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Still kicking ass and taking names < Back Sick of It All: Pioneers of the Hardcore Punk Scene Nicole Brice May 15, 2023 Share Still kicking ass and taking names For our first band to be featured in our G.O.A.T. section (greatest of all time), I don’t even know where to begin. This band has influenced me so much, I don’t even know what to say. Pioneers of the hardcore punk scene, the men of Sick of It All paved the way for many bands that came after them, and through the years when I’ve needed some inspiration to be tough and get myself into a certain headspace, their music has been my soundtrack. I was in the Louisiana Army National Guard from 2001-2009, and each summer we would travel to various locations around my state and beyond for our annual training—AT, as we called it. I still remember being on a bus or in the back of an LMTV with all my fellow troops as we embarked on the journey to our summer destinations—my earphones firmly in place and my turquoise iPod mini blaring the sweet tunage of Sick of It All . Their music has always inspired me with potent lyrics, thundering bass, crunching guitar, and crisp vocals. If there is one thing I can say about this band, it’s that even though they started out with a likeness reminiscent of other hardcore bands of the day, they have managed to evolve and refine their sound, making it one all their own. Anytime I hear a song by them, I instantly know it is them because of the distinct bass and the remarkable vocal stylings of the man himself, Mr. Lou Koller . Throw in an iconic logo of a dragon that was even used by another well-known music group and you have the unparalleled styling that can only be known as Sick of It All . Credit: Ken Salerno - The band in the early years For those not familiar with the band, allow me. Sick of It All was formed in 1986 with brothers Lou and Pete Koller . The Koller brothers grew up in Queens , N.Y., in a middle-class family where they would often hop on subway trains to the various indie record shops nearby and indulge themselves in all the iconic metal, punk, and hardcore albums they could devour. Their love of music turned into forming the band, with the Koller brothers being the solidifying force to bring it all together. After a couple of line-up changes through the years, the band has remained true to its roots and is currently comprised of Lou Koller on vocals, Pete Koller on guitar, Craig Setari on bass, and Armand Majidi on the kit. credit: Jeff Crespi - Armand Majidi Known for their high-energy shows, the band has never allowed themselves to be pigeonholed into one specific genre and has often played shows and toured with bands outside of the hardcore scene. When one thinks of a hardcore punk band, they think of the tough guys … the guys you don’t want to mess with— the real OGs . While the guys in Sick of it All are no strangers to kicking someone’s ass, they truly are just a nice bunch of guys who enjoy making music they love. credit: Jeff Crespi - Pete Koller With 11 albums to their credit and a book released in 2020 called “ The Blood and the Sweat: The Story of Sick of It All’s Koller Brothers ”, these guys show no sign of slowing down and are currently all over with Lou and Pete even recently being tour guides at the newly opened Punk Rock Museum in Las Vegas . With such an iconic sound, the music of Sick of it All proves that time is no test for such an influential band, and they continue to bring their music to new crowds of fans all over the world. Publisher: Post Hill Press (August 4, 2020) Currently taking a break from their highly successful 2023 tour with Life of Agony, which is set to resume in the U.S. in August, I was able to speak with the vox of this incomparable band, Lou Koller , to discuss everything from what the future holds to what they think of the crowds at their shows in the current day. MaM : Thank you so much for talking with me today. You have no idea what this means to me. I was so nervous about calling you that I told my friend I was about to throw up. (laughs) LK : No problem. No problem at all. MaM : Love your music and I feel like I’ve been listening to you forever. My favorite albums are Death to Tyrants , Call to Arms , and Yours Truly , but I have so many favorite songs of yours that if I were to list them, we would be here forever. (laughs) So, your last album was released in 2018 and I know you guys have been playing shows like crazy, but are there any plans for new music coming out? LK : Well, during the pandemic, we were writing mostly—well, my brother, Pete , he ended up writing over 27 songs , but we’ve been trying to convince the other members of the band we should get together and work on them and record, but we just never could get it together. It all happened when unemployment ran out and we all got jobs and that was a factor that delayed it. Also, too, our drummer Armand seems to be on vacation every other week. (laughs) Once the pandemic ended, we all felt it was time to get back on the road, but we still have these songs, so it’s on the way. After we get back from Europe and the other leg of the Life of Agony tour , we will have the fall to get together and we plan to meet two weeks every month to write, so we’ll see how that goes. We’re working on it. It’s on its way. credit: Jeff Crespi - Lou Koller MaM : So, as far as the writing and recording process, do you feel technology has changed how you approach that? LK : It does because of necessity. Again, with the pandemic, we didn’t really get together to write. … Pete would write, but he lives in Florida , so he wrote down there. Armand lives in upstate New York, Craig bounces from Queens to upstate New York , and I live in New Jersey now. It used to be we had our own rehearsal studio in Brooklyn , and we would all just meet there three times a week and jam and have fun, but you know when Pete moved to Florida, it all became corresponding through emails and stuff like that. I think the technology helps in a way, but it’s also kind of a pain in the ass for me. I like getting together at the studio, not just for the writing but for the camaraderie. MaM : Right, the vibe. LK : Yeah, exactly. It works, but there’s some aspects of it that we need to learn just to keep up with the times, and some of it makes it convenient or easier in some ways, but I think because of the way we all grew up, you feel like something is missing. I still have a hard time discovering new music through a digital platform. Some of the suggestions through Spotify I don’t get. I could sit there and listen to old metal and hardcore and punk, and suddenly, they’ll say, ‘Suggested for you is the new Justin Bieber album.’ Why? Why would you suggest that for me? I have nothing to do with that. Nothing I listen to is remotely close to that. (laughs) credit: Jeff Crespi - Lou Koller MaM : I agree. I use digital platforms, too, but I miss the old ways of discovering new music. I used to just go to the music store and wander around looking for any cover art that spoke to me. Often, I would purchase albums based solely on cover art, and then I would go home to listen to see whether I dug the music or not. So, who would you say has influenced you the most when it comes to your vocal styling? LK : It’s a combination. When I first started, I really didn’t know how to do anything, but I wanted to sound as hard and as rough as the singer, John Brandon , from Negative Approach and also Chris , the singer of Crumbsuckers because he also sounded like John Brandon . But now, for the last 10 years or so, I still try to emulate that, but I try to have a bit more range. One of my favorites is Lemmy from Motorhead because he had such a rough voice, but he had this melody, too. He could hit the notes but was just a great vocalist. I know a lot of people think that’s crazy, but I just love that he had such a rough sound. Chuck from Hot Water Music , too, has such a rough voice, but it’s also so melodic. He just does it great. He’s another one I would like to sing like. credit: Jeff Crespi - Lou Koller MaM : But your voice is so amazing! How do you keep it in shape for singing the type of music you guys play? LK : I’ve been to some professional coaches; Melissa Cross is probably the most famous one. When I went to her, she told me, ‘Sing how you sing,’ but [then she said], ‘I could give you a couple of pointers, but you do what you do very well.’ The way I sing, it’s more using the muscles around my vocal cords and all that, so like any muscle, when we’re not on tour, I really should be going to the studio twice a week to keep it in shape, but it’s not fun going to the studio by yourself screaming to your phone going through the PA. So, I got lazy, and usually before a tour, I’m like, ‘Ah man, I’ve gotta go in,’ and my voice usually sounds like garbage for a week and then it kicks in. credit: Jeff Crespi - Lou and Pete Koller MaM : So, let me ask, you guys are definitely the voice of a generation and I credit you with being very instrumental in launching that second wave of punk rock and hardcore. I consider the first wave to be late 70s/early 80s and then we had a reemergence of it in the late 90s/early 2000s, so with the crowds, especially since you just came off tour, have you noticed any differences or changes in the scene or just any differences in how people treat each other at shows in general? LK : It’s weird … Our tours in the 90s, we would take the upcoming hardcore bands like Strife and Snapcase and we would take the upcoming West Coast bands (what they called hardcore but we would call punk, like AFI and Good Riddance ) and … combine those bands into tours and we loved it. Now, it’s so separated; you can’t take a more melodic punk band out with a newer heavier hardcore band because a Terror crowd would not appreciate a Good Riddance and a Good Riddance crowd might not appreciate when a band like Incendiary plays. They would be like, ‘That’s way too heavy,’ but I think 1999 was the peak for that. We did a tour, and it’s one of our favorite tours we ever did, but it was us, AFI , Hot Water Music , and Indecision , and it was so good that almost every night every band had such a great reaction, and I think one of the proudest moments for us was on that tour in L.A. seeing kids with Blink 182 shirts going absolutely wild to Indecision , who were the forerunners of what bands like Knocked Loose are doing now, and to see kids going absolutely crazy to something that’s totally opposite to what they usually listen to and then do the same thing for Hot Water Music and AFI and then with us, that was great. Nowadays, like I said, when you try to mix it up, it doesn’t work as well. credit: Jeff Crespi MaM : I grew up in the late 90s/early 2000s and so I remember when there was no separation. It was all together. If you liked hardcore, you liked punk. If you liked punk, you liked pop-punk and so on. I feel like back then there was more cohesiveness and now, like you said, it’s more divided. LK : I think on a smaller scale, it might be coming back. Luckily, I have a friend who used to work for us. He’s about 10 years younger than me, and he’s always sending me texts with, ‘Hey, check this band out,’ and he’ll send me music like Drain or Incendiary . … Not really new, but to me they’re new … like super heavy, and then he’ll be like, ‘Check out this band from England , The Chisel .’ And they became one of my new favorites. They’re a good combination of old skool, just English hardcore punk … leading towards Oi music , but I would love to see them with any hardcore band because it’s such a good mix. On the smaller scale with smaller tours, you can still see that good mix. MaM : Did you notice any regional differences on this latest tour with how the crowds received your music? LK : The Life of Agony tour was good for us because they took us to parts where we have never played. They took us to Michigan and usually we only play in Detroit when we go there, but this time they took us to Flint, Mich. , and we played in front of, which seemed to us, like a totally new crowd. There were guys there that were 50 years old going, ‘I’ve never heard of you guys. I’ve never seen you.’ That’s insane! … But they loved it, and they bought merch and records, so it was great. It surprised the hell out of us. (laughs) It’s also that Life of Agony has that bigger metal following and they were embraced by the whole world for decades, and those people don’t see a mixed tour very often. Life of Agony could have taken a younger, more prominent act as their opener, but they wanted to thank us for influencing them when they were younger. And when they went to Europe , they took Prong and Madball with them, which I think is a great thing. They wanted to repay bands like us and to mix the bill, which I thought was good. credit: Jeff Crespi - Lou Koller MaM : So, as far as the current crowds, do you feel the younger generations are embracing your music more or do you find that it’s the older crowd, like me, who are loving your shows these days? LK : It’s weird for us because being around so long, we used to get a good mix … we had our fans from the beginning, and we had younger kids coming. Now, it’s like the 16-to-25-year-olds who have their own stuff. We’ve had experiences where we’ve taken a younger band out that was heavily influenced by us and they’re the hot hardcore band. And they’ll be on stage, and they’ll say, ‘You know, we wouldn’t be a band if it wasn’t for Sick of it All ,’ and when they finish their set, their fans will just leave. They don’t care. They don’t stick around. It’s strange. Now, what I’ve seen, like in Europe , … it has been constant … where you have the older fans and generations still coming. But in the U.S., if we play an all-ages show, it’s usually our older fans who bring their kids and make them watch us, so sometimes it works. (laughs) credit: Jeff Crespi - Pete Koller MaM : Let me ask you as far as continuing to make music, how long do you plan on continuing? Do you just want to do it until you can’t anymore? LK : Yeah, that’s why I’m itching to make a new record. I’m very nervous when we do it, and I love the songs in demo mode, but I’m always worried no one is going to like it and then once the finished product comes out, I go, ‘Oh, I was scared for no reason.’ We always say we’re going to do it until it’s not fun anymore, but we’re always having fun, which is good. What’s good for us is that we all love playing live. It’s just a fact that we’ve always presented a very high-energy live show. If I ever physically can’t do it, I don’t want to just be standing around. (laughs) Zack from Rage Against the Machine tore his Achilles tendon and he had to do the tour sitting down. You could see in his face that he hated it. Same thing with Barney from Napalm Death . We did a run with Municipal Waste and Napalm Death and Barney had hurt his ankle. We all said he should go to a doctor, and he didn’t want to go. It turned out his ankle was broken. He didn’t know it and kept standing on it and destroyed [it]. He’s still having problems to this day. He had to finish that tour with us in a chair. Then, last year, he was doing a U.S. run and, sure enough, same ankle, completely destroyed. He had to finish the tour sitting in a chair and now, who knows if he’s gonna ever be able to stand on that damn ankle again. I don’t know if I could just sit there in a chair for the fans. It’s not Sick of it All if I’m sitting in a freakin chair, you know. credit: Jeff Crespi - Craig Setari MaM : Yeah, no kidding. It ruins the whole live experience. So, do you have any crazy stories from over the years with being on the road that you could share? LK : I mean, there’s so many. You know with the book they did about me and my brother, ‘ The Blood and the Sweat: The Story of Sick of it All’s Koller Brothers ,’ there’s a story in there that everyone asks us if it’s true. The story about when we were playing in Pennsylvania at a club called The Sonic Temple and after the show, we were packing up the van when these kids came up to us and said, ‘Yo, there’s a guy over there and he’s got a gun and he says he has a head in a bag,’ and, sure enough, he had something stuck in his waist, and we could see it wasn’t a gun, and he comes over and he’s talking all crazy saying he's going to kill everybody and we’re all, ‘Yeah yeah yeah,’ and he opens up the bag and there was a head. … It could have been a mannequin head, I don’t know, and we all hop in the van and as we’re driving away from the parking lot, all of a sudden there’s, like, 15 cop cars and we’re just like, ‘What just happened?’ MaM : (laughs) Wow. I wonder if he decapitated someone. (laughs) LK : Well, we don’t know. (laughs) We’ve always tried to look it up online and we can’t find anything, but it was awesome. MaM : So, one question that I am dying to know the answer to involves your logo. It is iconic and is immediately associated with you guys, but how did the Sick of it All dragon come about? LK : The very first idea for it was when we saw it on a flash sheet by the famous tattoo artist Greg Irons . He had a similar version of it. It was when one of our friends was joining the Marines , and he was, like, 17 or 18, and we all decided to get a tattoo together because we had this crew who always hung out together. I think it was Pete who redesigned the dragon for us, and it just happened to be in the photo of our first seven inch. It was a photo of my tattoo of it and then it just got associated with us from then on, then it became very iconic. The iconic Sick of It All dragon It’s funny, too, because decades later, we had a good friend who worked in the record industry and she was working in the hip-hop world and she’s walking through the office one day and she sees a co-worker with a big poster behind his desk and it had a picture of the earth burning with the Sick of it All dragon and she goes, ‘Is that a new Sick of it All record?’ And he goes, ‘Sick of it All? No, this is the new Mobb Deep album cover,’ and she goes, ‘You better check where that logo is from.’ It was very funny. MaM : Wow. LK : They said they got it from a tattoo parlor, which maybe they could have because they’re from Queens and we’re from Queens, but most likely… they would go hang out with this Queens group called The Beatnuts , who were hip-hop DJ guys … and on their apartment door was a bunch of stickers and one of the stickers right in the center was a Sick of it All sticker with the dragon. So, you know they saw that dragon with our name on it and used it. We made a deal with them, though: They were not allowed to use it on their album covers because it was associated with Sick of it All. We actually have a fan who owns two or three pizza places in Berlin, Germany , and on his pizza boxes, he has the Sick of it All dragon, but he asked us if it was ok to do it and we said sure. Now, though, on his pizza box, he still has the dragon, but he puts our Instagram handle with it, too. MaM : Approaching a tour these days vs approaching a tour then—is there anything you do differently when preparing for a tour? LK : For me, personally, I must get my voice in shape. It’s not like it used to be where we would jump in the van and hang out and yell and scream all day, then get on stage and play. I have to rest my voice and I have to work into it. As far as the whole band, it’s kind of gone back to the beginning where, especially in the U.S., where touring in vans again, Armand will plot the tour out with our booking agent and the rest of us will do other aspects for the tour, like I do all the social media for the tour, and then we all have to deal with the merchandise again. MaM : So, you guys have your hands in everything when preparing for a tour. LK : Well, we have to. Personally, I am the lazy one in the band. I liked it in the mid-90s to the late-2000s when we had people doing everything for us. It was great. Back then, we could call up our manager and be like, ‘I have this idea,’ and he would be like, ‘Alright, give me two days,’ and then he would either get it done or he would say it can’t be done. MaM : As a veteran musician, what is one piece of advice you could give the up-and-coming musicians who want to be seen and heard so they can establish a legacy like you? LK : The best advice I could give is play what you love. I mean, it’s fine to emulate your heroes, but eventually you’re gonna find your own sound, but make sure you love it. Also, too, and I know this is going to sound weird, but what stops a lot of other bands is a lot of infighting about money and we, Sick of It All from day one, have always divided everything equally. Everybody inputs as much as you can, but for the first two albums, it was 90% me and Pete writing everything and Armand contributed, too, but at the time Armand was in two other bands, but by ‘ Scratch the Surface ,’ when Craig had joined the band, it was all four of us working together and Armand writing and he and I splitting the lyrical writing; then, the music was split between Armand, Pete, and Craig. Now, it’s good, because I think that everybody contributes to everything. Especially like with the last album, Pete would come in with songs and have 90% of the lyrics written for each song. Craig and I would then sit down and change some of the lines or redo them or Armand would re-write with me or Craig , and it’s so much more of a unit. Love what you do and, I know it sucks, but I didn’t join a band to fill out paperwork. Learn the business so you don’t get f**ked over. MaM : Last question: What’s on the agenda for Sick of it All for the remainder of 2023? LK : We’re trying to keep busy. We’re writing and we have the Life of Agony tour coming back up in August again. We’re going back to Europe in June and July , and I’m going to be a tour guide at The Punk Rock Museum , which Pete just did it, too, but we have quite a bit coming up. Stay tuned. Be sure to catch Sick of it All live before their tour wraps up on August 27, 2023, in their hometown of Queens, N.Y. To learn more about Sick of It All: Sick Of It All – NYHC Sick Of It All | Facebook Sick Of It All (@SOIANYC) / Twitter Sick Of It All - YouTube SICK OF IT ALL (@sickofitallnyc) on Instagram Sick Of It All | Spotify Sick of It All Tickets, 2023 Concert Tour Dates | Ticketmaster *Cover photo courtesy of Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong lover of punk and hardcore. She may look like a wuss, but we assure you she has military training, is a badass with an M-16A2 rifle, and her music collection is stocked with all the heavy hitters you can handle. Reach her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Unique analog collage displays manifesting as one collective dreamscape < Back Taryn Chase Jackson: Mixed Media Creative Keeley Brooks Aug 1, 2023 Share Unique analog collage displays manifesting as one collective dreamscape The older I get, the more I appreciate art that makes me think in a really outside-the-box way and doesn’t lay it all out for me. While I enjoyed that when I was younger, today I appreciate the mystery and curiosity behind exploring every little detail. I have more life experiences under my nails from which to draw my deeper conclusions and find hidden meaning and interpretation. I appreciated that when I came across the artwork of North Alabama analog collage creative Taryn Chase Jackson . Courtesy of Taryn Chase Jackson Jackson is no stranger to the creative world. As a child, she was unexplainably drawn to things visually without really knowing or being able to express why. Today, she knows and expresses it a lot over the canvas with her unique analog collage displays of mixed media and assemblage . Her work is nostalgic, full of vision manifesting as one collective dreamscape. Having always identified as a creative person, she currently spends her time as a creative writer, a grant writer, a singer, and an analog collage artist. Her genuine love for her visual craft is seen in the fine detail of her artwork, which is carefully pieced together with intention. It’s easy to get lost in exploring her creations, searching for your own message. It’s harder to pull yourself away from the stories and thoughts those creations inspire. Born and raised in New York , Jackson has lived in Virginia and North Carolina , and she now lives in Alabama. In high school, her work was published in the local newspaper and won a Tri-County Arts Council’s Scholastic Gold Key Award for Art. Since then, Jackson has completed a visual art concentration as part of her bachelor’s degree, and she also holds a Master of Fine Arts (MFA) degree in creative non-fiction writing. While in high school and college, Jackson says she took a variety of drawing and painting classes and even won some awards, but ultimately, she didn’t love those mediums and struggled to recognize what she did for fun as “real art.” In fact, it wasn’t until she moved to the Muscle Shoals area and joined a group of artists that she became more serious about pursuing collage as a medium. As an analog collage artist, Jackson says she doesn’t design or edit anything digitally. “Everything you see in my work is made of paper I cut by hand and glued down. … My process is less conceptual and more driven by using found images. Personally, I’m overwhelmed by the idea of having literally every image at my fingertips and being able to resize or manipulate them however I wish.” She further elaborates that she prefers the randomness and synchronicity of putting images together in a way that seems natural, and I have to say, I can understand that. Reject the mainstream, forge your own way. We hear that, Taryn. We hear that. "Smile Like You Mean It" (Courtesy of Taryn Chase Jackson) Jackson enjoys living creatively and avoids specializing, feeling it’s best not to limit yourself as an artist by sticking with one category or genre. Instead, she says, we could be, “exploring, blending, and creating new categories/genres that may not even exist.” She genuinely enjoys making the world a much more aesthetically pleasing place to experience, and that shines through in each of her visual efforts. Recently, I had the chance to chat with Taryn about her life in the arts, her preferred medium, and her artistic processes. Check out our conversation below! MaM : Taryn, thanks so much for taking the time to talk with Mixed Alternative. Please tell us about yourself. TCJ : This is an intimidating question, so here are a dozen phrases that collectively describe me: I’m a creative, grant writer, wife, bonus mom, dog mom, Gen-Xer, double Gemini, bisexual, pagan, elder goth, compulsive collector, and maximalist. MaM : That’s a mouthful, but I like it! When did art come into your life? TCJ : I went to parochial school (essentially being home schooled at church) through the 7th grade, so I didn’t get basic art education until I switched to public school. But I loved cutting up magazines growing up and would save bits of paper or candy wrappers for no reason other than I liked the color or texture. Later, my high school friends and I started a photocopied zine that relied heavily on collage. We also decorated FBs (also known as Friendship Books) with what were basically miniature mixed media ads that we mailed to pen pals to find other fans of new wave and alternative music—obviously, this was pre-Internet! (laughs) I eventually took a variety of drawing and painting classes through high school and undergrad … but I didn’t love those mediums, and of course, I never recognized what I did for fun as “real art.” It actually wasn’t until I joined a group of artists in the Shoals that I became more serious about pursuing collage as a medium. MaM : What has your life as an artist been like? TCJ : I've always identified as a creative person. … The term “artist” is so loaded. Many people narrowly define the term as one for just visual artists or for people who make a living from their work. But creating in the context of a capitalist culture means that we have to unlearn the myths we’re taught and then be brave enough to define our work and its value for ourselves. "Toxic Positivity" (Courtesy of Taryn Chase Jackson) MaM : Who has been your biggest artistic influence? TCJ : That’s a tough question! Years ago, I probably couldn’t have named a single 2-D collage artist, but I do remember the exact moment I discovered the work of Joseph Cornell , who pioneered the assemblage. And I always felt a kinship with the Surrealists, with René Magritte and Man Ray among my favorites. I suppose there is a parallel in the way they bring disparate, familiar things together to form a cohesive whole that surprises and delights. MaM : How did you find your art style? TCJ : “Style" is one of the great mysteries, I think. Art teachers can really only introduce you to basic skills and concepts, to artists who have led the way, and give you a forum to experiment—but developing your personal taste and style is a process you have to do on your own, intuitively. You build on what works and throw out what doesn’t, and eventually other people will claim that they can recognize your work without seeing your name. But I personally think everyone’s style should be evolving all the time. MaM : While you’re making a piece, what goes through your head? TCJ : I’ve learned that I work best if I think in terms of a series or a theme because it keeps me coming back. For example, in 2019, I started a project based on the 22 cards of the Tarot deck called the Major Arcana. Each card represents an archetype or symbolic meaning, so I tried to find images that resonated with the particular card I was working on that day, then piece them together in a way that made sense to me. It’s almost like putting together a puzzle, except one where you've lost the box that had the final image on the cover, and you have to figure it out. So, sometimes I start with a concept or a feeling, and other times I pull a couple of core images I’m drawn to and see what else might complement or play off of them. I’m often surprised by the final result, and that’s part of the joy. "Solar Plexus Chakra - Gut Feeling" (Courtesy of Taryn Chase Jackson) MaM : Some of your collages are whimsical and some are more serious. What affects your art process when you’re making art? TCJ : Maybe it’s the Gemini in me, but I do often combine images that seem opposed—the sweet and the dark, the safe and the dangerous—leaving the viewer to wrestle with their own associations and, ultimately, assign their own meaning to the composition. Sometimes my pieces start with a theme or a word/phrase that I focus on to select images and create a vibe. Sometimes I have so much fun playing with different compositions that it’s hard to commit to the final layout. But ultimately, I know I’m on the right path if I can amuse myself at some point. Not every attempt is a masterpiece, but you always learn something in the process. "Gaia's Messenger" (Courtesy of Taryn Chase Jackson) MaM : In what ways is creating healing for you? TCJ : Creating is the ultimate form of healing, because in the process we’re returning (or attempting to return) to our true selves—the person we were as a child, when we were unabashedly curious and self-accepting, before all the self-doubt and people-pleasing that comes with maturity. If we can successfully tap into that core while we’re creating, we’re headed in the right direction. MaM : Are you frequently involved with local art shows? When and where? TCJ : Since I started submitting my work to exhibitions in 2020, I’ve been fortunate enough to be included in several juried shows at the Tennessee Valley Museum of Art and the Kennedy-Douglass Center for the Arts here in the Shoals—as well as at the Carnegie Visual Arts Center in Decatur, AL; Jacksonville State University in Jacksonville, AL; and even the Arc Gallery in San Francisco, CA. Dates for my current shows are as follows: · “ArtWorks" 2023 Member Exhibition at the Tennessee Valley Museum of Art , Tuscumbia, AL (July 22-Aug. 12, 2023) · “Making Waves: Waterscapes in Art” 2023 Online Juried Exhibition by Southern Tier Center for Emerging Artists , Jamestown, NY (Aug. 1-31, 2023) · "Myth in Form” Alabama Women's Caucus for Art (ALWCA) Juried Exhibition, Carnegie Visual Arts Center , Decatur, AL (Sept. 29-Nov. 4, 2023) MaM : Any advice for other artists out there (interested in mixed-media collage)? TCJ : Fortunately, collage is an extremely accessible medium: If you have paper and glue, you can do it. You don’t even need scissors—just tear it! If you supplement it with paint or markers, you have mixed media. Make it 3-D by adding found objects, and you have assemblage. Unfortunately, the idea that anyone can do it is part of the reason some people think it doesn’t belong in the world of "Fine Art.” Historically collage was also something more women did than men, so of course, that counted against it as well. But my advice to those interested is to a.) ignore the gatekeepers, and b.) get familiar with collage artists—historical and contemporary—to figure out which styles you like (or don’t). Follow the collage community on Instagram and subscribe to Kolaj Magazine or other publications that include collage. Imitate one technique and then another. Make a piece based on a particular song or a piece that someone you care about might enjoy. Let yourself get weird. "Forbidden Fruit" (Courtesy of Taryn Chase Jackson) With all creative work, every single person—even those with decades of experience—has to start with a blank page. So, the most valuable skill you can develop is figuring out the best way to trick your own brain into creating. For example, if you make excuses about not having time, tell yourself you’ll only work for 15 minutes. If you feel self-conscious, just tell yourself you’re just going to test a new method or technique—anything that lowers the stakes. Of course, then you have to resist the urge to judge, stay curious, and come back and do it all again. For more on Taryn Chase Jackson, visit her online at https://AnySlyEnchanter.wixsite.com/my-site or on Instagram @AnySlyEnchanter . *Cover photo "Liminal Spaces" is courtesy of Taryn Chase Jackson. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Boiler Room are on a mission to make a significant impact in the world of metal. < Back Boiler Room’s Revival: A Resurgent Force in Metal Nicole Brice Mar 28, 2025 Share Boiler Room are on a mission to make a significant impact in the world of metal. I was a teenager in the late 90s / early 2000s , a time when nu metal , a subgenre of alternative metal , dominated the airwaves. Bands like Korn , Limp Bizkit , Slipknot , and Deftones were everywhere, and because of the mediums we had back then to bring us new music, only certain bands were filtered my way. Here I am in 2025, and I was recently introduced to Chris Lino , vocalist for the New York City-based nu metal band Boiler Room , thanks to my good friend and photographer , Jeff Crespi . Unbeknownst to me, Boiler Room had a very successful career for a while from 1996-2001 , sharing the stage with Type O Negative , King’s X , Clutch , Orgy , Life of Agony , and Static-X . Still, after changes at their label, they walked away from forging their legacy, so why are they back now, and what has been going on all these years? Credit: Jeff Crespi Gritty, raw guitar riffs and an aggressive yet melodic style, Boiler Room , were part of the broader DIY movement until they were discovered and signed. Chris Lino ’s vocals are thick, raspy, and full of soul. With a unique combination of sounds and clean screams, he can go from sweet to sour in only a few seconds. Truly, this man's voice is amazing. It’s remarkable how music machines work. Oodles and oodles of bands come out yearly, but it’s up to the geniuses who market these bands to make them stand out, so how and why did Boiler Room get lost amongst the shuffle? Credit: Jeff Crespi With their recent resurgence, Boiler Room is on a mission to make a significant impact in the music world. Their blend of rock and metalcore is a force to be reckoned with, and they're not holding back. They released the single, ‘ No Patience ,’ in 2024 , followed by ‘ Changes ’ in 2025 . The band's focus on live shows in the days ahead is a testament to their determination to share their music with audiences everywhere. Boiler Room’s past labels include Roadrunner and Tommy Boy Records , two significant players in the music industry. After years out of the spotlight, they are currently looking for a new home, a move that could potentially reshape their musical journey. Boiler Room’s current line-up is Chris Lino (vocals), Nick Seditious (guitar), Tommy Spano (drums), and Peter Rizzi (bass). A humble, charismatic, and talented human, I truly enjoyed my recent conversation with Chris Lino . We delved into the band's past, current journey, and future plans. Please take a moment to dive into our conversation below and then listen to their latest ‘ Changes ’, which is out now on all streaming platforms. The official music video for 'Changes' by Boiler Room - out NOW! MaM : Thank you for joining me today. I had to go down the Wikipedia rabbit hole to learn more about you guys, but you started as a thrash metal band in 1996, correct? Chris : Actually, we started in 1992 , and we were called Bible Black . In 1993 , we were selected to play the Foundations Forum alongside Accept , Kiss , I Mother Earth , Quicksand , and Rob Halford , who was working with his new band Fight at the time. We had a demo with the song ‘ Judgment Day ’ that passed the board with Concrete Marketing , so they voted us in, and we were selected for the show. I don’t know if they still host the Foundations Forum , but it used to feature signed bands, established bands with new material, bands that had just been signed , and then there was us – we were an unsigned band looking for a deal. We ended up playing, and it was awesome. Life of Agony was there, too. We knew them from Brooklyn . Rob Halford was actually at the side of the stage, and when we completed our set, his manager said, “Mr. Halford would like to meet you guys.” MaM : Wow, that’s awesome. Hell yeah. Chris : He was the nicest guy, and he gave us some simple yet great advice. “Just keep writing”, he says in his British accent to us, and he was thinking about managing us at that time. He was looking to start a label and had a management company. We ended up touring with Type O Negative and Life of Agony . We had Ken Kriete , their manager, who was helping to manage us at the time. That relationship fizzled out, and our original guitar player ended up leaving, so we put an ad out in The Village Voice – back in the day, that’s how it was done. MaM : Man, back in the day, that was the only way you could advertise for anything—no social media. Remember paper flyers for shows, too? Chris : Oh yeah. So, we ended up putting the ad out there, and we had to go through approximately 128 demo tapes . We were very popular in the tri-state area and on the verge of something significant. At the time, we were also in talks with some labels. We eventually went through all the demos until we came upon Rob Caggiano ’s demo, and it was different because he wasn’t just shredding on it and playing. He remade a Misfits ’ song, sang on it, and created a versatile demo that stood out. He could sing backing, but he never did in the band. Man, so he pulls up and right away, he just had this swag and this attitude out of the gate. (laughter) He showed up, though, and had all the right equipment and everything. We had asked him to learn four of our songs from our recently released indie album, and he nailed two of them. However, he didn’t put in the work for the other two. The drummer and bass player were kind of “eh” at first, but then I told him to show us a couple of his riffs and stuff he was working on. He busted out some riffs that just blew me away, and I was inspired immediately. I was like, “Do that again!” (laughter) That was one of our singles, too, ‘ Do It Again ’, no pun intended, but once he busted out this riff, I immediately started adding vocals to it, and that was it. He and I hit it off immediately, and we wrote all of what turned out to be the first Boiler Room record. We wrote about 80% of it. We had a creative connection. It was around this time that our music also began to be played on KROQ . MaM : KROQ was the place to be heard back in the day. Chris : Yeah, they had a metal show on Sunday , and we were one of the first unsigned metal bands to be played on it, and we had a couple of shows in the area. One was at Irving Plaza where we opened up for Machine Head , and then another time it was Orgy, and when we opened up for Orgy , it was insane. We have a video of it on our Facebook page . We just blew it up that night, and we had another manager give us his card while saying, “I’ve never had a local band blow my signed band away.” (laughter) After that, the phone calls started coming in, and we initially signed with Roadrunner . We went out to L.A. and recorded the whole album out there. ‘ Do It Again ’ ended up being released on MTV’s “ The Return of the Rock ” CD Volume 1, alongside many other heavy hitters. It was Kid Rock , Korn , P.O.D. , Papa Roach , Sevendust , us, and a plethora of other great bands . We were off to a good start, but we ultimately hit a brick wall with some of the politics in the music industry. It had nothing to do with us, but there was a change in leadership, and the original CEO who had signed us ended up leaving the label, and the new person showed no interest in us. They kept pushing our release date back, so we knew we needed to get off the label. We ended up getting off the label eventually and signed with Tommy Boy/Warner Bros . They were trying to get into the nu metal scene at the time because you had bands like Limp Bizkit blowing up. We were off to the races after that. Photo provided by band We went on tour with Disturbed and Kittie . Kittie was the headliner back then. So, Disturbed started taking off with their first album and ultimately left the tour. We decided we needed to get back on a tour with them, and we ended up touring the tri-state area with them. It was great. Then, we toured with Mudvayne to promote the release of their first album, and from there, we embarked on a club tour in Europe , which also went very well. Came back from Europe , and the label dropped us because we weren’t selling enough records in the States . They owed us for another album, though, so we settled that and then decided we needed to regroup. Rob , though, had already agreed to join Anthrax , so we knew that conversation was coming. Everyone just ended up going their separate ways until I hooked up with Mike Orlando from Adrenaline Mob . He suggested that we redo the Boiler Room record because he’s a producer and engineer and has a studio in Staten Island , and he thought we had a sort of legacy going with Boiler Room . I decided to select the choice songs that Rob Caggiano and I wrote, which I felt did not receive their fair share of recognition. So, we re-recorded them with new production, and we pumped them up. We did four songs from the Boiler Room record, and everything else is new material. One song, ‘Rectify,’ on which Ron Thal played an insane, ripping solo, but we had to edit it for radio, so we have two versions of that song. On tour with Disturbed - photo provided by band MaM : Who all did you bring into the mix for recording this go-round? Chris : So, Mike Orlando hooked me up with Peter , and we found Nick , the guitarist, and Tommy Spano on drums. That got the line-up back together, but I started recording the album before I met Pete . We had Jason Bittner from Shadows Fall and Overkill play the drums, and then Pete came in to record the bass. Mike Orlando did the guitars. Nick did a bunch of leads on it, but the album had already been recorded when we hooked up with them. We then released the single ‘ No Patience ’, which was initially titled ‘Patience’, as the song has nothing to do with actual patience. Additionally, Guns N' Roses already had a song called ‘ Patience ’, so we reworked it and released it as a single. We have a video on YouTube that is performing well, with over 400,000 views. The official video for 'No Patience' by Boiler Room MaM : Then you have ‘Changes’, so tell us a little more about that one. Chris : That I wrote with Mike Orlando . I didn’t get into that story, so after Boiler Room broke up, he tracked me down before he blew up. We hooked up and started writing, and did something called Out of Body , so ‘ Changes ’ was an Out of Body song. A lot of the songs, his songs, ended up on Adrenaline Mob's first album , which they changed the melodies and the lyrics, but ‘ Changes ’ was the song we wrote together, and he never used, so I was like, “Let’s re-record that one and put it on the new Boiler Room album.” Credit: Jeff Crespi MaM : Hell yeah, man, so you just decided to dive right back in to start releasing music. Was it because you missed it, or because you felt there was something there that you just needed to express? Chris : Both. Orlando is like, “Dude, when you gonna get back in the saddle again?”, and I’m like “Eh…” I told him I was thinking about doing something different, but he was like, “Nah, redo some of that older material. Redo the whole album.” I was like, yeah, I’ll redo some of the songs, but I’m not redoing the entire album. Like some of the songs that fell by the wayside, like ‘ No Patience ’, which we used to do at soundcheck when we were touring with Mudvayne , and they would stop in their tracks to listen. Imagine you’re touring with Mudvayne , and they stop to listen as you’re doing soundcheck, asking what the name of the song is and why the song isn’t in your set. That was the one song that I always wanted to redo because it never got a fair shot. Chris Lino of Boiler Room - photo provided by band MaM : So, tell us about the new album and when it will be released? Chris : It’s going to be nine songs with the edit of ‘Rectify’. We're looking at June for the release date. Pete and I also wrote a new song for the album called, 'Haunted'. We can't wait for everyone to hear it. MaM : Who were some influences that shaped your sound when you were first starting out? Did the idea for the band come about in high school, or how old were you when you first decided to start a band? Chris : I was in college when the band started. We had all the influences prevalent at the time, including Pantera , Black Sabbath , and Metallica . Then, Limp Bizkit and Korn were gaining immense popularity, which also influenced us. I don’t think there is any musician out there who a Black Sabbath riff hasn't influenced. MaM : In fact, down here in Louisiana, most bands are always influenced by Black Sabbath and Pantera. Pantera is a southern thing, though. You can’t live in the south and not like Pantera. Chris : We actually got to meet them when we were touring with Type O Negative because Phil is a fan of Carnivore and Peter Steele . After Type O Negative started taking off, Pantera jumped on a tour with them. We got to see them in Albany, New York , I think. Ken , Type O’s manager, was still managing us, and he invited us backstage to meet the guys. Phil was nowhere to be found, but Dime and Vinnie were awesome. They told me, though, that if I wanted to hang out with them, I needed to start drinking. (laughter) MaM : Oh yeah, gotta hang with them Pantera boys. Chis : You'd better start banging some shots out now. They were really cool. Rex was somewhat standoffish and asked us who we were, but overall, it was a great experience. I met Vinnie a second time years later because, after the lead singer of Drowning Pool passed away, I tried out to be their new singer. Credit: Jeff Crespi MaM : Wow! Did you? I had no idea. Chris : Yeah, they called me up after a year of mourning. Boiler Room was done. I was demoing with Mike Orlando , and I was shopping again. My old A&R guy, who had my demos, knew I was trying to secure another deal. However, he informed me that he had sent my demos to Paul Bassman , Drowning Pool’ s manager at the time, and that they were interested in meeting with me. They reviewed over 300 demos from around the world and narrowed it down to me and another guy. They sent me the album with no vocals so I could practice on it, and then they also sent two new songs . They asked me to write melodies and lyrics for the two new songs. I was in New York and did this, and it took me a couple of weeks. They ended up flying me down to Dallas, Texas , and the drummer was cool. Here I'm playing the entire Drowning Pool record, singing it, and it was surreal. It felt like Drowning Pool karaoke, but I had the actual band. (laughter) MaM: So, what ended up happening? Did you not take the gig because you would have to move? Chris : That was some of it, but they had another guy they were looking at, too. It just didn’t work out, but I was honored. They were very nice guys. So, after we did our jam and everything, they took me to the strip joint in Texas that Vinnie and Dime owned. They said they wanted to “send me off”, but they hadn’t let me know yet what their decision was. I walked in, though, and met Vinnie Paul again, and he goes, “You gonna be the next singer of Drowning Pool?”, and I go, “I hope so, we’re gonna see what happens.” The rest of the night, I was hanging out with Vinnie Paul , the guys from Damageplan , and the guys from Drowning Pool , and man, they were drinking like fish, man. I fell right into it, too. They go, “We hear you don’t really drink", and I go, “Ah, man…” (laughter) They end up passing me a bottle of Jack , and go, “Give me a five count.” MaM: Oh no … (laughter) They got me bombed, and the next thing I know, their manager goes, “You’ve got about four hours. We’re gonna drive you to the airport and drop you off.” They then let me know that they hadn’t made their decision yet, but they ended up going with the other guy. Paul Bassman tried to help me and Mike Orlando with Out of Body by getting us signed to Drowning Pool’s label , but that fell through, too. That was it for a bit, and I gave it a break until Mike Orlando tracked me down again. He kept pushing me to do something, and at the time, I was doing an acoustic thing that later evolved into a plugged-in thing. Still, the whole time, Mike is trying to push me to redo the first Boiler Room record, which led to the decision of doing the songs Rob and I wrote, but not the entire album. MaM : That’s actually a smart way to approach it. Chris : Yeah, so I had some new music I wanted to do as well, so I kind of just leaned on my strengths with what I do. I put the rapping thing away. My three most significant influences at the time were Chino from Deftones , Scott Weiland from Stone Temple Pilots , and Phil from Pantera . I was becoming a hybrid of those influences. What I realized, though, is I needed to just “come with it” – that ballsy, raspy voice and forget about the rapping and the ominous whisper thing that Chino does. I veered away from that by just doing what I do best. Then, one night, I was watching a show with Steve Vai , and they asked him what he attributed his success to. He told them that you have to lean on your strengths. If you do something well, lean on it. …and here we are. MaM : Do you feel technology has helped or hurt the music industry? What’s your take on all the technological advancements in music? Chris : I’d have to say both. When we were growing up, you’d buy the whole album and listen to the entire CD . You’d open it up, look at the artwork, read the credits, and examine the pictures— it was a whole experience. You became a true fan. Some songs you liked. Some you didn’t, but at least you knew the entire album. Now, it’s like they’re promoting Attention Deficit Disorder . You download one or two songs. There’s no actual record sales anymore. It’s all based on streams , and that’s misleading because you don’t have real fans anymore. At that time, securing a record deal was highly challenging. You had to do it from the ground up – garage band style. Now, anyone can put up anything. It’s great because you can access the music more straightforwardly, but in a way, it’s not. MaM : What are the plans for the rest of 2025 and beyond for Boiler Room? Chris : Well, we’re gonna release the new album in June . My focus is this … I know everyone wants to focus on social media these days, but I’m grassroots, and the social media only goes so far … I’m all about getting people to shows . We’re looking to partner with a larger national act to secure a spot on some of these tours. I want to flood out the entire tri-state area, hit the East Coast or the South , such as Louisiana . If we could secure a good show with a national act, that would work. We’re in a rebuilding process right now, though. We’re trying to rebuild the foundation of our fanbase and replant the flag. Shows … quality shows. We’ll see where it goes. As Chris Lino and Boiler Room move forward in the modern music scene, they stand poised to bring their powerful music to a new generation. They stand out as a band that embodies grit and substance. Their music isn’t just something you hear; it’s something you feel. I look forward to watching their journey unfold. Boiler Room is a name to remember. They’re not just playing metal—they're living it. To learn more about Boiler Room: Facebook: Facebook Discogs: Boiler Room Discography: Vinyl, CDs, & More | Discogs Wikipedia: Boiler Room (band) - Wikipedia All Music: Boiler Room Songs, Albums, Reviews, Bio & More... | AllMusic YouTube: BOILER ROOM - YouTube Instagram: (@boilerroom_band) • Instagram photos and videos *Some photos by Gessner Photography Eric (@ gessner.photography ) • Instagram photos and videos *Other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. < Back Acid Bath’s Triumphant Return: A Night 28 Years in the Making Justin Hammer and Charles Sagona Apr 27, 2025 Share The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Friday night, the mythical Louisiana sludge metal legends Acid Bath returned to the stage, kicking off their reunion tour with a sold-out show at the Fillmore in New Orleans — their first performance in precisely 28 years . Credit: Justin Hammer Photography The current lineup features original members Dax Riggs (vocals), Sammy Duet (guitar), and Mike Sanchez (guitar), joined by Goatwhore's Zack Simmons on drums and Crowbar's Shane Wesley on bass . It's a blend of old blood and new energy , and from the moment they launched into the opening notes, it was clear this wasn't just nostalgia — Acid Bath came to reclaim their legacy. Dax Riggs by Justin Hammer Photography Acid Bath was one of Louisiana's most influential sludge metal bands in the 1990s , known for their unique blend of doom metal , punk , grunge , and Southern rock . The band was active from 1991 until 1997 , when they disbanded following the death of founding member and bassist Audie Pitre . After their final performance in Shreveport, Louisiana , on April 25, 1997 , it seemed to everyone, including the remaining band members, that this marked the end of an era and that their music would never be heard live again. Sammy Duet of Acid Bath by Justin Hammer Photography What makes Acid Bath 's return even more remarkable is how their legend status grew during their long dormancy. In their original run during the '90s, Acid Bath wasn't selling out venues like the Fillmore . They were packing into dive bars like Papa Joe's in Baton Rouge , Zeppelin's in New Orleans , and gritty all-ages shows in small-town halls like Gonzales, LA . Their glory days weren't measured in ticket sales , but in the cult following that quietly spread over the years, turning their two albums — When the Kite String Pops and Paegan Terrorism Tactics — into sacred texts of underground metal. In October 2024 , the Sick New World festival in Las Vegas announced its lineup, and to everyone's surprise, Acid Bath was included. However, shortly after the announcement, the festival was canceled. Despite this setback, more shows began to be organized, officially confirming the remarkable return of the iconic Louisiana band. Fast forward 28 years to the day: Acid Bath made their highly anticipated return to the stage at the Fillmore New Orleans on April 25, 2025 , performing to a packed and sold-out crowd. The show opened with an electrifying performance by Eyehategod , another iconic band from New Orleans and friends of Acid Bath 's members. Fronted by Mike Williams and featuring founding member Jimmy Bower from Down on guitar, Gary Mader on bass, and Aaron Hill on drums, Eyehategod set the stage with an incredible 45-minute set that energized the crowd. The biggest question lingering over the night: could Dax still deliver after three decades away? — was answered immediately. His voice was astonishing, shifting effortlessly from throat-shredding screams to hauntingly beautiful melodies , often within the same song. The years had done nothing to dull his dynamic range or emotional power. The audience was diverse , consisting of older fans who remembered seeing the band at their peak in the '90s, and younger attendees who were born well over a decade after the band disbanded. Acid Bath took the stage to a roaring, packed crowd. The moment's significance sank in as they began to play: Acid Bath was back. Looking over the audience, we could see everyone mouthing and singing along to their iconic songs, regardless of age, fully immersing themselves in this historic moment in music history . Immediately following ' Bleed Me an Ocean ,' the crowd couldn't contain their excitement and broke into chants of "Acid Bath! Acid Bath! Acid Bath!" Sammy grinned and told them, "Hey, y'all calm down — there's plenty more where that came from," which drew a giant pop. Sammy Duet of Acid Bath by Justin Hammer Photography Midway through the set, Sammy paused to ask the crowd, "Be honest — did you think this would ever happen again?" The thunderous "NO!" that followed said it all. The setlist , while powerful, leaned toward deeper cuts rather than expected anthems. Classics like ' The Blue ,' ' Cheap Vodka ,' ' Jezebel ,' and their traditional closer ' Cassie Eats Cockroaches ' were notably absent, leaving some fans both exhilarated and a little wistful. It wasn't a flawless performance. Early-show jitters led to a few songs being stopped and restarted. "Sorry," Sammy told the crowd after one hiccup. "You guys don't deserve this. Hold on — I just want to give you the best experience ever," before relaunching into a blistering rendition of ' Dr. Seuss Is Dead .' Sammy Duet of Acid Bath by Justin Hammer Photography But in the end , none of the minor missteps mattered. The sheer joy radiating from both the band and the audience was undeniable. It wasn't just a concert — a resurrection, a testament to how far their shadow had stretched while they were silent. This band has had a tremendous impact on the metal scene in New Orleans , and they continue to do so by selling out every show they announce within minutes. Their music resonates with younger generations, inspiring both local bands and fans. Even after being absent for 28 years, their influence remains significant. The merch line snaked through the venue, with fans waiting over an hour to score shirts, posters, and a piece of history. Acid Bath's long-dormant flame has been reignited, burning brighter than ever. Setlist: Tranquilized Bleed Me an Ocean Graveflower The Bones of Baby Dolls Dead Girl (Agents of Oblivion version) Old Skin New Death Sensation Venus Blue Scream of the Butterfly (dedicated to Audie Pitre) Paegan Love Song Dr. Suess is Dead Set List from 4.25.25 To learn more about Acid Bath: Website: The Official Acid Bath Website *All photos by Justin Hammer Photography Shop Photography Art | Justin Hammer Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Fresh Approach to Pop Art & Surrealism < Back Brilliance for a New Era: Lori Bequette Nicole Brice Nov 6, 2022 Share A Fresh Approach to Pop Art & Surrealism Sometimes an artist’s work catches my eye, and I am instantly hooked. This go-round one artist has truly exemplified what it means to learn from the greats to make new interpretations of mediums made famous by those before her, and eye-catching her work is , indeed. May I introduce, Lori Bequette . Lori Bequette Lori is based out of Baton Rouge, LA where she lives with her husband and 4 y/o daughter trying to balance motherhood with creating art. Growing up, Lori cannot recall a time when she was not fascinated with or not actually creating something. “I think a huge part of my entire identity has been always knowing that I am an artist. It has always just been there, ya know?”, says Lori upon being asked when she knew she had the itch to create. In recent years, Lori’s path has taken a detour due to her duties as a mother, but that has not stopped her from doing what she loves. “I went from painting everyday to not painting at all. Having a supportive partner, and allowing myself to create again, has been detrimental to my mental health, and I honestly assumed I would be rusty [when picking up a paint brush again], but instead picking up my brushes again was like riding a bike, and in many ways, I felt like my skills had somehow ‘leveled up’. It felt SO GOOD to be painting again.” Art by Lori Bequette Lori’s work is so stunning that you can’t help but stop to take notice and admire the detail she puts into each painting. With a knack for capturing life in vivid detail, Lori’s pieces jump right out at you. Art by Lori Bequette When asked who or what inspires her style, Lori responded, “This is hard for me to answer. I am self-taught and have never taken any classes or courses, so my style and techniques were developed by me. I take inspiration from an enormous variety of artists and turn to diverse styles and mediums to guide and influence my creativity. I especially love when I find a new artist with work that leaves me questioning my own interpretation of a message or story.” Lori’s work is ever-changing and geometrically guided with influences from both Pop Art and Surrealism . Often incorporating abstract components, her paintings usually begin with a face or character where she builds upon that concept to tell a story. Art by Lori Bequette “I’m often blending nature and animals into my work in an unusual way. The hexagon is a shape I implement quite regularly. It’s such a precise and symmetrical design, yet like a puzzle, forming a more fluid shape or figure.” Art by Lori Bequette When asked which famous artist she would like to spend the day with, living or dead, given the chance, she replied, “Well, that does not seem fair, BUT I am going to choose Rene Magritte . He had such talents, and I mean, he had the ability to forge other artists’ work to sell when he struggled with poverty showcasing a wide skill range. He was able to aesthetically play with illusion within his own work by giving ordinary objects new context and meaning. His pieces were always thought provoking. I would love to tour his mind.” Lori doesn’t credit one specific person with giving her the want and need to create, but instead says, “I don’t think there’s just one person. My family, my friends, even strangers whom I never met on social media have always supported me in my adventures. My husband has always been extremely supportive in me pursuing my dreams and I feel lucky to be able to work from home. I gained support early in life from teachers who recommended I be evaluated for creative giftedness, but I remember just loving that. With support from teachers, I found school to be less exhausting than others. I do have ADHD and am a victim of childhood abuse and trauma, so having the opportunity to have a safe place to withdraw and create was a relief at times. It goes without saying that art, even in my 40’s, is still a tool to withdraw and escape because we all need that. I need it.” To check out Lori’s amazing masterpieces and to see about purchasing some of her work, you can visit her on social media via Facebook and Instagram . Lori Bequette Art | Facebook Lori Bequette (@art_bylori) • Instagram photos and videos Art by Lori Bequette www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. < Back Weekend Rock: Branded for Exile Nicole Brice Apr 30, 2024 Share Branded for Exile ignited the night with their authentic sound at Cajun Daiquiris in St. Amant, Louisiana on April 26, 2024. Explosive – that’s the only word I can think of to describe the dynamic set from Branded for Exile on Friday, April 26th at Cajun Daiquiris in St. Amant, Louisiana where the guys played to a packed house. With an exceptional set in celebration of their debut release, Born in the Flames , which was released in late 2023, the band blew through their eight-song set like a bunch of seasoned veterans on a mission to give the best show ever. With support from two other incredibly talented local bands, Drab and This Beating Heart , Branded for Exile took to the stage with pure energy, tight musicianship, and one mission – to blow the roof off Cajun Daiquiris by playing loud and authentic Louisiana metal. Credit: Gary Governale As Branded for Exile started into the first few notes of their set, vocalist Shannon Guillot said in his flawless half-scream, “We are Branded for Exile! Here we go, motherfuckers!” as they launched into the heavy and monstrous beginning of their song ' Silver Tongue '. This is one of my favorites off their debut release, ' Born in the Flames ', and it does not let up the entire song. The rest of the set was just as eruptive as the beginning, and to be honest, I was super excited to hear my favorite song, ' Branded for Exile ' live. Shannon’s lyrics on this track resonate with me on so many levels, and if you haven’t heard it, then you MUST ! I insist! Go now! When Shannon starts singing the part of the chorus that goes, " I'm alive, I am free, don't need you condemning me. I'm just playing the cards I've been handed. I'm awake, I am strong, I will never walk alone. I'm just living a life being branded...Branded for Exile! " - that is it for me. The power in those potent lyrics are enough to get anyone thinking in a more positive way, and to be honest, all of the lyrics on this album are like that. The words are carefully orchestrated with so much meaning that one can't help but be inspired. Credit: Gary Governale Cajun Daiquiris was the perfect setting for this night of music, too, because I forgot how much I love smaller venues with an intimate feel. There was no hate on this night either. Nothing but unity through music where I heard several people say, "Damn, these guys are good!" Credit: Gary Governale Other notable moments – Drab ’s flawless cover of Motorhead ’s ' The Ace of Spades '. This was my first time seeing Drab live, and they are gifted musicians. I really enjoyed their set. I had never heard of This Beating Heart before this show, and I truly enjoyed their cover of Sevendust ’s “ Black ”, too. As Branded for Exile rounded out the night with their potent last song, ' Born in the Flames ', they solidified themselves as a real up-and-coming force in the genre of metal. Mark my words, you’ll be hearing more about these boys real soon from other people besides me. To experience Branded for Exile's "Born in the Flames" for yourself, just hit the link below: brandedforexile.bandcamp.com Born In The Flames, by Branded For Exile 8 track album *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mi’Kael Chalyce is a soulful vibe of reflection and relatability whose voice eloquently captures the emotional evolution of the human condition. < Back Mi’Kael Chalyce: A Soulful Vibe of Reflection and Relatability Erica Machen Mar 12, 2024 Share Mi’Kael Chalyce is a soulful vibe of reflection and relatability whose voice eloquently captures the emotional evolution of the human condition. Emerging from the musically acclaimed Nashville, Tennessee, Mi’Kael Chalyce, better known as Kael to her family and friends, has burst onto the scene with a soulful vibe of healing reflection and relatability . Passionate, bold, daring, and authentic, Chalyce is an empowered artist whose voice eloquently captures the emotional evolution of the human condition and translates the collective anguish, progress, struggle, and joy we experience on a daily basis. Inspired by vocal legends like Whitney Houston and Mary J. Blige, Chalyce’s sound is a very cool blend of old school R&B mixed with the likes of Destiny’s Child and Outkast . And when combined with her strong gospel roots, her sound evokes that kind old school southern soul that’s wrapped in ambiance, truth, and pain. Mi’Kael left Nashville with a desire for authentic music after seeing business connections prevail over genuine human connections. She found sanctuary in the rhythms of Atlanta, Georgia, where her connections budded into relationships that allowed her music and stories to blossom. As a mother, educator, musician, and multi-faceted storyteller, Mi’Kael has both a history and a future worth sharing. Her authenticity and talent have shaped her into a powerful vessel spreading encouragement, energy, and self-expression. She is a triple threat in the most non-threatening ways, and she brings a sense of relatability and comfort in her music that warrants a desire to share and celebrate what she is doing. Photo from artist website We had the chance to rap with Mi'Kael recently and in that learned what a luminous talent she is. Check out our conversation below! MaM : I see that you've been inspired by legends such as Whitney Houston and Mary J. Blige, as well as your gospel roots. How do you mix all those influences into your music and what do they mean to you personally? MK : Wow, that's a good one to kick off! I think it's incorporated into my music organically with the way I phrase my words, or I end the note, or end the line. You can just hear some of those influences. Those were the songs I listened to over and over growing up, so that's what naturally flows through me when I'm writing or performing. It's definitely one of those situations where it's not about where you're going [but] where you came from. Everything I pour into what I'm doing now is from back home and [I am] just taking it to the next level. MaM : Speaking of your roots and your identity as an artist, you have a cool blend of old school R&B with vibes of Destiny's Child and Outkast. How do you keep that mix while still staying true to your style? MK : I still listen to what’s on the radio now, but I try not to emulate too much of what other people are doing. I keep it fresh with my cadences. Destiny’s Child brought in that rap/sing era, and you still see that happening. I do that, but I blend that with a little of the old school southern soul sound. MaM : Your music dives into some deep topics like mental health and growth. How do you approach writing about such personal subjects, and what do you want your fans to take away from your music? MK : The way that I approach it is starting with the music. Photo from artist's website I listen and try to see what style of music puts me in the vibe of where I am in that point in time. I’m really careful about not writing in the air, as I call it. That’s writing random things just because they sound good. That's not how you create a sound that is going to translate. As I'm listening to the music, I make it fit with what I'm feeling. Whatever story I want to tell is what comes out. I don't necessarily say I want to talk about mental health. I just get it all out, and it turns into a song that’s encouraging people to tap into their mental health and self-care. It happens organically. MaM : Your move from Nashville to Atlanta must have been a big change. How does the switchup influence your music and connection with your fans? MK : In Nashville, I didn't feel as connected with the community as I do here. I felt like the musicians were work-for-hire, and we didn't get to build a true relationship or repertoire together. In Atlanta, people have been more excited to work with me, and you get people really wanting to build with you. It's just like a family, no matter who I'm singing with. MaM : “Passion and Chemistry” really hit home with your fans. Can you give us a peek behind the scenes? What inspired the tracks? MK : ‘Passion and Chemistry’ was the birth child of my divorce. I got married super young, at 19, and had a child. I was married eight years. I was out of the marriage [and] thought I was free and could have these great relationships. The first situation I got into, I was dealing with a guy who was also ending a marriage. It was a very complicated situation. I told that story through ‘Passion and Chemistry’. That song started as a country song. I have the country version from a producer in Nashville. A producer here in Atlanta gave it the feel we were looking for with more of a soul/hip-hop style. MaM : You mentioned your music is all about being real and speaking to the soul. How do you make sure that authenticity shines through in your music and performances? MK : I stay true to who I am [whether] I'm singing cover songs or … am with my own band singing my originals. I’m going to do it my way, in a way that speaks to my soul. I get contracted to sing jazz songs, swing, and all different types of things, but I always put what I call my Kael sauce on it to remain true to myself. Sometimes it’s difficult, but I am very creative in the way I communicate. It's just about your attitude and how you talk to people that makes all the difference. MaM : Everyone is going to be eager to know what is next for you. Can you give us a sneak peek into any upcoming projects or plans on the horizon? MK : I am releasing a new single very soon [called] ‘Don't Settle’. Following that, I have a whole album in the works. By the end of the summer, you will have another full project. I am knee-deep [in] it! For more on Mi’Kael Chalyce, her music, and any upcoming shows, visit her official website at www.MikaelChalyce.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

90’s alt rock with dark and dreamy layered vocals < Back Mindy Scurto and Captive Frame: Reigniting Shoegaze Nicole Brice Jul 31, 2023 Share 90’s alt rock with dark and dreamy layered vocals I recently came across the music of an indie band called Captive Frame. With numerous releases on their Bandcamp page, I was drawn to their sound because it reminds me so much of one of my favorite shoegaze bands, Scarling . When most think of shoegaze, they instantly think of bands such as My Bloody Valentine , Cocteau Twins , or The Jesus and Mary Chain : distorted guitars, feedback, and dreamy layered vocals encasing you in soothing waves of sound. With an insanely creative cover of Nirvana’s “ Something in the Way ,” Captive Frame has found a way to showcase the perfect mix of distortion and feedback making the well-known tune feel reinvented. Other tunes such as “Walking Away” and “Seven Mondays” take the listener through an atmospheric journey of texture and sound. With so many songs to experience on their Bandcamp page, you truly need to experience their music for yourself to understand the beauty of Mindy Scurto’s voice. It’s soft, it’s haunting, it’s seductive. Captive Frame is the brainchild of multi-talented female vocalist, Mindy Scurto, who is currently based out of Florida, and her husband, Joe, who plays lead guitar. Originally from Maine, Mindy is a graphic designer by day and a talented musician by night. Coming from a metal scene in New England, Scurto founded her own graphic design company called MK Studios, where she has taken on numerous projects for her band as well as others to give them the identity they all visually need. In addition to graphic design, Mindy also paints and loves to engross herself in fine art. With a history of over ten years in the business, Scurto formerly managed a music shop in her home state where she worked exclusively with Autistic children teaching them music and integration. I recently had the opportunity to chat with Mindy at length about her music, her life, and her passion to create as well as the current state of her band. Take a moment to learn a little more about this creative woman who knows how to captivate with not only her voice but also with her outgoing personality. MaM : Tell us a little more about the band beginnings. MS : Captive Frame started a long time ago back when I was living in New Hampshire. We had a band before that was called Zounderkite and then another one called Cactus Hag. We toured all over with Cactus Hag and had a lot of fun, but my health got really bad and we ended up moving around New England a good bit. After I was misdiagnosed with diabetes, they essentially told me I was going to die, and at that point I decided we needed to get the hell out of New England because I had developed neuropathy. I couldn’t play anything, and I couldn’t do my art. In the middle of the pandemic, we decided to move to Florida in the southwestern part of the state, and that is where we currently are now. Photo provided by band MaM : So, what year was it that you could say that Captive Frame really got started working on material? Was it 2012? MS : No, it was more like 2014. I remember I was still working at the music store, and I found DKFM, which is a shoegaze radio station, and I was just blown away. That kind of gave me the idea for the band and then Joe, my husband, who is a huge Siouxsie and the Banshees fan, heard this line in the song “Unrest” where she says something about a captive frame, and that really resonated with him. It symbolizes being stuck and the line really stayed with us. When we moved to Florida, we got with a producer and we had this plan and then ended up knocking out an album in a year. It just poured right out of us. MaM : What is going on currently with the band? Any new material coming? MS : We have the live line-up finally and we’ve only practiced twice, but the guys we have are really serious about the music, which is great. We’re not used to people taking the music seriously because we’ve been in some bad situations with band tyrants, and it just really messes up everyone’s time. The chemistry of this group is so right, and we are a super tight family. Currently practicing and working on songs. Cover art for Captive Frame's upcoming self-titled release MaM : Who makes up the current line-up of Captive Frame? MS : I sing and then my husband, Joe, is the lead guitarist. Eric is the rhythm guitar player and then we have Richard on bass and Ghimel on drums. Photo provided by band MaM : I truly love your sound and it reminds me of the band Scarling. Have you ever heard of them? It was a side project of Jessicka from Jack Off Jill. MS : Oh, no shit! That’s so funny. My old roommate from college was a Jack Off Jill maniac. That’s a great compliment. Thank you. MaM : What would you say the future holds for Captive Frame? MS : It would be really cool if we could get signed and we would love to travel, so we will see. To hear Captive Frame’s music, hit one of the links below and be sure to follow them on social media, too. They are working on so many things, so stay tuned! Bandcamp: Music | Captive Frame (bandcamp.com) Facebook: https://www.facebook.com/captiveframe/ Instagram: https://www.instagram.com/captive_frame/?hl=en www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. < Back Finding the Song in Everyone: Conversations with Dash Rip Rock Gary Governale Nov 15, 2025 Share Exploring the stories and southern spirit that shaped Dash Rip Rock’s newest chapter. Legendary Louisiana cowpunk band Dash Rip Rock is finishing up their set with a powerful cover of an old Minutemen song. Bassist Izzy Grisoli bounces and grooves to the beat, while drummer Wade Hymel pounds out the rhythm. Meanwhile, band founder and leader Bill Davis sits quietly in the corner, shredding on guitar like only he can. This isn’t the end of a beer-soaked set at an edge-of-town roadhouse; it’s actually Izzy’s living room in the Broadmoor area of New Orleans . It marks the last song of a more than two-hour rehearsal as Dash prepares to close out 2025 with a series of shows, culminating in the release of a brand-new album. Credit: Gary Governale It’s been a long and winding journey for Davis . He started the band in the mid-1980s while attending Louisiana State University in Baton Rouge , using it as a way to earn some extra money on the side. Let’s dive into who Dash Rip Rock is today and where they are headed. Bill : I love Punk Rock and New Wave, and there weren't that many punk rock and new wave bands in Baton Rouge . But the LSU fraternities were hiring punk and new wave to play their fraternity parties. So, I kind of just put the band together to make a little extra side money and then to write songs and start doing kind of a creative punk thing. The guys in the band were just sort of like newbie musicians, just like me, and we were mostly in school. We were at school at LSU , going to classes, and then we formed a band in the summertime, and it just took off. Yeah, we instantly started doing really well and drawing crowds, and then transferred over into New Orleans , and then it just took off from there. Credit: Gary Governale MaM : Did you intend on going into “Cowpunk” necessarily, or was it more punk at first? Bill : It wasn't called “ Cowpunk ”, but you know, we were calling it “ Country Punk ”. There were bands like Rank and File , The Long Ryders , Jason and the Scorchers , The Beat Farmers …They all came through Baton Rouge . It was kind of a good stop off for touring bands. And so, you had a great college radio station there, KLSU , and so all these bands stopped in, and when they did, I instantly went out there and made buddies, made friends with them, got drunk with them, brought them to the house, and made a gumbo. We just befriended all these cool Cowpunk bands. But it wasn't really called “ Cowpunk ”; it was “ Country Punk .” MaM : But it stuck, and you obviously embraced it. Bill : Yeah, I mean, I've embraced it because it's fun. It's just a fun thing to say, like, “ Yacht Rock ”, you know? It's “ Cowpunk !" Like Mojo Nixon used to say, “There are more bands than fans in Cowpunk. Everybody loves playing Cowpunk, but nobody goes to see it!” You know, it's like empty audiences. (laughs) Izzy : And it's not really true. They do turn up. Bill : Like outlaw country , the cruise and the radio station have all sorts of lifted Cowpunk up recently, but it has been a rough slog. But it's been fun because Cowpunk is a blast. It's a blast to play. It's fast, and it’s country! Credit: Gary Governale In fact, the current lineup of Dash Rip Rock seems determined to stretch beyond Cowpunk . The band, at heart, has always embraced its Southern roots. Influenced by Georgia bands like R.E.M. and Guadalcanal Diary , Dash followed in their footsteps: finding inspiration in Southern Gothic literature, poetry, and atmosphere. Creating fresh new music isn’t always easy for long-established bands, but Davis has found the solution: creating the most collaborative and creative version of Dash Rip Rock yet. Releasing January 30, 2026 via Dial Back Sound Bill : I would say this band is beyond Cowpunk . I mean, we made a record called “ Cowpunk ” several years ago. But this band is something else, right? The record label has been sort of digging around for something else to call us, because as much as we love playing Punk Rock and Country, this is just a different band. It's something else. It's better, you know? A million times better. Really, you're not going to pigeonhole this band by saying we're Cowpunk, because we are. But we're looser and more fun… like the members in this band, Wade, Bill, and Izzy, we have something that extends past Cowpunk. Wade : Yeah, it is a melting pot. MaM : You have a lot of different influences that go into it and a lot of various kinds of vibes that I guess you bring to the band. Bill : Absolutely. I've had several people pass through the ranks of Dash Rip Rock , as you know. I had a lot of cool guys come through and play in the band, but this one has been the one that seems more creative, most creative, most outgoing, and ambitious. We try a lot of different stuff that the old guys would not have done. So, we're more experimental. The rehearsal we just had, you know, we were messing around and a lot of stuff came to be… I was saying, “No, that's too much, we can't do it!”. And they were like, "Let's try it… it’s practice!” And then all of a sudden, it happened, and it was just brilliant. So, it's good. Everybody's chipping in. Credit: Gary Governale Izzy : Yeah, it's supposed to be like rootsy, rock, and punk… let's try it. And Wade's like, “Jam! Let's try it!” And then it just comes together in this power trio kind of way where we can achieve these fucking prog rock feats. Bill : Wade brings Jam and Prog to the project, and then Izzy brings a lot of punk , and then me, whatever I've been doing my whole life, which is Country and Punk . Yeah, it just blends really well, and we enjo y playing together. It's always an adventure and really, really fun. Wade : It is. It is. We have a lot of natural chemistry , and we also practice a lot. We're pretty diligent about getting together regularly for rehearsal when we can. So, the combination of those two things makes it really potent. Izzy : But everybody listens really well to each other while we play. That's why we're so tight. We’re constantly listening to each other, looking at each other. I fit in pretty easily because everybody’s so focused on the song, and so am I. So, it just works. Credit: Gary Governale MaM : I think part of the magic of Dash was always a certain level of improvisation, too. I mean, there's a lot of that. Bill : A lot of that. Yeah. And that's the adventure part because it's fun. You know, we could play our songs backwards and forwards perfectly, but we enjoy getting there and just messing them up, you know? Taking the puzzle pieces and throwing them in the air, and then they all come back down differently. Taking all those ideas and influences, the band has poured plenty of energy and excitement into their upcoming new album, A Song in Everyone . Recorded in Water Valley, Mississippi , with Matt Patton of Drive-By Truckers , the new album features the expected rockin’ riffs and humor that make Dash a Southern institution. But the album also expands on and builds the trio’s efforts to broaden the sound, creating something fresh and interesting. Bill : Matt Patton , who's the bass player for Drive-By Truckers , bought the old Fat Possum studio. The minute he asked us to make this record, I was like, "Fat Possum, say no more!” Because I would love to cut anything up in that old studio. There’s a lot of great music that came out of there. You already picture how it's gonna sound. So, we jumped at the chance and we're basically on his record label. It's just a bunch of really cool rock songs, and we're very excited about it. These guys get to sing a couple, and it's a real team effort. It's an amazing record. MaM : Would you say that's the most team effort you've had as far as crafting an album? Bill : Yeah, I would say that. You know, in the history of Dash Rip Rock , it's always been sort of just me putting all the albums and records together. And it's better ever since Wade joined. He's been a good partner in recording and getting studio stuff done … just more imagination, you know. Dash used to be “just stick to your style, stick to your genre.” Now it’s “let's just go outer space with it”. And we do, and it's a freaking awesome one. It's great. Credit: Gary Governale MAM : How many songs are you going to have on it? Bill : Ten. MAM : All brand-new original music? Bill : We’re doing a cover of ' Mean Mister Mustard ' by the Beatles . And it's a New Orleans style Huey Smith intro, and Wade plays piano on it. So, it's a New Orleans, James Booker , Huey Smith , Fats Domino version of ' Mean Mister Mustard .' It's really awesome. And then the rest are just songs that we've all written and cowritten. Izzy : It was cool to get to play on the new record, you know. Since joining the band, I didn't know whether I'd get to play on the record. Bill told me that not all the bass players play on the record; sometimes they stay in Baton Rouge . Bill : I played bass on a lot of Dash records! I mean, we had interesting people working with us. We had Henry Barbe . His dad is Dave Barbe , and he recorded all the Drive-By Truckers . He teaches music at the University of Georgia, and he was in the band Sugar with Bob Mould from Hüsker Dü . So, Dave Barbe's son engineered our first session, and then Clay Jones came, and he worked with Modest Mouse and R.L. Burnside . He was a monster. And then Jim Diamond , mastered it. He worked on a bunch really cool garage music, like the White Stripes . Izzy : We trusted him (producer Matt Patton ) a lot on this record. We really trusted his say. Wade : He’s so warm and relatable. He jumps into the stream, and you can follow his vision. He's just very easy to work with. And so, we fell into a natural chemistry. Bill : Matt just feels it . It's not like he's even listening. He feels it. He's using some spiritual guidance to make things happen. And then he would pop in and make these suggestions that were out in left field, and we would go, “Really?” And then we'd do it and we'd go, "Fuck, yeah, that was great!” Izzy : Dudes got the coolest vibe and coolest accent, and he'd be like, “I don't know, man. That one, if you don't say something about Rush Limbaugh , you ain't got no hair on your nuts or something.” (laughter) Wade : Well, yeah, that's the other thing… Even with his criticism, he's very gentle. My favorite thing would be like, if I had an idea and I came in and tried to play something, he'd go, “It's too intelligent” . Which was his way of saying, “Take most of those notes out. You’ve got a good idea but simplify it.” Izzy : Yeah, and he hates pedals. Bill : Yeah, he has a lot of vintage gear, and everything goes direct. And you never use a guitar pedal. If I say anything else about the record, I want to say that. Wade : It gives the record a really classic, timeless sound . Bill : Well, they have an incredible way of engineering and producing things there, and it's almost like it's a secret. I can't even tell you what they do, but it's insane. And when they did it, I go, "Are you serious? Are you really gonna do that to the music?” And they're like, "Yeah, we do this on every record”. And they did it. Holy shit, that sounds awesome! I can't even tell you what they did. I mean, this would be a whole different interview about their production techniques, but it just made the record sound a million times better. Experiencing a live Dash Rip Rock show is always a whiskey-fueled celebration. The concert features classic hits from the band, such as ' DMZ ,' ' Bumf**Egypt ,' ' Shake That Girl ,' and ' Pack Your Bags ,' as well as memorable covers of Dead Kennedys and ZZ Top songs. Even now, the band continues to introduce fresh music into their setlist, including Bill's current favorite, ' Pain Pills Never Expire ,' which is playing on SiriusXM’s Outlaw Country station. Like much of Dash's discography, the new songs are characterized by barroom swagger , Southern storytelling , and the band's signature humor . The new album from Dash Rip Rock, A Song in Everyone , was recorded at Dial Back Sound in Water Valley, Mississippi , and will be released January 30, 2026 , on the Dial Back Sound record label. Be sure to add it to your list of upcoming releases to check out. Track Listing: 1. Taking You On II 2. Dangerous Ways 3. 2 Much 2 Do 4. I Don’t Want to be a Whore 5. Shakin’ Out The Days 6. Pain Pills Never Expire 7. Mean Mr Mustard 8. Water Valley Throwdown 9. River 10. Hell & Back *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.dashriprock.net Dash Rip Rock Home page of Dash Rip Rock, a group from New Orleans, LA www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a night of unfiltered rock music to remember. < Back Weekend Rock: Smile Empty Soul at the Freetown Boom Boom Room in Lafayette, Louisiana Elise Hanks Feb 4, 2025 Share It was a night of unfiltered rock music to remember. Two weeks ago, I got the chance to see a band I have been dying to catch live, California-based Smile Empty Soul ! They made a stop at the Freetown Boom Boom Room on Sunday, January 19th, 2025, as part of their CONSUME and OBEY Tour , featuring Lines Øf Loyalty and Embers Rise , and let me tell you, this show did not disappoint. Credit: Elise Hanks The night kicked off with Embers Rise , hailing from Northern Illinois, and they brought their own brand of awesomeness to the mix. I first met Ethan Bartman (vocals/guitar) at the merch booth, and honestly, he felt like a local, super down-to-earth, like an old friend. The whole band had that southern gentleman charm, which makes sense considering they have their very own gentleman Rick Duncan , a.k.a. “ Mr. Mustache ”, in their lineup. A highlight of their set was hearing “ Victim ” live, a killer collab with Lines Øf Loyalty that had initially dropped in October of 2024 . Next up was Lines Øf Loyalty from Kenosha, Wisconsin, and wow, what a surprise! Their set hit me right in my soul. Their entire vibe is about staying true to who you are and screw all the rest. And frontman Nubz Morrison lives it through and through; he’s literally got the word Loyalty tattooed on his face . That’s dedication. Their performance was raw, emotional, and packed with the energy that makes you want to scream along. Last but certainly not least, we had our headliner, Smile Empty Soul. Leading up to the concert, I had ' Bottom of a Bottle ' stuck in my head all week . My anticipation was through the roof, and the live experience completely exceeded my expectations. Smile Empty Soul sounded just as raw and grungy as I remember when I first got into them in 2003 before I understood the songs' meanings. Jon Loree was seamless on the drums, and Sean Danielsen ’s voice sounded like it hadn’t aged one bit. Hearing them live and in person was everything I could have hoped for. This tour’s final stop was right here in Lafayette, and even though we were bracing for snow soon, the venue itself was filled with warmth and excitement. Every band brought something special to the stage, making it so worth braving the cold. (And yes, defrosting in my car afterward was absolutely necessary!) If you ever get the chance to see Smile Empty Soul , Lines Øf Loyalty , or Embers Rise live, do it. You will not regret it. To learn more about any of the bands mentioned above: Smile Empty Soul Embers Rise Lines Of Loyalty www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com *All photos courtesy of Elise Hanks Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. < Back Blacklite District: Building a Digital Era Legacy Nicole Brice Sep 2, 2024 Share Kyle Pfeiffer is a visionary creating a culture of acceptance for future generations of fans. From the depths of personal tragedy to the triumphs of renewal, Blacklite District , aka Kyle Pfeiffer, is on a path to becoming the Trent Reznor of his generation with his one-man approach to making music. Since the early 2010s, Kyle has crafted a well-known brand with a loyal fanbase on social media and YouTube because of his impactful music videos referencing gaming culture, mainly Minecraft . Most known for the songs ‘ Cold as Ice ,’ ‘ Living in a Nightmare ,’ and ‘ Goodbye ,’ Blacklite District has had four Billboard Top 40 hits and is currently averaging over 242k monthly listeners on Spotify and over 65 million views on YouTube and has been granted a Grammy nomination in 2025 for Best Alternative Performance . For those who have never listened to Blacklite District’s music, it is a bit of hip-hop mixed with alt-rock and a little pop at times. It has a little something for every taste but remains dark and heavy at its core, just as Kyle Pfeiffer always intended. A visionary creating a culture of acceptance for future generations of fans , Kyle hopes his music will continue to be the soundtrack for kids who need uplifting positivity to feel like they matter and belong. Devoted to making his shows accessible for all, Pfeiffer has become known for offering earlier start times, and because of this, entire families sometimes travel many hours to catch a live performance. Set to embark on a new tour this fall, dubbed The Red Carpet Tour , in support of his latest album titled ‘ You Can Do Better ,’ we were able to catch up with Kyle Pfeiffer of Blacklite District recently as he gets ready to hit the road. Read on to learn more about this musical creative and the legacy he is creating. Kyle Pfeiffer of Blacklite District MaM : You have an impressive career, and I want to discuss your legacy so far. I read that you started in 2002. Is that correct? KP : 2011-12 was when I started getting attention, but 2002 or so was when I started jamming in my garage with friends. I was only 12 years old. I even started a band in 5th grade, too. All these years later, and here we are. MaM : So, what was the official year Blacklite District formed as a “band”? Take us through a bit of band history. KP : There’s been so much stuff over the years. It’s just been my project since the first day. It’s my brainchild. MaM : Like Trent Reznor with Nine Inch Nails ? KP : Exactly. I’ve had different members over the years, but then there have been shows where it has just been me on stage. My guitarist is Justin Sundlin . He’s been with me for almost three years now. My bass player is a guy named Clinton Cunanan . He’s also on my management team. Been working with him for a long time. We’re having fun. MaM : That’s awesome. So, do you have a drummer right now? KP : In an official sense, we don’t have a permanent member who is the drummer, but Chance Jones from No Resolve comes out and plays often for us. Blacklite District MaM : The new album was just released on May 3rd. How’s that going so far? KP : I love it. I’m happy with it. If the fan base likes it, then I’m good. The response we have been getting has been incredible. We’re about to release the second animated video, which we do these Minecraft videos , and it should be in the next couple of weeks. The momentum is just considerable, and streaming has doubled this week alone since the announcement of the new video. I think something has occurred with me as an artist, though I’m 34 now – I’ve been doing this consistently for the past decade or so, but something about this last project makes me feel so complete that I’m in a different headspace. It’s cool, though. The thing I love about music is that the journey can take you through many places, emotionally and even physically. It’s cool to see the growth and to feel that evolution through all of this. MaM : Yeah, just the creative journey. I’ve had a similar journey, so I get it. I’ve read that you’ve shifted genres a bit here and there. Have you noticed any differences in how your music was perceived when doing that? KP : You know, not really. It’s hard to say. I never came out and said I was changing my style to pop. When COVID happened, and the year before that, there was a slight switch in styles, but it was that it just didn’t have as heavy of guitars and was more beat-driven, but the melodies and vibes of the songs have always been dark. Even if there isn’t a guitar in the music, I still find heaviness. In 2021, I went to rehab and got into this new era of life where I wanted to return to my rock roots by having a full live band. Having some minor success with rock radio and then seeing these younger kids start blowing up with hip-hop and stuff made me have, I guess, like an identity crisis, and then all this hardcore stuff started happening to me personally, so coming out the other end was almost like I didn’t care anymore about being the next big thing. I decided I just wanted to make music that I’ve always loved, which has been rock music. That’s kind of where I’m at now. MaM : I’ve read that Ozzy Osbourne has been one of your biggest musical influences. I’m a huge Black Sabbath and Ozzy fan, but tell us more about that. KP : I actually have the tattoo right here, and the song ‘ No More Tears ’ just did it for me. MaM : Yes! I love that song! Even today, the beginning of ‘ No More Tears ’ gets me so pumped. I crank it up in the car. Do you think that song was the key factor in pursuing the type of music you play, or were there other things? KP : I always go back to the period when my mom passed away because it wasn’t just the music in the song but the message of no more tears and trying to move on. It was what I needed as a ten-year-old kid to feel strong. The second I heard it, I was hooked and asked my uncle to play the song again after it finished. That song made me know that any music I played had to be rock and roll because of how the music made me feel strong as a small kid going through so much. That’s the beauty of music. MaM : What do you think it is about music that makes you feel so passionate? KP : I always try to think about this, and it’s hard, but as a young kid who was afraid and shy growing up, it was a way I could say the things I wanted about people without actually saying it directly to them. If I wasn’t around and people wanted to know things about me, it’s all in the music. MaM : How are you approaching writing new songs these days? KP : It can be many ways. Sometimes, I’ll hum a tune and put it in my voice notes to save it. The title of this new album, ‘ You Can Do Better ,’ is a simple melody that popped into my head. My guitar player came up with some chords, and then eight months later, we started working on it after stumbling upon the voice notes. The ones that stick with me months later are the ones we tend to work on. That’s a good sign to me that something is there. Or, sometimes, we’ll write a song in ten minutes, and it’ll be great. It just all depends. MaM : Tell us a little about The Red Carpet Tour you have this fall. I heard that you’re doing some unique things for the fans. KP : We are! My audience includes many young YouTube kids who come out as families to see our shows, for which I am so grateful. These kids are so passionate about my music. It’s crazy that they are also discovering my music in different ways, like YouTube, but we’re doing these shows differently for this tour. We’re starting the shows at 6 p.m. to get the families out there. We’re making it more intimate for the fans. We’re also booking smaller venues, so it’s perfect. The Red Carpet Tour kicks off September 6, 2024 in Des Moines, IA. MaM : That’s incredible! That’s your audience, and you’re embracing it. I love it. Do you have a favorite song to perform these days? KP : Well, I have so many, and the cliché saying is they’re like my kids, and I love all of them, but ‘ Cold as Ice ’ is one of my most famous songs, and we’re looking to have it certified platinum because it has well over the number of streams. I look at that song as one that has changed my career. Another song of mine, ‘ The Struggle ,’ is my second most popular song and resonates well with fans. They’re also fun to play. Video for Cold As Ice by Blacklite District MaM : You know how to connect with your audience, which is excellent. Tell us about your best and worst performance so far. (laughter) KP : I love that. Well, there have been some bad ones over the years. I'm not going to lie about that, but one time … this was back when I was in my early 20s; we would play in this town called Deadwood . On the night of the show, it looked like it wouldn’t be a good show because we didn’t sell that many tickets, but about twenty minutes before we were set to go on, my bass player and I decided it was a good idea to start chugging beers and smoking a little. We got messed up in a short amount of time. So, we went to go back in, and the venue ended up being packed, and we did not have the experience to play drunk, and it just turned into a shitshow. (laughter) In terms of the best, it’s been these smaller shows I’ve been doing because of the audience's passion. I spent so many years playing where I was the opener, and no one would come to see us, so now, when I see a line of kids out the door to see us play, it’s remarkable. It’s like a dream come true. That vibe is what I’m so grateful for. Video for The Struggle by Blacklite District MaM : Over the years, have you ever received a good piece of advice from a fellow musician that you’ve carried with you? KP : You know, that’s a great question, and over the years, I’ve tried to sponge up anything I could. On my first tour, I opened for Saving Abel , and I remember being in awe of being on tour with bands I had heard on the radio. I remember the singer of Art of Dying telling me they could be opening for me a year from now, and I just thought that was the coolest thing ever. They ingrained in me that you never know whom you will encounter on the way up and how the roles may be changed or reversed quickly. MaM : Any plans or aspirations for collaborations in the future? KP : I always wanted to collaborate with Ozzy , but he’s not doing his best. I also want to collaborate with Jelly Roll , but it hasn’t happened yet. I would love to do something with Post Malone , too. I love how Post Malone is doing this sort of country thing, and even Jelly Roll has shifted to that, too. It’s almost as if hip-hop culture is shifting to more of a country culture right now. MaM : Outlaw country in a way. KP : This shift could lead to more guitar-driven stuff. It could be great for the rock stuff in the future. MaM : I agree. Last question for you. Where do you see yourself in the next five years? KP : That’s a great question. I have a decade’s worth of music now and several hits that the fans love online, so I am just focused on growing with these tours and doubling and tripling the ticket sales. I would like to see in the next five years that I can keep the momentum going, continue expanding on the fanbase, and build that real core audience that connects with me and the music, just as I’ve always done. I hope you and I can talk five years from now and be on different levels, just doing our thing, because I genuinely believe that the vibe and work you put out there is how you get there. Insightful, charismatic, and driven with many years of success and many more to come, Blacklite District hits the road on September 6 in Des Moines, IA, and wraps its tour on November 2 in Atlanta, GA. Be sure to catch a date if it comes near you. In the meantime, check out the latest, ' You Can Do Better ,' on all streaming platforms. To learn more about Blacklite District: www.blacklitedistrict.net Blacklite District Home page of Blacklite District, a rock artist from Black Hills, SD. Official Blacklite District website! The story of Kyle Pfeiffer, new music, photos, bio, and more. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. < Back Throttle Fest 2023: Southern Happenings Bud Gambrell Oct 24, 2023 Share Huntsville’s Throttle Fest 2023 is a small version of a music festival, but it’s more like a family reunion with live music. The announcement of Throttle Fest 2023 indicated the return of a huge music event that, since 2020, has brought joy to many people. Originally held at Sidetracks Music Hall in Huntsville, Ala., Throttle Fest is the brainchild of booking agent Shane Bickel. While Throttle Fest continued in 2021, the music event did not return in 2022 due to Sidetracks’ unfortunate closing. Luckily, opportunity struck this past summer when Bickel announced to adoring fans all across the South that Throttle Fest would be returning this October to Huntsville, now taking place at Rocket Republic . The lineup for Throttle Fest 2023 featured some of Southern rock's brightest rising stars —six bands originating from six different states. Hailing from Biloxi, Miss., newly formed hard rock band The Heavy Strides kicked off the event on Friday, Oct. 13, with their unique, signature sound known for marrying deep rhythmic grooves with searing guitars under the guidance of soulful lead vocals. The Heavy Strides promise an electric fusion of classic influences , including the likes of Led Zeppelin to Soundgarden, all wrapped up with a temporary edge. The Heavy Strides are Drew Fulton on lead vocals and rhythm guitar, Josh Estes on bass, Cedric Feazell keepin' the beat on the drums, and Tyler Storms on loead guitar. Cedric Feazell of The Heavy Strides (credit: Bud Gambrell) Next up were The Josephines out of Bowling Green, Kentucky. These guys are always a crowd pleaser with their raw, rough-around-the-edges rock and roll that’s sure to have you dancing while you shed a tear or two. The Josephines—consisting of Brad Tabor (lead vocals, acoustic guitar, mandolin), Zach Lindsey (lead guitar, vocals), Alex Lindey (lead guitar, pedal steel, lap steel, vocals), and David Page (drums, percussion)—arrived with a different lineup this year, which included special guest guitarist Kyle Daniel. Kyle Daniel with The Josephines (credit: Bud Gambrell) Mixed Alternative Magazine was there and had a chance to talk to The Josephines’ lead singer Brad Tabor about how it feels to play Throttle Fest again. Says Brad, “It was awesome! We got to play with some new guys. We had a couple of players with us who don't normally go out with us, and they ripped it! And then, you know, the set sounded good to me, so people had fun and that's kind of the goal. I'm glad to be here for that reason. People got to enjoy themselves.” Brad Tabor of The Josephines (credit: Bud Gambrell) Closing out the first night was Them Dirty Roses from Gadsden, Alabama. This Southern rock band knows how to bend a string and break a heart Skynyrd-style. From the Alabama clay to Europe to festivals all across the United States, Them Dirty Roses are used to bringing the fireworks in their headlining abilities. The Throttle Fest crowd was treated to a bass solo from Ben Crain, a lead guitar solo from Andrew Davis, and a rousing drum solo from Frank Ford. Andrew Davis of Them Dirty Roses (credit: Bud Gambrell) After that set, Mixed Alternative pulled Them Dirty Roses lead singer James Ford aside to get his thoughts about Throttle Fest and being able to play in Huntsville again. “It does really feel good [to be back in Huntsville playing Throttle Fest],” Ford says, “because it [was] scary when Sidetracks went away. It was kind of like, ‘Damn, where are we gonna play now?’ We just didn't have a home in Huntsville anymore. And we've been doing it since 2018. So, I'm hoping this is the new place that's our new home in Huntsville. And I thought [the set] went great! … The crowd seemed to be into it.” Them Dirty Roses (credit: Bud Gambrell) Kicking the music off on Saturday, Oct. 14, was Southern soul/rock ‘n roll band One For The Road , who came straight out of “a small building back in the woods of Resaca,” in North Georgia. I have been hearing about this band from my good friend Todd Dean , an outstanding musician photographer who sat in with OFTR to sing Marshall Tucker’s “Can’t You See” . If you enjoy totally unadulterated Southern rock music , you have to look into this band. One For The Road features frontman and lead singer Zach Crumley, drummer Chris Webb, organ/piano player Joe Morgan, and bassist Jaithan Neal. Zach Crumley of One For The Road (credit: Bud Gambrell) Up next, and straight out of Little Rock, Ark., deFrance ’s rock ‘n roll style did a slammin’ job of setting the table for the classic rock sounds of Jive Mother Mary , from Burlington, N.C., who closed out the night. deFrance is cut straight from the roots of the best in Southern music , blending elements of true folk and country music with the classic songwriting styles of Tom Petty, Neil Young, and Ryan Adams into a fresh take on rock ‘n roll. I should also mention that deFrance travels in a church van. I think band leader Drew deFrance enjoys the reaction when the church bus pulls in to play at a rock club. Drew deFrance of deFrance (credit: Bud Gambrell) Jive Mother Mary, who headlined the second night, put on a damn good set, with several attendees mentioning that their Throttle Fest 2023 performance may have been the best JMM set they’ve seen. It comes down to this: Mason Keck and JMM never cease to amaze me at just how good of musicians they are. The word stunning comes to mind. When it was announced that they were coming back to Throttle Fest, I saw it as an opportunity to sit down and talk to Jive Mother Mary lead singer Mason Keck . In response to what Throttle Fest means to Keck as a performer, he says, “Man, Throttle Fest just kind of feels like a family reunion . Huntsville is a really cool little market for us. You know, we're from North Carolina originally and we kind of just had a core group of folks that really were supporting us strongly down in Huntsville. We played at Sidetracks a couple of times, then the first couple of Throttle Fests were there, and Huntsville was always a spot we could kind of count on as a good mood lifter, you know what I mean? The people that were going to be there were there to see [us] and that was an important part of it—always getting to see the folks that [come] out time and time again.” Jive Mother Mary (credit: Bud Gambrell) (In my best infomercial pitchman voice): But wait there’s more! Prior to Day 2 kicking off, Mixed Alternative also had the chance to talk to Throttle Fest organizer supreme , mastermind, genius, and promoter extraordinaire Shane Bickel . (If you can’t tell, we love Shane in Huntsville.) When asked what Throttle Fest means to him, Bickel replies, "It’s hardcore love for Southern rock music … just bringing a bunch of familiar faces together with some new faces and just creating a family atmosphere. All of the bands and the fans just get along so well. It's just, I don't know, something about it I like. It's a small version of a festival, but more like a family reunion with live music." In 2022, Throttle Fest didn’t happen due to the closing of Sidetracks Music Hall. This year, it was out of the blue when Bickel announced Throttle Fest 2023. We wanted to know what his plan was behind that, so we asked. "I miss y’all!" Bickel laughs. How else can we get everybody who used to support Sidetracks for most of the shows together? How can we get them all back in one room? Because so many people come from out of town, out of state. You have to put six of these bands together so you can get all different parts of the South to show up. And so far, we've done that: I think we had eight or nine different states show up [the first day]. So, it's pretty impressive that people still care about these bands and follow them . Most of these bands we won't be able to [accommodate] in a smaller setting or hopefully, they'll honor me with doing … Throttle Fest whenever we need to do it. " He continues, "It's like a family reunion, but these guys are going to move on to bigger and better stages. I mean, [we have to] enjoy it and embrace it while we can because a lot of these bands are going to be too big for us soon. [Everything has gone] really well. Everybody enjoys the new venue, so that is really comforting to hear positive feedback on that. So, all in all, [Throttle Fest 2023] has been a home run! " And I'd have to agree, especially when taking note of the festival's main theme, in addition to showcasing Southern music: family . Take it from someone who attended all three Throttle Fests: This is truly like a family reunion . There was also a phrase I heard repeated many times throughout the two-night event. I heard so many people tell someone else that they loved them, and in this day and age, where there is so much hate in the world, it was quite refreshing to see and hear. It is a shame that more people are not able to attend and share a loving, family-like experience one gets with Throttle Fest. For more information on Throttle Fest or any of the bands, follow their links and be sure to browse the gallery of images below! Throttle Fest Official Website The Josephines Official Website Them Dirty Roses Official Website Jive Mother Mary Official Website One For The Road Official Website The Heavy Strides Official Facebook deFrance Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

More Than a Petty Betty < Back Team Gwen: Erica is the Next Voice You Need to Win! Nicole Brice Oct 29, 2022 Share More Than a Petty Betty Erica Calle possesses a timeless beauty. One which invokes memories and feelings for years gone by. With her big tulle skirts, pageboy hairstyle, and Riot grrrl personality, Erica channels all the old Hollywood glamour into a complete package for 2022’s local music scene. Credit: Gary Governale Known locally as the frontwoman of Petty Betty , a popular novelty band in South Louisiana , Erica is known to bring “ it ” when belting out tunes such as ' Johnny B. Goode ' and other favorites. With a booming and boisterous voice combined with a larger-than-life persona, Erica truly exemplifies what it means to be a star. Surrounded by some of the most talented musicians on the scene, Erica credits the men behind her as the ones to inspire and push her to the limits vocally. Credit: Gary Governale The band, Petty Betty , is comprised of Tony Busby (guitar), T-Mike Galliano (bass & vocals), and Chris Lyons (drums), as well as the gorgeous Erica Calle (lead vocals). Petty Betty is a music group native to Baton Rouge with over 50+ combined years of experience in music & entertainment. With upbeat lyrics and catchy music, they bring the party when they perform. Red, Rock, & Blue 2022 Erica started singing when she was very young, but says, “Starting out, I wasn’t any good and I sounded like a drowning cat.” Credit: Gary Governale Well, folks, those days of sounding like a drowning feline are sure over because this leading lady has some of the best pipes in and around Baton Rouge , AND she even auditioned to be on the national TV show The Voice at 22 years of age. At the audition, she made it through the first round of the pre-auditions and ended up getting a nasty cold but managed to push through, which afterwards damaged her vocal cords. She was unable to sing for a while after that, but by doing karaoke, she was able to retrain her voice to do what she wanted. Once the pieces fell into place, Petty Betty was formed. Inspired by Blues and Swing music, Erica credits her look and vocal stylings to the music that she adored as a child, such as Cab Calloway , Buddy Guy , Etta James , and Ella Fitzgerald , and she has said, “I was born at the wrong time.” Credit: Gary Governale When we asked Erica who she is digging these days musically she replied with, “ Kaleo ! I just LOVE their music!” When asked about her personal style, Erica said, “Thankfully the group of guys that I work with each bring their own unique style and ideas that makes for an amazing blend. Personally, I love Rockabilly but sometimes will add a Stevie Nicks look to my wardrobe so I can change it up a bit.” Credit: Gary Governale “Bettie Page definitely influences my stage look, but I try to look towards the strong female lead singers such as Jinjer , The Pretty Reckless , Bishop Briggs , and Halestorm as far as their energy/persona. I like to blend vintage and current rock vibes for my look.” Credit: Gary Governale Petty Betty has quite a following, and you can rest assured that if they are playing a show, it will be packed. The energy from every member of the band radiates throughout all performances with none being stale or boring. Their on-stage energy is so infectious that you’ll end up wanting to be on stage just to experience the party with them. When asked if Petty Betty has plans to record any original material in the future, Erica has said, “We would love to pursue some originals! I wake up in the middle of the night to write down lyrics that just pop into my head, and we’ve played around with a few song ideas, BUT we would really need to slow down to focus on it properly.” Catch Petty Betty LIVE in and around Baton Rouge and be sure to visit their social media accounts to show some love. October 30 - 52nd Annual Parish Fall Fest in Denham Springs 2-4pm November 4 - TrickShots Sports Bar in Denham Springs 9pm November 5 - Boudreaux & Thibodeaux's in Baton Rouge 10pm November 12 - Mike Bruno's Harley Davidson in Baton Rouge 1-4pm November 12 - Big Mike's Sports Bar & Grill in Denham Springs 9pm Erica Calle - YouTube Petty Betty LIVE | Facebook Petty Betty fan club | Facebook Petty Betty (@pettybettylive) • Instagram photos and videos *All photos by Gary Governale * www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Deondria is a visionary with a remarkable natural talent. < Back Conversations with an Indie Filmmaker: DeOndria Michelle Nicole Brice Nov 20, 2025 Share Deondria is a visionary with a remarkable natural talent. Sometimes the best introductions to new talent come from our very own friends. Originally from Chicago, Illinois , and now residing in Hobbs, New Mexico , DeOndria Michelle is an up-and-coming cinematographer, director, filmmaker, and editor who specializes in cultural documentaries, product productions, and imagery . She’s got a visionary mind that brings realism to all her work, and what I love most about her portfolio is her own style. I can’t describe it. It’s just raw and vivid and rich. Credit: Deondria Michelle A visionary, DeOndria has a remarkable talent for using natural light to create warm, inviting shots. Her careful use of light gives her videos an authentic, lifelike quality that draws you in, making each scene appear both effortless and beautiful. While she is currently working on a new commercial for a client, her portfolio continues to grow with many other endeavors, including three short horror films, also in the works. Initially, she wanted to pursue music, but then found her calling with the video camera, so how did we learn about her? As I mentioned above, sometimes the best introductions to new talent come from our very own friends, and my good friend Ronzo Cartwright from Stone Deep was the one who put DeOndria on my radar. Read on to learn a little more about her aspirations and more. MaM : Thank you for joining us today. So, you are a cinematographer, director, and editor, and you do it all. Tell us a little more about that. DM : I feel like you have to. You gotta do it all, especially when you don’t have the funding to outsource. Everything I’m doing, I learned on my own. I went to the same university as everyone else, YouTube , and I incorporated what I learned from there into what I do. I took the little bit I learned and have expanded on it as I go, so that I can incorporate it all into one vision. I like that I can edit it myself. It’s been a tough road, but I feel like I should have pursued this a long time ago. When you’re doing your own work, you know what your vision is, and to place it in the hands of someone else is hard. Filmmaking should be a team effort, in my opinion, but when you’ve done it so long by yourself, you don’t trust anyone else with your vision. You can only tell a person so much about what it should be. Art is subjective, so they can interpret it as they see it, but ultimately, it’s your vision. Beautifully Black by Deondria Michelle MaM : I read that you specialize in cultural documentaries and product promotion, but could you tell us a little more about what you do? I also see that you originally wanted to pursue music. DM : Music was my first love. I started as a singer-songwriter. I worked with a well-known producer at one point, but I realized that while music held my heart, it’s not my passion. My writing partner would be up early writing, and I just wasn’t in it. I didn’t want to be in a studio laying vocals and all that, but when I picked up a camera, I realized I loved it, and I could do that stuff all day long. From sunup to sundown, I could do videography. You get that feeling when you’re doing something that aligns with your soul. You know. MaM : What is your proudest achievement so far on this journey? DM : Recently, actually. I had stopped posting on Instagram during COVID for several reasons and just got back on. I realized I had almost 1,000 followers. When I first opened that page, I was doing a bunch of “follow for follows,” not realizing I was gaining dead followers rather than authentic ones, and that the algorithm would send this content to these followers, with very few engaging, because no one is actually there. So, I took it upon myself to test this theory, and I hope others will test it for themselves. I deleted and blocked every single account that was following me and left the 142 people I knew had followed me for a reason. I feel that the smaller person with fewer followers has a dedicated audience that has fostered trust, and trust is important in this industry. MaM : You kept the organic followers. DM : Correct, and prior to me doing that, my channel on Instagram was getting maybe 200-300 views, but as soon as I made the change, I posted a video, and that video skyrocketed my views. After that, each video kept getting good views and rising, and I realized my views were increasing by 250% or more. Even my engagement is up, and that was just last week. MaM : That’s incredible. See, most don’t even do a deep dive into the logistics of who is engaging and whatnot. In fact, every single follower we have on Instagram is organic. They found us and liked us. I have not done any tricks or anything. DM : Exactly, growing organically, and while companies think that inflated numbers are the way to go, I started reaching out to companies right after I did it, because my views had gone up. I optimized my platform for engagement. I want people who love the niche I’m in to follow me, and while it may have hurt me on the business side of things with fewer numbers, I’m now pushing my content to those who want to see it. When the Sun Goes Down by Deondria Michelle MaM : So, what is it about video and filmmaking that inspires you and makes you want to pursue it anyway? DM : Initially, it was a dream, and one day I decided to take my camera out while watching TV because it had been in storage. The past two years, I have come a long way working on things. I think bringing stories to life is the most important thing. It’s more than a picture. It’s a footprint that will never go away. Good, bad, or terrible, it’s there, so for me, that’s something I want especially in this space, because in cinematography, there aren’t a lot of women. MaM : You are right about that. DM : My mentors are men. Even my unofficial mentor is a man—all men. There aren’t many black women in this space. For me, to build a position in this space is the most essential piece of the puzzle. I want to create that space for black women to thrive. You have your directors, filmmakers, and writers, but there should be a black woman in every single filmmaking space. Stuck by Deondria Michelle MaM : I agree – I’m calling it now. You will become one of the most prolific woman cinematographers and videographers of our time. I have a feeling. You are going to inspire other girls and women. DM : I tell all women that being a cinematographer isn’t easy. I always chip a nail. Before I got really into this, I’d have my hair done every two weeks, etc. That was a constant. Doing it the way I’m doing it now; this is not a job where you get up and put on a full face of make-up. This is a space for your gym shoes, jeans, and a t-shirt. Get to work. MaM : What are you working on currently? DM : I am working on three short films, actually. They are horror films, so I’m working on a Thanksgiving one, a Christmas one, and a New Year’s one. MaM : That’s awesome. I love scary movies, too. DM : Each day, too, I try to do a complete lighting setup to practice. I’m still learning. A teacher is always a student, too. I’m not a master at it, but I keep trying new things each day. Credit: Deondria Michelle MaM : Do you have a favorite professional in this industry that you admire? DM : I really like Malik Hassan Sayeed , who worked with Spike Lee . He worked on Belly and Clockers and has done so many other films. I love his style and his work because it’s not the typical Hollywood look. I love the way he creates this bright, contrasty, noisy look in his work, and what I like most is that his style is achievable. He’s one of those whose work is complex but simplified. MaM : What is your ultimate goal you’d like to achieve as a creative in this visual world? DM : To leave a footprint. I want to leave my footprint so that the generation behind me knows who I am. I want to be in someone’s Mt. Rushmore. I want to make a place for women to be included in that conversation. With many projects in the works, Deondria’s talents will soon be known once she fully unleashes her creative prowess on the world. Be sure to follow her on social media to stay up to date on all her endeavors. To learn more about Deondria Michelle: YouTube: DeOndria Michelle - YouTube Website: deondriamichelle.com deondriamichelle.com www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A little bit Riot Grrrl mixed with female sensitivity < Back Candace Schur: Rock’s Next Big Female Powerhouse Nicole Brice Aug 7, 2023 Share A little bit Riot Grrrl mixed with female sensitivity Growing up as a teen in the 90s, I idolized musicians such as Kay Hanley from Letters to Cleo , Gwen Stefani , Lisa Loeb , and Monique Powell from Save Ferris . Their vocals were powerful, their lyrics were poignant, and their style was unmatched. One could even say they encompassed the softer side of the Riot Grrrl aesthetic by showing vulnerability and femininity. In a nod to revisiting that period, new generations of female musicians are taking the reins and paving the way for this latest wave of 90s nostalgia currently hitting us, and one female lead has such a strong presence that I feel she will be the one to reignite the female powerhouse movement in rock music. Her name is Candace Schur . With beauty that rivals Debbie Harry from Blondie, Candace is a hair stylist by day and a kick-ass frontwoman by night. She is gorgeous, fierce, and strong. Her beauty is not just surface level, though. No, her beauty lies also in her lyrics and delivery of her songs. Her energy is so intense that you can feel it radiating as she sings. Her songs are ones I could envision myself as a teenager singing along to in my room when feeling despondent and alone. With intricately constructed tunes showcasing themes of angst and redemption, Schur is the lead singer of the indie grunge/alt band Candy Cavity out of New Jersey . I was fortunate to learn of her music recently from a friend and one listen was all it took; I was instantly hooked. With songs such as ' Not Over It ', which talks about not being able to move forward after a break-up just yet, Schur writes from a relatable perspective about love and loss. We’ve all been there … break-ups. They are terrible and they gut you, but from the teenage girl's perspective, they are traumatizing. ' Not Over It ' is truly the perfect song to be the soundtrack for a love lost in the wildly formative years of adolescence. On another favorite track of mine, ' What You’re Missin ’, the sexy and fierce lyrics make you want to say, “Ya know, I could kick your ass if I wanted to.” The song is upbeat and fuzzy and in-your-face rock. I wanted to learn more about the woman behind the music, so I reached out to Candace . She and I had the most enjoyable conversation and I instantly connected to her free spirit and vibe. Check out a little bit of our conversation below. MaM : Thank you so much for talking with me today. Your voice is incredible, and I love your look. It all just goes together so well. What year did the band form and how did it initially come together? CS : My first band I was in was called Girl , which I formed with a boyfriend at the time. When the band broke up, he took the drummer and I took the bass player, who was also a drummer, too. After that, I had to change the name of the band, but I was the core holding it together. I decided to call the band Candy Cavity . The name of the band had been stored in my memory from math class my sophomore year in high school when I’d be sitting in class just doodling pictures of me fronting an all-girl rock band. It just popped into my mind when I needed a new band name. MaM : So, what year did Candy Cavity actually form? CS : 2018 – I can’t remember if our first show was in 2019, though, but it was definitely 2018 when the band formed. MaM : As far as your vocal styling goes, I love your singing voice. It reminds me of Brody Dalle from The Distillers meets Debbie Harry meets Kay Hanley from Letters to Cleo, but who do you cite as your ultimate inspiration for what you do? CS : Growing up, my parents were not big on rock music. My dad listened to mellow 70’s rock—more so like Crosby, Stills, Nash, & Young —but he also liked Tina Turner and Alanis Morissette . My mom was more into dance and pop music, but she was all over the place, too. I wasn’t into rock until my teens, just because I hadn’t really been introduced to it, so this was in the early 2000’s and punk and emo was big then … bands like Newfound Glory and The Starting Line and Taking Back Sunday . Green Day was huge. Pop punk was big for me and is what I got into first, but then I started playing acoustic music and I played it for a long time, but I wanted to switch to an electric sound. The songs that I started writing weren’t very good, but I started writing songs when I was 13 and I hid out with all of that, but I don’t think many knew I played guitar. I sang in chorus in high school and any opportunity I was given to sing extra, I took it. I joined this church choir, too, just so I could do more singing. I also took vocal lessons, but I knew I always wanted to take my singing to another level. I didn’t want to be seen as a folk artist, though. When I first started, the songs did end up taking on more of a folk vibe, but there was a point where Riot Grrrl bands were a huge influence for me—bands like Bikini Kill and Letters to Cleo . MaM : I love, and I mean, LOVE Bikini Kill and Letters to Cleo. Kathleen Hanna is an icon. Kay Hanley is amazing. CS : Yeah, I actually saw them not too long ago. I went to the city to go see them. They’re great! Veruca Salt inspires me, too. Good Charlotte , too, believe it or not. I got into them when I was really young. I was always drawn to the band’s energy, and I wanted to put on a show with music that people could dance to and really get into. MaM : What do you say inspires your lyrical content? CS : Life experiences, but I have written some songs that are fabricated. It will start with one idea and then I just build on it. I have this one song called ' Happy New Year’s .' I wrote the song kidding around because I have this cousin who is in and out of jail, but I wrote the song from the perspective of his wife. A good amount of my songs draw from real experiences, though. MaM : If you could share the stage with anybody or any band, who would it be? CS : Number one would be Blondie . Number two would be Garbage . MaM : I love Shirley Manson with every fiber of my being. (laughs) Ever since 9th grade of high school, Garbage has been one of my favorite bands. CS : You know who else? L7 ! MaM : Yes! I love L7 so much! CS : I love angst bands so much. But then I also like ones with the glam aspect, too. You know what I mean? MaM : Oh, definitely! We are so in sync! Where do you see yourself headed in the future with the band? CS : I want to play shows with bigger crowds, and I want my songs to be relatable and honest for other people and you do what you do, and you put it all out there and you go, that’s all good, and great, but how do I get to the next level? That’s kind of where I’m at right now. To experience the music of Candy Cavity for yourself, hit one of the links below! You’ll be locking yourself in your bedroom singing along at the top of your lungs while having teenage daydreams of hot guys. Facebook : www.facebook.com/CandyCavity Instagram : Candy Cavity (@candycavity) • Instagram photos and videos Spotify : Candy Cavity | Spotify Apple Music : ‎Candy Cavity on Apple Music *cover photo by Jeff Crespi Nicole Brice wishes she could decorate her bedroom with female musician posters, but she’s pretty sure her husband would get mad. She is always on the lookout for the next great female musician to discover, so if you have something you think she should check out, e-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a night of dynamic performances and captivating energy. < Back Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian Nickels Oct 8, 2024 Share It was a night of dynamic performances and captivating energy. Strap up your black boots, throw on some eyeliner, and come along with me for one of the most exciting nights of my life. On October 4th, 2024 I got to photograph one of my absolute dream bands – Sleeping With Sirens – at The House Of Blues in New Orleans, LA . (To say I was thrilled is an understatement; I think my inner teen was healed that night.) Sleeping With Sirens is currently on tour to celebrate the 13th anniversary of their second album Let’s Cheers to This released in 2011. Supporting Sleeping with Sirens were alternative rock bands Teenage Joans and Holding Absence . The House of Blues started the night with the Australian punk rock duo – Teenage Joans. The duo consists of drummer and vocalist Tahlia Borg and guitarist and vocalist Cahli Blakers. Unfortunately, I arrived at the show a little late due to traffic and lack of parking (That’s the good ole French Quarter of New Orleans for ya), so when I walked in, I wasn’t sure if the band was still on the first three songs and sadly missed my opportunity to photograph them. However, I got this clip of Sleeping with Sirens on stage in between songs to sing Tahlia Happy Birthday and hand deliver her a cake! “Imagine being 14 years old and Sleeping With Sirens is your favorite band, and then being 22 and they are hand delivering you a cake and singing you Happy Birthday”, Tahlia said to the crowd before the duo went on to play a cover of one of Pierce the Veil 's most popular tracks ‘ Circles .’ This was the perfect move to get everyone excited about what was in store for the night. Teenage Joans also performed original songs from their debut album The Rot That Grows Inside My Chest . I was thoroughly impressed by the talent level they could achieve with only two members. Not every day you get to see a punk rock duo of women, and I indeed became a fan. Teenage Joans thanked everyone, threw guitar picks and setlists, and then made sure to get everyone excited for the following supporting act – Holding Absence. Holding Absence is a Welsh alternative rock band from Cardiff, Wales that consists of lead vocalist Lucas Woodland, bassist Benjamin Elliot, drummer Ashley Green, and guitarist Scott Carey. The energy they all brought to the stage felt very fun and lively. Lucas and the rest of the band members delivered a high-energy, chaotic stage presence that electrified anyone in the room. The amount of energy and movement they brought to the stage amplified the overall experience and kept the crowd engaged and in the moment. I had never heard of Holding Absence before, but the crowd indeed did; almost the whole audience of the sold-out show knew the lyrics to every song. Holding Absence gave their all for their set and then got the attendees screaming for who they’ve all been waiting for Sleeping with Sirens. Credit: Rian Nickels Credit: Rian Nickels Sleeping With Sirens is a post-hardcore band from Grand Rapids, Michigan , and has been blessing our ears since circa 2009. The band consists of four members: Kellin Quinn as lead vocalist, Matty Best on the drums, Justin Hills doing backing vocals and bass guitar, rhythm guitarist and backing vocalist Nick Martin, and touring lead guitarist Tony Pizzuti. As I said before, Sleeping with Sirens was on tour to celebrate the 13th anniversary of their second album, Let’s Cheers to This , and they were about to perform it for us in its entirety. Credit: Rian Nickels The lights dimmed and they allowed the press photographers in the photo pit; I’d be lying if I said that wasn’t one of the most incredible things I’d ever experienced just walking down the steps with other individuals with the same dreams and goals as mine. I wondered how many of our dreams were coming true that night. The anticipation of waiting for them to go on stage to let me loose to photograph a band I’d looked up to for over a decade was eating me alive. Upon coming out and the crowd going insane, I could only look up and smile. They started with the track ‘ Tally It Up, Settle the Score ’, a song about proving all the people who said you couldn’t do It wrong, which was the perfect track to get the crowd head banging and jumping and pumping my blood because there’s nothing more motivating than the people who don’t believe in you. They followed this with ‘ Do It Now Remember It Later ’, which follows similar themes with lyrics like “ Remember when they said that what we want can never be done? When it all comes falling down, we'll do what we want to ”. This was a full circle moment for me, from being 16-years-old and crowd-surfing at Warped Tour to this same song to photographing them performing it at 28-years-old at a venue that has many times felt like home. Credit: Rian Nickels After they played their third song, ‘ Four Corners and Two Sides ,’ it was time for me to leave the photo pit and enjoy the show with the attendees. This was a sold-out show at the House of Blues, which, if you don’t know, means that you packed in there like sardines, so I went all the way to the back for an easy exit after the show. Sleeping With Sirens went on to play more of their album, but a surreal moment for me was when they played ‘ A Trophy Father’s Trophy Son ’, which at its barest is a song about having a rocky relationship with your dad. It meant so much to me to see a room of so many people screaming, “ Is this what you call a family? ” in unison. It was one of those moments when you realize you’re not alone in your feelings and life experiences. Credit: Rian Nickels For their track ‘ All My Heart ,’ Kellin had everyone pull out their flashlights on their phone. The flashes lit up the House of Blues, and everyone sang, “ You still have all of my heart ,” in unison to create one of the most beautiful moments I’ve seen within those walls. Kellin then told us the whole story of his first time on tour with the band Enter Shikari in New Orleans . He mentioned how he had just gotten lost in the quarter and had gotten separated from all his friends and bandmates after being given one of his first Hand Grenades– a feeling almost every Louisianan knows all too well – Kellin’s Wife had called another bandmate and demanded they find her husband, after seeing Kellin fall asleep on top of the tour bus and wake up with one of the worst sunburns of his life. I liked this story because it felt like an authentic New Orleans experience and not a fabricated story for excitement like some bands will do. They went on to play more songs from the album, such as the title track ‘ Let’s Cheers to This ,’ ‘ Who Are You Now ,’ and ‘ Your Nickel Ain’t Worth My Dime ,’ before telling us goodnight and exiting the stage. Credit: Rian Nickels It’s important to note that earlier in the show, he told us they’d be leaving the stage soon and returning for five more songs. (Five Encore songs are wild, but I’m here for it). This had the crowd screaming “FIVE MORE SONGS” and “ONE MORE SET” which I’ve never heard before at a concert. They came back out on stage in different outfits and used this opportunity to perform songs that weren’t on the second album—starting with the song that rose them to fame, ‘ If I’m James Dean and You’re Aubrey Hepburn .’ This was another beautiful moment as everyone in the building knew every word and didn’t miss a beat. Kellin told us to sing it, and we didn’t deliver anything less. You could see how emotional this made Kellin, but he brushed it off with a bounce and big smile. Other songs they played for their encore were ‘ Kick Me ,’ ‘ Leave it All Behind ,’ and one of my personal favorites, ‘ Better Off Dead .’ Before playing this track, Kellin told us that he wrote this song for the people who sometimes can’t stand the reflection in the mirror and sometimes feel like they’re better off dead. They then finished off with an extended version of their biggest song from the album, ‘ If Ya Can’t Hang ,’ which was another one that had the whole House of Blues practically roaring. Everyone knew the words as they chanted, “ IF YOU CAN’T HANG, THERE’S THE DOOR BABY ,” while, of course, pointing out where the door of the venue was. It's a staple moment at almost every Sleeping with Sirens concert. Ironically, the concert was over, and we would hit the door soon because we couldn’t hang. Funny how that worked out, huh? Photographing Sleeping with Sirens at The House of Blues felt like more than just capturing a moment—it was a personal milestone that brought my teenage dreams full circle. I’ve been a fan of this band since my teens, and to stand in front of them, camera in hand, was nothing short of surreal. It’s an accomplishment that means the world to me, not only because of how long I’ve carried their music with me but because it represents growth, passion, and a love for music and photography. That night, the mix of nostalgia, excitement, and pure joy reminded me of one of the many reasons I do what I do. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? HIt us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Baton Rouge, Louisiana January 13, 2024 < Back Saxkixave: Igniting the Stage with Electrifying Hip-Hop and Jazz Fusion Nicole Brice Jan 17, 2024 Share Baton Rouge, Louisiana January 13, 2024 On Saturday, January 13, 2024, New Orleans natives Saxkixave energized Chelsea’s LIVE in Baton Rouge, Louisiana, with their awe-inspiring musical prowess. Saxkixave set the stage ablaze with their harmonious blend of talent, innovation, and comedic antics as the opening act for award-winning American rapper, Juvenile . This was the band’s first time playing together in Baton Rouge under the moniker Saxkixave and they killed it. Credit: Gary Governale Saxkixave is comprised of multi-award-winning rapper Alfred Banks and multi-instrumentalist Albert Allenback of the Grammy-nominated group Tank and the Bangas . The two came together musically a few years back after the suggestion of friends and have not looked back since. Both Alfred and Albert—the two Al’s—have infectious personalities that reel you into the magic they create when together, and if you’ve been following them on Instagram and TikTok, then you’ve surely seen their hilarious comedy bits and unique freestyle cover songs, including background music from Super Mario Brothers and beyond. With two albums under their belt, the duo is currently on tour promoting their newest release, Nectarine Peels , so be sure to check out their social media to stay up to date on all the upcoming shows and tour dates. Chelsea’s LIVE has been a fixture on the local Baton Rouge scene for many years, with their original location being just past the north gates of Louisiana State University. For the past two years, though, Chelsea’s LIVE has occupied a new space where they have hosted many notable statewide and national acts, as well as music genre theme nights. The venue was the perfect backdrop for Saxkixave’s debut performance in Baton Rouge. Credit: Gary Governale From the very first note, the musicians displayed unmatched virtuosity, opening with the track ' Humblebrag ' off their Nectarine Peels album. It was the perfect song to set the tone of the band’s set for those unfamiliar with their music. Without missing a beat, Saxkixave continued to captivate the audience with other notable titles such as ' Away from You (Too) ', ' Kaleidoscope ', ' Hashbrowns ', and their rendition of the Britney Spears classic ' Oops! ... I Did It Again '. They also performed their new single ' Done With The ' for the first time. There were many stand-out moments throughout the evening, one being when Alfred and Albert started bantering about the fact their names are both Al, which was a segue into their captivating and crowd-pleasing rendition of the Paul Simon classic ' You Can Call Me Al '. Another notable moment was when Alfred asked the audience to hold up random items so he could freestyle rap about the objects each audience member held up—an instant crowd-pleaser. Credit: Gary Governale Saxkixave’s performance at Chelsea’s LIVE was not just a concert but a sonic experience. As the final notes reverberated and the band rounded out their one-hour set, they closed with the humorous song ' Cheeks ', which is about a cell phone, but the lyrics would lead you to believe otherwise. When the crowd erupted in positive cheers and applause as the band finished, it was clear Saxkixave had successfully won over a new group of fans with their unparalleled talent. Credit: Gary Governale The duo’s electrifying fusion of sounds, masterful musicianship, and mesmerizing improvisations created a night of musical magic that will undoubtedly be etched in the memories of those lucky enough to experience it for many years to come. To learn more about Saxkixave, visit them online at www.Saxkixave.com . *cover photo courtesy of Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is obsessed with music. Plain and simple. Do you have a show you think she should check out? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Brax isn’t afraid to experiment with new textures and sounds. < Back Floating Above the Bayou: Brax is Elevating Southern Cloud Rap to New Heights Nicole Brice Apr 5, 2025 Share Brax isn’t afraid to experiment with new textures and sounds. One thing I love about music is that no matter how much you think you’ve heard, there is always something new to discover. Hip-hop and rap are fascinating genres that have evolved through many different styles over the years. As time passes, the younger generations continue to find ways to make these genres even more distinctive. I recently came across a musician named Brax . Brax hails from New Orleans , a city not typically recognized for its hip-hop and rap scenes, yet he has discovered his calling within the underground music community. His stage performances transcend hip-hop and traditional rap ; they are pure artistry . He incorporates theatrical elements into each show, even using fake blood as a visual tool to enhance the experience. Credit: Gary Governale When you meet Brax for the first time, his vibrant energy instantly draws you in. He exudes a unique combination of fragility and resilience , coupled with a depth of wisdom . At just 18 years old, he is articulate and insightful , sharing narratives that stem from the pain he has experienced throughout his life. His work is rich in emotion and heart. Brax isn’t afraid to experiment with different textures and sounds . Each piece he creates is distinct from the last. With a diverse sound that appeals to a broad audience, his goal is to create art that resonates with the masses in a direct and impactful way . This is his story. Read on below. MaM : Thank you for joining us today. Your music is genuinely heartfelt and emotional. You can feel the pain in the lyrics. Brax : Man, yeah, thank you. It’s all based upon life. When I was younger, I went through a lot, and when I was 13, I had a lot of problems with substances. It’s been more of a journalism self-reflection thing than it has been to make a quick buck with music. It’s been a way to express myself. Credit: Gary Governale MaM : Tell us a little more about yourself – your background and age. Brax : I’m 18 and have been doing live performances as Brax for two years, but I’ve been recording and releasing music for over five years now. I have a lengthy discography , which I think works great for live shows, and it took me a long time to find my sound. Have you looked back at all the older music? MaM : I have, and I listened to the new single . You've adjusted your sound a bit on that. Brax : Yeah, I feel like it keeps evolving. I’ve done alternative rock in the past, but it wasn’t the same type of shoegaze type stuff I’m doing now. It’s part of the self-reflection thing, too, because I’ll never feel again how I felt at 15. MaM : Of course – you change. Brax : That’s what the whole project of Teenage Delerium is about. I completed three years of high school instead of four, and graduated early because I began performing live shows out of state. I attend college and work currently, but the entire album is about the transition to adulthood , as I took music so seriously. Now, I’m trying to transition into the “real world” while still in college. It’s a lot of work. Credit: Gary Governale MaM : You’re putting in the work the right way. Keep going and you will see the results. Brax : Yeah, cause you could go viral, and it means nothing. Before I started performing live shows, I had an internet presence with around 8,000 monthly listeners for my music. Still, I wanted to transition away from being an internet-based artist . The New Orleans rap scene is primarily an internet-based scene , with live shows occurring occasionally, but it doesn’t consistently draw large crowds like other scenes. They have one or two shows a year, maybe, that will draw anywhere from 50 to 500 people per show, but unless you have a mainstream artist as the headliner, even those flop sometimes. The NOLA underground is all internet-based , which kind of sucks for the live music version of it. MaM : Let’s talk about your new song some more. I really dig the sound on this track, and it reminds me of this indie hip-hop artist I encountered in 2023 called tmdistant . He uses the shoegaze sound with hip-hop, and it’s incredible. Will you continue this new direction in your music, or are you just experimenting with it for now? Brax : It usually happens by accident. I like experimenting as an artist, and even my live performances are not straight rap . We bring in things like doors, and we break furniture, and it becomes more of a performance art . Sometimes I’m even covered in fake blood . It’s super punk and hardcore , and emotional . If I’m feeling rock music at a moment, then I’ll drop one project with that sound. That’s what the A Walk with Sadie EP was. It was a 3-song project . Just something different. A different sound. A different vibe. That’s the type of music I want to make. MaM : What type of music do you listen to in your everyday life? Brax : I listen to everything. Artist-wise, it’s Mac Miller and Yung Lean . ASAP Rocky , definitely, but I also like things like Jefferson Airplane , some country , a lot of psychedelic rock . I also like the Red Hot Chili Peppers . MaM : You sound like me. You listen to a little of everything. Brax : Yeah, I like to be well-versed. Credit: Gary Governale MaM : Same Brax : Yeah, especially as a rapper, I love working with all the bands because the band scene is so much more established than any rap scene here. I just did an almost sold-out show in Pensacola , and it was me with three other metal bands . It’s about building your scene. It just takes a while, though. As you mentioned earlier, regarding instant validity and building a presence , I’ve been around for two years , technically, on the scene as a live artist . Still, it’s as if in those two years, I have been pushing myself, not just here in Louisiana , but also in other states. It takes a good year to get your toes in the water. I’m building my foundation. Credit: Gary Governale MaM : How would you describe the type of music you make for someone not familiar? Brax : That’s a good one. One word. Realism. MaM : I think that fits accurately. Brax : I love art – Vincent Van Gogh , stuff like that, and honestly, I’ve been feeling like I can understand where he was with his art, and I relate it to Southern Cloud rap or Cloud rap . MaM : Take us through your songwriting process. Do you produce the music yourself, or do you have someone assist you? Brax : My beats consist of me crawling YouTube for hours and hours on the pages of producers I know, and so I’ll scroll to find that “needle in a haystack”, ya know? I write everything, and record and mix my vocals from my bedroom. Credit: Gary Governale MaM : That’s incredible. I love that DIY aesthetic . What is the primary theme in your music, do you find? Brax : Well, because it’s self-journalism , it’s hard to say. It’s just channeling my emotions. Storytelling. Expressing myself and documenting my life through music . MaM : When you perform live, do you do the vocals live, or do you rap over your vocals? There is a whole movement of “real MCs don’t rap over vocals”, and I wanted to get your perspective on that. Brax : I feel like my job, at the end of the day, is to be an entertainer , and I use backtracking , but I use it because I scream in my performances. Sometimes I may forget a word here or there, too, and when you’re screaming like the punk bands, you need that music to be in the background. We get crazy with it at the house shows, which I’m sure you’ve seen on YouTube . Credit: Gary Governale MaM : Oh yeah, I have. Brax : Right, and at the end of the day, you’re an entertainer , and you want it to be the best performance . My aesthetic is to get up, move around, and break shit. MaM : How has booking been going for this upcoming tour? Have you run into any issues? Brax : I do all my booking, for the most part, but things haven’t been bad this go-round. MaM : What would you like to achieve in 2025? Brax : I want to get into Houston more. That’s the plan, and I’m pushing for that. I also want to keep building my presence around the South . Keep building the Southern Cloud rap scene around the South . As Brax continues his hustle as an artist and musician , he stands poised to bring his musical story to the masses, and we look forward to watching the journey unfold. Check out his unique brand of Southern rap via all streaming services. To learn more about Brax: Website: Brax | Music Instagram: Brax (@braxfromdagrave) • Instagram photos and videos Apple Music: ‎Brax - Apple Music *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Orleans, LA April 20, 2024 < Back Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf Rian Nickels Apr 24, 2024 Share New Orleans, LA April 20, 2024 On April 20th, 2024, The Howlin' Wolf —named after legendary bluesman Chester Burnett—hosted an unforgettable night of music featuring Louisiana artists Kris Russ , JAYD3D! , and Coma Nights . The evening's weather was just right, creating a comfortable setting that complemented the venue's cozy and intimate atmosphere. With its open layout and small stage, The Howlin' Wolf provided a space where the audience could feel a close connection to the performers. This iconic venue has a rich history, known for hosting an impressive array of blues and jazz musicians over the years. Alongside those greats, The Howlin' Wolf has also welcomed crowd favorites like Mac Miller, Chance the Rapper, and Twenty One Pilots, making it a staple in the New Orleans music scene. The combination of historical significance and contemporary talent made this night a true celebration of the spirit of music. Credit: Rian Nickels The first musician to hit the stage was solo act Kris Russ from Kenner, Louisiana. Kris has a voice with range that floated through the crowd and echoed from The Den room into the bar room of the Howlin’ Wolf. His angelic vocals brought an intimate, almost ethereal quality to the venue, captivating everyone in attendance. His dexterity of the guitar is unmistakable, with each chord he strums resonating deep within the hearts of the audience. His songs, filled with themes of getting older, love, and saving the world, carried a raw emotional depth that drew listeners into his world. In-between singing he gave us emotional monologues that pulled at our heart strings with backstory to his music, such as with his songs “If we knew then what we know now” and “ It’s too dangerous to go alone so take me ” proving that Kris Russ is more than just a performer—he's a storyteller with a gift for connecting on a deeply personal level. Kris placed us in the atmosphere of emotional healing and gave us the feeling of being understood. After his twelve song setlist, the audience was left awe-inspired and he gave a warming introduction to the next band, Coma Nights . Credit: Rian Nickels The four-piece, Coma Nights , burst onto the stage with an energy that transformed the venue from a mellow acoustic set into a lively full band performance. Their dynamic entrance immediately awoke the crowd, bringing everyone to their feet and into motion. The lead vocalist’s notes soared above the beating rhythm of the drums and the melodic riffs of the guitar and bass, showcasing a vocal range that commanded attention. The band played with remarkable synchronization, each member seamlessly aligned with the others, as if they were of one mind. As they launched into their hits like "Weekend Neighbors," "Paint," and "Storm," the audience was swept up in the pulsating beats, dancing and jumping along with infectious enthusiasm. Coma Nights demonstrated that a great band isn't just about individual talent—it's about the synergy of musicians in harmony. As they played their 10 song setlist they warmed up the audience for JAYD3D! to perform his debut album, “ Outstanding Gentlemen ”. Credit: Rian Nickels JAYD3D! took the stage with a vibe that defied categorization. His sound—a fusion of hip hop, pop punk, rap, and alternative—drew an intimate crowd eager to experience his debut album, " Outstanding Gentlemen ." As he started his set, the lighting shifted dramatically from moody and subtle to lively flashes of strobes and color, thanks to our buddy Justin, from the band Jean Claude Segal , who took over the light board on a whim and may have discovered some of his own hidden talent. JAYD3D! , along with his drummer Ty, delivered a high-energy performance that resonated with the crowd's spirit. They had the crowd going through the motions of singing, jumping, and even slow dancing. Together, they brought The Den to life and everyone together with upbeat odes to transitioning into adulthood, falling in love, and melancholic optimism. The 14 song setlist was a perfect mix of originals and his own twist on nostalgic covers. JAYD3D! played pop hits like "If It Makes You Happy" and "Bubbly," adding his signature moody pop punk twist that infused the familiar tunes with a raw, energetic edge. Along with his unique covers, JAYD3D! sang songs from “ Outstanding Gentlemen ” such as, “Three Hour Walks” and “Outstanding Fighter”. The audience, a mix of close friends, fellow musicians, and curious newcomers, were captivated by his seamless transitions and genre-blending artistry. JAYD3D! 's performance proved that music isn't about fitting into a box—it's about breaking free of the mainstream conformity and creating something new and exciting. With his vibrant stage presence and innovative sound, he turned The Den into a dynamic celebration of music, creativity, and did not fail to make us feel alive. Credit: Rian Nickels Overall, this night at The Howlin' Wolf demonstrated the venue's versatility and its ability to bring together a wide range of musical talents. It was a celebration of Louisiana's rich music scene and a testament to the power of live performance in connecting artists and audiences. *All photos by Rian Nickels www.rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or Comments? Reach out to mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Teen Idle’s music is a rich tapestry with heart and soul. < Back Woven with Feeling: The Artistry of Teen Idle Nicole Brice Oct 9, 2025 Share Teen Idle’s music is a rich tapestry with heart and soul. Sara Abdelbarry is an exceptionally gifted musician hailing from the vibrant shores of Asbury Park, New Jersey , who goes by the name of Teen Idle when she’s creating music. I had the pleasure of meeting her through my good friend Jeff Crespi recently, and her passion for music immediately struck me. Since her debut release in 2020 , she has taken the local music scene by storm, unveiling an array of captivating singles and EPs that showcase her extraordinary talent. Sara is a true force to be reckoned with because she not only makes music, but she also does all the production herself, too. Credit: Jeff Crespi With an angelic voice that resonates with profound depth and emotion , Sara has a remarkable ability to draw you in with every note she sings. I find myself completely entranced by her music; it’s beautiful, haunting, creative, and simply amazing. One of my personal favorites is ‘ Burning ,’ released in 2022. The guitar sound at the start is incredible. I love this song so much! It feels like a mix of Juliana Hatfield and Tanya Donelly , with a hint of PJ Harvey —a true alternative dream. In 2022, Abdelbarry was asked to contribute to a Jersey Shore compilation , where she put her own enchanting spin on The Beach Boys’ classic ‘ Don't Worry Baby .’ Additionally, she has taken iconic tracks such as ‘ Be My Baby ’ by The Ronettes and ‘ Bad Romance ’ by Lady Gaga and infused them with her distinctive style, breathing new life into these beloved songs. Sara’s music is a rich tapestry woven with heart and soul , and every time I listen, I experience a chill coursing through me. Her sound embodies a genre I like to call Alternative Americana Rock Pop —if that doesn’t yet exist, I’m more than happy to claim it as our own! Credit: Jeff Crespi In addition to being profoundly gifted, Sara Abdelbarry is a radiant spirit , overflowing with creativity and passion that shines through in her music. We warmly invite you to dive into her entire catalog and experience the artistry she offers. Discover more about the inspiring Sara Abdelbarry and her captivating project, Teen Idle , below. MaM : I was reading how you play numerous instruments, so with Teen Idle, are you a one-woman show? Is that all you? SA : Essentially, the band really started as basically my solo project in college. I started around 2018 . It was just my outlet for writing music, and I didn’t want to put it all under my own name because there’s a specific connotation that comes with using your own name, and it can cause assumptions about where you’re from culturally, just based upon a name. The general assumption usually is that this person isn’t a singer-songwriter, and so that was the last thing I wanted for this project. I’m making everything from acoustic rock songs to really big ballads. The moniker Teen Idle was something I had had in my back pocket since high school. I had seen the name somewhere, and I told myself that when I have a band, this would be the name. I do all the writing and production, and it is basically a solo project in that sense. However, in a live setting, I have a full five-piece band. I play rhythm guitar , and then we have a synth player , drums , bass , and then a lead guitarist . It’s cool because all of these songs I write in my bedroom, and I make these productions. Credit: Jeff Crespi My first EP was recorded in a local studio. Still, the first stuff I was recording, and really the point of making the name Teen Idle of the project, was just for me to get things out there, so I ended up posting a bunch of music to Bandcamp , and it was more like a solo project. Still, I had always intended to have a full band when playing shows. I was living in New York at the time, attending college in New York City , and when I moved back home after college, I realized that all my friends from high school were living in different places. So, I told myself that I wanted to be part of the music scene in Asbury Park . I had been a part of it growing up because I had taken music lessons in Asbury , so it was sort of my introduction to the scene because I was taught by people who fronted bands in Asbury , and it always inspired me. I told myself, ‘That’s what I need to do when I am older,’ and I guess after I had moved back home after graduating college, it was sort of like a daunting feat to find a way to become part of this music scene. I ended up investing all of my energy into it, but due to COVID, I didn’t play my first show as Teen Idle until 2021 . Credit: Jeff Crespi MaM : I want to say your voice is extraordinary, and as I was prepping for this interview, I was listening to your Beach Boys cover, and I absolutely love The Beach Boys. When did you discover you had a natural gift for singing, and how old were you when you really started to get into music? SA : You know, it’s interesting, because I’ve just been obsessed with music in every way, shape, and form since I was about six years old. I remember in second grade, when I was living in New York , I would go over to my neighbor’s house after school. We would sit down and watch MTV music videos, and his mom would make us frozen mac and cheese. It’s just such a core memory. I would watch these people, such as Gwen Stefani , Jennifer Lopez , and Avril Lavigne , and I started to develop an obsession with pop stars and their music. I think I bought my first CD shortly after, in second grade , and I would listen to music every day on the bus. I was always singing, yeah. I think I was nine when I picked up a guitar, and I was into the Jonas Brothers , and they were a big enough inspiration to me to pick up a guitar. I was always singing along to their music, accompanying everything I saw on the Disney Channel , and I've just realized I have a passion for singing. Credit: Jeff Crespi Vocals have been a real journey for me, though, honestly, and sometimes I think people think it’s easy for me. I’ll watch old videos of myself performing at The Stone Pony with the music school I was a part of. In high school and middle school, I was a shy child, but I was clearly passionate about singing and performing. Listening to how different my vocals sounded at that age compared to now, it’s almost as if I’ve developed this lower register, and I guess life happens, but it wears your voice down. It’s interesting to hear how much higher my voice was, but from when I started playing shows with Teen Idle to now, I have become more aware of how I am using my voice by watching older videos. It’s been a journey of learning how to use it correctly. MaM : On your song, ‘ Burning ’, you have this incredible guitar tone at the beginning of the song, and I wanted to see if you used any special pedals or anything to get that sound? It hooked me. SA : Oh wow, I’m trying to think, honestly. I haven’t listened to the recorded version in a while. MaM : It really caught my attention, and I tend to zone in on stuff like that. I’m a massive sucker for a heavy bassline, too. SA : I produced and recorded the song by myself and was experimenting with different sound effects and pedals. I honestly think it emerged from some weird audio mishap, and I just kept it. MaM : We call those "happy accidents". So, you also covered ‘ Be My Baby ’ by The Ronettes! Let’s talk about that. That’s always been one of my favorite songs. What an incredible rendition of a classic song. I love that you’re bringing these older songs into a newer generation, but with a different spin. You’ve got The Beach Boys cover and this one. What made you want to cover those songs, and do you have plans to cover any other classic songs? SA : There’s a local record label called Shore Points Records , and seasonally, they’ll put out different compilation albums, so the Beach Boys cover was actually part of this compilation called Local Summer . Just a bunch of Asbury artists covering songs that reminded them of summer, and I agonized over which song to pick. After I looked through my music library, I felt that I really knew this song well, and it’s such a vibe, and I’m constantly bobbing my head to it. I got into the studio with my drummer, James , at this place called Lakehouse , which is, coincidentally, where my drummer and I met when we were kids. Still, James is a talented producer and engineer, too, so just the two of us in the studio made that cover. He did the drums , and I played everything else on it basically. Additionally, he’s a heavy-hitting drummer , which inspired me to create a more rock-oriented version. I then decided to write a guitar riff over it that differs from the original. I think that song is so brilliant, and the chorus is fantastic. Now, ‘ Be My Baby ’, that was for a different compilation. I put together a compilation of all female artists and asked them to contribute a song. The funds went to a charity that fights against the trafficking of women. I just wanted to cover a really powerful female artist. MaM : Which leads me to ‘ Bad Romance ’ by Lady Gaga. How did that one come about? SA : That was another one that we did for a Shore Points compilation, and this one was all women-focused, highlighting different artists in the area. I got to do that one with Cory Blair ; she is just a phenomenal musician and one of my favorite songwriters. The concept was to pick a song from a powerful female artist you like, similar to the other one, but we toyed around with different stuff. We eventually landed on doing a Lady Gaga song, and we had to figure out which song was a doable song to do to make it our own and different. I’ve been obsessed with ‘ Bad Romance ’ since literally the day it came out. We wanted to honor her music and completely reimagine it. We took apart the entire song – rewrote the chords, redid everything. We wanted to slow it down, too, but when we did, it was eight minutes long, so we had to take out huge chunks. We then had the idea to do a sort of country version, because I haven’t seen that done yet for a Lady Gaga song. I had this clear vision in my mind, and then we just set it up. It was a grueling process, but we learned a lot. We basically wrote a new song using the lyrics and structure. MaM : What is your favorite genre to listen to, and do you have a specific top band? SA : I love so many different things. I think it would be impossible for me to say. I listen to a variety of genres, including classical, jazz , Middle Eastern funk , 90s grunge , and indie rock , but it depends on my mood—different bands suit different situations and moods. If I want a hype playlist, I’ll listen to those early 2000s pop songs. I’m open to everything. As far as bands, the reason I started writing music, I would have to say, is because of Fleetwood Mac . I remember discovering them as a teenager, and shortly after, I wrote my first song. I love Nine Inch Nails and St. Vincent . Her guitar playing and how she conducts herself in her career are amazing. I have so many. Credit: Jeff Crespi MaM : How do you approach writing a new song? Do you come up with a lyric or melody first? SA : I have definitely written stuff that is more on the intentional side, so I have to sit down and do it actively, but usually the way I work is I’ll make a demo , and if it’s not for an intentional compilation, then a song will usually start with a feeling . Maybe I was inspired by something that happened in my life. Perhaps I’m feeling really happy and uplifting . I’ll either be noodling around with the acoustic guitar or playing the piano, but sometimes, through noodling, I’ll discover a riff. I record everything I think is a good idea in my voice memos, so I have a million voice memos of stuff with me noodling with stuff that could become a song later. If I’m sitting down to write something, though, if I’m feeling a certain way, it’s usually me noodling around on the acoustic or humming a melody with words that don’t make sense to sort of get the syllables of what I want the song to sound like. When I’m actually writing lyrics, I’ll try to write something that follows those syllables and the rhyming scheme, but that actually makes sense. I’ll then make a full demo of everything, even if I’m going to be recording with someone else. Production and songwriting are really linked for me. Credit: Jeff Crespi MaM : What’s been the most challenging part of navigating today’s independent music scene? SA : Good question. It’s much different now than it was in 2015 , and I think the toughest thing is trying to figure out how to get people to listen to the music —trying to figure out how to do things organically and DIY with no budget, too. So, yeah, doing things on a budget and t rying to fight against the social media algorithms for exposure , and the trends, too. Trying to figure out how to break out of that mold and do something that’s really individual and goes against the grain. Walking that line, knowing what is going to get you exposure. As Teen Idle continues to establish a distinctive place in the indie music scene, fans won't have to wait long for the next release. A new single titled 'Vampires' will be available on October 24 , followed by a full-length album scheduled for release in spring 2026 . Teen Idle is only just beginning, so be sure to stay tuned for more updates. *Cover photos by Cory Blair and edited by Sara Abdelbarry To learn more about Teen Idle: www.teenidle.net Teen Idle Home page of Teen Idle, an indie group from Asbury Park, NJ. Teen Idle is the musical moniker of New Jersey songwriter, multi-instrumentalist, and producer Sara Abdelbarry. All live photos by the man with the plan, Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out at mixedalternativemag@gmail.com . 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Merging Styles < Back A Bright Visualist: Robin Masterman Nicole Brice Oct 4, 2022 Share Merging Styles Robin Masterman is a Louisiana-based visual artist whose style resonates in multiple categories from the finest of art to facets of everyday life and right on down to the circumstances existing all around us. Art by Robin Masterman Currently living in the city where he grew up, Prairieville , he spends his time focusing on making art that not only catches your attention but also makes you stop and think about things that probably never occurred to you. His pieces use bright, vibrant colors with an extensive range of creative depth that spans from on-the-surface interpretations to subjects that cannot be seen at first glance with the naked eye. Art by Robin Masterman Masterman comes by his artistic gene honestly. His father is a sculptor, and his grandmother was a painter. It was she who introduced him the medium as a child and always kept him painting, encouraging his abilities. Because of that, he pulls a lot of his inspiration from her, as well as from his mother and father, to create works so deeply personal one cannot help but feel the energy behind his intention. But family isn’t his only source of inspiration. Art by Robin Masterman “Emotions, thoughts, losses, wins—it all depends on the day. Now, graffiti? That’s a different story because of the adrenaline bursts of wondering whether the cops are going to bust ya when [you’re] putting up a piece,” Robin replies when asked what other sources light up his creative spark. While he is, no doubt, a man of multi-faceted talents, he makes sure each piece he does is unique to itself to ensure no two pieces are the same. And while he uses a host of many mediums, Robin prefers marker and spray paint over anything else but says he will do some acrylic, “on occasion.” Art by Robin Masterman Mirroring the styles of famed pioneer fashion artist Stephen Sprouse and Neo-expressionist icon Basquiat , Robin’s talent is one to remember strictly because of the impression it leaves. He started drawing at the age of nine. It wasn’t until the late 90’s, when he was working at tattoo shops, that he truly got into making art. It started with canvas art in 2002 and he says of the time with a laugh, “It was acrylic ninja masks and arrows; it was bad.” Art by Robin Masterman But Masterman evolved well past his artistic beginnings and, at one time, worked under numerous well-known street artists. Says Robin , “I learned spray paint and acrylics from other graffiti artists, which also led to a strange fascination with painting numbers at times.” When asked of a famous artist he would like to spend the day with, living or dead, he responded, “Renoir. For the experience, conversation, and models. I respect his way of self-preservation and profit, while still doing what you love.” The artist at work Jackson Pollock is another one of his inspirations, specifically “his work with Benton pre-drip craze … [it]was amazing!” says Masterman. As for where Robin sees himself in the future, “Just trying surrealism a bit, and maybe traveling. Who knows?” Robin’s work can be purchased directly from the man himself by either reaching out via social media or e-mailing RobinMastermanArt@gmail.com. Facebook: https://www.facebook.com/peterobinnola/ Art by Robin Masterman www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Coming together to celebrate the summer solstice < Back Festival of Litha Returns to Downtown Florence in June Keeley Brooks May 18, 2023 Share Coming together to celebrate the summer solstice Summer is right around the corner, and with it comes all of those highly anticipated festivals full of food, fun, music, and crafts. Returning to downtown Florence, Ala., for the third consecutive year is the increasingly popular Festival of Litha, hosted by Hesperia Mystic Shoppe out of Sheffield, Alabama. Last year, the festival was held in Wilson Park in Florence and featured dozens of local vendors and live music over the course of three days. This year, the event will feature close to 80 vendors and will be held on Sunday, June 11, 2023, at a new location: The Historic Sweetwater Depot located at 502 S Royal Avenue in downtown Florence. “I have felt drawn to this historic area of Florence,” says Hesperia owner Kendall Gilchrist, “and I am happy to introduce an event to bring more attention to this side of town that holds cute little restaurants.” The festival is a FREE family friendly event that runs from 10 a.m. to 8 p.m., and locals are invited to come out and enjoy some great food, local arts/crafts/goods, and live music by local and surrounding-area musicians. courtesy of Hesperia Mystic Shoppe Litha (pronounced Lee-tha) is the celebration of the summer solstice and the beginning of Summer, which occurs this year on Wednesday, June 21. It has been a celebration amongst many cultures for many, many years but its origins are rooted in Celtic lore. Litha is said to be a time to celebrate the power of nature and its fertility, as the solstice represents the transition from action to nourishment, which is exactly what the sun gives us during the long nights of Summer. Even in those who do not mark the summer solstice, there is an internal flame within when the days get longer, and the sun leads us through better times. By celebrating the sun and the power it provides to all nature, humans are spiritually ignited and thus connected to its life force. For those familiar with the Eastern concepts of yin and yang, the solstice is a time of maximum yang—the longest day of the year. “This year,” says Gilchrist, “people can expect more of a market feel with bits of entertainment for both adult and kids alike. There will be food, live music, and a bar inside the Depot where you can cool off. We currently have around 80 vendors this year—such growth from around 25 in previous years!” courtesy of Hesperia Mystic Shoppe Vendors will be placed inside and outside The Depot, with many vendors selling metaphysical-themed arts and crafts as well as candles, bath and body goods, jewelry, books, and so much more. “I've always been community-driven, I just couldn't figure out for a long time what I could do to bring together like-minded individuals and support small businesses like myself,” adds Gilchrist. “It feels good to see others succeed in doing something they love, and I get to witness that at each festival I do now. I'm happy to support these local vendors as they have supported me in so many ways. I hope each of my vendors gain more and more confidence in what they do because some have never had their craft out for the world to see. There are such beautiful, talented, gifted crafters and creators in this area! I'm so glad I can provide a safe space for them.” As far as the music goes, this year will feature live performances from jazz/funk/blues/rock multi-instrumentalist Charles Brooks, singer/songwriter Bryson Bishop, and pop-rock duo Thrice Sovereign. Charles Brooks (by Rachel Neal), Bryson Bishop (social media), Thrice Sovereign (by Amanda Chapman) Kicking off the live music at 4:30 p.m. will be Dr. Charles Brooks , UNA Entertainment Industries professor and a multi-instrumentalist across a slew of genres. He is most known for his wicked four-mallet jazz vibraphone skills, but he is also a classically trained percussionist who plays drum set, piano, hand drums, synth keytar, and acoustic guitar, to name a few. For Litha, he’ll be rocking faces off with the synth keytar as heard below in this year’s Black History Month tribute to Stevie Wonder. For more on Charles Brooks, visit www.TheCharlesBrooks.com . Bryson Bishop will take the stage at 5:30 p.m. He is a Shoals-area singer/songwriter who will keep you entertained with some of your favorite covers from artists like James Brown, Michael Jackson, and so many others, and you might just hear an original song or two in his mix. To check out Bryson's beautiful singing, visit him on Facebook and Instagram . courtesy of Bryson Bishop Music social media Up next around 6 p.m. will be Florence-area singer/songwriter Aaron Dean . courtesy Aaron Dean social media And closing out the music for the evening at 6:30 p.m. will be Thrice Sovereign , a Florence-based pop-rock female duo comprised of multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott, who recently released their title single from their debut album “Waiting to Thunder.” Their songs are groovy tunes composed in a popular style that draws on heavy guitar riffs and the fat, distorted sounds of hark rock with artistically relatable lyrics. You certainly won’t want to miss the energy! For more on them, visit www.ThriceSovereign.com . Festival of Litha isn’t all Gilchrist has in the works for this. year, though. On Tuesday, May 23, from 6 p.m. to 10 p.m., Hesperia Mystic Shoppe and Lava Room will partner to host Brooklyn-based goth-folk musical duo Charming Disaster with a pop-up shops experience full of metaphysical items in downtown Florence on Mobile Street in support of the band. The duo will perform from 8-9:30 p.m. inside the Lava Room, and blue-cup cocktail drinks will be served alongside a delicious menu. You can even take the blue cups out onto Mobile Street to accompany you in your shopping. Charming Disaster will also be selling their merch after the show. Says Gilchrist, “Overall, it will just be a fun evening to get out midweek and take a break from it all!” So, mark your calendars, people in the Shoals area! The Charming Disaster Pop-Up Shops Experience happens Tuesday, May 23, from 6-10 p.m. at the Lava Room , and Festival of Litha happens Sunday, June 11, from 10 a.m. to 8 p.m. There’s even a new Halloween festival coming this year, courtesy of Kendall Gilchrist and Hesperia Mystic Shoppe, but you’ll have to stay tuned for that. I promise to bring you everything you need to know about Samhain Horror Night closer to October! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

A woman who knows what she wants < Back Lauren “Madame Onça” O’Leary: A Mind for Art, Business, and Entertainment Tim W. Jackson May 23, 2023 Share A woman who knows what she wants Her website is HardestWorkingWomanInShowBusiness.com , and that’s an apt description for Lauren “Madame Onça” O’Leary. She’s an artist, entertainer, and businesswoman—and under each category is an entire sublist. Originally from Gloucester, Massachusetts, the town from the hit 2000 movie The Perfect Storm , Onça’s life has been somewhat of a perfect storm of activities and interests while striving for some sort of work-life balance. She’s spent much of her adult life further south, namely in Asheville, North Carolina, and now in Richmond, Virginia, and has frequently worked in Europe. But while in Gloucester, she says the region was richly supplied with famous artists. “Walker Hancock, who made the giant angel that is in the Philadelphia train station, was one of the monument men,” Onça says. ”My mom grew up with his kid. I used to model in their studio. Leon Kroll was a famous painter. Weirdly, there was this very powerful arts community there in the older generation. So, I grew up just thinking it was normal to go in and out of people's art studios to see old people hard at work on art that was gonna end up in museums. There is a really good literary tradition there, too.” Onça went to a liberal arts school that deepened her interest in the arts and normalized that world for her. “As a rising eighth grader, there was a girl with short hair carrying a cello across the campus. It was normal. They weren't gonna get beat up, you know?” Her parents also played a major role in her development but from two very different perspectives. Her father was a musician. Her mother was a master sign painter and an outstanding self-trained artist. “I grew up with a lot of art in a very art-rich area,” Onça says. “Even though I had a working-class upbringing, there was a lot of art in the environment. So, it was natural to me to always express through art.” credit: Boo It was the very different work ethics of her parents, though, that Madame Onça still tried to reconcile. “My dad ended his life living in a car because he was like, ‘I don't wanna work hard,’” Onca says. “My life has been a continuous course correction between these two very artistic people—one of whom worked herself to death, basically, and the other one who just slipped away because he didn't want to engage in the rat race. And because of that, his voice was largely unheard. So, for me, it's always been a matter of trying to figure out how to embody the best of my mom's work ethic without becoming a servant to it.” When you have as many talents and interests as Onça does, keeping a work-life balance is a constant challenge. She has staged more than 40 weekend-long festivals over the course of her career. One of the most famous, the Asheville Burlesque and Sideshow Festival , also known as ABSFest, makes its return this Memorial Day weekend after a brief pandemic-related hiatus. She and husband Paolo Garbanzo (also a festival producer and one who will perform at ABSFest) have run a number of events in Europe, too, and have more on the schedule. credit: Parrish Photography Her foray into this eclectic career began in Asheville. “I never saw myself being a performer,” Onça says, “although I always had a big energy.” She started taking Capoeira (a Brazilian sport that combines dance as well as fighting elements) classes in Asheville. “Brazilian foot fighting is actually the thing that gave me my start,” she says with a laugh. “That's where my name comes from, Onça; it's actually Brazilian. And then in order to play Capoeira, in order to do Capoeira, you have to sing and train and fight and build your own musical instruments. It's so immersive that I feel like the time I spent doing Capoeira prepared me for everything else. And then I ran a folk-art studio in Asheville for many years, the Future Traditions Center for Folkloric Arts.” About the Center, Onça explains that it had different cultural artists and fine artists all under one roof. “It really gave me the opportunity to bloom in all directions,” she says. “I grew up in a musical and artsy household, but it never occurred to me that I could do it for a living. Just walking into the right class at the right time opened all the doors for me. I started taking belly dancing classes in Asheville above the co-op, and it changed my life. I needed something to do, and it set me on a path.” Onça works in other art forms, too. “I paint and sculpt and do print art,” she says. Years ago under her real name, Lauren O’Leary, she co-authored The World Spirit Tarot and illustrated it entirely with 79 original color block-prints. credit: Isaac Harrell “I mostly have written tarot-related articles and texts,” she explains, “and I was a touring belly dancer, so I've written lots of articles in that industry. I've always pretty much just written in my fields, but abundantly.” Onça, also a lover of witchy things and most everything non-mainstream, certainly stays busy but she has learned some key tips for survival over the years. “If I was trying to do all of the things every day, there wouldn't be enough time in a day to practice singing, practice piano, practice ukulele, organize an event, teach a tarot class, make a piece of art, organize a tour,” she says. “I couldn't put all of that in a day and still take care of my family.” She likens her work schedule to the agricultural year. “It’s a seasonal thing,” she says. “I've moved out of the winter season when you're in more of an introspective space anyway. That's when I get to turn inward: make music, practice instruments, do more visual art. Now we're coming to the season where I'm gonna be out and about doing events with people, travel, all that stuff. There's a rhythm to the agricultural year. You can't say, ‘Today I want to harvest because there's nothing to harvest in January. And that's how it is for me, with the creative process, you just have to understand there are times when you're creating, there are times when you're workshopping things and it's messy. There are times when you're polishing things so that other people can enjoy them. There are times when, frankly, 50% of being a professional creative is office work.” Her system obviously has been successful. She has an ability to create a magical atmosphere on stage and connect with her audience in a powerful and mesmerizing way but she's also a teacher and mentor to many young performers, helping them hone their skills and develop their own unique style. She's known for her generosity and kindness, always willing to lend an ear or offer advice to those in need. “I think one of the big challenges, particularly for women, is that if you don't grow up in the business background, then the challenge is you come into the arts filled with love and passion for art but no idea how to keep art alive, honest, and collaborative,” Onça explains. “I see women coming into business, self-made women, struggle a lot with ‘This was fun, so why does it now feel competitive? Why is there drama?’ I feel like a lot of that drama comes up because you come to something with love and passion and then are surprised if you don't have an infrastructure of how budgets work and how spreadsheets work and how contracts work. If I had a piece of advice for somebody, I would say if you're artistically inclined, study business so that you can make a living as an artist.” Another key to success, she says, is finding your tribe and getting the proper support. “I'm very lucky,” she adds. “I feel very well supported. They may not even be artistic in the same way that you are, but just finding other people in your life who understand what it is to be a maker or a doer or whatever your thing is. Are you a person who just really wants to have goats or you're a person who really just wants to hike? Are you a person who wants to go to music festivals? Whatever your thing is, finding other people who can understand the merit of making some space in your life for your passion, I feel like, is a huge part of mental health.” As part of that nod toward mental health, Onça warns about the cult of busyness that glorifies the hustle. “The hustle is not the point,” Onça says. “Being busy isn't the point. Making the art, relationships, or life that you want is the point. I had a therapist once say, ‘You have permission to not always do the hardest thing.’ Treat yourself as kindly as you would anyone else who came to you for advice.” Onça's impact on the burlesque world can't be overstated. Her impact in so many areas and on so many people cannot be measured. Through it all, she's remained true to her vision and her art, and her influence can be seen in the work of countless performers around the world. credit: Isaac Harrell Madame Onça is a true artist who has dedicated her life to her many talents and to sharing those talents with others. Long into the future, she’ll be known as a trailblazer, a mentor, and a friend to many. For more on Madame Onça, visit https://HardestWorkingWomanInShowbusiness.com . Questions or comments? Are you an artist looking for some feature love? Hit us up at the_keeleybrooks@mixedaltmag.com . Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New & Noteworthy Titles on AppleTV, Netflix, Paramount+, Peacock, and Prime < Back What to Watch This Weekend (10.14.22) Keeley Brooks Oct 14, 2022 Share New & Noteworthy Titles on AppleTV, Netflix, Paramount+, Peacock, and Prime Tuesdays and Fridays are my favorite days of the week for one reason: new movies/streaming releases. As a heavy consumer of a wide variety of content across multiple platforms, I figured I’d hip you guys to what’s out there in case you’re looking for something to get into this weekend. First up is AppleTV. While there are a ton of great series on this platform to get into, here are a select few currently airing and that just finished airing. The rest of the titles you can peruse through yourself! Shantaram – Starring our favorite son of anarchy Charlie Hunnam, whom I had the pleasure of sitting down with in 2009 at a quiet table on Third St. in Baton Rouge, this series is about a heroin addict (Hunnam) incarcerated for a robbery who escapes and reinvents himself as a doctor in the slums of Bombay. While there, his ties to the criminal underworld lead him to Afghanistan, where he partners with a mob boss locked in a battle with Russian criminals. The first three episodes dropped today, Oct. 14. See: The Final Chapter – If you missed my article about it, this is in its final season and stars Jason Momoa, Alfre Woodard, and Christian Camargo. Set in a very distant, brutal, primitive future after the fall of humankind, everyone is now blind. Except for a very select few. Tie in a ruthless queen hellbent on wiping out the sighted and anyone who harbors or supports them, some badass violent blind fighting, and a good dose of family drama, and you’ve got quite the entertaining winner. Black Bird – Having aired this past summer, this limited series stars Taron Egerton ( Kingsman movies) and, quite a talent to keep an eye on, Paul Walter Hauser ( The Kingdom Netflix series, Richard Jewell ). Based on the 2010 autobiographical book In with the Devil: a Fallen Hero, a Serial Killer, and a Dangerous Bargain for Redemption by James Keene and Hillel Levin, Black Bird is a crime drama miniseries that recounts convict Jimmy Keene’s (Egerton) real life experiences of going undercover in a prison for the criminally insane to illicit a confession from serial killer Larry Hall (Hauser). It’s full of tension, creepiness, and is an incredible true story. Physical – A brilliant, half-hour dark comedy starring Rose Byrne ( Bridesmaids ) and Rory Scovel ( Those Who Can’t ), the show follows Sheila Rubin (Byrne), a submissive, quietly tortured housewife supporting her man’s controversial bid for state assembly in 1980s San Diego. However, behind closed doors, we are introduced to the real Sheila, her darkly funny take on life, and her world of complex personal demons relating to her self-image. Until she finds aerobics. Two seasons are currently available with season three arriving 2023. Also check out The Morning Show , Loot , Ted Lasso , Mythic Quest , Servant , For All Mankind , Foundation , and Invasion , to name a few. Next, we have Netflix! Below I’ll give ya some new releases, then I’ll give ya some titles worth checking out if you’re looking to go down the rabbit hole. Don’t forget to peruse the documentaries and movie titles. The Watcher – A limited series, this title is one of the most anticipated of the week because it’s based on a true story. Starring Bobby Cannavale, Naomi Watts, Jennifer Coolidge, Terry Kinney, and Michael Mouri, the series follows a couple moving into their dream home. They soon discover not all is as it seems when they find a haunting figure watching them. Releases Friday, October 14. The Sinner – Having originally aired on USA Network, this fantastic crime series stars Bill Pullman, Jessica Biel, Adam LeFevre, and many others. It’s a police procedural anthology series following Detective Harry Ambrose (Pullman) as he investigates a chilling new homicide each season. Season Four dropped October 13, 2022. Peaky Blinders – One of my personal favorites, this gritty British crime drama series is by far one of Netflix’s best. Set in Birmingham, England, it follows the exploits of the Peaky Blinders crime gang, which actually existed, in the direct aftermath of the First World War. Stars Cillian Murphy ( 28 Days Later ), the late Helen McCrory, Finn Cole ( Animal Kingdom ), Paddy Constantine ( House of Dragons ), Anya Taylor-Joy ( Split ), Adrian Brody, and Tom Hardy. Absolutely fantastic. I highly recommend getting sucked into this. It’s final season just aired this past summer, so you have plenty of seasons to keep you busy. The Last Kingdom – Also from my list o’ recommendations is this beaut of a Viking drama, WHICH I LOVE. A historical fiction series, Kingdom is based on Bernard Cornwell’s The Saxon Stories series of novels. Set in 1866, it follows a kid born Saxon but raised by Vikings as he seeks to claim his ancestral birthright at the same time that Alfred the Great is defending his kingdom from Norse invaders. You’ll laugh, you’ll cry, you’ll love, you’ll cheer. You can’t go wrong. Other titles to check out: Riverdale , The Witcher , Stranger Things, Cobra Kai , Kingdom , Orange is the New Black, Atypical , Glow , Ozark , Mindhunter , You Now let’s hop on over to Paramount+ . They are winning in the sci-fi series category in my book. At my house, my husband and I have what we call Sci-Fi Thursdays during active seasons of Star Trek: Strange New Worlds , Star Trek: Discovery , and Picard . These shows are just spectacular, and the special effects are breath-taking. The platform is also home to hits like 1883 , EVIL , The Good Fight , Beavis and Butthead , and Mayor of Kingstown , to name a few. Recent releases include Monster High: The Movie and Significant Other , a psychological thriller full of chills. Peacock! Whoo! Buckle up, buttercups. This platform has surprised me the most by coming out with some heavy contenders. Here’s a titles I highly recommend watching. The Resort – An anniversary trip puts a marriage to the test when a couple finds themselves embroiled in one of the Yucatan’s most bizarre unsolved mysteries in this multi-generational love story disguised as a fast-paced mystery about the disappointment of time. Stars Nick Offerman, Skylar Gisondo ( Righteous Gemstones ), William Jackson Harper ( The Good Place ), and Cristin Milioti ( How I Met Your Mother ). Rutherford Falls – Starring Ed Helms and Jana Schmieding ( Reservation Dogs ), this comedy is about two lifelong besties who find themselves at a crossroads when their sleepy little town gets an unexpected wakeup call. It’s funny, it’s endearing, and it features a cast of some really funny actors. Even some faces you might recognize if you’ve been watching Reservation Dogs on Hulu. Vampire Academy – Who doesn’t love vampires? This series follows six young adult paranormal romance novels by American author Richelle Mead. Lead character Rose Hathaway is half human-half vampire and is guardian of a race of peaceful mortal vampires living discreetly within our world. The story follows her into a special boarding school—a hidden place where vampires are educated in the ways of magic and half-human teens train to protect them. Season One is out now. Dr Death – Whoah. This one is shocking! The podcast by the same name is even more cringeworthy. This series is based on the terrifying true story of Dr. Christopher Duntsch, a rising star in the Dallas neurosurgical medical community, who also liked to maim and kill his patients in surgery. It also focuses on the failures of the Texas system designed to protect the most defenseless among us. A definite must-see feature. *A Friend of the Family – Holy. Shit. I’m not kidding. Very few titles in the past 20 years have rendered me speechless, and when I did speak during this one, the only thing my husband and I could say to each other was, “Holy shit!” This one is without a doubt THE most shocking true-crime story I’ve ever heard. It’s not just terrifying and involving a sick perv—no. This story is horrifying because it’s diabolical to the depths of an entirely new level. Based on the harrowing true story of the Broberg family, this nine-episode true crime series focuses on daughter Jan, who was kidnapped by an obsessed family friend multiple times over a number of years. That’s not what’s so diabolical though; the story the kidnapper/family friend tells young Jan—and genuinely has her believing, playing off of her trust in him—is just astounding. His acting along in all of this to manipulate her is what is so horrific, not to mention the careless mistakes made by both Mexican and American authorities, who pretty much propelled his desire and allowed his crimes to continue. There’s so much more but I’ll just leave that right there. Starring Colin Hanks, Anna Paquin, and Jake Lacy, you can check out the first five episodes streaming now on Peacock. New episodes drop on Thursdays. And finally, we move on over to Amazon Prime … While there aren’t many current new release series titles right now, there’s still plenty of awesome series to dive into. The Rings of Power – I feel like this one needs no explanation, but on the off-chance you are unfamiliar, here’s the rundown: Based on J.R.R. Tolkien’s The Lord of the Rings books and appendices, this one is set thousands of years before the events of The Hobbit and The Lord of the Rings , bringing to life the heroic legends of the fabled Second Age of Middle-Earth’s history. The acting is superb, the effects are magical, and the story is all consuming. A definite must-watch for any sci-fi/fantasy fiction fan. Season One is currently airing now with new episodes dropping on Fridays. Outer Range – Again with the sci-fi! Except this is also a neo-Western starring Josh Brolin, Imogen Poots, Tom Pelphrey ( Ozark , Banshee ), Noah Reid ( Schitt’s Creek ), and Lili Taylor. The Abbott family are coping with the disappearance of their daughter-in-law when their neighbors make a play for their ranch. Tensions rise and then explode when a mysterious black void arrives on the edge of one of the Abbott’s pastures and changes everything. Season One just ended and it should return next year with a hard-hitting season two. The Boys – This one’s tough, guys. If you’re easily offended by everything, maybe skip this one. But if you’re like me and open to consume, buckle up because this one’s gonna push your limits. Based on the comic book of the same name, this series follows a group of superheroes who go rogue and start abusing their powers. Pitting the powerless against the powerful, the Boys head out on a heroic quest to expose the truth about the conglomerate that manages the superheroes and covers up their secrets. Starring Anthony Starr ( Banshee ), Karl Urban ( Pathfinder , LOTR ), Jack Quaid, Jensen Acles ( Supernatural ) and more. Other titles to stream: The Night Sky , Undone , Wheel of Time , Reacher , The Wilds , Sneaky Pete , The Terminal List , The Outlaws , Flack These titles are enough to keep you busy, at least until next week when I bring you more releases! Enjoy, my friends. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Anna Byars is an inspiration for future generations of female musicians < Back Anna Byars: A True Musical Luminary Nicole Brice Aug 25, 2023 Share Anna Byars is an inspiration for future generations of female musicians You may have seen her around town since she has been a fixture on the local music scene in Baton Rouge for many years starting in the early 2000s, and you may know her as the guitarist and background vocalist for Polly Pry , but who is Anna Byars , truly? Credit: Gary Governale Byars is kind and genuine in addition to being extremely witty, funny, and charming ; she is bursting with personality . Anna holds her own as an extraordinarily gifted musician and guitarist captivating audiences with her soulful melodies and masterful skills, but she does not limit herself to just one instrument: She also played drums in a band called The Rakers . “I like to say I’m a drummer as a second language because the guitar is my first language,” Byars says. With a unique blend of talent, passion, and authenticity, she has carved her path through the bustling music scene in South Louisiana , leaving a lasting impression and continuing to forge ahead. Credit: Gary Governale Anna Byars was born and raised in Baton Rouge, Louisiana , in a musically inclined family and started honing her craft at a very young age. Both of her parents are professional musicians and play piano. Gravitating towards the guitar, she picked up a random one under her mom’s piano one day and that was all it took. At 10 years old, Anna officially started strumming and loved it because of the emotional depth and versatility it offers. After proving to her mother that she indeed had plans to stick with it, she began to take professional classical guitar lessons at age 12. With a knack for sight-reading music, Anna built the foundation for her guitar knowledge. Growing up in a house where her mother taught piano lessons, Byars started writing songs and singing and says of the time, “It was the 90s, you know, and we were all dreaming of making it big. I kept playing and performing wherever I could, and then in college I knew I wanted to get a band together.” During her teenage years, her passion for music fully ignited, and after meeting her bass player for her first band just after she turned 19, Byars met her drummer, too, and all the pieces fell into place. This ultimately led to the formation of The Anna Byars Band . Drawing inspiration early on from the music that inspired her as a child, such as the Indigo Girls and Green Day , and consisting of all original music, the band flourished for a few years before calling it quits. After college in 2005 is when Anna met Kristen Foster , and they instantly hit it off. “We fell in love as friends, just super hard,” says Byars, and with Foster’s ukulele in hand, the two embarked on a career together. “She played me one of the songs she had written called ‘The Atlantic Ocean’ and it was just so damn good that I forced her to start a band with me.” The rest is history. Credit: Gary Governale Calling themselves The Casuals at first, Byars and Foster put out a couple of EPs together after recording in a makeshift studio and practice space located behind the now-defunct legendary music venue in Baton Rouge known as The Caterie . After seeing modest success with their initial run of EPs, the women decided to team up with Foster’s father , renowned music producer Fred Foster , who is best known for producing classic recordings for Roy Orbison and for helping found Orbison’s label, Monument Records . He also helped launch the careers of Dolly Parton , Tony Joe White , and Kris Kristofferson in addition to co-writing the classic song made famous by Janis Joplin , ' Me and Bobby McGee '. “Yeah, every time I tell people [that], I’m like, ‘It’s okay if you don’t believe me because I barely do,” says Anna. “We threw ourselves into it until he liked what he heard and invited us up.” Anna and Kristen then went up to Nashville to record and in 2012 , the album Two Warm Minutes was released. Released August 17, 2012 After its initial release, Anna and Kristen saw modest success with the record, but they felt it did not truly capture their essence, so they took to the road to play live shows and build their following. At 29 years old, Anna embarked on her first tour with Polly Pry , which saw them adding a double bass player to make their duo a trio. “And after that, I just really knew in my soul that I just did not want to do the singer/songwriter thing, even if it was as a duo,” so Anna switched gears and stopped playing acoustic guitar and switched over to electric. “When you play acoustic guitar, and you’re female, you get pigeonholed.” By meticulously studying the techniques of her idols and incorporating her own artistic sensibilities, Byars managed to create a sound that is entirely her own—a sound that resonates with listeners on a profound level. The year 2016 brought about Polly Pry contributing to a compilation of Aerosmith cover songs called Deuces are Wild: A Tribute to Aerosmith , which is currently available for listening to on Apple Music. Since then, the ladies have continued to play shows here and there while working on their follow-up album, Hola Perfecto . The release date for their sophomore effort is to be determined, so stay tuned. When Anna is not devoting her time to Polly Pry , she plays guitar in her other project, Sunrise People , which, according to Byars , “sounds like a band that would play CBGBs in the 70s.” On her involvement with Sunrise People , Anna goes on to say, “I really love playing guitar in that band because I get to take all my years of everything and just fly, you know? It’s just right.” Byars possesses an uncanny ability to create a profound connection with her audience through her music. Listeners feel the raw emotions she channels through her guitar playing, carrying them on a hypnotic journey. Her ability to convey a range of emotions that encompasses joy, sorrow, nostalgia, and everything in between creates an intimate bond that transcends typical boundaries. Credit: Gary Governale Beyond being gifted with extraordinary talent, Anna is constantly seeking growth and evolution. She embraces any opportunity to experiment with new sounds, techniques, and genres and has been steadily writing songs. “My body and brain just started writing songs about six months ago and I’m in an infant stage of trying to get 12 solid songs. I want to be a little bit of Juliana Hatfield mixed with a little Radiohead,” she says. “I want to do another band. I’m playing with names, but I am really excited about the stuff that I have been writing.” With a promising future ahead of her and so many projects in the works, Anna comments on her work ethic: “I have always dug my heels right in whether it’s right or wrong,” and continuing to dig her heels in is just what she has been doing. In addition to music, she stays busy by making comedic shorts on TikTok as well. “I have sort of a hobby in comedy. I like to put on wigs and make up funny characters and put out snappy videos.” When asked whether she has considered stand-up comedy as a possible career move, Byars elaborates, “You know, I did stand-up one time and I’ve lived my life on stage, or so it seems, but doing stand-up was one of the most terrifying experiences and I’m not scared of performing. I really want to press myself to do that, but doing stand-up does require rigor and focus. Everything must flow and work. Kristen has been inspiring my world with her stand-up career, so you never know!” When Byars isn’t focused on music, she prefers to play pinball and has even created her own Ladies’ Pinball Club at local hangout BR.cade , which is located on Government Street in Baton Rouge . Credit: Gary Governale “I like to say it’s a ladies’ pinball club but that guys are welcome, too. My motto is ‘no pressure, we’ll always be there.’ I just started playing pinball one day and noticed that it’s all dudes [and] no girls. They would stand to the side, and I think that’s because pinball doesn’t look like it’s as much fun as it really is. You gotta put your hands on the machine. It’s a physical thing. It’s an arcade game, but it’s not a video game.” To get her club started, Anna says she would purposely leave extra credits and games on the machines so she could approach people to play games with her. This proved to be successful, and an official Pinball Club was formed in late 2022/early 2023. “It’s my one-year anniversary of playing, but the club has been around for about 4-6 months,” she says. Anna modestly acknowledges her mad pinball skills, but I got to witness them firsthand and she’s pretty damn good. “Yeah, I’ve gone to a couple of tournaments, and for a little while, I was the number seven female player in Mississippi. In Louisiana, I’ve placed last, and I believe they call it The Plunger Award when you place last.” On whether she has plans to continue playing in the future, she says, “It’s such a new thing, though, and I love it and am just trying to get better at it.” Credit: Gary Governale So, in conclusion, who is Anna Byars , really? She’s a true musical luminary and her boundless creativity and commitment to her art ensure that her journey as a musician will remain one that captivates and inspires for years to come. Through her unique style and collaborative spirit, she has successfully set herself apart on the local scene. As she continues to evolve and explore new frontiers, she will undoubtedly leave an indelible mark on the music world, inspiring future generations of female musicians to follow in her footsteps. To check out Anna’s projects and music, hit one of the links below and be sure to catch her in action with Sunrise People on September 1, 2023 at Midcity Ballroom in Baton Rouge with William Edward Thompson and The Rakers . To learn more about Anna Byars: Polly Pry Apple Music : ‎Polly Pry on Apple Music Polly Pry Facebook : Facebook Sunrise People : Facebook *All photos shot on location at BR Cade by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Let's get this party started < Back Select New Titles Streaming in June Keeley Brooks Jun 2, 2023 Share Let's get this party started Summer has unofficially arrived and with it comes a decent selection of new titles to stream on some of your favorite platforms, which seem to be heavy this month on foreign titles. For time's sake, I've taken a select handful of debuts airing all month long and written a little something-something about each one. From new stand-up comedy specials to a new Schwarzenegger documentary to the final season of The Righteous Gemstones and on to a new season of It's Always Sunny in Philadelphia --not to mention Idris Elba in a new no-snakes-on-this-plane hijacking movie and Tom Holland in a new creepy series, we're sure you'll find something to entertain your fancy. Enjoy, my friends. NETFLIX LEGO Ninjago: Dragons , Season 1 – So far, the U.S. is the only country confirmed to receive the latest installment of the LEGO Ninjago franchise. If this is your jam, catch it Thursday, June 1. Apparently, everything’s still awesome in LEGO world. Manifest , Season 4 Part 2 – The long-awaited final part of the final season of this supernatural drama thriller is finally here. It guarantees to put an end to all of your curiosity and answer all of your questions. If you don’t watch the series, it follows the story of the passengers and crew onboard Montego Air Flight 828, which mysteriously disappears. When it finally does reappear and land, passengers and crew realize they’ve missed out on five years and are now faced with a whole new reality of themselves and their world. While it may have started off with lower ratings, the series has jumped in popularity ever since Netflix picked it up to complete the series with a gripping storyline and cast performance. Streaming June 2. Arnold (A Complete Miniseries ) – Who doesn’t love Schwarzenegger, honestly? Whether he’s Conan the Barbarian, Hercules, or a big, bad cyborg carrying guns and roses, he’s always a badass. And he’s funny. In this three-part original documentary, we’ll see Arnold in his most candid, no-filter self as he takes us on the journey that is his life, starting with his origins as a bodybuilder in Austria to fulfilling the ultimate American dream—including that of governor of California. Dive into this intimate look at the former Mr. Universe and one of the most celebrated actors on the planet. It’ll feature never-before-seen stories, footage, and interviews of the man and his family, friends, colleagues, co-stars, and rivals. Drops June 7. Never Have I Ever , Season 4 – Mindy Kaling’s ( The Office ) hit teen comedy series is back to wrap things up and come to an end. Said to be inspired by Kaling’s childhood experiences, the coming-of-age comedy follows an Indian-American high school student who navigates love, friendship, and family while dealing with the trauma of her father’s sudden death. This final chapter will explore Devi’s experience as a high-school senior graduating and move on the next phase of her life, which includes a romance with a new character. Airs June 8. Human Resources , Season 2 – Featuring an all-star comedic cast that includes Aidy Bryant ( SNL ), Randall Park ( Young Rock ), Keke Palmer ( Nope ), Maya Rudolph ( Loot ), and Nick Kroll ( History of the World, Part II ), this Big Mouth spin-off series is coming to an end with its second season. It’s essentially a workplace comedy revolving around the monsters from the parent show ( Big Mouth ) and their daily lives. Hormone Monsters, Depression Kitties, the Shame Wizard, Lovebugs, Logic Rock, and other similar creatures are assigned to humans as representative of their feelings to help them get through difficult stages and aspects of life. Season 2 takes a closer look at how these creatures juggle their responsibilities of handling their human “clients” while also navigating their own feelings. Season 2 will feature special guest starts Florence Pugh ( Midsommar ), Miley Cyrus, Eugene Levy ( Schitt’s Creek ), and Sam Richardson ( After Party ). Streaming June 9. Extraction 2 – Chris Hemsworth ( Thor ) is back as Tyler Rake, a former Australian special forces operator who is now a black-ops mercenary. In the first movie, he was hired to rescue the abducted son of a crime lord and risked his life to ensure the boy’s safety. Actually, it appeared as though he gave his life to save the kid … BUT, as any good action hero does, Rake lived to fight another day. Now he’s back to take on another high-stakes rescue. Airs June 16. Black Mirror , Season 6 – I’ve yet to watch this series, but I continue to hear some great things about it, so it’s on my list. Season 6 looks like it just might outdo its previous seasons, but I say that based on the star-studded cast line-up and darker plotlines that have been revealed. The British sci-fi anthology series is back after a four-year hiatus with a new set of stories said to be more dystopian and way more disturbing (word!). If you’re unfamiliar, these stories are set in a futuristic world revolving (mostly) around technology and its damaging effects. Streaming June 15. Run Rabbit Run – As a fertility doctor, Sarah (Sarah Snook of Succession ) has a firm understanding of the cycle of life. However, when she is forced to make sense of the increasingly strange behavior of her young daughter, Sarah must challenge her own beliefs and confront a ghost from her past in this horror mystery also starring Elisabeth Moss ( The Handmaid’s Tale ) and Damon Herriman ( Justified ). Arrives June 28. The Witcher , Season 3 Vol. 1 – Well, Henry Cavill ( Superman ) fans, this is your last chance to see the actor as Geralt one last time before he’s replaced next season by Liam Hemsworth ( The Hunger Games ). Season 3 will be released in two parts, with Hemsworth headlining the second installment. The fantasy drama series is based on the book series by Andrzej Sapkowski and is set in a fictional land called the Continent. It follows Geralt of Rivia, a mutant monster hunter who navigates a world where humans are more evil than beasts as he journeys towards his destiny. Season 3’s plot focuses on Geralt (Cavill) taking Ciri of Cintra into hiding, determined to protect his newly reunited family against those threaten to destroy it. Volume 1 drops on June 29 with Volume 2 airing in July. Also streaming this month: Amy Schumer: Emergency Contact stand-up special; Take Care of Maya , a documentary about Maya Kowalksi, who was admitted to a kid’s hospital after discovering she had a rare illness; 85 South: Ghetto Legends stand-up comedy special; The Perfect Find , a rom-com starring Gabrielle Union and Keith Powers; Muscles & Mayhem: An Unauthorized Story of American Gladiators ; and so much more, especially in the foreign vein. HULU Searching for Soul Food – Follow rock star celebrity chef Alisa Reynolds on her trek around the world in search of culture, community, and soul food. Premieres June 2. Cruel Summer , Season 2 – From executive producer Jessica Biel ( The Sinner ), Season 2 of the hit Freeform show is back to follow three timelines of a sordid love triangle throughout the 2000s. Drops June 6. It’s Always Sunny in Philadelphia , Season 16 – “There is a spider … spider … spider / Deep in my soul … soul … soul” – Sorry, I couldn’t resist. If you’re lost, go back and watch Season 9, Episode 3 and enjoy Charlie Day’s beautiful little ditty to the public at the end of the episode; it’s my theme song, most days. Ha! The gang is back for an unprecedented 16th season of shenanigans and zero tolerance, making this hit FX show the longest-running American sitcom ever . Hell yeah! Airs June 8. The Bear – Starring the endearingly adorable Jeremy Allen White ( Shameless ), Ebon Moss-Bachrach ( The Punisher TV series), Molly Ringwald ( Riverdale ), Oliver Platt ( Chicago Med ), and Joel McHale ( Community ), Hulu’s hit series is back for round two as the sandwich shop crew are faced with the reality of opening a new restaurant and this season really ups the ante. Instead of eight episodes, there will be 10, and a new chef is joining the kitchen! Get ready to watch Bob Odenkirk ( Better Call Saul ) serve up the beef, sans his criminal defense attorney shenanigans. Streaming June 22. PEACOCK Hot Wheels: Ultimate Challenge – An NBC game show that pits two contestants against one another as they attempt to use pop culture themes and personal stories to transform an ordinary car into a fully spectacular one using their wild imaginations. The winner takes home a hefty sum of $25,000. Available June 1. Based on a True Story – Kaley Cuoco ( The Big Bang Theory ) and Chris Messina ( The Mindy Project ) star as a young couple who are struggling financially and looking for a means to find stability in their marriage life. Ava (Cuoco) is pregnant, making them even more desperate for money, so they seize an ideal opportunity when a ruthless serial killer known as Westside Ripper begins terrorizing their town. Ava, an avid crime-podcast enthusiast, launches her own podcast with her partner in order to solve the mystery and become financially comfortable. Will their plan to capitalize on the chance be successful, or will it force them into a corner where they have no choice but to use unconventional means to continue their podcast? And in case you're wondering, no, this is not based on a true story. Streaming June 8. LA Fire and Rescue – An NBC documentary series highlighting the true everyday heroes of the Los Angeles Fire Department, who is in charge of protecting the lives of millions of people in 59 cities throughout Los Angeles. Their stories will be narrated with gripping drama as well as unanticipated situations, including life and death crises, giving us a closer look at what they actually do in their professions. Airs on June 22. PARAMOUNT PLUS Love Allways – Pansexuals out there, this one’s for you. Developed by AwesomenessTV, this new pan dating competition show takes the notion that people can (and are) attracted to multiple genders and centers on one hopeful single looking to find her match but with a few added twists: Not only will the other contestants end up romancing each other on set but they’re also being coached by “relationship gurus” looking to prove they’re the best at helping others find and hold on to romance. Debuts June 2. Joe Pickett , Season 2 – I found this little gem about seven months ago and I’m glad I did. It may move a little slow, but it’s worth a watch. Game warden Joe Pickett (Michael Dorman of For All Mankind ) and his family navigate the shifting sociopolitical climate of a rural town on the verge of economic collapse. When a murder victim winds up on Joe’s doorstep, the Picketts find themselves embroiled in a much larger conspiracy than they could’ve ever imagined. Dorman brings a sincerely humble quality to his character, and you’ll fall in love with him and his genuity. Premieres June 4. Star Trek: Strange New Worlds , Season 2 – Captain Christopher Pike (Anson Mount of Hell on Wheels ) and the crew of the USS Enterprise return for the long-awaited second season as they explore new worlds and carry out gorgeously harrowing missions throughout the galaxy during the decade before Star Trek: The Original Series , seven years before Captain Kirk and Spock first meet. If you haven’t watched season one, I highly recommend doing so. The acting is high quality, the stories are fully engaging, and the special effects are spectacular. The series also stars Rebecca Romijn ( X-Men ) and Ethan Peck ( Star Trek: Discovery ), among many other memorable characters. Streaming June 15. APPLE TV+ The Crowded Room – If, like me, you’re a huge Tom Holland ( Spider-Man ) fan, GET EXCITED. Homeboy is starring in a new limited series that puts him in a role unlike anything he has previously seen. The story begins in 1979 when a man named Danny Sullivan (Holland) finds himself in the midst of a murder and is quickly arrested by the police so they can investigate his involvement. When Detective Rya Goodwin (Amanda Seyfried of The Dropout ) tries to find the true perpetrator of the crime through Danny and what he does and does not know, she learns about his highly unusual past, which puts her in an even more difficult situation as she feels Danny might be the true culprit. *Side note: If you haven’t seen Holland in the epic saga Cherry , which is also an Apple TV+ production, turn off your phone, lock your door, and clear out four hours for one of the best true-story adaptations of the 21st century. The Crowded Room premieres June 9. Hijack – Starring the yummy Idris Elba ( Luther ), this high-octane thriller full of tension follows the journey of a hijacked plane as it makes its way to London over a seven-hour flight and as authorities on the ground scramble for answers on what to do. Elba is Sam Nelson, an accomplished negotiator in the business world who needs to step up and use all his guile to try and save everyone onboard the plane. But, his high-risk strategy just might be his undoing. The film features no snakes on the plane, but it does feature heart-pounding excitement. Streaming June 28. Platonic – Although this series dropped last week, it’s worth mentioning for June titles because, well, it’s f**king hilarious. Rose Byrne ( Bridesmaids ) and Seth Rogen ( Pineapple Express ) star as platonic best friends who’ve been adrift for years due to Sylvia’s (Byrne) remarks that Will (Rogen) shouldn’t marry his wife. As it turns out, she was right, because now Will finds himself going through a divorce. The two friends reconnect and pick up right where they left off with their shenanigans and undeniable comedic chemistry. If you watched them in Neighbors , you’ll love them even more here. The two feed off one another in the most hilarious ways possible and by the end of the first episode, you’ll be feeling all nostalgic about your own besties from the past. New episodes drop on Wednesdays. Now streaming. MAX The Idol – This story about a pop star, played by Lily-Rose Depp ( The King ), has mixed reviews and is surrounded by—allegedly—a lot of talk about scandals outside of production. Nevertheless, Jocelyn (Depp) is a pop idol who has recently lost her mother and is beginning to unravel. To make matters worse, she’s being used by everyone around her like a cash cow and is the target of predatory men eager to take advantage of her vulnerability. After her mother’s death, Jocelyn goes all-in on a drug spiral and suffers some mental health issues that nearly ruin her career, and things get worse when a self-help guru and leader of a modern-day cult enters into a complicated relationship with the pop princess. This one is full of darkness, sex, sexiness, and madness. Also stars The Weeknd ( Black Panther ). Streaming June 4. American Pain – A new documentary that traces the story of the largest prescription drug trafficking case in American history. It revolves around identical twin brothers Chris and Jeff George, who trafficked more than $500 million in opioid pills in the U.S. from their clinics, called American Pain, in Florida. Their business drew patients from around the country for brief appointments to see a physician and get an opioid script. Through compilations of hundreds of hours of FBI wiretap recordings, undercover videos, and jailhouse interviews with the twins, this doc showcases the rise and fall of the Georges’ empire and the approximately 3,000 patients who died after visiting their clinics. Airs June 8. John Early: Now More Than Ever – If you haven’t seen this dude in anything, you should find some of his work and watch it. He’s very funny and is finally releasing his first HBO comedy special. In it, Early ( Search Party ) brings his unique blend of cutting commentary, pop star swagger, and all-around loveable hilarity to Roulette Intermedium in Brooklyn, New York. In the style of a gritty 70s rockumentary, Early performs stand-up and explosive song covers from Britney Spears to Neil Young, intercut with Spinal Tap-esque backstage sketches. And if you’re a millennial and have no idea who Spinal Tap is, I suggest you find the mockumentary This is Spinal Tap —especially if you’re a music junkie—and turn the volume up to 11. That will be funny once you watch it. I promise. Early’s stand-up special drops on June 17. The Righteous Gemstones , Season 3 – The world-famous televangelist family with a long tradition of deviance, greed, and charitable work (and grown-ass sibling shenanigans) returns for their long-awaited third and final season. Don’t miss the antics of Danny McBride ( Eastbound and Down ), Adam Devine ( Workaholics ), Edi Patterson ( Violent Night ), and John Goodman ( The Conners ) as they work to secure all the dividends extravagant megachurch worship has brought them. Streaming June 18. The Stroll – I read about this, and it made me mad, to be honest. This documentary focuses on the history of New York’s Meatpacking District told from the point of view of transgender sex workers of color who lived and worked there. It upset me reading about the violence and policing transgender people faced (and still face everywhere), because there’s absolutely no need for it. We are all human beings; why does anyone give a shit what one person’s sexual preference or identity is? That is no one’s business but the person who is living it, and we should all stop judging one another and begin supporting individuality, even if you don’t agree with it. The doc also focuses on the trans women who congregated in the area called “The Stroll” and forged a deep camaraderie to protect each other from harassment and violence. Here, trans Director Kristen Lovell reunites her sisters to tell this essential NY story from the point of view of the trans sex workers who lived it. Drops on Max June 21. Warrior – If you haven’t been watching this series, you should—especially if you love martial arts. Warrior takes viewers on an intense journey through the Tong Wars in San Francisco’s Chinatown during the late 19thcentury. Inspired by the writing of martial arts icon Bruce Lee, the show’s third season delves into the aftermath of the race riots that shook Chinatown in the previous season. Premieres June 29. DISNEY PLUS Pride from Above – To kick off Pride Month, Disney has added a brand-new collection featuring films and shows that include LGBT+ storylines, creators, and characters. Airs June 2. First Alaskans – Indigenous Alaskans live on ancient lands but face a new climate of challenges. Streaming June 7. Flamin’ Hot – Richard Montanez, the son of a Mexican immigrant, was a janitor at Frito Lay when he came up with the idea for Flamin’ Hot Cheetos. His creation was inspired by the flavors of his community and revitalizes Frito-Lay and disrupts the food industry. Premieres June 9. Secret Invasion – Nick Fury learns of a secret invasion of Earth by a faction of shapeshifting Skrulls. Fury (Samuel L. Jackson of Pulp Fiction ) joins his allies and together they race against time to thwart an imminent Skrull invasion and save humanity. Also stars Emilia Clarke ( Game of Thrones ), Cobie Smulders ( Avengers ), Kingsley Ben-Adir ( High Fidelity , 2020), Ben Mendelsohn ( The Outsider ), Olivia Coleman ( The Crown ), and Martin Freeman ( The Hobbit ). Drops June 21. Other titles streaming this month on Disney Plus: Hailey’s on It! – June 9, Raven’s Home – June 14 , Pretty Freekin Scary – June 16 , World’s Best – June 23 , and Week-End Family – June 28. PRIME VIDEO Shiny Happy People: Duggar Family Secrets – This limited docuseries exposes the truth beneath the wholese Americana surface of reality TV’s “favorite” mega-family, The Duggars, and the radical organization behind them: The Institute in Basic Life Principles. As details of the family and their scandals unfold, we realize they’re part of an insidious, much larger threat already in motion, with democracy itself in peril. Streaming June 2. My Fault – A romantic thriller posing the question what would you do if you found love in an unexpected place, fused with intense passion for someone forbidden? This film is based on the book “Culpa Mia,” which is part of the “Culpables” trilogy written by Mercedes Ron. Airs June 8. The Lake , Season 2 – The sun-kissed Canadian lakeside comedy is back for its second season and stars Julia Stiles ( The Bourne Identity ), Lauren Holly ( Dumb & Dumber ), Terry Chin ( Jessica Jones ) and Jordan Gavaris ( Orphan Black ). The Lake tells the story of Justin (Gavaris), who has just broken up with his longtime partner and is returning to his family cottage in Canada to connect with his teenage daughter whom he gave up for adoption when she was just a baby. He soon finds out his father left their cottage to his stepsister (Stiles). What’s a little summer getaway without a little chaos? Premieres June 9. Tom Clancy’s Jack Ryan , Season 4 – Author Tom Clancy’s CIA analyst Jack Ryan (John Krasinski of A Quiet Place ) is back for his final season of dangerous gambits with a new breed of terrorism that threatens destruction on a global scale. Debuts June 30. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The power of authentic expression < Back Women Who Rock: Wanda Wesolowski Tim W. Jackson Aug 7, 2023 Share The power of authentic expression Wanda Wesolowski doesn’t particularly sound like a rock star name. The bespectacled, coveralls-wearing, unadorned young woman, still in her 20s, doesn’t necessarily look like a rock star, either. But the North Alabama southern pop rock singer/songwriter/musician is becoming well-known as a talented force in the area’s rich music scene, leading Wanda Band to release its second full-length album, “Only Feeling” , on August 11. As that album prepares to drop, Wanda shared a bit about her success, her sobriety, and her sexuality in a beautifully unassuming and authentic way. Wanda grew up in Huntsville, Alabama, with supportive and musically gifted parents. She explains that her father, Chuck, plays guitar and bass while her stepmother, Jill, is a classical pianist. “We had a music room when I was a kid,” she says. “Guitars on the walls and a drum set and a grand piano. So, I just kind of grew up around that.” She started playing drums and took drum lessons at age 10. “I played snare in marching band and vibraphone, xylophone—all the phones,” she says. Wanda started playing the ukulele and then playing guitar and singing. By the time she was 14, she was gigging every week. Credit: Malachi Byrd “My dad would take me to my gigs, and he would stay the whole time and walk around and listen and kind of let me know what people were saying and give me tips and pointers.” She says that while her parents have always been very invested in what she does, it’s somewhat of a blessing and a curse, “because on the one hand, they're like, ‘Hey, what are you doing today for your music career to happen?’ I'm like, sometimes I'm doing nothing and that's okay,” she says with a laugh. Early on, Wanda was performing covers and even jingles because they were quicker to learn. Eventually she started going to an open mic night in Huntsville that required acts to play originals because the venue didn’t pay its PRO (performing rights organizations) fees. “That was really how I became a songwriter,” she says, “because I wanted to play and I was like, ‘I guess I have to write my own songs if I want to play at this open mic night.’” That was The Foyer, which, as Wanda remembers, “was kind of a golden age in Huntsville that a lot of people still talk about, ‘Remember The Foyer days?’ It was a coffee shop open until two in the morning and was a great hangout for musicians and college students.” In fact, it was at an open mic event in Huntsville where she first met its host, Andrew Sharpe. Wanda explains, “He said, ‘Hey, you're really good. You need a band. I wanna be in your band.’ And then I went in the next week, and he was like, ‘Hey, I got a band together for you. We rehearse on Monday.’ So, I was like, ‘All right, cool.’” And that’s how the Wanda Band was born. A few folks came and went but ultimately the band became a trio with Wanda on guitar and vocals, Andrew on bass, and Nick Recio (Black Jacket Symphony, the Artisnals, and Great Peacock) on drums. Credit: Andrea Belk “We have a lot of laughs and make fun music and it's good,” she says. After its initial album, “ One-Hit” , which was released in late 2020, Wanda Band signed this year with Single Lock Records out of Florence, Alabama, and has released a series of singles leading up to its release of the new album “Only Feeling.” Image Provided by Artist, Album Artwork by Gaby Wolodarski One of those singles, “Reggae Song”, was released in June as part of Pride Month. I want a woman to touch my thighs Who loves to sing and only smokes to get high I want a woman to scream my name She could be anybody, she just has to be gay In this song, Wanda is more explicit about her sexuality, although she says, “I guess a lot of my songs are about queer heartache and that experience and some of my frustrations with living down in the South and being a queer person. I think it's important for me as a woman, a queer artist, to be out and to show that there can be queer joy, there can be queer heartache, and just kind of giving a voice to those who feel the same way and maybe have experienced the same things.” She goes on to say with a laugh, “I definitely think that whether anybody wants it to be or not, all Wanda Band shows are a pride event .” Wanda says she’s been pleased with the reception of “Reggae Song” and the three other singles that have been released ahead of the full album. “I like the idea of giving everybody a little taste pretty relentlessly, like once a month, of our music,” she says. “And then we'll just give them all 12 (songs) for the full release and that will be fun. I'm really excited for everyone to hear the whole thing as a cohesive album.” As for the album, it was recorded with producer and musician Jay Burgess (The Pollies) at his studio in Greenhill, Alabama, which also happens to be the hometown of Jason Isbell . “Once it was done,” Wanda says, “Jay showed it to Ben (Tanner of Single Lock Records in nearby Florence) and Jay asked if Ben could put some stuff on it. So once Ben put all his keys on it, he was like, ‘I really want to pitch this to Single Lock and see if they want to put it out.’ So, they came to us and that was really special to me because it meant that they actually wanted to be involved with it. Using their resources has been extremely helpful and we're really thankful for their support in that way.” It probably doesn’t hurt that Wanda was a student of John Paul White ’s in the music department at the University of North Alabama. White, a noted singer/songwriter in his own right, is a co-owner along with Tanner and others of Single Lock Records. Wanda’s Shoals-area connections paid off in landing her a spot in the 2022 version of ShoalsFest, a musical weekend event brought to the area by Jason Isbell and his team. That was a dream come true,” Wanda says. “When I first moved to Florence, I worked ShoalsFest. I tore down the stage. I stood up on that stage and looked out and I was just like, ‘Now imagine yourself being here next year.’ So just being connected in the Shoals really has helped our career skyrocket in a way that it wouldn't have been able to just sitting in Huntsville.” In addition to the album release, another important date is looming for Wanda. She’s closing in on five years of sobriety. “I just was like ‘I guess if I'm an artist, I need to be troubled,’” she says about her early days of drinking. “As soon as I got out of high school, I just started drinking and smoking and doing a bunch of things I shouldn't be doing because I thought, ‘Oh, this is what it means to be young. This is what it means to be a brooding artist.’ And I took it a little too far and realized after about four years of regular heavy drinking that it wasn't helping me. It was kind of making me hate myself for not pursuing my dreams in the real meaningful way that I wanted to because I was so concerned with drinking and partying and being an artist in that way—and not really focusing on my art.” Credit: Tim W. Jackson She realized, “Some people can casually have a drink or two. I was not one of those people. It was like, as soon as I have a drink I'm blacking out. It was not good and not healthy. So, I finally made that decision (to choose sobriety) and started The Wanda Band like six months later and just really poured myself into my art and my music. In a way, maybe I traded one addiction for another— just being addicted to working on the band. But it was a healthy outlet for me, and it helped me pass the time and gave me a creative outlet that I didn't have when I was drinking all the time.” The focus on music has definitely paid off. The band has gotten more notoriety, and not just because of what has become their trademark coveralls. “I just got a pair of coveralls one day and thought, ‘Hey, I look pretty good.’ And then the boys were like, ‘I wanna wear some coveralls.’ So, our first album release show we got matching coveralls for the event, and we never looked back. We were just like, ‘I guess we're a coveralls band.’ “It's so funny,” she continues. “With the coveralls, I don't have to think about (what to wear). I'm just like, what color do I want to wear today? Sometimes I forget to tell the boys what color to wear and they'll show up to the gig with all of their coveralls in the back of their truck. I like that they're into it. They both work in construction, so it kind of just goes with their aesthetic.” Catch the “coveralls band” in a handful of album release shows in Alabama and the Florida Panhandle, and give the album a listen on your streaming service of choice. And keep your eye on this rising star who stands as a testament to the profound impact of music when it emerges from the heart and soul of a genuine artist and storyteller. Wanda’s dedication to her craft and ability to connect with audiences will ensure her indelible mark on the world of music, reminding us all of the power of authentic expression. For more on Wanda Wesolowski and Wanda Band, visit her below at any of the following links: www.TheWandaBand.com Instagram @TheWandaBand Facebook @TheWandaBand YouTube @WandaBand Spotify @TheWandaBand *Cover photo by Andrea Belk Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Alabama, with his artist wife and their remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New and returning content to keep you busy and out of the heat < Back Hottest Titles Streaming August 2023 Keeley Brooks Aug 1, 2023 Share New and returning content to keep you busy and out of the heat No matter where you are right now, chances are it is HOT. To help you beat the heat, some of the best streaming services are serving up new seasons of popular series as well as new titles for you to check out before heading back to school or wherever it is you’re headed. August features the return of fan favorites such as Billions and Reservation Dogs and the premiere of new series—the headliner of which is Star Wars: Ahsoka . Below is a complete list of some of this season’s hottest titles arriving over the next four weeks. Pickins might be gettin’ slim with this writers’ strike, but there’s still plenty to enjoy! Apple TV Plus Physical , Season 3 – Rose Byrne ( Bridesmaids ) is back with the final season of this dark comedy that follows aerobic exercise guru Sheila, who is bulimic, as she deals with increased competition. This season, Sheila steps out of recovery to question if her judgmental inner hater was actually the key to her success. Joining Byrne is Zooey Deschanel ( New Girl ) as Kelly Kilmartin, a blonde who’s taking the crown that Sheila thought was hers. Expect things to spiral as they feature more anxiety and more rad-tastic 80’s outfits. Premieres Aug. 2. FX on Hulu Reservation Dogs, Season 3 – The hit Native American coming-of-age dramedy is back, also with its final season, to bid farewell to Native teens Bear (D’Pharaoh Woon-A-Tai, of Bloody Hell ), Elora (Devery Jacobs, of The Order TV series), Cheese (Lane Factor, of The Fabelmans), and Willie Jack (Paulina Alexis, of Ghostbusters: Afterlife ), whose ups and downs have induced belly-aching laughter and sobs full of tears. Last season saw the teens make it to California to honor dearly departed Daniel; this season, they’ll all head home to the reservation—except for Bear, who ventures off to find his own way. Premieres Aug. 2. *If you missed my interview with Mose and Miko earlier this year (Lil Mike and Funny Bone), you can find that here . Only Murders in the Building, Season 3 – This season at the Arconia, Charles (Steve Martin, of Father of the Bride ), Mabel (Selena Gomez, of Spring Breakers ), and Oliver (Martin Short, of Innerspace ) find themselves wrapped up in a murder that’s all about the theater. Paul Rudd ( Dinner for Shmucks ) plays an actor who falls ill during a production that Oliver is directing and Charles co-stars in. And since the dearly departed was a smug guy, there are plenty of suspects. Also joining the season is Meryl Streep ( The Devil Wears Prada ). Premieres Aug. 8. Netflix Painkiller – Man, oh man. These opioid crisis adaptations just keep on coming, and I suspect they will for a minute. This drama starring Matthew Broderick ( Ferris Bueller’s Day Off ) tells the story of the origins and effects of the opioid epidemic that has ravaged hundreds of thousands of lives across America. Six episodes trace the creation and proliferation of OxyContin, the power wielded by the pharmaceutical industrial complex, the government’s failures, and the addictions that developed from the drug. The stellar cast also includes Uzo Aduba ( Orange is the New Black ) and Taylor Kitsch ( John Carter ). Premieres Aug. 10. Heart of Stone – Gal Gadot ( Wonder Woman ) is back and still kicking ass. From The Old Guard producers, Gadot stars as Rachel Stone, a covert agent who is also part of an elite group called The Charter. They’re highly trained with no political or national ties, and their only goal is to keep the peace in a turbulent world. Rachel and The Charter are helped by an asset called The Heart, which has untold powers: Own the heart, own the world. If it gets into the wrong hands, death and destruction could follow. Premieres Aug. 11. Showtime Billions, Season 7 – Axe is back, baby! At the end of Season 5, Damian Lewis ( Band of Brothers ) was off to exile in Switzerland. Now, his return may give Chuck Rhoades (Paul Giamatti, of Sideways ) two formidable foes. The other is Mike Prince (Corey Stoll, of Midnight in Paris ), who took over Axe’s hedge fund. Although he lost $3.5 billion when his black-box drives were taken, Prince saved enough face to still be in the running for president. Chuck is prepared to take him down — at whatever cost. Premieres Aug. 13, also on Paramount Plus. HBO and Max Winning Time: The Rise of the Lakers Dynasty, Season 2 – I was wondering if we were going to get a second season, so I’m glad we are! The somewhat controversial biographical series may not have the support of key Lakers figures like Magic Johnson and Jerry West, but it’s hitting the court for another season anyway. This round takes place in the period just after the 1980 NBA Finals through to 1984. Owner Jerry Buss (John C. Reilly, of Step Brothers ) is riding high after the changes he instituted led to a championship trophy. But winning comes with a new set of expectations and pressures, particularly on Magic (Quincy Isaiah, of A Black Lady Sketch Show ) as his rivalry with nemesis Larry Bird (Sean Patrick Small, of The Just ) heats up. Premieres Aug. 6. BS High – This documentary tells the stranger-than-fiction story of high school football team Bishop Sycamore, which pulled off one of the more notable sports scams you’re ever likely to hear about. The film delves into how this fake high school managed to deceive its way into a nationally televised game on ESPN in 2021. Premieres Aug. 23. Disney Plus Star Wars: Ahsoka -- Rosario Dawson’s ( Rent ) renegade Jedi gets full billing in this new series, which ties in not just The Mandalorian , but also the older Star Wars: Rebels and Clone Wars animated series. Ahsoka, a former trainee of Darth Vader is on the hunt for Grand Admiral Thrawn, who disappeared at the end of Rebels with Ezra Bridger, another Jedi-in-training. Will the series bring with it the best of The Mandolorian and Andor ? Only time will tell! Premieres Aug. 23. Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Tony Biggs < Back DJ Skillspinz: A Classically Trained Master of Combining Textures and Beats Nicole Brice Apr 7, 2023 Share Tony Biggs With so many aspects of music production being prefabricated these days, I’ve managed to find a man who is still mixing it up the old skool way. (Yes, we spelled it like that on purpose.) As a lover of hip-hop and rap my entire life, what initially drew me to DJ Skillspinz was his insane scratching techniques. Using nothing but his talent, turntables, and an ear for combining beats , he showcases his mad skills with each new mix he releases. His choices for his combinations are diverse and fascinating, and they showcase his knack for individuality in a world oversaturated with conformity. Based in Georgia with over 210k followers on Instagram alone, people are definitely loving what he's doing. Antonio “Tony” Biggs, aka DJ Skillspinz , is an Army veteran , a disc jockey, a producer, and a composer, who is widely known for music on the Peacock series One of Us is Lying , on S1E1 of the Netflix series Gentefied , and on the Starz program Step Up . He was an extra in the BET movie Redeemed as well and has produced/deejayed for GhostFace Killah’s Theodore Unit , Play (of Kid ‘n Play ), and Def Jef , Grits , the Ambassador , and Grammy artist Lecrae . Other credits include Xbox 360 ’s Project Gotham Racing 4 , and he is an Akai MPC Beat Battle Round 10 champ. What has this man not done, seriously? With an impressive history of production and music, further samples of his work can be heard on the Ghostface Killah Theodore Unit album 718 , where he produced track number 14 , and on the Rapland Records House Party Conversions album with Play of the famous rap duo, Kid ‘n Play . Additionally, Antonio was also nominated for a Dove Award for his debut album Reintroduction of the DJ and is the first Christian DJ to release a turntablist record on Rescue Records . His current album, Table Manners: The Mixtape , is available via all streaming platforms, and there’s even more new music on the way. He shared with me some mixes he plans on doing, but I was sworn to secrecy, so you’ll have to follow him and see what he releases in the future. We recently had the opportunity to chat more in depth with this turntable master to learn about his fascinating career and life, so, after you finish reading this, you’ll want to go check out his Instagram page. It is full of things sure to make your head spin, kind of like a record. Photo provided by artist MaM : Man, I am so impressed with all of your song combinations, because I am a huge, HUGE fan of old-school hip-hop. Some of the stuff you’ve done with A Tribe Called Quest, I’ve been like, “Damn … this is awesome!” So, how did you get into making music for TV shows and movies? TB : That’s something I always wanted to do [ever since] I was a kid. I am a big horror movie fan, and when I was 13—maybe 15—I used to record on cassettes different sound bites from my favorite horror movies and use that to make music myself. I guess you could say it came from my love of horror movies. I always wanted to do something in film and television, and so it just fits. Eventually, I started making beats , which got me into hip-hop . Being involved in the industry has led to great opportunities to submit my music to people for consideration. The rest is history. MaM : You’ve had your music licensed to Netflix and Peacock. I mean, dude, that’s awesome. Were you surprised to see your song on TV? TB: Well, the [Netflix] supervisor didn’t let me know it had been placed in the show, and sometimes that’ll happen, but it was crazy! I kept watching Gentefied and they played another one of my songs. I ended up with two songs in that one show. MaM : Wow, that is incredible! I read you were nominated for a Dove Award. Tell us a little more about that. TB: That was really cool. I think back then I wasn’t really focused and aware of what was really in front of me. I was younger and wasn’t really paying attention. I wish I could go back, honestly, to do it all over again and be more aware of what was going on around me at that time. I was just so focused on making more music and doing other things. Photo provided by the artist MaM : How old were you when you got that nomination? What year was that? TB: My record came out in 2000 , so it had to be later that year. I think I was 23 or 24. MaM : I also see that you were the first Christian DJ to release a turntablist record on Rescue Records. Are you still signed to a label, or are you just doing things independently? TB : I’m independent right now, but I was the first Christian DJ to do that. Of course, there were other DJs before me, you know, doing Christian hip-hop and other stuff, but no one had put out an actual turntablist record. It was a blessing to be able to do something like that, and there hasn’t been anyone else since me to put out another record like that. MaM : You were a trailblazer then and you still are because no one else has been able to do the same. I find these days that creativity is lacking because of all the prefab apps out there that do everything for you. TB : I think it takes away from the culture and from the skill used to create when you can press a button and have the computer scratching for you. You don’t really need a DJ . That’s what I hate, but it’s kind of a blessing and a curse with technology. Everyone thinks they can be a DJ now, but, for example, my sister recently bought herself a DJ controller, and now she talks like she’s a DJ . I’m over here thinking, ‘Why do you have this?’ MaM : See, all the technology scratching for you is just not the same to me. TB : I guess you gotta get in where you fit in, right? It is what it is. MaM : So, what first got you into DJing and music? TB : That’s a great question. I was in a group with my brother and a good friend of ours. He lived right across the street from us. We were probably 9 or 10 years old. We had a little rap group and my uncle, who is from up north and used to come down and visit all the time, heard us rapping. He kind of took us under his wing and took us to a friend’s house where we did a little demo. The guy recording us went around the room asking each of us what we did, and my brother was like, ‘I’m the rapper,’ and my friend was like, ‘I’m the rapper, too.’ They get to me, and I go, ‘I’m the DJ ’—mind you, I did not have any DJ equipment, but once I said that, it just stuck and we went from there. I always just wanted to be a DJ . It's crazy to think about. I can’t recall one specific DJ who made me think, ‘That’s what I wanna do.” Now, I used to use my mom’s turntable sometimes. I used to take her stuff apart to see how it worked. She would bring records home, so I guess I can credit her as being the one to introduce me to hip-hop. I remember her bringing a record home by the Fat Boys and telling me to listen to [it]. It was ‘ Jailhouse Rap’ and it stuck with me. She had also brought home a record by Roxanne Shanté . After that, though, I remember I was hooked. A 12-year-old DJ Skillspinz / Photo provided by artist MaM : So, she didn’t care you were taking apart her turntable? Wait, did she know? TB : I don’t think she knew. I used to take her speakers apart, too, just to see how they worked. MaM : Then you put it back together the same way so she never noticed? TB : Yeah. Still to this day she doesn’t know. MaM : Well, she does now! (laughter) MaM : So, let me ask you: Who are you inspired by from that period of growing up? TB : I would say Jam Master Jay was a huge influence, ya know? I mean, Jazzy Jeff was a huge influence, too. DJ Magic Mike from Vicious Base and DJ Scratch from EPMD , too. I love all those DJs . I love a lot of DJs . MaM : I miss the music from that time period. I would love to bring it back and teach this generation what good rap and good hip-hop is. TB : That’s one reason I’m doing what I’m doing … [to] keep it alive. I used to think there wasn’t a place for it anymore, and I tried to create new stuff for the newer generation and stuff. I was just sitting down one day, and I was like, ‘I’m gonna put this mix out, this Wu-Tang one,’ and it just took off! I was like, ‘Oh shoot! People are still out there still loving this.’ MaM : Yep, like me. I was creeping around on your Instagram page and was like, “Man, this dude is awesome!” TB : Thank you. MaM : Just being honest. I love everything I’ve seen so far. My next question for you would have to be, at what age did you officially start DJing with your own equipment and everything? TB : Here’s a funny story. My aunt, God bless her soul, she bought [me] my first turntable. I used to watch Yo! MTV Raps and I saw the turntables the DJs were using, and I thought to myself, ‘Man, what kind of turntables are they using?’ A guy from my neighborhood had this magazine called J&R Music World . It was in New York , and that is where my aunt is from. I was looking through the book one day and came across the turntable all the DJs were using [and] I knew I needed that turntable. We had a family gathering and my aunt knew I loved music, [so] I told her about the turntable I had seen. She told me that if I made As and Bs on my report card that she would buy me my first turntable. A young DJ Skillspinz / photo provided by artist MaM : How old were you at that point? TB : I was in high school … 9th grade. … I ended up not making [all] As and Bs on my report card; I actually made a C. I went back to my teacher, though, and I was able to convince her to change my grade to a B. (laughs) I went right [then] and called my aunt to tell her the news, and about a week later, I came home from school one day and there was a turntable sitting in the chair in my living room. From then on, it was uphill. MaM : That is really cool you had your family’s support. What did you say to the teacher to get your grade changed? (laughter) TB : See, I was supposed to be reading this story. The whole class was reading this book, and we had to fill out a form showing where we were in the book. My teacher told me I was supposed to be further ahead than I was. I explained to her that I had made a mistake and filled out the form wrong and that I really was further along than I had written, and so she changed my grade. MaM : Dude, nice. I wish I would have had those powers of persuasion back in the day when I made a C. (laughs) DJ Skillspinz in Waco, TX / photo provided by artist TB : I want to throw this in there, too, about the turntable. My aunt only bought me the one turntable and I needed a second one, so, [I worked at a program for teenagers during the summers] and used the money to purchase the second one. MaM : Nice. So, you live in Georgia now, but is that where you grew up? TB : I am from Columbus, Ga ., born and raised. MaM : Never lived anywhere else? TB : I lived in Nashville, Tenn ., … then [when I was 18] in California for a while in South Central . MaM : What made you decide to move out there? Did you always want to? TB : Nah, I was trying to pursue music and had family [who lived out there]. Then, this guy who claimed to be a manager took me down a little path for a bit. You know, [you’re] learning [and] just trying to trust people because they say they’re gonna do certain things and, well, you live, and you learn. MaM : Yep, that you do. When did the music stuff start to take off for you? Where were you living when that happened? TB : I was back in Columbus . [I’d made] a mixtape, and [this guy out in California had a copy and he] ended up leaving the tape at someone’s house, and that someone gave it to somebody else, and that somebody gave it to this A&R with Rescue Records . [This] A&R guy was a former dancer of Vanilla Ice ’s. (laughs) MaM : Oh my gosh, wow. (laughter) TB : Yeah, well, let me tell you a funny story about that. He heard my mixtape and was like, ‘We need to find this kid,’ [so] they [contacted] me and wanted to sign me. The crazy thing about that is, I remember Vanilla Ice coming to Columbus [on tour] and my brother and I used to sneak into concerts, but [at that time], I didn’t want to see Vanilla Ice . We had gone in and seen who we wanted to see, but I remember being outside the Civic Center and I could hear Vanilla Ice telling the crowd to say stuff to his DJ . I didn’t want to hear that. The crazy thing is, this guy ( A&R rep) was inside dancing with Vanilla Ice , and we didn’t even know each other. Come years later, and this same guy signs me to the label. MaM : Whoah. That’s insane. That’s something I like to call a universal happening. It all comes back full circle. TB : For the record, though, I respect Vanilla Ice , and I love what he did for hip-hop , pushing the culture forward. MaM : Definitely, I agree. If people like Vanilla Ice hadn’t come around, I don’t feel there would be an Eminem. He paved the way, even with as much hate as he got. As far as current projects are concerned, are you working on releasing any additional albums? TB : I’m about to do another album. ‘ Table Manners ’ is new, but I have a few mixtapes I want to put out but just haven’t yet. I’m gonna do an actual project because people have been hitting me up about it. … I have some things coming up that are so freakin’ dope, so [there’s more coming soon]. Photo provided by artist MaM : Last question: Do you feel the platforms musicians have to release their music on these days is sufficient, or do you miss the way things used to be? TB : Honestly, I miss how things used to be. As I was saying before, it took you having to have talent to get signed and technology is a blessing and a curse, but I think either you have it or you don’t, and you shouldn’t rely on technology to get you a record deal or to get you hundreds of thousands of followers. That’s crazy when you think about it. Things have been watered down so much. I wish more people would take the time with their craft to refine it. To check out the work of this genius of the turntables, be sure to hit one of the links below! The Meet-ups | Dj Skillspinz Make The Bass | DJ Skillspinz (bandcamp.com) ‎DJ Skillspinz on Apple Music DJ Skillspinz (@djskillspinz) • Instagram photos and videos DJ Skillspinz | Spotify Dj Skillspinz | Facebook Episode 23.1 DJ Skillspinz - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong lover of hip-hop from the late 80s and early 90s, and will often have A Tribe Called Quest blaring in her car. It annoys her kids. Want to be featured? E-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. < Back Blood Machines: Book Review Shaun Corley Dec 13, 2023 Share “Blood Machines is a highly creative vampire novel that subverts tropes and cliches, using the creatures to explore the concept of a surveillance state. Depending on whom you talk to, the vampire is either a potent metaphor or is derivative and “done to death”. A quick look around the pop culture landscape shows compelling evidence for both sides of the argument. On one end are classic books of the genre, such as Bram Stoker’s “Dracula” or Richard Matheson’s “I Am Legend”, which do not glorify vampires but instead show them for the fearsome creatures they are. On the other end we have works, such as " Twilight" or " The Vampire Academy" , that play up the more sexual aspects of vampire mythology and add a layer of luster to the undead. And then there is the novel “Blood Machines”, which uses the blood-lusting creatures to explore the concept of a surveillance state . While also the subject of numerous films, vampires have made their way to television as well in shows like True Blood and What We Do in the Shadows . They even star in video games, such as the mega-popular “Castlevania” series and “Vampire: The Masquerade”, a popular role-playing game centered around vampire clans. Those who argue that vampires are still relevant point to the creature as a potent allegory for issues of class and sexuality; Anne Rice’s seminal “Interview with the Vampire” touched on these themes, as did Francis Ford Coppola’s adaptation of Stoker’s original novel. Commentators who believe the vampire to be cliche use the shallow and superficial nature of works like " Twilight" as evidence for their argument. They believe that these works strip the vampire of its literary power, instead focusing solely on the sexuality element at the expense of other themes. While the two sides continue to debate with no satisfactory answer in sight, J.K. Gravier has slipped under everyone’s radar with the excellent “Blood Machines” . This novel, which deftly mixes the police procedural genre with elements of vampire lore, imparts new symbolic importance to the creatures . “Blood Machines” is set in an alternate America, where vampires have begun entering mainstream society. The vampires of “Blood Machines” are not sexy, they do not turn into bats, and a bite from one will not convert their victim. Gravier does not dwell on the nature of the vampires too much, instead opting to focus on world building and exploring the ramifications of such creatures in the real world. “Blood Machines” follows Allison Drew, a vampire (or “sanguinarian” as they are called throughout) working for the federal government. As part of their efforts to assimilate into the larger world, they have created the Vampire Bureau of Investigations. This agency, working closely with the FBI, polices vampires. Drew is sent to Detroit to investigate a series of murders where the victim's blood was drained. There she uncovers a massive conspiracy, stretching all the way to the highest echelons of the VBI … and the FBI. At every turn, Gravier subverts vampire tropes and cliches . As mentioned earlier, Gravier’s vampires lack many of the creature’s traditional powers, such as the ability to turn to mist or the ability to “charm” someone. These vampires can come out during the day, although it requires sunscreen and special clothing. Gravier even downplays the very word “vampire”, as some prefer to label themselves “sanguinarians”. Gravier also dispenses with a great deal of vampire lore, stripping it down to its bare essence and injecting it with new life. Playing around with these tropes allows Gravier to discuss issues of surveillance and the police state . Allison Drew learns that both the VBI and the FBI have plans to implement a tracking system for vampires, one that would allow various agencies to keep tabs on them. The novel does not make it clear if this surveillance program would carry over to humans, but the implication is there. In “Blood Machines”, vampires also become a metaphor for race and class . Allison and her vampire friends existed on the margins for centuries, only making gains within the past 100 years. Their march into the mainstream has been slow, and they are still greeted with suspicion and fear. It is not a stretch to see Drew and her fellow vampires as stand-ins for any oppressed and marginalized groups. “Blood Machines” also explores the nature of the police state, and the relationship between law enforcement and the people they are pledged to serve. It does not glorify the police work Allison does. Her colleagues are corrupt, and the novel heavily implies this corruption goes all the way up the ladder. “Blood Machines” contains themes of the erosion of civil liberties and the rise of the surveillance state , which resonate loudly in today’s world. Numerous novels, television shows, and movies have centered themselves around these issues, some of them with nothing really new to say. With “Blood Machines”, J.K. Gravier takes vampires—which are often dismissed as “overexposed”—and uses them to talk about these very themes. The end result is a highly creative vampire novel that subverts tropes left and right. “Blood Machines” is currently available for your reading pleasure. To learn more about J.K Gravier and “Blood Machines”, visit any of the below listed links and be sure to leave a solid review. The book is worth it, especially if you’re a vampire fan. J.K. Gravier | Author Info “Blood Machines” | Amazon “Blood Machines” | Barnes & Noble “Blood Machines” on Audible Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Pastor of Horror < Back Ezekiel Kincaid Keeley Brooks Dec 5, 2022 Share The Pastor of Horror So, sometimes there are men, and then sometimes, there’s a man … with such a fascinating story, you can’t help but stop and have to know the deets. Such is the case with a recent horror author I stumbled up by sheer happenstance, and I’m so glad I did, because I’ve been bursting with excitement to spotlight him ever since. His name is Ezekiel Kincaid, also known as—I’m not kidding—“The Paranormal Pastor” and “The Pastor of Horror.” And that’s what makes him so fascinating (aside, of course, from the fact that he’s a very talented writer): he’s a pastor writing horror fiction. Let me say that again: a pastor writing horror fiction … fiction involving demonic spirits and exorcisms, hauntings and slayings, and innocent characters of visceral bloody terror. His work is so fantastic, it pulled me right in while cooking breakfast over the weekend, and I managed to burn my bacon to a crisp and set off the fire alarm, because I was fully distracted at listening to Zeke read an excerpt from the second book in his “The Dreadful Death” series, “The Gathering.” “The Dreadful Death” series is a three-book series put out by Raven Tale Publishing and, if it’s being described in movie terms, “is a mix of The Exorcist , Carrie , and Pan’s Labyrinth ,” says Kincaid. “It’s a possession story about … a young girl [who also] has psychic abilities, and [she] opens herself up to this world where there are all kinds of creatures and demons, and some of these guardian demons are protecting her so she can fulfill her destiny of meeting this dark entity, The Tetromet,” describes Zeke. Set in the early 1800s in Chapel Hill, North Carolina, “The Gathering” tracks this young girl’s life as she descends deeper and deeper into darkness and madness, until finally the evil takes full control of her and she unleashes demonic terror upon her family, her friends, her loved ones, and her town. And that’s just the second book in the series. Kincaid is a self-described southern boy, born and raised in Baton Rouge, Louisiana. He spent over 20 years in ministry as a pastor before shifting his focus to chaplaincy … and horror writing. He’s also (get this) a paranormal investigator with some pretty unexplainable experiences that’ll leave you as speechless as they did me. Dude is gifted, in more ways than one. And he trains in martial arts—Krav Maga and Jiu Jitsu, to be exact—so, in addition to exorcising demons, he also whips their ass. Zeke has three theological degrees and is an avid student of theology, philosophy, physics, and evolutionary science. (I know; it’s so amazing, I can barely believe it myself.) He’s also a, “former addict, who now uses his story to help encourage [and ensure] victory in others with the disease of addiction," and he has a "deep-seated passion for social justice and those who have been marginalized and oppressed." “Having been given the Scarlett letter by many in the former denomination I was ordained in because of my writing," he says, "I can empathize with those who have been rejected, ostracized, or condemned for their beliefs.” I had the extreme pleasure of getting to rap with Zeke over several in-depth conversations, so I figured I’d lay that Q&A down right here and let you see for yourselves just why you should not only know who Ezekiel Kincaid is but also why you should be following, reading, and supporting him as the brilliant artist he is. KB: So Zeke, tell us about yourself. Who are you, really? EK: Having walked through enough trials for six lifetimes, I am a man of deep strength, passion, conviction, love, empathy, courage, mercy, grace, and compassion. I also have a very dark sense of humor and love watching it get me into awkward social interactions. The worst thing anyone can try to do is fit me into a mold. I have a tendency to bust the edges. KB: Have you always been a writer? EK: I’d like to think so. When I was in first grade, I wrote this epic story for class about how my dog takes a crap. I got a C on it, but I’m pretty sure that was because my content was looked down upon. So, people have tried to censor me for decades! My parents didn’t know about it, because it was an in-class assignment. When they asked me why I wrote a story about my dog’s feces, I replied, “The teacher said to write about what we know.” KB: Ha! You can't tell a writer to write what they know, then condemn them for their subject matter! So, when did your skills fully emerge, and when did your love for horror begin? EK: My writing skills began to emerge in my creative writing class … in high school. This class, mixed with my English Literature classes and love for horror novels, began to birth within me a love for writing. It wasn’t until I got into seminary (the first time) that I really developed a real heart for writing. My passion for theological and doctrinal study led me to a deep desire to dissect, investigate, and share my findings with others. After years of writing theology and poetry, I decided to explore my other passion–horror fiction. Around 2018 I decided to give it a go. This season really developed my skill as a technical writer. However, once I started to get published in horror fiction, I met Lisa Vasquez. She is an author and CEO for Stitched Smile Publications. She began to mentor me and bring out hidden talents I never knew were there. She still helps me [to] this day, and we remain close friends. I pretty much owe all that I am as a horror writer to Lisa and her investment in me. KB: Do you write anything other than horror fiction? EK: I also love to dabble in poetry. This desire was also developed in high school through my creative writing and English classes. Currently, I find myself hopping back and forth [between] horror fiction, theology, and poetry. I love being able to switch gears like this. It keeps my brain active and my creativity fresh. I am also diving into the realms of horror fantasy and science fiction. KB: What drew you to the horror genre? EK: Two life-changing events happened in my childhood to get me into horror. First was watching the movie The Demon Murder Case with none other than … Kevin Bacon. It was a made-for-TV movie that came out in 1983, but I didn’t see it for the first time until I was [six]. Fans of The Conjuring series will recognize it as the inspiration for the latest installment, The Devil Made Me Do It . The show was based on one of the controversial Warren’s case files. This movie scared the lemon-yellow childhood pee out of me. I probably shouldn’t have watched it at [six] years old, but it definitely birthed my love for horror. The second event was my viewing of another made-for-TV movie called The Midnight Hour , made in 1985. If The Demon Murder Case birthed my interest in demonic possession, then this movie is the origin of my love for witches, zombies, and vampires. [High school is] where my love for horror went into overdrive. A steady dose of horror flicks finally merged with my introduction to Stephen King, Clive Barker, and William Peter Blatty books. My appreciation for the genre has done nothing but evolve and grow since then. KB: What was your first published piece/book? EK: My first published story was actually the first horror story I ever wrote called “Call of the Tetromet” with Fantasia Divinity [Magazine]. My first novelette to get published was also the first one I ever wrote. It’s called “The Memoir of Darius Fischer” and was published by Grinning Skull Press. The same goes for the first novel I ever wrote. It’s a horror comedy called “Johnny Walker Ranger: Demon Slayer.” It was picked up in 2020 by Stitched Smile Publications. KB: Are you with an agent/publisher at the moment? EK: Right now, I’m seeking an agent for my current horror/fantasy book called “The Gospel of Lilith.” I’ve been published by Fantasia Divinity, LVP, Grinning Skull, Stitched Smile, Raven Tale, Crystal Lake (Patreon), Black Hare Press. Shackelbound Books, Ghost Orchid Press, Siren’s Call, Horror Bound, Puzzle Box Horror, Jakob’s Horror Box, Horror Bites, and Hellbound Books. KB: Tell me about your books. As much as you wanna tell us, we wanna know. EK: Let’s start with “Johnny Walker Ranger: Demon Slayer.” This book was birthed from my love of The Evil Dead franchise, rednecks, and “South Park.” It follows a redneck alcoholic who discovers the secret to actually killing demons. He forms a demon-killing team full of rednecks and emos called The Bruce Campbells. With the help of Gabriel the angel, they have to stomp out a demon outbreak in Oxford, MS, that Johnny single-handedly created. If you love Evil Dead- style horror and offensive humor, this is the book for you. KB: That’s definitely my kind of book! What about “The Dreadful Death” series? EK: Currently in “The Dreadful Death” series, [there are] “The Dawning” and “The Gathering.” Book three is still forthcoming. The series follows a young girl named Theodosia Whitfield into a depth of horror like you’ve never read before. [This is the book that is compared to] a mixture of The Exorcist , Carrie , and Pan’s Labyrinth . The story takes place in the early 1800s in North Carolina. Theo is being groomed in preparation to serve a dark entity called The Tetromet. Because of her gifts, there are other creatures lurking in the Ethereal Plane that want her. To keep her safe, a demonic guardian named Hophni is sent to protect her from these monsters and make sure she fulfills her calling to The Tetromet. As Theo descends into the darkness, the evil she unleashes on those around her is malicious and insidious. The series is full of visceral, nightmarish imagery, intense, complex characters, and thought-provoking, realistic dialogue. Readers have said the story is like a cinematic experience in novel form. [As far as] “The Memoir of Darius Fischer,” anytime a writer takes on a well-known genre, they have to make sure there are enough original ideas to keep it fresh. This is the case with this novelette. Darius’s grandfather is dead, and he has left behind a myriad of secrets, one of those being a lone chest in his attic loft. Within it lies secrets so dark, they take Darius Fischer down a road of no return. Written in the style of Darius Fischer’s journal entries and his psychologist’s session notes, the story provides an original take of lycanthropy but also stays true to all the things we have come to love about the folklore. KB: Do you have anything in the works? EK: Yes, lots! First, I’ll mention the book I’m querying agents for, “The Gospel of Lilith.” This book is a horror/fantasy that combines the Hebrew and occult mythos of Lilith, along with a little made-up Zeke mythos thrown in there. The book shows how, through heartbreak, misogynist oppression, and betrayal, Lilith becomes the creature that we know her as today. It bears to mention that I do not go the traditional route with making Lilith an origin story of vampires. So no, this is not a vampire novel … but the next one I’ll mention is! “The Vengeful Lambs.” This one is a novella that I am sending out to publishers now. The story follows Sampson and Ruth as they travel the New Mexico desert after an encounter with a vampire. The story combines the claustrophobic feel of Phantasm and the grit of From Dusk till Dawn , along with some supernatural elements and Lilith mythos thrown in. Like my werewolf story, this one gives a fresh, original take on vampires, while also staying true to some of the things we have come to love about these creatures of the night. Speaking of night, let’s talk about another upcoming novelette of mine called “Night of the Blood Cum.” Yes, you read that right, and it is exactly what you think. It is about a giant, demonic sperm that wreaks havoc on a redneck family from Alabama. In an unforeseen event, the jizz of an ancient Warlock drips on a Ouija board. The demon sperm is born and if not stopped, all humanity will succumb to its wrath. The only hope is a redneck named Jim. Aided by the ghost of his dead buddy Earl (who died in a bungee jumping accident from stringing old underwear bands together), Jim must find a way to kill the sperm and make it sterile. Fans of Tucker and Dale vs. Evil- style horror will love this story. Coming soon from Godless. KB: Dude, you are utterly fascinating. Any upcoming appearances where fans can find you? EK: I’m a regular on the panel for the Professional Paranormal Research YouTube channel. You can find me there a few times a month. Over the past two months, I’ve done shows with Citywide Blackout, Raven Tale Publishing, The Magical World of G. Michael Vassey, AfterRot, and Panic Room Radio. I’ll be back on Ghostly Talk for the third time this January, talking to them about the paranormal and my recent and upcoming releases. KB: Any new or upcoming releases? EK: Yes! In 2023, “The Mourning,” book three of “The Dreadful Death” series will be released, as well as “Johnny Walker Ranger: Demon Slayer, Vol. 2.” KB: What’s next for Ezekiel Kincaid? EK: In February, my fiancée, my kids, and I will be going to Kentucky again to join Dustin from Professional Paranormal Research to do another investigation. I’m also hoping to get an agent soon, as well as expand my audience by finding new shows to appear on. I also have some new stories and books that I’m preparing to write: “One Flesh” (psychological/body horror), “The Whore House Massacre” (1970’s grindhouse-style horror), “The Tetromet Tapes” (found footage-based novella in my Theodosia/Tetromet universe), and “The Man in Black” (next book that chronologically takes place after “The Dreadful Death” series). There’s more, but I’m not giving away all my secrets. So there you have it, folks. Right from The Paranormal Pastor / Pastor of Horror’s mouth. You can find him, his books, his interviews and recordings, and his congregation online at https://theparanormalpastor.square.site , Amazon , Twitter @EzekielKincaid, and Instagram @ezekielkincaid. Happy reading, bookworms! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

The PIT is Louisiana’s Bold New Stage for Live Music < Back Weekend Rock: Open Up The PIT Justin Hammer Sep 6, 2024 Share The PIT is Louisiana’s Bold New Stage for Live Music When people think of the metal scene in Louisiana, they mostly think of New Orleans or maybe Baton Rouge. However, the scene in Lafayette, La, is nothing to sleep on. The Lafayette scene is one of the fastest growing in the state, and this past weekend, that scene grew that much more with the opening of a brand-new ALL-AGES venue called THE PIT by EPIC! Credit: Justin Hammer Opened by Blake Benoit, singer and guitarist for Necromire , with help from Louisiana LOUD concert promoter and owner Seth Thomas, it is a new level for the alternative and metal music community in Lafayette for many reasons. First, it boasts a prime location for hosting. Located right off I-10’s exit 100, it makes finding, getting to, and getting out of as easy as possible. Alongside that, ample parking with a huge open parking lot could easily accommodate larger vehicles, such as buses or RVs, that may be stopping on a tour or traveling from neighboring cities. Just as vital as the location is the fact it will be an ALL-AGES venue, allowing parents to bring their kids and younger fans to be part of the local scene, helping breed a whole new generation of metal and alternative music lovers in the state. Credit: Justin Hammer Traveling inside the venue, you enter the first part of EPIC, a children’s gym complete with rock walls, foam pits, and trampolines. However, if you travel to your left after walking in, you will see a set of black double doors. The magic happens through those doors. Walking in, you will have a table to your right to pay for your admission. Just past that table, also to your right, is a fully stocked bar with a variety of drink options, alcoholic and non-alcoholic alike. Just inside the door to your left will be an entire section of tables set up for bands to sell their merch and interact with their fans. Straight ahead you will see the stage, centered on the other side of a massive, wide-open floor with a very high, open ceiling. Their grand opening show was on August 30, 2024 and featured a power-packed lineup of Louisiana metal with Holeopener , Necromire , Muscle , Swampgrave , and the Louisiana metal bimbos themselves, BRAT . These bands brought the house down and made for one of the best local shows I’ve seen in Lafayette! BRAT courtesy of Justin Hammer Be sure to turn out for the next scheduled show at the PIT on Friday, October 4, 2024 . The line-up features local acts Dogma, Life on Mars , Glacial Coffin , and Phallic Laceration . Doors open at 7 p.m., and the Show starts at 8 p.m.! Make it a point to check out this brand-new venue at any of their upcoming shows, which can all be found on their social media accounts: Facebook : The Pit at Epic Instagram : @epic.thepit For booking information be sure to contact Seth Thomas with Louisiana LOUD . Instagram : https://www.instagram.com/louisianaloud/ Facebook : https://www.facebook.com/louisianaloud/ *All photos by Justin Hammer www.justinhammerphotography.com Shop Photography Art | Justin Hammer Photography Shop art is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. < Back Southern Happenings: Meet The Gosh Darn Dangs Rian Nickels Jun 7, 2024 Share The Gosh Darn Dangs bring the Hammond community together with their soulful tunes. Take a stroll with me as I look back on my magical evening of May 10th, 2024, when I had the pleasure of experiencing The Gosh Darn Dangs , a beloved local band from Louisiana, busking on the vibrant streets of Downtown Hammond. I want to take a moment to introduce the (at the time members) of the band: Leading the way was Mike, the band's founder and charismatic lead vocalist, who occasionally added a soulful touch with his harmonica. Lexy added a unique charm to the group, whose enchanting harp melodies and vocals provided a delicate and captivating layer to their sound. Keeping the rhythm steady and dynamic was Tim, the talented drummer whose beats infused the performance with energy and drive. Rounding out the ensemble was Jake, the bassist whose deep grooves and harmonious vocals added depth and richness to the band's musical tapestry. Completing the lineup was Kris, the skilled guitarist whose riffs and vocals added a powerful and harmonious vibe to their performance. Credit: Rian Nickels The adventure began at PJ's Coffee , located at the bustling corner of West Thomas Street and North Magnolia Street. Here, the band gathered for some last-minute instrument tuning and practice. Watching them prepare for their performance felt like a rare privilege, a behind-the-scenes glimpse into their world of music. With instruments finely tuned and spirits high, we set off down West Thomas Street, searching for the perfect spot to share their music. The lively atmosphere of downtown Hammond, with its charming streets and buzzing nightlife, provided the ideal backdrop. The anticipation grew with every step as the band and their followers sought the perfect place to set up and play. Credit: Rian Nickels When they reached their first stop, the sidewalk outside the beloved local bar Benny's Place , they had to change their plans out of charming respect for the skillful jazz players performing across the street at Mariner's Inn . Undeterred, they continued their stroll through the brightly lit streets until we arrived at the heart of Hammond's latest addition, Railroad Park . The city center was the perfect place to begin truly. Equipped with a well-lit stage, bench seating, and ample room for people to gather, it offered an ideal setting for the performance. Here, the band launched into their melancholic tunes, including " Going 100mph in a 30mph Zone ," a poignant song about the trials and tribulations of youth and the journey toward adulthood. The atmosphere was warm and cozy, but after a complete set, they only got a few passersby, so they returned to Hammond's busy sidewalks! Credit: Rian Nickels As we walked from the Railroad Park to our next destination, The Gosh Darn Dangs did a cover of “ Scott Pilgrim vs. My GPA ” by Midwest Emo band Mom Jeans . The harmonies bounced and echoed off the tall downtown buildings until they landed across from a locally cherished bar, The Red White and Brew . The calming riffs and strums drew the attention of the bar patrons, even from across the busy street. After incredibly relatable songs like “ I’m Not Gonna Die Today ,” the band started to build an audience of late-night strollers and bargoers. Credit: Rian Nickels As each song ended, the intimate audience cheered. When asked about the origins of the song “ I’m Not Gonna Die Today ”, lead vocalist Mike Spoon said, “ Writing this song was a turning point for me. Getting it out in music form helped me understand myself better and set me on the path to having a better attitude about things. It's a journey I am still taking. So, in a way, this isn't a sad song. It's kind of like the dark cloud just under the silver lining. We all must go through it in our way. ” Credit: Rian Nickels The contrast between live music in a dedicated venue and busking on the streets is profound, rooted in the unique connection fostered between musicians and their audience. While a venue encapsulates sound within walls and confines emotions to a designated space, the experience of street performances allows emotions to ripple through the open air, touching everyone in its path. That night, The Gosh Darn Dangs’ music brought a piece of the community of Downtown Hammond together to enjoy a night of soulful tunes, and it reminded me that our time on Earth is limited, so we need to experience all there is out there just once. To learn more about the The Gosh Darn Dangs , just hit one of the links below. Facebook The Gosh Darn Dangs (@thegoshdarndangs) • Instagram photos and videos *cover photo by Rian Nickels rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Rian Nickels is a total music junkie. Do you have a show you’d like her to review? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Brothers is a Compelling Story about Rock Royalty < Back Book Review: Brothers by Alex Van Halen Nick Cline Oct 25, 2024 Share Brothers is a Compelling Story about Rock Royalty Brothers is the newly released memoir by Alex Van Halen . Most of you would know Alex from his hand in creating the legendary Van Halen . He is hands down one of the most underrated and perfectly rated drummers of the 80s (or maybe all-time). There is so much depth to the story and creation of the legendary brotherly duo Alex Van Halen and Eddie Van Halen . This is more than an excellent book for Eddie and Van Halen fans. It is also a great book for anyone wanting to glimpse the wild animal in the music business, the struggle and achievements of an immigrant family, and a story of a bond that defined music history. Released October 22, 2024 The story starts with a beautiful introduction that tells the overall sentiment and dedication of the book. Eddie Van Halen died four years ago this year, and the effects of his legacy will never know its bounds. Alex understands that the world sees his brother as a mythical creature and lives with the guilt of his younger brother's death. He introduces the book, claiming that he failed as an older brother because he was meant to die first. He makes light in his darkness by admitting that Ed, like always, was quick to burst in front of the line. The book, which delves into themes of family, music, and the human experience, is a compelling read for anyone interested in these topics. This sentiment is the first insight into the humanity of the two brothers. It's a reminder that artists, including the Van Halen brothers, start as everyday people. They fight tooth and nail to become the people we idolize in music. Their journey from nothing to everything they ever wanted is a testament to the transformative power of music. But it also shows the struggle of losing purpose in the world that initially gave them their purpose, a feeling many of us can relate to. Every word in the book will give you a new outlook on how everything can change in your life. It can all change in an instant. It makes you understand that no one is ready for their dreams and changed lives even though people have prepared and worked for it their whole lives. Living your dream, your truth, is much different than the constant days of preparation, dreaming, working, and killing yourself for the life you crave. But the Van Halen brothers' story is a testament to the fact that it's all worth it in the end, inspiring you to keep pushing forward. The Van Halen brothers' story is a testament to the transformative power of music. Alex vividly recounts their unconventional upbringing, a journey that took two outcast kids from Amsterdam to the United States in pursuit of a life they could only dream of. The beauty and darkness of the music industry are palpable in every chapter, as you witness the hardships and sacrifices required to become a musical icon. It's a journey that turns you from an unknown into a revered entity, a transformation that is both fascinating and inspiring. This is more of a tale of triumph and legacy than a run-of-the-mill memoir. It captures the bond that Alex and Eddie had, described as a bond very few people experience in this life and any other. The Van Halen legacy is not just a legacy of virtuoso musicians, but it is a legacy of sentiment, hard work, brotherly bond, family, strife, and everything in between. 'Brothers' captures all of that because Alex is unapologetically himself throughout the whole work, which grips the reader from the first line till the end of the last page. Eddie Van Halen and Alex Van Halen were everyday people with dreams. They found their dream. They fought for it, and they got everything they wanted. This is a book I highly recommend reading for fans of Van Halen , anyone in the music industry, striving artists of any class and caliber, and anyone who's dealt with the challenges of feeling like an outcast. The Van Halen brothers' story is a powerful reminder that even when you feel like you don't belong, you can still achieve your dreams. It's a story of triumph over adversity, and it's a must-read for anyone who's faced the ups and downs of life. To buy a copy for yourself: Amazon: https://a.co/d/hPnmIHd www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. < Back Reviews on the Real: Thieves and Tyrants EP by Gnashing Nicole Brice Feb 4, 2025 Share Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. Sometimes, music comes onto our radar long after it has been released. It’s the nature of the business these days, with the market being oversaturated with new original music. Today, we review Thieves and Tyrants , an EP released by New Orleans-based band Gnashing on September 15, 2023. Released September 15, 2023 - Click to listen Formed in 2022 in New Orleans, Louisiana, Gnashing's sound is a unique blend of old school death metal , thrash , and black metal . As one of the newer bands on the scene, Gnashing has been steadily booking shows since its inception. The band has performed at Creepy Fest in New Orleans in 2022, The Marsh Room in Metairie, the Intracoastal Club in Houma, Siberia in New Orleans, and many other venues, and the band shows no signs of slowing down anytime soon. New Orleans has long been known for its rich musical heritage, and at the core of Gnashing’s appeal is their ability to balance melodic dark beauty with a sense of tension and discomfort. Lyrically, Gnashing explores themes of inner conflict , isolation , and the pursuit of understanding in an increasingly fractured world, creating a layered experience that invites interpretation for each playthrough. Recorded, Mixed, & Mastered by James Whitten of HighTower Recording in New Orleans, Thieves and Tyrants is a rollercoaster ride of melodic death metal with a little groove and thrash thrown in. Gnashing is Chris Lilly (vocals/guitar), Taylor Hinkel (guitar), Erik Haley (bass), and Brennan Ledet (drums). Let’s dive into these tracks, shall we? Metamorphosis – starts heavy straight out the gate—an excellent opening to this EP. Head nodding abounds. Assertive guitars and vocals. It's a great tune to crank up to eleven. The Befallen – nice crispy opening with crunching guitars—this one has a slightly faster pace. Rush to Judgment – my favorite track on this EP. This high-energy song delivers a potent punch to the gut with a blistering pace of aggressive, distorted guitar riffs and pounding drums. Grandiosity rounds out the EP and is a little slower, but once the vocals hit, it puts you in a trance. The song builds and picks up the pace, maintaining this steady vibe of aggression. Thieves and Tyrants is an EP that hits both musically and thematically . We had a few questions for the lead vox of Gnashing, Chris Lilly , and he was kind enough to speak with us. Check out our conversation below. Credit: Facebook MaM : How did you come up with the sound for Gnashing? What led you to play the type of music you play? CL : We never really chose the style we were going for. It just happened organically. I grew up listening to all of the music of the 90s, but it was thrash metal in particular that I found myself very drawn to as a child. As I grew older, I started to rediscover that kind of music and became even more of a melomaniac. From there, I listened to more extreme genres and was heavily influenced by bands like Skeletonwitch , Stormlord , second-wave black metal, and especially Chuck Schuldiner of Death . The rest of my bandmates have similar influences, so our sound was created naturally and unforced. There's something about the darkness of extreme music that I find very intriguing, along with the concept of good versus evil. Within this kind of music, you'll find stories told in ways like no other, and I think there's a beauty in the ugliness of life, which makes for great art and is all a part of the human experience . An appropriate amount of pain, heartache, and suffering is necessary. Just as love, happiness, and joy is as well. The yin and yang concept. Chris Lilly of Gnashing (credit: Facebook) MaM : Walk us through the creative process for your EP Thieves and Tyrants . How did you approach writing each song, and is there a formula you follow when writing music? The title is fitting with all that is happening worldwide currently, right? CL : One of the first songs (titled The Befallen ) I wrote for this project was written before I had any members. I was always writing material and hoping to put together a band one day, and once I met our drummer, Brennan , we started the writing process. We clicked right away, and after the first practice, I knew he was the right person. Our bassist, Erik (former bassist of Drug Money ), was recommended to me by a mutual friend, and our guitarist, Taylor, was recommended to us by Erik, his stepfather. I was the primary writer for those songs, but every member had input, including some parts, such as Taylor's solo on the Metamorphosis track. It's been a group effort putting this EP together, and I would say having good chemistry with your bandmates is a must for a good formula for writing material. It starts with the riffs and how to combine each riff to see what works. Our drummer has helped with the arrangements as well. Yes, the title for our debut episode fits today's world and throughout history. MaM : Do you have new music in the works, and if so, what theme are you finding is a dominant force in your writing these days? CL : We have new music written and hope to record it this year. We have some work to polish the already-written songs and finish writing new ones. A dominant force of the subject matter would be mostly medieval-themed . MaM : You have quite a few shows coming up in the coming months, but what are your main goals for 2025? CL : Our main goals are to finish the new material, record it, and work hard to ensure our performances are to the best of our abilities. MaM : What key message would you like fans to take away from your music? CL : I don't know that we ever really had a key message for people to take away from our music. It's mainly been a very therapeutic and creative outlet for us, but I hope it will provide the listener with the same enjoyment we get from creating and performing the music. Credit: Ian Ashley Ball As Gnashing continues making their mark on the local music scene and beyond, they stand poised to dominate with an unwavering dedication and organic approach to making music. We look forward to what the future will bring for Gnashing , so be sure to catch them live near you soon so you can experience the sonic abyss of sound only they can create. Upcoming Shows : Saturday, February 22, 2025 - the Intracoastal Club in Houma, LA with Psychic Bastard & EYEHATEGOD . Saturday, March 15, 2025 - Tales From The Riff Festival in Lafayette, LA at The Pic at Epic Performing with Christworm , Writhings , Cemetery Frost , Necromire , and Reptilian War Machine Friday, April 4, 2025 - the Twist of Lime in Metairie, LA for Dio's Legacy: A Tribute to Ronnie James Dio To learn more about Gnashing : Bandcamp: Thieves & Tyrants | 𝔊𝔫𝔞𝔰𝔥𝔦𝔫𝔤 Pandora: Gnashing on Pandora | Radio, Songs & Lyrics YouTube: Gnashing - YouTube Spotify: Gnashing | Spotify Social Media : Instagram: https://www.instagram.com/gnashingofficial?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Facebook: Gnashing Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Last Giant's music is nostalgic and fresh < Back Last Giant: Captivating and Catchy Chris Pryor Jun 21, 2023 Share Last Giant's music is nostalgic and fresh In the vast world of music, it's always a pleasant surprise to come across a band that manages to impress with its unique style and sound. Last Giant is one such band that has caught my attention, and in this review, I'll be focusing on two standout songs from their latest album, "Monuments" released on June 9, 2023, by indie label Little One Ate the Big One and distributed via The Orchard. Released on June 9, 2023 via indie label Little One Ate the Big One Beginning in 2014 from the ashes of former Northwest indie-rock heavy-hitters System and Station (1998-2013), Last Giant is comprised of frontman RFK Heise (vocals, guitar, keys), Palmer Cloud (bass), and Matt Willes (drums). Last Giant has toured the U.S. extensively and has been featured in film and television, as well as shows including Mike Watt's "The Watt from Pedro" and Allen Epley's "Third Gear Scratch." Last Giant's video for "Captain My Captain" was the winner of MTV's indie video award with over 70,000 votes and they were a featured artist on MTV2. courtesy indie label Little One Ate the Big One With "Monuments," demoing started in early 2021 before Last Giant's film release, "Live from The Hallowed Halls." Shortly after, personal tragedy derailed the band from living in a consistent zip code. Band leader RFK Heise continued to write and hone songs, most of which would become Monuments while living throughout Northwest and Southern California. Lyrical inspiration was found in observation and introspection on not having a consistent home and being a stranger in a constant strange circumstance. First up for review is "Lost and Losing," a track that immediately captures your attention with its captivating guitar work in the intro. The vocals exude a smooth yet bluesy/folksy quality reminiscent of the legendary Bob Dylan. However, Last Giant infuses their music with a modern touch, resulting in a sound that is both nostalgic and fresh. "Lost and Losing" stands out as the perfect contrast to the rest of the album, and it's a fantastic choice for a closing track. The production is top-notch, allowing the listener to fully immerse themselves in the West Coast scene that Last Giant expertly captures. Moving on to my personal favorite, "Soldiers." Right from the start, this song hits you with a heavy, crunching sound similar to the legendary Motley Crue. The riffs are undeniably catchy, while the driving drums keep the energy high throughout. The transition to the bridge and subsequent lead guitar solo is seamless and adds another layer of excitement to the track. As the song progresses, it momentarily slows down, building anticipation for a rockin' crescendo that doesn't disappoint. The structure of "Soldiers" is masterfully crafted, making it a perfect fit for modern rock radio. Last Giant's musicianship and production shine brightly throughout the entire album. The band has honed their style and sound, resulting in a cohesive body of work that showcases their talent and creativity. Last Giant is a well-rehearsed group of musicians who know how to captivate their audience. Based on their impressive performance on "Monuments," there's no doubt that Last Giant is a band destined to be seen and heard. Their ability to blend classic and modern rock influences sets them apart from the crowd, and I have no doubt that we'll be hearing even more from them in the future, so keep an ear out because they're ready to rock your world. To check out more from Last Giant, visit their website at www.LastGiantBand.com or hit one of the links below. Last Giant | Spotify ‎Last Giant on Apple Music Monuments | Last Giant (bandcamp.com) Christopher Pryor is a multi-talented Renaissance man who currently fronts the Louisiana-based band Chris Pryor & The Main Event. He loves to listen to new music and give his opinions. Got something you'd like him to listen to? Hit us up at the_nicolebrice@mixedaltmag.com or mixedalternativemag@gmail.com . *cover photo provided by indie label Little One Ate the Big One www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With Halloween 2023 right around the corner, Mixed Alternative got together to recommend some of our favorite Halloween movies! < Back 20+ Halloween Films to Watch This Season: Feast Upon This Keeley Brooks & Mixed Alternative Staff Oct 22, 2023 Share With Halloween 2023 right around the corner, Mixed Alternative got together to recommend some of our favorite Halloween movies! ‘Tis the season for all things spooky, my friends, and here at Mixed Alternative, we love the weird and spooky because, well, that’s just who we are—well, maybe not spooky but definitely weird in the best possible way. In addition to costumes, candy, and creepy-looking house parties, Halloween is also celebrated in cinema. With the 2023 Halloween season right around the corner, we thought it would be fun to give you guys a little roundup of our favorite Halloween movies recommended by our writers and editors. Happy Viewing, my friends. --------------------------------------------------------------------- C.G. SMITH Evil Dead II (1987) Director: Sam Raimi Cast: Bruce Campbell, Sarah Berry, Dan Hicks, Ted Raimi, Kassie Wesley DePaiva The Evil Dead franchise follows Ashley “Ash” Williams (Campbell) in his battle to survive on onslaught of flesh-possessing demons that he and his friends accidentally unleashed when they found an old book, the Necronomicon, at a cabin in the woods and read it aloud. Oops. Evil Dead II finds Ash holed up in cabin with a group of strangers as the demons continue their attack. “I first watched Evil Dead II in middle school with friends at a sleepover, and what I loved about it then and now is the way it mixes comedy with gore . It’s wonderful. Evil Dead II will always be one of my favorite horror movies because of how absolutely fun it is to experience and how many memorable and quotable scenes there are not just in the franchise but in Evil Dead II in particular.” A Quiet Place (2018) Director: John Krasinski Cast: John Krasinkski, Emily Blunt, Millicent Simmonds, Noah Jupe If they hear you, they hunt you. Imagine having to live in a world where making the softest sound could get you killed. In A Quiet Place , a family must live in silence to avoid mysterious creatures that hunt by sound. Knowing that even the slightest whisper or footstep can bring death, Evelyn (Emily Blunt, of Edge of Tomorrow ) and Lee (John Krasinski, of The Office ) are determined to find a way to protect their kids while desperately searching for a way to fight back. “ A Quiet Place is so great on so many levels, as it took something we all tend to take for granted and made the mere act of making sound a death sentence. Imagine giving birth in a world where you can't make a sound and there is no medical care, where you must keep your newborn quiet lest it be snatched by an alien before you can blink. Babies are not quiet, so the combined tension of giving birth silently and keeping a newborn quiet are just horrific. A Quiet Place is excellent writing and acting merging into a masterpiece from one spectacular idea . While A Quiet Place Part II didn't quite live up to the original, I still hold a place in my heart for this movie.” *Honorable Mention: The Omen (1976) Director: Richard Donner Cast: Gregory Peck, Lee Remick, Harvey Stephens, David Warner The Omen is about a boy named Damien (Harvey Stephens, of The Bat ) who is believed to be the Antichrist. When American diplomat Robert (Gregory Peck, of Cape Fear ) adopts Damien after his wife Katherine (Lee Remich, of Around the World in 80 Days ) delivers a stillborn, Damien’s first nanny hangs herself. When Father Brennan (Patrick Troughton, of Doctor Who ) warns Robert that Damien will harm Katherine’s unborn child, it isn’t long before Brennan turns up dead and Katherine miscarries when Damien pushes her off a balcony. As more people around Damien die, Robert investigates the kid’s background and realizes Damien may just be the devil’s son. “I read ‘The Omen’ book as a young child and later saw the film. The idea that a child had been born as the son of the devil to an influential family and would one day rise through the ranks of society was fascinating to me. The way The Omen built suspense and overall tension is truly something to witness . ‘Damien, it's all for you.’ Plus, I kinda looked like the child actor when I was his age.” --------------------------------------------------------------------- JEFF CRESPI Drag Me to Hell (2009) Director: Sam Raimi Cast: Alison Lohman, Justin Long, Ruth Livier, Lorna Rave, David Paymer Alison Lohman ( Gamer ) stars as Christine Brown, a beautiful girl with a loving boyfriend (Justin Long, of Accepted ) and a great job at an L.A. bank. Her heavenly life becomes a living hell when, in an effort to impress her boss, she denies an old woman’s request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic’s help to break the curse, but can she afford the price to save her soul? “ Drag Me to Hell is one horror movie that always stood out to me. Actress Alison Lohman does an amazing job as the lead and looks a lot like our editor-in-chief, Nicole Brice! Drag Me to Hell has some very suspenseful and scary moments throughout the film, starting from early on. I think this is a great movie that doesn't fall into a list with the more obvious ones ." The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair, of The Exorcist: Believer ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of The Exorcist III ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “I would have to say the scariest film of all time would be The Exorcist . The story, cinematography, acting, editing, and old school techniques combine perfectly to cast a deep shadow of fear in the hearts of any viewer. ” *Honorable Mentions: Saw Franchise (2004) Director: James Wan Cast: Leigh Whannell, Cary Elwes Creators: James Wan and Leigh Whannell, Shawnee Smith, Tobin Bell, Danny Glover A groundbreaking horror franchise, Saw is about a sadistic serial killer named Jigsaw (Tobin Bell) who kidnaps people and sets them up in one of his perverse little puzzle games so that they have the choice: live or die. In the original Saw movie, photographer Adam Stanheight (Leigh Whannel, of Upgrade ) and oncologist Lawrence Gordon (Cary Elwes, of The Princess Bride ) regain consciousness while chained to dirty, grimy pipes at either end of a filthy bathroom. As the two men realize they’ve been trapped, flashbacks relate the fates of Jigsaw’s previous victims while the two men are forced into torture as they fight for their survival, as Gordon’s wife and young daughter watch via closed-circuit video. “As far as gore goes, the Saw franchise is fantastic and ultimately features some of the most cringeworthy horror scenarios available today . It’s no wonder the Saw movies make up the highest-grossing horror franchise of all time.” Halloween II (1981) Director: Rick Rosenthal Cast: Jamie Lee Curtis, Donald Pleasense, Charles Cyphers, Dick Warlock After failing to kill stubborn survivor Laurie (Jamie Lee Curtis, of True Lies ) and taking a bullet or six from former psychiatrist Dr. Sam Loomis (Donald Pleasence, of Halloween ), the masked Michael Myers follows Laurie to the Haddonfield Memorial Hospital, where she’s been admitted for Myers’ attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs, and slashes his way through hospital staff to reach his favorite victim. “There’s a lot about the Halloween movie franchise that stands out for numerous reasons, but one of my favorites is Halloween II , which focuses on Dr. Loomis’s hunt for Michael as a traumatized Laurie is rushed to Haddonfield Memorial Hospital. Only thing is, Michael is right behind her and when he gets into the hospital, the action makes for one unforgettable scene that forever stands out for me. It’s a must see .” --------------------------------------------------------------------- CHUCK BROOKS Get Out (2017) Director: Jordan Peele Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, LaKeith Stanfield, Betty Gabriel, Marcus Henderson In a slam dunk of a directorial debut from actor, producer, writer, and comedian Jordan Peele ( Nope ), Get Out follows young couple Chris (Daniel Kaluuya, of Black Panther ) and Rose (Allison Williams, of M3GAN ) as they go to visit her parents in Upstate New York. Chris has never met them before and is a little weary about this milestone in their relationship. When they first arrive, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship (Rose is White, Chris is Black), but as the weekend progresses, a series of increasingly disturbing discoveries leads him right to a truth he could’ve never imagined. “What I enjoyed about Get Out is its commentary on how Black people are treated in the 21st Century. Peele managed to write an ingenious horror movie that’s stone-cold realistic commentary on the enslavement of a race of people for their perceived physical attributes and longevity . Get Out is masterfully told and acted out on all parts of the cast—the ensemble of which was a big deal. The scene where Chris is struck in sheer terror emanates with how Black people must feel today: like there’s an area where if they cross some perceived line in reality, there’ll be retaliation by the system. Catherine Keener ( The 40-Year-Old Virgin ) and Bradley Whitford ( The Handmaid’s Tale ) represent this and capitalize on Black lives before Black Lives Matter ever became a thing. This movie is important for a lot of reasons : It’s a good movie with a valuable message as a horror movie , it adds to the shallow repertoire when it comes to black horror films, and it crosses borders like Us (2019) does. The social commentary with Get Out is exploitation on Black people as a whole treated as a commodity, as something to be traded or sold. Peele wrote a horror movie about Black people that is a real-time horror tale set in real life, and he couldn’t bring more valuable views and messages to the masses with his work.” Zombieland (2009) Director: Ruben Fleischer Cast: Jesse Eisenberg, Emma Stone, Woody Harrelson, Abigail Breslin, Bill Murray After a virus turns most people into zombies, the world’s surviving humans remain locked in an ongoing battle against the hungry undead. Four survivors—Tallahassee (Woody Harrelson, of White Men Can’t Jump ) and his cohorts, Columbus (Jesse Eisenberg, of The Social Network ), Wichita (Emma Stone, of La La Land ), and Little Rock (Abigail Breslin, of Little Miss Sunshine )—abide by a list of survival rules and zombie-killing strategies as they make their way toward a rumored safe haven in Los Angeles … at the house of one Bill Murray ( Lost in Translation ). Zombieland is one of the best comedy-horror films today. From its comedic aspects such as Columbus’s rules for surviving in this new zombie-infested world to the tough but sensitive levity Woody Harrelson brings to his character to the zombies’ development and adopted zombie-telling techniques from other areas, everything about this film works together to enhance an already excellent storyline . Zombieland is exciting, full of wild action with well-choreographed stunts, and it features just the right amount of gore without being too much. Zombieland is a movie that you can still watch and get something out of it, even if you’re not a zombie person . --------------------------------------------------------------------- EZEKIEL KINCAID The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made , this tale of an exorcism is based loosely on actual events . When young Regan (Linda Blair, of The Exorcist: Believer ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of The Exorcist III ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “ The Exorcist set the standard for possession movies. Friedkin's bold adaptation of Blattey's novel has shocked and scared audiences since its release in 1973 and still does so to this day. Often imitated but never replicated, no possession movie has ever surpassed this one in thrills and chills .” Hereditary (2018) Director: Ari Aster Cast: Toni Collette, Milly Shapiro, Gabriel Byrne, Alex Wolff When the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry, trying to outrun the sinister fate they’ve inherited. “I once read somewhere that Hereditary was The Exorcist of this modern-day generation, so it is no surprise I love it. The Exorcist it is not, but that doesn't mean it isn’t unsettling. Ari Aster's dark take on the cult/occult subgenre of horror will keep you awake for days . That’s a guarantee.” Halloween (1978) Director: John Carpenter Cast: Donald Pleasence, Jamie Lee Curtis, Tony Moran, Nancy Kyes, Charles Cyphers On a cold Halloween night in 1963, six-year-old Michael Myers brutally murdered his 17-year-old sister. He was sentenced and locked away for 15 years. But on October 30, 1978, while being transferred for a court date, a 21-year-old Michael Myers steals a car and escapes, returning to his quiet hometown of Haddonfield, Illinois, where he looks for his next victims. “John Carpenter and Debra Hill raised the bar for slasher movies with Halloween . Ominous, atmospheric, and foreboding, Michael Myers has a creep factor that many of his predecessors and contemporaries lack. Halloween also has the best theme music ever !” --------------------------------------------------------------------- KEELEY BROOKS 28 Days Later (2002) Director: Danny Boyle Cast: Cillian Murphy, Brendan Gleeson, Megan Burns, Naomi Harris When a group of eco-terrorists free a chimp from its lab cage in a Cambridge medical research lab, they’re unaware it’s infected with what is called the “Rage virus” and unknowingly unleash the apocalypse. When London bike courier Jim (Cillian Murphy, of Peaky Blinders ) wakes up from 28 days in a coma, he finds London in total collapse, the world in destruction, and society completely obliterated. It’s only when he’s chased through the streets by aggressive, wicked fast, bloodthirsty creatures and is saved by a couple of uninfected that he learns what has happened and must figure out a way to survive in a world not only full of raging zombies but also littered with broken down groups of humanity. “ 28 Days Later was the first zombie movie to truly scare me. Before then, I’d never seen fast zombies, let alone violent, aggressive ones. I love everything about this movie, from its concept to its pace in storytelling to its simple use of blood to imply more than what is seen. 28 Days Later features stellar acting (this was Cillian Murphy’s first big movie) and a smart soundtrack that drives the panic and tension throughout the story. And further compounding this hair-raising scenario is the horror story within the horror story , which shows what happens when humanity ceases to exist. I also love how Director Danny Boyle juxtaposes this horrific scenario with the beautiful backdrop of nature—ironic since nature is where viruses originate. ** For more about this movie, read my full review of 28 Days Later . World War Z (2013) Director: Marc Forster Cast: Brad Pitt, Mireille Enos, Daniella Kertesz, Matthew Fox When former U.N. investigator Gerry Lane (Brad Pitt, of Ocean's Eleven ) and his family get stuck in urban gridlock, he senses it’s no ordinary traffic jam and he’s right: The city is erupting into chaos at an incredibly fast pace, leaving little to no chance for escape or survival. A lethal virus spread through a simple bite is turning healthy people into something vicious, unthinking, and feral within a matter of 12 seconds. As the pandemic threatens to consume humanity, Gerry leads a worldwide search to find the source of the infection and, with a stroke of luck, a way to halt its spread. “Clearly, zombie movies are my favorite horror movies--next to slasher films, of course. World War Z had the same effect on me that 28 Days Later had: sheer terror . I didn’t think it was possible to amp up the aggression, speed, and bloodlust that zombies of the early 21st Century had come to display, but World War Z came along and nailed it. With the exception of about four minutes at the beginning and end of the film, World War Z is adrenaline-inducing and heart pounding from start to finish . Every single moment of this film is level 10 panic and chaos—no time to think, no time to movie, no time to fear. The cinematography is gorgeous, again using the technique of juxtaposing breathtaking views with a horrific reality. And I have to give mad props to the makeup and special effects department, who, no pun intended, killed it with these zombies. Those moments in the halls of the Center for Disease Control had me holding my breath as I sat there, mouth wide open, in total awe and appreciation of what I was seeing: tension to the max . Also, that massive horde of zombie savagely climbing the walls of Jerusalem is just breathtaking—terrifying, but breathtaking. World War Z is stellar horror all the way around .” Scream (1996) Director: Wes Craven Cast: Drew Barrymore, Matthew Lillard, Skeet Ulrich, Neve Campbell, Tatum O’Neal, David Arquette, Courteney Cox, Henry Winkler Set in the small town of Woodsboro, Middle America, Scream ’s plot follows high school student Sidney Prescott (Neve Campbell, of The Craft ) and her friends, who, on the anniversary of her mother’s murder, become the targets of a costumed, knife-wielding serial killer known as Ghostface. “I love Scream because it scared me without terrifying me and made me laugh in ways that didn’t make the movie any less effective in its serious nature. Featuring one of the best opening scenes in a slasher movie , which was alone enough to instill the fear and pace of this narrative and hook us in from the get-go, Scream reinvented and revitalized the slasher-horror genre . It’s funny and clever in dialogue and character portrayals—thanks, in part, to momentous performances from David Arquette ( Never Been Kissed ), Matthew Lillard ( Good Girls ) and Henry Winkler ( The Waterboy )—while remaining deep in the vein of seriousness, psychological thrills, and plenty of jump scares. Craven masterfully builds tension and self-parody as the body count in Woodsboro rises and a fright-masked knife-wielding maniac stalks high school students in middle-class suburbia. Another reason Scream is a must see : the irony in Randy Meeks’ (Jamie Kennedy, of Son of the Mask ) scene explaining the rules to surviving any horror movie: (1) never have sex, (2) never drink or do drugs, and (3) never ever ever, under any circumstances, say, ‘I’ll be right back.’” Cujo (1981) Director: Lewis Teague Cast: Danny Pintauro, Dee Wallace, Daniel Hugh Kelly, Christopher Stone Adapted from infamous horror author Stephen King’s story of the same name, Cujo is the terrifying tale of a sweet St. Bernard who is bitten by a bat and contracts rabies. Cujo, who roams between his owner’s house and auto garage on the same property, starts behaving oddly and becomes very aggressive, eventually morphing into a dangerous beast thirsting to kill. When stay-at-home mom (Dee Wallace, of Sons and Daughters ) gets caught in Cujo’s crosshairs while out on a fateful errand with her young son Tad (Danny Pintauro, of Who’s the Boss? ), she must fight to protect herself and Tad from Cujo when they become trapped in their tiny Ford Pinto after it breaks down at the auto garage … for days, with no help in sight. “I won’t lie: Cujo scared the absolute shit out of me when I first saw it as a young teen. It’s not the rabies-infested dog that makes Cujo so scary; rather, it’s King’s claustrophobic scenario of being trapped in a tiny, dysfunctional car guarded by crazed, rabid beast that terrifies. From the scenes of Dee’s escalating fear to Cujo viciously attempting to get into the car to Teague’s filming techniques that keep us grounded in awareness, Cujo is definitely one of the scariest real-life scenario movies I’ve ever seen . I never looked at St. Bernards the same way after seeing this film.” Beetlejuice (1988) Director: Tim Burton Cast: Michael Keaton, Geena Davis, Alec Baldwin, Catherine O’Hara, Jeffrey Jones, and Winona Ryder After Barbara (Geena Davis, of A League of Their Own ) and Adam Maitland (Alec Baldwin, of Supercell ) die in a car accident, they find themselves stuck in their country residence, unable to leave the house. When the unbearable Deetzes (Catherine O’Hara, of Schitt’s Creek , and Jeffrey Jones, of Ferris Bueller’s Day Off ) and their teen goth daughter (Winona Ryder, of Mr. Deeds ) move in, the Maitlands attempt to scare them away without success. That’s when they turn to rambunctious bio-exorcist Beetlejuice (Michael Keaton, of Batman ) and all hell breaks loose in the best possible Tim-Burton way. “I adore this movie and everything about Tim Burton’s exaggerated gothic style. Beetlejuice features an all-star cast who, honestly, couldn’t have played their roles any better. Beetlejuice is original, creepy, funny, artistic, and completely entertaining . This movie never gets old and now with a sequel coming in 2024, I suspect Beetlejuice will reach a whole new generation of fans. I can't wait.” --------------------------------------------------------------------- MO THORNTON The Night House (2020) Director: David Bruckner Cast: Rebecca Hall, Sarh Goldberg, Vondie Curtis-Hall, Evan Jonigkeit Reeling from the unexpected death of her husband, Beth (Rebecca Hall, of The Town ) is left alone in the lakeside home he built for her. She tires as best she can to keep it together, but then the dreams come and disturbing visions of a presence in the house call to her, beckoning with a ghostly allure. But in the harsh light of day, any proof of a haunting dissolves. Against the advice of her friends, Beth digs into her husband’s belongings in a frantic search for answers. “I love a good scare, and one of my go-to films for a sleepless night that has me double-checking the locks on my door while experiencing mounting, almost unbearable suspense is The Night House . Rebecca Hall stars as a widow whose grief is complicated by anger, confusion, and guilt as her husband died by his own hand. The remote lake house setting makes it all the creepier (and more delicious) to explore, along with the protagonist's thin spaces between reality and nightmare.” Fear of Rain (2021) Director: Castille Landon Cast: Katherine Heigl, Harry Connick Jr., Madison Iseman, Israel Broussard “ Fear of Rain brilliantly takes the audience into the dark, terrifying world of a teen girl who struggles with mental health.” Rain (Madison Iseman, of Jumanji: Welcome to the Jungle ) has early-onset schizophrenia, a condition that not only causes her to see vivid hallucinations but also puts a strain on her parents. When she meets Caleb (Israel Broussard, of Fear the Walking Dead ), a charmingly awkward new kid at school, Rain finally feels a lifeline to normalcy. But as she starts to suspect her neighbor kidnapped a child, she must figure out who and what is real while also battling the overwhelming forces that haunt her daily life . “The danger she encounters during her episodes might not all be ‘in her mind.’” https://youtu.be/jFxOxLLzjG8?feature=shared “Full disclosure: Both The Night House and Fear of Rain deliver heart-stopping jolts of fright that let me skip the gym the next morning—an added appeal.” --------------------------------------------------------------------- NICOLE BRICE Halloween (2007) Director: Rob Zombie Cast: Scout Taylor-Compton, Malcolm McDowell, Tyler Mane, William Forsythe, Udo Kier, Danny Trejo Nearly two decades after being committed to a mental institution for killing his stepfather and older sister, Michael Myers breaks out, intent on returning home to Haddonfield, Illinois. He arrives on Halloween with the indomitable purpose of hunting down his younger sister, Laurie (Scout Taylor-Compton, of An American Crime ). The only thing standing between Michael and a Halloween night full of bloody carnage is Dr. Sam Loomis (Malcolm McDowell, of A Clockwork Orange ). “Rob Zombie’s Halloween completely changed my view of the Halloween franchise. Growing up, I always felt that beyond the first two original Halloween films, the franchise became cheesy and stale. Then in walks Rob Zombie with this scary as f**k take on the narrative and I was blown away. To this day, Halloween (2007) still freaks me out, but in a good way." Sleepy Hollow (1999) Director: Tim Burton Cast: Johnny Depp, Christina Ricci, Miranda Richardson, Jeffrey Jones, Christopher Walken Set in 1799, Tim Burton’s Sleepy Hollow is based on Washington Irving’s classic tale “The Legend of Sleepy Hollow”. Faithful to the dreamy custom-bound world that Irving paints in his story, Sleepy Hollow mixes horror, fantasy, and romance while featuring an extraordinary cast of characters that dabble in the supernatural. And, of course, it features Tim Burton’s unforgettable gothic style to it. “I absolutely love everything about Sleepy Hollow . When Ichabod Crane (Johnny Depp, of Pirates of the Caribbean ) is sent to the creepy town of Sleepy Hollow to investigate the decapitations of three people, he soon discovers the culprit isn’t another person but is the legendary apparition The Headless Horseman . Everything about this movie is perfect : the acting, the tone, Burton’s pace of his film, the cinematic techniques used to create suspense and fear, the scenery, the narrative—absolutely perfecto in my opinion. --------------------------------------------------------------------- SHAUN CORLEY Night of the Living Dead (1968) Director: George Romero Cast: Duane Jones, Judith O’Dea, Karl Hardman, Marilyn Eastman The black-and-white George Romero classic Night of the Living Dead follows seven people trapped in a farmhouse in rural Pennsylvania as they fight to fend off a hungry horde of reanimated corpses. Pragmatic Ben (Duane Jones, of Vampires ) does his best to control the situation, but when the reanimated bodies surround the house, the other survivors begin to panic. As any semblance of order within the group begins to dissipate, the zombies find their way inside. “ Night of the Living Dead is my first favorite movie from when I was all of 10 years old. When I revisited it in college, I found out it held up really well. What I like about Night of the Living Dead is its subversive nature. It was a commentary on 1968 America, and it is still relevant today .” The People Under the Stairs (1991) Director: Wes Craven Cast: Ving Rhames, Sean Whalen, Brandon Quintin Adams, Everett McGill, Wendy Robie, A.J. Langer When young Fool (Brandon Adams, of The Sandlot ) breaks into the home of his family’s greedy and uncaring landlords, he discovers a disturbing scenario where incestuous adult siblings have mutilated a number of boys and kept them imprisoned under the stairs in their large, creepy house. As Fool attempts to flee before the psychopaths can catch him, he meets their daughter, Alice (A.J. Langer, of Private Practice), who has been spared any extreme discipline by her deranged parents. “ The People Under the Stairs is the first R-rated movie I ever saw in theaters. How my dad convinced my mom to let him take me I'll never know. The People Under the Stairs comes across as goofy and campy, but there's actually a great deal of subtext about gentrification and ‘urban renewal’ in it.” --------------------------------------------------------------------- TIM JACKSON The Exorcist (1973) Director: William Friedkin Cast: Ellen Burstyn, Max von Sydow, Linda Blair, Lee J. Cobb, William O’Malley One of the most profitable horror movies ever made, this tale of an exorcism is based loosely on actual events. When young Regan (Linda Blair, of The Exorcist III ) starts acting odd—levitating, speaking in tongues—her worried mother (Ellen Burstyn, of Requiem for a Dream ) seeks medical help, only to hit a dead end. However, a local priest (Jason Miller, of Paradox Lake ) thinks the girl may be seized by the devil, so he makes a request to perform an exorcism, and the church sends in an expert (Max von Sydow, of Flash Gordon ) to help. “The scariest horror movie for me remains The Exorcist. At maybe 13 years old, I saw the TV version of the original 1973 movie, and even that version with the most graphic scenes and swear words removed was the scariest movie I had ever seen . Several years later, I saw the full, uncut version and was once again terrified. The Exorcist is exquisitely done . Its special effects for that era were superb. The subject matter, especially for someone raised in the church, seemed so much more real than a Freddy Krueger or Jason Voorhees. The Exorcist avoided a lot of the jump-scares and other horror tropes and instead just told a story that scared the shit out of you. It's the all-time best horror movie , in my opinion. *I also love some of the movies adapted from Stephen King's books: The Shining, Pet Sematery, Carrie, Christine, and Cujo , for instance. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Stream this NOW! < Back Halloween with a Horror Master: Guillermo del Toro’s Cabinet of Curiosities Keeley Brooks Oct 4, 2022 Share Stream this NOW! There are many masters of horror out there and topping the list for nearly two decades has been Mexican filmmaker Guillermo del Toro. With top nods under his hat like Blade II , Hellboy & Hellboy II: The Golden Army, and Pacific Rim , he’s perhaps best known for upending the horror movie scene with 2006’s dark fantasy feature Pan’s Labyrinth . The master is fresh off the heels of last year’s Nightmare Alley , which is currently streaming on Hulu if you haven’t seen it, and he’s back this month on Netflix with his latest collective work of art, Guillermo del Toro’s Cabinet of Curiosities . Curiosities is an eight-episode anthology series created, produced, and hosted by Del Toro. It will feature a slew of material he wanted to bring to audiences in a smaller format than the typical feature-length film. And, apparently, according to our sources, we can expect to see and hear many of the tales and anecdotes the filmmaker writes about in his memoir Guillermo del Toro Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions. Netflix calls the series a curated “collection of unprecedented and genre-defining stories meant to challenge our traditional notions of horror” by carefully selecting a variety of writers and directors to bring the tales to life. There’s a tale directed by The Babadook ’s Jennifer Kent, another led by Firestarter ’s Keith Thomas, and even originals written by H.P. Lovecraft with screenplays penned by Mandy co-writers Panos Cosmatos and Aaron Stewart-Ahn (you should totally see that movie if you haven’t yet, by the way; it’s some bloody, ass-whooping fun that includes one very badass Kevin James), and The Dark Knight wordsmith himself, David S. Goyer. With such a variety of talent in the mix, on top of having del Toro at the helm, there’s absolutely no way these terrifying tales won’t stick with you like. Kind of like that moment in Nope when we had the big reveal: everyone lost their shit. Me included. I will never look at clouds the same way again. Ever. The collection also features a slew of your favorite actors, from Tim Blake Nelson ( O’ Brother, Where Art Thou? ), Andrew Lincoln ( The Walking Dead ), and F. Murray Abraham ( Mythic Quest ) to Rupert Grint ( Servant ), Ismael Cruz Cordova ( Lord of the Rings: The Rings of Power ), AND, one my actor-comedian faves, DJ Qualls ( Supernatural , Road Trip ), among other well-knowns. Sounds pretty righteous, right? It is! Mostly. Here’s the rub: rather than all eight episodes dropping at the same time, which is pretty standard for Netflix, Cabinet of Curiosities will drop two at a time over three days as part of a special Netflix & Chill’s Halloween Event. Even still, that’s not so bad. The first two episodes of the series will be available at midnight on Tuesday, October 25, with subsequent episodes premiering two at a time over the next three days. All eight episodes will be available to watch globally on Friday, October 28, just in time for Halloween weekend. If you haven’t seen the official trailer, which, I have to say, offers up quite a cozy Gothic feel with some horrifically beautiful but frightening monsters, you can watch it here . You’re welcome. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Scott Von Doviak's newest book Lowdown Road mixes hick cinema, blaxploitation, and 70's cinematic archetypes into one hell of a crime-thrilling story. < Back Lowdown Road: Book Review Shaun Corley Nov 14, 2023 Share Scott Von Doviak's newest book Lowdown Road mixes hick cinema, blaxploitation, and 70's cinematic archetypes into one hell of a crime-thrilling story. The 1970s saw an explosion of “car” and “road” movies, such as 1971's Vanishing Point and Two-Lane Blackto p , among others. The decade also saw the rise of the “blaxploitation” genre, seen in movies like Shaft (1971) and Dolemite (1975) . Finally, the “Me Decade” featured a wide variety of colorful, larger-than-life media personalities, such as Evel Kneivel, who held millions spellbound with their antics. The 1970s were also a time of great social upheaval. Americans’ faith in their leaders took a serious hit during the Watergate Scandal; oil shortages led to long lines at the gas pumps; the war in Vietnam raged through the early part of the decade; and drug use, especially cannabis, permeated society. The hippie, “free love” movement of the 1960s had come crashing down at Altamont and never recovered. All of these seemingly separate threads converge beautifully in Scott Von Doviak ’s " Lowdown Road" —a crime thriller that Stephen King calls “ a f**king great story … it’s a blast.” “Lowdown Road” is published by Titan Books as part of their Hard Case Crime series and is Von Doviak’s second novel, following 2018’s “Charlesgate Confidential”, also part of the same series. A pop culture journalist for publications such as The AV Club , Von Doviak is also the author of several pop-culture reference books, including “ Hick Flicks: The Rise and Fall of Redneck Cinema ” and “ The Stephen King Film FAQ ” . “Lowdown Road” follows a cast of characters who would have been at home in the grindhouse, drive-in movies of the 1970s . The action kicks off when cousins Chuck and Dean Meville rip a million dollars worth of weed off dealer Antonie Lynch. Their plan: abscond with the product to Snake River Canyon in Idaho, where thousands of people are gathering to watch stuntman Evel Kneivel attempt to jump it on a motorcycle. There, they plan to make a fortune—one that will secure their futures. Naturally, Antonie does not take highly to Chuck and Dean’s plan, and after the cousins steal his weed, he takes off in pursuit. Also on Chuck and Dean’s trail is Sheriff Geddings. Geddings’ mistress tried to use Chuck and Dean in a plan to kill her husband, Geddings’ deputy; however, Chuck and Dean threw a spanner into his works by killing Geddings’ mistress in self-defense. Now blind with anger and seeking revenge, Geddings is a man on a single-minded mission: avenge his lover by killing Chuck and Dean—and God help whoever gets in his way. Von Doviak’s “ hick cinema ” background is a huge influence on “Lowdown Road” . Chuck and Dean are just a pair of good ole boys who mean no one harm, who suddenly find themselves fleeing for their lives while trying to chase what is left of the American Dream. The types of movies Von Doviak is invoking with “Lowdown Road” also regularly featured corrupt law enforcement officials, and Sheriff Geddings is cut from this mold as well. Meanwhile, Antonie could have walked straight out of a blaxploitation movie, another nod to 70s drive-in movies. Yet Von Doviak imbibes each character with nuances and quirks that take them beyond being mere caricatures, Antonie Lynch in particular. Lynch is engaged in a number of criminal enterprises, not just limited to dealing drugs. It may be tempting to write Lynch off as a “crook” or a “thug,” but Von Doviak digs deep into Lynch’s psyche and makes him a well-rounded character. Lynch, who is also a closeted gay man, meets Julian, who is also Black and gay. The two share not only a bed and a car but also their love of movies, particularly the works of French New Wave director Jean-Luc Godard. Julian and Antonie are perfect for each other, even if they do not realize it until it's too late. Beyond Chuck, Dean, Antonie and Sheriff Geddings, Von Doviak creates a number of compelling and quirky characters whose lives weave in and out of the main story. Some of these minor characters also invoke 70’s cinematic archetypes ; for example, Chuck and Dean run afoul of a bootlegging, backwoods family who could have been plucked from The Texas Chainsaw Massacre . Uptown Mike, the short-fused biker Chuck and Dean encounter, could have come from Easy Rider. These characters add spice and color to the narrative. As befitting its influences and inspirations, “Lowdown Road” moves at a breakneck pace. Never once does the plot drag, and Von Doviak infuses it with a number of twists and turns—some funny and others devastating. The book’s climax, set at Evel Knievel’s iconic jump of the Snake Canyon River, is gut-wrenching , with twists the reader will not see coming. The book is fittingly cinematic. The 1970s were one of the most turbulent decades in American history. The pop culture of the time reflected this, mirroring the concerns and fears of a world where the illusion of stability and progress was slowly slipping away. These anxieties manifested themselves in a variety of genres, and Scott Von Doviak’s “Lowdown Road”perfectly recreates these seminal works, while adding new and unexpected layers along the way. "Lowdown Road" is currently available at Amazon and Barnes & Noble, and you can check your local bookstore, as they'll likely be carrying it too. For more on Author Scott Von Doviak, visit his official page at www.ScottVonDoviak.com . Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, which are far outnumbered by comics and the smell of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. < Back What Will Be: Slow Down Erica Machen Nov 3, 2023 Share Slow Down by Manchester-based band What Will Be serves as an alt-rock anthem for post-pandemic healing and is a testament to the beauty of human creativity. In the world of alternative rock, where raw emotion and edginess often take center stage, ' Slow Down ' by five-piece UK-based band What Will Be —due for release November 3rd —stands out as a refreshing departure. Strongly influenced by the sound of the 90s, ' Slow Down ' evokes a sense of nostalgia reminiscent of bands like Incubus and Hoobastank . For those who turn to alternative rock and grunge-era music as a source of solace, ' Slow Down ' not only captures the essence of the past but infuses it with positive vibes that resonate deeply and makes it a must-listen in challenging times. Released November 3, 2023 What Will Be is made up of Bram (guitar/vocals), Jonny (guitar), James (bass/vocals), JK (drums/vocals), and Chris (keyboard/piano). Bram doubles down his talent by being the band’s primary songwriter with lyrics inspired by his own life and observations. With his acoustic guitar in hand, Bram became a vessel for inspiration in weaving early lyrics and melodies together for ' Slow Down '. Upon bringing it to the rest of the guys at their purpose-built studio in Manchester , the true awakening happened. Organically, JK and James worked up the rhythm section, Bram added more layers with the guitar, and Chris wove in his piano melodies and strings. What they so naturally produced with ' Slow Down ' is a testament to the beauty of human creativity. Credit: Photo provided by band ' Slow Down ' has profound relevance in our post-pandemic world, where feelings of isolation have become all too common. While it was originally penned to convey the struggle against illness and the missed opportunities to connect with loved ones, its message touches the hearts of anyone who has felt the burden of isolation. The song invites you to embrace your support networks and acknowledge those who stood by you during your most vulnerable moments. The official music video for 'Slow Down' by What Will Be One of the noteworthy characteristics of ' Slow Down ' is its compelling vocal performance . Bram pours raw emotion into his lyrics, highlighting the authenticity and heartfelt journey through pain, healing, and ultimately, resilience. The lyrics, with the recurring phrase " feel time slow down ," carry a powerful message. This line resonates with anyone who has experienced moments when life seems to come to a standstill, and yet, it also celebrates the rare instances when time aligns remarkably with our needs . With ' Slow Down ', What Will Be has achieved a fantastic ability to address complex emotions and responses to life's challenges while offering listeners a sense of understanding and shared experience— a must-listen in challenging times. In a world still struck with the aftermath of the global pandemic, What Will Be’s ' Slow Down ' serves as a poignant reminder that there's strength to be found in our connections and resilience in the face of life's challenges . The song's fusion of raw emotions, energy and positivity offers a ray of hope, and underscores the enduring spirit of the human experience. ' Slow Down ' is more than just a song; it's a testament to the healing power of music and a call to embrace the journey of resilience, no matter where you are in life. In capturing the essence of the past alongside deep human emotion, ' Slow Down ' showcases the boundless wellspring of talent within What Will Be and surely makes it a must-listen track. To learn more about What Will Be: Facebook: Facebook - What Will Be Twitter: Profile / Twitter Spotify: Slow Down - Spotify - What Will Be Apple Music: Apple Music - Slow Down - What Will Be YouTube: YouTube - What Will Be Instagram: Instagram - What Will Be www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Faded Love’ is a hypnotic and soulful song full of strength. < Back Reviews on the Real: Mi’Kael Chalyce’s ‘Faded Love’ is an anthem for anyone who has experienced heartbreak Nicole Brice Dec 14, 2024 Share ‘Faded Love’ is a hypnotic and soulful song full of strength. Every once and a while, an artist will release a song that is so potent and so powerful it knocks me on my butt. Enter the latest from Nashville musician Mi’Kael Chalyce . Released December 14, 2024 ‘ Faded Love ’ begins with a captivating melody, the soulful vocals setting the stage for a powerful narrative. As the lead vocals take over, you find yourself immersed in a deeply emotional journey, a journey of love lost and the path to healing. Mi’Kael's songwriting skillfully captures the raw emotions of a breakup and the struggle to move on. If you've ever felt the sting of heartbreak, this song will resonate with you. ‘ Faded Love ’ is a beautiful exploration of the complexities of heartbreak and lost love. "When I found out I was pregnant with my youngest daughter it was in the midst of attempting to end an emotionally abusive relationship that had recently become physical. I found the strength to leave her biological father before she entered this world, but I’ve never looked back. Now two years later I am trying to decide how to pick up the pieces of my life when I’ve essentially blocked all the pain out of my mind trying to focus on my present happiness. All that is left now are echoes of a faded love hence the song’s name, Faded Love." You start feeling every note sung as Chalyce’s vocals become more potent. It’s true that as Mi’Kael sings, “ How can I pick up the pieces when I’ve blocked it out of my mind? ” you start to reflect on and feel the pain in her words. Credit: Photo provided by artist The song's production is minimalist yet impactful, with subtle instrumentation that allows the emotional weight of the lyrics to shine through. ' Faded Love ' was recorded at Grinding ENT Studios in Ellenwood, GA a suburb of Atlanta, GA, and was a collaboration between Mi'Kael Chalyce, Dorrell Smith , and Beats by Dre . The layered harmonies and gentle melodies create a dreamy ambiance, which contrasts nicely with the bittersweet nature of the song’s theme. Mi’Kael Chalyce is one of the many underground treasures in the music industry currently, and her songwriting speaks volumes. In March 2024 , we sat down with Mi’Kael for an in-depth interview , during which she shared her inspirations, her creative process, and more, and we have been a fan ever since. Overall, ‘ Faded Love ’ is a deeply emotional and compelling piece showcasing Mi’Kael Chalyce’s vocalist and songwriter talent. "This will be my first and only release this year and it wasn’t easy deciding on one that was special enough to share. This song feels ideal because ending the relationship the song discusses was a catalyst for The Reinvention — album coming in 2025." I cannot wait to hear more from this talented songstress in the future—Stream ‘Faded Love’ now on your favorite streaming platform. For more information on Mi'Kael Chalyce: www.mikaelchalyce.com Mi'Kael Chalyce Home page of Mi'Kael Chalyce, a R&B/Soul artist from Atlanta, GA. Mi’Kael Chalyce’s songwriting conveys trauma, mental health, and emotional evolution. Her goal is to create music that targets real-life relationship constructs, and those unspoken paradoxe www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Adventures of Pecos Hank < Back Dark, Moody, Mysterious, and Daring Keeley Brooks Feb 22, 2023 Share The Adventures of Pecos Hank Twenty years ago, when I was in my early stages as an entertainment writer in Baton Rouge, La., I was out covering some local bands when I discovered and fell right in love with a Texas-based opening act called Southern Backtones. I loved their vibe, their presence, their tone, and their music. Not only did the Backtones resonate with me, but they also resonated with everyone else in the room that night. So, I did what any self-respecting writer would do and walked right up to them the second they came off the stage. And I’m glad I did, because it landed me a friend for life in their lead singer, Hank Schyma. We bonded over our love for bands like Pulp, Radiohead, Black Rebel Motorcycle Club, and Portishead, and over our love for film—specifically the movie Clay Pigeons . (Shout out to my fishin’ buddy!) Schyma, now widely and most popularly known as Pecos Hank, is really one of the most unique individuals you’ll ever meet. He’s quite the popular singer, songwriter, musician, photographer, videographer, filmmaker, and snake charmer/wrangler on several scenes, but that’s not what makes him unique. It’s who he is at his core and his authentic perspectives, as well as his genuine kindness, that leave the lasting impression. His music deeply expresses a lot of who he is, which is a southern badass with a big ole heart. credit: Jay Dryden Oh, did I mention he’s also a professional tornado chaser? Because, for real, he is. He’s the kind of tornado chaser you might’ve seen in the 90s cult classic disaster hit Twister : in love and obsessed with tornadoes, daring to get up close and personal with them, and passionately unafraid yet deeply respecting of one of Mother Nature’s most powerful storms. When he isn’t Hank the musician or videographer or photographer, he’s Hank the tornado chaser and storm expert. Pecos Hank with a giant twister on his tail. Not only is Schyma talented at what he does, but he’s also very passionate about it. Dude spends half the year tracking storms and chasing one of Earth’s most stunningly terrifying energies, and he’s highly sought-after for his footage and live reports during tornado season by many news and weather outlets, including The Weather Channel. He also reports to the National Weather Service when other chasers don’t beat him to the punch. He has also served and continues to serve as a storm consultant on major motion pictures—most recently on Supercell , which is an upcoming disaster movie releasing March 17, 2023, starring Alec Baldwin, Skeet Ulrich, and the late Anne Heche. Not only was “a boatload” of Schyma’s tornado and lightning footage used in the movie, but also two of his tornado pictures were spliced together to create the image seen on the movie poster. The poster image originated from these two photos of Schyma's: credit: Hank Schyma Videos of his are littered throughout the trailer and movie. Hank witnessed his first tornado in 2002 and captured the fastest tornado ever documented back in 2014, and on May 31, 2013, he was there in El Reno, Okla., to witness and capture the widest tornado ever recorded at 2.6 miles wide. photo credit: Hank Schyma On May 25, 2019, while chasing and documenting storms in Oklahoma, Hank discovered a specific type of transient luminous event (upper atmospheric lightning) called a GhOST, or Green emissions from excited Oxygen from Sprite Tops—in short, green upper atmospheric electrical discharges or green mini-auras. In the photo below, if you look just above the brightest part of the picture, you'll see a faint green hue that casts an afterflow across the sky; that's a GhOST. photo credit: Thomas Ashcraft “I video recorded some sprites over a storm … Later, when I reviewed the footage, I noticed a mysterious green afterglow above some of the larger sprites,” says Schyma. SPRITE stands for Stratospheric/mesospheric Perturbations Resulting from Intense Thunderstorm Electrification. They are large-scale electrical discharges occurring high above a thunderstorm cloud and are often reddish orange in color. Based on their shape, there are three types: jellyfish, column, and carrot SPRITEs. Hank tells me he then teamed up with photographer and SPRITE chaser, Paul M. Smith . “Yeah, this one I’m pretty proud of. [A] buddy and collaborator of mine, Paul Smith, and I discovered a faint green glow that occurs high above thunderstorms after powerful lightning strikes. Think of a random, brief aurora that lasts about one second,” explains Schyma. “We shared the footage with scientists and others on social media. Nobody had heard of it before. Many argued it might be a camera sensor artifact. Over the following weeks and months, Paul captured multiple other GhOSTs at high resolution, silencing the skepticism. This opened doors for us to directly chat with all the real scientist rock stars of meteorology.” The pair worked together to create this educational video explaining transient luminous events. Give it a watch and check out these atmospheric wonders for yourself. So, yeah—see? He’s a general badass full of no fear and multi-leveled awesomeness. Born and raised in Houston, Texas, in the Pecos River Valley, Hank formed Southern Backtones in the late 90s with drummer Todd Sommer and guitarist John Griffin. As far as their sound goes, think American Southwestern dark, ethereal, gothic-y rock mixed with lonely echoes and moody twangs so delicious, they’ll leave your mouth watering … but not before they cast a spell on hidden parts of your soul and lull you in by the heart strings. They've often been described by media critics as, “Brit-influenced rock with roots firmly planted in Texas” and “moody voodoo rock that intertwines with Spaghetti Western and devil-may-care rock ‘n roll” ... windswept and gritty. In 1999, the Backtones headlined the Levi’s/Stage Stores promotional campaign with their hit song “ Fallen Angel ” from their first album, Los Tormentos De Amor , a self-described psychobilly surf punk album with cult Spaghetti Western twang. That resulted in the band touring through 80 towns across Texas in the first ever stretch Hummer, playing on top of it in retailer parking lots. Footage from those shows wound up as the basis for the Levi’s campaign and was even featured on MTV. Their second album, Unreleased Studio Tracks (2002), holds three surfy Tex-Mex cuts with vintage tones, and their third is self-titled Southern Backtones and released in 2006. It is pure dark indie rock with a heavy art movie soundtrack orchestration and was widely popular, hailed by Airplay Direct as "a beautifully dark cinematic embracement of Brit-pop and psychedelia in a philosophical search for more bohemian influences." IT IS SPECTACULAR. All of its songs longingly ache for a movie to come along and do dark justice in playing out their premise. They’re dark, bold, sexy, and mysterious. Tunes “Forever” and “Everything” were featured in the 2005 indie feature film Drop Dead Sexy with Jason Lee and Crispin Glover, and the music video for “Forever” saw regular rotation on MTV. Personally, my favorite song from their self-titled album is “Glamorous.” Because I love it (and you) so much, click the image below to hear the siren song, but be careful: You will be compelled to listen to it twice, then you'll be compelled to listen to the entire album on repeat. I promise it's just as sexy and menacing and alluring as “Glamorous” is. (wink) Over the years, Southern Backtones evolved and now consists of Schyma, Sommers, and a pretty bitchin’ viola player named Jo Bird the Fiddle Witch , one of the founders of Two Star Symphony , Houston's best-known creators of contemporary classical music for more than a decade. Schyma says of her, “She is such a wicked force of nature, that our whole new sound has grown around her.” She is, indeed, ferocious with a fiddle. Hank recently took some very precious time of his to catch up with me and rap about old times, music, tornadoes, and snakes, as well as what the future holds next for Pecos Hank. MaM: Shit, man. It’s so good to be talking with you after all these years! Thanks for catching up with me. Let’s see, you’re a very unique artist full of many, many, many talents. You sing, you write, you play music, you make videos, you take pictures, you chase tornadoes—I don’t even know where to start with you, so I’ll start at the beginning! PH: Well golly gee, Keeley. Bless your heart. That’s might dern sweet of you. MaM: Ha! You were born and raised in Houston, but do you claim any other areas? PH: Mostly Houston, with a side of Dallas and Huntington Beach, California. MaM: When did you know you wanted to pursue music, and where did the inspiration come from? PH: At age 13, I knew rock and roll was my calling. The electric guitar was the Siren. MaM: Musically, your influences then and now … hit me. PH: The Doors, The Cult, and Danzig hogged my cassette player, until I discovered Elvis. From there, it was Robert Johnson, Chris Isaak, Dick Dale, Muddy Waters, Ennio Morricone, and The Reverend Horton Heat. After a decade of burning out rootsy 1-4-5s, I did a 180 [after] becomingly heavily inspired by Brit-pop. [That was] shortly after I met you [when] we connected admiring Pulp, BRMC, Radiohead, and Portishead over many, many cocktails. Great times! MaM: We did! Those indeed were some great times! So, what kind of success did you guys see over the years, and how has that success contributed to where you are today? PH: Success? Ha ha ha! Nobody down here wants to listen to all that shit fused together. So, we thrived in the small dives, making enough money to pay for gas and bar tabs. [Twenty years ago], thirty people packed in the [former] Red Star Bar in downtown Baton Rouge and it was a good night for us. We worked hard, though, and scored some decent CMJ radio airplay on the East and West Coasts. That helped us put cheese on our Whataburgers. MaM: What was the Backtones most popular album? PH: It was always the most recent one, 'La Vie En Noir.' (Click image to listen.) We were inspired to change themes and make something new rather than sound like a broken record. You get sick of your stuff when you play 75-100 shows a year. This disappointed a lot of old fans, but for everyone one we lost, we gained two—including you and (friend) Sam. MaM: I know for a fact (smile) that one of your favorite and most influential groups is the English rock band Pulp. This is Hardcore is one of my all-time favorite albums, and I have you to thank for that. Have you ever had a chance to meet or speak with Jarvis Cocker, and are you stoked about their comeback tour next year? (Click image to listen.) PH: That album was a game changer. I’ve never heard of Pulp ever playing in the [American] South. Nobody down here wants to hear that shit. (laughter) But I bet they could pack 40 people in the [former] Red Star Bar! MaM: Oh, no doubt! So, after Griffin left Southern Backtones, you spent some time in the acoustic performance area, often as one half of a duet with viola virtuoso Jo Bird of Two Star Symphony. Talk to us about the dynamic between you two and how you got together. PH: Jo was always the darkest, most beautiful artist in the Houston music scene. She sat in with all the best bands, while I gawked on the sidelines. For some reason, she still hangs out with me. MaM: Let’s talk about El Reno Blues , which was your first solo album with a new approach. Talk to us about what that approach was, how it was new for you, and how it was received. PH: In a three-piece band, when you lose a member to crack or a better gig, a big chunk of your sound is lost and replaced with another. When we lost Griffin (to a better gig) and replaced him with Jo, we weren’t the same. Package that up with a different brand, and voilà. … Todd (our drummer), being the badass he’s always been, is now also our bass player. We had our first gig as a trio with him on the upright bass last fall 2021. The show must go on. He does have a 9-5 gig and can’t always make the weekday gigs, but Jo can. So, she and I do a lot of duo gigs on the side. Over the years, some magic has emerged from that. MaM: Tell us what you’re up to today in a musical sense. Writing? Playing? Recording? Touring? Being a general badass, who’ll never forget his super-bitchin writer friend he met 20 years ago? (laughter) PH: We’re currently halfway through a new record. I suppose when that’s done, we’ll have the impulse to tour where we can. Is the Red Star still open? What about the Bayou? Or the Thirsty Tiger? MaM: (laughs) Well, I don’t think they’re open under those names anymore, but the amount of venues that’ve opened up in Baton Rouge is insane. You’d have no trouble booking there. Where are you currently playing, and what can you tell us about BowiElvis Fest? PH: Just the usual places in Galveston and Houston. Fifteen years ago, I started a festival here called BowiElvis Fest . David Bowie and Elvis have the same birthday, January 8, and every year we have a big party with lots of bands playing Elvis tunes, Bowie tunes, and our own tunes. Splice Records has taken control of it, and man, does it swing. MaM: Dude, that’s awesome. And it sounds like so much fun. So, when I met you, you were known as Hank Schyma, but your identity has evolved into Pecos Hank. How did you earn that nickname? PH: I adore and snuggle (and charm and wrangle) rattlesnakes and tornados. credit: Hank Schyma My bestie, Emilie, pasted my face over a cartoon of Pecos Bill (a fictional cowboy and folk hero in stories set during American westward expansion into SW Texas) . He had a rattlesnake for a lasso and was riding a tornado. It was meant to be. MaM: Let’s jump over to your filmmaker status. When did you notice an interest in filmmaking, and how did you cultivate that? PH: I’ve always loved tinkering with video and made a few low-budget thingies, but I don’t think I deserve that title until I’ve completed something more substantial. Texas Honky Tonk legend Johnny Falstaff and I have completed three scripts. The only thing we need now is 10 million dollars. MaM: Yeah, that’s all we need, too. (laughs) I understand that when you were fronting the Backtones, you also directed, produced, and starred in a full-length blood-thirsty indie film. Tell me more. PH: Johnny Falstaff and I spent five or six years making Honky Tonk Blood . It’s a murder thriller that slithered through the Houston music scene at the time. For many of the bands, clubs, dancers, and artists of that era, it's a deliciously crude little time capsule. MaM: You also did the same with several music videos. I’m all ears. PH: Yeah, [music videos] are only four or five minutes long and don’t take five or six years to make. The time and money spent on an MV that lives forever on the inter-thingie is much more bang for the buck compared to touring. MaM: Now, rap with me about this tornado-chasing business. What drew you to tornadoes, then to chasing them, then to chasing them professionally for multiple different outlets? PH: I was drawing and sketching tornadoes before I could spell it. It began as a dream, became reality, and then a career. Weird, huh? MaM: When did you first get into chasing, and what was your first chasing experience like? PH: I feel like I’ve always been chasing storms. Whether it was just running into the front yard to see the lightning or driving my first car out to the fields for a better view of the coming storms, it’s always been an obsession. In 1995, Hank joined KHOU-TV’s news team working as a camera operator, which gave him the opportunity to work under their head meteorologist, Dr Neil Frank. Schyma gained professional storm-chaser status in 2007, when he was appointed as KRIV’s exclusive in-house storm chaser. MaM: You started photographing and filming your chases and the emergence of these beasts in a most gorgeous light. How up close have you gotten? Any close calls? PH: As close as you can get without your eyes getting wet! (laughs) Sorry, that’s a line from Old Gregg . Please tell me you’ve seen the Mighty Boosh's Old Gregg . Technically, I’ve been inside several weaker tornadoes and had too many close calls with powerful ones. I’m trying to cut that out. MaM: Unfortunately, I have not seen that one, but it’s now on the list! Do you ever get scared while chasing? Has a ‘nado ever shifted suddenly and seemingly come straight at you? PH: The weekly commutes from Houston to [Oklahoma City] are way more terrifying than tornadoes. I’d guesstimate [that] every 25 times I piss my pants almost getting killed by a distracted driver on I-45, I piss my pants from one tornado not doing what it’s supposed to be doing. MaM: What’s the most frightening tornado-chasing experience you’ve had? PH: It’s hard to compare that time you almost died with that time you almost died. The most recent was in 2019, when I accidentally positioned in front of a rain wrapped around [a] ¾-mile-wide beast. You think to yourself [that] any second now you could be rolling or flying. MaM: Talk to me about these weather, science, and nature documentaries you’re creating, and what kind of twist should we expect? PH: I can’t tell you the twist, that would ruin it. (laughs) For those interested, you can visit his Pecos Hank Patreon page and subscribe to watch his weather, science, and nature videos. MaM: You also create zoology and geography videos as well. Do tell. PH: Whatever neat-o thing I stumble across, I hope to document well. Whether it’s auroras over Russia or whales in Tahiti, I love it all. MaM: How is a typical year split up for you between music and chasing? PH: I’m always torn between music, critters, and storms, but lately music and critters are only getting the leftovers. Half my year is dedicated to capturing severe weather. To all my loving fans around the world, keep your Covid away from me! (laughs) MaM: You print and sell your photos of your tornado-chasing experiences. Have you seen a big demand to snatch up your shots? PH: It can always be bigger. photo credit: Hank Schyma photo credit: Hank Schyma MaM: Tell us where all you chase, how you decide where and what to chase, and what happens after destruction settles? What do you and your team do? PH: Most of the time, I chase alone anywhere from North Dakota to South Texas, Thailand to Australia. For two weeks a year, I join Dr. Anton Seimon’s scientific field operations team hoping to gather data that helps us understand [more about] tornadoes. Anytime we see destruction where human life may be impacted, we try to assist any way we can. Sometimes it’s just letting victims use our phones, and other times we are driving them to hospitals. MaM: Will you ever stop playing music or chasing tornadoes? PH: Only if I’m physically incapable. MaM: What’s the harmony you’ve found between making music and chasing tornadoes? PH: I score all my nature videos with my own music. Who’da thunk you’d sell way more records chasing tornadoes than touring? MaM: What’s next on the Pecos Hank agenda? PH: It’s 6 a.m. Time to go to bed. MaM: Okay, okay, haha. Tell people how they can find and keep up with you? PH: Just google 'tornado.' And he’s not kidding. Pecos Hank is everywhere accompanying the word tornado . For more on this music, snake, and tornado-wrangling cowboy, and for more on Southern Backtones, you can find all your heart desires by stopping by any of the below-listed sites. www.PecosHank.com Youtube @PecosHank Instagram @PecosHank Facebook @PecosHankOfficial Twitter @PecosHank Youtube @SouthernBacktones Instagram @SouthernBacktones Facebook @SouthernBacktones www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! < Back Reviews on the Real: Let the Moonshine by Chris Pryor featuring Amber Lynn Nicole Brice Dec 21, 2025 Share If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! Those who know me know I am not a fan of country music unless it’s only stuff like some Hank Williams . Still, in the past few years, I’ve begun to embrace some of the newer country music I’ve been hearing, like the latest from Louisiana’s own Chris Pryor featuring Amber Lynn . Released on November 21, 2025 , ‘ Let the Moonshine ’ is a high-energy four-minute ride that never lets up. This song starts so strong right out of the gate, and never, I mean, never lets up. If you want a good song to get the mood going at your next party, ‘ Let the Moonshine ’ is it. Released November 21, 2025 “‘Let the Moonshine’ isn’t just a song; it embodies every time I heard 'no,' every setback I turned into motivation, and every late night spent pursuing something meaningful. It’s about resilience, redemption, and the enduring fire within us,” Pryor explains. Written by Kenneth Kleinpeter and produced by Chris Pryor , ' Let the Moonshine ' was recorded at Brignac Lane Studio in St. Amant, LA , and mastered by Robert Smith at Audiosmith Studio in Baton Rouge . The track features a steady groove with irresistible guitar melodies that grab hold of you and don’t let go. Once the guitar fuzz kicks in, you know you’re in for a treat. The strong sing-along chorus concludes with the memorable lines, “Let the Moonshine.” This latest release continues the momentum from Chris Pryor’s previous release, ‘ Just Take a Look at Me ,’ in 2024. It’s fun, it’s danceable, and it’s just a good time. 'Let the Moonshine' lyric video 'Let the Moonshine' is available now on Spotify, Apple Music, Amazon Music, YouTube Music , and all major digital platforms. To learn more: YouTube: Chris Pryor - YouTube Facebook: Facebook Instagram: The Main Event (@maineventrocks) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. < Back Reviews on the Real: My Therapy by Aaron J Burke Nicole Brice May 5, 2025 Share ‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. Out today everywhere is the latest release from the talented Irish singer-songwriter Aaron J. Burke . Aaron is a gifted storyteller whose lyrics vividly capture the human experience and life in general. When he reached out to let me know he had another single dropping soon, I was thrilled and couldn't wait to hear it. I must say, wow, what a fantastic new release! I listened to it six times before starting to write this review. It’s excellent. The official video for 'My Therapy' by Aaron J. Burke Released May 5, 2025 I love Aaron’s songwriting because it is brutally honest. There’s no fluff or frills, and the lyrics truly resonate with me. I feel them in my soul. We have been reviewing Aaron’s music for about a year now, and no two songs sound alike; each one is thought-provoking. He typically leans towards a more acoustic sound, but in ‘ My Therapy ,’ he takes a heavier approach that I really enjoy. ‘ My Therapy ’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. There are no truer words. Music is my therapy, too, so I can relate. Although this song marks a departure from the sound Aaron has become known for, the grunge feel in this track is undeniable. It’s as if Aaron has traded his acoustic guitar for an electric, grunge-infused style that sounds unlike anything I have ever heard. The song starts with a groove that immediately gets your head nodding. The guitar tone is deep, and everything about this song hits hard, so I encourage you to check out ‘ My Therapy ’ today on all your favorite streaming services. Other Reviews: Reviews on the Real: Run for Cover by Aaron J. Burke Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Reviews on the Real: Rise Not Fall by Aaron J. Burke Facebook: Facebook Instagram: Aaron J. Burke (@aaronjburkemuso) • Instagram photos and videos Spotify: Aaron J. Burke | Spotify Apple Music: ‎Aaron J. Burke - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. < Back Reviews on the Real: Serenity by Nicki Needham Nicole Brice May 12, 2025 Share ‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. Today, we’re exploring the latest release from Louisiana-based singer-songwriter Nicki Needham . She has become a prominent figure in the local music scene, thanks to her remarkable talent, unwavering drive, and exceptional work ethic. Nicki is frequently performing and has taken the stage at numerous music festivals throughout the state, including Festival Internationale and Fête du Void . Released May 8, 2025 Released on May 8, 2025 , ‘ Serenity ’ possesses a surreal and atmospheric quality that takes you on a soothing journey. I always listen to new songs with headphones to fully immerse myself in the rich textures and layers of the music, and this release was no different. The official music video for 'Serenity' by Nicki Needham. The opening of ' Serenity ' is hauntingly beautiful, filled with soul and depth. It leads into one of the most soothing and captivating voices I've ever heard, giving me chills from start to finish. Nicki’s voice reminds me of American singer-songwriter Anna Nalick , whose music was the soundtrack to my endless drives to and from Hammond during college. The mixing of this track is flawless, and the production quality is exceptional. Nicki’s lyrics paint a vivid picture of someone searching for themselves amidst the world's chaos. She encourages listeners to take time for self-reflection and to discover their own serenity. The spoken word segment at the end of the song is particularly noteworthy; I closed my eyes and felt myself slipping into a semi-meditative state. As ' Serenity ' concludes, it erupts into a powerful chorus filled with emotion. It truly is a rollercoaster of a song! The track ends on such a high note that it leaves you wanting more. No joke—go stream ‘ Serenity ’ now, and you can thank me later. Look for a full EP release from Nicki Needham in the fall of 2025, too. To learn more about Nicki Needham: YouTube: Nicki Needham - YouTube Website: www.nickineedhammusic.com Facebook: Facebook Instagram: Nicki Needham (@nickineedhammusic) • Instagram photos and videos Spotify: Nicki Needham | Spotify Apple Music: ‎Nicki Needham - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Where Gods Fear to Speak’ delivers a powerful blend of melancholy and majesty. < Back Oceans of Slumber Unveils a Bold New Chapter in Progressive Metal Brent "Shaggy Chan" Taylor Jun 24, 2024 Share ‘Where Gods Fear to Speak’ delivers a powerful blend of melancholy and majesty. Houston, Texas' own Oceans of Slumber is a Five-Piece female-fronted metal act that will release its fifth studio album, " Where Gods Fear to Speak ," on September 13, 2024. Still, for now, they have delivered a powerful title track that hits like a lightning bolt straight to the eardrum and delivers a powerful blend of melancholy and majesty, redefining the progressive metal landscape. Click to pre-order the new album! “ Where Gods Fear to Speak " is a soulful blend of melodic vocals. As a diehard fan of modern metal, this song grabbed my attention as soon as I clicked the play button. The emotions felt through the music enhanced the song's impact and immediately launched me into a reflective and introspective state. The video reinforces the song's message of confronting fears and embracing vulnerability through visually striking imagery and symbolic representations. This was increasingly evident as frontwoman Cammie Gilbert-Beverly can be seen tied up and tangled in straps hanging from the ceiling, all while wearing an outfit that would make any individual feel vulnerable. The lyrics explore the internal battles faced throughout life, emphasizing the need to find strength within vulnerability. This theme resonates throughout the song, highlighting the complexity of human emotions and the journey towards self-acceptance. Buckle up because feelings of sadness, rage, and hope are all here, and you will undoubtedly feel it all like a punch in the gut! Get the latest news, releases, and more from Oceans of Slumber by checking out any of their social media pages listed below: Website : oceansofslumber.com Oceans of Slumber Home page of Oceans of Slumber, a metal group from Houston. Official website of Texas Progressive Metal band Oceans of Slumber. Facebook : https://www.facebook.com/oceansofslumber/ Instagram : https://www.instagram.com/oceansofslumber/?hl=en YouTube : https://www.youtube.com/user/oceansofslumber Spotify : https://open.spotify.com/artist/2JSza6IRxLr1Ez3wqKd0SY?si=aWrsTRHCSCemMNRQaSk5tw Do you have something you think Shaggy would like? Hit him up at shaggy.mixedaltmag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Strays is a sweet, hysterical, raunchy comedy featuring potty-mouthed dogs in one of the best animal movies ever made. < Back Strays: Feast Upon This Keeley Brooks Oct 13, 2023 Share Strays is a sweet, hysterical, raunchy comedy featuring potty-mouthed dogs in one of the best animal movies ever made. Rating: 4 out 5 foul-mouthed Boston Terriers Strays is probably one of the best animal movies ever made. Yes, yes, I hear you all screaming at me about Milo & Otis and Black Beauty and all the others, but did any of them feature foul-mouthed dogs with a flair for the obscene and nasty, kind of like that one Jimmy Buffet song that makes most “squares” uncomfortable (i.e., “Why Don’t We Get Drunk”)? Nope? I didn’t think so, and that’s precisely why you’re gonna want to watch Strays ! Directed by Josh Greenbaum ( Barb and Star Go to Vista del Mar ), Strays features a whopping all-star cast that includes Will Ferrell ( Anchorman ), Randall Park ( Totally Killer ), Isla Fisher ( Wedding Crashers ), Jamie Foxx ( Ray ), Josh Gad ( Ghostbusters: Afterlife ), Harvey Guillén ( What We Do in the Shadows ), Rob Riggle ( 21 Jump Street ), Brett Gelman ( Stranger Things ), Jimmy Tatro ( American Vandal ), Dennis Quaid ( The Day After Tomorrow ), Phil Morris ( Doom Patrol ), Jamie Demetriou ( Barbie ), Sofía Vergara ( Modern Family ), and Greta Lee ( Spider-Man: Across the Spider-Verse ). Strays is lovingly brought to us by “the humans” who gave us 21 Jump Street (2012) and Cocaine Bear (2023), so right off the bat, you know this flick is gonna be hella funny. And it is. Nevermind those critics who’ve said that Strays , “wants to startle us with its tonal shifts … but its wild careening from sentimental to super scuzzy makes it seem like the moviemakers lost track of what they were trying to do.” To them I say: LIGHTEN UP, FRANCES. You knew it was a raunchy comedy going into it. No one expected Strays to be an Oscar contender, but we all like a good time, and Strays is absolutely that. (Warning: Video below features foul language!) The R-rated comedy follows the life of Reggie (Ferrell), a super sweet but extremely naïve and gullible Border Terrier who’s more of a glass-half-full personality. It’s a great role for Ferrell, allowing him to return to the nature of his character in Elf. credit: Universal Pictures Reggie lives with his owner, Doug (Will Forte, of Macgruber ), who’s a complete and total dick as far as pet owners go and a total loser as far as grownups go. Doug has no job, no money, no life, and no girlfriend, and he spends his days being a slob, smoking pot, guzzling beer, and living off his struggling mother’s social security checks. Will Forte as Doug (credit: Universal Pictures) Reggie loves Doug and thinks he’s a great pet owner who likes to play Reggie’s favorite game: “Fetch & F**k.” This is where Doug drives somewhere and throws a tennis ball then leaves while Reggie searches, hoping Reggie won’t find his way home. When he does show up with the tennis ball in his mouth, Doug’s response is always, “F**k.” So, one day after Reggie accidentally breaks Doug’s favorite bong, Doug drives Reggie four hours away to a big city, backs up to an alley, then throws the tennis ball for Reggie to chase. When Reggie runs after it, Doug leaves. Sad, right? It really is, right up until the moment Reggie meets Bug (Foxx), a once-owned-but-now-stray Boston Terrier with street smarts, a sharp tongue, lots of love, and a giant, tough-talkin’ personality. And as a recent Boston Terrier mama, I can say this personality is quite accurate. When Reggie tells Bug how he wound up in the alley, Bug tells Reggie his owner left him on purpose and he’s now a stray, then befriends him and decides to help him adjust. credit: Universal Pictures As Bug walks Reggie through the city, he tells Reggie there are three rules to being a stray: (1) If you want it, pee on it. (2) You can hump whatever you want. (3) You’re on your own: “You’re a stray now! You can do anything you want!” Bug also takes the time to point out how weird and mean humans can be. Bug notes that while they’re awesome because they drop food all the time, they’re also evil because they collect dog poop and snip the balls off of male dogs. Bug says humans love "this thing called chocolate,” and he’s convinced the reason chocolate is so good to humans is because the secret ingredients are dog poop and dog balls. So, along the way, Bug and Reggie hit the park, where Reggie befriends other animal companions: Maggie (Fisher), a person-owned Australian Shepherd who doubles as a scent queen, and Hunter (Park), a Great Dane (i.e., “the muscle”) who is a former police dog turned therapy dog, who always wears a cone—not for a medical reason but because it makes him feel safe. Hilarious, right? I know. credit: Universal Pictures credit: Universal Pictures When Reggie introduces himself to the pack, he says his name is, “Shitbag, or sometimes Dumbass Shitbag … or F**k Nugget.” When Maggie asks if that’s what his owner calls him and Reggie says yes, she, Hunter, and Bug kindly point out that those aren’t terms of endearment and that Doug sucks. As Reggie’s shiny, innocent reality shatters right before his sweet little eyes, his sadness turns to anger as, with the group's encouragement, he declares he’s going to find his way back home and take away Doug’s favorite toy: “I’m gonna bite his dick off." So, together the four embark on a long journey to get Reggie home, whereupon they encounter vicious predators, animal control officers, the wrath of God, and even some mind-altering mushrooms. There’s a lot about Strays that make it a must-own movie. In addition to its script and cast, Strays features an outstanding soundtrack full of N.W.A., Ludacris, Doja Cat, Olivia Rodrigo, Tony K, Travis Scott, Reem, Billie Eilish, The Weeknd (with Playboi Carti and Madonna), Post Malone, and more. And guys, these songs are paired with the perfect accompanying scenes, most of which are shot in super creative slow motion with epic comedic undertones. Sometimes overtones. Strays is packed levity throughout the cruelty driving the story, such as the festival scene. Reggie tells the group he remembers passing “a big wheel in the sky and it smelled like hot dogs.” Maggie goes to work and picks up a scent, leading the gang right to the county fair. As the strays make their way through the crowd of humans, Reggie steals a link of hot dogs. When the others find out he stole from a human, they panic, but Reggie tells them to relax, “No one saw.” At that very moment, fireworks erupt and Hunter shouts, “GOD SAW!” as they all freak out and run, thinking God is trying to bomb them for stealing hot dogs from a human. That scene, ladies and gents, is side-splitting hysterical. It’s so good, you’ll back it up and watch it again. Likewise, in another great moment, as the dogs stop to howl, it turns out that all can howl except for Hunter, who literally howls by saying the word “howww-ling.” It’s quite adorable. As a former Great Dane owner, I can attest that what they do sounds more like a “roooo” than a howl. Then there’s the scene where the dogs come upon a sea of mushrooms and think they’re food, so they eat as many as they can … and proceed to trip their balls off. It makes for one psychedelic good time, as the strays hallucinate a gaggle of toys they then proceed to tear up. When they awaken the next morning and realize the toys were actual rabbits, they feel like serial killers and leave the forest in shame. There’s even a story within this story that focuses on a little girl gone missing, whom the strays actually come across and rescue. It’s very, very sweet. And, I’ll go ahead and spoil it for you because it’s no big surprise, but Reggie does make it home to Doug and bite his dick off in an epic scene of vengeance that plays out to Miley Cyrus’s “Wrecking Ball.” Overall, Strays is absolutely one of the best animal movies ever made, for adults only. It’s a beautiful story of awareness, friendship, family, and brotherhood—er, doghood—as well as courage and strength. The writing is funny and clever, remaining sweet with endearing moments, and all dogs featured in Strays were absolutely amazing. In fact, they all were legit strays adopted and trained or came from the pound and were adopted and trained. For more on that, go down the YouTube rabbit hole and enjoy that ride. Strays is currently streaming exclusively on Peacock and available for rent or purchase on Apple TV, Video On Demand, and Prime Video. Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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