Welcome to the Necroverse < Back Herakleion: The New Orleans Metal Band Forging a Fierce New Sound Justin Hammer Oct 28, 2024 Share Welcome to the Necroverse Herakleion , a heavy-hitting trio from New Orleans, LA , comprises members Speed Wilson , Christian Woerner , and Apollo Xydias . Formed in 2021, their journey from the southern Louisiana metal scene to the national and international spotlight, supporting legendary New Orleans death metal pioneers Goatwhore on their latest North American Venomous Evocation Tour , is a testament to their dedication and talent. They have also embarked on their own tours, spreading their unique sound to various states nationwide. This band is definitely on the rise, so take note. Credit: Justin Hammer Their latest achievement is the brand-new release of their second EP, Necroverse in September 2024. After two years of writing and planning, they embarked on a collaborative journey with producer Pete DeBoer at Sonic Ranch Studios in Tornillo, TX, to assemble this masterpiece, and this album is one that will resonate with you if you are a true lover of metal. The album crafts a dark and immersive atmosphere with distorted guitars, pounding percussion, and other textures to evoke a sense of dystopian grandeur. They also partnered with the talented metal imagery artist Noah Meihoff for the album artwork, adding a visual layer to the story told in the music. With numerous releases to their credit since their inception, I was able to sit down with the guys in Herakleion recently to get some insight into their process when creating their newest effort, Necroverse , as well as some band history, and how touring is going. Take a moment to learn more, and then be sure to stream Necroverse today. MaM : Thanks for speaking with us today. How did you all come up with the name Heraklion? Apollo : I was sitting on the couch with my roommate. It was before I joined the band, but sometimes, we would get off work, scroll through YouTube videos, and pass the time instead of watching a TV show. I saw a documentary on the ancient city of Herakleion and was interested in the story. They had only recently discovered it about 30 years ago. I just thought it was cool that, you know, there’s the same city from which they thought the story of Atlantis came. When running band names, we didn’t want those classic name generator names, an adjective, a noun type deal, or two and three-word names. We wanted one punchy word that hadn’t been said before, and it seemed like it just clicked in my brain. I was like, “Hey, why don’t we just go with this?” we’ve been running with it ever since. Credit: Justin Hammer MaM : How did y’all create the new album, Necroverse ? Give us a few details. Herakleion : Necroverse was meant to be a purely conceptual album. Each song has a story about crossing from the mortal plane into the realm of the dead. So that’s pretty much the theme for every song and every story within each song. We wanted it to be a bit more varied in tempos and writing than the first EP, being its own thing. It’s a bit more mid-tempo, and we got a lot more creative with the riffs and the flow of every song. It was an enjoyable writing process; it was certainly different, and the product is different; it’s cool. Released September 13, 2024 MaM : How would you all say it differed from the first EP? Herakleion : The production quality is much higher than that of the previous efforts. The thing about it is it’s not all that different from when we recorded Curse of Eternity because we did everything for that record basically like we were recording analog, even though it’s technically a digital recording. Still, we did all the recording live off the floor. There are no punch-ins or anything like that. At this point, it’s kind of just how we know how to do it: to get that good take right off the floor and do it live. We took what we got from Curse of Eternity and ramped up on the production, went to the excellent studio, got the producer we wanted, and just took it to the next level from what we were already doing. Writing was a lot more thought-out, too, because the first album we made before we even played a show so that we would have some stuff to play. It came together over a few months, but we had been working on the new release for over a year, so it’s much more refined and honed than the first one. Credit: Justin Hammer MaM : Who did the recording and production for the new album? Herakleion : Pete Deboer from Denver. We went to a studio in Tornillo, TX , called Sonic Ranch . It was an incredible experience. MaM : I love the album artwork. Who came up with that? Herakleion : Noah Meihoff . Noah did an amazing job. We found him through some artwork he did for this horror magazine cover, and up until that point, we didn’t see anything we felt fit the record's theme. We knew we needed this guy to do it as soon as we saw his work. We saw his process and its uniqueness, which fit the analog feel of the whole record we were going for. We talked to him about the record's themes, and he came up with a concept for the cover, which came together nicely. There are a lot of subtle details in that album artwork as well that if you’re looking at it, you can find, you know, hidden little things in there that even had to be pointed out to me even after I had seen it for a month or so I like that it has that dimension and those layers to it. He just really knocked it out of the park, and we couldn’t be happier with how it turned out. Released September 13, 2024 MaM : What was it like getting out on the road with the legendary Goatwhore ? Herakleion : We know those guys well, so it’s like going out on the road with some good buddies, but we all stayed professional despite our friendship status. It was just a lot of fun, you know. The biggest takeaway from touring, whether it’s our run with Goatwhore or on our own, especially from those guys, is to learn how to be 100% efficient, professional, cool to everybody, and don’t go and screw around when you’re on the road, you’re there for a reason. The wheels don’t take long to come off track. You must adapt and keep your head on a swivel. You know, you could pop a tire, or something could break at a show, or leave a cable at a venue. You take something different away from every show you play, and when you tour with guys like Goatwhore that have been doing it for twenty-plus years, I mean, you can get the “Hey, don’t do this!” before you make that mistake, so you learn a lot from taking to those guys. You know the most when it’s the end of the night, and you’re putting away each other’s stuff in each other’s trailers and sharing stories, asking questions, and if you're paying attention, you can take those notes and don’t forget them if it’s something you want to do for a long time. We are lucky to have friends in the business who have been doing it for a while and can pass the knowledge along to us. Credit: Justin Hammer MaM : Do you guys have any up-and-coming touring plans? Herakleion : We have a mid-west run planned for November , where we will visit Memphis , St. Louis , Chicago , Cleveland , Dayton , Louisville , and New Orleans . Then, we are planning a Texas run in December . That’s pretty much it for the year, but next year will be pretty much nonstop on the road, either on our own or with other bands. Catch Herakleion on tour this fall! Check Herakleion's Instagram and Facebook pages for all upcoming tour dates and information about their current activities. To purchase their new EP Necroverse on vinyl, cassette, or CD, along with all their other merchandise, follow the link tree in the bio on their Instagram page. Necroverse is out NOW on all streaming services. Facebook www.facebook.com/HERAKLEI0N Instagram www.instagram.com/herakleion504 NECROVERSE EP/Merch Store https://herakleion-shop.square.site/ *All photos by Justin Hammer www.justinhammerphotography.com Shop Photography Art | Justin Hammer Photography Shop art is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Creation, Passion, and Collaboration are forming a New Era in Louisiana Music < Back Bayou Harmony: The Rise of Louisiana’s Collaborative Alternative Music Scene Nick Cline May 31, 2025 Share Creation, Passion, and Collaboration are forming a New Era in Louisiana Music Let’s face it, the music scene in general has been very strange and bizarre for quite a while, and although I wasn’t even born yet, the '90s truly are the period of music I most identify with. Alternative music in the ‘90s was so raw, artistic, and full of creativity. You had average-looking folks up there performing, and it wasn’t polished at all. It was authentic and real. The alternative music scene in Louisiana these days exemplifies perseverance in the face of judgment, it truly does. When I first started Phantum Sun , I found there was no true alternative music scene for the type of music I wanted to play, so I set out on a quest of sorts to try and build the scene I wanted. Think like a Monty Python quest, but no one has lost a leg or arm yet. Building a genre and its accompanying community is never an easy task, but despite the hardships and challenges, Louisiana is experiencing a surge of artistic creation currently, and I am happy to be a part of it. It’s starting to feel like a family. Recently, the alternative scene here in Louisiana reached a pivotal moment. The artists have all collectively decided they are ready to make a significant impact both in Louisiana and nationwide. Bands are forming a community that pours every ounce of passion and creativity into their work, and the community is evident both on social media and at local shows. The rules set by traditional norms no longer confine this emerging community. Instead, they are forging their own path—one that is filled with possibilities, inclusivity, and opportunities for progress, and it’s awesome. The recognition of this new community I’m referencing began with the ideas established at Eclipse Fest 2025 . Eclipse Fest is a festival I started last year, and this year, the camaraderie and community came together in an even bigger way. The line-up was killer with bands that included Phantum Sun , HolleeStar , Pink Tooth/JAYD3D! , Jean Claude Seagal , Grey Areas , Kris Russ , Double Knockout , Goodbye Academy , She Might Be a Beast , WE ARE THE VIRUS , and Voice of the Enemy . Many of the bands mentioned above are dedicated to creating a new era of Louisiana music, just as I am. Every day, they lay the groundwork for events and collaborations, encouraging more bands to join this mission. I see them all working together, and this collective is expanding with each passing moment. As announcements are made, the collaborations between these groups grow stronger, with each band carving out its own identity while embracing a wide range of genres. This stands in stark contrast to the existing scene I walked into, which was characterized by gatekeeping and ego clashes, which are now behind us, because we stand for unity through music and only want to uplift others. We are on the verge of a new era defined by inclusion, passion, and artistic expression with music, I believe. Things have been stale for far too long. The alternative scene here, which has never been a staple of the state, has recently ignited into a wildfire that is slowly spreading across Louisiana , and we need to embrace that and build it. The state of mind in alternative music has always been unpredictable yet beautiful, welcoming anyone willing to collaborate and accept good people, regardless of their genre. This community we are building truly makes me proud. The electric energy, work ethic, and creativity of this burgeoning scene are genuinely remarkable. Louisiana—and indeed the entire country—may not be prepared for this powerful wave of artistic expression, but I know that we are all ready to take it to the next level by bridging the gap through various other successful scenes, such as the one in Asbury Park, New Jersey , which is where I plan to move soon . As the days continue to go by, let’s return to our roots of just good music, no matter the genre. Life is too short. Listen to good music. Thank you for reading my thoughts. -Nick- *cover photo by Elise Hanks Photography by Elise Marie www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics < Back Endure the Affliction: Music to Empower Mind, Body, and Soul Je'an-Paul Keller Jul 31, 2023 Share Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics Coming up August 19, 2023, Louisiana’s own metal core/progressive metal band Endure the Affliction are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana. They are the second in our installment of interviews with all the acts on the bill. These guys are the new face of progressive metal/metalcore in the area and if you’re not familiar with them yet, you soon will be. Endure the Affliction is a well-orchestrated mixture of progressive metal and metalcore that embodies melodic metal and embraces their Louisiana roots. This five-piece group of talented musicians formed the band in 2018 in Lafayette, Louisiana, and currently consists of Deion Lanthier on guitar and vocals, Ryan Tyler on lead vocals, Brett Dronet on guitar, Joshua Domingue on bass, and Kyle Roberts on drums. credit: Chad Besse A sound reminiscent of true, deep southern darkness metalcore, Endure the Affliction belts out a powerful and passionate message that will shake your soul to its very core. They have been through different member line-ups and many personal hardships through the years, but those experiences taught them how to endure all of the afflictions the world throws at them. Like a phoenix rising from the ashes, their lyrics are about overcoming hardships in life such as suicide, racism, and drug addiction, just to name a few. Their music video for the song "Identity" demonstrates the battles inside we all struggle with on a daily basis. The powerful riffs of the dueling guitars and soaring vocals are so intense, they’ll have you on the edge of your seat wanting more. Their listeners have told them they are a gateway into the wonderful world of metalcore, and I, for one, could not agree more. Their EPs “Origins” and “Evolve” are full of so much energy, they’ll leave you feeling motivated to conquer all roadblocks that you face. Exactly the type of music one wants to hear on any given day. Recently, I had the chance to sit down with vocalist and guitarist Deion Lanthier, where he told me some great stories about the band’s history and took the time to explain the band’s overall message, which is focused on healing and feeling uplifted. These albums will empower your mind, body, and soul for the greater good. Check out our conversation below, then go listen to their music. You won’t regret it! Deion Lanthier - Photo credit Chad Besse MaM : Who or what has inspired your sound? Deion : Well, it’s kind of hard to say. We’ve been through a few original members. Originally, the idea was to be like a cross between hard rock and metalcore, but it ended up not being that because we all have different influences. Originally, with the original singer being … an older guy, he was more influenced by the classical heavy metal, where the rest of us are more influenced by metalcore-type of stuff—maybe a little bit of Djent—but we really don’t try to sound like anybody too much. We just kind of do our thing. Whatever we write, if we like it, then we just roll with it. Everything’s always middle, of course, but we just gotta roll with it. We all have a bunch of different influences. MaM : Primarily what was your main influence? Deion : The biggest influence for me, personally, … would probably be All That Remains, because that was the first metalcore band I heard. They definitely had a lasting impact on me and a big influence on the way that I write music. MaM : How did you form? And how did you meet the other members of the band? Deion : Well, it was me and the original drummer that started the band together, but it was weird. I didn't know the guy but I saw him on Facebook, and I mistook him for someone that I went to school with. I was like, ‘Hey, man! I didn't know you played drums,’ and I guess he got confused too, because he was talking to me like he knew me. So, we didn't find out until a few messages later [that] we don't actually know each other. Then I said, ‘Hey, you want to start a band together?’ I was looking for a second project at the time. I was actually in one project at that time that wasn't really making too much progress. So, that's how we got started. credit: Chad Besse MaM : I take it everybody catches on pretty quickly and everybody gets into the groove? Deion : Oh, yeah, absolutely. We all have really good chemistry, and everybody is very, like I said, very talented. Everybody brings their own unique influence, and everybody's great songwriters. That's the most important part, right? MaM : So you all contribute to it. It's kind of like the band Queen, where everybody just puts in their own influences and brings everything to the table, huh? Deion : Oh, yeah, absolutely. Generally the process would be for me or the other guitarist, but we come up with the melodies on guitar first, and then the drummer puts the drums to it. Then, bass and vocals [have to] get written next and need to get written simultaneously. But, it's very guitar driven, usually. Once we have the bass line down, everybody just kind of makes suggestions, and we go from there. So, it's definitely all-five-members-in type of thing. MaM : Most definitely! What influences you to make music? Deion : OH, MAN! Just the love of it! But, aside from the generic answer? (laughs) I've been through a lot of things in life at an early age and music was really what helped me get through it all. Aside from the normal teenage angst, you know, I’ve been through some pretty dark stuff that I feel like if I wouldn't have had music, I wouldn't have been able to deal with it properly, maybe? Music helped me put my emotions into context. I think it helped me learn to manage my emotions and things like that … work my way through things. I want to be able to do that same thing for other people. That is what drives me to keep doing it. credit: Chad Besse MaM : Oh yeah, definitely. I noticed overcoming hardships is the driving force behind your music and in your message. What hardships do you think the listeners overall relate to the most? Deion: We've been told any time we talk about suicide, that's a pretty heavy topic for people, as well as the drug addiction songs that they really connect with—even the more generic songs, like one of our older ones called “Rise.” It's just about rising above a hard situation. Everybody really connected with that one. Even though it's a very broad message, they seem to like it a lot, and that’s something they say they don't get from metal a whole lot. So they're very surprised by it. They all kind of latch onto it. We take pride in that, and that's why we stick to it--even with the vocal exchange. The lyrics may be a little different, but the message is still the same. People seem to really like that positive message. Even though we talk about the darker side of things, we always try to lyrically make it to where you can come out of this bad situation, and you can get through it. MaM : Can you tell me more about the lyrics for “Identity”? Deion : Well it's both general and specific, because it's basically my life. I was a little selfish when I wrote it, but it's relatable because it's true. It's a little bit of racial-identity type of stuff but at the same time suicide attempts and drug addiction. I've been through all of that stuff. But, with the racial thing, I'm mixed, so I've had to deal with stupid stuff from both sides. I had an identity crisis growing up, and that's why it's called, “Identity.” It took me a long time to work that out … realizing that I didn't need to be that way for anyone else in particular. I needed to be who I wanted to be, regardless of what anybody else thought. Also political leanings and stuff like that. You can't let other people influence the type of person that you should be. You have to decide that for yourself. So that's pretty much what that song is about. It's a little all over the place but cohesive at the same time. I try to fit a little bit of everything in there. https://www.youtube.com/watch?v=IjetVWu0gto MaM : I totally identify with that one the most. Can I get a little background info on your band name? Deion : Endure the Affliction refers to the human condition—existence itself and the fact that you have no choice but to just endure it. You work your way through problems. You go through life. You figure it out, and that's just it. It's a simple message. It's just a fancy word. Fancy words to relay a simple message. MaM : Do you use any specific pedals to achieve y'all’s sound? Deion : Yeah, I use a Line 6 Helix. I have an EVH over an orange cab, but I plug my Line 6 Helix into that. Most people just use the Line 6 Helix by itself, but I don't do that. The other guitarist has a smaller version of that called the Line 6 POD GO. He uses that for all of his pedal stuff. We're the only two. The bassist uses a straight clean bass tone. He doesn't do any crazy stuff. MaM : You have 99 monthly followers on Spotify and it's growing. Do you think they relate to the overcoming hardships in the lyrics? Do you think that's what draws them in? Deion : I believe so. We talk to our fans, you know. We're not the rock-star diva type. We don't have a huge fan base, but when they come, they come. They show up, and we talk to them. They all say that that's the main thing they like about the music: The lyrics are relatable. They love that we're not black metal. Basically, we’re out there singing about stuff they can't relate to. I think, also, the draw is because we're so melodic for a metal band. A lot of our fans are people that don't listen to metal, believe it or not. We're kind of a gateway band locally. MaM : Any future plans and aspirations for the band? Deion : YES! We would like to tour. We plan on trying to do a little miniature tour at some point, maybe one or two weeks. Nothing fancy, but definitely that. We hope to release our third EP by October. We [have] a couple more songs to get written and recorded, then we'll be good to go. Nothing too big, besides RAD Fest, obviously. For more on Endure the Affliction, you can check them out at any of the below-listed links. For more on RAD Fest, click here . Instagram: https://www.instagram.com/enduretheaffliction.la/?hl=en Facebook: https://www.facebook.com/enduretheaffliction.la/ YouTube: https://www.youtube.com/@EndureTheAffliction Spotify: https://open.spotify.com/artist/0YkC97oMGPhF8ivqYFXHHo Apple Music: https://music.apple.com/us/artist/endure-the-affliction/1471728402 Bandcamp: https://enduretheaffliction.bandcamp.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Nekrotronic Ezekiel Kincaid Share Jul 10, 2023 Nekrotronic is a fantastic sci-fi/horror mashup that fans of B movies will love I know, you’ve probably never read a movie review in your life that starts out like this, but I’m drawn to demonic movies. I can’t help it. Welcome to my world, folks. It’s a grand universe where things are always colliding in a weird way. So, yes, I’m drawn to demonic movies like flies are drawn to shit. Wait, that might not be the best analogy because the movie I’m talking about is anything but a big heaping pile of dung—although it does have to do with poop, sort of. You’ll see. The installment for this round of What the Hell Did I Just Watch is Nekrotronic (2018), and it’s a fun one. Directed by Kiah Roache-Turner ( Wyrmwood , 2014), this Australian-based movie explores the demonic, demon possession, and the danger of our dumb-ass society constantly staring at their phones. It stars Ben O’Toole ( Hacksaw Ridge, Bloody Hell ) and Monica Bellucci ( The Matrix Reloaded, The Matrix Revolutions ). They’re probably the only ones in this movie you’ve ever heard of, as the rest of the cast is made up of low-budget heroes. Onto the plot! The story follows Howard North (O’Toole) and his sidekick/work bestie Rang (Epine Bob Savea, of Hibiscus & Ruthless ). The two work for a sewage maintenance company where, while on the job, North finds out his true calling in life: to become a demon killer. Yep, amidst his daily shit-slinging adventures, a demon outbreak happens, and Howard North finds out why he was put on this planet. IMDB still During the encounter, North and Rang are rescued by a father/daughter(s) team called necromancers, or in layman's terms, demon ass kickers. North finds out he’s the chosen one and joins the team. Sounds like your typical demon apocalypse movie, right? Wrong! There’s more to the story so try to keep up, will ya? To prevent this movie from being another run-of-the-mill possession movie that falls into the B-movie abyss, we have a little twist. The demon possession takes place through the internet—more specifically, a phone app. Yeah, you heard me right. Our villainess, CEO of the evil company trying to possess people, is Finnegan (Bellucci), and she is the one leading things. Her company has developed these internet box things, which have been installed all across the city and are used in conjunction with the app to possess people. IMDB still I’m not going to spoil how the demons possess people, nor will I disclose how they even discover such a thing is possible, but I will encourage you to be ready. It’s not believable … well, I mean it could be for some people, like children, but I digress. In typical B-movie fashion, some stuff takes place without zero explanation that leaves you with some WTF moments, all of which I love! There’s even an exploding goat! The movie has some great, gooey gross-out scenes and some decent gore, the interaction of the characters is great, and the movie is full of awkward and sarcastic humor that I found hilarious. Overall, Nekrotronic is a fantastic sci-fi/horror mashup fans of B movies will love. Rating: Zeke gives it 4.5 out of 5 exploding goats. Places to watch: Amazon Prime https://www.youtube.com/watch?v=Gj2YypZFkfs Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Picks for December 2024 < Back Way Back When: Holiday Tunage Nicole Brice Dec 1, 2024 Share Picks for December 2024 It’s that time again … more music for your ears that you may or may not have heard before. I’m not going to give you a typical holiday list, because truth be told, I really don’t like holiday music. Here’s some songs to get you going this holiday season. 1. The Vandals - Oi to the World This classic punk holiday tune was covered by No Doubt in 1997, but nothing lives up to the original. It’s funny, it’s fast, it’s catchy. Sing along loudly! 1996 https://www.youtube.com/watch?v=oo4gEPiKm3w 2. The Ramones– Merry Christmas (I Don't Want to Fight Tonight) A typical Ramones song with a Christmas theme. Crank it up! 1989 https://www.youtube.com/watch?v=KIhIBFPtnoc 3. The Dickies - Silent Night A punk take on a classic tune. 1979 https://www.youtube.com/watch?v=PRCG8FU1C2s 4. Bad Religion - White Christmas It’s freaking Bad Religion singing Christmas tunes … nuff said. 2013 https://www.youtube.com/watch?v=R1KCjHbKM_s 5. Rise Against - Making Christmas One of my fave Christmas tunes because it’s Rise Against . Tim McIlrath can sing holiday music to me any day of the week. 2006 https://www.youtube.com/watch?v=0gpJCg_VbkA Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest is coming May 10, 2025 < Back Eclipse Fest: A Pillar of the Louisiana Alternative Scene Nick Cline Dec 3, 2024 Share Eclipse Fest is coming May 10, 2025 What is Eclipse Fest ? This question has been thrown around a lot since its first incarnation at the beginning of 2024, and that only escalated once the show happened on June 15th, 2024 . Well, who better to answer the question? Hello, my name is Nick Cline , and I am the mastermind behind Eclipse Fest . Click to go to the Facebook page for Eclipse Fest 2025 Eclipse Fest is my brainchild, which I concocted in January 2024. It started as a statement of ability and love for the scene but became something I did not expect. It became more than a statement of ability. It became a statement for a unified scene across all the genres that desperately need light shined on them. I started Eclipse Fest because I genuinely love music. I love the community music makes regardless of who you are. Music truly binds us together as a people. That is the energy I put into the tireless hours I pour into the festival. The statement and mission I bring are an extension of my love of music, community, media, and everything in between. The craziest part of Eclipse Fest is that I have, for the most part, handled most of the planning stages by myself. Before Eclipse Fest 2024 , I had zero experience planning events, marketing on a big scale, or anything like that. I was solely working on my band, Phantum Sun . That changed once I took the mantle of running and concocting Eclipse Fest . I took the vision in my head and threw it into the wild. The event brought a lot of shine to the scene through unorthodox booking styles, genres that on paper shouldn't work together, and whatever other plans I had that would give a typical event planner a reason for a thousand-second glance. I'm shocked that it turned out as good as it did, but the help I had leading up to it, the connections I made going through the process, and the bands were a tremendous part of the success. I aim to make Eclipse Fest 2025 an even bigger statement for the overall scene. It will be a statement of the great original music that Louisiana can provide from one side of the state to the other. Finally, it will be a statement of community. Announcements will start rolling out on the first Friday of January ! Stay tuned because you won't want to miss this one! We have an amazing line-up of talent, and some of these bands are going to blow your mind. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. < Back Reviews on the Real: Shoot Out the Satellites by The BIG Reveal Nicole Brice Apr 14, 2025 Share Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. Last Friday, The BIG Reveal , a band from Grand Bay, Alabama , released their debut album— a captivating 39-minute journey of pure, unfiltered alternative rock. Shoot Out the Satellites , released on April 11, 2025 , is a significant contribution to the overall rock scene. Drawing inspiration from the energy of ‘90s alternative rock, the album showcases The BIG Reveal ’s commitment to authentic, guitar-driven music . Standout tracks such as ‘ New Scars ’ and ‘ Fallout ’ highlight the band’s ability to blend different nostalgic rock elements into a modern sound that is both fresh and familiar . The band consists of a group of friends with exceptional talent, and their musical style is surprisingly mature for their young ages, showcasing a variety of sounds and textures. Each song is unique, offering a distinct experience. I encourage you to stream and add this album to your playlists; it’s excellent. There’s no filler either; every track is a gem. Released April 11, 2025 The BIG Reveal features Gavin Parker on guitar and vocals, Blake Hall on drums, and Luke Puckett on bass. Although the band has only been together for about a year, they really started to gain momentum after Luke joined. To learn more about The BIG Reveal , check out Bud Gambrell 's recent interview with them. Let’s dive into the track listing, as you absolutely need this album in your life. - New Scars – This thrashing, guitar-driven track begins with a thunderous guitar tone that draws you in until the smooth vocals hit—wow! Everything about this song is spot on. It features a hint of a southern rock sound while maintaining its solid alternative rock essence. - Fallout – This song plays with expectations; it starts out slow, but when the pre-chorus and chorus hit, it’s incredible—full of depth. - The World And All – This upbeat and enjoyable song showcases the raspier side of Gavin’s vocals at times. - Me and You – The guitar tone at the beginning has a distinct southern twang. This song is a departure from some of the band’s other tracks, leaning towards a milder, slower feel. - What I Want to Be – This one strays from the alternative sound and reminds me of a more pop-oriented country song. It’s a great track. - Can’t Find the Feeling – This track incorporates more country influences throughout. It’s enjoyable and a bit slower than the others until about 1:56, when a grunge fuzz guitar sound takes over. - Shoot Out the Satellites – The title track of the album is rich and full of depth. - It Follows – This song starts with a heavy grunge guitar sound and evolves into a head-nodding track full of rhythm. - Will You Believe Me – A hauntingly beautiful and powerful song. - Back to Goodbye – This track reminds me of a blend of Matchbox Twenty , Vertical Horizon , and 3 Doors Down ; you can definitely hear those influences. - Imagine That – A loud, powerful, and guitar-driven track—be sure to turn it up loud! This album is a must-listen , so be sure to put it on your list of things to check out today. Just click one of the links below to check it out. To learn more about The BIG Reveal: Website: The BIG Reveal Facebook: www.facebook.com/profile.php?id=61557900071233 ‎ Apple Music: The BIG Reveal - Apple Music Spotify: The BIG Reveal | Spotify TikTok www.tiktok.com/@_thebigreveal www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One Super-Cool Writer in Love with the Land < Back Jonathon Engels Keeley Brooks Jan 11, 2023 Share One Super-Cool Writer in Love with the Land Sometimes, there’s a man, and sometimes, well, there’s a man who holds such deep mystery in his eyes, you just have to dig in and get to know him. That’s the case with creative, travel, and permaculture writer Jonathon Engels. Having graduated with Jonathan back in the Nineties, I thought I knew where he was headed in his life, which, having briefly known him like I did, I was certain was towards something technical, even though I was aware he had creative interests and abilities. But, he proved me (and I’m sure plenty of others) wrong by moving on to secure a Master of Fine Arts degree in Creative Writing from the University of Memphis, then on to embark on a hefty career abroad traveling, teaching English as a foreign language, and writing about it all. Engels is from a suburb outside of Baton Rouge, La. He started out writing poetry at an early age, then developed an interest in writing fiction and playing music in his late teens in the Nineties. By his late 20s, he was tinkering with nonfiction in the form of travel writing and by 2014, he was focused on permaculture and on sharing his wealth of knowledge and worldly experience from a personal perspective. In speaking about his year teaching abroad, he said, “That adventure led me to write about the world I was discovering. I started getting published as a travel writer first (in 2011), became a staff writer for One Green Planet and Permaculture News (in 2013), and expanded from there.” Today, Jonathon is back living in the States and has been busy with his wife, Emma, building their homestead, which is made predominantly out of recycled materials in a wholesome effort to become one with the land. He stays busy writing non-fiction articles and essays that are so insightful, educational, humble, and direct, it’s as though you’re right there with him experiencing what he’s talking about or he’s with you as you’re reading. His words are a gentle guide through certain necessary human processes, of which we should all be more aware. Engles hooks you with his writing, drops you right in the middle of what he’s talking about, and presents you with something more than just a story to read; he presents you with an undeniably human truth worthy of consideration. He guides readers through the depths of each journey to ensure you stay on track and, most importantly, have an enjoyable ride. His candid use of humor reminds you not to take yourself or what you’re doing so seriously that you miss the beauty of life unfolding right before your eyes. Jonathon kindly took some precious time away from his land and work to chat with me about how he fell into this path, where he has been, what he has written, and what he’s up to today. I highly recommend checking out his work, especially if you are interested in or are considering traveling abroad, learning how to live as one with this great land, and writing about it. MaM : How did you foster your creative talents? JE : I wrote poetry here and there when I was a young teen, but when I started going to college (Louisiana State University), it just exploded. I wrote constantly, mostly out of a need to do it rather than a fine-tuning of a craft. I experimented a lot in the form. [I] still do when I occasionally attempt writing poems. Prose became my main concentration in graduate school (U of Memphis) when my sensibilities didn’t quite mesh with the poetry crowd there. I concentrated on fiction, again playing with form a lot, exploring different ways to piece a story together. Engels is also a musician—a guitarist, to be exact, which no doubt fosters his creative abilities and has been a source of release and entertainment over the years. JE : I’ve played music a lot on porches with friends. Mostly, I play guitar and sing. I played regularly at a bar/coffee shop when I was at LSU. I [also] worked at a guesthouse off and on for years in Guatemala and played a lot while there, often entertaining guests and occasionally plugging in for shows on weekends. I’ve never really tried to do it professionally or even develop my skills to that level. I like to play and sing and have a laugh with it. I also have ukulele, which I mostly play when someone else is playing guitar and singing in order to add a different sound to the mix. I have a picked a banjo from time to time, but I don’t [own] one. MaM : Do your write your own songs? JE : I’ve done it but didn’t feel that I was particularly good at it. So, mostly I just play music from artists that I like: Tom Waits, Bonnie Prince Billy, Bob Dylan, Devil Makes Three, The Band, etc. MaM : Are you playing anywhere? JE : Just at home and with friends. Some friends have encouraged me to do an open-mic night in town, but I’ve not as of yet. MaM : Take us through your time abroad and how life began to unfold for you as a writer. JE : Travel writing began when I lived in Korea (2005-2008), working as an EFL teacher. From there, I traveled and worked abroad for another 10 years. It seemed natural to write about my adventures, and it gave me the plot I always struggled to find when writing fiction. Though it started as a creative pursuit, my travel writing is now sometimes practical (for which I get paid) and sometimes creative (for which I get to say I’m literary and receive no money). The travel stuff morphed into more non-fiction avenues when I found opportunities to write for One Green Planet, a vegan/environmental website, and Permaculture News, a permaculture site. I’ve also written text for permaculture courses. These two outlets, as well as Green Global Travel, Transitions Abroad, and Blue Ridge Mountains Travel Guide, are how I’ve made a modest amount of money writing. Even so, I have continued to seek out avenues to be creative. I did some of that on Permaculture News, and I’m on the masthead of Panorama, a literary travel journal. I write a minimum of 12-15 articles/stories a month and have done so for about 10 years now. Permaculture became a daily part of life during a work-trade trip from Guatemala to, though we never reached it, Patagonia. My wife Emma and I spent about four years traveling around Latin America and Spain trading labor and knowledge for room and board. We also did quite a lot of volunteer work. Now, I live on a permaculture homestead, which means I practice it every day. We built our off-grid home ourselves, maintain a big garden and orchard, and both write about permaculture topics for One Green Planet. We also grow organic vegetable and flower gardens for a living, as well as volunteer doing it at a community music school in our nearest town: Elkin, N.C. MaM : That’s cool, man—both of you doing what you love together, then writing about it for others to absorb. Take us through your journey that led to a writing degree, multiple publishings, and a life rich in travel and culture. JE : I started LSU as a chemical engineering major because I’d been a good math student in high school, and my father was an engineer at Exxon. By the second semester, I was skipping Physics and Chemistry classes to go bowling, and Calculus had bowled me over. I wrote poetry all the time on my own time, so I started taking more writing and English classes. I switched my degree to English and that was that. [From there] I went to graduate school in Memphis. I moved there, got a job waiting tables, and applied to the University of Memphis the next year. Luckily, they took me. After I got an MFA in Creative Writing, I decided to teach for a year abroad. That turned into over a decade abroad. That adventure led me to write about the world I was discovering. MaM : Any creative writings currently in the works? JE : Panorama: The Journal of Travel, Place, and Nature published a piece at the end of November [last year]. I wrote it in September-October while I was in England. It’s about an experience in Guatemala. The journal, which I’ve written a few things for, went on hiatus for a couple of years, and this is the relaunch issue. [Click the image below to read Jonathon's story.] Otherwise, I still write (practical stuff) for One Green Planet every week, as well as a website called Blue Ridge Mountains Travel Guide. Neither of these are creative work, but they keep me busy and leave little space for other writing. MaM : Tell us about some of the creative works you’ve written and where they are published. JE : Panorama: The Journal of Travel, Place, and Nature: - There’s No Place – about finding a home after living out of a backpack for about 12 years. Published by Panorama. - From Texas to Turkey and Back Once More – about my father coming to visit me in Istanbul while I was teaching there. Won 2nd place in Expatriate Writing Contest on Transitions Abroad. - Living the Homesteader Dream: Everything Works Out, and Works, Kind of” – about the woes of off-grid living. Published on Permaculture News. I was a featured author in a print journal called Poiesis Review . The issue (#7) has five of my stories, including “5 Miscues in Packing: Hard-Earned, Largely Ignored Advice from a Vagabond,” “The Bibimbap Man,” “The Other Side of Texas,” “10½ Lessons in Misadventure Travel,” and “On Motorcycles with Milkshakes.” I’d actually submitted these to a different publication, “Go Read Your Lunch,” and through some connection, the stories got passed over to Poiesis. The editor contacted me wanting to do the featured author thing. Dumb luck. “Go Read Your Lunch” did publish one piece: Another Cup of Tea: A Personal Survival Guide to England . It’s about my first trip to England with my British wife Emma, and that involved a lot of having to pee because of the overabundance of tea and being unable to find a public restroom anywhere in the country. MaM : Let’s talk about permaculture. Dish about it and your specific approach and why. JE : Permaculture is a way of designing human habitats and habits, from personal spaces to communities, so that we work in harmony with nature, each benefiting the other. Most people, including me, come to it via gardening, but it is much more involved than that. It includes how we build homes to fit our surroundings, how we collect and distribute water, get/use power, interact with others, and more. To truly practice permaculture is life-altering, much more than putting in a raised bed garden, with which it is often confused. My approach to permaculture has been to use what’s around as opposed to buying in new materials. For example, we dismantled a shed and [some] two-hundred-year-old, dilapidated homes to get the lumber to build our house. We built our fencing from limbs and such that I scavenged from work when we had to clean up trees. The gardens are made from pond bottom that was excavated when digging our pond, and we have used leaves, hay, stones, wood, and so on that we’ve collected from various sources that had deemed them refuse. This has also been the case with many of the plants, particularly flowers, growing on the property. There is something rewarding and pure about doing it this way. It takes longer, but I feel it stays true to making a minimum, or even positive, impact on our immediate environment. Plus, the improvisational nature of using what’s there keeps the design process creative and innovative. To some, this approach has seemed extreme at times, but there are many out there doing a much more thorough job of it. We did buy some new stuff, mostly because we had to in order to pass our building inspection. MaM : What drew you to permaculture? JE : I was volunteering on a farm/eco-hotel in Nicaragua. The owner turned me on to it. From there, I read some books, visited a few more farms, and started seeking it out. Within the year, I’d read a bunch of texts, was developing a property in Panama, and actually began writing articles for Permaculture News about what we were doing. MaM : What has been and is your current relationship with the land? JE : We are in love with each other. For more on Jonathon and his travel and permaculture adventures, you can find him at Panorama , One Green Planet , and Blue Ridge Mountains Travel Guide . *images provided by Jonathon Engels www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. < Back Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene Nicole Brice May 7, 2025 Share With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Emerging from the heart of Louisiana’s underground metal scene, Inner Anguish is a band that channels raw emotion and relentless intensity into every note. By blending crushing riffs with visceral lyrics, the group serves as a powerful testament to the enduring spirit of Southern metal— dark, unfiltered, and unapologetically honest. Credit: Justin Hammer Photography Since its formation, the band has undergone several changes and now boasts a solid lineup of musicians who were brought together for a specific purpose. Each member contributes their unique flair, resulting in a well-rounded listening experience highlighted by their impressive stage presence and larger-than-life personalities. Inner Anguish consists of Taylor Redwing on vocals, Smitty Lange on bass, Keith Alleman on guitar, Ben Finley on guitar, and Taylor Guidry on drums. The poetic lyrics are crafted by lead singer Taylor Redwing , who writes from the heart. Every word reflects his genuine feelings and carries deep meaning. Inner Anguish draws from a diverse array of influences, creating a sound that is both distinctive and recognizable , appealing to metal enthusiasts. With the help of their secret weapon, Ben Finley of Shed Sound Hole , each release is polished to perfection. As an organic collaboration among friends and music lovers, Inner Anguish ’s sound and dynamic defy categorization. Their unique approach enables them to adapt to whatever comes their way, ensuring a refreshing and authentic musical experience. Inner Anguish is not just making noise; they are making a statement. Read on to learn more. Credit: Elise Hanks MaM : Give us a little background history about how you came together as a band. Keith : I had a lot of the songs written and recorded already at my home studio. ‘ Sin and Bleed ’ and ‘ This Guilt ’ were two of them. We started playing with Ben Finley , and then we were looking for a singer. We had worked with Taylor previously, so we decided to bring him in. Ben was originally on bass , but then we decided to become a 5-piece, so we brought in Smitty , and that’s how it all came together. Credit: Elise Hanks MaM : Where did the name for the band come from? Smitty : We had about 10-12 names to consider, so we voted on them. Inner Anguish received the most votes. MaM : I think it’s a great name because it just rolls off the tongue. Taylor : Yeah, we were careful when we picked it because a lot of the names we liked were already taken, so that we couldn’t use them. Smitty : What’s cool, too, is that with Inner Anguish , if you listen to all of Taylor’s lyrics, it matches very well. Credit: Justin Hammer Photography MaM : How did you all decide on the type of music to play, and who influenced you musically growing up? Smitty : Keith wanted more of that Southern sludge sound, and once Taylor got in the band, his vocals helped to pick up the pace of the songs. The songs were originally much slower. It’s remarkable how each of us brought our own unique contribution to it, and it all just works, becoming our distinct sound. Now, whatever that sound is, I don’t know. It crosses so many boundaries. Credit: Elise Hanks MaM : I was just about to say that – I can’t define your sound. Smitty : Yeah, it’s got a little of everything. People have said how they like the rapping portion of ‘ This Guilt ’, which just happened. Taylor’s big on Mudvayne , so that’s where that comes in. Growing up, I was big into Type O Negative . MaM : I saw Type O Negative at the House of Blues in NOLA back in the early 2000s. It was insane. I still have the ticket stub. Smitty : I saw them on their last tour, and I had the opportunity to meet Peter Steele in 2010 . I also love all the Southern stuff, too, like Acid Bath . You can’t be in a band down here and not say Acid Bath . MaM : Acid Bath was huge for me in high school. Keith : I’m a big Misfits fan. I enjoy a wide range of melodic black metal and death metal . I like stoner rock , too, but pretty much anything. I hate classic rock . MaM : What? You hate classic rock? (laughter) Keith : Well, I like Black Sabbath and Led Zeppelin , but that’s it. Credit: Elise Hanks MaM : Ok, we’ll let you slide with that. Taylor : My most significant influence on what I do with Inner Anguish is Chad Gray of Mudvayne . Garrett Russell of Silent Planet , too. I believe that anyone who appreciates the type of vocals I do also loves Lamb of God . MaM : What is it that drives you guys to make music? What is your primary motivation? Smitty : Fun – just having fun. It’s a release, and I understand why some of those bands go to cocaine. (laughter) MaM : I can agree. Keith : I can’t remember a time when I wasn’t playing music. My mother played guitar and piano and raised me to play. It’s just something I’ve always done. Taylor : Music has always been there for me. It’s my biggest love and growing up watching my favorite performers on stage live just really made me feel included. Metal has always been there for me and has always made me feel empowered. I want to do what I love, and I want to inspire others with my music. It’s a selfish thing for me, at the end of the day, because it’s a release. Keith : He’s thrown up after a performance before. MaM : Seriously? Keith : Oh yeah. Taylor : I feel like all the songs we play are emotional, and it’s therapeutic for me. MaM : Well, music is therapy because of frequency. Smitty : Yeah, I bring that brown note. (laughter) Credit: Elise Hanks MaM : I recently saw that you have your own beer, which will be available soon. Tell us a little more about that. Taylor : We’re playing May 17th in Gulfport, Mississippi, at the Metal and Beer Fest , and each band on the bill gets its own signature beer. Available May 17, 2025, at Metal and Beer Fest at Gulfport Dragway MaM : So, what is your signature beer? What is the taste? Taylor : It’s a honey brown ale, basically, and will only be available at the festival, I believe, so come out and try it! Click the picture for more information MaM : You guys are currently in the studio recording new material. How’s that going so far? Taylor : It’s going great. We’re about to wrap up the drum tracks, and then we'll lay down some vocals. However, we’re aiming for a late-September release. MaM : How do you guys approach writing new material? Is there a process? Keith : Whoever brings in a riff, we listen to it and then go from there. Smitty : It’s not like we go into the studio intending to do a stoner or black metal song. Whatever comes out works. We don’t just sit in one pocket. Credit: Elise Hanks MaM : What are you finding as a common theme with this new batch of songs? Do you have one? Taylor : A lot of this new album revolves around suicide , so I’m not sure how palatable that will be to some, but it seems to be a recurring theme throughout the record. It’s more around the ideation and the activist. MaM : Tell us a little bit more about the lyrics for ‘This Guilt’. How did those come about? Taylor : I was afraid this question would come. (laughter) Taylor : It’s a difficult question to answer. Usually, when I write lyrics, I’m not thinking about anything. I’ll listen to a track and then write out how it makes me feel. Sometimes it doesn’t make sense, but I’m just vibing with the music and letting it guide me. After a song is finished, I can sit there with the lyrics and read them, and then it all makes sense. To me, though, ‘ This Guilt ’ is about abuse - whether that be self-inflicted or from another. That’s what I get from that song and the lyrics I wrote. MaM : What would you guys like to accomplish this year? What would be the ultimate achievement to make this year perfect? Taylor : I would love to play a show with Eyehategod . I don’t even think we’d have trouble finding a third band because everybody wants to play a show with them. I hope we can make that happen in the future. As Inner Anguish continues to churn out new material and play shows, they stand poised to bring about a new era in metal – one that defies categorization. Be sure to check out their social media to catch them live soon. For more information about Inner Anguish: Facebook: Facebook Instagram: INNER ANGUISH (@inneranguish) • Instagram photos and videos Spotify: Inner Anguish | Spotify Apple Music: ‎Inner Anguish - Apple Music *Band photos by Justin Hammer Photography: www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. *Live Photos by Photography by Elise Marie Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. < Back Branded for Exile: A Force in Louisiana Metal Nicole Brice Dec 11, 2023 Share “Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Louisiana metal has a unique vibe and sound unlike anything heard in other states. Hinting at darkness, the sound evokes visions of living in the humid swamp areas while also providing a gloomy backdrop for life. Louisiana metal is fierce, loud, and strong, but in a state oversaturated with metal bands, one band from Ascension Parish is standing out with their groove-metal style. Powerful metal outfit Branded for Exile has just released a new album, and metal fans, it’s intense. “ Born in the Flames ” features crushing riffs, melodic hooks, and powerful lyrics in a high-energy way, making for one hell of an enjoyable 37-minute listening experience. Click the album cover below to check it out! Released October 28, 2023 Branded for Exile hails from Prairieville, Louisiana, and is known for blending many styles, textures, and influences, ranging from Metallica to Killswitch Engage and everyone in between. Their music is best described as an amalgamation of aggression and emotion, resulting in a truly dynamic and cohesive sound enhanced by each member’s own set of skills: Shannon Guillot is the vocal magic; Scott Hood carries the bass; Blake Cage and Cody Derouen mix it up on guitar; and Zack Leblanc is the rhythm working the drums. Mixed Alternative had the chance to catch up with guitarist Cody Derouen and vocalist Shannon Guillot, where we chatted about their new album, the future direction of the band, influences, and much more. Take a moment to indulge in our chat, and then be sure to stream their new album on your favorite streaming service. “ Born in the Flames ” is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Credit: Chad Besse MaM : Thank you for taking the time to speak with us today! Let’s dive right in with your new album, “ Born in the Flames ”. The mix sounds amazing. Tell us a little more about that. Cody : [ Jason Ogle ] recorded the bass, vocals, and the guitar, but the drums were done at OCD [Recording and Production] by Duane [Simoneaux]. MaM : Shannon, your vocals are on point. When I first listened to the song “ Silver Tongue ”, I thought about how your voice is very reminiscent of David Draiman from Disturbed because of the range of your screams. Have you gotten that comparison before? Shannon : When we first went in to record that song, to me, something was missing. It was our weakest song, so we changed some of the vocal parts to make them heavier, and it fit better. MaM : If Pantera and Disturbed had a band baby, it would be Branded for Exile. Do you agree? Shannon : Alright! Cody : I will take that! (laughter) MaM : See, this is the thing, your voice … it has hints of Phil Anselmo at times, too. Shannon : … and I am not surprised that you said that. Growing up, two of my idols were Sebastian Bach formerly of Skid Row and Phil Anselmo . There are some parts on the album that I call ‘Phil-isms’. I intentionally did it the way I felt Phil would do it. Credit: Chad Besse MaM : Your music is so high-energy and in-your-face, and your sound is so different. I feel you guys stand out here locally because of it. “ Numbered Days ” is just a badass song. Tell us a little more about how it came together. Shannon : The funny thing is that ‘ Numbered Days ’ was written in 2013. Me and the guitar player, Blake, … started [the band] Wicked River Rising and [wrote] some songs, but things didn’t work out, so we split up. … [W]hen we got Blake in this band, we still had those songs we had written, so we decided to see if we could still use them. Three of those songs … ended up on this album. https://www.youtube.com/watch?v=pXwepGnFkcw MaM : Let’s get into a little band history. Cody : Well, we’ve always known each other, and Shannon and I have played in various bands since 2003, but I was an outsider. I was never from Ascension Parish or the Baton Rouge scene. I started playing in the band Knever with Jeremy Pourcy and John Maher, and at the time, Shannon was with Black Market Halos . We were always crossing paths … playing shows and we had a brotherhood between bands in the early 2000’s. Fast forward to 2019, Knever tried to get back together a few times, but we just couldn’t make it work. John calls me up one day, though, and asks me about Shannon, and then tells me to call him, so I did. That was the beginning of the first incarnation of the band, and Scott Hood, who plays bass—Shannon already knew him from playing in Black Market Halos and Soul Erosion. Eventually, Blake Cage came into the mix from Absolum, and we all meshed. Now, as far as the drummer goes, that’s a different story. We auditioned six people. Shannon : We went a whole year without a drummer. We just could not find anyone, so we got together to practice without one for a bit. One day, a friend sent me a video on Facebook of a drummer I should check out, and I liked what I saw, so I hit the guy up. I ended up sending him some music with no lyrics, and he wanted me to send something with my singing on it. We ended up going to Jeremy’s house [Pourcy], and we put vocals on three songs, and then I sent it to him, and he said, ‘When do you practice again?’ That was it. Credit: Chad Besse MaM : How did the name for the band come about? Shannon : I came up with the name from a song I wrote, and to me, Branded for Exile stands for all the people who grew up like I did. The Metalheads, the outcasts … the ones with the long hair … the ones with tattoos … we are all ‘branded for exile’ in a way. Originally, though, we wanted to call the band Undaunted, but another band already had that name. Everyone liked [Branded for Exile] and agreed upon it, so here we are. MaM : Take us through the songwriting process. How do you approach new material? Shannon and Cody : Someone comes in with a riff. Shannon : Yeah, we’ll start with the riff, and then I freestyle lyrics to it until we get everything together. By the time that is done, I usually have the lyrics written. I like to write straight off the vibe. When we have another practice, I’ll sing the lyrics exactly as they are written to make sure I don’t have to alter them in any way, and then boom—it’s a song. Cody : As far as the music is concerned, everybody plays their part and knows their roles. You can’t have five Alpha guys trying to write one song. Somebody must step back, and another must come forward. With each song, you can tell who came forward to add their special touch. Sometimes you’re the writer and sometimes you’re the producer. Sometimes, you have to just sit back and let it happen. We live by the rule that the song is not finished until it’s recorded. Credit: Chad Besse MaM : If you guys could tour with anyone in the future, who would it be and why? Also, where do you see yourselves headed in the future as a band? Shannon : Shit … (laughter) Shannon : I think I would want to play with Killswitch [Engage]. That is my wife’s favorite band. … but it’s so hard to even imagine being able to play with so many great bands … that’s a tough one. Cody : Since I grew up on 80’s thrash, it would have to be Metallica, Slayer, Anthrax , or Megadeth . Shannon : I know there is going to come a time when I won’t be able to play music anymore, so I just want to put out as much as I can. I want to add to the legacy. I want to get older and have my grandkids go, ‘This is my Grandpa’, ya know? When I was younger, I chased the music dream. I wanted to be a rockstar, but it just didn’t pan out that way. MaM : … but what if it did happen now? Cody : I love these guys and they’re like my brothers, but I don’t know if I want to be over 50 and out on the road touring. If I was still 20 or 30, then yeah, because we did chase that dream, and I did give it 100%. I don’t think that I’m going to look back and think that I didn’t give it enough effort. If something were to happen, whatever it is, I would hope it would benefit all the bands here in Louisiana. A high tide raises all ships. If we get out there and our name gets out there, I just hope that it helps somebody else younger. To learn more about Branded for Exile and to check out “Born in the Flames”, hit one of the links below. Facebook Instagram Distrokid *cover photo by Chad Besse www.cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like to hear? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

The Journey of Making Dreams Come True < Back Rian's Den: From Vision to Reality Rian Nickels Apr 11, 2025 Share The Journey of Making Dreams Come True This may end up being too long, and who knows if anyone will read it, but if my story inspires even one person to pursue what they want to do in life, then I suppose I should share it, so here goes nothing. Around this time last year (2024) , I found myself craving more out of music photography. I got a few paid gigs for local Louisiana alternative bands in my inner circle of friends. Still, I knew I wasn't spending enough time doing what I was passionate about – taking photos of live music performances. I wondered if my work was good or interesting enough for me to join a music publication. I live in a small Louisiana town , so I never really considered that there might be something I could contribute to locally, so I looked around the good old World Wide Web to find some publications that could take me on. I sent out a lot of cold emails with my portfolio (which was really lacking, if I'm being honest) to different alternative music pubs, and unsurprisingly, I didn't get a single reply because most of them required you to also be a writer, which I had no confidence. Eventually, the idea faded from the forefront of my mind. Still, one day, as I was scrolling through the socials, I saw that my friends from Jean Claude Seagal had interviewed with an online magazine, Mixed Alternative Magazine , and decided to read it. After looking over the site, I couldn't believe what I found out! Mixed Alternative Magazine was run by a woman based in Louisiana , not only in my state but in a small town near Walker! Knowing someone in my town cared about the local music scene brought me joy, so I decided to reach out and try my shot at being a contributing photographer. To my surprise, Nicole Brice , editor-in-chief and founder of Mixed Alternative Magazine , reached out to me, loved my work, and graciously took me in with open arms! Unlike other publications, I loved working with Nicole because she didn't require or force me to write. However, she did encourage me to try it out and see how I felt about it. I didn't know what to expect, but I was excited to step deeper into the Louisiana music scene and be a part of a group of talented people passionate about capturing and documenting the growth of our local alternative community. For my first assignment as a contributing photographer, I captured Feel Alive Media and Events' first step back into the scene after a five-year hiatus. It was JAYD3D! 's release for their debut album Outstanding Gentlemen , at The Howlin' Wolf in New Orleans in April 2024 . This was a perfect place to start for me because not only is JAYD3D! my fiancé, but I am also co-founder of Feel Alive Media , so this was right in my comfort zone. Around this time, I had been dealing with a lot of social anxiety after being away from the scene for so long, and it was my first time back in New Orleans in years, but I was excited to embark on a new adventure. I went on to have a great night, make core memories, meet new friends like Kris Russ , and reinforce a connection with Coma Nights , whom I photographed a few months back at Phil Brady's in Baton Rouge . Since the gig turned out so well, I decided to try my hand at writing a show review, and it turns out people seemed to like my writing. The article had good traction, and people were kind enough to let me know they were excited to see what would come from me. Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf In May 2024 , I followed my good friend Michael Spoon 's band, The Gosh Darn Dangs, around for a night of Busking in Hammond, Louisiana . Documenting this meant a lot to me because I was able to work with people with whom I've had long-standing friendships and grow new ones. I loved strolling through my old stomping grounds. The best part was giving a glimpse of what a night in the quaint little downtown of Hammond was like. Southern Happenings: Meet The Gosh Darn Dangs By June 2024 , I got to take pictures at a well-loved venue in Baton Rouge , Chelsea's Live , for the first time. My friends at Goodbye Academy were releasing their new EP Last Minute Homework that they were set to perform at the local music showcase ' Harmonic Stew ' and asked me if I'd want to capture it for them. I mean, how could I refuse? Goodbye Academy is one of my favorite local bands, and just the thought of taking photos in Chelsea's Live stoked me. That night, I got to photograph GBA , Dale Harris Band , and a popular Louisiana band Hey Thanks! I'd have to say that this was one of my favorite gigs; it was so cool to see my friends perform on a proper stage, I loved the Louisiana-esque sound that Dale Harris brought to the stage, getting to photograph Hey Thanks! was a neat opportunity. Chelsea's Live was the perfect place to test the waters of bigger production concerts. On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 In July 2024 , I got to cover another Feel Alive Media event, this time at another place I once frequented: The Green Room in Covington . On the line-up for that night were JAYD3D!, The Gosh Darn Dangs, and Jean Claude Seagal . This night was one for the books because, between the performers and the attendees, all my friends in my innermost circle were there to make memories and listen to good tunes. Hammond's Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media September 2024 was super busy, but you don't achieve goals without being somewhat busy. Two of my main goals were photographing a gig in a Theatre and covering a festival. I was hired on to photograph an event that was being put on by the Southeastern Louisiana University Theatre Department , 50 Years Of CBGB , at The Colombia Theatre in Hammond, LA . This would be my first time photographing from a stage and working around multiple photographers and a bigger crowd. I also got to photograph and reconnect with music friends from before my photography hiatus and, overall, was blessed to see that Hammond 's music scene was still breathing. I believe this night set some foundations for my growth in the professionalism side of music photography and gave me the confidence and experience I needed to attempt more significant events. By this point in my journey, my anxieties around crowds, my skills, and just life in general started to ease. I no longer felt on the edge of panic when on the way to events, but instead felt excitement. CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Next up on the agenda for September (literally the day after CBGB) was my first time capturing a music festival. I got to attend Rock Around Downtown Fest , RAD Fest for short, with our very own Mixed Alternative founder, Nicole Brice . This was the first time Nicole , and I got to know each other. I even met Justin Hammer , a photographer I had looked up to for at least a decade. Justin had been doing concert photography for a while, but before that, he was taking photos of my friends at Dreamland Skatepark in Hammond , and I was excited to be on the same team as him! I was excited to be allowed back on the stage again but was even more eager to see what I could do when poor lighting wasn't an issue. Most of the shows before this one were all indoors at night, but RAD Fest was outside during the day on a beautiful afternoon in Lafayette, Louisiana . I got to take photos of many alternative bands from the South ; every single one brought rockstar energy to the stage. This day was so inspiring and exhilarating that it showed me that I could really thrive in the Music Festival setting. RAD FEST 2024 Video by Sixto6 Productions October 2024 was the busiest month by far, but launched me so much farther into the life of a Music Photographer . To Nicole and me, it was a complete surprise that Mixed Alternative Magazine and I were approved for our first press pass with a bigger venue and artist this month! After months of hard work and dedication, we were about to see some of those tireless nights pay off, and we were in disbelief that we were approved to cover Sleeping With Sirens at The House Of Blues in New Orleans . This was huge!! The last time I saw Sleeping With Sirens perform, I remember thinking, "I'm gonna do whatever it takes to photograph them one day," that day was here! It meant the absolute world to capture one of my favorite bands, and I've honestly never felt cooler in my life. This event was a real test of my progress with my anxiety; the show was sold out, so that meant I couldn't bring anyone along. I can't begin to tell you how incredibly nervous I was to take the journey to and through New Orleans alone, but I knew I couldn't dare miss the opportunity. Luckily, I met up with another one of my photographer role models, Whitney from WhitnessThis Photography , and even ended up running into an old friend. This reminded me that it's important to pursue things that, at the surface, scare the crap out of you; because the universe might just be looking out for you sometimes. Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian's Den: A Night to Remember with Sleeping with Sirens Only two days later, I found myself back in New Orleans at The House of Blues – with my best friend, I might add – to cover The Used and Plain White T's ! This show showed me what a photographer can pull off when given the right lights, stage presence, and opportunities. Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy After that, I spent the rest of October photographing weddings, Halloween shoots, and spooky parties, and the holidays started to ramp up. I also did various music events for friends and gigs, but unfortunately, I didn't get the time to write any articles, or review shows from late October until late February . Now that most of the holidays were survived, Louisiana was looking forward to Mardi Gras , but I was ready for concert season to ramp up again. To kick off the season in February of 2025 , I got to photograph Johnnie Guilbert's first tour with a full band on the Death and Glory tour with Palaye Royale , artists who quickly made it to my top artists on Spotify . This show was just what I needed to get back into the groove of things after a long holiday season. Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans It's April of 2025 now, and I've only done that one show, but I'm excited for what awaits this year with Mixed Alternative Magazine . I eagerly await my Her Riot Femme Voices Showcase on April 18th in Baton Rouge at Mid-City Ballroom and Eclipse Fest on May 10th at Feed' N' Seed in Lafayette . As far as goals for this year go, I'm hoping to get more involved in interviewing and photographing more local bands that I haven't had the chance to see, and I'd love to write more articles about past shows I've been to that deserve some recognition. My point with this article is to tell you to go for that thing you've been wanting to do because, to your surprise, it may turn out exactly how it should. You might be good at it, and others might also think so. You could meet some new friends who are into the same things you are and have similar goals as you, and y'all might help each other to be able to do the things you love. You might end up exactly where you need to be. Mixed Alternative Magazine has offered a space for a community to grow and thrive. They are bringing attention to talent hiding in Louisiana's nooks and crannies and bringing it to the forefront. They offer something different from your average music publications, allowing space for creativity, emotions, and passion to flow. A place where you can reject the mainstream, forge your own path, and make your own rules. (Jk Nicole makes the rules) :P www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions for comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. < Back Juan Blak's Interpretation of Tina Turner's "One of the Living": A Powerful Metal Metamorphosis Erica Machen Oct 27, 2023 Share Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. " You're one of the living, and if we can't stick together … " These words echo with profound resonance as Juan Blak brings this sentiment to life. He not only captures the essence of these lines but embodies their message in a remarkable way. By uniting a diverse group of living music artists for a cover of the late Tina Turner's ' One of the Living ', Juan Blak achieves something magical. It is truly an auditory delight. Over the course of roughly 22 years, Juan Blak been a part of the heavy metal scene in Los Angeles and later in Indianapolis . He reveals that his relocation to Indianapolis has yielded more musical progress than any of his time spent in Los Angeles . The connections made through his journey with his band BlaK SundaY and his own ever-evolving talent culminated in this incredible collaborative cover, redefining the sound of the rock anthem. Photo provided by artist This bold undertaking features Juan Blak on lead vocals, AIR-IK of Willow Wisp on guitar, Gene Migaki of Thorns of Sin on bass, Justin Hall of Artificial Zero and Synkhole Studios producing. What was once a classic rock song with outstanding vocals has now evolved into an eargasmic blend of metal and industrial rock. The infusion of heavy bass lines, symphonic vocals, and just the right touch of synth elements offers listeners a fresh perspective on the lyrics. GROUP As I sat astonished at what my ears were hearing, the lyrics took on new meaning to me. What once brought on the thoughts of Mad Max ’s post-apocalyptic world and survival now brings on the feelings of surviving life in the present. The depths of the lyrics are pushed by Blak’s force of a voice as the heavy instrumentals and synth deliver like a stake right through the heart of listeners. Lines like " They always said that the living would envy the dead " tug at the weariness of the human experience yet ultimately inspire us to persevere. In this metal-inspired rendition, Blak's unique baritone sound and tenor range shine, with hints of Chino Moreno from Deftones , making ' One of the Living ' an extraordinary listening experience. Even if you've never considered yourself a fan of metal, this cover demands your attention and leaves little room for disappointment. Blak's talent and vision are undeniably a force to be reckoned with in the music world. Photo provided by artist Blak mentions that a music video for ' One of the Living ' was in the works but was temporarily sidelined by his commitments with BlaK SundaY . The band remains his primary focus, as they are set to release their new album, Songs of Love, Death & Revolution , on Halloween. With live performances, recording sessions, and jam sessions, Blak's solo project serves as a fun creative outlet for him as well as an avenue for exciting collaborations with friends. In anticipation of their album release, BlaK SundaY has already shared a couple of videos, ' 11:59...Midnight ' and a cover of The Sisters of Mercy 's ' Lucretia, My Reflection '. https://www.youtube.com/watch?v=ZPyLz_dNeaY Blak Sunday '11:59...Midnight' Whether you explore Juan Blak as a solo artist or immerse yourself in the sonic world of BlaK SundaY , you're in for a musical journey that's bound to leave a lasting impression. Don't miss the chance to witness his artistic prowess unfold. To learn more about Juan Blak: Bandcamp: https://juanblak.bandcamp.com YouTube: https://youtube.com/@JuanBlaktv Patreon: https://patreon.com/blaktv www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Not a Rock and Roll Loser < Back Born to Perform: Dr. Joe Burns Nicole Brice Mar 9, 2023 Share Not a Rock and Roll Loser Influence … what is it, really? We all have people, places, things, or ideas that influence us in life via various forms, and this next musician I’m going to tell you about is no exception in the realm of inspiration and influence. I first met Dr. Joe Burns when I was a student of his at Southeastern Louisiana University in Hammond, La., back in the early 2000s. I graduated from SLU in 2005, so it was a long time ago, but when I was reacquainted with Joe , it felt like no time had passed at all. One of my favorite memories of Dr. Burns is when he would stand in the front of the class and tell a rowdy bunch of kids to pay attention to him by stating, “Pay attention to me, because I have a tie,” as he pointed to the necktie he was wearing with his collared shirt. He taught me so much, and as a Mass Communications major, I took so many of his classes, that most of my college memories include thoughts of happenings from within his classes. In fact, I credit Dr. Burns as being the one who truly taught me audio and video production because without his instruction, I would not know all I know today—of course, the hands-on experience I had working at 90.9 KSLU FM, now known as 90.9 the Lion , might have helped a tad bit, too. Back in the day when I called SLU home, the Mass Comm department was small, and we were like a family of sorts. I miss that time, and most of all, I miss that era. It truly was much simpler then. Going into this interview, I knew three things about Dr. Burns: he loved Eddie Van Halen , he had previously worked in radio full-time, and he had a great sense of humor. After speaking with Dr. Burns for over an hour and a half (because neither of us could shut up), I learned there is so much depth to his identity and the things he has accomplished and continues to accomplish is just plain remarkable. As one who has led an amazing life, he remains deeply humble. First and foremost, Dr. Burns is a communications professor at SLU , but he also is a f ather, a husband, a producer, a musician, an author, a podcaster, and a master woodworker. He even built his own recording studio, which he aptly titled Loser Studios as a nod to one of his albums, Rock and Roll Loser . Joe’s quirky take on rock music is entertaining, comedic, and sincerely authentic. Take a moment to read this interview, then go check out his latest music release Tools of the Trade via all streaming platforms. It’s very nostalgic for me to hear, because many of my old college buddies make guest appearances on the album in various forms, and it’s just a damn enjoyable album, as all of his releases are. Joe Burns is the epitome of the modern-day Renaissance man. credit: Gary Governale JB : You called a little early! MaM : Well, according to my phone, it says 14:00 on the dot … 2 o’clock! JB : Nicole, my gosh, Nicole! I haven’t seen you since you actually were in my classes. How have you been? MaM : Man, life has been crazy. I want to tell your story, though. You have one of the most distinct voices I have ever heard, and I can always tell it’s you, no matter what. Give me a little background info about where you were born and raised, because I remember you saying you were from Ohio back when I took your classes, and I know you went to Bowling Green University , correct? JB : That was for the Ph.D. I was born in Flint, Mich., actually … back when you could drink the water. It seems that I was always in a new place growing up. In 5th grade was when I made my way to Ohio—specifically Solon, Ohio , which is a suburb of Cleveland , and I grew up in Cleveland through the formative years: 5th grade all the way until the end of high school. That’s my Ohio connection, and I consider Cleveland, Ohio, home. MaM : That’s cool how you have that Ohio connection. My mom is from Ohio, too. She is from a little town called Ashtabula, Ohio , which is right there on Lake Erie . I had the pleasure of visiting up there in 2009 and just fell in love with the area. When did you first pick up guitar and start playing? If I remember correctly, you are a music junkie just like me, and I know you like Steely Dan and Van Halen . Give us a little more info about your music background. JB : Well, my mother put a gun to my head and made me play saxophone (laughs), because that's what a young boy should play … something to be in the high-school band. And, well, she decided one day to play guitar. So, she took lessons at the local cooperative, and we had this really piece of crap Stella guitar that my dad bought, probably from Sears . And she kept coming home with her lessons, and I would have the lesson in 10 or 15 minutes, and my dad finally said after a couple of months, ‘Why don't you just give the guitar to the kid because you're not getting it, and he's got it in about 10 minutes now?’ He probably paid for that for a year afterwards, but I just started getting better and better and better. And I remember I was invited, because all I had were acoustics, these cheap little things that we got at garage sales. And we—one guy asked me, ‘Hey, do you want to be in this band?’ And I said, ‘Yeah, I'd love to,’ and my dad talked to the local music guy because I would always go into the same little music store, and the guy said, ‘Oh, yeah, Joe could play rhythm guitar in a band right now.’ Easy to do. And I had gone in there and apparently picked this one guitar off the wall 10 times. It was a Morris electric in Cherry Sunburst . As a matter of fact, it's hanging on the wall right behind me. It maybe is the most balanced instrument I've ever had. You can't even buy them like that anymore; they don't make them. So, I took it and bought a cheap little amp from a friend, and that's when I started playing it: on my 15th birthday. That's really when it came to fruition. And I remember writing my first song on that guitar. I can remember most of the lyrics. It's really sad. (laughs) credit: Gary Governale MaM : So, 15 years old was when you decided, “This is it—I really love guitar, and this is what I want to do,” and you’ve just kind of done it as a hobby over the years, or did you want to do something serious with it? JB : I wanted to do something serious with it all the time. Here's the problem: I'm 6’4” and about 250 pounds, and in Cleveland , when you're that big, you don't become a musician. I was a football player. I was a wrestler. I threw shot put, and music always had to go on the back burner. It's just the way it was. And I mean that; I'm not trying to be clever about it. It's, you know, when you're within the top 10 biggest guys in the high school, you don't get to go play guitar. I played in bands with people now and again, but nothing ever came of it. It wasn't until I got out of college that I started to perform with bands. I was recording with the radio stations, but it wasn’t until I got out of college that I had the opportunity to perform. And, I remember the first real band I was in was a band called Theory. Our first album was going to be called ‘Hypothesis.’ How horrible is that? And then I picked up with a local band that was actually very good, and [I] did a lot of gigging. It was called Rick and the Rockets, and I was one of their rotating guitarists. I was a rocket, and that's pretty much how it went. MaM : So, you mentioned above that you were working in radio, which I know you had a huge career in, so tell us a little more about that. JB : I was not going to go to college and my parents said, ‘Oh yes you will,’ and I said, ‘Oh no I'm not! I'm gonna get on a bus. I'm gonna go out to California , and I'm gonna join up with a band.’ So, what they did was bribe me with a car. Now, don't get me wrong—it was a nice car. It was a ‘79 Camaro with a 354 barrel, you know, powder blue interior. Oh, yeah. If I wasn't ugly and fat, it would have brought the chicks a runnin’. (laughs) MaM : (laughs) Oh yeah, that does sound nice. JB : And I started playing in little bands in college here and there. But what was wonderful is, I got into radio and then you see radio took over, and I would go out now and again with a band. I would sit in with people. I would do a track here and there. But, you know, for 12 years, I ran radio stations and kept everything up and running. MaM : Which radio stations did you work for? JB : I started in Pennsylvania at Titan Radio . That was my college station. I was at two different stations during college—full-time gigs. That was WKST and WFEM . Left there, went to Oklahoma City for KCGK ? I can't remember exactly. I don't think it exists anymore. Left there for WQLT in Florence , Alabama . Left there for KG107 in Utica, New York . Left there for 92 Gold in Southern Pennsylvania . It was actually the Hagerstown, Maryland market. And after that, I quit and went back for a Ph.D. I got the masters while I was running the stations in Pennsylvania. MaM : Wow. How did you end up in Louisiana, of all places, after an incredible career like that? JB : Simple. I got the masters while I was in … and, and by the way, I got the masters on a bet. I used to use the questions in the morning. One of the bits that I did was … ask trivia questions, but they came from the MENSA book, the genius thing. And somebody joked to me, you know, ‘Hey, why don't you go test MENSA? You think you're so smart and all that.’ So, I went, and I tested for MENSA, and you go through about four IQ tests, and I scored above 140 on each of them. So, they invited me to go to York, Pa., and try out to get into the MENSA Society. I took tests and failed. You had to be in the top two percent. I still have the piece of paper because no one believes me. I scored in the top three percent, and I said to them, ‘Don't you people round up?’ And they said, ‘No.’ It’s just with my master's degree, I couldn't find work as a professor, so I kept calling all the rejection letters, and what I kept getting was, ‘You don't have a Ph.D.’ So, [I] went to Bowling Green . I applied to two places: Bowling Green and Kent State . Went to Bowling Green because Kent State said no. Did three years, because they say the average time to get your Ph.D. is five years, and I said, ‘Well, my wife doesn't want to be here very long.’ Bowling Green is nice, but it's just south of Toledo, so you can tell it's a little grungy-greeny. So, finished that up in three years, as quick [sic] as possible. I won the dissertation scholarship. What I didn't win, though, and this still makes me angry to this day, was ... I was up for graduate student of the year, and the woman who was doing the interview told me that she wouldn't vote for me because I, ‘stalked the students.’ MaM : What?!? JB : I didn't stand in one place and lecture to them. I walked around and I engaged them, and I made them speak. This woman is just sitting there filled with liberal arts confidence, right, and I said, ‘Radio communication. This is radio. This is television. We don't play well with introverts. You must understand what we do here.’ She didn’t like that very much, and so, I lost. credit: Gary Governale MaM : I’m assuming getting the job at SLU is what brought you to Louisiana, or was it something else? JB : Yes. Yeah. Well, no—here’s the thing. I got a job immediately. In fact, I was the first in my graduating class to get a job, and it was at a university I absolutely loved. It was one of these little richie, rich schools, and you would think the kids would all be complete jerks and all of it. No, they were great. And it was a school that had money and gorgeous radio stations. It was everything I wanted. It was two hours outside of New York City . So, this whole time we're trying like crazy to have a kid, and we couldn't seem to do it, and my wife finally said [she couldn’t] go through another northern winter. She's from Alabama. I met her when I was at WQLT . So, I kept giving her the chronicle, “Higher Education.” That's the magazine that tells you where the jobs are, and I applied to everything that she wanted me to. I was given two job offers. One in, I think it was Marietta, Ga., at Southern Polytechnic University. I would have been a computer professor. The other one was at Southeastern Louisiana University , and I took it. MaM : So that’s how you ended up here. You were all over the northern part of the U.S., and you get transplanted back down here. (laughs) JB : I don't know what's a better life, and I mean this … I don't know what's a better life because none of my cousins, and both sides of the family—mom and dad—none of my cousins have anything more than a B.A., and I'm not putting that down. Look, a bachelor's degree is, is an impressive thing, but none of them have over that. I am the only one that holds a master's degree. I think one of my cousins does, too, but I'm the only one to hold a Ph.D. … and you ask yourself, ‘Is it better to do what I did and move all over the United States, or is it better to stay put in one place?’ See, all my friends who stayed put in Cleveland all still get together and they all have a good time together. Me, on the other hand, it's a weird existence, and anybody who has had a job where you move all the time [knows] it's hard to make lifelong friends. My wife and I have lived in nine different states. MaM : I admire the fact that you have lived in so many places and have experienced so much. I can completely relate to what you said, though. I went on Apple music recently, to check out your music, and did you know there are two other musicians with the name, Joe Burns? JB : Sure … and there is a soccer player and an ex-football player. It is a very common name. I always tell people, ‘You gotta put that Ph.D. after it to find me!’ But the thing is, every time you put that in, it's not my music that pops up; it's my books, because I had a real success for a good, long while there with creating web pages, and [it was] right at the beginning of the internet and teaching people how to make web pages, and it ended up in a series of five books. That comes up long before the music does, but you know … time marches on. MaM : Refresh my memory on the titles of those books, so I can let our readers know about them. I think it was “HTML for Dummies” or “HTML Goodies?” JB: It was Goodies. ‘HTML for Dummies’ was some corporate thing, and I always hated it because the idea was you have to admit you were stupid to read the books. (laughs) JB : It was ‘HTML’ mainly because, you know, the books were about how to make a website. It was ‘HTML Goodies,’ because the first thing I ever did was put a series of cute little images up online, and my father made the statement that, ‘Oh, look! You got all these little goodies for people to give away.’ So, there you go: ‘HTML Goodies.’ There it was, and now it’s five books. It's been reprinted in at least three languages that I know of. MaM : Wow, that’s impressive. JB : One of them is Polish. (laughs) MaM : I noticed you released an album in 2017 prior to this most recent release. “ One Hell of a Story ” was the title, and I was wondering if that was the first time you had released music on your own? JB : No, as a matter of fact, that was the second album. Here’s the thing … I have always been an extremely pragmatic human being, meaning there are people that if they're not perfect when they come out of the gate, they get very upset and they quit. I put out an album called ‘ Rock and Roll Loser ,’ and you'd have to go to my YouTube channel to hear some of the songs, and there's about three songs on the album, which I think are very, very good, and I'd like to re-record them, but the rest of them are pure crud. MaM : (laughs) JB : I've had people say to me, ‘I listened to ‘ Rock and Roll Loser ,’ and it's terrible,’ and I said, ‘You're absolutely right!’ But you see, I recorded that entire album on a laptop, and the drums were all fake and I didn't understand to put in drum fills. It's horrible, and I urge people to go listen to it. If you want to hear a couple of the very good ones, listen to ‘ Believe ,’ which I really want to re-record, and [then] listen to ‘ Misinformed .’ Those are the two that are actually really good songs. They're just not recorded well because I didn't have the equipment. credit: Gary Governale MaM : So, when you released that, you just released it strictly on YouTube? JB : No, there's a website: www.RockandRollLoser.com . I refused to put out any music and expect someone to give me money for it. I don't want 50 cents or what have you getting between you and you listening to my song. So, I put it out. I just thought it was the greatest album in the world. This happens constantly. You know, you write something, and you go to bed thinking they're gonna hand me the Pulitzer this week, [then y]ou get up in the morning, you listen to it or you read it and you go, ‘What was I … was I drunk?!?’ MaM : (laughs) JB : I go back and listen. The song ‘ Rock and Roll Loser ’ is cute, but it's not much … it's not much more than me figuring out what the heck I'm doing. I'm playing in a couple of bands. The big one at the time was called Impaired Faculties. It was all professors from Southeastern. MaM : I remember hearing about them. Dr. Robison—wasn’t he a part of that? JB : He was the other guitarist. He's the one that came to me, and we played a little bit together and he said, ‘Okay, you and I have got to play dual guitars. We must.’ And I said, ‘Okay.’ So, the whole thing was supposed to be just a fundraiser, and then we discovered we weren’t that bad, and so we kept going. We recorded a couple of songs that nothing's ever happened with them, and then, I wrote a song called ‘ Water Line ’ after the floods, and we made a bunch of money by selling at a dollar a pop, but it was a fundraiser. The whole time, I was doing my radio show or, rather, my podcast ‘ Rock School ,’ and I kept building my home studio and I kept getting better equipment and better equipment. So, when you listen to the second album, which is called One Hell of a Story , you go, ‘Oh my gosh, the songs are getting better.’ And then a year later, my wife and I put out a Christmas album called ‘ Let's Get the Jingle Bell Out of Here ,’ and again, better. We had real success with that. We got on a CD that was sent out, and we were the nobodies next to Sia and Kelly Clarkson and Barry Manilow , and it got sent out to all these radio stations. We had phenomenal success with that album. It got 400 different radio stations to play it. I then started messing around musically with a buddy of mine. You probably remember him: Rusty Gregoire. Do you remember him? MaM : Sure do! I stayed good friends with him for a long time. Now, we’re just Facebook friends. JB : He and I started recording together and I think we have five or six songs, and they're really good. We need to record a few more and put it out, but again, with him … better. I hadn't recorded for, it had to be two years, and I finally just had all these songs that I had written for all these other people. By the way, I put out an entire album called ‘ My Key ’ with a singer named Naomi. If you go to any of the streaming services and you search ‘ My Key ,’ Naomi - N A O M I, Naomi, you'll find that one, and you'll listen to the other albums … and then you’re like, ‘When did you learn to play piano … and saxophone?’. I brought pros in to do all these things, and I think it’s sonically beautiful. credit: Gary Governale MaM : We’ll have to check that one out. JB : I don’t know how to explain it. I guess I don’t sit in a room and play chord after chord after chord, praying that somehow, I’m gonna come up with something. What I do is—in my car—I have found that to be at your most creative peak. Sit still, and let your mind go somewhere. If you sit and force yourself, and you go, ‘It’s time to write a song,’ you’re not gonna do it. Just keep your mouth shut and let your brain turn into clouds, and that’s where the riffs start coming. MaM : So, you mentioned previously that you build your own guitars. Do you play your custom guitars that you’ve built? JB : I built all my guitars. Literally, built all my guitars … and I set the whole system up, and that’s what I did. MaM : What type of blueprint do you use to build your guitars? JB : See, I buy a kit, and all I use from the kit are the neck and the body. I don’t use the crappy stuff. I do all my own electronics. I buy all different pick-ups. I always make a point of finishing them in different colors, and then I call for them by color when recording. MaM : Tell us a little bit about this latest album that you have released. JB : Well, it’s called ‘ Tools of the Trade .’ Why? I don’t know. My wife suggested it, and I thought it was okay. When you listen to ‘ Whadaya Say ,’ it goes to a jazz place in the middle, and the entire solo is played note, harmonic note, harmonic note, harmonic. The second song is called ‘ Not My Circus, Not My Monkey. ’ It has what’s known as a waterfall of harmonics because I want people to go, ‘Wait a minute? What the heck was that?’ It’s a heavy song, but right out of nowhere comes a harmonica. I don’t want to keep playing 145. I want every single song to make people go, ‘What?!? What was that?!’ credit: Gary Governale MaM : I did notice that each track is different and each one reels you in in a different way because of how unique they are. If you were to hear them consecutively, you would not know they are by the same artist. JB : Yeah, I’ve had people say to me, ‘Hey, look, ‘ Not My Circus ’ sounds like Nuno Bettencourt.’ If you write a song that sounds like somebody else, you’re not doing it right. I’ve gotta be honest, there is a little bit of Eddie Van Halen in everything I play, but it doesn’t sound like him. I write these songs and put them together and pray they don’t sound like anyone but me. I’ve probably got seven or eight more riffs just sitting in a file somewhere because I’m probably going to do it again. Somebody said, ‘Why would you release 18 songs in a row?’, and I said, ‘Because I’ve got another 18 … just give me a year.’ MaM : Do you have any plans to play any live shows? Have you thought about maybe doing some local gigs in Hammond? I’d come see it! JB : I’d love to do it, and I’ll contact you when it happens. I want to get out there and do it by myself. I’m not in a band right now, and I think it’s simply because of time. I’d like to get out there like a troubadour. Me and a guitar and do it about once every other week. My wife has even said to me, ‘Why are you not out there playing?’, and I think it’s just because I’m 58 and I’m lazy, but I don’t even need to get paid. I mean, give me some beer and maybe some food. The last time I played a gig, I went three hours straight and didn’t even take a break. I would just like to get up there and strum chords. I can tell you that I’m not a big requests person. I will show up and do a show, and if someone comes up and says, "Play ‘ Margaritaville ',’’ I guess I could, but that’s not my thing. MaM : I know quite a few local musicians who get zany requests when playing live. Like, people like to yell, “Play ‘Free Bird’” at live shows. Not sure why, but they just kind of laugh it off. JB : Wouldn’t it be wonderful to actually learn ‘ Free Bird ?’ The entire 10 or so minutes of it. Some drunk guy in the audience could go, ‘Free Bird!!’, and I could go, ‘Okay!’, and literally play the entire song. MaM : And I would love to see that, and I’d be cheering you on! So, Rock School Records is the imprint you are releasing your music under. Have you used that for all of your releases? JB : Yes, so DistroKid , they wanted a name of a record company, so I had to make something up. I call my studio, though, Loser Studio because the first record was ‘ Rock and Roll Loser .’ It was called that on purpose, because I had it in my head that if what I’m about to create is pure crap, then if I call myself a loser first, then you really can’t make fun of it. credit: Gary Governale MaM : As far as releasing the music, I know you have it on Apple Music, but are you releasing it on other platforms? Where is your music available? JB : I send it out to every venue that will accept it. It’s on Pandora, Spotify, and Apple, and I use YouTube as kind of a fun thing. The first single off the album, and I’m going to really start pushing it soon—it’s called ‘ Tickets Please ,’ and it’s got a video. By the way, there is also a video for ‘ Bad Idea ,’ which is also on the album. There are actually quite a few videos, but you have to go to my YouTube channel to find that. Just know that if you type in “Joe Burns,” you gotta put that Ph.D. behind it. I did have the entire album up there, but once I put it up, I immediately got a copyright strike from a company that makes ukelele music. MaM : (laughs) JB : I laughed at them and took the whole thing down, and I’m sure once I put it up again, I’ll get hit again. I’ll show them, though, that I have the original audio files and everything. MaM : So, your “Rock School” podcast / radio show. I know it used to run on KSLU. Is it still going? JB : Oh no, I’m still doing it. We have won several radio Emmy ’s, probably seven, and we’re now on 32 radio stations, two networks, and the NPR network. We’re trying to get on with the Armed Forces Radio Network . Haven’t heard anything about it, and I think our weekly downloads are somewhere between 25 and 27,000. My wife is actually my co-host now. The thing is, we kept running out of studio time, and I brought the whole thing to my studio. credit: Gary Governale MaM : Ok, last question, are you only using your home studio for recording your personal stuff, or do you plan to open it up to other musicians? JB : I’ve thought about it. I’ve got some ideas. I’ve thought about running wires to my gazebo and then have them record a show for 45 minutes, and then the band will walk away with maybe a five-song demo and a live recording … put it all on a jump drive for them. MaM : Any parting thoughts or words? JB : I really just want, like, 20 minutes of your time. Give my music a listen, and then pass it on to your people. This is a hobby for me. I’m trying really to create some quality music, and I hope you see it that way, too. To check out Joe Burns and his music, hit one of the links below! Joe Burns PhD - YouTube ‎Joe Burns on Apple Music Spotify – Joe Burns Rock School on Apple Podcasts Joe Burns Rock.com - Home Page (joeburnsrocks.com) Joe Burns, Rock and Roll Loser - Homepage Joe Burns - One Hell of a Story - Home Burns Christmas - Home *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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BetweenLoveandHate is an amalgamation of styles and textures. < Back Reviews on the Real: BetweenLoveandHate Nicole Brice Dec 22, 2025 Share BetweenLoveandHate is an amalgamation of styles and textures. Recently, I discovered BetweenLoveandHate , a band from Orlando, Florida , that just dropped a new single. They’re relatively new, having debuted in 2022 , and with only two releases so far, it’s the perfect time to check out their music and maybe add them to your playlist. The lineup includes Nicolas on drums, Zach on lead guitar and vocals, Stael on rhythm guitar and production, Harold on lead vocals, and Daniel on bass. Their sound is reminiscent of a fresh blend of midwest emo and alternative that’s instantly captivating, but you be the judge. Credit: Facebook To me, they feel like a mix of Taking Back Sunday and Saves the Day , though that doesn’t quite capture it—there are even moments, like at the end of their track ‘ Shameless ,’ that remind me of Thrice . When they first reached out to share their music, the word that came to mind was “refreshing.” They describe their style as, “If Deftones met Hozier, and had a fusion baby with Puma Blue,” which sums it up perfectly, too. This band is an amalgamation of styles and textures. How do you pinpoint this sound? You can’t. The shared influences that shape the BetweenLoveandHate sound include an eclectic mix of artists such as Puma Blue, Tribal Seeds, Faye Webster, Loathe, Deftones, Maroon 5, Daniel Caesar, The Strokes, Turnstile, Lil Peep, Sade, Flesh Water, System of a Down, Iron Maiden, Red Hot Chili Peppers, Rebelution, and James Brown. Wow, right? Let’s dive into these tracks, shall we? Released April 20, 2025 Shameless Shameless kicks off with soft, faint vocals that slowly build before erupting into a wall of fuzz and distortion. A steady groove drives the track forward, and the energy keeps climbing. It’s loud, intense, and an absolute blast to hear. Definitely worth a listen. Released December 1, 2025 Love for Hire Love for Hire is a strong indie rock track with a stripped-down guitar sound and rich layers of harmony and crashing percussion, bringing to mind a blend of The Smiths and The Bravery . It's just enjoyable, and I really like it. BetweenLoveandHate are crafting a sound all their own, and we invite you to listen to their two singles. Both are solid and deserve attention. Go stream ‘ Shameless ’ and ‘ Love for Hire ’ today. To learn more about the band: Facebook: Facebook Instagram: Between Love and Hate (@betweenloveandhatefl) • Instagram photos and videos YouTube: Between Love and Hate - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. < Back Auto-Tune: The Great Debate on Perfection’s Place in Music Mo Thornton Mar 18, 2024 Share While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Imagine for a moment a world without Tracy Chapman’s voice coming through your car speakers, those rough, urgent notes warning us, “We better leave tonight or live and die this way”. If Auto-Tune had been around in 1988 and used to pitch correct Chapman’s outlier contralto voice, the artist in her authenticity might never have been recorded. Chapman recently made history as the first Black woman to win a Country Music Association award for her smash hit “Fast Car”. She could well have been one of thousands of talented musical artists who never reached an audience beyond their hometown, and I daresay the music world in general, and Luke Combs, in particular, would be the poorer for it. In case you missed the news, Combs’ cover of Chapman’s “Fast Car” was awarded Country Music Association’s 2023 “Single of the Year”. Credit: Getty Images A full decade after Tracy Chapman’s award-winning and now history-making release, Auto-Tune arrived on the scene. The technology was invented in 1997 by geophysicist and engineer Dr. Andy Hildebrand, who applied mathematical algorithms to interpret sonar-generated data to help oil companies locate fuel deposits, an endeavor that made him quite wealthy. A Seismic Shift In 1989 Hildebrand left the lucrative field of seismology and launched his own company, Antares Audio Technology. As the story goes, he asked colleagues what should be invented. Someone jokingly said the world needed a machine to give her the ability to sing in tune. It was a eureka moment for Hildebrand: the same math that he used in oil exploration could be applied to pitch correction. “When voices or instruments are out of tune, the emotional qualities of the performance are lost,” the patent for Auto-Tune stated. That was quite a bold and sweeping assertion, one that has proven divisive in audio entertainment circles ever since. Ed Sheeran, Celine Dion, Bruno Mars, and, yes, even pop icon superstar Taylor Swift, are among the famous artists who refuse to use Auto-tune live. On the other side of the fence, Grammy-winning Rapper T-Pain, Nicki Minaj, and Cher are in favor of using the vocal modification software and other synthesizing techniques. In fact, Cher’s 1998 comeback megahit “Believe” is often cited as the first major commercial use of Auto-Tune. https://www.youtube.com/watch?v=nZXRV4MezEw “The Cher Effect” has become synonymous with the over-exaggerated application of the software that creates an interesting combo of human and robotic vocals. Clearly this was not an attempt to mask Cher’s real voice but rather was an obvious and ear worm-creating technique that successfully contributed to the singer’s career reboot. Local Musicians Weigh In While the debate continues to rage on and play out on the international stage, local musicians also weigh in on the pros and cons of Auto-Tune. Mike Ball, who plays multiple instruments and performs with The Bubbanauts , a country band out of Huntsville, Alabama, says he uses pitch correction to ensure his voice is in tune before tackling certain songs. Mike Ball (Credit: Karen Ball) “I’m not against the use of the technology, but I am against hypocrisy,” says Ball, president of The Huntsville Traditional Music Association. “Auto-Tune is a tool but, in my opinion, should not be used as a crutch or a cheat-sheet in place of talent. In music, like anything else in life, if one person is too far out of tune, it’s going to create chaos rather than harmony.” Another Huntsville-based musician and songwriter, Ricky j Taylor , who has played rock, bluegrass, and folk music, among other genres, says he doesn’t see the benefit of creating an expectation of perfection when music is an art and expression of the human condition. Ricky j Taylor (Credit: MoonTown Photography) “These are my sentiments only,” Taylor says, “but some of the most expressive music is born from struggles and hard times, and I don’t know why that should be stripped of human qualities—human imperfections.” A physicist as well as a musician, Taylor does see the advantage of Auto-Tune for post-production adjustments in studio recording. “No doubt, Auto-Tune is a time- and money-saving tool,” he says. When used to correct a note here and there or adjust for something like a mic that was repositioned during recording, few refute the technology’s value. Sophie Buck is a multi-instrumentalist who performs solo and with groups that play old time, folk, Celtic, and roots music. A senior at Middle Tennessee State University, Buck is tech-savvy, like many of her generation. She says pitch correction technology is a powerful tool that, when applied, can be constructive or destructive. Sophie Buck (Credit: Valeri Buck) “I think it all comes down to the goal of the individual artist,” Buck says. “If the goal is to capture raw, human authenticity with the [inherent] imperfections, Auto-Tune might strip the music of that essence. However, if the goal is to create a highly polished or computer-generated project, the software is an asset.” “Sure, Auto-Tune has its place,” Taylor agrees. “But it can be a slippery slope when it becomes so widely accepted that live performers rely on it.” Taken to the extreme, if the software enables anyone to sing perfectly in tune, why not have that singer be a hot Urban Cowboy or Barbie Doll 10 in looks? And who decides what is “hot” and who is a “10”? And what exactly constitutes “perfect”? Is perfection hitting a note and holding it, or is it finding a thread of emotion that runs through the veins of everyone listening to a vocal cry of need, loss, love, hope, or grief that elevates it beyond the individual to the universal? Imperfectly Perfect Patsy Cline’s “Crazy” and Bob Dylan’s “Blowin’ in the Wind” testify to the commercial appeal of imperfectly perfect voices. If that reference feels too lost in the mists of history for today’s music scene, just look at one of many viral video clips from the 2024 GRAMMY Awards ceremony of Tracy Chapman and Luke Combs performing together. Two incredible talents who differ in age, music genres, race, and orientation seem to have found something that defies differences and creates connection. That something is the fact that “Fast Car” is a timeless song. https://www.youtube.com/watch?v=zEqb6xbeuCo Though Auto-Tune may have a permanent place in the music industry, it is a comfort to know authentic voices, like Chapman’s, have an enduring place in the human expression that is music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Grits & Greens are on a mission to spread their signature sound in support of their new album. < Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. https://video.wixstatic.com/video/999a0f_cc1de5e0686144879bacd918cd0f6202/1080p/mp4/file.mp4 OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. https://video.wixstatic.com/video/999a0f_7713e63c34424c8dba89ee1f849ff5f0/480p/mp4/file.mp4 OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens: Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Strumming Through Struggles to Stardom < Back Off the Charts: Brandon Elder Bud Gambrell Jul 11, 2024 Share Strumming Through Struggles to Stardom Welcome back to Off the Charts . I’m so glad you’re here! I have not had an article out in a couple of weeks because I took some time to rest and clear my mind. For the most part, I took June off from writing and photography. Everyone needs a break, even me! When I began this column, I jotted down some names of people or bands I would like to introduce you to. The name Brandon Elder was on that list! I was first introduced to Brandon’s music in March of 2024 when I had an assignment to shoot the Conference USA basketball Championship. The Von Braun Center hosted three nights of local entertainment as part of the celebration, and Brandon happened to be playing the Friday Night show. I had heard the name Brandon Elder while researching my book on Side Tracks Music Hall . Of course, now I wish I had seen him perform at Side Tracks . After hearing him for the first time in March, though, I became a quick fan. I didn’t get a chance to meet Brandon face-to-face at the concert in March, but we did chat via messenger on Facebook, where I messaged him a couple of the pictures I took that night. For this interview, I met Brandon at Big Spring International Park in downtown Huntsville . We sat and talked about him and his musical journey. I now know him better, and soon, I think you will, too! My first question, of course, was to dig deeper into who Brandon Elder is, so read on below. Credit: Bud Gambrell OTC : For those who may not be familiar with you, tell me a little bit about Brandon Elder. BE : I’m 29 years old and from Union Grove, Alabama. I started playing music about 7-8 years ago and just started writing and working on songs, and it just went from there. Then, I just started making a career out of it. I love playing music! I love all my fans and am excited for the Alabama Smoke Show coming up here on July 26th . https://www.youtube.com/watch?v=z2x7TQMG0Ec OTC : I saw that you were a contestant on American Idol . Tell me a little about that experience. BE : So, American Idol was cool! It was my first time on an airplane in LA, so all the firsts were fun! The TV part was a little weird, but I had a good time with it. You know, I’ll go back tomorrow! American Idol was awesome! https://www.youtube.com/watch?v=SgA9nEDQo_I OTC : I watched the video of your audition in 2018. You played an original song called Gone. At the end of the song, the judges compliment you pretty much. What did that feel like? BE : It was excellent! It was nice for multiple reasons. It was the second song I've ever written. I had been playing guitar for maybe a year, so it was nice to get those compliments early on in my career, especially those they gave me about my songwriting. I think that's one of the reasons why I will probably continue to write as much as I do. Getting compliments from people like that makes you want to work even harder for it. OTC : One of the judges was Alabama native Lionel Ritchie . When he compliments you, this has to build your confidence slightly. Tell me how that felt. BE : For sure! And it's incredibly cool coming from him since he is from Alabama. I also cover about three or four of his songs in my set. I've always been a big fan of Lionel . So, it was cool! It was nice to get their compliments and be in the same room with them for a little while. https://www.youtube.com/watch?v=cGnXZN7BN1w OTC : There are several ways that you perform your songs. It can be a solo acoustic, or it could be a full band. What is your favorite way to present your original songs? BE : I mean, I like playing with the band. I like it with the acoustic guitar, and I do a lot of shows with my fiddle player. Most of the time, my favorite way to perform my original songs would probably be like me, with another guitar player being more acoustic. I would say it's probably my favorite because most of the stuff I write is not party songs. It's hard for me to write those, which I have some, but it's hard to write the drink-a-beer song or the party songs. A lot of times, when I'm writing, it's a little deeper. It’s deeper than just the beer song or the whiskey song. But most of the time, it's just me and an acoustic guitar—either me and a guitar player or a fiddle player. Credit: Bud Gambrell OTC : Being a songwriter, where are you hoping your songwriting takes you? What's your next step? BE : The next step is to continue putting pen to pad. I would say keep doing what I'm doing and see where it goes. You know, doors open, and you hop through when they open and see where it goes. That's all you can do. OTC : Tonight, as a songwriter, you sit down to write a song with anybody you could pick; who would you write that song with and why? BE : Oh boy! That’s a tough one! Chris Stapleton would be up there for sure. Drake White , an Alabama boy. Jamey Johnson , another Alabama player. I guess the reason I think I gravitate most to those guys is because a lot of the stuff that they write is about a little bit of everything. But most of the things they write are not just about the party stuff. It's more about real-life things, and it just seems more heartfelt. So, I feel like all three guys aren't trying to write for the radio. They write what they want, and if people like it, cool. And if they don't cool. Credit: Bud Gambrell OTC : You’re a local musician, and you’ve gotten to play onstage at the VBC Mars Music Hall . How does it feel to be playing on the big stage? BE : Yeah, it's always fun to get on big stages like Mars because of multiple reasons. It's just a change of scene for one. And then, often, when you're opening for more significant acts, your set is condensed. Some people may think that's a bad thing, but I look at it like, OK, I have 45 minutes to give it the best I've got. You know, I get to get up and sing my songs for 45 minutes and maybe sprinkle a cover or two in there, but I'm not just singing other people's songs all night. So it's nice! It allows you to showcase what it is, who you are, and what you want to do as an artist. It also gives you a chance to let the people in the crowd get to know who you are, not just as an artist but also as a person. Credit: Bud Gambrell OTC : On July 26th, you once again get to get up onstage at Mars Music Hall . This will be a part of a local showcase. Are you looking forward to that? How do you feel about that show? BE : Yeah, it's going to be great! I know everybody on the ticket so that it will be great fun! All of us are never together at the same time, so it's going to be fun to get up there and have a good time with all the guys who are trying to do the same thing I'm trying to do and make a show out of it and get some people there and have some fun. OTC : There will be a lot of local talent on that stage. Does that give you some extra motivation to get up there and show out and do your best? BE : Absolutely! I guess it gives me some extra motivation, but at the same time, I give my best all the time. I don't want to say it will be just another night. It's not going to be just another night, but at the same time, I give it my best, no matter if I'm playing at Mars Music Hall or Moe’s. I will go up there and do my thing anyway, no matter what. Credit: Bud Gambrell OTC : Is there anything you want to say to a prospective new fan reading this right now? BE : With me, you get what you get. I hope that everybody likes what they hear. Ultimately, I'm not trying to change for anybody, and I hope to see you at the show I am putting on soon. OTC : Where can we find your music? BE : You can find it on Spotify and Apple Music . I think it's on like 50-something streaming platforms. It's in the works to get in the studio in the next month or so and start putting out some of the stuff I've been working on to the public. We will try to get in there and get some new music out for people because I haven't put anything out in a little while, but just because I haven't put anything out doesn't mean I haven't been working. We will try to get some new stuff out for the fans and see where that goes, though. Credit: Bud Gambrell I enjoyed talking with Brandon . We could have sat there and talked for who knows how long. But we had to go. Brandon had a rehearsal for an upcoming gig, and I had to get home and start writing this article for you. If you are in Huntsville, I highly recommend attending the Alabama Smoke Show on Friday, July 26th, at Mars Music Hall . Brandon will perform his songs along with several other local bands. It will not be a night to be missed! Click the picture to learn more! I hope you enjoyed this latest article for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, please email me and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands you know and love and think others will. Until next time, Keep your diamond in the groove! Where to find Bud: bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Amazon : https://a.co/d/1CLA9Tz Facebook : https://www.facebook.com/bud.gambrell To learn more about Brandon Elder: Instagram : https://www.instagram.com/brandoneldermusic/?hl=en Facebook : https://www.facebook.com/brandoneldermusic/ Spotify : https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music : https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube : https://www.youtube.com/c/BrandonElderMusic *cover photo by Bud Gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Reviving Britpop < Back A Wave of Nostalgia: The Clifftones Nicole Brice Feb 22, 2023 Share Reviving Britpop Ever so often, I will stumble upon a musician whose sound truly resonates with me all the way to my soul. This holds true with Boston singer/songwriter, Scott Clifford. Scott goes by the handle “The Clifftones” on Instagram, but he is a one-man show. He sings, he plays guitar, he makes his own promos, he produces and records his own music, AND he is one awesome guy. A fellow Veteran of the armed forces, such as myself, when Scott and I first connected, we were able to talk military, and that was initially how the conversation started. Scott served in the 82nd Airborne Division overseas in Iraq but has since ended his enlistment. His smooth, soulful voice is truly beautiful, though, and it puts me in such a calm space. I am certain it will do the same for you. Over the past few years, Clifford has released several original singles, but with his latest release, he has decided to pay homage to those who have inspired and influenced him since adolescence. “The Exchange St. Sessions” EP is available March 1st via all streaming platforms, and I was lucky enough to receive an advance copy. It has been on repeat for the past two weeks. This EP of cover songs is hauntingly beautiful and gives me the chills … the good kind you get when the music is truly special. With Scott’s renditions of such classics as “Fade into You” by Mazzy Star and “The Drugs Don’t Work” by The Verve, it’s as if I’m hearing this music for the first time. With a voice that is a cross between Ryan Adams and Tom Waits, I insist that everyone give a listen to his newest release launching soon. You will thank me; I’m sure of it. Scott and I sat down to have a lengthy discussion recently about his music, his career in the Army, and just everything in general. Take the time to read about this incredibly talented man, and then go check out his Instagram for everything Clifftones related. MaM : Good Morning! So, how’s it going? SC : It’s going alright. I was actually going to crack a joke with your text that said, “Alright, I’ll call you at 11:15.” I was going to say, “I don’t know what unit you were in, but it’s 11:18 here already … and then I realized you are an hour behind me.” (laughs) MaM : I forget that I’m in a different time zone from others sometimes, being in no-man’s-land Louisiana. (laughs) SC : At least people are polite there. MaM : Well, kinda sorta. My family isn’t from here. Dad is from San Diego and mom is from Ashtabula, Ohio, so I’ve always been the odd ball, but let’s get this started. First, I love your accent. I know I probably have a southern accent from being down here. (laughs) SC : Well, I wouldn’t say I have a thick one, but I wouldn’t say you have a thick one either, but now, if I have a drink, it really comes out. (laughs) MaM : So, I know you had mentioned prior to this that you were in the military. 82nd Airborne? SC : Yep, so I was stationed at Ft. Bragg and did basic at Ft. Benning and then did AIT at Ft. Gordon. MaM : I did both my basic and AIT at Ft. Jackson. SC : What was your MOS? MaM : It started out as 71 L, but when they did some restructuring, the nomenclature changed to 42 L, but no matter what the number was, was always a clerk. I think I processed more Article 15's than anything. It was as if someone was always in trouble. (laughs) SC: I was a Commo guy. I laughed when you had mentioned the “E-4 Mafia” when we spoke another time. MaM : It wasn’t like the opportunities weren’t there to advance past E-4, but I was happy with my MOS, so I figured, why change it just to gain rank. So, I was E-4 my entire military career and I like to say we knew stuff, but we didn’t want the responsibility. (laughs) SC : Oh, I’m one of ya. (laughs) Yeah, after my 15-month deployment to Iraq for the surge, I just didn’t really care about advancing. I got home from my deployment and just wanted out. That was in 2010, though. It’s been a while. MaM : Same. Ok, so let’s talk music. I could talk military forever. Give our readers a little more background info on you. SC : I am Scott Clifford, and I’m 38 years old. I live in Boston, Mass., and I’m inspired by Rock music, and from an early age always wanted to emulate my favorite artists. I like being able to convey feelings, thoughts, and experiences through music. It’s an outlet for me. While I’m from Massachusetts, I’ve lived and travelled all over the world. I am an 82nd airborne combat veteran, as we already spoke about, and while I’m glad I’m out, I am glad I served. Fun fact: While in Iraq, I managed to get ahold of a guitar and laptop, and in the rare event we had free time, I would make spoof songs with my friends and fellow soldiers. I made a song called “365 in the 325” (325th Infantry Regiment) where me and some of the other guys would sing about the monotony while serving and various broken promises our unit/leadership made. After my time in the military, I studied towards a bachelor’s degree and later a master’s degree in the United Kingdom. I loved living in the UK, and the music scene there was incredible. MaM : When did you first get the itch to make music? SC : The first time I recall music registering in my brain as something fun to do was when I was around four or five years old. I remember my grandparents having an old electric keyboard. I can recall slowly playing the piano from the highest note to the lowest, all the while daydreaming about a little red riding hood storyline in my mind. I really believe this is where I sort of picked up or wired my brain for melody. With every note, I associated a feeling and a picture in my mind. I still do! MaM : Name one influential person in your life who you can credit with putting you on your path to making music. SC : I was lucky as a kid. I remember my dad realizing that I was starting to care less about sports and more about music. He bought me my first guitar. That’s when I realized I didn’t just want to be a fan of music but also someone who creates music as well. Because of my age, I had just missed the Grunge movement, and then here comes this Brit-Pop stuff, which you know I love. In fact, I ended up talking to one of the Gallagher brothers. There is a third one, who is not famous, and he found me on Instagram a while back, and he said to me, ‘You know what your problem is?’ And I’m thinking, ‘Oh, here we go …’ (laughs) He says to me, though, ‘You’re not doing anything new.’ I’ve had so many people say that I’m stuck in the past with my music, but if I sound 80’s, 90’s, or even 60’s, I take that as a compliment. MaM : Well, you know what they say: What was once old will become new again. That’s just the nature of the game. What is your favorite type of music, and who is your favorite artist or musician? SC : My favorite type or genre of music? I’d have to say it is Alternative Rock with a solid Pop leaning. By that I mean everything I’m writing now is heavily based around hooks and a verse/bridge/chorus-sort of structure. Not only do I want the songs to be catchy but also meaningful with the lyrics (the hard part). One of my favorite musicians would have to be Noel Gallagher of Oasis, obviously. The way he crafts a song is often simple but so melodic and anthemic. MaM : What is one of your most memorable live shows you have played? SC: Live music … my experience playing live consists mainly of small pubs and open-mic nights. One of my favorite times playing was while I lived in England. A few of my friends knew I played the guitar and volunteered me to play. Learning all those Oasis songs as a kid paid off that night! MaM : Where do you see yourself headed in the future as far as your music career? SC : Well, so far, it’s looking like an eventful 2023. I’m releasing the acoustic five-track covers EP followed by an Originals EP. I’m also in talks to collaborate with an electronic artist from Europe (trying to push myself out of my comfort zone a bit) and possibly creating the soundtrack for an indie film set in NYC, not to mention planning some live dates and limited run merch for the upcoming EP. Exciting times! I’m still navigating the world of Indie music, but I’ve been fortunate to have had some talented musicians and artists reach out to talk about my work. It’s beyond flattering and tells me I’m on to something. https://video.wixstatic.com/video/999a0f_59a03b7d4ac641a0bec0c110e048e560/720p/mp4/file.mp4 To check out Scott’s music, be sure to follow him on Instagram and then download “The Exchange St. Sessions” EP out March 1, 2023! The Clifftones (@clifftonesmusic) • Instagram photos and videos The Exchange St Sessions (2021-2022) by The Clifftones - DistroKid Music | The Clifftones - Scott Clifford | BostonMA Spotify – The Clifftones TheClifftones (@clifftones) / Twitter *All photos provided by the artist* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Inside Huntsville’s Cigar Box Guitar Culture < Back From Cigar Boxes to Community: The Art of the Cigar Box Guitar Bud Gambrell Sep 23, 2026 Share Inside Huntsville’s Cigar Box Guitar Culture I'm always searching for inspiration when choosing a topic to write about, and this article is no exception. If you've been following along, you know I've been collaborating with author Zach Taylor . Our partnership works well—he writes, and I photograph, and we each do what we love. While brainstorming ideas, I considered the many music events in North Alabama . After discussing with Nicole , we agreed each event deserved its own article to do them justice. One event that stood out was The Cigar Box Guitar Festival . Although I've heard about it for years, I've never attended—sometimes due to other plans, or simply forgetting, which is typical for me. I know a few local musicians who incorporate Cigar Box Guitars into their sets. One night at Side Tracks, I watched Mike Roberts play a CBG with such intensity it felt like the guitar might catch fire— truly electrifying. Credit: Bud Gambrell Curious to learn more, I reached out to the local CBG store—surprisingly, the only one of its kind. I emailed to arrange an interview, but after scheduling a date, both Zach and I had to reschedule due to unexpected conflicts. We finally met this past Saturday. Meeting Jeff and Tara Mello was a genuine pleasure—their kindness and openness left a lasting impression. As you read this interview, I hope you'll sense some of that warmth. If you're ever in North Alabama , I highly recommend visiting The Cigar Box Guitar Store at Studio 106, 2211 Seminole Dr SW, Huntsville, AL 35805 . You won't regret it. Credit: Bud Gambrell Our conversation with Jeff and Tara stretched well beyond an hour, and we captured nearly fifty minutes on record. We connected before and after the formal interview, and I left feeling genuinely enriched by their company. If you haven’t already met them, I believe you’ll feel the same. Read on to learn more. *edited lightly for clarity MaM ; Tell me a little bit about your CBG store. Tara Mello : John Nickel started The Cigar Box Guitar Store back when Lowe Mill was becoming Lowe Mill . Before it was called Lowe Mill , it was Flying Monkey . It was one of the first 20 studios that were here. His dad, Pat Nichol , joined him. John was building cigar box guitars at the time. He was inspired to build and play cigar box guitars after attending the first cigar box guitar festival held here at Lowe Mill. They opened the studio back in 2010 . John stayed involved for several years and then, as many young adults do, went off to do other things. Jeff and I wandered in in 2019 with a friend visiting from Kansas City who played guitar. We said, "Oh, there's this weird guitar shop." “Let's go check it out.” And our friend bought a guitar. And he thought it was going to fit in his luggage. It did not fit in his suitcase. He was coming back a couple of months later. So he was like, can I just leave it at your house? And Jeff , being the engineer that he is, started picking it up and looking at it. Oh, that's kind of cool. Jeff was kind of a hobby woodworker. So he made a cigar box guitar based on the one our friend left. But he didn't even use a cigar box. He actually built a box and created his own artwork based on cigar labels and whatnot. And from there, he learned how to play it. Jeff started coming in for free lessons, and a few months later our daughter joined in with a special Harry Potter-themed guitar he made for her; then, a few months after that, I started playing. We took over in February of 2021 . Credit: Bud Gambrell MaM : Jeff, tell me what you know about the history of the cigar box guitar. Jeff Mello : When a lot of folks come by the store, it's the first time they've ever seen a cigar box guitar because we are the only brick-and-mortar store in the world. I have to explain that we didn't come up with this; it's been around since the 1850s . It was the 1850s when the cigar box was invented. Before then, merchants sold cigars in bundles or barrels. And if you think about packaging round items versus rectangles and trying to display them, the box was a better way to showcase the product. Credit: Bud Gambrell Merchants made small boxes, stacked them on shelves, and displayed them better. By 1865 , the government started taxing cigar sales. The Civil War was happening then. They had to raise money. So we had boxes of 25, 50, 100 with this little stamp, this little label that was put on the side, showing the duty that they would collect. We know that there are written records going back to the 1850s of people being seen playing cigar box instruments. But in 1865 , we have our first known illustration of a cigar box instrument. It's a Union soldier playing a fiddle. It has one string. And if he takes that bow and puts it down and plucks that instrument, that would be referred to as a diddley bow. So A one-string cigar box guitar is a diddley bow. Credit: Bud Gambrell If you've heard of an artist named Bo Diddley , he took his name from a diddley bow . Now, another interesting thing happened back in the 1880s . One of the co-founders of the Boy Scouts of America , a guy by the name of Daniel Carter Beard , put together instructions on how to build a five-string banjo. He published it in different newspapers of the time, as well as in the predecessor to the Boy Scout handbook, The American Boys Handy Book . If you go flipping through the back pages of that book, you will find the instructions on how to make what they call the Uncle Enos Banjo . It's a five-string banjo fashioned with a cigar box as the body. Credit: Bud Gambrell MaM : Some of your guitars you consider playable art. Explain that a little bit to me. JM : One of the fun things about building a cigar box guitar these days is the cigar boxes have become so decorative. So oftentimes, I'll have a box that's got some very unique artwork on it, and it gives me inspiration and an opportunity to carry that artwork up the fretboard, maybe onto the headstock, and add other parts that tie it to whatever art is on the box. Beyond that, I've been able to be even more creative by taking things considered non-traditional, even lunch boxes and cookie tins and baseball bats and other items, and being able to fashion instruments out of them. When it comes down to it, all I need is tension on a string to make a stringed instrument, and then some sort of pickup if we want to amplify it. Shovels can be used to build guitars- anything that's rigid enough to hold that tension on the strings. TM : Cigar box guitars have been used in a professional environment for quite some time. Lightning Hopkins , who is one of the oldest blues musicians around, played a cigar box guitar. We have Billy Gibbons , who used a cigar box guitar on some of his work; the guys in Lynyrd Skynyrd used one. Jimi Hendrix played a cigar box guitar. Paul McCartney won a Grammy for a song with a cigar box guitar when he was doing that collaborative project. So a lot of different folks have done that. I think sort of top of my list, because he plays cigar box guitar a lot, is Grammy winner Gary Nichols , who's out in the Shoals , former frontman of The Steel Drivers . He's sort of become enamored with a bunch of Jeff's instruments and has three of his own, plus two currently on loan from the store. He was literally in an arena in Florida last night as part of the opening act for Brad Paisley . The Band Loula is a band that he co-produces, and he is their lead guitarist. He was playing at least two of Jeff's instruments on stage in an arena with 40,000 people, which is pretty cool. He also headlines our festival. You know, which is great to be able to pull together Gary and the guys from the Fame Gang , the Fame Recording Studio session musicians. Jeff has also built guitars for Willie Nelson, Buddy Guy, Billy Strings, and Billy Gibbons. Oh, yeah, I forgot about Dwight Yoakam and Brandon Coleman from The Red Clay Strays , so It's a lot of people. *gallery of guitars made for Billy Gibbons, The Red Clay Strays, Dwight Yoakam, and Willie Nelson MaM : Jeff, where do you get your inspiration for your guitars? Can you walk me through building one of your ‘playable art’ pieces? Where do you find your inspiration? JM : Inspiration comes from everywhere in everything. I can be walking down the street, see a piece of litter on the ground, and it becomes inspiration for a guitar component. You see the world a little differently when you start to take discarded items and try to bring them together to make instruments out of them. Sometimes it's the artwork on the box, but sometimes it's just another found object, and I think about how I might incorporate it into a design. Credit: Bud Gambrell MaM : What inspired you to start building cigar box guitars? JM : I was wondering what this instrument was. I liked that it was a cigar box, and I thought it would be a neat piece of art to build and hang on the wall. With the very first one I built, I didn't think I would ever really learn to play it. I just thought it would be a neat piece of art. I took my woodworking, engineering, and electronics skills and applied them to building this piece. But when I came into the store and got my first lesson from Pat Nichol , and I realized how quickly and how easy it is to play a cigar box guitar, it made me think about them a lot differently. And I started to look at the ergonomics a little bit more and how the neck felt in my hand, and the scale length, and the weight of the box, and the balance. After that, I started approaching my builds a little differently because I was trying to learn to play. So that's really where things started to take off. I realized I could not only create this art, but also use it to create music, which is another art in itself. And one of the biggest kicks I get out of making these instruments is I don't know whose hands they're going to get into, typically, unless it's a commission-built one. Credit: Bud Gambrell MaM : If a beginner walked in the door right now and bought a cigar box guitar, they're possibly going to say, I don't know how to play. Is there anything y'all can do to help? TM : We never want somebody to buy an instrument just to have it be perceived as wall art, right? They're so easy to play. I grew up in a family that literally cannot clap to the beat of the music. If I can play a cigar box guitar, anybody can. So don't come in here and say, "I can't play." Anybody can do this. We do free lessons every Saturday from noon to two . Pat Nichol started those when the store opened, and continued them after we purchased the store because Jeff and I weren't able to teach them at that point. As we've upped our game, Pat has shared his wisdom with us, and we've started learning more about music. Pat still comes in the first Saturday of the month. Those lessons come from two very different angles, depending on who's teaching them. When you come in and Jeff is teaching a lesson, he starts from zero knowledge. He and I are talking with people about how to hold a guitar, how to hold a pick, how to make a good-sounding barre chord. Pat looks at those things and approaches them with 50 years of experience. He starts with "Let's strum" and "Let's keep a beat." So, we're approaching it from two different angles. The lessons happen for two hours, and it's a drop-in event. You can come in, stay for one song, and get up and walk out. Lessons at the Cigar Box Guitar Shop in Huntsville MaM : How long does it normally take to build a cigar box guitar? JM : There's no normal. For my basic entry-level guitar for folks on a budget, I've had to come up with methods to build things quickly and in batches. I can spend a week building six guitars, and I'll do them all kind of at the same time, where I'm drilling some of them and cutting another. I build jigs to keep things uniform and to help them come together a little quicker. So, that's kind of the everyday bread and butter guitars that we will sell in here. But the fancier ones have special inlays, adjustable truss rods, and fancier electronics. I spent months working on Willie Nelson's guitar . Just the design and the various parts that I had to come up with. I didn't get through the entire design early on. I had portions I was really excited to do, and as I finished them, I came up with other ideas to add to the guitar. Close-up shot of the details on Willie Nelson's Cigar Box Guitar MaM : Do you build special orders or do collaborations for special guitars? JM : All the time. I have a lot of fun collaborating with other artists. We recently did a project to benefit the Huntsville Hospital's Music Therapy Department in which I built ten essentially blank canvases. They were cigar box guitars that were simple wooden boxes. We collaborated with ten artists, some of them here at Lowe Mill , some of them outside of Lowe Mill , and they all decorated those cigar box guitars with their own style of art. Those went on display at Huntsville Hospital , and we held a silent auction to raise money for the therapy group there. TM : Jeff will also collaborate with people who bring in an object that has sentimental value. Sometimes people will come in with an actual cigar box that has meaning to them. But people have come in with all sorts of objects, special coins, miniature flags that have flown on the space shuttle. We had a husband bring in his father-in-law's dental tools that his wife had kept and treasured because he had been a dentist for 40 or 50 years, but she didn't know what to do with them. Jeff made a dental-themed guitar and put the tools in the sound hole so they were viewable through the box. So it doesn't have to be a box shape or anything like that. There are creative ways to incorporate lots of things in a collaboration that has meaning for just a special gift. *a custom build MaM : Try to explain to me how you feel when you see somebody like Gary Nichols or another notable musician use one of your guitars on stage. JM : Oh, it's just joy, I think, the easiest thing to say. It brings us great joy. He is out there entertaining a lot of people. So this thing I cobbled together in my garage is now being used in stadiums. And getting people up and dancing and having a good time, and knowing that I can be a very small part of that excitement for a whole group of people is just so cool. https://www.youtube.com/watch?v=8qHFynUjoi0 Gary Nichols shreds on a cigar box guitar - YouTube TM : I mean, I wholeheartedly agree with what Jeff is saying, but I want to reiterate what he said a moment ago because it is less about the Gary Nichols of the world and more about the average person who is in this studio. Our joy comes from obviously both of those things, right? It's awesome to see a high-caliber musician on a huge stage. But when you have a dozen or more people in here playing what is a very basic song, but they are making music, and they are playing a song, and they are lighting up, that's incredible! Occasionally, a professional musician comes in and joins unexpectedly. We had Shaun Ferguson ; he's a local musician. He stopped in a few weeks ago. He just walked by, and he's like, “What is this all about?” He picked up a guitar and started playing the blues. So there is a huge amount of joy in having people go, "I didn't think I could do that." A Super Nintendo custom-built Cigar Box Guitar MaM : If you could take one of your guitars and put it in the hands of a person anywhere in the world, I guess dead or alive, who would that be and why? JM : This is not a particular person. It's anybody who is in a place that needs music. We see these instruments as instruments of change. We see people who are recovering from strokes, have Parkinson's. They're trying to do something with their hands, and it brings them relief or helps them heal. We see people struggling with something in their life; they come in here, play the guitar, and it brings them to a happier place for a moment. We had a small child who came in who was autistic, nonverbal, and Tara was showing him how to strum the guitar. And I was shouting out the numbers to tell people where to put their finger next. The boy started making noises while I was saying the numbers, mimicking what I was doing. The father was surprised to see his son trying to verbalize with this music. We've had a young blind girl come in here with a guitar that wasn't set up properly, and I had the opportunity to make her a guitar with more tactile features, which allowed her to play a little easier. So the people I want to have my instruments in the hands of are the people who need them and will make a difference. Jeff and Tara Mello MaM : There is a cigar box guitar festival. How did that start, and how has it progressed and grown from Festival 1 to Festival 22 this past year? JM : That's right. The very first festival was in 2005, but it was at Flying Monkey Studio at the time. A gentleman named Matt Crunk , a tattoo artist, organized the very first festival. And it was called the Cigar Box Guitar Extravaganza . They pulled in some regional artists and some local folks, got together, and played music. And I think people were selling guitars that they were making. That went on for several years. That was one of the inspirations for John Nickel , who started the store, to go to those festivals. We've been able to collect memorabilia from every single one of those festivals. So we've got posters, flyers, and photos where we can find them, and some video snippets here and there from each festival. And always some part of it has been here at Lowe Mill . When we took over the store, Pat Nichol nudged us a few months into it and goes, "You guys are going to have a festival, right? You got to have the festival. You got to keep that going.” https://video.wixstatic.com/video/999a0f_90644f7e58614abaaa5c303fe5d50305/1080p/mp4/file.mp4 2023 Recap Video TM : I'm like, OK, we can put on this event. We know the components. Our first event was on September 11th, 2021 . And that was because normally the festival happens on the weekend after Memorial Day , so late May , early June , but we were in COVID then, right? So there was no point in doing that. So Pat sort of said, hey, you know, you gotta do this, you gotta, it's the world's longest-running one, you have to do something. And he told us that Microwave Dave had always been a part of every festival. So I went to Lowe Mill and saw what dates we could do something out on the lawn by the water tower. And then I went to Dave , whom I did not know, whom I'd never had a conversation with before, and said, "Will you come play?" And the only date he was available was September 11 . We put on an event in about eight weeks. From there, we saw potential to raise money. So there was ancillary work raising money for the Microwave Dave Music Education Foundation . We continued that tradition. Arts Huntsville was running a program that was putting music in schools as well. So we raised money and then split it between those. And then I don't know, because we're gluttons for punishment or because the good idea fairy visits too often. It was like, oh, well, let's have a kickoff concert and let's do this and all that, you know, let's do that. And we started to expand it into more than one day. So for year 20, we did an event on Thursday night, an event on Friday night, all day on Saturday, and all day on Sunday at The Orion. And we've continued that tradition dropping Thursday, but always doing a kickoff concert on Friday night, all day here at Lowe Mill on Saturday, and all day at The Orion on Sunday. But I think the collaboration with The Orion has really allowed us to up our game. They're a wonderful partner in marketing and getting the word out. They're fantastic to work with when putting on a large event. MaM : Putting on a festival like that, especially a three-day event, there'd be a lot of work going into that and probably a little bit of stress. What's the most rewarding part of it? There's got to be a reward, or you wouldn't keep doing it. JM : It's an opportunity to bring our community together and just celebrate. I mean, this simple instrument with a cigar box and a stick of wood and three strings on it, we just get together and celebrate music and life, and people get to create and show off their instruments and perform with them and just share music. And we've done it for a good cause too. The Microwave Dave Music Education Foundation is bringing the concerts into the classroom and also helping out the folks over at Huntsville Hospital and the Music Therapy Department . It's great to bring people together in the community, raise awareness for some of our local businesses that support it, create awareness about these instruments for people who are curious about making music, and raise a little money to help others in our community. Credit: Bud Gambrell MaM : Unfortunately, we lost Microwave Dave Gallaher earlier this year, on Feb. 6 th . I understand one of his guitars appeared at the festival this year. Tell me about that. TM : Yeah, two of his guitars. JM : We currently have a couple of his guitars displayed in our store. One is a special six-string guitar I built for him with a wide neck that was easier for him to play. He performed in a couple of festivals with that, and Mike Roberts used that guitar during our festival. We also have one of his Lobo guitars. John Lowe designed and built that guitar in Memphis, Tennessee . This guitar is well loved; it's really well-worn, and Dave used to play it a lot. It's a slide guitar with two necks. One has a bass string, and the other has the other three strings and two pickup outputs; on one you get kind of a bass drum sound, and on the other you can do a little more slide. And so John Nickel enjoyed playing that guitar at our festival this year. Credit: Bud Gambrell MaM : We're right on the heels of Cigar Box Fest '22. Is there a sneak peek? Anything y'all can tell us that's in store for Cigar Box Fest 23 next year? JM : We know we're going to try to follow the same structure because people are getting used to that, and it seems to be working where we have elements of it here at Lowe Mill and then working with the folks over at the Orion. So we think we'll have similar programming in both places. I think we still want to pull in an educational element for cigar box enthusiasts who want to learn how to build or improve their building, share their art with each other, or learn how to play a little bit more. That seemed to be well received. So we want to bring more of that in and do something a little different to keep everybody's interest. The artists, we always try to add some new people. We try to add big, recognizable names and make sure it's a big party where everybody's having a good time. TM : We know for sure we'll have Gary Nichols and The Fame Gang . Last year was the first time we did a stage-on-stage experience at the Orion , so it was 300 seats for the audience on the stage at the Orion with the band on the stage as well, which was a really unique opportunity for people to have this intimate experience and be on that big stage where maybe they've seen a big show. I'm sure we'll have some special guests, but we're not ready to share those yet. And June 4, 5, and 6 next year. It's always the weekend after Memorial Day. Memorial Day is on the 31st. So it's June 4, 5, and 6 in 2027. Welcome to Huntsville! MaM : At the time of this interview, we're about three months away from Christmas. Do y'all do just in-store purchases, or do y'all do online sales, or how can someone get a cigar box guitar? JM : We prefer in-store sales over online. A lot of people sell stuff online. We want people to have an experience when they come into our store. You asked earlier about people coming in and buying guitars. We often discourage people from buying guitars the first time. We want them to play them and know that that's an instrument that's going to work for them. The holidays, usually people are coming in, and they're like, I've been thinking about this all year, and I'm going to get that guitar for Uncle Larry , or I'm buying it as a gift for myself. So usually people come in, look around, and we know they're there to get that special gift for somebody. Right now, I'm making a lot of wood dust and trying to fill the store. We will have over 50 instruments in the store by the time the holiday shopping season starts. We'll have a wide variety of instruments for people to choose from. *a collection of goodies TM : We don't maintain an online store. What we discovered is that because the instruments are unique, if it sells in the store and it's still online and someone happens to buy it, that's a problem. So if somebody has traveled to Huntsville and they've seen the instruments, but they've gone back to another state, and they're like, oh man, I really want one of these. We will work with folks one-on-one. And there's information on our website on how to do that. But we really like to get folks in here. The thing is, every single cigar box guitar sounds different. If you're looking at a picture, you can't hear how it sounds. A Fender Strat sounds like a Fender Strat. A manufactured guitar is designed to sound a specific way. They all sound different because the boxes are different, and even a different box with a different sound hole will sound different. After reading the interview above, I hope you can feel, in some way, how good this couple is. The joy they express in bringing and sharing music with others is priceless . The enjoyment they express about seeing children learn to play, even if only a little, is irreplaceable. For me, this interview went from being about simple cigar box guitars to how involved a caring heart can be. If you are in the Huntsville area, take my advice and go meet Jeff and Tara . They welcome you to just drop by and shop. I think you will eventually go back and buy one, but that is between them and you. Until next time, Keep your diamond down in the groove! This article is dedicated to the loving memory of David Thomas "Microwave Dave" Gallaher April 25, 1946 – February 6, 2026 His contribution to local music education will live on. Microwave Dave Music Education Foundation To Donate: Microwave Dave Music Education Foundation [Home] - Microwave Dave Music Education Foundation Huntsville Hospital's Music Therapy Department To learn more: Music Therapy | Huntsville Hospital Health System To learn more about The Cigar Box Guitar Store: Facebook Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell *Additional photo credits - Jennifer & Company Photography Home - Jennifer & Company Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Nude Nuns with Big Guns: What the Hell Did I Just Watch? Ezekiel Kincaid Share Aug 28, 2023 Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Rating: 2.5 out of 5 naked nuns covered in cocaine You know, there is a reason we call this column “What the Hell Did I Just Watch?” … and that was exactly my sentiment after viewing this particular film suggested by a reader: Nude Nuns with Big Guns. Yes, I'm serious. The title alone makes you wonder what you are getting yourself into by watching the film, but what does Nude Nuns with Big Guns offer, and does it live up to its name? In short, the answers to those questions are excess and absolutely. Allow me to explain. Nude Nuns with Big Guns (2010) promotes itself as a post-grindhouse exploitation movie, and it is exactly that. The film has a Robert Rodriguez/Quentin Tarantino feel to it, complete with the over-the-top antics of one of Tarintino’s spaghetti-style westerns, and its plot is pretty basic for a revenge/exploitation movie: A mentally abused nun is taken captive, made a prostitute, and then left for dead. Finding new life, our vigilante nun receives a call from God to create a Holy War to take out all the nasty drug dealers and sinners—and good for her, because when I say the bad guys in this film are literally the scum of the earth, I truly mean it. You’ll have no qualms about seeing these dirtbags get what’s coming to them. Asun Ortega as Sister Sarah (credit: IMDb) Nude Nuns with Big Guns is directed by Joseph Guzman ( Run! Bitch Run!, Back Alley Butcher ) and has quite an interesting cast of characters. First, there is our vigilante nun, Sister Sarah, played by Asun Ortega ( Diamond Dawgs ). Second, there's our sleazy, heartless antagonist, Chavo (David Castro, of The Lincoln Lawyer ); I also have to mention Father Carlito (Perry D’Marco, of Interceptor Force ), who is one of the numerous corrupt clergy in the film. And last but not least, we have everyone’s favorite henchman, Kick-Stand (Xango Henry, of How to Survive the Zombie Apocalypse ). Now, let’s talk about the film itself. I want to start off by saying, if you are offended by nudity then skip this film because there is a ton of it in there. Second, if you are triggered by rape, skip this film . And the henchman Kick-Stand? You know how some gangs have the dude who always roughs people up? That’s Kick-Stand. Except he doesn’t rough women up; he rapes them. And I’ll just let you put the pieces together as to why they call him Kick-Stand. Finally, if watching a movie that portrays clergy in a bad light gets to you, skip this movie . The priests and nuns in Nude Nuns with Big Guns are as corrupt as they come. In fact, the sex, nudity, and rape in Nude Nuns with Big Guns is so overdone, it gets old and boring fast. There was one point in the middle of the movie where I zoned out and started doing other things because every time I looked up, it was like, “Gee, nudity again. Gee, sex again. Oh look, another rape scene. What a shocker.” Worried I had missed something, I went back and rewatched the movie; lo and behold, guess what? Nope, I didn’t miss a damn thing important to the plotline. You might be sitting there thinking, “Well, Zeke, are there any good parts in Nude Nuns with Big Guns ”? And the answer is yes, there are: the first twenty minutes and the last twenty minutes—both of which I really enjoyed. There are a couple of good scenes scattered throughout the middle of the movie, but for the most part, the center portion of Nude Nuns with Big Guns drags along with way too much sex, nudity, and rape as tools to carry its story--it does not work. However, there are some truly hilarious interactions between characters, and we get some of those great, over-the-top scenes of violence we’ve all come to love thanks to grindhouse movies. Director Joseph Guzman does a solid job with accurately capturing the grindhouse feel, as some of the kills in the movie are top notch. credit: IMDb The actors also did a great job at portraying their characters, and, oddly enough for a low budget film, taking their roles super seriously. That being said, those pluses still weren’t enough to carry Nude Nuns with Big Guns into B-movie greatness. I had such high hopes for Nude Nuns with Big Guns --I mean, who wouldn’t with a title like that! But at the end of the day, with the overkill of sex, nudity, and rape, it comes off as lazy filmmaking . All in all, Zeke gives this post-grindhouse film 2.5 out of 5 naked nuns covered in cocaine . You can find Nude Nuns with Big Guns streaming on Tubi for free, and to rent on Prime Video, Vudu, YouTube, Apple TV, and Google Play. https://www.youtube.com/watch?v=Ubtt1RDk_M0 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An intimate conversation < Back Vinnie La Bella David Trahan Apr 28, 2023 Share An intimate conversation To be painfully honest, excess seemed to be the goal of my life while growing up; the most booze, the most parties, the most drugs, the most women. Slowly, my life began to become the locust swarm. I existed to consume and move on, until I was satiated or unconscious. But somewhere along the way, my quest for quantity gave way to quality. Upon reflection, my past had become a misguided detour. And all those allies who shared in my crusade, liars. I began cutting people out in pursuit of the answers to unending questions. Who am I? What do I want out of life? Why are the things that I want and the things that I truly need always at odds? Looking back, although traumatic in nature, I believe this to be an integral part of growing up; maturation at its essence. Through our talks, I believe this to be the crux of Vinnie La Bella. But Vinnie La Bella consumed for a reason that would land him on stages in front of hundreds of thousands. He moved for what was to be an organism that would usher him around the globe. The desire, the intensity, and the results would maturate rewards and costs of epidemic proportions, leaving physical and moral values lying in limbo. Vinnie grew up in University City, a small neighborhood in Kenner, Louisiana bordering several suburbs and one veritable marshland. His father was a singer in a cover band that played mostly top 40 hits of the time. Being around musicians as far back as he can remember, the set-ups for practice, the camaraderie, and the grown banter were some of the appeals that drew him in. He can recall his father bringing home the Fandango! album by ZZ Top to learn a song and falling in love with that album. Between sneaking playtime with the guitar of his father’s bandmate, and classes in jazz theory, his love for guitar was solidified as early as eight years old. By the time he was eleven, he had learned enough to feel comfortable on the thing. It started to occur to him that this was something he could actually do for a living, perhaps in part, because of his father’s influence. But the mechanics of play had definitely become more familiar with time. And in time, nothing would move him more. His parents divorced when he was fourteen. And by age fifteen he was living with his mother on Hessemer Avenue in Fat City. Up until this point, guitar had helped to solidify a foundation between him and his father. So, to hear him tell it, his parents’ parting of ways didn’t really bother him. But he did, however, take advantage of his new digs. In the 80’s, Fat City was still a bustling neighborhood full of bars with live music. And at fifteen, Vinnie was beginning to establish roots of his own. Fat City would serve as a fertile medium to facilitate his growth; both as a young man and a budding musician. For all intents and purposes, Vinnie was a loner. With just enough people he called “friends” counted on one hand, he was resolved to explore the world on his own. This translated into a person that possibly grew up too quick. He would quit school early to become a hustler, and admits he may have squandered opportunities. A reckless lifestyle would prove a comfortable place for him to exist. And those who were there know Fat City could give you all you could eat. From where he lived with his mother, 17th Street was just a two-minute walk. “Now the walks to the bar were always nice and clean. The walks back got interesting. You know, I woke up in a few alleys along the way, ten o’clock the next morning. But that was the stomping ground”. Though stumbling at times through life, he always seemed to fall in the right direction. And even his vices would prove of value. Fat City is where he met Kirk Windstein (Crowbar). It’s where he met Phil Anselmo (Pantera, Down, Superjoint Ritual, Necrophagia, etc). It’s where he met Andy Villafarra and David Main, with whom he would go on to form Exhorder. Fat City is where he played his first show in a cover band called Sabotage. And it also served as the place where he would draw a line in the sand. But before his own assertions, he would need confirmation elsewhere; confirmation that his suspicions were correct. Speaking strictly from personal perspective I can tell you that there’s always been a voice inside my head. Maybe not so much a voice; it’s more like an inaudible message center. We’re all born with it in fact. In some, it’s just louder than in others. In our latter years, we learn of it to be the Id. It’s a part of the psyche, residing in the unconscious, that is the source of instinctive impulses. It wants nothing more than to be satisfied but is constantly modified by the ego and the superego before being given overt expression. It provides all of the energy for, and is the driving force of, personality. Unto itself, it has no organization. Being guided by his vices, seemingly falling in the right direction at times when his Ego or Superego would shine through, brought Vinnie to a defining moment in his life. Through this guiding force, Vinnie would often find himself venturing outside of the microcosm that was Fat City. One of those destinations was uptown New Orleans where hardcore and punk were prominent. This was a breeding ground for those that shunned society and smeared the edge. Sonic exploration was not only prominent. Here it was a prerequisite which fed Vinnie’s Id. “I remember walking out there for the first time, like, going to Jed’s. It was on like, Oak Street or Maple; right down the street from Jimmy’s Music Club. And that’s where they would have the punk and hardcore activity weekends. That was basically where we would all go. So, Circle Jerks played, Black Flag, I got to see all them bands… Dead Kennedys. And we would go over there and start hanging over there and noticing woah, this is a totally different world. Not only musically but, you don’t play cover songs out here. No band gets up there and plays a Black Flag song. You would probably get tomatoes thrown at you. You had to be an original thing offering something to the scene, being part of the culture, and growing”. This confirmed to him that the scene in Metairie really had grown stale. Metairie had the Ratts and the Poisons of cover bands. It had mostly become a hairspray haven where leotard clad man boys were chasing a path that had already been, by now, cliched. Punk and hardcore influenced thrash in metal. And cover bands influenced… nothing. On campus at Tulane University is a radio station, WTUL. And back then, on the weekends, it would host a metal night one evening and a hardcore night on the other. Vinnie would also venture out there to a basement where the radio station was housed, bearing any goodies he may have procured throughout the evening. Two brothers were DJs. And together with Vinnie and friends they would pass around records, discussing them and giving them a spin. These uptown experiences, at the radio station and at live shows, were the building blocks upon which Vinnie’s own first band was founded. It would be the Id, his Id, incarnate. It would be proof positive that a dissention from what had become the norm of his environment was not only in order. It was necessary to avoid furthering apparent necrosing. Things would come to a head one evening in the dressing room before a performance with his first band, ironically named, Sabotage. “I was basically given an ultimatum in that band. I was in the dressing room. We were about to play a show and I was thrown some garments. ‘Here, wear these tonight’. And when I looked at these garments I was like, I can’t go out there like this. And he said ‘well you have to or you’re out this band’. And I said well, I’ll be out this band then… tonight mother fucker. ‘Aight, aight well you don’t have to wear that’. So, that was the last show I played with them”. This wasn’t at all about cover bands. Vinnie respected cover bands. His father was in a cover band. At one time, he even subbed guitar for a cover band when he was asked to bail out a friend in need. He was handed a list of one hundred and fifty songs to learn with two weeks to learn them. But again, having seen what the hardcore scene was like, and knowing it was more the direction he wanted to move in, left him with little vested in what things had become. And ever the hustler, he would soon take members of that band with him. Establishing himself in a fishbowl of clones would not prove easy. Though he could see the gateway from his doorstep, anything west of New Orleans was just, not New Orleans. And Fat City was the fishbowl of not New Orleans. To become a deflection in this biosphere meant facing backlash. And staking one’s claim sometimes meant going on the offensive. “I was kind of frowned upon. And it caused a lot of beefs. I was an asshole man. And I would make fun of guys for doing it after a while because they were making fun of me for hanging out with the punks. So, it got to be a lifestyle kind of thing. You know, like I’m willing to whip your ass over this shit. That’s how deep we were into this. If you talked bad about Exhorder in the 80’s, you might not be around today talking about it. I’m serious. We were fucking assholes man”. The same guys that would say you’ll never make a dime doing that or the chicks will never listen to that were the same guys who would eventually break out of this redundant mecca. But latency meant they would have a new band to follow. In retrospect, Vinnie feels as though it would have behooved those people to pivot sooner than later. A lot of great talent was born out of the moment when they finally steered clear of mimicking the hair bands of that bygone era. But at that time, he felt as though he was defending his honor. At any rate, once he left that band and this scene, there was no turning back. Writing for Slaughter in the Vatican would start almost immediately, but with only Vinnie and Andy Villafara, it would be an arduous task. David Main would soon follow suit leaving Sabotage. And the better part of a year would pass while writing and securing a permanent lineup. But throughout it all and no matter what, hardcore music had entranced Vinnie. He would rather die than see himself end up where he was headed. Music and life had become synonymous. And both, in Vinnie’s eyes, were secondary to this alliance. Given his proclivity for extremes and his perception that Exhorder was more like a gang than a band, things would become violent at times. Being that the foundation of this band was forged in contrast to everything out there, opposition could be found everywhere; even within the band itself. “To be honest man, I wasn’t the only lunatic in the band. I mean, these guys were legitimate fuck-ups man. We were all fucking nuts. I got in a fight with my drummer over some bullshit, year one. I kicked his fucking door down. I ended up going to jail and doing community service. So that’s kind of how we started; out of just anger and violence. And we were taking it out on our instruments and just making a hell of a noise musically about it. After that little scuffle with Chris, him, Kyle, and David left”. This would be the first of several partings for Exhorder. And the band was still so new, to themselves as well as everyone else. This occurred in late 1987. Their very first gig was just the year before on Franklin Avenue in 1986. At this point in time, they had yet to finish recording the demos for Slaughter in the Vatican. The process of rebuilding would go on for a year. During that time, Jay Ceravalo (rhythm guitar) would enter the picture. At best, Jay was an aspiring guitarist. But Vinnie saw a bit of himself in Jay; the air of tenacity. So, he made a deal with him. Vinnie affirmed, “Bra, I’ll give you six months. If you can play this shit… and I will help you. I’ll come and show you. I will make you tapes and whatever you need. If you can do this shit you’ve got the job. And that’s when he got rid of his old lady, he quit his job and locked himself in a room. So, at the time it’s just me, Andy, and Jay trying to put some semblance of Exhorder back together”. Through this process, Jay would risk (and lose) most everything. He turned his back on a secure job with the city of Kenner, his parents kicked him out. Above all else, Vinnie recognized the loyalty and dedication and never forgot it. Sid Montz (Victorian Blitz, Crowbar, Valume Nob, Southern Isolation) would come in on drums about this time. But Vinnie still had to find a singer. One day in early 1989, Sid called Vinnie with some news. Vinnie recalls, “This is a good piece of history that I’ve never told anybody. But it’s important to where we land in this later. He (Sid) says listen man I talked to Phil (Anselmo). He’s not happy with his current situation. He wants to do something heavier and he can’t get the guys to get on board. So, he wants to come try out. So, I called him and said try out? There ain’t no fucking try out. You’re Phil. You can do this. You’re bad, you know? You’ve got the gig. Come home. He’s like no no no, I want to do it right. I’m going to fly in and try out. And I’ll come back and we’ll finish it. I said, ok. So, he came down and was as good as you thought he would be. I said I told you. You wasted your plane ticket. You got the gig! So, I put this mother fucker on an airplane right after rehearsal. He’s flying back to Dallas and he’s going home to quit Pantera. Now by this time Power Metal was the last thing they had released. The sound was still… the sound. So anyway, he’s in the air. I drive home from the airport. I walk into the house and the phone is ringing. I pick up the phone, it’s Kyle. I hadn’t heard from this mother fucker in a year. I haven’t seen him. I haven’t talked to him. He goes, hey man I heard you had Phillip in the room. I said what are you talking about? I haven’t talked to you in a year! How’d you know? He says, I wanna come back. I said he’s in the air right now! He’s going home to quit! So, I said dude let me call you back. I hung up the phone. I called up Jay and I said this mother fucker’s calling me. He’s like bro, it’s your call. So, I thought about it for a second, and I did the right thing. I said absolutely Kyle; come on home. We wrote these songs together. You’re the only mother fucker I can envision singing for this thing. I said, you got it. I just need to stop him (Phil) from fucking his own thing up. So, I said let me see what I can do. So, I called over there and Phil wasn’t upset or anything. He was actually pretty happy. He said ‘that’s good news. I’m disappointed because I really wanted to give it a go with you. But, I’m glad he’s back”. With Kyle back, Chris Nail would once again take over on drums. Anselmo would go on to record the famed Cowboys From Hell album with Pantera. And Exhorder would complete Slaughter in the Vatican, getting signed to Roadrunner Records. The what-ifs that ran through my head at this point in the interview came flooding in. But tumultuous times were not behind the band. The signing was merely a piece to a puzzle that was never quite complete. Sure, they had remained in New Orleans, besting the labels turning them down left and right claiming that they needed to get out of New Orleans in order to make it. And one must realize this was the 80’s. This was the Regan era where shoulder pads and rampant consumerism dominated the arena. Even when they were finally signed, their first album came out mischaracterizing them as a ‘brutal thrash band from the depths of the swamp in Louisiana’. Their propensity for violence was getting them thrown off tours. This was no help either. But they knew they were on to something good. And this all would open up the door for many more out the south; a region negated as illegitimate in the world of musical significance. Between inner band tensions and music business complications, by the time The Law was released in 1992, the group was more than worse for wear. Vinnie had a baby. Chris was getting married. None of them could hold one another together or ever align their ways with normative business practices. Passion holds no court with principals. Principals are societally based. And passion is otherworldly. Exhorder would once again disband. Make-ups and break-ups would be scattered throughout the coming years. A turbulent giant would be remitted to a twenty-seven-year recording dormancy. In 2017, through specifics not revealed, Vinnie and Kyle would reunite for the last time, culminating in Exhorder’s 2019 release entitled Mourn the Southern Skies. It would be produced and engineered at OCD Recording & Production by Duane Simineaux under Nuclear Blast, one of the world’s largest independent metal labels. It is by far, in my opinion, the greatest work ever to come from Exhorder. Which at this point housed only two of its founding members. It would also mark the last time Vinnie would ever play with the band he started. “We tried to put it back together a couple of times. This last time the table was set pretty good. We had a good shot and it was working. We ended up in a dispute as usual. And this time the only original guys left were me and Kyle. The dispute was basically between me and him. It was basically over two bullet points that he just couldn’t get past, and I couldn’t get past. And finally, I was like fuck it. Hey if you want it this bad bro, take it. But you’re going to get your wallet out this time. Because a lot of times they leave me sitting there with the bill”. He went on to point out, “It is of my opinion that he, at this particular moment, probably hates my fucking guts. He won’t say it in the media but he probably does. It’s my opinion. I could be wrong. But five years, seven years, eight years from now you know, who knows”. They were maturing in the midst of this all. Their needs changed over time. With only two founding members remaining, what was considered Exhorder had changed as well. “Whenever Exhorder would break up in the past, we would just lay it to rest. Nobody owned the trademark or the copyrights or anything to that name. It just sat there. And it would always sit there until most of us, or all of us, decided to do it again. And it was always home base for us. If we ever wanted to make something of that thing we built when we were kids, it was always there for us. And it started when I said… yes”. Vinnie reflected on the Phil Anselmo story here, citing it as a moment in time that should’ve reinforced a standing precedence for the band. When it came to Kyle’s desires to return, he didn’t mull it over. He simply said yes. But this time, through communications with his lawyer, he was confronted by a standing vote to oust him. The organism would no longer be the sum of its parts. These days, Vinnie remains deeply involved in music. He has established roots in production, and continues with recording and composition. Among his many projects, you will hear his work on Kirk Windstein’s upcoming second solo album, projected to be released possibly this fall. He went on to talk about that experience, as well the many projects that he’s currently involved in. You can hear this info first-hand and the details surrounding his life in music on our podcast by picking your streaming platform of choice below. Please be sure to subscribe, as this keeps our musicians’ names in the wind and gives our show a greater voice. As seen originally on: Neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Leaning Studios is a budget-friendly premium recording studio. < Back Inside Leaning Studios: The Studio Amplifying Louisiana’s Alternative Voices Nick Cline May 26, 2026 Share Leaning Studios is a budget-friendly premium recording studio. Connections are the lifeline to success, and the music world is built on connections. These connections can run as deep as business ventures or as face value as social interactions. Regardless, the connections we make as creatives are the backbone of our success and evolving path forward. The music world is constantly evolving and always looking for the next big thing. The next big thing could be the local band in the dive bar in the middle of nowhere, and, at the end of the day, we have no idea until it happens. The amount of great music lost to the storm of modern business models, financial strife, and other such forces is growing every day. The modern artist relies on connections to become a content creator, booker, manager, and more, all at the same time. This is the hurdle where Leaning Studios steps in. Based in Watson, Louisiana , Leaning Studios is a budget-friendly premium recording studio run by Nick Maggio . The backbone of Leaning Studios is an artist-first approach to studio time. Maggio sees the artist as the boss and himself as a worker. He offers studio criticism when needed, but the artist's authenticity is the most important principle. Leaning Studios in Watson, LA With a more barebones approach to recording, Maggio locks the artist into a mindset of repetition, artistic endeavor, and working within limitations to give the most authentic version of themselves in the studio. This bare-bones approach, paired with the professional design of the sessions, allows the artist to lock themselves in a room and bring their best foot forward in creating their music for less than the competition. Nick Maggio of Leaning Studios in Watson, LA Another major accomplishment of Leaning Studios is the atmosphere. It doesn't feel like a session. It feels like a friendship. The artist can come in and focus on the creative process without overhead and egos. The artist can rely on the engineer to offer insight into the process, which, at the end of the day, allows the creative process to be both streamlined and pure to the individual. Leaning Studios gives back to the community by offering discounts on their already budget-friendly prices. These discounts are available on the website, through in-person offers, and as limited-time promotions. All of these things together help advance the mission of providing the scene and its community with easy access to premium recording opportunities without costing an arm and a leg. In this ever-changing creative world, the opportunity to record and produce music at a friendly rate is important to staying relevant and producing quality content. Owner Nick Maggio said of his goals for the studio, “ I made Leaning Studios to be more than just another recording room. The goal is to give new and current local artists and bands a real studio experience. Every band is as unique as a fingerprint, and that’s what Leaning Studios is all about. My interest here is simple. Why not bring new Louisiana artists or a band's vision to life and work to build a better, more together music scene, and do it cheaply, as we move through a world too caught up in trends, and copy-paste template thinking patterns .” Leaning Studios is constantly evolving to stay in touch with the community and the world around it. It will offer a variety of services to be announced in the near future. These announcements will expand the recording experience into multiple endeavors that will help the artist and the community evolve. Leaning Studios in Watson, LA With everything that has been said, I want to leave everyone with one more statement. Leaning Studios is a premium, friendly environment that helps artists become themselves in the studio. It adheres to the artist, and it will fold the professional and artistic process to the will of the creation. These foundations and processes provide Leaning Studios with a pathway to helping the artist become their true selves without the worry of ego, financial strife, or anything in between. I highly recommend looking into Leaning Studios. They are a service-based entity that won't disappoint. List of artists recorded at Leaning Studios: ● Kris Russ ● Goodbye Academy ● Phantum Sun ● Jean Claude Seagal ● Pink Tooth ● Ghost Prism And more... For future announcements, session bookings, and more, look into the Leaning Studios Facebook, Instagram, and website. Facebook: https://www.facebook.com/share/1DG9s2t1Bi/ Instagram: https://www.instagram.com/leaningstudios?igsh=cWFrMHRrdjdraWU= Website: Leaningstudios.com Anyone who reads this article can get a 15% discount on sessions on the website by entering CLINE15 in the contact form. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Thrice Sovereign < Back Ripe with Nostalgic Talent Keeley Brooks Jan 30, 2023 Share Thrice Sovereign The Muscle Shoals area of Alabama is ripe with all kinds of indie talent just waiting to showcase themselves. Recently while online perusing artists in the area to write about, someone first suggested a local duo called Thrice Sovereign. So, I cruised on over to their website for some exploration and found some lyrically expressive tunes full of emotion with some creative, catchy compositions. Thrice Sovereign is an up-and-coming pop-rock duo out of Florence and is the brainchild of self-taught multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott. Well, I say duo, but I stand corrected: Technically there are four members, according to Kristen and Amanda, but I’ll get to that a little later. “Kristen and I met through a mutual friend as an intent for friendship. Love had a different plan. We started dating seven years ago and have been married for five years,” Amanda gushed. Initially the Talcott’s were focused on having a taco truck, but that soon changed when they uncovered their deepest creative desires and hidden talents neither really knew existed on the level they did. “Kristen gave me a safe place to share my painful writings,” says Amanda. “I heard in her so much music wanting to come out, so we wrote a few songs, then a few more, and shared them with friends and family, who all wanted more. We decided [to] record [those songs] a bit nicer and make them easy for people to find. Through a string of necessity, creativity, and hope, Thrice Sovereign was born.” For Kristen—born and raised in Florence—music has always been a backdrop for her life, ever since her Pepaw taught her to play the guitar as a child. After years of playing softball and a bout in the MMA world, she had a lot of damage to her hand. When an injury left it broken, Kristen put music aside for a while … until, as Amanda puts it, “we started to goof off together, [with] her strumming random things and trying to re-teach herself [to play] Skynyrd’s ‘Sweet Home Alabama.’ [As she did that], I’d hum, sing, and make random sounds and parodies about what was going on right then. [Now], she plays anything put in front of her.” Kristen plays by ear and, other than small moments on that tiny guitar from Pepaw, is completely self-taught. And this brings me to the third member of Thrice Sovereign: Blue. Blue is Kristen’s baby and first love … her first acoustic guitar. Image provided by Thrice Sovereign “I got Blue, if I remember correctly, for Christmas when I was 11. I specifically asked for a blue guitar, and she’s been with me ever since. She’s got some chunks missing and some bangs here and there, but Blue plays a sound like no other. I’ve had several people want to buy her from me, but I could never imagine her in someone else’s hands,” says Kristen. “Blue is fully an extension of my wife,” adds Amanda. The first moment Kristen took her off the wall and played her for me, I could see a new part of the woman I loved shining though. Blue resonates a special sound behind her string vibrations that harmonies beautifully with Kristen’s and my voice in a way that seems like a third human singing.” Amanda was born in the land of grunge and coffee, Washington state. After spending most of her life traveling around the U.S., she now calls Florence home. She’s always loved to write and soon discovered she was spinning raw emotions into lyrics full of pain, lessons, and growth. She is also self-taught and is continuously writing lyrics and music in addition to creating graphics. “I have always loved to mimic sounds and feel what it’s like to make them. In my youth, music was an escape—a safe place where I felt seen. I didn’t think I could be a part of that world, so I’d sing in the crowds to myself or those I trusted. For both of us, our talents have grown immensely in the past three years. I am grateful to have talents I can use to help others feel seen, just like music did for me.” Thrice Sovereign recently released their title single from their debut album “Waiting to Thunder,” which is a groovy song composed in a popular style that draws on heavy guitar riffs and the fat distorted sounds of hard rock, while the lyrics and theme of the song are relatable to many because they’re about things we all experience as human beings, as artists, and as experiencers in this realm. It is written by Amanda Lee Borden Talcott, composed by Kristen Borden Talcott, then the instruments were digitally recreated for release due to COVID needs. https://www.youtube.com/watch?v=0vIa7bn3Klg It is also their first music video, which brings me to “the fourth band member,” as they put it: techmaster Josh Brown. “After asking local businesses if we could shoot a music video [at their venue], Arx Mortis said, ‘Yes!’ With the help of our then-new friend Josh, the music video was born,” they say. “We see it as a musical/visual interpretation of the desire to do something that one is passionate about, believing there are reasons to wait, and knowing (eventually) that now is the time to do what you love.” credit: Amanda Chapman As for how the name Thrice Sovereign wove itself into the mix, Amanda best explains it. “The name … happened while I was doodling random words that I felt were relevant to both of us. The number three has always been a massive … sign in my life? Tip of the iceberg [is] I am one of three daughters, my mother is one of three daughters, I have given birth to three daughters, and my birthday is [in the third month of the year]—a fact I didn’t know until my 33rd birthday. During that year, our littles were ages five, nine, and 13, and they were born in 2005, 2009, and 2013. [Also at the that time, it would be] five, nine, and 13 years before our littles would be adults. The many plays on the two words that represent the art we make are endless. Sovereign’s many meanings give hope in my heart that all can see we are each ‘supreme leaders’ of our own worlds. Each can be monarchs in their own rite and live in all capacities of that word as well.” In addition to their musicianship, the Talcotts are also the founders of TechTonic Crucible Records LLC, as well as the benefit music festival MighTyekiM, which raises money for those in need. Last year was the first for the festival, which is named in honor of Mighty Mike, who passed away from Ewing’s Sarcoma, a type of bone cancer, in early 2022. “MighTyekiM is the benefit music festival we … started as a way for musicians and artists of all levels and all kinds to come share their art with anyone who wants to listen,” said Amanda. “[It’s] a place where people can come experience free music, art, pizza donated by Dominos, beverages donated by Buffalo Rock, and so much more.” Thrice Sovereign accepted donations to raise funds … to help Mike’s family purchase a headstone for him. They note their initial intent was to raise the donated money for Mighty Mike before he passed so he could do something he found blissful but, unfortunately, they didn’t make it in time for that to happen. “We did, [however,] host a beautiful and memorable event in his honor. We had over 21 artists performing over two days at Wilson Park in downtown Florence [last June]. With a silent auction table and a kids’ fun area, it was a family-fun time, and we have secret plans in the works for the next one! We were so blessed to have so many local and corporate businesses and individuals donate their time and talents to help us make [that] amazing weekend happen.” This year’s MighTyekiM Festival will benefit a little girl, who also has Ewing’s Sarcoma. Currently there’s no word yet on where the festival will happen, but rest assured, we’ll keep you updated. TechTonic Crucible Records LLC is the newest addition to Sovereign’s distractions from what they call “the inevitable end.” The label developed out of the realization that most record labels are not what people believe they are. “We decided to find a way to help artists, and others, to have someone who taught themselves to do the things that are key from recording, distribution, website creation, and persona development to graphic design, songwriting, backing musicians, etc. So that and more is what we are offering—a place to learn how to maintain the world we help them create.” credit: Amanda Chapman Thrice Sovereign’s first album, “Waiting to Thunder,” will be out by summer 2023. Amanda notes it’s a concept album with some comforting songs that can work their way into becoming ear worms. Others, she says, are filled with lyrics of emotive imagery dramatically laid amongst the captivating instrumentals driven by the soul of Kristen. “Our first album is a nod to nostalgia in ways too many have forgotten they loved, with modern depth and truths weaved through descriptive metaphors and stories based in emotion and experience.” For more information on Thrice Sovereign and their music and shows, the MighTyekiM Festival, and TechTonic Crucible Records, hop on over to http://ThriceSovereign.com and check ‘em out. They’re music and personalities are totally worth it! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It felt like one big family. < Back Harrison Gordon Leaves His Mark on the Stone Pony with Electrifying Performances Jeff Crespi Sep 12, 2026 Share It felt like one big family. Harrison Gordon brought his energy to The Stone Pony , opening for Mom Jeans on back-to-back nights— Wednesday, September 9, and Thursday, September 10, 2026 —and it was unforgettable . I caught the second night, on Thursday , and if I had to describe this show in one word, it would be wild —but even that doesn’t do it justice. From the second Harrison and his band hit the stage, the energy in the room was off the charts . People were already hyped before the first note, and once the music started, it was pandemonium . It felt like everyone in the crowd was totally dialed in to every song, singing along and making the floor shake. Credit: Jeff Crespi Harrison and his band are considered emo , but honestly, most of his fans say his music makes them feel happy , not sad . The vibe was all about having a good time. The energy level was insane , with close to 900 fans moshing, crowd surfing, and just letting loose. Harrison just dropped a new album called Bliss through Hopeless Records , and it’s already getting a ton of attention and great feedback from fans and critics alike. It was obvious the band was loving every minute on stage—they cracked jokes between songs and just seemed super down-to-earth, which made everyone feel like they were part of something special. The crowd was a mix of Mom Jeans and Harrison fans, and honestly, it felt like one big family. The night just kept ramping up, and there was barely a lull between sets. Sobs , an indie rock/pop band all the way from Singapore , opened the show. They’ve been around since 2017 and were honestly the perfect choice to kick things off. Their set was super fun and got everyone in the right mood. All in all, it was an epic night of live music and good vibes. *All photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Harrison Gordon: harrisongordon.shop – Harrison Gordon To learn more about The Sobs: Topshelf Records - Sobs tour dates, merch, video, catalog & more To learn more about Mom Jeans: Mom Jeans – Mom Jeans Band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Impermanence’ has all the qualities of a great song. < Back Reviews on the Real: Cinder Embraces Fleeting Time in Haunting New Single ‘Impermanence’ Nicole Brice Apr 29, 2025 Share ‘Impermanence’ has all the qualities of a great song. Wow! Those were my first thoughts upon hearing the new single from the UK-based band Cinder . ‘ Impermanence ' is an exhilarating song that features fuzzy guitars, noise, grunge and embodies the essence of alternative and shoegaze music . It resonates with me on multiple levels, as it reminds me of some great bands I admired while growing up, such as Catherine Wheel and My Bloody Valentine . Cinder comprises Lewis on synth and lead vocals, Dan on lead and rhythm guitar, Cal on additional lead and rhythm guitar, and Zach on drums—the bass is played on the synth. Credit: Zainab Alhameed Cal primarily holds down the core rhythm guitar in this particular track while Dan takes the lead. Lewis, Dan, and Zach have been playing together since the summer of 2023 , while Cal joined the group around April 2022 . Just two months after coming together, the band had their first gig , quickly forming a strong bond as both a band and a group of friends . With a team of like-minded musicians, anything is possible, right? This camaraderie and unity have led to the release of ‘ Impermanence ’, which is a track we think you’ll absolutely love. It's refreshing to hear music like Cinder's in an industry oversaturated with conformity and lacking substance. This song is definitely not lacking substance. Released March 28, 2025 Released on March 28, 2025 , ‘ Impermanence ’ has all the qualities of a great song— edgy, artistic, loud, and simply enjoyable . Can we say we like a song because it's just plain good? No frills, just pure enjoyable music. We asked Cinder a few questions to better understand the band and their overall vibe. Check out our Q&A below and then go stream ‘ Impermanence ’ on your favorite streaming service. MaM : Who would you say are your biggest musical influences and why? Cinder : At this early stage of the band, the writing is very much spearheaded by Lewis and his backlog of tunes, with the rest of us adding our own parts in our own styles, refracted through the prism of Lewis's love of alt. rock, industrial, and shoegaze. Between the lot of us, we bring a load of different influences into the music. However, the bands/artists that inspire us the most in terms of how we amalgamate all of these influences are bands such as Nine Inch Nails , Deftones , My Bloody Valentine , Slowdive , and Sonic Youth . We love the textures and noise elements of shoegaze, especially live. The almost overwhelming volume acts as a kind of soothing agent - it's washing over you a therapeutic and comforting sort of sensory overload. As for production, Nine Inch Nails is a tremendous influence. Their records and individual tracks are often self-contained sonic worlds of their own. In the vein of post-rock , we love to reinterpret our instruments and their role in the track , experimenting with how an instrument is viewed and played traditionally and how we can use it to create different interesting sounds that communicate our musical points. Credit: Zainab Alhameed MaM : Give us a little backstory behind the origins of the new song? What inspired the lyrics? Cinder : The song begins with the narrator describing their bleak acceptance of death . Their fear of existentialism has led them to become paralyzed and isolated , but they view it more as recognizing the truth of the world, which others can’t see. Eventually, in a moment of revelation, they 'break' and convince themselves that the real answer to their fear is to control their own death . They’ll join everyone in the 'pursuit of happiness,' but their main goal is to burn themselves out and bring about their own end . And do so in an explosive and spectacular way. MaM : Are you currently working on anything else? Are there plans for an EP in the future? Cinder : We're currently working on the rest of our self-produced debut EP. We plan to release two more singles, ‘Breathing’ and ‘Sines’, before releasing the EP, Vows To Boscobel , towards the end of the summer. Lewis and a couple of other folks rent a unit in one of Manchester 's old mills, which has become our second home for rehearsing and recording. MaM : If you could describe your music for someone who has not heard it yet, what would you tell them? Cinder : That’s a difficult question to answer, but the word ‘uncompromising’ definitely comes to mind. I think we aim to do as much as we possibly can and attack each song from every angle, so to speak. Sonically, that comes across as loud and abrasive alt. rock interspersed with moments of delicate melodicism . Behind the scenes, however, it’s about recording five minutes of pure guitar feedback just to get the perfect five-second snippet to use in the song. We’ve reached a point creatively where we won’t release anything unless we know we’ll still love it years from now. ' Impermanence ' is out NOW, so go check it out, and stay tuned for more in the future from Cinder . To learn more about Cinder: Website: cindernoise Instagram: Cinder (@cindernoise) • Instagram photos and videos *Photos by Zainab Alhameed www.instagram.com/shotby.za/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Alien Shark Ezekiel Kincaid Share Aug 2, 2023 An entertaining movie with poor effects and multiple random plots Last week’s review was on werewolves. This week? Sharks! But not just any shark. No, now we have (queue sinister music) an alien shark! Sounds awesome, right? Based on the title, what are you expecting? Sharks from another planet? Another dimension? Maybe even astronauts landing on an earth-like planet and getting devoured by a species of shark not known to man? If that’s what you’re expecting, you might as well get ready to be disappointed. Welcome to the world of B horror. Alien Shark is about a meteor crashing into the ocean and turning a shark into an “alien” shark that wreaks havoc on some vacationers looking to have a good time. Not a terrible sci-fi shark thriller plot, right? It’d be nice if that’s what we got out of this movie, but instead we get a host of other nonsense that leaves us wondering what happened to the plot. But that’s not the only thing that makes this movie bad. There’s more ... so much more. First off, the Alien Shark script is terrible. How it ever got accepted, I’ll never know. Second, the execution of the dialogue is SO bad. The actors over-emphasize every syllable of every word they say. What makes me such an expert? Well, let me remind you I do watch a lot of terrible movies, so for me to even notice at all is saying something. Plus, I’m a writer and writers always know bad writing and poor execution. While listening to the dialogue in Alien Shark , I cringed. A lot. At one point I had to check my ears because I thought they were bleeding. I'm not kidding. All that out of the way, I still found the movie entertaining. Even though the dialogue was so bad, it kept me laughing. So, too, did the cheap special effects. But what else would you expect from a Wal-Mart Exclusive? That’s right, folks. I picked this gem up by hand at Wally World. Alien Shark was made in 2022 and is directed by Paul Tomborello ( Little Savages, Rumors of War ), written by Aaron Jackson ( Expulsion ). It stars Brittany Altrenbach ( Fear the Walking Dead, Broken Seeds ) as main character Aleesha and Lukas Silva ( No Virtue, Carp-e Diem ) as Pete. The movie starts off with two girls finding a weird piece of a glowing meteor on the beach. When they approach it, they get possessed/controlled by some alien force and die. Aleesha shows up to the beach after being invited by her friends to a party they are throwing before she leaves on another military deployment. When they all get to the beach, people start acting weird and their eyes start glowing green. When a guy named Mickey shows up and starts talking crazy, warning everyone about aliens, they dismiss him. Then, for some unknown reason, they hold a crystal ceremony. Somehow this ceremony opens them up to the aliens and things get out of hand. During this time, the alien shark is just swimming in the ocean, looking for people to eat. From "Alien Shark" IMDB (We're sorry that photo couldn't be any clearer. We tried. You try finding stills of the shark featured in Alien Shark and let me know how that works out for you!) The entire storyline doesn’t make a lick of sense. The filmmakers never explain what is going on with the shark or how it even became “alien.” It’s not clear if the aliens are controlling the shark and the people or if they are possessing them. Random WTF points are just inserted into the story without any explanation and by the end, you aren’t sure what the hell just happened or what the hell you just watched. Here's a list of Alien Shark ’s inserted random plot points filmmakers pull right out of their ass: Alien shark comes to the shore and pukes out a shark dog. Alien ship circles the earth without any explanation as to why. Characters have dreams of eating people. Shark flies out of the sun. The spirit of a shark hovers in mid-air. Calling ritual with crystals invites the aliens. The aliens’ possession or mind control can be broken by pressing a magic seashell against the forehead. Alien shark can turn invisible. Alien shark can be defeated by blowing up a random camera that shows up out of nowhere. Why all this? I have no idea. Your guess is as good as mine. But here’s my theory. I think the director and the writer got drunk one night, wrote down the dumbest crap they could come up with, put it in a hat, and let their dog pick. That’s the only solid reasoning I can come up with. The best part of this movie is Mickey, the crazy dude. Every horror movie has to have one. His acting is so bad, it’s side-splitting hilarious. Everyone, and I mean everyone, in this movie takes their role way too seriously, making the film even more entertaining. As far as the CGI goes, it is the most terrible effort I have seen in any movie ever. I kid you not. You’ll get a taste of it in the trailer, along with the heavily acted-out dialogue efforts. Should you watch Alien Shark ? I think so. Especially if you want a good laugh and if you want to learn how NOT to write and direct a movie. There is no blood, no good kill scenes, and no one getting ripped to shreds by the alien shark—things an audience expects to see in any decent shark movie. All in all, Zeke’s “so bad it’s good” rating is 3 out of 5 shark dogs. If you really want to watch this movie, you can buy it at Wal-Mart. It used to be on Tubi but I guess even they have standards. https://www.youtube.com/watch?v=5OVPL1e9FF4 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'The Rain' captures a vibe of understanding, new beginnings, and solace. < Back Nick's Corner: Double Knockout Single Review Nick Cline Apr 21, 2025 Share 'The Rain' captures a vibe of understanding, new beginnings, and solace. Double Knockout? I bet you’re wondering, ‘Who is Double Knockout ?’ Double Knockout is a powerhouse alternative , hard rock , and indie band out of Lafayette, Louisiana . Consisting of members Micah, Sean, and Britney , they are creating a landscape of killer tracks that are sure to awe-inspire. This talented group of musicians was undoubtedly brought together for a reason, and their latest release, ‘ The Rain ’, is a testament to the direction and ideas that make Double Knockout an up-and-coming force in the alternative music scene. Released April 11, 2025 ' The Rain ' starts strong right from the beginning , evoking the essence of classic alternative and hard rock with an anthemic quality . The powerful guitar chords open the song and blend seamlessly with an eclectic mix of rhythms and melodies . The result is a sound that defies categorization. This combination of melodic nostalgia and driving alternative beats showcases the undeniable impact of Double Knockout. The major highlight of this song is the production . The production creates a fine line between artist and sound . The distorted guitars sit great in the mix to the point that they add flavor to the track without taking too much away from the bass and drums. The rhythm section becomes one unique entity throughout the track. The production makes them feel like a wall of foundation layer under the melodies and guitar work . One notable aspect of the production is the mixing of the vocals . This vocal mixing has allowed Micah's voice to shine through, even amidst the chaos. The melodies are easy to recognize without much effort. Credit: Kirstyn Whitaker The mixing qualities of ‘ The Rain ’ make it a great listening experience. The only minor detail I would point out is that I wish the last part of the song had been more explosive. While the bridge was a nice addition, it could have been slightly extended to build into the powerful chorus again. This is more of a personal preference based on the style of the song, but it’s nothing more than a minor critique . https://www.youtube.com/watch?v=2Zpd1cBxyGQ 'The Rain' by Double Knockout The song nails everything they were striving for in a style that calls back to some greats ( Hum , Superheaven , My Bloody Valentine , and many others), while keeping the truly unique presence that makes up their band. ‘ The Rain ’ is a worthy addition to anyone's playlist. It captures a vibe of understanding, new beginnings, and solace. Go stream it now! Watch Double Knockout, as they consistently deliver great tracks and live experiences. *Band Photo by Kirstyn Whitaker Kirstyn Whitaker (@kewviews) • Instagram photos and videos To learn more about Double Knockout: Facebook: Facebook Instagram: Double Knockout (@doubleknockoutband) • Instagram photos and videos TikTok: TikTok - Make Your Day Linktree: Double Knockout | Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Life Øn Mars is a beacon of creativity and musicianship < Back Life Øn Mars: Unleashing Musical Brilliance Nicole Brice Aug 15, 2023 Share Life Øn Mars is a beacon of creativity and musicianship In the vast universe of music, ever so often a band emerges that challenges conventions, defies expectations, and takes us on an extraordinary sonic journey. Enter Life Øn Mars, a metalcore band from Lafayette, Louisiana, with unparalleled creativity. With its beginnings in 2022, the band is currently comprised of Jack Torry on vocals, Brayden McClelland and Max Hellickson on guitar, Ryan March on bass, and Holden Hebert on drums. Credit: provided by band These guys have had a busy year thus far releasing new music both in February and June of 2023 and show no signs of slowing down. With their exceptional musicianship, boundless creativity, and a penchant for pushing the boundaries musically, their evolution as musicians is sure to bring further innovation. Set to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana, on August 19, 2023, Life Øn Mars is ready to take you on a musical journey that transcends boundaries and is the fifth band in our installment of interviews with all acts on the bill. In an age where conformity and predictability seem to reign supreme, Life Øn Mars emerges as a beacon of creativity and musicianship, and we can’t wait to hear more from them. Powerful vocals with tight production round out the sound for this band. We know you’ll enjoy their music as much as we do. We recently reached out to the band to learn a little more about them and were able to connect with guitarist Max Hellickson. Take a moment to learn a little more about Life Øn Mars and then be sure to catch their set at Rad Fest on Saturday, August 19. MaM : I see 2023 has been a busy year for you. Your single “Vandal” was released in February 2023 and then your newest single, “Whitewall,” was released June 16, 2023. How do you feel about the year so far? MH : 2023 has been a very productive year for us. We’ve been writing a ton of new music and slowly integrating our new originals into our live set. ‘Vandal’ was the first one and it did pretty well! ‘Whitewall’ was a lot of fun to write and record and one of our favorites to play live. MaM : “Vandal” reminds me of Killswitch Engage with the screams in the beginning that fade to a strong vocal chorus. Who do you cite as your influences both vocally and musically? MH : Collectively the band has a very diverse range of music tastes. We’re big fans of genres like hardcore and modern metalcore, which explains the Killswitch Engage-type sound. Some of us also listen to more ambient and soft genres that inspire us. Some bands we take inspiration from are Alpha Wolf, Knocked Loose, Invent Animate, Wage War, Gojira, Sleep Token, Architects, and plenty of others. Credit: provided by band MaM : What inspires you lyrically? Life happenings or abstract concepts? MH : A bit of both. We pull inspiration from events in our lives that have deeply affected us and try to express them in different ways. We attempt to connect to our listeners and fans in any way possible, and writing lyrics that resonate with them is the best way. MaM : Are there plans to record an EP or an entire album, or do you plan on just continuing to release singles? MH : We are currently in the process of finishing our debut album set to release in early 2024. Credit: provided by band MaM : Give us a brief history behind the band name. Obviously, it speaks for itself, but I’d like to hear your take on it. MH : So, the name just came from us brainstorming band name ideas. Holden came up with the name Life Ø n Mars as a reference to the David Bowie song. Max had the idea of putting the accent on the ‘O’ to make it look like a planet and make it look more original. MaM: How did you hear about Rad Fest and what expectations do you have going into the festival? Will your set list have a few surprises? MH : We heard about Rad Fest from our friends who played the festival last year and we’ve been working really hard this year and then we got invited to play. We are super stoked to be a part of this new Lafayette staple in our scene. It really brings everyone together and we’re excited to be a part of this year's festival. As far as surprises go, we may be debuting a new song set to be on our album. Stay tuned! Credit: provided by band MaM : If you could share the stage with any well-known band in the future, who would it be? MH : A dream show of ours would be to play with Knocked Loose and Alpha Wolf . They have really inspired us. We have also seen both bands a couple of times. MaM : What are the aspirations for the band long term? MH : To make music that people enjoy and to create a live experience that leaves our audiences with memories they will never forget or to inspire those to pick up an instrument or start singing. Music is a powerful thing. We love seeing more people in the scene. To check out the music of Life Øn Mars in preparation for Rad Fest, be sure to hit one of the links below, then show them some love by following them on social media. YouTube : Life Øn Mars - YouTube Instagram : LIFE ØN MARS (@lifeonmarsofficial) • Instagram photos and videos Facebook : www.facebook.com/lifeonmarsofficial Twitter : X (twitter.com) Apple Music : ‎Life Øn Mars on Apple Music Spotify : Life Øn Mars | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

No love songs this month! < Back Way Back When: The Love Month Playlist Picks Nicole Brice Feb 4, 2025 Share No love songs this month! It’s the love month … the month I despise because of all the mushy gushiness … in light of that, these are NOT love songs. Enjoy! 1. Incubus - Redefine Incubus has certainly come a long way since this banger was released. I remember seeing these guys open for 311 and No Doubt at the Baton Rouge River Center in the 90s. What an insane show! This song is fantastic. Turn it up loud! 1997 https://www.youtube.com/watch?v=1KOS-dQ9wOw 2. Less Than Jake - Johnny Quest (Thinks We’re Sellouts) I may or may not be humming this as I write this. Johnny Quest thinks we’re what? One of the best LTJ songs ever. 1996 https://www.youtube.com/watch?v=TRJlTr50zAk 3. Marilyn Manson - Dried Up, Tied and Dead to the World In my opinion, Antichrist Superstar is one of the best Marilyn Manson albums, and this song was my jam back in the day. 1996 https://www.youtube.com/watch?v=_5MHmr9nHk4 4. Hole - She Walks On Me She walks … over me … (I’m humming this song, too). Live Through This is one of my favorite albums of all time. Amazing song. Amazing album. 1994 https://www.youtube.com/watch?v=Ap5RglaNui0 5. Stabbing Westward - Dead and Gone With the re-emergence of one of my fave bands of all time, Stabbing Westward , comes this banger. “How can I go on? When my last hope is gone?” 2022 https://www.youtube.com/watch?v=s2c2xW78t6U Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chris Pryor & The Main Event melds classic rock riffs with soulful country vibes for a solid first release. < Back Chris Pryor and The Main Event Hit the Ground Running with Debut Single Nicole Brice Jul 5, 2024 Share Chris Pryor & The Main Event melds classic rock riffs with soulful country vibes for a solid first release. Louisiana-based country band Chris Pryor & The Main Event released their debut single via a lyric video today, and the full release is coming next week. Written by Chris Pryor and Kenny Kleinpeter, “Just Take a Look at Me” perfectly blends country and classic rock reflecting the band’s Southern roots. With Chris Pryor’s heartfelt vocals, the emotion in each word is so deep that it connects with the listener on a profound level, evoking a sense of empathy for the song's narrator. Coming from someone who does not prefer to listen to country music , I enjoy this song. Now, this is just my interpretation of it, but you can interpret the lyrics as you will … it’s the story of a guy down on his luck at the bar on another lonely night when he sees an angelic woman enter. He is instantly drawn to her beauty and tells her how he could be the right man for her from across the room in his thoughts. The song ends as the night is ending, and he's bringing her home, and the narrator finally gets the woman to indeed look at him. Chris Pryor has said of the creative process for how the song came together, “I began writing the song in 2021. It sat dormant for two years, and then in January of 2023, I handed it over to Kenny to try to develop a country rock concept for the song. He finished the third verse and created a demo, and we didn’t touch it again until January of 2024. We began recording it on March 9th, 2024, and spent two weeks back and forth in the studio for all the sessions.” Credit: Facebook Recorded by Faith Pierce in her home studio in Baton Rouge for a Berklee College of Music Project and mastered by Audiosmith Studio in Prairieville, “Just Take a Look at Me” is a solid first effort for this up-and-coming group. “The inspiration for the song was my lack of ability to write upbeat, high-energy music, and I set out to write just that with this song. Usually, my writing consists of slower-tempo country songs, and with this song, I wanted a more 'rock' style,” says Pryor. Formed in 2022, Chris Pryor & The Main Event has been a forceful presence in the local cover band music scene. Now, with the debut of their first song of original material, they are showing that they are more than just a band that can sing others’ music. The line-up includes Chris Pryor (Lead Vocals and Harmonica), Kenny Kleinpeter (Lead Guitar and Backup Vocals), Bill Ourso (Bass Guitar and Backup Vocals), Hal Higgins (Steel Guitar and Backup Vocals), David Averett (Keys), and Jory Chauvin (Drums). “The studio opened our creativity, so we now have 14 more songs to work up, and we are taking our next single, 'Nothing Without You,' into the studio later this month. We plan to release a new single every two months until we have enough to release our first EP.” "Just Take a Look at Me" is a promising start for Chris Pryor & The Main Event . I eagerly anticipate their future creations and the unique blend of country and rock they will bring to the music scene. The new single officially drops on July 12, 2024, so be sure to add it to your list of songs to check out NOW. In the meantime, check out the new lyric video below. https://www.youtube.com/watch?v=CiirNLUzX7U The song has also been accepted for James Gilmore’s "Made In Tiger Country" show on 100.7 The Tiger WTGE , which airs on Sundays between 6pm - 7pm, so be sure to try and catch it then. The official release party for "Just Take a Look at Me" is scheduled for July 12, 2024 at Little Nashville Dance Hall in Denham Springs with the party kicking off at 9pm. For more information about Chris Pryor & The Main Event , just hit one of the links below: www.maineventrocks.com Louisiana's Electrifying Powerhouse | Chris Pryor and The Main Event Unleash the charismatic powerhouse of Louisiana's music scene with Chris Pryor and The Main Event. Meet our band members, Kenny Kleinpeter, Mike Ducote, Jay Cudd, and Jory Chauvin. Experience extraordinary talent, seamless transitions, commanding presence, and irresistible energy. Facebook Chris Pryor & The Main Event (@maineventrocks) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. < Back Revisiting the Roots: The Fremonts Release Remastered Classics Nicole Brice Jul 25, 2025 Share The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Though The Fremonts are new to me, they have been making music together for over a decade. After sold-out performances of their original cabaret in New York City , Colorado , Massachusetts , and at the Edinburgh Fringe , as well as a cultural ambassador tour through Tajikistan with the U.S. State Department , they returned to the studio to develop a new album. However, life presented unexpected mid-life challenges, leading them to pause their latest projects and focus on remastering their existing full-length albums, We Don’t Live There and The Failure Cabaret . Those updated versions are now available on all streaming platforms. Discovering new music is an exhilarating experience; it feels like uncovering a hidden part of yourself that you didn't even realize was missing. I feel this way about The Fremonts' music . It’s warm, soulful, and steeped in the spirit of storytelling. Their sound is nostalgic yet refreshingly original. In addition to their remastered albums, The Fremonts have released a new music video for their song ‘ Ketamine Happy Hour ,’ which humorously reflects on their experiences with alternative therapies for depression. https://www.youtube.com/watch?v=vqxJI5cjLtk Video for 'Ketamine Happy Hour' The Fremonts combine Americana music with storytelling in a theatrical cabaret style . Stephanie Dodd , from Fremont, Nebraska , and Justin Badger , from Fremont, California , have refined their music through years of professional acting experience. They have recorded two full-length albums , toured extensively, and received rave reviews for their original cabaret performances in the U.S. and at the Edinburgh Fringe. The duo currently resides in the Berkshires of Western Massachusetts . It’s challenging to define The Fremonts ' sound completely, but I would say it leans more towards Americana than anything else . Americana music is classic and timeless because it draws from the roots of American culture, blending elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Credit: Eric Limon To celebrate their new releases, The Fremonts will be performing a series of shows in the Berkshires and the Hudson Valley this August. The performance dates have just been announced, so be sure to catch a show. In the meantime, let’s explore their latest work together! The Fremonts' show schedule WE DON’T LIVE THERE Since this is my first time listening to this album, I would like to share my thoughts. Stephanie’s vocals are angelic, carrying a soothing quality. Each song tells a story, painting a vivid picture in the mind. The music on this album is wonderful; I can’t think of any other word to describe it. Standout tracks: Tillman’s Wall – The beginning of this song is nothing short of epic. The sounds intertwine into a massive composition, and when Justin’s vocals kick in, it just builds and never lets up. It’s simply fantastic. Tell My Mother – Everything about this song is impressive. I often find it challenging to articulate what I love about a song, but this one is a toe-tapping singalong tune, and it’s phenomenal. Who Fears the Devil – This is a powerful track full of layers, and Justin’s vocals are flawless on this one. Album cover by Emilie Druss and Matt Lowber THE FAILURE CABARET The Failure Cabaret is an album that features a diverse range of sounds and textures, making it a truly enjoyable listen. Every track feels like a road trip through emotions. Standout tracks: Find Me – starts with a heavy groove and Stephanie's vocals take over, building to a chorus filled with conviction. I was nodding my head the entire time while listening to this track. Gravity – just plain beautiful Ketamine Happy Hour – such a fun song, and the video is even more fun. Album cover by Emilie Druss and Matt Lowber The latest releases from The Fremonts infuse new energy into the band’s already captivating catalog. They maintain the emotional depth and vintage charm of the original tracks while delivering a richer and more immersive sound experience. Whether you are a longtime fan or new to their unique blend of Americana , blues , and rock 'n' roll , these updated versions are a perfect way to rediscover or fall in love for the first time with the raw storytelling and musical craftsmanship that define The Fremonts . Go check them out today! **cover photo by Eric Limon To learn more about The Fremonts: Bandcamp: The Failure Cabaret (2025) | The Fremonts YouTube: The Fremonts - YouTube Apple Music: ‎The Fremonts - Apple Music Spotify: The Fremonts | Spotify Website: The Fremonts www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Music of Tyler Underwood < Back Authentic, Heartfelt, Soulful, and Deep Keeley Brooks & Nicole Brice Mar 17, 2023 Share The Music of Tyler Underwood Every once in a while, a new artist appears on scene with music so relatable, you can’t help but get lost in nostalgia when listening to his/her/their tunes. Tyler Underwood is one of those artists, and you’re gonna want to stay with us on this one, because this kid is the picture of resilience and perseverance. Underwood is a singer/songwriter, musician, and producer based out of Florence, Alabama. Born as the youngest of five children, he has lived a rough life, but that has never stopped him from being creative or longing to make music. In fact, his early experiences are what drove him to seek refuge in creating music. Soulful and melodic with heartfelt lyrics is the best way to describe Tyler’s sound. He has quite an incredible story to tell, and we are thankful he reached out to us so we could stumble upon his talents. His beats are catchy, relaxing, and smooth, and the song lyrics resonate deeply on every level. With thought-provoking imagery strewn throughout his tunes, Tyler’s exceptional use of words makes for a vivid listening experience. To be quite honest, his music reminds us of Jason Mraz but with an edge. It's that feel-good singer/songwriter material that one puts on in the car to sing to at the top of their lungs. To give you guys a better understanding of who Tyler Underwood is, we threw him some questions recently, so get ready, because he’s got one hell of a story. Photo provided by artist MaM : So, Tyler, thanks so much for chatting with us about your life and music. Why don’t you give us a little background on who you are. TU : I was born in Florence in 1993. I'm the youngest of five. My dad was in prison most of my life, so some of my earliest memories were staying in hotels just to go and visit him on occasion. My mom was a rockstar taking care of five kids on her own. We moved around the [Muscle Shoals area] for a while until I was 12. My mom and brother and I moved to Georgia because my brother had some run ins with the police, so we tried to escape. We rented a room out of someone's house and worked on a farm to pay for the stay and food. It was later found [out] that I wasn't going to school and there was a lot of drug activity going on in the house, so I was taken from my mom and placed in a group home. My brother ended up getting caught and sent back to Alabama. My mother didn't really have a place to stay in Georgia, [so] she moved back to Bama. After being in the group home for a couple of years, it was almost time for me to go home. My mom finished all paperwork and passed inspection for them to send me home. A couple months later, she passed away due to Emphysema. After her passing, I chose to stay in the group home. I felt like there wasn't nothing [sic] good for me back home. I probably would've dropped out of school or got into drugs. Luckily, I had a loving support group at the Open Door Children's Home, [and] that made me feel … safe enough to live there and see the other guys that lived there as family. It was around this time that I started writing songs and making music. I formed a rap duo with my best friend, and we began working on songs for mixtapes. MaM : Wow, that’s a lot to deal with at such a young age. We’re glad you found music both as an escape and as a way of connecting to who you are. TU : Yeah. I went on to graduate high school in 2012 while working at a radio station and a local restaurant, [then] I enrolled in the Atlanta Institute of Music to pursue an associate degree in audio recording and production. … During that time, I was freelancing as an audio engineer and producer, recording rappers and singers in my bedroom, and mixing and mastering their songs. After graduating in 2014, I started my own production company by the name of The Lokkz Music. I would have artists bring me basic structures or ideas of songs and I'd produce full-fleshed songs for them. After doing that for three years, I became frustrated, because most of the artists I was making songs for weren't pushing their music like they should. I just felt like we made beautiful music that just landed on deaf ears, so I began to focus back on making my own music. After going through a tough breakup, I had nowhere to go and was basically sleeping in my car trying to keep things going. After about a month, I finally bit the bullet and decided to move back to Florence and start over. I put a pause on most of my music work and got a job serving tables. After going from job to job, place to place, and going through another failed relationship, I finally set my studio back up and started working again. I started recording songs and … learning covers to start doing shows. For the second half of 2020 and all of 2021, I did shows all over the southeast. I went to Key West twice, traveled to Atlanta almost every weekend, and slept in my car just to play shows. At the beginning of 2022, I decided to take a break from shows so I could be home with my dogs and continue to craft songs for my first album. I'm currently working on finishing up that album and releasing content consistently to stay engaged with my fans. Photo provided by artist MaM : If you could describe who you are at your core, how would you do that? TU : At my core, I'm a lover and a curious child that oohs and aahs at all the wonderful things in life. For some, it takes a lot to be happy, but for me, just watching how beautiful a tree is when it sways or hearing how elegant a bird sings is enough for me. I have ambitions, and I'm passionate about my craft and about people leading lives they are truly satisfied with. I've studied a lot of Buddhism and eastern philosophy, and I've learned that life is made up of our perceptions and thoughts. No matter what you are going through, you can always find beauty and peace within. MaM : True dat! What a great outlook. So, you're both an artist and a producer. Tell us about that, and which came first. TU : I pretty much started doing both at the same time. When I was a kid, I would sing along to Elvis’s songs and 90’s / early 2000’s R&B. When I was 12, I started writing poetry and rap verses over Tupac’s songs. I soon fell in love with writing. I started learning guitar and piano at the age of 14 and by 15, I decided I wanted to be a rapper/producer and started learning as much as I [could] from books I found or that were given to me. The first song I ever made [was recorded] on an old Yamaha keyboard that allowed up to five tracks of recording. I would play the full length of each part of the song because it didn't have the capability to loop. I then played the beat and recorded it with the microphone on my MP3 player, [then] I connected my MP3 player to my computer and transferred the recording of the beat. I remember I had this crappy headset with a microphone on it. I used that to record the vocals and then went into Adobe Audition and lined the vocals up with the beat. And that was how I made my first song. As an artist, I see myself as someone that just likes to bring ideas to life. I've always had a creative mind. I've just always been on the search for tools that let me manifest that into reality. As a producer, it's pretty much the same. I'll take ideas that are merely skeletons and create a whole village out of it. MaM : Have you always had musical talent? TU : I haven't really always had musical talent. I learned [that] through passion and curiosity. But I've always loved music. It's always been at the forefront of everything for me. Even as a four- or five-year-old kid, I was drawn to music for some reason. I was always watching music videos or listening to what my siblings and parents were listening to. MaM : What made you slide into producing as well? TU : I've just always been a DIY type of person. So, naturally I just wanted to involve myself with every step of the process of making music. MaM : What instruments do you play? And tell us about your singing/rapping. From where does your sound originate? TU : I mostly play piano and guitar. I can also work my way around a sampler and drum machine. I'm pretty well versed in engineering, [and] I love working on analog consoles and getting my hands on actual gear, but most of the engineering work I do is in the box, meaning I mainly just use digital plug-ins that emulate real-life gear. Photo provided by artist MaM : Who would you cite as your influences? TU : Musically, my influences have always been Tupac, Bob Marley, Pink Floyd, Kanye West, Kendrick Lamar, J. Cole, John Mayer, Bon Iver, and just a bunch of random bands and artists that my family grew up listening to. MaM : Do you have any albums or singles currently out or coming out soon? TU : I am currently working on my first album, but instead of releasing it all at once, I'm releasing one song at a time like how TV shows release an episode at a time. I plan on having some type of visual representation for each song as well. MaM : Right on. Did you have any singles drop in 2022? TU : ‘Right Thing’ released last year. It’s about being in a place out of comfort but not happiness … realizing you’re not happy in that place, but it’s just easier to stay. So, it’s about that and making the decision to let it go and move on. Because that’s the right thing to do. https://www.youtube.com/watch?v=-Q0wN-dq1as MaM : Have you released anything this year? TU : [Earlier this year], I released ‘Pranayama.’ It’s about learning to breathe—truly breathe—and just accept events in your life. Whether they are positive or negative depends on your perception of them. You can find positive in negative and vice versa. Learning healthy ways to deal with hardships is very important. It’s so easy to fall into the deep end, but if you take some time to learn techniques, such as meditation and pranayama (Sanskrit for breathwork) , you end up growing into a strong and peaceful being that doesn’t easily get defeated by its demons. https://www.youtube.com/watch?v=EQCW9qpZKo0 MaM : Are these songs on the same album? TU : At this moment, both songs are singles in their own space but will eventually be a part of an album. The details on that will be revealed later. MaM : Any live shows? TU : I don't currently have any live shows booked, but I am working on getting a band together to tour for the album. MaM : What's the overall message in your music for people? TU : To me, music has always been therapy. When I go through things, I always turn to music to [guide] me. It started as just listening but then grew into writing music as therapy. So, I aim for my music to be a voice for those that feel like they don't have one, a shoulder to lean on, and a message to inspire. My music is relatable and very personal. I try to be very transparent in my lyrics. I also talk about things that could possibly help others lead better lives, mindsets to use as tools to make it through this rough experience of life. And there you have it, people. This kid is a fighter who has some talent and a clear vision of what he wants and where he’s headed with his music. We highly recommend checking out his carefully constructed beats full of premium quality instrumentals and heartfelt song lyrics. Before you know it, they’ll snag hold of you and have you listening on repeat while you do whatever it is you do with your time. Visit Tyler’s Linktr.ee for more music, videos, and links to his social media. *photos and video provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Cinder’s new song blurs the lines between shoegaze, industrial, and grunge. < Back Reviews on the Real: Breathing by Cinder Nicole Brice Jul 18, 2025 Share Cinder’s new song blurs the lines between shoegaze, industrial, and grunge. UK-based band Cinder has returned with their latest release, ' Breathing ,' a magnificent song filled with fuzz and distortion that is sure to captivate you. This track creates an alternate universe where, if Robert Smith had founded Deftones , the result might resemble this sound. Still, in all honesty, it reminds me more of what might happen if Catherine Wheel and My Bloody Valentine had a musical collaboration, with a touch of Nine Inch Nails added to the mix. Truly, Cinder’s new song blurs the lines between shoegaze , industrial , and grunge . Released July 16, 2025 ‘ Breathing ’ is a slower track, but everything about it resonates. The spoken word section, which begins around 2:07, enhances the melancholic vibe before the song transitions into a glorious, fuzz-filled guitar solo. It then returns to the chorus. As I listen to ' Breathing ,' I can envision a backdrop behind the band performing the song, complete with psychedelic visuals to accompany it. This is one song you need to check out now—it's that good. In keeping with the spirit of the band's previous release, ‘ Impermanence ,’ this new track showcases Lewis's talents as he expertly handles the vocals, synths, and overall production, creating an immersive soundscape. Cal plays lead guitar on this track, except for the outro, where both Daniel and Cal play rhythm guitar, with Zach on drums. https://www.youtube.com/watch?v=0BfoQmWHk64 'Breathing' by Cinder ‘ Breathing ’ is a living entity you need to enjoy with headphones, so stream it now . To learn more about Cinder: Instagram Cinder (@cindernoise) • Instagram photos and videos Website: cindernoise www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Beyond Secret Smoker and Heavy Mantle < Back When Punk Turns Acoustic: William Edward Thompson Nicole Brice Feb 17, 2023 Share Beyond Secret Smoker and Heavy Mantle Being a native of South Louisiana and born and raised near Baton Rouge , which was always a short distance away from me, my late teens and early 20s were spent immersed in all the local music the various scenes had to offer. Over the years, though, adulthood would lead me to no longer be part of those scenes that molded and shaped me as a youth, and so, many local acts were lost to me over the years. The recent discovery of the local projects associated with William Edward Thompson led me to want to know more about this man with the incredibly expressive lyrics and perfect screamo voice resembling Geoff Rickly from Thursday . Involved in numerous projects throughout the years like Girl Scout Heroin and Jenaset , William is currently wrapped up in Secret Smoker and Heavy Mantle . His knack for writing poetic and insightful lyrics places him in the “need to know” category of musicians. Citing the skate culture that defined him as a child, William’s interest in music grew out of the environment around him. Credit: Gary Governale As a multi-talented artist, William not only sings, but he also plays bass, guitar, and drums. When asked about his different talents, he modestly acknowledges his abilities. If I could describe William Edward Thompson in one word, it would be humble. With his acoustic tunes, his voice turns away from the tone used in his other projects and instead is replaced with a softer, more genuine one. Truly, Thompson’s sound is both exceptional and classic—his colorful use of words creating an imaginary landscape full of symbolism. His thought-provoking lyrics on his upcoming new solo single make “ On Your Way ” a song you must listen to; it releases February 24 via Protagonist Music. A full-length LP is planned for release later in the year from Protagonist Music as well. Soft-spoken, polite, and modest, William Edward Thompson , known to most as Billy , possesses a rare vibe mostly absent from the scene these days—a vibe evoking the nostalgia of the iconic James Dean . His music, vibe, and charisma will draw you right in. Credit: Gary Governale MaM : Thank you for carving out some time for me. I appreciate it. What led to you wanting to make a solo record? WT : I started playing acoustic more during the pandemic, and that’s what kind of prompted it. I was listening to a lot of acoustic stuff and solo artist stuff, and it influenced me in a way. Mark from Secret Smoker and I also did a cover of a Small Brown Bike song for one of their compilations with some other artists. They are my favorite band. Mark recorded the acoustic with his cell phone and I sang over it, and I thought, “Hey, this doesn’t sound bad. This can be done.” I kind of looked around at the genre we focus on, and there are not a ton of people doing acoustic stuff in our community of hardcore and punk, and I just wanted to bring it out and do it. MaM : What would you say the direction of the solo album is artistically? WT : So, with all of my bands, the music has always been full of complex sounds and rhythms, and I wanted to make it as simple as possible. When I approached the acoustic material, I thought, ‘How can I make this simple and as straightforward as possible?’ Even more so, my most recent band Heavy Mantle, that’s the direction we have been going as well. I just wanted to make an album that anyone could say, ‘Hey, I can play that. I could do that.’ MaM : What inspired the songs on the upcoming album? WT : I’ve been reading about Dharma Art for several years now, and I kind of take that approach with writing and with lyrics, too. I try to not make them overly complicated. A lot of it just comes to me. Sometimes I just sit down with a guitar and the lyrics come along with the chords. It goes back to serving the song. They’re just poems. That’s all they are. It’s not like I go, ‘This is going to be a poem, and I’m going to make it out into a song.’ It happens. It just happens in the moment. With cell phones, too, I can record anything, and it makes it much easier to retain what was written in that moment. Credit: Gary Governale MaM : Have all of the songs been written for the upcoming album, or is it still a work in process? WT : The album is done. I’m still writing more songs, though … always. MaM : So, you’ve already decided on a set number of songs for the album and you’re not going to add anymore? I’ve heard you always seem to have a ton of songs written. WT : Nope. This album is done. The A and B side is done. It’s going on vinyl. That’s probably going to come out in late summer/early fall depending on the pressing plant. The single ‘ On Your Way ,’ which I recorded on my cell phone … I wanted to keep it in its purest form … [it] came out really good, surprisingly, is being released on February 24th on all platforms. Credit: Gary Governale MaM : How many songs are going to be on the new album? WT : I think we ended up with ten or eleven. I can’t remember the number. MaM : Which of your many guitars did you use to record this solo material? WT : I’ve got a Gibson Acoustic that I used. I just like the tone of it. It sounds good. Credit: Gary Governale MaM : Have you decided on a title yet for the upcoming LP? WT : The LP will be called ‘ Sleep Test ,’ which is also the title track on the record. MaM : We look forward to checking it out and good luck with all you currently have in the queue. ' On Your Way ' is out February 24th on all streaming platforms. To learn more about William Edward Thompson , his music, and his bands, visit his social media platforms. William Edward Thompson | Baton Rouge LA | Facebook secret smoker | Facebook Heavy Mantle | Baton Rouge LA | Facebook Secret Smoker (@secretsmoker_the_band) • Instagram photos and videos Heavy Mantle (@heavymantle) • Instagram photos and videos @williamedwardthompson666 • Instagram photos and videos Weights & Measures | Heavy Mantle | Tor Johnson Records (bandcamp.com) Dark Clouds | Secret Smoker (bandcamp.com) Terminal Architecture | Secret Smoker | adagio830 (bandcamp.com) Split 7" | Alarms & Controls / Secret Smoker | PROTAGONIST MUSIC (bandcamp.com) *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or Comments? E-mail the_nicolebrice@mixedaltmag.com Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. < Back Separatr: Making Innovative Noise Pop Waves from Asbury Park Nicole Brice Feb 20, 2024 Share Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. Have you ever had a band instantly resonate with your energy on many levels? For me, it does happen every so often, but the music must have the right combination of noise, groove, rhythm, and melody. Having recently learned of a noise pop duo out of New Jersey called Separatr from one of my favorite humans, Jeff Crespi, I decided to check out the band’s body of work. One listen to their EP “ Queen Ace ” on iTunes was all it took. I was hooked. Not only is the music tightly produced, but the artwork for the EP cover fits the mood and vibe of the tunes perfectly and the vocals are insanely good. Electronic music has always been a favorite of mine because of how it has revolutionized the industry with its distinctive style. Its rhythmic beats, synthesized melodies, and intricate production techniques make it a genre that continues to evolve and push the boundaries of musical creativity. With raw unfiltered energy, Separatr ’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. From the pulsating synths on ' Obvious ' to the sonic rhythms on ' First In Line ', the Queen Ace EP explores a bevy of themes such as self-discovery, inner struggles, and societal observations. Credit: Jeff Crespi The embodiment of perseverance, drive, and dedication, Separatr is made up of vocalist Stephanie and her producer husband, Joe , who are currently embarking on a new direction with their music careers having recently relocated from Bellingham, Washington in 2023 to Asbury Park, New Jersey . Because of the intense scene the area has to offer, the duo chose New Jersey to continue their creative endeavors and they currently have many projects in the works. Mixed Alternative Magazine had the opportunity to chat with this up-and-coming duo recently to discuss their cross-country move, influences, and aspirations for the future, so take a moment to learn a little more about Separatr . MaM : You guys are from Bellingham, Washington, and are currently residing in Asbury Park, New Jersey. What was it like completely transplanting your life to move to a new area? How difficult was it to initially break into the scene in Asbury Park to start booking shows? Joe : It’s been great actually. The scene here is so supportive and welcoming. We’ve only been in Asbury since June 2023, but many people have heard our story and think it’s really cool. It’s actually how we’ve gotten a few shows. It’s really refreshing. MaM : What initially got you both into music to where you wanted to make your own? Stephanie : We both always have been into the idea of playing and performing. I’ve always been a singer. Growing up, people would tell me I had a good voice, and I tried to learn guitar, too, but I was just never truly into it, but I can play a little. I’ve always been a singer and a songwriter, though, but it was always in the back of my mind that I would do something with it. When Joe and I met, it started becoming more serious. Credit: Jeff Crespi MaM : Tell us a little more about how the name of the band came about. I read that you took inspiration from a Radiohead song for the name. Joe : I liked the word graphically with how it looks, and it also is a little inside joke, too, since Radiohead is named after a Talking Heads ' song. So, it’s kind of like Talking Heads , Radiohead , and then Separatr . MaM : It’s a very unique name and it sets you apart. Now, as far as influences go with you guys, I made some notes. I wrote down if the Yeah Yeah Yeah’s met 12 Rounds and Kite Base and had a baby, then that would be Separatr. Who do you cite as your ultimate influence, though? Joe : I think that’s the first time I’ve heard someone else mention 12 Rounds . Atticus Ross – anything he does with Trent is amazing, but he’s pretty much part of Nine Inch Nails now, and it’s weird to think of them as a duo, but anything those two do is a huge influence on my production style. Stephanie : For sure, one of the first bands that we talked about when we first met was the Yeah Yeah Yeah’s . They were a big one for both of us. Joe : Yeah, I gave you a leaked copy of " It’s Blitz! ” before it came out. Stephanie : I had gotten into them with “ Show Your Bones ” and I love “ Fever to Tell ”. Certainly, Karen O is an influence on our music in a big way, and her range, too. You hear that with my singing, too, the way she’s not afraid to go crazy with her singing and then be delicate. Vocally, The Kills are an influence, too, with them being a duo. No Doubt and Garbage were huge for me growing up also. Gwen Stefani is a big one as well. Credit: Photo provided by band MaM : How would you describe the type of music you make for those not familiar? Joe : I like the term noise pop and anything that incorporates pop … alt-pop or dark pop . I think it really sets us apart from just being a rock band. Even locally, we try to make sure we play shows with other pop acts. We can get pretty loud and rocking, though, so for me, it’s more like a study in dynamics bringing in the loud/quiet/loud structure. MaM : Take us through the creative process. How do you come up with new concepts for songs? Joe : It’s always changing. Usually, I’m doing the production side by developing the sound. Stephanie writes the lyrics. We then come together to record vocals, but it’s ever-changing. MaM : As far as collaborations go, are there any musicians you want to work with in the future? Joe : I want to do a song with Blaise . Stephanie : He’s a local singer up here. We just performed a show that was a winter prom theme here in Asbury and it was our first time playing a show with him. He’s just a character and really talented. Credit: Jeff Crespi MaM : I haven’t heard of him but am going to look him up when we get off this call. If you had the opportunity to open for any major acts, are there any that you would just jump at the chance? Joe : Oh wow, that’s a great question. My mind goes to Sleigh Bells , but then that would be too similar to what we are doing. I’d open for Nine Inch Nails . Definitely. Stephanie : Yeah, totally, but there are so many that would be amazing. Joe : Or maybe even some big pop star, so we could have one foot in the pop world. MaM : If you weren’t doing music currently, what would you be doing? Joe : If I wasn’t doing music, if that somehow was not in my DNA, then I think I would be doing something with broadcasting. Looking back now, I wish I had gone to school for broadcasting. What I love about this band is making the content, doing live-streaming, video production, all of that. Stephanie : It’s an interesting time to be in music because there is so much more accessibility to produce your own music. That also means that it’s harder to make headway because there is so much going on. Credit: Jeff Crespi MaM : Do you have a favorite song to perform? Joe : It changes so much. I would have to say, ' Deadstock '. Stephanie : I agree with that as well. Often, it’s whatever the newest song is. “ Deadstock ” has been really fun to perform live because it’s a bit different for us. At the prom show we played recently, everyone did a cover, and we did, “Take My Breath Away”. It was a lot of fun. Joe : I put some big heavy fuzz guitars over the chorus for ' Take My Breath Away' , which gave it a different sound. MaM: I would love to hear your rendition of that. Such a great song. Do you plan on releasing a cover of that? Stephanie : I think we will. We had several people coming up to us after telling us we should, so hopefully soon. Credit: Jeff Crespi MaM : What does the future hold for Separatr? Stephanie : We’re excited about some upcoming shows we have planned, and we should have some more music coming out this year at a more rapid rate. Joe : We’ve been doing this for a long time, but Separatr still feels like a new thing and we’re still learning and growing our community, so much more to come. Separatr is not just another band in the music industry; they are a breath of fresh air and a beacon of innovation. As they continue to evolve as a band, they are destined to leave a huge mark on the industry, so stay tuned and be sure to check out all their current music on your favorite streaming platforms. Bio Link: separatr Bandzoogle: Separatr ( bandzoogle.com ) www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . A huge thank you to Jeff Crespi for all of the amazing photos. Visit www.jeffcrespirocks.com to view more. Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. < Back Reviews on the Real: Megahera J. Heist Nov 1, 2025 Share This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. Founded on October 11, 2008, by Sardinian singer and guitarist Mario Marras, Megahera was created from a strong desire to revive the sound and vibe of the 1980s. The name "Megahera" combines "MEGA" (meaning "great") and "Hera" (meaning "era"), reflecting the band's connection to the vibrant period in music history known as the 1980s. Credit: Megahera Drawing inspiration from various 1980s bands, Megahera developed a unique blend of NWOBHM (New Wave of British Heavy Metal) and Bay Area Thrash . Following the release of their demo, the band received praise from both fans and the media. They were invited to participate in the Eventi Metallici Fest , a well-known competition for metal fans in Sardinia , where Megahera won the final session, sharing the stage with special guest Paul Di'Anno , the former vocalist of Iron Maiden . During an active touring period, the band diligently worked on their first album, Metal Maniac Attack , released by My Graveyard Production in 2011 . To promote their debut, the band organized their first Australian tour, called the Insanity Attack Tour , in collaboration with Metal Evilution Organization (Australia), performing a series of shows worldwide. While in Australia, Megahera also released the EP Leather in London . Today, Megahera continue to produce new music, and we would like to recommend them if you're not yet familiar with their work. What do I love more than '80s thrash metal ? Bands that keep the genre alive! I just listened to their song ' Before the Night ' from their debut album, Metal Maniac Attack , and it's an absolute banger. I am hooked. ' Before the Night ' is fast paced from start to finish, with no breaks, making it the perfect song to introduce you to Megahera . The drums are relentless, the vocals are in-your-face, and there are not one, not two, but five guitar solos—count them, five! Who else does that? Megahera does. This song could easily fit on Kill 'Em All , and I bet the guys in Metallica would agree. This four-piece powerhouse is taking nostalgia to new heights in the thrash metal scene. So, check out ' Before the Night ' first as your introduction to Megahera , and then indulge yourself in their latest release, Back to the 80s , which was released on August 22, 2025 . Back to the 80s is a non-stop ride of pure thrash metal goodness. Released August 22, 2025 I just gave you a new favorite band to add to your list, and I promise you won't regret it! Peace, love and music -J Heist To learn more about Megahera: http://www.megahera.net www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

During this content drought, get lost in these epic historical fiction and fantasy series! < Back Historical Fiction and Fantasy Series to Binge Keeley Brooks Aug 29, 2023 Share During this content drought, get lost in these epic historical fiction and fantasy series! So, who’s feeling the effects of this continuing writers’ strike and subsequent content drought? Because I know it’s not just me. When the line was drawn in the sand in Hollywood months ago, I held out hope that studios would do the right thing; good thing I’m not holding my breath. Summer is a time of year when we are usually inundated with new streaming content, but this season offered slim pickins. If you find yourself flying through your queue content, now looking for something to get into while you await the next big series release, you’re in luck. Here are some of my favorite historical fiction and fantasy series sure to keep you entertained, worth a really good binge . BARBARIANS Created by: Barbara Eder, Stefan Ruzowitzky, Steve Saint Leger, & Lennart Ruff Where to binge it: Netflix Barbarians is a high budget German historical war drama that dropped on Netfix in 2020 right when we were all confined to our homes during COVID. That’s probably the reason this series soared in popularity: Everyone was home to see it. If you’ve yet to indulge, now’s your chance. Barbarians tells the story of what happened during the Roman Empire’s occupation of Germania—namely the resulting rebellion of the Germanic tribes during the Battle of Teutoburg Forest around 9 A.D. The Battle of Teutoburg was pivotal during this time because it was under the cover of darkness when an alliance of Germanic tribes targeted their oppressors. The result? Destruction of three Roman legions. Boom. Barbarians tells the story of three friends whose fates are intertwined in fighting for their freedom and dealing with the drama of love, loyalty, and betrayal. Barbarians is full of action, heavy on the bloodshed, and loaded with high production value, solid acting, and some pretty sweet camera work and effects. Currently there are two seasons around the Battle of Teutoburg, and while it’s yet to be announced, it’s assumed that season three will focus on the aftermath of conflict. Bring it on, Netflix! https://www.youtube.com/watch?v=-cA7kwBSUaU BRITANNIA Created by: Jez Butterworth, Tom Butterworth, James Richardson, & Terry Cafolla Where to binge it: Prime Video, MGM+, Fubo, Sky & Now, Apple TV Swords, sorcery, swears, and sassiness … and Romans and Druids—that’s the good time Britannia presents to us all wrapped up in a nice little bow. The series landed on Prime Video in 2018 then was picked up by EPIX in 2020 for Seasons 2 and 3. Sadly, and disappointingly, EPIX scrapped Season 4 (booo), a decision that left all of us fans on the edge of our seats craving closure to this fantastic drama series. They blamed it on COVID. Set during the primitive and mystical times of 43 A.D., Britannia follows the Roman army in their quest to conquer Britain after Caesar’s failed attempt 90 years prior. This mystical land, as we learn right off the bat, is home to some pretty tough, wild, and mouthy female warriors and powerful Druids, who have the unique ability to channel the mysterious forces of the Underworld. Britannia is an enthralling tale of extreme power struggles and clashing cultures in a gripping narrative that breathes life into this robust selection of characters, each with their own abilities, motives, and loyalties. Britannia stars Kelly Reilly ( Yellowstone ) as a powerful Celtic warrior and David Morrissey ( The Walking Dead ) as Roman General Aulus Plautius, who went on to become the first governor of this newly conquered land. It also stars MacKenzie Crook , whom you may best remember as the dude who kept losing his eyeball in the Pirates of the Caribbean movies. While both Reilly and Morrissey richly embody the characters they portray, Crook is the one who steals the spotlight in every single episode he appears. MacKenzie Crook as Veran, the powerful Druid leader Britannia focuses on Rome’s effort to crush the Celtic tribes, who just so happen to be divided and at war amongst themselves. At the same time, it also follows a great prophecy that exists and rolls off tongues from tribe to tribe: A “Chosen One” will save her war-torn land from the Romans. However, that prophecy falls into jeopardy with the arrival of “The Dead Man” (also played by Crook), which sets into motion a battle amongst the Druids, risking their demise. Britannia attracted a multitude of critical acclaim for its vivid portrayal of Rome’s invasion of Britain. It is one hell of a bloody, brooding series with an excellent plot, fascinating narratives, gorgeous visuals, even better plot twists, impeccable battle sequences, and a healthy mix of history and fantasy, not to mention superb acting, tribal tattoos, and costumes. Britannia is fun, active, engaging, and highly entertaining as opposed to historically accurate, and it promises a thrilling escape into a fantastical world where magic, swearing, brutality, levity, and a taste of the ancient past collide. https://www.youtube.com/watch?v=BhDAFAbv9e0 CAMELOT Created by: Chris Chibnall & Michael Hirst Where to binge it: Prime Video, Google Play, Vudu, Apple TV Camelot ’s one and only season saw much success when it debuted in 2011, but scheduling conflicts between cast members prevented a second season … allegedly. Regardless, Camelot is a must-see one-season series, especially for fans of the King Arthur legend. While there are many adaptations, this one is created by screenwriter Michael Hirst , who is responsible for the unforgettable historical series Vikings and The Tudors ; he is, in my opinion, the king when it comes to creating the most fantastic and memorable historical drama series. Hirst’s interpretation of the King Arthur legend breathes a very adult twist into the tale with its focus on sibling rivalry, passion, and romance. After King Uther dies in Camelot , Britain sits in chaos. Merlin (Joseph Fiennes, of The Handmaid’s Tale ) begins searching for an heir and winds up finding an impetuous young man named Arthur (Jamie Campbell Bower, of Stranger Things ). Arthur is Uther’s unknown son who has been raised as a commoner. Camelot revolves around the intense battle for the throne between Arthur and his evil half-sister, Morgan (Eva Green, of Penny Dreadful ), who is determined to fight her brother to the bitter end, even summoning unnatural forces to help her claim the crown. Arthur’s journey to unite a kingdom shredded by war becomes a series of profound moral tests and difficult challenges that make for a riveting watch . https://www.youtube.com/watch?v=vYZImCVvbVU The Last Kingdom Created by: Nick Murphy Where to binge it: Netflix The Last Kingdom is one of my absolute favorite historical fiction series on the planet. It’s a heart-wrenching British television series based on Bernard Cornwell’s novel of the same name . In case you’re unaware, Cornwell is an English-American historical fiction author with the penchant for writing some of the most dramatic, engaging historical tales, besides Philippa Gregory, but her focus is different. “The Last Kingdom” is the first novel in Cornwell’s “The Saxon Stories” series (2004), which tells the story of how England began under King Alfred the Great . While the series is spectacular, it doesn’t follow Cornwell’s books true to form, so if you’ve read them, don’t get lost in expectations. The Last Kingdom centers on Uhtred of Bebbanburg (aka Uhtred Uhtredsson and/or Uhtred Ragnarsson), who is played by American Horror Story ’s Alexander Dreymon . Born a young Saxon noble, Uhtred is kidnapped by Danish Vikings during an invasion and raised as a Dane in Ragnar Ragnarsson’s kingdom, but it’s not the same Ragnar you’re thinking—different time periods. While in captivity, Uhtred is woven into Danish culture, language, and religion for years before he finds himself in the service of King Alfred of Wessex, played by David Dawson , whom you may remember from Peaky Blinders . The Last Kingdom delves into the turbulent backdrop of King Alfred’s desire to unite the separate kingdoms while exploring Uhtred’s loyalties between his love for and loyalty to both Saxons and Danes. The series is a whole package replete with an engaging, dynamic storyline and is a must-see for anyone looking to get lost in an epic and thrilling historical drama. What you can expect: gorgeous cinematography, multi-dimensional characters, exciting battle sequences, and copious amount of blood, brutality, emotion, entertainment, and top-notch storytelling and acting . I do recommend watching with subtitles, though, because it’s often difficult to understand some of the accents. The Last Kingdom ended its five-season run in 2022 and wrapped up Cornwell’s “Saxon Stories” adventure with a movie in Summer 2023, Seven Kings Must Die . https://www.youtube.com/watch?v=WxPApTGWwas Norsemen Created by: Jon Iver Helgaker & Jonas Torgersen Where to binge it: Netflix Norsemen injects a different, comedic perspective into the Viking saga. This Norwegian series (also filmed in English) will have you laughing your butt off at a group of Vikings living in the village of Norheim. The series follows the life of these villagers and their day-to-day happenings full of strife and shenanigans, silliness and stupidity. Norsemen is unique and different with awkwardly hilarious moments , making it one of the most watchable and enjoyable medieval shows to dive into, especially now while new content is sparse. It serves up a highly entertaining take on the Viking Age and presents the challenges faced by a small Viking village; it also portrays quite a funny but childish rivalry between the chieftan and his little brother. In three seasons, we’re taken into silly disputes with neighboring villages, including a rival tribe led by a ruthless Viking and the efforts of a Roman slave to modernize Norheim’s culture, resulting in persistent ongoing conflicts. One character you’ll fall in love with is the sword-wielding, no-nonsense wife of the chieftan, Hildur . She’s a force to be reckoned with and is the most grounded, level-headed warrior amongst all the Viking men. Norsemen is good for three seasons of hearty laughs and offers a tongue-in-cheek take on the whole Viking craze . https://www.youtube.com/watch?v=HpMvIZRUPf4 Penny Dreadful Created by: John Logan Where to binge it: Showtime, Paramount+, Fubo, Sky Penny Dreadful (2014) is set in the 19th Century’s dark recesses of Victorian Gothic London. This psychological thriller series masterfully weaves together classic literary figures with a chilling narrative that keeps viewers craving more, exploring specifically the origin stories of Dr. Frankenstein and Dorian Gray. Season 1 begins in 1891 when avid explorer Sir Malcolm Murray (Timothy Dalton, of Doom Patrol ) and his seductive clairvoyant Vanessa Ives (Eva Green, of Camelot ) hire an American gunman and roadshow artist (Josh Hartnett, of Lucky Number Slevin ) to help locate and rescue Sir Malcolm’s daughter from a mysterious vampire, among other supernatural forces. They receive help from a young doctor named Victor Frankenstein, who is hunted (and haunted) by an undead man of Frankenstein’s creation, who is masterfully played by Rory Kinnear ( No Time to Die, Our Flag Means Death ). Season 2 of Penny Dreadful introduces some wild witchcraft within a coven of witches who answer to Lucifer and are on the hunt to bring Miss Ives to their master. Meanwhile, Dr. Frankenstein (Harry Treadaway, of Mr. Mercedes ) is forced to make his creature a bride, which is a story and process that clenches at your heart strings as you watch in moments of horror and awe. And in Season 3, our main characters encounter more supernatural events as they find themselves split up and placed all over the world, but when Count Dracula appears in London, the battle for Vanessa’s soul begins. With its ensemble cast led by the enigmatic Eva Green , Penny Dreadful delves into the supernatural world, unearthing creatures and legends that lurk in the shadows. It garnered critical acclaim for its superb acting, atmospheric cinematography, and rich storytelling , earning several awards and nominations throughout its three-season run. Effortlessly weaving together psychological drama with visceral horror, Penny Dreadful offers a psychologically immersive experience that lingers long after the credits roll. https://www.youtube.com/watch?v=YFXHfEqMcis Rome Created by: Bruno Heller, William J. MacDonald, & John Milius Where to binge it: HBO & Max, Prime Video, Vudu, Google Play, BritBox, Apple TV If you know who Ray Stevenson ( King Arthur, 2004) is, you don’t want to miss out on seeing him in Rome . A furiously crass British historical drama following the turbulent transition of the Roman Republic to an autocratic empire, Rome portrays both the aristocratic viewpoint of Julius Caesar and his allies, as well as the politically naive viewpoint of ordinary Romans like Lucius Vorenus (Kevin McKidd, of Grey’s Anatomy ) and Titus Pullo (Stevenson). It's a raw account of the lives and deeds of the rich, powerful, and historically significant as they navigate politics, war, and family dynamics in pursuit of a stable Roman Empire. Stevenson and McKidd as Pullo and Vorenus Rome Season 1 is all about Julius Caesar’s civil war of 49 B.C. against the traditionalist conservative faction in the Roman Senate. It focuses on his rise to dictatorship, followed by his subsequent fail, right on down to his assassination on the Ides of March 44 B.C. We also see the early years of the young Octavian, who is destined to become the first emperor of Rome. Season 2 is set around the power struggle between Octavian and Mark Antony following Caesar’s assassination and covers the time period from Caesar’s death to Antony and Cleopatra’s suicide in 30 B.C. High production values cancelled Rome ’s Season 3, but don’t let that deter you from checking it out. Rome is an exciting exploration of the complexities of the Roman Empire and its eventual rise to power . Featuring over-the-top production values—especially for 2005—as well as elaborate sets and costumes with intriguing storylines full of explosive drama and action, Rome is certainly one historical series you shouldn’t pass on watching. In addition to Stevenson and McKidd, Rome also features James Purefoy ( Pennyworth ), Tobias Menzies ( Outlander ), Polly Walker ( Bridgerton ), and Indira Varma ( Game of Thrones ). https://www.youtube.com/watch?v=rtUQqiIa0oI Spartacus Created by: Steven S. DeKnight Where to binge it: Starz, Roku Channel, Apple TV, Vudu, Google Play, Lionsgate+ Spartacus: Blood and Sand was one of the best shows on cable in 2010 —historically speaking, at least. The epic series received high acclaim for its extreme production value, mouth-watering narratives, tremendous combat sequences, and its lead actor, Andy Whitfield , who sadly left this physical plane in 2011 when he succumbed to non-Hodgkin’s lymphoma. He, indeed, left behind a huge mark on the industry not just for who he was but also for his efforts and success in bringing the character of Spartacus to such radical life. Andy Whitfield as Spartacus Spartacus: Blood and Sand tells the story of the Thracian gladiator Spartacus who, from 73 to 71 B.C., led a major slave rebellion against the Roman Republic departing from Capua. When he is torn from his homeland, and thusly separated from his wife, Spartacus is forced into slavery and is condemned to fight in the excessively violent gladiator’s arena in Rome. As he navigates the violent, brutal world, Spartacus comes to realize that not all battles are fought in an arena, as he must overcome lies, treachery, and temptation if he wants to survive. Executive producers Steven S. DeKnight ( Pacific Rim: Uprising ) and Robert Tapert ( Evil Dead, Evil Dead Rise ) focused on structuring the events of Spartacus’ obscure early life leading right up to the beginning of historical records, but after completing Season 1, they chose to delay Season 2 due to Whitfield’s illness. In the interim, Starz produced a six-episode prequel miniseries entitled Spartacus: Gods of the Arena , which is one of the best miniseries—let alone prequel miniseries—that exists. It features incredibly visceral gladiator games in a style reminiscent of a Zack Snyder film, and everything about it screams BADASS : characters, attitudes, training, brutality, loyalty, heart, and tolerance. When Season 2, Spartacus: Vengeance , finally released, actor Liam McIntyre ( The Flash TV series) took on the titular role of Spartacus, which ultimately ended with Season 3, Spartacus: War of the Damned . Spartacus is a seductively thrilling action-drama series rampant with blood, violence, drama, and lots of sex that brings to life the Roman Republic and its depravity. Through Spartacus’ struggle for vengeance, we accompany him on his heroic journey to free himself and his people from slavery. With epic arena battles, intense gladiator training, political intrigue, excellent effects, and passionate romances, Spartacus is a series that will, no doubt, captivate you from beginning to end. There’s no room for insecurity of any kind in this series, which’ll have you attempting to binge as much of it in one sitting as you can. Spartacus’ gripping story and outstanding performances make it one of the best medieval TV shows ever made . https://www.youtube.com/watch?v=yHxn8mTpAJU The Tudors Created by: Michael Hirst Where to binge it: Prime Video, Paramount+, Showtime, Fubo, Apple TV, Google Play, Sky When I discovered The Tudors (2007), I’ll admit I was obsessed. I’ve always loved the tale of Henry VIII, his court politics, his wives, and his crumbling sanity, and this series blew me (and most everyone else who watched it) completely away. Another hit historical series from Michael Hirst , The Tudors is set primarily in 16th-century England at King Henry VIII’s court . The show lured in audiences with its political intrigue, elaborate costumes and sets, intricate storylines, and emotionally charged performances—namely from Jonathan Rhys Meyers ( Vikings ), who plays King Henry. The Tudors is an enthralling and dynamic drama that brings to life the power struggles, romances, and political machinations of Henry VIII’s court while exposing us to his passionate, often volatile relationships with his six wives … and his power. It showcases one of the most tumultuous periods in English history , replete with treachery, ambition, lust, and greed. Henry is a shrewd, charming, passionate leader hell-bent on leaving his mark on the world, and we get a front-row seat as he impulsively navigates his way through love, war, and politics in an effort to secure England’s future. Jonathan Rhys Meyers brings so much emotional likeness to his character, it’s as though he truly channeled the sovereign while filming The Tudors . We as viewers are but flies on the wall in King Henry’s court watching his sanity unravel woman by woman, wife by wife. He. Is. Divine. Remember when Heath Ledger took on the role of the Joker and it was said he lived the role as though there were no separation between himself and it? Yeah, I’m pretty sure he was inspired by Rhys Meyers’ stellar portrayal of the legendary King Henry VIII. The Tudors is one series you’ll watch over and over and possibly over again— it’s that good . https://www.youtube.com/watch?v=WXNf9dxnQrM Vikings Created by: Michael Hirst Where to binge it: Prime Video, Hulu, Disney+, Peacock, Apple TV, Google Play Annnnd in yet another slam dunk from screenwriter Michael Hirst, we have Vikings . I feel like it needs no introduction, but just in case, it’s a beast of a historical fiction masterpiece that’s loaded with bad-ass shield maidens, ravenous Viking warriors packed in emotional depth, and raw tribal violence wrapped in near-perfect narratives garnished with drama, suspense, and mythology. Vikings is one of the rarest shows on earth that is never, ever dull and whole-heartedly entertaining in plot, action, cinematography, soundtrack, and acting. Vikings follows the legendary Viking chieftain Ragnar Lothbrok (Traves Fimmel, of Raised by Wolves ), who claims to be a direct descendant of the god Odin. He and his band of Norse warriors explore, pillage, and conquer new lands in all their brutal glory. Along the way, we’re introduced to all of Ragnar’s family and descendants, and the paths each of their lives take. Frustrated by the policies of Earl Haraldson, who only sends raiders to the east to Baltic states and Russia, Ragnar seeks to secure his legacy as a leader of men through epic battles and political alliances by forging west to the new world. On his journey, he must deal with betrayals, unexpected turns of fate, and the growing power of his enemies. His family and allies experience a mix of adventure and tragedy as they struggle to survive in the treacherous world of Dark Age Scandinavia . Vikings consists of six action-packed seasons chocked full of love, drama, war, brotherhood, community, and brutality and captures the gritty, savage reality of the Viking Age in a captivating and awe-inspiring manner, perfect for a binge-worthy medieval TV show . https://www.youtube.com/watch?v=9GgxinPwAGc And, though it is good but does not live up to its predecessor, you might as well continue the fantasy and follow up with Vikings: Valhalla —it’s the sequel series to Vikings . Created by Jeb Stuart ( Die Hard, The Fugitive ), Vikings: Valhalla is set 100 years after Vikings events and chronicles the beginning of the end of the Viking Age. It explores the adventures of Leif Erikson, Freydis (daughter of Erik the Red), Norweigan King Harald Hardrada, and the Norman King William the Conquerer in an action-packed drama that grows on you as it works to present traditional Viking stories with a twist. You can find Vikings: Valhalla streaming on Netflix. https://www.youtube.com/watch?v=Yi4YnwFT7Gk Every one of these series is a must-see worth making time to watch for the first time ever or to revisit for a whole new experience. With each viewing, you’ll fall deeper and deeper into their respective narratives and begin noticing varying degrees of beauty, art, and storytelling in places you didn’t see the first go-round. If you’re still looking for more historical fiction and fantasy series to binge after these, check out the following: The White Princess and The White Queen (Starz, Prime Video), The Serpent Queen (Starz), Merlin (Peacock, Prime Video, Apple TV), Marco Polo (Netflix), Kingdom (Netflix), Game of Thrones (HBO & Max), House of Dragons (HBO & Max), Outlander (Starz), The Lord of the Rings: The Rings of Power (Prime Video), Reign (Prime Video), The Spanish Princess (Starz, Hulu), The Great (Hulu), Pillars of the Earth (Prime Video, Vudu, Roku), Medici (Netflix), The Borgias (Hulu, Disney+ ), and Black Sails (Starz). Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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The Death and Glory Tour was a testament to music's power to unite us. < Back Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans Rian Nickels Mar 3, 2025 Share The Death and Glory Tour was a testament to music's power to unite us. During the peak of the Carnival season on February 26th, 2025 , just a week before Louisiana’s most beloved holiday – Mardi Gras – the popular music venue Joy Theater in New Orleans , Louisiana , was visited by two amazing acts on the rise in the alternative music scene. (Although they’ve both been under the radar for over a decade.) The weather was perfect, the streets were adorned with the purple, gold, and green glimmers of the classic Mardi Gras beads, and citizens and tourists proudly wore the traditional Mardi Gras Colors. This made for the perfect night to see what Palaye Royale and Johnnie Guilbert had in store for us. Credit: Rian Nickels The line was wrapping around Joy Theater . Punks, Emos, and Alternatives were dripping in black clothes, fishnets, band merchandise, and eyeliner and waiting excitedly for the doors to open. As the doors opened, the bars, barricades, and merch tables were lined with eager fans. Jay and I found a spot up close to wait for the show to begin. Kicking off the night was Musician and long-standing Youtuber Johnnie Guilbert . Credit: Rian Nickels This was Johnnie’s first time touring with a full band , and even though he’s been around and well-known on YouTube for over a decade, his music career is only starting to take off . From watching his videos, I can tell that, like many of us in the alternative scene, Johnnie’s always been kind of shy and anxious; I was excited to see if being on tour has helped him to become more confident. https://www.youtube.com/watch?v=c53ioBgsCD0 As soon as Johnnie came out in his signature black Ray-Bans , the crowd lost their minds; the fan girls broke out in shrills and screams of joy . He greeted New Orleans and then went straight into his tracks ‘ If Looks Could Kill ’ and ‘ Angel of Death ’. The energy was instantly on fire in Joy Theater as the fans let loose while SCREAMING every lyric to his songs; it was then clear to me that the alternative music fan base in Louisiana was still breathing . By the time Johnnie performed his newest song – ‘ Fake Positivity ’ - his confidence in his stage presence was starting to shine brighter. He was all over the stage, switching between wearing and taking off his shirt and sunglasses, dramatically falling to the floor and singing while lying on his back, and was full of high, edgy energy. You could genuinely see that he was happy to be standing in front of us. After playfully swaying around to each side of the stage, giving everyone in the front row the proper amount of attention, he asked the crowd for more energy (and boy did they deliver) before he fell to his knees to get down to crowd level before he and the crowd echoed the song’s chorus through the theater. Johnnie then played hit songs like ‘ Violent Dream , ’ ‘ Doctor ,’ and ‘ Zombie .’ https://video.wixstatic.com/video/999a0f_a4b7a81378694e8fb3fefe1d9f694766/1080p/mp4/file.mp4 Johnnie Guilbert performs 'Zombie' at The Joy Theater in New Orleans on February 26, 2025 (video courtesy of Rian Nickels). Credit: Rian Nickels In between songs, Johnnie made sure to let his playful personality shine with silly comments to the crowd, saying things like “And this one’s ‘ Baby ’ by Justin Bieber ” before playing ‘ Zombie ’ and reciting Chappell Roan ’s spelling from her track ‘ Hot to Go ’. Of course, following Johnnie’s ‘H-O-T-T-O-G-O’ was the crowd’s requitement of “You can take me hot to go”. Credit: Rian Nickels Johnnie made sure that the crowd felt included by holding the hands of fans and waving in their direction. I was surprised and overjoyed by his warm, rowdy, joyous, diva energy as he’s usually known for being the dark, emotional, and sensitive guy. Being in Johnnie’s crowd made me feel like there was no separation of artist and fan ; it was one of those concerts where you’re reminded that the show couldn’t go on without one or the other. Credit: Rian Nickels For Johnnie's last song, ' Vampire ', he created a moment that will be etched in my memory forever. He asked everyone to come closer, and we all huddled around him. As he sang the closing verse, we all sang along, our arms reaching out to him. It was a moment of shared intimacy, a perfect conclusion to a performance that we will always remember. https://video.wixstatic.com/video/999a0f_364b92a07f76437db72f6fa16aa64ca7/1080p/mp4/file.mp4 Johnnie Guilbert performs 'Vampire' at The Joy Theater in New Orleans, Louisiana on February 26, 2025 (video courtesy of Rian Nickels) Credit: Rian Nickels Before leaving the stage, he told New Orleans goodnight and that he’d meet everyone at the merch table and take photos. I don’t think I’ve ever run as fast as I did to his merch table. Johnnie was kind to every person in the line, giving everyone time for a photo, an autograph, time to appreciate the gifts he was being given (like bracelets, drawings of himself, and various trinkets), and a small chat. When it was my turn, I told him about how I had been watching his videos while I edited my concert photos for the past year and that I was so incredibly honored to be able to capture pictures of him. Credit: Rian Nickels He was genuine and told me he saw me in the photo pit, loves to see the photos people take of him, and to be on the lookout. I took a photo with him and gave him a farewell hug (after asking him if he was a hugger, which you should always do!) so that the rest of the eager fans could get their chance to meet him. With my heart full of gratitude for that full circle moment, I was pumped and ready for the headlining band, Palaye Royale . Before the show, I had only heard a few Palaye Royale songs, so I had no idea what to expect from their performance. Palaye Royale is a garage/glam rock band from Las Vegas , Nevada , comprising three brothers. Remington Leith is the band’s frontman, with Sebastian Danzig on guitar and keys and Emerson Barret on the drums. They are supported by touring members Logan Baudean (from Louisiana) on the bass and Dave Green on the guitar. It would be a complete understatement to say their performance blew me out of the water. Credit: Rian Nickels Palaye Royale came out strong with a tsunami of riotous energy with their new track from their latest album, Death or Glory . I fell more in love with their stage presence with every song they performed . Remmington has an impressive amount of energy pouring out of him that keeps you on your feet with your heart racing with excitement. Emerson has just the right amount of punk attitude and the drum talent to back it up. I know people say this about drummers all the time, but he was the heartbeat of the performance , keeping everyone on time and in harmony. Sebastian was just as talented and charismatic as his brothers; something about h is riffs on the guitar takes you away from the world and brings you into the moment . These brothers are insanely talented and harmonic, but their touring members add the perfect edge to their live performances. Logan’s baselines make it impossible not to groove your body to the rhythm. One of my favorite highlights of the performance was when they played ‘ No Love in LA ’; For this track, the whole crowd was in tune , and the entire venue was jumping, singing the words, and flowing with pure excitement . The crowd was already mighty alive, but this brought the show together . Royale switched up the energy from chaotic to heartfelt with their track ‘ Just My Type ’ and then right back to that rebellious vibe with ‘ Addicted to the Wicked & Twisted ’ from their newest album. Palaye then played one of my favorites from their latest album, ‘ Show Biz .’ I like this track because it compliments Remington’s voice versatility and reminds me of 2000s rock with a modern enhancement. They then slowed things way down with ‘ Dying In A Hot Tub ’ from their record Boom Boom Room (Side B) , a track about losing someone you care about to addiction/suicide; in that moment, you could feel just how many of us could relate to this and felt understood. Palaye Royale played a lengthy set that was the perfect mix of new and old songs for older and newer fans. https://video.wixstatic.com/video/999a0f_d9ad9a0777c748dfbe157c62512e6d8c/1080p/mp4/file.mp4 Palaye Royale performs 'You'll Be Fine' at The Joy Theater in New Orleans, LA on February 26, 2025 (video courtesy of Rian Nickels) For the end of their set, they took things back to 2022 with their song ‘ Fever Dream ’; this track reminded me of the heaviness of the My Chemical Romance song ‘ Famous Last Words ’ and showed the band's possible inspiration from Gerard Way . This song had huge blow-up balls bouncing all around the venue, another thing that helped connect the audience with the band as members and fans were practically playing a massive game of “Keepy-Uppy”. Credit: Rian Nickels After the song's end , the lights went dark , and they suspiciously dropped their instruments and walked off stage. Of course, all attendees started to chant “ONE MORE SONG!” until the band came back on stage, wearing Mardi Gras Masquerade masks and covered in the famous plastic beads. The crowd of New Orleans went wild for that! Palaye Royale then played us a whole THREE more songs for the encore: ‘ Dead to Me , ‘ Lonely ,’ which is my absolute favorite, and ‘ Mr. Doctor Man ’. Something about them that stuck out to me was how well they all played together; you could tell these three brothers were in tune with each other. I appreciated the level of presence, style, and talent they brought to Joy Theater , and although I went in only somewhat of a fan, I left a fan for life! Palaye Royale had the perfect amount of Panic-At-The-Disco-Carnival-Esque for Louisiana’s Carnival season. As the lights dimmed and the night came to a close, I couldn’t help but feel that familiar rush of adrenaline that only live music can provide. Palaye Royale and Johnnie Guilbert performed and made us a part of their world for a few hours. They reminded us of something easy to forget in this crazy, chaotic world: that music is a form of connection, a pulse that beats through every heart in the crowd. With all its raw energy and unapologetic rebellion, the alternative scene still has a place for everyone who craves authenticity in a world that often feels too polished. That night, it wasn’t just about the songs—it was about the moments between them. The shared glances, the laughs, the love, the chaos—every little piece of the night reminded me why I fell in love with this scene in the first place. The Death and Glory Tour was a testament to music's power to unite us. As I walked out of the venue, I knew that despite the noise, neon, and the glittering beads of Mardi Gras, this kind of magic stays with you long after the last note fades away. To learn more about Palaye Royale: www.palayeroyale.com Palaye Royale To learn more about Johnnie Guilbert: Johnnie Guilbert - YouTube *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Buckle up for the most horrific installment of the Evil Dead universe < Back Evil Dead Rise is Balls-to-the-Wall Blood, Guts, and Terror Ezekiel Kincaid Apr 25, 2023 Share Buckle up for the most horrific installment of the Evil Dead universe With the new Evil Dead installment, we didn’t get just another movie added to the franchise, we got a terrifying, new reimagining of the story. Much like the 2013 remake (which I liked), there is no Bruce Campbell as Ash Williams. There’s also no sarcasm or comedy, so don’t go into this movie expecting Army of Darkness or Ash vs Evil Dead . This was an hour and forty minutes of balls-to-the-wall blood, guts, and terror. From the opening scene to the credits, Evil Dead Rise doesn’t let you rise up for air. It is, by far, the creepiest, scariest, and most horrific installment into the Evil Dead universe. And I freaking loved it. That’s saying a lot, because I am a die-hard Bruce Campbell/Ash Williams fan. Those of you who have kept up with my writing can attest to that. After all, it was my love for Evil Dead and Ash Williams that inspired my epic horror comedy, “The Adventures of Johnny Walker Ranger: Demon Slayer”, which you can get on sale here at Godless. So, even though Bruce Campbell and Sam Raimi produced Evil Dead Rise , I was still wondering in the back of my mind—like I did with the 2013 remake—if it would live up to the hype. Written and directed by award-winning writer/director Lee Cronin ( The Hole in the Ground ), Evil Dead Rise is produced by both Bruce Campbell and Sam Raimi and stars Lily Sullivan ( MENTAL) , Alyssa Sutherland ( Vikings ) , Morgan Davies ( The Girlfriend Experience ), Gabrielle Echols ( Reminiscence ), and child actress Nell Fisher. The twisted tale follows two estranged sisters whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable. courtesy of Warner Bros. images Unlike the 2013 remake, this new chapter deviates from the usual story line and focuses on a family in an old run-down apartment building in Los Angeles. Alyssa Sutherland plays single mom Ellie, who is possessed by a Deadite early on in the film after her sister, Beth (Lily Sullivan), comes to town for a visit and an earthquake unearths the Necronomicon, or book of the dead. From there, it funnels its evil straight to Ellie, who, as a result, psychologically and physically tortures her own children. Another change is in the recordings that are played. In Evil Dead Rise , we have recordings of a priest on some old records recounting his experiences with the Kandarian Demons (rather than a scholar regurgitating his findings), which releases the chaos. But don’t worry, Ash Williams fans, there are two Bruce cameos in the film, along with a nod to the chainsaw and boomstick. I caught the first cameo (hint: pay attention in the scene when Danny plays the records), but the second cameo I had to look up (and you will, too, because there is no way to tell from the movie itself; you’ll have to Google it). All in all, Evil Dead Rise , while giving homage to its roots, is successful as its own film. With that said, where does it fall within the franchise? The brilliance of this movie lies in the fact that it could function as any of the following: a continuation of the original trilogy, a sequel to Evil Dead (2013), a standalone, or a reboot. It all depends on how you look at the film. There was one scene in the movie that really hit home, tying them all together in my mind. I mentioned the scene where Danny is listening to the old records already, and I’m mentioning it again here. This is a pivotal scene because it masterfully links all the previous films to this one. When Danny plays one of the records next to the Necronomicon, it mentions that the book before him is just one of three volumes of the Necronomicon. courtesy of Warner Bros. images Hello, Army of Darkness fans! This ringing any bells? No? Then allow me three words: klaatu verata nikto—the three words Ash was supposed to say over the “right” Necronomicon. How many Necronomicons were in that scene? Yep, three. In Evil Dead Rise , this seems to indicate that ALL THREE books were real, and that Ash had to pick the right one for HIS particular circumstances (i.e., the one that had already been opened and read). Therefore, what we have is one version of the book in the original Evil Dead trilogy and Ash vs Evil Dead series, the second book in the 2013 remake, and the third book found under the Los Angeles apartment in Evil Dead Rise . courtesy of Warner Bros. images Do you need to see any of the previous films to understand this one? No, which is why it works well as a stand-alone film. However, if you haven’t seen any of the previous installments, you need to remedy that situation ASAP. I would also add that, for me, having seen the previous entries countless times, it did enhance my viewing of the film. With all that was great about the film, it did have one major flaw that the others avoided, and that is character development. The film starts out so fast and furious, we don’t get time to know the characters. This results in us not giving very many f**ks about what happens to them. This doesn’t happen in the original trilogy and series because, duh, Ash Williams. The 2013 remake, with all its blood and gore, still managed to get fans invested with what happens to the characters. This isn’t to say things aren’t revealed along the way to help get you to care about the characters because they are. Even so, it still lacks any real “hook” to create buckets of empathy for the characters. Those buckets of empathy are replaced with buckets of blood and guts (some of the most blood I’ve ever seen in a movie, and that’s saying a lot!) and one of the best woodchipper scenes in cinematic history. The crunching and popping sounds in the movie alone are worth seeing it on the big screen and in Dolby audio! Even with the lack of character development, I still give this movie five out of five chainsaws. The sheer terror, creepiness, blood, gore, and how they connected this to the rest of the movies helps make up for the character development flaws in my mind. Evil Dead Rise is, by far, the scariest entry to date in the Evil Dead franchise. Horror fans, get to the theater and see this one NOW! If you wait until the video release, you’ll regret it. https://www.youtube.com/watch?v=BqQNO7BzN08 Ezekiel Kincaid lives for horror and loves to write and talk about it, whether it be in his own novels or in movie/series reviews. His experience as both a pastor and a paranormal investigator bring everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charlton Fine Art < Back Be Still My Beating Heart Keeley Brooks Apr 13, 2023 Share Charlton Fine Art I certainly do not know much about fine art, but I am a creative type, so I do know when I’m gazing upon something truly special. And, while all kinds of art speak to me on some level in some way, there are those moments when you view, read, watch, or listen to something that transcends awareness, then reaches right into the core of your being and snags hold of your soul. That is when you know something inside of you has met its counterpart in something else, and I met a piece of mine in the artwork of Melanie Charlton , owner of Charlton Fine Art . Melanie & Cheese (provided by artist) A few weeks ago, I opened Facebook and right there waiting in my feed was a gorgeous portrait of a Boston Terrier that took my breath away. See, I have a soft spot for Bosties because I have one. While my brain knew I was looking at a painting, my heart and eyeballs swore differently. The image was so lifelike and full of such heartfelt personality that I had to know more about the artist who painted it. Hailing from Alberta, Canada , Melanie Charlton is an absurdly gifted and completely self-taught contemporary artist with a heavily rooted focus on imaginative realism/surrealism. Painting since 2007 , her work reflects her genuine love and passion for animals and nature. She’s 100% a perfectionist, and each of her pieces reflect that. From dogs and elephants to farmhouses, winter streams, and dreamscapes, Charlton’s paintings are certainly worthy of lighted displays and glass cases. Art by Melanie Charlton Art by Melanie Charlton What makes her unique as a contemporary artist aren’t her subjects, though; it’s her … who she is. Melanie is kind and authentic, very gentle and deeply empathetic—a genuinely sweet soul, and those qualities are what come through most in her art. Her intentional, delicate touches of surrealism interweave with her style of realism and organically work together to capture not just the individuality of each subject but also each subject’s essence. Charlton’s images are captivating in the tiniest details, but don’t just take my word for it; see for yourself. This is Mickey, guys. Check out the fine detail and really spend some time looking into this sweet pup’s eyes, see what you notice. Then, check out my conversation with Melanie about her influences, her processes, and her love for dogs. Art by Melanie Charlton MaM : Melanie, thank you so much for taking some time away from your studio to chat with us and introduce yourself to our world. How were you introduced to art and by whom? MC : Memories of my mom painting at her easel still float around in my head. When I was very little, I was not allowed to touch her oil paints and things because she used [supplies] like turpentine but was totally exposed to her creative process. By the time I was in kindergarten, one of my favorite places was in the sun-filled corner of the classroom at the little easel. I can still smell the paint pucks! MaM : What impact did that have on you as a child? MC : My first experiences were out in Alberta , and those memories of my mother, mixed with my very vivid dreams (which always included animals and birds), impacted me deeply. I used to get teased by my family for not being able to distinguish my dreams from reality. [They used to say], ‘Oh look, she’s having a Melory again.’ A Melory is one of my memories that didn’t happen but is what [my family] called it. (laughs) My art has allowed me to think about things, and it allows me to create a space for my mind to work things out at my own pace [while] afford[ing] myself the peace and patience away from the rest of the world. My art has definitely helped me discover what I truly value in life. MaM : What specifically about art spoke to you? What drew you in (no pun intended)? MC : Ha ha, I’ve always been drawn to anything that creates an emotional response! The ability to capture a specific feeling or dream-like atmosphere always inspires me. It’s like looking for that little spark that stirs your inner soul when you see it. To create art that can be experienced is so satisfying. Art by Melanie Charlton MaM : Yes! That’s exactly what you do: create art that isn’t just seen, it’s also experienced on a deeply emotional level. What do you love most about imaginative realism/surrealism, and how do you convey that in your work? MC : Imaginative realism/surrealism has a lack of logic and an intensity that dives right into people’s personal thoughts and feelings. It’s honest and isn’t required to make sense. I think we all have a creative streak in us; however, our world teaches us to be practical and ignore our impulsive urges. If I think about how I convey this in my work, I laugh. The thought of a grown woman sitting down to paint a picture of someone’s dog, or a dream, is not practical, [nor is it] a serious line of work by today’s standards. Sometimes, I receive a funny response when I tell people I paint pet portraits but then sometimes, I meet people who love their animals so dearly—those are my people. The love and refuge we exchange with the soul of a pet is pure. MaM : Completely pure and unconditional. It’s so beautiful, and it’s very different than the love and refuge we exchange with other people, I think. Tell us about the four-legged babies in your life and what led you to paint them. MC : I was lucky enough to grow up in a household that had a dog named Joey. He was a big mixed breed with two dots for eyebrows. Very loving and very scared of thunderstorms. His death was the only time I saw my father cry, even though he tried to hide it from us. After Joey, we were lucky enough to get a dog breed my father had always wanted as a child: a Boston Terrier. Ernie was the runt of the litter but ruler of the household! I don’t think I experienced all the highs of love and the lows of loss until Ernie. Maybe I learned you can’t have one without the other and that I am fine with that and even respect it. Years later, after Ernie, I moved out and, of course, decided to get my own Boston Terrier, Maggie. She was with me 11 years and was the epitome of the world’s sweetest girl. She broke our hearts when she passed. Words don’t convey the love or the loss [I felt for her], and she was my first portrait. Time doesn’t heal, and I actually haven’t finished her main portrait, yet. I think it keeps her closer and that chapter open. The decision to get another Boston was made as my husband and I found ourselves chasing other Boston owners down on the street to meet their dogs. … Now, we’re the proud parents of our 10-year-old boy Toby, who is literally treated like royalty, and I wouldn’t have it any other way. MaM : Oh, I completely get that. My Bostie is, for sure, the Queen Elizabeth of our lives. Do you have a favorite painting of your own? If so, what is it and why? What does it represent for you? MC : After all [my] years of painting, I actually don’t have a favorite piece. I just see the personalities and can’t choose. I do like one of my work-in-progress pictures of my previous Boston Terrier, Maggie. It’s just her, and I feel her eternal connection. MaM : You hit the nail on the head. Eternal connection … that is exactly what your portraits provide. Those are the two words epitomizing your work. Do you ever do any live paintings? MC : Live paintings? Ahhhh! I cringe at the idea, as most of the time I [am] painting in my pajamas. (laughter) I can barely stand my own family coming into my art room until I’m happy with what I create. Maybe one day. I wish I could be more open, but I think sometimes it takes more than one attempt at working things out. I hold dear the time, space, and patience to focus on who [and what] I’m painting. MaM : How do you capture a pup’s (or animal’s) personality? And seriously, how do you get your paintings to look so life-like? Because viewing your work is like looking at live images. Your talent is truly breathtaking. Art by Melanie Charlton MC : Making them look real has taken years of experimenting with color, and I honestly feel like I am just starting to learn. One of my favorite books is ‘ Oil Painting Secrets from a Master ’ by Linda Cateura . Her book on David A. Leffel is superb on how to see light and color … painting the light and how it bounces off things and painting what you really see. For instance, when you look outside and see the snow, it’s white, right? Well, no. It’s pink, purple, blue, and everything in between. It is the same with white fur … and the same with the eyes. I love their eyes. I see the colors in them and know exactly how I want them. MaM : What do you get commissioned to do most? MC : Mostly, I get commissioned for Boston Terrier portraits. I was lucky enough that the breeder we got our Toby from was connected to a few Boston Terrier groups on Facebook and invited me in. Here and there, I received commissions of other breeds and honestly, I just feel very honored when asked. It’s such a personal request from a stranger, sometimes on the other side of the world! Love is always stronger, so I think it’s a good thing to be putting out in the world, and I really hope people feel that when they see my work. MaM : Of all the things to be putting out there in the world, love is where it’s at, for sure. We feel such tender love in your work. So, would you take us through your process when an idea strikes? MC : It is not very often that I draw my initial ideas on canvas or board to begin. Usually, I sketch out my concepts on paper first, refine them to exactly what I want, and then transfer them to the canvas or board using transfer paper. Art by Melanie Charlton Art by Melanie Charlton This avoids excessive erasing marks or muddying the paint, especially light colors with lead/charcoal. [It also avoids] creating a lovely sagging canvas. MaM : I sense some sarcasm there, ha ha. What are you currently working on, sans sagging canvas? (laughs) MC : Right now … I am actually working on the largest piece to date, which will be a wildlife Elk painting, 48 inches by 60 inches on a gallery-wrapped canvas, completed in oils. MaM : Wow. Nice. Are oils your preferred medium? MC : Oil paints are my favorite, as I find the layering can be infinite (good for correcting things), and they, of course, take longer to dry. I am really aiming for the Elk piece I’m working on right now to land between the real feeling[s] of being out in nature and in a dream, with deep vibrant color. Initially, I tried to paint with acrylics; however, they really limit the time you have with a piece because of drying times, and you really only get about three layers before they start destroying the piece. MaM : We’re sure your Elk piece will be stunning, and we can’t wait to see it! Your work embodies such warmth. It just embraces you as the viewer. We thank you so much for speaking with us. Before we go, we want to know: What are you currently watching? MC : I have to say, it has been a pleasure to answer your questions, and I also have to thank you from the bottom of my heart for the kind words about my work. MaM : Aw, well we mean every word! We’re glad you’re out there in the world sharing your gift with the rest of us. MC : For streaming things right now, we’ve been watching ‘Yellowstone.’ … I do like the unapologetic nature; however, I am huge fan of sci-fi and, of course, romance. Click here to see more of Melanie's work, or to have a piece commissioned, visit her online at www.CharltonFineArt.com . Then, connect with her on social media from her home page and show her some love! *images taken from artist website www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Green Room brings together local musicians for a night of fun and music. < Back Hammond’s Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media Rian Nickels Sep 18, 2024 Share The Green Room brings together local musicians for a night of fun and music. Come with me to revisit the night of July 5th, 2024, for Feel Alive Media ’s first event under its new name. I, Rian Nickels, along with my partner Jay Hutchins (Which you might recognize as “ JAYD3D! ”), started this journey in 2017 under the name The Young Visionaries (Inspired by our late friend, Ally Budde). Over the years, we’ve hosted unforgettable annual music events like “ Llamapalooza ”, “ Hellaweird ”, and “ Fuzziefadoodle Fest ”; along with weekly flow events, memorials, fundraisers, birthday parties, and numerous punk and EDM events. In 2019, we took a five-year hiatus on hosting events to focus on our growing family. We’re thrilled to return with a refreshed vision, bringing you Feel Alive Media. This night at The Green Room in Covington, Louisiana, felt like a homecoming for the local punk and alternative scene, and the energy was familiarly electric. Everyone, from fans to friends, was excited about what JAYD3D! , Jean Claude Seagal , and The Gosh Darn Dangs had in store. First to warm us up for a night of music (not that we needed warming up because it was scorching Louisiana summer) was Singer/Songwriter JAYD3D! accompanied by Tim Dugas , the drummer from The Gosh Darn Dangs . Despite not rehearsing together, the chemistry between them was undeniable. Tim’s precision on the drums complemented JAYD3D!’s vocal style, adding an extra layer of texture and rhythm to the performance. To help everyone feel at home JAYD3D! started with pop-punk-esque covers of ' If It Makes You Happy ' by Sheryl Crowe and Oliver Tree’s ' Cigarettes .' JAYD3D!’s vocal delivery was gritty yet polished, capturing the emotional core of each song, while Tim’s drumming added subtle fills and dynamic shifts that energized the crowd. https://video.wixstatic.com/video/999a0f_079edfc0a1194157ab09273906f21cfb/1080p/mp4/file.mp4 Credit: Rian Nickels Once they had everyone’s attention JAYD3D! moved on to playing originals like ' Funnyman ,' ' Better Than ,' and ' Dripped in Crimson .' Even with a room full of new and old faces JAYD3D! played their songs with the utmost confidence and flair. One standout moment was their cover of Colbie Caillat’s ' Bubbly .' It wasn’t just a cover—it was a communal experience. The crowd sang the chorus in unison, creating a rare intimacy between the performer and the audience. It’s these kinds of moments that JAYD3D! excels at—breaking down the barrier between stage and floor, making everyone feel like they’re part of something bigger. JAYD3D! typically ends with this cover, but just when we thought the set was over, they closed with a surprise performance of their new track 'No More Circles,' a song that blends introspective lyrics with a driving beat, leaving the audience craving more. Credit: Rian Nickels Taking the stage next was Jean Claude Seagal , a three-piece from Watson, Louisiana, with Robbie on the drums, Nick on the bass, and Justin on the guitar and vocals. To read more about Jean Claude Seagal ’s background, you can check out Mixed Alternative Magazine’s Jean Claude Seagal Interview . Credit: Rian Nickels Their set was a nostalgic trip back to the grunge era, with influences that ranged from Nirvana ’s brooding angst to Silverstein ’s post-hardcore melodies, with a hint of Staind ’s reflective alt-rock. Jean Claude Seagal brings an edgy 90’s grunge sound -that punk fans have been missing dearly- to 2024. They opened with ' If I’m Not Here ,' immediately drawing the crowd in with thick, distorted guitars and a bass line that rumbled through the room. Robbie’s drumming added a steady backbone, while Justin’s gravelly vocals poured out raw emotion. You could feel the years of practice and passion in their performance; every chord, every drum, and every bass strum felt purposeful and deeply connected to their message. https://video.wixstatic.com/video/999a0f_2e2b16ea1c934e56942c73554cc77637/720p/mp4/file.mp4 Credit: Rian Nickels A highlight of their set was when Mike Spoon from The Gosh Darn Dangs joined Justin for a collaborative performance of their track ' By the Way ,' a Louisiana punk crossover of the century. Their vocals blended seamlessly, with Mike’s raspy tone providing a perfect counterpoint to Justin’s more melodic delivery. The energy was palpable, and the chemistry between the band members reflected the close-knit nature of the local punk scene. There’s something about Jean Claude Seagal that resonates deeply with fans of 90s grunge; they evoke that same sense of youthful rebellion and introspection but with a fresh, modern edge. Credit: Rian Nickels Finally closing out the night was The Gosh Darn Dangs , a four-piece alternative band from Hammond, Louisiana, known for their quirky, high-energy performances and folk-lore-type storytelling. I previously covered The Dangs for an acoustic busking performance in downtown Hammond in May with former members Kris and Jake, and I was excited to cover them again for a complete band set. Mike Spoon (vocals/guitar), Tim Dugas (drums), Lexy Bowers (vocals/keys/theremin), and brand-new bassist J Rees stormed the stage in true Gosh Darn Dangs fashion. Mike and Lexy’s entrance in matching cat maid outfits and Justin Tatman, the vocalist from Jean Claude Seagal, attempting to speed run Chip N Dale Rescue Rangers on the original Nintendo console set the tone for a playful and friendly set. Credit: Rian Nickels To warm up the crowd to their overall playful vibe, they launched into their song 'paradewindy320,' a humorous, fast-paced song about the frustrations of modern life – like needing the WIFI. Though they faced technical difficulties with Mike’s microphone, Lexy quickly stepped up to lead vocals, turning what could’ve been a setback into a unique, unforgettable moment. Her performance was captivating, especially on tracks like 'Defender of Mankind,' a poignant song that nods to her name, Alexandria, and delves into themes of protection and resilience. The band’s well-loved song, 'Going 100 MPH in a 30 MPH Zone While Wearing Sunglasses at Night,' brought the house down with its mix of reckless energy and nostalgia for youthful misadventures. Then they wrapped up the night of music with their song 'Not Gonna Die Today (A Song to Die To).' The Gosh Darn Dangs are more than just a band; they’re a spectacle, blending musicianship with performance art in a unique way. They offer a distinctive sound that isn’t found anywhere else, and if you haven’t yet experienced their music, you’re in luck—their upcoming split EP with Jean Claude Seagal , titled Defending The Daydream , is set for release in October. It promises to capture the essence of both bands and is sure to be a must-listen for anyone in the alternative scene. https://video.wixstatic.com/video/999a0f_abd1374b30504b4c9fb4b2e0a958e740/1080p/mp4/file.mp4 Credit: Rian Nickels As the night ended, it was clear this event was about far more than just the music. The energy in The Green Room wasn’t just from the amplifiers or the powerful performances—it was the bond between the bands and the audience that made the night truly special. The deep friendships between performers like JAYD3D! , Jean Claude Seagal , and The Gosh Darn Dangs mirrored the connection between them and their crowd. From Mike Spoon’s unexpected vocal duet with Justin Tatman to Lexy stepping in with her soulful voice when technical difficulties hit, these moments exemplify this community's collaborative and supportive spirit. This was more than a concert; it was a gathering of like-minded people who have weathered highs and lows together. The smiles exchanged between band members, the shared singalongs, and the laughter in the room told a story of friendship, resilience, and passion for punk and alternative music. Each performance felt like a love letter to the local scene. Credit: Rian Nickels Feel Alive Media 's return felt like a revival for the musicians and all of us in the music community. It reminded us why we gather in the first place—not just for the music, but for the sense of belonging that comes with it. Whether you were an old friend or a new face, July 5th was proof that the music scene in Louisiana is alive, well, and more connected than ever. Here's to many more nights like this, where the lines between performer and audience blur, and we all feel like family. *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got a show you'd like Rian to cover? Reach out to us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Zizzi’s music is an innovative approach to storytelling with a nod to the classic rock masters before them < Back Zizzi: A Rock ‘N Roll Force to Be Reckoned With Nicole Brice Aug 23, 2023 Share Zizzi’s music is an innovative approach to storytelling with a nod to the classic rock masters before them In a world filled with countless musical acts, it takes something truly special to stand out amongst the crowd. Enter Zizzi, a band from New Iberia, Louisiana. Fresh off their killer performance at Rad Fest 2023, the band has just released a new single called, “South Carolina Woman”, and it’s bluesy, fierce, and just plain rocks. Formed in 2019 with five guys who hardly knew each other and had never really pursued music, Zizzi is emerging as a force to be reckoned with because of their innovative approach to storytelling. Credit: Gary Governale - Zizzi at Radfest 2023 in Lafayette, LA August 19, 2023 The band is currently comprised of some exceptionally talented musicians: Evan Zizzi on lead vocals; Austin Stoltz on drums; Devin Boutte on lead guitar; Gray Walker on bass, vocals, and rhythm guitar; and Andre Broussard on bass and rhythm guitar. If Led Zeppelin, The Red Hot Chili Peppers, and Alice in Chains had a band baby, it would be Zizzi. Heavily influenced by the classics but providing a well-rounded retro sound, these guys are on to something and are on the rise, so take note. Drawing inspiration from Robert Plant of Led Zeppelin and sounding like Andrew Wood from Mother Love Bone, Evan’s vocal delivery allows the listener to feel the trials and tribulations that come through in the music and brings a soulful melodic voice to the band’s dynamic sound. Drummer Austin Stoltz provides the driving beats that underpin Zizzi’s catchy tunes, while Gray Walker and Andre Broussard add depth and groove to the band’s compositions. Devin Boutte’s ethereal guitar playing brings it all together. Credit: Gary Governale The band’s trademark sound can be described as a fusion of alternative rock, blues, and classic rock with their music exploring themes of love, self-discovery, and the human experience. Offering a fresh take on alternative rock, their music is quickly garnering recognition locally, and they are undoubtedly a band to watch out for in the coming years. We were able to chat with vocalist Evan Zizzi recently to throw him a few questions, so check out a little Q & A below and then go check out their new single and much more! Credit: Gary Governale MaM : Any other notable shows besides Rad Fest that you guys have played? EZ : Every show is memorable and always allows us to see where improvements can be made. If we had to pick, it would either be when we won Battle of the Bands at Fred’s in Tigerland in Baton Rouge, Louisiana, in Spring 202,2 or our recent show at Rock ‘N Bowl in Lafayette, Louisiana. Both crowds were electric, and we fed off the people. We tend to downplay our abilities and criticize our performance like we are Simon Cowell on American Idol, but we’ve packed out some nice venues, which always makes us feel like we are doing something right. Credit: Gary Governale MaM : How did you hear about Rad Fest? EZ : We were a late addition to Rad Fest but were stoked to be invited to play at the festival. Credit: Gary Governale MaM : What influences your lyrics, daily happenings or abstract ideas? EZ : You know … lyrics are strange. Sometimes we have an idea of what the motif of the song is originally meant to be, and we stick to it and develop it. Other times we start with an idea, and it turns into an entirely different musical piece once our process is complete. Ultimately, we want our lyrics to allow each individual listener to feel a certain way and to develop their own meaning. Credit: Gary Governale MaM : Where do you see the band headed in the future? EZ : We have done covers for so many years but recently the gears have shifted to focusing on our own music. Being with a group of guys like Zizzi has been a gift. We would advise everyone who is hesitant to form a group, is filled with self-doubt about their abilities, or has stage fright to just say, “F**k it!” and take the jump. Life is scary and short, so why not go make a fool out of yourself and play shows for $20 in someone’s backyard and make some of the best friends you’ve ever had? There’s something magical about the days when we were ignorant idiots just trying to be rock stars, begging for someone to give us a chance. We have been blessed and somehow the stars aligned for us to do what we do. It would be a crime and an injustice to everyone who’s helped us out or supported us along the way to not see this storybook adventure to its final chapter when we finally get the girl and barely make it home before our parents get back from their trip. Credit: Gary Governale As they continue to refine their craft and break new ground, there is no doubt that Zizzi’s influence will continue to grow, shaping the future of the music industry. Be sure to check out one of their links below and show them some love on social media. Facebook : Facebook Instagram : Zizzi (@zizziband) • Instagram photos and videos Spotify : Zizzi | Spotify *Cover photo - Gary Governale www.governalephotovideo.com Nicole Brice just loves music. It doesn’t matter the type. Do you have something you think she should hear? Hit her up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hawthorne Oachs isn't merely singing; she is opening a door to something greater, and the world is ready to follow her through it. < Back Reviews on the Real: Speak for a Minute by Hawthorne Oachs Nicole Brice Sep 10, 2025 Share Hawthorne Oachs isn't merely singing; she is opening a door to something greater, and the world is ready to follow her through it. Hawthorne Oachs' voice, both angelic and haunting, floats like a whisper in her latest release, ' Speak for a Minute .' Oachs isn't merely singing; she is opening a door to something greater, and the world is ready to follow her through it. Released September 9, 2025 Released on September 9, 2025, ' Speak for a Minute ' has a more rock-oriented vibe compared to her previous releases. The song kicks off with a lively energy, perfectly complemented by Hawthorne's ethereal vocals. https://www.youtube.com/watch?v=RZjFJvBvG6Y Lyric video for 'Speak for a Minute' This powerful track serves as a reflection on humanity’s unraveling and a bold call to change the status quo. The song confronts how power and greed have distorted our true nature. As the world faces turmoil, it’s time to raise our voices, and Hawthrone is leading the charge with each new release. As a songwriter with wisdom that belies her years, Hawthorne stands on the precipice of something extraordinary. Her music radiates a rare beauty that feels timeless, and her lyrics cut straight to the heart. She reveals truths that many try to conceal, weaving them into melodies that shimmer with both vulnerability and strength. “This death is irreversible. How could anyone not see it?” Hawthorne sings as she transitions into the chorus of "If I Could Speak for a Minute..." More than just a singer-songwriter, Hawthorne is a storyteller of the soul, crafting songs that resonate with honesty and pulse with emotion. ' Speak for a Minute ' is no exception. The lyrics unfold like pages from a diary, delicate yet unflinching, providing comfort through poignant expressions. Don’t take it from me, though; experience ‘ Speak for a Minute ’ for yourself. It’s worth it. To learn more about Hawthorne Oachs: Spotify: ‎ Hawthorne Oachs | Spotify Apple Music: ‎Hawthorne Oachs - Apple Music YouTube: Hawthorne Oachs - Speak for a Minute [Official Lyric Video] Website: Musical Artist | Hawthorne Oachs www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Okay Kenedi’s debut album is more than just okay. It’s a wonderful ride of alt-pop that is superb, loaded with fun and introspection, and a heartfelt reminder that we’re all okay. < Back Okay Kenedi: A Casual Introduction Is Hard to Come By Tim W. Jackson Oct 20, 2023 Share Okay Kenedi’s debut album is more than just okay. It’s a wonderful ride of alt-pop that is superb, loaded with fun and introspection, and a heartfelt reminder that we’re all okay. One might consider the fact that Okay Kenedi just released her first album somewhat miraculous. Her father is a fundamentalist pastor, and she wasn’t allowed to listen to secular music growing up in Cumming, Georgia, just north of Atlanta. After she finally played music professionally, she had just given up on the dream when things took a turn. Recorded at Ivy Manor in the legendary music recording area of Muscle Shoals, Alabama, Okay’s debut album “A Casual Introduction Is Hard to Come By ” is a wonderful ride of alt-pop music with every song displaying its own vibe. For instance, the song “Dress Better” is a sure-fire party anthem, while “Fathers Want Sons” is a thoughtful, reflective slow number. The rest of the album is pretty much everything in between. But the path to this rousing debut album wasn’t easy. Growing up in Cumming, Georgia, Okay Kenedi’s existence seemed far from big city life. She was only allowed to listen to worship or contemporary Christian music, despite how important music was in her early life. “My grandmother played piano for the church, and they practiced all the time,” Okay says. “I've spent a lot of time with her, and I took an interest in piano at a really young age—probably because I was raised around it. So, my parents put me in lessons around five years old, and I took nine years of lessons.” She knew she had a knack for music, a love strengthened in middle school. Okay started teaching herself guitar with the help of YouTube videos, and her middle school chorus teacher allowed her to bring her guitar to school. “She would let me stick my guitar in her office and … come into her classroom in the mornings and play piano,” Okay says. “I wrote her an original song in eighth grade as a goodbye from me and all my friends who were in choir. I wrote it with five other friends, with our 13-year-old minds. I'm sure it was horrific but beautiful at the same time.” In high school, Okay auditioned to be in theater mainly because she was told that twice a year there was a showcase where she could bring her guitar and play. The audition went well, and she says that she accidentally ended up in the advanced theater travel group. “I knew nothing about theater, and it horrified me,” she says, “but I did, in fact, get to play twice a year with my guitar and sing a song.” Courtesy of Okay Kenedi Okay recalls writing her own version of a song from Wicked and the theater teacher actually liking it. She didn’t know it then but through all of her musical experiences, the building blocks were being put in place for a future in music. As it turned out, she did like the advanced choir program and says that being in choir, musical theater, and music production in high school helps her musically. “ l like the tedious work you hate to do ,” she says with a chuckle. “I think that stuff refined a lot of my music. I could pick out a harmony and know what it meant. And I like breath control. We do a lot of vocal exercises. I can't say that I love doing them but I'm grateful that I did it now.” Though she had written songs since she was a kid, she started looking at music more seriously after high school. Okay attended Lee University, a private Christian school in East Tennessee, and the University of North Georgia. Her love for music continued to grow and in 2019, she met Micayla Wise and Sarah Dickerson, now both members of her band, in a Christian group that had a lot of emphasis on music. “I was always writing,” she says. “I wrote tons of songs. I just kept writing all through high school, all through college, but I didn’t do anything with the songs. Micayla was the first person to say, ‘Hey, do you write music?’ So, I was like, ‘Actually, I do.’” Okay played some original music for Micayla, who encouraged Okay to do something will the songs she’d written. It evolved through several genre changes. “You gotta find yourself before you find your genre,” Okay says. “So, it was like going through a lot of pants that didn't fit until I settled into this.” This is the music on Okay Kenedi’s new album, which came oh so close to never happening. In September 2021, Okay felt her music wasn’t gaining any traction. She had booked her final show, which was at a bar in Atlanta. “We have to be adults at some point and pick a career that makes money,” Okay recalls saying to her band. “We have to put gas in our cars, and I need to move out of my parents' house, so this is my last show on the books.” Some crying from the band ensued but logic dictated that it was time to call it quits. They had a lot of fun together, but it was time to move on. As the night of the show arrived, Okay was headlining for a young guy who had just released his debut record. “He had a bunch of people who had come to hear him play,” she recalls. “When I came up to do my set, everyone just left because the crowd was all his friends and family—and he was done. So, it was basically me, the band that I brought, and, like, four friends.” Knowing it was her last show, rather than just going through the motions, she decided to give it her all. Courtesy of Okay Kenedi “I sold that show harder than I sold any show to my four friends.” She was gonna go out with a bang, and she did. “It just so happened that in the back of that room was music producer Dan Hannon ,” she says. He was impressed with her talent and saw lots of potential. He was part of a team that operated Ivy Manor, a recording studio in Sheffield, Alabama, just minutes away from Muscle Shoals Sound Studio and FAME Studios . Dan and the team took Okay under their wings. Besides Dan, an award-winning producer with more than three decades in the music industry, there was former SteelDrivers frontman Gary Nichols , along with producers and engineers such as Clint Ingersoll, Jared Przybysz, and Ivy Manor founder Michael Shane Wright. “I was so new to the way this actually works when you're not trying to do it in your attic,” she says about her new team. “Besides the writing and recording, they even helped me get some stylists in L.A. that designed clothes for me and a hairstylist in Atlanta, and we did 16-hour-a-day rehearsals with me and my live band to polish for the live-show thing. They helped me become an artist.” Of Okay, Wright says he admires her creativity and skill, specifically highlighting her song “Fathers Want Sons” by commenting on her display of skill as a songwriter. Her strength in vocals, as well as her natural charisma and leadership skills, is a trait that Wright sees as integral in a performer. “I was immediately struck by the quality of her songwriting,” Wright says. “She has a unique ability to take her personal experiences [and] translate those [into] universal experiences, then communicate that experience in three or four words.” https://www.youtube.com/watch?v=maAQPqSRLmA The hard work is paying off. Five singles have been released thus far: “1 Birthday Behind” , “Dress Better” , “Fathers Want Sons” , “Pharmacy” , and “Young, Dumb, & Naive” . In these songs and the other six on the album, Okay shows a penchant to be both introspective and fun. As for the album title, “When we first made a website, I didn't even know what to put in my bio,” Okay says. “So, I literally put ‘a casual introduction is hard to come by’ in place of where my bio should go. Then I thought, ‘What if we just named my record that?’ It's like an introduction, and it's funny because I didn't know what to say about myself. My record will say it all, so it's a spoof off of that.” “A Casual Introduction Is Hard to Come By” is out now and worth your time to give it a listen. When Okay Kenedi becomes a household name, you’ll be glad you were there from the start because, as her merch says, “We’re all Okay!” For more on Okay Kenedi, her singles, and her 11-track debut album (which dropped today, Oct. 20!), visit her online at www.OkayKenedi.com , Spotify , Bandcamp , Facebook , Instagram, TikTok, and YouTube. You can also access her album, songs, vlog, music accounts, and her signature roast coffee at https://linktr.ee/OkayKenedi . Tim W. Jackson is a seasoned journalist and author with a penchant for all things dark, macabre, and somewhat sinister. He lives in Tuscumbia, Ala., with his super cool artist wife and their dogs, Maple and Ginkgo. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout. < Back Music Reviews by Nick: Playing with Fire by Caustic Waves Nick Cline Jul 4, 2025 Share The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout. Caustic Waves is back with an exciting new track that promises to captivate your eardrums with a wave of dissonance, distortion, and raw emotion. Launched in 2022 by the sonic mastermind Neil Thomas , this Glasgow-based one-man band draws inspiration from the diverse rock landscapes of the 90s and early 2000s. With this unique blend of musical tastes, Caustic Waves offers something for everyone looking for a mix of Deftones , Incubus , and other legendary grunge artists. The latest single, ' Playing With Fire ,' continues to build upon this rich soundscape. Released July 4, 2025 From the very beginning, ‘ Playing With Fire ’ grabs your attention with an explosion of distorted guitars . Within seconds, the song erupts as the full instrumentation and vocals kick in. The combination of riffs, vocals, lyrics, and rhythm creates a storm of energy that resonates throughout the entire track. Maintaining listener engagement has become a challenge in today’s music industry, but Caustic Waves achieves this effortlessly. The guitar tones and riffs are unmistakably hook-oriented, offering a subtle nod to the great metalcore projects of the early 2000s while also incorporating high-energy alternative influences from the 90s. There are very few complaints regarding the bass and guitar performance, which showcases a steady sense of melody and electrifying energy, creating a powerful musical storm. Overall, the single features impressive guitar and bass work, with excellent use of tone, riffs, and melody. https://www.youtube.com/watch?v=wkW9aeeWqmw The official lyric video for 'Playing With Fire' by Caustic Waves The song's rhythm provides a solid foundation that interacts like a living, breathing entity. This dynamic is one of my favorite aspects of the track. Although the high energy can sometimes overshadow this intricate interplay, paying attention reveals an effortless flow from beginning to end, capturing the crackle of flames to the first note, all the way through to the final crash of the cymbals. The vocals and lyrics convey a deep sense of emotion and a hopeful rage. The melodies tie the energy together, reflecting an intertwining of rage and a sense of hopeful embrace. This complex idea is executed with both intention and ease, allowing for a smooth dichotomy alongside the instrumentation. All these elements combine to create a sonic palette that will appeal to a wide audience. If you're a fan of 90s and early 2000s alternative and hard rock, you've found a new artist and track to add to your playlist. Caustic Waves delivers another standout single that connects seamlessly with their previous work. ' Playing With Fire ' is out now on all streaming platforms, so go enjoy! For more information about Caustic Waves: CAUSTIC WAVES | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. < Back Reviews on the Real: Phantum Sun’s Haunted by Disillusion Nicole Brice Mar 12, 2025 Share 'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. We all need a fresh musical journey from time to time, and today, I present the latest from a three-piece grunge band, Phantum Sun , from the Lafayette area of Louisiana . Phantum Sun 's aggressive and thunderous alt-rock sound is impossible to miss, and their dedication and commitment to their craft are truly admirable. Lead vocalist Nick Cline and his crew are constantly playing shows, never taking breaks, and their relentless work ethic makes them one of the hardest-working bands out there. Their newest EP, Haunted by Disillusion , released on February 21, 2025 , is a powerful music experience that I urge you to add to your playlist. Released February 21, 2025 It’s loud, it’s got fuzz, and each song is so different, in a good way. The versatility of Phantum Sun 's music, with no two songs sounding the same, not only keeps you engaged but also offers a unique experience with each track. The EP flows seamlessly , too, with each song offering something different, yet cohesive enough to feel like part of a larger, unbroken narrative. Lyrically, Haunted by Disillusion is a journey through the depths of human emotion. The EP delves into themes of internal struggle, personal reflection, and the disorientation of a changing world. Phantum Sun ’s introspective lyricism serves as the emotional anchor of this EP, inviting you to connect with the band on a deeper level. It's quite remarkable that Nick Cline , a young man in his early twenties, has experienced so much to draw influence from lyrically. Phantum Sun is Nick Cline (guitar/vocals), Alec Louviere (drums), and Drake Lasseigne (bass). Learn more about the band here in this article. Let’s dive into these tracks, shall we? Velvet Nights This is the opening track for the EP, and the song's beginning has a very “punk” vibe. As the song progresses and Nick says, “C’mon now, let’s take a drive,” the song kicks into high gear and reminds me of Wolfgang Van Halen meets good, solid punk rock. The breakdown at the end of the song is insane! Turn it up loud! Chains Chains starts as a typical alt-rock song, but around the 2:40 mark, it picks up the pace and ends on an impactful note. The jam session between the guys towards the song's end has so much energy. Great track. Drown This is a slower-paced tune, but it still has just as much energy and aggression as previous tracks. It is very enjoyable. Overall, Haunted by Disillusion is a solid release from Phantum Sun , showcasing their continual evolution as a band. This EP deserves repeated listens, revealing new layers with each play, and in my opinion, establishes Phantum Sun as an artist to watch. Haunted by Disillusion is out now on all streaming platforms. To learn more about Phantum Sun: Facebook Phantum Sun (@phantumsunband) • Instagram photos and videos Phantum Sun | Spotify ‎Phantum Sun - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A DIY aesthetic mixed with a little shoegaze and more < Back Kaleidoscope Crux: A Distorted Complexity of Sounds Nicole Brice Aug 31, 2026 Share A DIY aesthetic mixed with a little shoegaze and more Before an interview, I usually pace around, check the time, and wonder what the interviewee will be like. But this time, maybe it was just a gut feeling—I sensed I'd meet a kindred spirit, just based on how layered and complex the music is. Music always tells a story from the soul. Kaleidoscope Crux is all about structure, style, unique sounds, real passion for art, and a sense of community. Their lyrics feel genuine—they talk about life and people who try to outrun their past. It's raw, honest, and authentic. The band started in 2024, led by singer Max Binet —the mastermind behind it all—plus his standout bassist, Laura Trautman , and neo-soul-inspired drummer, Greg Stelly , who complete the lineup. Max is a musician through and through, and his dad was a touring musician who stopped touring when he was born. “I was a Napster kid and played my first show when I was 12. A lot of the people I was meeting at that point in my life were college students, and by 14 years old, I was playing in a band with all college students.” So, what does Kaleidoscope Crux sound like? “We’re a bit antagonistic when it comes to the current music industry, and we never cut corners on ways to exploit the fuck out of that. We’re on some punk shit. Regardless of whatever subgenres we’ve been flirting with or tampering with, we come from a strong punk ethos. I think that’s very much just lost in general today.” What do I think they sound like? Think shoegaze , some sludge , a bit of electronica , and punk energy tying it all together. Honestly? It just works. Credit: Greg Stelly With their new single out today, August 31, 2026 , called “ DM for Address ”, the band has a busy rest of the year, including completing work on their full-length with ten songs. It’s rare to come across musicians not chasing clout these days, and Max is one who is in it for the right reasons – passion for the craft, and we discuss all this and more in depth in the following interview. Learn more below. *this interview has been edited lightly for clarity MaM : I dived into your music, which I totally dig, and I listen to everything. I can’t pin down your sound. I hear doom and sludge with a little goth, but wait, there’s shoegaze with hints of Radiohead. Help me here. Max : We get asked that quite a bit, and when we went on tour in June for a month, we did get asked that. That was a question people seemed to have after seeing us live. People were like, hey, you’re kind of shoegaze , but what do you call yourselves, and I was just like, we don’t. Obviously, there’s elements of shoegaz e and other things, and we kind of got into this scene because of the shoegaze scene. I very much made it a point to not box us into a corner with my songwriting. I’ve always been into music saturated with effects but still kind of heavy here and there. It has peaks and valleys in softness. I’ve always been into a certain sound, and shoegaze is adjacent to that. When I was coming up in the scene, there was no shoegaze revival. There was no such thing as that. The word on the street was post-rock . There were a lot of instrumental bands, and a lot of bands using reverb and delay with these dramatic build-ups, like ten-minute songs, and that was a lot of the stuff I was listening to when I was younger, among other things. At the Drive-In is my all-time favorite band. I like The Mars Volta . Omar Rodríguez-López , who is my favorite guitar player of all time, is notorious for using a crap ton of effects pedals , and that’s the guitar player who made me switch from bass to guitar when I was younger. Credit: Justin Ditch MaM : And that leads me to the next question: how many instruments do you play, and what was the first instrument you picked up? Max : I’m a third-generation musician, and my mom said that when I was about eight months old , I was sitting on my dad’s drum set, and I just picked up the sticks and did like a roll, and they were like WTF . My mom didn’t want me to be a musician and wanted me to have a more secure life. As a kid, I was always watching my dad, though, and one day I just went for it. I also played percussion in the school band starting when I was ten. As a kid, though, I had toy pianos and guitars , and I would play on pots and pans and that type of stuff. So, over the years, I picked up bass and joined the school band around the same time. MaM : I played clarinet in school band, just for reference. Max : I love clarinet. MaM : It was fun. Max : I think clarinet is awesome, and way better than flute. MaM : I couldn’t do flute, dude. I couldn’t get my mouth right on it to make a sound. You know, they make you try out different instruments to see which one fits you, and it had to be a reed instrument. My brother played saxophone, so I chose clarinet. Max : I did not envy the reed players in school at all, but I secretly wished I could play a reed or horned instrument, but I never really tried much. I can play pretty much anything that’s stringed. I can figure it out. Keys, piano... I’m not trained in theory. When I was in school band, I would memorize the parts. I ended up so bored with it, though, and quit the school band when I got to high school. MaM : So, guitar, bass, and drums? Are you essentially a one-man band? Max : Yeah, I’ve been a one-man band since pretty much since I started playing music. MaM : So tell me more about Kaleidoscope Crux, and who is involved. Max : KC is very much a collaborative effort, and I do most of the songwriting, but the extent of that is coming up with stuff loosely that I can bring to practice and show everyone else, so we can start messing with it to see how everyone feels, or if we want to keep it all. Sometimes, I bring in something with an initial idea, and it takes on a life of its own. I sing and play guitar, and I also handle a lot of synthesizers and samples I build. I’ll record sounds on my iPhone, like of something happening in nature or in the city, and I’ll use that. There are different layers and layers of sound quality with it. MaM : Tell me more about the other members of your band. Max : Laura, our bass player – LT we call her. She’s our rock. She’s big sis. Always there holding it down. So many mundane things that I just can’t get to, or whatever, because I’m writing the songs, booking the shows, etc. – from the get-go, Laura just fit in, and I didn’t really need to vocalize much what I needed. She could intuitively just tell. She’s just perfection. Couldn’t ask for more out of a bandmate. She actually started out on guitar, and I’ve known her since I was playing in that band with college students; we met through one of them. She switched to bass when she was older, so she still has this very melodic way of writing basslines , like you don’t hear much, in our wheelhouse. Usually, bass players are just holding down the root notes , but she’s doing these second-guitar-player-type things. She’s doing counter melodies to what I’m doing. She may choose a note that, with the chord I’m playing, forms a bigger chord instead of just holding down the root note , and she does so much of that type of stuff that I still am noticing it every time I’m listening to the songs. MaM : I love bass players. I think they are the most underappreciated members of any band because the bass players just seem to get no love. You always hear about the lead guitarist or the drummer, but what about the bassist? And she’s a female bass player? Hell yeah. Max : She’s not squeamish. She’s not afraid of her femininity. She doesn’t play into it much, though. She’s like an OG feminist before that movement got sideswiped by clout chasers. MaM : Back when the riot grrrl movement actually meant something. Max : Absolutely. That’s my dawg. That’s one of my best friends in life that I can always come to no matter what it is. Her husband is a bass player, and he’s been in the scene a long time, too. They’re both teachers, and they have a place on the outskirts of town where we practice, and they’re just family. MaM : So, who does drums for you? Max : We’ve had a couple of drummers, but Greg Stelly is playing drums for us right now. He also plays in Passenger 11 , which is like a local neo soul type of thing. But yeah, they’re more jazzy hip hop neo-soul . MaM : Lyricism – you have themes in your music that tell the story of what’s going on in the world now; what influences your writing? Max : Things that piss me off and that I can write about and not have it come across as I’m shaking my fist at the sky. I don’t want to sound like a grumpy aging scenester, but there's a lot of scene politics I don’t agree with, and I sometimes address it through my lyrics. If you don’t have staying power via your songwriting and authenticity, and if you don’t have a lot to say, you’re gonna run out of fuel, and then you’re going to be stuck on the highway of the modern music industry, stranded, and I’ve seen it happen to people a million times. MaM : Tell me more about the band name. Max : Well, I wanted something that wasn’t like a one- or two-syllable word that’s been used a million times already. If you search Kaleidoscope Crux on Google , nothing else will come up except our band. MaM : You have new music dropping later this month. Tell me more about that. I know the last release was in June. Max : We dropped the first one on the first full day we were back from tour. We dropped the single and the video, which we shot in downtown Lafayette . Northside Lafayette. It was in the area I grew up in, and my childhood home was actually torn down and built over by a coffee shop and some condos, and so I’m walking around that block with a megaphone shouting the lyrics into the camera. It’s on YouTube and just got uploaded to shorts. It’s like a minute-long song. It’s on our Instagram and our website , too. "To Extend the Olive Branch" official video The newest single comes out August 31 st , and it’s called “ DM for Address ”. The title is about bands that basically outcast other people in their community by having an invite-only house show in a private residence, whereas back in the day, there was an address on the flyer, and anyone could show up. You’d walk in, and it’d be a kegger. Now, you walk in, and everyone is sitting around on their cell phones in their own bubble. https://www.youtube.com/watch?v=hcw9gxuQYJU Official video for "DM for Address" by Kaleidoscope Crux MaM : I think that’s awesome you’re addressing that. Max : No one song is about any one thing. It’s like a still shot of what was going on in my brain when I wrote it. Sometimes you can be riffing on the same topic, but it can go to different aspects. We have a video coming out for it that is a house party scene, and when we get there, other people are playing our instruments. It’s pretty cool. MaM : What does the rest of the year look like for you musically, and as far as shows? Max : We’re doing a rollout for a 4-song EP right now, and since we’ve gotten back from tour, we’ve been working on what will be our full-length. Ten songs. We actually recorded the bulk of this full-length already, but we only decided to keep four tracks from that session. We then replaced those four tracks with four new ones, so that will be the full-length we release. Our EP was mixed and sorta produced by Alex Newport , who has done Sepultura, Melvins, Mars Volta, At the Drive-In, and Death Cab for Cutie. He had a band called Nailbomb with Max Cavalera from Sepultura . I got in touch with him on a whim. I was having a real psychedelic moment that night, and I thought to myself, “What’s standing in the way of me working with the people I really look up to?”, and I was like, “Perhaps just hitting the DM’s?”, and so I followed him and he had followed up back, and I hit him up, he said he liked our songs and said he’d like to work with us. After that, I hit up one of my close buddies from back in the day, Justin , and told him, “We may need a manager, dude.” What a perfect way to wrap things up. Max and his band are keeping that DIY punk spirit alive—even in a world that's all about numbers and stats—while mixing in a bit of shoegaze flair and plenty of layers. Chatting with Max was honestly a breath of fresh air; it's rare to meet someone who really gets it, who has that big-picture artistic vision, and who speaks straight from the heart. Kaleidoscope Crux’s new single, “ DM for Address ,” just dropped everywhere today, and their full-length is coming later this year. Definitely give their music a listen on your favorite streaming platform, and make sure to follow them on social. This is a band you’ll want to have on your radar. *Cover photo by Justin Ditch To learn more about Kaleidoscope Crux: Website: Kaleidoscope Crux www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Escape Your Fate blends alt-rock energy with undeniable conviction. < Back Reviews on the Real: Escape Your Fate by Caustic Waves Nicole Brice Sep 9, 2025 Share Escape Your Fate blends alt-rock energy with undeniable conviction. Released on September 5, 2025, ' Escape Your Fate ' makes a thunderous entrance, showcasing the strong alternative rock sound that Caustic Waves is becoming known for. This head-nodding track is filled with fuzzy guitars and a captivating groove. It’s truly impressive that Neil handles all the instruments and recordings himself for Caustic Waves . He is a remarkable Renaissance man . Released September 5, 2025 As a standout act, Caustic Waves is steadily building a reputation with their distinctive take on alternative rock , tailored for a new generation. They aren't just playing alternative rock; they are redefining it for an audience eager for something authentic. Neil’s voice, echoing shades of Brandon Boyd from Incubus , serves as the heartbeat of ' Escape Your Fate ,' providing the song with a timeless yet contemporary energy. One notable aspect of Neil’s compositions is that there is no build-up; each song kicks off with energy right from the start. The phrase “Trapped in a cage, there is no escape” resonates in my mind as I reflect on ' Escape Your Fate ' further. Around the 2:15 mark, an incredible guitar solo elevates the song to a new level, paving the way for Neil’s vocals to soar back in, continuing the strong lyrics and message. https://www.youtube.com/watch?v=z8M7NIuGTN0 The official video for 'Escape Your Fate' by Caustic Waves ' Escape Your Fate ' showcases Neil at his best, blending his Boyd-like vocal grit with Caustic Waves’ heavy alt-rock energy, all delivered with undeniable conviction. Stream ' Escape Your Fate ' now and get ready for the full EP release in October. I know we can't wait for that! To learn more about Caustic Waves: Spotify: Caustic Waves | Spotify Bandcamp: Music | Caustic Waves YouTube: CAUSTIC WAVES - YouTube Apple Music: ‎Caustic Waves - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link