Samuel is claiming his place in the Alabama music scene. < Back Word of Mouth: A Surprise Conversation with Samuel Isaac Penn Zach Taylor Aug 4, 2026 Share Samuel is claiming his place in the Alabama music scene. Word of mouth plays a significant role in how we find trusted professionals. If you ask for recommendations for professional services on social media, you'll get a response. Recently, I did exactly that after discovering damage to my roof. Within minutes, I had dozens of comments and messages. Everyone seems to have a friend in every business, but that does not guarantee quality. However, when someone in that industry recommends another person, I am a little more willing to listen. One night, I was at Mars Music Hall watching the Alabama Heathens open for Bay Simpson . After the Heathens’ set, I spoke with lead guitarist Jude Roberts , whom I had just watched absolutely destroy the stage. Being the gracious and humble dude he is, Jude introduced me to Samuel Isaac Penn . The gist of the introduction was simple: “Now this guy. This guy is a phenomenal musician.” Considering I had first learned about Jude’s playing directly from his legendary father, Mike Roberts , the endorsement carried some weight. Credit: Bud Gambrell Over the next few weeks, I could not get my schedule to line up with Samuel and his band. I did, however, get the opportunity to see Uncle Jam —Samuel and Jude’s side project—at Lone Goose Saloon after a Moonlight Market event in downtown Huntsville . As much as I have loathed how busy Huntsville has become and how far it has departed from the city where I grew up, nights like that make it worth it. And the show at Lone Goose? Excellent. Credit: Bud Gambrell Last week, when I sat down to interview another band at Rocket City Honkytonk , Samuel messaged me to say he would be next door at Furniture Factory Bar & Grill , watching his bandmate Jesse Moffitt perform with Dixie Sour . So, I stepped next door for an impromptu interview. *This interview has been lightly edited for length and clarity. MaM : You’ve got a Billy Strings shirt on. How many nights are you going when he comes to Huntsville? Samuel Isaac Penn : Every single one. Every single one. This will be my sixth and seventh time seeing him. Every time he has come to town, except for 2024 , I’ve gone every night. MaM : What is it about him that you love? Samuel : I’m a big jam-band dude. My biggest influence by far is the Grateful Dead , so I’ve always naturally gravitated toward the jam scene . When Billy really started blowing up everywhere and started coming to Huntsville a lot, I thought, “Shoot, I might as well go.” I’m not as into it as some people are. They follow him around and go to every single show. I can’t do that because I have to play gigs myself, but if I weren’t a musician, I’d probably be with that crowd, following him around all the time—as long as I didn’t have a show that night. Credit: Bud Gambrell MaM : Do you go down to Shakedown Street? Samuel : I have the last couple of times. It’s weird because I know some Shakedowns in other places have bands playing and all kinds of things going on, but the Huntsville Shakedowns I’ve been to haven’t had that many people out. When I go see Billy , I like to let it be my weekend—my one weekend off for the year. I can let loose and not have to worry about music. Last year, we were actually offered an after-show at the pavilion outside The Orion , near Jeff & Blues . I said, “Man, I’m already playing gigs all the time. I really want to go and get the full experience without having to worry about anything else.” I had already bought my tickets far in advance. Credit: Bud Gambrell MaM : Are you a Dead & Company fan? Samuel : I never hopped on the Dead & Company train. I like John Mayer on his own, but I could never really get into the Dead & Company stuff. I love the Dead , and even though I never got to see the original Dead , without Jerry , Dead & Company never really did it for me. I was supposed to go to Atlanta on their farewell tour. My buddy and I had tickets, but his family scheduled a vacation that same week, so we ended up not going. The next day, I saw all the replays and the set list. They played all my favorite songs. I thought, “Man, I should have gone just to see Bob Weir .” Honestly, Bob Weir influenced me more than Jerry did. I’m primarily a rhythm guitar player, so I studied Bob’s playing style a lot more. Unfortunately, I never got to see Bobby before he recently passed away. Credit: Bud Gambrell Let’s move on. I want to tell you a story about the night I met Samuel , though it actually begins a couple of days earlier. A few days before, I met Bud Gambrell and Mike Roberts , who were talking about Jude . They kept bragging about how he was beyond his years as a guitarist. I didn’t roll my eyes, but I was skeptical. “Okay, we’ve got a kid in his early twenties who is supposedly beyond his years. What does that even mean?” I wondered. Then I saw the Alabama Heathens at Mars Music Hall , and Jude truly blew me away. After the show, while talking with him, he introduced me to Samuel , saying, “Now this guy—this guy is a phenomenal musician.” Once again, I thought, “Okay, I’ll take his word for it.” A couple of Friday nights ago, while doing a book event on the square in downtown Huntsville , I noticed on Facebook that Samuel and Jude’s new side project, Uncle Jam , were playing their first show at Lone Goose Saloon . I thought, “Why not? Let’s go see them.” I came down and watched them play, and Sam impressed me—especially with his rendition of “ Where Did You Sleep Last Night? ”. MaM : Hearing you play “Where Did You Sleep Last Night” struck me. Samuel : When I first started playing guitar, like a lot of guitar players, I learned a whole bunch of Nirvana songs because they were easy to play. When I was first getting into music, I really gravitated toward them. Nowadays, I don’t listen to them as much. They were more part of my teenage-angst years. Credit: Bud Gambrell MaM : You had already played a great set, and I was enjoying it, but when you started that cover, I found myself standing there with my phone in my hand. I grew up in the ’90s, and Nirvana was clearly part of the zeitgeist of the grunge movement. That MTV Unplugged performance, where Kurt Cobain played that song, was huge. Seeing you guys perform it hit a nerve for me. What made you choose that song? Samuel : Funny enough, it wasn’t even on our set list, and we hadn’t practiced it as a band. Some guy walked up and said, “Hey, do you guys know any Nirvana?” The drummer for Uncle Jam is also the drummer in my band, and we sometimes play that song together. Jude had played it with me before, too. We thought, “It’s easy enough. We can just BS it.” We did it right there on the spot. That song wasn’t part of our set at all. The guy threw ten dollars in our tip jar and asked if we knew any Nirvana, so we went for it. MaM : That is a huge accomplishment—to be able to do that and pull it off. What do you think about songs that bring back nostalgia? Samuel : There’s a very cliché saying you see on Hobby Lobby art that says, “Music speaks when words can’t.” There is a lot of truth in that. Music is also a universal language. It doesn’t matter who you are, what ethnic background you come from, or what language you speak. If somebody hears a beat and it sounds good or grooves well, they’re going to start moving around. That’s just how music is. Credit: Bud Gambrell That was the whole reason we said yes. Since Uncle Jam is a new band, I had been adamant about sticking to the set list and not branching off into requests. I wanted to separate us from the typical bar cover band you can see every week. At the same time, that guy took his own money and put it in the jar. He had taken time out of his day to come watch us and hang out with us. I thought, “Why not?” At least three of us knew the song. The other two might not have known it as well, but I knew we could pull it off because we’re all good musicians. If it made that guy’s night, it was worth doing. MaM : Let’s talk about original music. Tell me about your band and the direction you think you’re headed. Samuel : For the last two years, my band has been evolving. When I first started, we were called Big Screen Revival . That lasted about a year or a year and a half. Then we became the Samuel Isaac Band . Now, I’ve done away with the band name and put everything under my own name. I also play a lot of solo gigs, and I’ve had to move people in and out of the band over the last year. I figured it was easier to use my name than to say, “We’re the blah-blah-blah band,” when people might see a different member playing with us every week. Credit: Bud Gambrell Now, I have a really good, consistent group of guys, and we’re moving headstrong in a good direction. We’re trying to do as much original material as we can. For the last two years, I’ve played a lot of bars around North Alabama and done the whole cover-band thing. Honestly, I’m getting burned out on it. I’m at the point where I want to make and play music that resonates with me—the music coming out of my heart, my soul, and my mind. We’ve been fortunate enough to play a bunch of local festivals. We played PorchFest , Panoply , Camp to Amp , and Wheeler Lake Palooza almost back-to-back. We have some other cool gigs lined up. We’re playing a campground festival in Tennessee , and we’re going to play Blue Canoe in Tupelo, Mississippi , which is a bucket-list venue for me. Things are looking up. It can be difficult because, especially as a full-time musician, when you step out and try to do more original material, some of the gigs start falling away. That’s especially true at the level I’m at now, as more of a local-regional kind of act. But I’ve never been in it for the money. I’m here because I love music, and I have since I was a little kid. I’ve been singing and tapping a beat with my foot since before I could walk. Credit: Bud Gambrell MaM : With performing under your personal name. Does that ever concern you in terms of how the other musicians might view it? Do you worry they could feel like hired musicians supporting “the Samuel Isaac show” rather than equal members of a band? Samuel : Before I had a band, I had already been playing around here all the time—solo and duo gigs—for two or two and a half years. My name and who I was were already established. The music I had released in the past was also under my name. I thought, “I’ve already built a brand. There’s no point in starting over, revamping something, or trying to establish something new.” MaM : Is there a direction in your mind—some kind of fusion that you believe represents the future of Samuel Isaac Penn? What does that sound like? Samuel : The genre I’m going for is something I call “Southern Americana.” A lot of my music has a singer-songwriter, Americana kind of vibe, but it also has an edge—a Southern-rock flair. When people think of Americana , they often think of mellow, stripped-back, laid-back music. Some of my songs are like that, but I also have songs that are rocked up and get right in your face. I came up with “Southern Americana” one day and thought, “That’s the best way I can describe it.” Because I’m a hodgepodge of all my influences, I’ve never been able to put a label on myself. Other people have said, “Oh, you’re a country musician.” I don’t really think so. I think people say that because of the way I look and because I have a Southern accent. Credit: Bud Gambrell MaM : You have side projects and your own band. You mix and match with different musicians, and tonight you’re here supporting your bandmate Jesse Moffitt while he plays with Dixie Sour. What does that say about North Alabama right now? Samuel : I wholeheartedly believe North Alabama has the most awesome up-and-coming music scene in the entire country. Not just North Alabama , either. Alabama as a whole. You’ve seen a lot of artists blow up over the last five years— the Red Clay Strays , Ella Langley and, going a little farther back, somebody like Riley Green . Alabama has so much talent, and there is a rich musical history here. I think it is beginning to shine and bloom more than it ever has. I’m excited for the future. I’ve always told everybody that if my dreams don’t come true—if I’m not touring or doing whatever—and I’m still in Huntsville playing locally, I honestly wouldn’t care. In a lot of places, music scenes can be very cliquey. People can be douchey, just to be real. It isn’t like that here. Credit: Bud Gambrell I know there are people who have been doing this much longer than I have, but even though I’m young, I’ve still been part of the music scene for about five years. I can’t tell you one genuinely bad or ill-meaning person I’ve met around here. I’m sure they exist, but from everything I’ve encountered, everybody has been awesome and uplifting. People are always trying to help one another. MaM : Panoply has been around for almost my entire life. Wheeler Lake Palooza is brand new. You played both of them. What does that contrast say about North Alabama and local music? Samuel : With Wheeler Lake Palooza , the sky is the limit. This was only the second year they held it. Mike Roberts and I were the only artists who actually camped there. I stayed the entire weekend. The community aspect of it speaks volumes about North Alabama. It wasn’t only the musicians. It felt like a true festival. I decided to camp on a whim. I showed up with a tent and a sleeping bag, but I didn’t bring a cooler, food, or drinks. I was fed and given drinks the entire weekend, completely free, because everybody was taking care of everybody else. It had that true festival spirit. MaM : What do you want to be doing a year from now? Samuel : A year from now, I would like to be playing frequently in places outside North Alabama . That is finally starting to happen for me. In August , I’m playing two solo nights in Alpharetta, Georgia . Then we’re playing the campground event in Tennessee and Blue Canoe in Tupelo later this year. I also played in Gulf Shores about a month ago. Things are beginning to pick up. I want to get outside the area where I’ve been playing for the last five years. I’ve always told everybody that my goal isn’t to become some mega-famous rock star. I want to play music I am writing and make enough money to eat, clothe myself, and have shelter. If I have a family down the road, I want to be able to take care of them. That’s all that matters to me. Credit: Bud Gambrell On Friday, July 31 , I traveled to Scottsboro to watch Samuel’s band open for the Alabama Heathens at Two Sisters Square . The venue itself impressed me; the crowd was lively, and the bands delivered excellent performances. As Samuel and I caught up, his shirt once again became the focal point of conversation: bold white letters proclaimed, "ALABAMA HAS THE BEST DAMN MUSIC IN THE WHOLE DAMN WORLD." There was something undeniably fitting about that statement. Our earlier conversation had begun because Samuel was wearing a Billy Strings shirt—a tribute to an artist he admired. But this time, his shirt was not about following someone else; it was about claiming his place in the music scene he belongs to. That bold statement is a strong declaration from a remarkably humble artist, and it echoed throughout our discussion. North Alabama has the musicians, venues, history, and community to support something special, though what it will ultimately become is still taking shape. Samuel isn’t seeking mega-fame; he wants to bring his music beyond North Alabama , earn enough for a sustainable life, and perhaps one day support a family. The Billy Strings shirt sparked our conversation, and the Alabama shirt brought it full circle. *All photos by the super talented Bud Gambrell For more information about Samuel Isaac Penn: HOME | Samuel Penn Where to find Zach Taylor: Website: https://sites.google.com/view/zach-taylor-author/home TikTok: zach taylor, author (@zachtaylorbooks) | TikTok Facebook: Zach Taylor Books Facebook Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Musical Gumbo Master Continues with Spring Forward Tour and a New Album < Back Off the Charts: Otis Walker Bud Gambrell Mar 25, 2025 Share Musical Gumbo Master Continues with Spring Forward Tour and a New Album The making of this article goes back a few months. I first spoke with Otis Walker in November 2024. Otis had a new album release coming up, and my plans were to be there. Well, as sometimes happens, life steps in and changes your plans. Our original interview was set to be at the album release party on November 29, 2024, the day after Thanksgiving. The morning of the party, I woke up with a flare-up of vertigo . There go those plans. Fast-forward to March 17, 2025, where I received a message from Otis, “I would like to personally invite you to our show this Saturday night.” I had been attempting to fill up my schedule for the spring and summer, but it so happens that my Saturday night was open. So, my reply was, “I am going to see about taking you up on this invite. Thank you!” Saturday Night’s show was to be held at Tangled Strings Studio in Huntsville . I was familiar with the venue by name only. I have seen the shop, but since they specialize in custom guitars , I have never stopped by. Lo and behold, it is a concert venue, too! I am unsure of how I missed out on that news. This is a very special place for live music. It is not too large or too small. It is just right for a songwriter/storyteller-type event. I tell you all that to set the table, as they say, so you can get a better visual for the space. Saturday March 22, 2025 As I walked into Tangled Strings Studio , the first person I met was Lisa Chang . She was up front selling tickets. Lisa is also a local musician with a fantastic voice. Otis and Lisa did a vocal duo during Otis’ set. I had never seen either of them perform, so I was mind-blown! Credit: Bud Gambrell The second person I ran into was Otis himself. Sometimes, it’s odd how these things work out. Otis and I began conversing as if we’d known each other for a while. We had just met for the first time. It’s always a bit of a concern with me that an interview will be stale due to no chemistry within the interview. That was not to be a worry tonight. Credit: Bud Gambrell We quickly realized common ground while talking about the band and stage set-up for the night. Otis added Kim Coffey to the percussion to add that extra beat. At almost the same time, we said, “similar to The Allman Brothers ” dual drummers. Otis told me that they are his favorite band. Mine too! Kim’s husband Donnie Cox is also in the band playing lead guitar. The pair also play in another band I worked with a few months ago. The band is rounded out by Richard Best on drums and Otis’ son Eli Brown on bass . Many moons ago, I worked with Richard , so the band was no stranger to me. Local songwriter Brett Carlisle opened the show. You will meet Brett and read more about him in an upcoming Off the Charts article. Our second band of the night was The Silver Silos , led by Taylor Burton . The Silver Silos are Taylor on guitar , Jacob Greene on bass , and his brother Brad Greene on saxophone and lap steel . Taylor is a friend of mine, and it is always a pleasure to have a conversation with him and hear his songs. The following is part of our conversation. For time and space purposes, I cannot include the entire conversation. Our conversation seemed very open-ended and long-winded. OTC : Otis, it is great to see you! It's nice to meet you finally! OW : Thanks for having me, man! OTC : We were first supposed to meet in November at the album release party. I'm sorry I couldn’t make it. So, tell me how the new album is doing. OW : It's our first time ever doing an album, so, you know, I have no metrics to measure against another album, but the first release did all right. The second single has had over forty streams in less than a month on Spotify . So, I mean, I think that's pretty remarkable. Hardly any of the streams are from my hometown, which is funny. We got lucky to get on a playlist and move forward. This is funny because the album's name is ' Forward ', so that's what we're doing. We're just trying to keep one foot in front of the other. OTC : Where can we find this new album? OW : You can go on the website at otiswalkerband.com . We've got the full album up for sale there. We're releasing one single every six weeks out to the wild. If you want the entire album, you can go to the website and you can purchase it there. Click picture to purchase OTC : Where did you find inspiration to write this new album's songs? OW : Well, you know you're going to find that you came to the right show tonight because we're doing the storytellers type show. I will tell you different stories about the different songs tonight. But, you know, I get a lot of different inspirations. Sometimes, it's a personal experience. Sometimes, I hear a lyric from another song that sends me in another direction. And you know, I feel like I'm an old bird now. I’m in my late 40s now. When I first started songwriting, it all had to be about something I felt. And now, I like to stew on it and get a story. So, in my older years, it's more story based. OTC : We will stop talking about how old we are at this point in the interview. (laughter) OTC : Did you write the songs on the new album, or did you have any interesting collaborations? OW : Out of the ten songs, one song was co-written by a buddy from college. The other nine songs were 100% mine, and then as far as the way that we did in the studio, you know, we all sat down at Clear Wave Studio and came up with how we wanted to produce the songs. They were all 100% mine, minus ' Southern Twist '. OTC : Do you have any future plans for any collaborations? OW : I've talked with a few guys. Taylor Burton and me, who we're playing the show with tonight. We've talked about that. We're gonna get together. I have also talked to Brett Carlisle , who's opening up tonight. He is a young songwriter, and we're also looking at it. My life hero is Barry Billings ; he's a great songwriter. Hopefully, we'll get to sit down and write a song together one day. OTC : As spring and summer are here, you've got new show dates. Do you have any particular dates or venues that you're looking forward to playing? OW : Well, tonight is! Here in Huntsville is our ticketed advance show. We're playing many shows where I’m solo and with the whole band. I love coming out and playing at a Tangled String Studio show where we get to have such an intimate chance to be with the audience because you're four feet from the first row. I love that! Credit: Bud Gambrell OTC : Do you have any goals for 2025? OW : Man, I would love to get to the part where we become a regional act . That is my goal! My dream is to be able to start playing some festivals and take out on the road what we're doing here in Huntsville and take it out to the people not here. The Huntsville music scene is intense. We could take it out to the rest of the southeast. OTC : What got you into music? OW : Well, I'm going to tell that story tonight. When I was growing up, we had a Ford Falcon , and it had a tape deck in it, and in that tape deck, there was a Roger Miller tape. I heard a song from Roger Miller and all those stories he tells. Man, it just lit a fire under me. Now, the other side of it is that my uncle, Bo Jack Killingsworth , is a member of the Rockabilly Hall of Fame , and so growing up with him, I got to see people and be around people that not everyone would get to be around and experience. My uncle is my hero. Roger Miller lit the flame, and going to see Uncle Bo at a show. I thought he walked on water. OTC : So, Roger Miller lit the flame, and Uncle Bo fanned that flame? OW : He sure did! OTC : Are there any past or present instructors that you look up to, and what qualities do they have that you admire? OW : I went to college and got a degree. But while in college, I got to play with the Iguana Party , which had Barry Billings , Danny Kirsch , and Joey Flippen . Those three men were my age now, and I was in college. They taught me everything I know about music. From how to roll up a cord to knowing the right song to play at the right time and how to play with dynamics. I mean, all those boys are my heroes. No guitar player can outdo Barry Billings . I'm sorry. I know some great players are around, but Barry hung the moon! OTC : What's the best piece of advice another musician ever gave you? OW : (laughs) That's a great question! I think that I was told once that I can't play everything in the first song. I get very emotional. One of my band mentors told me I had to leave something for the third set. When I first got up there, I just started trying to play everything simultaneously. OTC : What is it about music that makes you so emotional and feel passionate? OW : Man, you hear that bass drum, and then you hear that snare, and that's my heartbeat! And then my emotions kick in as soon as I hear the drums, and the passion comes out! Because I get to do something that is very much, honestly, my drug! I mean. I love music! It's not about money. It's not about fame. It is as if there's none of that. I'm still playing music in my basement on a Saturday night because I cannot live without getting the music out of me! The recommendation from this music lover to the music lover reading this is to get to an Otis Walker show if you are in the North Alabama area. Otis Walker 's music, a unique blend of styles, is something you won't want to miss. You will want to grab the LP or CD from the merch table while you are there, too. I know you will want to hear the songs repeatedly because the album is good but hearing them live is even better! For those not in the North Alabama area, let’s all hope that Otis Walker becomes a regional touring band so you will also get the chance to experience him live. One way that you can help make that happen is to support local original music in your scene wherever you may be. Show up for shows and let these musicians know you appreciate what they are doing. Until next time, Keep your diamond down in the groove! Where to find Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find Otis Walker: Website: https://otiswalkerband.com YouTube: https://www.youtube.com/@OtisWalkerBand Facebook: Facebook Instagram: Otis Walker Band (@otiswalkerband) • Instagram photos and videos Soundcloud: Stream The Otis Walker Band music | Listen to songs, albums, playlists for free on SoundCloud ‎ Apple Music: Otis Walker Band - Apple Music Where to find Tangled Strings Studio: Website: Tangled String Studios Facebook: Facebook Instagram: Tangled String Studios (@tangledstringstudios) • Instagram photos and videos *all photos by Bud Gambrell www.bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Reach him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Go to the Theater or Stay Home and Stream? < Back The Great Entertainment Debate C.G. Smith Nov 2, 2022 Share Go to the Theater or Stay Home and Stream? I’ve been a fan of going to the movies since I was a young child. I have vivid memories of going to see films like Disney’s The Jungle Book , Star Wars: The Empire Strikes Back , Return of the Jedi , and The Dark Crystal as a boy. The feelings of taking a giant bucket of buttery popcorn into that once sacred space and finding a good seat were magical. When the lights went down and the big theater speakers began booming, my eyes would light up, ready to be taken away to whatever fantastical universe this movie would bring. It was glorious. Not only was it entertaining but also it was a way to share something special and new with my family, and it gave us so much to discuss after the lights came back up and we made our way home. Today we have the option to stream most movies at home, and a lot of us are doing just that. With our massive televisions that remind me of the big screen walls from the novel "Fahrenheit 451 " and our fancy soundbars and multi-speaker sound systems, we can enjoy the films we want to in the comfort of our own homes. The popcorn might not be as good, but it doesn’t cost a few weeks’ worth of allowance either. When studios began releasing movies for streaming at home, often on the same schedule as those in the theaters, I wondered why anyone would still go out to see a movie when they could just stay home in their pajamas, curl up with their loved ones or pets, and for the price of their monthly subscription enjoy the same product that others were braving the elements (and COVID and other movie goers) to see. Surely the theater experience was transitioning into being a thing of the past, right? Box office receipts were already declining and then took a massive hit when the Covid-19 pandemic swept across the world in early 2020. Even though movie theaters in 2022 have seen business come back to nearly double the 2021 numbers, people are still often choosing streaming at home over the traditional movie theater experience. Why? Is it the ever-rising costs to go out and see a movie? It damn near costs you $30 just to get in the door, let alone what you spend on food and drink. Or, is it due to the ease of pushing a button at home and starting (or pausing) the film from your couch? Is it the fact that you won’t have a pile of human garbage tapping the back of your seat with their foot? I asked friends and strangers this very question to try and understand where fans of movies are at these days. Here are a few responses. “ I like to go to the movies. It’s the whole going-out experience I enjoy—the smell of the popcorn, the big theater sound, the sense of being a part of something,” said one woman I spoke to. “ I will always prefer going to a movie theater over staying at home .” The answers to this query are diverse and seem to depend on the availability and quality of the theaters around those answering, as well as the film itself. For instance, here in New Orleans, most theaters serve alcohol along with the standard sodas, popcorn, and candies. I remember my first movie theater experience here when my wife and I went to see the special screenings of Quentin Tarantino’s The Hateful Eight . Upon walking into the big AMC Elmwood theater lobby, I look to my left and see a fully stocked bar! I was truly in the city where I belonged. Another time when we went downtown to see The Rise of Skywalker , we were able to order a charcuterie board and a bottle of wine. Other cities are, of course, not New Orleans and don’t have full bar setups or charcuterie boards … not that these amenities make one theater necessarily superior or not to the average audience member, but it does play a factor into the going-out experience as a whole. At least for some people. “ I like streaming because I can watch programming on my own schedule,” says entertainment podcaster Scott Waltner. “ I’m more willing to take a risk on a film or series than I would going to the theater. Blockbuster franchises will continue to drive people to the theater, but streaming services allow studios the chance to tell different stories and I really like having those options .” Many people I have spoken to say it really depends on the movie. They prefer to go experience a big blockbuster MCU action movie in a fancy theater while the newest Wes Anderson film might work better at home. Some people say they just prefer the overall ambience and feel of an actual movie theater, while others say they would rather stay in and watch in the comfort of their home. Some are just hooked on the entire experience of going to see a movie in a big theater, but overall many people I have spoken with say if the movie is grand in scale, they are more apt to go to a theater to see it rather than trust their home system to present it faithfully, but that for most movies, they prefer to stay home and stream it. I suppose the big question now is, is the experience of going out to an actual movie theater worth it to you, the viewer, more so than the comfort of staying home for that particular movie? These are questions we must answer ourselves, and ones that the Hollywood film industry have surely been pondering. Our screens will keep getting larger and might someday actually be like those described in "Fahrenheit 451," but the desire to get out of our homes and experience something in a communal setting will continue to drive most of us off the couch and out of the house for the foreseeable future. Whichever you prefer, I nonetheless hope your movie-watching experiences are just as magical as mine are. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you’re looking for a catchy sing-along chorus, this song delivers. < Back Reviews on the Real: Who Told You by XIII Minutes Reimagined J. Heist Sep 13, 2025 Share If you’re looking for a catchy sing-along chorus, this song delivers. In today's review, we explore the Christian Nu Metal/Alternative band XIII Minutes as they breathe new life into an old favorite. Their song ' Who Told You ' is a powerhouse anthem within the genre, combining soothing sensations with chunky metal riffs, and this new reimagined version is available now . Released August 15, 2025 Released on August 15, 2025 , and originally featured on their 2019 album Obsessed , XIII Minutes offers a modern twist to this classic track. While the original version has a rawer sound, this updated rendition incorporates synth, effects, and a new vocalist, resulting in a more polished and fuller experience . True to Nu Metal style, ' Who Told You ' boasts dynamic elements reminiscent of bands like Sevendust and Tetrarch . If you're looking for a catchy sing-along chorus, this song delivers—learn the words and let the uplifting message resonate with you. XIII Minutes presents the gospel in a way that feels energizing, almost as if it could get Jesus in the mosh pit . Turn up your speakers and let the frequencies send chills down your spine. https://www.youtube.com/watch?v=DMKFm8Ql_eA Official lyric video for 'Who Told You' ' Who Told You ' will transport you to another dimension before it concludes, leaving you wanting more. If you enjoy this genre of music, be sure to give it a listen! Peace, love, and music -J Heist To learn more about XIII Minutes: Spotify: XIII Minutes | Spotify Apple Music: ‎XIII Minutes - Apple Music YouTube: XIII Minutes Band - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com J. Heist is the man when it comes to reviewing music. He hosts a podcast called Backstage 504 in addition to going through tons of submissions. Got something for him? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. < Back Cecily: Soulful Music With Ambient Affirmations Erica Machen Nov 9, 2023 Share Cecily’s music is insightful and pleasing to the ear, a breath of fresh air with the motivation to spread her positivity through her art. If you’ve ever needed the perfect soundtrack to accompany the moments your eyes are gently closed and all you see is the warm glow of your eyelids as the sunlit breeze kisses your face, look no further than the melodic musings of vocalist and songwriter Cecily. With a family who infused influences from artists such as John Coltrane, Motown, Smokey Robinson, and R&B from the 70s, 80s, and 90s, her vocal artistry brings prismatic color and warmth to the soul as the purity of her message washes over the listener and leaves an indelible mark. Cecily’s soprano octaves provide a surprising duality with her ethereal yet earthy delivery, and, as we chatted for our interview, her soothing personality left me just as spellbound as her music did. Originating from Washington, D.C., with a background in Political Science and Black Studies, Cecily's journey as an artist began as a powerful call to bring purpose and empowerment to her community . After ten years of nurturing her musical talents as a passionate hobby, she took the leap to turn her passion into a full-fledged career. Supported by an exceptional team of hand-picked musicians, dedicated management, and her husband, Cecily has achieved numerous accolades and awards , solidifying her presence as a force to be reckoned with in music world. Just as her newest release “I Am Love” delivers a simple and positive message coinciding with depth and dimension , the same can be said for Cecily herself. It came as no surprise to discover her passion for healing, meditation, and affirmations, as all of those things are revealed within her music. Cecily is simply a breath of fresh air with the motivation to spread her positivity through her art. Prepare yourself to feel connectivity as you read along with our chat. MaM : Cecily, for those just discovering your music, could you describe your unique sound and the musical influences that have shaped your style? C : I describe my music as soul music with a lot of influences of jazz, 90’s R&B, with a little bit of folk mixed in as well. I like to work with live instrumentation and real musicians in a space creating together, because I think that's how you capture the best energy. In terms of who people liken my music to, I really love 1970’s soul and R&B. Generally, you'll find a lot of sounds from that era in my music. I've had comparisons to Minnie Riperton, for example, in terms of my vocal stylings and some of my arrangement choices. People have also compared me to Amel Larrieux, who is more of a 90’s or early 2000’s R&B singer. Some of my favorite current artists who I think my music kind of likens to are Cleo Sol and Lianne La Haves , who are both from the UK. Photo provided by artist. MaM : Your parents' record collection had a significant impact on your music. Can you share how their love for artists like Miles Davis and Smokey Robinson influenced your artistic journey? C : I actually inherited my parents’ record collection. My dad passed away a couple years ago. My mom said she didn't listen to records anymore, so I could have them. Now I have a pretty large record collection. Thanks to them for that. What's interesting is that my parents are nine years apart in age, and that gave them different tastes in music. When [my mom] was a little girl, Motown was huge, and she loved Motown. Smokey Robinson is her forever crush. I grew up on a lot of Motown. My dad, he really loved jazz. He kind of came of age during the Bebop era. He loved Miles Davis, Dizzy Gillespie, John Coltrane and Ahmad Jamal … A lot of jazz artists from the 50s and 60s. So, I have disparate influences. I had Motown with its classic soul sound, but also formulaic. You can kind of hear that in the way they approached things, and it works. Then, if you go to Miles Davis or John Coltrane, they were experimenting. There was thought and intention, but I definitely don't think a formula was the approach to things. It was very different kinds of things to grow up listening to. What my parents had in common is they both loved 70’s soul music. I also grew up listening to Stevie Wonder, Chaka Khan, Gil Scott-Heron, and those type of things. All stuck with me. I'm also the youngest of four, and all of my siblings are much older than me. They had their own music tastes. I grew up listening to hip hop and R&B of the 80ss and 90s. My brother listens to house music. I was introduced to a lot of different kinds of black musical forms, and it was a great way to grow up. MaM : Your debut album "Songs of Love and Freedom" received critical acclaim and won a Wammie Award . How does this album reflect your musical vision, and what was it like to receive such recognition for your work? Photo provided by artist. C : That album was a big turning point for me creatively, professionally, and spiritually, because I put out an EP prior. That [EP] was my first project. I still like it, but it was me figuring out what I wanted to do and working with people that were recommended to me by my managers at the time. I didn't always feel seen in that process. I felt like we made the music, but I wasn't necessarily sure if it was me. When I came back around to do the process again, I was doing it all on my own in choosing all of my co writers, letting it happen organically, finding different producers, choosing my band members, and doing a lot of sonic research. It really taught me a lot about myself and was an empowering journey. I still feel really good about that album. So, it's one of my things I am most proud of. MaM : This brings me right to “Awakening Pt. 1”. It, too, was well-received and earned you several nominations and awards. Can you tell us more about the themes and inspiration behind this project? C : That project was inspired by some books that I read leading up to when I got married. We all think we know so much about love, but maybe I should actually study it like people do everything else. So, I just picked up this one book, just off chance in a bookstore, called ‘How To Love’ by a Buddhist master who passed away last year, named Thich Naht Hanh. I just read this book back to front a few times, and it was really impactful for me. The next book I read was called ‘The Mastery of Love’ by Don Miguel Ruiz. It had so many lessons and was a good way to reflect on life and what I've been taught about love. It was good to reflect on places in my thinking that needed to be revised on what love is and what love can be. Later, when reading ‘All About Love’ by Bell Hooks, I decided I want to create a project pulling from these concepts and ideas. That was kind of the inspiration for both ‘The Awakening Pt. 1’ and ‘The Awakening Pt. 2.’ https://www.youtube.com/watch?v=z1D3_CJ1NZ8 MaM : You're not only a talented artist but also a healer who offers meditations, workshops, and sound healing sessions. Tell us more about how these practices are connected to your mission as an artist and a healer? C : In 2020, when things were locked down, I couldn't connect with people in terms of live performances. I also I felt like I couldn't create music in the way I was used to in being separated from my usual writing partners and bandmates. It started out when I had written some affirmations for myself in a time that was very fear-inducing. I called them ‘Affirmations for a Pandemic’. I decided, these are good, let me share these with people. So, my husband recorded me with video and audio. I put it on YouTube, Instagram, and this meditation app called Insight Timer. I was surprised by the reaction. People were saying, ‘Wow, this is so helpful. Thank you so much for this.’ Insight Timer chose the recording of it for their editorial pick and put it on the main page. I got a lot of engagement there and realized life is telling me this is something I need to dig into a little bit more. So, I started doing guided meditations live on Instagram. I love writing, I love words, I like using my voice. I started doing these guided meditations as another way to use my voice and my words. MaM : Your new single "I am Love" is generating attention. How has this song been received, and what message or emotions do you hope it conveys to your audience? C : I'm really happy with people’s response to the single. I love this song. I sometimes tend to be a little wordy and overly complicated in my writing. With this song, I wanted to write something that was simple. It definitely has depth to it. It started off as a poem, so it still has its poetic aspects. I wanted to write something that made you feel at peace and happy—just something that feels like a nice like warm summer day. You know, like where you're with someone you love or just yourself out in nature, eating good food. That was the energy of the song. … The message was really simple. As I said, affirmations are a big part of my life. I wanted to write a song that was an affirmation. The album ‘The Awakening Pt. 2’ is all about exploring unconditional love. Specifically, the kind written about in Bell Hook's book, ‘All About Love’. I had a poem where I had written, ‘I am love,’ and I thought, ‘This could be a song.’ I thought [it] would be a good way to bring forth my message of the power of love, acceptance, affirmations, and also Bell Hook's idea about simple living. She says living simply makes loving simple. I thought that was really beautiful. I'm kind of combining the two concepts of exploring the simplest pleasures in life with knowing that I am love. It’s about the belief in God, the source, the universe, or just this idea we all are connected to a genuine love, a deep, complete, and divine love. Stating plainly, ‘I am love’ can be very powerful. Even though it's a simple song and I wanted it to have … a singalong part or even something you can even two-step to; I also wanted to have some depth in there that people feel. I think the song has the combination of both. I love it for that reason. MaM : Are there any new announcements, news, or projects on the horizon that you'd like to share with your fans and our readers? C : ‘I Am Love’ is out now! https://www.youtube.com/watch?v=X7OWj3A2PRM There's a music video for it dropping very soon, and there will be some new merchandise soon to accompany the new release. The second single is coming out in January, and the new album is coming out in March. And there you have it—your breath of fresh air for the day! In a world filled with hyperbole and scattered focuses, Cecily recenters us with the ambient peace she exudes. Take a moment and explore her prismatic vocals by visiting the below-listed links. Cecily | Official Website Cecily | YouTube Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Wrestlers are a three-piece thrash metal powerhouse with nostalgic sounds. < Back Reviews on the Real: The Wrestlers J. Heist Aug 28, 2025 Share The Wrestlers are a three-piece thrash metal powerhouse with nostalgic sounds. Hailing from Oristano, Italy , The Wrestlers are a three-piece thrash metal powerhouse. Combining the nostalgic sounds of classic thrash metal and heavy metal, this band is "A Fuoco" (on fire)!!! With driving bass riffs, intricate guitar work, hardcore metal vocals, and non-stop drumming, they transport you back in time. If you enjoy thrash music, such as Metallica , Testament , and Megadeth , combined with elements of Judas Priest , Iron Maiden , and hardcore punk , I highly recommend giving this record a spin. The Wrestlers' self-titled album gets two thumbs up from me. Credit: The Wrestlers The Wrestlers are Alex Murru (Guitar/Voice), Simone Mura (Bass), and Samuele Oggiano (Drums). Released March 7, 2025 Necrophilic Woman This song is a fantastic way to kick off the album. Fast guitar playing and a catchy vocal melody set the tone where the song travels at breakneck speed, offering a brief moment of peace with a melodic breakdown before overwhelming you with an incredible guitar solo. This track serves as a perfect introduction to what the rest of the album has to offer—great riffs, impressive harmonies, and an overall fantastic composition. Look at the Dark This song takes a more melodic approach throughout. The vocals showcase their range in the chorus, while the rhythm section brings it back down to Earth. This track has everything, from solid songwriting to music that perfectly matches the title. ' Look at the Dark ' is one of my favorites on the album and will definitely have you contemplating the shadows. Rapist Demon This song brings hardcore punk vibes, reminiscent of Propagandhi but with a death metal twist. It has that old-school/new-school sound that will leave you wanting to press play again. It feels like a party anthem, and I can easily see it featured in a film. With its straightforward chord progressions, it epitomizes the concept of "less is more." You won’t know whether to get in the pit, headbang, or sing along. Explosion of Skull This track comes in strong with heavy guitars from the very start, reminding you that The Wrestlers didn’t come to play. The song is confrontational, featuring heavy metal and punk riffs along with a bass breakdown that leads into harmonized guitars and a stellar solo. If you're not in the pit by the end of this song, you might not be listening closely. The Apocalypse of Blood This song is a fast-paced beast that also offers some breathing room. Its breakdowns demonstrate that they came to both melt faces and woo you with metal, only to ramp up the speed again. This song has Slayer vibes, especially with a solo that would make Kerry King proud. ' The Apocalypse of Blood ' perfectly encapsulates what The Wrestlers are all about. After the Apocalypse When a metal song starts with a bass line, you know it’s going to be good. This track is on the slower side compared to the others on the album, showcasing their ability to craft guitar harmonies and groove riffs. It serves as the first song on the B-side of the album and as a great way to kick off that part. ' After the Apocalypse ' is as close to a ballad as metal gets. Le Leggi Dell'Umanità On this song, The Wrestlers utilize their multilingual skills to bring a taste of Italy to the mix serving up a drum intro, multiple time signatures, a bass break, and fast guitars. This track is an excellent representation of several of their writing styles combined into one. If you play this on a road trip, be sure to put it on cruise control. Mr. Beer This song brings back hardcore punk vibes. It differs slightly from the others, but still effectively represents their music. The bass player showcases his melodic talent with another catchy bass intro. This one's a bit of a happier version of their music but retains that metal edge. The Wrestlers indeed demonstrate their diversity with this song. Metal Father ' Metal Father ' introduces more hardcore punk sounds with great, simplistic yet effective guitar progressions and a sing-along-worthy chorus. The interlude strips things down a notch, offering a moment to catch your breath—if you have a lighter, this would be the perfect time to hold it up. It’s another example of the "less is more" approach, complete with superb dynamics. Violent Storms The closing track, ' Violent Storms ,' is an excellent way to end the album. It features classic 80s thrash metal grooves and powerful vocals that light up the speakers. Even the lyrics are perfectly crafted to conclude the album. This song might even be my personal favorite on the record, demonstrating once again that The Wrestlers can do more than play fast. Credit: The Wrestlers Overall, this is a fantastic album from start to finish, with a good flow from song to song. Each track has its own identity and leaves you wanting to hear more. If The Wrestlers aren’t in your playlist, you’re definitely missing out. Spin this album at full volume. The Wrestlers' self-titled album is a must-listen. Peace, love, and music, - J Heist To learn more about The Wrestlers: Facebook: The Wrestlers Facebook Instagram: The Wrestlers Instagram Spotify: The Wrestlers - Album by The Wrestlers | Spotify Apple Music: ‎The Wrestlers - Album by The Wrestlers - Apple Music The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for J. Heist to check out? E-mail us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Photographic Perspective < Back Through the Lens of Justin Hammer: Acid Bath and Ministry at Red Rocks Justin Hammer Oct 8, 2026 Share A Photographic Perspective Acid Bath’s much-anticipated return to the stage in April 2025 was something most of us, myself included, thought we’d never witness. I was only six years old in April 1997 when they first split, one of many fans who never experienced the raw, original Acid Bath live. Now, as a photographer, I’ve not only had the chance to see them many times over the past year and a half, but I’ve also gotten to know the band personally while capturing their resurgence through my lens. It’s been a dream come true—an experience my 14-year-old self could never have imagined. *credit - Justin Hammer Photography First, starting out in our home city of New Orleans , Acid Bath played their first show back at The Fillmore 28 years to the day of their last show in 97. This quickly led to multiple double-night, sold-out shows across the US. Later that same year, they made it back home for a Headlining show at UNO Lakefront Arena with support from bands like Mastodon , Soilent Green , Power Trip , and more. Following a year of nonstop touring, they continued upping the ante, booking venues like The Caverns , a venue built inside an actual cave in the mountains of Tennessee , and The Rooftop at Pier 17 in NYC . Then came the festival appearances, such as Hellfest in France and their first-ever European tour supporting System of a Down and Queens of the Stone Age . *credit - Justin Hammer Photography September 15, 2026 , marked an even bigger milestone: Acid Bath headlined and sold out the iconic Red Rocks Amphitheatre in the mountains of northern Colorado —a moment I never thought I’d have the privilege to capture. It's taken me a few weeks to come down from the excitement of the show, and so that's why this article is a bit delayed, but better late than never. Plus, I just got really busy. My photography is really starting to take off, and I am so grateful. Thank you to everyone who lets me capture them through my photography. Credit: Justin Hammer Photography Red Rocks Amphitheatre , opened in 1941 , is a geological phenomenon-the only naturally occurring, acoustically perfect amphitheater in the world. The rock walls on both sides, towering over concertgoers, create a special, unique experience unlike any other venue. It's breathtaking, really. Credit: Justin Hammer Photography Acid Bath was joined by Denver’s own Cephalic Carnage , doom masters Windhand , the electronic metal duo Twin Tribes , and the legendary Ministry . The lineup set the stage for an unforgettable night. By the time Acid Bath took the stage, the venue was packed—over 9,500 fans , all waiting to hear that signature Louisiana sludge reverberate through the mountains. For some, it was just another show; for others, it was their first time seeing Acid Bath —or even their very first concert. As the band stepped onto the stage, the crowd erupted in applause. I watched through my camera as thousands mouthed the lyrics to songs that, until recently, hadn’t been played live for nearly 30 years. At one point, I lowered my camera, took a breath, and just absorbed the moment, realizing how special it was to witness and document this history. This was more than a concert—it was the experience of a lifetime, something I’ve dreamed about for 18 years as a music photographer. I never imagined Acid Bath would be the band to finally make that dream come true, which makes it even more meaningful. Watching these incredible Louisiana musicians command the same stage where so many legendary acts have performed—and seeing them mesmerize a sold-out crowd—truly felt like witnessing history in the making. As their lyrics say: “Let the Blackness Roll On…” *All photos by Justin Hammer www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

His ethereal music makes for one magical, introspective ride < Back Rickey Mitchell: Composer of Hauntingly Beautiful Soundtracks Keeley Brooks Jun 7, 2023 Share His ethereal music makes for one magical, introspective ride In a sea rife with performing and touring musicians, most don’t realize there are also composers swimming around out there who aren't necessarily looking to tour venues and play live music but to find the right TV show, documentary, and/or major motion picture to showcase their work. Perhaps one of the most popular soundtrack composers of the 21st century is Bear McCreary, who has scored everything from television ( The Walking Dead, Black Sails, The Lord of the Rings: Rings of Power ) to movies ( 10 Cloverfield Lane, The Cloverfield Paradox, Knights of Badassdom ) to video games (" God of War," "Call of Duty: Vanguard" ). Recently, I had the chance to meet a composer in North Alabama who creates such hauntingly beautiful music, it makes you feel like you might just be listening to a potential soundtrack for some of the most intimate parts of your life. His name is Rickey Mitchell, and his work is as unique as he is … it’s even reminiscent, at times, of one of my favorite bands, Pink Floyd. We all know the type of music—that ethereal, ambient, emotionally charged flow that drives a particular scene in a film or theme of a documentary production, even a character’s identity and understanding of the world around him or her in a series or show. It’s that music in the background that compels you to focus mindfully on artistic detail. We often don’t pay too much attention to the music in the background, but there’s a good reason we should: Without it, those rich, quality nuances used to draw in an audience and help propel an art form forward would be noticeably absent. And that’s what Mitchell’s music does: It gently draws your artistic gaze to hone in on the tiniest bit of detail, detaches you from the busyness of your mind, and breathes new life into your world as it takes you on a full introspective ride. Mitchell has been playing music his entire life. Originally from Kenosha, Wisconsin, he currently residents in the Muscle Shoals-area of Alabama. He’s an extremely talented composer attempting to break not into mainstream music but into major motion pictures, documentaries, independent films, and television. photo provided by Rickey Mitchell Mitchell achieved one of those goals back in the early Nineties when Magic Johnson retired. NBC picked up one of his songs to accompany the sports highlights that spanned Johnson’s career. “A fan actually pitched one of my compositions to NBC for a Magic Johnson documentary. You can hear my song ‘Deep Cut’ from my first album ‘Money Talks, Beauty Screams.’ It’s playing during a lot of the sports highlights. So, that’s how that happened. I hope to one day score epic films or anything Steven Spielberg produces,” says Mitchell. A lifelong composer and musician, Rickey shows no signs of slowing down or giving up on his dreams, and after getting a sneak listen at his upcoming new album, I’d say he’s got a bright future full of opportunity just waiting for him. His music makes you want to shut out the world and ponder your deepest thoughts and feelings. Mitchell is one super cool dude making some very intriguing music with some very notable people. Here’s what he had to say about his influences, his new album, and what’s next for him in his creative endeavors. MaM : Rickey, thanks so much for taking the time to talk with us. We really dig the tunes you shared with us from your upcoming album. How long have you been playing music? RM : Thank you for having me! I began playing music in 1969 at four years old. I was heavily influenced by the 1968 comeback NBC TV special of Elvis, but the desire to pursue music came from my cousin, C. Gaby Mitchell . He was and still is an incredible musician and screenwriter. He wrote for the films Blood Diamond and Get Low . He’s one of my biggest supporters who helps me navigate the industry. MaM : What would you say your style is? RM : My style of composition and finished product is usually labeled as art rock, a type of neo-classical composing not typical of current mainstream music heard on the radio today. MaM : Well, it’s very interesting and engaging. What instruments do you play? RM : I play piano, mostly, but I began as a percussionist. The natural gravitation to piano was seamless for me. photo provided by Rickey Mitchell MaM : After hearing you play piano, I’d say “seamless” is the perfect way to describe your efforts. Who would you say have been your biggest influences? RM : Where writing is concerned, I’m most influenced by Keith Green, early Elton John, Billy Joel, and the band Kansas. MaM : Ooh, nice. They’re all such great songwriters. I dig some Kansas! Tell us what has your music career been like? What motivates you? RM : Music as a career has been a labor of love. It’s the joy of creating that motivates me. I create everyday. MaM : Over the years, have you worked and/or played with anyone of notability? RM : Most of my career, I’ve been blessed to play in [studio] sessions with some great players. The most notable is Jerry Donahue , who is an American guitarist primarily known for his work in the British folk-rock scene as a member of Fotheringay and Fairport Convention , as well as a member of the rock guitar trio The Hellecasters . But as a rule, most of my last 30 years have been spent writing. MaM : I understand you have a new album on the brink of release. What can you tell us about that? RM : I do. My first album released in 1991, so this second album has been a long time coming. It’s called ‘Midnite at the Pianotorium’ and is eight tracks of pure, original progressive art rock with a few surprises. It features a good bit of people, too, like Will McFarlane, formerly of Bonnie Raitt’s band, on guitar; Kirk Bowie Russell, of An Abstract Theory band, also on guitar; Kevin Reed, also of An Abstract Theory, on drums; Tyler Ross, of Grace & Tony band, on bass; Danley Murner on cello, bass, and synth axe; Al Barrow, formerly of Magnum from the UK, on bass guitar on the title track; Jessica Rothstein on vocals; and Kimi Samson on violin and viola. Kimi is easily one of the best musicians I’ve ever known. No one else plays like her; she is sublime. Rickey Mitchell and Kimi Samson, photo provided by Rickey Mitchell ‘Midnite at the Pianotorium’ releases June 25, 2023, at midnight. The goal is to entertain and hopefully catch the ears of those who hear this music or music of the like in a film, documentary, or major motion picture. The album will be available locally in The Shoals area at Vinyl Junkies Record Lounge , as well as on the web through Amazon for CD purchase and download. MaM : It was very kind of you to let us sample some tunes from the new album. We loved “Afternoon at Ghost Bridge” and I understand you had an important co-writer on that. Would you please elaborate? RM : The song was inspired by a trip I took to Ghost Bridge in Florence, Alabama, in January 2004. I had never been. I pondered all the urban legends as I walked across the bridge--just me, my friend, and her dog. I ventured back to my studio and by mid-April, I had finally worked out the sequence for my Korg Triton with a CD burner and 16-track capability … out came ‘Afternoon at Ghost Bridge.’ … I think I needed the time working in the studio and absorbing all the stories I heard and feelings I felt that day. It was magical. [But] the bridge is no more. It was demolished in 2013. I wrote ‘Afternoon at Ghost Bridge’ with my friend Phil Keaggy , who is an American acoustic and electric guitarist and vocalist with more than 55 albums under his belt and more recordings in both the contemporary Christian music and mainstream markets. In 2007, Keaggy was inducted into the Gospel Music Hall of Fame and in 2010, he was ranked #43 in Gibson’s list of the ‘50 Greatest Guitarists of All Time.’ Phil Keaggy, photo provided by Rickey Mitchell Phil and I met in 1986 in Los Angeles but have never worked together until now. Phil is a world-renowned guitarist—one of the best who has ever lived. It was an honor to work with him and I hope to continue working with him. We remain close friends. MaM : It really is a beautiful song. And speaking of “Afternoon at Ghost Bridge,” I believe now is the perfect time to debut it to the world! RM : Yes! I agree. This is the actual world premiere of ‘Afternoon at Ghost Bridge,’ written by me and Phil Keaggy. (Select the track below to listen!) 1 Audio Track .aiff Download AIFF • 36.69MB MaM : Well, Rickey, we think you’re one cool dude who is long overdue on some press coverage, so thank you for allowing us to nose around in your business and learn a little more about you! Before we go, though, inquiring minds want to know what are you watching when you aren’t composing? RM : (laughs) I’m a composer first and foremost, but I do watch movies every single day. The best movie I’ve seen in a decade is Where the Crawdads Sing . Also, I highly recommend Till , an excellent film about a southern tragedy. For more information on Rickey Mitchell, you can find him on Facebook . And don't forget to check Amazon at midnight on Sunday, June 25 for the release of Rickey's new album "Midnite at the Pianotorium!" You'll be glad you did. That album is worthy of kicking back in your best Dude sandals with a White Russian and letting the world (and all your troubles) melt away. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Pure energy, speed, and catchy lyrics < Back VOID: Lafayette’s Answer to the Modern Thrash Metal Scene Je'an-Paul Keller Jul 9, 2023 Share Pure energy, speed, and catchy lyrics Coming up August 19, 2023 , Louisiana’s own metal masters VOID are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana , and they are the first in our installment of interviews with all the acts on the bill. These guys are the new face of heavy metal and if you’re not familiar with them yet, you soon will be. The five-piece powerhouse of thrash metal goodness known as VOID formed in Lafayette, Louisiana, in 2019 by the Davenport brothers, Jackson and Logan, who grew up loving bands like Black Sabbath, Metallica, and Anthrax, to name a few. I truly went into the void when I listened to their debut album Horrors of Reality . It’s pure nostalgia and an excellent nod to the mid-to-late 80’s thrash metal days of the past—Jackson guitars and Marshall amps that punch through your ear drums straight to your brain. The current line-up is Jackson Davenport (vocals), Gabe LeJeune (guitar), Logan Davenport (bass), Alex Bernard (guitar), and Aaron Landry (drums). Credit: Chad Besse Everything about this band is pure energy and speed, with catchy screaming lyrics that will make you think, make you laugh, or make you get lost in your own mind; either way, VOID’s music will leave you wanting more. These guys almost incite a riot every single night they take the stage due to the intensity of their shows, and they love interacting with their fans. Ready to emerge from the Louisiana metal scene and take the world by storm, VOID is like a pack of hungry sharks and is quickly gaining local and national attention. Tearing up the Gulf Coast with their in-your-face riffs, ripping dueling leads, melodic harmonies, tasteful bass lines, and fast and precise drumming, VOID is a band you need to check out now . Not to mention, they have insanely visual music videos. https://www.youtube.com/watch?v=NyGsY3EmGIQ Official Video for 'Voodoo' Currently on tour with Labyrinth and Life on Mars , I recently caught up with Jackson and Lily Shea, the band’s photographer and videographer, to rap about who they are, their live videos, and what the future holds for them. Here’s your chance to get to know a little more about VOID , then afterwards, be sure to catch them at Rad Fest 2023 in August. MaM : I’ve been listening to your album for the last two days and I really like it. The thrash metal sound totally brings me back to my childhood and growing up in the eighties. Jackson : Awesome, man, I appreciate that. MaM : Who or what has inspired your sound? Jackson : We formed back in 2019, and we were very driven by Black Sabbath, weirdly enough. We wanted to play stuff like Black Sabbath but heavier. Then, over the years, we [went] through a few different line-up changes, and we found thrash metal. You know, coming out of the big four, we found bands like Exodus, Testament, and Forbidden. I think those three bands are very big inspirations to us and still are with the music that we write today. Credit: Chad Besse MaM : Awesome. I actually thought you guys sounded a lot like Anthrax, MEGADETH, old school Metallica, and old school Slayer. Jackson : Those are definitely sources of inspiration as well. Whenever we started playing thrash, we wanted to be Metallica so bad, and then we kind of just grew out of that and found the better stuff, I guess. I mean, I still got [sic] love for Metallica, but that’s basically where it all came from, I guess. MaM : What would you say influences you to make music? Jackson : Music is a way for me, and I speak for all the guys, and I say this, but it’s a way for us to basically escape from our problems and stress and get together and work on something as a team to make something awesome that we’re all proud of. So, we always look forward to writing new music, because it gives us an excuse to go out and work as a team and create something. Credit: Chad Besse MaM : Can you tell us a little more about how your band initially came together? Jackson : It started with me and two buddies. We were jamming some old Black Sabbath songs in the garage and were like, “DUDE, let’s start a band,” and we did. We all had musical differences, though, and kind of parted ways after that initial jam session, but the name VOID and the idea just kind of stuck with me and I ended up finding the people that had the same vision I had, and we just kind of started it from there. MaM : Love the name for the band and was wondering if you could give us a little background info on it? Jackson : So, it actually goes back to the whole Black Sabbath thing. We worshipped Black Sabbath and wanted to play music like that. We were playing at a party a long, long time ago, but we didn't have a name and decided on VOID because of “Into the Void” and the whole Black Sabbath imagery thing. It just kind of stuck. Credit: Chad Besse MaM : I love your sound and your tone. What mic do you use? And whenever you generate your voice, what kind of vocal exercises do you do beforehand? Jackson : I'm the worst person to ask about this, but usually I'm using a Shure SM 58 for vocals. For other shows that are more like DIY, I have this one vocal mic that belongs to our drummer that I like to use. I cannot think of the name right now. I make sure I drink a lot of water with honey in it, too, because that helps. I'll run through scales with my voice, too, before shows and usually it helps lubricate my throat. MaM : I’ve noticed your fans like to join you on stage sometimes at shows. How does that make you feel? Jackson : It's awesome, dude! It's so cool, man. Makes me feel like all our hard work is paying off when people sing our songs with us. MaM : Your whole look and your music videos and images are quite unique. Will you shed a little light on the inspiration behind some of the videos you guys have done? Lily Shea : It has become second nature to have my camera out all the time because I never know when I'm gonna strike gold, but the music videos are just such a blast and everything we do is impulsive. Credit: Chad Besse MaM : Was the video for “Voodoo” shot at a real cemetery or on a studio set? Jackson : It was shot at Fright Trail in Scott, Louisiana, which is almost like a haunted house attraction because it's all woods and creepy. MaM : You guys did a bad-ass cover of Megadeth’s “Sweating Bullets.” Is there a particular reason you decided to cover that song? Jackson : We've only played that song maybe two or three times and it was because at a jam practice one time, I started singing the words “sweating bullets” in a Dave Mustaine-sounding voice and then we discussed playing it. We initially ran through it as a joke, but it sounded kind of cool. We played it for the next few shows after that until we got tired of it. Credit: Chad Besse MaM : Can I ask how tagging Snoop Dogg for the “Feeding Frenzy” video came about? Jackson : We are so stupid and think that we're so funny. “Feeding Frenzy” was a brand-new song at the time, and when I was typing out the captions for the video, I asked the guys in the band what else should I put. ‘Is that all that I should put?’ Someone in the band mentioned tagging Snoop Dogg, so I put in the captions, “Everybody tag Snoop Dogg,” and I got so many comments tagging him because of it. Snoop never did see the video, but I’m sure he would have loved it. Credit: Chad Besse MaM : What does the future hold for VOID? Jackson : Right now, we are working on a new single. We want to put out new music by August or September as a refresh for our fans. We probably won't do another full length for about a year or so, but we are also in talks with some big-name bands to play shows, too, so we’ve got quite a bit coming up. To experience VOID for yourself, be sure to check out one of their links below, and don’t forget to catch them at Radfest in August! • VOID • | Instagram, TikTok | Linktree Void | Spotify *cover photo courtesy of Chad Besse Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. The force is strong with this one. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New year, new music! < Back April Playlist Picks: Way Back When Nicole Brice Apr 7, 2025 Share New year, new music! April is the beginning of the “new year” officially for me, and so, in light of that, here are some random tunes to get your “new year” going. 1. Kraftwerk - Trans Europe Express ‘ Trans Europe Express ’ is one of those songs that just fascinated me. Hell, just Kraftwerk is fascinating. 1977 https://www.youtube.com/watch?v=kv8_EZrNhpY 2. Julia Michaels – Pink While this song does have naughty undertones, it’s fun to sing along to, and Julia Michaels is just a fantastic singer, songwriter, and performer. I had the pleasure of seeing her live a few years ago when she performed at The Varsity Theatre in Baton Rouge . This song is special to me, though, because it was through this song that my nonverbal autistic son began speaking more. I think it’s Julia’s kind tone that he picks up on with her singing that resonates with him so much. 2017 https://www.youtube.com/watch?v=2FtjfDPas7s 3. Depeche Mode - Wrong ‘ Wrong ’ is one of those Depeche Mode songs that you truly cannot visualize until you see the video. Watch the video and then listen to the song. Great tune. 2009 https://www.youtube.com/watch?v=fhnrrLxQEVQ 4. New Order – Truth Classic New Order – ‘nuff said. Coincidentally, this song was released the year I was born. 1981 https://www.youtube.com/watch?v=sMXwzhNOO9o 5. Bon Jovi – Wanted Dead or Alive One of my favorite Bon Jovi songs of all time! Soooo good! 1987 https://www.youtube.com/watch?v=SRvCvsRp5ho Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Masked Mutilator Ezekiel Kincaid Share Jan 25, 2024 Masked Mutilator combines horror and wrestling, making for the ultimate B-movie experience. Zeke’s rating: 4 out of 5 Choke Slams Two of the greatest things God blessed us with on this planet are horror movies and wrestling. But you know what’s even better? When horror and wrestling combine for the ultimate B-movie experience! This is what we have in today’s review of Masked Mutilator . As a child of the 80s, I was a huge wrestling fan. It was the golden age of the sport, filled with icons such as Hulk Hogan, Andre the Giant, The Undertaker, Sting, Lex Luger, and Ric Flair. Just when I thought it couldn’t get any better, we had the attitude era that started in the late 90s and carried into the early 2000s. This is when the more extreme stuff, like ECW ( Extreme Championship Wrestling ) went mainstream. And I loved it! I actually had the privilege of going to one of their events and saw a drunk guy pee all over the parking lot with a dazed look in his eyes and a smile on his face. Fun times. With that said, you can imagine my excitement when I came across a film called Masked Mutilator . I had high hopes for this movie, and it did not disappoint! To make things even better, one of my favorite B-movie actors of all time directed and played a leading role in this movie. Brick Bronsky , who passed in 2021, starred in the epic Troma films Class to Nuke’em High Part 3, Return to Nuke’em High Part 1, and Sgt. Kabukiman N.Y.P.D. An interesting fact about Masked Mutilator is that it was filmed at two different times, over two decades apart. In 1994, the main storyline was filmed and was tucked away until 2018-2019, when the wrap-around segment was filmed. Filmmakers combined the two recordings and released it in 2019. Masked Mutilator opens with the wrap-around segment, in which Investigative Podcaster Jim Dorian (Steve Mittman, of Blood Hunter: Thirst and Rage ) hosts a show called “Dorian Investigates”. He has with him one of the surviving victims (and his girlfriend) of the Masked Mutilator’s carnage. As he begins to tell his story, the scene switches to Vic Mangino, aka Masked Mutilator (played by WCW, NWA wrestler, Jeff Sibbach), accidentally killing an opponent in the ring. Credit: IMDb He seems to show no remorse over his actions, and after leaving the sport, he takes a job as a house parent at a teenage rehabilitation center. And this is where the fun begins. We’ve got a great team of bad actors that play the teenagers in the home, and it makes for some hilarious interactions . First, there is bad boy Rocker (Glen Hetrick, Star Trek: Discovery 2019 and Face Off TV show judge) , who pretty much hates life and everyone else. He likes to play air guitar and bang his head to music only he can hear in his mind. Then we have Mason (Chet Cole, If Then Scenario ), Rocker’s right-hand man. He thinks he’s super tough but comes off as the type of guy who probably sleeps with stuffed unicorns and plays with dolls underneath his covers at night. We also have our “yes man” Jake (Paul Sutt, of Watchmen ), who’s a typical 90’s stoner and tags along with Rocker and Mason. But what would our story be without the promiscuous girl and the good kids who have fallen on hard times? Have no fear, reader, we have both in Masked Mutilator . Marcy (Amanda Kupchinsky) is the house slut. She denies it vehemently while attempting to bang everything that secretes the slightest amount of testosterone. Our good kids who have fallen on hard times are Greg and Leslie, a brother/sister duo played by Andrew Denzel and Heidi Shelhamer, whose only claim to fame—like Kupchinsky—is Masked Mutilator . And our story wouldn’t be complete without throwing in a presumptuous intern, a karate badass, and a chef who can’t cook for shit. The illustrious Brick Bronsky stars as Steve Carson, who comes on to serve as an intern to help Vic. He’s idealistic, pompous, and thinks he knows it all. Our karate expert is Brain Worth (Tom Taylor, of Blood Hunter: Thirst and Rage ), who winds up in the house for being at the wrong place at the wrong time. Former professional wrestler Doug Yasinsky, aka Dashing Doug Flex, plays the part of Carl the Cook, serving the houseguests up with one inedible dish after another. With the stage set, the murders begin. One by one, the kids in the house are picked off by the Masked Mutilator. The kills are mostly done with wrestling moves, including Masked Mutilator’s finishing hold, which is basically a crude version of Ted DiBiase’s Million Dollar Dream. The gore is fun and done in typical B-movie fashion. Throw in some fake severed limbs and you got yourself a nice serving of B-movie soup . As the story unfolds, things take a turn, and Brian Worth must use his karate skills to try and save the day. There are some red herrings and twists to try and throw you off of guessing who the real killer is, but certainly don’t expect anything like Scream or Valentine . Lower your expectations, and when you’ve done that, lower them a little more. All in all, Masked Mutilator is an enjoyable B movie. If you like your wrestling mixed with horror, or your horror mixed with wrestling, I recommend you check out this little gem. Masked Mutilator is currently streaming on Tubi, Vudu, Prime Video, YouTube Premium, The Roku Channel, and Google Play. https://www.youtube.com/watch?v=1v8UBY6NQf4 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Unique analog collage displays manifesting as one collective dreamscape < Back Taryn Chase Jackson: Mixed Media Creative Keeley Brooks Aug 1, 2023 Share Unique analog collage displays manifesting as one collective dreamscape The older I get, the more I appreciate art that makes me think in a really outside-the-box way and doesn’t lay it all out for me. While I enjoyed that when I was younger, today I appreciate the mystery and curiosity behind exploring every little detail. I have more life experiences under my nails from which to draw my deeper conclusions and find hidden meaning and interpretation. I appreciated that when I came across the artwork of North Alabama analog collage creative Taryn Chase Jackson . Courtesy of Taryn Chase Jackson Jackson is no stranger to the creative world. As a child, she was unexplainably drawn to things visually without really knowing or being able to express why. Today, she knows and expresses it a lot over the canvas with her unique analog collage displays of mixed media and assemblage . Her work is nostalgic, full of vision manifesting as one collective dreamscape. Having always identified as a creative person, she currently spends her time as a creative writer, a grant writer, a singer, and an analog collage artist. Her genuine love for her visual craft is seen in the fine detail of her artwork, which is carefully pieced together with intention. It’s easy to get lost in exploring her creations, searching for your own message. It’s harder to pull yourself away from the stories and thoughts those creations inspire. Born and raised in New York , Jackson has lived in Virginia and North Carolina , and she now lives in Alabama. In high school, her work was published in the local newspaper and won a Tri-County Arts Council’s Scholastic Gold Key Award for Art. Since then, Jackson has completed a visual art concentration as part of her bachelor’s degree, and she also holds a Master of Fine Arts (MFA) degree in creative non-fiction writing. While in high school and college, Jackson says she took a variety of drawing and painting classes and even won some awards, but ultimately, she didn’t love those mediums and struggled to recognize what she did for fun as “real art.” In fact, it wasn’t until she moved to the Muscle Shoals area and joined a group of artists that she became more serious about pursuing collage as a medium. As an analog collage artist, Jackson says she doesn’t design or edit anything digitally. “Everything you see in my work is made of paper I cut by hand and glued down. … My process is less conceptual and more driven by using found images. Personally, I’m overwhelmed by the idea of having literally every image at my fingertips and being able to resize or manipulate them however I wish.” She further elaborates that she prefers the randomness and synchronicity of putting images together in a way that seems natural, and I have to say, I can understand that. Reject the mainstream, forge your own way. We hear that, Taryn. We hear that. "Smile Like You Mean It" (Courtesy of Taryn Chase Jackson) Jackson enjoys living creatively and avoids specializing, feeling it’s best not to limit yourself as an artist by sticking with one category or genre. Instead, she says, we could be, “exploring, blending, and creating new categories/genres that may not even exist.” She genuinely enjoys making the world a much more aesthetically pleasing place to experience, and that shines through in each of her visual efforts. Recently, I had the chance to chat with Taryn about her life in the arts, her preferred medium, and her artistic processes. Check out our conversation below! MaM : Taryn, thanks so much for taking the time to talk with Mixed Alternative. Please tell us about yourself. TCJ : This is an intimidating question, so here are a dozen phrases that collectively describe me: I’m a creative, grant writer, wife, bonus mom, dog mom, Gen-Xer, double Gemini, bisexual, pagan, elder goth, compulsive collector, and maximalist. MaM : That’s a mouthful, but I like it! When did art come into your life? TCJ : I went to parochial school (essentially being home schooled at church) through the 7th grade, so I didn’t get basic art education until I switched to public school. But I loved cutting up magazines growing up and would save bits of paper or candy wrappers for no reason other than I liked the color or texture. Later, my high school friends and I started a photocopied zine that relied heavily on collage. We also decorated FBs (also known as Friendship Books) with what were basically miniature mixed media ads that we mailed to pen pals to find other fans of new wave and alternative music—obviously, this was pre-Internet! (laughs) I eventually took a variety of drawing and painting classes through high school and undergrad … but I didn’t love those mediums, and of course, I never recognized what I did for fun as “real art.” It actually wasn’t until I joined a group of artists in the Shoals that I became more serious about pursuing collage as a medium. MaM : What has your life as an artist been like? TCJ : I've always identified as a creative person. … The term “artist” is so loaded. Many people narrowly define the term as one for just visual artists or for people who make a living from their work. But creating in the context of a capitalist culture means that we have to unlearn the myths we’re taught and then be brave enough to define our work and its value for ourselves. "Toxic Positivity" (Courtesy of Taryn Chase Jackson) MaM : Who has been your biggest artistic influence? TCJ : That’s a tough question! Years ago, I probably couldn’t have named a single 2-D collage artist, but I do remember the exact moment I discovered the work of Joseph Cornell , who pioneered the assemblage. And I always felt a kinship with the Surrealists, with René Magritte and Man Ray among my favorites. I suppose there is a parallel in the way they bring disparate, familiar things together to form a cohesive whole that surprises and delights. MaM : How did you find your art style? TCJ : “Style" is one of the great mysteries, I think. Art teachers can really only introduce you to basic skills and concepts, to artists who have led the way, and give you a forum to experiment—but developing your personal taste and style is a process you have to do on your own, intuitively. You build on what works and throw out what doesn’t, and eventually other people will claim that they can recognize your work without seeing your name. But I personally think everyone’s style should be evolving all the time. MaM : While you’re making a piece, what goes through your head? TCJ : I’ve learned that I work best if I think in terms of a series or a theme because it keeps me coming back. For example, in 2019, I started a project based on the 22 cards of the Tarot deck called the Major Arcana. Each card represents an archetype or symbolic meaning, so I tried to find images that resonated with the particular card I was working on that day, then piece them together in a way that made sense to me. It’s almost like putting together a puzzle, except one where you've lost the box that had the final image on the cover, and you have to figure it out. So, sometimes I start with a concept or a feeling, and other times I pull a couple of core images I’m drawn to and see what else might complement or play off of them. I’m often surprised by the final result, and that’s part of the joy. "Solar Plexus Chakra - Gut Feeling" (Courtesy of Taryn Chase Jackson) MaM : Some of your collages are whimsical and some are more serious. What affects your art process when you’re making art? TCJ : Maybe it’s the Gemini in me, but I do often combine images that seem opposed—the sweet and the dark, the safe and the dangerous—leaving the viewer to wrestle with their own associations and, ultimately, assign their own meaning to the composition. Sometimes my pieces start with a theme or a word/phrase that I focus on to select images and create a vibe. Sometimes I have so much fun playing with different compositions that it’s hard to commit to the final layout. But ultimately, I know I’m on the right path if I can amuse myself at some point. Not every attempt is a masterpiece, but you always learn something in the process. "Gaia's Messenger" (Courtesy of Taryn Chase Jackson) MaM : In what ways is creating healing for you? TCJ : Creating is the ultimate form of healing, because in the process we’re returning (or attempting to return) to our true selves—the person we were as a child, when we were unabashedly curious and self-accepting, before all the self-doubt and people-pleasing that comes with maturity. If we can successfully tap into that core while we’re creating, we’re headed in the right direction. MaM : Are you frequently involved with local art shows? When and where? TCJ : Since I started submitting my work to exhibitions in 2020, I’ve been fortunate enough to be included in several juried shows at the Tennessee Valley Museum of Art and the Kennedy-Douglass Center for the Arts here in the Shoals—as well as at the Carnegie Visual Arts Center in Decatur, AL; Jacksonville State University in Jacksonville, AL; and even the Arc Gallery in San Francisco, CA. Dates for my current shows are as follows: · “ArtWorks" 2023 Member Exhibition at the Tennessee Valley Museum of Art , Tuscumbia, AL (July 22-Aug. 12, 2023) · “Making Waves: Waterscapes in Art” 2023 Online Juried Exhibition by Southern Tier Center for Emerging Artists , Jamestown, NY (Aug. 1-31, 2023) · "Myth in Form” Alabama Women's Caucus for Art (ALWCA) Juried Exhibition, Carnegie Visual Arts Center , Decatur, AL (Sept. 29-Nov. 4, 2023) MaM : Any advice for other artists out there (interested in mixed-media collage)? TCJ : Fortunately, collage is an extremely accessible medium: If you have paper and glue, you can do it. You don’t even need scissors—just tear it! If you supplement it with paint or markers, you have mixed media. Make it 3-D by adding found objects, and you have assemblage. Unfortunately, the idea that anyone can do it is part of the reason some people think it doesn’t belong in the world of "Fine Art.” Historically collage was also something more women did than men, so of course, that counted against it as well. But my advice to those interested is to a.) ignore the gatekeepers, and b.) get familiar with collage artists—historical and contemporary—to figure out which styles you like (or don’t). Follow the collage community on Instagram and subscribe to Kolaj Magazine or other publications that include collage. Imitate one technique and then another. Make a piece based on a particular song or a piece that someone you care about might enjoy. Let yourself get weird. "Forbidden Fruit" (Courtesy of Taryn Chase Jackson) With all creative work, every single person—even those with decades of experience—has to start with a blank page. So, the most valuable skill you can develop is figuring out the best way to trick your own brain into creating. For example, if you make excuses about not having time, tell yourself you’ll only work for 15 minutes. If you feel self-conscious, just tell yourself you’re just going to test a new method or technique—anything that lowers the stakes. Of course, then you have to resist the urge to judge, stay curious, and come back and do it all again. For more on Taryn Chase Jackson, visit her online at https://AnySlyEnchanter.wixsite.com/my-site or on Instagram @AnySlyEnchanter . *Cover photo "Liminal Spaces" is courtesy of Taryn Chase Jackson. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Dale Harris Music < Back Laid-Back Louisiana Southern Rock Keeley Brooks Oct 19, 2022 Share Dale Harris Music Who doesn’t love some good ole Southern rock music? Creedence, Skynyrd, ZZ Top, The Charlie Daniels Band … The Allman Brothers. Legends. And while all of these groups are surely amongst favorites in the classic rock community, I’m here to tell you about a new favorite Southern rock artist (and band) you just don’t know yet. Meet Dale Harris – singer, songwriter, guitarist, vocalist, and all-around awesome guy. What makes him unique is his multi-faceted ability to do pretty much anything, but relative to this article, I’ll clarify and add musically . In addition to playing lead in his band, the Dale Harris Band, he’s also a multi-instrumentalist, playing the rhythm guitar and drum set, and a singer/songwriter, who tries not to limit himself to just one style. “When I’m writing songs, I try to write music in as many genres as possible so as not to pigeon hole myself,” said Harris. Born and raised in Baton Rouge, Louisiana, Dale has been playing music pretty much his whole life. His father was a carpenter who exposed him, “to people from all walks of life.” In fact, it was one of his father’s concrete finishers, who ran the band at his local church, gave Harris his first snare drum. “I fell in love with music and learned musicianship from watching those concrete finishers play gospel music after work and on Sundays,” he said, with the reflections of those days shining in his eyes. Dale began guitar lessons at six years old, then started drum lessons with Lyman Mulkey as a teenager. After high school, Harris found himself playing in various local bands over the years, like The Black Box, Loverseed, The Invisible Men, The Roebucks, The Jazz Souls, and The Florida Street Blowhards. Though he writes mainly Southern rock songs, Harris is inspired by the swamp pop, jazz, soul, and gospel genres. Taught by his father at a young age to read chord charts and play folk, country, and gospel songs on guitar, Dale credits The Charlie Daniels band with inspiring him to become a musician. “My first source of inspiration came from the Charlie Daniels Band. When I heard ‘Devil Went Down to Georgia,’ well, it was the first time I heard someone just straight getting down on an instrument. It was my first example of trading solos. After that, I knew I wanted to become a musician; so, I did.” https://www.youtube.com/watch?v=P65N73_pRJ8 Harris also credits Ray Charles, Elvis Presley, and Dr. John with being major influences on his music, which is ripe with laid-back style that paints a smooth surface over rough terrain and consists of topics like heartbreak, hoodlums, and home repair. Currently he stays busy writing and recording music with his band, the Dale Harris Band. Harris leads the group on vocals, rhythm guitar, and drums, on occasion. Glenn Harris, his brother, plays lead guitar, and long-time co-writer Denvil Snyder plays bass. Personally, one of my favorite tunes is “I Woke Up.” From those laid-back, catchy guitar licks to the buttery smooth vocals that ooze out of Harris when he sings, the songs aspects and focus just pull you in sip by sip. It’s catchy, it’s rockin’, and it’s just a damn good song. And speaking of good songs, you should also check out “Dag Nabbit,” which, according to Dale, was inspired by watching Saturday morning cartoons. For more on that story, you’ll have to go to one of his shows and ask him the deets yourself! “Yeah, that one tends to be “the hit” amongst the kids,” Harris laughed. At the moment, he is in the process of recording demos for an upcoming album, and he currently has an EP available on Spotify and most streaming platforms. As far as upcoming shows, you can see the Dale Harris Band live at any of the below-listed shows, and be sure to catch him Halloween weekend doin’ his thang live at Phil Brady’s. Oct 29 Phil Brady’s, Baton Rouge Nov 12 Oyster Bar, St. Francisville Dec 1 La Davina Café, Baton Rouge New Year’s The Hilton Downtown, Baton Rouge *(with The Florida Street Blowhards) For further information on Dale Harris and the Dale Harris Band, and to stay up to date on live performances and album releases, visit www.jdharrismusic.com . *photos provided by Dale Harris www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cutting deeper beneath the surface to explore how the "Saw" franchise's John Kramer (Jigsaw) fits into the paradigm of passive nihilism. < Back The Philosophy of John Kramer and the Saw Franchise, Part 3: Film Analysis Ezekiel Kincaid Oct 25, 2023 Share Cutting deeper beneath the surface to explore how the "Saw" franchise's John Kramer (Jigsaw) fits into the paradigm of passive nihilism. Welcome back, boys and girls, to your blue-collar philosophy lesson with Zeke. I hope you’ve been enjoying this philosophical series of Saw franchise articles so far, and I also hope you’ve had some time to start watching the Saw franchise again so you can see firsthand what I am discussing in this series. In the next two articles, we are going to get into the nitty gritty of my theory. But before we do, I’d like you to know I’m not the only one who has come to this conclusion about John Kramer operating under a Nietzschean nihilist philosophy. There are others, such as Steve Jones, who goes into much more detail than I do in his book “ To See the Saw Films ”. Unlike Jones though, I am breaking this down to a more understandable level so even if you don’t have a background in philosophy, you can follow what I am saying. Without further ado, let’s jump headfirst into how John Kramer fits into the paradigm of passive nihilism . Basically, Nietzsche understands a passive nihilist to be someone who is angered by the world's attitude towards “fundamental values,” which include but are not limited to their own apathy towards existence. Or, to put it into John Kramer’s terms, they are people who “don’t appreciate their life.” In the Saw films, Kramer is angry over his belief that the majority of people do not appreciate their own existence. To him, the ability to appreciate life is what gives life meaning and purpose. Therefore, if a person takes life for granted, they are considered by Kramer to be goalless. This means his games, traps, etc., are all a ploy (therapy maybe?) to help them realize survival is the only goal in life. Thus, enduring and surviving the game becomes their purpose for existence. credit: Lionsgate Entertainment Do you see how brilliant this is in the mind of Jigsaw? To him, making people play his games forces them into having endurance and survival as their present goal. It makes having purpose a present reality to them. In this way, John Kramer can solve his nihilistic crisis of living in a world where people have no purpose by forcing them into a situation where they have a purpose. The apathy Jigsaw sees in his test subjects is evident throughout the franchise's overarching narrative. Let’s start with Saw (2004) and everyone’s favorite character, Dr. Lawrence (Cary Elwes, of The Princess Bride ). If you recall from the film, his wife, Allison (Monica Potter, of Parenthood ), complains that he makes a façade of being happy, but he is really miserable on the inside. In other words, Dr. Lawrence is dead on the inside and is just going through the motions of life with no passion or purpose. As Lawrence’s game unfolds, we can place it beside Amanda (Shawnee Smith, of Anger Management ) and Paul’s (Mike Butters, of The Wonderland Murders ) and see the comparison. Amanda seeks to escape from reality through her drug addiction, and Paul sought to escape life through his suicide attempt. Therefore, to Kramer, Dr. Lawrence's passivity to life is no better than Amanda and Paul’s escapism. But what about Adam ( Saw creator Leigh Whannel)? Did any of you out there ever catch the stark contrast between him and Kramer when it comes to cancer? No? Well, let me point it out to you: When Adam is chained up, he is having a nicotine craving—so much so, he considers smoking a cigarette that may or may not be poisoned. He says he wants “that sweet cancer. I don’t care. I really don’t.” https://www.youtube.com/watch?v=GMmrpJDIQEc Do you see it yet? The irony is how passive (in the Nietzschean sense) he is about getting the very disease from which Kramer is dying. Such an attitude and statement from Adam further illuminates why Jigsaw chose him. To further illustrate the passivity of Kramer’s victims, let’s jump ahead to Saw III (2006) and talk about Rigg (Lyriq Bent, of Long Slow Exhale ) and Jeff (Angus Macfadyen, of Outlander ). As a police officer, Rigg has this unwavering compulsion to save everyone. His ongoing frustration in Saw III , however, is that he can’t save everyone. Jeff’s obsession is different. He’s pissed off and angry (maybe rightfully so?) over what he deems as inadequate punishment for the man who killed his son. Though Rigg and Jeff’s compulsions/obsessions are vastly different, their view of the world is the same: Things are flawed and no matter what, they cannot change these conditions. They are chosen to play their games because this type of attitude does not sit well with Jigsaw. According to Kramer, people do have choices and advantages, they just choose not to appropriate them. Kramer views Rigg and Jeff as pathetic, like the rest of humanity, because they view themselves as unable to change the world around them. The victims in the Saw franchise are what we call in biblical scholarly circles a synecdoche. A synecdoche is basically a symbol or example of something that is used to represent the whole. For example, the seven churches in the apostle John’s “Book of Revelation” are not only historical churches but are also meant to represent the worldwide church of all time as a whole. This is what we have taking place in Saw . Kramer’s victim selection is meant to represent the entire populace of humanity. From a passive nihilist perspective, disgust over this type of attitude is pretty normal. In Kramer’s view (and passive nihilism) the loss of truth, value, and meaning no longer create a crisis for humanity and they now just accept it as ordinary life. This is unacceptable for the passive nihilist, and as one, Kramer uses his traps to remedy this apathetic attitude . He wants to jolt his victims out of their apathy over life by placing them in a situation (his traps) where they will have to find value, meaning, and purpose. There is more I could go on about, like whether Jigsaw’s methods truly match his mantra, as well as the flaws in them along with the flaws in nihilism, but that is beyond the scope of these articles. The above is suffice to prove my point that John Kramer shows evidence of being a passive nihilist. Yet there is also another side to Kramer’s nihilism that rears its head in the Saw movies: radical nihilism. And it is this radical nihilism that we will investigate in our next and final post of the series. Until then, read some Neitchsze and watch some Saw movies! Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The latest from Vudu Sister leaves a memory as vivid as a whispered confession. < Back Reviews on the Real: Vudu Sister Nicole Brice Aug 20, 2025 Share The latest from Vudu Sister leaves a memory as vivid as a whispered confession. Today, I’m excited to share two songs from Vudu Sister , a gothic folk ensemble based in Providence, Rhode Island , with over two decades of performance experience. Led by French American songwriter Keith J.G. McCurdy , Vudu Sister's live sound features a rich arrangement of acoustic guitar, violin, cello, and vocals. Their music is inspired by European folk, 90s grunge, the works of H.P. Lovecraft , and the poetry and myths of classical antiquity. Vudu Sister is Keith J.G McCurdy (Guitar, lyrics, vocals), Isabel Castellvi (Cello), and Diane O'Connor (Violin). Credit: Vudu Sister The first song is titled ‘ Magic Powers ,’ released on July 8, 2025 . It begins with a haunting string arrangement, followed by some of the most soothing sounds I've heard in a long time. This romantic gothic waltz features a powerful chorus that is obsessive, and its arrangements linger in your mind long after it's finished. Released July 8, 2025 In my opinion, ' Magic Powers ' is a masterpiece, filled with conviction in both its lyrics and delivery. The raw quality of the song, without heavy production, makes it feel incredibly authentic—as if the artist is sitting right in front of me, expressing profound truths with nothing but strings, guitar, and voice. I highly recommend giving it a listen, and then you can thank me later. https://www.youtube.com/watch?v=SgTaVNsrCzg 'Magic Powers' LIVE "I wanted to write a song about falling desperately and painfully for an intoxicating, domineering matriarch; falling completely under her spell," says Vudu Sister songwriter Keith J.G McCurdy. Credit: Vudu Sister The second track, ‘ The Valley ’ (featuring Silver Rein ), was released on August 7, 2025 . This song blends Danny Elfman-inspired sounds with doom-metal string textures and Victorian gothic moods. It's both melancholy and surreal, and truly incredible. Released August 7, 2025 ‘ The Valley ’ strips the music down to its purest form, leaving nothing to hide behind. Every note, lyric, and breath resonates deeply, cutting straight to my heart. As the song ends, it leaves a memory as vivid as a whispered confession. Vudu Sister’s music is a mesmerizing blend of styles draped in soul-stirring melodies that intertwine artistry and emotion. Both tracks are from the band’s upcoming fifth album, titled Adynata , which is set to be released in March 2026 , so be sure to put them on your list of new music to check out now. To learn more about Vudu Sister: Spotify: Vudu Sister | Spotify Apple Music: ‎Vudu Sister - Apple Music Bandcamp: Music | Vudu Sister Facebook: Facebook Instagram: Instagram *All photos provided by Vudu Sister www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Okay, I Get It’ is a trip through the glory days of 90s music. < Back Raw and Real: Running from Shadows Strikes a Chord with Their New Track Nicole Brice Jul 30, 2024 Share ‘Okay, I Get It’ is a trip through the glory days of 90s music. It’s Tuesday, and what is truly remarkable about this day of the week is that I get to bring new music to you from a local band that needs to be put on your radar now. Released on July 16, 2024, ‘ Okay, I Get It ’ is the latest from Olla-based Running from Shadows , and it is a trip through the glory days of 90s music – ripe with fuzz and just the right amount of nostalgia for a truly enjoyable listening experience. Click to listen Running from Shadows is the brainchild of multi-talented musician Darren White with assistance from Ty Del Rose , the drumming powerhouse from Smile Empty Soul , and together this duo has created a sound that’s part swamp monster, part California earthquake, and 100% pure rock n’ roll mayhem. Credit: Facebook ‘Okay, I Get It’ starts with a crunchy 90s grunge and alternative guitar sound that reminds me of Hum meets Local H and continues with a bit of a punk vibe, creating a sonic explosion of sound for your eardrums. If you’re unfamiliar with the two bands I named above as sound influences, you must go down that rabbit hole. As the song progresses, this constant groove keeps your head nodding, and when the bridge kicks in, the groove becomes more pronounced until the chorus hits with, “Okay, okay, okay, I think I get it.” I dug this tune, and I think you will, too. The sound is refreshingly modern with just the right amount of nostalgia. According to vocalist Darren White, “’Okay, I Get It’ is an anthem for those who don’t have their life together. Whether you’re slamming into the pit or just thrashing around in your bedroom, this track demands to be played at maximum volume.” https://www.youtube.com/watch?v=3rMAEccmwYU ‘Okay, I Get It’ is available now on all streaming platforms, so dive in! Spotify : https://open.spotify.com/artist/5uqor5ftFAKebvltffCI36 Apple Music : https://music.apple.com/us/artist/running-from-shadows/1501808288 Linktree : https://linktr.ee/RunningFromShadows YouTube : https://www.youtube.com/@runningfromshadowsband Questions or comments? Hit us up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Welcome to the Necroverse < Back Herakleion: The New Orleans Metal Band Forging a Fierce New Sound Justin Hammer Oct 28, 2024 Share Welcome to the Necroverse Herakleion , a heavy-hitting trio from New Orleans, LA , comprises members Speed Wilson , Christian Woerner , and Apollo Xydias . Formed in 2021, their journey from the southern Louisiana metal scene to the national and international spotlight, supporting legendary New Orleans death metal pioneers Goatwhore on their latest North American Venomous Evocation Tour , is a testament to their dedication and talent. They have also embarked on their own tours, spreading their unique sound to various states nationwide. This band is definitely on the rise, so take note. Credit: Justin Hammer Their latest achievement is the brand-new release of their second EP, Necroverse in September 2024. After two years of writing and planning, they embarked on a collaborative journey with producer Pete DeBoer at Sonic Ranch Studios in Tornillo, TX, to assemble this masterpiece, and this album is one that will resonate with you if you are a true lover of metal. The album crafts a dark and immersive atmosphere with distorted guitars, pounding percussion, and other textures to evoke a sense of dystopian grandeur. They also partnered with the talented metal imagery artist Noah Meihoff for the album artwork, adding a visual layer to the story told in the music. With numerous releases to their credit since their inception, I was able to sit down with the guys in Herakleion recently to get some insight into their process when creating their newest effort, Necroverse , as well as some band history, and how touring is going. Take a moment to learn more, and then be sure to stream Necroverse today. MaM : Thanks for speaking with us today. How did you all come up with the name Heraklion? Apollo : I was sitting on the couch with my roommate. It was before I joined the band, but sometimes, we would get off work, scroll through YouTube videos, and pass the time instead of watching a TV show. I saw a documentary on the ancient city of Herakleion and was interested in the story. They had only recently discovered it about 30 years ago. I just thought it was cool that, you know, there’s the same city from which they thought the story of Atlantis came. When running band names, we didn’t want those classic name generator names, an adjective, a noun type deal, or two and three-word names. We wanted one punchy word that hadn’t been said before, and it seemed like it just clicked in my brain. I was like, “Hey, why don’t we just go with this?” we’ve been running with it ever since. Credit: Justin Hammer MaM : How did y’all create the new album, Necroverse ? Give us a few details. Herakleion : Necroverse was meant to be a purely conceptual album. Each song has a story about crossing from the mortal plane into the realm of the dead. So that’s pretty much the theme for every song and every story within each song. We wanted it to be a bit more varied in tempos and writing than the first EP, being its own thing. It’s a bit more mid-tempo, and we got a lot more creative with the riffs and the flow of every song. It was an enjoyable writing process; it was certainly different, and the product is different; it’s cool. Released September 13, 2024 MaM : How would you all say it differed from the first EP? Herakleion : The production quality is much higher than that of the previous efforts. The thing about it is it’s not all that different from when we recorded Curse of Eternity because we did everything for that record basically like we were recording analog, even though it’s technically a digital recording. Still, we did all the recording live off the floor. There are no punch-ins or anything like that. At this point, it’s kind of just how we know how to do it: to get that good take right off the floor and do it live. We took what we got from Curse of Eternity and ramped up on the production, went to the excellent studio, got the producer we wanted, and just took it to the next level from what we were already doing. Writing was a lot more thought-out, too, because the first album we made before we even played a show so that we would have some stuff to play. It came together over a few months, but we had been working on the new release for over a year, so it’s much more refined and honed than the first one. Credit: Justin Hammer MaM : Who did the recording and production for the new album? Herakleion : Pete Deboer from Denver. We went to a studio in Tornillo, TX , called Sonic Ranch . It was an incredible experience. MaM : I love the album artwork. Who came up with that? Herakleion : Noah Meihoff . Noah did an amazing job. We found him through some artwork he did for this horror magazine cover, and up until that point, we didn’t see anything we felt fit the record's theme. We knew we needed this guy to do it as soon as we saw his work. We saw his process and its uniqueness, which fit the analog feel of the whole record we were going for. We talked to him about the record's themes, and he came up with a concept for the cover, which came together nicely. There are a lot of subtle details in that album artwork as well that if you’re looking at it, you can find, you know, hidden little things in there that even had to be pointed out to me even after I had seen it for a month or so I like that it has that dimension and those layers to it. He just really knocked it out of the park, and we couldn’t be happier with how it turned out. Released September 13, 2024 MaM : What was it like getting out on the road with the legendary Goatwhore ? Herakleion : We know those guys well, so it’s like going out on the road with some good buddies, but we all stayed professional despite our friendship status. It was just a lot of fun, you know. The biggest takeaway from touring, whether it’s our run with Goatwhore or on our own, especially from those guys, is to learn how to be 100% efficient, professional, cool to everybody, and don’t go and screw around when you’re on the road, you’re there for a reason. The wheels don’t take long to come off track. You must adapt and keep your head on a swivel. You know, you could pop a tire, or something could break at a show, or leave a cable at a venue. You take something different away from every show you play, and when you tour with guys like Goatwhore that have been doing it for twenty-plus years, I mean, you can get the “Hey, don’t do this!” before you make that mistake, so you learn a lot from taking to those guys. You know the most when it’s the end of the night, and you’re putting away each other’s stuff in each other’s trailers and sharing stories, asking questions, and if you're paying attention, you can take those notes and don’t forget them if it’s something you want to do for a long time. We are lucky to have friends in the business who have been doing it for a while and can pass the knowledge along to us. Credit: Justin Hammer MaM : Do you guys have any up-and-coming touring plans? Herakleion : We have a mid-west run planned for November , where we will visit Memphis , St. Louis , Chicago , Cleveland , Dayton , Louisville , and New Orleans . Then, we are planning a Texas run in December . That’s pretty much it for the year, but next year will be pretty much nonstop on the road, either on our own or with other bands. Catch Herakleion on tour this fall! Check Herakleion's Instagram and Facebook pages for all upcoming tour dates and information about their current activities. To purchase their new EP Necroverse on vinyl, cassette, or CD, along with all their other merchandise, follow the link tree in the bio on their Instagram page. Necroverse is out NOW on all streaming services. Facebook www.facebook.com/HERAKLEI0N Instagram www.instagram.com/herakleion504 NECROVERSE EP/Merch Store https://herakleion-shop.square.site/ *All photos by Justin Hammer www.justinhammerphotography.com Shop Photography Art | Justin Hammer Photography Shop art is a collection of art that is currently available for purchase at Justin Hammer Photography. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

Creation, Passion, and Collaboration are forming a New Era in Louisiana Music < Back Bayou Harmony: The Rise of Louisiana’s Collaborative Alternative Music Scene Nick Cline May 31, 2025 Share Creation, Passion, and Collaboration are forming a New Era in Louisiana Music Let’s face it, the music scene in general has been very strange and bizarre for quite a while, and although I wasn’t even born yet, the '90s truly are the period of music I most identify with. Alternative music in the ‘90s was so raw, artistic, and full of creativity. You had average-looking folks up there performing, and it wasn’t polished at all. It was authentic and real. The alternative music scene in Louisiana these days exemplifies perseverance in the face of judgment, it truly does. When I first started Phantum Sun , I found there was no true alternative music scene for the type of music I wanted to play, so I set out on a quest of sorts to try and build the scene I wanted. Think like a Monty Python quest, but no one has lost a leg or arm yet. Building a genre and its accompanying community is never an easy task, but despite the hardships and challenges, Louisiana is experiencing a surge of artistic creation currently, and I am happy to be a part of it. It’s starting to feel like a family. Recently, the alternative scene here in Louisiana reached a pivotal moment. The artists have all collectively decided they are ready to make a significant impact both in Louisiana and nationwide. Bands are forming a community that pours every ounce of passion and creativity into their work, and the community is evident both on social media and at local shows. The rules set by traditional norms no longer confine this emerging community. Instead, they are forging their own path—one that is filled with possibilities, inclusivity, and opportunities for progress, and it’s awesome. The recognition of this new community I’m referencing began with the ideas established at Eclipse Fest 2025 . Eclipse Fest is a festival I started last year, and this year, the camaraderie and community came together in an even bigger way. The line-up was killer with bands that included Phantum Sun , HolleeStar , Pink Tooth/JAYD3D! , Jean Claude Seagal , Grey Areas , Kris Russ , Double Knockout , Goodbye Academy , She Might Be a Beast , WE ARE THE VIRUS , and Voice of the Enemy . Many of the bands mentioned above are dedicated to creating a new era of Louisiana music, just as I am. Every day, they lay the groundwork for events and collaborations, encouraging more bands to join this mission. I see them all working together, and this collective is expanding with each passing moment. As announcements are made, the collaborations between these groups grow stronger, with each band carving out its own identity while embracing a wide range of genres. This stands in stark contrast to the existing scene I walked into, which was characterized by gatekeeping and ego clashes, which are now behind us, because we stand for unity through music and only want to uplift others. We are on the verge of a new era defined by inclusion, passion, and artistic expression with music, I believe. Things have been stale for far too long. The alternative scene here, which has never been a staple of the state, has recently ignited into a wildfire that is slowly spreading across Louisiana , and we need to embrace that and build it. The state of mind in alternative music has always been unpredictable yet beautiful, welcoming anyone willing to collaborate and accept good people, regardless of their genre. This community we are building truly makes me proud. The electric energy, work ethic, and creativity of this burgeoning scene are genuinely remarkable. Louisiana—and indeed the entire country—may not be prepared for this powerful wave of artistic expression, but I know that we are all ready to take it to the next level by bridging the gap through various other successful scenes, such as the one in Asbury Park, New Jersey , which is where I plan to move soon . As the days continue to go by, let’s return to our roots of just good music, no matter the genre. Life is too short. Listen to good music. Thank you for reading my thoughts. -Nick- *cover photo by Elise Hanks Photography by Elise Marie www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics < Back Endure the Affliction: Music to Empower Mind, Body, and Soul Je'an-Paul Keller Jul 31, 2023 Share Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics Coming up August 19, 2023, Louisiana’s own metal core/progressive metal band Endure the Affliction are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana. They are the second in our installment of interviews with all the acts on the bill. These guys are the new face of progressive metal/metalcore in the area and if you’re not familiar with them yet, you soon will be. Endure the Affliction is a well-orchestrated mixture of progressive metal and metalcore that embodies melodic metal and embraces their Louisiana roots. This five-piece group of talented musicians formed the band in 2018 in Lafayette, Louisiana, and currently consists of Deion Lanthier on guitar and vocals, Ryan Tyler on lead vocals, Brett Dronet on guitar, Joshua Domingue on bass, and Kyle Roberts on drums. credit: Chad Besse A sound reminiscent of true, deep southern darkness metalcore, Endure the Affliction belts out a powerful and passionate message that will shake your soul to its very core. They have been through different member line-ups and many personal hardships through the years, but those experiences taught them how to endure all of the afflictions the world throws at them. Like a phoenix rising from the ashes, their lyrics are about overcoming hardships in life such as suicide, racism, and drug addiction, just to name a few. Their music video for the song "Identity" demonstrates the battles inside we all struggle with on a daily basis. The powerful riffs of the dueling guitars and soaring vocals are so intense, they’ll have you on the edge of your seat wanting more. Their listeners have told them they are a gateway into the wonderful world of metalcore, and I, for one, could not agree more. Their EPs “Origins” and “Evolve” are full of so much energy, they’ll leave you feeling motivated to conquer all roadblocks that you face. Exactly the type of music one wants to hear on any given day. Recently, I had the chance to sit down with vocalist and guitarist Deion Lanthier, where he told me some great stories about the band’s history and took the time to explain the band’s overall message, which is focused on healing and feeling uplifted. These albums will empower your mind, body, and soul for the greater good. Check out our conversation below, then go listen to their music. You won’t regret it! Deion Lanthier - Photo credit Chad Besse MaM : Who or what has inspired your sound? Deion : Well, it’s kind of hard to say. We’ve been through a few original members. Originally, the idea was to be like a cross between hard rock and metalcore, but it ended up not being that because we all have different influences. Originally, with the original singer being … an older guy, he was more influenced by the classical heavy metal, where the rest of us are more influenced by metalcore-type of stuff—maybe a little bit of Djent—but we really don’t try to sound like anybody too much. We just kind of do our thing. Whatever we write, if we like it, then we just roll with it. Everything’s always middle, of course, but we just gotta roll with it. We all have a bunch of different influences. MaM : Primarily what was your main influence? Deion : The biggest influence for me, personally, … would probably be All That Remains, because that was the first metalcore band I heard. They definitely had a lasting impact on me and a big influence on the way that I write music. MaM : How did you form? And how did you meet the other members of the band? Deion : Well, it was me and the original drummer that started the band together, but it was weird. I didn't know the guy but I saw him on Facebook, and I mistook him for someone that I went to school with. I was like, ‘Hey, man! I didn't know you played drums,’ and I guess he got confused too, because he was talking to me like he knew me. So, we didn't find out until a few messages later [that] we don't actually know each other. Then I said, ‘Hey, you want to start a band together?’ I was looking for a second project at the time. I was actually in one project at that time that wasn't really making too much progress. So, that's how we got started. credit: Chad Besse MaM : I take it everybody catches on pretty quickly and everybody gets into the groove? Deion : Oh, yeah, absolutely. We all have really good chemistry, and everybody is very, like I said, very talented. Everybody brings their own unique influence, and everybody's great songwriters. That's the most important part, right? MaM : So you all contribute to it. It's kind of like the band Queen, where everybody just puts in their own influences and brings everything to the table, huh? Deion : Oh, yeah, absolutely. Generally the process would be for me or the other guitarist, but we come up with the melodies on guitar first, and then the drummer puts the drums to it. Then, bass and vocals [have to] get written next and need to get written simultaneously. But, it's very guitar driven, usually. Once we have the bass line down, everybody just kind of makes suggestions, and we go from there. So, it's definitely all-five-members-in type of thing. MaM : Most definitely! What influences you to make music? Deion : OH, MAN! Just the love of it! But, aside from the generic answer? (laughs) I've been through a lot of things in life at an early age and music was really what helped me get through it all. Aside from the normal teenage angst, you know, I’ve been through some pretty dark stuff that I feel like if I wouldn't have had music, I wouldn't have been able to deal with it properly, maybe? Music helped me put my emotions into context. I think it helped me learn to manage my emotions and things like that … work my way through things. I want to be able to do that same thing for other people. That is what drives me to keep doing it. credit: Chad Besse MaM : Oh yeah, definitely. I noticed overcoming hardships is the driving force behind your music and in your message. What hardships do you think the listeners overall relate to the most? Deion: We've been told any time we talk about suicide, that's a pretty heavy topic for people, as well as the drug addiction songs that they really connect with—even the more generic songs, like one of our older ones called “Rise.” It's just about rising above a hard situation. Everybody really connected with that one. Even though it's a very broad message, they seem to like it a lot, and that’s something they say they don't get from metal a whole lot. So they're very surprised by it. They all kind of latch onto it. We take pride in that, and that's why we stick to it--even with the vocal exchange. The lyrics may be a little different, but the message is still the same. People seem to really like that positive message. Even though we talk about the darker side of things, we always try to lyrically make it to where you can come out of this bad situation, and you can get through it. MaM : Can you tell me more about the lyrics for “Identity”? Deion : Well it's both general and specific, because it's basically my life. I was a little selfish when I wrote it, but it's relatable because it's true. It's a little bit of racial-identity type of stuff but at the same time suicide attempts and drug addiction. I've been through all of that stuff. But, with the racial thing, I'm mixed, so I've had to deal with stupid stuff from both sides. I had an identity crisis growing up, and that's why it's called, “Identity.” It took me a long time to work that out … realizing that I didn't need to be that way for anyone else in particular. I needed to be who I wanted to be, regardless of what anybody else thought. Also political leanings and stuff like that. You can't let other people influence the type of person that you should be. You have to decide that for yourself. So that's pretty much what that song is about. It's a little all over the place but cohesive at the same time. I try to fit a little bit of everything in there. https://www.youtube.com/watch?v=IjetVWu0gto MaM : I totally identify with that one the most. Can I get a little background info on your band name? Deion : Endure the Affliction refers to the human condition—existence itself and the fact that you have no choice but to just endure it. You work your way through problems. You go through life. You figure it out, and that's just it. It's a simple message. It's just a fancy word. Fancy words to relay a simple message. MaM : Do you use any specific pedals to achieve y'all’s sound? Deion : Yeah, I use a Line 6 Helix. I have an EVH over an orange cab, but I plug my Line 6 Helix into that. Most people just use the Line 6 Helix by itself, but I don't do that. The other guitarist has a smaller version of that called the Line 6 POD GO. He uses that for all of his pedal stuff. We're the only two. The bassist uses a straight clean bass tone. He doesn't do any crazy stuff. MaM : You have 99 monthly followers on Spotify and it's growing. Do you think they relate to the overcoming hardships in the lyrics? Do you think that's what draws them in? Deion : I believe so. We talk to our fans, you know. We're not the rock-star diva type. We don't have a huge fan base, but when they come, they come. They show up, and we talk to them. They all say that that's the main thing they like about the music: The lyrics are relatable. They love that we're not black metal. Basically, we’re out there singing about stuff they can't relate to. I think, also, the draw is because we're so melodic for a metal band. A lot of our fans are people that don't listen to metal, believe it or not. We're kind of a gateway band locally. MaM : Any future plans and aspirations for the band? Deion : YES! We would like to tour. We plan on trying to do a little miniature tour at some point, maybe one or two weeks. Nothing fancy, but definitely that. We hope to release our third EP by October. We [have] a couple more songs to get written and recorded, then we'll be good to go. Nothing too big, besides RAD Fest, obviously. For more on Endure the Affliction, you can check them out at any of the below-listed links. For more on RAD Fest, click here . Instagram: https://www.instagram.com/enduretheaffliction.la/?hl=en Facebook: https://www.facebook.com/enduretheaffliction.la/ YouTube: https://www.youtube.com/@EndureTheAffliction Spotify: https://open.spotify.com/artist/0YkC97oMGPhF8ivqYFXHHo Apple Music: https://music.apple.com/us/artist/endure-the-affliction/1471728402 Bandcamp: https://enduretheaffliction.bandcamp.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Nekrotronic Ezekiel Kincaid Share Jul 10, 2023 Nekrotronic is a fantastic sci-fi/horror mashup that fans of B movies will love I know, you’ve probably never read a movie review in your life that starts out like this, but I’m drawn to demonic movies. I can’t help it. Welcome to my world, folks. It’s a grand universe where things are always colliding in a weird way. So, yes, I’m drawn to demonic movies like flies are drawn to shit. Wait, that might not be the best analogy because the movie I’m talking about is anything but a big heaping pile of dung—although it does have to do with poop, sort of. You’ll see. The installment for this round of What the Hell Did I Just Watch is Nekrotronic (2018), and it’s a fun one. Directed by Kiah Roache-Turner ( Wyrmwood , 2014), this Australian-based movie explores the demonic, demon possession, and the danger of our dumb-ass society constantly staring at their phones. It stars Ben O’Toole ( Hacksaw Ridge, Bloody Hell ) and Monica Bellucci ( The Matrix Reloaded, The Matrix Revolutions ). They’re probably the only ones in this movie you’ve ever heard of, as the rest of the cast is made up of low-budget heroes. Onto the plot! The story follows Howard North (O’Toole) and his sidekick/work bestie Rang (Epine Bob Savea, of Hibiscus & Ruthless ). The two work for a sewage maintenance company where, while on the job, North finds out his true calling in life: to become a demon killer. Yep, amidst his daily shit-slinging adventures, a demon outbreak happens, and Howard North finds out why he was put on this planet. IMDB still During the encounter, North and Rang are rescued by a father/daughter(s) team called necromancers, or in layman's terms, demon ass kickers. North finds out he’s the chosen one and joins the team. Sounds like your typical demon apocalypse movie, right? Wrong! There’s more to the story so try to keep up, will ya? To prevent this movie from being another run-of-the-mill possession movie that falls into the B-movie abyss, we have a little twist. The demon possession takes place through the internet—more specifically, a phone app. Yeah, you heard me right. Our villainess, CEO of the evil company trying to possess people, is Finnegan (Bellucci), and she is the one leading things. Her company has developed these internet box things, which have been installed all across the city and are used in conjunction with the app to possess people. IMDB still I’m not going to spoil how the demons possess people, nor will I disclose how they even discover such a thing is possible, but I will encourage you to be ready. It’s not believable … well, I mean it could be for some people, like children, but I digress. In typical B-movie fashion, some stuff takes place without zero explanation that leaves you with some WTF moments, all of which I love! There’s even an exploding goat! The movie has some great, gooey gross-out scenes and some decent gore, the interaction of the characters is great, and the movie is full of awkward and sarcastic humor that I found hilarious. Overall, Nekrotronic is a fantastic sci-fi/horror mashup fans of B movies will love. Rating: Zeke gives it 4.5 out of 5 exploding goats. Places to watch: Amazon Prime https://www.youtube.com/watch?v=Gj2YypZFkfs Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Picks for December 2024 < Back Way Back When: Holiday Tunage Nicole Brice Dec 1, 2024 Share Picks for December 2024 It’s that time again … more music for your ears that you may or may not have heard before. I’m not going to give you a typical holiday list, because truth be told, I really don’t like holiday music. Here’s some songs to get you going this holiday season. 1. The Vandals - Oi to the World This classic punk holiday tune was covered by No Doubt in 1997, but nothing lives up to the original. It’s funny, it’s fast, it’s catchy. Sing along loudly! 1996 https://www.youtube.com/watch?v=oo4gEPiKm3w 2. The Ramones– Merry Christmas (I Don't Want to Fight Tonight) A typical Ramones song with a Christmas theme. Crank it up! 1989 https://www.youtube.com/watch?v=KIhIBFPtnoc 3. The Dickies - Silent Night A punk take on a classic tune. 1979 https://www.youtube.com/watch?v=PRCG8FU1C2s 4. Bad Religion - White Christmas It’s freaking Bad Religion singing Christmas tunes … nuff said. 2013 https://www.youtube.com/watch?v=R1KCjHbKM_s 5. Rise Against - Making Christmas One of my fave Christmas tunes because it’s Rise Against . Tim McIlrath can sing holiday music to me any day of the week. 2006 https://www.youtube.com/watch?v=0gpJCg_VbkA Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest is coming May 10, 2025 < Back Eclipse Fest: A Pillar of the Louisiana Alternative Scene Nick Cline Dec 3, 2024 Share Eclipse Fest is coming May 10, 2025 What is Eclipse Fest ? This question has been thrown around a lot since its first incarnation at the beginning of 2024, and that only escalated once the show happened on June 15th, 2024 . Well, who better to answer the question? Hello, my name is Nick Cline , and I am the mastermind behind Eclipse Fest . Click to go to the Facebook page for Eclipse Fest 2025 Eclipse Fest is my brainchild, which I concocted in January 2024. It started as a statement of ability and love for the scene but became something I did not expect. It became more than a statement of ability. It became a statement for a unified scene across all the genres that desperately need light shined on them. I started Eclipse Fest because I genuinely love music. I love the community music makes regardless of who you are. Music truly binds us together as a people. That is the energy I put into the tireless hours I pour into the festival. The statement and mission I bring are an extension of my love of music, community, media, and everything in between. The craziest part of Eclipse Fest is that I have, for the most part, handled most of the planning stages by myself. Before Eclipse Fest 2024 , I had zero experience planning events, marketing on a big scale, or anything like that. I was solely working on my band, Phantum Sun . That changed once I took the mantle of running and concocting Eclipse Fest . I took the vision in my head and threw it into the wild. The event brought a lot of shine to the scene through unorthodox booking styles, genres that on paper shouldn't work together, and whatever other plans I had that would give a typical event planner a reason for a thousand-second glance. I'm shocked that it turned out as good as it did, but the help I had leading up to it, the connections I made going through the process, and the bands were a tremendous part of the success. I aim to make Eclipse Fest 2025 an even bigger statement for the overall scene. It will be a statement of the great original music that Louisiana can provide from one side of the state to the other. Finally, it will be a statement of community. Announcements will start rolling out on the first Friday of January ! Stay tuned because you won't want to miss this one! We have an amazing line-up of talent, and some of these bands are going to blow your mind. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. < Back Reviews on the Real: Shoot Out the Satellites by The BIG Reveal Nicole Brice Apr 14, 2025 Share Shoot Out the Satellites is a captivating 39-minute journey of pure, unfiltered alternative rock. Last Friday, The BIG Reveal , a band from Grand Bay, Alabama , released their debut album— a captivating 39-minute journey of pure, unfiltered alternative rock. Shoot Out the Satellites , released on April 11, 2025 , is a significant contribution to the overall rock scene. Drawing inspiration from the energy of ‘90s alternative rock, the album showcases The BIG Reveal ’s commitment to authentic, guitar-driven music . Standout tracks such as ‘ New Scars ’ and ‘ Fallout ’ highlight the band’s ability to blend different nostalgic rock elements into a modern sound that is both fresh and familiar . The band consists of a group of friends with exceptional talent, and their musical style is surprisingly mature for their young ages, showcasing a variety of sounds and textures. Each song is unique, offering a distinct experience. I encourage you to stream and add this album to your playlists; it’s excellent. There’s no filler either; every track is a gem. Released April 11, 2025 The BIG Reveal features Gavin Parker on guitar and vocals, Blake Hall on drums, and Luke Puckett on bass. Although the band has only been together for about a year, they really started to gain momentum after Luke joined. To learn more about The BIG Reveal , check out Bud Gambrell 's recent interview with them. Let’s dive into the track listing, as you absolutely need this album in your life. - New Scars – This thrashing, guitar-driven track begins with a thunderous guitar tone that draws you in until the smooth vocals hit—wow! Everything about this song is spot on. It features a hint of a southern rock sound while maintaining its solid alternative rock essence. - Fallout – This song plays with expectations; it starts out slow, but when the pre-chorus and chorus hit, it’s incredible—full of depth. - The World And All – This upbeat and enjoyable song showcases the raspier side of Gavin’s vocals at times. - Me and You – The guitar tone at the beginning has a distinct southern twang. This song is a departure from some of the band’s other tracks, leaning towards a milder, slower feel. - What I Want to Be – This one strays from the alternative sound and reminds me of a more pop-oriented country song. It’s a great track. - Can’t Find the Feeling – This track incorporates more country influences throughout. It’s enjoyable and a bit slower than the others until about 1:56, when a grunge fuzz guitar sound takes over. - Shoot Out the Satellites – The title track of the album is rich and full of depth. - It Follows – This song starts with a heavy grunge guitar sound and evolves into a head-nodding track full of rhythm. - Will You Believe Me – A hauntingly beautiful and powerful song. - Back to Goodbye – This track reminds me of a blend of Matchbox Twenty , Vertical Horizon , and 3 Doors Down ; you can definitely hear those influences. - Imagine That – A loud, powerful, and guitar-driven track—be sure to turn it up loud! This album is a must-listen , so be sure to put it on your list of things to check out today. Just click one of the links below to check it out. To learn more about The BIG Reveal: Website: The BIG Reveal Facebook: www.facebook.com/profile.php?id=61557900071233 ‎ Apple Music: The BIG Reveal - Apple Music Spotify: The BIG Reveal | Spotify TikTok www.tiktok.com/@_thebigreveal www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

One Super-Cool Writer in Love with the Land < Back Jonathon Engels Keeley Brooks Jan 11, 2023 Share One Super-Cool Writer in Love with the Land Sometimes, there’s a man, and sometimes, well, there’s a man who holds such deep mystery in his eyes, you just have to dig in and get to know him. That’s the case with creative, travel, and permaculture writer Jonathon Engels. Having graduated with Jonathan back in the Nineties, I thought I knew where he was headed in his life, which, having briefly known him like I did, I was certain was towards something technical, even though I was aware he had creative interests and abilities. But, he proved me (and I’m sure plenty of others) wrong by moving on to secure a Master of Fine Arts degree in Creative Writing from the University of Memphis, then on to embark on a hefty career abroad traveling, teaching English as a foreign language, and writing about it all. Engels is from a suburb outside of Baton Rouge, La. He started out writing poetry at an early age, then developed an interest in writing fiction and playing music in his late teens in the Nineties. By his late 20s, he was tinkering with nonfiction in the form of travel writing and by 2014, he was focused on permaculture and on sharing his wealth of knowledge and worldly experience from a personal perspective. In speaking about his year teaching abroad, he said, “That adventure led me to write about the world I was discovering. I started getting published as a travel writer first (in 2011), became a staff writer for One Green Planet and Permaculture News (in 2013), and expanded from there.” Today, Jonathon is back living in the States and has been busy with his wife, Emma, building their homestead, which is made predominantly out of recycled materials in a wholesome effort to become one with the land. He stays busy writing non-fiction articles and essays that are so insightful, educational, humble, and direct, it’s as though you’re right there with him experiencing what he’s talking about or he’s with you as you’re reading. His words are a gentle guide through certain necessary human processes, of which we should all be more aware. Engles hooks you with his writing, drops you right in the middle of what he’s talking about, and presents you with something more than just a story to read; he presents you with an undeniably human truth worthy of consideration. He guides readers through the depths of each journey to ensure you stay on track and, most importantly, have an enjoyable ride. His candid use of humor reminds you not to take yourself or what you’re doing so seriously that you miss the beauty of life unfolding right before your eyes. Jonathon kindly took some precious time away from his land and work to chat with me about how he fell into this path, where he has been, what he has written, and what he’s up to today. I highly recommend checking out his work, especially if you are interested in or are considering traveling abroad, learning how to live as one with this great land, and writing about it. MaM : How did you foster your creative talents? JE : I wrote poetry here and there when I was a young teen, but when I started going to college (Louisiana State University), it just exploded. I wrote constantly, mostly out of a need to do it rather than a fine-tuning of a craft. I experimented a lot in the form. [I] still do when I occasionally attempt writing poems. Prose became my main concentration in graduate school (U of Memphis) when my sensibilities didn’t quite mesh with the poetry crowd there. I concentrated on fiction, again playing with form a lot, exploring different ways to piece a story together. Engels is also a musician—a guitarist, to be exact, which no doubt fosters his creative abilities and has been a source of release and entertainment over the years. JE : I’ve played music a lot on porches with friends. Mostly, I play guitar and sing. I played regularly at a bar/coffee shop when I was at LSU. I [also] worked at a guesthouse off and on for years in Guatemala and played a lot while there, often entertaining guests and occasionally plugging in for shows on weekends. I’ve never really tried to do it professionally or even develop my skills to that level. I like to play and sing and have a laugh with it. I also have ukulele, which I mostly play when someone else is playing guitar and singing in order to add a different sound to the mix. I have a picked a banjo from time to time, but I don’t [own] one. MaM : Do your write your own songs? JE : I’ve done it but didn’t feel that I was particularly good at it. So, mostly I just play music from artists that I like: Tom Waits, Bonnie Prince Billy, Bob Dylan, Devil Makes Three, The Band, etc. MaM : Are you playing anywhere? JE : Just at home and with friends. Some friends have encouraged me to do an open-mic night in town, but I’ve not as of yet. MaM : Take us through your time abroad and how life began to unfold for you as a writer. JE : Travel writing began when I lived in Korea (2005-2008), working as an EFL teacher. From there, I traveled and worked abroad for another 10 years. It seemed natural to write about my adventures, and it gave me the plot I always struggled to find when writing fiction. Though it started as a creative pursuit, my travel writing is now sometimes practical (for which I get paid) and sometimes creative (for which I get to say I’m literary and receive no money). The travel stuff morphed into more non-fiction avenues when I found opportunities to write for One Green Planet, a vegan/environmental website, and Permaculture News, a permaculture site. I’ve also written text for permaculture courses. These two outlets, as well as Green Global Travel, Transitions Abroad, and Blue Ridge Mountains Travel Guide, are how I’ve made a modest amount of money writing. Even so, I have continued to seek out avenues to be creative. I did some of that on Permaculture News, and I’m on the masthead of Panorama, a literary travel journal. I write a minimum of 12-15 articles/stories a month and have done so for about 10 years now. Permaculture became a daily part of life during a work-trade trip from Guatemala to, though we never reached it, Patagonia. My wife Emma and I spent about four years traveling around Latin America and Spain trading labor and knowledge for room and board. We also did quite a lot of volunteer work. Now, I live on a permaculture homestead, which means I practice it every day. We built our off-grid home ourselves, maintain a big garden and orchard, and both write about permaculture topics for One Green Planet. We also grow organic vegetable and flower gardens for a living, as well as volunteer doing it at a community music school in our nearest town: Elkin, N.C. MaM : That’s cool, man—both of you doing what you love together, then writing about it for others to absorb. Take us through your journey that led to a writing degree, multiple publishings, and a life rich in travel and culture. JE : I started LSU as a chemical engineering major because I’d been a good math student in high school, and my father was an engineer at Exxon. By the second semester, I was skipping Physics and Chemistry classes to go bowling, and Calculus had bowled me over. I wrote poetry all the time on my own time, so I started taking more writing and English classes. I switched my degree to English and that was that. [From there] I went to graduate school in Memphis. I moved there, got a job waiting tables, and applied to the University of Memphis the next year. Luckily, they took me. After I got an MFA in Creative Writing, I decided to teach for a year abroad. That turned into over a decade abroad. That adventure led me to write about the world I was discovering. MaM : Any creative writings currently in the works? JE : Panorama: The Journal of Travel, Place, and Nature published a piece at the end of November [last year]. I wrote it in September-October while I was in England. It’s about an experience in Guatemala. The journal, which I’ve written a few things for, went on hiatus for a couple of years, and this is the relaunch issue. [Click the image below to read Jonathon's story.] Otherwise, I still write (practical stuff) for One Green Planet every week, as well as a website called Blue Ridge Mountains Travel Guide. Neither of these are creative work, but they keep me busy and leave little space for other writing. MaM : Tell us about some of the creative works you’ve written and where they are published. JE : Panorama: The Journal of Travel, Place, and Nature: - There’s No Place – about finding a home after living out of a backpack for about 12 years. Published by Panorama. - From Texas to Turkey and Back Once More – about my father coming to visit me in Istanbul while I was teaching there. Won 2nd place in Expatriate Writing Contest on Transitions Abroad. - Living the Homesteader Dream: Everything Works Out, and Works, Kind of” – about the woes of off-grid living. Published on Permaculture News. I was a featured author in a print journal called Poiesis Review . The issue (#7) has five of my stories, including “5 Miscues in Packing: Hard-Earned, Largely Ignored Advice from a Vagabond,” “The Bibimbap Man,” “The Other Side of Texas,” “10½ Lessons in Misadventure Travel,” and “On Motorcycles with Milkshakes.” I’d actually submitted these to a different publication, “Go Read Your Lunch,” and through some connection, the stories got passed over to Poiesis. The editor contacted me wanting to do the featured author thing. Dumb luck. “Go Read Your Lunch” did publish one piece: Another Cup of Tea: A Personal Survival Guide to England . It’s about my first trip to England with my British wife Emma, and that involved a lot of having to pee because of the overabundance of tea and being unable to find a public restroom anywhere in the country. MaM : Let’s talk about permaculture. Dish about it and your specific approach and why. JE : Permaculture is a way of designing human habitats and habits, from personal spaces to communities, so that we work in harmony with nature, each benefiting the other. Most people, including me, come to it via gardening, but it is much more involved than that. It includes how we build homes to fit our surroundings, how we collect and distribute water, get/use power, interact with others, and more. To truly practice permaculture is life-altering, much more than putting in a raised bed garden, with which it is often confused. My approach to permaculture has been to use what’s around as opposed to buying in new materials. For example, we dismantled a shed and [some] two-hundred-year-old, dilapidated homes to get the lumber to build our house. We built our fencing from limbs and such that I scavenged from work when we had to clean up trees. The gardens are made from pond bottom that was excavated when digging our pond, and we have used leaves, hay, stones, wood, and so on that we’ve collected from various sources that had deemed them refuse. This has also been the case with many of the plants, particularly flowers, growing on the property. There is something rewarding and pure about doing it this way. It takes longer, but I feel it stays true to making a minimum, or even positive, impact on our immediate environment. Plus, the improvisational nature of using what’s there keeps the design process creative and innovative. To some, this approach has seemed extreme at times, but there are many out there doing a much more thorough job of it. We did buy some new stuff, mostly because we had to in order to pass our building inspection. MaM : What drew you to permaculture? JE : I was volunteering on a farm/eco-hotel in Nicaragua. The owner turned me on to it. From there, I read some books, visited a few more farms, and started seeking it out. Within the year, I’d read a bunch of texts, was developing a property in Panama, and actually began writing articles for Permaculture News about what we were doing. MaM : What has been and is your current relationship with the land? JE : We are in love with each other. For more on Jonathon and his travel and permaculture adventures, you can find him at Panorama , One Green Planet , and Blue Ridge Mountains Travel Guide . *images provided by Jonathon Engels www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. < Back Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene Nicole Brice May 7, 2025 Share With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Emerging from the heart of Louisiana’s underground metal scene, Inner Anguish is a band that channels raw emotion and relentless intensity into every note. By blending crushing riffs with visceral lyrics, the group serves as a powerful testament to the enduring spirit of Southern metal— dark, unfiltered, and unapologetically honest. Credit: Justin Hammer Photography Since its formation, the band has undergone several changes and now boasts a solid lineup of musicians who were brought together for a specific purpose. Each member contributes their unique flair, resulting in a well-rounded listening experience highlighted by their impressive stage presence and larger-than-life personalities. Inner Anguish consists of Taylor Redwing on vocals, Smitty Lange on bass, Keith Alleman on guitar, Ben Finley on guitar, and Taylor Guidry on drums. The poetic lyrics are crafted by lead singer Taylor Redwing , who writes from the heart. Every word reflects his genuine feelings and carries deep meaning. Inner Anguish draws from a diverse array of influences, creating a sound that is both distinctive and recognizable , appealing to metal enthusiasts. With the help of their secret weapon, Ben Finley of Shed Sound Hole , each release is polished to perfection. As an organic collaboration among friends and music lovers, Inner Anguish ’s sound and dynamic defy categorization. Their unique approach enables them to adapt to whatever comes their way, ensuring a refreshing and authentic musical experience. Inner Anguish is not just making noise; they are making a statement. Read on to learn more. Credit: Elise Hanks MaM : Give us a little background history about how you came together as a band. Keith : I had a lot of the songs written and recorded already at my home studio. ‘ Sin and Bleed ’ and ‘ This Guilt ’ were two of them. We started playing with Ben Finley , and then we were looking for a singer. We had worked with Taylor previously, so we decided to bring him in. Ben was originally on bass , but then we decided to become a 5-piece, so we brought in Smitty , and that’s how it all came together. Credit: Elise Hanks MaM : Where did the name for the band come from? Smitty : We had about 10-12 names to consider, so we voted on them. Inner Anguish received the most votes. MaM : I think it’s a great name because it just rolls off the tongue. Taylor : Yeah, we were careful when we picked it because a lot of the names we liked were already taken, so that we couldn’t use them. Smitty : What’s cool, too, is that with Inner Anguish , if you listen to all of Taylor’s lyrics, it matches very well. Credit: Justin Hammer Photography MaM : How did you all decide on the type of music to play, and who influenced you musically growing up? Smitty : Keith wanted more of that Southern sludge sound, and once Taylor got in the band, his vocals helped to pick up the pace of the songs. The songs were originally much slower. It’s remarkable how each of us brought our own unique contribution to it, and it all just works, becoming our distinct sound. Now, whatever that sound is, I don’t know. It crosses so many boundaries. Credit: Elise Hanks MaM : I was just about to say that – I can’t define your sound. Smitty : Yeah, it’s got a little of everything. People have said how they like the rapping portion of ‘ This Guilt ’, which just happened. Taylor’s big on Mudvayne , so that’s where that comes in. Growing up, I was big into Type O Negative . MaM : I saw Type O Negative at the House of Blues in NOLA back in the early 2000s. It was insane. I still have the ticket stub. Smitty : I saw them on their last tour, and I had the opportunity to meet Peter Steele in 2010 . I also love all the Southern stuff, too, like Acid Bath . You can’t be in a band down here and not say Acid Bath . MaM : Acid Bath was huge for me in high school. Keith : I’m a big Misfits fan. I enjoy a wide range of melodic black metal and death metal . I like stoner rock , too, but pretty much anything. I hate classic rock . MaM : What? You hate classic rock? (laughter) Keith : Well, I like Black Sabbath and Led Zeppelin , but that’s it. Credit: Elise Hanks MaM : Ok, we’ll let you slide with that. Taylor : My most significant influence on what I do with Inner Anguish is Chad Gray of Mudvayne . Garrett Russell of Silent Planet , too. I believe that anyone who appreciates the type of vocals I do also loves Lamb of God . MaM : What is it that drives you guys to make music? What is your primary motivation? Smitty : Fun – just having fun. It’s a release, and I understand why some of those bands go to cocaine. (laughter) MaM : I can agree. Keith : I can’t remember a time when I wasn’t playing music. My mother played guitar and piano and raised me to play. It’s just something I’ve always done. Taylor : Music has always been there for me. It’s my biggest love and growing up watching my favorite performers on stage live just really made me feel included. Metal has always been there for me and has always made me feel empowered. I want to do what I love, and I want to inspire others with my music. It’s a selfish thing for me, at the end of the day, because it’s a release. Keith : He’s thrown up after a performance before. MaM : Seriously? Keith : Oh yeah. Taylor : I feel like all the songs we play are emotional, and it’s therapeutic for me. MaM : Well, music is therapy because of frequency. Smitty : Yeah, I bring that brown note. (laughter) Credit: Elise Hanks MaM : I recently saw that you have your own beer, which will be available soon. Tell us a little more about that. Taylor : We’re playing May 17th in Gulfport, Mississippi, at the Metal and Beer Fest , and each band on the bill gets its own signature beer. Available May 17, 2025, at Metal and Beer Fest at Gulfport Dragway MaM : So, what is your signature beer? What is the taste? Taylor : It’s a honey brown ale, basically, and will only be available at the festival, I believe, so come out and try it! Click the picture for more information MaM : You guys are currently in the studio recording new material. How’s that going so far? Taylor : It’s going great. We’re about to wrap up the drum tracks, and then we'll lay down some vocals. However, we’re aiming for a late-September release. MaM : How do you guys approach writing new material? Is there a process? Keith : Whoever brings in a riff, we listen to it and then go from there. Smitty : It’s not like we go into the studio intending to do a stoner or black metal song. Whatever comes out works. We don’t just sit in one pocket. Credit: Elise Hanks MaM : What are you finding as a common theme with this new batch of songs? Do you have one? Taylor : A lot of this new album revolves around suicide , so I’m not sure how palatable that will be to some, but it seems to be a recurring theme throughout the record. It’s more around the ideation and the activist. MaM : Tell us a little bit more about the lyrics for ‘This Guilt’. How did those come about? Taylor : I was afraid this question would come. (laughter) Taylor : It’s a difficult question to answer. Usually, when I write lyrics, I’m not thinking about anything. I’ll listen to a track and then write out how it makes me feel. Sometimes it doesn’t make sense, but I’m just vibing with the music and letting it guide me. After a song is finished, I can sit there with the lyrics and read them, and then it all makes sense. To me, though, ‘ This Guilt ’ is about abuse - whether that be self-inflicted or from another. That’s what I get from that song and the lyrics I wrote. MaM : What would you guys like to accomplish this year? What would be the ultimate achievement to make this year perfect? Taylor : I would love to play a show with Eyehategod . I don’t even think we’d have trouble finding a third band because everybody wants to play a show with them. I hope we can make that happen in the future. As Inner Anguish continues to churn out new material and play shows, they stand poised to bring about a new era in metal – one that defies categorization. Be sure to check out their social media to catch them live soon. For more information about Inner Anguish: Facebook: Facebook Instagram: INNER ANGUISH (@inneranguish) • Instagram photos and videos Spotify: Inner Anguish | Spotify Apple Music: ‎Inner Anguish - Apple Music *Band photos by Justin Hammer Photography: www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. *Live Photos by Photography by Elise Marie Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

“Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. < Back Branded for Exile: A Force in Louisiana Metal Nicole Brice Dec 11, 2023 Share “Born in the Flames” by Branded for Exile is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Louisiana metal has a unique vibe and sound unlike anything heard in other states. Hinting at darkness, the sound evokes visions of living in the humid swamp areas while also providing a gloomy backdrop for life. Louisiana metal is fierce, loud, and strong, but in a state oversaturated with metal bands, one band from Ascension Parish is standing out with their groove-metal style. Powerful metal outfit Branded for Exile has just released a new album, and metal fans, it’s intense. “ Born in the Flames ” features crushing riffs, melodic hooks, and powerful lyrics in a high-energy way, making for one hell of an enjoyable 37-minute listening experience. Click the album cover below to check it out! Released October 28, 2023 Branded for Exile hails from Prairieville, Louisiana, and is known for blending many styles, textures, and influences, ranging from Metallica to Killswitch Engage and everyone in between. Their music is best described as an amalgamation of aggression and emotion, resulting in a truly dynamic and cohesive sound enhanced by each member’s own set of skills: Shannon Guillot is the vocal magic; Scott Hood carries the bass; Blake Cage and Cody Derouen mix it up on guitar; and Zack Leblanc is the rhythm working the drums. Mixed Alternative had the chance to catch up with guitarist Cody Derouen and vocalist Shannon Guillot, where we chatted about their new album, the future direction of the band, influences, and much more. Take a moment to indulge in our chat, and then be sure to stream their new album on your favorite streaming service. “ Born in the Flames ” is a non-stop ride of aggressive guitars, tight production, and loud ferocious metal sure to get your pulse going. Credit: Chad Besse MaM : Thank you for taking the time to speak with us today! Let’s dive right in with your new album, “ Born in the Flames ”. The mix sounds amazing. Tell us a little more about that. Cody : [ Jason Ogle ] recorded the bass, vocals, and the guitar, but the drums were done at OCD [Recording and Production] by Duane [Simoneaux]. MaM : Shannon, your vocals are on point. When I first listened to the song “ Silver Tongue ”, I thought about how your voice is very reminiscent of David Draiman from Disturbed because of the range of your screams. Have you gotten that comparison before? Shannon : When we first went in to record that song, to me, something was missing. It was our weakest song, so we changed some of the vocal parts to make them heavier, and it fit better. MaM : If Pantera and Disturbed had a band baby, it would be Branded for Exile. Do you agree? Shannon : Alright! Cody : I will take that! (laughter) MaM : See, this is the thing, your voice … it has hints of Phil Anselmo at times, too. Shannon : … and I am not surprised that you said that. Growing up, two of my idols were Sebastian Bach formerly of Skid Row and Phil Anselmo . There are some parts on the album that I call ‘Phil-isms’. I intentionally did it the way I felt Phil would do it. Credit: Chad Besse MaM : Your music is so high-energy and in-your-face, and your sound is so different. I feel you guys stand out here locally because of it. “ Numbered Days ” is just a badass song. Tell us a little more about how it came together. Shannon : The funny thing is that ‘ Numbered Days ’ was written in 2013. Me and the guitar player, Blake, … started [the band] Wicked River Rising and [wrote] some songs, but things didn’t work out, so we split up. … [W]hen we got Blake in this band, we still had those songs we had written, so we decided to see if we could still use them. Three of those songs … ended up on this album. https://www.youtube.com/watch?v=pXwepGnFkcw MaM : Let’s get into a little band history. Cody : Well, we’ve always known each other, and Shannon and I have played in various bands since 2003, but I was an outsider. I was never from Ascension Parish or the Baton Rouge scene. I started playing in the band Knever with Jeremy Pourcy and John Maher, and at the time, Shannon was with Black Market Halos . We were always crossing paths … playing shows and we had a brotherhood between bands in the early 2000’s. Fast forward to 2019, Knever tried to get back together a few times, but we just couldn’t make it work. John calls me up one day, though, and asks me about Shannon, and then tells me to call him, so I did. That was the beginning of the first incarnation of the band, and Scott Hood, who plays bass—Shannon already knew him from playing in Black Market Halos and Soul Erosion. Eventually, Blake Cage came into the mix from Absolum, and we all meshed. Now, as far as the drummer goes, that’s a different story. We auditioned six people. Shannon : We went a whole year without a drummer. We just could not find anyone, so we got together to practice without one for a bit. One day, a friend sent me a video on Facebook of a drummer I should check out, and I liked what I saw, so I hit the guy up. I ended up sending him some music with no lyrics, and he wanted me to send something with my singing on it. We ended up going to Jeremy’s house [Pourcy], and we put vocals on three songs, and then I sent it to him, and he said, ‘When do you practice again?’ That was it. Credit: Chad Besse MaM : How did the name for the band come about? Shannon : I came up with the name from a song I wrote, and to me, Branded for Exile stands for all the people who grew up like I did. The Metalheads, the outcasts … the ones with the long hair … the ones with tattoos … we are all ‘branded for exile’ in a way. Originally, though, we wanted to call the band Undaunted, but another band already had that name. Everyone liked [Branded for Exile] and agreed upon it, so here we are. MaM : Take us through the songwriting process. How do you approach new material? Shannon and Cody : Someone comes in with a riff. Shannon : Yeah, we’ll start with the riff, and then I freestyle lyrics to it until we get everything together. By the time that is done, I usually have the lyrics written. I like to write straight off the vibe. When we have another practice, I’ll sing the lyrics exactly as they are written to make sure I don’t have to alter them in any way, and then boom—it’s a song. Cody : As far as the music is concerned, everybody plays their part and knows their roles. You can’t have five Alpha guys trying to write one song. Somebody must step back, and another must come forward. With each song, you can tell who came forward to add their special touch. Sometimes you’re the writer and sometimes you’re the producer. Sometimes, you have to just sit back and let it happen. We live by the rule that the song is not finished until it’s recorded. Credit: Chad Besse MaM : If you guys could tour with anyone in the future, who would it be and why? Also, where do you see yourselves headed in the future as a band? Shannon : Shit … (laughter) Shannon : I think I would want to play with Killswitch [Engage]. That is my wife’s favorite band. … but it’s so hard to even imagine being able to play with so many great bands … that’s a tough one. Cody : Since I grew up on 80’s thrash, it would have to be Metallica, Slayer, Anthrax , or Megadeth . Shannon : I know there is going to come a time when I won’t be able to play music anymore, so I just want to put out as much as I can. I want to add to the legacy. I want to get older and have my grandkids go, ‘This is my Grandpa’, ya know? When I was younger, I chased the music dream. I wanted to be a rockstar, but it just didn’t pan out that way. MaM : … but what if it did happen now? Cody : I love these guys and they’re like my brothers, but I don’t know if I want to be over 50 and out on the road touring. If I was still 20 or 30, then yeah, because we did chase that dream, and I did give it 100%. I don’t think that I’m going to look back and think that I didn’t give it enough effort. If something were to happen, whatever it is, I would hope it would benefit all the bands here in Louisiana. A high tide raises all ships. If we get out there and our name gets out there, I just hope that it helps somebody else younger. To learn more about Branded for Exile and to check out “Born in the Flames”, hit one of the links below. Facebook Instagram Distrokid *cover photo by Chad Besse www.cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like to hear? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next

The Journey of Making Dreams Come True < Back Rian's Den: From Vision to Reality Rian Nickels Apr 11, 2025 Share The Journey of Making Dreams Come True This may end up being too long, and who knows if anyone will read it, but if my story inspires even one person to pursue what they want to do in life, then I suppose I should share it, so here goes nothing. Around this time last year (2024) , I found myself craving more out of music photography. I got a few paid gigs for local Louisiana alternative bands in my inner circle of friends. Still, I knew I wasn't spending enough time doing what I was passionate about – taking photos of live music performances. I wondered if my work was good or interesting enough for me to join a music publication. I live in a small Louisiana town , so I never really considered that there might be something I could contribute to locally, so I looked around the good old World Wide Web to find some publications that could take me on. I sent out a lot of cold emails with my portfolio (which was really lacking, if I'm being honest) to different alternative music pubs, and unsurprisingly, I didn't get a single reply because most of them required you to also be a writer, which I had no confidence. Eventually, the idea faded from the forefront of my mind. Still, one day, as I was scrolling through the socials, I saw that my friends from Jean Claude Seagal had interviewed with an online magazine, Mixed Alternative Magazine , and decided to read it. After looking over the site, I couldn't believe what I found out! Mixed Alternative Magazine was run by a woman based in Louisiana , not only in my state but in a small town near Walker! Knowing someone in my town cared about the local music scene brought me joy, so I decided to reach out and try my shot at being a contributing photographer. To my surprise, Nicole Brice , editor-in-chief and founder of Mixed Alternative Magazine , reached out to me, loved my work, and graciously took me in with open arms! Unlike other publications, I loved working with Nicole because she didn't require or force me to write. However, she did encourage me to try it out and see how I felt about it. I didn't know what to expect, but I was excited to step deeper into the Louisiana music scene and be a part of a group of talented people passionate about capturing and documenting the growth of our local alternative community. For my first assignment as a contributing photographer, I captured Feel Alive Media and Events' first step back into the scene after a five-year hiatus. It was JAYD3D! 's release for their debut album Outstanding Gentlemen , at The Howlin' Wolf in New Orleans in April 2024 . This was a perfect place to start for me because not only is JAYD3D! my fiancé, but I am also co-founder of Feel Alive Media , so this was right in my comfort zone. Around this time, I had been dealing with a lot of social anxiety after being away from the scene for so long, and it was my first time back in New Orleans in years, but I was excited to embark on a new adventure. I went on to have a great night, make core memories, meet new friends like Kris Russ , and reinforce a connection with Coma Nights , whom I photographed a few months back at Phil Brady's in Baton Rouge . Since the gig turned out so well, I decided to try my hand at writing a show review, and it turns out people seemed to like my writing. The article had good traction, and people were kind enough to let me know they were excited to see what would come from me. Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf In May 2024 , I followed my good friend Michael Spoon 's band, The Gosh Darn Dangs, around for a night of Busking in Hammond, Louisiana . Documenting this meant a lot to me because I was able to work with people with whom I've had long-standing friendships and grow new ones. I loved strolling through my old stomping grounds. The best part was giving a glimpse of what a night in the quaint little downtown of Hammond was like. Southern Happenings: Meet The Gosh Darn Dangs By June 2024 , I got to take pictures at a well-loved venue in Baton Rouge , Chelsea's Live , for the first time. My friends at Goodbye Academy were releasing their new EP Last Minute Homework that they were set to perform at the local music showcase ' Harmonic Stew ' and asked me if I'd want to capture it for them. I mean, how could I refuse? Goodbye Academy is one of my favorite local bands, and just the thought of taking photos in Chelsea's Live stoked me. That night, I got to photograph GBA , Dale Harris Band , and a popular Louisiana band Hey Thanks! I'd have to say that this was one of my favorite gigs; it was so cool to see my friends perform on a proper stage, I loved the Louisiana-esque sound that Dale Harris brought to the stage, getting to photograph Hey Thanks! was a neat opportunity. Chelsea's Live was the perfect place to test the waters of bigger production concerts. On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 In July 2024 , I got to cover another Feel Alive Media event, this time at another place I once frequented: The Green Room in Covington . On the line-up for that night were JAYD3D!, The Gosh Darn Dangs, and Jean Claude Seagal . This night was one for the books because, between the performers and the attendees, all my friends in my innermost circle were there to make memories and listen to good tunes. Hammond's Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media September 2024 was super busy, but you don't achieve goals without being somewhat busy. Two of my main goals were photographing a gig in a Theatre and covering a festival. I was hired on to photograph an event that was being put on by the Southeastern Louisiana University Theatre Department , 50 Years Of CBGB , at The Colombia Theatre in Hammond, LA . This would be my first time photographing from a stage and working around multiple photographers and a bigger crowd. I also got to photograph and reconnect with music friends from before my photography hiatus and, overall, was blessed to see that Hammond 's music scene was still breathing. I believe this night set some foundations for my growth in the professionalism side of music photography and gave me the confidence and experience I needed to attempt more significant events. By this point in my journey, my anxieties around crowds, my skills, and just life in general started to ease. I no longer felt on the edge of panic when on the way to events, but instead felt excitement. CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Next up on the agenda for September (literally the day after CBGB) was my first time capturing a music festival. I got to attend Rock Around Downtown Fest , RAD Fest for short, with our very own Mixed Alternative founder, Nicole Brice . This was the first time Nicole , and I got to know each other. I even met Justin Hammer , a photographer I had looked up to for at least a decade. Justin had been doing concert photography for a while, but before that, he was taking photos of my friends at Dreamland Skatepark in Hammond , and I was excited to be on the same team as him! I was excited to be allowed back on the stage again but was even more eager to see what I could do when poor lighting wasn't an issue. Most of the shows before this one were all indoors at night, but RAD Fest was outside during the day on a beautiful afternoon in Lafayette, Louisiana . I got to take photos of many alternative bands from the South ; every single one brought rockstar energy to the stage. This day was so inspiring and exhilarating that it showed me that I could really thrive in the Music Festival setting. RAD FEST 2024 Video by Sixto6 Productions October 2024 was the busiest month by far, but launched me so much farther into the life of a Music Photographer . To Nicole and me, it was a complete surprise that Mixed Alternative Magazine and I were approved for our first press pass with a bigger venue and artist this month! After months of hard work and dedication, we were about to see some of those tireless nights pay off, and we were in disbelief that we were approved to cover Sleeping With Sirens at The House Of Blues in New Orleans . This was huge!! The last time I saw Sleeping With Sirens perform, I remember thinking, "I'm gonna do whatever it takes to photograph them one day," that day was here! It meant the absolute world to capture one of my favorite bands, and I've honestly never felt cooler in my life. This event was a real test of my progress with my anxiety; the show was sold out, so that meant I couldn't bring anyone along. I can't begin to tell you how incredibly nervous I was to take the journey to and through New Orleans alone, but I knew I couldn't dare miss the opportunity. Luckily, I met up with another one of my photographer role models, Whitney from WhitnessThis Photography , and even ended up running into an old friend. This reminded me that it's important to pursue things that, at the surface, scare the crap out of you; because the universe might just be looking out for you sometimes. Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian's Den: A Night to Remember with Sleeping with Sirens Only two days later, I found myself back in New Orleans at The House of Blues – with my best friend, I might add – to cover The Used and Plain White T's ! This show showed me what a photographer can pull off when given the right lights, stage presence, and opportunities. Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy After that, I spent the rest of October photographing weddings, Halloween shoots, and spooky parties, and the holidays started to ramp up. I also did various music events for friends and gigs, but unfortunately, I didn't get the time to write any articles, or review shows from late October until late February . Now that most of the holidays were survived, Louisiana was looking forward to Mardi Gras , but I was ready for concert season to ramp up again. To kick off the season in February of 2025 , I got to photograph Johnnie Guilbert's first tour with a full band on the Death and Glory tour with Palaye Royale , artists who quickly made it to my top artists on Spotify . This show was just what I needed to get back into the groove of things after a long holiday season. Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans It's April of 2025 now, and I've only done that one show, but I'm excited for what awaits this year with Mixed Alternative Magazine . I eagerly await my Her Riot Femme Voices Showcase on April 18th in Baton Rouge at Mid-City Ballroom and Eclipse Fest on May 10th at Feed' N' Seed in Lafayette . As far as goals for this year go, I'm hoping to get more involved in interviewing and photographing more local bands that I haven't had the chance to see, and I'd love to write more articles about past shows I've been to that deserve some recognition. My point with this article is to tell you to go for that thing you've been wanting to do because, to your surprise, it may turn out exactly how it should. You might be good at it, and others might also think so. You could meet some new friends who are into the same things you are and have similar goals as you, and y'all might help each other to be able to do the things you love. You might end up exactly where you need to be. Mixed Alternative Magazine has offered a space for a community to grow and thrive. They are bringing attention to talent hiding in Louisiana's nooks and crannies and bringing it to the forefront. They offer something different from your average music publications, allowing space for creativity, emotions, and passion to flow. A place where you can reject the mainstream, forge your own path, and make your own rules. (Jk Nicole makes the rules) :P www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions for comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. < Back Juan Blak's Interpretation of Tina Turner's "One of the Living": A Powerful Metal Metamorphosis Erica Machen Oct 27, 2023 Share Juan Blak’s version of “One of the Living” mesmerizes with outstanding vocals that evolve into an eargasmic blend of metal and industrial rock. " You're one of the living, and if we can't stick together … " These words echo with profound resonance as Juan Blak brings this sentiment to life. He not only captures the essence of these lines but embodies their message in a remarkable way. By uniting a diverse group of living music artists for a cover of the late Tina Turner's ' One of the Living ', Juan Blak achieves something magical. It is truly an auditory delight. Over the course of roughly 22 years, Juan Blak been a part of the heavy metal scene in Los Angeles and later in Indianapolis . He reveals that his relocation to Indianapolis has yielded more musical progress than any of his time spent in Los Angeles . The connections made through his journey with his band BlaK SundaY and his own ever-evolving talent culminated in this incredible collaborative cover, redefining the sound of the rock anthem. Photo provided by artist This bold undertaking features Juan Blak on lead vocals, AIR-IK of Willow Wisp on guitar, Gene Migaki of Thorns of Sin on bass, Justin Hall of Artificial Zero and Synkhole Studios producing. What was once a classic rock song with outstanding vocals has now evolved into an eargasmic blend of metal and industrial rock. The infusion of heavy bass lines, symphonic vocals, and just the right touch of synth elements offers listeners a fresh perspective on the lyrics. GROUP As I sat astonished at what my ears were hearing, the lyrics took on new meaning to me. What once brought on the thoughts of Mad Max ’s post-apocalyptic world and survival now brings on the feelings of surviving life in the present. The depths of the lyrics are pushed by Blak’s force of a voice as the heavy instrumentals and synth deliver like a stake right through the heart of listeners. Lines like " They always said that the living would envy the dead " tug at the weariness of the human experience yet ultimately inspire us to persevere. In this metal-inspired rendition, Blak's unique baritone sound and tenor range shine, with hints of Chino Moreno from Deftones , making ' One of the Living ' an extraordinary listening experience. Even if you've never considered yourself a fan of metal, this cover demands your attention and leaves little room for disappointment. Blak's talent and vision are undeniably a force to be reckoned with in the music world. Photo provided by artist Blak mentions that a music video for ' One of the Living ' was in the works but was temporarily sidelined by his commitments with BlaK SundaY . The band remains his primary focus, as they are set to release their new album, Songs of Love, Death & Revolution , on Halloween. With live performances, recording sessions, and jam sessions, Blak's solo project serves as a fun creative outlet for him as well as an avenue for exciting collaborations with friends. In anticipation of their album release, BlaK SundaY has already shared a couple of videos, ' 11:59...Midnight ' and a cover of The Sisters of Mercy 's ' Lucretia, My Reflection '. https://www.youtube.com/watch?v=ZPyLz_dNeaY Blak Sunday '11:59...Midnight' Whether you explore Juan Blak as a solo artist or immerse yourself in the sonic world of BlaK SundaY , you're in for a musical journey that's bound to leave a lasting impression. Don't miss the chance to witness his artistic prowess unfold. To learn more about Juan Blak: Bandcamp: https://juanblak.bandcamp.com YouTube: https://youtube.com/@JuanBlaktv Patreon: https://patreon.com/blaktv www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Not a Rock and Roll Loser < Back Born to Perform: Dr. Joe Burns Nicole Brice Mar 9, 2023 Share Not a Rock and Roll Loser Influence … what is it, really? We all have people, places, things, or ideas that influence us in life via various forms, and this next musician I’m going to tell you about is no exception in the realm of inspiration and influence. I first met Dr. Joe Burns when I was a student of his at Southeastern Louisiana University in Hammond, La., back in the early 2000s. I graduated from SLU in 2005, so it was a long time ago, but when I was reacquainted with Joe , it felt like no time had passed at all. One of my favorite memories of Dr. Burns is when he would stand in the front of the class and tell a rowdy bunch of kids to pay attention to him by stating, “Pay attention to me, because I have a tie,” as he pointed to the necktie he was wearing with his collared shirt. He taught me so much, and as a Mass Communications major, I took so many of his classes, that most of my college memories include thoughts of happenings from within his classes. In fact, I credit Dr. Burns as being the one who truly taught me audio and video production because without his instruction, I would not know all I know today—of course, the hands-on experience I had working at 90.9 KSLU FM, now known as 90.9 the Lion , might have helped a tad bit, too. Back in the day when I called SLU home, the Mass Comm department was small, and we were like a family of sorts. I miss that time, and most of all, I miss that era. It truly was much simpler then. Going into this interview, I knew three things about Dr. Burns: he loved Eddie Van Halen , he had previously worked in radio full-time, and he had a great sense of humor. After speaking with Dr. Burns for over an hour and a half (because neither of us could shut up), I learned there is so much depth to his identity and the things he has accomplished and continues to accomplish is just plain remarkable. As one who has led an amazing life, he remains deeply humble. First and foremost, Dr. Burns is a communications professor at SLU , but he also is a f ather, a husband, a producer, a musician, an author, a podcaster, and a master woodworker. He even built his own recording studio, which he aptly titled Loser Studios as a nod to one of his albums, Rock and Roll Loser . Joe’s quirky take on rock music is entertaining, comedic, and sincerely authentic. Take a moment to read this interview, then go check out his latest music release Tools of the Trade via all streaming platforms. It’s very nostalgic for me to hear, because many of my old college buddies make guest appearances on the album in various forms, and it’s just a damn enjoyable album, as all of his releases are. Joe Burns is the epitome of the modern-day Renaissance man. credit: Gary Governale JB : You called a little early! MaM : Well, according to my phone, it says 14:00 on the dot … 2 o’clock! JB : Nicole, my gosh, Nicole! I haven’t seen you since you actually were in my classes. How have you been? MaM : Man, life has been crazy. I want to tell your story, though. You have one of the most distinct voices I have ever heard, and I can always tell it’s you, no matter what. Give me a little background info about where you were born and raised, because I remember you saying you were from Ohio back when I took your classes, and I know you went to Bowling Green University , correct? JB : That was for the Ph.D. I was born in Flint, Mich., actually … back when you could drink the water. It seems that I was always in a new place growing up. In 5th grade was when I made my way to Ohio—specifically Solon, Ohio , which is a suburb of Cleveland , and I grew up in Cleveland through the formative years: 5th grade all the way until the end of high school. That’s my Ohio connection, and I consider Cleveland, Ohio, home. MaM : That’s cool how you have that Ohio connection. My mom is from Ohio, too. She is from a little town called Ashtabula, Ohio , which is right there on Lake Erie . I had the pleasure of visiting up there in 2009 and just fell in love with the area. When did you first pick up guitar and start playing? If I remember correctly, you are a music junkie just like me, and I know you like Steely Dan and Van Halen . Give us a little more info about your music background. JB : Well, my mother put a gun to my head and made me play saxophone (laughs), because that's what a young boy should play … something to be in the high-school band. And, well, she decided one day to play guitar. So, she took lessons at the local cooperative, and we had this really piece of crap Stella guitar that my dad bought, probably from Sears . And she kept coming home with her lessons, and I would have the lesson in 10 or 15 minutes, and my dad finally said after a couple of months, ‘Why don't you just give the guitar to the kid because you're not getting it, and he's got it in about 10 minutes now?’ He probably paid for that for a year afterwards, but I just started getting better and better and better. And I remember I was invited, because all I had were acoustics, these cheap little things that we got at garage sales. And we—one guy asked me, ‘Hey, do you want to be in this band?’ And I said, ‘Yeah, I'd love to,’ and my dad talked to the local music guy because I would always go into the same little music store, and the guy said, ‘Oh, yeah, Joe could play rhythm guitar in a band right now.’ Easy to do. And I had gone in there and apparently picked this one guitar off the wall 10 times. It was a Morris electric in Cherry Sunburst . As a matter of fact, it's hanging on the wall right behind me. It maybe is the most balanced instrument I've ever had. You can't even buy them like that anymore; they don't make them. So, I took it and bought a cheap little amp from a friend, and that's when I started playing it: on my 15th birthday. That's really when it came to fruition. And I remember writing my first song on that guitar. I can remember most of the lyrics. It's really sad. (laughs) credit: Gary Governale MaM : So, 15 years old was when you decided, “This is it—I really love guitar, and this is what I want to do,” and you’ve just kind of done it as a hobby over the years, or did you want to do something serious with it? JB : I wanted to do something serious with it all the time. Here's the problem: I'm 6’4” and about 250 pounds, and in Cleveland , when you're that big, you don't become a musician. I was a football player. I was a wrestler. I threw shot put, and music always had to go on the back burner. It's just the way it was. And I mean that; I'm not trying to be clever about it. It's, you know, when you're within the top 10 biggest guys in the high school, you don't get to go play guitar. I played in bands with people now and again, but nothing ever came of it. It wasn't until I got out of college that I started to perform with bands. I was recording with the radio stations, but it wasn’t until I got out of college that I had the opportunity to perform. And, I remember the first real band I was in was a band called Theory. Our first album was going to be called ‘Hypothesis.’ How horrible is that? And then I picked up with a local band that was actually very good, and [I] did a lot of gigging. It was called Rick and the Rockets, and I was one of their rotating guitarists. I was a rocket, and that's pretty much how it went. MaM : So, you mentioned above that you were working in radio, which I know you had a huge career in, so tell us a little more about that. JB : I was not going to go to college and my parents said, ‘Oh yes you will,’ and I said, ‘Oh no I'm not! I'm gonna get on a bus. I'm gonna go out to California , and I'm gonna join up with a band.’ So, what they did was bribe me with a car. Now, don't get me wrong—it was a nice car. It was a ‘79 Camaro with a 354 barrel, you know, powder blue interior. Oh, yeah. If I wasn't ugly and fat, it would have brought the chicks a runnin’. (laughs) MaM : (laughs) Oh yeah, that does sound nice. JB : And I started playing in little bands in college here and there. But what was wonderful is, I got into radio and then you see radio took over, and I would go out now and again with a band. I would sit in with people. I would do a track here and there. But, you know, for 12 years, I ran radio stations and kept everything up and running. MaM : Which radio stations did you work for? JB : I started in Pennsylvania at Titan Radio . That was my college station. I was at two different stations during college—full-time gigs. That was WKST and WFEM . Left there, went to Oklahoma City for KCGK ? I can't remember exactly. I don't think it exists anymore. Left there for WQLT in Florence , Alabama . Left there for KG107 in Utica, New York . Left there for 92 Gold in Southern Pennsylvania . It was actually the Hagerstown, Maryland market. And after that, I quit and went back for a Ph.D. I got the masters while I was running the stations in Pennsylvania. MaM : Wow. How did you end up in Louisiana, of all places, after an incredible career like that? JB : Simple. I got the masters while I was in … and, and by the way, I got the masters on a bet. I used to use the questions in the morning. One of the bits that I did was … ask trivia questions, but they came from the MENSA book, the genius thing. And somebody joked to me, you know, ‘Hey, why don't you go test MENSA? You think you're so smart and all that.’ So, I went, and I tested for MENSA, and you go through about four IQ tests, and I scored above 140 on each of them. So, they invited me to go to York, Pa., and try out to get into the MENSA Society. I took tests and failed. You had to be in the top two percent. I still have the piece of paper because no one believes me. I scored in the top three percent, and I said to them, ‘Don't you people round up?’ And they said, ‘No.’ It’s just with my master's degree, I couldn't find work as a professor, so I kept calling all the rejection letters, and what I kept getting was, ‘You don't have a Ph.D.’ So, [I] went to Bowling Green . I applied to two places: Bowling Green and Kent State . Went to Bowling Green because Kent State said no. Did three years, because they say the average time to get your Ph.D. is five years, and I said, ‘Well, my wife doesn't want to be here very long.’ Bowling Green is nice, but it's just south of Toledo, so you can tell it's a little grungy-greeny. So, finished that up in three years, as quick [sic] as possible. I won the dissertation scholarship. What I didn't win, though, and this still makes me angry to this day, was ... I was up for graduate student of the year, and the woman who was doing the interview told me that she wouldn't vote for me because I, ‘stalked the students.’ MaM : What?!? JB : I didn't stand in one place and lecture to them. I walked around and I engaged them, and I made them speak. This woman is just sitting there filled with liberal arts confidence, right, and I said, ‘Radio communication. This is radio. This is television. We don't play well with introverts. You must understand what we do here.’ She didn’t like that very much, and so, I lost. credit: Gary Governale MaM : I’m assuming getting the job at SLU is what brought you to Louisiana, or was it something else? JB : Yes. Yeah. Well, no—here’s the thing. I got a job immediately. In fact, I was the first in my graduating class to get a job, and it was at a university I absolutely loved. It was one of these little richie, rich schools, and you would think the kids would all be complete jerks and all of it. No, they were great. And it was a school that had money and gorgeous radio stations. It was everything I wanted. It was two hours outside of New York City . So, this whole time we're trying like crazy to have a kid, and we couldn't seem to do it, and my wife finally said [she couldn’t] go through another northern winter. She's from Alabama. I met her when I was at WQLT . So, I kept giving her the chronicle, “Higher Education.” That's the magazine that tells you where the jobs are, and I applied to everything that she wanted me to. I was given two job offers. One in, I think it was Marietta, Ga., at Southern Polytechnic University. I would have been a computer professor. The other one was at Southeastern Louisiana University , and I took it. MaM : So that’s how you ended up here. You were all over the northern part of the U.S., and you get transplanted back down here. (laughs) JB : I don't know what's a better life, and I mean this … I don't know what's a better life because none of my cousins, and both sides of the family—mom and dad—none of my cousins have anything more than a B.A., and I'm not putting that down. Look, a bachelor's degree is, is an impressive thing, but none of them have over that. I am the only one that holds a master's degree. I think one of my cousins does, too, but I'm the only one to hold a Ph.D. … and you ask yourself, ‘Is it better to do what I did and move all over the United States, or is it better to stay put in one place?’ See, all my friends who stayed put in Cleveland all still get together and they all have a good time together. Me, on the other hand, it's a weird existence, and anybody who has had a job where you move all the time [knows] it's hard to make lifelong friends. My wife and I have lived in nine different states. MaM : I admire the fact that you have lived in so many places and have experienced so much. I can completely relate to what you said, though. I went on Apple music recently, to check out your music, and did you know there are two other musicians with the name, Joe Burns? JB : Sure … and there is a soccer player and an ex-football player. It is a very common name. I always tell people, ‘You gotta put that Ph.D. after it to find me!’ But the thing is, every time you put that in, it's not my music that pops up; it's my books, because I had a real success for a good, long while there with creating web pages, and [it was] right at the beginning of the internet and teaching people how to make web pages, and it ended up in a series of five books. That comes up long before the music does, but you know … time marches on. MaM : Refresh my memory on the titles of those books, so I can let our readers know about them. I think it was “HTML for Dummies” or “HTML Goodies?” JB: It was Goodies. ‘HTML for Dummies’ was some corporate thing, and I always hated it because the idea was you have to admit you were stupid to read the books. (laughs) JB : It was ‘HTML’ mainly because, you know, the books were about how to make a website. It was ‘HTML Goodies,’ because the first thing I ever did was put a series of cute little images up online, and my father made the statement that, ‘Oh, look! You got all these little goodies for people to give away.’ So, there you go: ‘HTML Goodies.’ There it was, and now it’s five books. It's been reprinted in at least three languages that I know of. MaM : Wow, that’s impressive. JB : One of them is Polish. (laughs) MaM : I noticed you released an album in 2017 prior to this most recent release. “ One Hell of a Story ” was the title, and I was wondering if that was the first time you had released music on your own? JB : No, as a matter of fact, that was the second album. Here’s the thing … I have always been an extremely pragmatic human being, meaning there are people that if they're not perfect when they come out of the gate, they get very upset and they quit. I put out an album called ‘ Rock and Roll Loser ,’ and you'd have to go to my YouTube channel to hear some of the songs, and there's about three songs on the album, which I think are very, very good, and I'd like to re-record them, but the rest of them are pure crud. MaM : (laughs) JB : I've had people say to me, ‘I listened to ‘ Rock and Roll Loser ,’ and it's terrible,’ and I said, ‘You're absolutely right!’ But you see, I recorded that entire album on a laptop, and the drums were all fake and I didn't understand to put in drum fills. It's horrible, and I urge people to go listen to it. If you want to hear a couple of the very good ones, listen to ‘ Believe ,’ which I really want to re-record, and [then] listen to ‘ Misinformed .’ Those are the two that are actually really good songs. They're just not recorded well because I didn't have the equipment. credit: Gary Governale MaM : So, when you released that, you just released it strictly on YouTube? JB : No, there's a website: www.RockandRollLoser.com . I refused to put out any music and expect someone to give me money for it. I don't want 50 cents or what have you getting between you and you listening to my song. So, I put it out. I just thought it was the greatest album in the world. This happens constantly. You know, you write something, and you go to bed thinking they're gonna hand me the Pulitzer this week, [then y]ou get up in the morning, you listen to it or you read it and you go, ‘What was I … was I drunk?!?’ MaM : (laughs) JB : I go back and listen. The song ‘ Rock and Roll Loser ’ is cute, but it's not much … it's not much more than me figuring out what the heck I'm doing. I'm playing in a couple of bands. The big one at the time was called Impaired Faculties. It was all professors from Southeastern. MaM : I remember hearing about them. Dr. Robison—wasn’t he a part of that? JB : He was the other guitarist. He's the one that came to me, and we played a little bit together and he said, ‘Okay, you and I have got to play dual guitars. We must.’ And I said, ‘Okay.’ So, the whole thing was supposed to be just a fundraiser, and then we discovered we weren’t that bad, and so we kept going. We recorded a couple of songs that nothing's ever happened with them, and then, I wrote a song called ‘ Water Line ’ after the floods, and we made a bunch of money by selling at a dollar a pop, but it was a fundraiser. The whole time, I was doing my radio show or, rather, my podcast ‘ Rock School ,’ and I kept building my home studio and I kept getting better equipment and better equipment. So, when you listen to the second album, which is called One Hell of a Story , you go, ‘Oh my gosh, the songs are getting better.’ And then a year later, my wife and I put out a Christmas album called ‘ Let's Get the Jingle Bell Out of Here ,’ and again, better. We had real success with that. We got on a CD that was sent out, and we were the nobodies next to Sia and Kelly Clarkson and Barry Manilow , and it got sent out to all these radio stations. We had phenomenal success with that album. It got 400 different radio stations to play it. I then started messing around musically with a buddy of mine. You probably remember him: Rusty Gregoire. Do you remember him? MaM : Sure do! I stayed good friends with him for a long time. Now, we’re just Facebook friends. JB : He and I started recording together and I think we have five or six songs, and they're really good. We need to record a few more and put it out, but again, with him … better. I hadn't recorded for, it had to be two years, and I finally just had all these songs that I had written for all these other people. By the way, I put out an entire album called ‘ My Key ’ with a singer named Naomi. If you go to any of the streaming services and you search ‘ My Key ,’ Naomi - N A O M I, Naomi, you'll find that one, and you'll listen to the other albums … and then you’re like, ‘When did you learn to play piano … and saxophone?’. I brought pros in to do all these things, and I think it’s sonically beautiful. credit: Gary Governale MaM : We’ll have to check that one out. JB : I don’t know how to explain it. I guess I don’t sit in a room and play chord after chord after chord, praying that somehow, I’m gonna come up with something. What I do is—in my car—I have found that to be at your most creative peak. Sit still, and let your mind go somewhere. If you sit and force yourself, and you go, ‘It’s time to write a song,’ you’re not gonna do it. Just keep your mouth shut and let your brain turn into clouds, and that’s where the riffs start coming. MaM : So, you mentioned previously that you build your own guitars. Do you play your custom guitars that you’ve built? JB : I built all my guitars. Literally, built all my guitars … and I set the whole system up, and that’s what I did. MaM : What type of blueprint do you use to build your guitars? JB : See, I buy a kit, and all I use from the kit are the neck and the body. I don’t use the crappy stuff. I do all my own electronics. I buy all different pick-ups. I always make a point of finishing them in different colors, and then I call for them by color when recording. MaM : Tell us a little bit about this latest album that you have released. JB : Well, it’s called ‘ Tools of the Trade .’ Why? I don’t know. My wife suggested it, and I thought it was okay. When you listen to ‘ Whadaya Say ,’ it goes to a jazz place in the middle, and the entire solo is played note, harmonic note, harmonic note, harmonic. The second song is called ‘ Not My Circus, Not My Monkey. ’ It has what’s known as a waterfall of harmonics because I want people to go, ‘Wait a minute? What the heck was that?’ It’s a heavy song, but right out of nowhere comes a harmonica. I don’t want to keep playing 145. I want every single song to make people go, ‘What?!? What was that?!’ credit: Gary Governale MaM : I did notice that each track is different and each one reels you in in a different way because of how unique they are. If you were to hear them consecutively, you would not know they are by the same artist. JB : Yeah, I’ve had people say to me, ‘Hey, look, ‘ Not My Circus ’ sounds like Nuno Bettencourt.’ If you write a song that sounds like somebody else, you’re not doing it right. I’ve gotta be honest, there is a little bit of Eddie Van Halen in everything I play, but it doesn’t sound like him. I write these songs and put them together and pray they don’t sound like anyone but me. I’ve probably got seven or eight more riffs just sitting in a file somewhere because I’m probably going to do it again. Somebody said, ‘Why would you release 18 songs in a row?’, and I said, ‘Because I’ve got another 18 … just give me a year.’ MaM : Do you have any plans to play any live shows? Have you thought about maybe doing some local gigs in Hammond? I’d come see it! JB : I’d love to do it, and I’ll contact you when it happens. I want to get out there and do it by myself. I’m not in a band right now, and I think it’s simply because of time. I’d like to get out there like a troubadour. Me and a guitar and do it about once every other week. My wife has even said to me, ‘Why are you not out there playing?’, and I think it’s just because I’m 58 and I’m lazy, but I don’t even need to get paid. I mean, give me some beer and maybe some food. The last time I played a gig, I went three hours straight and didn’t even take a break. I would just like to get up there and strum chords. I can tell you that I’m not a big requests person. I will show up and do a show, and if someone comes up and says, "Play ‘ Margaritaville ',’’ I guess I could, but that’s not my thing. MaM : I know quite a few local musicians who get zany requests when playing live. Like, people like to yell, “Play ‘Free Bird’” at live shows. Not sure why, but they just kind of laugh it off. JB : Wouldn’t it be wonderful to actually learn ‘ Free Bird ?’ The entire 10 or so minutes of it. Some drunk guy in the audience could go, ‘Free Bird!!’, and I could go, ‘Okay!’, and literally play the entire song. MaM : And I would love to see that, and I’d be cheering you on! So, Rock School Records is the imprint you are releasing your music under. Have you used that for all of your releases? JB : Yes, so DistroKid , they wanted a name of a record company, so I had to make something up. I call my studio, though, Loser Studio because the first record was ‘ Rock and Roll Loser .’ It was called that on purpose, because I had it in my head that if what I’m about to create is pure crap, then if I call myself a loser first, then you really can’t make fun of it. credit: Gary Governale MaM : As far as releasing the music, I know you have it on Apple Music, but are you releasing it on other platforms? Where is your music available? JB : I send it out to every venue that will accept it. It’s on Pandora, Spotify, and Apple, and I use YouTube as kind of a fun thing. The first single off the album, and I’m going to really start pushing it soon—it’s called ‘ Tickets Please ,’ and it’s got a video. By the way, there is also a video for ‘ Bad Idea ,’ which is also on the album. There are actually quite a few videos, but you have to go to my YouTube channel to find that. Just know that if you type in “Joe Burns,” you gotta put that Ph.D. behind it. I did have the entire album up there, but once I put it up, I immediately got a copyright strike from a company that makes ukelele music. MaM : (laughs) JB : I laughed at them and took the whole thing down, and I’m sure once I put it up again, I’ll get hit again. I’ll show them, though, that I have the original audio files and everything. MaM : So, your “Rock School” podcast / radio show. I know it used to run on KSLU. Is it still going? JB : Oh no, I’m still doing it. We have won several radio Emmy ’s, probably seven, and we’re now on 32 radio stations, two networks, and the NPR network. We’re trying to get on with the Armed Forces Radio Network . Haven’t heard anything about it, and I think our weekly downloads are somewhere between 25 and 27,000. My wife is actually my co-host now. The thing is, we kept running out of studio time, and I brought the whole thing to my studio. credit: Gary Governale MaM : Ok, last question, are you only using your home studio for recording your personal stuff, or do you plan to open it up to other musicians? JB : I’ve thought about it. I’ve got some ideas. I’ve thought about running wires to my gazebo and then have them record a show for 45 minutes, and then the band will walk away with maybe a five-song demo and a live recording … put it all on a jump drive for them. MaM : Any parting thoughts or words? JB : I really just want, like, 20 minutes of your time. Give my music a listen, and then pass it on to your people. This is a hobby for me. I’m trying really to create some quality music, and I hope you see it that way, too. To check out Joe Burns and his music, hit one of the links below! Joe Burns PhD - YouTube ‎Joe Burns on Apple Music Spotify – Joe Burns Rock School on Apple Podcasts Joe Burns Rock.com - Home Page (joeburnsrocks.com) Joe Burns, Rock and Roll Loser - Homepage Joe Burns - One Hell of a Story - Home Burns Christmas - Home *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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BetweenLoveandHate is an amalgamation of styles and textures. < Back Reviews on the Real: BetweenLoveandHate Nicole Brice Dec 22, 2025 Share BetweenLoveandHate is an amalgamation of styles and textures. Recently, I discovered BetweenLoveandHate , a band from Orlando, Florida , that just dropped a new single. They’re relatively new, having debuted in 2022 , and with only two releases so far, it’s the perfect time to check out their music and maybe add them to your playlist. The lineup includes Nicolas on drums, Zach on lead guitar and vocals, Stael on rhythm guitar and production, Harold on lead vocals, and Daniel on bass. Their sound is reminiscent of a fresh blend of midwest emo and alternative that’s instantly captivating, but you be the judge. Credit: Facebook To me, they feel like a mix of Taking Back Sunday and Saves the Day , though that doesn’t quite capture it—there are even moments, like at the end of their track ‘ Shameless ,’ that remind me of Thrice . When they first reached out to share their music, the word that came to mind was “refreshing.” They describe their style as, “If Deftones met Hozier, and had a fusion baby with Puma Blue,” which sums it up perfectly, too. This band is an amalgamation of styles and textures. How do you pinpoint this sound? You can’t. The shared influences that shape the BetweenLoveandHate sound include an eclectic mix of artists such as Puma Blue, Tribal Seeds, Faye Webster, Loathe, Deftones, Maroon 5, Daniel Caesar, The Strokes, Turnstile, Lil Peep, Sade, Flesh Water, System of a Down, Iron Maiden, Red Hot Chili Peppers, Rebelution, and James Brown. Wow, right? Let’s dive into these tracks, shall we? Released April 20, 2025 Shameless Shameless kicks off with soft, faint vocals that slowly build before erupting into a wall of fuzz and distortion. A steady groove drives the track forward, and the energy keeps climbing. It’s loud, intense, and an absolute blast to hear. Definitely worth a listen. Released December 1, 2025 Love for Hire Love for Hire is a strong indie rock track with a stripped-down guitar sound and rich layers of harmony and crashing percussion, bringing to mind a blend of The Smiths and The Bravery . It's just enjoyable, and I really like it. BetweenLoveandHate are crafting a sound all their own, and we invite you to listen to their two singles. Both are solid and deserve attention. Go stream ‘ Shameless ’ and ‘ Love for Hire ’ today. To learn more about the band: Facebook: Facebook Instagram: Between Love and Hate (@betweenloveandhatefl) • Instagram photos and videos YouTube: Between Love and Hate - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. < Back Auto-Tune: The Great Debate on Perfection’s Place in Music Mo Thornton Mar 18, 2024 Share While Auto-Tune may have a permanent place in the industry, it is the authentic voices that endure and stand the test of time. Imagine for a moment a world without Tracy Chapman’s voice coming through your car speakers, those rough, urgent notes warning us, “We better leave tonight or live and die this way”. If Auto-Tune had been around in 1988 and used to pitch correct Chapman’s outlier contralto voice, the artist in her authenticity might never have been recorded. Chapman recently made history as the first Black woman to win a Country Music Association award for her smash hit “Fast Car”. She could well have been one of thousands of talented musical artists who never reached an audience beyond their hometown, and I daresay the music world in general, and Luke Combs, in particular, would be the poorer for it. In case you missed the news, Combs’ cover of Chapman’s “Fast Car” was awarded Country Music Association’s 2023 “Single of the Year”. Credit: Getty Images A full decade after Tracy Chapman’s award-winning and now history-making release, Auto-Tune arrived on the scene. The technology was invented in 1997 by geophysicist and engineer Dr. Andy Hildebrand, who applied mathematical algorithms to interpret sonar-generated data to help oil companies locate fuel deposits, an endeavor that made him quite wealthy. A Seismic Shift In 1989 Hildebrand left the lucrative field of seismology and launched his own company, Antares Audio Technology. As the story goes, he asked colleagues what should be invented. Someone jokingly said the world needed a machine to give her the ability to sing in tune. It was a eureka moment for Hildebrand: the same math that he used in oil exploration could be applied to pitch correction. “When voices or instruments are out of tune, the emotional qualities of the performance are lost,” the patent for Auto-Tune stated. That was quite a bold and sweeping assertion, one that has proven divisive in audio entertainment circles ever since. Ed Sheeran, Celine Dion, Bruno Mars, and, yes, even pop icon superstar Taylor Swift, are among the famous artists who refuse to use Auto-tune live. On the other side of the fence, Grammy-winning Rapper T-Pain, Nicki Minaj, and Cher are in favor of using the vocal modification software and other synthesizing techniques. In fact, Cher’s 1998 comeback megahit “Believe” is often cited as the first major commercial use of Auto-Tune. https://www.youtube.com/watch?v=nZXRV4MezEw “The Cher Effect” has become synonymous with the over-exaggerated application of the software that creates an interesting combo of human and robotic vocals. Clearly this was not an attempt to mask Cher’s real voice but rather was an obvious and ear worm-creating technique that successfully contributed to the singer’s career reboot. Local Musicians Weigh In While the debate continues to rage on and play out on the international stage, local musicians also weigh in on the pros and cons of Auto-Tune. Mike Ball, who plays multiple instruments and performs with The Bubbanauts , a country band out of Huntsville, Alabama, says he uses pitch correction to ensure his voice is in tune before tackling certain songs. Mike Ball (Credit: Karen Ball) “I’m not against the use of the technology, but I am against hypocrisy,” says Ball, president of The Huntsville Traditional Music Association. “Auto-Tune is a tool but, in my opinion, should not be used as a crutch or a cheat-sheet in place of talent. In music, like anything else in life, if one person is too far out of tune, it’s going to create chaos rather than harmony.” Another Huntsville-based musician and songwriter, Ricky j Taylor , who has played rock, bluegrass, and folk music, among other genres, says he doesn’t see the benefit of creating an expectation of perfection when music is an art and expression of the human condition. Ricky j Taylor (Credit: MoonTown Photography) “These are my sentiments only,” Taylor says, “but some of the most expressive music is born from struggles and hard times, and I don’t know why that should be stripped of human qualities—human imperfections.” A physicist as well as a musician, Taylor does see the advantage of Auto-Tune for post-production adjustments in studio recording. “No doubt, Auto-Tune is a time- and money-saving tool,” he says. When used to correct a note here and there or adjust for something like a mic that was repositioned during recording, few refute the technology’s value. Sophie Buck is a multi-instrumentalist who performs solo and with groups that play old time, folk, Celtic, and roots music. A senior at Middle Tennessee State University, Buck is tech-savvy, like many of her generation. She says pitch correction technology is a powerful tool that, when applied, can be constructive or destructive. Sophie Buck (Credit: Valeri Buck) “I think it all comes down to the goal of the individual artist,” Buck says. “If the goal is to capture raw, human authenticity with the [inherent] imperfections, Auto-Tune might strip the music of that essence. However, if the goal is to create a highly polished or computer-generated project, the software is an asset.” “Sure, Auto-Tune has its place,” Taylor agrees. “But it can be a slippery slope when it becomes so widely accepted that live performers rely on it.” Taken to the extreme, if the software enables anyone to sing perfectly in tune, why not have that singer be a hot Urban Cowboy or Barbie Doll 10 in looks? And who decides what is “hot” and who is a “10”? And what exactly constitutes “perfect”? Is perfection hitting a note and holding it, or is it finding a thread of emotion that runs through the veins of everyone listening to a vocal cry of need, loss, love, hope, or grief that elevates it beyond the individual to the universal? Imperfectly Perfect Patsy Cline’s “Crazy” and Bob Dylan’s “Blowin’ in the Wind” testify to the commercial appeal of imperfectly perfect voices. If that reference feels too lost in the mists of history for today’s music scene, just look at one of many viral video clips from the 2024 GRAMMY Awards ceremony of Tracy Chapman and Luke Combs performing together. Two incredible talents who differ in age, music genres, race, and orientation seem to have found something that defies differences and creates connection. That something is the fact that “Fast Car” is a timeless song. https://www.youtube.com/watch?v=zEqb6xbeuCo Though Auto-Tune may have a permanent place in the music industry, it is a comfort to know authentic voices, like Chapman’s, have an enduring place in the human expression that is music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? 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Grits & Greens are on a mission to spread their signature sound in support of their new album. < Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. https://video.wixstatic.com/video/999a0f_cc1de5e0686144879bacd918cd0f6202/1080p/mp4/file.mp4 OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. https://video.wixstatic.com/video/999a0f_7713e63c34424c8dba89ee1f849ff5f0/480p/mp4/file.mp4 OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens: Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud: Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Strumming Through Struggles to Stardom < Back Off the Charts: Brandon Elder Bud Gambrell Jul 11, 2024 Share Strumming Through Struggles to Stardom Welcome back to Off the Charts . I’m so glad you’re here! I have not had an article out in a couple of weeks because I took some time to rest and clear my mind. For the most part, I took June off from writing and photography. Everyone needs a break, even me! When I began this column, I jotted down some names of people or bands I would like to introduce you to. The name Brandon Elder was on that list! I was first introduced to Brandon’s music in March of 2024 when I had an assignment to shoot the Conference USA basketball Championship. The Von Braun Center hosted three nights of local entertainment as part of the celebration, and Brandon happened to be playing the Friday Night show. I had heard the name Brandon Elder while researching my book on Side Tracks Music Hall . Of course, now I wish I had seen him perform at Side Tracks . After hearing him for the first time in March, though, I became a quick fan. I didn’t get a chance to meet Brandon face-to-face at the concert in March, but we did chat via messenger on Facebook, where I messaged him a couple of the pictures I took that night. For this interview, I met Brandon at Big Spring International Park in downtown Huntsville . We sat and talked about him and his musical journey. I now know him better, and soon, I think you will, too! My first question, of course, was to dig deeper into who Brandon Elder is, so read on below. Credit: Bud Gambrell OTC : For those who may not be familiar with you, tell me a little bit about Brandon Elder. BE : I’m 29 years old and from Union Grove, Alabama. I started playing music about 7-8 years ago and just started writing and working on songs, and it just went from there. Then, I just started making a career out of it. I love playing music! I love all my fans and am excited for the Alabama Smoke Show coming up here on July 26th . https://www.youtube.com/watch?v=z2x7TQMG0Ec OTC : I saw that you were a contestant on American Idol . Tell me a little about that experience. BE : So, American Idol was cool! It was my first time on an airplane in LA, so all the firsts were fun! The TV part was a little weird, but I had a good time with it. You know, I’ll go back tomorrow! American Idol was awesome! https://www.youtube.com/watch?v=SgA9nEDQo_I OTC : I watched the video of your audition in 2018. You played an original song called Gone. At the end of the song, the judges compliment you pretty much. What did that feel like? BE : It was excellent! It was nice for multiple reasons. It was the second song I've ever written. I had been playing guitar for maybe a year, so it was nice to get those compliments early on in my career, especially those they gave me about my songwriting. I think that's one of the reasons why I will probably continue to write as much as I do. Getting compliments from people like that makes you want to work even harder for it. OTC : One of the judges was Alabama native Lionel Ritchie . When he compliments you, this has to build your confidence slightly. Tell me how that felt. BE : For sure! And it's incredibly cool coming from him since he is from Alabama. I also cover about three or four of his songs in my set. I've always been a big fan of Lionel . So, it was cool! It was nice to get their compliments and be in the same room with them for a little while. https://www.youtube.com/watch?v=cGnXZN7BN1w OTC : There are several ways that you perform your songs. It can be a solo acoustic, or it could be a full band. What is your favorite way to present your original songs? BE : I mean, I like playing with the band. I like it with the acoustic guitar, and I do a lot of shows with my fiddle player. Most of the time, my favorite way to perform my original songs would probably be like me, with another guitar player being more acoustic. I would say it's probably my favorite because most of the stuff I write is not party songs. It's hard for me to write those, which I have some, but it's hard to write the drink-a-beer song or the party songs. A lot of times, when I'm writing, it's a little deeper. It’s deeper than just the beer song or the whiskey song. But most of the time, it's just me and an acoustic guitar—either me and a guitar player or a fiddle player. Credit: Bud Gambrell OTC : Being a songwriter, where are you hoping your songwriting takes you? What's your next step? BE : The next step is to continue putting pen to pad. I would say keep doing what I'm doing and see where it goes. You know, doors open, and you hop through when they open and see where it goes. That's all you can do. OTC : Tonight, as a songwriter, you sit down to write a song with anybody you could pick; who would you write that song with and why? BE : Oh boy! That’s a tough one! Chris Stapleton would be up there for sure. Drake White , an Alabama boy. Jamey Johnson , another Alabama player. I guess the reason I think I gravitate most to those guys is because a lot of the stuff that they write is about a little bit of everything. But most of the things they write are not just about the party stuff. It's more about real-life things, and it just seems more heartfelt. So, I feel like all three guys aren't trying to write for the radio. They write what they want, and if people like it, cool. And if they don't cool. Credit: Bud Gambrell OTC : You’re a local musician, and you’ve gotten to play onstage at the VBC Mars Music Hall . How does it feel to be playing on the big stage? BE : Yeah, it's always fun to get on big stages like Mars because of multiple reasons. It's just a change of scene for one. And then, often, when you're opening for more significant acts, your set is condensed. Some people may think that's a bad thing, but I look at it like, OK, I have 45 minutes to give it the best I've got. You know, I get to get up and sing my songs for 45 minutes and maybe sprinkle a cover or two in there, but I'm not just singing other people's songs all night. So it's nice! It allows you to showcase what it is, who you are, and what you want to do as an artist. It also gives you a chance to let the people in the crowd get to know who you are, not just as an artist but also as a person. Credit: Bud Gambrell OTC : On July 26th, you once again get to get up onstage at Mars Music Hall . This will be a part of a local showcase. Are you looking forward to that? How do you feel about that show? BE : Yeah, it's going to be great! I know everybody on the ticket so that it will be great fun! All of us are never together at the same time, so it's going to be fun to get up there and have a good time with all the guys who are trying to do the same thing I'm trying to do and make a show out of it and get some people there and have some fun. OTC : There will be a lot of local talent on that stage. Does that give you some extra motivation to get up there and show out and do your best? BE : Absolutely! I guess it gives me some extra motivation, but at the same time, I give my best all the time. I don't want to say it will be just another night. It's not going to be just another night, but at the same time, I give it my best, no matter if I'm playing at Mars Music Hall or Moe’s. I will go up there and do my thing anyway, no matter what. Credit: Bud Gambrell OTC : Is there anything you want to say to a prospective new fan reading this right now? BE : With me, you get what you get. I hope that everybody likes what they hear. Ultimately, I'm not trying to change for anybody, and I hope to see you at the show I am putting on soon. OTC : Where can we find your music? BE : You can find it on Spotify and Apple Music . I think it's on like 50-something streaming platforms. It's in the works to get in the studio in the next month or so and start putting out some of the stuff I've been working on to the public. We will try to get in there and get some new music out for people because I haven't put anything out in a little while, but just because I haven't put anything out doesn't mean I haven't been working. We will try to get some new stuff out for the fans and see where that goes, though. Credit: Bud Gambrell I enjoyed talking with Brandon . We could have sat there and talked for who knows how long. But we had to go. Brandon had a rehearsal for an upcoming gig, and I had to get home and start writing this article for you. If you are in Huntsville, I highly recommend attending the Alabama Smoke Show on Friday, July 26th, at Mars Music Hall . Brandon will perform his songs along with several other local bands. It will not be a night to be missed! Click the picture to learn more! I hope you enjoyed this latest article for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, please email me and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands you know and love and think others will. Until next time, Keep your diamond in the groove! Where to find Bud: bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Amazon : https://a.co/d/1CLA9Tz Facebook : https://www.facebook.com/bud.gambrell To learn more about Brandon Elder: Instagram : https://www.instagram.com/brandoneldermusic/?hl=en Facebook : https://www.facebook.com/brandoneldermusic/ Spotify : https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music : https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube : https://www.youtube.com/c/BrandonElderMusic *cover photo by Bud Gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Reviving Britpop < Back A Wave of Nostalgia: The Clifftones Nicole Brice Feb 22, 2023 Share Reviving Britpop Ever so often, I will stumble upon a musician whose sound truly resonates with me all the way to my soul. This holds true with Boston singer/songwriter, Scott Clifford. Scott goes by the handle “The Clifftones” on Instagram, but he is a one-man show. He sings, he plays guitar, he makes his own promos, he produces and records his own music, AND he is one awesome guy. A fellow Veteran of the armed forces, such as myself, when Scott and I first connected, we were able to talk military, and that was initially how the conversation started. Scott served in the 82nd Airborne Division overseas in Iraq but has since ended his enlistment. His smooth, soulful voice is truly beautiful, though, and it puts me in such a calm space. I am certain it will do the same for you. Over the past few years, Clifford has released several original singles, but with his latest release, he has decided to pay homage to those who have inspired and influenced him since adolescence. “The Exchange St. Sessions” EP is available March 1st via all streaming platforms, and I was lucky enough to receive an advance copy. It has been on repeat for the past two weeks. This EP of cover songs is hauntingly beautiful and gives me the chills … the good kind you get when the music is truly special. With Scott’s renditions of such classics as “Fade into You” by Mazzy Star and “The Drugs Don’t Work” by The Verve, it’s as if I’m hearing this music for the first time. With a voice that is a cross between Ryan Adams and Tom Waits, I insist that everyone give a listen to his newest release launching soon. You will thank me; I’m sure of it. Scott and I sat down to have a lengthy discussion recently about his music, his career in the Army, and just everything in general. Take the time to read about this incredibly talented man, and then go check out his Instagram for everything Clifftones related. MaM : Good Morning! So, how’s it going? SC : It’s going alright. I was actually going to crack a joke with your text that said, “Alright, I’ll call you at 11:15.” I was going to say, “I don’t know what unit you were in, but it’s 11:18 here already … and then I realized you are an hour behind me.” (laughs) MaM : I forget that I’m in a different time zone from others sometimes, being in no-man’s-land Louisiana. (laughs) SC : At least people are polite there. MaM : Well, kinda sorta. My family isn’t from here. Dad is from San Diego and mom is from Ashtabula, Ohio, so I’ve always been the odd ball, but let’s get this started. First, I love your accent. I know I probably have a southern accent from being down here. (laughs) SC : Well, I wouldn’t say I have a thick one, but I wouldn’t say you have a thick one either, but now, if I have a drink, it really comes out. (laughs) MaM : So, I know you had mentioned prior to this that you were in the military. 82nd Airborne? SC : Yep, so I was stationed at Ft. Bragg and did basic at Ft. Benning and then did AIT at Ft. Gordon. MaM : I did both my basic and AIT at Ft. Jackson. SC : What was your MOS? MaM : It started out as 71 L, but when they did some restructuring, the nomenclature changed to 42 L, but no matter what the number was, was always a clerk. I think I processed more Article 15's than anything. It was as if someone was always in trouble. (laughs) SC: I was a Commo guy. I laughed when you had mentioned the “E-4 Mafia” when we spoke another time. MaM : It wasn’t like the opportunities weren’t there to advance past E-4, but I was happy with my MOS, so I figured, why change it just to gain rank. So, I was E-4 my entire military career and I like to say we knew stuff, but we didn’t want the responsibility. (laughs) SC : Oh, I’m one of ya. (laughs) Yeah, after my 15-month deployment to Iraq for the surge, I just didn’t really care about advancing. I got home from my deployment and just wanted out. That was in 2010, though. It’s been a while. MaM : Same. Ok, so let’s talk music. I could talk military forever. Give our readers a little more background info on you. SC : I am Scott Clifford, and I’m 38 years old. I live in Boston, Mass., and I’m inspired by Rock music, and from an early age always wanted to emulate my favorite artists. I like being able to convey feelings, thoughts, and experiences through music. It’s an outlet for me. While I’m from Massachusetts, I’ve lived and travelled all over the world. I am an 82nd airborne combat veteran, as we already spoke about, and while I’m glad I’m out, I am glad I served. Fun fact: While in Iraq, I managed to get ahold of a guitar and laptop, and in the rare event we had free time, I would make spoof songs with my friends and fellow soldiers. I made a song called “365 in the 325” (325th Infantry Regiment) where me and some of the other guys would sing about the monotony while serving and various broken promises our unit/leadership made. After my time in the military, I studied towards a bachelor’s degree and later a master’s degree in the United Kingdom. I loved living in the UK, and the music scene there was incredible. MaM : When did you first get the itch to make music? SC : The first time I recall music registering in my brain as something fun to do was when I was around four or five years old. I remember my grandparents having an old electric keyboard. I can recall slowly playing the piano from the highest note to the lowest, all the while daydreaming about a little red riding hood storyline in my mind. I really believe this is where I sort of picked up or wired my brain for melody. With every note, I associated a feeling and a picture in my mind. I still do! MaM : Name one influential person in your life who you can credit with putting you on your path to making music. SC : I was lucky as a kid. I remember my dad realizing that I was starting to care less about sports and more about music. He bought me my first guitar. That’s when I realized I didn’t just want to be a fan of music but also someone who creates music as well. Because of my age, I had just missed the Grunge movement, and then here comes this Brit-Pop stuff, which you know I love. In fact, I ended up talking to one of the Gallagher brothers. There is a third one, who is not famous, and he found me on Instagram a while back, and he said to me, ‘You know what your problem is?’ And I’m thinking, ‘Oh, here we go …’ (laughs) He says to me, though, ‘You’re not doing anything new.’ I’ve had so many people say that I’m stuck in the past with my music, but if I sound 80’s, 90’s, or even 60’s, I take that as a compliment. MaM : Well, you know what they say: What was once old will become new again. That’s just the nature of the game. What is your favorite type of music, and who is your favorite artist or musician? SC : My favorite type or genre of music? I’d have to say it is Alternative Rock with a solid Pop leaning. By that I mean everything I’m writing now is heavily based around hooks and a verse/bridge/chorus-sort of structure. Not only do I want the songs to be catchy but also meaningful with the lyrics (the hard part). One of my favorite musicians would have to be Noel Gallagher of Oasis, obviously. The way he crafts a song is often simple but so melodic and anthemic. MaM : What is one of your most memorable live shows you have played? SC: Live music … my experience playing live consists mainly of small pubs and open-mic nights. One of my favorite times playing was while I lived in England. A few of my friends knew I played the guitar and volunteered me to play. Learning all those Oasis songs as a kid paid off that night! MaM : Where do you see yourself headed in the future as far as your music career? SC : Well, so far, it’s looking like an eventful 2023. I’m releasing the acoustic five-track covers EP followed by an Originals EP. I’m also in talks to collaborate with an electronic artist from Europe (trying to push myself out of my comfort zone a bit) and possibly creating the soundtrack for an indie film set in NYC, not to mention planning some live dates and limited run merch for the upcoming EP. Exciting times! I’m still navigating the world of Indie music, but I’ve been fortunate to have had some talented musicians and artists reach out to talk about my work. It’s beyond flattering and tells me I’m on to something. https://video.wixstatic.com/video/999a0f_59a03b7d4ac641a0bec0c110e048e560/720p/mp4/file.mp4 To check out Scott’s music, be sure to follow him on Instagram and then download “The Exchange St. Sessions” EP out March 1, 2023! The Clifftones (@clifftonesmusic) • Instagram photos and videos The Exchange St Sessions (2021-2022) by The Clifftones - DistroKid Music | The Clifftones - Scott Clifford | BostonMA Spotify – The Clifftones TheClifftones (@clifftones) / Twitter *All photos provided by the artist* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Inside Huntsville’s Cigar Box Guitar Culture < Back From Cigar Boxes to Community: The Art of the Cigar Box Guitar Bud Gambrell Sep 23, 2026 Share Inside Huntsville’s Cigar Box Guitar Culture I'm always searching for inspiration when choosing a topic to write about, and this article is no exception. If you've been following along, you know I've been collaborating with author Zach Taylor . Our partnership works well—he writes, and I photograph, and we each do what we love. While brainstorming ideas, I considered the many music events in North Alabama . After discussing with Nicole , we agreed each event deserved its own article to do them justice. One event that stood out was The Cigar Box Guitar Festival . Although I've heard about it for years, I've never attended—sometimes due to other plans, or simply forgetting, which is typical for me. I know a few local musicians who incorporate Cigar Box Guitars into their sets. One night at Side Tracks, I watched Mike Roberts play a CBG with such intensity it felt like the guitar might catch fire— truly electrifying. Credit: Bud Gambrell Curious to learn more, I reached out to the local CBG store—surprisingly, the only one of its kind. I emailed to arrange an interview, but after scheduling a date, both Zach and I had to reschedule due to unexpected conflicts. We finally met this past Saturday. Meeting Jeff and Tara Mello was a genuine pleasure—their kindness and openness left a lasting impression. As you read this interview, I hope you'll sense some of that warmth. If you're ever in North Alabama , I highly recommend visiting The Cigar Box Guitar Store at Studio 106, 2211 Seminole Dr SW, Huntsville, AL 35805 . You won't regret it. Credit: Bud Gambrell Our conversation with Jeff and Tara stretched well beyond an hour, and we captured nearly fifty minutes on record. We connected before and after the formal interview, and I left feeling genuinely enriched by their company. If you haven’t already met them, I believe you’ll feel the same. Read on to learn more. *edited lightly for clarity MaM ; Tell me a little bit about your CBG store. Tara Mello : John Nickel started The Cigar Box Guitar Store back when Lowe Mill was becoming Lowe Mill . Before it was called Lowe Mill , it was Flying Monkey . It was one of the first 20 studios that were here. His dad, Pat Nichol , joined him. John was building cigar box guitars at the time. He was inspired to build and play cigar box guitars after attending the first cigar box guitar festival held here at Lowe Mill. They opened the studio back in 2010 . John stayed involved for several years and then, as many young adults do, went off to do other things. Jeff and I wandered in in 2019 with a friend visiting from Kansas City who played guitar. We said, "Oh, there's this weird guitar shop." “Let's go check it out.” And our friend bought a guitar. And he thought it was going to fit in his luggage. It did not fit in his suitcase. He was coming back a couple of months later. So he was like, can I just leave it at your house? And Jeff , being the engineer that he is, started picking it up and looking at it. Oh, that's kind of cool. Jeff was kind of a hobby woodworker. So he made a cigar box guitar based on the one our friend left. But he didn't even use a cigar box. He actually built a box and created his own artwork based on cigar labels and whatnot. And from there, he learned how to play it. Jeff started coming in for free lessons, and a few months later our daughter joined in with a special Harry Potter-themed guitar he made for her; then, a few months after that, I started playing. We took over in February of 2021 . Credit: Bud Gambrell MaM : Jeff, tell me what you know about the history of the cigar box guitar. Jeff Mello : When a lot of folks come by the store, it's the first time they've ever seen a cigar box guitar because we are the only brick-and-mortar store in the world. I have to explain that we didn't come up with this; it's been around since the 1850s . It was the 1850s when the cigar box was invented. Before then, merchants sold cigars in bundles or barrels. And if you think about packaging round items versus rectangles and trying to display them, the box was a better way to showcase the product. Credit: Bud Gambrell Merchants made small boxes, stacked them on shelves, and displayed them better. By 1865 , the government started taxing cigar sales. The Civil War was happening then. They had to raise money. So we had boxes of 25, 50, 100 with this little stamp, this little label that was put on the side, showing the duty that they would collect. We know that there are written records going back to the 1850s of people being seen playing cigar box instruments. But in 1865 , we have our first known illustration of a cigar box instrument. It's a Union soldier playing a fiddle. It has one string. And if he takes that bow and puts it down and plucks that instrument, that would be referred to as a diddley bow. So A one-string cigar box guitar is a diddley bow. Credit: Bud Gambrell If you've heard of an artist named Bo Diddley , he took his name from a diddley bow . Now, another interesting thing happened back in the 1880s . One of the co-founders of the Boy Scouts of America , a guy by the name of Daniel Carter Beard , put together instructions on how to build a five-string banjo. He published it in different newspapers of the time, as well as in the predecessor to the Boy Scout handbook, The American Boys Handy Book . If you go flipping through the back pages of that book, you will find the instructions on how to make what they call the Uncle Enos Banjo . It's a five-string banjo fashioned with a cigar box as the body. Credit: Bud Gambrell MaM : Some of your guitars you consider playable art. Explain that a little bit to me. JM : One of the fun things about building a cigar box guitar these days is the cigar boxes have become so decorative. So oftentimes, I'll have a box that's got some very unique artwork on it, and it gives me inspiration and an opportunity to carry that artwork up the fretboard, maybe onto the headstock, and add other parts that tie it to whatever art is on the box. Beyond that, I've been able to be even more creative by taking things considered non-traditional, even lunch boxes and cookie tins and baseball bats and other items, and being able to fashion instruments out of them. When it comes down to it, all I need is tension on a string to make a stringed instrument, and then some sort of pickup if we want to amplify it. Shovels can be used to build guitars- anything that's rigid enough to hold that tension on the strings. TM : Cigar box guitars have been used in a professional environment for quite some time. Lightning Hopkins , who is one of the oldest blues musicians around, played a cigar box guitar. We have Billy Gibbons , who used a cigar box guitar on some of his work; the guys in Lynyrd Skynyrd used one. Jimi Hendrix played a cigar box guitar. Paul McCartney won a Grammy for a song with a cigar box guitar when he was doing that collaborative project. So a lot of different folks have done that. I think sort of top of my list, because he plays cigar box guitar a lot, is Grammy winner Gary Nichols , who's out in the Shoals , former frontman of The Steel Drivers . He's sort of become enamored with a bunch of Jeff's instruments and has three of his own, plus two currently on loan from the store. He was literally in an arena in Florida last night as part of the opening act for Brad Paisley . The Band Loula is a band that he co-produces, and he is their lead guitarist. He was playing at least two of Jeff's instruments on stage in an arena with 40,000 people, which is pretty cool. He also headlines our festival. You know, which is great to be able to pull together Gary and the guys from the Fame Gang , the Fame Recording Studio session musicians. Jeff has also built guitars for Willie Nelson, Buddy Guy, Billy Strings, and Billy Gibbons. Oh, yeah, I forgot about Dwight Yoakam and Brandon Coleman from The Red Clay Strays , so It's a lot of people. *gallery of guitars made for Billy Gibbons, The Red Clay Strays, Dwight Yoakam, and Willie Nelson MaM : Jeff, where do you get your inspiration for your guitars? Can you walk me through building one of your ‘playable art’ pieces? Where do you find your inspiration? JM : Inspiration comes from everywhere in everything. I can be walking down the street, see a piece of litter on the ground, and it becomes inspiration for a guitar component. You see the world a little differently when you start to take discarded items and try to bring them together to make instruments out of them. Sometimes it's the artwork on the box, but sometimes it's just another found object, and I think about how I might incorporate it into a design. Credit: Bud Gambrell MaM : What inspired you to start building cigar box guitars? JM : I was wondering what this instrument was. I liked that it was a cigar box, and I thought it would be a neat piece of art to build and hang on the wall. With the very first one I built, I didn't think I would ever really learn to play it. I just thought it would be a neat piece of art. I took my woodworking, engineering, and electronics skills and applied them to building this piece. But when I came into the store and got my first lesson from Pat Nichol , and I realized how quickly and how easy it is to play a cigar box guitar, it made me think about them a lot differently. And I started to look at the ergonomics a little bit more and how the neck felt in my hand, and the scale length, and the weight of the box, and the balance. After that, I started approaching my builds a little differently because I was trying to learn to play. So that's really where things started to take off. I realized I could not only create this art, but also use it to create music, which is another art in itself. And one of the biggest kicks I get out of making these instruments is I don't know whose hands they're going to get into, typically, unless it's a commission-built one. Credit: Bud Gambrell MaM : If a beginner walked in the door right now and bought a cigar box guitar, they're possibly going to say, I don't know how to play. Is there anything y'all can do to help? TM : We never want somebody to buy an instrument just to have it be perceived as wall art, right? They're so easy to play. I grew up in a family that literally cannot clap to the beat of the music. If I can play a cigar box guitar, anybody can. So don't come in here and say, "I can't play." Anybody can do this. We do free lessons every Saturday from noon to two . Pat Nichol started those when the store opened, and continued them after we purchased the store because Jeff and I weren't able to teach them at that point. As we've upped our game, Pat has shared his wisdom with us, and we've started learning more about music. Pat still comes in the first Saturday of the month. Those lessons come from two very different angles, depending on who's teaching them. When you come in and Jeff is teaching a lesson, he starts from zero knowledge. He and I are talking with people about how to hold a guitar, how to hold a pick, how to make a good-sounding barre chord. Pat looks at those things and approaches them with 50 years of experience. He starts with "Let's strum" and "Let's keep a beat." So, we're approaching it from two different angles. The lessons happen for two hours, and it's a drop-in event. You can come in, stay for one song, and get up and walk out. Lessons at the Cigar Box Guitar Shop in Huntsville MaM : How long does it normally take to build a cigar box guitar? JM : There's no normal. For my basic entry-level guitar for folks on a budget, I've had to come up with methods to build things quickly and in batches. I can spend a week building six guitars, and I'll do them all kind of at the same time, where I'm drilling some of them and cutting another. I build jigs to keep things uniform and to help them come together a little quicker. So, that's kind of the everyday bread and butter guitars that we will sell in here. But the fancier ones have special inlays, adjustable truss rods, and fancier electronics. I spent months working on Willie Nelson's guitar . Just the design and the various parts that I had to come up with. I didn't get through the entire design early on. I had portions I was really excited to do, and as I finished them, I came up with other ideas to add to the guitar. Close-up shot of the details on Willie Nelson's Cigar Box Guitar MaM : Do you build special orders or do collaborations for special guitars? JM : All the time. I have a lot of fun collaborating with other artists. We recently did a project to benefit the Huntsville Hospital's Music Therapy Department in which I built ten essentially blank canvases. They were cigar box guitars that were simple wooden boxes. We collaborated with ten artists, some of them here at Lowe Mill , some of them outside of Lowe Mill , and they all decorated those cigar box guitars with their own style of art. Those went on display at Huntsville Hospital , and we held a silent auction to raise money for the therapy group there. TM : Jeff will also collaborate with people who bring in an object that has sentimental value. Sometimes people will come in with an actual cigar box that has meaning to them. But people have come in with all sorts of objects, special coins, miniature flags that have flown on the space shuttle. We had a husband bring in his father-in-law's dental tools that his wife had kept and treasured because he had been a dentist for 40 or 50 years, but she didn't know what to do with them. Jeff made a dental-themed guitar and put the tools in the sound hole so they were viewable through the box. So it doesn't have to be a box shape or anything like that. There are creative ways to incorporate lots of things in a collaboration that has meaning for just a special gift. *a custom build MaM : Try to explain to me how you feel when you see somebody like Gary Nichols or another notable musician use one of your guitars on stage. JM : Oh, it's just joy, I think, the easiest thing to say. It brings us great joy. He is out there entertaining a lot of people. So this thing I cobbled together in my garage is now being used in stadiums. And getting people up and dancing and having a good time, and knowing that I can be a very small part of that excitement for a whole group of people is just so cool. https://www.youtube.com/watch?v=8qHFynUjoi0 Gary Nichols shreds on a cigar box guitar - YouTube TM : I mean, I wholeheartedly agree with what Jeff is saying, but I want to reiterate what he said a moment ago because it is less about the Gary Nichols of the world and more about the average person who is in this studio. Our joy comes from obviously both of those things, right? It's awesome to see a high-caliber musician on a huge stage. But when you have a dozen or more people in here playing what is a very basic song, but they are making music, and they are playing a song, and they are lighting up, that's incredible! Occasionally, a professional musician comes in and joins unexpectedly. We had Shaun Ferguson ; he's a local musician. He stopped in a few weeks ago. He just walked by, and he's like, “What is this all about?” He picked up a guitar and started playing the blues. So there is a huge amount of joy in having people go, "I didn't think I could do that." A Super Nintendo custom-built Cigar Box Guitar MaM : If you could take one of your guitars and put it in the hands of a person anywhere in the world, I guess dead or alive, who would that be and why? JM : This is not a particular person. It's anybody who is in a place that needs music. We see these instruments as instruments of change. We see people who are recovering from strokes, have Parkinson's. They're trying to do something with their hands, and it brings them relief or helps them heal. We see people struggling with something in their life; they come in here, play the guitar, and it brings them to a happier place for a moment. We had a small child who came in who was autistic, nonverbal, and Tara was showing him how to strum the guitar. And I was shouting out the numbers to tell people where to put their finger next. The boy started making noises while I was saying the numbers, mimicking what I was doing. The father was surprised to see his son trying to verbalize with this music. We've had a young blind girl come in here with a guitar that wasn't set up properly, and I had the opportunity to make her a guitar with more tactile features, which allowed her to play a little easier. So the people I want to have my instruments in the hands of are the people who need them and will make a difference. Jeff and Tara Mello MaM : There is a cigar box guitar festival. How did that start, and how has it progressed and grown from Festival 1 to Festival 22 this past year? JM : That's right. The very first festival was in 2005, but it was at Flying Monkey Studio at the time. A gentleman named Matt Crunk , a tattoo artist, organized the very first festival. And it was called the Cigar Box Guitar Extravaganza . They pulled in some regional artists and some local folks, got together, and played music. And I think people were selling guitars that they were making. That went on for several years. That was one of the inspirations for John Nickel , who started the store, to go to those festivals. We've been able to collect memorabilia from every single one of those festivals. So we've got posters, flyers, and photos where we can find them, and some video snippets here and there from each festival. And always some part of it has been here at Lowe Mill . When we took over the store, Pat Nichol nudged us a few months into it and goes, "You guys are going to have a festival, right? You got to have the festival. You got to keep that going.” https://video.wixstatic.com/video/999a0f_90644f7e58614abaaa5c303fe5d50305/1080p/mp4/file.mp4 2023 Recap Video TM : I'm like, OK, we can put on this event. We know the components. Our first event was on September 11th, 2021 . And that was because normally the festival happens on the weekend after Memorial Day , so late May , early June , but we were in COVID then, right? So there was no point in doing that. So Pat sort of said, hey, you know, you gotta do this, you gotta, it's the world's longest-running one, you have to do something. And he told us that Microwave Dave had always been a part of every festival. So I went to Lowe Mill and saw what dates we could do something out on the lawn by the water tower. And then I went to Dave , whom I did not know, whom I'd never had a conversation with before, and said, "Will you come play?" And the only date he was available was September 11 . We put on an event in about eight weeks. From there, we saw potential to raise money. So there was ancillary work raising money for the Microwave Dave Music Education Foundation . We continued that tradition. Arts Huntsville was running a program that was putting music in schools as well. So we raised money and then split it between those. And then I don't know, because we're gluttons for punishment or because the good idea fairy visits too often. It was like, oh, well, let's have a kickoff concert and let's do this and all that, you know, let's do that. And we started to expand it into more than one day. So for year 20, we did an event on Thursday night, an event on Friday night, all day on Saturday, and all day on Sunday at The Orion. And we've continued that tradition dropping Thursday, but always doing a kickoff concert on Friday night, all day here at Lowe Mill on Saturday, and all day at The Orion on Sunday. But I think the collaboration with The Orion has really allowed us to up our game. They're a wonderful partner in marketing and getting the word out. They're fantastic to work with when putting on a large event. MaM : Putting on a festival like that, especially a three-day event, there'd be a lot of work going into that and probably a little bit of stress. What's the most rewarding part of it? There's got to be a reward, or you wouldn't keep doing it. JM : It's an opportunity to bring our community together and just celebrate. I mean, this simple instrument with a cigar box and a stick of wood and three strings on it, we just get together and celebrate music and life, and people get to create and show off their instruments and perform with them and just share music. And we've done it for a good cause too. The Microwave Dave Music Education Foundation is bringing the concerts into the classroom and also helping out the folks over at Huntsville Hospital and the Music Therapy Department . It's great to bring people together in the community, raise awareness for some of our local businesses that support it, create awareness about these instruments for people who are curious about making music, and raise a little money to help others in our community. Credit: Bud Gambrell MaM : Unfortunately, we lost Microwave Dave Gallaher earlier this year, on Feb. 6 th . I understand one of his guitars appeared at the festival this year. Tell me about that. TM : Yeah, two of his guitars. JM : We currently have a couple of his guitars displayed in our store. One is a special six-string guitar I built for him with a wide neck that was easier for him to play. He performed in a couple of festivals with that, and Mike Roberts used that guitar during our festival. We also have one of his Lobo guitars. John Lowe designed and built that guitar in Memphis, Tennessee . This guitar is well loved; it's really well-worn, and Dave used to play it a lot. It's a slide guitar with two necks. One has a bass string, and the other has the other three strings and two pickup outputs; on one you get kind of a bass drum sound, and on the other you can do a little more slide. And so John Nickel enjoyed playing that guitar at our festival this year. Credit: Bud Gambrell MaM : We're right on the heels of Cigar Box Fest '22. Is there a sneak peek? Anything y'all can tell us that's in store for Cigar Box Fest 23 next year? JM : We know we're going to try to follow the same structure because people are getting used to that, and it seems to be working where we have elements of it here at Lowe Mill and then working with the folks over at the Orion. So we think we'll have similar programming in both places. I think we still want to pull in an educational element for cigar box enthusiasts who want to learn how to build or improve their building, share their art with each other, or learn how to play a little bit more. That seemed to be well received. So we want to bring more of that in and do something a little different to keep everybody's interest. The artists, we always try to add some new people. We try to add big, recognizable names and make sure it's a big party where everybody's having a good time. TM : We know for sure we'll have Gary Nichols and The Fame Gang . Last year was the first time we did a stage-on-stage experience at the Orion , so it was 300 seats for the audience on the stage at the Orion with the band on the stage as well, which was a really unique opportunity for people to have this intimate experience and be on that big stage where maybe they've seen a big show. I'm sure we'll have some special guests, but we're not ready to share those yet. And June 4, 5, and 6 next year. It's always the weekend after Memorial Day. Memorial Day is on the 31st. So it's June 4, 5, and 6 in 2027. Welcome to Huntsville! MaM : At the time of this interview, we're about three months away from Christmas. Do y'all do just in-store purchases, or do y'all do online sales, or how can someone get a cigar box guitar? JM : We prefer in-store sales over online. A lot of people sell stuff online. We want people to have an experience when they come into our store. You asked earlier about people coming in and buying guitars. We often discourage people from buying guitars the first time. We want them to play them and know that that's an instrument that's going to work for them. The holidays, usually people are coming in, and they're like, I've been thinking about this all year, and I'm going to get that guitar for Uncle Larry , or I'm buying it as a gift for myself. So usually people come in, look around, and we know they're there to get that special gift for somebody. Right now, I'm making a lot of wood dust and trying to fill the store. We will have over 50 instruments in the store by the time the holiday shopping season starts. We'll have a wide variety of instruments for people to choose from. *a collection of goodies TM : We don't maintain an online store. What we discovered is that because the instruments are unique, if it sells in the store and it's still online and someone happens to buy it, that's a problem. So if somebody has traveled to Huntsville and they've seen the instruments, but they've gone back to another state, and they're like, oh man, I really want one of these. We will work with folks one-on-one. And there's information on our website on how to do that. But we really like to get folks in here. The thing is, every single cigar box guitar sounds different. If you're looking at a picture, you can't hear how it sounds. A Fender Strat sounds like a Fender Strat. A manufactured guitar is designed to sound a specific way. They all sound different because the boxes are different, and even a different box with a different sound hole will sound different. After reading the interview above, I hope you can feel, in some way, how good this couple is. The joy they express in bringing and sharing music with others is priceless . The enjoyment they express about seeing children learn to play, even if only a little, is irreplaceable. For me, this interview went from being about simple cigar box guitars to how involved a caring heart can be. If you are in the Huntsville area, take my advice and go meet Jeff and Tara . They welcome you to just drop by and shop. I think you will eventually go back and buy one, but that is between them and you. Until next time, Keep your diamond down in the groove! This article is dedicated to the loving memory of David Thomas "Microwave Dave" Gallaher April 25, 1946 – February 6, 2026 His contribution to local music education will live on. Microwave Dave Music Education Foundation To Donate: Microwave Dave Music Education Foundation [Home] - Microwave Dave Music Education Foundation Huntsville Hospital's Music Therapy Department To learn more: Music Therapy | Huntsville Hospital Health System To learn more about The Cigar Box Guitar Store: Facebook Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell *Additional photo credits - Jennifer & Company Photography Home - Jennifer & Company Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Nude Nuns with Big Guns: What the Hell Did I Just Watch? Ezekiel Kincaid Share Aug 28, 2023 Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Rating: 2.5 out of 5 naked nuns covered in cocaine You know, there is a reason we call this column “What the Hell Did I Just Watch?” … and that was exactly my sentiment after viewing this particular film suggested by a reader: Nude Nuns with Big Guns. Yes, I'm serious. The title alone makes you wonder what you are getting yourself into by watching the film, but what does Nude Nuns with Big Guns offer, and does it live up to its name? In short, the answers to those questions are excess and absolutely. Allow me to explain. Nude Nuns with Big Guns (2010) promotes itself as a post-grindhouse exploitation movie, and it is exactly that. The film has a Robert Rodriguez/Quentin Tarantino feel to it, complete with the over-the-top antics of one of Tarintino’s spaghetti-style westerns, and its plot is pretty basic for a revenge/exploitation movie: A mentally abused nun is taken captive, made a prostitute, and then left for dead. Finding new life, our vigilante nun receives a call from God to create a Holy War to take out all the nasty drug dealers and sinners—and good for her, because when I say the bad guys in this film are literally the scum of the earth, I truly mean it. You’ll have no qualms about seeing these dirtbags get what’s coming to them. Asun Ortega as Sister Sarah (credit: IMDb) Nude Nuns with Big Guns is directed by Joseph Guzman ( Run! Bitch Run!, Back Alley Butcher ) and has quite an interesting cast of characters. First, there is our vigilante nun, Sister Sarah, played by Asun Ortega ( Diamond Dawgs ). Second, there's our sleazy, heartless antagonist, Chavo (David Castro, of The Lincoln Lawyer ); I also have to mention Father Carlito (Perry D’Marco, of Interceptor Force ), who is one of the numerous corrupt clergy in the film. And last but not least, we have everyone’s favorite henchman, Kick-Stand (Xango Henry, of How to Survive the Zombie Apocalypse ). Now, let’s talk about the film itself. I want to start off by saying, if you are offended by nudity then skip this film because there is a ton of it in there. Second, if you are triggered by rape, skip this film . And the henchman Kick-Stand? You know how some gangs have the dude who always roughs people up? That’s Kick-Stand. Except he doesn’t rough women up; he rapes them. And I’ll just let you put the pieces together as to why they call him Kick-Stand. Finally, if watching a movie that portrays clergy in a bad light gets to you, skip this movie . The priests and nuns in Nude Nuns with Big Guns are as corrupt as they come. In fact, the sex, nudity, and rape in Nude Nuns with Big Guns is so overdone, it gets old and boring fast. There was one point in the middle of the movie where I zoned out and started doing other things because every time I looked up, it was like, “Gee, nudity again. Gee, sex again. Oh look, another rape scene. What a shocker.” Worried I had missed something, I went back and rewatched the movie; lo and behold, guess what? Nope, I didn’t miss a damn thing important to the plotline. You might be sitting there thinking, “Well, Zeke, are there any good parts in Nude Nuns with Big Guns ”? And the answer is yes, there are: the first twenty minutes and the last twenty minutes—both of which I really enjoyed. There are a couple of good scenes scattered throughout the middle of the movie, but for the most part, the center portion of Nude Nuns with Big Guns drags along with way too much sex, nudity, and rape as tools to carry its story--it does not work. However, there are some truly hilarious interactions between characters, and we get some of those great, over-the-top scenes of violence we’ve all come to love thanks to grindhouse movies. Director Joseph Guzman does a solid job with accurately capturing the grindhouse feel, as some of the kills in the movie are top notch. credit: IMDb The actors also did a great job at portraying their characters, and, oddly enough for a low budget film, taking their roles super seriously. That being said, those pluses still weren’t enough to carry Nude Nuns with Big Guns into B-movie greatness. I had such high hopes for Nude Nuns with Big Guns --I mean, who wouldn’t with a title like that! But at the end of the day, with the overkill of sex, nudity, and rape, it comes off as lazy filmmaking . All in all, Zeke gives this post-grindhouse film 2.5 out of 5 naked nuns covered in cocaine . You can find Nude Nuns with Big Guns streaming on Tubi for free, and to rent on Prime Video, Vudu, YouTube, Apple TV, and Google Play. https://www.youtube.com/watch?v=Ubtt1RDk_M0 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An intimate conversation < Back Vinnie La Bella David Trahan Apr 28, 2023 Share An intimate conversation To be painfully honest, excess seemed to be the goal of my life while growing up; the most booze, the most parties, the most drugs, the most women. Slowly, my life began to become the locust swarm. I existed to consume and move on, until I was satiated or unconscious. But somewhere along the way, my quest for quantity gave way to quality. Upon reflection, my past had become a misguided detour. And all those allies who shared in my crusade, liars. I began cutting people out in pursuit of the answers to unending questions. Who am I? What do I want out of life? Why are the things that I want and the things that I truly need always at odds? Looking back, although traumatic in nature, I believe this to be an integral part of growing up; maturation at its essence. Through our talks, I believe this to be the crux of Vinnie La Bella. But Vinnie La Bella consumed for a reason that would land him on stages in front of hundreds of thousands. He moved for what was to be an organism that would usher him around the globe. The desire, the intensity, and the results would maturate rewards and costs of epidemic proportions, leaving physical and moral values lying in limbo. Vinnie grew up in University City, a small neighborhood in Kenner, Louisiana bordering several suburbs and one veritable marshland. His father was a singer in a cover band that played mostly top 40 hits of the time. Being around musicians as far back as he can remember, the set-ups for practice, the camaraderie, and the grown banter were some of the appeals that drew him in. He can recall his father bringing home the Fandango! album by ZZ Top to learn a song and falling in love with that album. Between sneaking playtime with the guitar of his father’s bandmate, and classes in jazz theory, his love for guitar was solidified as early as eight years old. By the time he was eleven, he had learned enough to feel comfortable on the thing. It started to occur to him that this was something he could actually do for a living, perhaps in part, because of his father’s influence. But the mechanics of play had definitely become more familiar with time. And in time, nothing would move him more. His parents divorced when he was fourteen. And by age fifteen he was living with his mother on Hessemer Avenue in Fat City. Up until this point, guitar had helped to solidify a foundation between him and his father. So, to hear him tell it, his parents’ parting of ways didn’t really bother him. But he did, however, take advantage of his new digs. In the 80’s, Fat City was still a bustling neighborhood full of bars with live music. And at fifteen, Vinnie was beginning to establish roots of his own. Fat City would serve as a fertile medium to facilitate his growth; both as a young man and a budding musician. For all intents and purposes, Vinnie was a loner. With just enough people he called “friends” counted on one hand, he was resolved to explore the world on his own. This translated into a person that possibly grew up too quick. He would quit school early to become a hustler, and admits he may have squandered opportunities. A reckless lifestyle would prove a comfortable place for him to exist. And those who were there know Fat City could give you all you could eat. From where he lived with his mother, 17th Street was just a two-minute walk. “Now the walks to the bar were always nice and clean. The walks back got interesting. You know, I woke up in a few alleys along the way, ten o’clock the next morning. But that was the stomping ground”. Though stumbling at times through life, he always seemed to fall in the right direction. And even his vices would prove of value. Fat City is where he met Kirk Windstein (Crowbar). It’s where he met Phil Anselmo (Pantera, Down, Superjoint Ritual, Necrophagia, etc). It’s where he met Andy Villafarra and David Main, with whom he would go on to form Exhorder. Fat City is where he played his first show in a cover band called Sabotage. And it also served as the place where he would draw a line in the sand. But before his own assertions, he would need confirmation elsewhere; confirmation that his suspicions were correct. Speaking strictly from personal perspective I can tell you that there’s always been a voice inside my head. Maybe not so much a voice; it’s more like an inaudible message center. We’re all born with it in fact. In some, it’s just louder than in others. In our latter years, we learn of it to be the Id. It’s a part of the psyche, residing in the unconscious, that is the source of instinctive impulses. It wants nothing more than to be satisfied but is constantly modified by the ego and the superego before being given overt expression. It provides all of the energy for, and is the driving force of, personality. Unto itself, it has no organization. Being guided by his vices, seemingly falling in the right direction at times when his Ego or Superego would shine through, brought Vinnie to a defining moment in his life. Through this guiding force, Vinnie would often find himself venturing outside of the microcosm that was Fat City. One of those destinations was uptown New Orleans where hardcore and punk were prominent. This was a breeding ground for those that shunned society and smeared the edge. Sonic exploration was not only prominent. Here it was a prerequisite which fed Vinnie’s Id. “I remember walking out there for the first time, like, going to Jed’s. It was on like, Oak Street or Maple; right down the street from Jimmy’s Music Club. And that’s where they would have the punk and hardcore activity weekends. That was basically where we would all go. So, Circle Jerks played, Black Flag, I got to see all them bands… Dead Kennedys. And we would go over there and start hanging over there and noticing woah, this is a totally different world. Not only musically but, you don’t play cover songs out here. No band gets up there and plays a Black Flag song. You would probably get tomatoes thrown at you. You had to be an original thing offering something to the scene, being part of the culture, and growing”. This confirmed to him that the scene in Metairie really had grown stale. Metairie had the Ratts and the Poisons of cover bands. It had mostly become a hairspray haven where leotard clad man boys were chasing a path that had already been, by now, cliched. Punk and hardcore influenced thrash in metal. And cover bands influenced… nothing. On campus at Tulane University is a radio station, WTUL. And back then, on the weekends, it would host a metal night one evening and a hardcore night on the other. Vinnie would also venture out there to a basement where the radio station was housed, bearing any goodies he may have procured throughout the evening. Two brothers were DJs. And together with Vinnie and friends they would pass around records, discussing them and giving them a spin. These uptown experiences, at the radio station and at live shows, were the building blocks upon which Vinnie’s own first band was founded. It would be the Id, his Id, incarnate. It would be proof positive that a dissention from what had become the norm of his environment was not only in order. It was necessary to avoid furthering apparent necrosing. Things would come to a head one evening in the dressing room before a performance with his first band, ironically named, Sabotage. “I was basically given an ultimatum in that band. I was in the dressing room. We were about to play a show and I was thrown some garments. ‘Here, wear these tonight’. And when I looked at these garments I was like, I can’t go out there like this. And he said ‘well you have to or you’re out this band’. And I said well, I’ll be out this band then… tonight mother fucker. ‘Aight, aight well you don’t have to wear that’. So, that was the last show I played with them”. This wasn’t at all about cover bands. Vinnie respected cover bands. His father was in a cover band. At one time, he even subbed guitar for a cover band when he was asked to bail out a friend in need. He was handed a list of one hundred and fifty songs to learn with two weeks to learn them. But again, having seen what the hardcore scene was like, and knowing it was more the direction he wanted to move in, left him with little vested in what things had become. And ever the hustler, he would soon take members of that band with him. Establishing himself in a fishbowl of clones would not prove easy. Though he could see the gateway from his doorstep, anything west of New Orleans was just, not New Orleans. And Fat City was the fishbowl of not New Orleans. To become a deflection in this biosphere meant facing backlash. And staking one’s claim sometimes meant going on the offensive. “I was kind of frowned upon. And it caused a lot of beefs. I was an asshole man. And I would make fun of guys for doing it after a while because they were making fun of me for hanging out with the punks. So, it got to be a lifestyle kind of thing. You know, like I’m willing to whip your ass over this shit. That’s how deep we were into this. If you talked bad about Exhorder in the 80’s, you might not be around today talking about it. I’m serious. We were fucking assholes man”. The same guys that would say you’ll never make a dime doing that or the chicks will never listen to that were the same guys who would eventually break out of this redundant mecca. But latency meant they would have a new band to follow. In retrospect, Vinnie feels as though it would have behooved those people to pivot sooner than later. A lot of great talent was born out of the moment when they finally steered clear of mimicking the hair bands of that bygone era. But at that time, he felt as though he was defending his honor. At any rate, once he left that band and this scene, there was no turning back. Writing for Slaughter in the Vatican would start almost immediately, but with only Vinnie and Andy Villafara, it would be an arduous task. David Main would soon follow suit leaving Sabotage. And the better part of a year would pass while writing and securing a permanent lineup. But throughout it all and no matter what, hardcore music had entranced Vinnie. He would rather die than see himself end up where he was headed. Music and life had become synonymous. And both, in Vinnie’s eyes, were secondary to this alliance. Given his proclivity for extremes and his perception that Exhorder was more like a gang than a band, things would become violent at times. Being that the foundation of this band was forged in contrast to everything out there, opposition could be found everywhere; even within the band itself. “To be honest man, I wasn’t the only lunatic in the band. I mean, these guys were legitimate fuck-ups man. We were all fucking nuts. I got in a fight with my drummer over some bullshit, year one. I kicked his fucking door down. I ended up going to jail and doing community service. So that’s kind of how we started; out of just anger and violence. And we were taking it out on our instruments and just making a hell of a noise musically about it. After that little scuffle with Chris, him, Kyle, and David left”. This would be the first of several partings for Exhorder. And the band was still so new, to themselves as well as everyone else. This occurred in late 1987. Their very first gig was just the year before on Franklin Avenue in 1986. At this point in time, they had yet to finish recording the demos for Slaughter in the Vatican. The process of rebuilding would go on for a year. During that time, Jay Ceravalo (rhythm guitar) would enter the picture. At best, Jay was an aspiring guitarist. But Vinnie saw a bit of himself in Jay; the air of tenacity. So, he made a deal with him. Vinnie affirmed, “Bra, I’ll give you six months. If you can play this shit… and I will help you. I’ll come and show you. I will make you tapes and whatever you need. If you can do this shit you’ve got the job. And that’s when he got rid of his old lady, he quit his job and locked himself in a room. So, at the time it’s just me, Andy, and Jay trying to put some semblance of Exhorder back together”. Through this process, Jay would risk (and lose) most everything. He turned his back on a secure job with the city of Kenner, his parents kicked him out. Above all else, Vinnie recognized the loyalty and dedication and never forgot it. Sid Montz (Victorian Blitz, Crowbar, Valume Nob, Southern Isolation) would come in on drums about this time. But Vinnie still had to find a singer. One day in early 1989, Sid called Vinnie with some news. Vinnie recalls, “This is a good piece of history that I’ve never told anybody. But it’s important to where we land in this later. He (Sid) says listen man I talked to Phil (Anselmo). He’s not happy with his current situation. He wants to do something heavier and he can’t get the guys to get on board. So, he wants to come try out. So, I called him and said try out? There ain’t no fucking try out. You’re Phil. You can do this. You’re bad, you know? You’ve got the gig. Come home. He’s like no no no, I want to do it right. I’m going to fly in and try out. And I’ll come back and we’ll finish it. I said, ok. So, he came down and was as good as you thought he would be. I said I told you. You wasted your plane ticket. You got the gig! So, I put this mother fucker on an airplane right after rehearsal. He’s flying back to Dallas and he’s going home to quit Pantera. Now by this time Power Metal was the last thing they had released. The sound was still… the sound. So anyway, he’s in the air. I drive home from the airport. I walk into the house and the phone is ringing. I pick up the phone, it’s Kyle. I hadn’t heard from this mother fucker in a year. I haven’t seen him. I haven’t talked to him. He goes, hey man I heard you had Phillip in the room. I said what are you talking about? I haven’t talked to you in a year! How’d you know? He says, I wanna come back. I said he’s in the air right now! He’s going home to quit! So, I said dude let me call you back. I hung up the phone. I called up Jay and I said this mother fucker’s calling me. He’s like bro, it’s your call. So, I thought about it for a second, and I did the right thing. I said absolutely Kyle; come on home. We wrote these songs together. You’re the only mother fucker I can envision singing for this thing. I said, you got it. I just need to stop him (Phil) from fucking his own thing up. So, I said let me see what I can do. So, I called over there and Phil wasn’t upset or anything. He was actually pretty happy. He said ‘that’s good news. I’m disappointed because I really wanted to give it a go with you. But, I’m glad he’s back”. With Kyle back, Chris Nail would once again take over on drums. Anselmo would go on to record the famed Cowboys From Hell album with Pantera. And Exhorder would complete Slaughter in the Vatican, getting signed to Roadrunner Records. The what-ifs that ran through my head at this point in the interview came flooding in. But tumultuous times were not behind the band. The signing was merely a piece to a puzzle that was never quite complete. Sure, they had remained in New Orleans, besting the labels turning them down left and right claiming that they needed to get out of New Orleans in order to make it. And one must realize this was the 80’s. This was the Regan era where shoulder pads and rampant consumerism dominated the arena. Even when they were finally signed, their first album came out mischaracterizing them as a ‘brutal thrash band from the depths of the swamp in Louisiana’. Their propensity for violence was getting them thrown off tours. This was no help either. But they knew they were on to something good. And this all would open up the door for many more out the south; a region negated as illegitimate in the world of musical significance. Between inner band tensions and music business complications, by the time The Law was released in 1992, the group was more than worse for wear. Vinnie had a baby. Chris was getting married. None of them could hold one another together or ever align their ways with normative business practices. Passion holds no court with principals. Principals are societally based. And passion is otherworldly. Exhorder would once again disband. Make-ups and break-ups would be scattered throughout the coming years. A turbulent giant would be remitted to a twenty-seven-year recording dormancy. In 2017, through specifics not revealed, Vinnie and Kyle would reunite for the last time, culminating in Exhorder’s 2019 release entitled Mourn the Southern Skies. It would be produced and engineered at OCD Recording & Production by Duane Simineaux under Nuclear Blast, one of the world’s largest independent metal labels. It is by far, in my opinion, the greatest work ever to come from Exhorder. Which at this point housed only two of its founding members. It would also mark the last time Vinnie would ever play with the band he started. “We tried to put it back together a couple of times. This last time the table was set pretty good. We had a good shot and it was working. We ended up in a dispute as usual. And this time the only original guys left were me and Kyle. The dispute was basically between me and him. It was basically over two bullet points that he just couldn’t get past, and I couldn’t get past. And finally, I was like fuck it. Hey if you want it this bad bro, take it. But you’re going to get your wallet out this time. Because a lot of times they leave me sitting there with the bill”. He went on to point out, “It is of my opinion that he, at this particular moment, probably hates my fucking guts. He won’t say it in the media but he probably does. It’s my opinion. I could be wrong. But five years, seven years, eight years from now you know, who knows”. They were maturing in the midst of this all. Their needs changed over time. With only two founding members remaining, what was considered Exhorder had changed as well. “Whenever Exhorder would break up in the past, we would just lay it to rest. Nobody owned the trademark or the copyrights or anything to that name. It just sat there. And it would always sit there until most of us, or all of us, decided to do it again. And it was always home base for us. If we ever wanted to make something of that thing we built when we were kids, it was always there for us. And it started when I said… yes”. Vinnie reflected on the Phil Anselmo story here, citing it as a moment in time that should’ve reinforced a standing precedence for the band. When it came to Kyle’s desires to return, he didn’t mull it over. He simply said yes. But this time, through communications with his lawyer, he was confronted by a standing vote to oust him. The organism would no longer be the sum of its parts. These days, Vinnie remains deeply involved in music. He has established roots in production, and continues with recording and composition. Among his many projects, you will hear his work on Kirk Windstein’s upcoming second solo album, projected to be released possibly this fall. He went on to talk about that experience, as well the many projects that he’s currently involved in. You can hear this info first-hand and the details surrounding his life in music on our podcast by picking your streaming platform of choice below. Please be sure to subscribe, as this keeps our musicians’ names in the wind and gives our show a greater voice. As seen originally on: Neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

Leaning Studios is a budget-friendly premium recording studio. < Back Inside Leaning Studios: The Studio Amplifying Louisiana’s Alternative Voices Nick Cline May 26, 2026 Share Leaning Studios is a budget-friendly premium recording studio. Connections are the lifeline to success, and the music world is built on connections. These connections can run as deep as business ventures or as face value as social interactions. Regardless, the connections we make as creatives are the backbone of our success and evolving path forward. The music world is constantly evolving and always looking for the next big thing. The next big thing could be the local band in the dive bar in the middle of nowhere, and, at the end of the day, we have no idea until it happens. The amount of great music lost to the storm of modern business models, financial strife, and other such forces is growing every day. The modern artist relies on connections to become a content creator, booker, manager, and more, all at the same time. This is the hurdle where Leaning Studios steps in. Based in Watson, Louisiana , Leaning Studios is a budget-friendly premium recording studio run by Nick Maggio . The backbone of Leaning Studios is an artist-first approach to studio time. Maggio sees the artist as the boss and himself as a worker. He offers studio criticism when needed, but the artist's authenticity is the most important principle. Leaning Studios in Watson, LA With a more barebones approach to recording, Maggio locks the artist into a mindset of repetition, artistic endeavor, and working within limitations to give the most authentic version of themselves in the studio. This bare-bones approach, paired with the professional design of the sessions, allows the artist to lock themselves in a room and bring their best foot forward in creating their music for less than the competition. Nick Maggio of Leaning Studios in Watson, LA Another major accomplishment of Leaning Studios is the atmosphere. It doesn't feel like a session. It feels like a friendship. The artist can come in and focus on the creative process without overhead and egos. The artist can rely on the engineer to offer insight into the process, which, at the end of the day, allows the creative process to be both streamlined and pure to the individual. Leaning Studios gives back to the community by offering discounts on their already budget-friendly prices. These discounts are available on the website, through in-person offers, and as limited-time promotions. All of these things together help advance the mission of providing the scene and its community with easy access to premium recording opportunities without costing an arm and a leg. In this ever-changing creative world, the opportunity to record and produce music at a friendly rate is important to staying relevant and producing quality content. Owner Nick Maggio said of his goals for the studio, “ I made Leaning Studios to be more than just another recording room. The goal is to give new and current local artists and bands a real studio experience. Every band is as unique as a fingerprint, and that’s what Leaning Studios is all about. My interest here is simple. Why not bring new Louisiana artists or a band's vision to life and work to build a better, more together music scene, and do it cheaply, as we move through a world too caught up in trends, and copy-paste template thinking patterns .” Leaning Studios is constantly evolving to stay in touch with the community and the world around it. It will offer a variety of services to be announced in the near future. These announcements will expand the recording experience into multiple endeavors that will help the artist and the community evolve. Leaning Studios in Watson, LA With everything that has been said, I want to leave everyone with one more statement. Leaning Studios is a premium, friendly environment that helps artists become themselves in the studio. It adheres to the artist, and it will fold the professional and artistic process to the will of the creation. These foundations and processes provide Leaning Studios with a pathway to helping the artist become their true selves without the worry of ego, financial strife, or anything in between. I highly recommend looking into Leaning Studios. They are a service-based entity that won't disappoint. List of artists recorded at Leaning Studios: ● Kris Russ ● Goodbye Academy ● Phantum Sun ● Jean Claude Seagal ● Pink Tooth ● Ghost Prism And more... For future announcements, session bookings, and more, look into the Leaning Studios Facebook, Instagram, and website. Facebook: https://www.facebook.com/share/1DG9s2t1Bi/ Instagram: https://www.instagram.com/leaningstudios?igsh=cWFrMHRrdjdraWU= Website: Leaningstudios.com Anyone who reads this article can get a 15% discount on sessions on the website by entering CLINE15 in the contact form. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com mixedalternativemag@gmail.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Thrice Sovereign < Back Ripe with Nostalgic Talent Keeley Brooks Jan 30, 2023 Share Thrice Sovereign The Muscle Shoals area of Alabama is ripe with all kinds of indie talent just waiting to showcase themselves. Recently while online perusing artists in the area to write about, someone first suggested a local duo called Thrice Sovereign. So, I cruised on over to their website for some exploration and found some lyrically expressive tunes full of emotion with some creative, catchy compositions. Thrice Sovereign is an up-and-coming pop-rock duo out of Florence and is the brainchild of self-taught multi-instrumentalist Kristen Borden Talcott and singer/songwriter Amanda Lee Borden Talcott. Well, I say duo, but I stand corrected: Technically there are four members, according to Kristen and Amanda, but I’ll get to that a little later. “Kristen and I met through a mutual friend as an intent for friendship. Love had a different plan. We started dating seven years ago and have been married for five years,” Amanda gushed. Initially the Talcott’s were focused on having a taco truck, but that soon changed when they uncovered their deepest creative desires and hidden talents neither really knew existed on the level they did. “Kristen gave me a safe place to share my painful writings,” says Amanda. “I heard in her so much music wanting to come out, so we wrote a few songs, then a few more, and shared them with friends and family, who all wanted more. We decided [to] record [those songs] a bit nicer and make them easy for people to find. Through a string of necessity, creativity, and hope, Thrice Sovereign was born.” For Kristen—born and raised in Florence—music has always been a backdrop for her life, ever since her Pepaw taught her to play the guitar as a child. After years of playing softball and a bout in the MMA world, she had a lot of damage to her hand. When an injury left it broken, Kristen put music aside for a while … until, as Amanda puts it, “we started to goof off together, [with] her strumming random things and trying to re-teach herself [to play] Skynyrd’s ‘Sweet Home Alabama.’ [As she did that], I’d hum, sing, and make random sounds and parodies about what was going on right then. [Now], she plays anything put in front of her.” Kristen plays by ear and, other than small moments on that tiny guitar from Pepaw, is completely self-taught. And this brings me to the third member of Thrice Sovereign: Blue. Blue is Kristen’s baby and first love … her first acoustic guitar. Image provided by Thrice Sovereign “I got Blue, if I remember correctly, for Christmas when I was 11. I specifically asked for a blue guitar, and she’s been with me ever since. She’s got some chunks missing and some bangs here and there, but Blue plays a sound like no other. I’ve had several people want to buy her from me, but I could never imagine her in someone else’s hands,” says Kristen. “Blue is fully an extension of my wife,” adds Amanda. The first moment Kristen took her off the wall and played her for me, I could see a new part of the woman I loved shining though. Blue resonates a special sound behind her string vibrations that harmonies beautifully with Kristen’s and my voice in a way that seems like a third human singing.” Amanda was born in the land of grunge and coffee, Washington state. After spending most of her life traveling around the U.S., she now calls Florence home. She’s always loved to write and soon discovered she was spinning raw emotions into lyrics full of pain, lessons, and growth. She is also self-taught and is continuously writing lyrics and music in addition to creating graphics. “I have always loved to mimic sounds and feel what it’s like to make them. In my youth, music was an escape—a safe place where I felt seen. I didn’t think I could be a part of that world, so I’d sing in the crowds to myself or those I trusted. For both of us, our talents have grown immensely in the past three years. I am grateful to have talents I can use to help others feel seen, just like music did for me.” Thrice Sovereign recently released their title single from their debut album “Waiting to Thunder,” which is a groovy song composed in a popular style that draws on heavy guitar riffs and the fat distorted sounds of hard rock, while the lyrics and theme of the song are relatable to many because they’re about things we all experience as human beings, as artists, and as experiencers in this realm. It is written by Amanda Lee Borden Talcott, composed by Kristen Borden Talcott, then the instruments were digitally recreated for release due to COVID needs. https://www.youtube.com/watch?v=0vIa7bn3Klg It is also their first music video, which brings me to “the fourth band member,” as they put it: techmaster Josh Brown. “After asking local businesses if we could shoot a music video [at their venue], Arx Mortis said, ‘Yes!’ With the help of our then-new friend Josh, the music video was born,” they say. “We see it as a musical/visual interpretation of the desire to do something that one is passionate about, believing there are reasons to wait, and knowing (eventually) that now is the time to do what you love.” credit: Amanda Chapman As for how the name Thrice Sovereign wove itself into the mix, Amanda best explains it. “The name … happened while I was doodling random words that I felt were relevant to both of us. The number three has always been a massive … sign in my life? Tip of the iceberg [is] I am one of three daughters, my mother is one of three daughters, I have given birth to three daughters, and my birthday is [in the third month of the year]—a fact I didn’t know until my 33rd birthday. During that year, our littles were ages five, nine, and 13, and they were born in 2005, 2009, and 2013. [Also at the that time, it would be] five, nine, and 13 years before our littles would be adults. The many plays on the two words that represent the art we make are endless. Sovereign’s many meanings give hope in my heart that all can see we are each ‘supreme leaders’ of our own worlds. Each can be monarchs in their own rite and live in all capacities of that word as well.” In addition to their musicianship, the Talcotts are also the founders of TechTonic Crucible Records LLC, as well as the benefit music festival MighTyekiM, which raises money for those in need. Last year was the first for the festival, which is named in honor of Mighty Mike, who passed away from Ewing’s Sarcoma, a type of bone cancer, in early 2022. “MighTyekiM is the benefit music festival we … started as a way for musicians and artists of all levels and all kinds to come share their art with anyone who wants to listen,” said Amanda. “[It’s] a place where people can come experience free music, art, pizza donated by Dominos, beverages donated by Buffalo Rock, and so much more.” Thrice Sovereign accepted donations to raise funds … to help Mike’s family purchase a headstone for him. They note their initial intent was to raise the donated money for Mighty Mike before he passed so he could do something he found blissful but, unfortunately, they didn’t make it in time for that to happen. “We did, [however,] host a beautiful and memorable event in his honor. We had over 21 artists performing over two days at Wilson Park in downtown Florence [last June]. With a silent auction table and a kids’ fun area, it was a family-fun time, and we have secret plans in the works for the next one! We were so blessed to have so many local and corporate businesses and individuals donate their time and talents to help us make [that] amazing weekend happen.” This year’s MighTyekiM Festival will benefit a little girl, who also has Ewing’s Sarcoma. Currently there’s no word yet on where the festival will happen, but rest assured, we’ll keep you updated. TechTonic Crucible Records LLC is the newest addition to Sovereign’s distractions from what they call “the inevitable end.” The label developed out of the realization that most record labels are not what people believe they are. “We decided to find a way to help artists, and others, to have someone who taught themselves to do the things that are key from recording, distribution, website creation, and persona development to graphic design, songwriting, backing musicians, etc. So that and more is what we are offering—a place to learn how to maintain the world we help them create.” credit: Amanda Chapman Thrice Sovereign’s first album, “Waiting to Thunder,” will be out by summer 2023. Amanda notes it’s a concept album with some comforting songs that can work their way into becoming ear worms. Others, she says, are filled with lyrics of emotive imagery dramatically laid amongst the captivating instrumentals driven by the soul of Kristen. “Our first album is a nod to nostalgia in ways too many have forgotten they loved, with modern depth and truths weaved through descriptive metaphors and stories based in emotion and experience.” For more information on Thrice Sovereign and their music and shows, the MighTyekiM Festival, and TechTonic Crucible Records, hop on over to http://ThriceSovereign.com and check ‘em out. They’re music and personalities are totally worth it! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It felt like one big family. < Back Harrison Gordon Leaves His Mark on the Stone Pony with Electrifying Performances Jeff Crespi Sep 12, 2026 Share It felt like one big family. Harrison Gordon brought his energy to The Stone Pony , opening for Mom Jeans on back-to-back nights— Wednesday, September 9, and Thursday, September 10, 2026 —and it was unforgettable . I caught the second night, on Thursday , and if I had to describe this show in one word, it would be wild —but even that doesn’t do it justice. From the second Harrison and his band hit the stage, the energy in the room was off the charts . People were already hyped before the first note, and once the music started, it was pandemonium . It felt like everyone in the crowd was totally dialed in to every song, singing along and making the floor shake. Credit: Jeff Crespi Harrison and his band are considered emo , but honestly, most of his fans say his music makes them feel happy , not sad . The vibe was all about having a good time. The energy level was insane , with close to 900 fans moshing, crowd surfing, and just letting loose. Harrison just dropped a new album called Bliss through Hopeless Records , and it’s already getting a ton of attention and great feedback from fans and critics alike. It was obvious the band was loving every minute on stage—they cracked jokes between songs and just seemed super down-to-earth, which made everyone feel like they were part of something special. The crowd was a mix of Mom Jeans and Harrison fans, and honestly, it felt like one big family. The night just kept ramping up, and there was barely a lull between sets. Sobs , an indie rock/pop band all the way from Singapore , opened the show. They’ve been around since 2017 and were honestly the perfect choice to kick things off. Their set was super fun and got everyone in the right mood. All in all, it was an epic night of live music and good vibes. *All photos by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! To learn more about Harrison Gordon: harrisongordon.shop – Harrison Gordon To learn more about The Sobs: Topshelf Records - Sobs tour dates, merch, video, catalog & more To learn more about Mom Jeans: Mom Jeans – Mom Jeans Band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Impermanence’ has all the qualities of a great song. < Back Reviews on the Real: Cinder Embraces Fleeting Time in Haunting New Single ‘Impermanence’ Nicole Brice Apr 29, 2025 Share ‘Impermanence’ has all the qualities of a great song. Wow! Those were my first thoughts upon hearing the new single from the UK-based band Cinder . ‘ Impermanence ' is an exhilarating song that features fuzzy guitars, noise, grunge and embodies the essence of alternative and shoegaze music . It resonates with me on multiple levels, as it reminds me of some great bands I admired while growing up, such as Catherine Wheel and My Bloody Valentine . Cinder comprises Lewis on synth and lead vocals, Dan on lead and rhythm guitar, Cal on additional lead and rhythm guitar, and Zach on drums—the bass is played on the synth. Credit: Zainab Alhameed Cal primarily holds down the core rhythm guitar in this particular track while Dan takes the lead. Lewis, Dan, and Zach have been playing together since the summer of 2023 , while Cal joined the group around April 2022 . Just two months after coming together, the band had their first gig , quickly forming a strong bond as both a band and a group of friends . With a team of like-minded musicians, anything is possible, right? This camaraderie and unity have led to the release of ‘ Impermanence ’, which is a track we think you’ll absolutely love. It's refreshing to hear music like Cinder's in an industry oversaturated with conformity and lacking substance. This song is definitely not lacking substance. Released March 28, 2025 Released on March 28, 2025 , ‘ Impermanence ’ has all the qualities of a great song— edgy, artistic, loud, and simply enjoyable . Can we say we like a song because it's just plain good? No frills, just pure enjoyable music. We asked Cinder a few questions to better understand the band and their overall vibe. Check out our Q&A below and then go stream ‘ Impermanence ’ on your favorite streaming service. MaM : Who would you say are your biggest musical influences and why? Cinder : At this early stage of the band, the writing is very much spearheaded by Lewis and his backlog of tunes, with the rest of us adding our own parts in our own styles, refracted through the prism of Lewis's love of alt. rock, industrial, and shoegaze. Between the lot of us, we bring a load of different influences into the music. However, the bands/artists that inspire us the most in terms of how we amalgamate all of these influences are bands such as Nine Inch Nails , Deftones , My Bloody Valentine , Slowdive , and Sonic Youth . We love the textures and noise elements of shoegaze, especially live. The almost overwhelming volume acts as a kind of soothing agent - it's washing over you a therapeutic and comforting sort of sensory overload. As for production, Nine Inch Nails is a tremendous influence. Their records and individual tracks are often self-contained sonic worlds of their own. In the vein of post-rock , we love to reinterpret our instruments and their role in the track , experimenting with how an instrument is viewed and played traditionally and how we can use it to create different interesting sounds that communicate our musical points. Credit: Zainab Alhameed MaM : Give us a little backstory behind the origins of the new song? What inspired the lyrics? Cinder : The song begins with the narrator describing their bleak acceptance of death . Their fear of existentialism has led them to become paralyzed and isolated , but they view it more as recognizing the truth of the world, which others can’t see. Eventually, in a moment of revelation, they 'break' and convince themselves that the real answer to their fear is to control their own death . They’ll join everyone in the 'pursuit of happiness,' but their main goal is to burn themselves out and bring about their own end . And do so in an explosive and spectacular way. MaM : Are you currently working on anything else? Are there plans for an EP in the future? Cinder : We're currently working on the rest of our self-produced debut EP. We plan to release two more singles, ‘Breathing’ and ‘Sines’, before releasing the EP, Vows To Boscobel , towards the end of the summer. Lewis and a couple of other folks rent a unit in one of Manchester 's old mills, which has become our second home for rehearsing and recording. MaM : If you could describe your music for someone who has not heard it yet, what would you tell them? Cinder : That’s a difficult question to answer, but the word ‘uncompromising’ definitely comes to mind. I think we aim to do as much as we possibly can and attack each song from every angle, so to speak. Sonically, that comes across as loud and abrasive alt. rock interspersed with moments of delicate melodicism . Behind the scenes, however, it’s about recording five minutes of pure guitar feedback just to get the perfect five-second snippet to use in the song. We’ve reached a point creatively where we won’t release anything unless we know we’ll still love it years from now. ' Impermanence ' is out NOW, so go check it out, and stay tuned for more in the future from Cinder . To learn more about Cinder: Website: cindernoise Instagram: Cinder (@cindernoise) • Instagram photos and videos *Photos by Zainab Alhameed www.instagram.com/shotby.za/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: Alien Shark Ezekiel Kincaid Share Aug 2, 2023 An entertaining movie with poor effects and multiple random plots Last week’s review was on werewolves. This week? Sharks! But not just any shark. No, now we have (queue sinister music) an alien shark! Sounds awesome, right? Based on the title, what are you expecting? Sharks from another planet? Another dimension? Maybe even astronauts landing on an earth-like planet and getting devoured by a species of shark not known to man? If that’s what you’re expecting, you might as well get ready to be disappointed. Welcome to the world of B horror. Alien Shark is about a meteor crashing into the ocean and turning a shark into an “alien” shark that wreaks havoc on some vacationers looking to have a good time. Not a terrible sci-fi shark thriller plot, right? It’d be nice if that’s what we got out of this movie, but instead we get a host of other nonsense that leaves us wondering what happened to the plot. But that’s not the only thing that makes this movie bad. There’s more ... so much more. First off, the Alien Shark script is terrible. How it ever got accepted, I’ll never know. Second, the execution of the dialogue is SO bad. The actors over-emphasize every syllable of every word they say. What makes me such an expert? Well, let me remind you I do watch a lot of terrible movies, so for me to even notice at all is saying something. Plus, I’m a writer and writers always know bad writing and poor execution. While listening to the dialogue in Alien Shark , I cringed. A lot. At one point I had to check my ears because I thought they were bleeding. I'm not kidding. All that out of the way, I still found the movie entertaining. Even though the dialogue was so bad, it kept me laughing. So, too, did the cheap special effects. But what else would you expect from a Wal-Mart Exclusive? That’s right, folks. I picked this gem up by hand at Wally World. Alien Shark was made in 2022 and is directed by Paul Tomborello ( Little Savages, Rumors of War ), written by Aaron Jackson ( Expulsion ). It stars Brittany Altrenbach ( Fear the Walking Dead, Broken Seeds ) as main character Aleesha and Lukas Silva ( No Virtue, Carp-e Diem ) as Pete. The movie starts off with two girls finding a weird piece of a glowing meteor on the beach. When they approach it, they get possessed/controlled by some alien force and die. Aleesha shows up to the beach after being invited by her friends to a party they are throwing before she leaves on another military deployment. When they all get to the beach, people start acting weird and their eyes start glowing green. When a guy named Mickey shows up and starts talking crazy, warning everyone about aliens, they dismiss him. Then, for some unknown reason, they hold a crystal ceremony. Somehow this ceremony opens them up to the aliens and things get out of hand. During this time, the alien shark is just swimming in the ocean, looking for people to eat. From "Alien Shark" IMDB (We're sorry that photo couldn't be any clearer. We tried. You try finding stills of the shark featured in Alien Shark and let me know how that works out for you!) The entire storyline doesn’t make a lick of sense. The filmmakers never explain what is going on with the shark or how it even became “alien.” It’s not clear if the aliens are controlling the shark and the people or if they are possessing them. Random WTF points are just inserted into the story without any explanation and by the end, you aren’t sure what the hell just happened or what the hell you just watched. Here's a list of Alien Shark ’s inserted random plot points filmmakers pull right out of their ass: Alien shark comes to the shore and pukes out a shark dog. Alien ship circles the earth without any explanation as to why. Characters have dreams of eating people. Shark flies out of the sun. The spirit of a shark hovers in mid-air. Calling ritual with crystals invites the aliens. The aliens’ possession or mind control can be broken by pressing a magic seashell against the forehead. Alien shark can turn invisible. Alien shark can be defeated by blowing up a random camera that shows up out of nowhere. Why all this? I have no idea. Your guess is as good as mine. But here’s my theory. I think the director and the writer got drunk one night, wrote down the dumbest crap they could come up with, put it in a hat, and let their dog pick. That’s the only solid reasoning I can come up with. The best part of this movie is Mickey, the crazy dude. Every horror movie has to have one. His acting is so bad, it’s side-splitting hilarious. Everyone, and I mean everyone, in this movie takes their role way too seriously, making the film even more entertaining. As far as the CGI goes, it is the most terrible effort I have seen in any movie ever. I kid you not. You’ll get a taste of it in the trailer, along with the heavily acted-out dialogue efforts. Should you watch Alien Shark ? I think so. Especially if you want a good laugh and if you want to learn how NOT to write and direct a movie. There is no blood, no good kill scenes, and no one getting ripped to shreds by the alien shark—things an audience expects to see in any decent shark movie. All in all, Zeke’s “so bad it’s good” rating is 3 out of 5 shark dogs. If you really want to watch this movie, you can buy it at Wal-Mart. It used to be on Tubi but I guess even they have standards. https://www.youtube.com/watch?v=5OVPL1e9FF4 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'The Rain' captures a vibe of understanding, new beginnings, and solace. < Back Nick's Corner: Double Knockout Single Review Nick Cline Apr 21, 2025 Share 'The Rain' captures a vibe of understanding, new beginnings, and solace. Double Knockout? I bet you’re wondering, ‘Who is Double Knockout ?’ Double Knockout is a powerhouse alternative , hard rock , and indie band out of Lafayette, Louisiana . Consisting of members Micah, Sean, and Britney , they are creating a landscape of killer tracks that are sure to awe-inspire. This talented group of musicians was undoubtedly brought together for a reason, and their latest release, ‘ The Rain ’, is a testament to the direction and ideas that make Double Knockout an up-and-coming force in the alternative music scene. Released April 11, 2025 ' The Rain ' starts strong right from the beginning , evoking the essence of classic alternative and hard rock with an anthemic quality . The powerful guitar chords open the song and blend seamlessly with an eclectic mix of rhythms and melodies . The result is a sound that defies categorization. This combination of melodic nostalgia and driving alternative beats showcases the undeniable impact of Double Knockout. The major highlight of this song is the production . The production creates a fine line between artist and sound . The distorted guitars sit great in the mix to the point that they add flavor to the track without taking too much away from the bass and drums. The rhythm section becomes one unique entity throughout the track. The production makes them feel like a wall of foundation layer under the melodies and guitar work . One notable aspect of the production is the mixing of the vocals . This vocal mixing has allowed Micah's voice to shine through, even amidst the chaos. The melodies are easy to recognize without much effort. Credit: Kirstyn Whitaker The mixing qualities of ‘ The Rain ’ make it a great listening experience. The only minor detail I would point out is that I wish the last part of the song had been more explosive. While the bridge was a nice addition, it could have been slightly extended to build into the powerful chorus again. This is more of a personal preference based on the style of the song, but it’s nothing more than a minor critique . https://www.youtube.com/watch?v=2Zpd1cBxyGQ 'The Rain' by Double Knockout The song nails everything they were striving for in a style that calls back to some greats ( Hum , Superheaven , My Bloody Valentine , and many others), while keeping the truly unique presence that makes up their band. ‘ The Rain ’ is a worthy addition to anyone's playlist. It captures a vibe of understanding, new beginnings, and solace. Go stream it now! Watch Double Knockout, as they consistently deliver great tracks and live experiences. *Band Photo by Kirstyn Whitaker Kirstyn Whitaker (@kewviews) • Instagram photos and videos To learn more about Double Knockout: Facebook: Facebook Instagram: Double Knockout (@doubleknockoutband) • Instagram photos and videos TikTok: TikTok - Make Your Day Linktree: Double Knockout | Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Life Øn Mars is a beacon of creativity and musicianship < Back Life Øn Mars: Unleashing Musical Brilliance Nicole Brice Aug 15, 2023 Share Life Øn Mars is a beacon of creativity and musicianship In the vast universe of music, ever so often a band emerges that challenges conventions, defies expectations, and takes us on an extraordinary sonic journey. Enter Life Øn Mars, a metalcore band from Lafayette, Louisiana, with unparalleled creativity. With its beginnings in 2022, the band is currently comprised of Jack Torry on vocals, Brayden McClelland and Max Hellickson on guitar, Ryan March on bass, and Holden Hebert on drums. Credit: provided by band These guys have had a busy year thus far releasing new music both in February and June of 2023 and show no signs of slowing down. With their exceptional musicianship, boundless creativity, and a penchant for pushing the boundaries musically, their evolution as musicians is sure to bring further innovation. Set to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana, on August 19, 2023, Life Øn Mars is ready to take you on a musical journey that transcends boundaries and is the fifth band in our installment of interviews with all acts on the bill. In an age where conformity and predictability seem to reign supreme, Life Øn Mars emerges as a beacon of creativity and musicianship, and we can’t wait to hear more from them. Powerful vocals with tight production round out the sound for this band. We know you’ll enjoy their music as much as we do. We recently reached out to the band to learn a little more about them and were able to connect with guitarist Max Hellickson. Take a moment to learn a little more about Life Øn Mars and then be sure to catch their set at Rad Fest on Saturday, August 19. MaM : I see 2023 has been a busy year for you. Your single “Vandal” was released in February 2023 and then your newest single, “Whitewall,” was released June 16, 2023. How do you feel about the year so far? MH : 2023 has been a very productive year for us. We’ve been writing a ton of new music and slowly integrating our new originals into our live set. ‘Vandal’ was the first one and it did pretty well! ‘Whitewall’ was a lot of fun to write and record and one of our favorites to play live. MaM : “Vandal” reminds me of Killswitch Engage with the screams in the beginning that fade to a strong vocal chorus. Who do you cite as your influences both vocally and musically? MH : Collectively the band has a very diverse range of music tastes. We’re big fans of genres like hardcore and modern metalcore, which explains the Killswitch Engage-type sound. Some of us also listen to more ambient and soft genres that inspire us. Some bands we take inspiration from are Alpha Wolf, Knocked Loose, Invent Animate, Wage War, Gojira, Sleep Token, Architects, and plenty of others. Credit: provided by band MaM : What inspires you lyrically? Life happenings or abstract concepts? MH : A bit of both. We pull inspiration from events in our lives that have deeply affected us and try to express them in different ways. We attempt to connect to our listeners and fans in any way possible, and writing lyrics that resonate with them is the best way. MaM : Are there plans to record an EP or an entire album, or do you plan on just continuing to release singles? MH : We are currently in the process of finishing our debut album set to release in early 2024. Credit: provided by band MaM : Give us a brief history behind the band name. Obviously, it speaks for itself, but I’d like to hear your take on it. MH : So, the name just came from us brainstorming band name ideas. Holden came up with the name Life Ø n Mars as a reference to the David Bowie song. Max had the idea of putting the accent on the ‘O’ to make it look like a planet and make it look more original. MaM: How did you hear about Rad Fest and what expectations do you have going into the festival? Will your set list have a few surprises? MH : We heard about Rad Fest from our friends who played the festival last year and we’ve been working really hard this year and then we got invited to play. We are super stoked to be a part of this new Lafayette staple in our scene. It really brings everyone together and we’re excited to be a part of this year's festival. As far as surprises go, we may be debuting a new song set to be on our album. Stay tuned! Credit: provided by band MaM : If you could share the stage with any well-known band in the future, who would it be? MH : A dream show of ours would be to play with Knocked Loose and Alpha Wolf . They have really inspired us. We have also seen both bands a couple of times. MaM : What are the aspirations for the band long term? MH : To make music that people enjoy and to create a live experience that leaves our audiences with memories they will never forget or to inspire those to pick up an instrument or start singing. Music is a powerful thing. We love seeing more people in the scene. To check out the music of Life Øn Mars in preparation for Rad Fest, be sure to hit one of the links below, then show them some love by following them on social media. YouTube : Life Øn Mars - YouTube Instagram : LIFE ØN MARS (@lifeonmarsofficial) • Instagram photos and videos Facebook : www.facebook.com/lifeonmarsofficial Twitter : X (twitter.com) Apple Music : ‎Life Øn Mars on Apple Music Spotify : Life Øn Mars | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

No love songs this month! < Back Way Back When: The Love Month Playlist Picks Nicole Brice Feb 4, 2025 Share No love songs this month! It’s the love month … the month I despise because of all the mushy gushiness … in light of that, these are NOT love songs. Enjoy! 1. Incubus - Redefine Incubus has certainly come a long way since this banger was released. I remember seeing these guys open for 311 and No Doubt at the Baton Rouge River Center in the 90s. What an insane show! This song is fantastic. Turn it up loud! 1997 https://www.youtube.com/watch?v=1KOS-dQ9wOw 2. Less Than Jake - Johnny Quest (Thinks We’re Sellouts) I may or may not be humming this as I write this. Johnny Quest thinks we’re what? One of the best LTJ songs ever. 1996 https://www.youtube.com/watch?v=TRJlTr50zAk 3. Marilyn Manson - Dried Up, Tied and Dead to the World In my opinion, Antichrist Superstar is one of the best Marilyn Manson albums, and this song was my jam back in the day. 1996 https://www.youtube.com/watch?v=_5MHmr9nHk4 4. Hole - She Walks On Me She walks … over me … (I’m humming this song, too). Live Through This is one of my favorite albums of all time. Amazing song. Amazing album. 1994 https://www.youtube.com/watch?v=Ap5RglaNui0 5. Stabbing Westward - Dead and Gone With the re-emergence of one of my fave bands of all time, Stabbing Westward , comes this banger. “How can I go on? When my last hope is gone?” 2022 https://www.youtube.com/watch?v=s2c2xW78t6U Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chris Pryor & The Main Event melds classic rock riffs with soulful country vibes for a solid first release. < Back Chris Pryor and The Main Event Hit the Ground Running with Debut Single Nicole Brice Jul 5, 2024 Share Chris Pryor & The Main Event melds classic rock riffs with soulful country vibes for a solid first release. Louisiana-based country band Chris Pryor & The Main Event released their debut single via a lyric video today, and the full release is coming next week. Written by Chris Pryor and Kenny Kleinpeter, “Just Take a Look at Me” perfectly blends country and classic rock reflecting the band’s Southern roots. With Chris Pryor’s heartfelt vocals, the emotion in each word is so deep that it connects with the listener on a profound level, evoking a sense of empathy for the song's narrator. Coming from someone who does not prefer to listen to country music , I enjoy this song. Now, this is just my interpretation of it, but you can interpret the lyrics as you will … it’s the story of a guy down on his luck at the bar on another lonely night when he sees an angelic woman enter. He is instantly drawn to her beauty and tells her how he could be the right man for her from across the room in his thoughts. The song ends as the night is ending, and he's bringing her home, and the narrator finally gets the woman to indeed look at him. Chris Pryor has said of the creative process for how the song came together, “I began writing the song in 2021. It sat dormant for two years, and then in January of 2023, I handed it over to Kenny to try to develop a country rock concept for the song. He finished the third verse and created a demo, and we didn’t touch it again until January of 2024. We began recording it on March 9th, 2024, and spent two weeks back and forth in the studio for all the sessions.” Credit: Facebook Recorded by Faith Pierce in her home studio in Baton Rouge for a Berklee College of Music Project and mastered by Audiosmith Studio in Prairieville, “Just Take a Look at Me” is a solid first effort for this up-and-coming group. “The inspiration for the song was my lack of ability to write upbeat, high-energy music, and I set out to write just that with this song. Usually, my writing consists of slower-tempo country songs, and with this song, I wanted a more 'rock' style,” says Pryor. Formed in 2022, Chris Pryor & The Main Event has been a forceful presence in the local cover band music scene. Now, with the debut of their first song of original material, they are showing that they are more than just a band that can sing others’ music. The line-up includes Chris Pryor (Lead Vocals and Harmonica), Kenny Kleinpeter (Lead Guitar and Backup Vocals), Bill Ourso (Bass Guitar and Backup Vocals), Hal Higgins (Steel Guitar and Backup Vocals), David Averett (Keys), and Jory Chauvin (Drums). “The studio opened our creativity, so we now have 14 more songs to work up, and we are taking our next single, 'Nothing Without You,' into the studio later this month. We plan to release a new single every two months until we have enough to release our first EP.” "Just Take a Look at Me" is a promising start for Chris Pryor & The Main Event . I eagerly anticipate their future creations and the unique blend of country and rock they will bring to the music scene. The new single officially drops on July 12, 2024, so be sure to add it to your list of songs to check out NOW. In the meantime, check out the new lyric video below. https://www.youtube.com/watch?v=CiirNLUzX7U The song has also been accepted for James Gilmore’s "Made In Tiger Country" show on 100.7 The Tiger WTGE , which airs on Sundays between 6pm - 7pm, so be sure to try and catch it then. The official release party for "Just Take a Look at Me" is scheduled for July 12, 2024 at Little Nashville Dance Hall in Denham Springs with the party kicking off at 9pm. For more information about Chris Pryor & The Main Event , just hit one of the links below: www.maineventrocks.com Louisiana's Electrifying Powerhouse | Chris Pryor and The Main Event Unleash the charismatic powerhouse of Louisiana's music scene with Chris Pryor and The Main Event. Meet our band members, Kenny Kleinpeter, Mike Ducote, Jay Cudd, and Jory Chauvin. Experience extraordinary talent, seamless transitions, commanding presence, and irresistible energy. Facebook Chris Pryor & The Main Event (@maineventrocks) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. < Back Revisiting the Roots: The Fremonts Release Remastered Classics Nicole Brice Jul 25, 2025 Share The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Though The Fremonts are new to me, they have been making music together for over a decade. After sold-out performances of their original cabaret in New York City , Colorado , Massachusetts , and at the Edinburgh Fringe , as well as a cultural ambassador tour through Tajikistan with the U.S. State Department , they returned to the studio to develop a new album. However, life presented unexpected mid-life challenges, leading them to pause their latest projects and focus on remastering their existing full-length albums, We Don’t Live There and The Failure Cabaret . Those updated versions are now available on all streaming platforms. Discovering new music is an exhilarating experience; it feels like uncovering a hidden part of yourself that you didn't even realize was missing. I feel this way about The Fremonts' music . It’s warm, soulful, and steeped in the spirit of storytelling. Their sound is nostalgic yet refreshingly original. In addition to their remastered albums, The Fremonts have released a new music video for their song ‘ Ketamine Happy Hour ,’ which humorously reflects on their experiences with alternative therapies for depression. https://www.youtube.com/watch?v=vqxJI5cjLtk Video for 'Ketamine Happy Hour' The Fremonts combine Americana music with storytelling in a theatrical cabaret style . Stephanie Dodd , from Fremont, Nebraska , and Justin Badger , from Fremont, California , have refined their music through years of professional acting experience. They have recorded two full-length albums , toured extensively, and received rave reviews for their original cabaret performances in the U.S. and at the Edinburgh Fringe. The duo currently resides in the Berkshires of Western Massachusetts . It’s challenging to define The Fremonts ' sound completely, but I would say it leans more towards Americana than anything else . Americana music is classic and timeless because it draws from the roots of American culture, blending elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Credit: Eric Limon To celebrate their new releases, The Fremonts will be performing a series of shows in the Berkshires and the Hudson Valley this August. The performance dates have just been announced, so be sure to catch a show. In the meantime, let’s explore their latest work together! The Fremonts' show schedule WE DON’T LIVE THERE Since this is my first time listening to this album, I would like to share my thoughts. Stephanie’s vocals are angelic, carrying a soothing quality. Each song tells a story, painting a vivid picture in the mind. The music on this album is wonderful; I can’t think of any other word to describe it. Standout tracks: Tillman’s Wall – The beginning of this song is nothing short of epic. The sounds intertwine into a massive composition, and when Justin’s vocals kick in, it just builds and never lets up. It’s simply fantastic. Tell My Mother – Everything about this song is impressive. I often find it challenging to articulate what I love about a song, but this one is a toe-tapping singalong tune, and it’s phenomenal. Who Fears the Devil – This is a powerful track full of layers, and Justin’s vocals are flawless on this one. Album cover by Emilie Druss and Matt Lowber THE FAILURE CABARET The Failure Cabaret is an album that features a diverse range of sounds and textures, making it a truly enjoyable listen. Every track feels like a road trip through emotions. Standout tracks: Find Me – starts with a heavy groove and Stephanie's vocals take over, building to a chorus filled with conviction. I was nodding my head the entire time while listening to this track. Gravity – just plain beautiful Ketamine Happy Hour – such a fun song, and the video is even more fun. Album cover by Emilie Druss and Matt Lowber The latest releases from The Fremonts infuse new energy into the band’s already captivating catalog. They maintain the emotional depth and vintage charm of the original tracks while delivering a richer and more immersive sound experience. Whether you are a longtime fan or new to their unique blend of Americana , blues , and rock 'n' roll , these updated versions are a perfect way to rediscover or fall in love for the first time with the raw storytelling and musical craftsmanship that define The Fremonts . Go check them out today! **cover photo by Eric Limon To learn more about The Fremonts: Bandcamp: The Failure Cabaret (2025) | The Fremonts YouTube: The Fremonts - YouTube Apple Music: ‎The Fremonts - Apple Music Spotify: The Fremonts | Spotify Website: The Fremonts www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Music of Tyler Underwood < Back Authentic, Heartfelt, Soulful, and Deep Keeley Brooks & Nicole Brice Mar 17, 2023 Share The Music of Tyler Underwood Every once in a while, a new artist appears on scene with music so relatable, you can’t help but get lost in nostalgia when listening to his/her/their tunes. Tyler Underwood is one of those artists, and you’re gonna want to stay with us on this one, because this kid is the picture of resilience and perseverance. Underwood is a singer/songwriter, musician, and producer based out of Florence, Alabama. Born as the youngest of five children, he has lived a rough life, but that has never stopped him from being creative or longing to make music. In fact, his early experiences are what drove him to seek refuge in creating music. Soulful and melodic with heartfelt lyrics is the best way to describe Tyler’s sound. He has quite an incredible story to tell, and we are thankful he reached out to us so we could stumble upon his talents. His beats are catchy, relaxing, and smooth, and the song lyrics resonate deeply on every level. With thought-provoking imagery strewn throughout his tunes, Tyler’s exceptional use of words makes for a vivid listening experience. To be quite honest, his music reminds us of Jason Mraz but with an edge. It's that feel-good singer/songwriter material that one puts on in the car to sing to at the top of their lungs. To give you guys a better understanding of who Tyler Underwood is, we threw him some questions recently, so get ready, because he’s got one hell of a story. Photo provided by artist MaM : So, Tyler, thanks so much for chatting with us about your life and music. Why don’t you give us a little background on who you are. TU : I was born in Florence in 1993. I'm the youngest of five. My dad was in prison most of my life, so some of my earliest memories were staying in hotels just to go and visit him on occasion. My mom was a rockstar taking care of five kids on her own. We moved around the [Muscle Shoals area] for a while until I was 12. My mom and brother and I moved to Georgia because my brother had some run ins with the police, so we tried to escape. We rented a room out of someone's house and worked on a farm to pay for the stay and food. It was later found [out] that I wasn't going to school and there was a lot of drug activity going on in the house, so I was taken from my mom and placed in a group home. My brother ended up getting caught and sent back to Alabama. My mother didn't really have a place to stay in Georgia, [so] she moved back to Bama. After being in the group home for a couple of years, it was almost time for me to go home. My mom finished all paperwork and passed inspection for them to send me home. A couple months later, she passed away due to Emphysema. After her passing, I chose to stay in the group home. I felt like there wasn't nothing [sic] good for me back home. I probably would've dropped out of school or got into drugs. Luckily, I had a loving support group at the Open Door Children's Home, [and] that made me feel … safe enough to live there and see the other guys that lived there as family. It was around this time that I started writing songs and making music. I formed a rap duo with my best friend, and we began working on songs for mixtapes. MaM : Wow, that’s a lot to deal with at such a young age. We’re glad you found music both as an escape and as a way of connecting to who you are. TU : Yeah. I went on to graduate high school in 2012 while working at a radio station and a local restaurant, [then] I enrolled in the Atlanta Institute of Music to pursue an associate degree in audio recording and production. … During that time, I was freelancing as an audio engineer and producer, recording rappers and singers in my bedroom, and mixing and mastering their songs. After graduating in 2014, I started my own production company by the name of The Lokkz Music. I would have artists bring me basic structures or ideas of songs and I'd produce full-fleshed songs for them. After doing that for three years, I became frustrated, because most of the artists I was making songs for weren't pushing their music like they should. I just felt like we made beautiful music that just landed on deaf ears, so I began to focus back on making my own music. After going through a tough breakup, I had nowhere to go and was basically sleeping in my car trying to keep things going. After about a month, I finally bit the bullet and decided to move back to Florence and start over. I put a pause on most of my music work and got a job serving tables. After going from job to job, place to place, and going through another failed relationship, I finally set my studio back up and started working again. I started recording songs and … learning covers to start doing shows. For the second half of 2020 and all of 2021, I did shows all over the southeast. I went to Key West twice, traveled to Atlanta almost every weekend, and slept in my car just to play shows. At the beginning of 2022, I decided to take a break from shows so I could be home with my dogs and continue to craft songs for my first album. I'm currently working on finishing up that album and releasing content consistently to stay engaged with my fans. Photo provided by artist MaM : If you could describe who you are at your core, how would you do that? TU : At my core, I'm a lover and a curious child that oohs and aahs at all the wonderful things in life. For some, it takes a lot to be happy, but for me, just watching how beautiful a tree is when it sways or hearing how elegant a bird sings is enough for me. I have ambitions, and I'm passionate about my craft and about people leading lives they are truly satisfied with. I've studied a lot of Buddhism and eastern philosophy, and I've learned that life is made up of our perceptions and thoughts. No matter what you are going through, you can always find beauty and peace within. MaM : True dat! What a great outlook. So, you're both an artist and a producer. Tell us about that, and which came first. TU : I pretty much started doing both at the same time. When I was a kid, I would sing along to Elvis’s songs and 90’s / early 2000’s R&B. When I was 12, I started writing poetry and rap verses over Tupac’s songs. I soon fell in love with writing. I started learning guitar and piano at the age of 14 and by 15, I decided I wanted to be a rapper/producer and started learning as much as I [could] from books I found or that were given to me. The first song I ever made [was recorded] on an old Yamaha keyboard that allowed up to five tracks of recording. I would play the full length of each part of the song because it didn't have the capability to loop. I then played the beat and recorded it with the microphone on my MP3 player, [then] I connected my MP3 player to my computer and transferred the recording of the beat. I remember I had this crappy headset with a microphone on it. I used that to record the vocals and then went into Adobe Audition and lined the vocals up with the beat. And that was how I made my first song. As an artist, I see myself as someone that just likes to bring ideas to life. I've always had a creative mind. I've just always been on the search for tools that let me manifest that into reality. As a producer, it's pretty much the same. I'll take ideas that are merely skeletons and create a whole village out of it. MaM : Have you always had musical talent? TU : I haven't really always had musical talent. I learned [that] through passion and curiosity. But I've always loved music. It's always been at the forefront of everything for me. Even as a four- or five-year-old kid, I was drawn to music for some reason. I was always watching music videos or listening to what my siblings and parents were listening to. MaM : What made you slide into producing as well? TU : I've just always been a DIY type of person. So, naturally I just wanted to involve myself with every step of the process of making music. MaM : What instruments do you play? And tell us about your singing/rapping. From where does your sound originate? TU : I mostly play piano and guitar. I can also work my way around a sampler and drum machine. I'm pretty well versed in engineering, [and] I love working on analog consoles and getting my hands on actual gear, but most of the engineering work I do is in the box, meaning I mainly just use digital plug-ins that emulate real-life gear. Photo provided by artist MaM : Who would you cite as your influences? TU : Musically, my influences have always been Tupac, Bob Marley, Pink Floyd, Kanye West, Kendrick Lamar, J. Cole, John Mayer, Bon Iver, and just a bunch of random bands and artists that my family grew up listening to. MaM : Do you have any albums or singles currently out or coming out soon? TU : I am currently working on my first album, but instead of releasing it all at once, I'm releasing one song at a time like how TV shows release an episode at a time. I plan on having some type of visual representation for each song as well. MaM : Right on. Did you have any singles drop in 2022? TU : ‘Right Thing’ released last year. It’s about being in a place out of comfort but not happiness … realizing you’re not happy in that place, but it’s just easier to stay. So, it’s about that and making the decision to let it go and move on. Because that’s the right thing to do. https://www.youtube.com/watch?v=-Q0wN-dq1as MaM : Have you released anything this year? TU : [Earlier this year], I released ‘Pranayama.’ It’s about learning to breathe—truly breathe—and just accept events in your life. Whether they are positive or negative depends on your perception of them. You can find positive in negative and vice versa. Learning healthy ways to deal with hardships is very important. It’s so easy to fall into the deep end, but if you take some time to learn techniques, such as meditation and pranayama (Sanskrit for breathwork) , you end up growing into a strong and peaceful being that doesn’t easily get defeated by its demons. https://www.youtube.com/watch?v=EQCW9qpZKo0 MaM : Are these songs on the same album? TU : At this moment, both songs are singles in their own space but will eventually be a part of an album. The details on that will be revealed later. MaM : Any live shows? TU : I don't currently have any live shows booked, but I am working on getting a band together to tour for the album. MaM : What's the overall message in your music for people? TU : To me, music has always been therapy. When I go through things, I always turn to music to [guide] me. It started as just listening but then grew into writing music as therapy. So, I aim for my music to be a voice for those that feel like they don't have one, a shoulder to lean on, and a message to inspire. My music is relatable and very personal. I try to be very transparent in my lyrics. I also talk about things that could possibly help others lead better lives, mindsets to use as tools to make it through this rough experience of life. And there you have it, people. This kid is a fighter who has some talent and a clear vision of what he wants and where he’s headed with his music. We highly recommend checking out his carefully constructed beats full of premium quality instrumentals and heartfelt song lyrics. Before you know it, they’ll snag hold of you and have you listening on repeat while you do whatever it is you do with your time. Visit Tyler’s Linktr.ee for more music, videos, and links to his social media. *photos and video provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Next