Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. < Back Reviews on the Real: Thieves and Tyrants EP by Gnashing Nicole Brice Feb 4, 2025 Share Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. Sometimes, music comes onto our radar long after it has been released. It’s the nature of the business these days, with the market being oversaturated with new original music. Today, we review Thieves and Tyrants , an EP released by New Orleans-based band Gnashing on September 15, 2023. Released September 15, 2023 - Click to listen Formed in 2022 in New Orleans, Louisiana, Gnashing's sound is a unique blend of old school death metal , thrash , and black metal . As one of the newer bands on the scene, Gnashing has been steadily booking shows since its inception. The band has performed at Creepy Fest in New Orleans in 2022, The Marsh Room in Metairie, the Intracoastal Club in Houma, Siberia in New Orleans, and many other venues, and the band shows no signs of slowing down anytime soon. New Orleans has long been known for its rich musical heritage, and at the core of Gnashing’s appeal is their ability to balance melodic dark beauty with a sense of tension and discomfort. Lyrically, Gnashing explores themes of inner conflict , isolation , and the pursuit of understanding in an increasingly fractured world, creating a layered experience that invites interpretation for each playthrough. Recorded, Mixed, & Mastered by James Whitten of HighTower Recording in New Orleans, Thieves and Tyrants is a rollercoaster ride of melodic death metal with a little groove and thrash thrown in. Gnashing is Chris Lilly (vocals/guitar), Taylor Hinkel (guitar), Erik Haley (bass), and Brennan Ledet (drums). Let’s dive into these tracks, shall we? Metamorphosis – starts heavy straight out the gate—an excellent opening to this EP. Head nodding abounds. Assertive guitars and vocals. It's a great tune to crank up to eleven. The Befallen – nice crispy opening with crunching guitars—this one has a slightly faster pace. Rush to Judgment – my favorite track on this EP. This high-energy song delivers a potent punch to the gut with a blistering pace of aggressive, distorted guitar riffs and pounding drums. Grandiosity rounds out the EP and is a little slower, but once the vocals hit, it puts you in a trance. The song builds and picks up the pace, maintaining this steady vibe of aggression. Thieves and Tyrants is an EP that hits both musically and thematically . We had a few questions for the lead vox of Gnashing, Chris Lilly , and he was kind enough to speak with us. Check out our conversation below. Credit: Facebook MaM : How did you come up with the sound for Gnashing? What led you to play the type of music you play? CL : We never really chose the style we were going for. It just happened organically. I grew up listening to all of the music of the 90s, but it was thrash metal in particular that I found myself very drawn to as a child. As I grew older, I started to rediscover that kind of music and became even more of a melomaniac. From there, I listened to more extreme genres and was heavily influenced by bands like Skeletonwitch , Stormlord , second-wave black metal, and especially Chuck Schuldiner of Death . The rest of my bandmates have similar influences, so our sound was created naturally and unforced. There's something about the darkness of extreme music that I find very intriguing, along with the concept of good versus evil. Within this kind of music, you'll find stories told in ways like no other, and I think there's a beauty in the ugliness of life, which makes for great art and is all a part of the human experience . An appropriate amount of pain, heartache, and suffering is necessary. Just as love, happiness, and joy is as well. The yin and yang concept. Chris Lilly of Gnashing (credit: Facebook) MaM : Walk us through the creative process for your EP Thieves and Tyrants . How did you approach writing each song, and is there a formula you follow when writing music? The title is fitting with all that is happening worldwide currently, right? CL : One of the first songs (titled The Befallen ) I wrote for this project was written before I had any members. I was always writing material and hoping to put together a band one day, and once I met our drummer, Brennan , we started the writing process. We clicked right away, and after the first practice, I knew he was the right person. Our bassist, Erik (former bassist of Drug Money ), was recommended to me by a mutual friend, and our guitarist, Taylor, was recommended to us by Erik, his stepfather. I was the primary writer for those songs, but every member had input, including some parts, such as Taylor's solo on the Metamorphosis track. It's been a group effort putting this EP together, and I would say having good chemistry with your bandmates is a must for a good formula for writing material. It starts with the riffs and how to combine each riff to see what works. Our drummer has helped with the arrangements as well. Yes, the title for our debut episode fits today's world and throughout history. https://www.youtube.com/watch?v=f2FZUPOEaz4 MaM : Do you have new music in the works, and if so, what theme are you finding is a dominant force in your writing these days? CL : We have new music written and hope to record it this year. We have some work to polish the already-written songs and finish writing new ones. A dominant force of the subject matter would be mostly medieval-themed . MaM : You have quite a few shows coming up in the coming months, but what are your main goals for 2025? CL : Our main goals are to finish the new material, record it, and work hard to ensure our performances are to the best of our abilities. https://www.youtube.com/watch?v=3SjTZx3m-7s MaM : What key message would you like fans to take away from your music? CL : I don't know that we ever really had a key message for people to take away from our music. It's mainly been a very therapeutic and creative outlet for us, but I hope it will provide the listener with the same enjoyment we get from creating and performing the music. Credit: Ian Ashley Ball As Gnashing continues making their mark on the local music scene and beyond, they stand poised to dominate with an unwavering dedication and organic approach to making music. We look forward to what the future will bring for Gnashing , so be sure to catch them live near you soon so you can experience the sonic abyss of sound only they can create. Upcoming Shows : Saturday, February 22, 2025 - the Intracoastal Club in Houma, LA with Psychic Bastard & EYEHATEGOD . Saturday, March 15, 2025 - Tales From The Riff Festival in Lafayette, LA at The Pic at Epic Performing with Christworm , Writhings , Cemetery Frost , Necromire , and Reptilian War Machine Friday, April 4, 2025 - the Twist of Lime in Metairie, LA for Dio's Legacy: A Tribute to Ronnie James Dio To learn more about Gnashing : Bandcamp: Thieves & Tyrants | 𝔊𝔫𝔞𝔰𝔥𝔦𝔫𝔤 Pandora: Gnashing on Pandora | Radio, Songs & Lyrics YouTube: Gnashing - YouTube Spotify: Gnashing | Spotify Social Media : Instagram: https://www.instagram.com/gnashingofficial?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Facebook: Gnashing Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Solid Alternative Rock < Back A Melodic Rock Offering: Caustic Waves Nicole Brice Feb 27, 2023 Share Solid Alternative Rock Hello guys and gals, I have some new music for your ears and, of course, I must share. I recently stumbled upon a musician out of Glasgow, Scotland , by the name of Neil Thomas . By day, he’s a full-time software engineer, and by night, he’s a producer with a lifelong passion for music that has culminated in his latest project, Caustic Waves . Although it is a new project, Neil has been in the business over 20 years. He started out in the mid-2000’s as the guitarist for the metal band Keitel and then switched to bass and backing vocals as part of the power-pop band The Chinaskis . Photo provided by artist With Caustic Waves , Neil combines elements from both bands into a melodic and solid rock offering with a tinge of a pop-rock vibe reminiscent of 90’s alt bands such as Trapt. Launched in March 2022 , Caustic Waves came onto the scene with the debut single ' Regenerate ,' which was the first in a series of single releases throughout 2022. Neil has continued to stay busy since then writing and recording new material. On Friday, March 3, 2023 , a new six-track EP titled Full Circle drops via all streaming platforms and as a limited-edition CD as well. Be sure to check out his new release once it drops and pay attention to the standout tracks ' Barriers ' and ' Idiocracy '. Full Circle releases March 3, 2023 via all streaming platforms We recently threw some questions Neil’s way so you could get a better feel for this up-and-coming artist and his work. MaM : If you could cite your favorite band as far as influence, who would it be? NT : Picking one is tough, but I'm going to go with Helmet. Their 90s output is absolutely essential for alternative/post-hardcore fans, and, in particular, their album 'Aftertaste' is a big influence on my sound. For me, it has the perfect blend of heavy guitars with strong vocal melodies. That's my aim with Caustic Waves—loud rhythm guitars underneath melodic vocals and layers of harmonies. The original Helmet drummer, John Stanier, is a huge influence, too. He has such a unique and identifiable groove, and my approach to drums is very much based on his style. MaM : We are huge Helmet fans here, too, so good pick. As far as vocal influences, who is your favorite front man? NT : Jonah Matranga (Far/Onelinedrawing etc) is a big influence on my vocal approach, and he's an absolute legend. In terms of a favourite front man, it's hard to look past Maynard James Keenan from Tool/A Perfect Circle. He is such an enigma on stage, and his voice is incredible. Photo provided by artist MaM : Good picks, again. You have excellent taste in music, and we approve. What type of guitar do you play and why? NT : I play a Schecter C-1 Diamond Series, which I've had since 2005. I bought that guitar when I played with my first band, Keitel. My approach to playing guitar hasn't really changed since then, which is why there's a strong late-90s/early-00s influence to the sound of Caustic Waves. I keep meaning to treat myself to a new guitar, but I still love to play my Schecter, and it suits my sound well. MaM : Ok, let’s talk gear. How do you achieve your sound and what pedals / gear was used in the recording of the new material? NT : Although I have a reasonable collection of pedals that I used for demos, the guitar tones on the EP were all achieved with the amp sim plugin, BIAS FX. Amp sim technology has progressed a lot since I started using Amplitube back in 2010, and it wasn't too hard to dial in the tones I was looking for. It was also somewhat out of necessity. I recorded the guitars at nighttime in my home studio when my kids were asleep downstairs. The drums are virtual too, using GetGood Drums - Modern and Massive. MaM : Give our readers a little more background about you and where you live. NT : I'm from Glasgow in Scotland. I was born and raised here. There's a brilliant music scene in Glasgow [and] Scotland, and I've been going to gigs since I was 15. Another one of my main influences are Biffy Clyro, who come from a town not too far from Glasgow. I first saw them play in a small pub in 1998, and now they're one of the biggest rock bands in the UK. Photo provided by artist MaM : Who all is involved in Caustic Waves? Just you? NT : It's just me! I'm a one-man band! For now, it's just a studio project, although I do miss playing live so I'm open to the idea of putting together a live band at some point in the future.I did have some guests on the EP: My brother-in-law Adrian McGurn (from the Irish traditional folk band Solás ) sang some harmonies on the ending section of ' Idiocracy .’ That part of the song is about the importance of education and investing in the next generation , so it felt appropriate, as Adrian is a teacher. He lived with us at the start of lockdown when schools were closed, and he home-schooled my two boys for a few months. It was during that time that I started recording the EP, and that's when we recorded his vocal tracks. There's also a cameo from my two boys, Jamie and Charlie , who helped me with some backing "woahs" in the middle section of ' Evolution '. To check out all that is Caustic Waves , hit the links below and be sure to check out Full Circle dropping on March 3, 2023! Linktree: https://linktr.ee/causticwaves Spotify: https://open.spotify.com/artist/5YFSnuEccV4gdfzlxKkdu9 Bandcamp: https://causticwaves.bandcamp.com Instagram: https://www.instagram.com/causticwaves YouTube: https://www.youtube.com/@causticwaves Facebook: https://www.facebook.com/causticwaves Twitter: https://twitter.com/causticwaves TikTok: https://www.tiktok.com/@causticwaves *All photos provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

A New Era of Synths < Back NITE: Revamping New Wave Nicole Brice Mar 31, 2023 Share A New Era of Synths While doing my daily scroll on Instagram recently, I came across a duo performing a cover of Local H’s ' Bound for the Floor' and I was instantly stopped in my tracks. I’ve never heard anyone cover this song, and with Local H being a favorite of my brother’s, I felt compelled to check it out further. Intrigued, I turned the volume all the way up to take it all in. After listening to the song, I had to know who these guys are who decided to cover Local H ? As it turns out, their name is NITE , and they hail from Dallas, TX . NITE is an electronic rock band comprised of twin brother producers Kyle and Myles Mendes . They are also joined by drummer Phil Helms ( The Vanished ). The trio is inspired by alternative music of the 80s and 90s, and their sound has been described as darkwave, post-punk, post-industrial, and dream pop. I think their sound is just amazing, creative, and full of artistic flair. Credit: NITE The brothers have released three full-length albums , along with several singles, remixes, and an EP, and they’ve also had the prestigious honor of touring and performing with bands like The New Division, Small Black, Vision Video, Clean Bandit, A Flock of Seagulls, Actors, Midge Ure (Ultra Vox), Magic Sword, Men Without Hats, Night Club, and Berlin—yes, the Berlin. Say whaaat?! After enjoying the Local H cover, I wanted to hear more, and that’s when I discovered their Spotify page full of musical goodness. They’ve even taken on the task of covering an iconic grunge tune by Alice in Chains to make it all their own. Their cover of ' Would? ' is fresh as a shirt straight out of the dryer and is truly remarkable. You must check it out. I reached out to NITE to learn more about who they are behind their sound, and luckily, I had the opportunity to speak with both Kyle and Myles . They’re so much fun; I almost didn’t want our conversation to end. We promise you’ll be just as entertained by them as we are. MaM : Good Morning! How are you? Myles : Hey, I’m doing well. Thank you so much for setting this up. Kyle’s here, too. MaM : Hey Kyle! So, I wanted to start with what made me gravitate towards you guys. That Local H cover is awesome! Very few people give props to Local H and, in fact, my brother is a huge fan of theirs. I want to know your story, though, and I want to convey it to our readers so they can learn a little more about you. So, you guys are based in Dallas, correct? Born and raised there? Myles : Well, we were born in Canada, actually. Kyle : Winnipeg. Myles : Yep, we live in Texas and have for most of our lives, and I would consider myself a Texan more than anything, but we do visit Canada a lot and have played several shows there. MaM : Awesome. So, let’s talk production. I’m assuming you record and produce your own music, but do you also do work for other musicians as well? Myles : We do it for other musicians. We also make music for other companies and do commercial work as well. That’s a new thing for us. We haven’t went [sic] public with it, but we do have a song in a Ford Mustang commercial in China. MaM : Wow! That’s impressive! Myles : It’s not a NITE song, though. It’s just something we produced for commercial work. MaM : Eh, it still counts. How would you describe your music? I was listening to the two EP’s that are on Spotify, and on your first EP, it’s more of a New Wave sound with a little techno. I hate saying “techno,” because it’s a more of an electronic sound, but with your second EP, you add in a little more fuzz and it has more of a rock vibe. Y’all’s cover of “Would?” is insane! I have never heard that song covered in that way, so tell us what inspired you to cover that specific Alice in Chains track? Myles : We, well, just like you said, we have more of that pop/new wave sound in our roots, but I feel during COVID, we started gravitating more towards industrial music. Credit: NITE MaM : Ministry fans? Myles : Yeah, we love Ministry, too. We love that whole sound. Skinny Puppy, too. You name it, we probably like it. There is definitely an industrial accent with our music, and we wanted to bring that back a little but also not take the pop away. We really like early Ministry. Their first album was great. https://www.youtube.com/watch?v=xzNdbw3Ah3s Falling Apart official music video MaM : “With Sympathy”… yep! In fact, I put that down in my notes as a comparison for your music. Your first EP reminds me so much of that album. Myles : Thank you. I love that. That’s an honor to say it. We actually got into Alice in Chains late in the game. I’ve always known about them and who they were, but when I heard the song “Would?”, I thought, ‘Man … this could have been a Joy Division song’—even the comparisons from Layne to Ian Curtis’ life. … [A]nd you know, they both ended tragically. I felt “Would?” is a post-punk song in its own right, though, and I felt like I needed to hear it industrialized. It was also kind of the kickstart to colonize a new branding with more of an industrial sound. I didn’t try to sound like Layne, nor should I even try, but I felt that we took a different vocal approach to it. https://www.youtube.com/watch?v=eXUwsbxuKZU Would? by NITE MaM : I completely agree. So, what do you guys want to accomplish going forward? Myles : Well, that’s a good question. I mean, we keep putting out music, and it was last year that our new song “Your Ego is Gone” was released along with the EP you heard. We are due for a new single, though, so we’re going to try and put one out before the tour this summer with The New Division. I think July is what we’re aiming for. We hope to have a single out by then. MaM : You mentioned a tour. Is this going to be a national tour? Myles : Right now, it’s just going to be a Texas tour. We’re hoping for a national tour later on this year with a band called Empathy Test. The New Division actually remixed our song “Life and Love”, and it has amassed many plays and was shared by New Retro Wave. https://www.youtube.com/watch?v=qW4I8b6Avd8 Love and Life (New Division remix) MaM : Oh, I haven’t heard that yet. I’ll have to check it out. Does anyone ever give you guys a Tears for Fears comparison? I hear a tinge of that, too, in your music. Myles : Well, we are big Tears for Fears fans, and a lot of people do reference [them] with us. We are twins, though, and we’ve grown our hair out a little because, as kids, we were in a military school where we had to have shaved heads. It was a juvenile program called Young Marines. We weren’t juvenile delinquents or anything like that, but our parents felt we needed a ‘life experience’ and we got one. We also made a vow to grow out our hair afterwards. My dad loved the music of Kiss and a lot of the 80’s hair metal, so I guess you could say that’s why we have hair like we do. Kyle : It’s not a perm. Yeah. We don’t perm our hair. We have naturally curly hair. Credit: NITE MaM : That’s awesome that you naturally have that 80’s vibe going on. (laughs) So, you guys have a very fresh synth sound. How do you achieve that? I want to know what gear you use. Myles : We make our music through a software called Reason. We record pretty much everything through that, and a lot of our synth sounds are created with that, too. We also have Korg Minilogues we use. MaM : Nice. Myles : Another thing that people have taken notice of is our matching guitars, especially since we’re twins. We are currently playing Fender Jaguar guitars. Kyle plays bass, I play guitar, and they’re pretty much identical. What else, Kyle? Oh! We also have a drummer that sometimes plays with us, and he uses a full drum kit—the traditional one. He also plays with triggers, and that’s also how we capture him. His name is Phil Helms. He’s a veteran of the music scene, and so when Kyle and I were in middle school and high school, we actually listened to his band on the radio, and now he’s playing in our band. His band was called The Vanished, and then after that, they became Seven Channels. They’ve changed the name, but they’ve been touring for years. They’re kind of like an emo rock band. Credit: NITE MaM : See, that name sounds familiar. I bet I know their music. Myles : They had a single that was on national radio. It was called ' Favorite Scar '. That was a big song. https://www.youtube.com/watch?v=772vUNTWiJg Favorite Scar by The Vanished MaM : Ok, as soon as I get off this call with you guys, I’m going to check it out. There are many bands out there that I may not have heard because of how over-saturated the scene is. Kind of sad, actually. (laughs) Myles : There’s so many bands who had somewhat of a career and then, you know, it goes away, but with Spotify, at least you can look it up and go, ‘I remember this song from, like, 15 years ago.” They only had the one hit, though, unfortunately. MaM : Right, but even Spotify is kind of new to someone like me. I remember back in the day when you had the CD store and that was it. Hell, most of the CDs I used to buy were because of the cover art and whether it was in the genre of music I liked, and then I would listen to the music to see whether I dug it or not. So, new single coming in July … when do you plan to release a new EP? Myles : That’s a good question. I feel we are still learning. I’m seeing a lot of our friends are just garnering a good bit of success, and we have an album’s worth of material. I just feel if we released an entire album right now, we would kind of be hindering our growth. I think we’ll do what is called ‘waterfalling’, where we just keep releasing one song at a time and add a song to the EP every time we release one. Our next release might be the EP plus the new song. MaM : I think that’s an awesome plan. So, back to the Local H cover. What made you decide to cover them and their song “Bound for the Floor”? Myles : We love their music. They’re a duo, and we’re primarily a duo. Phil, our drummer, has always been in the trenches with us, per se, but he’s older and he can’t come out with us to a lot of the shows. He has a family and can’t make it to every gig, so we perform more as a duo. [So], we were just really inspired by Local H being a duo. Plus, we loved the song. Listen to the cover here: https://www.youtube.com/@wearethenite/shorts MaM : Are you guys just releasing everything independently right now? Any interest in being on a label? Myles : We don’t have a label or anything like that right now, but we were a part of Cleopatra Records at one point, and we put out ‘Sleepless’ and an album called ‘Reborn’ through them. After leaving Cleopatra, we put out a remix album, and now we’re on this industrial, you know, crusade. MaM : Guys, we really love what you have going on and can’t wait to hear more. Any parting words or anything else you want our readers to know? Myles : We’re grateful that we’ve gotten to open for so many cool bands over the years, and I feel we’ve been fortunate so far. I feel we’ve seen our audiences grow, and that’s really encouraging. We are just hopeful and we’re positive and we do what we do because we love it. Discography: · I Am Not Afraid - 2013 · Reborn - 2017 · Sleepless - 2020 · Sleepless Remixes - 2021 · Hallelujah Your Ego is Gone EP- 2022 To check out the music of NITE, hit one of the links below and be sure to follow them on social media. NITE (@wearethenite) • Instagram photos and videos www.wearethenite.com https://www.youtube.com/user/wearethenite NITE | Facebook Nite | Spotify Hallelujah (Your Ego is Gone) EP | NITE | Nite (bandcamp.com) Profile / Twitter ‎Nite on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong music guru who covets her vinyl collection, and she wouldn’t have it any other way. Got questions or comments? E-mail her at the_nicolebrice@mixedaltmag.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

We Can Hang is a four-track whirlwind of hooks, riffs, and storytelling. < Back Reviews on the Real: We Can Hang by FOND Nicole Brice Jul 7, 2026 Share We Can Hang is a four-track whirlwind of hooks, riffs, and storytelling. I love it when an album or EP proves me wrong. First, before reading any further, do you like punk rock ? If you answered “yes”, then continue on. Before hitting play on FOND’s We Can Hang , I thought I had a pretty solid idea of where things were headed based on their previous releases, which I had just listened to. Instead, I spent the next twenty minutes constantly recalibrating my expectations by pressing pause and taking in each song fully. By the time I had finished listening to their new EP, I wasn’t just surprised—I was already queuing it up for another listen without pausing. Released on May 1, 2026, We Can Hang EP is packed with four tracks of pure pop punk and alternative vibes. Imagine if Weezer, Social Distortion, and Taking Back Sunday teamed up—that’s basically FOND . Click to listen FOND got its start in 2024 in Alexandria, Virginia , when four friends— Chris (vocals/guitar), Matt (bass), Rob (drums), and Steve (vocals/guitar)—decided to channel their time in the DC, Richmond, and NYC punk, hardcore, and indie scenes into something new. Before releasing We Can Hang , they dropped a few demos and an EP called Complacent , steadily honing that punk-tinged alt-rock sound you’ll hear throughout this record. Credit: FOND Let’s dive into these tracks, shall we? Loserville – this is the opening track, and right from the start, you can tell it’s going to be a good time. The song kicks off with a catchy, jangly guitar riff that immediately grabs your attention. Then, the drums and bass jump in, laying down a solid rhythm that keeps everything moving forward. It’s got this effortlessly cool vibe, with a melody that sticks in your head and a groove that makes you want to nod along. Overall, it’s a super fun way to kick off the EP, and it instantly puts you in a good mood. Peregrine – this track doesn’t waste a single second easing you in. It explodes right into your ears with a full-band jam that feels spontaneous and energetic, like you’ve walked into a party already in full swing. There’s no slow intro here—just pure, unfiltered energy from the first note to the last. The guitars are loud, the drums are relentless, and the whole thing just begs to be played at maximum volume. Seriously, crank it up and let the music take over—it’s the kind of song that makes you want to move around and lose yourself in the moment. No One Can Laugh – this song takes things in a slightly different direction, leaning into a poppier, more alternative vibe while still fitting in perfectly with the rest of the EP. There’s something about the laid-back vocals that gives it a nostalgic, early-90s feel , kind of like The Lemonheads or other classic alt-rock bands from that era. It’s catchy and upbeat, but there’s also a hint of bittersweetness in the lyrics and melody that makes it stick with you. But truth be told, the vocals are more reminiscent of the late, great Mark Lanegan from Screaming Trees . Great song. Find Out – closing out the EP, this track leaves a lasting impression. It’s got driving drums and bold guitar lines that keep the momentum going right up to the very end. Honestly, it’s hard not to love this one; it just wraps up the listening experience in the best way possible. Nod your head, and get lost in the groove. With We Can Hang , FOND doesn’t simply find their footing—they soar beyond it, landing squarely between “this is awesome” and “we need more.” This sophomore EP is a sharp, four-track whirlwind of hooks, riffs, and the kind of honest storytelling that just hits in all the right ways. Each song earns its place, weaving together into a release that’s both raw and irresistible. Go stream it NOW. Where to find FOND: Instagram: FOND (@fondbandva) • Instagram photos and videos Bandcamp: We Can Hang | FOND Spotify: FOND | Spotify Apple Music: ‎FOND - Apple Music YouTube: FOND - YouTube Facebook: Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Who On Earth is blending a classic rock vibe with modern twists and turns. < Back Who On Earth: Bringing the Thunder Back to Modern Hard Rock Nicole Brice Jun 13, 2025 Share Who On Earth is blending a classic rock vibe with modern twists and turns. Who On Earth? My sentiments exactly when I first discovered this band – a badass group that carries the torch for those who came before, that’s who. Blending a classic rock vibe with modern twists and turns, Who On Earth features epic solos and some of the cleanest-sounding guitars I've ever heard, not to mention those heavy basslines I love. This band is poised to dominate in the coming days with their hard rock and heavy metal straight from New Jersey . So, who is Who On Earth? Photo provided by band The lineup includes Coosh (vocals), Pete Rizzi (bass), Johnny James Barone (guitar), Jimmy Kocha (guitar), and Howie Fallon (drums). With a larger-than-life stage presence and a bellowing voice full of range, Coosh embodies the quintessential badass frontman. There is so much soul in every note he sings, and Who On Earth is actively bringing rock back. As I dove into their discography, I found that not a single song is lacking. Every track is fantastic and feels like a rocket waiting to launch . Yes, it's that good. Credit: Jeff Crespi Since 2022 , Who On Earth has released numerous songs , the latest being ' Yesterday's Future ' on April 29, 2025 . With a visually stunning lyric video to accompany it, ' Yesterday's Future ' is a thought-provoking piece of music with a powerful message, and I urge you to check it out after reading this article. Who On Earth’s music transcends typical compositions; it narrates stories. These poignant tales require your attention to the lyrics, which create vivid images of landscapes and scenarios, some rooted in folklore and others not. https://www.youtube.com/watch?v=oZKGUAGaRTc Official music video for 'Yesterday's Future' by Who On Earth This busy band is ready to perform and expand its empire, and if you love classic Iron Maiden with heartfelt storytelling , this band is for you. If you're into crushing guitar riffs and head-nodding grooves , you'll also love them. They even have an amazing cover of Toto's 'Hold the Line' that showcases their love for the greats of yesteryear. Full of personality and charisma with a message, Who On Earth is prepared to dominate a new era of rock with their desire, drive, and ambition to propel the band forward. Read on to learn more. MaM : First question – who designs your album and single covers? They are phenomenal! Pete : So, we’re big on artwork because we grew up looking at the art on the album covers, and because of all the songs put out every day, you want to stand out, and we want those strong covers that have meaning to them. For example, Smoke & Mirrors , Blame , and some of the singles on Blame , we had Ken Adams , who does all of Lamb of God ’s artwork; he did the artwork for that. We love Ken and love working with him. Smoke & Mirrors is all Ken , and it’s always Coosh and I getting on the phone with him discussing a new concept, and he’s just like ‘Oh, I love it!’, so we have an excellent synergistic working relationship with Ken. A lot of the others are AI-generated , where I’ve done a few, and my son is a graphic design artist, and he does a bunch, too. He’ll take an image based on a concept, and he’ll tweak it and get it how he wants, so it’s been a combination of things. Artwork by Ken Adams MaM : So, next question – the logo. Who designed it? It’s powerful and stands out. Coosh : He put out a contest on the internet or something. I’m not sure of all the details. Pete : So, there was a contest, and I can’t remember the website, but me and Coosh started the band, and we didn’t even have a guitarist yet or anything, but we did a logo, and made it on one of these online logo makers, but somehow, they made it a competition. People could put in their suggestions for us. We could put ‘these are the colors we want’, ‘it’s heavy metal and rock’, ya know, and we got back some crazy suggestions. (laughter) Pete : Some people didn’t realize we were a band and thought we were a lawn company or something. (laughter) This one guy was from Indonesia , and that logo you see was his creation. We didn’t even have the album yet, but we had the logo. That was it! We were so psyched. That’s been the logo ever since. The official logo for Who On Earth MaM : So, I went down the rabbit hole and checked out your entire discography. Man, not a single bad song. Not a one. You could put all your songs on a playlist and not have to skip a single one. No lie. Pete and Coosh : Thank you. MaM : Seriously, though, you are so tight as a band, and you can tell you are seasoned musicians, and that you are on a mission to bring this type of music back to the forefront. Your sound is what is missing today in music, which leads me to ask: what inspires your creativity, and what do you each bring to the mix with that? Pete : Well, for one, we would never put something on that we didn’t love, and so how we approach each song is that they have to be different from each other, so most of the music comes from me. I’ll write it, put it together, pre-produce it, and then it goes to Coosh . He’s the melody guy. We both work on lyrics. We’re very focused on lyrics. What we’re saying, how we’re saying it … we want to say it … but we don’t want to give it all away. We want it to remain open to interpretation. We want to tell a story and stimulate you to think about what the song and lyrics mean to you, but it starts with the music, and the music has to have groove. Credit: Jeff Crespi Sometimes, I’ll have a melody idea, but Coosh usually takes my melody and makes it ten times better, or eliminates it, and comes up with his own. He gets a feel from the music and a working title, and that’s how it starts. It’s got to have groove and melody, though. If there’s no melody, there’s no groove, and there’s no dynamic. That’s what we try to create. MaM : Coosh, what inspires your lyrics with these songs? Coosh : So, like Pete says, he’s the one who creates the music, but before he hands it off to me, he has the essence of the song planned out. He’ll go, ‘I hear a couple fighting with this,’ or something to that nature, and he gets this moment with the music where he relays the information to me, and I want to be able to put out his feelings, too, so I take that initial form and then go from there. Credit: Jeff Crespi MaM : Now, Coosh, let’s talk about your voice. The range, soul, and depth! Is there anything you do to keep your voice in shape? Coosh : I didn’t use to do anything, but now I do these scales and humming. I’m no spring chicken anymore, so I have to do maintenance these days. A lot of the songs are hard for me to sing, so sometimes, I prefer doing a cover because it’s easier for me to sing than anything we’ve done in the studio. (laughter) Credit: Jeff Crespi MaM : Yeah, man, when I first heard a few songs, I thought it had a very Bruce Dickinson vibe from Iron Maiden , and just the vocal range, I’m like ‘Dude!’ You have got some pipes on you. You don’t sound like anybody out there right now. So, a new EP came out in March, and now a new single, ‘ Yesterday’s Future ’, was released in April. However, I noticed that you have been steadily releasing singles as a lead-up to the EP, but you are still releasing singles after it. How did the EP come together, and what made you decide to release it instead of just the singles? Pete : In the old days, you’d put out an album, and then bands would just put out more albums every year or every few years, and we could do that. We have the five original songs on the EP, but then we also have five in our back pocket. We did five, but we have ten. We didn’t want to release the whole album because if you do, you might get a review or something, and then people move on to the next thing. The best method we’ve found is to spoon-feed it out. Give as many songs as a highlight, a video, and their artwork. It’s like a slow release of all your music. Additionally, you have to play the Spotify game, and Spotify is particularly friendly to bands like us who are doing that. We’re finding it’s also more content for us, social media-wise, and so we can remain relevant all year long. We’re staying ahead of the game. We have those five more songs, so they’ll be more content, more artwork, and pretty soon we’ll be working on new material that you’ll see sometime next year, so it’s just constant content from Who On Earth . Whereas I waited 13 years for a new Tool album. (laughter) Photo provided by band MaM : Have you found that all your numbers reflect one thing, but then people are just not coming to the shows? Pete : Yeah, oh yeah. Coosh and I have seen it. Yeah, we have great numbers, but to get people to get off their ass and come out, yeah. They’ll see the tribute bands, the cover bands, who cost more to see, and we’re only charging $10 to get in. We’re not making any money on this. (laughter) And it used to be, again, when we were younger, you would go out to hang out, and there would be bands playing, and it was part of your life. Now, it’s hard. People will stay in because of rain, and we had venues close because of COVID , so if you’re a bar band or a tribute band, you’re killing it. MaM : Same here Pete : If you’re an original band or even a line-up of three or four original bands, it’s tough. Credit: Jeff Crespi MaM : We’re finding the same here, too. So, I wanted to talk about this ‘ Hold the Line ’ cover. I’m a HUGE fan of Toto, especially this song, and ‘ Africa ’ is my jam. If I’m in the supermarket, and it comes on, I will stop what I am doing, and it’s my moment. (laughter) MaM : So, this cover … doesn’t even sound anything like the original song at all. It’s reimagined. Take me through how you decided to go with this song. Coosh : We had a handful of songs we were looking at, and how do you pick the perfect cover song to do? We’re going back and forth, throwing around ideas, and ‘ Hold the Line ’ came into play. I was around the house, staying at Pete’s house, and all of a sudden, I started singing this thing, and the part where he goes ‘TiiiiIIMMEE’, I was like, ‘That’s IT!!’ Look no further! (laughter) Pete : (sings) Love isn’t always on ‘TIME!’ (laughter) Pete : I was like, ‘That’s it!’, and I was hooked. You know what’s great about that song is it’s popular, but it’s not like ‘ Stairway to Heaven ’, and we wanted to remake it, not cover it. His distinct voice, tuning it down, double bass drums, changing some lines, taking out the keyboards, and adding a different guitar. I wanted to do it because of his vocals. When we jammed it, I knew that was the one. The inflection that he used, and the balls that he sang it with. Cause it’s a yacht rock song classic, and I hate yacht rock. (laughter) https://www.youtube.com/watch?v=p8f6EPqGHhA Official Music video for 'Hold the Line' MaM : Same – not a fan of yacht rock, but I do love me some Toto . Pete : I do like some Christopher Cross songs, too, but that’s what my parents listened to. (laughter) MaM : Right! Pete : Holy crap! Coosh , we did a yacht rock classic before the yacht rock tribute stuff started blowing up! (laughter) Credit: Jeff Crespi MaM : Do you have a favorite song to perform, and if so, which one? Coosh : Just because it’s the most emotional, I’ll have to go with ‘ Watch the Fires Burn ’. I guess you could say it’s our environmental song , but it’s a heartfelt message of having the passion as a society to take care of the planet. All of us. Pete did this when he was like 18 or 19 years old, and it’s excellent, and I didn’t know what to do with it when he first handed it to me, but it has this great dynamic and has so much emotion. Pete : Yeah, that song I wrote when I was in my very early 20s, and it was called ‘Matter of Life and Death’ , and I wrote it about abortion. That’s a topic; at the time, and it was from the perspective of the unborn child. Like, ‘Hey, what about me?’ I didn’t want to go there with it in this day and age, so I was thinking, what’s a great and important topic? I’m sitting here watching the Amazon burning , and I’m like, ah, watch the fires burn. Not so much about hey, stop burning our trees, but we’re all just sitting back here watching this. Somebody has got to do something about it, and nobody is doing anything about it. To Coosh’s point, you can take that and broaden it to a lot of topics. It’s just about sitting back and watching things go to waste. But the song itself, its ups and downs … it’s a six-minute song, and some songs need to be six minutes. As long as you’re doing something different in it, and then, man, it’s heavy … it’s got groove. It’s got funk. MaM : Yes, lots of tempo changes. Pete : Tempo changes, which our producer always makes fun of me for, but I love tempo changes. MaM : I do, too. It keeps the song interesting. Pete : Playing it live is really fun. MaM : Which song do you feel is the crowd favorite and gets people most engaged? Pete : I’m gonna say ‘ Black Swan ’. MaM : I made a note on my notes about that song, actually. Pete : Coosh may disagree, but he does a great job of coaching the crowd to sing along, and it’s got this chorus that allows everyone to get involved. MaM : So, Coosh, your vocals, let me ask you … you have range like I haven’t heard in a long time, so obviously you’ve been doing this a while. When did you first discover you had a gift for singing with such a powerful voice to do rock music? Coosh : I’m not a rock music guy, so that’s the crazy part. When I was in my early 20s, we would all do the karaoke thing, but I would stick to songs like ‘ Suspicious Minds ’, and it was all a great time. Everyone enjoyed it, but I ended up buying a karaoke company, singing, and becoming a host, until one day, a buddy came in. He mentioned he had lost the lead singer of his band, and I went up and sang ‘ Drops of Jupiter ’ for him by Train , and that was it. I was in. Credit: Jeff Crespi MaM : What would you like to see in the next five years as far as your music and audience? Pete : I’d love to see it all continue to grow. We understand we need to keep working hard. I like what we’re doing, too, but I want it all to gather momentum, and I want to keep playing shows. Maybe even go on a small tour , even if it’s regional. Want to get out there live. There is nothing like the impression you leave on someone after they see you perform live. Coosh : I’d love to figure out how to get the exposure we need and get people to listen to the song more than once. Most of the time, you have to listen to a song twice and be attentive to it. We’re not a regular band. Most of our songs tell stories because they’re relatable. We have inspiration. We have devastation. We have messages about life. We have stories that people need to hear. As Who On Earth continues to grow their brand and presence, they are sure to inspire and leave a lasting impression on music fans for generations to come. Check out their music on your favorite streaming service, and if you live nearby, be sure to catch a live show. You won’t regret it—these guys deliver a powerful sound! *cover photo provided by band *other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Who On Earth: www.whoonearththeband.com Who on Earth Official Website The official website and store for the band Who On Earth. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Frankenstein Mind is a song that gets under your skin. < Back Reviews on the Real: Frankenstein Mind by Shades of Wisteria Nicole Brice Jan 21, 2026 Share Frankenstein Mind is a song that gets under your skin. Released on January 15, 2026, ‘ Frankenstein Mind ’ is the debut release from Shades of Wisteria , a four-piece Progressive Rock/Metal band from the Mississippi Gulf Coast . The song begins with haunting, soulful vocals that build into an electrifying chorus, cranking the intensity up to ten. Paired with a visually stunning music video , it’s a beautifully crafted track brimming with emotion. A somewhat newer band, Shades of Wisteria , formed in 2025 and quickly hit the stage, playing select tour dates, local festivals, and even Renaissance Faires. Exactly one year later, they celebrated their anniversary by dropping their first single. Credit: Shades of Wisteria ‘ Frankenstein Mind ’ is one of those songs that quietly gets under your skin, feeling honest and messy all at the same time. The melody is soft, but heavy, and the lyrics hit without trying too hard. It’s the kind of song you put on late at night, and suddenly you’re staring at the ceiling, thinking about everything. Nothing about it feels forced – it’s just genuinely beautiful and really easy to get lost in. Guitarist Dakota Amacker said of how the song came together, “Frankenstein Mind tells the story of how every part of who you are is made up of all your experiences; the good, the bad, the ups and downs. It all is part of your story, and everyone is beautiful in their own way.” Shades of Wisteria features Rhiannon Redd (vocals), Dakota “Shreddly” Amacker (guitar), Adam Cook (bass/vocals), and Chad Wilson (drums). This band is carving out its own niche in the vast landscape of music, and we are here for it. We can’t wait to see what else this band releases in the future, but in the meantime, check out ‘ Frankenstein Mind .' It is now streaming on all platforms. https://www.youtube.com/watch?v=exDBDYVzX-0 Official Music Video for 'Frankenstein Mind' by Shades of Wisteria To learn more about Shades of Wisteria: Shades Of Wisteria - Band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

I’m a Decadent is an album focused on personal storytelling and narrative. < Back Reviews on the Real: I’m a Decadent by The Kyle December Nicole Brice Jul 14, 2026 Share I’m a Decadent is an album focused on personal storytelling and narrative. Sometimes a random e-mail will drop into my inbox, only for me to discover new music that really vibes with me. The Kyle December is an independent artist from Italy with a passion for alternative rock . Kyle has made a name for himself in Italy’s indie music scene and has carved out a spot in the alternative world by keeping things real and consistently true to himself. His music does not seem to copy the formulaic nonsense that has become so much of the music industry, and it’s just really good. Credit: The Kyle December I’m a newbie to Kyle’s music, but he kicked off his discography in 2022 with Lo-Fi Demo EP, which is packed with punk and noise rock vibes. He followed it up in 2023 with “ Life of Crime ,” a cover of The Weirdos’ classic . In 2024 , he dropped two records: the first was The Rope Springs Eternal , his full-length debut that pushed his sound further while staying true to his roots. A few months later came Realism Through the Lens , taking things in a more introspective direction and really defining his style. Then in 2025 , he released “ Trendsetters ,” adding another cool chapter to his ever-changing musical story. Kyle's latest release, I’m A Decadent , dropped on July 3, 2026 . This album has a stripped-back, acoustic vibe and leans into folk-rock, with a stronger focus on personal storytelling and narrative. Self-produced and packed with seven tracks, I'm A Decadent is seventeen minutes of heart-provoking tunes that scream emotion and realism . While he keeps his signature songwriting style and the unique vibe from his earlier releases, this new album shifts away from his old alternative rock sound and leans into a more natural, intimate feel, rooted in folk and acoustic rock. This entire album has such a rich, full sound that you cannot skip any tracks. Click to listen Acoustic musicians are keeping the soul of music alive by focusing on the song itself rather than on all the extras. They remind us that a great melody and a meaningful story can have a far-reaching connection that songs full of overproduction cannot match. There’s something different about hearing someone pick up a guitar and sing with nothing but raw talent and heart, with no flashy effects . It's just real . Put on a pair of headphones, get a cup of coffee, and get lost in I’m A Decadent today. You can thank me later. To learn more about The Kyle December: Facebook: Facebook Instagram: The Kyle December (@thekyledecember) • Instagram photos and videos TikTok: https://www.tiktok.com/@thekyledecember X: https://x.com/thekyledecember Spotify: The Kyle December | Spotify Apple Music: ‎The Kyle December - Apple Music YouTube: Plunge/Disillusion www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New music sure to get your pulse going! < Back Nick's Corner: Playlist Picks for June 7th Nick Cline Jun 7, 2024 Share New music sure to get your pulse going! The world of music is vast and extravagant; you never know what is out there locally and nationally. This will be the first in a weekly run of articles that tackle bringing local and national acts, both in the indie and major label scenes, into the same conversation. This conversation is vital to building the scenes from around the country. Five weekly songs will act as a list of recommendations to listen to and give exposure. Every song will be followed by mini-reviews, which will guide and support the tracks. 1 Pieces by We All Perish Click to listen Deets about the track : Pieces by We All Perish is a superb mix of metalcore and modern-day influences from across multiple rock bands and sub-genres. Right from the start, this track hits you right in the face with a solid, hard-hitting rhythm section that tackles great with the down-tuned riffs. As soon as the vocals kick in, the music creates this sonic bond that creates an epic and larger-than-life sound. The pre-chorus releases a building tension when the vocals come out on the chorus. The more the song progresses, the more the musicianship shines because the intense bond between lyrics, music, and vocals is felt with every passing second of the track. This is one of the most solid picks for your daily playlist in the local scene. It would be welcomed amongst some of the best major label bands, and they are located right in your backyard of Louisiana. 2 Toe by The Posts Click to listen Deets about the track : Groove and psychedelics are at the forefront of The Posts' track. Toe is a mix of funky rhythms, 90s-era vocals, and an overall sense of modernity with a flair of the psychedelic era from the 1960s to the present. All across the board, Toe brings the listener into a world of sonic synchronicity, mellowed-out vocals, and rhythm that could get into a new dimension. This track's production is top-notch. For lovers of Jefferson Airplane , The Who , and Pink Floyd , it will prove a dynamic and loved addition to your everyday playlist. No matter what period of music you prefer, The Posts will offer something for you, and Toe is only one of many examples to dig into. 3 F*ck My Life Up Again by Marcus King Click to listen Deets about the track : The beauty of this track is matched by the upset of the whole project. The melodies and lyricism collide to create this melancholy overarching tone. Heartache is felt in every line sung and every note played. The tension between anger and sadness is felt in the production, vocal tones, and music itself. The production and mixing are a testament to the lightning in a bottle caught between Rick Rubin and Marcus King's creative minds. This track will be a welcome addition to just about anybody looking for a song filled with heartache, soul, and feeling understood in a dark time. 4 Take a Bow by Mammoth WVH Click to listen Deets about the track : Take A Bow is a track executed with just the right amount of musical talent, emotionally charged lyricism, and powerful vocals. It is set to an emotional standard because it is one of Wolfgang Van Halen 's many testaments to his late father, Eddie Van Halen . It becomes a tornado of pounding riffs and steady driving rhythm while, at the same time, becoming a true standard of Wolfgang's love of his family's legacy. This track would be a great addition to a playlist for anybody who enjoys early Van Halen and modern hard rock. There is something for all levels of rock enthusiasts, and the love and passion for music and its legacy shared by all band members are unmatched. 5 Sun Goes Down by The Main Squeeze Click to listen Deets about the track : Sun Goes Down is an almost ten-minute powerhouse of a song off The Main Squeezes album, "To Be Determined…." It starts with a soulful synth that sets the tone for the guitar and another instrument to follow suit. The masterful tone and style of the guitar player make the song cry before the vocals even start on the track. The Instrumental progresses to the almost three-minute mark, which marks the time the vocals come into play. The bond between melodies and rhythm builds a soulful psychedelic epic that builds intensity as the song progresses. The chorus is a conjoined wall of vocals and powerful music. Once the vocals are over, the song returns to its instrumental basis and goes into a screaming guitar solo. The guitar is reminiscent of how Pink Floyd's Comfortably Numb strikes you as the outro solo soars into the mix. This would be a soulful slot into your daily playlist. It hits all the spots of soul, rock n roll, psychedelic, gospel, and so much more, all wrapped into one package. Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hope is a natural storyteller both in song and conversation. < Back On the Scene: Hope MacGregor Zach Taylor Aug 3, 2026 Share Hope is a natural storyteller both in song and conversation. Always have a backup plan. That’s the best way to begin this article. Around 3:30 on a Thursday afternoon, I stepped off a plane from Kennedy Space Center and hurried straight to Furniture Factory Bar & Grill in Huntsville to meet Bud Gambrell for some scheduled interviews. As fate would have it, I also came away that night with two more interviews for upcoming articles. I had been gone all week, and I needed to leave Friday afternoon for Levitt AMP in Lawrenceburg, Tennessee . On Friday morning, after waking up, I started washing clothes—and to my surprise, I found myself washing the voice recorder, too. Not my voice recorder, either. Bud’s voice recorder. Oops. Persistent rain had turned Veterans Park into a mud pit, forcing Levitt AMP inside the Crockett Theatre , where Hope MacGregor would open for Joslyn & The Sweet Compression . I knew almost nothing about Hope , having done only the most basic research before the show. She is a musician originally from the Midwest who has channeled her life experiences into art. Credit: Hannah M. Gore Fortunately, Hope is an open book and a natural storyteller, both in song and in conversation. Between songs, she spoke candidly about her music, military service, college, family, heartbreak, and the decisions that had shaped her life. That, I realized, is where the best songs live: in the choices we make, in what we survive, and in the parts of ourselves we are brave enough to reveal. By the end of her set, I was enthralled—and elated when I was offered a few minutes to talk with her. There was just one problem: other than what I’d just heard her sing and share with the audience, I had nothing prepared. And I had no voice recorder. Read on to learn more. *This interview has been lightly edited for length and clarity. MaM : Your voice has incredible range, but you seem to reserve its full power for particular moments. Why not use all of it all the time? Hope MacGregor : For that exact reason. Growing up, I did a lot of talent contests at small county fairs all over the Midwest. I remember one young girl who could absolutely flat-foot belt, and that was all she did for her entire performance. My mom leaned over and whispered in my ear, “Hey, baby, make sure you leave them wanting more.” That girl could out-sing anybody else in the room, but she didn’t win. I think it was because that was all she showed she could do. As I’ve gotten older—hashtag perimenopause—my lower range has really grown. I’m having way more fun playing down in those low ends because I don’t think you hear a lot of women doing that these days. I also don’t think it is fun to listen to someone flat-foot belt the entire time. As a songwriter, it doesn’t always advance the story. I’m singing my music, and there is a much bigger story I’m trying to tell than, “Look what I can sing.” Even when I sing someone else’s song, I’m trying to make it my own and tell my own story through it. There are times to flat-foot belt. There are times to go low and quiet. People tell me I need to do more runs, and maybe I need to get better about doing more of that, but I don’t know. Credit: Hannah M. Gore MaM : How do you use your voice to serve the story within a song? Hope : There is the obvious approach. If it is a tenderhearted song, it is a little lower and slower. If I’m going to sing high, it might be in my head voice—a little softer and sweeter. If it is a rocking song, that is the one I’m going to belt on. For me, it is about finding new ways to play with those expectations. “ Screwed ” is ultimately a breakup song. Most people hear “breakup song” and think sad, slow, and tenderhearted. I’m going to put a humorous twist on it and give myself a couple of moments to slap you in the face. I’m going to take your heartbreak and make it funny, but also say, “All right, time to move on. We’re done being sad.” Sometimes songwriters also try to be a little too clever. I had a song on the second album that our drummer was convinced did not need drums. There was an obvious moment where it goes from piano and vocal to full-band rock with a gospel choir. He said, “Do something unexpected. That is what everybody expects.” I said, “I think we do enough stuff differently. This is one where we have to give them what they want.” It needed the drum fill and the full impact. MaM : You use humor when talking and singing about heartbreak, family, disappointment, and painful experiences. Is humor how our generation learned to deal with those things? Hope : I think so. We’re in this weird spot. Most of us were raised by baby boomers , who were raised by the Greatest Generation . The Greatest Generation believed you pulled yourself up by your bootstraps, did the right thing, worked hard, and succeeded. Our parents’ generation saw that sometimes you can work really hard and still not succeed. We had grandparents who adored us and were those strong, silent types. Our parents were trying to raise us with the inherited wisdom that hard work pays off, while also navigating whether this newer world—latchkey kids, both parents working—was actually working the way people thought it would. A lot of us had to raise ourselves. I remember vividly the day Columbine happened. The world suddenly got scary very quickly. I remember 9/11 , when it became scary again just as fast. Both of my parents were at work, and I was going home to watch Nickelodeon and eat Little Debbies . Humor was Nickelodeon and Disney Channel . Later, we were the Vine generation. I do think humor is how we cope with what is going on in the world because it is the tool we grew up with. Credit: Hannah M. Gore MaM : What music do you associate with that time? Hope : “ Seasons of Love ” from the Broadway musical Rent . I was really into musical theater as a kid, and that song was reflective, heartfelt, and about living in the moment because every second is precious. In the show-choir and Broadway world, it was one people turned to as a song of grief. What also sticks with me—not exactly from 9/11, but time compresses—is the Toby Keith and Dixie Chicks conflict . I went to law school after I got out of the Army , and I wrote my thesis on how rifts in country music prolonged the Global War on Terror . It was 45 pages. It is not a light read. I remember videos of radio stations steamrolling copies of the Chicks’ albums , refusing to play them, and the congressional hearings about blackballing them. For me, it became my generation’s protest music. I was a rebel because I was not getting rid of my copy of Fly or refusing to listen to “ Cowboy Take Me Away .” It bred a little rebel spirit in me. Toby Keith was going to do what Toby Keith was going to do, and I was still going to listen to the Chicks . MaM : You referred to your mother and father several times from the stage. How does your music fit into your family’s legacy? Hope : I’m in a weird spot in life. Vulnerable moment: I’m a 37-year-old woman, and I don’t have children. I’ve gone through a lot of stages of grief over that and found a lot of acceptance. I was completely single for five years—not a spot of land on the horizon. During that time, I had to wrestle with the possibility that I might never be a mom. I didn’t grow up playing mom. I never really dreamed about being one. The first time I remember seriously wondering whether I wanted to be a mom was about a year and a half into my marriage. For me, music is my legacy. I don’t get two kids and a golden retriever to pass all these lessons down through. I get music. Credit: Hannah M. Gore By the grace of God , I have friends and family who have made me an aunt to their kids, and I have very special relationships with a handful of children. I would lay down on railroad tracks for them. I’m grateful that their parents have made time and space for me to be important to a few kids on planet Earth. But my music is the only way I have to share what my family gave me: strength, a sense of humor, a tender heart, cleverness, and wisdom. It also lets me share what I’ve been through and what my parents passed down to me. It is the vehicle I get, so I’m going to use it. MaM : You are getting bigger audiences, better stages, and better opportunities. What does the next year look like, and what is your definition of success? Hope : The next year is not super planned out. I’m at a weird juncture where I’m getting great opportunities—bigger audiences, better stages, and better pay. Not to be gross about it, but it is better. At the same time, a year ago I promised my band I would never make us play a certain place again. Now we don’t have a full-band gig booked for September, and I’m wondering whether I should reach out to that place again. It was not especially fun, but it does pay. We have a run of shows out to Colorado in September , and I’m still booking them, which sounds crazy because it is only a month away. I have an EP coming in September , and I’ll be playing AmericanaFest in Nashville . Bigger opportunities are opening doors. I also played the outdoor plaza stage at the Grand Ole Opry on Monday, which is a huge thing—but nobody was there. On my best day—and this is not every day—I can say I already got there. Credit: Hannah M. Gore A few months ago, I took a van full of little girls from church to lunch at a Mexican restaurant. They all said, “Put your music on. Put your music on.” They requested “ Dog Dishes Laundry " and all eight girls in the back of the van knew every word. For the rest of their lives, those girls are going to know that song. That in and of itself is success. Are you kidding me? MaM : How has the hard road changed the way you think about audiences? Hope : I’m grateful for the hard road because it taught me how to do this the right way and how to have the right mindset. I have played for nobody, and I have played for thousands of people. I’ll be completely honest: a crowd like this, where I can see people, see the smiles and laughter, and hear one voice singing back—sometimes that is much more fun than a massive crowd. MaM : “Sloppy Seconds” is very direct and draws from experiences in your military life and marriage. When you put something that personal into the world, do you reconsider how vulnerable you are willing to be? Hope : Growing up on country music—from “ Stand by Your Man ” to “ Fancy ,” and even in more recent songs—I became tired of the way women are so often cast in the other-woman role. I’m a self-possessed woman. I’m not interested in anybody else’s man. My husband thought being married meant he could have other girlfriends. I did not think that. I frequently encountered women who knew he was married, and I could not understand the attraction. I found it repulsive, and I knew I was not the only woman who felt that way. With that song, it wasn’t so much, “I’m opening myself up to a vulnerable place.” It was, “I know there are other women who find married men repulsive. Where are my sisters?” You want to connect with the people who speak the way you do. There is far more enjoyment in finding those people. https://www.youtube.com/watch?v=dIXVTeyLgbA Official video for "Sloppy Seconds" MaM : Tell me about the new work you are releasing. Hope : I just released a single called “ Burn the Witches .” That is the song I was most afraid might not land. I try not to write political music or political protest music, but it is probably as close as I’ve ever gotten. It is a standalone single. I also have an EP coming in September called Vinyls and Vices . I swore I was not going to write any more music about my ex-husband, but the well is just so deep. When a friend came to me with an idea for a song, I thought, “Well, we’ll go back for another bucketful.” I was single for five years, and I did a lot of healing on my own. But there is only so much healing I can do from a traumatic relationship until I’m in the next relationship. There are only so many buttons I can push for myself. I don’t think relationships solve it. For me, this relationship has exposed the things I have yet to heal. I had released my second album, and this wonderful man showed up with a bouquet of flowers. My first thought was, “What the hell did he do?” I had never been given flowers from a place of love. I had only been given them from a place of, “Oh, I’m sorry.” That made me realize I still had more work to do and more ways to heal. The EP works through more of my history, some of his history, and then arrives at, “Here we are in love.” The last track is called “Waiting for You.” I guess it is the process of coming out of trauma and into love. Credit: Hannah M. Gore For me, this felt like the perfect place to end the article—not simply because it gave Hope a chance to talk about what comes next, but because of that final line. Less than forty minutes earlier, we had never met or spoken. With nothing prepared beyond what I’d heard from the stage, our conversation moved from vocal choices and humor to generational trauma, betrayal, healing, and the strange way love can expose wounds we thought had already closed. Moments like that require two people willing to take a risk: one willing to ask, and one willing to answer. We arrived there honestly and organically—and it never would have happened without a backup plan. *all photos by Hannah M. Gore HANNAH GORE PHOTOGRAPHY: A CREATIVE COLLECTIVE (@hannahmgorephoto) • Instagram photos and videos To learn more about Hope and her music: Hope MacGregor Where to find Zach Taylor: Website: https://sites.google.com/view/zach-taylor-author/home TikTok: zach taylor, author (@zachtaylorbooks) | TikTok Facebook: Zach Taylor Books Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Sharktopus vs Whalewolf Ezekiel Kincaid Share Aug 14, 2023 Sharktopus vs Whalewolf has its moments but is ultimately a flop Rating: 2 out of 5 aging MLB players whose career is tanking Welcome to the movie that tanked Casper Van Dien’s acting career! Ha ha, just kidding. His career was over not too long after he did Starship Troopers in 1997. With that said, if you’ve hung around the B-movie scene for any amount of time, you’ve probably heard of the Sharktopus movies. So what the hell is Sharktopus? It’s a genetically altered shark with the upper torso of a Great White and the lower torso of an octopus. Yes, it is a shark with tentacles. Got your attention? Sounds pretty cool, right? And it is, or it was—right up until Sharktopus vs Whalewolf . Sharktopus vs Whalewolf (2015) is the third installment of the Sharktopus film series and is the second sequel. It was directed by Kevin O’Neill , who only has a short six titles to his directing credit—none of which you’ve probably seen, unless you watched Dinoshark (2010) or Sharktopus vs Pteracuda (2014); he did, however, work on visual effects for Bram Stoker’s Dracula (1992), Blade (1998), and Piranha 3D (2010). Sharktopus vs Whalewolf stars Casper Van Dien ( Starship Troopers, Alita: Battle Angel ), Catherine Oxenberg ( Dynasty, The Lair of the White Worm ), Andrew E. Tilles (visual effects for Surrogates and Fast Five ), and Akari Endo ( Cristo Rey ). The plot is pretty basic and picks up where Sharktopus (2010) and Sharktopus vs. Pteracuda (2014) left off: Somewhere in the Caribbean at an anti-aging clinic, a psychotic genetic scientist named Dr. Elsa Reinhardt (Oxenberg) mixes the genes of a killer whale and a grey wolf, because, well, we’ve all been curious, haven’t we? In an experimental process, she then inserts the genetic mix into Felix Rosa (Tilles), an aging, disgraced Major League Baseball player whose career is tanking; Rosa hopes the experiment will be a success and that his talent will be restored, but the experiment goes awry. Rosa turns into an unstable werewolf creature and in order to stabilize the wolf in him, Dr. Reinhardt adds Orca DNA and boom! We have a whalewolf —moreover, we have a whalewolf who now threatens Sharktopus’s territory. Things get a little out of hand when Sharktopus and Whalewolf meet … and fight. Sounds like the plot of your typical monster movie, right? Yeah, that’s because it is. There is a little sub-plot though, but it makes absolutely no sense at all. Sharktopus vs. Whalewolf opens with a funeral taking place on a boat for a burial at sea. The funeral is interrupted almost immediately with an attack from Sharktopus. As a result, a woman goes missing and, long story short, local police chief Nita Morales (Endo) throws Captain Ray (Dien) in jail. A local voodoo priest bails Ray out of jail and wants him to fetch the heart of Sharktopus to use in a ceremony as payment for this debt. Meanwhile, Inspector Nita Morales is trying to figure out what is going on with all the killings and whalewolf sightings; she thinks people have gone nuts until she sees the insanity for herself. The movie ends with a less-than-climatic battle between the two sea titans. Who wins? Really? Like I’m going to give that away in a review. You’ll have to watch for yourself to see who comes out on top in this borefest. My advice is to just skip to the end and watch the final battle. You won’t be missing anything, I promise. There were a few comedic scenes that made me chuckle, but the comedy falls flat and encourages several eye rolls, not in a good way. Sharktopus vs Whalewolf has its moments but is ultimately a giant flop, especially in the face of its Sharktopus predecessors. Let’s talk about the effects. The CGI in Sharktopus vs Whalewolf is pretty bad, which is kind of to be expected in a SyFy Original movie but is still a little shocking, given that the effects in both Sharktopus and Sharktopus vs Whalewolf were pretty decent--also given the fact that its director is the founder of a special effects production company called Flat Earth Productions. Here, the filmmakers didn’t even try to make their effects look real or even hide the fact they are using CGI. It’s almost like they are proud of what a crap job they did; instead of any really fun effects, we’re given pure CGI involving a ton of CGI blood spatter that honestly couldn’t look more fake if it tried. At least go for real-looking blood, balance out the visuals a bit. It made me long for the days when actors dressed up in rubber suits to play the monsters. Now, if we could get a Sharktopus vs. Whalewolf remake with people in rubber suits fighting (and starring Will Ferrell), I’d watch that. I’d also be good with Simon Pegg or Rainn Wilson in the starring role. Any takers out there who want to start working on a script? All in all, Zeke gives this movie 2 out of 5 aging MLB players whose career is tanking. Sharktopus vs. Whalewolf is currently streaming on Tubi, Crackle, Fubo, Freevee, and Amazon Prime and Video On Demand. https://www.youtube.com/watch?v=kGTJ4Cv5ktE Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. < Back Neon Rayon: Redefining Electronic Rock Nicole Brice Nov 14, 2023 Share Neon Rayon’s music is full of infectious grooves, electrifying synths, and heavy danceable beats. We’ve all been there: We hear a band and we’re instantly hooked. It does happen, and in the vast and ever-growing world of music, certain bands emerge to capture our attention and resonate with our energy in a way that touches our soul. That band for me right now is the indie outfit Neon Rayon out of New Jersey . With infectious grooves, electrifying synths, and heavy danceable beats, Neon Rayon redefines what it means to be a modern-day electronic rock band. Credit: Jeff Crespi Formed in 2022 around the iconic Asbury Park area of New Jersey , members J. Nixon (bass and vocals), Alex Holland (guitar and vocals), and Bob Paulos (the big ship commander, aka the electronics guru) round out a visionary group of musicians who are seamlessly combining genres in ways that are innovative and enchanting. With releases “ CHiPs ” and " IM:Sb " the band crafted well-written, tightly produced blends that compel you to listen on repeat so that each time, you can discover something new about what you’re hearing. Neon Rayon reminds me of early Ministry meets Front 242 meets A Split Second . Their music showcases creativity and originality in an industry full of musicians looking to gain recognition. And thanks to my dear friend and superstar photographer Jeff Crespi , their tunes are now included as part of my own personal playlist. I reached out to Neon Rayon and was able to chat with J. Nixon and Alex about their beginnings, influences, and challenges so far. Here’s what they had to say. MaM : Thank you, guys, for speaking with me today. Tell us a little about your beginnings and more about the band in general. JN : [Well,] in 2022, Alex , Bob , myself, and our friend, Matt, got together to do a Halloween set [as a cover band] of Jay Reatard stuff. [As you may or may not know], he passed away a few years ago, and he left behind a couple of great records, and we wanted to do those songs [live]. We got together to do three shows. [It was] a house show, and then two club shows. It went well, and so we decided to make a real band. Bob and I got together for practice and Matt couldn’t make it, and he was the drummer, so we decided to try out a drum machine and then it just came together very naturally after that. Credit: Jeff Crespi MaM : How did you choose your band name? AH : I had been kicking around with a solo project before the band, and I just thought of it in terms of a name of something and I’m really into fashion. I noticed the tags of many of the shirts I was wearing always said, “Made of Rayon,” so I had this idea for the name Naked Raygun and then I had the idea of putting the two words Neon Rayon together , so it just means colorful fabric. But I felt the two words together sort of make up this space-age kind of queer-type thing. I held onto it and then when we didn’t have a name, I asked the guys if they wanted to use this name I had been thinking of, and they agreed. Credit: Jeff Crespi MaM : How did you all get your start in music? AH : I knew J. because we played in a couple of bands together, but I got my start in New Brunswick , which is basically the basement show scene. I started playing in bands in that area but then moved over to hanging and playing in Asbury as well. JN : I started playing when I was 14 or 15 years old. Anything I could get my hands on really. A little Casio keyboard or a guitar or a drum pad or anything but then settled on bass because everyone needs a bass player (laughs) and I liked it. I played in some ska bands out in California in the Orange County area as a kid, and then I moved here as a late teenager and started doing a bunch of really basement bands (laughs) . I mean, we never really put out recordings or anything, and then the first real one was a band called Hunchback and we were on Don Giovanni Records . I started doing all kinds of musical projects, honestly, anything I could get my hands on, and then now, this, which is my favorite right now. Credit: Jeff Crespi MaM : … and it’s freakin’ incredible! How would you describe Neon Rayon’s musical style? JN : I would say it’s electronic dance with a punk infusion. Basically, it’s just music we want people to move to. I would say it’s electroclash. We’re really inspired by bands like Suicide , Peaches , The Faint , and Le Tigre . We’re all big Le Tigre fans. MaM : That is incredible! I wish I could catch them live. So, what I got from your music was catchy industrial pop with a rock vibe. JN : My feeling and approach with it were always to do something that is punk that people would dance to but pretty much keep it basic. I mean, we do get a little complicated with some of the programming, but I don’t want to be a prog band, you know? (laughs) Catchy and still edgy, I guess. MaM : What is the story behind the title of your latest single, ' IM:Sb '? JN : Oh, it’s not really that interesting, but go ahead. (laughs) Alex ? AH : All of our songs are very collaborative, and Bob would start with a drum beat or a sample to kind of build it from there. There would be times where we’d be like, ‘What are we gonna call this one?’, so we [said], ‘Let’s call this one, ‘Sexbot’’. So, when we were writing it, I started calling it ‘Inside Me’, but Bob and J. would call it different things, so we were calling it [both] ‘Sexbot’ and ‘Inside Me’, and we decided to just do both. We’ve had this idea for a while where we wanted to just do acronyms for the titles. Eventually, it became ‘ IM:Sb ’. JN : Honestly, I think it came from having to have a file name to save on the equipment that Bob is working with. Credit: Jeff Crespi MaM : Who do you cite as your biggest influences and why? AH : I think for me it’s just this sort of a revolving door, but at this moment, Suicide and Alan Vega because when we started the band, we were going to have a drummer with a drum machine on the side and I was inspired by bands that didn’t have a template of drums, bass, guitar, vocals. Like kind of going past that. For me, three big bands: Suicide , Big Black , and Alan Vega ’s solo stuff. JN : For me, Big Black and Devo , who is my absolute all-time favorite band. MaM : Really? I love Devo! Do you guys like Kraftwerk ? JN : Oh, for sure. We were just Kraftwerk for Halloween. (laughter) AH : I would also like to say that another influence for us is a lot of Chicago house music from the late 70s/early 80s. What is so inspiring about that is that J. comes from the world of punk where you just pick up guitars and go. I was researching house and dance music and that’s how they started, too—by getting different machines to make their beats—and that was so inspiring because it doesn’t matter about your technical prowess. Just go and make music that you’re just happy with. Credit: Jeff Crespi MaM : How do the lyrics come about for your songs? What inspires that? JN : Oh, this is all Alex . (laughter) AH : It has been an interesting process because, for me, it has always been a bit introspective. The melody is the most important thing, or the rhythm, and then the words will come through that. If I’m feeling crappy, the lyrics write themselves. Introspective, though. And I want people to connect with them if they feel similarly. Self-expression of what you feel. If people can sing to it, then that’s cool, but I’m hoping they can feel a connection to it. MaM : What would you say sets your music apart from others in the genre? AH : We blow out speaker systems. (laughter) JN : We have done that! MaM : There ya go! AH : It’s funny because I think what sets us apart is our energy, but I do think our instrumentation … [and] the fact that we are a punk band, but we do have these synthesizers and we do have this drum machine. We sort of just make our way and make our sound to do that. Bands are like a penny a dozen. We always want to give a great show to the audience, and we hope that people love the material. We are just a loud band. Credit: Jeff Crespi MaM : So, what’s next and where do you see yourself headed in the future? JN : We’re finishing up an EP that will have five songs and we’re in discussion with a label to put it out digitally, but we’ll have it released by Winter or Spring. After that, we’ll begin work on our full-length [album]. AH : Yeah, and then we were talking about essentially doing more shows and cultivating a scene to check it out. Neon Rayon’s music serves as a reminder that true artistry lies in the ability to push boundaries, experiment fearlessly, and connect deeply with one’s audience. I feel we’ll be hearing much more from Neon Rayon in the future, so stay tuned. To learn more about Neon Rayon: Bandcamp : https://neonrayon.bandcamp.com/ Instagram : https://www.instagram.com/neon_rayon/ *Many thanks to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves music. Plain and simple. Do you have something you think she’d love? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

NOT Just a Girl < Back No Doubt About It: Gwen Stefani Is A Legend Nicole Brice Oct 3, 2022 Share NOT Just a Girl Do you remember the first time you heard music that truly resonated with you? I do. Do you remember your first concert? I sure as heck do. I also remember the feelings associated with those times in my life. The feelings of belonging and of warmth and of finally discovering something I was truly passionate about. The infamous ticket stub from my first concert. The year was 1996, and I was 15 years old . I had a friend named Danielle, and she loved music—especially good music. We would get her mom to drive us to every concert that came into town, and back then, there were tons. In the 90’s, all the big acts came to New Orleans, and if we were lucky, Baton Rouge. On February 16, 1996 , I was invited to see Bush , No Doubt , and the Goo Goo Dolls at UNO Lakefront Arena in New Orleans , and the excitement felt all day at school leading up to the big show was nothing short of epic. I remember religiously watching Bush on MTV , where ' Everything Zen ' and ' Little Things ' were in constant rotation, along with ' Machinehead ' and ' Glycerine '. At this point in time, Bush was the “it” band on MTV ; their album Sixteen Stone was hugely popular, and the lead singer, Gavin Rossdale , was so utterly perfect in every way that it made all of us teenage girlies swoon. Throw in an epic shirtless cover on Rolling Stone magazine with said hunk, and you have the complete package of a teenage girl’s fantasy man. The infamous cover of Rolling Stone Magazine Anyway, I was discovering new music acts daily, and I will honestly say that seeing Bush in concert kicked off my lifelong addiction to live shows. My brother had some of the coolest friends in high school, too, and my parents’ house was always the hang-out spot, or so it seemed. We would randomly have people showing up here and there just to hang out. In fact, every time there was a knock at the door, I never knew whom I would see on the other side because we had so many people who would just stop by. I must say, a few times, some of Nick’s friends caught me looking indecent, and I would open the door, yell “it’s for you!” and then dart back to my bedroom, mortified because I wasn’t properly dressed to entertain company. Anyway, you get the picture of the non-stop barrage of friends coming to the family compound. They were the ones introducing me to music, along with my brother, and when we heard Bush was coming to town with No Doubt and the Goo Goo Dolls , I remember trying to learn as much as possible about the other acts performing on the bill with Gavin and his dudes, because I knew very little about them, especially No Doubt. All these years later, and those No Doubt CDs have been replaced with vinyl. In 1995 , the Goo Goo Dolls released a song called 'Name' to the airwaves and MTV’s Buzz Bin . It was an acoustic hit, but one with lyrics that just hit you in the heart because, let’s be honest, Johnny Rzeznik has some incredible songwriting capabilities, even to this day. I still tear up when I listen to that song. I knew the Goo Goo Dolls were opening for Bush , but who the heck was No Doubt ? I had never heard of them. I had heard from Danielle that there was a video circulating on MTV called 'Just a Girl,' and I remember waiting anxiously each day as I binge-watched MTV, wondering if I would ever see the video or hear the song. Finally, one afternoon, there it was. I was hooked from the moment the first few chords started. There was Gwen Stefani on the screen, gorgeous, blonde, beautiful, and so cool! Her style! I was in awe of her style! She was wearing Dickies , a white cropped top resembling a preppy sweater, and Doc Martens . The girl had serious style, and from that moment on, I was obsessed. I could not wait to see them live! https://www.youtube.com/watch?v=PHzOOQfhPFg Official video for 'Just a Girl' The day of the concert was a Friday , so you can imagine how hard I was daydreaming at school instead of paying attention to what the teachers were teaching. Once the bell rang for dismissal, though, I couldn’t get to my friend Laurie’s car fast enough. Laurie was this girl who lived down the street from my parents. She had a short, dark bob, and she was so cool and so pretty, and I truly looked up to her. Her parents had recently blessed her with a brand-new teal-colored 2-door Honda Civic for her senior year, and I thought it was the coolest car ever. She and I had a speech class together, and she was a senior, and I was a freshman. One day, out of the goodness of her heart, she extended an invitation to give me a ride to school, and that was that. She was my ride to and from school my entire freshman year, and it was awesome. https://www.youtube.com/watch?v=XIeiWCWjrc4 No Doubt LIVE from the Tragic Kingdom Anyway, so the day of the concert, I’m practically sprinting to Laurie’s car, because I couldn’t wait to get home and prepare to leave for the show that night. Since this was 1996, my concert attire consisted of a baggy pair of Calvin Kleins with the bottoms cut off and frayed , my shiny red patent-leather Sketchers, and my brother’s army-green Filter t-shirt from when he saw them at the PMAC at LSU with Bush , Brother Cane , and the Toadies . Back then, I would just “borrow” my brother’s clothes, even if they were too big for me. He had some cool clothes and t-shirts, and I hated wearing anything tight or revealing. I was a Grunge chick, through and through. To this day, I don’t know if he actually liked me borrowing his clothes, but if ya didn’t, Nick, then I am sorry. Oops. So, there I am, all ready to roll, and I was anxiously awaiting the arrival of Danielle and her mom. Once in the car with the radio on, we got so hyped up. See, back in the day, the local radio stations would promote an upcoming show like there was no tomorrow, and all of the sweepers and promos with music clips had us teenagers salivating. So, we’re en route to NOLA, and Danielle and I are giggling and talking about how excited we are to see the bands. Because it was my first concert, I had no clue what to expect. Once we arrived at UNO , though, the excitement was so big I felt I could burst. You could see the oodles of people everywhere, dressed up, and ready to have a good time. No Doubt was to be the first band to take the stage that night, and I had no clue what to expect. As we made our way to our seats in the balcony, I could see the huge crowd of people on the floor near the stage, and I wished I could be down there in the crowd with them. I remember Danielle and I talking about how we would snag some floor seats for a show one day so we could be up close to the stage and crowd surf—which, by the way, I should note that while crowd-surfing looks cool, when you’re down on the floor and you have some big dude going over your head that you have to toss around, it is not fun. At all. In fact, it’s kind of aggravating, especially when all you want to do is see the show. No Doubt hits the stage, and Gwen comes out walking like a badass, doing ninja kicks and all this other cool stuff, and I was hypnotized. I was zoned out on her, the music, and the whole experience. I vowed that day that I would become cool like Gwen because, at this point, I wasn’t quite cool yet, but I was getting there. I had a lot to learn. As soon as No Doubt finished their set and we were waiting for the Goo Goo Dolls to come out, I told Danielle that I just had to go see if they had a No Doubt shirt in the merch section because I just had to have one. Lo and behold, they had this blue ringer tee with yellow piping, BUT they were sold out of my size, and all they had were size small. I just HAD to have this t-shirt, so I bought the small, ran to the restroom to change, and squeezed my boobies into it. I was in heaven, and it was awesome. A 15-year-old me! The rest of the show was truly amazing, but to be honest, I couldn’t stop thinking about No Doubt ; I had to see them again. Sure, the Goo Goo Dolls put on a great show, and yes, Bush was epic, BUT Gwen Stefani was it as far as I was concerned, and the rest of the night and the drive home were filled with thoughts of Gwen Stefani , her killer abs, and her killer style. …and so, Bush was my first real concert, but I had No Doubt on the brain, and if you were to ask me what I remember most about that first Bush concert, it would definitely be No Doubt . Over the years, I have been blessed with attending many, many shows, but those days of attending infinite shows has been put on hiatus for a bit due to my life as a mom. For now, I can reminisce and share my memories with you all in hopes of inspiring a new generation to experience music the way we 90’s kids did. Love and light. -Nicole- www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. < Back Off the Charts: Jim Parker’s Songwriter Series Bud Gambrell May 13, 2024 Share The Jim Parker Songwriter Series is a monthly event at the Von Braun Center in Huntsville, Alabama. Hello all! Welcome back to Off The Charts! The Von Braun Center in Huntsville, AL, hosts a monthly music event called Jim Parker’s Songwriter Series . Jim Parker, a Huntsville favorite, hosts this exclusive event. May’s edition of the Songwriter Series saw the event moving from its usual location of the VBC Playhouse to Mars Music Hall, also located in the VBC. I saw this as a unique opportunity to introduce you, the reader, to this intimate listening room-type event and maybe a couple of songwriters you may not be familiar with. For those unfamiliar with Jim Parker , Jim came to the North Alabama area from Nashville, Tennessee, and has been a songwriter for over 50 years. Having co-written songs with many award-winning artists, Jim's journey is the heart of the Songwriter Series. He began the Series in 1985, showcasing hit songwriters from Nashville, Muscle Shoals, Atlanta, Canada, and other surrounding areas. My journey with Jim Parker began in 1985 while working at a local television station. Jim would often drop by for interviews to promote the Songwriter Series. Over the years, our paths have crossed numerous times, and I have even had the honor of photographing the series on two occasions. This personal connection has allowed me to understand the event and its significance better. Before this most recent May 10, 2024, showcase, I pulled Jim aside and got some insight into this entertaining event. Take a moment to read more below. OTC : Jim, tell me about the origins of the songwriter series. JP : Well, I came from Nashville. I moved to Nashville in 1975, played all the listening rooms there, and wrote songs with Jon Anderson and other fine songwriters. Then, after getting off the road with Dave and Sugar , I moved here because we were raising the family, and I wanted to get off the road. So, my wife got me into real estate in Nashville. I got my license in 1979. We started having babies, and she was out there selling real estate with the baby on her chest, and it wasn't working out too well. So, I just had to take over, thinking that was a trick. I think she tricked me. After being in Madison, AL, from 85 to 87, I was standing before my beautiful wife, weeping like a child because I was not fulfilled by what I was doing. It was a business. And it is emotional, but it's not that creative. I can write a creative contract, but that's not like writing a creative song. She said, well, take some time off. I took two months off and regurgitated everything that was built up, and I told her that I would start my songwriting career here in beautiful Alabama. Then I was playing at the Bluebird in Nashville, and it just happened that Steve Maples, who runs this complex, was there with his son-in-law, who was also a songwriter. And I mentioned I'm looking for a home in Madison, AL. He approached me and said you ought to come and check me out. Let's talk about bringing it to the Von Braun Center. It took me a few days to get around to it because every day you take off from real estate, you're behind two or three days. So, I caught up with him, and he said, bring it here. That was 19 years ago, and we're still doing it. And we're very pleased with what's happening. I have some of the most exceptional songwriters in the world and some of the best songs you could ever hear on the radio. They're just too good! Credit: Bud Gambrell OTC : Why do you do it? JP : Well, it's a genetic disorder, and it's terminal. Creativity is a weird thing. You do it because you cannot keep from doing it, and it's a constant conflict because you may be having a conversation, and somebody says something, and you want to write it down, so you have to excuse yourself. I had a furniture guy who was trying to sell me a sofa. I said, “Man, that's expensive. You wouldn't cheat me, would you?” He said “No, man, I'll cheat you right.” I say, “Excuse me a minute.” I had to go write that down. So that's kind of how it happens. And I do it because the only cure for this disease is more of it. I can't visualize my life without music. Credit: Bud Gambrell OTC : What are you trying to accomplish? JP : I've already accomplished everything. I've recorded with an orchestra, I've got a song cut by Mark O'Connor, who's brilliant, and I have a bunch of cuts by Billy Droze. We're doing a country record for him now, and I can't tell you who's producing it, but it's a big producer. I've accomplished everything and written hundreds and hundreds of great songs, which've been cut by many great people. John Anderson cut Chicken Truck in 1980. I’ve been writing to him, and we wrote to him about two months ago. So, it's just a process. I must keep doing it. Credit: Bud Gambrell OTC : Tell me about tonight. JP : We're here at the Mars Music Hall. I've got Brent Moyer, Tim Styles, and Bob Tobin. I met them down at the Frank Brown International Songwriter Festival. I've been doing that for about 15 years, and I just picked the guys I like to sit with who write good songs and tell good stories. In addition to chatting with Jim Parker, I was able to chat with one of the performers of the showase, Tim Styles , too. Check out our conversation below. OTC : Tell me a little bit about who Tim Styles is. TS : Well, I'm a singer-songwriter from New Mexico, but I've lived all over the country. The first time I went to Nashville, I was 14 years old, and so I've been running the roads ever since. I never did grow up. Credit: Bud Gambrell OTC : What does something like this, a singer-songwriter series, mean to you? TS : It means to me that people want to listen. I've spent so much of my time fighting crowds at bars. They don't want to listen, which is OK too. I know everyone wants to have a good time. But when songwriting is really my passion and when people are willing to sit and listen to stories, I get to delve into that part of myself. That's nice. It's the other side of being just an entertainer. You can be a storyteller. Credit: Bud Gambrell OTC : So, you consider yourself a modern-day troubadour. For someone who doesn't know what that means, tell me what you consider a modern-day Troubadour. TS : I'm a performing songwriter, another way to say it. I don't just write songs and sing. I like to perform my original music—like a Kristofferson kind of thing, you know. I can also perform my own music and put my own spin on it. OTC : So, you mentioned Kris Kristofferson . I'm assuming he's an influence on you. What are some of your other influences? TS : All the great singer-songwriters like Townes Van Zandt , Guy Clark , and even rock guys like Warren Zevon have been a huge influence on me. Just all the music you pick up along the way, but I always find myself returning to the singer-songwriters. To make the night special for the songwriters, Jim had local artist Don Howard design a caricature of each performer. The caricature of future performers may be produced and sold at shows. Credit: Bud Gambrell OTC : Jim, can you give me a sneak peek into future series? JP : Yeah, I'm doing a Trop rock show on August the 2nd, bringing in Bill Whyte , Darrell Clanton , and Brooke Graham . She's #4 on the Texas Rock Charts, so it's always great people. And in November, Billy Droze and Kentucky Blue will be here with me with his bluegrass band. He'll take the whole stage. OTC : Any other plans in the future for the songwriter series? JP : Sure, 2025, man! I'm working on it now. Yeah, we have dates. Y'all come and see us. You will not be disappointed, and it's a cheap date. Credit: Bud Gambrell If you enjoy the listening room-type experience where you hear the stories behind the songs, I highly recommend you stop by for any future Jim Parker’s Songwriter Series. Like Jim said, you will not be disappointed. Send me an email. Let me know what you think. Also, tell me about any performers you would like to see in future editions. Until next time, Keep your diamond down in the groove! Jim Parker Music Brent Moyer : https://brent-moyer.com/ Tim Styles : https://music.apple.com/us/artist/tim-styles/267070949 Bob Tobin : www.bobtobinmusic.com To reach Bud: Bud's sites : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. https://www.facebook.com/bud.gambrell Amazon: https://a.co/d/1CLA9Tz www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Compromised is empowering and full of expressive lyrics. < Back Reviews on the Real: Compromised by Caustic Waves Nicole Brice Aug 1, 2025 Share Compromised is empowering and full of expressive lyrics. Out today is the latest release from Scotland’s Caustic Waves , titled ' Compromised ,' and I believe this is their best work yet. The song starts with a cool synth and then transitions into a lush early 2000s alternative sound. The chorus is powerful, and I think this song will resonate with many. It reminds me of a mix between Trapt and Incubus , with a sprinkle of Breaking Benjamin on top. Released August 1, 2025 ‘ Compromised ’ is the third single from the upcoming Caustic Waves album, titled Echoes . The lyrics reference the Milgram experiment and explore themes of AI-fueled paranoia. It stands out as one of the more progressive tracks on the album, showcasing complex interplay between the guitar and bass, along with numerous twists and turns throughout the song. The heavy breakdown at the end is impressive, and the mix for this track is tight. Neil's vocals really shine on this one; he sings with such conviction. In the chorus, Neil addresses the state of our world and reflects on how far people are willing to go to achieve their goals. These lyrics carry significant weight. As Neil says in the song, "Pay attention, and don’t be afraid of what you find when you look inside." Expressive lyrics such as Neil’s are a vital component of music because they give a voice to the emotions, thoughts, and experiences that often go unspoken in everyday life. Whether conveying pain, joy, rebellion, or love, expressive lyrics transform a song from mere sound into a powerful narrative that resonates on a personal level. https://www.youtube.com/watch?v=3hI-IxSlunw Official video for 'Compromised' by Caustic Waves Neil's refrain of "Don’t be afraid" empowers me and makes me feel ready to take on any challenge. Everything about this song is spectacular, and Neil speaks profound truths through his lyrics. Go stream ‘ Compromised ’ today on your favorite streaming platform. To learn more about Caustic Waves: Linktree: CAUSTIC WAVES | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of XEMNAS is a transcendent journey through sound. < Back The Enigma of XEMNAS: Turning Pain into Art Nicole Brice Apr 11, 2024 Share The music of XEMNAS is a transcendent journey through sound. From Elizabeth, New Jersey, and currently residing in Fort Lauderdale, Florida, we bring you an up-and-coming talent who goes by the name of XEMNAS. At 26 years old, XEMNAS is a powerhouse when it comes to writing and producing his music. Taking his stage name from the video game “Kingdom Hearts,” XEMNAS is churning out music on his terms and making a name for himself in the underground music scene, with numerous collaborations already taking place. If I were to describe the music of XEMNAS, I would have to say it is hardcore with an artistic edge, and he has carved out a niche that defies categorization. Each track feels like a scene from an epic film, evoking a range of emotions and imagery and transporting you to an otherworldly realm. Credit: Facebook Having worked with Yung Oxzy , 4700RSIN , END HIM!, Kairo Kitana , Levi Zadoff , Butterfly, and AUDREYISAROSE , XEMNAS is currently working on more features from artists this year, including a feature with Frankie from Emmure . Recent releases include the tracks " Myhearthurts ," “ Idontwannadie ”, and “ Dear God ," which are available to stream on Apple Music now. “ Myhearthurts ” begins as a hauntingly beautiful guitar track and maintains the pace throughout with lyrics speaking of survival, love, and perseverance. It is a departure from some of XEMNAS’ other works but is perfect in its simplicity. “ Idontwannadie ” has a dance beat and sounds nothing like previous releases from XEMNAS. It’s more in vain with electronic body music, or EBM. I will say that with every release from XEMNAS, no two tracks sound the same, which I love. I never know what the sound experience will be like when I listen to a new track from XEMNAS. With a knack for throwing his entire heart, soul, and being into everything he creates XEMNAS’ passion shines and exemplifies perseverance in a market currently oversaturated with talent. Ethereal electronic soundscapes make up the brunt of XEMNAS’ music, with an enigmatic persona adding an extra layer of intrigue to the music. With all he has created and continues to create, one must ask, “Who is XEMNAS?”. With a penchant for anonymity, XEMNAS chooses to let his art speak for itself, allowing you to be fully immersed in the sonic universe that has been crafted. https://www.youtube.com/watch?v=VapIQNM0EVU We had the opportunity to speak with the masterful and mysterious XEMNAS at length recently about anything and everything. He truly is a remarkable being with a larger-than-life presence. Take a moment to learn a little more below. MaM : Let’s just dive right in, shall we? “ Iwannacry! "—the inspiration behind the song? How did the concept all come together? By the way, I really dig this track. XEMNAS : “ Iwannacry! ” is a big letter to myself. I felt lost and forsaken and just wanted to give up until I started listening to some of my favorite old bands and fell in love with music all over again, then boom! I just started writing and haven’t stopped. I’ve been getting very personal with this music lately because I want to connect with more people through my art. MaM : How would you describe the music that you make? XEMNAS : That’s a tough question. I don’t like to put myself in a genre or box, but I lean more towards Midwest Emo and metalcore with a dab of post-hardcore. I just enjoy making art, truly. All kinds. Credit: Facebook MaM : Who do you draw inspiration from lyrically and vocally? XEMNAS : Lyrically, I pull inspiration from the darkest and hardest moments of my life, but I like to take the negative aspects and try to convert them into something more beautiful. Vocally, I pull inspiration from bands like Bring Me The Horizon, Pierce The Evil, Deftones, This Wildlife, Dice, and also from more modern artists like JuiceWrld, SoFaygo, SuicideBoys, XXXXTentacion, and Lil Peep. MaM : Who or what are your songs about? XEMNAS : My songs are the leftover and in-the-moment emotions from my pain down to my happiest moments. My songs are my deepest secrets, feelings, and fantasies. Sometimes it’s the anger or sadness from a situation where someone hurt you, or sometimes it’s words we never get to say to someone, but my music is my story. Photo provided by artist MaM : That’s incredible. I see you have the “Gemini” EP out, but do you have plans to record an album in the future? XEMNAS : The “Gemini” EP project helped me find the sound and direction for my music that I really wanted to be remembered for. It has been a journey. I have been working on two albums in secret, actually, and I’ll be posting more about that after I’m done touring for the next few months. MaM : Where did you record your material or music? XEMNAS : I’m not gonna lie, making music is very personal for me, and it’s hard to find an engineer who can truly see my vision, so I set up my studio and engineer myself. Much more of a reward when you put out a song with sweat and tears. Photo provided by artist MaM : Are you currently performing any live shows? Where have you played recently? XEMNAS : I’ve been doing a lot of shows recently. I played in Vegas with Nascar Aloe and in LA with Kxllkodi and Lil Tracy. More recently, though, I’ve been playing underground shows in South Florida, mainly because I just moved out here. I plan to start touring on April 14, so stay tuned! Credit: Facebook MaM : What are you currently working on creatively? XEMNAS : As of recently, I’ve been experimenting with styles as I’ve learned that I can train my voice to sound like whatever I want, but my favorite projects would be my alternative and acoustic art. These new projects allowed me to dive deeper into myself and show my fans a different side of me. I just released four new songs on all platforms: Dear God , Myhearthurts , and Hell Girl (my favorite). The plan is also to release a song every week until the tour starts. MaM: What are your aspirations for the future? XEMNAS : I’ve been doing a lot of underground shows and festivals and slowly being placed on bigger stages with bigger names. My next move is to play a huge festival like Rolling Loud and take my art overseas, but it would be even cooler if they brought back Warped Tour because I’ve always wanted to perform on a stage there. As XEMNAS continues pushing boundaries with music and mystery, one thing remains certain: this journey is far from over. With each new release, the listener is encouraged to explore the depths of imagination and embrace the unknown, reminding us that in the vast expanse of the musical universe, anything is possible. To experience the music of XEMNAS, just hit one of the links below and then go follow him on social media. Linktree: https://linktr.ee/kingoftheheartless Apple Music: https://music.apple.com/us/artist/xemnas/1720084648 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Everfelt's mix of genres and sounds will leave you wanting more < Back Everfelt: A Harmonic Driving Force on the Rise Nicole Brice Jun 9, 2023 Share Everfelt's mix of genres and sounds will leave you wanting more With so much music being produced these days, sometimes it’s difficult to stand out amongst the clutter. One band from Johnston City, Illinois, is defining who they are with a sound so unique, it can’t be compared, and that band is Everfelt. The band has many years of musical experience between them and they know what they want to accomplish and even have a plan as to how to do it. Since forming in 2022, the band is steadily gaining momentum on social media and these guys are building a platform to show the world their brand and style of music. Photo provided by band Drawing inspiration from many genres and artists, Everfelt’s music is characterized by its heavy guitars, emotional and powerful vocals, and introspective lyrics. With guitar solos emanating like straight southern sludge rock, the sound coming from these talented musicians is sure to resonate with many. One might even say they have created the perfect soundtrack for the apocalypse with hints of blues, metal, post-punk, goth, and psychedelia. Everfelt isn’t afraid to be different, so if you are looking for a band with tunes that are both emotionally powerful and sonically heavy, these guys are for you. They are on the rise and are sure to grow in popularity in the years to come. Everfelt is comprised of Adam Steglich on lead vocals, Corey Robinson on lead guitar, Jacob Crawford on rhythm guitar, Jason Hensgen on bass, and Stone on the kit. Currently, the band is finalizing the tracks for their upcoming “Ascension” EP, which is scheduled for release later this summer. We had a few questions for the guys, so we sat down with them for a little Q & A, which you can dive into below. With plenty of music streaming on all platforms, we’re certain you’ll find something to pique your interest, so be sure to check them out. New album coming summer 2023 MaM : Hey guys, thanks for chatting with me today. We really appreciate you. So, how did the name for the band come about? Adam : Everfelt was created in memory of a friend of mine, whom I used to play music with, that passed away two years ago. He and I had a prior project called Angerfelt. [His] last name was Lingerfelt, and so that’s where Everfelt came from. I love the concept, too, of the music being forever felt in your mind and in your heart. That’s something you’ll remember no matter what. That was the original thought process behind Everfelt, but now it’s become something else between all of us. We want you to actually feel and experience the music. Stone : One of the things that makes this band so successful, I think, is that each member … does what they do best, and we work very well together. We’re very open-minded with each other. We don’t hide or harbor any BS. We get it out in the open. We get it taken care of and we work together as a team, and this is the result of it. MaM : With such a unique sound, as far as influences go, you are all over the board with STP, Zeppelin, etc., but who are your true inspirations as far as bands and musicians? Corey : My guitar influences are David Gilmour from Pink Floyd, and I grew up listening to Slayer and Metallica—stuff like that. I started playing guitar in 1991 during the grunge era. I developed my own style by listening to everything that I liked. Photo provided by band MaM : So, you have more of the metal influence, then? Corey : Yeah, but I listen to a good bit of blues and jazz, too, and I can honestly say I am just influenced by music in general—even hip-hop. Don’t get me wrong, though; I take some of their beats and ideas and throw it in music because I do have that respect for all genres of music. MaM : I take it, then, you have music in your collection ranging from “awesome” to “please don’t judge me?”(laughs) Corey : Yeah, I listen to a good bit of blues and solo stuff like Joe Bonamassa—every realm of music you could possibly think of. Adam : For me, growing up, it was Layne Staley from Alice in Chains and Jonathan Davis from Korn. Even Ozzy and Black Sabbath were huge influences for me. Maynard, of course, too. Vedder was an influence, too. MaM : Everyone wants to make fun of his vocals, but you couldn’t have had the 90s without Vedder, right? Adam : Right! (laughs) When I listen to us and what we’ve been coming up with, there’s even a hint of Danzig influence, too, but I can’t really put my finger on any one band that we sound like. What’s coming together and being created is because of the recipe of the people involved. It’s creating a new sound you’ve never heard before, and that is Everfelt. MaM : Your sound is very different, and I feel you are on to something with it. How did the band come together with the core grouping you have now? Stone : Let’s go back to 2018. We had a cover band out of my studio here, the Man Cave, called the Los Hombres. We were a five-piece cover band. Jacob, our rhythm guitar player, was a part of that. He went on to play with Adam a good bit, and then COVID hit, so after COVID, I’m sitting here … and I’ve been on a solo drum mission for a few years. I’m a fan of Motorhead, 5 Finger Death Punch, Judas Priest, Nickelback—and all the haters can just hate, but ... Photo provided by band MaM : I was just about to say something about that. (laughs) Stone : Hey, good music is good music . (laughs) So, I’m seeing Corey posting all these videos of himself playing with a blues track, ripping it up, and then I found out he was living close to me … four miles down the road … so I invited him to have coffee with me and … Corey : After the phone call for the coffee, we started playing cover songs of Santana and stuff like that. [We were] trying to get that psychedelic feel and vibe and I was like, ‘Screw this shit.’ We were doing good, but I was like, ‘If I’m going to do my own music, then I’m going to do it right.’ I wanted people to know my music and the music we create, so I started writing rhythms, and Adam had an ad on Craig’s List, so we brought him in. The first jam was perfect. Jacob came in, too, and it was like magic. We then had a first bass player come in, but he didn’t want to show up for practice, so … Jason : So, as the story goes along, I’m at home having a cup of coffee before work one day, and literally just a week before that, I had seen these guys on Facebook, and they were local guys, so I gave them a thumbs up. I listened to their jams and really liked it and thought it was fresh. A week later, I heard the hook of our song ‘Stranger’ in my head and [knew I had to] holler at these guys because their videos on FB at the time didn’t show a bass player in the lineup. I’m local, so, long story short, I hit them up and showed up to practice where we started jamming. Everyone in the band is easy to get along with and it all just came together. They appreciate good tones, and everything was meshing naturally and now here we are. It’s just a comfortable fit. Photo provided by band MaM : What inspires you to create, and what inspires the lyrics of your songs? Corey : The main reason for me creating these songs is that it allows me to sleep better at night. Adam : I completely concur with the sleeping better, but for me … the medium of art, whether it be writing or music or painting, helps me to fulfill my purpose here. Every single day we are practicing, not just at home, but everywhere. We are always focusing on the music. Giving back to the gift that has been given. This is a gift to us. [It’s] the energy and the opportunity to have a message and help people relate to us, not just to talk about their dark tunnel but also to talk about the light we have found. Corey : I envisioned this for a long time in my conscious state and in my daydreams and throughout life. I already know it’s part of my destiny. That’s how I created these songs: from dreams I had. It seems I have done this in a past life. Stone : This is blowing up bigger than we could have imagined. Jacob : I just look at music in a different way than most. There are multiple factors, though. It all depends on my mood. Jason : Music inspires me. Since I was young, I have always listened to rock. The basic rhythm of music … 1, 2, 3, 4 hand claps – stomp – sing – dance and 1, 2, 3, 4 two-steps. As simple and primal as that. The communication and synergy of multiple people doing it together, too, and then adding creativity to it as an expression is what I found works. It’s like magic. The music is invisible, but you can hear it and feel it. Being able to participate in a live band and being able to make live music with other guys is what it is for me. MaM : So, you guys have a new album slated for release this summer. What direction are the songs taking? Adam : We have 18 songs we are working on, but it’s going to be split into two albums with nine songs each on the albums. The first album is going to have some of our current releases. It is called ‘Ascension.’ We’ve seen an evolution with some songs that didn’t make the cut right now. We want every song to be a banger and we want you to be able to put the album on and just push play. Where we are right now, we are working on finishing all the pieces. It’s coming along. MaM : You can’t rush progress! Adam : It’s been a natural progression … allowing ourselves to become music. The music is not ours; we are the music. Each song has its own theme and its own way. Photo provided by band MaM : What would you say your mission as a band is? Adam : We would like to be playing arenas and stadiums in the next two years. We’ll be together a year on August 14, so we think we can get there. - To experience Everfelt’s sound, be sure to hit one of the links below. The guys have some shows booked for this summer, so be sure to check out their social media to stay up to date on all live performances. You’re gonna want to go ahead and put this indie band on your radar now! Home | EverFelt Facebook EverFelt Band - YouTube Eric Wilburn Corey Robinson Adam Steglich Jacob Crawford (@everfelt_band) on Instagram EverFelt | Spotify ‎EverFelt on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

The absurdist megachurch comedy is back with more shenanigans < Back The Righteous Gemstones Returns for Season 3 Keeley Brooks Jun 12, 2023 Share The absurdist megachurch comedy is back with more shenanigans The Righteous Gemstones could quite possibly be one of Danny McBride’s best series yet, aside from Eastbound and Down , which aired back in 2009. If you missed that series, it stars Danny McBride as Kenny Powers, a former professional baseball pitcher who, after a career downturn in the major leagues (due, in part, to his childishness and arrogance), is forced to return to his hometown of Shelby, North Carolina, to substitute teach at his old middle school. It’s well worth the comedic four-season binge, which is full of so many laughs and excellent one-liners, you’ll be repeating them for weeks. The Righteous Gemstones is an HBO series, also created by McBride, that is a dark comedy crime show that follows a famously dysfunctional family of televangelists. It is the most quintessential absurdist megachurch satire ever to hit the airwaves, and McBride does not hold back on anything offensive—that’s his thing, right? Being offensive? Yes! So, if you’re one who is easily offended, maybe skip this show, but if you are not, I highly recommend binge-watching the first two seasons in preparation for the third, which airs this weekend. The Gemstones are an over-the-top wealthy religious family living in Memphis, Tennessee, led by widowed patriarch and church pastor Eli Gemstone (John Goodman of The Connors ). Image: HBO Eli and his incessantly immature (adult) children, Jesse (Danny McBride of Your Highness ), Judy (Edi Patterson of Violent Night ), and Kelvin (Adam Devine of Workaholics ) lead the kind of opulent lives that could only be provided by church donations given in the name of the Lord. The Gemstones all live near one another in their respective mansions spread across way too many acres of property—except for Judy, who winds up living in the “regular” house, presumably because she’s female and not as high up in the church. In the first season, we learn about what the Gemstones are currently up to in their lives, which entail a lot of secrets. The opening scene of the first episode is one of the funniest baptism scenes I’ve ever witnessed. Eli (Goodman), Jesse (McBride), and Kelvin (Devine) are in China for a 24-hour mass baptism, which takes place in a wave pool at a water park because it was the only space large enough to accommodate so many people. By hour 17, the brothers are wearing down and, in true rich-kid fashion, and start criticizing each other, bickering about the right way to baptize people when, out of nowhere, obnoxious party lights kick on and giant waves begin rolling through the pool. What ensues is complete hilarity as everyone scrambles to get out of the rave … I mean waves. https://www.youtube.com/watch?v=xq3IGAHbh0U As the Gemstones return home, though, we learn the shenanigans are just beginning. Jesse receives a salacious videotape of himself and some friends snorting cocaine and partying with a bunch of strippers—completely unacceptable behavior for the associate pastor of a megachurch. The tape is blackmail in exchange for a large sum of money, but from whom? Jesse enlists his brother and sister to help keep this quiet and track down the blackmailer, just as you’d suspect a bunch of eight-year-olds might go about handling such a task. Image: HBO Moreover, Eli’s estranged brother-in-law, played by Walton Goggins (who is known for his big, white teeth in roles from Justified and Sons of Anarchy ), is brought in to lead the Gemstones’ new shopping-mall-based satellite church, which impedes on a neighboring church. Image: HBO Season one ends with stolen money, the siblings confessing their sins to Eli, and the fate of the church up in the air as Eli kicks all three kids out of the church. Season two focuses on the Gemstones’ past—namely that of Eli. When an outsider from Eli’s younger days appears and tries to pick up old pastimes, we learn Eli used to be a criminal enforcer for a big-wig bad guy. Also, an investigative reporter by the name of Thaniel Block (Jason Schwartzman of Rushmore) turns up to investigate a tip he received about corruption running rampant in the Gemstone church. That catastrophe is one big hilarious fallout you have to see for yourself. Presumably, season three will focus on what the Gemstones will do to secure their future. Rest assured, there will be plenty more moral hijinks as the Gemstones battle for power and face off against some new opposers and face some violent pushback. They’ll also get involved in the NASCAR circuit and have to deal with an increasingly popular vocal religious movement consisting of boisterous, far right-wing gun-owning enthusiasts. For more details and a full recap of seasons one and two , read this article , which will tell you everything you need to know before the premiere of The Righteous Gemstones Season 3, which airs this Sunday, June 18, on HBO and Max. Catch the trailer below! https://www.youtube.com/watch?v=quK5D0s6Rh4 Keeley Brooks is a big ole movies and streaming nerd who watches way too much content, then faces an uncontrollable urge to write about it, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ephemera is the product of creativity beyond boundaries. < Back A Life Reassembled: Bil Richardson Tells a Survival Story in Stock Footage Nicole Brice Sep 20, 2026 Share Ephemera is the product of creativity beyond boundaries. The art of filmmaking, and what goes into constructing a masterpiece, is subjective. Conventional methods tell us to draft the script first , then shoot each scene. But what if you did the opposite? What if you took the footage you already had , pieced it together into a film, and then realized the story had essentially written itself based upon what you captured? Sometimes in life, you have to go backward to move forward, and that's an excellent way to describe what has happened in the creative life of Bil Richardson . Author and filmmaker Bil Richardson Located in the panhandle of Florida , Bil is a seasoned filmmaker who found himself at a crossroads after a life-threatening infection landed him in the hospital. With an innate need to create, he crafted his latest film, Ephemera , while in that same hospital; it is reminiscent of films like Blade Runner and Ready Player One , but unlike anything you've ever seen. It's more complex than what's in front of you, and it's the product of creativity beyond boundaries. Official Movie Poster for Ephemera With a mind that is both complex and visual, Bil is a storyteller, through and through. His unique creative perspectives and methods are needed today to challenge us to see art differently, and his body of work speaks for itself. Bil challenges one to tell the story. Change the story. Mix it up. In addition to being a visionary filmmaker, Bil is a professor, author, artist, and historian. He’s written both fiction and non-fiction, and he’s also designed cover art for books, movies, magazines, and graphic novels. His documentaries are shown as teaching tools at top universities like Carnegie Mellon, UC Berkeley, and Marquette. You might have heard him on NPR’s All Things Considered or seen him on TV shows like American Pickers , Mysteries at the Museum , CBS This Morning , CBS Sunday Morning , America Fact vs Fiction, Discovery Network’s Blood Feuds, National Geographic Channel’s Diggers , and plenty more. He’s also worked as a consultant for PBS NewsHour , Pawn Stars , and How the States Got Their Shapes . Bil on American Pickers on The History Channel What has Bil not done? A true Renaissance man, he has also been quoted in The New York Times, The Washington Post, USA Today, the London Daily Mail, and hundreds of other newspapers . He even created a 16-episode series for the History Channel , and the National Endowment for the Arts has supported his work. We recently had the pleasure of sitting down with Bil to chat about his new film, Ephemera , and his storied career. Learn more below. *Edited lightly for clarity MaM : I noticed there are two different spellings for your name, and the one you use professionally as your author name has one “l”. Is it one “l” or two? Bil : Well, I go with one “l”, and the reason for that is that there is a former presidential candidate from New Mexico , and he has the internet eaten up with the name, and if you Google him, there are like twenty pages of that guy, so I needed a way to sort of differentiate, and that’s where it came from. It’s sort of a screen name, I guess you could say. MaM : That’s clever. When I was researching you, and I typed your name in with the one “l”, I was able to pull your stuff up pretty quickly. Smart thinking. You’re an author first and foremost, correct? Bil : Well, you know, I am a storyteller. I mean, that is the common thread. I’ve written books, screenplays, poetry, and short stories. I’m a visual artist, so I’ve done comic books, too. I think the one common theme through all of that is that I’m a storyteller. Hell Fighters by Bil Richardson MaM : I’ve authored a couple of books, too, and so I consider myself a storyteller as well. I love drawing inspiration from everyday life. They always say life makes the best inspiration for creative endeavors. Let’s dive into these books of yours. You’ve got a solid body of work. Do you prefer writing or do you prefer making films? What is your preferred medium for telling your stories? Bil : Well, what I will say is that every medium has its own things that make it attractive. The thing about prose, and you’ve written prose, is that the good and the bad thing about it is that it is a blank page, and with a blank page, you can do anything you want. There is no budget. There are no constraints. Whatever your imagination creates, you can create it on that page. The downside is that it is a blank page. (laughter) MaM: Yeah (laughter) Bil : And sometimes you are responsible for bringing everything to it, and that can be challenging. I rarely ever have writer's block and all that kind of stuff, but what I enjoy about some of the mediums I do, like film, is that I can bring together other things to support my creativity and help me tell the story. Another thing: film is a collaborative medium, and that's both a pro and a con. You get other people who, if they are better than you, make you better, but if they’re worse, they make you look worse. And when you’re just telling prose, it’s all you, baby. More Than Evil by Bil Richardson MaM : I agree Bil : Yeah, it’s just all you. I'd say that, first and foremost, I am a writer. If I could, I’d spend my entire life writing novels. Just because that’s how I started at fifteen years old. I read a Stephen King book, and it made me think that I’d like to try that, and I’ve been telling stories in one way or another ever since. MaM : That’s amazing. Do you think writing has always been kind of woven into the tapestry of who you are as a person? I feel like it was for me. I had a journal at a young age, and I was always writing in it. When was it that you realized you had such a gift for writing? Bil : I started writing poetry and songs when I was seven. I have a cousin who is now a professional musician, and we would get together to write songs and make up silly poems. That was when I started. I started wanting to express myself with words. MaM : I actually had a teacher in second grade who recognized that I had more of an overactive mind than most children, and to me, writers possess a different type of brain. We see the world differently. We’re more observant. Bil : I say that the most important characteristic of a writer is empathy . It is the ability to put yourself into the shoes of another human being who might live in a different country, a different galaxy, be it a different race, a different gender – your ability to put yourself into that person’s shoes and tell a story from their perspective. That’s the most important thing a writer has the ability to do, and very few people can do that. MaM : Let’s talk about your newest film now. You sent me the trailer, and it intrigued me. Tell me a little more about how this came to be. Bil : The film came out on Amazon on September 4, 2026, and it will be everywhere else on October 2, 2026. It will be on Tubi and other places. Let me tell you the backstory. It’s a fairly long conversation, but it’s an interesting conversation. In 2022, I almost died. I spent basically a year in a hospital bed with an open wound in my body that was a foot long and six inches deep. The wound wouldn’t heal, and the hospitals kept giving me infections, and they were the kind of infections you would only get in the hospital. They were these superbugs that were almost impossible to kill. So, they kept giving me all these drugs to combat those things, and I became septic, and other things happened. So, anyway, they didn’t know if I was going to survive. They wanted to cut off my leg and do all kinds of different things to me, and I just refused to do that. But during that year, when I was basically flat on my back, I’m a creative person; with all these things, if I don’t do something creative, I get uncomfortable. I get irritable. I get depressed. I feel like I need that outlet. Here I am at the lowest point in my life, and not only is all this stuff going on with my body, and I’m semi-conscious most of the time, but I’m not getting to do anything that feeds me. And so I wanted to find something, and I had been experimenting with stock footage. I went to this stock footage site and started getting clips and cutting together music videos just for fun. Just to do something. And I noticed during that process that a lot of the clips, especially on one of these sites, had enough that I could make a scene out of that. I could make a car chase or a bank robbery or whatever happened to be, and so I just ran with it, and I started playing with those and cutting those scenes together, and pretty soon I had ten of them. Well, the average length of a scene in a movie is about three minutes long. If you’ve got thirty of those, you’ve got a ninety-minute movie, and I thought, heck, I’ve got a third of a movie here. I just started playing with that idea, and I've done things in the past where, to spur my creativity, I used images. The Of Demons and Dragons book is basically inspired by this guy's art, and it inspired me to write a story based on the images of that guy’s art. So, I did something similar before. So, I thought, let’s take these scenes that we’ve got and see if we can string them together and find a plot that brings them all together. Ephemera by Bil Richardson I made the movie in reverse . I started with all these scenes, and then I developed a story that brought them together. Normally, you start with an idea, and you build all the pieces to tell that story. I started with the pieces, then developed a story that brought them together. What I liken it to is if you had a hundred of these puzzle pieces, and you took a handful out of each box, and then put those together into a completely new scene that was seamless, and people couldn’t tell you had done it that way. That’s the sort of writing challenge, the creative challenge this posed, and I was so enthralled with the idea of doing this completely backward, and it became the distraction I needed that got my mind off all these horrors I was going through and allowed me to do something that was hopeful and fun and interesting. After that, my health turned a corner; I started getting better, and I decided to see if we could make this really happen. https://www.youtube.com/watch?v=cThMIKgKw-4 Ephemera Official Trailer When the film was done, I started writing the logline for the film, which is just a short line description of the film, and in that process, I realized that the plot I came up with for the film, writing it backward, was actually what I was going through in my own life. The film is about a woman who is strong, capable, and at the top of her game, and something happens to her that damages her physically, and she’s no longer the same person. Then she goes through all these medical treatments to get her life back and get back to where she was before, which is exactly what I went through. MaM : It’s amazing how art imitates life without you even realizing it. Bil : I had no idea. And think about it: there is no way I could have consciously said, "I want to tell my story," and then found all these little pieces of footage and brought them together. I don’t think that’s humanly possible, but my subconscious did it. And this is where we end this interview for now. Bil and I spoke more at length, but because of the length of this piece, we are going to leave you with those parting words. Ephemera is the product of a man searching for the will to live through a traumatic battle with life. Through that battle, he opened his subconscious mind and told his own story through the puzzle pieces of art he found in a collaborative piece that is both original and truly thought-provoking. Art imitating life, no doubt. To watch Ephemera: https://www.amazon.com/gp/video/detail/B0H29DL6W6?ref_=atv_dp_share_cu_r Ephemera – Buffalo 8 To learn more about Bil Richardson: Amazon.com : Bil Richardson: books, biography, latest update www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Playlist picks to awaken the senses. < Back Nick's Corner: Playlist Picks for July 22nd Nick Cline Jul 22, 2024 Share Playlist picks to awaken the senses. Hey, everyone! Sorry for the delay, but here we are again with another entry of ‘ Nick's Corner ’. This time around, we are going to recommend more local picks than national picks. So, buckle up! Let's get into this month's recommendation, which is filled with classics and your new favorite tracks. 1 Losing Control by Sick at Heart Deets about the track : First up on the chopping block, we have Losing Control by Sick at Heart . Losing Control is an absolute banger of a track. The raw emotion that is showcased in the track is something that everyone could use in their playlist. Reminiscent of Flyleaf with hints of Evanescence , Losing Control has hard-driven riffs, a body-rattling rhythm section, and soaring vocals. I highly recommend Losing Control for your playlist if you are looking for local talent that could easily compete with some national acts. 2 Lucidity by We Are the Virus Deets about the track : Next, we have a killer jam from We Are the Virus . We Are the Virus offers a significant amount of instrumental metal to get your blood pumping. My favorite track from them is Lucidity . This track offers an intense onslaught of riffs, drums, and everything else you can ask for in an exceptionally mixed song. If you are looking for something to raise your heart rate, pump you up, or make you feel like you are about to power through your moments of life, then We Are the Virus has a multitude of tracks to offer you. 3 Alone by Stella Vir Deets about the track : If you are looking for modern sounds that flow with the nostalgia of the early 2000s emo , alternative , and hard rock sound, Stella Vir 's Alone is the right pick. This hard rock ballad has something for everyone with one sonically satisfying project that is just the tip of the iceberg when looking at the rest of their top-notch discography. I highly recommend this pick if you are looking for the next boost of adrenaline, but, at the same time, it brings you into a story of melancholy, hopes, and sentiments washed over in realization and reality. 4 The Thing That Should Not Be by Metallica Deets about the track : For the next two picks, we are going to look at some nationally known acts, both classical and new. The Thing That Should Not Be by Metallica is the first classic pick to throw your way. This track is my favorite from Metallica's 1986 album, ‘ Master of Puppets ’. It's a sinister track wrapped in lyricism about Lovecraftian lore, haunting and melancholy music, and vocals that wrap the whole project together. If you want a classic thrash pick with epic standards of otherworldly stories, haunting riffs, and much more, this track would be the perfect pick for your playlist. 5 Cosmic by Avenged Sevenfold Deets about the track : Next, we have Cosmic by Avenged Sevenfold . From start to finish, Cosmic offers a wide range of sounds over its eight-minute runtime. It starts off somber, but, overtime, it builds more and more into a thematically excited set of tones, musical quality, and so much more. The riffs, chord progressions, solos, operatic sections, and storytelling are all above the tier of most modern rock. This is a quality choice for just about any playlist that I highly recommend. Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘These Chains’ is an amalgamation of everything good in music. < Back Breaking Free: A Review of ‘These Chains’ by Byron Daniel and the Five Dead Dogs Nicole Brice Jul 13, 2024 Share ‘These Chains’ is an amalgamation of everything good in music. New music always makes me happy, and today, I have a new track from Byron Daniel and The Five Dead Dogs , a band from Southeast Louisiana. ‘These Chains’ is an amalgamation of everything good in music. It’s got soul, fuzz, thundering bass, and a great groove. Reminds me of a modern incarnation of The Allman Brothers . It’s classic rock with a twist that gets your head nodding. “ Rural Infused Sweat Rock ” is how the band describes their music, and I have to say I agree. That is one of the most descriptive terms I have heard to describe music ever. When asked about the recording process for the new material, lead vox Byron Daniel said, “We recorded this song with Bryon Knight at Melancholy Mixing and Mastering . I played an acoustic show with Bryon, and he told me about his studio. Shortly after, I heard a single that Bryon had done for a band called She Might Be a Beast and really loved it. He was a pro and very easy to work with.” Byron Daniel and The Five Dead Dogs is comprised of Byron Daniel (Guitar/Vocals), Andy Ates (Guitar), Monroe White (Bass/Vocals), and Christian Colonna (Drums). ‘These Chains’ begins with a smooth and mellow vibe when Byron’s weathered and raspy vocals kick in. This man’s voice is full of so much soul and depth. Because of his vocal delivery, he is one of my favorite local frontmen, and even though I have not caught them live yet, I hope to in the future. With catchy lyrics, Byron said of the lyrical inspiration behind the song, “The inspiration comes from my upbringing and the people that have kind of come and gone out of my life. ‘These Chains’ is just about partying and using rock n’ roll to break free of small-town syndrome. Most of my writing is just me trying to accept who I am, what I’m doing, and what I’ve done.” One of the best parts of the song is the guitar tone on the solo from 2:15 to 2:47. Wow, it knocked me on my ass because it doesn’t come at you all at once; no, it builds to a powerful crescendo. ‘These Chains’ is an enjoyable track from start to finish, but I insist you listen to it loud in your car with the windows down while driving a long, windy country road. With plans to release a full album in the future, the band will be hitting the road in October to bring their sound to the masses, so keep your eyes and ears open. Click picture to listen to the new track “Definitely excited to be branching out and doing some shows in Baton Rouge and Lafayette. We spend most of our time in New Orleans or on the north shore, so we’re stoked to be seeing some new faces and converting some folks to the ways of Sweat Rock! We are looking to have our album ‘Armadillo Soup’ out by 2025. We will certainly be releasing a single or two before that.” https://www.youtube.com/watch?v=gc2h-Ox2XXo ‘These Chains’ by Byron Daniel and the Five Dead Dogs is a powerful, emotionally charged track that showcases true musical craftsmanship and stays with you long after the first listen, so do yourself a favor and go stream it today. Upcoming Shows: Click picture for more info To learn more about Byron Daniel and the Five Dead Dogs, just hit one of the links below: www.bdandtfdd.com #RISR | Byron Daniel and The Five Dead Dogs Byron Daniel and The Five Dead Dogs are available to book for music clubs, festivals, events, parties, and acoustic shows. Facebook : https://www.facebook.com/ByronDMusic/ Instagram : https://www.instagram.com/bdandtfdd/ Spotify : https://open.spotify.com/artist/6NUAE8mTYyxW3FLMaKmfu7 Apple Music : https://music.apple.com/us/artist/byron-daniel-and-the-five-dead-dogs/1546819944 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. < Back Reviews on the Real: Exploring Peregrine Stanzas by Andy Connolly Nicole Brice Jul 14, 2025 Share Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. Wow! This is incredible! Those were my exact thoughts after I hit play on my iPod to dive into the new EP from Andy Connolly called Peregrine Stanzas . Andy Connolly was born and raised in the suburbs of Boston, where he has navigated his musical journey through various contrasts. He skillfully blends powerful guitar chords with delicate acoustics, showcasing both sides of his musical personality through well-delivered vocals and carefully crafted arrangements. In his fifth solo album, Peregrine Stanzas , Andy has refined this balance of extremes. Andy is more than a musician, though; he’s a songwriter and author, too, with his work currently available for purchase on Amazon . Released May 30, 2025 On Peregrine Stanzas , each song is more enjoyable than the last, and no two songs sound alike . Andy's vocals are extraordinary . Released on May 30, 2025 , Peregrine Stanzas is a 6-song EP that features an exciting mix of pop punk, rock, metal, new wave, and much more . It showcases heavy basslines complemented by crisp vocals and exceptional guitar playing . It’s a fantastic collection of goodness, no lie. With exhilarating highs and reflective lows, it evokes everything from the thrill of speeding to deep contemplation . Listeners should prepare to be transported to an otherworldly musical realm characterized by melodic guitar playing and memorable hooks , all woven into catchy songs that will have you hitting the replay button. Andy has collaborated with renowned musicians, including bass legend Billy Sheehan ( Mr. Big , The Winery Dogs ) and drumming virtuoso Ray Luzier ( KoRn , ex- David Lee Roth Band ), along with many other talented artists and special guests. Peregrine Stanzas draws on familiar sounds while pushing the boundaries of Andy’s unique style. https://www.youtube.com/watch?v=Yp4hIPDQ6zI Peregrine Stanzas Unabridged on YouTube Produced by Dan Kupka and Scott Bush on different tracks, Peregrine Stanzas marks Andy's first solo effort that features contributions from outside writers and session musicians. With outstanding lyrics by Patrick Walsh , Andy composed the music for the breakout single ‘ Rough Diamonds .’ The track is backed by Billy Sheehan on bass and Ray Luzier on drums, making it an enjoyable high-energy song. As for the rest of the album and Andy's future sounds, only time will tell, so stay tuned. Photo courtesy of Andy Connolly Let’s get into these tracks, shall we? ‘ Rough Diamonds ’ is full of energy as soon as the song kicks off. The guitar tone is superb and crisp. It's an excellent song, and everything about it hits. ‘ Dear Tragedy ’ begins with a raw guitar sound that has a rockabilly vibe. Andy's powerful vocals shine through; his voice truly seems made for this genre. The heavy bass kicks in right from the start, giving the song a grunge sound, in contrast to the opening track, which leans more towards pop punk. Overall, this song is fantastic. In ‘ In the Belly of This Whale ,’ the spoken word vocals are potent and give me chills. Andy's voice has a more acoustic vibe, yet it maintains the same intensity as the previous two tracks. He speaks with truth and strength in his words, so it's essential to pay attention. ‘ Taken by the Night ’ has an entirely different vibe compared to the previous three tracks. It reminds me of 80s new wave but with a modern edge. The track features no vocals and is entirely acoustic. ‘ Leave It All Behind ’ starts with an energetic “Heeeeyyy!” that sets the tone for the track. It reminds me of a gritty, grunge-alternative song that is full of charisma and oozes with it. ‘ Taken by the Night (Dr. DK Remix) ’ reminds me of the remix of ' Torn Apart ' by Stabbing Westward for the Spawn soundtrack . This remix jams and offers a unique take on the original track , adding more of a groove. It would be an excellent addition to a video game soundtrack. Peregrine Stanzas is an EP that is worth checking out and adding to your collection. It is well-crafted and showcases a great deal of diversity. It's best enjoyed by listening to all the songs in the order they appear, preferably with headphones on. Be sure to stream it today! To learn more about Andy Connolly: Website: http://andyconnolly.com All links: Peregrine Stanzas by Andy Connolly - DistroKid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Baquenne is diverse and intricately constructed < Back Baquenne: Soothing, Ethereal Music Nicole Brice Jul 31, 2023 Share The music of Baquenne is diverse and intricately constructed Soothing, laid-back, feel-good music with upbeat vocals, catchy hooks, and ethereal guitar sounds: That’s the music of Baquenne . A band from Asbury Park, New Jersey , drawing inspiration from classic rock to 90's alt rock, the band is comprised of Liam Moroney on lead vocals, Eric Rudic on guitar, Chad Sabo on bass, and Santo Rizzolo on drums. Baquenne’s music reminds me of the tunes you would hear as a backdrop to a film about being at the fair on the boardwalk while enjoying ice cream on a beautiful, bright sunny day. From the howling guitars on ' Mountain #1 ,' which are soothing and evoke memories of playing outside as a child, to the stomping intro on ' Baby You’re Mine ,' which features a rhythmic opening building to a strong chorus of loud guitars and danceable beats, this band has something for everyone in terms of musical diversity: They’re poppy, they’re fun, and their music is just plain good. credit: Jeff Crespi Another track of theirs, ' Dead ,' is a guitar-infused slow jam with introspective lyrics that calm you and sounds like the perfect soundtrack to taking a drive down country roads with the windows down and your hand waving in and out of the breeze as you cruise along. And, Liam ’s vocals are soft and mellow and have just the right amount of intensity for songs intricately constructed about life and loss. Hauntingly reminiscent of Brendan B. Brown of Wheatus , Liam Moroney has the perfect voice to sing alt-rock, and I truly enjoy listening to him. The band began during the pandemic and has just begun with the guys continually writing and recording material as well as playing shows. Currently, their catalog consists of five singles available via Apple Music and Spotify with clever album art for each single released. The cover is nothing more than a simple band logo against a backdrop of a solid color that varies with each release ala the style of Weezer . If you remember, Weezer has done the same album art for several releases but with each one showing a different color with the guys wearing different outfits and looking just slightly different. It is pure brilliance in its simplicity and it’s clever branding, too. credit: Jeff Crespi A quick search on YouTube pulls up Baquenne ’s video for “ This is Life ”, a song that begins with a mellow opening only to build to grungy guitar fuzz and visuals of Liam driving in the car, playing guitar on a bench in the snow, with Eric lingering nearby in a covered bus stop. The guys look like they’re freezing, but with all the winter gear they’re sporting, I’m sure they did just fine. https://www.youtube.com/watch?v=BDJxTM_Mgm0 To see more of the band, check out, “ Mountain #1 ”, which is a performance vid showing the band in action. I really dug this song, and I think you will, too. https://www.youtube.com/watch?v=AZRqu2vuKzk A friend turned me on to Baquenne ’s music and I’ve been a fan ever since, so I wanted to share them with you, the readers of Mixed Alt Mag , so you could add another band to your rotation of tunage. I recently had the opportunity to chat with Liam and Eric at length and these guys are humble, fun, and down to earth. I’ve included the answers to a couple of questions that were thrown their way so check it out. Baquenne is creating music that is different, quirky, and just plain enjoyable. I have a feeling we’ll be listening to their music for many more years to come. MaM : Where did the band name come from? It’s so unique! Liam : So, the short answer is we just like the way the name looks. It’s not a real word as you know. And it came about during the mixing of one of our songs. credit: Jeff Crespi MaM : When is the new single coming out or when can we expect new music? Liam : We are working really hard to have a single out by mid-September with an EP to follow shortly after. We’re putting the finishing touches on those tracks now. MaM : If you could share the stage with any current band, who would it be? Liam : As far as sharing the stage, quite frankly the list is endless. There are many bands that are putting on great shows and we’re always trying to create a fun atmosphere during our live set. We would love the play with bands like the Pixies and Weezer , who both are coming to our area in the near future. credit: Jeff Crespi MaM : What are the future aspirations for the band? Liam : Since this band is relatively new our immediate goals are to really keep creating and spreading the word. We want to play to new audiences and take this thing as far as we can. To experience Baquenne ’s music for yourself, hit one of the links below! We’re certain you’ll be adding their music to your collection after engrossing yourself in their tunes! YouTube: https://www.youtube.com/@baquenne9467 Facebook: https://www.facebook.com/baquenne/ Instagram: @baquenne • Instagram photos and videos Spotify: Baquenne | Spotify Apple Music: Baquenne on Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. < Back Reviews on the Real: 3AM 666 by Antania Nick Cline Sep 15, 2025 Share From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. Antania is a band that blends visceral intensity, thematic depth, and unwavering dedication. Their sound draws from a diverse range of influences, including Slayer , Ministry , and The Prodigy , crafting a unique soundscape characterized by hard-hitting beats, aggressive sounds, and haunting vocals and their latest release is no different. Released June 20, 2025 This signature sound is prominently showcased in their latest release, 3AM 666 , a ten-track powerhouse album featuring songs like ' Pigz ,' ' Sewn ,' and ' Abysmal ', which was released on June 20, 2025 . From start to finish, 3AM 666 offers a dynamic experience that I would describe as a horror movie rock opera . The album’s scale and visceral nature resonate with every guttural scream, lingering beats that stick with you long after the initial listens and sounds that slice through the sound like sharp blades. The album encapsulates an artistic sense of dread, aligning perfectly with the band's intended vision for this project. It feels both mysterious and revealing, visceral yet impressive. Antania presents a collection of sounds wrapped in a thorn-covered display of musical artistry, and they deliver it with remarkable ease. Credit: The Triad Rec My personal favorite track is ' Blood Love .' The synth intro feels like an episode of The Twilight Zone , and suddenly you’re swept away into an untamed execution of tone and musicality . From beginning to end, the music captivates your senses and draws you in completely. Credit: The Triad Rec Overall, this album stands as a testament to the band's ability to channel immense creative energy into a tightly wrapped package—something that few bands can achieve . It’s a powerhouse of concepts, energy, and raw musicality. The album’s visceral yet appealing nature makes it a fitting listen for fans of Rob Zombie films or anyone seeking a more aggressive edge in their musical repertoire. Go stream it now! To learn more about Antania: Linktree: antaniaofficial | Facebook | Linktree Facebook: Facebook Instagram: Instagram The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Serious House on Serious Earth is a mythos turned nightmare < Back Book Review: Arkham Asylum Nick Cline Aug 4, 2026 Share A Serious House on Serious Earth is a mythos turned nightmare Batman has been one of the most iconic characters in the media for almost 100 years . His presence has spanned movies, cartoons, books, comics, video games, and so much more. Throughout his history, he has taken many forms, but very few iterations have taken his story into the realm of horror for both the character and the audience. Grant Morrison and Dave McKean took the mythos of Batman and turned it into nightmare fuel. The Rogues Gallery fans have come to know underwent a factory reset, revealing their truly horrifying backstories in a whole new light. Most people know Batman as the crime-fighting hero who haunts criminals in his stories. But the Arkham Asylum story takes the common mythos and turns it upside down. Batman becomes a haunted memory within a labyrinth of trauma, exploration, and history, spanning his Rogues Gallery and Arkham's past. Arkham Asylum is a prison that houses Batman's most famous and disturbed villains. Riddler , Joker , Harley Quinn , Killer Croc , and so much more have haunted the comic's twists and turns. All of the haunted twists take the common understanding we have of the characters and twist and shape them into traumatic images of history and regret. It offers a different light on the characters that very little Batman media is willing to tap into. Click to order Alongside the Rogues , the history of Arkham is being unraveled as Batman navigates the haunted maze of his foes. This is a key point in observing the connected tissue of trauma and intact cycles. The character study, the structure, and Batman as a whole are something to behold. The story unfolds in torment, and Dave McKean's artwork absolutely nails it. The beautifully haunted narrative is filled with pages of painted comic art. All of these elements, added to one arc, create a masterclass in comic writing and world-building that takes known properties and turns them into something truly unique. The horror element didn't get off the ground initially, but it has since become a key foundation of the Batman story. The groundwork laid with Arkham Asylum has defined the character for almost 40 years . From video game adaptations to movies (animated and live-action), Arkham Asylum has played a role in Batman's success, even if it didn't initially grip the audience when it was released. There were a few concepts that didn't quite align with the story's overall push. This is the one critique I could find. At times, the story feels stuffed to the brim with back-and-forth thought. One part of me feels this is on purpose, but another part of me feels it was just a slip in thought. The character studies are interrupted by random jolts of inner thought and paranoia. It evens itself out throughout the story, but the storytelling's erratic nature can be both streamlined to the concept and a chaotic mess. Whether or not this is an issue is 100% up to the reader. Regardless, Arkham Asylum has concepts that rely on the chaos and love of the character within its own established mythos. At its core, Arkham Asylum is a passion project for a character who has been around since the 1930s. It carries character in every picture and every word. It's a beautiful and horrifying piece of art about hardships, trauma, insanity, and the gripping question of what's real and what's not. I highly recommend this comic to anyone who cares about comic media. It's one of the industry's gems, despite slight flaws in its pacing and layout. The story and artwork are more than worthy of appreciation. If the bond to the story shows, it only grows more unique and hauntingly beautiful. To buy your copy: https://a.co/d/0chmpZvY www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: The Suckling Review Ezekiel Kincaid Share Mar 17, 2023 This B-horror movie is so bad, it's B-movie gold There are bad horror movies, and then there are so-bad-they’re-good horror movies. Ah, yes, the never-ending cesspool of B-horror movies. Some of us love them, and some of us hate them. And if you're in the vein of loving them, there are plenty for that. These days, there are so many B-movies out ther, one can get lost in the movie void when trying to figure out which ones are worth watching and which ones are worth skipping. But alas, have no fear, Zeke is here! I’m gonna wade through the B-movie junkyard so you don’t have to. Equipped with my high tolerance for bad acting, stupid plots, and excessive gore, I’m the perfect man for the job. Even my editor says so. This week we are kicking things off with an all-time favorite of mine and my fiancée’s called The Suckling. Directed by Francis Teri ( Flesh Eating Mothers , 1989—another great B-movie), this gem hit the horror scene on September 24th, 1990. The movie stars people you’ve probably never heard of as well: Geral Preger, Marie Michaels, Lisa Petruno, and Janet Sovey … anyone? ANYONE? Yeah, I didn’t think so. One of the things that makes this movie so great is that it absolutely takes itself seriously. In fact, in the opening credits, the director tries to make us think this is based on true events. What are those events and what is the plot of this movie? I’m glad you asked. Brace yourselves. Also known as Sewage Baby , the story follows a young couple in need of an abortion. The girl isn’t so sure about it but the boyfriend? He’s all in. from IMDB stills However, because of the taboo surrounding abortion, they are looking to try and take care of things in a discrete and cheap manner. And man, do they ever … they strike gold! The couple finds a brothel with a lady named Big Mamma, who happens to take care of such kind of needs. And, oh man, let me just tell you that the opening scenes taking place in this brothel are, well, absolutely trashy, completely offensive, and downright hilarious. Big Mamma, from IMDB stills The couple decides to go through with the abortion, and this is where things get loco. The fetus terminated in the operation is the largest, nastiest amalgamation of flesh imaginable. Then, like every good B-movie, toxic waste gets involved (think Toxic Avenger meets aborted baby). The dead fetus gets chunked down the sewer. which happens to be full of some sort of toxic waste. The waste mixes with the fetus, brings it back to life, and transforms it into this mutant-like creature that grows at an exponential rate. The beast is actually pretty cool-looking, despite the low budget. It has these razor-sharp teeth reminiscent of the creatures in Feast , along with flesh-serrating claws, as well as a special skill of attacking and killing people with its umbilical cord. There are also some great, low-budget kills with blood that looks like it was watered down to make it go farther, but it works. The Suckling, from IMDB stills To make things more interesting, the toxic fetus has a weird superpower. It is somehow able to wrap the entire outside of the building with a supermassive placenta. This traps everyone inside the brothel, allowing them to get picked off one by one. And don’t expect to care about any of the characters. They are all stupid, one-sided, and there just to be killed. Yes, this movie is every bit as crazy as it sounds—there’s even a wire hanger scene! Yikes. So, gather your Pro-Life and Pro-Choice friends for a watch party, and let the insanity begin! Zeke gives this one 5 out of 5 toxic fetuses. You can find The Suckling streaming on Tubi and Amazon Prime. https://www.youtube.com/watch?v=bHaXHv3X1Ko Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nick Sabia’s new release “Back East” is a peaceful trek through nature. < Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. https://www.youtube.com/watch?v=-ingZ0SKZfo MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. < Back Unearthing Depths: A Review of Eldergrey’s New EP ‘Well of Souls’ Nick Cline Jul 9, 2024 Share Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. Based in the United Kingdom, the doom metal band Eldergrey has officially released their debut EP, ‘ Well of Souls ,’ which does not disappoint. It is an electrifying fusion of various metal influences, a unique blend that promises to fill the gaps left by modern metal. Eldergrey formed in late 2023 when the creative minds of seasoned musicians Ian Field-Richards and Clive Withers joined forces. The creative sparks between the two led to the recording of ‘ Burden ’ by Outrun the Day , another project, in the summer of 2023, but it did not end there. While initially conceived as part of the next Outrun the Day album, it quickly became evident that the new material was slower, darker, and heavier, necessitating a distinct musical identity. Credit: Photo provided by band The recording process was a crucible that forged an intense synergy between Ian Field-Richards and Clive Withers' creative minds. Drawing inspiration from bands such as Crowbar and Conan , they have carved out a unique sonic space with profound lyrical content. Released July 5, 2024 ‘ Well of Souls ’ starts with the track ' Superlithic ', a song full of so much sludge from start to finish that it’ll make you think you’ve landed in the mud pits of Louisiana. ' Southern Star ' rounds out the EP with raw aggression and crunching guitars. From start to finish, this EP was an electric experience filled with pounding riffs, walls of fuzz, and screaming solos. It was just so good. I really enjoyed listening to it. The best part was the absolute crushing riffs and walls of fuzz that wrap around you like a blanket of chainsaws—almost like a cocoon of sound. It is reminiscent of metal greats such as Pantera , Black Sabbath , and Mayhem . I enjoyed how such a range of influences were integrated into the music. These musicians are damn talented. ' Empire ', by far, is my favorite track on the EP, but listen to it and decide for yourself. All of the tracks are bangers. I can't wait for the full-length to be released in the fall. https://www.youtube.com/watch?v=TWMFul9ZcZo The only downside of the album I could find is that some of the mix is off-balance. The guitar and drums overpower the bass and vocals in certain pieces of the songs. I think the bass and vocals should be raised, just a tad more. This would allow the mix to be evenly balanced musically and vocally. Tonality would be helped because it would create a fatter sound to cover all foundations of the track. At the same time, the vocals would allow itself to hover over the pounding tones of the music. The foundations laid by Eldergrey's debut EP will undoubtedly open the door to many inspirations and concepts for future exploration. This band is one to be watched, so take note. I anticipate hearing more from Eldergrey and commend the band on a solid first effort. ‘ Well of Souls ’ is available to stream now, so be sure to add it to your list of new music to check out. This EP is a journey worth taking. To learn more about Eldergrey : Facebook: https://www.facebook.com/theeldergrey YouTube: https://www.youtube.com/@Eldergrey Instagram: https://www.instagram.com/theeldergrey/ Linktree: Eldergrey | Instagram, Facebook | Linktree *cover photo provided by band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. < Back Unveiling Small Town SINdrome: The Band, The Name, and The Music Erica Machen Nov 9, 2023 Share STS infuses their music with a down-to-earth sensibility, blending the raw power of classic punk rock with intricate pop melodies and compelling lyrics. Small Town SINdrome, also known as STS, is a notable alternative rock band hailing from Grand Rapids, Minnesota. STS has rapidly gained attention with their distinctive sound, as their music seamlessly blends the raw power of classic punk rock with intricate pop melodies and compelling lyrics . STS offers unique listening experience that resounds heavily with fans. Established in 2018, this three-piece band consists of Brian Gandy, a charismatic vocalist and guitarist; Adam Mahoney, the rhythmic section of the band on drums; and John Hakala, vocalist and bass guitar virtuoso. The name "Small Town SINdrome" itself draws inspiration from the small-town-ness of Grand Rapids. Despite Brian and Adam's roots in larger cities, the band has embraced the small-town mindset and ethos, infusing their music with a down-to-earth sensibility. Some may even pick up on a bit of garage band vibes. STS explores a rich array of emotions and themes in their music, forging a deep and energizing connection with their audience. From writing jam-worthy songs when freestyling together to electrifying live performances, Small Town SINdrome is on a path to become a major force in the world of alternative rock. STS has themselves poised for a tremendous journey in the world of music, sharing their authentic stories, talent, and energy with us all. Photo provided by artist. MaM : Guys, thanks so much for rapping with us today. Let’s jump right in with some of those broken-record questions: With a name as unique as Small Town SINdrome, there has to be a story. Please enlighten us how the band name came about! BG : We spent nights sitting around trying to figure out what the hell our name was going to be, because there is a lack of available names. We even went so far as to use a band name generator online. It was funny because everything we came up with sounded really cool. Then, Google would say someone in Portugal has got the name. John actually came up with it because we're here in a small town. With the small-town mentality and that sort of thing, we thought, that's kind of a cool idea. We flipped from Syndrome to SINdrome and nobody has sued us yet. MaM : Can you share a bit about how you all came together as a band? I understand that Brian and Adam have a family connection, but what led to recruiting John as the bass player? BG : We don’t talk about that publicly. (Laughs) No, Adam is officially my stepson, but he's more like my little brother. John, I look at him as my other little brother. We’re a family, a three-piece family. JH : Adam and I were living with a buddy, and Brian would come jam with him. They’d try to get me to play, but I would run and hide in my room. They finally wore me down and liked it. We started writing together, and it was just really easy. We all fit together. It’s still easy. We start jamming and that’s when the good stuff comes out. MaM : When listening to your music, I hear a mix of alt-rock, punk, and even some classic rock with a garage band vibe. How do you describe your genre, and how does your diversity play into shaping your sound? BG : You’re absolutely right in hearing all of that in our music. When we write a song, we don't necessarily say we're going to write a specific type of the song. Like John said, we just start jamming, and we go with it. Then we have songs that could be a little punk rock, pop-punk, alt rock, or could be a little classic rock. We all share a lot of the same influence, but, then again, we also have a lot of very different influences. JH : We might be jamming and listening to different bands separately from each other through the week, but then we come together and it’s a totally different style from what we’ve been doing. It really depends on what we're all listening to, what kind of moods we're in, and what's going on. We come to practice, just let it out, and see what happens. BG : I'm the Smashing Pumpkins/Nirvana wing of the band. It's funny. John came to practice a few weeks back with a bass riff and we started playing on it. It sounded really good, but it was so Smashing Pumpkins. For the next week to two weeks, I couldn't write or think of anything else … I kind of get pulled in by that. MaM : It's clear that your music appeals to a broad audience. How do you navigate such a diverse range of listeners and expectations? BG : We get feedback, and people do say different things. Really, we want everybody to like everything we do, but there's also the reality that some people are going to like this, some people are going to like that. That’s why we want to be as diverse as we can with our music, with the understanding that what some may like may not be what someone else likes. We want to try to reach as many people as we can. Back in February, we released the first cover we've ever done: ‘Blister in the Sun’ by Violent Femmes. I tell the story because it's so true that this is the one song of ours that no matter what genre people are into or what age demographic, people love it. https://www.youtube.com/watch?v=bCfSAaSdJEQ MaM : With such an eclectic reach, I’ve no doubt the journey has been filled with interesting moments. Could you elaborate on the highs and lows you've experienced along the way? (Lots of laughter between the band.) AM : This may be a little off topic, but I just have to … About two weeks ago, John left practice about two minutes before I did, and he hid in the dark. He was going to jump out and scare the shit out of me, but he ended up tripping over a fire pit and breaking his femur. He’s never even broken a bone before. Two weeks later, and we just had our first practice today. When you asked about highs and lows … I’d say that this dude is in a pretty low one right now. We have a lot of cool music times too, though. As for highs and lows, there’s a lot of ‘em. In September, we did do the coolest show of our lives. We played at Rocklahoma with a bunch of bad-ass bands. So, yeah, a lot of cool music moments too, but the broken leg is most recent. MaM : Regarding Rocklahoma, tell me more about the impact the band felt playing alongside legendary acts like Pantera, Rob Zombie, and Limp Bizkit? BG : As Adam said, it was the high point so far … not just for us being able to be on a stage in front of people at that venue, but just being able to see some of the bands we've always admired. The other highlight was the ability to be able to be backstage and kind of go where we want. I think we'd all agree. You aren’t often able to share a bill with, you know, the Chris Daughtrys of the world and Eddie Van Halen's kid. Until we got on that stage, I was thinking somebody was going to call us and say, 'Whoops, we made a mistake. We meant the other Small Town Syndrome with the I.' … [It] was a fun time for sure. MaM : I see that you recently released a new single, "Matches to Ashes". How have your fans been reacting to your latest track? BG : Pretty positive. It was kind of a weird year for us as far as releasing music. We had some festivals and things we did over the summer with the goal to get to Oklahoma. We really wanted to release at least a couple of songs during 2023. That's why we put “Matches to Ashes” out there when we did. It’s definitely one we all enjoy playing, and it's been well received when we have gotten to play it. https://www.youtube.com/watch?v=LZ_cA90IErA MaM : Here comes my quirky question: What came first, the chicken or the egg? BG : Hmm, I don’t have a strong opinion either way. If I have to pick between the two, I’m going to go chicken. AM : Chicken. JH : Then I’m going to have to go egg. MaM : Honestly, I wanted to get you thinking so I could ask about your writing process. What comes first, the lyrics or the instrumentals? AM : It can be different. I think it's like that with a lot of bands, but not everyone can do it. Sometimes Brian will have pretty much a whole song already down on guitar with some lyrics. He'll come to us with it, and we'll fill it in. We piece it together. John has done it too, but then there's times we'll just get in the room and within 20 minutes have a super song from freestyling. MaM : As a band, where do you see yourselves in the next five years? Any particular goals or aspirations you'd like to share with your fans? BG : From my perspective, Dave Grohl said it perfectly. He did an interview a few years back and said something to the effect of if you do this just for the love of music and nothing else, with no illusion of winning American Idol or The Voice or something, you’ve already won. Obviously, bands want to make a career out of this and sustain without having to work multiple jobs, but I think that’s really it for me. We definitely want to keep creating and pushing ourselves to improve as a band and as individual musicians. Rocklahoma was a big bucket list thing, but now it’s not enough. Once you have a taste of that, you say ‘Ok, now what?’ We are looking at touring next year and making a stop in the UK. That’s another big bucket list item for us. And, of course, back to the music, it's just finding those bigger stages and keeping that rolling. I should say this too—Erica, you're kind of getting a scoop on this: We haven't said this publicly, but we will have an album coming out tentatively on February 1st. It’s totally unreleased music we have done and some new stuff we're working on. MaM : That’s excellent! We’re happy to share that news! What should we be looking for next from STS? BG : We want to play in a lot of places in 2024 that we've not played. We want to see as many people at our shows as we can, and we want to be able to meet a lot of people. We're going to work on getting to different corners of the world and see some new stages. As I said earlier, the immediate goal is to get the new music out and into everybody’s ears. JH : I think pretty similar to Brian. Get out, play a lot of shows, heal my leg, and get back to jumping and messing around. I love playing live, feeling that energy, and feeding off of it. That's my goal: just get back out there. AM : Same. I mean, put some new music out there, write some new stuff, and play some play some dope shows with some bad-ass crowds. While we anticipate the new sounds from Small Town SINdrome coming in February 2024, check out what they currently have to offer by visiting them online at www.SmallTownSindrome.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One studio drummer who's tearin' it up < Back Justin Holder: North Alabama's Self-Proclaimed Drummer Ho Keeley Brooks May 24, 2023 Share One studio drummer who's tearin' it up I love doing what I do because I stumble across so many independently talented artists—like musician Justin Holder, for example. If you live up in or close to the Muscle Shoals area of Alabama, chances are you know who he is and not just because of his super funky hairdo. Holder is the go-to drummer in North Alabama for studio work, and he’s also a live drummer. I first met him back in early 2022 when he sat in the drummer seat to accompany UNA Entertainment Industries Professor Dr. Charles Brooks on his Black History Month tribute to Jimi Hendrix, which was beyond badass and had everyone on their feet. In case you missed it, you can catch that show in its entirety HERE . For now, here’s a peek at Hendrix’s “Foxy Lady” mixed with a bit of “Purple Haze.” Brace yourselves, though—it will melt your face off in every aspect from melody to groove to overall musical experience. Each of the musicians on that project put on one hell of an outstanding show. https://www.youtube.com/watch?v=YVgBGC0Vrqs Holder becomes another person when he sits in the captain’s chair, losing sight of everything but the drums and the groove. He plays masterfully with such professional intelligence and finesse that watching and listening to him sucks you right into the music to get lost in his rhythm. He’s always prepared to the nines, and he knows his shit. Don’t mistake anything about him, though; he’s a pro through and through. He studies hard the music he plays, and he keeps a notebook nearby full of meticulous notes so he doesn’t have to worry about what he’s going to hit; he can just be musical. He’s got an incredible ear and a gifted sense of awareness that allows him to play off the rest of the band. He’s able to mesh easily with other musicians, too. “He's a consummate professional,” says Brooks, “the very definition of a hired gun who can walk into any situation and not just adapt to a style but emulate it in a way that’s authentic to the source of origin and fresh for the listener.” I had to know more about this self-proclaimed drummer ho and go-to studio drummer (at least in the North Alabama area), so I sat down to rap with him about how he fell into studio drumming, what he loves most about everything he does, and what advice he has for up-and-coming drummers out there. Check out our conversation. MaM : Justin, thank you so much for taking the time to rap with me about your groovy talent and occupations. Are you a Muscle Shoals-area native or a transplant? Tell us about yourself. JH : Thank you for having me! I’m actually born, raised, and currently live in Florence, Alabama. I’m both a studio drummer and a live drummer. I started out as a live player and then converted over to studio work. I’ve wanted to do studio work my whole life. I grew up around it. I love it. MaM : It’s our pleasure! First, let’s address this “Drummer Ho” thing, because inquiring minds want to know its origin. Please, the floor is all yours. JH : (laughs) Well, I’m Justin Holder, and when JLo came out, my buddy started calling me “JHo” and it just stuck. I sign everything with that [moniker] and when I went to make an email, I just did DrummerHo because it fit. (laughs) MaM : Dude, that is hilarious. And awesome. It fits you perfectly. Never, ever change it, please. So, drummer ho, what type of equipment do you use to drum shit up, and what are your favorite symbols and sticks? JH : (laughs) I have a DW drum set and a 1969 Ludwig kit. But the current one I use is a Maple YAMAHA Custom kit. My preferred symbols are the companies. I'm sponsored with Sabian symbols and Vater drumsticks. credit: Justin Holder social media MaM : Has music always been a part of your life? JH : From birth, my dad was a musician and he toured around my whole life. He had a studio, so I would grow up just doing homework at his studio and listening to him mix. And, you know, all the legendary musicians from our area were there in my house, but I didn't know who they were. They were just guys my dad recorded with. So, I've been around music my entire life ever since I was born. MaM : What was your life like during middle school and high school? Were you playing any music then? If not, where were you headed after graduation? JH : So, during middle school and high school, that's all I did. I mean, coaches gave me a hard time because they wanted me to play sports and I was like, ‘Nah, I'm just gonna play drums.’ (laughs) So, I did. We had a band called Salvatron and I was in a band called Prototype, and we played a bunch of churches and stuff like that. One was a punk band, hardcore. So, different kinds of music all through my high school and middle school days. And I played at church, of course, with my dad. That's where I first got my start. I remember it was a Tuesday night and it was a worship night … he let me get up, and I was just terrified. And there were seven people in the auditorium or whatever. But, after graduation, nothing was really going on here. I graduated in 2001 and moved to North Carolina with a guy named Will McFarlane; we just wanted more opportunity in life. MaM : When did you know you wanted to play drums? JH : Oh, I knew from the first time I saw Animal from The Muppets. He was in a tree singing ‘Rockin’ Robin,’ and I saw his drum set and just went, ‘Whoa.’ And that was it. I remember just being a young kid, I had pots and pans I would beat on. And my dad, like I said, was in a band, so I saw all the drummers. MaM : (laughs) Ah, Animal. He was the best. Do you remember your first live show as a drummer? JH : Of course, I do. But my dad and Will McFarlane were the first two that gave me an early shot to play live. I think I was, gosh, maybe 13? And I can't remember which one of them it was, but one of them paid us 50 bucks and it was just like, ‘Wow, I can do this and make $50?!’ (laughs) credit: Justin Holder social media MaM : Haha. Hey, fifty bucks is fifty bucks, man! Do you ever get nervous at live gigs? JH : I did, and I still do, to this day, get anxiety and nervous. [I could have a gig] in front of four people [and I’d} still get nervous. And I love that, because once those nerves are gone, you might as well give it up, start something else that makes you nervous, and get your blood flowing. But I always have a process, kind of, when I have to learn a lot of songs. I cram, cram, cram, cram. And I constantly question myself and think, ‘I'm never gonna remember all this. I'm not. I'm just not.’ So, I let it go. The night before [and] the next day, I wake up freaking out, [saying to myself], ‘You're never gonna remember all this.’ But as long as I do my due diligence and notate everything—I need to notate on a piece of paper or chart—I can make it through anything, and I've figured that out along the way. And so, but I still get nervous for any show, really. When I'm setting up, once I hit that first note, I'm comfortable—maybe the first song, sometimes, depending on how much I'm feeling or how much I've drunk. But usually everything works out. The moment I hit that first note, I'm like, ‘Okay, you do remember this. You've practiced, you know what you're doing.’ So, yes, I do still get nervous at live gigs. MaM : I can dig that, man. I know many people can. What does playing drums mean to you as an artist? What is drumming a source of for you? JH : For me, it's a source of … that's a good question. My father was a musician, so for me, it's, it was important to be a musician like him. That was, to me, I guess being a man back then. As an artist, the drum is the groove you know because when we're in the studio and I'm listening to something and the guitar players listening to something, we're listening to totally different things. He's going to accomplish one thing, I'm going to accomplish another, but we're gonna tie them together. So, you have a room full of guys that kind of know what they're doing and [know] what to look for, and, you know, I'm not hearing melodic changes a lot. I'm hearing rhythmic changes and timing, so as a drummer, I'm totally focused on the groove, the timing, what the tempo should be, and just how to make the song better. It's always about making the song better. That's why we check our egos at the door, first and foremost, because that could definitely get in the way. There's no ego involved. It's just whatever is best for the song. MaM : What does your evolution as a drummer encompass from where you started versus where you are now? JH : Wow, I'm only 40 years old, and I feel like lately I've kind of just been like, ‘You know what? This is easier than I thought it was.’ … But where I was to now, it's just experience, honestly. I mean, 10 years ago, I wouldn't have listened to what I know now, because I would think I'm not gonna have to do all that, like country and blah, blah, this, and this, and now it's like, ‘That's my job.’ So, knowing a lot of different types of music [and being able to] instantly relate to an artist [by being] aware of where they're coming from, that’s my job—to understand where people are coming from and to know what they mean by saying this, this, and this. MaM : What do you love most about what you do? JH : My dad was a musician, and all I ever wanted to do was play music because I saw him do it. He passed away 13 years ago, and I'm just continuing the legacy. Studio work is forever. Live gigs are in one ear out the other. But when you track a song, it's there forever. And that's what I love about the studio. I love the fact that it's an art in the studio. It's decisiveness. It's a gut feeling. It's gut reaction. But I love the excitement and not knowing what I'm getting into. credit: Justin Holder social media People always said, ‘You want me to sing any songs beforehand?’ Nope, I don't. I want to meet the artist the day of. They're gonna look at me all weird, I'm gonna look at them all weird, and then all of a sudden, with the first time we kick into a song, or they hear me do a drum check, they're like, ‘Okay, I feel good now; this guy's good.’ So, that's what I love about studio. It's forever, and there's an art form to it, and getting better at this art form is really fun. MaM : That’s beautiful, man. Well, I know you're in a couple of bands, so tell us about them. JH : So, one band I'm in is called Drumb and Drumber with a guy named Chad Berdine. I play guitar and sing and play some hand drums. It started because I needed to pay my utility bill and drums weren't paying me a lot. (laughs) I didn't have a lot of work when i moved [back] here twelve years ago, and I didn't want to get a job, so I said, ‘You know what? I can play some covers,’ and I did it one night [and realized] I don't need to rely on anybody else anymore. I can do this all on my own. And then Chad came to me and said, ‘Let me play with you.’ Next thing you know, we called it Drumb and Drumber. We've opened McDonald's for corporate events, we've played at the National Predators Game nine times or something like that, and now he owns wedding venues. So primarily, we do a lot of weddings. I’m also in another group called Fathers and Sons . We put this together just for us. It's a bunch of studio guys: Jamie McFarlane, Kelvin Holly, Will McFarlane, Janet McFarlane, and C Thurman and me. We play whenever we get booked, but we mainly play every Tuesday night at FloBama Restaurant in downtown Florence from 7-10 p.m. We kind of put that together just for us to get our rocks off … cut loose and play. We just wanted to put together a band and have fun and do some songs that we wanted to do. I also play with a guy named Cole Nichols, but my other project is Gary Nichols. I've been playing with Gary for a long time, and he's a Grammy winner with The Steel Drivers who won Bluegrass Album of the Year. He and I just recorded his new record, and we're gonna be putting that out, hopefully see where that goes. I’m also currently playing with Dixie Mafia. So, a lot of exciting things on the horizon mixed in with also doing session work, you know? MaM : When did you become a session drummer? How did you fall into that? JH : My dad was a studio musician and [I grew] up around all The Swampers (aka The Muscle Shoals Rhythm Section ) here in town. There's something special about recording. It really is special. I've grown up around it and I've seen the art form my whole life, so I wanted to do that. When I moved back from North Carolina to Muscle Shoals, I knew … there were session guys and they were getting the work, but, you know, they were all aging. And I hate to say it that way, because we had some greats: Bob Evans, Roger Clark, Milton Sledge, Roger Hawkins, and Mike Dylan, who's still around with us. But … there was a need for more drummers, I have to say it. So, I moved back and plugged myself in, and I got really close with the guys at Fame Studios , and they just started using me slowly but surely. And next thing you know, twelve years later, I feel like I'm the go-to guy. I don't wanna call myself that, but I'd like to think that I am, you know? I'm still aspiring to be ‘that guy’ and get better at things. I've sacrificed a lot to be a session drummer. I probably could have been on the road playing with other people, but I knew that that session drumming is what I wanted to do. I wanted to get better at that. I could get better at being a live player and going out and networking and schmoozing my way up the ladder like anybody could do, you know, but I wanted to plug away at the studio … because it's forever. It's very special to me and my father all that kind of stuff. credit: Justin Holder social media MaM : Drop some big names you’ve played with over the years. JH : Little Richard, Delbert McClinton, Kris Kristofferson, Foy Vance, Jason Isbell, John Paul White, Rick Hall, Jim Gaines, Jimmy Hall, Shenandoah, Donny Fritz, The Swampers, T. Graham Brown—I’m on his new record, which features Sammy Hagar, Billy Gibbons, and Daniel Tucker—but that hasn't come out yet. Those are just a few names. There’s many more. MaM : Your life must be pretty busy. Given all that you do, how do you find a balance between working, playing, and home life? JH : I'll be honest with you, I struggle at that a lot of times, because I'm a kind of guy who if I'm working from ten in the morning until ten at night, I'm gonna have time to myself in that night … I can't just come home and go to bed. I have to have my personal mental quiet time. I play Fortnight with my wife a lot. (laughs) I'm not a gamer, but something about that is very peaceful after I’ve been in the studio dissecting songs all day. It's not physically tiring on me; it's mentally draining. And that's tough. credit: Rachel Neal Pictures I have a 14-year-old daughter and a wife. We find our ways to bond with each other. I still am challenged with finding a balance in everything. Right now, I'm in a season of just working as much as possible. And whenever somebody calls me, I go; I'm a yes man. … I don't get a lot of days off, and so when I do, I do nothing … absolutely nothing. MaM : Any advice for those interested in maybe becoming a studio drummer? JH : If you're interested in becoming a drummer, the first thing I could tell you to do that I wish somebody would have told me to do is to suck it up, nancy boy, and listen to every kind of music you don't like! If you wanna be a studio guy, you're gonna do a lot of shit that you don't wanna do. And it's not that you can't find the joy in it, it's just, ‘Wow, this isn’t really my cup of tea. I don't really listen to this.’ Well, you f**king need to listen to it because you're gonna need to know how to do this kind of stuff in the studio. And I've learned that along the way. I was stubborn and didn't want to do that. And guess what? [They’ll just get] somebody that can do it. So, in my opinion, if you want to be an overall versatile player that gets called all the time, you gotta listen to so much crap you don't like and stuff you do like. If you want to be a Tik-Toker, you want to be a YouTuber, you wanna be a live drummer, go practice all the chops and the licks that you can do, get as fast as you want. But if you want to become a session studio drummer, nine times out of ten, you're not gonna get called for that. You know, they always say a bad drummer makes a good band sound bad, and a good drummer makes a bad band sound good. And that's very true. All an artist needs us to do is be the anchor and be the groove. So, I would say listen to every style of music there is [and] give yourself seven days out of the week. One day do jazz. Second day do country. Third day, do another genre. And just dissect how drumming is different in each one of those categories, because that's what you're gonna be using when you come into the studio. Also, learn how to tune a f**king drum set. I probably get hired more because of my tuning than I do my playing. And learn fundamentals. I think the three basic rudiments to start off with are singles, doubles, paradiddles. And there you have it, folks. Studio Drumming 411 from the studio drummer ho himself. To see Justin play live, you can catch him every Tuesday night at FloBama Downtown Restaurant and Music Venue in Florence, Alabama, from 7-10 p.m. Drumb and Drumber plays every other Thursday at the Marriott Inn in Florence from 5-7 p.m. at Swampers Lounge . For more on Justin Holder, hop over to YouTube and search “Justin Holder Drummer” or “Justin Holder Fame” and peruse through the many videos of him in the studio and elsewhere. You can also find Justin on Facebook @JustinHolderDrummer . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Fresh Approach to Pop Art & Surrealism < Back Brilliance for a New Era: Lori Bequette Nicole Brice Nov 6, 2022 Share A Fresh Approach to Pop Art & Surrealism Sometimes an artist’s work catches my eye, and I am instantly hooked. This go-round one artist has truly exemplified what it means to learn from the greats to make new interpretations of mediums made famous by those before her, and eye-catching her work is , indeed. May I introduce, Lori Bequette . Lori Bequette Lori is based out of Baton Rouge, LA where she lives with her husband and 4 y/o daughter trying to balance motherhood with creating art. Growing up, Lori cannot recall a time when she was not fascinated with or not actually creating something. “I think a huge part of my entire identity has been always knowing that I am an artist. It has always just been there, ya know?”, says Lori upon being asked when she knew she had the itch to create. In recent years, Lori’s path has taken a detour due to her duties as a mother, but that has not stopped her from doing what she loves. “I went from painting everyday to not painting at all. Having a supportive partner, and allowing myself to create again, has been detrimental to my mental health, and I honestly assumed I would be rusty [when picking up a paint brush again], but instead picking up my brushes again was like riding a bike, and in many ways, I felt like my skills had somehow ‘leveled up’. It felt SO GOOD to be painting again.” Art by Lori Bequette Lori’s work is so stunning that you can’t help but stop to take notice and admire the detail she puts into each painting. With a knack for capturing life in vivid detail, Lori’s pieces jump right out at you. Art by Lori Bequette When asked who or what inspires her style, Lori responded, “This is hard for me to answer. I am self-taught and have never taken any classes or courses, so my style and techniques were developed by me. I take inspiration from an enormous variety of artists and turn to diverse styles and mediums to guide and influence my creativity. I especially love when I find a new artist with work that leaves me questioning my own interpretation of a message or story.” Lori’s work is ever-changing and geometrically guided with influences from both Pop Art and Surrealism . Often incorporating abstract components, her paintings usually begin with a face or character where she builds upon that concept to tell a story. Art by Lori Bequette “I’m often blending nature and animals into my work in an unusual way. The hexagon is a shape I implement quite regularly. It’s such a precise and symmetrical design, yet like a puzzle, forming a more fluid shape or figure.” Art by Lori Bequette When asked which famous artist she would like to spend the day with, living or dead, given the chance, she replied, “Well, that does not seem fair, BUT I am going to choose Rene Magritte . He had such talents, and I mean, he had the ability to forge other artists’ work to sell when he struggled with poverty showcasing a wide skill range. He was able to aesthetically play with illusion within his own work by giving ordinary objects new context and meaning. His pieces were always thought provoking. I would love to tour his mind.” Lori doesn’t credit one specific person with giving her the want and need to create, but instead says, “I don’t think there’s just one person. My family, my friends, even strangers whom I never met on social media have always supported me in my adventures. My husband has always been extremely supportive in me pursuing my dreams and I feel lucky to be able to work from home. I gained support early in life from teachers who recommended I be evaluated for creative giftedness, but I remember just loving that. With support from teachers, I found school to be less exhausting than others. I do have ADHD and am a victim of childhood abuse and trauma, so having the opportunity to have a safe place to withdraw and create was a relief at times. It goes without saying that art, even in my 40’s, is still a tool to withdraw and escape because we all need that. I need it.” To check out Lori’s amazing masterpieces and to see about purchasing some of her work, you can visit her on social media via Facebook and Instagram . Lori Bequette Art | Facebook Lori Bequette (@art_bylori) • Instagram photos and videos Art by Lori Bequette www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Sugarfuzz is full of pop melodies and catchy hooks < Back Sugarfuzz: Feel Good Rock Nicole Brice Jul 3, 2023 Share The music of Sugarfuzz is full of pop melodies and catchy hooks Forever on the hunt for new tunage, or so it seems, I recently came across a band out of Georgia who calls themselves Sugarfuzz . The band features members of Atlanta rock bands Hanging Francis, Chain Poets, My Rebel Episode, and the Bloody Hells with Greg Kaegen (vocals/guitar), Kenny Tsao (bass), Gary Spano (drums/vocals) and Johnny Powell (lead vox/rhythm guitar). Having just wrapped up the recording for their debut album, the men of Sugarfuzz were nice enough to let me listen to an advance copy so I could give my perspective on the music. Recorded at Furies Studios in Blue Ridge and Marietta, Georgia, and produced by Ed Burdell (of Magnapop), this album rocks from start to finish. With no fillers and every song being a banger, Sugarfuzz have managed to craft a solid recording full of tunes that’ll make you want to hop in your car and roll the windows down with the stereo blaring. Beginning with the track “Are You with Me,” which has a riff reminiscent of the intro for the 90’s comedy show Kids in the Hall , each song after that sets the stage for a refreshing and nostalgic album full of fun, sing-along tunes. “Boy Meets Girl” is another stand-out track, and the guys currently have a music video on YouTube with the song for everyone to lay their eyeballs on. https://www.youtube.com/watch?v=p6nn424fBIw In fact, I feel that once it’s released, the Sugarfuzz debut will be one of the feel-good albums of 2023, if not 2024 , to coincide with the 90’s alt-rock revival currently beginning. The band is looking to release the album in Fall 2023, so we’ll have to just sit back and wait for now, but there are plenty of samples of their work to check out either by canvassing the band’s social media or by catching them live at a music venue near you. To get a better feel for the musicians behind the sound, I reached out to the band so we could chat a bit more in-depth. You’ll want to listen to their music after reading this article, I’m certain of it. Check out our conversation below. MaM : Guys, thank you for chatting with me. I want to start by asking when can we anticipate this amazing album you sent me being released? It is so good! Johnny : We are kind of holding on to it for a little bit, but we’re thinking sometime in the fall. We are sitting on it to see what kind of anticipatory buzz we can get on it first. MaM : The entire album is solid with each song jamming. It reminds me of the great albums of the past where you could put the CD in, press play, and just go! Johnny : That’s exactly the kind of idea we had when we started this project. We got together after admiring each other’s work in other local bands and then started writing together about a year and a half ago. We just started cranking out a bunch of songs together and then we brought the other guys on board. Kenny was playing in a cover band with me, and I invited him into the group. Ya know, we were playing stuff like Hall & Oates and stuff to get people dancing (laughs), but it never really got off the ground. It was fun, but this is really my passion. This original stuff. We wrote it as a whole record, though. All of us admire records, but it seems everyone does singles these days. Photo provided by band MaM : Oh, I get it. I remember when actual albums did exist. (laughs) Johnny : We got together with this guy, Ed Burdell, who is an old friend of ours and he has a log cabin up in Blue Ridge in the mountains of Georgia. He always wanted to record a band up there, so he invited us up and we went and recorded the album in a weekend after much comedy and maybe too many drinks. (laughs) We did the basic tracks in one day. Greg : It was a six-and-a-half-hour session and we cut all the basic tracks for all the songs. MaM : That goes to show the cohesiveness you guys have as musicians. You are already vibing. Greg : Plus, we went up on a Friday and started playing on a Saturday. That Friday, though, we got to hang out together, just us guys, and we bonded and then we made a record. It felt great from the moment we started playing. Johnny : The producer actually produced Magnapop and that’s one of his most notable production credits. He’s truly a master. He’s got great microphones, too, and we had one up in the loft recording everything as it was happening, but he’s a zen master at production. He really found some good sounds with this basic batch of songs. MaM : This album sounds like what a 90’s rock revival should sound like. Truly. Now, a bit of a deeper dive into the band history, what initially drew you together? Was it more because of like styles? Johnny : I don’t think it was necessarily stylistic, but Greg and I both fronted bands and would support each other. We always admired each other’s songwriting and guitar playing and I always toyed with the idea of writing with Greg. It just never happened until a year and a half ago and when we did get together, we discovered it was effortless. Greg : So, one day, Johnny is setting up microphones for us, and I just plugged into one of his amps and I started playing the opening riff for “Don’t Tell Me That,” and by the time he’s done setting up the mics, he grabs a pad and pen and starts scribbling. He just starts writing this verse over the song I was playing and the song came together in about an hour. It took no effort. It’s all come together easy. Johnny : We wrote almost all of it in the rehearsal space and would stop each other when something sounded cool and then we would come up with a verse or chorus melody to go over it, and it just fell together naturally. We’re just getting rolling and just getting started, so we are hoping to have some great gigs later this summer and fall. MaM : As far as your sound, did you have a sound you were going for initially going into this project? Johnny : We didn’t really design it. It’s just what fell out of us. Greg : There was never a discussion about it, honestly. I wasn’t looking to get the monster ultimate guitar sound. I had nothing I wanted in my head. I decided to just plug into an amp with no effects or anything. We weren’t shooting for anything, and it just came out the way it came out. Very organic. MaM : As far as future aspirations go, what can we expect? Johnny : The sky is the limit. We just want to make music and have fun doing it. To experience the music of Sugarfuzz for yourself, hit one of the links below and keep your eyes and ears peeled for their debut album coming soon! Facebook Sugarfuzz - YouTube Album Teaser by Sugarfuzz (soundcloud.com) www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Rise Not Fall’ is an expertly crafted acoustic EP full of emotion. < Back Reviews on the Real: Rise Not Fall by Aaron J. Burke Nicole Brice Nov 13, 2024 Share ‘Rise Not Fall’ is an expertly crafted acoustic EP full of emotion. Irish singer / songwriter Aaron J. Burke has expertly crafted an acoustic EP that is a powerhouse of emotion, with each song delivering a potent punch. This EP is best experienced with headphones, allowing you to be fully immersed in the raw power and artistry of the music, inspiring you with every note. ‘ Rise Not Fall ’ captures the essence of resilience and self-reflection with the raw emotional lyrics that are deeply personal yet universally relatable. “The message I’d like people to come away with [from my music] is honestly, it’s okay to fall down in life. It’s okay to have bad days or to struggle mentally, if you know you’re not alone. There are people out there that love and care, so just reach out if you’re struggling. Help is just a click or phone call away.” Released on October 25, 2024, ‘ Rise Not Fall ’ does not disappoint from start to finish. Let’s get into the track listing, shall we? Click the picture to listen Rise Not Fall A hauntingly beautiful instrumental song full of intricate guitar work and soothing tones. I closed my eyes when listening to this track, and you should, too. Take it all in. “Originally, the instrumental was titled ‘Silence in the Chaos’, but during recording the EP, I changed the name to the title track. Honestly, the inspiration [behind the song] was I was just messing around on the guitar in 2016 and stumbled upon the riff, which is how I sometimes come up with guitar pieces that become songs.” Run For Cover There are no frills – just straight, enjoyable music. That’s the best way I can describe ‘Run for Cover’ by Aaron J. Burke. It’s melodic from start to finish, with excellent lyrics. Reviews on the Real: Run for Cover by Aaron J. Burke Faceless An open and honest letter to the world from Aaron’s eyes. Very potent. Phoenix ‘Phoenix’ is a hauntingly beautiful song reminiscent of tunes by XTC and REM. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Hurray for Rock Bottom I started tearing up listening to this song. Maybe it’s the guitar work. Maybe it’s the lyrics. Either way, it is a powerful song. We have all been there – rock bottom, and if you haven’t, then count your blessings. I truly love the emotion throughout this track. Overall, ‘ Rise Not Fall ’ is a compelling showcase of Aaron J. Burke’s talent as a songwriter and musician. His music is strong and authentic because he speaks from his heart, and I admire that tremendously. If you would like to enjoy five songs full of meaning, then I recommend you listen to this newest EP release by Aaron J. Burke. His sincerity alone makes this collection of songs a spiritual experience. In an industry full of shallowness, Aaron’s music is a beacon of hope for those wanting to make a lasting impact through words. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘High Desert Lows’ is an EP full of songs that speak of truth. < Back Reviews on the Real: Doctor Nez’s ‘High Desert Lows’ Nicole Brice Nov 22, 2024 Share ‘High Desert Lows’ is an EP full of songs that speak of truth. One thing I love about discovering new music is that you never know what you’ll find when you hit that play button. Case in point, the newest EP from Doctor Nez , aka Kenny Charters, a desert rock musician originally from Tulsa, Oklahoma, who now resides in Colorado. I had no clue what to expect upon listening to his newest EP for the first time, but I was pleasantly surprised and impressed once I sat down to consume all 27 minutes of his unique blend of desert rock . Photo provided by artist Doctor Nez's music, with its crisp, clean vocals, resonates with the human experience. His lyrics, which touch on truth, sorrow, focus, and determination, are a reflection of life’s ups and downs. His music is not just good rock with some twists and turns, but a mirror to our own life experiences and struggles. Doctor Nez, who has released two EPs of original material since early 2024, is a musician who is not just honing his craft but also making a significant impact. His music is a testament to his dedication and passion, inspiring others to strive for their best. His latest release, High Desert Lows , was released on November 15, 2024. It is a solid EP full of tunes sure to pique your interest. We break down the tracks for you below. Mark the Grave “Dead inside yet somehow breathing” – powerful opening lyrics for an opus of a song. Heavy guitars with a steady groove – this song pulls you in because of the powerful words. I had to turn it up and repeat it several times to truly take in all the lyrics. It's a solid rock tune. If You Know the Deal It's a head-nodding tune full of fuzz with a classic rock sound that starts loud but then tones down its vibe with softer lyrics full of introspection. As the chorus kicks in, this tune kicks it up a notch. Great track. Left All Alone It has an interesting vibe with the opening – I can’t exactly describe it. It's a very cool and laid-back tune that progresses into a heavy chorus. Among the Pages Tranquility is the word that pops into my head when I hear this instrumental tune. The guitar parts have a tranquil aura. It’s a bit softer than some of the other tunes on this EP, but I can hear the blues influence. In the Shadow of a Mountain It's another softer track that begins with a very ethereal sound. The crackling in the background makes me think I’m sitting around a campfire with an acoustic guitar. The vocals are soothing. I closed my eyes to listen to this one because I wanted to truly be immersed in it. It's a beautiful track. High Desert Lows It is an enjoyable track full of alt-grunge sensibilities. The vocals on this track soar. Left All Alone (radio cut) An altered version of the original track made radio-friendly. Photo provided by artist After I finished listening to High Desert Lows , I still had a few unanswered questions, so I reached out to Doctor Nez for more clarification. Check out our conversation below. MaM : What message would you like people to take away from your music? Your lyrics are potent and inspiring. Doctor Nez : My biggest goal is for listeners to extrapolate their own meanings from my music, but I can certainly give an idea of this EP's mood. ‘High Desert Lows’ is a labor of hate -- it is about places and situations where I was absolutely miserable and would never want to be again. That being said, I hope that every listener can relate at least one song to their own struggles and know they are not alone in feeling this way...they're not the first, and surely not the last. I hope people can bury themselves in at least one song, tunnel through, and come out the other side knowing that whatever they battled to relate to this, that by continuing, they've already won. You can find a similar message at the end of the 'Mark the Grave' music video on YouTube. MaM : Do you have a favorite track on this EP, and if so, which one? Doctor Nez : I have two. From a production standpoint, it's absolutely ‘ Mark the Grave .’ I think it's currently my "gold standard" for the minimum level of quality for future releases. The whole EP was written, recorded, and mixed by myself in my un-sound-treated basement, so I feel exceptionally proud that I was able to make something so (in my opinion) top-notch. From a music/songwriting perspective, it's ‘ High Desert Lows .' Sometimes, I almost forget that it's me; I really feel like I nailed the mood with the lyrics on that one, to the point that it didn't even need a true second verse. It'll also be tough to out-write that riff. MaM : I am in LOVE with the track, ' Among the Pages .' What was the inspiration behind it, and how did it come about? Doctor Nez : ‘ Among the Pages ’ is a funny one. Every record I make is likely to have a weird, atmospheric instrumental because that's one of the things I do in my free time. I'm the game master for a long-running Dungeons and Dragons campaign (which my wife, For the Love of Chuck, streams on Twitch ), and I decided early on in the game to make my own music for the game. ‘ Among the Pages ’ started as the background music for a huge, imposing magical archive belonging to a God. Over time, I felt it pulled the same emotional strings for me as some of the low moments while writing 'High Desert Lows', and I knew it had to be the sound that led into ‘ In the Shadow of a Mountain .’ MaM : Do you have any plans to tour in 2025? Doctor Nez : I'd love to play some shows in 2025. I'm doing everything myself right now, and it's very important to me that I find a few musicians who like the music enough to really get into it in a live setting. Economics is a big hurdle, too; I won't bring someone in to play my music if I can't pay them. I already have a prospective bassist interested, but rounding up a drummer and second guitarist could be challenging (Colorado Springs area players, DM me). MaM : Who do you cite as your ultimate vocal influence ? Doctor Nez : Gosh, that's a tough one. I don't sound like any of these guys, but my top 4 influences when it comes to stylistic choices are Ville Valo (HIM), Sahaj Ticotin (Ra), Matt Scannell (Vertical Horizon), and Tom Templar (Green Lung). If you want to add a little desert rock to your playlist, start with High Desert Lows by Doctor Nez . Guaranteed you’ll like it. For more information about Doctor Nez: Apple Music : music.apple.com Doctor Nez on Apple Music Listen to music by Doctor Nez on Apple Music. Spotify : Instagram : https://www.instagram.com/doctor_nez/ YouTube : www.youtube.com Doctor Nez Doctor Nez provides a punchy, riff-driven hybrid of Alternative and Desert Rock with honest lyrics about the struggles of modern life, drawing influences from a wide range of sounds, such as Alice In Chains, HIM, Witchcraft, Vertical Horizon, Red Fang, Green Lung, Church of the Cosmic Skull, and Black Sabbath. From paranoia to substance dependence, loneliness to uncertainty, suicidal ideation to survivors' grief, Doctor Nez retells haunting stories from firsthand and secondhand accounts, all wrapped up in a package of gritty, overdriven guitar tones and unapologetically disheveled vocals. Facebook : https://www.facebook.com/doctornezmusic www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Do you have something you'd like us to review? Send us an e-mail at mixedalternativemag@gmail.com . 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HolleeStar's music is an organic fusion of sounds. < Back HolleeStar Shines Bright: Louisiana’s Alternative Scene Gets a New Sound Nicole Brice Apr 21, 2025 Share HolleeStar's music is an organic fusion of sounds. Louisiana is known for its vibrant metal scene, but among all the heavy sounds lies a musical group poised for greatness, thanks to the unwavering heart and dedication of its members. Enter HolleeStar . HolleeStar is the brainchild of Jakob Bollich and Brennan Sanders , two musicians from areas just outside Lafayette, Louisiana . Both have a natural talent for creating the unique textures, sounds, and rhythms that define a HolleeStar song . Credit: Gary Governale So, what exactly characterizes a typical HolleeStar song ? The truth is, there is no formula. No two songs sound alike, and no two concepts are the same. The music is an organic fusion of sounds that emerges from the creativity of Brennan and Jakob. As best friends and collaborators, they have recorded a diverse catalog that will capture your interest and lead you down a musical “rabbit hole.” HolleeStar is making music on their own terms, choosing not to follow the crowd. Their sound showcases an alternative style that incorporates elements of synth rock , industrial , and a hint of nu metal . While some listeners might compare the band's style to that of the legendary Linkin Park , such a comparison barely scratches the surface . It’s challenging to categorize a sound that draws from so many diverse influences, ultimately defying easy definition. We’ll leave it up to you to decide for yourself. Since the early 2010s , HolleeStar has consistently released singles, completing one project and then promptly moving on to the next without pause. Mixed Alternative Magazine recently had the opportunity to chat with the members of HolleeStar to learn more about who they are as musicians and friends. Read on to discover more about this duo from Louisiana with one of the state’s most unique sounds. Credit: Gary Governale MaM : Tell us a little more about where you’re from. I know you’re based close to Lafayette. Jakob : I’m actually from Eunice . Brennan : I’m from Maurice , which is just outside of Lafayette . MaM : What city do you claim as your hometown? Brennan and Jakob : We can claim Eunice . MaM : Give us a little history of how you met. Brennan : Well, that’s a cool story. I was friends with a guy named Matt Rougeau , and he introduced me to Jakob and Tim D'Aville when Jakob and Tim were playing in a band together. Tim was our old bassist . I played in a little band for probably six months, and it was the first time I had played in a band. I was trashing drums. It wasn't perfect, but I got better from practice. Matt eventually said he knew a couple of guys in Eunice who were auditioning drummers, so I thought that was perfect. I went by and I was super nervous. We started vibing and playing, and it all ended up working out. We meshed well. That was also when Tim , who was playing lead guitar , decided we needed to be a 3-piece, and he decided to play bass . The rest is history, and we played music together for about six or seven years until Tim decided to start doing his own thing. Then, Jakob and I went through a few more members until we decided to do things ourselves. Credit: Gary Governale MaM : I like that dynamic, too, with it being just you two guys. So, I know you play the drums, Brennan, but take us through who does what musically. Jakob : I make a bunch of stuff at my house, to be honest. I’ll make a whole song from beginning to end and then send it to Brennan . I have an entire Dropbox full of songs, and we’ll talk about what needs to be done to improve each song. Maybe Brennan should sing on this verse—stuff like that. We produce everything together. Brennan : Jakob will go in and create the bones of a song. He’ll make a generic beat and then lay a guitar over it, maybe even a rough melody , and then once he gets the general idea going for the song, he shoots it over to me. We both have our studios at home, so when we link up, we start working in each other’s studios and practicing. We always have everything set up to record. It’s a constant creative process. Credit: Gary Governale MaM : So, you both collaborate on beats and vocals, but how are you getting the bass there? Jakob : I used to write in a normal way, I guess, on my guitar to come up with the lyrics and song, but now I sit at my computer, and I have a process of how to make a song. The bass is EDM ish bass, which is all made electronically. A virtual instrument. It fills in what we need. I feel that our sound wouldn’t work with a traditional bassist. Brennan : For those at home who like to listen to music, and not produce it, you’ll hear a lot of modulated bass in our songs, similar to dubstep or techno . A real bassist can’t give us that sound all the time. We want the type of bass flowing in and out of guitar riffs, beats, etc. It lets us explore many new sounds and textures without a regular bassist. MaM : How did the name for the band come about? Jakob : I have no idea. (laughter) MaM : Was it just a series of words thrown out? Jakob : The band came together just out of high school, so I can’t quite remember. (laughter) Credit: Elise Hanks MaM : Well, kudos to the name because when you search for your music , you are the only band that pops up with that name, and it’s easy to find you guys. So, let’s touch upon your discography. From 2014 to now, you are at a completely different place musically, but your debut has some standout tracks I could see you guys reenvisioning or rerecording. Have you ever thought about that? Brennan : Oh no … (laughter) MaM : Am I wrong for that? Jakob and Brennan : Not entirely. You’re kind of psychic for that. MaM : Well, let me tell you what I wrote down. ‘ Don’t Bring Me Down ’ – that song is catchy as hell with a great chorus, and then when the chorus fades into the guitar break, you’ve got that great breakdown at the end. I could see this rerecorded and released as a single. How would you explain your evolution in sound? Brennan : Well, the cool thing is that you can see that evolution with our YouTube channel. Between the Demons EP in 2014 and our latest material , the songs that are coming out are so different. We have three albums' worth of material on our YouTube channel , though, and you can see the progression and evolution of sound through those releases. We go from being a raw rock band to a raw, almost post-grunge band that then progresses into an electronic sound you can’t define. No one around here is doing that. Credit: Gary Governale MaM : I wrote down that you have an interesting dichotomy of sounds. Brennan : Thank you for that. MaM : I also noticed that some of the sounds you create have an industrial, almost metallic vibe. Have you guys ever listened to Throbbing Gristle ? They’re pioneers of industrial, but their sounds are intriguing and draw you in, and I feel the same about your music. It draws you in. Take us through the creation of the song, ‘ Throwing Stones .’ Jakob : That was one of those songs that just happened one afternoon. I started writing a progression with the synth, then sang over it and freestyled. The piano right at the beginning, and me singing lightly, that’s where it all started. It all came together quickly. Brennan : He had sent me a chorus because it came together instantaneously, and the song was almost done, except for the verses. It reminded me of a Linkin Park vibe, and I started writing rap lyrics because I felt this Mike Shinoda type of energy with it, and it all fit perfectly. Credit: Gary Governale MaM : What’s next for the rest of this year as a band? Brennan : We’re working on many t-shirt designs to hit the website. We’ve got a ton of shows booked, too, but we want to push out the whole album this year. We’ve got another four or five songs we have to finish. We’re working on completing one of my favorite songs. Jakob : A lot of it has a more defined industrial sound. Credit: Elise Hanks MaM : Watch out. The next Atticus and Trent , the next Ministry —you guys could be it. Who has been your biggest musical influences? Jakob : Mike Shinoda from Linkin Park . He’s a musical genius. Korn also made me want to start playing music as a teenager because I felt connected to their music. I’ve always liked The Beatles , too. Brennan : Korn and Linkin Park – Korn took me out of some real dark places in middle and high school. Jonathan ’s lyrics were powerful and gave me the will to keep going. Trent Reznor , too. Credit: Gary Governale MaM : If you could open for any band in the future, dream band, who would you pick and why? Also, where do you see yourselves headed in the next five years? Jakob : Linkin Park and Korn . Smile Empty Soul , too. I love them. They come all the time around here, too. Would love to share the stage with them. Brennan : I can agree with that. This is literally all we do. If we’re not working our full-time jobs, we’re making music. If we’re recording a song, we’re thinking ahead about every single facet to drive the band forward: Merch, graphics, videos, the whole package. We just want to drive things forward and see where they go. As they carve out their place in the modern rock scene, HolleeStar shows that the heart of Louisiana beats loudly through every note they play, and we cannot wait to see what the future holds for them musically. To learn more about HolleeStar: Facebook Website: Holleestar - Electronic Rock from Eunice, Louisiana Instagram: Holleestar (@holleestar_official) • Instagram photos and videos YouTube: HolleeStar - YouTube *Photos by Elise Hanks and Gary Governale Photography by Elise Marie: Facebook Instagram: Photography by Elise Marie (@photosbyelisemarie) • Instagram photos and videos Governale Photo Video: www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States Instagram: Gary Governale (@govphotovideo) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alabama Smoke Show proves that the future of music in Huntsville is bright! < Back Off The Charts: Alabama Smoke Show Bud Gambrell Aug 1, 2024 Share Alabama Smoke Show proves that the future of music in Huntsville is bright! On June 20, 2024, I booked a photography gig for the Alabama Smoke Show at the VBC Mars Music Hall in Huntsville, Alabama . At that time, I wasn't sure what it would be. I thought that I was booking just another show. To my surprise, this was more than just another show. As I looked closer at the lineup, I saw some familiar names. Several artists I knew were playing. You may have become familiar with Brandon Elder in my last article, and you’ll hear more from him in this piece. Yours truly arrived early to learn more about the Alabama Smoke Show, where I found my way backstage to spend time with old friends and make some new ones. Of course, one of the people I had to hunt down was my new friend, Brandon Elder. After my last article on Brandon , our paths crossed several more times in public. Isn't it wild how life works sometimes? I pulled Brandon aside first and asked his view on The Alabama Smoke Show. Credit: Bud Gambrell OTC : Brandon, what have you been up to since we last spoke? BE : Man, I'm just gigging and trying to stay out there. I've been looking forward to this show! OTC : For those who may not know, tell us what the Alabama Smoke Show is. BE : So, I think this is the first year that they've done the Smoke Show, and it's just a lot of local, good guys just coming together and trying to put some country music together that people will enjoy. It's also a chance for all the local artists that play to take a breath for a minute and get to hang out and just have a night together. We don't get to see each other a whole lot. We all know each other, but we never see each other. We're all playing at different venues, so the Alabama Smoke Show is where we can get together, have a good night, and play music. OTC : There is a lot of talent on that stage tonight. What does it mean to you to be playing on that stage tonight? BE : Honestly, I'm just happy to be here! Most of the guys who will be on stage tonight are buddies of mine. There are only a couple of them that I have never met. Three of them went to the same high school I went to, so it's fun to be with these guys who share my interests, enjoy the music, and have a good time. As I was hanging out backstage talking to the artists, I managed to find the organizer for the Smoke Show. When I learned who it was and dug deeper, I was surprised by a few things, mainly his age. At 18 years old, Jonah Evans put together The Alabama Smoke Show. Unbelievable. Jonah organized the event, booked the bands, and sang in the headlining band. He has been super busy leading up to the Smoke Show. OTC : What led you to want to organize The Alabama Smoke Show? JE : I'd say there are just a lot of young guys in Huntsville, in the North Alabama area, that people have turned their heads to because we're, you know, we're young. We should be heard because we are talented musicians, and I think we can hang with pretty much anybody. I want to let it be known. OTC : How did you decide on the artists to invite? JE : We opened for 5ive O'clock Charlie in Falkville, so I've been friends with Mike for about two years, and he told me he had a son named Jude. And then I knew Dylan through Jude because they were in a band called the Debriefers. Brandon and I went to the same elementary and high schools. I found Caleb on TikTok and became good friends with him. Then Dawson Slade I saw him on American Idol . He's my age, and he's good! And then Kade Pierce hit me on Facebook a while ago and wanted to write something. He's got some pretty dad-gum good songs, so I'll have him out for the writer's round. And then came Kam [Jones] , who was big in the Huntsville scene, and Jude told me I must get this guy because he's got some pretty good songs, too. I love original music, so anybody who can write a good song will like it, and I will try to help them out the best I can. Credit: Bud Gambrell OTC : Now, Jonah, walk me through the process and the time it took to put this all together. JE : OK, I had this big show idea about a month and a half ago for a prominent global young artist showcase, and I wanted it to include everyone young and coming up—you know, the next generation of young Huntsville staples. I tried everywhere I thought would say yes, and my last shot was the Von Braun Center . I just sent the email, man, and it went straight from there. OTC : You must be kidding me! With this much talent, this show took only a month and a half to assemble. JE : Yeah, that was a month and a half of work. I did a lot of behind-the-scenes work, but we sold out the whole top row about an hour after tickets went on sale. It'll have a bigger turnout next year. I know it. Don't get me wrong, it was a great turnout this year, especially for something only advertised for a month, but I anticipate bigger crowds. The plan is to get a date down in December next year, and we'll have a lot more time to advertise. Credit: Bud Gambrell While I was hanging out backstage, I ran into Bill Neal. Our ventures are similar because we both aim to promote artists and music. Bill runs a podcast called Pickletato . Trust me on this. It is a fun podcast. I will leave a link at the end of the story. OTC : Bill, tell me what you are doing tonight representing the Pickletato podcast. BN : So, tonight was the first time we went live. We were going to go live on YouTube, but we had some technical issues we weren't prepared for. We tried testing this out two or three days ago but couldn't get YouTube to work for reasons beyond our control. We were able to go live on Facebook , though. We just wanted to show people familiar with us some backstage stuff happening and get people out here for the Alabama Smoke Show . https://www.youtube.com/watch?v=w-KtaobRGSU OTC : What is the overall goal for your podcast? BN : The overall goal is to get the podcast as big as possible. Once again, it's not selfish; the reason is that when somebody comes on the podcast, we want them to be exposed as much as possible. We're not getting any income from this. It's all on us. That shows people that we're not doing it to become Joe Rogan or anything like that. The main goal for the editor and I is that when we bring someone on the show, it will show their talent and story. OTC : Tell me how Pickletato began and why you do it. BN : My son and I discussed it in October and November 2023. Something happened to me that made me think, man, I know many people who have some great stories, and I needed to get these people out there because they should be famous for their actions. Some of their stories are just phenomenal. https://www.youtube.com/watch?v=H0fqrDyKE2A OTC : After launching it, have you changed how you produce the podcast? BN : If you compare the first season to what we're doing now regarding the intros, the outros, and the editing, the video is much better than it was in the first season. It has turned into something that we're proud of. So, we initially talked to a couple of people around here. 'Hey man, I want to start a podcast, but I want to do it because I want to get your story out there.' We just started talking to people, and they agreed. We didn't want any money, while we didn't have any money. After the first season, we're like, man, we got some excellent stories here. Let's step our game up with each season. So, for the second season, we invested in better cameras, and this season, we did some lighting, so we're deep into it now. Regarding funding, we're still not monetized on YouTube or anything. We're doing it independently to get people's stories out there. It's not about us. It's about the people we're interviewing, and that's the big reason why we're doing it. Credit: Bud Gambrell A couple of the band members I was familiar with were the singer and guitarists for The Alabama Heathens . I first met Jude Roberts through his father, Mike. Mike is a long-time staple in the Huntsville Music Scene. Off The Charts may have an article coming up sometime in the future that will feature Mike. While backstage, I pulled Dylan and Jude aside from the band The Debriefers because I had previously met them while filming a music video for another well-known local band. We had a great conversation; read more below. OTC : Jude, what does it mean to you to share the stage with all this talent at Mars Music Hall ? JR : I'm honored to be able to play on this stage. I've seen a lot of acts that I look up to on that stage, like Gov't Mule . I've seen Drive-By Truckers , Gary Clark Jr. , and Primus . All these big-name acts have shared this stage, and I'm honored to be able to share it. It is truly an honor! If you told me a year ago that I'd be playing in Mars Music Hall, I would have called you crazy! OTC : What do you like most about the life of a musician, and what do you like the least? JR : The music! It doesn't matter if you've had a bad day. But if I have a terrible day and go practice or play a gig, that makes me feel better because it's what I love to do. I wouldn't trade it for anything else. Driving home from Muscle Shoals at 3:00 in the morning is not very fun, though. OTC : What was the funniest thing that happened to you while you were on stage? JR : At a frat party in Birmingham, AL, I was playing, and somebody came up and licked my guitar mid-solo. I continued to play, and it was getting licked simultaneously. And then, not even five minutes later, you see them vomiting across the floor. I did not let him lick my guitar again. OTC : I’m not sure what to say to that. That is an insane story. (laughs) Dylan, what does it mean to you to be playing here tonight? DJ : Man, it feels great! We're stoked to get this opportunity. We never thought we'd be here this soon. All my idols have been here, so it's very special to me. It means a lot! I'm stoked! Alabama Heathens have been a band for about a year, so closing out our big July run by playing at Mars Music Hall is very special! OTC : What got you into music? DJ : I listened to records. When I was growing up, my father always had some music on the record player. OTC : What is it about music that makes you feel passion? DJ : The energy of the songwriting. If you hear an in-depth songwriter, you can almost feel like you've walked in their shoes. Credit: Bud Gambrell As we approached showtime, I asked Brandon Elder about his mental preparation for a performance. OTC : Do you follow a process or ritual to prepare for the stage? BE : You would need more time to put it in the article. (laughs) I'm just kidding. I can tell you what we've done all day. We sound-checked, and once everybody finished sound-checking, we had some pizza and then wrote a song. We hung out and jammed, had a few beers, and had fun with the day and the event. OTC : You all wrote a song backstage? Tell me a little about it or who was involved. BE : Every artist in the Alabama Smoke Show was in the room. It was a song that I had had an idea for. I had four lines written for the song. We were bouncing the ideas off each other, and I said, hey, I got this song, and everybody liked it, and we just rolled with it. It's not finished, but it's close, so hopefully, you'll hear that soon. Credit: Bud Gambrell Later in the evening, Brandon asked me if I wanted to hear a new song. You know I did! Honestly, I had no idea what I was about to hear. Brandon , accompanied by fiddle player Joanne Moger , began to play a song called House Divided for me . I am glad no one took a picture of me during that song because you would have seen my jaw all the way on the ground! It was a fantastic song, and I hope you will hear it soon. Be on the lookout! Backstage was like a cast of characters, and I loved every moment. Another musician I was previously familiar with was Kam Jones . Kam is a songwriter in Huntsville. He can be found playing in town solo or with his full band. I have enjoyed seeing both, and he is truly remarkable. I swore I wouldn't tell this part of the night, but why not? Before I started my recorder to do the interview, Kam twisted my arm. I mean, he had it twisted high and tight to do a shot of whiskey with him. I tried to say no, but he insisted. Ok, maybe he didn’t have to twist my arm all that much. Read on below. OTC : Kam, tell me a little about the Alabama Smoke Show from your perspective. KJ : Jonah approached me to do this, as did everybody else. As far as I know, this was an idea that he put together. It is his brainchild. He's gathered some incredibly talented songwriters and performers here tonight to put on a hell of a show. OTC : Now, Kam, you have already played your set. Tell me what it was like up there. KJ : It was very joyous and a lot of fun! I felt like I had some good friends up there, and we were having a good time. Everything was light and loose! OTC : Do you have anything coming up that you would like to tell us about? KJ : My single, ' Southern Weather, ' is coming out on August 28th, and I'll be all over town in the meantime. OTC : Where can we find the new single? KJ : You can find it anywhere you listen to music. My grandmother says Spoofify, but it's called Spotify . At first sight, the Alabama Smoke Show could have been brushed aside by most fans due to the age of the musicians. Please take my word for it: this event had the caliber of seasoned artists way beyond their years. Hopefully, this will be an annual event; I will watch for the dates if it returns next year. It's not often that I get to hang out backstage. My role as a photographer is usually at the front of the house or in the pit, but tonight, I arrived early to hang out backstage and talk to the artists I knew, and I’m glad I did. I encountered a remarkable group of people, and I can’t thank them enough for talking with me. After the night, one conclusion was clear: Huntsville has always been rich in talent. The youth on stage proved that the legacy and future of Huntsville's Music Scene are safe. The rising stars who performed at Mars Music Hall will carry the music torch in Huntsville for years. I know it. Thank you for stopping by and staying with me for this latest edition of Off the Charts ! As always, please drop me an email with your thoughts. Please tell me what you like or dislike about the column and articles. You may even have an idea for a future article; email me . Somebody, please send me an email. Getting an email up and running costs millions of dollars, and mine needs to be used! Just kidding. It didn’t cost millions, but I have your attention now. I would like to hear from you! Reach out! Help me shine a light on all our great talents in Alabama and beyond! Until next time, Keep your diamond down in the groove! Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell Where to find Brandon Elder: Instagram: https://www.instagram.com/brandoneldermusic/?hl=en Facebook: https://www.facebook.com/brandoneldermusic/ Spotify: https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music: https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube: https://www.youtube.com/c/BrandonElderMusic Where to find Jonah Evans: Apple Music: https://music.apple.com/us/artist/jonah-evans/1702943396 YouTube: https://youtube.com/@jonahevansmusic?si=EY9zEUUSaQgt4foQ Facebook: https://www.facebook.com/jonah.evans.144/about_details Where to find Kam Jones: Instagram: https://www.instagram.com/kamljonesmusic/ Facebook: https://www.facebook.com/KamLJones?mibextid=ZbWKwL TikTok: https://www.tiktok.com/@kam.jones.music?_t=8oUF4fCuewY&_r=1 YouTube: https://youtube.com/@kamjonesmusic?si=MH1qp_8gSbPIAQqr Spotify: https://open.spotify.com/artist/3eCCb48zuqQN57fKgNjd8F?si=EmjLMVSiTBiI4dWYMGJJ_g Where to find The Alabama Heathens: Apple Music: https://music.apple.com/us/album/99-miles/1705293419?i=1705293420 Spotify: https://open.spotify.com/album/3yif0RCKe3Oy7h2ow6hQFn?si=MpTR10vwQB6OPW_eb8Sg0A Instagram: https://www.instagram.com/thealabamaheathens/ Facebook: https://www.facebook.com/profile.php?id=61551809874041 Where to find Jude Roberts: Instagram: https://www.instagram.com/juderoberts290/ Facebook: https://www.facebook.com/profile.php?id=100069812147038 Where to find Dylan Johnson: Instagram: https://www.instagram.com/dylanjohnson.music/ YouTube: https://youtu.be/H0fqrDyKE2A?si=oQwEftT1Beyu_f8l Facebook: https://www.facebook.com/profile.php?id=100060446756708 Where to find Pickletato: YouTube: https://www.youtube.com/@pickletato Facebook: https://www.facebook.com/profile.php?id=61555703570599 pickletato@proton.me Instagram: Pickletato (@therealpickletato) • Instagram photos and videos Questions or comments? Hit us up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Daemon Grimm is drawing their influence from more than just metal. < Back Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Jennifer Touché Feb 19, 2025 Share Daemon Grimm is drawing their influence from more than just metal. Last year, I had the opportunity to work with Eddie Sartor , bassist of Daemon Grimm . Through that connection, I was introduced to the rest of the band. Learning about their adversity over the years made it clear that their bond is built on more than just music—it’s a brotherhood forged in resilience. This is their story. Credit: Facebook Emerging from the underground scene of NOLA , Daemon Grimm was formed in 2016 as a studio collaboration among friends. Leading the partnership was drummer Brock Champagne , joined by original members Brandon Landry (guitar), Eddie Sartor (bass), and Jake Walker (vocals). In the beginning, there was no real direction for the band, just four good friends creating music together with each member bringing their unique style and emotion to the mix. Once the songs were complete, the band knew they had created something much more than just a few recordings. They made an entity, an alter ego, now known as “ Daemon Grimm .” Credit: Jennifer Touché In 2017 , the band dropped their first single, ' Peaceless World ', and their self-titled debut EP, Daemon Grimm —a collection of early recordings. However, it wasn’t until the release of their 2019 EP Big Bad Daze that Daemon Grimm’s signature sound was truly defined. The band draws inspiration from The Acacia Strain , Trapped Under Ice , and Portrayal of Guilt , with a distinct infusion of New Orleans hip-hop. “As far as taking inspiration outside the genre, we absolutely do. I think being from New Orleans, it's second nature to be into or listen to hip-hop, and in our music, certain songs, you can hear the hip-hop crossover. Whether it be the way Jake [Walker] does vocals, or a certain drum beat that Brock [Champagne] plays behind the music,” Brandon Landry explains. Since the release of Big Bad Daze to their most recent single release, ' DLYH Don’t Lose Your Head ' , the band has matured and morphed into a sound of heavy riffs, trippy music visuals, and lyrics written to reel you in. https://www.youtube.com/watch?v=Ci-TZIKv1kw The latest release from New Orleans' own Daemon Grimm Over the years, Daemon Grimm has faced significant adversity. Their biggest setbacks were line-up changes and the pandemic, which caused them to lose the momentum they had built. In 2019 , the band had just purchased a van to begin their journey on the road, only to have their plan crushed by the world’s shutdown of COVID-19 . In addition to the pandemic lockdown, they lost members while in the middle of recording. It was an emotional turmoil with such a devastating blow combined with bad timing. All hope was lost, and they sold the van in which they had invested their dreams. Eventually, Jake and Brandon brought in bassist Nick Moore and drummer PJ Huesmann , allowing them to play a few shows. Their last performance in 2022 seemed to mark a possible end to their journey, as the absence of Eddie and Brock left a noticeable void in the band's chemistry. Credit: Jennifer Touché By 2024 , the band’s future had begun to take shape. Brock ’s return in 2022 , the addition of a second guitarist, Lacy James , in 2023 , and the solidified return of Eddie in 2024 provided precisely what the band needed to rebuild their momentum. The band reignited their passion for their musical journey. “It just sparked that ignition to put in months of work learning and teaching songs, building an entirely new backline, just a newer version of the band, while being the same band you knew before,” recalls Daemon Grimm. By August 2024 , all their hard work paid off when they played their first show back at Southport Hall , supporting Entheos alongside Transient and Edifice . Shortly after, they played a second show supporting Texas-based Upon a Burning Body alongside Baton Rouge-based Branded for Exile . Kicking off 2025 at Chelsea’s Live , Daemon Grimm supported Swamp Stank alongside local acts Voice of the Enemy and Branded for Exile , making for a night to remember. “It was amazing to start the year with that show at Chelsea's, especially with such great local acts. Our expectations were surpassed tremendously…,” recalls Jake, “… honestly the whole night was memorable. It was one of our best shows since coming back, and to be the first to start the year set the bar for all of our upcoming shows. It is always great to have the crowd singing along to your songs, moshing from the set's first song to the last song.” Credit: Jennifer Touché Daemon Grimm ’s electrifying live performances have made them one of my favorite bands—not just to photograph but to experience. Their relentless energy and crushing groove riffs make it impossible to stand still. Don’t miss out—catch them live and throw yourself into the chaos of the pit! To learn more about Daemon Grimm: linktr.ee daemongrimm | Instagram, Facebook, TikTok | Linktree View daemongrimm’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away! Upcoming Shows: Friday, February 28, 2025 Intracoastal Club 8448 Main St Houma, La $10 Doors @ 7pm Show @ 9pm *All photos by Jennifer Touché Jennifer Touché (@jennatouche) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. < Back Jean Claude Seagal: A New Journey through Alternative Rock Nicole Brice Mar 22, 2024 Share The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Growing up as a teenager in the 90s, I was obsessed with DIY bands that did not conform to a certain look to get their messages across. I admired the authenticity of bands such as Sonic Youth, Buffalo Tom, The Breeders, and Archers of Loaf because of the raw power found in their music. Using scaled-down production techniques mixed with feedback and fuzz, these bands set a precedent for many who are trying to emulate their style now. They say that time repeats, and it is repeating now. Enter one of the newest bands in Baton Rouge, Jean Claude Seagal. With potent lyrics combined with a smooth delivery and just the right amount of grunge fuzz, these guys are emerging as a continuation of the alt/grunge sound of the 90s, and their music is packaged as such. Possessing personality and sheer talent, the band comprises Justin Tatman on vocals and guitar, Nick Maggio on bass, and Robby Gray on drums. Credit: Gary Governale Formed in 2024, Jean Claude Seagal’s first release is titled “State Champs,” and with this EP, the band has created a sound combining elements of indie rock, punk, and grunge, creating a style that is both familiar and fresh. With honest, confessional songwriting that speaks to our experiences and emotions, Jean Claude Seagal has created timeless music that will connect with listeners, reminding us of the power of honest, heartfelt songwriting. Click the picture to listen Mixed Alternative Magazine had the opportunity to chat with the guys of Jean Claude Seagal recently about the band's origins, plans, and much more, so take a moment to learn a little more about one of the newest bands on the scene in Baton Rouge. MaM : Thanks for meeting with me today. Let’s dive right in. How did the band name come about? Justin : I was in a band a long time ago, and we were trying to think of a name for it, and the drummer at the time suggested Jean Claude Seagal, and I thought it was the greatest thing I had ever heard, but we never used it, so years later, here we are. Credit: Gary Governale MaM : So, how do you all know each other? Nick : Well, I met Robby over a decade ago off Craig’s List. We were starting a couple of projects here and there, and I needed a guitar player, but see, we were all in the band, Minus One. This was over a decade ago. Minus One was another alternative rock band, and we were around for a bit until COVID hit, and that just killed it. We just decided recently to form a new band, and here we are. Robby : I’ve known Justin since elementary school. He and I have been in and out of bands since we were kids, and Nick and I have another project we’ve been working on that we can’t find members for currently. It’s a progressive rock project. Not the stuff you generally hear around Baton Rouge. I picked up playing drums when I was about 11 years old, with no lessons. I started listening to Metallica as a kid and then begged my dad for a drum set. I love playing drums, and if you listen to my playing, you’ll hear a little Metallica influence—the triplets I do with my feet and stuff like that. It’s in there. I’ve always thought that the drums help bring energy to the songs. Justin : His style brings more potency to the music with a little punk influence. Credit: Gary Governale MaM : What got you each into music originally? Justin : I saw Nirvana’s “Live and Loud,” and when they were playing “Endless Nameless” and just messing around and throwing stuff everywhere, I was like, “I can do that!”. That’s really where it started for me. Robby : For me, it was when I sat down behind my first drum kit. My crappy drum kit. (laughter) MaM : Well, you gotta start somewhere! Justin : My mom had this little acoustic guitar, and I asked her if I could start playing it, but she didn’t think I would stick with it. I started tuning it and messing with it, though, and she would get mad at me. Nick : For me, I loved music from the get-go. My dad would throw on Michael Jackson’s “Thriller” album in the car, and he had a good bit of Whitney Houston, too, but for me, the way loud music resonates with you. Your whole body shakes with the music, and I always wanted to be a part of that. When I was 14 years old, my mom bought me my first guitar, and it was a no-name replica type of guitar. Some knock-off 6-string thing. I’m mainly a guitar player, though. Credit: Gary Governale MaM : So bass is new for you? Nick : Well, yes and no. I can pick up a bass in a pinch. I listen to a lot of music that has intricate arrangements, and I like to think of a song in its totality—just everything in it. Everything has its part to play in making a cohesive sound. One band, one sound. MaM : So, who are your biggest influences as far as the sound of this band? Justin : I like Hum and Dinosaur Jr. Sometimes it’s upbeat, and sometimes it has that noisiness to it. They don’t try to make their music all posh or anything. Nick : As far as influences for my bass playing, I like a lot of heavier bands. Dan Briggs from Between the Buried and Me is one of the best bass players on the planet, in my opinion, but he has a way of carrying the low end that is different from just sitting and playing your scales up and down, and I try to emulate that with what we do, but in a more simplified way because I’m not nearly as shreddy as that guy. Robby : As for me, I have a hard time finding a band to compare us to. I would say that I take my influence from Rise Against mixed with a little Metallica. Credit: Gary Governale MaM : Where was the EP recorded? Nick : My house MaM : So, what was the creative process like for writing and recording it? How did you get the songs that you decided to put on the EP? Nick : We had those songs ready already, so we spent a week tracking drums, half a week tracking the rest of it, and another week mixing it down. We got it done quickly. Credit: Gary Governale MaM : What is your mission statement as a band? What do you hope to accomplish in the future? Justin : We want to stay creative, and we hope that people like what we are putting out. Nick : At the end of the day, we just want to rock people’s faces off and have a blast doing it. As Jean Claude Seagal continues to forge ahead in getting their music out to the masses, they no doubt will find those who resonate with their unpolished and bona fide sound. To hear their new EP, “State Champs,” just hit one of the links below, and then be sure to follow them on social media to stay up-to-date on all upcoming shows. Facebook : Facebook Instagram : Jean Claude Seagal (@jeanclaude_seagal) • Instagram photos and videos Apple Music : Jean Claude Segal, Apple Music Spotify : State Champs EP by Jean Claude Seagal | Spotify *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Repetitive Things by Lolux is pure adrenaline in a song. < Back Reviews on the Real: Lolux is Reimagining Rock Music Nicole Brice Sep 5, 2026 Share Repetitive Things by Lolux is pure adrenaline in a song. Let’s talk about music this Saturday—specifically, some fresh tunes. Today, I want to shine a spotlight on Lolux , a band from New York whose sound is packed with dynamic energy and electrifying intensity. We recently had the chance to sit down with the band for an interview, which you can check out right here . Give that link a click and see what they’re all about. While you’re at it, I’ll walk you through a few of their songs—starting with their latest release, “ Repetitive Things ,” which dropped on August 22, 2026 . Released August 22, 2026 - click to listen “ Repetitive Things ” is pure adrenaline—nonstop groove and excitement from start to finish. The attitude in this song is off the charts; it’s like walking up to someone, going for a high five, and then surprising them with a chair shot (in the best possible way). There’s no time to catch your breath—it just kicks off and keeps going. And when Alex’s pristine vocals jump in, you’re instantly swept up into a head-nodding journey full of rhythm, roaring guitars, and killer drums. Lolux is seriously the breath of fresh air we all need in music right now. Their energy is contagious—it’s the kind that can turn a gloomy day into a great one. Throw on “ Repetitive Things ,” crank it up, and just dance around your living room with a hairbrush as your mic. It’s an absolute blast. And that guitar solo at the end? So good. The drum breakdown after the solo just keeps building until the whole song explodes in the best way. What a track. Go stream “ Repetitive Things ” now. Another gem from Lolux is “ Neat Lil’ Sound .” Honestly, this song is just so freaking good. I could go on and on about what makes it awesome, but honestly, just listen for yourself (link below). It’s pure goodness for your ears. And don’t miss “ Stay Young ”—this one’s a little slower than some of their other tracks, but when that pre-chorus and chorus hit, it’s next-level. So, give Lolux some love this Saturday and get lost in their groove. They’ve got a bunch of music out, and it’s all seriously amazing. To learn more about Lolux: www.loluxmusic.com Lolux Lolux is an Astoria, Queens–based indie rock band formed in 2022. Known for their dynamic live shows, the band has become a regular presence in New York City’s local music circuit, performing at venues in and around the tri-state area and building a following through consistent, community-driven eng www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hollow Heroes music is a melodic masterpiece < Back Hollow Heroes: Rising Against the Trends Towards a Cohesive Sound Nicole Brice Sep 14, 2023 Share Hollow Heroes music is a melodic masterpiece Beers for breakfast, you say? Well, not exactly, but the newest single by Hollow Heroes does mention breakfast beers in its title, and with this clever nod to the frothy goodness known to many, I decided I needed to know more about this band. A group of well-rounded musicians make up Hollow Heroes , who hail from New Jersey . Since their inception in January of 2020, Hollow Heroes has been making waves in the industry, and in August of 2022, the band released their debut album Burn Another Bridge . While the entire album is a solid alt-rock offering, I must touch upon the opening track ' Save Me .' With captivating lyrics, heavy choruses, and crunching guitars, the transitions and changes in the melody complement this roller coaster of a song that reels you right in from the beginning and does not let up the entire six minutes it plays. Released August 18, 2022 The remainder of the album is a mashup of loud and heavy alternative rock that takes you on a sonic journey into an abyss of sound. These guys are on to something, so take note. With their latest single, ' Refuse (Breakfast Beers) ', the band has changed things up a bit to reflect more of a pop-punk offering reminiscent of Rise Against . Drawing inspiration from both Rise Against and Breaking Benjamin , Hollow Heroes is a band that is unafraid to explore the complexities of making music on a profound level, so who are these guys? Released July 14, 2023 Hollow Heroes are comprised of Alex White (vocals), Tom Riccoboni (drums), James Romano (bass), and CJ Palmisano (guitar). With all members being from various parts of New Jersey and drawing inspiration from their years of playing music in one capacity or another, be it the school band or independently, the band grew from an initial phone call between Alex and CJ , who played music together many years prior; after over an hour on the phone, the two decided to meet up to see what they could pull together. When COVID-19 hit, though, the guys were derailed a tad, but later in 2020, when they met up at The Burn Room in Jefferson, New Jersey, they ended up recording their first single, ' Alone .' By 2021, enough material was written to record the debut album, and the rest is history. I recently sat down to chat with the guys. No beer was present, but we did take a deeper dive into the meaning behind the title of their newest single and much more. Take a moment to read about Hollow Heroes and then go check out their music. Credit: Jeff Crespi MaM : Obviously, you have the Rise Against element in your newest single, “Refuse (Breakfast Beers),” but collectively who would you cite as your musical influences? CJ : I’m really big into Metallica , Blink 182 , A Day to Remember James : I’m super into Parkway Drive , Silverstein , Circa Survive , Dance Gavin Dance … Tom : If you didn’t say Dance Gavin Dance , I was going to have a heart attack. (laughter) I think we all have a good overall consensus of bands that we all like. They kind of overlap. I think once me and James came on, we added more of a progressive vibe. I’m super into Dream Theater , Rush , and Periphery … stuff like that. So, that’s something the original two members weren’t as keen on. Alex : I grew up on Breaking Benjamin and it was the hardest thing I listened to in late high school as well as Rise Against . Our newest single is very influenced by them. MaM : So, Alex, when it comes to writing lyrics, do you prefer more of a poetic approach, or do you just come up with random ideas and then let them flow? Alex : It’s definitely ideas and let it flow. (laughter) No rhyme or reason. (laughter) Tom : Alex is the most go-with-the-flow person you will ever meet. Alex : When I write my stuff, vocals are kind of the last thing. Just kind of see what fits. I don’t like things that are overly corny or somatic, I must say. I don’t want it to sound stupid or too dramatic. Credit: Jeff Crespi MaM : So, leading into the new single you just released in July, can I get a little background info on the title? It’s a little confusing. (laughter) How did “breakfast beers” fit into the equation? (laughter) Everyone : It’s a bit of an inside joke with us and was the working title when we were trying to figure out the actual title. Tom hates it. Tom : I hate it, by the way. (laughter) Everyone : Yeah, everyone grew to like ' Breakfast Beers ' except for Tom. He was a sourpuss. CJ : We called it “breakfast beers” because we didn’t have the name yet. When we actually released the song, there was a vote to see if we would put “breakfast beers” in parentheses or not. The refuse part of it was all my dad. It was very random. We kept the inside joke, though, for the original Hollow Heroes fans who know it. Credit: Jeff Crespi MaM : With all the options for streaming these days, which platform do you guys prefer? Do you feel there are too many avenues to get the products out and should it be streamlined more for a cohesive offering? Tom : I think we’re past the point of no return with that to have an opinion and it’s almost as if you have to play the game. MaM : I can agree with that. Going back to your album, ' Burn Another Bridge ,' which is solid and I love it, you said you recorded it over the course of a year, but how long did it take you to actually write it? CJ : The writing didn’t take too long. There were songs that I had finished and there were songs that Alex had finished and maybe we just tweaked a few things here and there. The recording process was longer than the writing process. Alex and I worked out our schedule when we could, and we got the drums done in an entire weekend. The guitar tracks took the longest honestly. Credit: Jeff Crespi MaM : I wanted to touch upon the opening track, ' Save Me ,' and I wanted to get a little more info behind the lyrics because of how much they resonated with me. What inspired the writing of the song? Alex : Honestly, I wrote that song when I was 17 or 18 years old and I think there was a time when I was a little different than now and I had some dark things going on, but it was drawn from life experiences and things are better now. But it was some angsty teen issues. MaM : If you guys could share the stage with any band in the future, who would it be? CJ : It’s either Foo Fighters or Metallica for me. We fit in well with that crowd and those are my favorites. James : Number one would be Bad Religion and number two would be Silverstein . Alex : Rise Against and Blink 182 for sure. Tom : For me, it’s Dream Theater , even though we sound nowhere close to them. [They’re] the whole reason why I fell in love with music. My dad was a fan of their music and he’s always played their music in the car. They are easily my biggest influence and why I play drums. I also agree with Alex about Breaking Benjamin , too. Credit: Jeff Crespi MaM : Last question – where do you see yourselves for the rest of 2023 and beyond? CJ : We’ve had a pretty busy year so far, and we did a show in January at a place called Jimmy’s in Kearney, NJ and that was the first show we had packed, and all of our friends and family were there. It was a great night and I think Tom can go on record that he got emotional that night. Tom : I did; it was kind of crazy. CJ : He did, it was a beautiful night. This summer has been so busy, too. In June we did a show in Hazlet, NJ and opened for Marc Rizzo of Ill Niño and Soulfly then less than a week later, we had the House of Independents show, where we met Jeff Crespi , and then in July, we had The Stone Pony show. Tom : Our biggest goal was to hit Asbury this summer and the whole Jersey Shore scene of rock, so we did it. CJ : We played Wonderbar in March, too, and from March until the end of this summer, we were just going. Tom : Yeah, then during that we released ' Refuse (Breakfast Beers) ,' so we were busy recording, too. … I think the rest of 2023 will be focused on writing more music, but not necessarily a new album or EP. With the months getting colder and not as many people getting out there, that’s what we’d like to do. Credit: Jeff Crespi As the band grows and experiments further, we feel they will continue to cultivate a loyal fanbase that will appreciate their authenticity and style of music. Their current offerings are only the tip of the iceberg, so stay tuned for more from Hollow Heroes and check out one of the links below! Facebook : Hollow Heroes Facebook Instagram : Hollow Heroes (@hollowheroesband) • Instagram photos and videos ‎ Apple Music : Hollow Heroes on Apple Music Spotify : Hollow Heroes | Spotify YouTube : youtube.com/@hollowheroes7816 Amazon Music : Hollow Heroes on Amazon Music Unlimited *Cover photo via band's Facebook *All other photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice isn't a huge fan of Breaking Benjamin, but she loves Rise Against. She highly recommends you listen to this band and if you would like her to check something out, then e-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Life on Merry Hill < Back FIREKID: Living and Making Music on Their Own Terms Tim W. Jackson May 2, 2023 Share Life on Merry Hill A couple in their 30s based in Florence, Alabama, playing music with bluegrass roots might not seem to fit the bill of alternative, but that’s why we don’t judge books by their covers. Dillon Hodges and Heidi Feek make up the duo firekid , a moniker originally created for Hodges’ music pre-Feek. But this enigmatic pair marches to the beat of its own drum— namely a drum machine programmed by Hodges to bring a different sound to roots music and to appeal to a wider audience. “We want to make music that sublimates the horror of reality,” Hodges says, adding that they are keenly aware of the problems and struggles of the world but want to take the view of gratitude and let that inform their art. “It’s a distraction really,” he continues, “but also an anchor to something. It’s firm ground when nothing else matters. It’s liberating.” credit: Tim W. Jackson Hodges comes across as remarkably intelligent and a deep thinker. Feek, who always seems to exude empathy and calm, is perhaps a salve for Hodges’ runaway mind. Their music is what brings many to know firekid, but their values and the life they’ve created for themselves are exceptional departures from stereotypes. Growing up in traditional Southern homes and living in a politically conservative part of the country, being atheists, socialists, and prison abolitionists is about as badass as it gets in Northwest Alabama. Early Dillon Hodges started to play guitar at age 11. While the Shoals area of Alabama where he was raised is technically Southern Appalachia, the music the area is known for is the rock and soul that came out of the area’s studios in the 1960s and ‘70s. In fact, local cover bands still play many of those songs, such as “Mustang Sally,” made most famous by the Wilson Pickett recording from FAME Studios in Muscle Shoals. Bluegrass—popular in middle Appalachia—is actually uncommon in Northwest Alabama. But Hodges’ teacher and neighbor, Mark Campbell, had bluegrass roots, and Dillon quickly became obsessed with the music and the style of guitar playing known as flatpicking. courtesy of firekid “We thought he was going to be a writer,” says his mother, Karen. “When he was in about 4th grade, he would write things that we just couldn’t believe were coming out of someone so young. But once he picked up [the] guitar, we thought, ‘Well maybe this is his calling.’ I guess he’s really doing both.” He set a goal for himself to win the National Flatpicking Championship and would travel to play at bluegrass competitions. But then he won! At age 17, his lifelong dream had already come true. He was the second youngest flatpicking champion but afterward, he became somewhat aimless and bored before even graduating from high school. He came back to Florence a champion, but few really cared about bluegrass locally. He attended the University of North Alabama in Florence and continued playing music. A few years later he created firekid, releasing his first album under that name in 2015. Self-described as “experimental Appalachian,” Hodges says part of his goal was to bring the music that he loved so much to a younger audience with plenty of pop influences and electronic sounds. Meanwhile, says Feek, “I brought my own stamp and creative energy to firekid.” credit: Melissa Madison Fuller This ain’t your granddaddy’s bluegrass. The firekid brand has a groove. Heidi + Dillon Each having married and divorced in their 20s, Dillon and Heidi met at the suggestion of a couple of folks in the Nashville area, where each was living. Musically, there was some overlap. While Feek’s solo albums brought to life influences from yesteryear, Hodges was trying to bring the music he loved to the masses by making it more modern. So, they connected, as friends, playing music and bonding through the tough times they were experiencing individually. For Feek, that included being part of a very public national story: Joey + Rory. Heidi’s father, Rory, had married fellow singer and songwriter, Joey Martin, 10 years his junior, in 2002—making Joey a stepmom to Heidi and her younger sister, Hopie. Joey + Rory had moderate success as a duo. The two had a daughter of their own in 2014, Indiana, born with Down syndrome, and just a few months later, Joey was diagnosed with cervical cancer. Much of the nation latched on to the gripping story that saw Joey succumb to cancer in 2016. She was buried in the family cemetery on the Feek farm in Columbia, Tennessee. Meanwhile, Heidi says she understands the interest. “It was a compelling story,” she says. “There was the music plus life and death and then a young child with special needs. But living through that was much different than just reading about it from afar. It was hard and then actually got even more complicated. It also tainted my view of the music establishment.” Having been friends for a couple of years, Hodges and Feek officially “got together” in that same year, after Hodges was divorced from his college sweetheart. In a cruel and obviously unexpected twist, his ex-wife, Elise, died in a hit-and-run accident just a few months after the divorce, bringing up yet another host of complicated feelings. Needless to say, 2016 saw traumatic circumstances from which both Dillon and Heidi had much to recover as individuals while trying to build a life together. With firekid a vague enough name, Heidi slid into Dillon’s life and his music project, bringing her own beautiful voice and songwriting skills to what was now a duo. courtesy of firekid Instagram The two moved back to Florence from the Nashville area, in part to be closer to Hodges’ family and to add distance from Feek’s. Dillon’s mom, Karen, is usually seen at firekid shows in the Shoals. Meanwhile, Feek’s father, Rory, has been less accepting of his progressive, non-religious daughter’s life decisions. In fact, sister Hopie fled the Feek farm to move in with her sister and Dillon in late 2022. “I love living here,” Heidi said. “I love having my sister here. I love having roots.” Karen Hodges says she is thrilled to have a larger family in the area. “We love Heidi,” she says, “and we know that Hopie moving here, too, really helped make Heidi’s life complete. I always wanted five kids but could only have three. But now I have five! I love the life they are all building.” Twitch Like many musical acts that made the majority of their money by touring, 2020 was a bit hellish for firekid. Various bands sought an array of solutions. On the Twitch platform, firekid managed to eke out a living and find a sense of community. Initially known as a streaming service for gamers, Twitch expanded to include entertainment, sports, music, and more. At first, firekid just played music on the site and then began to live more of their lives online. These days, the duo can be found on Twitch four or five days per week cooking, puttering in the garden, gaming, watching videos or movies, answering audience questions, having a bluegrass jam, or recording in the studio. credit: Tim W. Jackson Financially, the two have survived the past couple years mainly via Twitch and Patreon . “We love the community we’ve created on Twitch,” Dillon says. “And it’s interesting that it really is a community. People have gotten to know each other and interact. It has become a special thing.” So much so, that firekid has no real plans of touring these days. They are content to continue building their Twitch following, work on new music projects, and play a few local shows (which they also stream on Twitch). Merry Hill Now the Twitch community knows the duo by their username, merryhill, coined by an early Twitch follower who nicknamed the couple’s property in Florence. Literally on a hill, the quaint old house and grounds are themselves an alternative statement compared to the path of their peers. Not caught in the trappings of “keeping up with the Joneses,” their house is relatively sparse with a vintage refrigerator and stove in the kitchen, where they stream their cooking nights. The Twitch “Garden Gang” assembles outside where flowers and shrubs fill the yard. A small greenhouse allows some plants to grow year-round. The house, which is actually quite close to town and the university where Dilon graduated, feels like it’s out in the country. It’s a bastion of simple living and a perfect space for Heidi to exercise her green thumb. She arranges flowers and creates wreaths as a side hustle. Hodges is slowly becoming a plant expert, too. credit: Tim W. Jackson Reconnecting Roots Recently, firekid received the good news that they will have a bigger (paying!) role in the PBS show Reconnecting Roots, which they’ve been part of for its first three seasons. The show’s third season just launched in April 2023. Through culture and history, host Gabe McCauley reconnects Americans to their roots through an array of topics. Along with Mandy McCauley, firekid has been instrumental in taking iconic songs from the American public domain and rewriting and reimagining them for the show. The new firekid video for “In the Gravel Yard”, which is currently available for the duo’s Patreon supporters, will debut on Reconnecting Roots the week of May 19. (Check your local PBS listings for that episode and for when the show airs in your area in general. And stay tuned for season four, when firekid will be producing a host of songs for the series.) Here’s firekid along with Mandy McCauley performing the show’s theme song live. https://www.youtube.com/watch?v=9ZZSloafk24 New Music Having released its last album, “Muscle Shoals Metaphysical” , in 2021, the duo has been in the studio of late and has new tunes ready to roll out. The songs will be released as a series of singles, eventually culminating into the four-song EP “The Merryhill Sound.” “In the Gravel Yard” is the first single. With the doubling of banjos and an array of synth sounds, firekid again is again creating alternative roots music. In the video below, Hodges and Feek discuss their new EP. https://video.wixstatic.com/video/999a0f_7be1466360b8478b80dd42af0613cb04/720p/mp4/file.mp4 “Alternative” comes in lots of different forms. For firekid, it’s being authentic despite where they live and what others expect. They are true to themselves and create music that they love. And they are slowly bringing others into their wonderful world. For more on firekid, visit them online and follow their social media for the latest updates and releases. Firekid on Facebook Firekid on Twitter Firekid on Instagram Firekid on YouTube Firekid on Twitch Firekid on Spotify *Cover photo from firekid Facebook Tim Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his artist wife and his remote-chewing dog, Maple. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Biff Swenson is helping to foster a community of independent creatives. < Back Biff Swenson: An Architect of Asbury Park’s Indie Scene Nicole Brice Jun 2, 2025 Share Biff Swenson is helping to foster a community of independent creatives. When I first discovered the Asbury Park music scene, I found it to be a vibrant mix of sounds and genres, offering something for everyone, and I wanted to learn more. However, I didn’t know much about the locals who make things happen. Enter Biff Swenson. Biff is a key player in this community of creatives, as he plays in eight different bands and organizes the Happy Mondays series at The Wonder Bar , a role he has maintained since a couple of years after the COVID-19 pandemic along with his fellow musician and co-conspirator Brian Erickson. Credit: Jeff Crespi The Happy Mondays series is a showcase that offers a platform for local musicians, particularly at a time when many venues tend to focus primarily on cover bands and established artists. No particular format or genre rules are in place, as Biff is a multi-talented instrumentalist and vocalist himself, who fills various roles across his own projects, contributing whatever is needed. After a decade of being in existence, the Happy Mondays series has proven to be an excellent community outreach staple for the original music community of Asbury Park, New Jersey , and Biff is one of the guys that makes it happen. Credit: Jeff Crespi Our favorite New Jersey photographer, Jeff Crespi , has echoed these sentiments about the Happy Mondays series and its impact on the scene: “With all the smaller venues closing up, having Happy Mondays at a professional, well-known venue is incredibly essential. Professional audio and visual components on top of getting paid, and a stacked green room with snacks and drinks provided.” When I first heard about Biff , I was intrigued to explore his music, but I was left wondering: which band should I check out to get me started? With so many options to choose from, it was overwhelming, but I managed to dive into at least three, and after completing this interview, I had many more to check out. Credit: Jeff Crespi Biff Swenson is a genuine Renaissance man , dedicating his time to a diverse range of projects that span nearly every genre. His infectious enthusiasm makes him an invaluable asset to the Asbury Park music scene. Through an introduction from one of my favorite people, Jeff Crespi , I had the opportunity to learn more about Biff and his various endeavors. Although he initially presents as a typical alternative music enthusiast when you first meet him, our conversations revealed a much deeper and more complex personality. One full of laughter and wisdom. His creative passion is a driving force behind the Happy Mondays series, which he aims to keep inclusive and open to all styles and genres. If you ask him to book you, he will, regardless of whether he likes your music, as Happy Mondays is dedicated to fostering a community of independent creatives. Biff is THE man with many plans, and they usually involve more people. Read on to learn more. MaM : So, let’s dive in – I’ve heard you play in six bands. Tell me a little more about that. Biff : It’s actually eight. (laughter) MaM : Wow … eight bands … tell me what the genres are and the differences between them all? Biff : We have a very incestual crew. (laughter) There are four core guys, and between them, there are probably 15 or 16 bands total. We mostly just all play for each other. With Grasser , I write all the lyrics, but I’m not necessarily the lead singer. Dana Why is the singer of Grasser’s solo project, but we all play as his backing band. Bristler is Rudy’s band that he fronts, but then Dana and I are his rhythm section, so it’s like we’re aging. (laughter) We found the people who are willing to work hard and are not thrown off by the manner in which we carry ourselves. We jokingly say, at this point, it’s just mental illness. (laughter) Everytime we add a new band, we’re just unwell. (laughter) We found a really cool group of people, and this is our “golf”. What else are we gonna do? Sit around and watch TV? We spend most nights in our rehearsal space and studio. Some nights, we’re recording from 4 p.m. to 6 p.m. for Bristler , and then from 6 p.m. to 8 p.m., we have Grasser practice. After that, we’ll do a shoot for a Yawn Mower music video . So, it’s usually seven days a week, and we miss most holidays. (laughter) Credit: Jeff Crespi MaM : Sounds about right. So, what bands are we missing? You mentioned Grasser, Dana Why, Bristler, Yawn Mower, and what else? Biff : Grasser is like a genre-less pop R&B hip-hop infused, but very punk rock ethos of DIY. We handle everything from engineering and mixing to mastering, artwork, photography, music videos, and more. The hardest thing to pull off with that band is live shows because it’s an eight-piece band. It began as a mostly recording project, which we eventually turned into a live band. It’s the most fun to do, but the most difficult to wrangle in and make happen. Yawn Mower is our most active band, and the one that I’ve been doing the longest. We hit ten years in August. That band started as a fuzzy rock two-piece, but at this point, members of all the other bands have joined, and it’s become a full band. We tour the most and even played at the Sea.Hear.Now.Festival a couple of years ago. It was the biggest thing we’ve ever done. Yawn Mower gets the most opportunities just based on how long we’ve been doing it. Bristler is a subdued indie rock band , reminiscent of Minus the Bear , Death Cab for Cutie , and Modest Mouse . MaM : Hell yeah Biff : Dana produces and sings for Grasser so that you would expect a lot of overlapping. He’s very introverted and maximalist, so most of his songs are pretty long, and they feel more cinematic than they do rock. It’s very ethereal, and you cannot passively listen to Dana’s music. If you’re not looking to hear an album, then it’s not for you. MaM : Right? Biff : So, some people find that one to be the most difficult to dive into, but it’s rewarding. He spends the most time on the most minute details that only a music fan is going to acknowledge or appreciate. Prop House is my newest band. I play bass in that band, whereas in my other bands, I typically play drums. It’s got like a 2000s emo revival sound, kind of like Thursday or Title Fight . Credit: Jeff Crespi MaM : That’s awesome. I don’t know how you do it all. So, I have been told you are THE person to speak to about booking a show for Happy Mondays at the Wonder Bar in Asbury Park. Tell me a little more about how you got involved with that? Biff : The series started in town over a decade ago, and it’s switched hands many times. I believe I may be the sixth person to take over this role. I do all this with Brian Erickson ; he’s in a few bands around town. It was a staple here. We used to have a lot of smaller venues – 150-capacity rooms. There was a place called The Saint , and if you started a band, your first show was always at The Saint. It was never a “no”. Always allowed. We lost it after COVID, and so there are no real small rooms anymore, and the ones that are still out there don’t have sound, lights, or a stage. They’re all DIY. Post-COVID, Happy Mondays still hadn’t come back, and I reached out to see what I could do since we are an original music town. Ended up finding out that Brian had reached out before me, so they had the idea of us just doing it together. We took it back over, and this is our third year doing it. It’s community outreach. It does not make money, but it’s where new bands started. That’s what it always was. Have you heard of the band Separatr ? MaM : Yes! Love them! I actually got to interview them twice. They have had quite a journey. Biff : The first week they were in town, they approached me about booking a show, and it was a no-brainer after they told me their story. I was like, done. You guys can play. Anyone who has committed their lives to music to move across the country, like them, deserves to play. Booking Happy Mondays for me is about building connections and networking. It’s not that I enjoy booking shows I’m not playing, but every week when I’m feeling down and out or burnt out, there’s always one person who comes up to me at a Happy Mondays show and says the right thing at the right time, and then it all makes sense. This is very affirming. This is why it exists. Since I’m a drummer and I live in town, I always seem to have a spare drum kit in my car. (laugher) Biff : So many weeks, though, someone will show up and not have a drum set, so I’m like, ‘You can use mine.’ Then they’ll ask me, ‘Are you playing tonight?’, and I’m like ‘no.’ (laughter) Credit: Jeff Crespi MaM : Just gotta have that extra drum kit no matter what. Biff : Sometimes, they’ll go, ‘I don’t have a bass amp.’ I’ll be like, ‘No problem. My rehearsal space is just down the street. I’ll be right back.’ It’s about community. MaM : I’ve got a curveball for you, so we have a huge cover band scene down here. Sometimes, it can be overwhelming because a good majority of the venues will only book you if you play covers. What’s the cover band scene like up there in Jersey? Tell us a little more about the scene up there in general. Biff : Well, New Jersey , in general, is like cover band central. Asbury is an original music city, but ya know. Well, once COVID was over, I actually was in a cover band for a couple of years, and did it for money, but left because it wasn’t what I wanted to play, and it wasn’t fulfilling. Playing ‘ Flagpole Sitta ’ every night just wasn’t doing it for me. MaM : Throw a little Harvey Danger in there, why not … (laughter) Biff : The people I was in that cover band with were all guys from original bands, and after two years of not a single free weekend, we decided it was dumb. I think Asbury is Bruce country, and so there are a ton of classic Bruce-esque cover bands. People do respect you more for doing original music here, but nobody is shitting on cover bands. We have New Brunswick , which is about an hour away from here, and it is punk. 110% DIY punk. It’s where all the house shows are. If a band isn’t from Asbury , they are from New Brunswick. That would be the alternative. Then there is Jersey City, which is pretty much New York. It’s right at the top of the state, and you can see New York from there. They have a really cool music scene, but it’s really lo-fi. It’s punk in ethos, but dogshit in quality. People don’t mind out of tune guitars and piss drunk singers. Always a packed house. Jersey City has a place called Pet Shop , and it’s just a bar. No stage. No PA. No lights. But 100-150 people are going to be there every night. It’s one of the only hubs to see that type of stuff. Outside of those three scenes, though, it’s just cover bands. Credit: Jeff Crespi MaM : When did you first discover your love for music, and what band made you want to play music? Biff : There’s a couple of pillar points with this. Even today, I love hip-hop . I listen to more hip-hop than I do new bands because bands are getting worse. (laughter) Biff : At a young age, I got into rap, and then my sister, who is seven years older than me, brought home Green Day’s Dookie on cassette, knowing I was into hip-hop . She was like, ‘Yo, these guys curse a lot.’ I was like, ‘That’s pretty cool,’ so I listened to it, and that was the first time rock music seemed cool to me. It wasn’t all 80s hair metal. After a few more years, around sixth grade, I discovered Blink-182 , and they are 100% the reason I started playing music. As a drummer, even today, my friends often tease me because I tend to overplay the drums. I’m always in the pocket. I’m always like, ‘We could put a ton of shit there! This song could use a little more. Travis Barker would put a fill right there.’ (laughter) Credit: Jeff Crespi MaM : So, you become like Animal from Muppet Babies ? (laughter) Biff : Exactly. I’ve been told that I look like Animal when I’m playing, but I don’t care about what I look like when I play. I only care about how it sounds. My first real concert was actually Green Day and Blink-182 together. MaM : Wow, I think I remember that – what year was that? Biff : 1999? Maybe? Around then. MaM : I’ve never seen Blink live, but I saw Green Day in like 2003? Maybe? Biff : It was The Pop Disaster Tour , if I remember, and Saves the Day opened. MaM : I used to love Saves the Day. They just dropped off the face of the earth. Biff : That day, though, I was watching Green Day pull kids on stage on the biggest stage in Jersey , in my eyes, and I was thinking about how I could do that and achieve that. Another thing, too, I was a church kid. Grew up around the church and even played in the church band. That’s how a lot of musicians cut their teeth playing music, though, because the church can’t exactly tell you no. After all, you’re doing it for the Lord. Oddly enough, the church influenced my music playing as much as Blink-182’s dick and fart jokes did. (laughter) Credit: Jeff Crespi MaM : So, do you only play bass and drums, or can you play guitar, too? What’s your favorite instrument to play? Biff : I can play guitar, too, but I’m so bad in comparison to all of my friends. Drums are the one I am most comfortable on, and you can see the most of my personality in them. I’ve put in over 10,000 hours on the drums. (laughter) That’s the one where I’m reliable. I sing in Grasser , and that’s the most fun. I’ve been sitting down at my instrument for over 20 years, so any opportunity to stand at the front of the stage, and I’m like, ‘It’s really cool up here. You guys must have a lot of fun up here.’ I’m most able to serve a song on drums. When I play bass, it’s just like … tell me what to play. It’s so rare that I’m like, ‘What about this?’ (laughter) Bass is just the rhythm section. I like to play the bass for the drummer, but I’m never playing to make people be like, ‘Yo, the bassist is really good!’ (laughter) No, it’s like, the bassist made the drummer look really good. (laughter) Credit: Jeff Crespi MaM : When it comes to writing new music for one of your gazillion bands, how do you approach that? Biff : It used to be compartmentalized, but in the last few years, it’s been more of an amalgamation of all of it. For Grasser , I'll demo the whole song, from soup to nuts, including bass, drums, vocals, and then I’ll send it to the group. Anything is up for change, so if the guitar part sucks, just delete it. Bristler is all Rudy . Dana Why is all him. Yawn Mower , the singer, Mike would write everything, and I’m just drumming on it. Since we became a full band, we have become a collective . Since the collective has been active as a group, it has been a collaborative writing process. Credit: Jeff Crespi Our new album is coming out soon. On that, I started three of the songs on guitar, Dana began two, and Mike brought full fleshed out ideas, but was open to all of us. As a singer, that’s fun. Now, I can write a whole melody and a batch of lyrics I would not have come up with on my own. It started with Grasser . I love to free associate. I love to riff. Eventually, it becomes this Frankenstein sentence that means nothing to nobody, but that’s when I think it’s a great idea to use it. We spend so much time together that we have our own language. We’re slowly not using regular words anymore. (laughter) By November, the four of us will have put out twenty albums in two years. Yes, you read that last line correctly. Biff Swenson is undoubtedly a seasoned artist and musician who will continue making music as long as he can. His dedication is truly inspiring, and I'm excited to see what he does next. I highly recommend that you create a list of the bands he has mentioned, look them up, and give their music a listen, and if you are in the Asbury Park area, stop in at the Wonderbar and discover some new talent. Where to learn more about Biff and his gazillion bands: Instagram: Yawn Mower Instagram: Grasser Instagram: Dana.why Instagram: ProphouseNJ Instagram: Bristler Instagram: Earth Telephone Instagram: Scumming Band Instagram: Quiltary *Photos by the one and only Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. < Back Jonathan Machen aka Profit: Finding Refuge in Music Nicole Brice Dec 11, 2023 Share Jonathan Machen aka Profit is a lyrical prophet of rock and hip-hop subgenres fueled by the deepest levels of pain and enlightenment. In the ever-evolving world of music, talented artists constantly emerge, each with their unique style and sound. But every once in a while, a truly gifted artist emerges—one who not only speaks to your own experiences but also captivates you with his memorable sound. Jonathan Machen aka Profit is one of those musicians with an inherent musical gift and with it he has carved his path, drawing in listeners with his smooth, soulful voice and heartfelt insightful lyrics, as well as his hybrid-fusion sound merging hip hop and R&B with hints of rock and country. Jonathan Machen aka Profit is one voice you hear and don’t easily forget simply for one reason: You can’t. His effect lingers long after the music fades. Credit: Gary Governale Born in Crowley, Louisiana, Machen grew up a burn survivor, meaning he is no stranger to the depths of physical pain—pain that quickly compounded when he found himself the target of insensitive bullying. As an adult and single father of three, Machen suffered extreme personal loss, and his only refuge was the peace and motivation music provided him. The awareness he gained through experiences like these have molded him into the empathetically enlightened vessel of talent he is, reminding us that words—and how we treat other people—really do matter. He's a smart musician. Jonathan Machen aka Profit is as eclectic as, say, someone like Beck or Louis Cole ; he’s definitely traveling along the same interstate. With a passion for storytelling—as is evidenced on songs “ Refuge ” and “ Long Night ”—he shows he doesn’t stick to one style or genre but rather a menagerie of subgenres living amongst rock and hip hop. Mixed Alternative had the opportunity to sit down with Jonathan Machen aka Profit to learn a little more about his life, find out the scoop on that “Daydreaming” video featuring No Limit Gangsta, and see what’s next for him. MaM : Jonathan, thank you for taking the time to speak with us today. I’ve been going through your YouTube and music catalog, and you have such a diverse body of work. Tell us a little more about how you fell into making music. JM : I was born in Crowley, Louisiana, near Lafayette. … A lot of people don’t know it, but I am a burn survivor. At 2 ½ years old, I was burned by a crawfish pot that someone had taken off a propane burner and set down. I was running backward playing, tripped, and caught myself, so I ended up with second- and third-degree burns from my bellybutton up to my neck and from right above my knees down to my ankles. During the healing process, I had to wear a pressure suit and go through extensive physical therapy, where I also underwent several blood transfusions and skin grafts, too. I’m a miracle baby. After the accident, they had to airlift me to Baton Rouge from Lafayette, and I actually died and came back. From there, growing up consisted of being teased and hazed because when kids don’t understand something, they attack it. I’ve always loved music, and I can recall dancing around to old records in my mom’s living room. She had four bookshelves full of CDs and we had boxes all over full of records, so I grew up hearing and listening to everything. I immersed myself in it all as an emotional release. It was where I could find acceptance and be heard. Credit: Gary Governale MaM : Who or what inspired you musically when you were growing up? Did you have any favorite bands or artists? JM: Otis Redding, King Richard, Frank Thomas, Phil Collins—believe it or not. Anything Motown, too. It just ha[s] this soul and vibe. A good bit of R&B, too. MaM : What initially got you into writing lyrics? JM : As far as lyrics go, I started out writing poetry, and it was more a cry out than anything because I felt like I didn’t have anyone else who understood me besides my mother. I had no other outlet for these emotions I was dealing with. See, I was angry at the world because of what I had been through, and I had to go through some serious mental warfare with controlling my anger so I wouldn’t just snap on people. After I had been writing poetry for a while, I won a contest in school, and they published a poem of mine. That taught me that my words do matter. The first time I heard Eminem, as corny as it sounds, I realized I could put my words to a beat, and that’s how it all began. Credit: Gary Governale MaM : Let’s talk about the video for “Daydreaming”. The song is a bit mesmerizing to listen to … and it features No Limit Gangsta . How did you get him to guest on the track? JM : He’s a friend of mine who was signed to No Limit Records. The video for “Daydreaming” came about because the whole concept of that video is one big dream where we fall asleep and the dream plays out, and then we wake up and we’re like, ‘What is going on? Where did all the riches go?’. It’s as simple as that. https://www.youtube.com/watch?v=zKWS8IhM4ow MaM : What was the first song you ever wrote or recorded? JM : It was a track called “Angels Talking” when I was about 14 or 15 years old. The song never got released, but we did put it on Reverb Nation, and it was recorded on a stick mic with a laptop. MaM : When did you realize you could be on to something with your music? JM : When I was about 18 or 19, I would do a bunch of open-mic nights at Club Rags, and I was always the only white guy there. I would go on stage nervous as hell, but when people started moving and jumping to my music, I started going more, and it got to a point where I was there every week, and I would have a line of people almost at the door wanting to shake my hand. That experience helped me get my foot in the door with the local scene. Credit: Gary Governale MaM : With a background in rap and hip hop, how would you describe your sound these days and what’s next? JM : I would say I am my own genre. My music has country, bluegrass, and some R&B in it, and I try to put my heart into every song because each one is a story. I have a song called ‘Survival’ that I’m going to release in the second quarter of 2024 and it’s about my mother, who passed away from cancer. The main hook talks about God pulling flowers from the garden, and so it’s a very deep and meaningful song for me. ‘Hollow Rain’ is another song that I’m releasing in the first quarter of next year and that one is more about me as a whole because of my scars from my burns. The beginning verse says, ‘He walks around with no tattoos because he ain’t got [sic] the point yet, but he’s still bruised, and pain hangs around like open wounds. He was hazed by cowards and fools …’ See, it’s a story, and I have about 13 or 14 more that I need to record that are just as powerful. MaM : Do only life experiences inspire your lyrics, or do you draw from fantasy, too? JM : Everything that I write and choose to release comes straight from the heart. …[W]ith ‘Daydreaming’, the idea was to get people interested with a cool concept, but ‘Refuge’ was about God being my refuge through everything. ‘ No Colors ’ is another song that talks about the political division being forced on Americans as well as the racism, and so I wanted to express with the lyrics that I won’t hate my brother because we come from different mothers … this is about love for me. Credit: Gary Governale MaM : Where do you see yourself in the next five years? JM : Well, I’ve got new music coming out and when I have about seven of the songs recorded, I plan on having a listening party with family and friends and I want to get them to pick the best five, which will be put on an EP. I hope to do that in the first quarter of next year. I want to be able to write songs for other artists, too. I don’t need all the credit either, but I just want to get more of myself out there. I also have a plan for helping impoverished communities with hydroponic gardens that I want to teach the youth about. Maybe make a non-profit to help with that endeavor, and have it include even more than that. You could have the garden, but maybe a basketball court or other things to keep them interested. I feel that the youth of today is losing essential survival skills like we had back in the day, and I want to teach them these things … fishing, too—show them that a fish can feed their family. I have a lot of plans, and more is coming soon. For more on Jonathan Machen aka Profit, visit any of his links below. Be sure to follow him on social media to stay up to date on that forthcoming EP! Jonathan Machen | YouTube Jonathan Machen aka Profit | Spotify Jonathan Machen aka Profit | Apple Music Jonathan Machen aka Profit | Facebook Jonathan Machen aka Profit | TikTok *Cover Photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. < Back Off the Charts: Jimmy Speed Bud Gambrell May 22, 2024 Share Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. Hello all! Welcome back to Off the Charts! I’m glad you’re here! I’m a bit excited to turn you on to this next band. Jimmy Speed is a local band I’ve heard of but have yet to see live. I assure you that will change! I may have heard the name from bands that played at a former location in Huntsville called Sidetracks Music Hall . If you’ve never heard of Sidetracks, I wrote a book about it, but we are not here to discuss that. Let’s start this article a little differently. I want to wet your pallet just a bit with one of the band’s videos. Please turn this up before continuing to read this interview. See below. https://www.youtube.com/watch?v=4DI3So9fWtk Jimmy Speed comprises various musicians from the Huntsville area in Alabama. It had its humble beginnings in founding member/lead singer Lyle Douglass’s bedroom. I got invited to a band practice recently, where I had some time with Lyle before the band introduced me to their new song, Paradise , where I was able to ask Lyle for a little history of Jimmy Speed's origins. Click the picture to experience Jimmy Speed's music. OTC : How did you come up with the band name Jimmy Speed? LD : Jimmy Speed started in my bedroom. I'm writing songs because that's always been my passion. I've been a songwriter since I was a teenager at home. And so, Jimmy Speed was sort of the name I gave myself just for my own released music because I didn't want to release a Hard Rock album called Lyle Douglas. And so, I thought, I need to come up with a rock'n'roll name. My first name is James, so I thought, well, Jimmy works perfectly. I had to come up with a stylish last name, so I thought Speed worked because some of the music I wrote at the time was fast, hard, and heavy. So that's how that name originated. Our music is a unique blend of fast, hard, and heavy rock, a style that we've honed over the years and that sets us apart from other bands in the area. Credit: Facebook OTC : What year did the band form, and how did you get to the lineup of musicians you have today? LD : In 2015, I joined forces with Mono Stereo, a local cover band formed by guys from Blackeyedsusan and Dragmatic. Chris was in Dragmatic , Donnie Pylant, and Jay were in Blackeyedsusan, and then their bass player Glenn was the bass player for Brother Cane . He's back with them playing again. They brought me in to be their lead singer and rhythm guitar player. That's how I met Chris. And then, in 2016, my brother passed away. I had a bunch of songs written, some of them dedicated to him. I asked Glenn and my friends Brian and Chris, hey, do you mind just getting together and doing a one-time gig of original music at the Sportspage ? It was just kind of a one-off thing. And so that's how it started. It was just an original gig that we did, and after that show, the guys said, it's cool. Let's continue doing some of these songs, and that's when it originated. I guess that was around 2017 when Jimmy Speed first formed with the lineup of Brian, Chris, and Glenn Maxey. But then, when the pandemic hit in 2020, Glenn had a tough year and had to step away from the band. At that moment, like many other bands in 2020, we had to ask ourselves, what will we do? Are we going to keep doing this? Brian, Chris, and I decided, yeah, we want to. We're still passionate about this. So, we kept writing songs. We went back to the studio. We kicked around some bass players like Mike Staten from Tres Locos and Michael Cline from 5ive O’clock Charlie . They stepped in and helped us out for about a year or two. We've known Gary for 25 years. On a whim, we just said, hey, man, we're interested in you playing bass for us. The other guys are busy. Not that Gary wasn't busy, but he said I'm interested. And so, it looks like, hopefully, I crossed my fingers. He's going to be a permanent guy. Credit: Bud Gambrell OTC : What are your biggest influences when you're making music? LD : I am admittedly a product of the 1980s MTV generation. My riff writing is very percussive, so it's very Metallica-ish. Some of it is Megadeth-ish. But I also like Weezer-esk hooks. Chris is probably more of a 90s guy himself. And so, we bring out our inner Motley Crue, Weezer, and Metallica when possible. OTC : How would you describe the music that you create? LD : I try not to get too fancy with genres. I know there are so many subgenres of rock. To me, it just gets silly. I've always categorized this, just as you know, as heavy rock, heavy rock with elements of soft rock and elements of metal. Let’s pause for a few minutes and check out another song! https://www.youtube.com/watch?v=Pv2xT23ozV8 OTC : Talk to me about your approach to writing new material. Is it a collective effort, or do you do the writing and bring it to the band? LD : It typically starts with me at home doodling because that's just what I do. It's just kind of my passion. I can't help myself. I've always done it since I was a teenager. So, it usually starts on the guitar. I'll come up with something, some hook on the guitar. I will hear some vocal lines without any words. Something like that will come across my mind as I'm playing. I think, OK, those are the syllables I need. I need to come up with some words to fit, and sometimes, it's a random line like in one of our brand-new songs, Paradise. I'm playing the riff, and the line spontaneously came as “I'd Walked 1,000,000 Miles on a One-Way Road”, and I had to stop and go, OK, who's on a one-way road? Who's walked 1,000,000 miles? What is that story about? And so it could be a spontaneous lyrical line that comes to mind. And so, you write a song based on an idea. Credit: Bud Gambrell OTC : We talked last week, and you were in the studio? I'm guessing that means we've got new material coming out. Tell me about that. When? LD : It's probably going to be released later this year. We're now working with engineer Ben Holloway at Five Points Recording Studio. We've worked with Justin Miller down there. He's the owner. Head engineer. He did our last album, Weight of the World. But he's got a new engineer working night and night just from a scheduling standpoint, which works better for us. So, Ben is doing all the rough recording right now. We've got drums, all the main lyrics, and my guitar, but we still need to play lead guitar, bass, and some backup vocals. It's a slow process, so we chip away at it when possible. We don't have a regular scheduled time over there, but like I said, it will probably be released later this year. Credit: Bud Gambrell OTC : How do the people reading right now find your music? LD : In today's world, most people stream, so you must ensure your music's out on all streaming platforms. I've done that. Social media is such a circus, but at least it gives you the tools for reaching thousands of people at a very low cost. I've done sponsored ads, and we've got videos on Facebook with 10s of thousands of views. 20-30 years ago, I know the dream of all musicians was to get signed, and that's still great if you have corporate sponsorship and that corporate push, but social media at least gives small artists the tools to do it kind of themselves. But now, people must search for us on their favorite streaming service, Jimmy Speed. https://www.youtube.com/watch?v=FiD564n3sxc OTC : All right, one last question. If you could open a show for any artist, who would it be and why? LD : You know, I think that I've compared our music most closely with Volbeat. Love or hate them, Volbeat is hugely popular, and its music is heavy but melodic. They've got a lot of melodic hooks. Their singer is not necessarily a screamer, and that's always what I've gone for. They have a heavy sound but a lot of hooks, so that would be my dream. I didn’t come up with that last question; my editor/publisher, Nicole , did. Thanks, Nicole! That was a great question! I liked it so much that I asked the other three band members the same question to see the variety of answers I might get. First, I asked bass player Gary Fullerton. Credit: Facebook OTC : If you could open a show for any artist, who would it be and why? GF : My first choice would be Iron Maiden. Steve Harris greatly influenced me back when I was a kid. My second choice would be The Warning. Those girls from Mexico are kicking ass! Next, I turn to guitarist Chris Robinson. Although I had already asked the question twice, the guys took their time and thought about the answer. OTC : If you could open a show for any artist, who would it be and why? CR : Oh my gosh, that's a great one. Oh, man. Oh my gosh, you stumped me. I was thinking Avenged Sevenfold, but I was like, am I that good? It would have been Mötley Crüe or Guns N’ Roses when I was ten. You know, next level. One last band member. I asked drummer Brian Miller the same question and got a very eclectic answer. OTC : If you could open a show for any artist, who would it be and why? BM : Man, is that like a current existing band or any band? OTC : It can be any band. BM : Man. I would open for The Doors. Absolutely! Because I want to meet and talk to Jim Morrison. It's as simple as that. It's like a lifelong ambition stolen from me at age two. What can I say? Credit: Bud Gambrell I’m going to have to take my advice on this band. Don’t snooze on Jimmy Speed! Unfortunately for me, I have yet to see them play live. Yet! I was fortunate enough to sit in on a band practice and could tell this band is meant to be seen live! Keep an eye out for upcoming dates. With new music coming out, that can only mean one thing. New show announcements! Follow Jimmy Speed at the links below. Drop by and buy some new tunes. Watch the music and keep up with the band news. Be sure to drop by and send me an email. Let me know if you have a good recommendation for a band out there that is killing it. Or you can drop me a line and say hello. Until next time, Keep your diamond down in the groove! Where to find Jimmy Speed: https://www.facebook.com/jimmyspeedband YouTube: https://music.youtube.com/channel/UCQPbOrVvkzw3rOzoFA26fNw?si=nrqq63N_ZTthKKmA Where to find Bud: Amazon : https://a.co/d/1CLA9Tz bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Change operates as a cyclical force of nature, and it’s time for another cycle. < Back Finding the Middle Ground: Striking Balance in Louisiana’s Evolving Music Scene Nick Cline Jun 14, 2025 Share Change operates as a cyclical force of nature, and it’s time for another cycle. Change—what is it, really ? Change embodies a balance between beauty and disaster; it's an essential part of every journey in life. Music, along with the passion that fuels it, has been a cornerstone of the human experience since time immemorial. It's an incredibly intricate concept that we have barely begun to explore. Lafayette's music scene, and perhaps even the entire state, represents a piece of a puzzle that is rapidly shifting in search of its perfect fit. The irony is that it may never fit perfectly. Nothing is meant to fit 100%. This imperfection is part of the beautiful dynamic that drives passion, art, and the courage to find one's place in life, society, and the universe. Change operates as a cyclical force of nature , and it’s time for another cycle to traverse through the walls and concert halls of our community. Lafayette is the epicenter of Louisiana music. Regardless of the state's history, Lafayette has conspired to create a landscape rich with honed talent, new passions, and everything in between. The local scene is becoming a catalyst for change, as alternative mindsets and sounds are asserting their place. I should note that I'm relatively new to this scene—I've only been involved for about two years. I'm not originally from Louisiana, so my perspective is, at worst, a leap of faith. Ultimately, I am just an artist trying to carve out my niche in a world that has presented me with numerous challenges since childhood. From my observations, balance is critical for the survival of this scene. A balance of ego, work ethic, passion, and various other factors will be essential for its future. It can begin to thrive, but it should aim for more than mere survival. With proper care and the right mindset, this scene can become a powerful force of personality and passion. Currently, there is a power struggle among bands, venues, promoters, and us. People are forgetting that music is a collaborative effort. Music cannot exist without a solid foundation of support to fill in the gaps of the scene. The alternative scene is a collective of individuals who are contributing new pieces to the legacy of Louisiana music. This community is growing every day, driven by a mission of goodwill, inclusion, and the cultivation of music, along with many other positive ideals. What’s remarkable about this collective is that it is not genre exclusive. It serves as a meeting ground for the unconventional and the overlooked. It’s a space where one can discover oneself both musically and personally—a rare moment that continues to evolve. This community fosters ongoing support for one another, built on passion and inclusivity, regardless of genre or background. Most importantly, it stands on the belief that art is a powerful concept that will endure even in troubled times. Art is one of the many building blocks of change in societal understanding. Only time will tell what lies ahead for Louisiana and its music scene. For now, it is in its infancy, a growing force poised to unleash a cyclone of creativity. Its spark has recently ignited, and it’s just a matter of time before it fully manifests. That said, the community must strive for hard work, genuine artistry, and the willingness to explore new sonic landscapes without clinging to an image or preconceived notions. An image means nothing without the quality to back it up. Having a platform is irrelevant if there is nothing truly unique and powerful to express. Many can speak, but very few can truly inspire. The scene is navigating a direction that we all need to embrace, or risk being left behind. A powerful new era is upon us, and the music scene will enter this age armed with passion, creativity, influence, inclusivity, cultivation, job opportunities, and so much more. The burgeoning job market will align with the community's strength, allowing artists to become multifaceted creators. Photographers and commission artists will stand at the forefront of this economic shift, progressing in tandem with the music industry. These various artistic pursuits need to work in tandem to survive and transform into a storm of possibility. In conclusion, let me emphasize my final thoughts. Hope, creativity, inclusion, and cultivation represent the new wave of Louisiana music. We are mere specks in the vast landscape of possibilities within the universe. We must make the most of our time, for no one else will live our lives for us. It is our duty to ensure that we live meaningfully, serving both ourselves and the cultivation of a brighter future for the arts, culture, and society as a whole. We are the change we’ve always wanted to see. It’s time to prove it, to show it, and to live it. We are the change that the community has been waiting for. Thank you for reading. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Few Blue has the rhythm that will bring you to your knees. < Back Straight from the Bayou: Few Blue’s Vibrant Sound Redefines New Orleans Music Nicole Brice Sep 3, 2024 Share Few Blue has the rhythm that will bring you to your knees. In my many years of discovering new music, it never ceases to amaze me how Louisiana talent can be so different in so many ways. Louisiana has become known for its intense metal scene as well as zydeco and jazz , but often, the more unique bands coming out of this state tend to get buried. It’s not because they are not talented but because people’s musical tastes are focused elsewhere. When a band is recommended, I never know what to expect. After receiving the recommendation to check out Few Blue ’s music, it only took one listen to fall in love. Few Blue is one of those bands with an infectious lead singer who reels you in with her pure talent and powerful vocal stylings—stylings reminiscent of great female singers like Miranda Lambert , Pat Benatar , and the ever-forgotten Alannah Myles . Camryn Wisniewski’s energetic persona and insatiable personality are a perfect fit for the well-rounded outfit of talented musicians she shares the stage with, who play a style of music so rowdy that you can’t help but get excited. This band is so tight. If Miranda Lambert were to front Pat Benatar’s band from the 80s, then you would have Few Blue. Their first EP, So Damn Wrong , was released in January 2024 and is an intense kick to the gut with standout tracks such as, ‘ Oops ,’ which makes you snap to attention instantly because of how powerful it is. It’s an ass-kicking female anthem with pure, fierce sonic energy. ‘ Call Me Crazy ’ is another high-powered track with impressive and compelling lyrics that speak of love and longing. To be honest, this entire EP kicks so much ass. Truly, it does. There is not one single bad song. Put So Damn Wrong on your list of EP’s to check out NOW ! A tight-knit group of friends who began their careers together at Louisiana State University in Baton Rouge, Few Blue is on a path to greatness because of its intense energy in the musical landscape. The band is comprised of: Brad Boozer (guitar), Rob Schexnayder (drums), Christian Liang (bassist), and Camryn Wisniewski (vocals). If you were to ask me how to describe Few Blue’s music, I would have to say that it’s just good. It's as simple as that. Based in New Orleans these days and fresh off playing a show at LSU’s Welcome Week , the band has a busy rest of 2024 lined up with even more planned for 2025, so I was thrilled to catch lead singer Cam on an off day. We discussed the history of the band, vocal influences, what the future holds, and more. Read on below. Camryn Wisniewski (vocals) - Credit Gary Governale MaM : So Damn Wrong was just released in January. What has the response been so far to the EP, especially with such a strong opening track as ‘ Oops ’? That song is a swift kick to the ass. Cam : This song was a joke song. I think we were hanging out and drinking a few beers when it was written because we do these jam sessions when we go on trips together where we sit down and write songs. Brad will start strumming random chords … like B, A, D, right? As he’s playing, I’ll freestyle on top of it. ‘ Oops ’ is one of those situations. It started with a story about this red-haired girl, and she’s one of my good friends, but it was a strange situation at the time, and it made a great song which the term “ Oops ” is one of Brad’s favorite terms for when something wrong happens, like “Oops, my bad.” MaM : It’s just such a powerful track! Cam : That’s the attitude we wanted to convey, too. It’s like an instant rollercoaster. MaM : How do you usually approach writing material? Cam : Well, we’re actually writing some new material now and figuring out a process that works for us. This is going to be our first album but our second release. When we started the band, it was just four kids in college who wanted to jam together, but now things are getting more serious, and people want us to make more music, so we’re trying to figure out how to become actual songwriters. When we started writing the So Damn Wrong EP , usually we would have the melody first, or Brad would have a riff first, but for like ‘ Call Me Crazy ’, that was my melody with some simple chords that we jazzed up. We also changed the chorus to make it more upbeat and exciting, but for the rest of them, it was all Brad with a riff, and we would build on it. Once you get the first verse done, then you can pretty much do anything with the song. It’s been a challenge because we just started off having fun. For ‘ Song Why ,’ the bass player came up with this simple bass line, like three notes back and forth. Then, I wrote on top of it next, and it started to build. Build the base and then put layers on top of it. Credit: Gary Governale MaM : I love that. You never know where the song could go when you have a mass collaboration like that. Cam : I will say, though, that sometimes, if you have too many minds involved, it can get a little crazy, but it worked out great when we recorded ‘ Oops .’ MaM : Where did the name Few Blue come from for the band? Cam : For a long time, we have tried to come up with a meaning to tell people about the name, but it is just from a random word generator. None of us could think of anything at first, so one of the names the guys threw out was “Piraha”. (laughter) They wanted to be different and stand out, but obviously, “no” with that name. (laughter) My drummer, Rob, had this random word generator and was messing with it. These two words pop up each time, and you must decide which word to keep and which to toss. So, it generates the word “few” and another word. He liked “few”, and then “blue” came up, and we liked it, but it was a bit of a tongue twister, but I think it’s different from what we’re seeing around us. Fleetwood Mac probably sounded like a terrible name at some point but look at what the name means now. Credit: Gary Governale MaM : Right?! So, what made you want to pursue the type of music you play? Cam : My background is a little crazier and different than the guys. The guys are all about classic rock legends and own tons of vinyl. I did musical theater growing up. That’s where I get my confidence and stage presence from. I was not a musical theater kid, but I did musical theater. Does that make sense? It was an excellent outlet for me. I wouldn't say I liked the acting part, but I loved the dancing because it was fun and carefree. Through the years, I found that ABBA was my favorite music for musical theater. I always pick the ABBA songs for karaoke and whatnot when I sing. When the guys said they did classic rock, though, I had to convince them to blend a little of my style with theirs, but finding the perfect mix is doing what I do now. Credit: Gary Governale MaM : Your sound is big. What is it about music that makes you feel so passionate? Cam : I get an adrenaline rush going on stage, and it is just a feeling. It’s my outlet I could not live without, and I’ve written poetry for years since I was a kid, but I would sit down with my ukulele and put all these puzzle pieces together through song while staying genuine and authentic with what I wanted to say. I love all the alliteration and wordplay with music, too. I feel emotions deeply, also, and I’ve always been a writer. It’s just something I need to do. Even if no one hears it. MaM : What’s your favorite song to perform? Cam : Right now, it differs, but ‘Zombie’ by The Cranberries is one of them. We rock that song up enough to where everyone is headbanging, and it sits so perfectly in my range that I can easily let it all out and scream. It's such a fun song to perform. Credit: Gary Governale MaM : What would you say your songs are primarily about, and how would you describe your music to a random stranger if you were trying to sell it? Cam : We love rock music and are just trying to pay homage to our inspirations, but lyrically, we’re just telling a story, and people are relating to it. Heartbreak and tough times will always be an influence, but ‘ So Damn Wrong ’ is about a bad relationship at the time. A bad guy and a good girl trying to make things work. It’s so damn wrong, but it could be right, and she’s not gonna wait for ya. That’s exactly how I felt at the time, too. ‘ Call Me Crazy ’ stemmed from high school and relationships with the message that if you’re not crazy, are you really in love? At that point, just call me crazy because I am in love, and I’m crazy. I’m sure a lot of the lyrics are from boys pissing me off. (laughter) MaM : Life experiences. Cam : Exactly, life experiences. MaM : Life experiences make the best art! Tell me about your worst and best performance so far. Cam : So, our worst performance … we got hired to do a private event, and as you know, in the south, the rivalries go hard. At this event, half of the LSU people and half of the Alabama people were there. The two parties didn’t quite know each other well, so when it came to the music being played, we weren’t told much. In fact, about a week before the event, we were told we needed to learn a bunch of new songs. The problem was that the girl who hired me was for LSU, so I started singing more Baton Rouge-based songs like ‘ Calling Baton Rouge ’ and ‘ Louisiana Saturday Night’ because I was ready to get people going. At one point during the party, one of the Alabama people came up to me because they said I was only singing LSU songs, and they wanted Alabama songs. We didn’t mean to do anything wrong, so at one point, I even got on the mic to tell people we would play whatever they wanted to hear. It was just one of those events where you don’t have enough information and then shoot yourself in the foot once you get there. It was so awkward. We packed up early because the Alabama people wanted us to stop playing and turn on other music. The best performance … there are quite a few. We just played at FLORA BAMA , and they scheduled us for the 6:30 p.m. -10:00 p.m. spot, which is a fantastic spot to have. I’ve done that spot with another band before because it was a great spot, but once we played the 10:00 p.m. to 2:00 a.m., it was just insanely packed. There were people all the way to the back, and all were engaged with us the entire time. I’d tell them to put their hands up, and everyone had their hands up. It was phenomenal! Everyone was so into it. Credit: Gary Governale MaM : Have any other musicians ever given you any advice, and if so, what was it? Cam : I talked to Randy Jackson from Zebra , and it was so surreal since the guys in the band love them. Zebra means something to me. I finally got to meet Randy Jackson because my music teacher is friends with him. He gave me advice on how to preserve my voice. I used to have this very princess-sounding falsetto voice, which I still do, but it’s changed because I’m screaming so much on stage. I’m learning to control it. He told me some excellent singing advice, told me to drink grapefruit juice, and told me tea dehydrates you, too. I have talked to older bands on the scene, too; everyone has told me not to worry about what I’m writing and to write what I feel. Credit: Gary Governale MaM : Is there anyone you would like to collaborate with in the future, and if so, who? Cam : David Shaw and the Revivalists . Our drummer, Rob, has gone to so many of their shows. Rob and I are close, so if we sit around and need some cheering up, he’ll play their music for me. It’s special to me—dream collaboration. MaM : What do you have going on for the rest of the year, and where do you see yourselves headed in the future? Cam : We’re trying to get some new music out by the end of 2024 / early 2025. We have a few more shows scheduled at FLORA BAMA , some others, Southport Hall , Rock N Bowl , etc. We’re booked through the year's end so you can catch us somewhere. We play almost every weekend. We’re just going to be putting our heads down and grinding. Everyone is so passionate about moving the band forward, and it’s not easy, but we’re doing it. Credit: Gary Governale As Few Blue continues to grind it out on the local scene and beyond, they stand poised to influence a new generation of music lovers with a refreshing sound that can only be attributed to the cohesive energy found within this well-rounded and talented group of musicians. With a busy rest of 2024, be sure to try and catch a show with this up-and-coming act before they sell out stadiums worldwide. To learn more about Few Blue: New Orleans Young Band - Live Music (fewblue.com) *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

The Pastor of Horror < Back Ezekiel Kincaid Keeley Brooks Dec 5, 2022 Share The Pastor of Horror So, sometimes there are men, and then sometimes, there’s a man … with such a fascinating story, you can’t help but stop and have to know the deets. Such is the case with a recent horror author I stumbled up by sheer happenstance, and I’m so glad I did, because I’ve been bursting with excitement to spotlight him ever since. His name is Ezekiel Kincaid, also known as—I’m not kidding—“The Paranormal Pastor” and “The Pastor of Horror.” And that’s what makes him so fascinating (aside, of course, from the fact that he’s a very talented writer): he’s a pastor writing horror fiction. Let me say that again: a pastor writing horror fiction … fiction involving demonic spirits and exorcisms, hauntings and slayings, and innocent characters of visceral bloody terror. His work is so fantastic, it pulled me right in while cooking breakfast over the weekend, and I managed to burn my bacon to a crisp and set off the fire alarm, because I was fully distracted at listening to Zeke read an excerpt from the second book in his “The Dreadful Death” series, “The Gathering.” “The Dreadful Death” series is a three-book series put out by Raven Tale Publishing and, if it’s being described in movie terms, “is a mix of The Exorcist , Carrie , and Pan’s Labyrinth ,” says Kincaid. “It’s a possession story about … a young girl [who also] has psychic abilities, and [she] opens herself up to this world where there are all kinds of creatures and demons, and some of these guardian demons are protecting her so she can fulfill her destiny of meeting this dark entity, The Tetromet,” describes Zeke. Set in the early 1800s in Chapel Hill, North Carolina, “The Gathering” tracks this young girl’s life as she descends deeper and deeper into darkness and madness, until finally the evil takes full control of her and she unleashes demonic terror upon her family, her friends, her loved ones, and her town. And that’s just the second book in the series. Kincaid is a self-described southern boy, born and raised in Baton Rouge, Louisiana. He spent over 20 years in ministry as a pastor before shifting his focus to chaplaincy … and horror writing. He’s also (get this) a paranormal investigator with some pretty unexplainable experiences that’ll leave you as speechless as they did me. Dude is gifted, in more ways than one. And he trains in martial arts—Krav Maga and Jiu Jitsu, to be exact—so, in addition to exorcising demons, he also whips their ass. Zeke has three theological degrees and is an avid student of theology, philosophy, physics, and evolutionary science. (I know; it’s so amazing, I can barely believe it myself.) He’s also a, “former addict, who now uses his story to help encourage [and ensure] victory in others with the disease of addiction," and he has a "deep-seated passion for social justice and those who have been marginalized and oppressed." “Having been given the Scarlett letter by many in the former denomination I was ordained in because of my writing," he says, "I can empathize with those who have been rejected, ostracized, or condemned for their beliefs.” I had the extreme pleasure of getting to rap with Zeke over several in-depth conversations, so I figured I’d lay that Q&A down right here and let you see for yourselves just why you should not only know who Ezekiel Kincaid is but also why you should be following, reading, and supporting him as the brilliant artist he is. KB: So Zeke, tell us about yourself. Who are you, really? EK: Having walked through enough trials for six lifetimes, I am a man of deep strength, passion, conviction, love, empathy, courage, mercy, grace, and compassion. I also have a very dark sense of humor and love watching it get me into awkward social interactions. The worst thing anyone can try to do is fit me into a mold. I have a tendency to bust the edges. KB: Have you always been a writer? EK: I’d like to think so. When I was in first grade, I wrote this epic story for class about how my dog takes a crap. I got a C on it, but I’m pretty sure that was because my content was looked down upon. So, people have tried to censor me for decades! My parents didn’t know about it, because it was an in-class assignment. When they asked me why I wrote a story about my dog’s feces, I replied, “The teacher said to write about what we know.” KB: Ha! You can't tell a writer to write what they know, then condemn them for their subject matter! So, when did your skills fully emerge, and when did your love for horror begin? EK: My writing skills began to emerge in my creative writing class … in high school. This class, mixed with my English Literature classes and love for horror novels, began to birth within me a love for writing. It wasn’t until I got into seminary (the first time) that I really developed a real heart for writing. My passion for theological and doctrinal study led me to a deep desire to dissect, investigate, and share my findings with others. After years of writing theology and poetry, I decided to explore my other passion–horror fiction. Around 2018 I decided to give it a go. This season really developed my skill as a technical writer. However, once I started to get published in horror fiction, I met Lisa Vasquez. She is an author and CEO for Stitched Smile Publications. She began to mentor me and bring out hidden talents I never knew were there. She still helps me [to] this day, and we remain close friends. I pretty much owe all that I am as a horror writer to Lisa and her investment in me. KB: Do you write anything other than horror fiction? EK: I also love to dabble in poetry. This desire was also developed in high school through my creative writing and English classes. Currently, I find myself hopping back and forth [between] horror fiction, theology, and poetry. I love being able to switch gears like this. It keeps my brain active and my creativity fresh. I am also diving into the realms of horror fantasy and science fiction. KB: What drew you to the horror genre? EK: Two life-changing events happened in my childhood to get me into horror. First was watching the movie The Demon Murder Case with none other than … Kevin Bacon. It was a made-for-TV movie that came out in 1983, but I didn’t see it for the first time until I was [six]. Fans of The Conjuring series will recognize it as the inspiration for the latest installment, The Devil Made Me Do It . The show was based on one of the controversial Warren’s case files. This movie scared the lemon-yellow childhood pee out of me. I probably shouldn’t have watched it at [six] years old, but it definitely birthed my love for horror. The second event was my viewing of another made-for-TV movie called The Midnight Hour , made in 1985. If The Demon Murder Case birthed my interest in demonic possession, then this movie is the origin of my love for witches, zombies, and vampires. [High school is] where my love for horror went into overdrive. A steady dose of horror flicks finally merged with my introduction to Stephen King, Clive Barker, and William Peter Blatty books. My appreciation for the genre has done nothing but evolve and grow since then. KB: What was your first published piece/book? EK: My first published story was actually the first horror story I ever wrote called “Call of the Tetromet” with Fantasia Divinity [Magazine]. My first novelette to get published was also the first one I ever wrote. It’s called “The Memoir of Darius Fischer” and was published by Grinning Skull Press. The same goes for the first novel I ever wrote. It’s a horror comedy called “Johnny Walker Ranger: Demon Slayer.” It was picked up in 2020 by Stitched Smile Publications. KB: Are you with an agent/publisher at the moment? EK: Right now, I’m seeking an agent for my current horror/fantasy book called “The Gospel of Lilith.” I’ve been published by Fantasia Divinity, LVP, Grinning Skull, Stitched Smile, Raven Tale, Crystal Lake (Patreon), Black Hare Press. Shackelbound Books, Ghost Orchid Press, Siren’s Call, Horror Bound, Puzzle Box Horror, Jakob’s Horror Box, Horror Bites, and Hellbound Books. KB: Tell me about your books. As much as you wanna tell us, we wanna know. EK: Let’s start with “Johnny Walker Ranger: Demon Slayer.” This book was birthed from my love of The Evil Dead franchise, rednecks, and “South Park.” It follows a redneck alcoholic who discovers the secret to actually killing demons. He forms a demon-killing team full of rednecks and emos called The Bruce Campbells. With the help of Gabriel the angel, they have to stomp out a demon outbreak in Oxford, MS, that Johnny single-handedly created. If you love Evil Dead- style horror and offensive humor, this is the book for you. KB: That’s definitely my kind of book! What about “The Dreadful Death” series? EK: Currently in “The Dreadful Death” series, [there are] “The Dawning” and “The Gathering.” Book three is still forthcoming. The series follows a young girl named Theodosia Whitfield into a depth of horror like you’ve never read before. [This is the book that is compared to] a mixture of The Exorcist , Carrie , and Pan’s Labyrinth . The story takes place in the early 1800s in North Carolina. Theo is being groomed in preparation to serve a dark entity called The Tetromet. Because of her gifts, there are other creatures lurking in the Ethereal Plane that want her. To keep her safe, a demonic guardian named Hophni is sent to protect her from these monsters and make sure she fulfills her calling to The Tetromet. As Theo descends into the darkness, the evil she unleashes on those around her is malicious and insidious. The series is full of visceral, nightmarish imagery, intense, complex characters, and thought-provoking, realistic dialogue. Readers have said the story is like a cinematic experience in novel form. [As far as] “The Memoir of Darius Fischer,” anytime a writer takes on a well-known genre, they have to make sure there are enough original ideas to keep it fresh. This is the case with this novelette. Darius’s grandfather is dead, and he has left behind a myriad of secrets, one of those being a lone chest in his attic loft. Within it lies secrets so dark, they take Darius Fischer down a road of no return. Written in the style of Darius Fischer’s journal entries and his psychologist’s session notes, the story provides an original take of lycanthropy but also stays true to all the things we have come to love about the folklore. KB: Do you have anything in the works? EK: Yes, lots! First, I’ll mention the book I’m querying agents for, “The Gospel of Lilith.” This book is a horror/fantasy that combines the Hebrew and occult mythos of Lilith, along with a little made-up Zeke mythos thrown in there. The book shows how, through heartbreak, misogynist oppression, and betrayal, Lilith becomes the creature that we know her as today. It bears to mention that I do not go the traditional route with making Lilith an origin story of vampires. So no, this is not a vampire novel … but the next one I’ll mention is! “The Vengeful Lambs.” This one is a novella that I am sending out to publishers now. The story follows Sampson and Ruth as they travel the New Mexico desert after an encounter with a vampire. The story combines the claustrophobic feel of Phantasm and the grit of From Dusk till Dawn , along with some supernatural elements and Lilith mythos thrown in. Like my werewolf story, this one gives a fresh, original take on vampires, while also staying true to some of the things we have come to love about these creatures of the night. Speaking of night, let’s talk about another upcoming novelette of mine called “Night of the Blood Cum.” Yes, you read that right, and it is exactly what you think. It is about a giant, demonic sperm that wreaks havoc on a redneck family from Alabama. In an unforeseen event, the jizz of an ancient Warlock drips on a Ouija board. The demon sperm is born and if not stopped, all humanity will succumb to its wrath. The only hope is a redneck named Jim. Aided by the ghost of his dead buddy Earl (who died in a bungee jumping accident from stringing old underwear bands together), Jim must find a way to kill the sperm and make it sterile. Fans of Tucker and Dale vs. Evil- style horror will love this story. Coming soon from Godless. KB: Dude, you are utterly fascinating. Any upcoming appearances where fans can find you? EK: I’m a regular on the panel for the Professional Paranormal Research YouTube channel. You can find me there a few times a month. Over the past two months, I’ve done shows with Citywide Blackout, Raven Tale Publishing, The Magical World of G. Michael Vassey, AfterRot, and Panic Room Radio. I’ll be back on Ghostly Talk for the third time this January, talking to them about the paranormal and my recent and upcoming releases. KB: Any new or upcoming releases? EK: Yes! In 2023, “The Mourning,” book three of “The Dreadful Death” series will be released, as well as “Johnny Walker Ranger: Demon Slayer, Vol. 2.” KB: What’s next for Ezekiel Kincaid? EK: In February, my fiancée, my kids, and I will be going to Kentucky again to join Dustin from Professional Paranormal Research to do another investigation. I’m also hoping to get an agent soon, as well as expand my audience by finding new shows to appear on. I also have some new stories and books that I’m preparing to write: “One Flesh” (psychological/body horror), “The Whore House Massacre” (1970’s grindhouse-style horror), “The Tetromet Tapes” (found footage-based novella in my Theodosia/Tetromet universe), and “The Man in Black” (next book that chronologically takes place after “The Dreadful Death” series). There’s more, but I’m not giving away all my secrets. So there you have it, folks. Right from The Paranormal Pastor / Pastor of Horror’s mouth. You can find him, his books, his interviews and recordings, and his congregation online at https://theparanormalpastor.square.site , Amazon , Twitter @EzekielKincaid, and Instagram @ezekielkincaid. Happy reading, bookworms! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ghost is an EP filled with raw emotion. < Back Reviews on the Real: Brett Carlisle Haunts the Heart with New EP Ghost Nicole Brice Jun 30, 2025 Share Ghost is an EP filled with raw emotion. Brett Carlisle, an Americana, Southern soul, and Outlaw country musician from Alabama, presents a soul-stirring collection of songs on his latest EP, Ghost , which was released on June 20, 2025 . This collection features six tracks filled with deep emotion, drawing you into heartfelt lyrics sung by Brett's soothing voice. Released June 20, 2025 With raw emotion and timeless storytelling, Brett’s honesty shines through in his music. The lyrics resonate deeply with me; his pain feels like my pain, and his triumphs feel like my own. Brett has a unique ability to connect with his audience in a way that is difficult to put into words. It goes beyond mere music; it evokes a profound feeling and energy. This EP lingers long after the final note has faded away. Brett first came to my attention through Bud Gambrell , our incredibly talented writer and photographer based in Alabama. Bud has a remarkable ability to discover great talent, and I am grateful to him for introducing me to Brett's music. If you enjoy vivid storytelling and authenticity, then Brett Carlisle's music is a perfect fit for you. Let’s dive into these new tracks! Ghost – hauntingly beautiful. I love how Brett's stories portray relatable experiences of life, loss, and longing. 405 -an upbeat and toe-tapping tune that starts jamming out the gate speaking of life’s trials and tribulations Alabama Devil – a compelling contrast between light and dark. Brett’s raspy voice on this track adds significant character to the lyrics. Sins of Kin – an absolutely beautiful song Worn Out Shoes - an upbeat acoustic track filled with depth and soul. Brett's voice is remarkably strong, delivering a song that explores themes of soul searching and life experiences. The song is solid throughout, but it really takes off at the 1:44 mark when the rest of the band joins in, creating an uplifting build that continues to grow. On the Radio – this song demands to be played loudly – and that's exactly what I did – I found myself cranking up the volume on my headphones for this track. https://www.youtube.com/watch?v=ioI1FJa73UQ Official music video for 'On the Radio' by Brett Carlisle If I were to rate the Ghost EP by Brett Carlisle, I would give it a perfect 10/10. It is heartfelt and impactful, leaving you wanting more. I highly recommend streaming it on your favorite music service today. To learn more about Brett Carlisle: YouTube: Brett Carlisle Music - YouTube Apple Music: ‎Brett Carlisle - Apple Music Spotify: Brett Carlisle | Spotify Facebook: Brett Carlisle Music Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trailer Park is a song that resonates in all the right ways. < Back Reviews on the Real: Trailer Park by Mayrunner Nicole Brice Aug 1, 2025 Share Trailer Park is a song that resonates in all the right ways. Mayrunner , an alternative and punk band based in Lafayette, Louisiana, has returned with a new single titled ‘ Trailer Park ,’ and we can't stop listening to it. For those who aren't familiar with the band, Mayrunner has been a prominent part of the Lafayette music scene for quite some time. We even featured them in an article for RADFest back in 2023. Released August 1, 2025 Although the band took a hiatus when their lead vocalist, Devric Taylor, relocated to another state, they are now making a strong comeback and are ready to make their mark in the evolving music landscape. Credit: Elise Hanks The current line-up of Mayrunner is: Devric Taylor (vocals/guitar), Henry Milliman (bass), Coleman Wilson (guitar), and Phil Hardy (drums). Some of their past releases include Good for What We Are , which came out in 2018 , and Tell Me Where You’ve Been , released in 2023 . Today, let's explore the new song ' Trailer Park .' It opens powerfully with Devric's echoing vocals, then transitions into a beautifully chaotic sound before gradually softening into a slower tempo. I enjoy it when bands incorporate tempo changes; it keeps the music feeling fresh. As the chorus begins to build, it rolls effortlessly and is incredibly well-crafted. Once it starts building, it does not let up until it has to end, and then it trails off with one of those heavy basslines I love. https://www.youtube.com/watch?v=rwT9_Ksiv_0 'Trailer Park' by Mayrunner ' Trailer Park ' is a song that resonates in all the right ways. Be sure to stream it today! *photos by Elise Hanks Facebook To learn more about Mayrunner: Facebook: Facebook Instagram: Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp: Music | Mayrunner www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It’s just really good music. < Back Seven Year Witch is the Real Deal in Rock Zach Taylor Sep 12, 2026 Share It’s just really good music. What can I say? I’m a busybody. We are in the middle of moving right now, and, let me tell you, there have been several days when I don’t want to move myself, much less boxes. I don’t have time for any of my hobbies, and I have a lot of them, from classic arcade games to fishing to sports cars. But on the days when I get motivated, I can’t slow down. When I interviewed Blacktop Mojo a couple of months back, I realized another story might be lurking; I went looking for it. I found that bonus story in the artists' lounge at Rocket City Honkytonk . Seven Year Witch opened for Blacktop Mojo that night. Before their set, Bud Gambrell told me he’d seen them before and thought they were pretty good. As usual, I reserved my judgment. I am learning to trust Bud . I am also learning to appreciate all music. That has been one of the best things about writing for this magazine. So, what does Seven Year Witch sound like? When I first listened to their music, I did so with fresh, unbiased ears. To me, it sounds like nothing I have ever heard. They are rock , but the vocals are so raw, crisp, and full of emotion, and with their latest song, “ Complicated ”, man, they have really hit it out of the park. “ Complicated ” starts out as pure rock , but toward the end you can hear the keyboards prominently, and especially with that breakdown at the end, the soft piano is soothing and really highlights the vocals. The rest of their music is just full of energy, full of groove, and man, those vocals. Did I mention how good the vocals are? It’s just really good music. After I saw them perform with Bud , I asked Seven Year Witch for a quick interview. They graciously agreed. What followed ranged from hairstyles and opinions on Tombstone versus Wyatt Earp to something considerably more interesting: what happens when a band that has spent more than a decade building an identity suddenly has to change one of its most recognizable parts, and whether, somewhere in that change, they might discover something new. Photo provided by band *Interview edited for clarity and length. MaM : Let’s start with this lineup, because you said this is the first interview you’ve done with this version of the band. Tell me about Seven Year Witch and how you got here. Seth Burden : I’m Seth Burden , drummer for Seven Year Witch. If you want the technical history, we started in 2013 . We had a different band name then, but it was me, Spencer , and our original singer, Aaron Langford . Aaron was with us for 13 years , and the music and the band remained the same, but we changed the name in 2018 to Seven Year Witch . Our former name was Doc Holiday , and if you do the slightest bit of research, which we didn’t do, you’ll see that every town, every city, and every state has ten bands called Doc Holiday . So, we decided to rebrand and take it more seriously. Over the years, we’ve had a few different guitar players who have all contributed in their own way. Aaron , our original singer, left the band last year. He had vocal paralysis and was having some extreme issues with his vocal cords. He fought through it for, I would say, at least two years straight before he finally decided to step down. So, we started looking around and asking ourselves, “Who do we know who could kill this? Who do we trust?” That was probably bigger than anything else. We actually went to school with John Strickland . John had moved to Nashville to pursue his own musical endeavors. We knew he was great, but we were thinking, “He’s not going to want to make that drive. He’s not going to want to do this.” Luckily enough, we asked. “Do you want to come try out? Do you want to come hang out?” And here we are. Credit: Bud Gambrell MaM : One of the first things that struck me watching you guys was the rhythm section. A lot of bands aren’t really defined by the rhythm section. You guys are. How did that happen? Spencer Burden : I’m Spencer Burden , the bassist. Seth is my brother, and we both grew up playing drums. Our dad was a drummer. He played in his high school marching band. He had his own original band and cover band, and he even played in the Army band. Watching our dad play, we both immediately got interested. So, growing up, we were both drummers. Eventually, we both started our own bands. Then one day we decided we wanted to make music together. Typically, you don’t have two drummers in a band. So, I switched to bass . I basically picked up the bass guitar strictly so the two of us could play music together. When we started this band, it was really the first time I had played bass guitar . That’s essentially how the band started. Two drummers wanted to start a band together, and one of us had to play something else. MaM : Which probably explains why the rhythm section feels the way it does. Victoria, let’s bring you into this. Tell me your name first. Victoria Mayes : Victoria Mayes. I’m the keyboardist. Credit: Bud Gambrell MaM : Your parts aren’t just sitting behind the band. In several songs, the keyboards come right to the front. What do you think you add to Seven Year Witch? Victoria : I feel like I’ve stayed more in that kind of ’70s guitar role, where I’m filling in the sound and adding more body, especially when there’s only one guitar. I’m still relatively new to the band. It started with just a couple of shows, bigger shows here and there, and then they kept asking me to come along on road trips and do more. In August, it’ll be two years . I think what I've added is more uniqueness, especially with the new songs. There are a handful where I’m taking more of a lead. We’ve been experimenting more with synth sounds and things that maybe weren’t necessarily part of Seven Year Witch’s sound previously. I can add sounds that might not have existed on some of the older songs. I’ve been able to fill some gaps. MaM : Let’s talk about one of those new songs. You played a new song tonight, and John, I was watching the crowd when you introduced it. I could tell the reaction mattered to you. Did you get the response you wanted? John Strickland : Yes, but it was about a second too late. It scared me for a second. We got to the end of the song, and it was just silent. I was like, “Oh my God. They did not like this song at all.” Then everybody started cheering. I was like, “Oh, thank the Lord.” I was freaking out for a second. https://www.youtube.com/watch?v=m65dFjDjhvA Complicated by Seven Year Witch MaM : I could tell from watching you that it mattered. John : I think musicians can never properly analyze a song from the outside when they’re working on it. Your recency bias is so strong. Everything you’re working on feels like the next best thing. And nothing is really objective with music, obviously, but you still have to ask, “What are people going to resonate with?” We’ve got four or five songs we want to record. Which one do we do? What do we put out? This is going to be the second release with me as the singer, so we want to put out the best material we can and push it as hard as we can, whether that’s marketing it, pushing it on social media, or introducing it to new people. It’s an online world for musicians now. Credit: Bud Gambrell MaM : I want to go back, because I’m fascinated by bands replacing singers. Alice in Chains did it with William DuVall. Stone Temple Pilots had to figure it out. Bands throughout rock history have suddenly found themselves trying to continue without the voice people associated with them. Your situation is obviously different. Aaron didn’t die. He had serious vocal problems and eventually had to step away. But, John, you’re still walking into an established band with an established fanbase and replacing a voice people knew. Do you think about that? John : When I started my first band back in high school, I went to high school with Spencer, Seth, and Aaron . We were all buddies. I knew their old guitar player before it was Seven Year Witch , too. So, when I got the call, it felt like playing with my high school buddies again. They actually got me one of my first shows with my first high school band. It feels like back then again. There’s no bad blood. I love Aaron to death. The only concern I had was that vocally, we’re so different. But the response has been so positive that I just feel lucky people have accepted me. Credit: Bud Gambrell MaM : There’s another side of this that fascinates me. Sometimes somebody gets an opportunity and pours absolutely everything they have into it. Do you feel like you’re doing that? John : I think I’m a very obsessive person when it comes to work. I tend to put work over almost everything else. I live in Nashville right now, and I drive six hours back to practice every week. Then I drive back for my gigs there. Sometimes it’s driving through the night, playing most of the day, and then driving back again. It’s just over and over every week. Everything I do, I kind of take to the extreme. I really don't have an off gear. I don’t think about it as, “Am I pouring everything into this opportunity?” It’s either I’m doing it, or I’m not doing it. And I’m doing it. MaM : Since you guys turned the interview around on me for a minute, let’s talk about Huntsville. You asked whether being Alabama’s largest city means Huntsville gets the same kind of rock turnout as Birmingham or Mobile. I don’t think we’re there yet. But I do think Huntsville is right on the verge of becoming something much bigger when it comes to independent music. Seven Year Witch : We used to struggle just to find somewhere to play. Somehow, through Facebook , we found Copper Top . We did one-off shows and drove all the way to Huntsville just to play there. Maybe 15 people would hang out. Then we’d drive all the way home. But we had a show. Back then, that was enough. Credit: Bud Gambrell MaM : Wait. You just reminded me. Your old name was Doc Holiday. So I have to ask. Tombstone or Wyatt Earp ? [What follows is a surprisingly passionate debate over Kevin Costner, Val Kilmer, and which movie deserves supremacy. Val Kilmer has supporters in the room. I remain stubbornly loyal to Kevin Costner, aided largely by my completely unrelated love of post-apocalyptic movies like The Postman and Waterworld. No consensus is reached.] MaM : All right. One more before we go listen to some music. I try not to ask bands the same questions they’ve answered a hundred times, so I’m going to let you pick something you actually want to talk about. Victoria, I have one. Your hair. I’m not asking why you have wild-colored hair. I want to understand the engineering behind this thing. How do you decide purple goes here, blue goes there, and everything works together? Victoria : I don’t think I decide. I’ve tried almost every color. I’ve done lime green. I’ve done turquoise. I’ve done pink. I’ve done purple. I’ve done different styles, and I eventually landed on this one. But it’s changing again. I’m going orange, red, and black in about three weeks. MaM : Orange, red, and black? Okay, but how will that work? Explain this to me like I’m an engineer. Victoria : I trust my stylist. I basically tell her, “I like these colors. You figure out the placement. I want raccoon tails.” And then she gets to do whatever she wants. MaM : Perfect. All right, guys. Let’s go listen to some music. Normally, I’d have an outro, but not this time. Let’s go listen to some music. Cue up Seven Year Witch . music.apple.com Seven Year Witch on Apple Music Listen to music by Seven Year Witch on Apple Music. *All photos by Bud Gambrell except where noted otherwise Bud Gambrell Photography To learn more about Seven Year Witch: Home | Seven Year Witch Where to find Zach Taylor: Website: https://sites.google.com/view/zach-taylor-author/home TikTok: zach taylor, author (@zachtaylorbooks) | TikTok Facebook: Zach Taylor Books Facebook Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Sisu is an enjoyable homage to Rambo but with much more badassery < Back Sisu: Film Review Keeley Brooks Aug 9, 2023 Share Sisu is an enjoyable homage to Rambo but with much more badassery Rating: 5 out of 5 dead Nazis This past weekend while looking for a good movie to watch, I came across Sisu , a 2022 historical action thriller written and directed by Jalmari Helander ( Wing Man ). The film is an enjoyable homage to Rambo but with much more badassery and even sweeter fight scenes. And after engaging in an hour-and-a-half of action, blood, guts, and sheer badassery, I’m of the opinion that more movies would benefit from having more scenes where Nazis are mercilessly mowed down. Did I mention Sisu contains Nazis? No? My bad. Allow me. In a mostly wordless movie full of fist beating, excessive gunfire, and a plethora of exploding landmines, Sisu is set in 1944 during the last days of World War II on a scorched-earth retreat through Lapland, a snowy, northern region of Scandinavia. It follows Aatami Korpi (Jorma Tommila, of Rare Exports ), a grizzled gold prospector and former military commander whose family was slaughtered during the war. In their absence, he’s lived a solitary life roaming Finland’s countryside with his horse and loyal dog, embodying the movie’s title. Nearly untranslatable, the word sisu best translates, according to Helander , as, “a white-knuckled form of courage and unimaginable determination that manifests when all hope is lost” … the unrelenting will to survive. Aatami isn’t immortal, though; “he just refuses to die.” While out panning for gold one day, Aatami finds a tiny nugget that entices him to start digging holes, excavating the land as gunfire and exploding shells encroach upon his antiquated site. When he finally strikes the motherload, he falls back, crying tears of ecstasy. He gathers up as much gold as he can take with him, then packs up his horse to head home. On the way—his fortune of nuggets tucked away in his horse’s saddlebags—he comes across a band of sullen Nazis led by a brutal SS officer, who are also hauling their own find: a cadre of young Finnish women. Aatami never says a word as the Nazis find and take his gold, then threaten him, which turns out to be a big mistake. https://www.youtube.com/watch?v=ziKvQo1WCRE The fight to retrieve his loot inspires our hero with a supernatural kind of determination that’s as caked on him as the blood and mud lodged in the lines of his face. He fights across roads populated by landmines; he survives when the horse he’s riding triggers a landmine and explodes; he survives a hanging; he even slices men’s throats underwater and uses their air bubbles to stay underwater and breathe, thereby avoiding capture. Carnage drips from every corner of the frame in Sisu , which Director Jalmari Helander says is inspired by his favorite action movie of all time, Rambo . “I was so blown away by the scene,” he tells GQ Magazine , where Rambo takes a sewing kit out from the bottom of his knife and begins stitching up his lacerated arm on the edge of a cliff. “I wanted to make an homage to that but in a more badass way.” Sisu is a visceral gut-punch that’s every bit as entertaining as John Wick , Rambo , Nobody , Mad Max: Fury Road , and The Raid but very much features its own level of badassery in Aatami’s ferocity, mental and physical toughness, creative fight sequences, and undying will to survive. He is one tough SOB, enacting some pretty sweet kill maneuvers and digging out his own bullets with a dirty knife, then setting fire to his own wounds to close them … without passing out. He survives extreme hunger, thirst, a beating with a metal hook, knife gashes, and a plane crash. He also survives and kills more than 30 Nazis, and how he does so will have you on the edge of your seat watching with excitement. Throughout their cat-and-mouse game across the barren land, Aatami unleashes the worst of hell with a super creative imagination for gory retribution, as well as for slicing, dicing, decapitating, and blowing Nazis to smithereens—his underlying set of beliefs breathing fire out of life. With copious amounts of blood throughout its scenes, Sisu ’s effects department deserves some mad props for their outstanding efforts, as does the editing department. For example, in the scene where Aatami and his horse unknowingly trigger a landmine, the horse explodes, taking most of the brunt of the explosion. This scene is done extremely well. It’s the first big “Whoah!” moment of the movie. The horse explodes into chunks and bits, and every bit of it looks so very real. Don’t worry, though; no actual horses were harmed in the shooting of this movie. There’s also a great scene where a tank rolls over a dead Nazi; those effects are stellar. Sisu also has some great messages buried within its plot. The sisu legend is about refusing to give up, no matter what, even when the odds are against you and when Death is reaching out to grab you with its decrepit, old fingerbones. There’s also a message of female empowerment in the gang of captured Finnish women. Once Aatami takes out the Nazis driving the truck with the women in it, he greets the women wearing a shoulder full of automatic and bolt-action weapons. What was once a group of Nazi captures becomes a gang of ruthless, Nazi-killing, gunfighting badasses—a refreshing addition to the male-centric movie. Sisu is a mega-hit all the way around: great story with an encapsulating legend full of no-frills, high-octane action; smooth and well performed execution; well-choreographed kills and fight scenes; gorgeous cinematography; outstanding special effects; quality acting full of raw, brutal emotion; gnarly sound effects accompanying actions like crunching bones and poking a sharp needle through skin; and a perfectly accompanying soundtrack to heighten what’s happening on screen. Aatami is, essentially, a symbol for Finland’s masculinity: quiet, humble, and strong. “If I put it shortly,” Helander says, “the [main] message of the film is: ‘Don’t f**k with the Fins.’” Don’t mess with people in Finland ... noted! Sisu is currently available to rent on Video On Demand, Apple TV, Prime Video, and Roku. https://www.youtube.com/watch?v=d2k4QAItiSA Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link