describe it. With most rap, you can always find a tinge of influence to categorize it, but with you, I just can’t. MN : That was the goal. In 2017, I went into a deep music hole where I got big into Joy Division, Maggot Brain, Janis Joplin, Jane Doe … an amalgamation of all these eclectic artists, but I didn’t want to make their music. I wanted to take elements from all of that. Because my music is so unique, it makes it difficult to push it. JF : Miles will come in with an idea and it always ends up somewhere else. The beat usually comes first, but sometimes he’ll come in with lyric ideas as a starting point. MN : The rule we follow is, ‘Don’t overthink it.’ If we overthink it, it becomes not good every time. Credit: Jeff Crespi MaM : I can agree with that. Do you have plans to collaborate with any specific artists in the future, and if so, who? MN : It’s funny that you ask that. Right now, I’m working on two albums with these artists I am friends with. One is named Braciola and the other is named Gnarly Nonsense. They are both going to be on the upcoming albums. As far as famous artists are concerned, I would love to work with Big K.R.I.T. and Trent Reznor. Trent and Death Grips are the dream. They are both active still, so we’ll see what happens. MaM : Never say never! It could happen! I could see you guys opening for Nine Inch Nails. Let’s manifest that. (laughter) MN : That would be sick. I would also like to work with Tyler, the Creator. Most of the mainstream artists I have no interest in working with. MaM : What is one message you would like to convey with your music? MN : It’s okay to feel. A lot of my music is very emotional and dark. I scream for those who can’t. The whole idea behind Miles Nxbxdy is a play on a John Doe as anybody. I’m Miles Nxbxdy, so in that way, I’m a nobody, but I’ll be that somebody for you. My newer music that isn’t out yet is a long letter to my adolescent self and my childhood self. This is the music we could have used to work through emotions that we didn’t understand [growing up]. Credit: Jeff Crespi MaM : So, when can we expect the new music to drop? MN : That’s a good question. Everything you’ve heard so far is good, but it’s more of a 4 [on a scale of 1-10] and this new stuff is more like a 9. We found someone in Brooklyn to mix it all and Jason found someone to master it. The final vocal mixing was recently, and honestly, we’ve been sitting on this material for some time. JF : We’re aiming to have the music done by the end of the year, but then we must start the process of how it is going to be released. MN : Maybe mid to late January? I’m not sure. 2024 definitely. JF : We don’t want to just put it out there and have nothing happen. We want to find the best way to distribute it. Credit: Jeff Crespi MaM : What does the future hold, you think? Where do you see yourself in the next five years? MN : I’m gonna be big in Japan collecting all the Manga. (laughter) MN : I legitimately believe we’re going to be big in Europe. The landscape of music is very different. I feel they have a different appreciation for music than Americans. It’s more celebrated there and here it’s more monetized. I truly feel Europe will embrace what we are doing first. With a discography spanning from 2017-2021, including numerous releases and with two more currently on the way, Miles Nxbxdy is undoubtedly an artist worth watching in the contemporary hip-hop scene. With his unparalleled authenticity, he continues to push the boundaries of the genre and undoubtedly will inspire other artists to embrace their true selves and use music as a catalyst for change. To experience Miles Nxbxdy, hit one of the links below and be sure to give him a follow on social media. Soundcloud : Stream M I L E S NxBxDY music | Listen to songs, albums, playlists for free on SoundCloud Apple Music : ‎Miles Nxbxdy - Apple Music Instagram : Miles Nxbxdy (@miles_nxbxdy) • Instagram photos and videos Spotify : Miles Nxbxdy | Spotify Amazon Music : Miles Nxbxdy on Amazon Music YouTube : Miles Nxbxdy - YouTube *cover photo courtesy of Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

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Our mission statement at Mixed Alt Mag and what we do. A BIT ABOUT US *NO ADS ... JUST PERSONALITY & ENTERTAINMENT* We are NOT your typical publication. Why? Because we have heart. Mixed Alternative Magazine is an online publication created to provide you, the reader, with a wide range of high-quality, balanced articles and stories covering various genres of music and different facets of art and entertainment. Our focus is on providing a non-discriminatory platform for independent talent of all kinds to introduce themselves and showcase their mad skills to the world, without getting lost in corporate advertising. Our sights are on content, not sales. We pride ourselves on our humor, knowledge, experience, and love (ok, obsession) for all things entertainment and music, while adding our special editorial touch and our commitment to keeping it real. And we do just that by ditching the rules and regulations. We simply love what we do, and we figured you guys might too. And here at Mixed Alt Mag , we like to think of ourselves as the signal standing out from the noise of the rest of the media landscape. With so much mass-produced content out there, we want to be the ones who stand apart from the crap. By using a different approach and outlook, we will always strive to bring you the most entertaining, highest-quality content we can, and we proudly do so by rejecting the mainstream and forging our own way. We just do what we want. No hard news. No religion. No politics. No rules. No red tape. No censorship. Just sheer entertainment, passion, and personality.

Charlton Fine Art < Back Be Still My Beating Heart Keeley Brooks Apr 13, 2023 Share Charlton Fine Art I certainly do not know much about fine art, but I am a creative type, so I do know when I’m gazing upon something truly special. And, while all kinds of art speak to me on some level in some way, there are those moments when you view, read, watch, or listen to something that transcends awareness, then reaches right into the core of your being and snags hold of your soul. That is when you know something inside of you has met its counterpart in something else, and I met a piece of mine in the artwork of Melanie Charlton , owner of Charlton Fine Art . Melanie & Cheese (provided by artist) A few weeks ago, I opened Facebook and right there waiting in my feed was a gorgeous portrait of a Boston Terrier that took my breath away. See, I have a soft spot for Bosties because I have one. While my brain knew I was looking at a painting, my heart and eyeballs swore differently. The image was so lifelike and full of such heartfelt personality that I had to know more about the artist who painted it. Hailing from Alberta, Canada , Melanie Charlton is an absurdly gifted and completely self-taught contemporary artist with a heavily rooted focus on imaginative realism/surrealism. Painting since 2007 , her work reflects her genuine love and passion for animals and nature. She’s 100% a perfectionist, and each of her pieces reflect that. From dogs and elephants to farmhouses, winter streams, and dreamscapes, Charlton’s paintings are certainly worthy of lighted displays and glass cases. Art by Melanie Charlton Art by Melanie Charlton What makes her unique as a contemporary artist aren’t her subjects, though; it’s her … who she is. Melanie is kind and authentic, very gentle and deeply empathetic—a genuinely sweet soul, and those qualities are what come through most in her art. Her intentional, delicate touches of surrealism interweave with her style of realism and organically work together to capture not just the individuality of each subject but also each subject’s essence. Charlton’s images are captivating in the tiniest details, but don’t just take my word for it; see for yourself. This is Mickey, guys. Check out the fine detail and really spend some time looking into this sweet pup’s eyes, see what you notice. Then, check out my conversation with Melanie about her influences, her processes, and her love for dogs. Art by Melanie Charlton MaM : Melanie, thank you so much for taking some time away from your studio to chat with us and introduce yourself to our world. How were you introduced to art and by whom? MC : Memories of my mom painting at her easel still float around in my head. When I was very little, I was not allowed to touch her oil paints and things because she used [supplies] like turpentine but was totally exposed to her creative process. By the time I was in kindergarten, one of my favorite places was in the sun-filled corner of the classroom at the little easel. I can still smell the paint pucks! MaM : What impact did that have on you as a child? MC : My first experiences were out in Alberta , and those memories of my mother, mixed with my very vivid dreams (which always included animals and birds), impacted me deeply. I used to get teased by my family for not being able to distinguish my dreams from reality. [They used to say], ‘Oh look, she’s having a Melory again.’ A Melory is one of my memories that didn’t happen but is what [my family] called it. (laughs) My art has allowed me to think about things, and it allows me to create a space for my mind to work things out at my own pace [while] afford[ing] myself the peace and patience away from the rest of the world. My art has definitely helped me discover what I truly value in life. MaM : What specifically about art spoke to you? What drew you in (no pun intended)? MC : Ha ha, I’ve always been drawn to anything that creates an emotional response! The ability to capture a specific feeling or dream-like atmosphere always inspires me. It’s like looking for that little spark that stirs your inner soul when you see it. To create art that can be experienced is so satisfying. Art by Melanie Charlton MaM : Yes! That’s exactly what you do: create art that isn’t just seen, it’s also experienced on a deeply emotional level. What do you love most about imaginative realism/surrealism, and how do you convey that in your work? MC : Imaginative realism/surrealism has a lack of logic and an intensity that dives right into people’s personal thoughts and feelings. It’s honest and isn’t required to make sense. I think we all have a creative streak in us; however, our world teaches us to be practical and ignore our impulsive urges. If I think about how I convey this in my work, I laugh. The thought of a grown woman sitting down to paint a picture of someone’s dog, or a dream, is not practical, [nor is it] a serious line of work by today’s standards. Sometimes, I receive a funny response when I tell people I paint pet portraits but then sometimes, I meet people who love their animals so dearly—those are my people. The love and refuge we exchange with the soul of a pet is pure. MaM : Completely pure and unconditional. It’s so beautiful, and it’s very different than the love and refuge we exchange with other people, I think. Tell us about the four-legged babies in your life and what led you to paint them. MC : I was lucky enough to grow up in a household that had a dog named Joey. He was a big mixed breed with two dots for eyebrows. Very loving and very scared of thunderstorms. His death was the only time I saw my father cry, even though he tried to hide it from us. After Joey, we were lucky enough to get a dog breed my father had always wanted as a child: a Boston Terrier. Ernie was the runt of the litter but ruler of the household! I don’t think I experienced all the highs of love and the lows of loss until Ernie. Maybe I learned you can’t have one without the other and that I am fine with that and even respect it. Years later, after Ernie, I moved out and, of course, decided to get my own Boston Terrier, Maggie. She was with me 11 years and was the epitome of the world’s sweetest girl. She broke our hearts when she passed. Words don’t convey the love or the loss [I felt for her], and she was my first portrait. Time doesn’t heal, and I actually haven’t finished her main portrait, yet. I think it keeps her closer and that chapter open. The decision to get another Boston was made as my husband and I found ourselves chasing other Boston owners down on the street to meet their dogs. … Now, we’re the proud parents of our 10-year-old boy Toby, who is literally treated like royalty, and I wouldn’t have it any other way. MaM : Oh, I completely get that. My Bostie is, for sure, the Queen Elizabeth of our lives. Do you have a favorite painting of your own? If so, what is it and why? What does it represent for you? MC : After all [my] years of painting, I actually don’t have a favorite piece. I just see the personalities and can’t choose. I do like one of my work-in-progress pictures of my previous Boston Terrier, Maggie. It’s just her, and I feel her eternal connection. MaM : You hit the nail on the head. Eternal connection … that is exactly what your portraits provide. Those are the two words epitomizing your work. Do you ever do any live paintings? MC : Live paintings? Ahhhh! I cringe at the idea, as most of the time I [am] painting in my pajamas. (laughter) I can barely stand my own family coming into my art room until I’m happy with what I create. Maybe one day. I wish I could be more open, but I think sometimes it takes more than one attempt at working things out. I hold dear the time, space, and patience to focus on who [and what] I’m painting. MaM : How do you capture a pup’s (or animal’s) personality? And seriously, how do you get your paintings to look so life-like? Because viewing your work is like looking at live images. Your talent is truly breathtaking. Art by Melanie Charlton MC : Making them look real has taken years of experimenting with color, and I honestly feel like I am just starting to learn. One of my favorite books is ‘ Oil Painting Secrets from a Master ’ by Linda Cateura . Her book on David A. Leffel is superb on how to see light and color … painting the light and how it bounces off things and painting what you really see. For instance, when you look outside and see the snow, it’s white, right? Well, no. It’s pink, purple, blue, and everything in between. It is the same with white fur … and the same with the eyes. I love their eyes. I see the colors in them and know exactly how I want them. MaM : What do you get commissioned to do most? MC : Mostly, I get commissioned for Boston Terrier portraits. I was lucky enough that the breeder we got our Toby from was connected to a few Boston Terrier groups on Facebook and invited me in. Here and there, I received commissions of other breeds and honestly, I just feel very honored when asked. It’s such a personal request from a stranger, sometimes on the other side of the world! Love is always stronger, so I think it’s a good thing to be putting out in the world, and I really hope people feel that when they see my work. MaM : Of all the things to be putting out there in the world, love is where it’s at, for sure. We feel such tender love in your work. So, would you take us through your process when an idea strikes? MC : It is not very often that I draw my initial ideas on canvas or board to begin. Usually, I sketch out my concepts on paper first, refine them to exactly what I want, and then transfer them to the canvas or board using transfer paper. Art by Melanie Charlton Art by Melanie Charlton This avoids excessive erasing marks or muddying the paint, especially light colors with lead/charcoal. [It also avoids] creating a lovely sagging canvas. MaM : I sense some sarcasm there, ha ha. What are you currently working on, sans sagging canvas? (laughs) MC : Right now … I am actually working on the largest piece to date, which will be a wildlife Elk painting, 48 inches by 60 inches on a gallery-wrapped canvas, completed in oils. MaM : Wow. Nice. Are oils your preferred medium? MC : Oil paints are my favorite, as I find the layering can be infinite (good for correcting things), and they, of course, take longer to dry. I am really aiming for the Elk piece I’m working on right now to land between the real feeling[s] of being out in nature and in a dream, with deep vibrant color. Initially, I tried to paint with acrylics; however, they really limit the time you have with a piece because of drying times, and you really only get about three layers before they start destroying the piece. MaM : We’re sure your Elk piece will be stunning, and we can’t wait to see it! Your work embodies such warmth. It just embraces you as the viewer. We thank you so much for speaking with us. Before we go, we want to know: What are you currently watching? MC : I have to say, it has been a pleasure to answer your questions, and I also have to thank you from the bottom of my heart for the kind words about my work. MaM : Aw, well we mean every word! We’re glad you’re out there in the world sharing your gift with the rest of us. MC : For streaming things right now, we’ve been watching ‘Yellowstone.’ … I do like the unapologetic nature; however, I am huge fan of sci-fi and, of course, romance. Click here to see more of Melanie's work, or to have a piece commissioned, visit her online at www.CharltonFineArt.com . Then, connect with her on social media from her home page and show her some love! *images taken from artist website www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chris Bond < Back Color, Form, and Texture with a Modern Twist Nicole Brice Nov 28, 2022 Share Chris Bond Color, form, and texture are the words that come to mind when I think of this artist, I am about to introduce you to. Color truly is everything. It doesn’t matter which medium is used because if something has a pop of color and catches my eye, I am hooked, and the stunning use of color and imagery used in these pieces is no exception. Let me introduce you to work of Chris Bond . Art by Chris Bond Chris is a Baton Rouge -based artist using texture and form to create colorful visual masterpieces reminiscent of a style made famous by Vincent Van Gogh . Each piece is unique and different and makes you stop to think and admire all the beauty in the world that serves as inspiration for those who create. Art by Chris Bond He likes to manipulate acrylics to make them look like oils. In fact, had he not told me that he prefers acrylics, I would have thought he was using oil paint all along. Chris credits William Whistler as an inspiration because “he was the father of modern art, right?”, says Bond . Although he prefers working with acrylics, he will utilize any medium to achieve the results he is looking for, because to him, the surface one uses to create is just as important as the materials. No truer words have been spoken. Art by Chris Bond Crediting his grandmother, Claudia , as his true inspiration, he has been creating ever since he could walk and pick up a crayon to color, and at 55 years old, this artist’s work is something to take note of and be inspired by. Art by Chris Bond For more information about this stunning artist’s pieces and to see his work, you can visit him on social media at: Chris Bond | Facebook If you are interested in purchasing pieces from him, he can be reached at: 430davidbond@gmail.com www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The PIT is Louisiana’s Bold New Stage for Live Music < Back Weekend Rock: Open Up The PIT Justin Hammer Sep 6, 2024 Share The PIT is Louisiana’s Bold New Stage for Live Music When people think of the metal scene in Louisiana, they mostly think of New Orleans or maybe Baton Rouge. However, the scene in Lafayette, La, is nothing to sleep on. The Lafayette scene is one of the fastest growing in the state, and this past weekend, that scene grew that much more with the opening of a brand-new ALL-AGES venue called THE PIT by EPIC! Credit: Justin Hammer Opened by Blake Benoit, singer and guitarist for Necromire , with help from Louisiana LOUD concert promoter and owner Seth Thomas, it is a new level for the alternative and metal music community in Lafayette for many reasons. First, it boasts a prime location for hosting. Located right off I-10’s exit 100, it makes finding, getting to, and getting out of as easy as possible. Alongside that, ample parking with a huge open parking lot could easily accommodate larger vehicles, such as buses or RVs, that may be stopping on a tour or traveling from neighboring cities. Just as vital as the location is the fact it will be an ALL-AGES venue, allowing parents to bring their kids and younger fans to be part of the local scene, helping breed a whole new generation of metal and alternative music lovers in the state. Credit: Justin Hammer Traveling inside the venue, you enter the first part of EPIC, a children’s gym complete with rock walls, foam pits, and trampolines. However, if you travel to your left after walking in, you will see a set of black double doors. The magic happens through those doors. Walking in, you will have a table to your right to pay for your admission. Just past that table, also to your right, is a fully stocked bar with a variety of drink options, alcoholic and non-alcoholic alike. Just inside the door to your left will be an entire section of tables set up for bands to sell their merch and interact with their fans. Straight ahead you will see the stage, centered on the other side of a massive, wide-open floor with a very high, open ceiling. Their grand opening show was on August 30, 2024 and featured a power-packed lineup of Louisiana metal with Holeopener , Necromire , Muscle , Swampgrave , and the Louisiana metal bimbos themselves, BRAT . These bands brought the house down and made for one of the best local shows I’ve seen in Lafayette! BRAT courtesy of Justin Hammer Be sure to turn out for the next scheduled show at the PIT on Friday, October 4, 2024 . The line-up features local acts Dogma, Life on Mars , Glacial Coffin , and Phallic Laceration . Doors open at 7 p.m., and the Show starts at 8 p.m.! Make it a point to check out this brand-new venue at any of their upcoming shows, which can all be found on their social media accounts: Facebook : The Pit at Epic Instagram : @epic.thepit For booking information be sure to contact Seth Thomas with Louisiana LOUD . Instagram : https://www.instagram.com/louisianaloud/ Facebook : https://www.facebook.com/louisianaloud/ *All photos by Justin Hammer www.justinhammerphotography.com Shop Photography Art | Justin Hammer Photography Shop art is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a set of perfectly balanced fresh material. < Back Pop Evil Delivers Old and New at The Stone Pony in Asbury Park on April 2 Jeff Crespi Apr 4, 2026 Share It was a set of perfectly balanced fresh material. Pop Evil stormed through The Stone Pony on Thursday, April 2, 2026, and absolutely did not disappoint. With their new album, What Remains , out, the band hit the stage in full force, delivering a set that perfectly balanced fresh material with the old-school favorites longtime fans came to hear. Credit: Jeff Crespi The energy in the room was electric from start to finish—I even spotted someone in the ADA section up and jumping along, which says everything about the atmosphere that night. Having photographed and followed these guys for years, I can honestly say they continue to raise the bar every time . Their consistency, professionalism, and connection with the crowd make them one of the most reliable live acts out there. Opening the night was Kamenar , a two-piece independent hard rock band made up of twin brothers Sean and John . Hailing from Tampa, Florida , they brought an explosive level of energy that instantly grabbed the crowd’s attention. Their musicianship is tight, their stage presence is animated, and their sound hits just as hard as bands twice their size. Credit: Jeff Crespi I had the chance to catch them previously at the Wonder Bar , so I knew what they were capable of—but they still managed to exceed expectations . What really stands out, though, is their appreciation for their fans . After their set, they made time to connect with the crowd, which never goes unnoticed. Bands like Kamenar are exactly why it pays to show up early and catch every opener. You never know when you’ll discover your next favorite act along the way. In the meantime, check out the latest from Pop Evil called What Remains . Every song is a hit, and hearing the songs live made me appreciate them even more. The album was released in 2025, but they recently dropped a Midnight Edition of the record on March 27, 2026 . Be sure to stream it now! *All photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Solid Alternative Rock < Back A Melodic Rock Offering: Caustic Waves Nicole Brice Feb 27, 2023 Share Solid Alternative Rock Hello guys and gals, I have some new music for your ears and, of course, I must share. I recently stumbled upon a musician out of Glasgow, Scotland , by the name of Neil Thomas . By day, he’s a full-time software engineer, and by night, he’s a producer with a lifelong passion for music that has culminated in his latest project, Caustic Waves . Although it is a new project, Neil has been in the business over 20 years. He started out in the mid-2000’s as the guitarist for the metal band Keitel and then switched to bass and backing vocals as part of the power-pop band The Chinaskis . Photo provided by artist With Caustic Waves , Neil combines elements from both bands into a melodic and solid rock offering with a tinge of a pop-rock vibe reminiscent of 90’s alt bands such as Trapt. Launched in March 2022 , Caustic Waves came onto the scene with the debut single ' Regenerate ,' which was the first in a series of single releases throughout 2022. Neil has continued to stay busy since then writing and recording new material. On Friday, March 3, 2023 , a new six-track EP titled Full Circle drops via all streaming platforms and as a limited-edition CD as well. Be sure to check out his new release once it drops and pay attention to the standout tracks ' Barriers ' and ' Idiocracy '. Full Circle releases March 3, 2023 via all streaming platforms We recently threw some questions Neil’s way so you could get a better feel for this up-and-coming artist and his work. MaM : If you could cite your favorite band as far as influence, who would it be? NT : Picking one is tough, but I'm going to go with Helmet. Their 90s output is absolutely essential for alternative/post-hardcore fans, and, in particular, their album 'Aftertaste' is a big influence on my sound. For me, it has the perfect blend of heavy guitars with strong vocal melodies. That's my aim with Caustic Waves—loud rhythm guitars underneath melodic vocals and layers of harmonies. The original Helmet drummer, John Stanier, is a huge influence, too. He has such a unique and identifiable groove, and my approach to drums is very much based on his style. MaM : We are huge Helmet fans here, too, so good pick. As far as vocal influences, who is your favorite front man? NT : Jonah Matranga (Far/Onelinedrawing etc) is a big influence on my vocal approach, and he's an absolute legend. In terms of a favourite front man, it's hard to look past Maynard James Keenan from Tool/A Perfect Circle. He is such an enigma on stage, and his voice is incredible. Photo provided by artist MaM : Good picks, again. You have excellent taste in music, and we approve. What type of guitar do you play and why? NT : I play a Schecter C-1 Diamond Series, which I've had since 2005. I bought that guitar when I played with my first band, Keitel. My approach to playing guitar hasn't really changed since then, which is why there's a strong late-90s/early-00s influence to the sound of Caustic Waves. I keep meaning to treat myself to a new guitar, but I still love to play my Schecter, and it suits my sound well. MaM : Ok, let’s talk gear. How do you achieve your sound and what pedals / gear was used in the recording of the new material? NT : Although I have a reasonable collection of pedals that I used for demos, the guitar tones on the EP were all achieved with the amp sim plugin, BIAS FX. Amp sim technology has progressed a lot since I started using Amplitube back in 2010, and it wasn't too hard to dial in the tones I was looking for. It was also somewhat out of necessity. I recorded the guitars at nighttime in my home studio when my kids were asleep downstairs. The drums are virtual too, using GetGood Drums - Modern and Massive. MaM : Give our readers a little more background about you and where you live. NT : I'm from Glasgow in Scotland. I was born and raised here. There's a brilliant music scene in Glasgow [and] Scotland, and I've been going to gigs since I was 15. Another one of my main influences are Biffy Clyro, who come from a town not too far from Glasgow. I first saw them play in a small pub in 1998, and now they're one of the biggest rock bands in the UK. Photo provided by artist MaM : Who all is involved in Caustic Waves? Just you? NT : It's just me! I'm a one-man band! For now, it's just a studio project, although I do miss playing live so I'm open to the idea of putting together a live band at some point in the future.I did have some guests on the EP: My brother-in-law Adrian McGurn (from the Irish traditional folk band Solás ) sang some harmonies on the ending section of ' Idiocracy .’ That part of the song is about the importance of education and investing in the next generation , so it felt appropriate, as Adrian is a teacher. He lived with us at the start of lockdown when schools were closed, and he home-schooled my two boys for a few months. It was during that time that I started recording the EP, and that's when we recorded his vocal tracks. There's also a cameo from my two boys, Jamie and Charlie , who helped me with some backing "woahs" in the middle section of ' Evolution '. To check out all that is Caustic Waves , hit the links below and be sure to check out Full Circle dropping on March 3, 2023! Linktree: https://linktr.ee/causticwaves Spotify: https://open.spotify.com/artist/5YFSnuEccV4gdfzlxKkdu9 Bandcamp: https://causticwaves.bandcamp.com Instagram: https://www.instagram.com/causticwaves YouTube: https://www.youtube.com/@causticwaves Facebook: https://www.facebook.com/causticwaves Twitter: https://twitter.com/causticwaves TikTok: https://www.tiktok.com/@causticwaves *All photos provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Matt Mahaffey is Just Being HimsElf < Back Self-Made Genius: Tracing the Musical Legacy of Matt Mahaffey Noah Hughey Jul 10, 2025 Share Matt Mahaffey is Just Being HimsElf Matt Mahaffey doesn't mind if you’ve never heard of him or his band, Self . But if you have, the release of their first single in a decade might be a sign that he’s not quite ready to let go of the band that jumpstarted his career. The release of the single last December, ' Love You Less ,' coupled with a resurgence of the band on platforms like Spotify has led to a burgeoning community of new fans online in 2025, 30 years after the release of their first album, Subliminal Plastic Motives . Released October 24, 1995 For Mahaffey , music has always come naturally. “When I was a kid, once I got drumsticks, I would go beat on, you know, fresh barbwire to the fields,” he said from his home studio in Nashville, Tennessee. “You know, like, cause they would string it and it would have a tone to it, like, bzz . And each level of it was a different tone.” Born in Kingsport, the musical ballast he had access to was worlds apart from the sound he would end up producing in his early career. “My parents had disco and easy listening and Little River Band and Eagles and stuff like that,” he said. “I was just like, the 70s stuff was so boring to me, that I had access to in East Tennessee .” However, when an opportunity to join a local band sprouted up, he could not refuse. “And they're just like, we need a drummer. And I'm like, oh my God, I'm going to audition for a band,” he said. “Next thing I know, I'm like 13 and playing at Dollywood with them every summer, you know. And as soon as I could drive (...) I would drive up to Bristol, Tennessee (...) and just,” he began mimicking his rhythmic ticking of the drum, “all night long for hours and get paid 50 bucks or whatever.” A still shot from our interview Looking back at it, Mahaffey expresses gratitude for his origins in the south. When he first lived in Nashville and Murfreesboro during college, its reputation stood out as a cradle for country music. But the late eighties and early nineties were a time for change not only musically, but technologically. For Mahaffey , this meant the harmonies of traditional bluegrass came together with an influx of west coast hip hop to form a single artistic vision that remained in the back of his mind throughout his early career. “That's one thing that is my superpower, I always hear harmonies all the time and rhythm,” he said. “I started playing in rock bands in college and was a good drummer. And so in Murfreesboro, where I went to school at MTSU, there just wasn't a lot of drummers. It's a music school (...) And so, next thing I know, [I] was just playing in a different band several times a week. It's like punk rock on Monday, piano pop on Wednesday, reggae on Friday. And that was cool because that exposed me to a lot of different styles and meeting a lot of different people that just had different viewpoints on how to make music.” The project that was Self wouldn’t have been totally possible without his older brother, Mike Mahaffey . “He was my idol, you know, and he was so good at the guitar and he practiced so hard when we were kids. Then, when he was 18, he was just like, ‘I can legally go join a touring band,’” Mahaffey recalled his brother’s success swelling with pride. “He just moved up this rung really quickly of these agencies, the next thing I knew he was in Florida with a band called Blackfish signed to Epic Records (...) we were, just, both just in disbelief. And they made a record with Sean Slade and Paul Kolderie , who produced Radiohead's first album .” But for Mike, the ladder stopped in Florida with Epic Records , prompting a call home that would eventually give the world Self . “I was making beats in my dorm room and my brother called me from an Island, And he was like, ‘Hey, they're not putting out our second record. Can I come write with you?’ And I was like, ‘Come on,’” said Mahaffey . “And I had written ‘ So Low ’ and ‘ Marathon Shirt ’ for the first album. But it was just beats on a four track and he came in and just put his guitars on them and we got a record deal. Poof. And I was like, ‘Well, I guess we're a band, bro.’” Official video for 'So Low' Those first songs the brothers produced would go on to become the band’s first album, Subliminal Plastic Motives , which was released in October 1995. Setting a sort of unspoken precedent for their discography, the album seems to capture the essence of the era it was produced in its unique musical concoction. There is a distinct grunge that hits immediately, reminiscent of the sounds of bands like Nirvana which had taken the rock scene by storm during the mid nineties. And yet, less than a minute into the album’s first song ' Borateen ,' Mahaffey’s experimentation with hip hop and the unconventional electric sounds he’d been listening to in college are unmistakable. “Subliminal Plastic Motives has a special place in my heart because it was done to analog tape,” Mahaffey said. “You couldn't Google how to get a certain sound or make something work. You just had to figure it out (...) We beat on pots and pans, we everything and it's all very live. And this is before like you had a bajillion loops at your fingertips. It's more personal because it's farm to table. It's handcrafted, there's no presets back there.” Self was signed to Spongebath records that same year, and added Chris James as their keyboardist, Jason Rawlings on drums, and bassist Tim Noble (who’d be replaced by Mac Burrus after a 1997 tour). It seemed at the time that Mike had brought his accelerationist star power to the band. “Out of the gate, Lou Maglia [President, Zoo Entertainment] (…) sunk a million dollars into promoting the band to the industry,” Mahaffey said. “So we were in all the magazines, all the industry magazines, and we made videos, and they were on MTV and - they didn't really play them a lot, but they were on there - so people would recognize you, those types of things.” Official video for 'Cannon' from Subliminal Plastic Motives With the influx of money from major labels, the band, and Mahaffey in particular, now had the resources to experiment with the harmonic project that had been sitting in his mind since college. “Most of my successes with Self are more just artistic internal pats on the back,” he said, patting his own back and smiling. “Being able to have a huge budget and do whatever I want to in the recording studio, be like, ‘I want strings on this.’ And then next thing I know, there's a room full of string players and like, we're doing it,” he motioned around himself, as if he had been taken back to that studio, surrounded by a string section, an erratic passion inflamed in his eyes as he recalled his gluttonous request fulfilled by the studio. “It was just blatant, you know, waste, wasting money. But at the same time, like, you're making records. I was making records like my heroes made records. And that felt very good.” This might have been where the story ends. I could tell you that Self was endlessly propelled to fame, that they signed onto the early Dreamworks label at the turn of the century, contributing ' Stay Home ' to the original Shrek film soundtrack . That they influenced music history forever with the resources at their disposal to continue experimenting with the available sounds before them. But a combination of factors that fans and outside speculators alike have interrogated for the last 20 years would ultimately dim the shine of Self . First was the collapse of the Dreamworks label in 2003. “They went to a lot of artists on that label and were like, ‘Hey, you guys, we let you do what you want on the first album because we want to have a good reputation for making cool art. This time around, we kind of need something for the radio,’” Mahaffey said. At the same time, he was working on Self’s fifth studio album, Ornament and Crime . But just before they were to release the album, Dreamworks sold the label, which was ultimately dissolved, leaving the album on hiatus. Self's Ornament & Crime album Second was the untimely passing of Mike Mahaffey in 2005 , which happened suddenly while the younger Mahaffey was on tour in London with Beck . Losing one half of the creative vision behind the band and its lead guitarist, in the eyes of many fans, was the shattering point. That might be an overzealous exaggeration of the story behind Self . But Mahaffey said, “for obvious reasons,” his brother’s passing did effectively confirm at least a short period of radio silence from the band as their personal and professional lives changed elsewhere. It was this outside change that, as he conveyed it, seemed to have the greatest impact on not just Mahaffey’s career but the whole band’s collective future. When Maglia signed Self onto Zoo Entertainment ’s record alongside Spongebath in 1997, Mahaffey recalled him calling their music ahead of its time. Their distinct electric sound that blended the rhythm of hip hop with the harmonies of rock and pop music in a way that pioneered the alternative scene so early on was among the first of its kind on an industry level. “I think I was trying to blend a lot of different things and put a lot of square pegs in round holes that hadn't really gone together yet,” he said. “I wore all my influences on my sleeve, (...) I was trying to cram Prince and Depeche Mode and Smashing Pumpkins and Nine Inch Nails and Weezer , (...) and, you know, funk and jazz and everything into this tiny package.” Despite the millions of dollars poured into Self so early on, however, Mahaffey says the record buying public at the time largely felt like it was a lot of noise. Yet, that doesn't seem to hurt his feelings all that much. “When I look at it, I'm super thankful because I have friends that had a big number one song, and they're my age and they're like, ‘Well, I gotta go out on the road for three months and leave my kids and sing that damn song every night,’” he said. He looked to his right, a smile creeping onto his face as he began to say the next few sentences through a raspy chuckle. “And it's like, that's what I wanted. That's what you want when you get into rock, we're like, ‘I just want that hit song that everybody loves.’ And I never had one because my stuff's weird.” Perhaps at the time that was true. As Mahaffey describes it, perhaps the public’s “music ADD” wasn’t equipped for the combinations Self put together, the eclectic variety that birthed every new Self song, and the genreless limbo it existed in. Mahaffey still had to earn a living after Self’s indefinite pause in 2005 . “So I started working on Shrek and I started working on films. I started working for Hans Zimmer . And I was just like, this is where I belong. We make weird music. Composition is the place,” he said. “I toured in Beck's band for two years and got to play with Radiohead and every band that I grew up listening to. So it's like, and I still didn't like it, you know? I liked the people I was with, but it's just like, yeah, you're in Rome, but for like two hours, right? You're not seeing Rome. You're just physically there (...) I am more of a studio rat.” So, a studio rat Mahaffey became, pursuing composition as his full-time job while Self became something of a distant, if not fond memory. The same was true of his band mates, who would produce Prince’s last albums and book talent on the Jimmy Kimmel show , respectively. Mahaffey equated their collective work ethic to the band Pavement, which broke up in 2000, returned to tour in 2010, and once more from 2022 to 2024, toying with the idea of a new album. “They live all over the place and they’re just like, ‘You want to tour? Yeah, I got a minute.’ And they rehearse a couple of times and they go tour,” Mahaffey said. “And I was like, let's be like Pavement . We'll just do that.” Mahaffey smiled as he recounted his new career in composition, reiterating the love he has for Self that ultimately made it possible. “I love making records, but I love scoring,” he said with a boyish grin on his face. “Like it is just, I can't wait to work every morning. I’m just like ‘Coffee! Oh boy!’” He began to laugh to himself, “I'm so excited about my work all the time. ‘Cause it's infinitely rewarding. ‘Cause it's a brand new challenge every single day.” Acting as Self , Mahaffey did release their 2014 EP Super Fake Nice in a unique moment for him after he had built his dream studio, but it was more in line with the Pavement method of a periodic release in the middle of his busy days producing over 80 minutes of music for animation a month than it was a full return of Self . The EP was met with largely positive reviews, but some of the revamped sounds of the band in its modern form, taking on new harmonic equations to generate songs such as ' Runaway ' did throw some reviewers off, expecting a mid 90s nostalgia-fest. Released July 29, 2014 In the background, however, the platforming power of the internet to promote and store the unique sounds of Self would serve as not only a time capsule of their moment, but an opportunity for new fans with broader tastes for music in the future to discover the hidden gem that was the band. When Mahaffey finally got verified on Spotify thanks to a manager friend, however, this quiet underbelly of Self fandom would explode for the first time in 10 years. “It just got ridiculous. Where it was like 40,000 [followers], you know, I got 40,000, what is going on?” said Mahaffey . His verification on Spotify couldn’t have come at a better time, either. Other alt rock bands were getting verified and pushed together by Spotify’s new AI algorithm, such as Tally Hall and Lemon Demon . And it was one night, he passionately recalled, his daughter had the answer as to why. “She's like, ‘Dad, I think I've sleuthed it out.’ And she shows me her phone. And it's a video of Talley Hall listening to Dead Man and people thinking that it's a new Talley Hall song.” What this signaled as well was that Self was doing well with kids. Young people, as young as 14 years old, were discovering Self through TikTok edits and montages featuring some of Self’s most standout work. As the fandom surged online, they have begun scouring the internet for all the lost media of Self , one young fan commenting under the song, ' No One Knows You ' on YouTube , “LOL THE WAY EVERYONE IS DISCOVERING SELF AT THE SAME TIME.” 'No One Knows You' by Self To Mahaffey , who once spoke to Alternative Press a decade ago about the influx of younger fans 20 years after Self’s debut , to see that influx continue at full steam 30 years after Subliminal Plastic Motives has been nothing if not gratifying. Today, Mahaffey continues to compose full time, still fulfilled by the new musical creations he gets to experiment with day in and day out. “I'm writing more in this day and age than I ever did pumping out Self songs,” he said. More than that, the freedom his new life has given him has allowed him to more passionately pursue his family life alongside his work. “If I'm not doing that, then I'm hanging out with my kids. It's like, I want to be a competent father. My daughter has a rock band. Covered ‘ Runaway ’ two weeks ago at a show and didn't tell me about it. And that is incredible.” He laughed to himself. 'Runaway' by Self As 2024’s release of ' Love You Less ' indicates, Mahaffey isn’t ready to let go of the band that made all of this possible. “I want to do a record. And I have a bunch of cool stuff,” Mahaffey said, pointing behind himself to his home studio setup. In between different unfinished works, he took the time to polish off the peppy, upbeat love ballad that wasn’t quite what he had in mind for a sixth album. The song could be taken as indicative of what a new Self record will sound and feel like, carrying with it two worlds: One, the band’s distinct blend of 90s hip hop and alt grunge that is hard to recreate unless, like Mahaffey, you were literally there. The other will be the new sounds he’s been listening to, more instrumental, grand, no doubt working in his composition experience to give Self fans something worth waiting for. “It's one of those things that has to just be a labor of love,” he said. “You can't expect, like, anything in return other than, hopefully, comments online of people being like, ‘I like this.’” To learn more about Self: www.self.is Self Self is a band you like. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Got something for Noah to check out? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Music of Tyler Underwood < Back Authentic, Heartfelt, Soulful, and Deep Keeley Brooks & Nicole Brice Mar 17, 2023 Share The Music of Tyler Underwood Every once in a while, a new artist appears on scene with music so relatable, you can’t help but get lost in nostalgia when listening to his/her/their tunes. Tyler Underwood is one of those artists, and you’re gonna want to stay with us on this one, because this kid is the picture of resilience and perseverance. Underwood is a singer/songwriter, musician, and producer based out of Florence, Alabama. Born as the youngest of five children, he has lived a rough life, but that has never stopped him from being creative or longing to make music. In fact, his early experiences are what drove him to seek refuge in creating music. Soulful and melodic with heartfelt lyrics is the best way to describe Tyler’s sound. He has quite an incredible story to tell, and we are thankful he reached out to us so we could stumble upon his talents. His beats are catchy, relaxing, and smooth, and the song lyrics resonate deeply on every level. With thought-provoking imagery strewn throughout his tunes, Tyler’s exceptional use of words makes for a vivid listening experience. To be quite honest, his music reminds us of Jason Mraz but with an edge. It's that feel-good singer/songwriter material that one puts on in the car to sing to at the top of their lungs. To give you guys a better understanding of who Tyler Underwood is, we threw him some questions recently, so get ready, because he’s got one hell of a story. Photo provided by artist MaM : So, Tyler, thanks so much for chatting with us about your life and music. Why don’t you give us a little background on who you are. TU : I was born in Florence in 1993. I'm the youngest of five. My dad was in prison most of my life, so some of my earliest memories were staying in hotels just to go and visit him on occasion. My mom was a rockstar taking care of five kids on her own. We moved around the [Muscle Shoals area] for a while until I was 12. My mom and brother and I moved to Georgia because my brother had some run ins with the police, so we tried to escape. We rented a room out of someone's house and worked on a farm to pay for the stay and food. It was later found [out] that I wasn't going to school and there was a lot of drug activity going on in the house, so I was taken from my mom and placed in a group home. My brother ended up getting caught and sent back to Alabama. My mother didn't really have a place to stay in Georgia, [so] she moved back to Bama. After being in the group home for a couple of years, it was almost time for me to go home. My mom finished all paperwork and passed inspection for them to send me home. A couple months later, she passed away due to Emphysema. After her passing, I chose to stay in the group home. I felt like there wasn't nothing [sic] good for me back home. I probably would've dropped out of school or got into drugs. Luckily, I had a loving support group at the Open Door Children's Home, [and] that made me feel … safe enough to live there and see the other guys that lived there as family. It was around this time that I started writing songs and making music. I formed a rap duo with my best friend, and we began working on songs for mixtapes. MaM : Wow, that’s a lot to deal with at such a young age. We’re glad you found music both as an escape and as a way of connecting to who you are. TU : Yeah. I went on to graduate high school in 2012 while working at a radio station and a local restaurant, [then] I enrolled in the Atlanta Institute of Music to pursue an associate degree in audio recording and production. … During that time, I was freelancing as an audio engineer and producer, recording rappers and singers in my bedroom, and mixing and mastering their songs. After graduating in 2014, I started my own production company by the name of The Lokkz Music. I would have artists bring me basic structures or ideas of songs and I'd produce full-fleshed songs for them. After doing that for three years, I became frustrated, because most of the artists I was making songs for weren't pushing their music like they should. I just felt like we made beautiful music that just landed on deaf ears, so I began to focus back on making my own music. After going through a tough breakup, I had nowhere to go and was basically sleeping in my car trying to keep things going. After about a month, I finally bit the bullet and decided to move back to Florence and start over. I put a pause on most of my music work and got a job serving tables. After going from job to job, place to place, and going through another failed relationship, I finally set my studio back up and started working again. I started recording songs and … learning covers to start doing shows. For the second half of 2020 and all of 2021, I did shows all over the southeast. I went to Key West twice, traveled to Atlanta almost every weekend, and slept in my car just to play shows. At the beginning of 2022, I decided to take a break from shows so I could be home with my dogs and continue to craft songs for my first album. I'm currently working on finishing up that album and releasing content consistently to stay engaged with my fans. Photo provided by artist MaM : If you could describe who you are at your core, how would you do that? TU : At my core, I'm a lover and a curious child that oohs and aahs at all the wonderful things in life. For some, it takes a lot to be happy, but for me, just watching how beautiful a tree is when it sways or hearing how elegant a bird sings is enough for me. I have ambitions, and I'm passionate about my craft and about people leading lives they are truly satisfied with. I've studied a lot of Buddhism and eastern philosophy, and I've learned that life is made up of our perceptions and thoughts. No matter what you are going through, you can always find beauty and peace within. MaM : True dat! What a great outlook. So, you're both an artist and a producer. Tell us about that, and which came first. TU : I pretty much started doing both at the same time. When I was a kid, I would sing along to Elvis’s songs and 90’s / early 2000’s R&B. When I was 12, I started writing poetry and rap verses over Tupac’s songs. I soon fell in love with writing. I started learning guitar and piano at the age of 14 and by 15, I decided I wanted to be a rapper/producer and started learning as much as I [could] from books I found or that were given to me. The first song I ever made [was recorded] on an old Yamaha keyboard that allowed up to five tracks of recording. I would play the full length of each part of the song because it didn't have the capability to loop. I then played the beat and recorded it with the microphone on my MP3 player, [then] I connected my MP3 player to my computer and transferred the recording of the beat. I remember I had this crappy headset with a microphone on it. I used that to record the vocals and then went into Adobe Audition and lined the vocals up with the beat. And that was how I made my first song. As an artist, I see myself as someone that just likes to bring ideas to life. I've always had a creative mind. I've just always been on the search for tools that let me manifest that into reality. As a producer, it's pretty much the same. I'll take ideas that are merely skeletons and create a whole village out of it. MaM : Have you always had musical talent? TU : I haven't really always had musical talent. I learned [that] through passion and curiosity. But I've always loved music. It's always been at the forefront of everything for me. Even as a four- or five-year-old kid, I was drawn to music for some reason. I was always watching music videos or listening to what my siblings and parents were listening to. MaM : What made you slide into producing as well? TU : I've just always been a DIY type of person. So, naturally I just wanted to involve myself with every step of the process of making music. MaM : What instruments do you play? And tell us about your singing/rapping. From where does your sound originate? TU : I mostly play piano and guitar. I can also work my way around a sampler and drum machine. I'm pretty well versed in engineering, [and] I love working on analog consoles and getting my hands on actual gear, but most of the engineering work I do is in the box, meaning I mainly just use digital plug-ins that emulate real-life gear. Photo provided by artist MaM : Who would you cite as your influences? TU : Musically, my influences have always been Tupac, Bob Marley, Pink Floyd, Kanye West, Kendrick Lamar, J. Cole, John Mayer, Bon Iver, and just a bunch of random bands and artists that my family grew up listening to. MaM : Do you have any albums or singles currently out or coming out soon? TU : I am currently working on my first album, but instead of releasing it all at once, I'm releasing one song at a time like how TV shows release an episode at a time. I plan on having some type of visual representation for each song as well. MaM : Right on. Did you have any singles drop in 2022? TU : ‘Right Thing’ released last year. It’s about being in a place out of comfort but not happiness … realizing you’re not happy in that place, but it’s just easier to stay. So, it’s about that and making the decision to let it go and move on. Because that’s the right thing to do. https://www.youtube.com/watch?v=-Q0wN-dq1as MaM : Have you released anything this year? TU : [Earlier this year], I released ‘Pranayama.’ It’s about learning to breathe—truly breathe—and just accept events in your life. Whether they are positive or negative depends on your perception of them. You can find positive in negative and vice versa. Learning healthy ways to deal with hardships is very important. It’s so easy to fall into the deep end, but if you take some time to learn techniques, such as meditation and pranayama (Sanskrit for breathwork) , you end up growing into a strong and peaceful being that doesn’t easily get defeated by its demons. https://www.youtube.com/watch?v=EQCW9qpZKo0 MaM : Are these songs on the same album? TU : At this moment, both songs are singles in their own space but will eventually be a part of an album. The details on that will be revealed later. MaM : Any live shows? TU : I don't currently have any live shows booked, but I am working on getting a band together to tour for the album. MaM : What's the overall message in your music for people? TU : To me, music has always been therapy. When I go through things, I always turn to music to [guide] me. It started as just listening but then grew into writing music as therapy. So, I aim for my music to be a voice for those that feel like they don't have one, a shoulder to lean on, and a message to inspire. My music is relatable and very personal. I try to be very transparent in my lyrics. I also talk about things that could possibly help others lead better lives, mindsets to use as tools to make it through this rough experience of life. And there you have it, people. This kid is a fighter who has some talent and a clear vision of what he wants and where he’s headed with his music. We highly recommend checking out his carefully constructed beats full of premium quality instrumentals and heartfelt song lyrics. Before you know it, they’ll snag hold of you and have you listening on repeat while you do whatever it is you do with your time. Visit Tyler’s Linktr.ee for more music, videos, and links to his social media. *photos and video provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Elle's impressive discography, with its lyrics of love, self-discovery, and resilience, is a testament to her growth in sound and lyrical depth. < Back Elle H: Louisiana’s Own Songstress Making Waves in the Music Scene Nicole Brice Oct 23, 2024 Share Elle's impressive discography, with its lyrics of love, self-discovery, and resilience, is a testament to her growth in sound and lyrical depth. When I was first introduced to Elle Hudson , better known as Elle H. , I was instantly drawn to her magnetic personality and beauty. Elle is the type of woman that oozes confidence and sensuality while also being tough enough to kick your ass. Well-loved and respected in the Lafayette, Louisiana, music scene for her artistic contributions and overall vibe, Elle H. is an electric force of female rage mixed with the sympathies and heart of art and life. A powerful voice for women with deep and personal lyrics, she wrote her first song at 6 years old and had the talent and drive even at an early age. After hearing her mother listening to the music of powerful women like Etta James and Joan Jett , she instantly realized her desire to perform on stage. Now, she is on a journey to make a name for herself in the ever-evolving music industry. Credit: Gary Governale Elle's impressive discography, with its lyrics of love, self-discovery, and resilience, is a testament to her growth in sound and lyrical depth. Her music tugs at your heartstrings. It makes you feel emotion; to me, that is the ideal formula for a musician to leave a lasting impression. Each energetic and captivating live performance of Elle’s is a chapter in her journey, entertaining her audience with her expressive vocals and authentic persona in a truthful, poetic, and angelic way. Her presence alone is so captivating that one is instantly drawn to the energy surrounding her, feeling a part of her journey. At 13, she had a profound spiritual moment at a concert. This unbelievable feeling of life and energy overtook her, putting her in a trance for three days. Upon emerging from her trance, she started to have a more significant appreciation for life. Now, at 23, Elle has been writing and making music for over ten years without slowing down. By channeling her trauma into her art, she continues to craft poetic songs that exude female sexuality. We had the opportunity to sit down with this empowering female recently to chat about her music and more. Check out our conversation below, and then go down that rabbit hole and check out everything she has put out. I assure you that you will be a fan soon after. MaM : Thank you for the honor of speaking with you today. What would you say is your driving force to make music? Elle : I know how powerful music can be, how powerful honesty and transparency can be, and how lifesaving they are. I want to help people through my music. That’s why I do what I do. MaM : You had mentioned that when you saw Kelly Clarkson perform on American Idol, it made you realize your destiny. What other musical artists have influenced you? Elle : Nina Simone , Gwen Stefani , Lzzy Hale , Nicki Minaj , Etta James … I like a little of everything, but I am drawn to powerful women. That’s the main thing. Credit: Gary Governale MaM : Which genre of music would you say is your favorite? … or are you all over the board with music tastes, like me? Elle : I love everything and plan to do a little of everything in my career, but I would have to say R&B is probably what I listen to the most. R&B is such a broad genre so that many topics can be discussed under that umbrella. I was actually part of a hip-hop collective for about four years. MaM : I’m a huge fan of hip-hop, too. That’s awesome. I had no idea. Elle : It’s a significant influence on who I am, and I also have hours' worth of original R&B and rap songs that I just haven’t gotten around to recording yet. I’m just going with the flow for now, though. Credit: Gary Governale MaM : How would you describe your music for someone discovering it for the first time? Elle : Well, it changes depending on the project. My slogan for the recent album has been Heartbreak Queens or Heartbreak Hot Girls. I am trying to redefine what it means to be a sexy, hot girl. I want people to know that radical authenticity is sexy, and that vulnerability is alluring. In a day and age where shallowness is sold to us through the media, I want to show that there is more underneath it all. MaM : I really dig that. Your insight is refreshing. Elle : I had to realize that once I got my woman body in the twenties, people would interact with me differently depending on how I was dressed. I realized that I could use my sex appeal to make you listen to me. Credit: Gary Governale MaM : I know you dabble in burlesque , too. Tell us a little more about that. Elle : I do. The burlesque was never anything I imagined myself doing, but it was an opportunity that I had happened upon, and it has inspired me. The dancers I have met along the way, too, have helped me to refine my craft. My burlesque side is more of an homage to the more secure and timid version of me because, honestly, there is a version of me out there that would have judged the hell out of me for doing this 100%. She was very conservative and scared of everything. So, on the one hand, it’s an homage to self, but it’s also a way for me to take control of this again … this fantasy that people have projected onto me. If you think I’m sexy when I feel I’m awkward, I’m gonna use that to my advantage. Credit: Gary Governale MaM : Take us through a little of your musical history. You released the Introduction EP in 2017, correct? Was that the first recorded music you put out, or did you have something before that? Elle : I have a few covers I recorded in the studio, too, but I’ve never released them. They were really more for me. That was my first project, though. I was about 15 years old when we started and 16 when it was released. I was actually given the studio time by my mom as a birthday gift. MaM : So, after the Introduction EP , you released a series of singles and then came out with Symmetry . Elle : ' Symmetry ' is a whole other bag of rats. (laughter) Credit: Gary Governale Elle : So, my mom actually passed in June 2018, and this project initially had over six songs that were finished. After she passed, my life abruptly changed, so ' Symmetry ' is really about my grieving process. I look at it as a dissolution of self. I questioned my spirituality. I questioned my identity. I even questioned my sexuality. I pushed a lot of people away because I was feeling so much. I tend to isolate until I feel better. MaM : I do the same thing, so I can relate. Elle : Right? I need to be able to break shit in my own comfort. I need to be able to scream if I want to scream and get it out of my body. You know what I mean? I need that space to feel, which is what ' Symmetry ' was. The songs are an ode to my mom and our complicated relationship. Credit: Gary Governale MaM : I think that it’s incredible you were able to channel those feelings into something spectacular. So, I noticed that you collaborate with some of the members of First Street Hooligans . I love that band so much. Tell us a little more about that. Elle : So, Matthew Richard , lead singer and guitarist for the Hooligans , is my band's guitarist. I had just broken away from my hip-hop collective and felt drawn to the rock scene. I would jam with this band called Slightly Sour , which was a metal band. I was good friends with the drummer, Sebastian Elias . He then introduced me to some other people, and then I met Matt , and I showed him all the music I wanted to do. Matthew is very talented. I haven’t met many guitarists with the ear he has. I played him the beats that I had, and it kind of went from there. We decided to go under Elle H. or Elle H. and The Untitled . In the process of that, I met the rest of his band, and we all clicked really well. It was just a fun and laid-back collaboration that seamlessly came together. Credit: Gary Governale MaM : That’s awesome. So, this next question, I always like to ask this question because I get some interesting answers, but tell us about your best and worst shows so far. Elle : So, this one show, I had this heckler. Elle H. and The Untitled were supposed to play, but then bad weather happened, and it ended up just being me and my guitarist. This show was out of town, and the venue was dead, but we were just trying to fulfill the night. The same people had been in there all night without anyone new really coming in. There was this one group of rowdy, drunk married couples. They were older, and the men kept hooting and hollering because before the rainstorm happened, it was supposed to be a swimsuit party. So, I was wearing booty shorts and heels in my swimsuit amongst a sea of Cajun men. (laughter) So, we’re in the middle of playing ‘ Too Much ,’ and as I’m hitting some high notes, this guy in the back starts mimicking me, and I didn’t want to make the venue mad, so I just let it go, but it was pissing me off. Later, as I’m getting into the songs I’m singing, this man starts saying, ‘Take it off! Take it off!’ and crap like that. Finally, the bartender told him to shut up and get out, so he finally left. After he left, it was great! (laughter) Credit: Gary Governale MaM : Ok, so best show? Elle : Ok, so I have to put a lot of thought into this because I will say we have put on some really great events. I will honestly give myself credit for that. My favorite one has got to be the house party we put on as a band. It was to announce ourselves as a band because we all have different projects. The audience was a diverse group from various parts of the city. We had everything from 19-year-old frat boys to 32-year-old guitar heads. We made a big batch of punch and had a great night. It was in Matt’s garage, actually. It was fun to open up and show people who we were. However, after this year’s Fete du Void , that will probably be my favorite gig. Credit: Gary Governale MaM : Is there a key message you want people to take away from your music and performances? Elle : I just want to help people awaken their hearts. I want my shows to be a safe place for them to just be themselves. MaM : Hell yeah! So, in the next five years, where do you see yourself? Anybody you’d like to collaborate with? Elle : I would love to collaborate with Miley Cyrus . Her song ‘ Midnight Sky ’ came out as I was leaving a toxic relationship, and it was exactly what I needed at that point. I would love to be a household name eventually and be known for my authenticity. Credit: Gary Governale MaM : What’s on the agenda for the rest of 2024 and beyond? Are you doing any writing? Elle : Honestly, I write every day because it’s hard for me not to write, but I actually plan to take a trip with Matthew , and we plan to record in the mountains using the sounds of nature to create an amazing project. I definitely don’t want to stop doing shows, but I’m hoping to manifest a tour soon where we can move more towards Texas and New Mexico. Credit: Gary Governale As Elle continues to forge ahead artistically, she will no doubt continue to carve her path through the modern music scene due to her unwavering drive and will to succeed. She is not just a rare talent, but a beacon of authenticity, a quality that resonates with us all. I look forward to witnessing the future unfold for Elle H. To learn more about Elle and to experience her music, just hit one of the links below. Facebook: Elle H. https://www.facebook.com/selftitledelle Facebook: Elle H. and The Untitled https://www.facebook.com/ellehandtheuntitled Instagram: Elle H. and The Untitled Elle H & The Untitled (@ellehlive) • Instagram photos and videos Instagram: Elle H. Elle H (@selftitledelle) • Instagram photos and videos Spotify and Apple Music: TOO MUCH - Elle H *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. < Back Jean Claude Seagal: A New Journey through Alternative Rock Nicole Brice Mar 22, 2024 Share The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Growing up as a teenager in the 90s, I was obsessed with DIY bands that did not conform to a certain look to get their messages across. I admired the authenticity of bands such as Sonic Youth, Buffalo Tom, The Breeders, and Archers of Loaf because of the raw power found in their music. Using scaled-down production techniques mixed with feedback and fuzz, these bands set a precedent for many who are trying to emulate their style now. They say that time repeats, and it is repeating now. Enter one of the newest bands in Baton Rouge, Jean Claude Seagal. With potent lyrics combined with a smooth delivery and just the right amount of grunge fuzz, these guys are emerging as a continuation of the alt/grunge sound of the 90s, and their music is packaged as such. Possessing personality and sheer talent, the band comprises Justin Tatman on vocals and guitar, Nick Maggio on bass, and Robby Gray on drums. Credit: Gary Governale Formed in 2024, Jean Claude Seagal’s first release is titled “State Champs,” and with this EP, the band has created a sound combining elements of indie rock, punk, and grunge, creating a style that is both familiar and fresh. With honest, confessional songwriting that speaks to our experiences and emotions, Jean Claude Seagal has created timeless music that will connect with listeners, reminding us of the power of honest, heartfelt songwriting. Click the picture to listen Mixed Alternative Magazine had the opportunity to chat with the guys of Jean Claude Seagal recently about the band's origins, plans, and much more, so take a moment to learn a little more about one of the newest bands on the scene in Baton Rouge. MaM : Thanks for meeting with me today. Let’s dive right in. How did the band name come about? Justin : I was in a band a long time ago, and we were trying to think of a name for it, and the drummer at the time suggested Jean Claude Seagal, and I thought it was the greatest thing I had ever heard, but we never used it, so years later, here we are. Credit: Gary Governale MaM : So, how do you all know each other? Nick : Well, I met Robby over a decade ago off Craig’s List. We were starting a couple of projects here and there, and I needed a guitar player, but see, we were all in the band, Minus One. This was over a decade ago. Minus One was another alternative rock band, and we were around for a bit until COVID hit, and that just killed it. We just decided recently to form a new band, and here we are. Robby : I’ve known Justin since elementary school. He and I have been in and out of bands since we were kids, and Nick and I have another project we’ve been working on that we can’t find members for currently. It’s a progressive rock project. Not the stuff you generally hear around Baton Rouge. I picked up playing drums when I was about 11 years old, with no lessons. I started listening to Metallica as a kid and then begged my dad for a drum set. I love playing drums, and if you listen to my playing, you’ll hear a little Metallica influence—the triplets I do with my feet and stuff like that. It’s in there. I’ve always thought that the drums help bring energy to the songs. Justin : His style brings more potency to the music with a little punk influence. Credit: Gary Governale MaM : What got you each into music originally? Justin : I saw Nirvana’s “Live and Loud,” and when they were playing “Endless Nameless” and just messing around and throwing stuff everywhere, I was like, “I can do that!”. That’s really where it started for me. Robby : For me, it was when I sat down behind my first drum kit. My crappy drum kit. (laughter) MaM : Well, you gotta start somewhere! Justin : My mom had this little acoustic guitar, and I asked her if I could start playing it, but she didn’t think I would stick with it. I started tuning it and messing with it, though, and she would get mad at me. Nick : For me, I loved music from the get-go. My dad would throw on Michael Jackson’s “Thriller” album in the car, and he had a good bit of Whitney Houston, too, but for me, the way loud music resonates with you. Your whole body shakes with the music, and I always wanted to be a part of that. When I was 14 years old, my mom bought me my first guitar, and it was a no-name replica type of guitar. Some knock-off 6-string thing. I’m mainly a guitar player, though. Credit: Gary Governale MaM : So bass is new for you? Nick : Well, yes and no. I can pick up a bass in a pinch. I listen to a lot of music that has intricate arrangements, and I like to think of a song in its totality—just everything in it. Everything has its part to play in making a cohesive sound. One band, one sound. MaM : So, who are your biggest influences as far as the sound of this band? Justin : I like Hum and Dinosaur Jr. Sometimes it’s upbeat, and sometimes it has that noisiness to it. They don’t try to make their music all posh or anything. Nick : As far as influences for my bass playing, I like a lot of heavier bands. Dan Briggs from Between the Buried and Me is one of the best bass players on the planet, in my opinion, but he has a way of carrying the low end that is different from just sitting and playing your scales up and down, and I try to emulate that with what we do, but in a more simplified way because I’m not nearly as shreddy as that guy. Robby : As for me, I have a hard time finding a band to compare us to. I would say that I take my influence from Rise Against mixed with a little Metallica. Credit: Gary Governale MaM : Where was the EP recorded? Nick : My house MaM : So, what was the creative process like for writing and recording it? How did you get the songs that you decided to put on the EP? Nick : We had those songs ready already, so we spent a week tracking drums, half a week tracking the rest of it, and another week mixing it down. We got it done quickly. Credit: Gary Governale MaM : What is your mission statement as a band? What do you hope to accomplish in the future? Justin : We want to stay creative, and we hope that people like what we are putting out. Nick : At the end of the day, we just want to rock people’s faces off and have a blast doing it. As Jean Claude Seagal continues to forge ahead in getting their music out to the masses, they no doubt will find those who resonate with their unpolished and bona fide sound. To hear their new EP, “State Champs,” just hit one of the links below, and then be sure to follow them on social media to stay up-to-date on all upcoming shows. Facebook : Facebook Instagram : Jean Claude Seagal (@jeanclaude_seagal) • Instagram photos and videos Apple Music : Jean Claude Segal, Apple Music Spotify : State Champs EP by Jean Claude Seagal | Spotify *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Still kicking ass and taking names < Back Sick of It All: Pioneers of the Hardcore Punk Scene Nicole Brice May 15, 2023 Share Still kicking ass and taking names For our first band to be featured in our G.O.A.T. section (greatest of all time), I don’t even know where to begin. This band has influenced me so much, I don’t even know what to say. Pioneers of the hardcore punk scene, the men of Sick of It All paved the way for many bands that came after them, and through the years when I’ve needed some inspiration to be tough and get myself into a certain headspace, their music has been my soundtrack. I was in the Louisiana Army National Guard from 2001-2009, and each summer we would travel to various locations around my state and beyond for our annual training—AT, as we called it. I still remember being on a bus or in the back of an LMTV with all my fellow troops as we embarked on the journey to our summer destinations—my earphones firmly in place and my turquoise iPod mini blaring the sweet tunage of Sick of It All . Their music has always inspired me with potent lyrics, thundering bass, crunching guitar, and crisp vocals. If there is one thing I can say about this band, it’s that even though they started out with a likeness reminiscent of other hardcore bands of the day, they have managed to evolve and refine their sound, making it one all their own. Anytime I hear a song by them, I instantly know it is them because of the distinct bass and the remarkable vocal stylings of the man himself, Mr. Lou Koller . Throw in an iconic logo of a dragon that was even used by another well-known music group and you have the unparalleled styling that can only be known as Sick of It All . Credit: Ken Salerno - The band in the early years For those not familiar with the band, allow me. Sick of It All was formed in 1986 with brothers Lou and Pete Koller . The Koller brothers grew up in Queens , N.Y., in a middle-class family where they would often hop on subway trains to the various indie record shops nearby and indulge themselves in all the iconic metal, punk, and hardcore albums they could devour. Their love of music turned into forming the band, with the Koller brothers being the solidifying force to bring it all together. After a couple of line-up changes through the years, the band has remained true to its roots and is currently comprised of Lou Koller on vocals, Pete Koller on guitar, Craig Setari on bass, and Armand Majidi on the kit. credit: Jeff Crespi - Armand Majidi Known for their high-energy shows, the band has never allowed themselves to be pigeonholed into one specific genre and has often played shows and toured with bands outside of the hardcore scene. When one thinks of a hardcore punk band, they think of the tough guys … the guys you don’t want to mess with— the real OGs . While the guys in Sick of it All are no strangers to kicking someone’s ass, they truly are just a nice bunch of guys who enjoy making music they love. credit: Jeff Crespi - Pete Koller With 11 albums to their credit and a book released in 2020 called “ The Blood and the Sweat: The Story of Sick of It All’s Koller Brothers ”, these guys show no sign of slowing down and are currently all over with Lou and Pete even recently being tour guides at the newly opened Punk Rock Museum in Las Vegas . With such an iconic sound, the music of Sick of it All proves that time is no test for such an influential band, and they continue to bring their music to new crowds of fans all over the world. Publisher: Post Hill Press (August 4, 2020) Currently taking a break from their highly successful 2023 tour with Life of Agony, which is set to resume in the U.S. in August, I was able to speak with the vox of this incomparable band, Lou Koller , to discuss everything from what the future holds to what they think of the crowds at their shows in the current day. MaM : Thank you so much for talking with me today. You have no idea what this means to me. I was so nervous about calling you that I told my friend I was about to throw up. (laughs) LK : No problem. No problem at all. MaM : Love your music and I feel like I’ve been listening to you forever. My favorite albums are Death to Tyrants , Call to Arms , and Yours Truly , but I have so many favorite songs of yours that if I were to list them, we would be here forever. (laughs) So, your last album was released in 2018 and I know you guys have been playing shows like crazy, but are there any plans for new music coming out? LK : Well, during the pandemic, we were writing mostly—well, my brother, Pete , he ended up writing over 27 songs , but we’ve been trying to convince the other members of the band we should get together and work on them and record, but we just never could get it together. It all happened when unemployment ran out and we all got jobs and that was a factor that delayed it. Also, too, our drummer Armand seems to be on vacation every other week. (laughs) Once the pandemic ended, we all felt it was time to get back on the road, but we still have these songs, so it’s on the way. After we get back from Europe and the other leg of the Life of Agony tour , we will have the fall to get together and we plan to meet two weeks every month to write, so we’ll see how that goes. We’re working on it. It’s on its way. credit: Jeff Crespi - Lou Koller MaM : So, as far as the writing and recording process, do you feel technology has changed how you approach that? LK : It does because of necessity. Again, with the pandemic, we didn’t really get together to write. … Pete would write, but he lives in Florida , so he wrote down there. Armand lives in upstate New York, Craig bounces from Queens to upstate New York , and I live in New Jersey now. It used to be we had our own rehearsal studio in Brooklyn , and we would all just meet there three times a week and jam and have fun, but you know when Pete moved to Florida, it all became corresponding through emails and stuff like that. I think the technology helps in a way, but it’s also kind of a pain in the ass for me. I like getting together at the studio, not just for the writing but for the camaraderie. MaM : Right, the vibe. LK : Yeah, exactly. It works, but there’s some aspects of it that we need to learn just to keep up with the times, and some of it makes it convenient or easier in some ways, but I think because of the way we all grew up, you feel like something is missing. I still have a hard time discovering new music through a digital platform. Some of the suggestions through Spotify I don’t get. I could sit there and listen to old metal and hardcore and punk, and suddenly, they’ll say, ‘Suggested for you is the new Justin Bieber album.’ Why? Why would you suggest that for me? I have nothing to do with that. Nothing I listen to is remotely close to that. (laughs) credit: Jeff Crespi - Lou Koller MaM : I agree. I use digital platforms, too, but I miss the old ways of discovering new music. I used to just go to the music store and wander around looking for any cover art that spoke to me. Often, I would purchase albums based solely on cover art, and then I would go home to listen to see whether I dug the music or not. So, who would you say has influenced you the most when it comes to your vocal styling? LK : It’s a combination. When I first started, I really didn’t know how to do anything, but I wanted to sound as hard and as rough as the singer, John Brandon , from Negative Approach and also Chris , the singer of Crumbsuckers because he also sounded like John Brandon . But now, for the last 10 years or so, I still try to emulate that, but I try to have a bit more range. One of my favorites is Lemmy from Motorhead because he had such a rough voice, but he had this melody, too. He could hit the notes but was just a great vocalist. I know a lot of people think that’s crazy, but I just love that he had such a rough sound. Chuck from Hot Water Music , too, has such a rough voice, but it’s also so melodic. He just does it great. He’s another one I would like to sing like. credit: Jeff Crespi - Lou Koller MaM : But your voice is so amazing! How do you keep it in shape for singing the type of music you guys play? LK : I’ve been to some professional coaches; Melissa Cross is probably the most famous one. When I went to her, she told me, ‘Sing how you sing,’ but [then she said], ‘I could give you a couple of pointers, but you do what you do very well.’ The way I sing, it’s more using the muscles around my vocal cords and all that, so like any muscle, when we’re not on tour, I really should be going to the studio twice a week to keep it in shape, but it’s not fun going to the studio by yourself screaming to your phone going through the PA. So, I got lazy, and usually before a tour, I’m like, ‘Ah man, I’ve gotta go in,’ and my voice usually sounds like garbage for a week and then it kicks in. credit: Jeff Crespi - Lou and Pete Koller MaM : So, let me ask, you guys are definitely the voice of a generation and I credit you with being very instrumental in launching that second wave of punk rock and hardcore. I consider the first wave to be late 70s/early 80s and then we had a reemergence of it in the late 90s/early 2000s, so with the crowds, especially since you just came off tour, have you noticed any differences or changes in the scene or just any differences in how people treat each other at shows in general? LK : It’s weird … Our tours in the 90s, we would take the upcoming hardcore bands like Strife and Snapcase and we would take the upcoming West Coast bands (what they called hardcore but we would call punk, like AFI and Good Riddance ) and … combine those bands into tours and we loved it. Now, it’s so separated; you can’t take a more melodic punk band out with a newer heavier hardcore band because a Terror crowd would not appreciate a Good Riddance and a Good Riddance crowd might not appreciate when a band like Incendiary plays. They would be like, ‘That’s way too heavy,’ but I think 1999 was the peak for that. We did a tour, and it’s one of our favorite tours we ever did, but it was us, AFI , Hot Water Music , and Indecision , and it was so good that almost every night every band had such a great reaction, and I think one of the proudest moments for us was on that tour in L.A. seeing kids with Blink 182 shirts going absolutely wild to Indecision , who were the forerunners of what bands like Knocked Loose are doing now, and to see kids going absolutely crazy to something that’s totally opposite to what they usually listen to and then do the same thing for Hot Water Music and AFI and then with us, that was great. Nowadays, like I said, when you try to mix it up, it doesn’t work as well. credit: Jeff Crespi MaM : I grew up in the late 90s/early 2000s and so I remember when there was no separation. It was all together. If you liked hardcore, you liked punk. If you liked punk, you liked pop-punk and so on. I feel like back then there was more cohesiveness and now, like you said, it’s more divided. LK : I think on a smaller scale, it might be coming back. Luckily, I have a friend who used to work for us. He’s about 10 years younger than me, and he’s always sending me texts with, ‘Hey, check this band out,’ and he’ll send me music like Drain or Incendiary . … Not really new, but to me they’re new … like super heavy, and then he’ll be like, ‘Check out this band from England , The Chisel .’ And they became one of my new favorites. They’re a good combination of old skool, just English hardcore punk … leading towards Oi music , but I would love to see them with any hardcore band because it’s such a good mix. On the smaller scale with smaller tours, you can still see that good mix. MaM : Did you notice any regional differences on this latest tour with how the crowds received your music? LK : The Life of Agony tour was good for us because they took us to parts where we have never played. They took us to Michigan and usually we only play in Detroit when we go there, but this time they took us to Flint, Mich. , and we played in front of, which seemed to us, like a totally new crowd. There were guys there that were 50 years old going, ‘I’ve never heard of you guys. I’ve never seen you.’ That’s insane! … But they loved it, and they bought merch and records, so it was great. It surprised the hell out of us. (laughs) It’s also that Life of Agony has that bigger metal following and they were embraced by the whole world for decades, and those people don’t see a mixed tour very often. Life of Agony could have taken a younger, more prominent act as their opener, but they wanted to thank us for influencing them when they were younger. And when they went to Europe , they took Prong and Madball with them, which I think is a great thing. They wanted to repay bands like us and to mix the bill, which I thought was good. credit: Jeff Crespi - Lou Koller MaM : So, as far as the current crowds, do you feel the younger generations are embracing your music more or do you find that it’s the older crowd, like me, who are loving your shows these days? LK : It’s weird for us because being around so long, we used to get a good mix … we had our fans from the beginning, and we had younger kids coming. Now, it’s like the 16-to-25-year-olds who have their own stuff. We’ve had experiences where we’ve taken a younger band out that was heavily influenced by us and they’re the hot hardcore band. And they’ll be on stage, and they’ll say, ‘You know, we wouldn’t be a band if it wasn’t for Sick of it All ,’ and when they finish their set, their fans will just leave. They don’t care. They don’t stick around. It’s strange. Now, what I’ve seen, like in Europe , … it has been constant … where you have the older fans and generations still coming. But in the U.S., if we play an all-ages show, it’s usually our older fans who bring their kids and make them watch us, so sometimes it works. (laughs) credit: Jeff Crespi - Pete Koller MaM : Let me ask you as far as continuing to make music, how long do you plan on continuing? Do you just want to do it until you can’t anymore? LK : Yeah, that’s why I’m itching to make a new record. I’m very nervous when we do it, and I love the songs in demo mode, but I’m always worried no one is going to like it and then once the finished product comes out, I go, ‘Oh, I was scared for no reason.’ We always say we’re going to do it until it’s not fun anymore, but we’re always having fun, which is good. What’s good for us is that we all love playing live. It’s just a fact that we’ve always presented a very high-energy live show. If I ever physically can’t do it, I don’t want to just be standing around. (laughs) Zack from Rage Against the Machine tore his Achilles tendon and he had to do the tour sitting down. You could see in his face that he hated it. Same thing with Barney from Napalm Death . We did a run with Municipal Waste and Napalm Death and Barney had hurt his ankle. We all said he should go to a doctor, and he didn’t want to go. It turned out his ankle was broken. He didn’t know it and kept standing on it and destroyed [it]. He’s still having problems to this day. He had to finish that tour with us in a chair. Then, last year, he was doing a U.S. run and, sure enough, same ankle, completely destroyed. He had to finish the tour sitting in a chair and now, who knows if he’s gonna ever be able to stand on that damn ankle again. I don’t know if I could just sit there in a chair for the fans. It’s not Sick of it All if I’m sitting in a freakin chair, you know. credit: Jeff Crespi - Craig Setari MaM : Yeah, no kidding. It ruins the whole live experience. So, do you have any crazy stories from over the years with being on the road that you could share? LK : I mean, there’s so many. You know with the book they did about me and my brother, ‘ The Blood and the Sweat: The Story of Sick of it All’s Koller Brothers ,’ there’s a story in there that everyone asks us if it’s true. The story about when we were playing in Pennsylvania at a club called The Sonic Temple and after the show, we were packing up the van when these kids came up to us and said, ‘Yo, there’s a guy over there and he’s got a gun and he says he has a head in a bag,’ and, sure enough, he had something stuck in his waist, and we could see it wasn’t a gun, and he comes over and he’s talking all crazy saying he's going to kill everybody and we’re all, ‘Yeah yeah yeah,’ and he opens up the bag and there was a head. … It could have been a mannequin head, I don’t know, and we all hop in the van and as we’re driving away from the parking lot, all of a sudden there’s, like, 15 cop cars and we’re just like, ‘What just happened?’ MaM : (laughs) Wow. I wonder if he decapitated someone. (laughs) LK : Well, we don’t know. (laughs) We’ve always tried to look it up online and we can’t find anything, but it was awesome. MaM : So, one question that I am dying to know the answer to involves your logo. It is iconic and is immediately associated with you guys, but how did the Sick of it All dragon come about? LK : The very first idea for it was when we saw it on a flash sheet by the famous tattoo artist Greg Irons . He had a similar version of it. It was when one of our friends was joining the Marines , and he was, like, 17 or 18, and we all decided to get a tattoo together because we had this crew who always hung out together. I think it was Pete who redesigned the dragon for us, and it just happened to be in the photo of our first seven inch. It was a photo of my tattoo of it and then it just got associated with us from then on, then it became very iconic. The iconic Sick of It All dragon It’s funny, too, because decades later, we had a good friend who worked in the record industry and she was working in the hip-hop world and she’s walking through the office one day and she sees a co-worker with a big poster behind his desk and it had a picture of the earth burning with the Sick of it All dragon and she goes, ‘Is that a new Sick of it All record?’ And he goes, ‘Sick of it All? No, this is the new Mobb Deep album cover,’ and she goes, ‘You better check where that logo is from.’ It was very funny. MaM : Wow. LK : They said they got it from a tattoo parlor, which maybe they could have because they’re from Queens and we’re from Queens, but most likely… they would go hang out with this Queens group called The Beatnuts , who were hip-hop DJ guys … and on their apartment door was a bunch of stickers and one of the stickers right in the center was a Sick of it All sticker with the dragon. So, you know they saw that dragon with our name on it and used it. We made a deal with them, though: They were not allowed to use it on their album covers because it was associated with Sick of it All. We actually have a fan who owns two or three pizza places in Berlin, Germany , and on his pizza boxes, he has the Sick of it All dragon, but he asked us if it was ok to do it and we said sure. Now, though, on his pizza box, he still has the dragon, but he puts our Instagram handle with it, too. MaM : Approaching a tour these days vs approaching a tour then—is there anything you do differently when preparing for a tour? LK : For me, personally, I must get my voice in shape. It’s not like it used to be where we would jump in the van and hang out and yell and scream all day, then get on stage and play. I have to rest my voice and I have to work into it. As far as the whole band, it’s kind of gone back to the beginning where, especially in the U.S., where touring in vans again, Armand will plot the tour out with our booking agent and the rest of us will do other aspects for the tour, like I do all the social media for the tour, and then we all have to deal with the merchandise again. MaM : So, you guys have your hands in everything when preparing for a tour. LK : Well, we have to. Personally, I am the lazy one in the band. I liked it in the mid-90s to the late-2000s when we had people doing everything for us. It was great. Back then, we could call up our manager and be like, ‘I have this idea,’ and he would be like, ‘Alright, give me two days,’ and then he would either get it done or he would say it can’t be done. MaM : As a veteran musician, what is one piece of advice you could give the up-and-coming musicians who want to be seen and heard so they can establish a legacy like you? LK : The best advice I could give is play what you love. I mean, it’s fine to emulate your heroes, but eventually you’re gonna find your own sound, but make sure you love it. Also, too, and I know this is going to sound weird, but what stops a lot of other bands is a lot of infighting about money and we, Sick of It All from day one, have always divided everything equally. Everybody inputs as much as you can, but for the first two albums, it was 90% me and Pete writing everything and Armand contributed, too, but at the time Armand was in two other bands, but by ‘ Scratch the Surface ,’ when Craig had joined the band, it was all four of us working together and Armand writing and he and I splitting the lyrical writing; then, the music was split between Armand, Pete, and Craig. Now, it’s good, because I think that everybody contributes to everything. Especially like with the last album, Pete would come in with songs and have 90% of the lyrics written for each song. Craig and I would then sit down and change some of the lines or redo them or Armand would re-write with me or Craig , and it’s so much more of a unit. Love what you do and, I know it sucks, but I didn’t join a band to fill out paperwork. Learn the business so you don’t get f**ked over. MaM : Last question: What’s on the agenda for Sick of it All for the remainder of 2023? LK : We’re trying to keep busy. We’re writing and we have the Life of Agony tour coming back up in August again. We’re going back to Europe in June and July , and I’m going to be a tour guide at The Punk Rock Museum , which Pete just did it, too, but we have quite a bit coming up. Stay tuned. Be sure to catch Sick of it All live before their tour wraps up on August 27, 2023, in their hometown of Queens, N.Y. To learn more about Sick of It All: Sick Of It All – NYHC Sick Of It All | Facebook Sick Of It All (@SOIANYC) / Twitter Sick Of It All - YouTube SICK OF IT ALL (@sickofitallnyc) on Instagram Sick Of It All | Spotify Sick of It All Tickets, 2023 Concert Tour Dates | Ticketmaster *Cover photo courtesy of Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong lover of punk and hardcore. She may look like a wuss, but we assure you she has military training, is a badass with an M-16A2 rifle, and her music collection is stocked with all the heavy hitters you can handle. Reach her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Night That Belonged to Every Generation < Back Where Nostalgia Meets a New Generation: Jimmy Eat World at Stone Pony Summer Stage Jeff Crespi Jun 28, 2026 Share A Night That Belonged to Every Generation Jimmy Eat World blasted through an unforgettable night of nostalgia, energy, and incredible music at the iconic Stone Pony Summer Stage on June 25, 2026 , as they celebrated the 25th Anniversary of Bleed American . From the moment the band took the stage, it was clear this tour wasn’t just about revisiting a classic album—it was about celebrating us fans who have stood by them for the past quarter century. Every detail, from the production to the carefully crafted setlist, was designed to transport the audience back to the moments and memories these songs have created throughout the years. The atmosphere was full of energy as thousands of fans packed the legendary outdoor venue, singing every lyric at the top of their lungs. The iconic Stone Pony Summer Stage once again proved why it remains one of the premier live music venues, providing the perfect backdrop for a night filled with timeless anthems and unforgettable performances. Personally, I couldn’t help but feel like I was 20 years younger as Jimmy Eat World launched into hit after hit. Songs that have become staples of alternative rock instantly brought back so many memories for me, and judging by the crowd’s reaction, I wasn’t the only one taking that trip down memory lane. Every chorus echoed across the venue as fans of all ages sang along, proving that great music truly transcends generations. One of the most impressive aspects of the evening was the diversity of the audience. Longtime fans, such as myself, who have followed the band since the early 2000s, stood side by side with younger concertgoers who have discovered Jimmy Eat World’s music more recently. It was a reminder of how their music continues to resonate with new generations while remaining just as meaningful to those who have been there since the beginning. Jimmy Eat World’s performance was nothing short of outstanding . Their musicianship was as sharp as ever, their sound was powerful and polished, and their passion for performing was evident throughout the night. After 25 years , they continue to prove why they remain one of alternative rock’s most respected and enduring bands. Their ability to recreate the emotion and energy of these beloved songs while keeping them fresh is a testament to their longevity and talent. Opening the evening were The Wonder Years and Girls Against Boys , who did an excellent job setting the tone for the night’s festivities. Both bands delivered energetic performances that kept the crowd engaged, making for a well-rounded lineup that complemented Jimmy Eat World’s headlining set perfectly. Overall, Jimmy Eat World’s Bleed American 25th Anniversary Tour stop at the Stone Pony Summer Stage was much more than a concert—it was a celebration of music, memories, and the enduring connection between a band and its fans. Whether you were reliving the soundtrack of your youth or experiencing these songs live for the very first time, it was an unforgettable evening that showcased exactly why Jimmy Eat World has stood the test of time. Here’s to another 25 years of incredible music. *All photos by Jeff Crespi (the man who always has a plan) www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. < Back Weekend Rock: Branded for Exile Nicole Brice Apr 30, 2024 Share Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. Explosive – that’s the only word I can think of to describe the dynamic set from Branded for Exile on Friday, April 26th at Cajun Daiquiris in St. Amant, Louisiana where the guys played to a packed house. With an exceptional set in celebration of their debut release, Born in the Flames , which was released in late 2023, the band blew through their eight-song set like a bunch of seasoned veterans on a mission to give the best show ever. With support from two other incredibly talented local bands, Drab and This Beating Heart , Branded for Exile took to the stage with pure energy, tight musicianship, and one mission – to blow the roof off Cajun Daiquiris by playing loud and authentic Louisiana metal. Credit: Gary Governale As Branded for Exile started into the first few notes of their set, vocalist Shannon Guillot said in his flawless half-scream, “We are Branded for Exile! Here we go, motherfuckers!” as they launched into the heavy and monstrous beginning of their song ' Silver Tongue '. This is one of my favorites off their debut release, ' Born in the Flames ', and it does not let up the entire song. The rest of the set was just as eruptive as the beginning, and to be honest, I was super excited to hear my favorite song, ' Branded for Exile ' live. Shannon’s lyrics on this track resonate with me on so many levels, and if you haven’t heard it, then you MUST ! I insist! Go now! When Shannon starts singing the part of the chorus that goes, " I'm alive, I am free, don't need you condemning me. I'm just playing the cards I've been handed. I'm awake, I am strong, I will never walk alone. I'm just living a life being branded...Branded for Exile! " - that is it for me. The power in those potent lyrics are enough to get anyone thinking in a more positive way, and to be honest, all of the lyrics on this album are like that. The words are carefully orchestrated with so much meaning that one can't help but be inspired. Credit: Gary Governale Cajun Daiquiris was the perfect setting for this night of music, too, because I forgot how much I love smaller venues with an intimate feel. There was no hate on this night either. Nothing but unity through music where I heard several people say, "Damn, these guys are good!" Credit: Gary Governale Other notable moments – Drab ’s flawless cover of Motorhead ’s ' The Ace of Spades '. This was my first time seeing Drab live, and they are gifted musicians. I really enjoyed their set. I had never heard of This Beating Heart before this show, and I truly enjoyed their cover of Sevendust ’s “ Black ”, too. As Branded for Exile rounded out the night with their potent last song, ' Born in the Flames ', they solidified themselves as a real up-and-coming force in the genre of metal. Mark my words, you’ll be hearing more about these boys real soon from other people besides me. To experience Branded for Exile's "Born in the Flames" for yourself, just hit the link below: brandedforexile.bandcamp.com Born In The Flames, by Branded For Exile 8 track album *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A New York Musician taking the World by Storm < Back Cyberattack Rearranges the Electronic Music Scene Nicole Brice May 8, 2023 Share A New York Musician taking the World by Storm Cyberattack is a talented and innovative New York-based musician who is quickly making a name for himself in the electronic music scene. With music that is glitchy and emotionally complex, Cyberattack is the performance name of NYC-based guitarist/songwriter/singer/YouTuber Ivan Anderson. With the use of bright vivid imagery, he makes these incredible music videos that reel you right in, showcasing an imaginary landscape of nostalgia and charm. His latest video, out today May 8, 2023, is for his rendition of the Tom Petty classic “Listen to Her Heart”. Cyberattack has continued to churn out quality content since launching his YouTube channel in 2017 and he shows no sign of slowing down. The new music video for “Listen to Her Heart” is made to look like Ivan has been absorbed into an old-school graphing calculator, with a lot of painstakingly designed lo-fi special effects that must be seen to be believed. The song itself is lovingly hostile to the original Tom Petty source material. The basic idea behind Ivan’s very glitchy treatment of it is that sometimes when you listen to your heart, the message is mystifying and bizarre. The song and the video end up devolving into noisy, nonverbal chaos like a brute-force introduction to the Cyberattack aesthetic and approach to music: glitched out, unapologetic, and, underneath it all, extremely romantic. https://www.youtube.com/watch?v=EINdLqmcYH0 His previous music video " Fantasy Killer " won Best Music Video in the Bowery Film Festival and was a finalist in the New York Cinematography Awards, New York Movie Awards, Jersey Shore Film Festival, and the Artists Forum of the Moving Image. https://www.youtube.com/watch?v=Q145O-EkxSM In addition to Cyberattack, Ivan Anderson has performed, co-written, appeared on records, made videos, or otherwise collaborated with Tim Lefevbre (bassist for David Bowie, Tedeschi Trucks Band, etc.), Rhett Shull, Emily Hopkins, Knobs, Fusilier, SWEET FIX, Mobile Steam Unit, and preston.outatime (aka Preston Parris). Ivan Anderson is a busy dude. Released in 2020, his full-length debut Cyberattack album “Hard Feelings” was produced by Geoff Stanfield (Portugal.The Man, Sun Kil Moon) and is currently available on all streaming platforms. We took a moment to chat with Ivan about his creativity and flair for all things visual. in addition to discussing music in general. Are you looking for an amazing new artist to discover? Look no further. Here’s what Anderson had to say. MaM : Hey Ivan! It is Ivan, right? Not Evan? For some reason, I want to pronounce your name like Ivan Drago from Rocky IV . It was what automatically popped into my brain. (laughs) IA : I love Rocky IV and the character Ivan Drago, so I can tell this conversation is off to a great start. It is pronounced Ivan, though. MaM : Give us a brief background about yourself. I read somewhere that you are from Englewood, NJ. Tell us a little more about that. IA : So, I’m not actually from Englewood, but I am from a town very close to there called Leonia. It’s only a mile or so away from Englewood. Leonia is a very small town. I feel like I grew up in the suburbs of New York, but on the New Jersey side. Those who grew up in New York would have some different feelings about whether that counts or not. I’ve been making music professionally for as long as I can remember. I graduated from college in 2009, and at that time, I was in a band called Sweet Fix and we were a New York band. I had formed the band in college, but after graduation I was just trying to make that band happen, but I still had a day job, too. And, along the way I ended up interning for a music studio and I started doing a bit of session guitar playing, too, along with collaborating with other people, and so I was starting to round out my resume as a professional musician. In 2015, my band broke up, and I was a little freaked out because I had big dreams for that band, so when [we] broke up, I was like, ‘What now”? I was still trying to do the “guitar player for hire” stuff, too, around this time, so I decided to just start my own project—my own band—which I ended up naming Cyberattack. I do have collaborators for the records and other people I use for them, but they’re all hired guys. Cyberattack is truly an Ivan Anderson solo project. Photo from artist social media MaM : Tell us a little more about your YouTube channel. I see you have over 15.7k subscribers. IA : I started the YouTube channel around 2016, along with securing the name for Instagram, etc. I started out by putting some music videos on there that I did. ‘Fantasy Killer’ was one of those early videos. I was still figuring out the look and vibe I wanted, though … like the visual kind of energy of what Cyberattack would be. I love all those weird old video games and the whole retro thing. It’s just insane with all the colors, so I wanted to emulate that. I was sort of figuring out what I wanted as I made the videos and a collaborator friend of mine, John, helped me achieve that. Also, too, during lockdown for COVID, nothing was going on, so I decided to start adding videos to my channel about the guitar pedals I had. I just made a demo video about some of the equipment I had lying around. Those started to catch on better than my music videos. https://www.youtube.com/watch?v=9PmHWap1T-E MaM : Your music videos are works of art, man. I’m not going to lie. I went down a rabbit hole on your YouTube channel checking everything out. The videos remind me of playing my old Sega Master System back in the day at my parents’ house. See, I was never the Nintendo chick. My dad got us the Sega because he said it had better graphics. IA : There was like a team identity to all of that. I feel like it was rare for any adult to have any knowledge of anything video game related. That’s awesome that your dad picked the Sega because of better graphics. photo from video for Fantasy Killer MaM : With you being multi-talented, what is your preferred instrument to play? IA : I’m the best at guitar. That’s my high card. MaM : I saw you playing an SG—is that your preferred type? IA : I do like Gibson SG’s, although I feel like there’s just something about my SG. The instrument means a lot to me and is my main recording guitar. I think all SG’s look cool because of the devil horns on them. They’re not trying too hard to be evil looking but have this kind of low-key evil vibe look. I just love the way my SG sounds, though. I really like how it sounds recorded. It just has a basic good tone where when you hear it, you’re like, ‘Yeah, I’ll go with that.’ MaM : Do you own any other guitars? IA : Oh, I have a few. I have a Fender Strat, which I find has a much more specific sound to it, but it’s a sound I like. I also have a custom guitar that was built for me by a guy out in Orangeburg, New York. It’s pretty cool. The shape and design are a little more in your face. It’s got curves and points. It’s definitely a little more out there. It was built by a guy named Alex Glasser with Iron Horse Instruments. The idea was to design Ivan’s dream guitar. It was made after I recorded the first Cyberattack album. It’s become my main guitar. https://www.youtube.com/watch?v=sOVGkkxFkws MaM : So, as far as musical influences go, who do you cite in driving you to create? IA : I only vaguely remember this, but my dad used to play the music of Jimi Hendrix all the time. He was a big Jimi Hendrix fan. I connected with his music right away and he just seemed like he was the coolest guy ever. It definitely had a huge impact on me as a kid. His guitar was cool. His approach to music was cool. I just knew that I liked it. As the years went by, though, I started to learn more about music, and I started branching out with what I was listening to. As a teenager was when I started trying to write lyrics and sing. I sort of took on a new approach to caring about music, too, and just sound. MaM : That’s awesome. So, as far as your favorite type of music is concerned, do you have one? What do you listen to in the car when you’re driving around? Do you even need a car to live in New York? IA : I actually do have a car. For gigs and stuff, it comes in handy. I grew up in the suburbs and used to love to drive and it was a huge part of life. Driving in Manhattan is the worst driving experience ever. There are stop lights everywhere and all you do is stop and go constantly … oh, and parallel parking is everywhere. As far as my music taste goes, it’s geared more towards classic rock. You can’t go wrong with the early Van Halen albums featuring David Lee Roth. I love early Metallica. I like a lot of guitar players and classic rock stuff. I’ve liked the same types of music since I was 14 years old, and it has never changed. I feel like that’s how my identity was formed. Photo from artist social media MaM : Tell us a little more about your new music video for “Listen to Her Heart”. IA : Well, that’s the fanciest video we have done yet, and I felt we had to build up to that with the previous videos. I like my videos to capture you for three or four minutes while watching them, but how do you go about that really? I don’t have a lot of money to get these crane shots over a bridge or anything like that, but my buddy John went to film school and he’s the guy who can set up the lights how they need to be and knows all the technical stuff. We usually just rent a studio that has a green screen and then go from there. Photo from the new video for Listen to Her Heart MaM : What made you decide to cover Tom Petty? IA : I picked it mainly just because I like the music of Tom Petty. ‘Free Falling’ was everywhere when I was a kid. You could not go anywhere without hearing that song, including the mall. I was always drawn to what he did vocally, though. I just like the way he sings. He is an incredible lyricist. Photo from the new video for Listen to Her Heart MaM : When you are writing your own song lyrics, where do you draw inspiration from? IA : Lyrics, for me, are by far the hardest thing. I can come up with ideas and melody, but the process of writing lyrics takes a bit. There’s, like, a million voice memos on my phone of me just singing little melodies that I think are good. I put enormous pressure on myself to have the lyrics be what I think are good enough, which makes it that much harder. MaM : So, what’s going on with the new music? Have you even started the writing process? IA : I’m gonna start recording the next Cyberattack album at the end of this year, but before I do, I want to finish making music videos for every song on the first album. And there’s only two left. One is the Tom Petty cover. After that, I will be officially done with the first album cycle, and I can start the recording process for the second album, so stay tuned! - Want to stimulate your eyeballs? Head on over to Ivan’s Cyberattack YouTube channel to experience his creativity in all its colorful glory. Also, be sure to like and follow him on social media to stay up to date on albums and releases. Be sure to check out his brand spanking new video for "Listen to Her Heart" - out NOW ! cyberattack (@cyberattack_world) • Instagram photos and videos Cyberattack - YouTube Cyberattack | Spotify Hard Feelings | Cyberattack (bandcamp.com) Cyberattack | Facebook Cyberattack | creating glitchy music and videos | Patreon www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a huge nerd. She loves listening to new music and checking out cool stuff. Want her to check out your creations? Email her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Holland ditches his superhero cape for dark, gritty psychological dramas < Back Cherry & The Crowded Room: Tom Holland in Two Roles You Must See Keeley Brooks Jun 15, 2023 Share Holland ditches his superhero cape for dark, gritty psychological dramas Who doesn’t love the doe-eyed actor that is Tom Holland? I know I sure do, especially because he is the Spider-Man I’ve connected to the most aside from Andrew Garfield. Even then, Holland is still my favorite because of the charm and innocence he brings to the character. Lately, it seems he has taken a liking to Apple TV+ productions, as he’s had two big premieres on the platform in the past two-and-a-half years alone, and you’re gonna want to see him in these gritty roles. Here’s a little bit of info on the film Cherry and his new series The Crowded Room . I highly recommend adding both to your must-watch list immediately. In March 2021, Holland starred in Apple TV’s epic saga Cherry , which recounts an unnamed narrator’s experience with college, love, war, mental health, drugs, felony crime, and redemption. Apple Original Films The film is based on the 2018 debut novel by author Nico Walker , who served as a medic on more than 250 missions in Iraq. As a result, he came home traumatized and battled Post-Traumatic Stress Disorder, which subsequently led him down a very dark path that landed him in prison serving an 11-year sentence. While there, he wrote his novel over the course of several years, and days after it published, Marvel filmmakers Joe and Anthony Russo, through their studio AGBO, bought the production rights then signed on to direct and produce the story from a screenplay written by writer/producer/director Jessica Goldberg ( The Path ). The film serves as a work of autofiction, which is a form of fictionalized autobiography combining two mutually inconsistent narrative forms. Holland stars as Cherry --the only name we know him as, a disenfranchised young man from Ohio who meets the love of his life in community college, only to risk losing her through a series of very bad decisions resulting from the madness that PTSD tends to create in trauma survivors. When he tells Emily (Ciara Bravo, of To the Bone ) he loves her, she balks in fear and breaks up with him to attend school in Montreal. Cherry is heartbroken and directionless, so he impulsively enlists in the Army. When Emily returns saying she decided not to go to Canada and wants to stay with him, Cherry can’t get out of his two-year service commitment and winds up doing tours in Iraq and Afghanistan as a combat medic. Seeing this experience through the boyish innocence Holland evokes in such a unique way instills empathy and compassion. The combined efforts of his portrayal and the cinematography allow for a realistic first-hand account of everything this young boy, who is forced to become a man in the blink of an eye, sees, hears, thinks, and feels in his own way. And it's in that way the film becomes very relatable in terms of how we face and digest real-life human struggles. When Cherry returns home, he begins suffering from some horrid PTSD that leads him to a doctor-prescribed Oxycontin dependency, which then turns into a full-blown heroin addiction. When he and Emily reunite, she, too, becomes addicted, and in order to get the money needed to support their rapidly spinning out-of-control habit, Cherry resorts to robbing banks by walking into them and calmly sliding the cashier a one-dollar bill with the words “I HAVE A GUN” written in bold red letters on one side and the words “THIS IS A ROBBERY” written on the other. He enters these banks wearing sometimes just sunglasses and other times a zip-up hoodie or jacket, maybe with a beanie, and he never actually carries a gun; however, that doesn’t mean there are never any casualties. There always are in any type of war, internal or external. Cherry successfully manages to rob 10 banks before getting caught in April 2011 and sentenced to eleven years in federal prison. Apple Original Films This story is heart-wrenching and full of adrenaline, but what captivated me the most was Holland’s performance as he transitioned between child-like innocence and young love to soldier, war veteran, mental health sufferer, drug addict, thief, and federal criminal. He’s a ferociously compact presence throughout the film, which he narrates himself. The most compelling traits of his acting, besides the purity of emotion emanating from his eyes, are his perennially working jaw muscles, which indicate the psychological intensity driving his desperate decisions. The movie is divided into seven epic chapters that include a powerful prologue and epilogue but really it’s split into two parts: war and postwar. Cherry’s life is one of continuous trauma, continuous stress, continuous disorder, and continuous effects. While I won’t spoil it for you and reveal the ending, I will say it does offer some salvation to the titular character while granting him hope and the promise of a new beginning. Holland superbly portrays the psychological toll that war and trauma can take on a person, as he encapsulates every hint of fear, desperation, confusion, and acceptance so effortlessly, you forget you’re watching an actor on screen. Cherry is currently streaming on Apple TV+. https://www.youtube.com/watch?v=H5bH6O0bErk As if that wasn’t enough of a psychological exploration for the young actor, now Holland is back in Apple TV’s latest series, a psych-thriller drama series called The Crowded Room , which he not only stars in but also produced. He plays a young man accused of a crime, but the driving question behind this mystery is did he really do it? This adaptation is also loosely based on a true story about a man who was arrested in 1979 for a series of crimes he claims not to have committed. But is that really the truth? Holland plays Danny Sullivan, an introverted teen living with his doing-her-best mess of a mother (Emmy Rossum, of Shameless ) and asshole of a stepfather (Will Chase, of Dopesick ), who never misses an opportunity to corner, harass, threaten, and abuse Danny when his mother isn’t around and sometimes even when she is. Apple TV+ Original At school, Danny has two friends: a jock and a budding magician. He also has a crush on the most popular girl in school, Annabelle (Emma Laird, of Mayor of Kingstown ), but she only likes him back when her friends aren’t around. When Danny realizes this, the heartbreak in his eyes is so palpable, we as viewers feel his deflation, embarrassment, and sadness. Still, it doesn’t stop him from engaging with her when she interacts with him, and it certainly doesn’t scare him off when Annabelle’s jerkoff boyfriend threatens him. Danny is willing to risk anything to share a quiet moment with Annabelle, and he pretty much does just that by seeking weed from a dangerous drug dealer to satisfy her urge to smoke a J together. Right off the bat, Danny is presented as a shy, nerdy teen struggling desperately to find his place in a world of cruelty and bullies. So, what’s the crime? In the pilot episode, Danny is arrested for a shooting that occurs at Rockefeller Center in New York City. We see him holding the gun but freezing when he sees the face of the man he is supposed to shoot. As a result, Danny’s accomplice Ariana (Sasha Lane, of Loki ) grabs the gun and shoots at the intended victim as he scurries away. She winds up shooting several other people in the process, then seemingly disappears into thin air. The cops catch up to Danny and bring him in for questioning, but they begin to suspect that they can't find his accomplice because maybe he killed her, so they bring in Special Investigator Rya Goodman (Amanda Seyfried, of The Dropout ) to interrogate him. What ensues is an unfolding of past and present events through a suspenseful series of carefully deconstructed answers Danny gives to Goodman. It’s here we begin to realize there’s a lot more to him than meets our naked eye , and as the story deepens and exposes more memories, the mystery slowly starts to unravel. Apple TV+ Original The Crowded Room is inspired by the case of Billy Milligan and the book “The Minds of Billy Milligan” by Daniel Keyes. The non-fiction novel recounts Milligan’s case after he was arrested for a series of rapes across an Ohio university campus. Clearly, screenwriter Jessica Goldman took some creative liberties and changed up some key details, but I won’t reveal any more spoilers beyond what I already have! In a recent interview with Extra , Holland said he’s taking the next year off from acting following The Crowded Room ’s strenuous production. “It was a tough time, for sure,” he told Extra. “We were exploring certain emotions that I have definitely never experienced before. And then on top of that, being a producer, dealing with the day-to-day problems that come with any film set, just added that extra level of pressure.” Holland went on to say he loved the learning curve of becoming a producer but juggling two roles on one production while playing a character in a severe mental health state pushed him past his breaking point. “… Then again, the show did break me. There did come a time where I needed a break and disappeared … for a week. … I’m now taking a year off, and that is a result of how difficult this show was. I feel like our hard work wasn’t in vain. … I was seeing myself in Danny, but in my personal life. I remember having a bit of a meltdown at home,” he said. He then further commented on mental health. “Learning about mental health and the power of it, and speaking to psychiatrists about Danny’s and Billy’s struggles, has been something that has been so informative to my own life,” he said, noting he is now able to “recognize triggers” like social media that stress him out. https://www.youtube.com/watch?v=4w1xZA7pX2c Apple TV dropped the series June 9 with a three-episode premiere, which, if you missed them, you can read their full recaps here . The fourth episode premieres Friday, June 16 with subsequent episodes airing every Friday through July 28. So don’t delay: Add Cherry and The Crowded Room to your must-watch list today and experience the star actor like you’ve never seen him before in these two beautifully crafted heavy psychological dramas, currently streaming on Apple TV+. Keeley Brooks is a big ole film and television nerd who watches way too much content, then blabs about it. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The LA Phantoms have the strength and will to create music that resonates. < Back The LA Phantoms: A Louisiana Punk Band with a Rich History Nicole Brice Nov 4, 2024 Share The LA Phantoms have the strength and will to create music that resonates. The LA Phantoms , a Louisiana punk band, has a rich history of resilience and readiness to face any challenge. Since the early 2000s , the band has seen many line-up changes and iterations, but their strength and determination to create music that resonates with their audience have never wavered. We are thrilled to share their story with you. Credit: Gary Governale Formed in the early 90s under the name Mystic Fix , the LA Phantoms are a homegrown band originally from Ville Platte that moved to Lafayette, Louisiana . There, they underwent numerous line-up changes due to member deaths and other tragic circumstances, but they never stopped. With even more changes since then, The LA Phantoms have emerged today through these trials and tribulations, ready to conquer the musical landscape. Today, the band is fronted by Cutty and Mac , who share vocal duties. Cutty , who also plays bass, Mac on drums, and Jaysun Birdman on guitar round out all the band duties. Sometimes, they'll invite other musicians on stage with them, too, because it is all about the music. This trio is brimming with anticipation for the new era of punk rock they are about to be a part of, with new music set to be released in 2025, and we cannot wait. I had the absolute pleasure of hearing this new music, and I can assure you, it's something to look forward to. A vast range of influences have solidified the LA Phantoms ' tight sound, and they are dedicated and determined to leave their mark on music history. To describe the LA Phantoms ' music, it is good, solid punk rock. There is no fluff, no frills, just straight-up enjoyable punk rock. The LA Phantoms , a trio of humble yet immensely talented musicians, embody a relentless drive and determination to push the boundaries of their craft. Their unwavering commitment to their music is admirable, and we eagerly anticipate what the future holds for them. Mixed Alternative Magazine had the privilege of engaging in a profound conversation with the LA Phantoms , and their love and dedication to their craft was genuinely inspiring. Read on to learn more about their journey. MaM : Let’s dive into your band history. Tell us a bit about how you got started and where. Mac : This band was an incarnation that spawned from another band. A punk band was called Mystic Fix . Mystic Fix was formed in the early 90s , around 1994 , in Ville Platte , Louisiana , by our brother, Chris . It was Chris and James , and another guy named Timmy on drums, who is my brother-in-law now, so then they moved from Ville Platte to Lafayette , and the other guys from Ville Platte fell off, and Chris continued with us with a different line-up. The line-up fluctuated between various people until it ended up being me, Cutty , Chris , and Luke Duke . We played a few shows with that line-up, but Chris wanted to play more rock n roll, and he was discovering bands like Nashville Pussy and Speedealer – a lot of Southern rock stuff. Mac Black by Gary Governale Eventually, he told me he didn’t want to go on with the name Mystic Fix anymore. He then said he wanted to start another band with more of a rock n roll approach because he thought it would give us more gigs across the country. He didn’t want to be pigeonholed into the whole punk rock scene. Fewer dive bars and bigger, more prominent venues. This all happened about 2001 , and that was when we officially started The LA Phantoms . It was me , Chris , and Luke Duke ( Choke ). We wrote and recorded an album and put it out. Luke lived in Lake Charles , and Chris lived in Lafayette . Luke eventually fell out because he couldn’t commute from Lake Charles to Lafayette to rehearse. We ended up getting another guy, Damien Miller . Damien was the bass player for that run of LA Phantoms and passed away in 2007. That run of The Phantoms went from 2001-2005 . Also, Creosote Jones from Cheater Pipe played with us for a few years and helped write many songs with us. Credit: Gary Governale Cutty : We also had a harmonica player. He did lead harmonica solos. MaM : Man, I’d be curious to see how that fits in with your sound. Mac : We have a link to it. We can send it to you. MaM : Yes. Please send me the link. Cutty : It gave it kind of a blues edge. It worked with the formula. It was kind of like the song “ Electric Worry ” by Clutch . They have harmonica on that song. MaM : So how did you get to the band's current incarnation? Mac : Chris died. MaM : Oh wow … Mac : In 2005 , my wife Jessica was terminal, so I had to quit the band because I couldn’t really play shows or go anywhere. We had been gigging everywhere from Austin to New Orleans , and I couldn’t go on the road because my wife needed me. Mac Black by Gary Governale MaM : I’m so sorry, man. I understand. Mac : I quit the band, and Chris started Mystic Fix back up with some other guys in Ville Platte . He started having trouble with his drummer because of his lack of interest. After my wife passed away, he asked me to join the band because he had recently signed up with a local label in Carencro . Chris gave me a cassette of the songs he planned to record, and I learned all the songs. The last show was at a skate park in Lafayette , and I got on stage to sing with them. This was June 10, 2007 . On the next day, June 11th , Chris passed away, and then I found out on my birthday, June 12th , that he passed. We were devastated by this. To help with his funeral expenses, they asked me to put together a band to gig and help make money to pay for his funeral. I told them we would learn all the songs Chris had created. Chris’ girlfriend sang for us, and we raised a few thousand dollars and were able to bury him. Chris’ girlfriend later became my wife. Her name is Julie Jab . Then there was this guy named Shane , who played bass briefly. He was like the Sid Vicious of Lafayette—a lot of stage presence. Credit: Gary Governale MaM : Then what? Mac : We got Cutty . Me and Cutty had played in Mystic Fix , and he was with us when we were writing the early songs with LA Phantoms , and he came back once we got rid of Shane . Then we gigged like that till my wife had a heart operation. She had a valve replacement. She couldn’t continue with us. Then I started a band called Black Feratu , with my friend James Feratu . That was metal , and we did it for a few years. Then, the original guitarist for Mystic Fix was on his deathbed and was not doing well. He decided he wanted to play another run of shows, so he and Luke went with Cutty and I , and we started doing Mystic Fix songs. Still, we decided to do some LA Phantoms songs, too, but then James got on the stage one night, and he could only do half a song, and he was on a tank of oxygen and just couldn’t do it anymore. Cutty by Gary Governale MaM : Wow, bless his heart. Cutty : Yeah, his last performance was in Lafayette at The Boom Boom Room . He was convinced he could stand up and play the songs. We tried to persuade him to sit down, but he stood up like a soldier and tried to troop through the song. Unfortunately, he did pass out, which was James ’ last performance on stage. MaM : To me, that is badass because that shows his dedication to music. Cutty : One of the toughest MF’ers to get on stage. MaM : I admire people like that, man. Those are the actual soldiers. Mac : That’s right. Till we die, we don’t stop. Cutty : Unfortunately, he did. MaM : You all have an interesting story. Mac : Tragedy at every step. Cutty : Today, we are coming to you for this interview from the slab that used to be Changes . Mystic Fix was pretty much the house band at Changes . Love it or hate it, but if this slab could tell stories, we could write an incredible book. Credit: Gary Governale MaM : Reminds me of the Dischord House and how well-known it is. Cutty : The sacred slab. Mac : Until it burned down. MaM : You’re back to where it all began, and it is fortunate that we are doing this interview today. Brings back all full circle. Let’s get into the music. Your music blows me away, and I can’t wait to market it. When are you planning to release the songs you sent me? Mac : We just finished mastering them and got the final footage for the video we are putting together of ‘ Slow What .’ The plan is to release everything simultaneously on all platforms, though. https://www.youtube.com/watch?v=OwAHWhD1e1g MaM : I think that sounds great. It's punk rock meets melodic thrash punk. It has a unique sound. I love the heavy bass on ‘ Slow What ,’ when the guitar comes in, it’s strong as hell, man, and that whole song takes off. It reminds me of The Melvins meets Tad . That’s the first vibe I got. With ‘Tight Grip,’ that song is aggressive out the gate, and then ‘Vampire,’ has that whole Van Halen ‘ Hot for Teacher ’ vibe. What inspired you to come up with your sound on these tracks? That is the LA Phantoms sound. Mac : It’s just all our influences. I wouldn’t say I like being put in a box. Cutty : A broad spectrum or prism. Without it, you’ll be limited and boring. We try to expand as much as we can. Credit: Gary Governale MaM : Who are your influences then? Cutty : The Misfits , Social Distortion , Slayer , Corrosion of Conformity Mac : James Brown , Taj Mahal , Sly and the Family Stone . Cutty : We also have another element of the music you haven’t heard yet. It’s more funk and blues. It's like Minutemen meets Sly and the Family Stone . We also have a small catalog of that. MaM : I can’t wait to hear that! You guys are talented as hell. Let’s do this. What is your ultimate goal as a band, and what are you looking to accomplish with your music? Mac : Our short-term goal is to release this music and expand our range of gigs. We have only been playing mainly in Lafayette and Lake Charles . We want to play Metairie and New Orleans more, maybe even Texas . In the long term, I’d love to tour Europe . My friends do this already, so I feel it’s achievable. Jaysun Birdman by Gary Governale MaM : Let’s make this happen. What is about music that makes you passionate? Cutty : It’s a release. You can have all these problems – weights and burdens on your back, and when I pick up my instrument, everything starts coming together. Even if it’s just 15 minutes or two hours, it makes everything okay. Jason : The creativity and playing live. There’s nothing else like it. I love the camaraderie we have. We played a show with Choke recently. They are awesome guys. Super cool. I love hanging out with everyone because we have so much in common, and everyone is so supportive of each other. Mac : Music sets me free and connects me to the universe. It connects with all is one, and one is all when I play music. It’s flow. It puts you in this flow state. Credit: Gary Governale MaM : They say music is medicine, and the Chinese symbol for medicine is like music. Tell me about the worst show you’ve put on so far, and then tell me about a good show you played. Cutty : I can’t focus on a bad show because it broadens the human horizon even if we mess up. We’re all people. It’s like a joke. If you trip, are you going to laugh with the crowd, or are you going to get laughed at, pissed off, and make an entire burden about it? You don’t do that. It would be best to roll with the punches because even a horror show is still a show. We’re out. We’re playing music. We’re having a good time, and we try to make the best out of it. That’s about it. As far as the best one? With these two guys, it’s always good. Mac : I’d have to say the last show or the ones going on right now are the best ones. The worst show I’ve ever shown is when there is violence at the show. Someone would be throwing bottles at us, or someone would come into the club with a gun or just incidences like that. Just don’t stop playing unless we have to chase someone out. Cutty : Now, if we got hit with a bottle, we’d have to beat the piss out of them. (laughter) Cutty : It’s just expected. (laughter) Mac : Well, the time with the gun, we didn’t stop playing. They walked in with the gun, pointed it at someone, and that was it. Credit: Gary Governale (laughter) MaM: If you could share the stage with anyone in the future, like your dream show, who would you pick, and why? Cutty : I would say opening for The Misfits and Suicidal Tendencies. That would be the perfect show for me. Mac : I have to concur. MaM : In the next five years, where would you like to be as a band? Mac : Touring Europe and playing big festivals. Credit: Gary Governale MaM : If someone approached you and asked you to describe your music to them, how would you sell it to them? Mac : Gangster Punk Rock n Roll (laughter) Cutty : I like that one. What was the phrase you wanted to put on shirts? Mac : Vampire bank robbers from outer space (laughter) MaM : Last question – how does music inspire you daily? Mac : To get up in the morning and face the world. Motivation to work out and live life. Credit: Gary Governale MaM : Same Cutty : Adrenaline and therapy – when you combine the two, that can also have a positive effect, and for us three, it works. MaM : Oh yeah, 100%. Jaysun : It helps me grow. I like to learn new stuff. I’m a student of the game. As The LA Phantoms prepare to embark on a new year with new music, they will undoubtedly begin to build a following. Stay tuned for much more from this trio. To learn more about LA Phantoms : Facebook: https://www.facebook.com/profile.php?id=61559706162429 *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Nod to the 90's < Back Melodic and Atmospheric Hailing from Manchester: What Will Be Nicole Brice Mar 21, 2023 Share A Nod to the 90's When one thinks of the music of Manchester , many bands come to mind, such as The Stone Roses , Oasis , and The Smiths , or, if you like more of the punk vibe, then the Buzzcocks will come to mind. If there is one thing that is certain, though, no two bands from Manchester sound alike, and this next band definitely continues this tradition. Hailing from Manchester, UK is What Will Be . These guys came onto the music scene in 2019 and wrote and self-released their self-titled EP , which debuted in September 2022. Credit: Hannah Reeves Their new single ' Something More ' was released earlier this month and is currently available on all streaming platforms. The newest single is an enjoyable mix of melodic rock with an outstanding mix of larger-than-life guitars, sing-along melodies, and atmospheric synth chords and is a truly solid offering from this five-piece Alternative Rock band. What Will Be is Bram (guitar/vocals), Jonny (guitar), James (bass/vocals), JK (drums/vocals), and Chris (keyboard/piano). Upon discovering their music, because we dig it so much, we had a few questions for them, so let us share with you a little more on this pretty bad-ass band from the UK with an uncommonly catchy sound. Credit: Hannah Reeves MaM : With a strong nod to 90’s alternative, who would you cite as your influences to make music? What Will Be : In terms of bands from the 90s, we’d say Incubus and Deftones would be two of our main influences. However, we’re also inspired by newer bands, such as Alter Bridge , City and Colour , and Alexisonfire . Credit: Hannah Reeves MaM : Vocals – your vocals are very different, and I can hear a tinge of David Byron from Uriah Heep within them. Who are your vocal inspirations, and why? What Will Be : Vocal-wise, our main influences would be Brandon Boyd of Incubus and Myles Kennedy of Alter Bridge . In terms of why it would come down to the bands you listen to most would be the inspiration, I think in terms of vocally, their range is like what I can do with my voice. While these bands might be heavier musically, their vocal stylings are what inspire us with the music we create, even if it’s not as ‘heavy.’ Credit: Hannah Reeves MaM : What type of guitars are the band’s preferred ones to play and why? What Will Be : Bram uses Chapman and PRS guitars . Jonny uses Fender and Gibson guitars. Dual humbucker coil tapped, on occasion … hollow body and solid body guitars. We like guitars with a thicker, higher output sound. MaM: What pedals / gear was used in the recording of the newest material? The guitar sound is incendiary and distinctive. What Will Be: Live we use Mooer Shimverb Pro , Marshall modulation pedal , Maxon OD 808 and a Boss delay . Recording we use the above but Marshall/ Blackstar plugins. These give us our unique guitar tone, which seems to separate us from other bands in sound. Credit: Hannah Reeves MaM : You have an interesting band name. Where did the inspiration behind the band name come from? What Will Be : We’re a little bit older in terms of life experience than most ‘new’ bands. Lots of different names were in consideration; however, as it's probably our last stab at ‘trying to make it,’ the name reflects a certain type of fate. We just uttered the famous line, ‘What will be, will be,’ and that’s how it came about. Credit: Hannah Reeves MaM : What led to the formation of the band? Give us a little more history on the beginnings. What Will Be : We’ve been in bands together for years from the ages of 16 onwards, then over the years bands come and go, but we all remained friends. A few years ago in James’s back garden, we jammed a few acoustic ideas Bram had, and things snowballed from there until 2019 when we added a different dynamic with Chris our keyboardist. Since then, we became an alternative unique five-piece band. https://www.youtube.com/watch?v=OaLX9fpKZC0 Something More by What Will Be Experiencing What Will Be is a must for any music lover and appreciator. Be sure to visit their links below and explore all you can about these guys. Then, hit ‘em up with some love and support, no matter where in the world you are. To learn more about What Will Be: Instagram: What Will Be (@ whatwillbe.band ) • Instagram photos and videos Twitter: Profile / Twitter Facebook: What Will Be | Manchester ( facebook.com ) Spotify: What Will Be - Single by What Will Be | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. < Back Separatr: Making Innovative Noise Pop Waves from Asbury Park Nicole Brice Feb 20, 2024 Share Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. Have you ever had a band instantly resonate with your energy on many levels? For me, it does happen every so often, but the music must have the right combination of noise, groove, rhythm, and melody. Having recently learned of a noise pop duo out of New Jersey called Separatr from one of my favorite humans, Jeff Crespi, I decided to check out the band’s body of work. One listen to their EP “ Queen Ace ” on iTunes was all it took. I was hooked. Not only is the music tightly produced, but the artwork for the EP cover fits the mood and vibe of the tunes perfectly and the vocals are insanely good. Electronic music has always been a favorite of mine because of how it has revolutionized the industry with its distinctive style. Its rhythmic beats, synthesized melodies, and intricate production techniques make it a genre that continues to evolve and push the boundaries of musical creativity. With raw unfiltered energy, Separatr ’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. From the pulsating synths on ' Obvious ' to the sonic rhythms on ' First In Line ', the Queen Ace EP explores a bevy of themes such as self-discovery, inner struggles, and societal observations. Credit: Jeff Crespi The embodiment of perseverance, drive, and dedication, Separatr is made up of vocalist Stephanie and her producer husband, Joe , who are currently embarking on a new direction with their music careers having recently relocated from Bellingham, Washington in 2023 to Asbury Park, New Jersey . Because of the intense scene the area has to offer, the duo chose New Jersey to continue their creative endeavors and they currently have many projects in the works. Mixed Alternative Magazine had the opportunity to chat with this up-and-coming duo recently to discuss their cross-country move, influences, and aspirations for the future, so take a moment to learn a little more about Separatr . MaM : You guys are from Bellingham, Washington, and are currently residing in Asbury Park, New Jersey. What was it like completely transplanting your life to move to a new area? How difficult was it to initially break into the scene in Asbury Park to start booking shows? Joe : It’s been great actually. The scene here is so supportive and welcoming. We’ve only been in Asbury since June 2023, but many people have heard our story and think it’s really cool. It’s actually how we’ve gotten a few shows. It’s really refreshing. MaM : What initially got you both into music to where you wanted to make your own? Stephanie : We both always have been into the idea of playing and performing. I’ve always been a singer. Growing up, people would tell me I had a good voice, and I tried to learn guitar, too, but I was just never truly into it, but I can play a little. I’ve always been a singer and a songwriter, though, but it was always in the back of my mind that I would do something with it. When Joe and I met, it started becoming more serious. Credit: Jeff Crespi MaM : Tell us a little more about how the name of the band came about. I read that you took inspiration from a Radiohead song for the name. Joe : I liked the word graphically with how it looks, and it also is a little inside joke, too, since Radiohead is named after a Talking Heads ' song. So, it’s kind of like Talking Heads , Radiohead , and then Separatr . MaM : It’s a very unique name and it sets you apart. Now, as far as influences go with you guys, I made some notes. I wrote down if the Yeah Yeah Yeah’s met 12 Rounds and Kite Base and had a baby, then that would be Separatr. Who do you cite as your ultimate influence, though? Joe : I think that’s the first time I’ve heard someone else mention 12 Rounds . Atticus Ross – anything he does with Trent is amazing, but he’s pretty much part of Nine Inch Nails now, and it’s weird to think of them as a duo, but anything those two do is a huge influence on my production style. Stephanie : For sure, one of the first bands that we talked about when we first met was the Yeah Yeah Yeah’s . They were a big one for both of us. Joe : Yeah, I gave you a leaked copy of " It’s Blitz! ” before it came out. Stephanie : I had gotten into them with “ Show Your Bones ” and I love “ Fever to Tell ”. Certainly, Karen O is an influence on our music in a big way, and her range, too. You hear that with my singing, too, the way she’s not afraid to go crazy with her singing and then be delicate. Vocally, The Kills are an influence, too, with them being a duo. No Doubt and Garbage were huge for me growing up also. Gwen Stefani is a big one as well. Credit: Photo provided by band MaM : How would you describe the type of music you make for those not familiar? Joe : I like the term noise pop and anything that incorporates pop … alt-pop or dark pop . I think it really sets us apart from just being a rock band. Even locally, we try to make sure we play shows with other pop acts. We can get pretty loud and rocking, though, so for me, it’s more like a study in dynamics bringing in the loud/quiet/loud structure. MaM : Take us through the creative process. How do you come up with new concepts for songs? Joe : It’s always changing. Usually, I’m doing the production side by developing the sound. Stephanie writes the lyrics. We then come together to record vocals, but it’s ever-changing. MaM : As far as collaborations go, are there any musicians you want to work with in the future? Joe : I want to do a song with Blaise . Stephanie : He’s a local singer up here. We just performed a show that was a winter prom theme here in Asbury and it was our first time playing a show with him. He’s just a character and really talented. Credit: Jeff Crespi MaM : I haven’t heard of him but am going to look him up when we get off this call. If you had the opportunity to open for any major acts, are there any that you would just jump at the chance? Joe : Oh wow, that’s a great question. My mind goes to Sleigh Bells , but then that would be too similar to what we are doing. I’d open for Nine Inch Nails . Definitely. Stephanie : Yeah, totally, but there are so many that would be amazing. Joe : Or maybe even some big pop star, so we could have one foot in the pop world. MaM : If you weren’t doing music currently, what would you be doing? Joe : If I wasn’t doing music, if that somehow was not in my DNA, then I think I would be doing something with broadcasting. Looking back now, I wish I had gone to school for broadcasting. What I love about this band is making the content, doing live-streaming, video production, all of that. Stephanie : It’s an interesting time to be in music because there is so much more accessibility to produce your own music. That also means that it’s harder to make headway because there is so much going on. Credit: Jeff Crespi MaM : Do you have a favorite song to perform? Joe : It changes so much. I would have to say, ' Deadstock '. Stephanie : I agree with that as well. Often, it’s whatever the newest song is. “ Deadstock ” has been really fun to perform live because it’s a bit different for us. At the prom show we played recently, everyone did a cover, and we did, “Take My Breath Away”. It was a lot of fun. Joe : I put some big heavy fuzz guitars over the chorus for ' Take My Breath Away' , which gave it a different sound. MaM: I would love to hear your rendition of that. Such a great song. Do you plan on releasing a cover of that? Stephanie : I think we will. We had several people coming up to us after telling us we should, so hopefully soon. Credit: Jeff Crespi MaM : What does the future hold for Separatr? Stephanie : We’re excited about some upcoming shows we have planned, and we should have some more music coming out this year at a more rapid rate. Joe : We’ve been doing this for a long time, but Separatr still feels like a new thing and we’re still learning and growing our community, so much more to come. Separatr is not just another band in the music industry; they are a breath of fresh air and a beacon of innovation. As they continue to evolve as a band, they are destined to leave a huge mark on the industry, so stay tuned and be sure to check out all their current music on your favorite streaming platforms. Bio Link: separatr Bandzoogle: Separatr ( bandzoogle.com ) www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . A huge thank you to Jeff Crespi for all of the amazing photos. Visit www.jeffcrespirocks.com to view more. Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shape Shifting combines the power of thrash metal with the intensity of punk rock. < Back Owls & Aliens Embrace Transformation on Powerful New Single Nicole Brice Jan 30, 2026 Share Shape Shifting combines the power of thrash metal with the intensity of punk rock. Music, at its core, is meant to inspire and motivate us as humans. The frequencies in music can uplift us in the darkest of times, to the point where we can forget about everyday life and become engrossed in the soothing sounds. Finding new music from a band that truly clicks can be tough in today’s crowded music scene, but when those rare gems appear, they’re worth celebrating and sharing with the world. Owls & Aliens is a band from Klamath Falls, Oregon , that got its start in late 2018 and released its self-titled debut album in 2022. The first album blends classic rock, heavy metal, punk rock, alternative, and post-hardcore . With so many layers to their music, Owls & Aliens falls under the category of really good hard rock – amazing solos that melt your face off with heavy breakdowns. Releasing their new song, ‘ Shape Shifting ' , today, January 30, 2026 , Owls & Aliens is comprised of Dustin Carter (clean/unclean vocals), Travis Siebecke (rhythm guitar / clean vocals), Jeffry Maryinez (lead guitar, backup vocals), Nicholi Ohbronovich (bass, unclean vocals), and Dakotah Webb (drums, backup vocals). Credit: Anonda Rae A brotherhood with a well-rounded group of musicians, each member of Owls & Aliens shares vocal duties on their songs, with no song sounding the same. This band has mastered a formula that delivers a different listening experience through a cornucopia of sounds, textures, melodies, and riffs. It’s all organic, and it just works. Previous releases include ‘ Mercy ’ in 2020. This song starts with heavy guitar, fuzz, and distortion, then takes on a melodic tone – a strong track with an amazing guitar solo at the end. ‘ You Can’t Save Everyone ’ came out in 2021, and I freaking LOVE THIS SONG! I guarantee that if you haven't heard this song, you will love it once you give it a spin. Other notable releases include ‘ Tsunami ’, ‘ Temperature Shift ’, and ‘ Romanticize the Sorrow ’ – all off the band’s debut album . Take it from me, though, the entire debut release is killer. There is not a single track that lacks. Let’s talk about this new song, shall we? ‘ Shape Shifting ’ is powerful and begins with a classic thrash-metal sound mixed with a little Judas Priest and the intensity of punk rock . What makes a great rock song, you think? For me, it has to be intense, loud, melodic, and just full of energy. ‘Shape Shifting’ is exactly that. It is loud, fun, and just plain enjoyable. Owls & Aliens is a band on a mission, and we were able to catch up with the band’s drummer, Dakotah , recently to learn more about what this band is about, so dive in. Released January 30, 2026 MaM : Shape Shifting – let’s get into this track. Wow. What a strong song. What inspired this song, and what is the main message you’d like to convey with this track? Dakotah : We were going for something really powerful that brought the energy. I think it originally started off with a guitar riff from Jeff ; he brought that. I remember him bringing that to the table. As far as the rest of the music, it just kind of molded around that riff. Dustin , I’m not sure whether he had the vocals prewritten or wrote them on the spot. He is constantly writing, so he always has lyrics. In fact, he has this journal, so I’m not sure how those came about. When I first heard it, it gave me those classic Judas Priest vibes, and I knew that there would be a big modern element with Dustin’s vocals. MaM : He has such range! Dakotah : I also remember when I was doing the drumbeat, I wanted some double kick in there, so you could feel the power of there being a double kick in there. I don’t use it on every song, but I felt it was necessary. I have a lot of influence from Pantera , Slipknot , and Slayer , so I’m trying to get some of that, but combine the classic heavy sound with some of the more modern drumming, even more modern than some of the things I’ve mentioned. The message is more of a new-age experience of the end of an era and the beginning of the next. We had written our first album and had a whole big experience with going to Texas to record, traveling together, and then touring across the country with Raven Black . During that time, ‘ Shape Shifting ’ was one of the first songs we wrote, and so it just felt like it was the point from which we were shifting. All these things that we have done, what is this going to be in this new era, not just personally, but musically, too. It's been two years since we got back from tour, and we haven’t released new music. We wrote that so long ago, but it feels like the perfect song to release as we enter this new era for the band. MaM : It’s such a strong song right out the gate. I didn’t know what to expect when I pressed play, but truth be told, every song of yours is so different. You can hear that cornucopia of vast influences with every song. You’ve got this amazing catalog of music so far. What is the band's vision for 2026 and beyond? Dakotah : With the first record, we were trying to showcase all of our influences since we all are influenced by different artists, but there is this common core you can hear, and with that, we were trying to show people what we were capable of. Now, as we come into this new era, I think we’re going to be a little more decisive on creating a more cohesive sound and album. I know this new song comes out really hard and heavy, but we’re shooting for more melodic stuff, but you never want to force anything. Just let things go how they’re gonna go, and find a way to make all of our unique styles exist and work together. MaM : … and they do! Dakotah : We have so many pieces of new songs and riffs that we’ll have to be selective to put them into what we want for this next album. Credit: Anonda Rae MaM : If you had to describe your music to someone not familiar, how would you describe it? For me, it’s just good, solid, heavy rock. Dakotah : It’s so hard, and we really don’t know. We just say hard rock because it keeps things as broad as possible, but at the same time, when you say hard rock, people may think that it’s basic, but it’s anything but that. MaM : It is definitely not basic. Dakotah : You really just gotta listen. https://www.youtube.com/watch?v=q1jUM7Wc2-U 'You Can't Save Everyone' by Owls & Aliens MaM : I can agree with that. So, where did the band's name come from? To me, there are spiritual undertones, but I could be reading more into it. Give us a little more info on the name. Dakotah : When we were looking for a name, we wanted a good graphic to go with it as well. Our community features many owl-themed elements, and the school I attended has owls as its mascot. There is also a bird festival up here every year. Our frontman, Dustin , and his sister were helping us design all the graphics. She’s a tattoo artist and does really cool work. She had drawn up this really cool owl design that had three eyes, and we had tossed up an owl-themed name before, and that’s kind of where she got the idea for the sketch. We actually ended up calling ourselves Night Owl to start off. Then we played a show under that name and we even did a few demo recordings, and when we put those out, we tried to release it under the name Night Owl , but then we found out there is another artist – a Chicano rapper that has been going by that name since the 90s, and even though it’s more underground, he is relatively known in that scene of music, so our music actually got released under his name. MaM : That’s awesome. Dakotah : I had to go in and pull it off immediately. We then had to come up with a new name, but we really wanted to stick with the owl theme, because we’ve all been part of the music community in Klamath Falls, and it was through that community that we met each other. The owl is a central theme of our work. Eventually, someone came up with the idea of Owls & Aliens , and it stuck really well. From then on, that was who we were. Credit: Anonda Rae MaM : With you being the drummer, what made you choose to play that particular instrument, or better yet, when was it that you decided you wanted to beat on crap? (laughter) Dakotah : I think I was born to be a drummer but didn’t realize it for a while. I actually started playing guitar. My dad played guitar, and I still play and love it to this day. Fun fact: Every person in our band plays guitar. MaM : I saw that you all share vocal duties, but that’s incredible. I didn’t know that. Dakotah : I just love music. I can’t remember a time when I didn't love music or want to play it. At the same time, when I wanted to learn guitar, my grandma was showing me things on the piano, and so I’ve been self-taught my entire life, and this is kind of funny, but I also had some friends and some neighbors who loved to play the game Rock Band , and so I would go to my friend’s house to play Rock Band , and he had the drum kit. I had always liked tapping, and one of the reasons I think I loved Guitar Hero so much was that you’re matching patterns and rhythms like drums; that’s probably why I was so good at the guitar part, too. He let me try out drums, and I was naturally good at it. The drums in Rock Band correlates most realistically, but not more than like vocals, but it really is real drum patterns that you’re learning. It’s just on pads instead of a drum kit, so I got obsessed with it and made my mom buy me the game. That’s how I started learning to play beats. I remember telling my mom I wanted a real drum set. I had some buddies in middle school who wanted to start a band, and I wanted to be the drummer, so I had to get a drum set. The first drum kit she ever got me was used from a friend or something, but it had no cymbals. MaM : Oh wow! (laughter) Dakotah : I was just doing this ‘George of the Jungle’ vibe for the first few weeks. (laughter) MaM : I bet you were probably annoying your mom with it, too. (laughter) Dakotah : Absolutely, and I was trying to explain to her that I didn’t have all the pieces, but then because I was expressing so much interest in drums and music and wanting to play, my dad’s friends all thought that was super cool because growing up my dad loved music. He wasn’t in a band or anything, but that was just a big part of his life. My dad’s friends were kind of like my uncles to me growing up. One of the guys was like, I have this miniature drum kit for you, and it was undersized for me, but it came with regular sized cymbals, so I took the cymbals from that, and brought them over to my mom’s, and then bam! I had a full drum kit. MaM : That’s some ingenuity right there. Dakotah : I just fell in love with it. From the first time I ever played Rock Band , I just knew this was it. I also remember the first time I played a real drum kit, I was confused because on Rock Band , the yellow hi-hat is on the right , and with a traditional kit , it’s on the left , and then you cross your arms, so the first time I sat down, I was confused, and went, ‘How do I hit the hi-hat?’ (laughter) MaM : Yeah, something feels off. Dakotah : Then, someone was like cross your arms. (laughter) Dakotah : I was all self-taught, though. Even to this day, not a single lesson. I would love to get formal training from someone who is truly a master of the craft. It’s kind of backwards, I didn’t approach it from a music theory approach or anything, and now that I’m older, I’m trying to learn all the music theory and bring it all in. I feel like I found myself when I found drums. https://www.youtube.com/watch?v=m788ZC5Xh88 'Romanticize the Sorrow' by Owls & Aliens MaM : So, new song and what else this year? What’s the game plan for the rest of 2026? Dakotah : We have two singles in the works that we want to release for sure this year, and then the primary goal is just to get a second album recorded. We have a lot of new material that is not finalized and put together, so it’s just making steps to find studio time, and finish those songs. We’ll still play some regional shows this year, but while I’m in graduate school, it’s definitely hard to tour. I should be finishing my master’s in June of this year, so we’ll probably start looking at planning some tour dates after that. With so much on the horizon for Owls & Aliens , 2026 is shaping up to be a busy year. Stream their new single, ‘ Shape Shifting ,’ on your favorite platform, then engross yourself in the rest of their discography. It’s a journey through an abyss of sounds, textures, and styles that will leave you absolutely speechless. https://www.youtube.com/watch?v=NyMULx9afn0 Official video for 'Shape Shifting' *cover photo by Anonda Rae To learn more about Owls & Aliens: Website: www.owlsandaliens.com Owls & Aliens Home page of Owls & Aliens, a rock group from Klamath Falls. 5 small town Oregon grown best friends trying to figure out how to cope with life together by playing music. Refusing to be one genre of rock music, each member brings a completely different sty Spotify: Owls & Aliens | Spotify Apple Music: ‎Owls & Aliens - Apple Music YouTube: Owls & Aliens - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next