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Stone Deep < Back The OG’s of Rap and Rock Fusion are Back Nicole Brice Jan 11, 2023 Share Stone Deep The late 80s/early 90s was a time when many types of music fused to form new genres. During this time frame, rap music started joining forces with rock to create a new sound—a unique sound, one which had never been heard before. Many consider the merging of RUN-DMC with Aerosmith as the kick-off to it all, but little do people know, there was another band paving the way for this new sound in the early 90s and although they are lesser known, they truly are the OGs of Rap/Rock . Stone Deep was formed in 1992 as a reincarnation of The Hard Corps in Music City USA (Nashville, Tennessee) , the mecca of country music . The Hard Corps rose to national prominence in 1990/1991 with their debut release produced by RUN DMC ’s very own, Jam Master Jay , and they even had the honor of sharing the stage with Ice-T and Body Count as part of their national tour in support of the album, Body Count . The group’s momentum died, though, after their booking agency, label, and management folded overnight and so, in late 1992 , the group’s core members formed what was to become Nashville and later Stone Deep . Photo provided by artist In 1993 , the band began assembling their five-song demo , which was distributed to press outlets, venues, and labels. They also sold it at live performances to fans. With songs such as ' Faces of Death ,' ' Finger to the 40 ,' ' Running Man ,' ' Stop Squawkin ’, and my favorite, ' Whoville ' , they solidified their sound and proved they truly were innovators in the genre of Rap/Rock . After many years of being on hiatus, Stone Deep has re-emerged as of 2022 and are looking to take back their crown as the OGs of the Rap/Rock game , and their sound proves to be unmistakable and full of flavor for your ears. Photo provided by artist I recently reached out to them after discovering their music on Instagram , which if I haven’t said it before, is an excellent space to search for and discover new bands and artists . I had luck and made the acquaintance of guitarist Glen Cummings and vocalist Ronzo “The beast” Cartwright , which turned into an incredibly enjoyable chat and interview. If you haven’t checked out Stone Deep ’s music, it’s a must-do, right after you read this interview. I insist. MaM : Let me just start this by saying that you guys have an incredible story—one that needs to be told, and thank God for Instagram because when I discovered your music, I was like, “Where has this band been all my life?”. You guys truly are the OGs of Rap/Rock. RC : Right! We truly are, but that’s the thing: All the beginners in these genres sort of get pushed under, then the pop versions come out and usually get the recognition and all the attention. MaM : Yes, I can agree with that. I am so impressed with everything you all have accomplished, and the fact that The Hard Corps were signed to Interscope just blew me away, not to mention you had Jam Master Jay producing your debut album, and that is iconic. I wanted to get a little bit of background on that. I want to know your story. RC : Well, it’s a combination of stories, because the first band I was in, The Hard Corps , grew into Stone Deep after merging with Glen Cummings , who was in another band called Scatterbrain , which was a punk/thrash metal band [with] releases out in the U.S. and in Europe. In fact, they had a video out for the song, ' Don’t Call Me Dude ,' which was pretty big. It was combination of all those bands that begat Stone Deep . 'Hard Corps' by The Hard Corps 'Don't Call Me Dude' by Scatterbrain MaM : Your debut album in 1993 was Nashville , correct? Tell me a little more about that and any subsequent releases, as well as what all was going on around that time. RC : Well, first with the Hard Corps on Interscope in 1991 , we were really building momentum, and [the] big story about that [is] we went out and had Jam Master Jay as our producer, and we actually co-headlined Ice-T’s Body Count tour . … We went out with some other bands such as Primus , Fishbone , and 24-7 Spyz , and we were one of the first hybrid bands wh[o] could play with 3rd Bass and the Geto Boys . [W]e actually opened up for the Geto Boys . I’d been honing my craft for quite some time and so we had that going, and the industry spent a good bit on us. 'Gangs and the Govt' by Stone Deep There is … a difference between a record budget and a record fund , which people don’t realize. You can get a record fund, and they’ll spend all the money from the first record , and if they feel like they want to keep going, they’ll absorb the money from the second record, and if it don’t [sic] hit, they’ll just move on, but you end up spending the money for both of your records already. That’s what happened with Hard Corps . See, with The Hard Corps , Glen was coming down off Scatterbrain and they had been doing pretty good, but he heard about us in New York and came down after hearing a cassette of our music, which we sent him; he learned it in his car driving down from New York to Nashville . He played the first gig with us without practice. Glen is, literally, a genius. 'Anger' by Stone Deep [F]rom that time on, we gathered a couple of other people. Dave Howard is our drummer. He’s a progressive rock drummer, but it fits with us because he’s half Puerto Rican and can connect to the grooves and get heavy when we need to get heavy. Our bass player, Tim Brooks , [is] from a reggae band called Freedom of Expression . He has a lot of reggae chops, but what we all have in common is the rock part. I’ve grown up on rock, basically, since I was a kid and all other types of music. We all blend[ed] together and have been making music ever since. In 1996 , as Stone Deep , we [won] an award for one of the best unsigned bands in America by the NARAS foundation (i.e., the Grammys ), and we were one of the only bands to beat a New York band for that in New York in anything. That was pretty massive there, then we [won] a Nashville music award here, too, for best unsigned band that year. Photo provided by artist MaM : And why are you guys NOT famous? RC : Exactly. And this is a ridiculous story, but there was a millionaire that lived here in Nashville [who] wanted some bands to play for some underprivileged kids. [H]e started asking all over and since he had money, people were telling him, ‘I’ll do it for $5,000,’ [just] to get money off him. [W]e were like, ‘It’s kids?’ and he was like, ‘Yeah,’ so I told him, ‘Bring the kids up to our studio, and we’ll play for them.” So, we played for them and modified our songs up to incorporate the kids, and I did a little freestyle and stuff. The guy was really appreciative, and he started asking questions about us, about our demo and stuff, and he felt like he needed to help us, so he gave us some money. At first, he was like, ‘I’ll give you $20,000 or something,’ and his best friend was there and [said], ‘No one builds anything off of $20,000. You’ve got a shit-ton of money. You’ve gotta do something.’ [S]o, long story short, he comes up with $100,000, no [real] strings [attached other than playing] for his kids once a year. No payback. Nothing. No publishing. Nothing … but guess what happened then? MaM : What happened? RC : The manager stole our money. MaM : Wow, story of my life. You hear that stuff happening all the time. RC : It’s the same music story of all time that happens all the time. You remember when people were doing the smaller versions of Bonnaroo ? Well, he was trying to do one of those and stuck our money into that [to] flip it, and it tanked … and our money tanked with it. [H]e never asked permission to do it and then he just disappeared. Photo credit: Facebook MaM : Wow, man. That sucks. RC : That deflated everything for a while, so everyone just went about their business after that. [W]e’re brothers, so we always stayed, you know, connected. [A]nd then, just a little while back, I was talking to Glen and he said, ‘You know, I was listening to our music and what we were saying then needs to be said now, because kids these days don’t say anything.’ Like, the labels have got[sic] everyone to where they just encourage you to be only gangsta or weird, and you can’t really say anything. MaM : Yeah, everything is prefabricated, and that’s what I hate about the music industry these days. That’s why I started this magazine with Keeley. We want to focus on the real talent out there. RC : Nice. We started getting [our groove] back and putting some of [our music] back online, and we started finding people, like you, who are saying, ‘[H]ey! Where has this been? This is what we need right now.” MaM : It’s true. RC : It’s been great. Like, everything has its own time, and the universe works in a certain way , ya know? [E]ven though it might not have been your time then, it might be your time now. Lately, I’ve been waking up in the middle of the night to write down songs, because the energy being produced by me and us doing our songs has been inspirational. People think you can learn to be an artist, but it is a gift. You either have it or you don’t. You can prefabricate it in a studio, like you can have someone throw something together just to make you something, but artist “artists” are just energy driven from the universe. Photo provided by artist MaM : I completely agree with that. As I’ve been listening to your music—and I’m sure you’ve gotten this comparison before--it reminds me of when Anthrax teamed up with Public Enemy , only better because that was only temporary; your music is not. You guys are the real deal … the true OGs of Rap/Rock. RC : Yeah, if you put the time into everything, it really comes together. [S]ee, when we came out, there were no Limp Bizkits and there was no Kid Rock , but Kid Rock was around; he just wasn’t really doing what we were doing, and it’s not fused the way ours is. Ours is natural, organic. Like with me, I’m a rocker who raps; see what I’m saying? MaM : I miss that type of rap and that type of flow, and I miss the lyrics that have meaning. Like, I listen to all types of music, but I’m big on lyrics and if you look in my music collection, you’ll see all the hip-hop and rap I have is from late 1980s to mid-90s, and then I stopped listening to it. I couldn’t listen to it anymore. I don’t want to listen to you talking about putting jewels in your watch; like, where’s the meaning in that? And to this day, and I listen to them daily, my fave hip-hop group is A Tribe Called Quest . I miss groups like that … and Instagram, to be honest, is the best way to discover new artists like that. RC : Yeah, it really is. Instagram has been great and to be honest, our following has definitely grown because of it. People just checking out tidbits and that type of thing. We actually got [contacted by] a guy [who] does these weird videos. [H]e does [them] for Rob Zombie and he’s making these little shorts of some of our songs. Then we have this one Japanese guy who is making Japanese versions of our t-shirts, and it’s just a lot of stuff that people vibe with and are getting into it. MaM : I saw that you guys have some re-mastered recordings of the albums you dropped in the 90s. You did that through a record store day release recently, right? RC : We actually are connected to a lot of big mixing and studio guys, just by virtue. Shawn Franklin is one of them and he does stuff with Public Enemy . They just started mixing and started getting it up to date to put it out bigger and bolder, and we’ve been pretty blessed on that end. MaM : If someone wants to purchase your music, is Bandcamp the only way, or is there another way? RC : Right now, only on Bandcamp . We’re going to go through all the iterations of music, and we are going to put out CD’s and then more digital releases and then finally vinyl albums. It’s going to come out on all platforms. Right now, we’re trying to generate interest and we want to get a following of like-minded people, ‘cause [sic] there are millions of us and that’s the thing with Instagram and places like that: It connects a lot of countries together as opposed to your local neighborhood or a couple of states in America . You can get everybody involved. Everybody who likes what you do. We’re still looking for some good solid platforms to release on. MaM : Well, I look forward to seeing everything you guys have coming out and I want to say that the animated videos on Instagram are awesome. Can you tell me a little more about how you hooked up with the guy behind those? RC : Glen found him; he’s located in Hungary . His name is Balázs Gróf . He listened to our music and offered to do a couple of snippets. He’s an award-winning music videographer, cartoonist, and animator . He’s done stuff for Rob Zombie , Amon Amarth , Obituary , Testament , William Shatner , and Red Fang , and now us. We told him to do it your way, and we want people to express us as they hear us. 'Stop Squawkin' by Stone Deep MaM : Ok, so I think I have one last question for you guys. Where do you see yourself headed in the future with the current trajectory? RC : I see us doing independent releases, some strong indie releases, and doing some touring. I’m really interested in doing some European festivals and stuff, and we’re at a good position in our lives where we can pick and choose what we want to do, which is good, but I’m personally interested to see how many of “us” there are out there. Does that make sense? I want to reach the maximum amount of people that enjoy what we do and understand the messages that we put out. To experience Stone Deep’s music and to show them some love, visit them online at: Facebook : Stone Deep, Nashville | Nashville TN | Facebook Instagram : Stone Deep (@stone_deep_nashville) • Instagram photos and videos Bandcamp : Nashville (EP) | Stone Deep (bandcamp.com) YouTube : Stone Deep - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Grits & Greens are on a mission to spread their signature sound in support of their new album. < Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens: Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Email him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. < Back Jean Claude Seagal: A New Journey through Alternative Rock Nicole Brice Mar 22, 2024 Share The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Growing up as a teenager in the 90s, I was obsessed with DIY bands that did not conform to a certain look to get their messages across. I admired the authenticity of bands such as Sonic Youth, Buffalo Tom, The Breeders, and Archers of Loaf because of the raw power found in their music. Using scaled-down production techniques mixed with feedback and fuzz, these bands set a precedent for many who are trying to emulate their style now. They say that time repeats, and it is repeating now. Enter one of the newest bands in Baton Rouge, Jean Claude Seagal. With potent lyrics combined with a smooth delivery and just the right amount of grunge fuzz, these guys are emerging as a continuation of the alt/grunge sound of the 90s, and their music is packaged as such. Possessing personality and sheer talent, the band comprises Justin Tatman on vocals and guitar, Nick Maggio on bass, and Robby Gray on drums. Credit: Gary Governale Formed in 2024, Jean Claude Seagal’s first release is titled “State Champs,” and with this EP, the band has created a sound combining elements of indie rock, punk, and grunge, creating a style that is both familiar and fresh. With honest, confessional songwriting that speaks to our experiences and emotions, Jean Claude Seagal has created timeless music that will connect with listeners, reminding us of the power of honest, heartfelt songwriting. Click the picture to listen Mixed Alternative Magazine had the opportunity to chat with the guys of Jean Claude Seagal recently about the band's origins, plans, and much more, so take a moment to learn a little more about one of the newest bands on the scene in Baton Rouge. MaM : Thanks for meeting with me today. Let’s dive right in. How did the band name come about? Justin : I was in a band a long time ago, and we were trying to think of a name for it, and the drummer at the time suggested Jean Claude Seagal, and I thought it was the greatest thing I had ever heard, but we never used it, so years later, here we are. Credit: Gary Governale MaM : So, how do you all know each other? Nick : Well, I met Robby over a decade ago off Craig’s List. We were starting a couple of projects here and there, and I needed a guitar player, but see, we were all in the band, Minus One. This was over a decade ago. Minus One was another alternative rock band, and we were around for a bit until COVID hit, and that just killed it. We just decided recently to form a new band, and here we are. Robby : I’ve known Justin since elementary school. He and I have been in and out of bands since we were kids, and Nick and I have another project we’ve been working on that we can’t find members for currently. It’s a progressive rock project. Not the stuff you generally hear around Baton Rouge. I picked up playing drums when I was about 11 years old, with no lessons. I started listening to Metallica as a kid and then begged my dad for a drum set. I love playing drums, and if you listen to my playing, you’ll hear a little Metallica influence—the triplets I do with my feet and stuff like that. It’s in there. I’ve always thought that the drums help bring energy to the songs. Justin : His style brings more potency to the music with a little punk influence. Credit: Gary Governale MaM : What got you each into music originally? Justin : I saw Nirvana’s “Live and Loud,” and when they were playing “Endless Nameless” and just messing around and throwing stuff everywhere, I was like, “I can do that!”. That’s really where it started for me. Robby : For me, it was when I sat down behind my first drum kit. My crappy drum kit. (laughter) MaM : Well, you gotta start somewhere! Justin : My mom had this little acoustic guitar, and I asked her if I could start playing it, but she didn’t think I would stick with it. I started tuning it and messing with it, though, and she would get mad at me. Nick : For me, I loved music from the get-go. My dad would throw on Michael Jackson’s “Thriller” album in the car, and he had a good bit of Whitney Houston, too, but for me, the way loud music resonates with you. Your whole body shakes with the music, and I always wanted to be a part of that. When I was 14 years old, my mom bought me my first guitar, and it was a no-name replica type of guitar. Some knock-off 6-string thing. I’m mainly a guitar player, though. Credit: Gary Governale MaM : So bass is new for you? Nick : Well, yes and no. I can pick up a bass in a pinch. I listen to a lot of music that has intricate arrangements, and I like to think of a song in its totality—just everything in it. Everything has its part to play in making a cohesive sound. One band, one sound. MaM : So, who are your biggest influences as far as the sound of this band? Justin : I like Hum and Dinosaur Jr. Sometimes it’s upbeat, and sometimes it has that noisiness to it. They don’t try to make their music all posh or anything. Nick : As far as influences for my bass playing, I like a lot of heavier bands. Dan Briggs from Between the Buried and Me is one of the best bass players on the planet, in my opinion, but he has a way of carrying the low end that is different from just sitting and playing your scales up and down, and I try to emulate that with what we do, but in a more simplified way because I’m not nearly as shreddy as that guy. Robby : As for me, I have a hard time finding a band to compare us to. I would say that I take my influence from Rise Against mixed with a little Metallica. Credit: Gary Governale MaM : Where was the EP recorded? Nick : My house MaM : So, what was the creative process like for writing and recording it? How did you get the songs that you decided to put on the EP? Nick : We had those songs ready already, so we spent a week tracking drums, half a week tracking the rest of it, and another week mixing it down. We got it done quickly. Credit: Gary Governale MaM : What is your mission statement as a band? What do you hope to accomplish in the future? Justin : We want to stay creative, and we hope that people like what we are putting out. Nick : At the end of the day, we just want to rock people’s faces off and have a blast doing it. As Jean Claude Seagal continues to forge ahead in getting their music out to the masses, they no doubt will find those who resonate with their unpolished and bona fide sound. To hear their new EP, “State Champs,” just hit one of the links below, and then be sure to follow them on social media to stay up-to-date on all upcoming shows. Facebook : Facebook Instagram : Jean Claude Seagal (@jeanclaude_seagal) • Instagram photos and videos Apple Music : Jean Claude Segal, Apple Music Spotify : State Champs EP by Jean Claude Seagal | Spotify *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: The Suckling Review Ezekiel Kincaid Share Mar 17, 2023 This B-horror movie is so bad, it's B-movie gold There are bad horror movies, and then there are so-bad-they’re-good horror movies. Ah, yes, the never-ending cesspool of B-horror movies. Some of us love them, and some of us hate them. And if you're in the vein of loving them, there are plenty for that. These days, there are so many B-movies out ther, one can get lost in the movie void when trying to figure out which ones are worth watching and which ones are worth skipping. But alas, have no fear, Zeke is here! I’m gonna wade through the B-movie junkyard so you don’t have to. Equipped with my high tolerance for bad acting, stupid plots, and excessive gore, I’m the perfect man for the job. Even my editor says so. This week we are kicking things off with an all-time favorite of mine and my fiancée’s called The Suckling. Directed by Francis Teri ( Flesh Eating Mothers , 1989—another great B-movie), this gem hit the horror scene on September 24th, 1990. The movie stars people you’ve probably never heard of as well: Geral Preger, Marie Michaels, Lisa Petruno, and Janet Sovey … anyone? ANYONE? Yeah, I didn’t think so. One of the things that makes this movie so great is that it absolutely takes itself seriously. In fact, in the opening credits, the director tries to make us think this is based on true events. What are those events and what is the plot of this movie? I’m glad you asked. Brace yourselves. Also known as Sewage Baby , the story follows a young couple in need of an abortion. The girl isn’t so sure about it but the boyfriend? He’s all in. from IMDB stills However, because of the taboo surrounding abortion, they are looking to try and take care of things in a discrete and cheap manner. And man, do they ever … they strike gold! The couple finds a brothel with a lady named Big Mamma, who happens to take care of such kind of needs. And, oh man, let me just tell you that the opening scenes taking place in this brothel are, well, absolutely trashy, completely offensive, and downright hilarious. Big Mamma, from IMDB stills The couple decides to go through with the abortion, and this is where things get loco. The fetus terminated in the operation is the largest, nastiest amalgamation of flesh imaginable. Then, like every good B-movie, toxic waste gets involved (think Toxic Avenger meets aborted baby). The dead fetus gets chunked down the sewer. which happens to be full of some sort of toxic waste. The waste mixes with the fetus, brings it back to life, and transforms it into this mutant-like creature that grows at an exponential rate. The beast is actually pretty cool-looking, despite the low budget. It has these razor-sharp teeth reminiscent of the creatures in Feast , along with flesh-serrating claws, as well as a special skill of attacking and killing people with its umbilical cord. There are also some great, low-budget kills with blood that looks like it was watered down to make it go farther, but it works. The Suckling, from IMDB stills To make things more interesting, the toxic fetus has a weird superpower. It is somehow able to wrap the entire outside of the building with a supermassive placenta. This traps everyone inside the brothel, allowing them to get picked off one by one. And don’t expect to care about any of the characters. They are all stupid, one-sided, and there just to be killed. Yes, this movie is every bit as crazy as it sounds—there’s even a wire hanger scene! Yikes. So, gather your Pro-Life and Pro-Choice friends for a watch party, and let the insanity begin! Zeke gives this one 5 out of 5 toxic fetuses. You can find The Suckling streaming on Tubi and Amazon Prime. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Chris Bond < Back Color, Form, and Texture with a Modern Twist Nicole Brice Nov 28, 2022 Share Chris Bond Color, form, and texture are the words that come to mind when I think of this artist, I am about to introduce you to. Color truly is everything. It doesn’t matter which medium is used because if something has a pop of color and catches my eye, I am hooked, and the stunning use of color and imagery used in these pieces is no exception. Let me introduce you to work of Chris Bond . Art by Chris Bond Chris is a Baton Rouge -based artist using texture and form to create colorful visual masterpieces reminiscent of a style made famous by Vincent Van Gogh . Each piece is unique and different and makes you stop to think and admire all the beauty in the world that serves as inspiration for those who create. Art by Chris Bond He likes to manipulate acrylics to make them look like oils. In fact, had he not told me that he prefers acrylics, I would have thought he was using oil paint all along. Chris credits William Whistler as an inspiration because “he was the father of modern art, right?”, says Bond . Although he prefers working with acrylics, he will utilize any medium to achieve the results he is looking for, because to him, the surface one uses to create is just as important as the materials. No truer words have been spoken. Art by Chris Bond Crediting his grandmother, Claudia , as his true inspiration, he has been creating ever since he could walk and pick up a crayon to color, and at 55 years old, this artist’s work is something to take note of and be inspired by. Art by Chris Bond For more information about this stunning artist’s pieces and to see his work, you can visit him on social media at: Chris Bond | Facebook If you are interested in purchasing pieces from him, he can be reached at: 430davidbond@gmail.com www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Non-Holiday Comedy Recommendations to Keep You Laughing During the Break < Back Giggle 'Til Your Heart's Content Keeley Brooks Nov 16, 2022 Share Non-Holiday Comedy Recommendations to Keep You Laughing During the Break The holidays doth approacheth, my friends, and while to some they signal a reason for the season and hold an attachment to gratitude and religion, to others—the children of the world … (i.e., me)—they signal time off from work and/or school and sometimes adulting. They also signal movies. Lots and lots of movies. New and old, which is awesome, but sometimes favorite holiday movies are played deep into the ground on TV, or there's such an influx of holiday content playing continuously that it starts getting monotonous. And for many of us out there, this time of year brings on Seasonal Affective Disorder, and to those of you, I extend my heart in compassion and genuine effort to entertain you, even if it is just temporarily. Whatever your case, being the giant movie nerd I am, I thought I’d share some of my favorite non-holiday comedies with you (in no particular order) in hopes maybe you haven’t seen one and get the chance to appreciate it. Even if you’ve seen them all, give ‘em another viewing and giggle yourself silly. Release those feel-good chemicals! As Good As It Gets (1997) – This one is in my top three favorites of all time. I relate so much to Jack Nicholson’s character, and the story as it unfolds is just sweet and beautiful to see. Nicholson plays Jack Udall, a very successful, rich romance novelist. He’s also a misanthrope (one who dislikes humankind and avoids society) and asshole with a pretty severe level of Obsessive-Compulsive Disorder. Udall says what he thinks when he thinks it, and he’s quick to say what he feels, even if it’s offensive. He doesn't care. And 95% of the time, everything out of his mouth is offensive ... and hysterical. This story is about the unlikely friendship that forms between him, a single mother and waitress (Helen Hunt), and a gay artist (Greg Kinnear). Also stars Skeet Ulrich, Cuba Gooding Jr., and Harold Ramis. Groundhog Day (1993) – Who doesn’t love Bill Murray? He emotes the exact way I feel about things a lot of the time, and that makes me giggle. In this flick, he plays a hilarious narcissistic, self-centered weatherman who finds himself trapped in a time loop on Groundhog Day, and he has to live the day and it’s events over and over and over until he sees a way to work it to his advantage and the experience ends up changing who he is. When you’re feeling salty and sarcastic, pop this movie in and sit back with some popcorn. And a blanket because it’ll make you feel cold even if you’re warm. Also stars Andie MacDowell, Chris Elliot, Stephen Tobolowski, and Harold Ramis. What About Bob? (1991) – I couldn’t talk about Bill Murray without mentioning this little gem of his, which I adore. Murray plays Bob Wiley, an annoyingly loveable obsessive-compulsive neurotic. He’s also a hypochondriac who drives his psychotherapist completely batshit after tracking him and his family down on vacation. This one is nothing short of hysterical. It’s a must-see. Also stars Richard Dreyfuss, Julie Hagerty, and Kathryn Erbe. Bad Words (2013) – Ah, a Jason Bateman film starring Jason Bateman. This movie is absolutely HILARIOUS for anybody watching, but definitely if you have kids (and don’t get offended easily), you have to watch this movie. Bateman plays a 40-year-old misanthropic a-hole who finds a loophole and enters a regional spelling bee. He cracks me up with his dry sense of humor, and here he’s hurling insults at every turn, mostly to the kids. Kathryn Hahn appears as a journalist covering the story, and she and Bateman’s character form a friendship with hilarious benefits. Bateman’s character also proves he has a heart as he befriends a young speller feeling pressure from his parents to win. No lie, I watch this probably once a month. Maybe two. The Change-Up (2011) – I also can’t mention Jason Bateman without doing the same for a few of his flicks. This one is so funny that it’ll have your face hurting from laughing so much. Let me go ahead and say if you’re wound a little too tightly or are easily offended, go ahead and pass on watching this movie. Bateman and Ryan Reynolds are best friends who find themselves in a Freaky Friday-type situation after they take a leak in a fountain boasting a Roman statue in the park. Bateman’s character is a hot shot lawyer who is married with three kids—two of them being two-year-old twins and the other in elementary school. Reynolds’s character is a weed-smoking, part-time actor in the prime of his sexual life. What ensues is absolutely hilarious and you’ll be wiping the tears from your eyes and having to catch your breath. A definite MUST SEE. Also stars Leslie Mann, Olivia Wilde, and Alan Arkin. Horrible Bosses (2011) – Can you tell I’m a Jason Bateman fan? This gut-busting flick also stars Charlie Day, Jason Sudeikis, Jennifer Aniston, Colin Farrell, Jamie Foxx, Julie Bowen, Megan Duchess of Sussex, and (sigh) Kevin Spacey, who plays the perfect horrible boss. Bateman, Day, and Sudeikis are best friends who love their job but hate their bosses and would love nothing more than the grind ‘em into the ground. So, they hatch a hysterical plan with the help of Jamie Foxx. This one is in my top three favorite comedies. I guarantee you will love it. Who hasn’t had a horrible boss they hated before? Larry Crowne (2011) – This little romantic comedy kind of flew under the radar in the wake of summer releases, but it stars Tom Hanks, Julia Roberts, Bryan Cranston, Cedric the Entertainer, Wilmer Valderrama, Rami Malek, Rita Wilson, Taraji P. Henderson, and Gugu Mbatha Raw. Tom Hanks is Larry Crowne, a middle-aged divorced man, who finds himself on the unemployment line after a wave of corporate downsizing. Drowning in debt and unable to find work, he enrolls in community college, where he becomes part of a community of misfits who are trying to carve out a better future. A definite heartwarming comedy. The Big Lebowski (1998) – I LOVE THIS MOVIE. One of my all-time favorites, and Jeff Bridges’ character is actually based off a real-life character by the name of Jeff Dowd (aka The Dude). Here, Jeff Bridges is The Dude, a loveable, easy-going, weed-smoking bum who loves bowling. Weed and bowling. And his rug. And his car. That’s his life—until he’s mistaken for The Big Lebowski, millionaire Jeffrey Lebowski, and he finds himself getting roughed up while watching his precious rug get peed on. In search of recompense, The Dude tracks down The Big Lebowski, who offers him the job of being the bagman and delivering the ransom for his kidnapped wife. He’s aided and hindered by his pals Walter Sobchack (John Goodman), a Vietnam vet who owns an ammo shop, and Donny, master of stupidity. Also stars John Turturro, Julianne Moore, Sam Elliot, the late, great, and very missed Philip Seymour Hoffman, and Tara Reid. As was the case with most Coen brothers’ movies, the dialogue is what drives the story. And this one’s full of some pretty excellent dialogue you’ll be quoting for the rest of your life. Dumb & Dumber (1994) - Again, call me a giant child; I don’t care. I agree. I happen to love Jim Carrey (and his Ace Ventura movies) and think he brings a hefty level of comedy to everything he does just by being himself, and that is awesome. Here he and Jeff Daniels (also very funny) are best friends who are complete idiots. They set out on a cross-country road trip to Aspen, CO, to return a briefcase full of money to its rightful owner, Mary Swanson (played by Lauren Holly). What ensues builds mishap upon hilarious mishap throughout their entire journey. Liar, Liar (1997) – This is my absolute favorite Jim Carrey movie, along with the Ace Ventura movies. Carrey is Fletcher Reed, a divorced, smooth-talkin’ pathological liar, who is also a conniving ace attorney. When his kid makes a birthday wish that for just one day his dad couldn’t tell a lie and it comes true, Fletcher’s world is turned upside down and inside out on one of the most important days in a huge case that, if he wins, could earn him the title of partner. Five stars all the way. Also stars Maura Tierney, Cary Elwes, Swoosie Kurtz, Cheri Oteri, and Jennifer Tilly. Uncle Buck (1989) – A John Hughes (director) treasure. All of his movies are, really, but this one in particular is because of the late great John Candy. When his brother and sister-in-law have to leave town suddenly to care for her ailing father, and after trying everyone on their list of people to look after their kids and having no luck, they’re left with no choice but to call in the lazy, unreliable, carefree Uncle Buck (Candy). His youngest niece (Gaby Hoffman) and nephew (Macaulay Culkin) take to him instantly, but his oldest niece does not; she’s a straight-up bitch to him … an angst-filled teen who gives him hell. Seeing these two bat her angst back and forth makes me giggle. And it’s relatable. I mean, don’t lie: who out there hasn’t been a complete and total bitch to someone at some point in your life? Also stars Laurie Metcalf and Anna Chlumsky. Bridesmaids (2011) – The more I watch this movie, the funnier it gets. This one is so relatable because we’ve all either worried about or at some point felt like we were losing a best friend to marriage, until we learned differently. Here, a hilarious competition between between the bride’s (Maya Rudolph) best friend & maid of honor (Kristen Wiig) and a bridesmaid & close friend (Rose Byrne) over who is the bride’s best friend ensues and threatens to upend the maid of honor’s life and relationship with the bride. This one’s a total treat and also stars Melissa McCarthy, Rebel Wilson, Wendi McLendon-Covey, Jillian Bell, Chris O’Dowd, and Ben Falcone. The Hangover Part II (2011) – You didn’t think I was going to talk about Bridesmaids without mentioning The Hangover , did you? While the original Hangover is hilarious in its own right, I find the sequel funnier. We had the chance to meet the guys and let the first experience with Alan sink in; now that we know the characters, everything they get into is that much funnier. If you haven’t seen the movies, they focus on three best friends who allow the oddball brother of the bride in the first flick to tag along on the bachelor party, who then drugs the other guys for a fun night in Vegas. Now part of their “wolf pack,” the sequel finds Alan (Zack Galifinakis) and the guys (Ed Helms, Bradley Cooper) in Bangkok, Thailand, minus the groom from the first movie, played by Justin Bartha). This time they’re celebrating Helms’s character’s impending nuptials with his bride’s brother. Again, Alan drugs everybody and they have a wild night of partyingin Bangkok, followed by no recollection of it the morning after. In both movies, they lose someone: the groom in the first and the bride’s brother in the second. Watch the second one and you’ll see why it’s a favorite. Also stars a very funny coked-out Ken Jeong, Paul Giamatti, Mike Tyson, Jamie Chung, and Jeffrey Tambor. Blazing Saddles (1974) – If you’re gonna scream at me about your sensitivity, I can’t hear you. I don’t care what PC society says, this movie is damn hilarious. IT’S SATIRE, people, and that means it’s poking fun, specifically in this movie, at American culture, racism, religion, and politicians. Lighten up a bit on all fronts and enjoy some of the most quotable dialogue ever. Stars Cleavon Little, Gene Wilder, Mel Brooks, Slim Pickens, and a whole slew of other funny actors. Dinner for Schmucks (2010) – This one kind of flew under the radar. It wasn’t a big hit, but that doesn’t mean it’s not big fun. Paul Rudd is a rising executive who works for a boss who hosts a monthly event in which the guests find and bring the biggest idiot, and whoever wins gets a career boost. After declining the invitation to attend, he changes his mind after meeting Barry (Steve Carrell), who builds dioramas using stuffed mice. The boss’s scheme backfires when Barry’s blundering good intentions send Tim's life into a downward style, threatening a major business deal and possibly destroying his relationship. Absolutely hysterical. You’ll definitely be wiping some laughter tears away with this one. Tucker and Dale vs. Evil (2010) – Again, I love horror comedies … Dead & Breakfast , Shaun of the Dead , Tucker & Dale vs. Evil . This one is Shaun of the Dead meets Texas Chainsaw Massacre and is a gory comedy about two affable rednecks, Dale (Alan Tudyk) and Tucker (Tyler Labine), who are also best friends trying to enjoy a quiet vacation at their new cabin in the woods. Things take a bloody turn when some ignorant college kids mistake them for a pair of murderous hillbilly psychos. I’d watch Alan Tudyk and Tyler Labine eat breakfast. I’ll watch anything they’re in. If you’re a fan of these actors or of horror comedies, this one’s a must-see gem you'll keep in your collection. O' Brother, Where Art Thou? (2000) – Another Coen Brothers gem. They truly outdid themselves with this one, which is a wonderful little saga of three escaped convicts in the 1930s Deep South who are seeking a buried treasure. Their hunt is based on Homer’s The Odyssey and stars heavy-hitting comedic geniuses George Clooney, Tim Blake Nelson, John Turturro, John Goodman, and Holly Hunter. Shaun of the Dead (2004) – I love horror comedies. This British film by director Edgar Wright follows the hilariously bloody adventures of underachiever Shaun (Simon Pegg) and his best mate Ed (Nick Frost) as a zombie apocalypse breaks out. HYS. TER. IC. AL. The Money Pit (1986) – Tom Hanks is one funny man. He’s a fantastic actor who portrays such relatable characters, they can’t help but imprint upon your soul. This is one of my favorites of his. Walter (Hanks) and Anna (Shelley Long) struggle to keep their relationship together as their newly purchased-for-a-steal mansion starts falling to pieces around them. The two have no choice but to watch in hilarious horror as everything disappears into The Money Pit. Hanks and Long have a fabulous chemistry together and their arguing and reactions to what is happening are nothing short of gut-busting. Funny Farm (1988) – I’ve always been a Chevy Chase fan … as far back as I can remember. Here he is former sportswriter and wanna-be novelist Andy Farmer, who moves to a small farm in Vermont with his wife Elizabeth (Madolyn Smith), who secretly aspires to be an author, to work on his novel. They quickly realize the locals are not as welcoming as they’d like, and the farm is more distracting than they thought. You’ll be laughing your butt off while feeling a bit of holiday spirit well up inside. Orange County - Absolutely a movie that gets funnier every time you watch it. Colin Hanks is a smart high-school student with a dream of being a writer and his heart set on going to Stanford, until his guidance counselor (Lily Tomlin) accidentally sends the wrong transcripts with his college application. Hanks is horrified and he spends the rest of the film trying to prove he's actually a good student with a terrific grade-point average worthy of going to Stanford. Some of the funniest actors on the planet star, including Catherine O'Hara ( Schitt's Creek, Beetlejuice ), Jack Black ( School of Rock, Tenacious D ), Harold Ramis, Chevy Chase, John Lithgow, Mike White, Nat Faxon ( The Conners ), and Leslie Mann ( 40-Year-Old Virgin ). www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Insightful, brilliant, and talented < Back Alfred Banks: A Blessing from the Crescent City Nicole Brice May 22, 2023 Share Insightful, brilliant, and talented Growing up, I loved the hip-hop showcased on programs like Yo! MTV Raps . The music had heart and a meaningful message. However, over the years, hip-hop has seemingly evolved away from impactful rhymes and verses towards themes focused on excess, elaborate stage shows, and corporate endorsements. As a result, I stopped paying attention and shifted my musical tastes elsewhere—until one artist emerged who could rhyme about anything and everything, with verses that had both meaning and heart. Alfred Banks ' body of work is so diverse that it will leave you amazed. He can take a blank piece of paper and create a rhyme about it right on the spot. Banks is a hip-hop musician based out of New Orleans, La. , and his latest release, ' Blessing ,' is a nod to the city that raised him. In the song, he says, “It’s a blessing coming from the Crescent” and for Alfred Banks, indeed it is. The man reps New Orleans wherever he goes, and we are lucky to be able to enjoy his talent. Banks got his start in the industry under the moniker Lyriqs Da Lyraciss at age 17 and has shared the stage with Rakim , Lupe Fiasco , Wu-Tang Clan , Tyga , Desiigner , and Kendrick Lamar , among others. He has performed at New Orleans-based events Voodoo Fest and Jazz Fest , and he even visited Reeperbahn Festival in Hamburg, Germany. Did I mention one of his songs was used for a Volkswagen commercial and that numerous songs of his are licensed to shows and movies? His knack for rhyming, his charisma, and his insightful lyrics are what got him noticed in the biz and, as we like to say, the rest is history. He has been steadily churning out music ever since, with many new ones this year, but he does not limit himself to solo material—no. This man is involved in so many projects, we lost count after a while. We did ask him about all those wonderful endeavors, though, and you can read more about them in this interview. Currently, Alfred is focused on promoting his newest album Nectarine Peels , which is part of his collaboration with Albert Allenback of Tank and the Bangas in a group called Saxkixave . These two are like the odd couple of hip-hop and their infectious videos are beyond hilarious and showcase Bank’s personality in a whole new light. In fact, the duo goes together like peanut butter and jelly and truly do complement one another. Albert makes these killer beats and Alfred comes up with the wittiest rhymes to go with them. Released May 18, 2023 In addition to Saxkixave , Alfred is continuing to perform shows like crazy, showcasing his solo material. Check out this convo we had with him recently, then go check out his catalog of material. You will fall in love with him as much as we have. MaM : When I first discovered your music, the thing that drew me in was your use of words. You can pretty much make a rhyme about anything. When did you realize you had this gift with words to take it to the next level professionally? AB : I remember when I was in sixth or seventh grade, I used to freestyle a lot. I lived in Tallulah, Louisiana for, like, three years and I would freestyle a lot with some of the kids around there. I would gravitate towards anybody who rapped—actually, I’ll go back a little further. Fifth or sixth grade was when I started noticing that I liked remixing songs in my own way. Me and my man Nigel would make comedic remixes for them. We would take any song that was hot at the time, which was 2000/2001 , and remix them about food. I started noticing I could do that off the top of my head. … Junior high was when I started to write raps, which were kinda cool. I was more into that battle type of energy. My sophomore year of high school was when I truly started writing, though. … I really started freestyle battle rapping and I noticed I could think of things on the spot. My whole thing was coming from New Orleans , you have to know how to rib and I got ribbed a lot … picked on a lot and my way to fight back was to just rap. I would just head to toe and people would die laughing. That’s kind of how I got my name. I started uploading music to MySpace and stuff. It started getting a little bit of traction and I did some shows around town. I started battling first. … I just started noticing that if I looked at someone, I could make a rap about it to whatever degree. I fell off it for some years, though, and focused on my songwriting and touring. Around 2019 , I did a tour with my man Mega Ran and he did this thing where he would ask people to hold stuff up in the air and he would freestyle about it on the spot and I [thought that was amazing and wondered if I could do that]. I started doing it with Saxkixave and it goes over well and keeps my freestyle sharp. People kind of know me as a freestyle guy now, so it’s kind of cool, then you meet someone like Ray Wimley , who is a freestyle savant, and he went viral because he freestyled with Common a few years back for Essence Fest . We actually did a freestyle battle at a Pelican’s game and that was me in front of thousands of folks having to put my freestyle skills to the test and, respectfully, I was the victor in that situation. … I don’t really write a lot, not as much as I’d like, but freestyling just kind of works. credit: Gary Governale MaM : Well, as far as your lyrics for your songs, what inspires your lyrics? 'Blessing,' of course, is based upon your love for New Orleans, but I was listening to your music and you’re all over the place with content and what you talk about. None of your songs are the same. AB : I know sometimes it makes it hard to be marketable when you do a lot of different things, but I just have a lot of different interests and I’m not always in the same space. To some degree, I guess I need to find a vein, but for the most part, I’m all over the place and I love that. 'Blessing' performed at the New Orleans Jazz & Heritage Festival in 2023 MaM : Where did Underdog Central come from? AB : That’s my life mantra I live by. Underdog Central is the place where the overlooked go to hone their skills to come back and become admired. It’s my label name, too, and my social media handle. I made it my social media handle ‘cause Alfred Banks was taken, but because it’s my label, I wanted that name to be first before anything. I want people to know what my brand is. When I first came out, I was a little rough around the edges, a little unrefined, so I had to go back into my proverbial batcave and fix things. I came back out, though, and now am who I am. I feel like the people who are extremely talented tend to get overlooked and are always having to fight from behind from a deficit and always must prove who they are no matter if they are the most talented one in the room or not. You can’t take anything for granted and you must treat every moment as if it’s your last, so that’s what Underdog Central is about. credit: Gary Governale MaM : Are you born and raised in New Orleans? AB : Uptown, yeah, uptown New Orleans. Uptown kid for sure. MaM : Your brand of hip-hop is the type that is missing these days. It has those classic undertones and that hint of nostalgia. Your lyrics with 'Blessing' are so insightful and that song truly resonates with me. AB : Yeah, that’s a style of record I have never done before. One thing I have been noticing lately is I am the most off-brand New Orleans person you will ever meet. [I’m] born and raised in this bad boy, but when you look at my everything … I don’t even look like I’m from New Orleans. I don’t act like I’m from New Orleans…like some things I don’t even relate to, but I am definitely from here, but I never made a song I felt could resonate here. All the music I make is more for everyone. I also made it from the angle of where if someone from Detroit heard it, they could be like, ‘I feel this way about my city.’ 'Blessing' on YouTube MaM : What struggles or roadblocks did you encounter when you first tried to break into the industry? AB : Just making hip-hop in New Orleans. There was a big scene from 2007-2015 where it was a community and there were shows happening and people would come out to the shows and we all tried to support each other and spread the word about each other’s stuff, then after that, there was a shift in the music. I can say to a degree that I’ve stayed contemporary with my style. It doesn’t sound like it’s from 1989 or anything, but the more lyric heavy and conceptual idea-driven music doesn’t have as big of a platform here as other stuff. The people in the scene here, though, started to get older and started [coming out less]. That and the fact that New Orleans is not a hip-hop city, and so it doesn’t matter how talented you are. It’s been like, ‘Where’s your bounce song?’ or ‘You got a dude playing trombone on it?’. It’s funny now, though, the response I’ve gotten for the song ' Blessing ' … thirteen years into my career, you would have thought it was the first song I ever made because everyone is like ‘Finally, you got a record we like.’ I’ve got albums that have charted across the U.S., but that record is doing pretty good in New Orleans, specifically. Pick your battles. My biggest thing was just trying to do my brand and my style of hip-hop and bust open these doors that are solely reserved for people who do Zydeco or brass band music—stuff people consider New Orleans but, to a fault, it’s so New Orleans that no one wants to hear anything else. But I always thought it was weird that these big platforms—these big festivals here—only portray a certain style of New Orleans; where’s the hip-hop? That’s always been the main issue with me. I want to be the guy that can go into a room filled with musicians who do not do hip-hop to any degree but do my thing and it resonate or translates with them. I’ve kind of become that guy, though. I’m the guy in a room full of brass bands and zydeco bands who is the hip-hop representation, which is a gift and a curse because I never get to perform for my people. I always get to perform for people who are being exposed to what I do for the first time, so it kind of creates this very uncomfortable energy, which can be a bit weird at times. I’m a part of this group called Glbl Wrmng and we’re doing this Wednesday at the Square thing, which I don’t know the last time they had a hip-hop group perform there, but … I have this never say die, blind optimistic view of life, though, so I just keep going for some strange reason. credit: Gary Governale MaM : No, but that’s a good thing! You’re not admitting defeat at all. You’re just like, “I don’t care what you’re gonna throw at me. I’m just gonna keep doing my thing until it resonates,” ya know? AB : …and the funny thing is it hasn’t stopped me. I’ve been able to tour all over the world. I guess it’s not that big of a deal, but for me it is. I’m doing it less about me and more about the next. I’m a young guy, but I’ve been out for a while, and so I just want to look out for the next guys coming up that feel like me because everybody is a street rapper, and there’s nothing wrong with that. I come from the hood, but I don’t see it from that angle. I was in a house and my mom kept me in the crib, and not everyone is from that cloth. There are people, though, that take those experiences and turn them into something else. Not what you would expect. I just try my best to be that alternative for people who love hip-hop, care about bars, care about lyricism and concepts, good beats, melodies, etc. MaM : … and you bring it all. You’ve got the whole package with it. AB : I appreciate that. credit: Gary Governale MaM : Glbl Wrmng — tell me more about this. AB : Word, so Glbl Wrmng is a collective about 35 people in the city from engineers to producers to singers to rappers, graphic artists, etc., and we just all [come together] … so Glbl Wrmng is like, ‘Nope! We can!’ So that’s what we’ve done and as a collective. We’ve performed at Buku Fest , we’ve opened for Tyler the Creator , and we’ve played Jazz Fest . We’re going to be playing Wednesday at the Square , and so we’re using this as a platform to get some of the guys in the group exposure with their first big stages to give them that experience and to be around people like Pell or Train or me to help usher in those guys to just make great music. I love being a part of Glbl Wrmng. It’s very interactive. It’s teaching me how to support people from a very active standpoint, and I truly mean it when I do it and vice versa. It’s allowing me to also get involved with other people’s careers to some degree, which is fire. MaM : Well, it’s a collective grouping of like-minded individuals all supporting each together, which is awesome. AB : Yeah. Glbl Wrmng put out an album during the pandemic and I’m on it. Saxkixave is on it. It’s called ‘ Glbl Wrmng Vol. 1 ’ and it’s a dope record. We’re working on Vol. 2 right now, but at the end of the day the one thing I have learned is that collaboration is very important, especially for me the past three years. Working with Soul Rebels , working with Brassaholics , working with Flow Tribe , working with Glbl Wrmng , working with Tank and the Bangas , and all these different people has been helping me elevate my platform and get in spaces where I probably wouldn’t be normally. I’m very grateful for that. Just working to get that buzz to where it needs to be and it’s been a trial at times, but I want to just keep rapping and keep working and the inevitable will happen at some point. credit: Gary Governale MaM : So, 2023 you’re gonna just do a lot of touring or are you working on any other new solo music? AB : … Instead of putting out new stuff to the same folks, I already have music that resonates, so from there I think I’m going to use videos and promos as a ploy to get people to check out the catalog I have and then go from there. I have a lot of music that hasn’t been unearthed just yet. I have a project called Mere-Exposure Effect , which I feel is one of my best projects writing-wise. It shows I could do radio records if I really wanted to. Mere-exposure effect is an idea that if you recognize it, you’ll like it, so the whole project sounds like radio records. If it sounds like something you already know, then you’ll like it by default. I have a project called ‘ Road to a Rolex ’—some of my hardest hitting beats. I’m rapping about getting money the entire project but from a couple different aspects. I have a project titled ‘ One Guy Standing by Himself. ’ That project debuted at number three on iTunes . It was one of my most successful projects to date. That’s a project I wrote to get myself out of the mind state of COVID . I wrote that project in like a week and it’s more introspective and a little lighter-hearted. I [also] have a project called The Beautiful and that’s my magnum opus and is my biggest project to date. That project is about my brother and his struggle with schizophrenia and his ultimate suicide. The day of his funeral, I had to leave in the middle of his service because I had a show to play that night, and so I wrote an album about the car ride from the funeral to the show, so in that album, I develop schizophrenia too; so, I sort of battle it throughout the album. That’s my biggest project to date and a lot of people don’t even know it exists. I’ve also got The Range 1 and 2 . I do a song with Wheatus and a bunch of people. It’s like five different genres in one project. credit: Gary Governale MaM : I am just blown away with all the projects you have. How do you even sleep? AB : Well, for me, I did go through a time where I was putting out a lot of music and it does seem like a lot, but it really isn’t. I’ve got songs that if someone goes back in like 15 years to discover them, they’ll be like, ‘That shit was fire!’. A catalog full of those records. Some may consider me a conscious rapper and I’m not conscious in the vein of social or political issues, but I rap about things from my point of view. MaM : Well, just life. I’ve listened to all your music, and you are all over the place. No song is alike. You have so many different styles and facets to your personality and what you do. You can go from a silly track to something super serious. AB : For sure. MaM : … which I feel is so endearing and is going to continue to resonate with people—even those who are just now discovering you for the first time. AB : Honestly man, that’s just how my brain works, cause we’re human. We all go all over place. There are some days where you are very happy and so you want to listen to a happy song and then there are days where you are not happy and you don’t want to even hear music, but if you do, you want to hear some sad stuff that is introspective. Some days you want to hear something lyrical. Some days you will want to hear something conceptually driven, but that’s just how I feel. Sometimes I don’t want to write a rap record, I want to write a dance record. I want to do some EDM . I want to do like a hyper-pop record. There are some days I want to do some industrial shit. credit: Gary Governale MaM : That’s what I’m talking about. That’s my kind of music. AB : Some days I wake up, I want to go work with Albert and do some jazz or acid hip-hop or some days I just want to rap my ass off to show people how good I am. That’s just where I’m at and the path I’m on and people seem to like it. MaM : I think it’s a great path and, in fact, I don’t think you should change a thing with what you are doing. I think it shows diversity and it does not keep you in a certain type of music or anything. You are unique and different and have your own brand that is going to resonate because it is so unique and different. AB : Thank you. I’ll tell you this with all the things that have gone against me, all I’ve ever had [were] my skills and [they have] gotten me further than anything else I’ve ever done. I think that is what is going to keep me busy and keep my lights on. I just care about music, and I care about being good. I do come from the competitive aspect where if you put me on stage with other rappers, I’m going to try and outperform. I want to be the best in every room I’m in and I don’t know too many who still care about that. credit: Gary Governale MaM : You are nothing but heart. AB : Thank you. I want people to go, ‘I want to be invested in his brand of great because that boy is good.’ At the end of the day, though, I’m an entertainer, so it’s not about me. It’s about you, the audience, and I like to keep those things in mind. MaM : What are your plans for the rest of 2023? I know we’re halfway in, but where do you see the rest of the year headed for you? AB : It’s weird, I’m at this weird transitional part of my career where the business infrastructure that has been supporting me is not there because we decided to do our own thing and go our separate ways, but I’m back solo. I’ve been adjusting to that. We do have some other things down the line, though. Pre-COVID, I was doing close to 100 shows a year and in June, I’m going to Ohio. I’ll do three shows out there, then I’m going to Colorado in July. Just trying to get back to the West Coast. To experience all that is Alfred Banks, hit one of the links below. You won’t regret it. Alfred Banks (@underdogcentral) • Instagram photos and videos Alfred Banks | Facebook Alfred Banks | Spotify ‎Alfred Banks on Apple Music Saxkixave | Facebook SaxKixAve (@saxkixave) • Instagram photos and videos @SaxKixAve | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves good music and loves discovering new music she has not heard yet. Do you have something you’d like her to hear? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The philosophy of the Saw franchise and its iconic serial killer mastermind John Kramer cuts deep beneath the surface into the realm of Nietzschean nihilism. < Back The Philosophy of John Kramer and the Saw Franchise, Part 1: Film Analysis Ezekiel Kincaid Oct 19, 2023 Share The philosophy of the Saw franchise and its iconic serial killer mastermind John Kramer cuts deep beneath the surface into the realm of Nietzschean nihilism. In 2004, Director James Wan introduced us to a new kind of horror icon with the release of Saw : John Kramer, aka Jigsaw. In case you haven’t seen Saw , here’s what you should know: It’s one of the best and highest-grossing horror franchises of all time, having become a pop culture phenom that expanded into various other films, video games, comic books, theme park attractions, music, and tons of merch … and there’s even a Saw television series rumored to be in development at Lionsgate Television . The Saw series revolves around serial killer mastermind John “Jigsaw” Kramer and his apprentices, who are actually victims he traps in life-threatening scenarios that he refers to as tests or games. It’s up to the victim to decide what their scenario will be. What makes Jigsaw different from other horror icons like Freddy, Michael, Jason, and Pinhead is that John doesn’t kill for the thrill. in fact, he claims he’s never killed anyone at all. He simply gives people a choice. “Live or die. Make your choice,” is uttered more than once from him through the Saw franchise. As the storyline progresses, we find out more about what makes Jigsaw tick and why he does what he does in capturing people and putting them in traps. Immediately, Saw ’s storyline taps into our empathy, and in a weird, way we understand where he is coming from. Franchise creators James Wan and Leigh Whannell humanize Jigsaw and make us sympathetic to his plight, and they do so well with tapping into our psyche, that while watching the movies, we actually cheer for John Kramer at times. Saw features excellent storytelling, great tension, and creates so many moral gray areas , you can’t help but walk away from these movies thinking deeply about ethics, philosophy, and morality . This is because John Kramer thinks he has found the way to rehabilitate people and that is by placing them in traps that, if they survive, will help them walk away with a new appreciation for life. So, this topic will be a four-part series, but with this first part , I’m going to do something vastly different from the other film reviews to which you guys have become so accustomed. You’re used to seeing the snarky, sarcastic Zeke who enjoys making you laugh by subjecting myself to some terrible B movies. But behind the smart-mouthed persona, I have a deep intellectual and philosophical bent consisting of three degrees in theology, and with those degrees came lots of courses in philosophy. Therefore, it should come as no surprise that I would take a special interest in the Saw franchise. Besides The Evil Dead , Phantasm, and The Conjuring universe, the Saw movies are by far my favorites in the horror genre. Cracking the Philosophical Code of Saw and John Kramer I’m so taken by the Saw movies that I have spent years watching and rewatching them, meticulously taking notes and trying to figure out where John Kramer falls on the philosophical spectrum. After years of research and comparing Jigsaw to numerous philosophical thoughts, I believe I have cracked the code. Now, I don’t know if Wan and Whannell ever had this in mind when they thought up Kramer’s character, so I cannot speak to their intent. All I have to go with is how John Kramer is portrayed in the movies. That being said, I believe that John Kramer’s philosophy fits squarely within the realm of Nietzsche's nihilism. Let’s unpack this theory and compare Kramer to Nietzsche, shall we? Over the years, I have read numerous articles arguing how the Saw franchise is ethically convoluted. On the surface it can seem this way, and I will be the first to admit it. However, instead of just making a broad, sweeping statement, I believe once we take a deeper look, it all begins to make sense, especially once we look at it through the eyes of Nietzschean nihilism, which can be subdivided into two categories: passive nihilism and radical nihilism. The complexity surrounding John Kramer exists because, ironically, he falls into both categories. This would explain why, on a cursory viewing, the Saw franchise’s ethics seem to be disjointed. Indeed, what comes out of Jigsaw’s mouth at times is hypocritical, but when seen in this new light, they are not confused. Before we jump neck-deep into the world of philosophy, I want to assure my readers of something. I know not everyone has a philosophy background, and I know as soon as someone mentions the word “philosophy” it can be intimidating. Though I have all these theological degrees, I assure you I’m just a blue-collar redneck at heart. I promise to make this understandable and not use lofty jargon, and for the times I have to, I will define the words. Feel better? Good! Let’s continue. First, let’s define nihilism : It basically summarizes a family of thought that says life is meaningless . It rejects all religious and moral principles, including the fundamental aspects of human existence. It is skeptical of all human knowledge, morals, and religious ideologies. Nietzsche , the father of modern nihilistic thought, took this category and divided it into two parts: passive and radical. In talking about nihilism in his book " The Will to Power" (1967), Nietzsche defines a nihilist as someone “who judges of the world as it is that it ought not be and of the world as it ought to be that it does not exist.” To put it in blue-collar terms, all he is saying is that because purpose and meaning in life is unknowable, the nihilist cannot accept the world as it is. Understanding nihilism is extremely important if we are going to make sense of Jigsaw's morality, since it is his morality that drives the Saw franchise. In fact, when we view his morality through this lens, it shows us how coherent Jigsaw’s moral mission is in his own mind and to those of us watching the franchise unfold. I have read other critics who call John Kramer a monster and comment how the film does damage to viewers because it promotes a mindset that is against modern ethics. Sure, I can see how and why the critics would say this, but their criticism doesn’t hold up once we firmly place Kramer in the camp of nihilism. As I will unpack in this series, Kramer’s moral quest is not to save other people and leave behind some immortal legacy ; rather, what Jigsaw wants to do is more destructive. His aim is to destroy the world as is by changing the world around him. This, my friends, is nihilism. Viewing Jigsaw through nihilist eyes shows us that following the loss of his unborn son and a failed suicide attempt, he seeks to destroy himself. How so? Go back and watch the Saw franchise. Have you ever noticed that Jigsaw’s victims MIRROR his own obsessive traits? This is what I am going to break down for you moving forward. We’ll look at passive and radical nihilism, their differences, their similarities, and how Jigsaw fits within both these paradigms. My goal is not to categorize John Kramer but to give us a lens to view the movies through to make sense of his morals and mission. So, for the next few articles, sit back, get your Saw movies queued up, and let good ole Uncle Zeke take you on a magic philosophical carpet ride. Stay tuned as we cut deeper beneath the surface in Part 2 of The Philosophy of John Kramer. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Christina Binns < Back Flowers, Glitter, and Resin, Oh My! Nicole Brice Oct 29, 2022 Share Christina Binns You may not have heard of the name Christina Binns in the Art world YET , but you WILL . Putting her entire heart and soul into what she creates, this chicka knows how to merge the aesthetic of beauty and fragility into pieces worth having in your collection and showing off. I first met Christina , or Christi as I know her, when we had an honors English class together freshman year of high school. Christi had some wicked style, even back then, and I can remember her always having the latest and greatest fashions from the Delia*s catalog, which I always seemed to be lusting over. Lucky for me, though, Christi and I hit it off, become best friends, and then I had access to that same great fashion she paraded up and down the halls of our high school. With a knack for combining colors, textures, and styles, her fashion sense trickled over into her artwork, and throughout the years even though we may be miles apart, I have never forgotten how awesome this girlie is, and now, I would like to bring her art to you, the readers of Mixed Alternative Magazine . Art by Christina Binns Recently, Christina and I had a chance to chat, and I threw some questions her way, which she did not disappoint in answering. Get to know this incredible visualist and artist and then check out her work and buy something. You’ll want to buy everything because it is ALL phenomenal. In fact, in choosing the images for this piece, I had a hard time narrowing it down, so when you get to the bottom of this article, you MUST check out her work on social media. Christina Binns MaM : What age did you notice you had the art gene and a need to create? I remember you taking Art classes in high school, but never really asked you about your creations. Also, too, for the longest time, I had all the drawings you made me saved in a drawer at my mom’s house. It’s true. I wonder where those are now. Hrmm. CB : Well, I’ve been creating since before I can remember. I’ve always had a vivid imagination, still do. As a kid, I’d conjure up these elaborate stories & add my own illustrations. I was always doodling. I’m always in my “happy place” when I’m making things, always have been. Whether from my writing or my art, no matter the method, when I’m creating, that’s when I’m most fulfilled. So, to answer your question, the need to create has always been present. MaM : Thinking back, do you remember the first piece of art you ever created? CB : Oh man, the FIRST piece ever?! Where’s my memory when I really need it… well, since I can’t recall the 1st ever (that’d of been at a single-digit age), how about I go with a couple that really stuck with me through the years, both wooden creations. One was to be a box that opened & closed, the other a functioning mobile, with fully moveable parts. I’ll start with the box. Decided I was making a ladybug box, with wings on top that opened to reveal an itty-bitty cavity for tiny treasures & such. So, we all know ladybugs are round, right? Well, cue the naysayers – and I quote, “You can’t make a box round. That won’t work – it doesn’t even make sense!” Challenge accepted and annihilated – BOOM! You know I had to make the bug box & yes, she is filled with tiny what-nots & she’s perched on my shelf in my art room. For the mobile, I made a waving dude, whose arms, hands & head were moveable. Picture an upper body, shoulders/arms on up, cartoon-style, crazy wavin’… I think I gave him a bowtie too. Good times. No clue where he went, but I’m pretty sure I gave him to somebody, maybe my brother – who knows. Wherever he went, he sure was awesome. Both projects were just before I hit my 20’s. While they weren’t early in my art days, they both helped me to really hone in on that imagination of mine. Making these 2 things happen just as I had dreamt up, that only further solidified what I already assumed: If I can imagine it, I can probably make it happen, I can DEFINITELY try! Thinking you can do something is half the battle, so if you truly believe in you, then you’re already halfway there. Art by Christina Binns MaM : If you had to pick one piece as your favorite, what would it be? Give us the deets, sista. CB : My absolute favorites, as of now, would have to be a tie between 2 completely different pieces, both of which are displayed in my home. One is a giant pair of _x_ gallery-wrapped canvases that I painted, embellished with broken glass and added resin to. There’s just something about the soft, muted colors I used, mixed with the sheer size of them. I often stare at them with the same admiration as when I 1st made them & they’re a regular topic of conversation when someone visits. So delicate-looking thanks to the colors & design, yet slightly dangerous, courtesy of the jagged-edged, broken shards of glass poking out from the resin. My other fave is the 2nd cold porcelain sculpture that I ever made. Roughly 100 individually hand sculpted flowers & leaves flow over the edge of an 8x10 gesso panel. I left it unpainted simply because I love the way it looks. Truth be told, I really impressed myself with this piece. It encouraged me to take the plunge into the world of cold porcelain. I was in love… with hand sculpting! Art by Christina Binns Funny story, I stumbled across this medium by accident (or maybe fate, who knows) when making a magnolia flower piece for my sweet momma. I knew I wanted 3D flowers coming up from the canvas but was struggling with what to use to get that effect, that could still be painted. After doing a ton of research & speaking to some other sculptors in the clay world, I landed on cold porcelain, an air-dry clay that’s nearly translucent when completely dry. Picked up the supplies & made the most gorgeous piece with 3 life-size magnolias and several leaves, on canvas that I painted & added a few layers of resin to. I painted the canvas this ridiculously pretty blue, so after adding the resin, it looked as if the magnolias were floating on water. As they say, the rest is history! MaM : So, I know you have another gig to pay the bills, so where do you call home these days and what are you doing when you are not creating art? CB : Currently, I live in Cypress, TX, just outside of Houston. I’m an artist at heart, always, so I don’t really have set hours, since I wear a few other hats as well. I’ve been a licensed Realtor in Louisiana since 2007 (with Realty Executives South Louisiana Group) and in Texas since 2020 (with Fathom Realty). Additionally, I work remotely as a CRM (Client/Customer Relationship Manager) & Email Marketing Coordinator for a Washington state realty firm (since 2019). This side hustle allows me to work on my marketing skills, as well as my creative/content writing capabilities, which comes in quite handy for all those hats I wear. I also wrote a yet-to-be-published book that I plan to self-publish. One of these days I’ll jump off that fence & make it happen! Art by Christina Binns MaM : Give us some info about life over the years and your fave medium to use in creating pieces. It’s been forever since high school even though it seems like just yesterday. CB : I live in the burbs with my wife Sequence & our 2 dogs Cooper (pointer lab) & Cole (Pug). I moved here in 2019 after Sequence’s corporate ladder-climbing landed her in the Houston area. We also lived near Atlanta, GA for a few years, but most of my life was spent in Louisiana, split between Baton Rouge & Prairieville. I worked in retail management for many moons, primarily in shoe sales. When I was in Georgia, I worked in Recruiting for a minute, before eventually moving back to my home state. From there, I was office manager for the Louisiana brokerage I’m licensed with, for a few years, before making the Texas leap. Let’s see, some other facts about me… I’m a damn good cook, I’m a water baby through & through (stick me with my family, friends and all the pups, plop us near a lake/river/beach & let us be, lol). I love a good documentary & I’m still a cartoon fanatic, even at 40. Art by Christina Binns I like my music loud, a bass junkie, if you will. I’m eclectic when it comes to music, I like everything except country. Ok, ok, I do like some country, but that’s a limited category for me. Now, as far as what’s on the turntables, that’s likely to be drum ‘n bass or jungle, a little EDM, a lot of old school rock & rap and the occasional comic relief (listening to Richard Pryor on vinyl is a whole experience). Like I said, eclectic. Being a mixed media artist, I use so many different mediums, it’s hard to pick a favorite. I think my answer to that depends on the day. I can say that I can always get down with a paint session, no matter what’s going on. I’m a painter, sculptor, woodworker, mold-maker, card maker, sewist (seamstress, if you’re old school), wood burner, soap maker and resin artist, all wrapped into one. I’m no one-trick pony, that’s for sure! I enjoy trying new things all the time - I think it keeps me sharp, you know! Thinking outside the box, being open to trying new styles & mediums & being ok with something not turning out as planned… I do these things regularly. Some of the materials I like to incorporate into my artworks: paint, wood, dried flowers, resin, genuine crystals & stones, broken glass, alcohol inks, gold leaf, cold porcelain, silicone, cardstock, gold foil. Art by Christina Binns As far as canvases go, I like to use everything from gallery-wrapped canvases and wood panels, to old scratched up vinyl records. If I can repurpose something that would have otherwise been discarded, that’s a bonus. Giving new life to a would-be trash item, to me, that’s something special. All the vinyl I use are retirees from my personal record collection of over 1,000. I try to keep them in the rotation, pun intended, especially since I have them in such abundance. No matter the artwork I’m creating, if I can reuse something lying around for it, I take every opportunity to do so. On that note, any time I do a paint pour, I make multiple pieces from one single pour. That excess paint can be stretched far, helping me to be more time-efficient in my creative process by cranking out several pieces at once. The same goes with any resin projects. The more I can make with a single batch of product, the better! MaM : I’m sure there are other artists out there you admire. Please tell us who and why. CB : Hmmm… yet another toss-up for this one. It’d have to be between Daniel Popper & Gil Bruvel, both incredible artists, both with a focus on 3-dimensional art. Neither of them ceases to blow my mind with their creations. Daniel has these other-worldly sculptures of massive proportion, on display all over the world, in some of the most breath-taking places. Next time I’m in Mexico, I have GOT to remember to hit up his Tulum sculpture, “Ven a la Luz”. It’s a bucket list item, for sure. Then there’s Gil, who uses thousands of individual wood pieces to create these unbelievable faces, also on a larger scale. The skill & talent these guys possess is unreal. They’re both incredible at their craft. Art by Christina Binns To check out and purchase some of Christina’s amazing art, you can visit her on social media at: Christina Binns | Facebook Christina Binns (@b__christina) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Nude Nuns with Big Guns: What the Hell Did I Just Watch? Ezekiel Kincaid Share Aug 28, 2023 Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Rating: 2.5 out of 5 naked nuns covered in cocaine You know, there is a reason we call this column “What the Hell Did I Just Watch?” … and that was exactly my sentiment after viewing this particular film suggested by a reader: Nude Nuns with Big Guns. Yes, I'm serious. The title alone makes you wonder what you are getting yourself into by watching the film, but what does Nude Nuns with Big Guns offer, and does it live up to its name? In short, the answers to those questions are excess and absolutely. Allow me to explain. Nude Nuns with Big Guns (2010) promotes itself as a post-grindhouse exploitation movie, and it is exactly that. The film has a Robert Rodriguez/Quentin Tarantino feel to it, complete with the over-the-top antics of one of Tarintino’s spaghetti-style westerns, and its plot is pretty basic for a revenge/exploitation movie: A mentally abused nun is taken captive, made a prostitute, and then left for dead. Finding new life, our vigilante nun receives a call from God to create a Holy War to take out all the nasty drug dealers and sinners—and good for her, because when I say the bad guys in this film are literally the scum of the earth, I truly mean it. You’ll have no qualms about seeing these dirtbags get what’s coming to them. Asun Ortega as Sister Sarah (credit: IMDb) Nude Nuns with Big Guns is directed by Joseph Guzman ( Run! Bitch Run!, Back Alley Butcher ) and has quite an interesting cast of characters. First, there is our vigilante nun, Sister Sarah, played by Asun Ortega ( Diamond Dawgs ). Second, there's our sleazy, heartless antagonist, Chavo (David Castro, of The Lincoln Lawyer ); I also have to mention Father Carlito (Perry D’Marco, of Interceptor Force ), who is one of the numerous corrupt clergy in the film. And last but not least, we have everyone’s favorite henchman, Kick-Stand (Xango Henry, of How to Survive the Zombie Apocalypse ). Now, let’s talk about the film itself. I want to start off by saying, if you are offended by nudity then skip this film because there is a ton of it in there. Second, if you are triggered by rape, skip this film . And the henchman Kick-Stand? You know how some gangs have the dude who always roughs people up? That’s Kick-Stand. Except he doesn’t rough women up; he rapes them. And I’ll just let you put the pieces together as to why they call him Kick-Stand. Finally, if watching a movie that portrays clergy in a bad light gets to you, skip this movie . The priests and nuns in Nude Nuns with Big Guns are as corrupt as they come. In fact, the sex, nudity, and rape in Nude Nuns with Big Guns is so overdone, it gets old and boring fast. There was one point in the middle of the movie where I zoned out and started doing other things because every time I looked up, it was like, “Gee, nudity again. Gee, sex again. Oh look, another rape scene. What a shocker.” Worried I had missed something, I went back and rewatched the movie; lo and behold, guess what? Nope, I didn’t miss a damn thing important to the plotline. You might be sitting there thinking, “Well, Zeke, are there any good parts in Nude Nuns with Big Guns ”? And the answer is yes, there are: the first twenty minutes and the last twenty minutes—both of which I really enjoyed. There are a couple of good scenes scattered throughout the middle of the movie, but for the most part, the center portion of Nude Nuns with Big Guns drags along with way too much sex, nudity, and rape as tools to carry its story--it does not work. However, there are some truly hilarious interactions between characters, and we get some of those great, over-the-top scenes of violence we’ve all come to love thanks to grindhouse movies. Director Joseph Guzman does a solid job with accurately capturing the grindhouse feel, as some of the kills in the movie are top notch. credit: IMDb The actors also did a great job at portraying their characters, and, oddly enough for a low budget film, taking their roles super seriously. That being said, those pluses still weren’t enough to carry Nude Nuns with Big Guns into B-movie greatness. I had such high hopes for Nude Nuns with Big Guns --I mean, who wouldn’t with a title like that! But at the end of the day, with the overkill of sex, nudity, and rape, it comes off as lazy filmmaking . All in all, Zeke gives this post-grindhouse film 2.5 out of 5 naked nuns covered in cocaine . You can find Nude Nuns with Big Guns streaming on Tubi for free, and to rent on Prime Video, Vudu, YouTube, Apple TV, and Google Play. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A New York Musician taking the World by Storm < Back Cyberattack Rearranges the Electronic Music Scene Nicole Brice May 8, 2023 Share A New York Musician taking the World by Storm Cyberattack is a talented and innovative New York-based musician who is quickly making a name for himself in the electronic music scene. With music that is glitchy and emotionally complex, Cyberattack is the performance name of NYC-based guitarist/songwriter/singer/YouTuber Ivan Anderson. With the use of bright vivid imagery, he makes these incredible music videos that reel you right in, showcasing an imaginary landscape of nostalgia and charm. His latest video, out today May 8, 2023, is for his rendition of the Tom Petty classic “Listen to Her Heart”. Cyberattack has continued to churn out quality content since launching his YouTube channel in 2017 and he shows no sign of slowing down. The new music video for “Listen to Her Heart” is made to look like Ivan has been absorbed into an old-school graphing calculator, with a lot of painstakingly designed lo-fi special effects that must be seen to be believed. The song itself is lovingly hostile to the original Tom Petty source material. The basic idea behind Ivan’s very glitchy treatment of it is that sometimes when you listen to your heart, the message is mystifying and bizarre. The song and the video end up devolving into noisy, nonverbal chaos like a brute-force introduction to the Cyberattack aesthetic and approach to music: glitched out, unapologetic, and, underneath it all, extremely romantic. His previous music video " Fantasy Killer " won Best Music Video in the Bowery Film Festival and was a finalist in the New York Cinematography Awards, New York Movie Awards, Jersey Shore Film Festival, and the Artists Forum of the Moving Image. In addition to Cyberattack, Ivan Anderson has performed, co-written, appeared on records, made videos, or otherwise collaborated with Tim Lefevbre (bassist for David Bowie, Tedeschi Trucks Band, etc.), Rhett Shull, Emily Hopkins, Knobs, Fusilier, SWEET FIX, Mobile Steam Unit, and preston.outatime (aka Preston Parris). Ivan Anderson is a busy dude. Released in 2020, his full-length debut Cyberattack album “Hard Feelings” was produced by Geoff Stanfield (Portugal.The Man, Sun Kil Moon) and is currently available on all streaming platforms. We took a moment to chat with Ivan about his creativity and flair for all things visual. in addition to discussing music in general. Are you looking for an amazing new artist to discover? Look no further. Here’s what Anderson had to say. MaM : Hey Ivan! It is Ivan, right? Not Evan? For some reason, I want to pronounce your name like Ivan Drago from Rocky IV . It was what automatically popped into my brain. (laughs) IA : I love Rocky IV and the character Ivan Drago, so I can tell this conversation is off to a great start. It is pronounced Ivan, though. MaM : Give us a brief background about yourself. I read somewhere that you are from Englewood, NJ. Tell us a little more about that. IA : So, I’m not actually from Englewood, but I am from a town very close to there called Leonia. It’s only a mile or so away from Englewood. Leonia is a very small town. I feel like I grew up in the suburbs of New York, but on the New Jersey side. Those who grew up in New York would have some different feelings about whether that counts or not. I’ve been making music professionally for as long as I can remember. I graduated from college in 2009, and at that time, I was in a band called Sweet Fix and we were a New York band. I had formed the band in college, but after graduation I was just trying to make that band happen, but I still had a day job, too. And, along the way I ended up interning for a music studio and I started doing a bit of session guitar playing, too, along with collaborating with other people, and so I was starting to round out my resume as a professional musician. In 2015, my band broke up, and I was a little freaked out because I had big dreams for that band, so when [we] broke up, I was like, ‘What now”? I was still trying to do the “guitar player for hire” stuff, too, around this time, so I decided to just start my own project—my own band—which I ended up naming Cyberattack. I do have collaborators for the records and other people I use for them, but they’re all hired guys. Cyberattack is truly an Ivan Anderson solo project. Photo from artist social media MaM : Tell us a little more about your YouTube channel. I see you have over 15.7k subscribers. IA : I started the YouTube channel around 2016, along with securing the name for Instagram, etc. I started out by putting some music videos on there that I did. ‘Fantasy Killer’ was one of those early videos. I was still figuring out the look and vibe I wanted, though … like the visual kind of energy of what Cyberattack would be. I love all those weird old video games and the whole retro thing. It’s just insane with all the colors, so I wanted to emulate that. I was sort of figuring out what I wanted as I made the videos and a collaborator friend of mine, John, helped me achieve that. Also, too, during lockdown for COVID, nothing was going on, so I decided to start adding videos to my channel about the guitar pedals I had. I just made a demo video about some of the equipment I had lying around. Those started to catch on better than my music videos. MaM : Your music videos are works of art, man. I’m not going to lie. I went down a rabbit hole on your YouTube channel checking everything out. The videos remind me of playing my old Sega Master System back in the day at my parents’ house. See, I was never the Nintendo chick. My dad got us the Sega because he said it had better graphics. IA : There was like a team identity to all of that. I feel like it was rare for any adult to have any knowledge of anything video game related. That’s awesome that your dad picked the Sega because of better graphics. photo from video for Fantasy Killer MaM : With you being multi-talented, what is your preferred instrument to play? IA : I’m the best at guitar. That’s my high card. MaM : I saw you playing an SG—is that your preferred type? IA : I do like Gibson SG’s, although I feel like there’s just something about my SG. The instrument means a lot to me and is my main recording guitar. I think all SG’s look cool because of the devil horns on them. They’re not trying too hard to be evil looking but have this kind of low-key evil vibe look. I just love the way my SG sounds, though. I really like how it sounds recorded. It just has a basic good tone where when you hear it, you’re like, ‘Yeah, I’ll go with that.’ MaM : Do you own any other guitars? IA : Oh, I have a few. I have a Fender Strat, which I find has a much more specific sound to it, but it’s a sound I like. I also have a custom guitar that was built for me by a guy out in Orangeburg, New York. It’s pretty cool. The shape and design are a little more in your face. It’s got curves and points. It’s definitely a little more out there. It was built by a guy named Alex Glasser with Iron Horse Instruments. The idea was to design Ivan’s dream guitar. It was made after I recorded the first Cyberattack album. It’s become my main guitar. MaM : So, as far as musical influences go, who do you cite in driving you to create? IA : I only vaguely remember this, but my dad used to play the music of Jimi Hendrix all the time. He was a big Jimi Hendrix fan. I connected with his music right away and he just seemed like he was the coolest guy ever. It definitely had a huge impact on me as a kid. His guitar was cool. His approach to music was cool. I just knew that I liked it. As the years went by, though, I started to learn more about music, and I started branching out with what I was listening to. As a teenager was when I started trying to write lyrics and sing. I sort of took on a new approach to caring about music, too, and just sound. MaM : That’s awesome. So, as far as your favorite type of music is concerned, do you have one? What do you listen to in the car when you’re driving around? Do you even need a car to live in New York? IA : I actually do have a car. For gigs and stuff, it comes in handy. I grew up in the suburbs and used to love to drive and it was a huge part of life. Driving in Manhattan is the worst driving experience ever. There are stop lights everywhere and all you do is stop and go constantly … oh, and parallel parking is everywhere. As far as my music taste goes, it’s geared more towards classic rock. You can’t go wrong with the early Van Halen albums featuring David Lee Roth. I love early Metallica. I like a lot of guitar players and classic rock stuff. I’ve liked the same types of music since I was 14 years old, and it has never changed. I feel like that’s how my identity was formed. Photo from artist social media MaM : Tell us a little more about your new music video for “Listen to Her Heart”. IA : Well, that’s the fanciest video we have done yet, and I felt we had to build up to that with the previous videos. I like my videos to capture you for three or four minutes while watching them, but how do you go about that really? I don’t have a lot of money to get these crane shots over a bridge or anything like that, but my buddy John went to film school and he’s the guy who can set up the lights how they need to be and knows all the technical stuff. We usually just rent a studio that has a green screen and then go from there. Photo from the new video for Listen to Her Heart MaM : What made you decide to cover Tom Petty? IA : I picked it mainly just because I like the music of Tom Petty. ‘Free Falling’ was everywhere when I was a kid. You could not go anywhere without hearing that song, including the mall. I was always drawn to what he did vocally, though. I just like the way he sings. He is an incredible lyricist. Photo from the new video for Listen to Her Heart MaM : When you are writing your own song lyrics, where do you draw inspiration from? IA : Lyrics, for me, are by far the hardest thing. I can come up with ideas and melody, but the process of writing lyrics takes a bit. There’s, like, a million voice memos on my phone of me just singing little melodies that I think are good. I put enormous pressure on myself to have the lyrics be what I think are good enough, which makes it that much harder. MaM : So, what’s going on with the new music? Have you even started the writing process? IA : I’m gonna start recording the next Cyberattack album at the end of this year, but before I do, I want to finish making music videos for every song on the first album. And there’s only two left. One is the Tom Petty cover. After that, I will be officially done with the first album cycle, and I can start the recording process for the second album, so stay tuned! - Want to stimulate your eyeballs? Head on over to Ivan’s Cyberattack YouTube channel to experience his creativity in all its colorful glory. Also, be sure to like and follow him on social media to stay up to date on albums and releases. Be sure to check out his brand spanking new video for "Listen to Her Heart" - out NOW ! cyberattack (@cyberattack_world) • Instagram photos and videos Cyberattack - YouTube Cyberattack | Spotify Hard Feelings | Cyberattack (bandcamp.com) Cyberattack | Facebook Cyberattack | creating glitchy music and videos | Patreon www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a huge nerd. She loves listening to new music and checking out cool stuff. Want her to check out your creations? Email her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Death and Glory Tour was a testament to music's power to unite us. < Back Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans Rian Nickels Mar 3, 2025 Share The Death and Glory Tour was a testament to music's power to unite us. During the peak of the Carnival season on February 26th, 2025 , just a week before Louisiana’s most beloved holiday – Mardi Gras – the popular music venue Joy Theater in New Orleans , Louisiana , was visited by two amazing acts on the rise in the alternative music scene. (Although they’ve both been under the radar for over a decade.) The weather was perfect, the streets were adorned with the purple, gold, and green glimmers of the classic Mardi Gras beads, and citizens and tourists proudly wore the traditional Mardi Gras Colors. This made for the perfect night to see what Palaye Royale and Johnnie Guilbert had in store for us. Credit: Rian Nickels The line was wrapping around Joy Theater . Punks, Emos, and Alternatives were dripping in black clothes, fishnets, band merchandise, and eyeliner and waiting excitedly for the doors to open. As the doors opened, the bars, barricades, and merch tables were lined with eager fans. Jay and I found a spot up close to wait for the show to begin. Kicking off the night was Musician and long-standing Youtuber Johnnie Guilbert . Credit: Rian Nickels This was Johnnie’s first time touring with a full band , and even though he’s been around and well-known on YouTube for over a decade, his music career is only starting to take off . From watching his videos, I can tell that, like many of us in the alternative scene, Johnnie’s always been kind of shy and anxious; I was excited to see if being on tour has helped him to become more confident. As soon as Johnnie came out in his signature black Ray-Bans , the crowd lost their minds; the fan girls broke out in shrills and screams of joy . He greeted New Orleans and then went straight into his tracks ‘ If Looks Could Kill ’ and ‘ Angel of Death ’. The energy was instantly on fire in Joy Theater as the fans let loose while SCREAMING every lyric to his songs; it was then clear to me that the alternative music fan base in Louisiana was still breathing . By the time Johnnie performed his newest song – ‘ Fake Positivity ’ - his confidence in his stage presence was starting to shine brighter. He was all over the stage, switching between wearing and taking off his shirt and sunglasses, dramatically falling to the floor and singing while lying on his back, and was full of high, edgy energy. You could genuinely see that he was happy to be standing in front of us. After playfully swaying around to each side of the stage, giving everyone in the front row the proper amount of attention, he asked the crowd for more energy (and boy did they deliver) before he fell to his knees to get down to crowd level before he and the crowd echoed the song’s chorus through the theater. Johnnie then played hit songs like ‘ Violent Dream , ’ ‘ Doctor ,’ and ‘ Zombie .’ Johnnie Guilbert performs 'Zombie' at The Joy Theater in New Orleans on February 26, 2025 (video courtesy of Rian Nickels). Credit: Rian Nickels In between songs, Johnnie made sure to let his playful personality shine with silly comments to the crowd, saying things like “And this one’s ‘ Baby ’ by Justin Bieber ” before playing ‘ Zombie ’ and reciting Chappell Roan ’s spelling from her track ‘ Hot to Go ’. Of course, following Johnnie’s ‘H-O-T-T-O-G-O’ was the crowd’s requitement of “You can take me hot to go”. Credit: Rian Nickels Johnnie made sure that the crowd felt included by holding the hands of fans and waving in their direction. I was surprised and overjoyed by his warm, rowdy, joyous, diva energy as he’s usually known for being the dark, emotional, and sensitive guy. Being in Johnnie’s crowd made me feel like there was no separation of artist and fan ; it was one of those concerts where you’re reminded that the show couldn’t go on without one or the other. Credit: Rian Nickels For Johnnie's last song, ' Vampire ', he created a moment that will be etched in my memory forever. He asked everyone to come closer, and we all huddled around him. As he sang the closing verse, we all sang along, our arms reaching out to him. It was a moment of shared intimacy, a perfect conclusion to a performance that we will always remember. Johnnie Guilbert performs 'Vampire' at The Joy Theater in New Orleans, Louisiana on February 26, 2025 (video courtesy of Rian Nickels) Credit: Rian Nickels Before leaving the stage, he told New Orleans goodnight and that he’d meet everyone at the merch table and take photos. I don’t think I’ve ever run as fast as I did to his merch table. Johnnie was kind to every person in the line, giving everyone time for a photo, an autograph, time to appreciate the gifts he was being given (like bracelets, drawings of himself, and various trinkets), and a small chat. When it was my turn, I told him about how I had been watching his videos while I edited my concert photos for the past year and that I was so incredibly honored to be able to capture pictures of him. Credit: Rian Nickels He was genuine and told me he saw me in the photo pit, loves to see the photos people take of him, and to be on the lookout. I took a photo with him and gave him a farewell hug (after asking him if he was a hugger, which you should always do!) so that the rest of the eager fans could get their chance to meet him. With my heart full of gratitude for that full circle moment, I was pumped and ready for the headlining band, Palaye Royale . Before the show, I had only heard a few Palaye Royale songs, so I had no idea what to expect from their performance. Palaye Royale is a garage/glam rock band from Las Vegas , Nevada , comprising three brothers. Remington Leith is the band’s frontman, with Sebastian Danzig on guitar and keys and Emerson Barret on the drums. They are supported by touring members Logan Baudean (from Louisiana) on the bass and Dave Green on the guitar. It would be a complete understatement to say their performance blew me out of the water. Credit: Rian Nickels Palaye Royale came out strong with a tsunami of riotous energy with their new track from their latest album, Death or Glory . I fell more in love with their stage presence with every song they performed . Remmington has an impressive amount of energy pouring out of him that keeps you on your feet with your heart racing with excitement. Emerson has just the right amount of punk attitude and the drum talent to back it up. I know people say this about drummers all the time, but he was the heartbeat of the performance , keeping everyone on time and in harmony. Sebastian was just as talented and charismatic as his brothers; something about h is riffs on the guitar takes you away from the world and brings you into the moment . These brothers are insanely talented and harmonic, but their touring members add the perfect edge to their live performances. Logan’s baselines make it impossible not to groove your body to the rhythm. One of my favorite highlights of the performance was when they played ‘ No Love in LA ’; For this track, the whole crowd was in tune , and the entire venue was jumping, singing the words, and flowing with pure excitement . The crowd was already mighty alive, but this brought the show together . Royale switched up the energy from chaotic to heartfelt with their track ‘ Just My Type ’ and then right back to that rebellious vibe with ‘ Addicted to the Wicked & Twisted ’ from their newest album. Palaye then played one of my favorites from their latest album, ‘ Show Biz .’ I like this track because it compliments Remington’s voice versatility and reminds me of 2000s rock with a modern enhancement. They then slowed things way down with ‘ Dying In A Hot Tub ’ from their record Boom Boom Room (Side B) , a track about losing someone you care about to addiction/suicide; in that moment, you could feel just how many of us could relate to this and felt understood. Palaye Royale played a lengthy set that was the perfect mix of new and old songs for older and newer fans. Palaye Royale performs 'You'll Be Fine' at The Joy Theater in New Orleans, LA on February 26, 2025 (video courtesy of Rian Nickels) For the end of their set, they took things back to 2022 with their song ‘ Fever Dream ’; this track reminded me of the heaviness of the My Chemical Romance song ‘ Famous Last Words ’ and showed the band's possible inspiration from Gerard Way . This song had huge blow-up balls bouncing all around the venue, another thing that helped connect the audience with the band as members and fans were practically playing a massive game of “Keepy-Uppy”. Credit: Rian Nickels After the song's end , the lights went dark , and they suspiciously dropped their instruments and walked off stage. Of course, all attendees started to chant “ONE MORE SONG!” until the band came back on stage, wearing Mardi Gras Masquerade masks and covered in the famous plastic beads. The crowd of New Orleans went wild for that! Palaye Royale then played us a whole THREE more songs for the encore: ‘ Dead to Me , ‘ Lonely ,’ which is my absolute favorite, and ‘ Mr. Doctor Man ’. Something about them that stuck out to me was how well they all played together; you could tell these three brothers were in tune with each other. I appreciated the level of presence, style, and talent they brought to Joy Theater , and although I went in only somewhat of a fan, I left a fan for life! Palaye Royale had the perfect amount of Panic-At-The-Disco-Carnival-Esque for Louisiana’s Carnival season. As the lights dimmed and the night came to a close, I couldn’t help but feel that familiar rush of adrenaline that only live music can provide. Palaye Royale and Johnnie Guilbert performed and made us a part of their world for a few hours. They reminded us of something easy to forget in this crazy, chaotic world: that music is a form of connection, a pulse that beats through every heart in the crowd. With all its raw energy and unapologetic rebellion, the alternative scene still has a place for everyone who craves authenticity in a world that often feels too polished. That night, it wasn’t just about the songs—it was about the moments between them. The shared glances, the laughs, the love, the chaos—every little piece of the night reminded me why I fell in love with this scene in the first place. The Death and Glory Tour was a testament to music's power to unite us. As I walked out of the venue, I knew that despite the noise, neon, and the glittering beads of Mardi Gras, this kind of magic stays with you long after the last note fades away. To learn more about Palaye Royale: www.palayeroyale.com Palaye Royale To learn more about Johnnie Guilbert: Johnnie Guilbert - YouTube *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Just Look Up and Let Go < Back Awake and Alive: How Mod Sun Shifted My Outlook Rian Nickels Jul 11, 2025 Share Just Look Up and Let Go “Every good story needs an intro, so where does this one start? No veils, no curtains, no doors, no walls between what pours out of my hand on to the page, a dream, of course, an American tale of finding magic in the everyday, and acting totally instinctively, a suitcase and a train track on a search for identity, and a quality that entices attention, we’re young and incredibly ambitious, our possibilities are endless, just look up” - Mod Sun In the summer of 2014 , I walked into my skate buddy’s apartment and saw a man on TV that I can only describe as hippy Jesus. He was in a room of lava lamps and beaming with joy. His energy demanded my attention, and his happy-go-lucky vibe was infectious. He was moving like life never hurt him. The music video was ' My Hippy ' by Mod Sun . What started as any other summer afternoon ended up changing the way I viewed life. Music video for 'My Hippy' by Mod Sun Growing up, I listened to a lot of emo and post-hardcore ; bands like Silverstein and Hawthorne Heights shaped the way I looked at things. As a teenager, I romanticized sadness. Music about self-harm, self-hate, and toxic love didn’t just soundtrack my life; it started to define it. Those lyrics told me it was normal to feel broken, to treat myself poorly, and to accept the kind of love that left scars. I became fluent in hopelessness and comforted by the idea that it would never get better. But one musician changed everything. So, who is Mod Sun? Well, to the government, his name is Derek Ryan Smith (he changed it to Dylan). However, to his friends and fans, he goes by the nickname Mod . MODSUN is an acronym that he created that stands for “Movement On Dreams Stand Under None” . This means pushing towards your biggest dreams, not letting anyone stand in your way, and never letting anyone overshadow you. I fell headfirst into Mod Sun’s world. His lyrics weren’t about heartbreak or giving up; they were about being glad to be alive. (That on its own was so foreign to me.) His music introduced me to positive thinking, setting intention, and the idea that your thoughts shape your reality. In 2015 , Mod released his first studio album, Look Up , and suddenly the spaces in my head that once echoed lyrics like “cut my wrists and black my eyes” were being replaced with “if you woke up, you got a reason to celebrate.” But I wasn’t abandoning my sad girl roots; I just wasn’t stuck in it anymore. The new music didn’t erase my sadness, but it helped me realize I didn’t have to be defined by it. This new outlook didn’t stay confined to my headphones. It seeped into my day-to-day; how I spoke, how I carried myself, and how I connected to others. When summer of 2015 came around, it only made sense that the next chapter to this transformation would happen in the same place it started. A place where the new and old could collide: Warped Tour . Just me at Warped Tour 2015 There’s something poetic about going back to the scene of your former self. It’s the same music festival, the same heat, and the same eyeliner, but with a new perspective. Warped Tour wasn’t just a concert, but a nod to the person I was becoming. I spent the day reliving my emo roots, but I was really there to see Mod in the flesh. The crowd wasn’t the largest, but you wouldn’t have known it by his energy. When he performed ' Howlin’ at the Moon ', a song about having gratitude, the entirety of the crowd knew every word. This brought him to tears; he could see that what he was doing mattered to people. They liked this new sound, but they enjoyed seeing someone savor every drop of life even more. On my way out of Warped , I gave Mod a bracelet that read “Sup My Hippy,” and he signed the book I bought from his merch table. The bracelet I made A video I took at Warped Tour 2015 His book , Did I Ever Wake Up? looks like a memoir, but it turns out to be a handbook for self-perseverance—something between a diary and a mental toolkit. The book covers his upbringing and music career, but it also shares overlapping messages with his music. The idea is that you must know what you want and be sure that you can obtain it. This made me realize that I didn’t really know what I wanted from life. But what I did know was that I didn’t want to be the person who brought the rainclouds to every room. I wanted to be a light for the ones who were lost in the same kind of darkness that I had once claimed as my identity. Released December 15, 2012 The best book ever! After setting that intention, things already began to shift; even small things that I didn’t realize held so much weight. I started wearing things that just made me feel happy instead of trying to be a particular aesthetic. Just Me! Me again! I picked up art again. I got his signature tattooed to remind me to keep going. I stopped seeing pain as something I owed myself. I realized that my body wasn’t a canvas for punishment or a notebook for all the things I couldn’t say. I didn’t stop being sad overnight, but I no longer built my entire life around it. My tattoo! Signed by the man himself! The one and only Mod Sun! I stopped looking down at all the ways things could end and started to look up at the possibilities. I shared these ideas with anyone who would listen, and I lent out Mod’s book to whoever would read it. I talked about gratitude, intention, and the law of attraction. It started to catch on; my friends began to show more compassion, let go of bitterness, and embrace possibility. What started as a personal awakening began to ripple through my community. A video I made Friends! In the spring of 2016 , Mod Sun had a tour stop near me in New Orleans . Some friends and I took the drive to see him perform. When Mod got to the venue, he didn’t hide away like most well-known musicians. He stood out front and talked with each person who wanted to. Just me talking to Mod Sun in New Orleans When it was showtime, he didn’t take a special door through the back but instead walked through the front like everyone else. They always say not to meet your heroes, but after meeting him, I was stunned at how normal it felt. There was no barrier, no ego, or celebrity attitude. He was human. He treated us like old friends, laughed with us, danced with us during the opener, and radiated the same energy on and off the stage. Credit: Rian Nickels The best day ever! Life has a way of putting what you’ve learned to the test, though. The months after that show brought some of the darkest points of my life. I lost some friends to addiction and depression. Somewhere within the mess, I’d lost myself too. I left all the tools I learned behind when I needed them the most. I was dealing with the weight of things I never had to carry before, and Mod’s relentless positivity became a language I was no longer fluent in. That was until Spring of 2017 when he released his second album, Movie . After months of being distant from him, this project dragged me back in. Movie wasn’t just party anthems and affirmations; it was about heartbreak, self-blame, fake friends, and the messy parts of healing. This album met me right where I was. It showed me that Mod wasn't some out-of-touch optimist that was blind to the bad; he walked through it, too. It showed me that his life wasn’t perfect, that he, like anyone else, had dealt with insecurity, loss, and adversity. This album gave me a song for everything I was going through. Even when things got heavy, Mod Sun was there to remind me to keep pushing. Regardless of the trauma, mistakes, or loss, you still have to get back up and make something of yourself. I was reminded that growth doesn't mean avoiding pain. There is no light without darkness. By the end of 2017 , Mod Sun released his third album , BB , and it came with a renewed sense of joy. It echoed that same optimism from Look Up , but now it came from someone who was more grounded. It came from someone who had seen the dark and chose the light anyway. BB reminded me that life comes with highs and lows, and that after each low, there will always be a high, even if it takes a while to come. Just me! So excited! In the years after Mod Sun dabbled in other creative outlets like painting, making clothes, and writing more books. But in 2019 , he did something lifesaving; he decided to get sober . He came clean about his battle with addiction and how it had affected his life and the people around him. He was transparent, and he apologized. Before this, I had never seen anyone successfully get sober, and more importantly, I had never really seen anyone own their mistakes, take accountability for them, and follow that up with action. I had watched so many people lose themselves in addiction, and this was the push I needed to take my own steps in that direction. So, I tattooed the words “Look Up” on my foot; it serves as a permanent reminder, and I haven’t touched those substances since. My tattoo Around the pandemic , Mod Sun’s sound started to shift from his signature Hippy Hop to a more angst-driven Alternative Rock vibe with albums like Internet Killed The Rockstar and God Save The Teen . Nowadays, Mod has blended the sounds of Hip-Hop and Pop-Punk, bouncing around all the avenues he’s taken and still exploring new ones. My playlists bounce between genres and moods these days, but Mod’s impact on me never faded. I like to think that Mod and I both found a way to appreciate the balance of life. To hold space for the dark and the light. To carry both joy and grief. To dance with the highs and sit with the lows. To know that you can wear tie-dye one day and all black the next. That sadness and happiness don’t cancel each other out but instead coexist. That growth isn’t about being brand-new. It’s about fully accepting yourself in every season of life. That healing doesn’t mean erasing the past; it means making something out of it. Because of Mod Sun, I’ve done things I never thought I’d be capable of. I’ve finished things I used to abandon. I’ve started projects that scared me, I’ve chased dreams that felt too big and believed that I was allowed to yearn for more. He helped me believe that I was allowed to have big dreams and that, more importantly, I could reach them. His lyrics planted the seed that I wasn’t just meant to survive, I was meant to build a life worth showing up for. He didn’t just help me get better; he showed me that I could save myself. Not everyone vibes with his music or his message. Some people think he’s cringeworthy, or they can’t look past his mistakes. No matter how he’s perceived, it doesn’t undo the impact he’s made. Mod Sun is living proof of the power of believing in yourself. He showed a bunch of broken people that they didn’t have to stay broken. He showed us the path less traveled, and reminded us to keep traveling it. If you take anything from this, let it be this: What you say to yourself holds power. Show yourself some love because you’re still here, waking up every single day. Still building who you’re meant to be. Permit yourself to dream bigger. Remember that your impact on the world matters. Do something that inspires people. Find something to celebrate in each day. Make your life a movie. Don’t forget to look up. “No matter the amount of negativity you’re presented with, five minutes from now could be your best moment.” - Mod Sun To learn more about Mod Sun: www.modsunmusic.com Mod Sun Merch Shop the Official Mod Sun Merch Store for exclusive merch including tees, hoodies, accessories, & more! Find details of the Mod Sun tour, Mod Sun tickets, & Mod Sun music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. < Back Phantum Sun: An Immersive Journey Through Sound Margo Leblanc Aug 26, 2024 Share Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. Phantum Sun , a Louisiana-based band from Lafayette known for its unique sound and dependability, has recently surprised the local music scene with its unwavering work ethic and drive. But why? What started it all, and who influenced them? Who is Phantum Sun ? Phantum Sun is grunge with a bit of rock and a little alternative . They don’t have one specific category that their music falls into. The band makes music for those who appreciate the artistry of creating songs. Phantum Sun started because of Nick Cline and Alec Louviere's high school aspirations to create together. In 2023, when long-time friend Drake Lasseigne joined the two, the line-up became complete, and here we are. The trio is full of spirit and angst, shown heavily in their music. Nick is on vocals and guitar, Drake is on bass, and Alec rounds it all out on the kit. Credit: Facebook Phantum Sun’s music balances the familiar warmth of nostalgic tones with a forward-thinking approach to composition. Lyrically, Phantum Sun is all about introspection and emotional depth. The lyrics aren’t always straightforward, but that’s part of their charm. With three singles under their belt, the band’s latest song, ‘ Robbery ,’ was released in May 2024 and is reminiscent of early 90s alt-rock by The Smashing Pumpkins , Screaming Trees , and Buffalo Tom . Mixed Alt Mag recently had the opportunity to speak with the guys from Phantum Sun about their music, aspirations, and more. Take a moment to learn what makes this band so unique below. MAM : Thank you for speaking with me today. First, who inspired you to pursue music, and how did they influence your original songs? Alec : Anything 80s related to rock' n’ roll got me to get up and start learning drums. Feeling the beat and sound of that era made me want to get up and do the stuff these guys were doing. Drake : I’ve been interested in music since I was a kid but didn’t have an outlet to learn to play an instrument until middle school. I took up saxophone, but it’s not the type of music I was into. My dad loved the look and sound of the grunge movement in the '90s, so he showed me the hard bass lines of Krist Novoselic and the melody powerhouses Layne Staley and Jerry Cantrell . No questions what inspires me to make music. Nick : My biggest inspirations were my love of blues, grunge, metal, and everything really. I grew up listening to Ozzy Osbourne , Metallica , Stevie Ray Vaughan , Soundgarden , Green Day , and Alice in Chains . Eventually, I found myself fascinated with garage rock, which was my tipping point regarding sound and songwriting. All my influences have now fused to make one absurd amalgamation of tones, influences, and passion. It all ties together to make up the sound of Phantum Sun. Credit: Facebook MAM : How would you describe writing new music and the process that goes with it? Alec : I like to feel what the other two put together, then come in and see what fits the style we’re going for in that specific song. Drake : Nick writes the guitar parts and lyrics, so whenever he shows them to us, I watch and listen to what he has to say and start thinking of bass lines that match to get the best bass line I can for that particular song. Nick : I usually write many lyrics and guitar parts per day. Then, I bring the melodies, guitar parts, and lyrics to the band. After that, we jam and feel out the idea until it sounds like what we want as a unit. Credit: Facebook MAM : Who would you love to collaborate with one day? Why that person? Alec : I’d personally love to collaborate with Tommy Lee , just to study and learn about his drumming style. Drake : Definitely, Dave Grohl . Dave is my favorite musician and seems to be a genuinely good guy. He knows so much about the industry that I could learn from. Nick : I would love to collaborate with Jack White . Jack is why I picked up the guitar five years ago, and I haven’t put it down since. His guitar tone and passion for music would make for a wicked collaboration that would lead to me learning more as a musician. Credit: Facebook MAM : Where is your favorite venue where you’ve performed so far? I know you guys have been playing shows like crazy. Alec : I enjoy outdoor venues, partially because we can be as loud as we want; it feels freer, and the crowd tends to engage more. Drake : The 19th Hole in Houston, Texas has been my favorite so far. The bar's vibe has been immaculate every time we’ve been there; the stage is huge, and the sound guy is amazing and does such a great job. Nick : My favorite venue is a toss-up between Artmosphere and the 19th Hole . Both venues have shown unimaginable kindness to me and the guys. The vibe and sound of both venues keep me wanting to come back more and more every time we play there. Credit: Facebook MAM : That’s awesome. Having the support of the venues is enormous, in my opinion. What skills have you learned along the way that help you to be productive as a musician? Alec : After learning bits and pieces from other bands that we’ve played with, I’ve learned to practice consistently, but also being patient really helps when it comes to drumming. Drake : To me, it’s the chemistry between Alec, Nick, and me on and off stage. It never gets tedious or tiring if you trust each other. Nick : Practicing, trust in the process, hard work, networking, and the ability to learn from the smallest lessons are all skills that I have adopted and built on to become a more productive musician. Credit: Facebook MAM : What are your greatest strengths and weaknesses in being musicians? Alec : I think my strengths and weaknesses go hand in hand; it’s weird. I’m still learning as we go. Drake : The ability to blend what Nick does on guitar and Alec does on drums into something that makes the song thicker and heavier. My weakness is my age, which is due to my lack of experience. I’ve only been playing bass since 2021. Nick : I think my greatest strength as a musician is my never-ending sense of wonder and passion for music. It keeps me on the path of learning and evolving as a songwriter and musician. My greatest weakness is my need to be too hard on myself. Credit: Facebook MAM : Outside of music, what other hobbies and interests do you have? Alec : I know it’s probably not a “cool” thing to admit, but I’m a huge wrestling fan. I’m all about anything WWE . I also love puzzles, if anyone needed more proof of me being a nerd. (laughter) Drake : I’m a big outdoorsman. I love hunting and fishing, especially here in my home state of Louisiana . I feel so comfortable when I’m either on stage, on a boat, or in a duck blind. Nick : Outside of music, I am deeply interested in learning about anything I can, writing, watching horror, fantasy, sci-fi, etc., reading comics (preferably DC), and whatever else sparks the ADHD fuel in my head. Credit: Facebook MAM : What would you be doing if it weren’t for your interest in a music career? Alec : In all honesty, I have no idea. I never really had a backup plan. Drake : I’d probably be going to college for something related to the tech industry, but I never really had a plan B in mind. Nick : I would be in a field related to writing. Writing has always been my second love, after music, so anything dealing with that would be great for me. With their first tour approaching this fall, Phantum Sun continues to work hard to make a name for themselves in the local scene and beyond. If they come to your town, take a chance and see them live. You might just be a little surprised. They are a band built on hopes, dreams, and aspirations of someday making it big with raw talent and an unconditional love for music. That love fuels their drive to pursue no other life paths besides making music for the masses. To experience the music of Phantum Sun, just hit one of the links below. Spotify : https://open.spotify.com/artist/5PdjxAClNtSIyvvnj2vgsU Apple Music : https://music.apple.com/us/artist/phantum-sun/1710758804 YouTube : https://www.youtube.com/@phantumsunofficial Facebook : https://www.facebook.com/people/Phantum-Sun/61556703719338/ Instagram : https://www.instagram.com/phantumsunband/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Margo Leblanc loves listening to music, writing about music, and discovering new music. Do you have a band you think she'd like? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Attachment < Back Shudder’s New Queer Horror Thriller Will Have You Rethinking Your Relationship Anxieties Shaun Corley Apr 3, 2023 Share Attachment New relationships can be a great thing. The feeling that, once again, somebody loves you and takes joy in your company is a rush unlike few others. Yet with all the giddiness and excitement can come anxieties as well–namely, meeting your partner’s family. It can be a nerve-shredding experience even on the best of days. You’re on your best behavior and putting your best foot forward ... you need to be on point, right? Mess it up and your new relationship could be in for a rough ride or a quick end. In Attachment, Danish director Gabriel Bier Gislason's first feature, protangonist Maja doesn’t do anything wrong in meeting her new girlfriend’s family, but she is still confronted by these anxieties, and in Gislason’s hands, they blossom into full-blown terrors. Attachment is a new queer romantic horror-thriller brought to you by Shudder. The film received a ton praise from critics at the 2022 London and Los Angeles Film Festivals, not because it’s a refreshing take on romance and horror but because it explores myths and tales of Yiddish folklore by using cast interaction and the story itself as “the creepy factor,” instead of the typical jump-scare efforts we are used to, hence the slow unnerving burn. The film’s opening moments introduce us to Maja (played by Jospehine Park), a young woman and former child actress, who coasts on old glories that amount to reading stories to bored children at the library. One day, Maja, who lives in Denmark, bumps into Leah (Ellie Kendrick), a young Jewish woman from London studying abroad. They go out for tea and find themselves back at Maja’s apartment. Their affair quickly blossoms and for a while, all is golden. Their idyllic existence comes to an end, though, when Leah has a seizure, during which she accidentally breaks her leg. Leah’s studies in Denmark are also winding down, which would spell the end for her and Maja, but Maja decides to accompany Leah back to London. From there, it’s all downhill. Maja moves into Leah’s second-floor flat above Leah’s mother, Chana (Sofie Grabol), who lives on the first floor and does not approve of Maja at all. It becomes quickly apparent that Chana is highly overprotective of Leah, as she repeatedly called her daughter while she was living with Maja and continues to hover over her now that Leah is back in London. It also becomes apparent there is more going on than Maja ever thought. Chana and Leah hail from an Orthodox Jewish community, and Maja struggles to find her footing. Noticing that Chana and Leah’s flats are adorned with symbols from Jewish culture, Maja, in good faith, decides to learn more. Venturing out into the community, she visits a Jewish bookstore, where she meets the store’s owner Lev (David Dencik). Lev and Maja become friends, and she is astounded to learn Lev is Maja’s cousin. When Chana learns that Lev and Maja have become friends, she forbids Lev from speaking to her—an action that clues Maja in that something sinister is going on. Sure enough, Maja’s suspicions are confirmed when she learns that since Leah was a child, she has been besieged by a dybbuk , an evil spirit in Jewish lore. Chana’s overprotective nature stems from her desire to save her daughter from its influence. At its core, Attachment is a demonic possession thriller, but where most films in this genre are rooted in Catholic doctrine, this one grounds itself firmly in the Jewish tradition, giving viewers something new and unexpected. Gislason does not stop with dybbuks; he also invokes the Golem as well as Kabbalah. These topics may seem out of place in our modern culture, but Gislason, who is Jewish himself, never once adopts a condescending attitude towards them. Instead, in his hands, the dybbuk is a terrifying entity—one that wants nothing more than to destroy Leah and all that she loves. But, as stated earlier, Attachment draws its power by mining the anxieties that come with a new relationship. Maja is clearly out of her element in Leah’s ultra-Orthodox community, and Chana can barely hide her disgust. Part of this resentment is because Chana sees herself in Maja. She reveals she was not originally a part of this community either; she married into it. After converting, Chana’s husband left her. Now alone in a world that was never hers, Chana has had to make the best of it. Meeting a new partner’s family can be nerve-wracking, and Gislason knows this. He ferociously runs with this and successfully turns common anxieties into supernatural horror. Attachment is a slow burn of a thriller with subtle scares. Gislason does not opt for conventions. There are no jump scares, nor is Leah’s possessed form too demonic looking. Here, the emphasis is on atmosphere—Gislason is out to unnerve the viewer and he does this by keeping matters low key. The classics of the possession genre, such as The Exorcist , are often brutal and visceral, but Attachment keeps it subtle and, in the process, creates a genuinely unsettling movie. credit: Movie Reviews 101 With its slow-burn plot and complete absence of gore or jump scares, Attachment may not be for everyone, but Gislason has nevertheless crafted a solid entry into the possession film subgenre. Attachment takes its time getting where it’s going, but patient viewers will be rewarded with an atmospheric, unsettling horror film tapping into common new relationship anxieties that won’t subside anytime soon. Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. He’s a big, important ScreenRant writer who has many leather-bound books (and comic books) and whose apartment smells of rich mahogany. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Last Legs' new single “Tara” is rooted in the real experience of American youth with stories of love, loss, and desperation that pull at your heartstrings. < Back Last Legs: New Wave Americana for a New Era Nicole Brice Jan 5, 2024 Share Last Legs' new single “Tara” is rooted in the real experience of American youth with stories of love, loss, and desperation that pull at your heartstrings. In an era marked by fleeting trends and a fast-paced musical landscape, new tunes are constantly being released, leading to an oversaturated market full of creatives wanting to showcase their craft. But I have discovered a band I feel will emerge as an up-and-coming force in the indie music scene due to their talent, drive, and emotionally charged lyrics full of imagery and soundscapes. Hailing from the Garden State of New Jersey, this vibrant five-piece rock band’s sound hints at New Wave and Americana while exploring themes from the 70s and 80s amongst a backdrop of folky, narrative-based lyrics rooted in realism. Their stories of love, loss, and desperation pull at your heartstrings and their poignant lyrics are known to bring on the tears. So, who is this band? They go by the name Last Legs. Formed in 2019, Last Legs is comprised of a lifelong group of seasoned musicians with an extensive history of over 20+ years rooted in the local Asbury Park music scene. Last Legs emerged from the ashes of notable indie bands Lowlight and Roadside Graves when various members wanted to create more material, but under a new moniker. Derril Sellers plays guitar while his wife Dana handles the keyboards and contributes vocals. Colin Ryan is the man with the plan on drums and percussion, Rey Rivera plays the bass and does all the MPC drum programming, and John Gleason is the lyricist and lead vocals bringing it all together. The band recently released a cover of REM’s “ Nightswimming ”, which is quite remarkable. The Last Legs version is rearranged, reinterpreted, and sounds nothing like the original. The band has orchestrated a beautiful take on a classic song, one worth noting. Fresh off recording their four-song demo EP, the band released their new song “Tara”, which is out today, and it is the first original song by Last Legs to be released on all streaming services. It’s also the perfect introduction to the band’s music. If you’ve had the pleasure of seeing them perform live, you’ve probably heard vocalist John Gleason explain, “These are songs of love, loss, and desperation, and every word is true.” Click the picture to experience "Tara" “Tara” contains lyrics that set the template for much of Last Legs’ music by telling a story that is rooted in the real experience of American youth : “When I was young, I ran away”. The song is visceral and specific, allowing listeners to feel the desperation of a life out of your control and going all wrong. The need to escape is real and earned when you hear the chorus: “You can take me anywhere, as long as it’s away from here”. Musically, “Tara” is a two-parter. Synth-driven the whole way through, the band is surprisingly intricate and fluent. The personal and detailed lyrics lead you to expect a country-folk arrangement, but the 80’s influence here is undeniable. This is New-Wave Americana. The first half is catchy, syncopated, and almost danceable. At the bridge, the band opens into a rolling, expansive vamp as John drives home the helplessness of childhood and the end of naivety . “Tara” is that time in our lives when we lose the sensitive, vibrant life force of childhood and become grey, unfeeling adults. “You can watch the way I crumble; watch the way I disappear”. Indeed. Credit: Jeff Crespi Last Legs is currently working on a full-length album to be released later in 2024, so stay tuned. Mixed Alternative was able to sit down and chat with the entire gang recently to discuss what makes their interpretation of “Nightswimming” so amazing, what their future holds, and more. Check out our conversation below, and then check out their new single, “Tara”. We think you’ll love these guys as much as we do. MaM: Thank you for speaking with us today. Let’s dive right in. Where did the band name come from? Colin : A huge Google doc. It was back and forth for months. We all liked the name Last Jumps that John came up with. John was going to say it one day and flubbed and said Last Legs instead. Everyone liked the name, so it stuck. John : We also like the meaning behind it because it stands for the last leg of the journey as well. It could be positive or negative. Dana : Our music explores the themes and topics of death, grief, etc. and I think it suits the music, too. Credit: Jeff Crespi MaM : Your cover of “Nightswimming” is incredible because it sounds nothing like the original song. Had I not known that it was by R.E.M., I would have thought it was a new track. How did your cover of it come about? John : It was my selection because we went back and forth with many songs and I’ll be honest, I’m not an R.E.M. fan, but “Nightswimming” is the one R.E.M. song that hits me in the ways the music of Tom Waits and Leonard Cohen does. I thought that the song was so perfect and beautiful and there is no way we should cover it and try to sound exactly like them. I don’t feel that is an interesting way to do a cover song anyway unless you are playing it at a bar where people want to hear the song sound exactly like the original. The thought was that we wanted to mess it up by changing the lyrics, the tempo, and the style, and I think we achieved what we set out to do. And the fact that you like it is great. The main thing we did with “Nightswimming” was we took the bridge and made the whole song out of that bridge because we loved the chord progressions there. Dana : Yeah, we swapped the music from the bridge of the original song with the music of the main hook—the piano part—and that just seemed to work. I think as artists we are willing to experiment and drop any kind of bias of how things should be. I do think that it’s cool how we got it to tether back to the original song by flipping the bridge and the verse. Derril : The reason we did that, to begin with, is because our record label, Mint 400, does a compilation of songs from a certain decade every year and every band on the label chooses a song for the compilation. The decade this time was the 90s, so this was our choice. Credit: Jeff Crespi MaM : As I was listening to the demo you sent me, I was thrown into 80’s nostalgia overload and wanted to ask you about the creative process of writing music. How do you approach that? Dana : Some songs start with a kernel of an idea from a particular band member, but then some happen because John will start singing something and then we’ll build the song around that, but a lot of the songs do come together in a rehearsal or a setting where we are all together. During the pandemic, we got good at working together remotely and that got us accustomed to playing together even when we weren’t. We still send each other phone demos, too, where I’ll come up with something on the piano and then I’ll send it out. I think something we want to try with the upcoming record is to change the process because I think the process will dictate what the song ends up being. The process gives you an environment to work in so you can do different things. John : We have a song on the demo called “I’ve Been Loved” that we went through almost ten different versions before we ended up on the one that is on the demo, and each one was good, but it was just not hitting perfectly right until we got to the final version. Some songs kind of just come together and some are more involved in the process to get to the result. Credit: Jeff Crespi MaM : Currently, who is inspiring you musically and why? Derril : I’ve been going through a musical and fashion renaissance, and I’ve been copying off Warren Ellis. I’m trying to grow into him these days and I’ve been following him a good bit. Dana : Since I play keys, I like the work of Brian Eno. The 80’s vibe you hear is because of me. I use a lot of 80’s keyboards and I have a Roland Juno 60—an original one—that I’ve played for many years. It just sounds great, but I recently stopped gigging with it because it just seems abusive to the instrument. I love music from that decade…all the post-punk stuff. We’ve been listening to the new Andre 3000 flute album, too, and it’s amazing. Sounds and texture are what I gravitate towards. Colin : John and I just went to see Mary Lattimore recently at a church in Philadelphia. John is a fan, but I had never heard of her before. I’ve been listening to a good bit of her stuff trying to get caught up on it all because it’s really good. John : She’s a harpist and she uses a loop pedal and it’s magical. If you like ambient music, you’ll love it. It’s melodic ambient music. For me, lately, it’s been singer/songwriter Damien Jurado. I’ve been listening to him since the mid-90s because he continues to put out compelling challenging and beautiful records. Credit: Jeff Crespi MaM : What are your plans for the future of the band? Last Legs : More people crying at shows. (laughter) Dana : We love traveling and we would love to be the opening act for artists we admire to connect with an audience and fans. We love creating music and our goal is to release our record in 2024 either with a label or independently. We now have this democratization of the music industry where anyone can reach their fan base if they do a certain thing in a certain way. Hopefully what we are doing will be infectious and other people will pick up on it. That’s our goal and we look forward to the rest of 2024. Be sure to follow Last Legs on social media and check out their tunes. All that tugging at your heart strings will be worth it! Instagram : Last Legs (@lastlegsmusic) • Instagram photos and videos YouTube : LAST LEGS "Nightswimming" (R.E.M. Cover) - YouTube Apple Music : ‎Last Legs - Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Movies Releasing in Theaters This Month < Back Theater Tripping in November Keeley Brooks Nov 2, 2022 Share New Movies Releasing in Theaters This Month Well, you don’t need my big mouth to tell you that new movies are releasing in theaters this month, but you might need it in case you aren’t sure what all’s coming or in case you don't feel like searching. Allow me to enlighten you, my sweet little movie-loving readers. Armageddon Time – Starring Anne Hathaway, Anthony Hopkins, and Jeremy Strong (HBO’s Succession ), this Focus Features’ coming-of-age story takes place in New York City in the 80s. It’s about a 12-year-old Jewish boy whose rebellious streak gets both him and a Black public-school classmate into serious trouble. Directed by Ad Astra’s James Gray. In theaters Nov. 4 Black Panther: Wakanda Forever – Perhaps the biggest-title release this month, or the most anticipated, is the Black Panther sequel, Wakanda Forever . One of the biggest films of all time, the Black Panther franchise underwent a restructuring after the 2020 passing of its beloved star, Chadwich Boseman. The plot sees Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira), and the Dora Milaje (including Florence Kasumba) fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. Directed by BP director Ryan Coogler. In theaters Nov. 11 She Said – Another heavy hitter, this Universal Pictures drama tells the true story of the two New York Times journalists, Megan Twohey and Jodi Kantor, whose 2017 investigative reporting brought down the perverted Hollywood producing mogul Harvey Weinstein. Stars Carey Mulligan ( Promising Young Woman ) and Zoe Kazan ( Clickbait , Ruby Sparks ). In theaters Nov. 18 The Menu – Who doesn’t love a good psychological thriller, especially with Anya Taylor-Joy ( Split , Peaky Blinders )? This one sees her as a select guest at an uber-exclusive restaurant run by a sadistic chef, played by the infamously creepy-when-he-wants-to-be Ralph Fiennes ( Red Dragon , The King’s Man ), who has more than just a meal planned for his customers. Directed by Mark Mylod ( Succession ). In theaters Nov. 18 Glass Onion: A Knives Out Mystery – If you loved 2019’s Knives Out , chances are you’ll also love its follow-up. By far the “widest theatrical release in Netflix history” (as reported by Box Office Pro), this mystery-comedy sequel sees Daniel Craig return to the role of Detective Benoit Blanc. Tech billionaire Miles Bron (Edward Norton) invites his friends for a getaway on his private Greek island. When someone turns up dead, Det. Blanc is put on the case. Also stars Kate Hudson, Kathryn Hahn, Ethan Hawke, Dave Bautista, Serena Williams, Leslie Odom Jr., and Angela Lansbury, among others. In theaters November 23 FOR ONE WEEK ONLY; Airs on Netflix Dec. 23 Strange World – Walt Disney Animation Studios’ latest feature is a trippy little fantasy about a family who gets more than they bargained for while exploring a strange world. Featuring the voices of Jake Gyllenhaal and Dennis Quaid. Directed by Don Hall ( Big Hero 6 , Moana ). In theaters Nov. 23 Devotion – A historical action drama starring Glen Powell (“Hangman” from Top Gun: Maverick ) and Jonathan Majors (HBO’s Lovecraft Country ) as a pair of fighter pilots—one black, one white—during the Korean War. If you saw TG:M, chances are you loved Hangman, so I wouldn’t balk at seeing this one! In theaters Nov. 23 The Fabelmans – A semi-autobiographical tale of a boy and aspiring filmmaker growing up in 1950s suburbia. Directed and co-written by Spielberg, this is his first feature film writing credit since 2001’s A.I. Artificial Intelligence . Features Michelle Williams as the mother, Paul Dano as the father, Seth Rogen, and newcomers Mateo Zoryon Francis-DeFord and Gabrielle LaBelle ( The Predator ). In theaters Nov. 23 Bones and All – Starring Taylor Russell ( Waves ) and, one of my absolute favorite actors to watch, Timothée Chalamet, this film follows two young lovers in 1980s America … who are both cannibals. Directed by Luca Guadiagnino ( Call Me By Your Name ), this genre-defying title is based on the novel by Camille DeAngelis and co-stars Mark Rylance ( The Outfit , The BFG ). In theaters Nov. 23 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nick Sabia’s new release “Back East” is a peaceful trek through nature. < Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Change operates as a cyclical force of nature, and it’s time for another cycle. < Back Finding the Middle Ground: Striking Balance in Louisiana’s Evolving Music Scene Nick Cline Jun 14, 2025 Share Change operates as a cyclical force of nature, and it’s time for another cycle. Change—what is it, really ? Change embodies a balance between beauty and disaster; it's an essential part of every journey in life. Music, along with the passion that fuels it, has been a cornerstone of the human experience since time immemorial. It's an incredibly intricate concept that we have barely begun to explore. Lafayette's music scene, and perhaps even the entire state, represents a piece of a puzzle that is rapidly shifting in search of its perfect fit. The irony is that it may never fit perfectly. Nothing is meant to fit 100%. This imperfection is part of the beautiful dynamic that drives passion, art, and the courage to find one's place in life, society, and the universe. Change operates as a cyclical force of nature , and it’s time for another cycle to traverse through the walls and concert halls of our community. Lafayette is the epicenter of Louisiana music. Regardless of the state's history, Lafayette has conspired to create a landscape rich with honed talent, new passions, and everything in between. The local scene is becoming a catalyst for change, as alternative mindsets and sounds are asserting their place. I should note that I'm relatively new to this scene—I've only been involved for about two years. I'm not originally from Louisiana, so my perspective is, at worst, a leap of faith. Ultimately, I am just an artist trying to carve out my niche in a world that has presented me with numerous challenges since childhood. From my observations, balance is critical for the survival of this scene. A balance of ego, work ethic, passion, and various other factors will be essential for its future. It can begin to thrive, but it should aim for more than mere survival. With proper care and the right mindset, this scene can become a powerful force of personality and passion. Currently, there is a power struggle among bands, venues, promoters, and us. People are forgetting that music is a collaborative effort. Music cannot exist without a solid foundation of support to fill in the gaps of the scene. The alternative scene is a collective of individuals who are contributing new pieces to the legacy of Louisiana music. This community is growing every day, driven by a mission of goodwill, inclusion, and the cultivation of music, along with many other positive ideals. What’s remarkable about this collective is that it is not genre exclusive. It serves as a meeting ground for the unconventional and the overlooked. It’s a space where one can discover oneself both musically and personally—a rare moment that continues to evolve. This community fosters ongoing support for one another, built on passion and inclusivity, regardless of genre or background. Most importantly, it stands on the belief that art is a powerful concept that will endure even in troubled times. Art is one of the many building blocks of change in societal understanding. Only time will tell what lies ahead for Louisiana and its music scene. For now, it is in its infancy, a growing force poised to unleash a cyclone of creativity. Its spark has recently ignited, and it’s just a matter of time before it fully manifests. That said, the community must strive for hard work, genuine artistry, and the willingness to explore new sonic landscapes without clinging to an image or preconceived notions. An image means nothing without the quality to back it up. Having a platform is irrelevant if there is nothing truly unique and powerful to express. Many can speak, but very few can truly inspire. The scene is navigating a direction that we all need to embrace, or risk being left behind. A powerful new era is upon us, and the music scene will enter this age armed with passion, creativity, influence, inclusivity, cultivation, job opportunities, and so much more. The burgeoning job market will align with the community's strength, allowing artists to become multifaceted creators. Photographers and commission artists will stand at the forefront of this economic shift, progressing in tandem with the music industry. These various artistic pursuits need to work in tandem to survive and transform into a storm of possibility. In conclusion, let me emphasize my final thoughts. Hope, creativity, inclusion, and cultivation represent the new wave of Louisiana music. We are mere specks in the vast landscape of possibilities within the universe. We must make the most of our time, for no one else will live our lives for us. It is our duty to ensure that we live meaningfully, serving both ourselves and the cultivation of a brighter future for the arts, culture, and society as a whole. We are the change we’ve always wanted to see. It’s time to prove it, to show it, and to live it. We are the change that the community has been waiting for. Thank you for reading. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. < Back Shane Webb: A Drumming Odyssey Erica Machen Nov 30, 2023 Share Rock drummer Shane Webb continues his vibrant course of success, maintaining an emblazoned passion for his art. What view could be better than from the front row of a rock concert? The perspective Shane Webb , aka T-Bone, gives leads me to wonder if the best experience could be from the seat of a drum kit. I was able to have a chat with Shane, who’s drumming career brought him that perspective with bands such as Puddle of Mudd , Shinedown , Tried by Twelve , and multitudes of others. Twenty-plus years after embarking on his drumming career, Shane is fueled by his experiences and maintains an emblazoned passion for his art. Amidst captivating lights, vibrant sounds, and contagious energy emanating from lead vocalists, a drummer’s significance is often overlooked. Without these guys, rock shows would be haunted by a palpable void and undefined listlessness. The rhythm we all vibe to would be absent, as would those rich layers of texture and depth a drummer infuses into each performance with his (or her) distinctive style, creative fills, and unique enhancements. This is why Shane says his journey—his mission—is still incomplete. He expressed repeatedly in one way or another his desire to create a true legacy in his artistry via his musical career. Not only is it Shane’s mission to create such a legacy, but, throughout our conversation, I sensed his desire to pay homage to those who influenced and lifted his career, as well as to those friends whose journeys ended too soon. In an industry where rivalry and bitterness are frequently showcased both in the media and behind the scenes, Shane is seemingly in a place where he has realized grudges and animosity bare rotten fruit. Instead, Shane chooses to move forward by finding peace with those who didn’t believe in him and even with old friends, such as Fred Durst , who have fallen out of his life. At the end of the day, his motivation remains the same: Create music, create art. Webb is one noteworthy drummer who's doing just that. Mixed Alternative caught up with him to get some intimate details about his career and catch the story behind his drumming odyssey . MaM : Shane, with a drumming journey beginning at 12 years old, you've come a long way in your art. Can you share a pivotal moment from those early years that ignited your passion for drumming? SW : I asked for a drum set when I was four or five. My father took me to some restaurant, and I remember watching this guy play the drums and I was just fascinated by it. Growing up in Jacksonville, Florida, I used to go to the Coliseum to watch bands play. My first rock show was Ted Nugent when he opened for KISS, before they had the make-up. I remember looking at the stage, listening to the sounds and crowd, and immediately falling in love. I knew I wanted to do that … I had the bug. I was a break dancer and R&B guy way before I was into rock and roll. Big time. … By the time I started to get into rock and roll, I wanted to be Eddie Van Hall. When I got to seventh grade, I had to choose an elective … I said I'd play in the band … on drums. And, as they say, the rest is history. Image provided by Shane Webb MaM : I’ve heard hints about some of your unique experiences, like sleeping on Dimebag Darrell's couch. Could you share that story, and do you have any other particularly unusual or memorable moments from your career? SW : I have countless! As for Dimebag Darrell [of Pantera and Damageplan], I was on tour with this band called Operator after being in Puddle of Mudd. Paul Phillips, who also used to be in Puddle of Mudd, was in Operator. I believe Paul knew Vinnie Paul. Someone came on the tour bus to say Vinnie wanted to come pick us up that night. Of course, you hear that, and you're like, ‘Absolutely!’ He picked us up in his limo … Suddenly, we were at Dime’s house. … I ended up passing out mad drunk and woke up the next morning on Dimebag’s couch. … I just walked around and touched stuff. I mean, when you watch the Dimevision videos, you see the stop sign he crashed his car into. I touched that thing on his wall. It was wild. It was crazy. Ms. Rita, his now-widow, took us to breakfast and told us all kinds of inside stories, like when Dime and Metallica used to hang out and where songs came from. She showed us his guitars. This man had to have at least a thousand guitars in his house. It was the craziest. Very intoxicating. Back in that time, we didn’t have cell phone cameras. One of my regrets is not having any pictures. MaM : What's the mission behind your new venture in rock and roll, and what inspired you to embark on this new chapter? SW : Not having done it the full way [inspired me]. Lots of people say I have really done it, but, for me, the mission hasn't really fully been accomplished yet. I’m 51 and still learning how to navigate things. Thankfully, I have Jason, who became my manager in the past six months or so. He is actually my best friend from high school who was around when I ran away to do all of this at 15. MaM : Can you expand on your leaving home at 15? SW : I always had this blind faith I’d already made it. I just had to go through the motions. I always knew I was doing it, with or without people's help. I lived with my mom and stepdad. It was rough at the time. We are all good now, and they have helped me tremendously. Long story short, one night I crawled out the window at 1 a.m. I said, ‘All right, bye. I'm out.’ Music is my medium because I am an artist. I am an artist first, songwriter second, and then a musician. MaM : You mention being a songwriter, so you’ve elicited my favorite question: What comes first, the chicken or the egg? SW : Probably the music. I hear music in my head. I still play guitar (bass) and a little bit of keyboard. I have my studio set up here at home. … Lyrics and melody usually come second. Occasionally, I have vocal ideas first. Those take a little longer. It’s writing backwards for me. MaM : You've played with various bands, including Puddle of Mudd and Shinedown. How did you become friends with Fred Durst, and what was it like collaborating with him? SW : We would not be having this conversation if it wasn't for Fred Durst. I did the hard work, but he was the person who stuck his neck out for me. He believed in me and saw talent and drive in me. I met Fred around 1993. Fred has done tattoos on me, I toured with him, we wrote together, and we have been in bands together. Fred always saw talent. L to R: Shane Webb, Fred Durst (Limp Bizkit), and Paul Phillips (Puddle of Mudd) He called me in 1997 and said, ‘The record company wants somebody to video the day in the life of the band, and you're the first person I thought of.’ I said yes, but then he said, “Here's the only thing… you’ve got to leave at nine o'clock tomorrow morning.”I went to my job, and … They didn’t understand I was letting them know I was going on tour. I don't think I did anything significant … but we always stayed in touch. Puddle of Mudd was signed to his record label, and he called me up to audition. I learned the songs, flew out to L.A., and I had the gig. … That was all because of Fred talking me up. We’ve had some rough patches, but we’ve never gone toe to toe. Unfortunately, we don’t talk now, but I owe so much to that guy. It's 20-something years later. I don't hold grudges. MaM : Looking back, what kind of advice would you give to a young teenager when it comes to music? SW : Just stay true, man. Stick to your guns. Work really hard play, play as much as you can, and be there for other people. That's something important to me. MaM : What should our readers look out for next from you? SW : I have a back catalog, and I'm a writer. I like to write, and I want people to hear my new stuff. There is just so much stuff people haven't heard that only I have ... old Shinedown demos, old Puddle of Mudd demos. I was in a band with my best friend [Brad Stewart’s brother] Mark Stewart and Nolan Neal called Tried By Twelve. L to R: Mark Stewart, Nolan Neal, Jeff Winston, Shane Webb Nolan was on America's Got Talent and The Voice. He had more record deals than anybody I've ever known and was the only artist to get signed with Virgin Records … [a] sight unseen. Unfortunately, Mark died in 2015 and we lost Nolan last year. Shane Webb and Nolan Neal on "The Voice" That was a huge deal, and I still have those songs. … I don't want to just put this stuff out there. I want to protect … integrity and these boys. They were my buddies. As I said, it's a very touchy thing. I have to release these songs in a very sensitive way. We don't know if we're going to do it as an album, an EP, or just one song at a time. I'm also working on a way for me to release some of these old Puddle of Mudd demos. They need work studio-wise. I also have my solo material. I've been writing songs for a long time, and I have several of my own solo songs where I play most of the instruments. I had a talk with Bob Marlette, the producer of Seether and many more, and he is willing to work with me on a song I'm writing. Very excited about that. When Shane isn’t working on building connections with his local community in Jacksonville, he can be found in his studio playing his drums, bass, and keyboard. As we wait to hear what he will release from within his vault, stay updated by visiting his website at www.ShaneWebbDrummer.com . Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. < Back Reviews on the Real: Thieves and Tyrants EP by Gnashing Nicole Brice Feb 4, 2025 Share Gnashing is carving out a space for themselves in the heart of NOLA’s dynamic music culture. Sometimes, music comes onto our radar long after it has been released. It’s the nature of the business these days, with the market being oversaturated with new original music. Today, we review Thieves and Tyrants , an EP released by New Orleans-based band Gnashing on September 15, 2023. Released September 15, 2023 - Click to listen Formed in 2022 in New Orleans, Louisiana, Gnashing's sound is a unique blend of old school death metal , thrash , and black metal . As one of the newer bands on the scene, Gnashing has been steadily booking shows since its inception. The band has performed at Creepy Fest in New Orleans in 2022, The Marsh Room in Metairie, the Intracoastal Club in Houma, Siberia in New Orleans, and many other venues, and the band shows no signs of slowing down anytime soon. New Orleans has long been known for its rich musical heritage, and at the core of Gnashing’s appeal is their ability to balance melodic dark beauty with a sense of tension and discomfort. Lyrically, Gnashing explores themes of inner conflict , isolation , and the pursuit of understanding in an increasingly fractured world, creating a layered experience that invites interpretation for each playthrough. Recorded, Mixed, & Mastered by James Whitten of HighTower Recording in New Orleans, Thieves and Tyrants is a rollercoaster ride of melodic death metal with a little groove and thrash thrown in. Gnashing is Chris Lilly (vocals/guitar), Taylor Hinkel (guitar), Erik Haley (bass), and Brennan Ledet (drums). Let’s dive into these tracks, shall we? Metamorphosis – starts heavy straight out the gate—an excellent opening to this EP. Head nodding abounds. Assertive guitars and vocals. It's a great tune to crank up to eleven. The Befallen – nice crispy opening with crunching guitars—this one has a slightly faster pace. Rush to Judgment – my favorite track on this EP. This high-energy song delivers a potent punch to the gut with a blistering pace of aggressive, distorted guitar riffs and pounding drums. Grandiosity rounds out the EP and is a little slower, but once the vocals hit, it puts you in a trance. The song builds and picks up the pace, maintaining this steady vibe of aggression. Thieves and Tyrants is an EP that hits both musically and thematically . We had a few questions for the lead vox of Gnashing, Chris Lilly , and he was kind enough to speak with us. Check out our conversation below. Credit: Facebook MaM : How did you come up with the sound for Gnashing? What led you to play the type of music you play? CL : We never really chose the style we were going for. It just happened organically. I grew up listening to all of the music of the 90s, but it was thrash metal in particular that I found myself very drawn to as a child. As I grew older, I started to rediscover that kind of music and became even more of a melomaniac. From there, I listened to more extreme genres and was heavily influenced by bands like Skeletonwitch , Stormlord , second-wave black metal, and especially Chuck Schuldiner of Death . The rest of my bandmates have similar influences, so our sound was created naturally and unforced. There's something about the darkness of extreme music that I find very intriguing, along with the concept of good versus evil. Within this kind of music, you'll find stories told in ways like no other, and I think there's a beauty in the ugliness of life, which makes for great art and is all a part of the human experience . An appropriate amount of pain, heartache, and suffering is necessary. Just as love, happiness, and joy is as well. The yin and yang concept. Chris Lilly of Gnashing (credit: Facebook) MaM : Walk us through the creative process for your EP Thieves and Tyrants . How did you approach writing each song, and is there a formula you follow when writing music? The title is fitting with all that is happening worldwide currently, right? CL : One of the first songs (titled The Befallen ) I wrote for this project was written before I had any members. I was always writing material and hoping to put together a band one day, and once I met our drummer, Brennan , we started the writing process. We clicked right away, and after the first practice, I knew he was the right person. Our bassist, Erik (former bassist of Drug Money ), was recommended to me by a mutual friend, and our guitarist, Taylor, was recommended to us by Erik, his stepfather. I was the primary writer for those songs, but every member had input, including some parts, such as Taylor's solo on the Metamorphosis track. It's been a group effort putting this EP together, and I would say having good chemistry with your bandmates is a must for a good formula for writing material. It starts with the riffs and how to combine each riff to see what works. Our drummer has helped with the arrangements as well. Yes, the title for our debut episode fits today's world and throughout history. MaM : Do you have new music in the works, and if so, what theme are you finding is a dominant force in your writing these days? CL : We have new music written and hope to record it this year. We have some work to polish the already-written songs and finish writing new ones. A dominant force of the subject matter would be mostly medieval-themed . MaM : You have quite a few shows coming up in the coming months, but what are your main goals for 2025? CL : Our main goals are to finish the new material, record it, and work hard to ensure our performances are to the best of our abilities. MaM : What key message would you like fans to take away from your music? CL : I don't know that we ever really had a key message for people to take away from our music. It's mainly been a very therapeutic and creative outlet for us, but I hope it will provide the listener with the same enjoyment we get from creating and performing the music. Credit: Ian Ashley Ball As Gnashing continues making their mark on the local music scene and beyond, they stand poised to dominate with an unwavering dedication and organic approach to making music. We look forward to what the future will bring for Gnashing , so be sure to catch them live near you soon so you can experience the sonic abyss of sound only they can create. Upcoming Shows : Saturday, February 22, 2025 - the Intracoastal Club in Houma, LA with Psychic Bastard & EYEHATEGOD . Saturday, March 15, 2025 - Tales From The Riff Festival in Lafayette, LA at The Pic at Epic Performing with Christworm , Writhings , Cemetery Frost , Necromire , and Reptilian War Machine Friday, April 4, 2025 - the Twist of Lime in Metairie, LA for Dio's Legacy: A Tribute to Ronnie James Dio To learn more about Gnashing : Bandcamp: Thieves & Tyrants | 𝔊𝔫𝔞𝔰𝔥𝔦𝔫𝔤 Pandora: Gnashing on Pandora | Radio, Songs & Lyrics YouTube: Gnashing - YouTube Spotify: Gnashing | Spotify Social Media : Instagram: https://www.instagram.com/gnashingofficial?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== Facebook: Gnashing Official Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘These Chains’ is an amalgamation of everything good in music. < Back Breaking Free: A Review of ‘These Chains’ by Byron Daniel and the Five Dead Dogs Nicole Brice Jul 13, 2024 Share ‘These Chains’ is an amalgamation of everything good in music. New music always makes me happy, and today, I have a new track from Byron Daniel and The Five Dead Dogs , a band from Southeast Louisiana. ‘These Chains’ is an amalgamation of everything good in music. It’s got soul, fuzz, thundering bass, and a great groove. Reminds me of a modern incarnation of The Allman Brothers . It’s classic rock with a twist that gets your head nodding. “ Rural Infused Sweat Rock ” is how the band describes their music, and I have to say I agree. That is one of the most descriptive terms I have heard to describe music ever. When asked about the recording process for the new material, lead vox Byron Daniel said, “We recorded this song with Bryon Knight at Melancholy Mixing and Mastering . I played an acoustic show with Bryon, and he told me about his studio. Shortly after, I heard a single that Bryon had done for a band called She Might Be a Beast and really loved it. He was a pro and very easy to work with.” Byron Daniel and The Five Dead Dogs is comprised of Byron Daniel (Guitar/Vocals), Andy Ates (Guitar), Monroe White (Bass/Vocals), and Christian Colonna (Drums). ‘These Chains’ begins with a smooth and mellow vibe when Byron’s weathered and raspy vocals kick in. This man’s voice is full of so much soul and depth. Because of his vocal delivery, he is one of my favorite local frontmen, and even though I have not caught them live yet, I hope to in the future. With catchy lyrics, Byron said of the lyrical inspiration behind the song, “The inspiration comes from my upbringing and the people that have kind of come and gone out of my life. ‘These Chains’ is just about partying and using rock n’ roll to break free of small-town syndrome. Most of my writing is just me trying to accept who I am, what I’m doing, and what I’ve done.” One of the best parts of the song is the guitar tone on the solo from 2:15 to 2:47. Wow, it knocked me on my ass because it doesn’t come at you all at once; no, it builds to a powerful crescendo. ‘These Chains’ is an enjoyable track from start to finish, but I insist you listen to it loud in your car with the windows down while driving a long, windy country road. With plans to release a full album in the future, the band will be hitting the road in October to bring their sound to the masses, so keep your eyes and ears open. Click picture to listen to the new track “Definitely excited to be branching out and doing some shows in Baton Rouge and Lafayette. We spend most of our time in New Orleans or on the north shore, so we’re stoked to be seeing some new faces and converting some folks to the ways of Sweat Rock! We are looking to have our album ‘Armadillo Soup’ out by 2025. We will certainly be releasing a single or two before that.” ‘These Chains’ by Byron Daniel and the Five Dead Dogs is a powerful, emotionally charged track that showcases true musical craftsmanship and stays with you long after the first listen, so do yourself a favor and go stream it today. Upcoming Shows: Click picture for more info To learn more about Byron Daniel and the Five Dead Dogs, just hit one of the links below: www.bdandtfdd.com #RISR | Byron Daniel and The Five Dead Dogs Byron Daniel and The Five Dead Dogs are available to book for music clubs, festivals, events, parties, and acoustic shows. Facebook : https://www.facebook.com/ByronDMusic/ Instagram : https://www.instagram.com/bdandtfdd/ Spotify : https://open.spotify.com/artist/6NUAE8mTYyxW3FLMaKmfu7 Apple Music : https://music.apple.com/us/artist/byron-daniel-and-the-five-dead-dogs/1546819944 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. < Back Off the Charts: Jimmy Speed Bud Gambrell May 22, 2024 Share Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. Hello all! Welcome back to Off the Charts! I’m glad you’re here! I’m a bit excited to turn you on to this next band. Jimmy Speed is a local band I’ve heard of but have yet to see live. I assure you that will change! I may have heard the name from bands that played at a former location in Huntsville called Sidetracks Music Hall . If you’ve never heard of Sidetracks, I wrote a book about it, but we are not here to discuss that. Let’s start this article a little differently. I want to wet your pallet just a bit with one of the band’s videos. Please turn this up before continuing to read this interview. See below. Jimmy Speed comprises various musicians from the Huntsville area in Alabama. It had its humble beginnings in founding member/lead singer Lyle Douglass’s bedroom. I got invited to a band practice recently, where I had some time with Lyle before the band introduced me to their new song, Paradise , where I was able to ask Lyle for a little history of Jimmy Speed's origins. Click the picture to experience Jimmy Speed's music. OTC : How did you come up with the band name Jimmy Speed? LD : Jimmy Speed started in my bedroom. I'm writing songs because that's always been my passion. I've been a songwriter since I was a teenager at home. And so, Jimmy Speed was sort of the name I gave myself just for my own released music because I didn't want to release a Hard Rock album called Lyle Douglas. And so, I thought, I need to come up with a rock'n'roll name. My first name is James, so I thought, well, Jimmy works perfectly. I had to come up with a stylish last name, so I thought Speed worked because some of the music I wrote at the time was fast, hard, and heavy. So that's how that name originated. Our music is a unique blend of fast, hard, and heavy rock, a style that we've honed over the years and that sets us apart from other bands in the area. Credit: Facebook OTC : What year did the band form, and how did you get to the lineup of musicians you have today? LD : In 2015, I joined forces with Mono Stereo, a local cover band formed by guys from Blackeyedsusan and Dragmatic. Chris was in Dragmatic , Donnie Pylant, and Jay were in Blackeyedsusan, and then their bass player Glenn was the bass player for Brother Cane . He's back with them playing again. They brought me in to be their lead singer and rhythm guitar player. That's how I met Chris. And then, in 2016, my brother passed away. I had a bunch of songs written, some of them dedicated to him. I asked Glenn and my friends Brian and Chris, hey, do you mind just getting together and doing a one-time gig of original music at the Sportspage ? It was just kind of a one-off thing. And so that's how it started. It was just an original gig that we did, and after that show, the guys said, it's cool. Let's continue doing some of these songs, and that's when it originated. I guess that was around 2017 when Jimmy Speed first formed with the lineup of Brian, Chris, and Glenn Maxey. But then, when the pandemic hit in 2020, Glenn had a tough year and had to step away from the band. At that moment, like many other bands in 2020, we had to ask ourselves, what will we do? Are we going to keep doing this? Brian, Chris, and I decided, yeah, we want to. We're still passionate about this. So, we kept writing songs. We went back to the studio. We kicked around some bass players like Mike Staten from Tres Locos and Michael Cline from 5ive O’clock Charlie . They stepped in and helped us out for about a year or two. We've known Gary for 25 years. On a whim, we just said, hey, man, we're interested in you playing bass for us. The other guys are busy. Not that Gary wasn't busy, but he said I'm interested. And so, it looks like, hopefully, I crossed my fingers. He's going to be a permanent guy. Credit: Bud Gambrell OTC : What are your biggest influences when you're making music? LD : I am admittedly a product of the 1980s MTV generation. My riff writing is very percussive, so it's very Metallica-ish. Some of it is Megadeth-ish. But I also like Weezer-esk hooks. Chris is probably more of a 90s guy himself. And so, we bring out our inner Motley Crue, Weezer, and Metallica when possible. OTC : How would you describe the music that you create? LD : I try not to get too fancy with genres. I know there are so many subgenres of rock. To me, it just gets silly. I've always categorized this, just as you know, as heavy rock, heavy rock with elements of soft rock and elements of metal. Let’s pause for a few minutes and check out another song! OTC : Talk to me about your approach to writing new material. Is it a collective effort, or do you do the writing and bring it to the band? LD : It typically starts with me at home doodling because that's just what I do. It's just kind of my passion. I can't help myself. I've always done it since I was a teenager. So, it usually starts on the guitar. I'll come up with something, some hook on the guitar. I will hear some vocal lines without any words. Something like that will come across my mind as I'm playing. I think, OK, those are the syllables I need. I need to come up with some words to fit, and sometimes, it's a random line like in one of our brand-new songs, Paradise. I'm playing the riff, and the line spontaneously came as “I'd Walked 1,000,000 Miles on a One-Way Road”, and I had to stop and go, OK, who's on a one-way road? Who's walked 1,000,000 miles? What is that story about? And so it could be a spontaneous lyrical line that comes to mind. And so, you write a song based on an idea. Credit: Bud Gambrell OTC : We talked last week, and you were in the studio? I'm guessing that means we've got new material coming out. Tell me about that. When? LD : It's probably going to be released later this year. We're now working with engineer Ben Holloway at Five Points Recording Studio. We've worked with Justin Miller down there. He's the owner. Head engineer. He did our last album, Weight of the World. But he's got a new engineer working night and night just from a scheduling standpoint, which works better for us. So, Ben is doing all the rough recording right now. We've got drums, all the main lyrics, and my guitar, but we still need to play lead guitar, bass, and some backup vocals. It's a slow process, so we chip away at it when possible. We don't have a regular scheduled time over there, but like I said, it will probably be released later this year. Credit: Bud Gambrell OTC : How do the people reading right now find your music? LD : In today's world, most people stream, so you must ensure your music's out on all streaming platforms. I've done that. Social media is such a circus, but at least it gives you the tools for reaching thousands of people at a very low cost. I've done sponsored ads, and we've got videos on Facebook with 10s of thousands of views. 20-30 years ago, I know the dream of all musicians was to get signed, and that's still great if you have corporate sponsorship and that corporate push, but social media at least gives small artists the tools to do it kind of themselves. But now, people must search for us on their favorite streaming service, Jimmy Speed. OTC : All right, one last question. If you could open a show for any artist, who would it be and why? LD : You know, I think that I've compared our music most closely with Volbeat. Love or hate them, Volbeat is hugely popular, and its music is heavy but melodic. They've got a lot of melodic hooks. Their singer is not necessarily a screamer, and that's always what I've gone for. They have a heavy sound but a lot of hooks, so that would be my dream. I didn’t come up with that last question; my editor/publisher, Nicole , did. Thanks, Nicole! That was a great question! I liked it so much that I asked the other three band members the same question to see the variety of answers I might get. First, I asked bass player Gary Fullerton. Credit: Facebook OTC : If you could open a show for any artist, who would it be and why? GF : My first choice would be Iron Maiden. Steve Harris greatly influenced me back when I was a kid. My second choice would be The Warning. Those girls from Mexico are kicking ass! Next, I turn to guitarist Chris Robinson. Although I had already asked the question twice, the guys took their time and thought about the answer. OTC : If you could open a show for any artist, who would it be and why? CR : Oh my gosh, that's a great one. Oh, man. Oh my gosh, you stumped me. I was thinking Avenged Sevenfold, but I was like, am I that good? It would have been Mötley Crüe or Guns N’ Roses when I was ten. You know, next level. One last band member. I asked drummer Brian Miller the same question and got a very eclectic answer. OTC : If you could open a show for any artist, who would it be and why? BM : Man, is that like a current existing band or any band? OTC : It can be any band. BM : Man. I would open for The Doors. Absolutely! Because I want to meet and talk to Jim Morrison. It's as simple as that. It's like a lifelong ambition stolen from me at age two. What can I say? Credit: Bud Gambrell I’m going to have to take my advice on this band. Don’t snooze on Jimmy Speed! Unfortunately for me, I have yet to see them play live. Yet! I was fortunate enough to sit in on a band practice and could tell this band is meant to be seen live! Keep an eye out for upcoming dates. With new music coming out, that can only mean one thing. New show announcements! Follow Jimmy Speed at the links below. Drop by and buy some new tunes. Watch the music and keep up with the band news. Be sure to drop by and send me an email. Let me know if you have a good recommendation for a band out there that is killing it. Or you can drop me a line and say hello. Until next time, Keep your diamond down in the groove! Where to find Jimmy Speed: www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. music.youtube.com YouTube Music Where to find Bud : Email : the_budgambrell@mixedaltmag.com Amazon : https://a.co/d/1CLA9Tz bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. < Back Reviews on the Real: My Therapy by Aaron J Burke Nicole Brice May 5, 2025 Share ‘My Therapy’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. Out today everywhere is the latest release from the talented Irish singer-songwriter Aaron J. Burke . Aaron is a gifted storyteller whose lyrics vividly capture the human experience and life in general. When he reached out to let me know he had another single dropping soon, I was thrilled and couldn't wait to hear it. I must say, wow, what a fantastic new release! I listened to it six times before starting to write this review. It’s excellent. The official video for 'My Therapy' by Aaron J. Burke Released May 5, 2025 I love Aaron’s songwriting because it is brutally honest. There’s no fluff or frills, and the lyrics truly resonate with me. I feel them in my soul. We have been reviewing Aaron’s music for about a year now, and no two songs sound alike; each one is thought-provoking. He typically leans towards a more acoustic sound, but in ‘ My Therapy ,’ he takes a heavier approach that I really enjoy. ‘ My Therapy ’ speaks from the heart, conveying the truth and emotion of how music serves as therapy and can heal. There are no truer words. Music is my therapy, too, so I can relate. Although this song marks a departure from the sound Aaron has become known for, the grunge feel in this track is undeniable. It’s as if Aaron has traded his acoustic guitar for an electric, grunge-infused style that sounds unlike anything I have ever heard. The song starts with a groove that immediately gets your head nodding. The guitar tone is deep, and everything about this song hits hard, so I encourage you to check out ‘ My Therapy ’ today on all your favorite streaming services. Other Reviews: Reviews on the Real: Run for Cover by Aaron J. Burke Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Reviews on the Real: Rise Not Fall by Aaron J. Burke Facebook: Facebook Instagram: Aaron J. Burke (@aaronjburkemuso) • Instagram photos and videos Spotify: Aaron J. Burke | Spotify Apple Music: ‎Aaron J. Burke - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jason Momoa as a Blind Warrior? I'm in! < Back See: The Final Chapter Keeley Brooks Oct 13, 2022 Share Jason Momoa as a Blind Warrior? I'm in! I’m a fan of most genres, and I’ll just about watch anything, unless it’s a sappy love story. One of my favorite genres, though, is science fiction. Start with that and sprinkle in treats like Jason Momoa, Dave Bautista, and plenty of badass fight scenes (not to mention Alfre Woodard), and you’ve got my attention in its entirety. Streaming series See did just that and is in its final season, with the finale right around the corner. If you’ve yet to check it out, here’s why you should. See is a science fiction drama series currently airing on AppleTV, starring Jason Momoa, Alfre Woodard, and, in season two, Dave Bautista. It also stars one of my favorite actors, Christian Camargo. Not sure who that is? Maybe this’ll help: If you were a fan of Dexter , you might remember him as The Ice Truck Killer from season one. Yeah? The series takes place in a very distant, brutal, primitive future, hundreds of years after a deadly virus pretty much destroyed humankind. Anyone who managed to survive emerged blind and thus gave birth to future blind generations, mostly. See follows Jason Momoa’s character, badass warrior tribe leader Baba Voss, as he goes to theend of every length to protect his family—namely his children, because they have the mythic ability of sight. Though Baba Voss has raised the twins from birth like they were his own, they are not his biological children; they are his wife’s, Maghra Kane, who was impregnated by a sighted man. Maghra is a princess of the House of Kane in the Payan Kingdom. Baba Voss found her lost, alone, and pregnant in a storm, so he brought her back to his tribe for shelter. She gave birth, they fell in love, they got married, yada yada yada. Maghra’s sister is Sibeth Kane. She is Divine Ruler and absolute monarch of the Payan Kingdom. She’s also the ruthless spiritual, military, and political leader of the last remaining society with electrical power. She murders any heretic speaking about the sense of sight and classifies them as witches. SHE is a treat to watch. I don’t know that anyone other than Sylvia Hoeks (pronounced Hooks) could’ve played this role so well … captured Queen Kane’s nuances so perfectly. She has a very interesting way of speaking and doing that brings some levity to her character while at the same time adding dimension. It’s one of the things I love about her. Plus, she gives a whole new meaning to the phrase, “I wish to pray.” You’ll see. Queen Kane’s Royal Tax Collector and Witchfinder General is Tamacti Jun (Christian Camargo). A brilliant and violent witchfinder general, he leads an army to find and kill anyone with sight. In particular, Sibeth has him on the hunt for a man named Jerlamarel (Jer-La-More-El) and all of his sighted children. As a man of sight, Jerlamarel goes around impregnating women (not forcefully or anything) to build a sighted race. Two of his children are Baba Voss and Maghra’s twins, Haniwa and Kofun (Ko-foon); hence Baba’s need to protect his family. Alfre Woodard also stars as an elder, advisor, and midwife to the Alkenny people, Baba Voss’s tribe. She and Baba are very close, almost like mother and son. She mentors him, and her extremely powerful innate wisdom guides him through all things, especially times of crisis. Not everyone trusts her in the Alkenny tribe, though, and dissenters view her as a witch. So, she is also under Baba Voss’s protection from Sibeth and Tamacti Jun. Dave Bautista joins the cast in season two as Edo (EE-doe) Voss, Baba’s estranged brother, and his arrival is nothing short of exciting. I’ll save their story for you to unfold but I will say I’m not sure there’s ever been such a highly anticipated fight scene between two brothers as this one was, and it did not disappoint. At all. Then comes a huge twist that made me jump up and do a happy dance, but I won’t spoil the fun. You’ll have to watch it and find out for yourselves! As a whole, I have to say everyone did a great job on making their blindness believable. It’s interesting to see (ha, no pun intended) how these blind tribes function together and work as a unit hunting, building, traveling, fighting—murdering … you name it. And kudos to the fight choreographer(s) working this series. Standing ovation. They came up with some sweet, clever battle moves that’ll definitely make you want to rewind and repeat. More than once. See is currently in its final season with new episodes dropping on AppleTV on Fridays. (Most of the time, they drop the night before at 8 p.m. if you’re like me and can’t wait ‘til then!) Seasons one and two are also available. Go see with your own eyeballs and enjoy! You can thank me later. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Playlist picks to awaken the senses. < Back Nick's Corner: Playlist Picks for July 22nd Nick Cline Jul 22, 2024 Share Playlist picks to awaken the senses. Hey, everyone! Sorry for the delay, but here we are again with another entry of ‘ Nick's Corner ’. This time around, we are going to recommend more local picks than national picks. So, buckle up! Let's get into this month's recommendation, which is filled with classics and your new favorite tracks. 1 Losing Control by Sick at Heart Deets about the track : First up on the chopping block, we have Losing Control by Sick at Heart . Losing Control is an absolute banger of a track. The raw emotion that is showcased in the track is something that everyone could use in their playlist. Reminiscent of Flyleaf with hints of Evanescence , Losing Control has hard-driven riffs, a body-rattling rhythm section, and soaring vocals. I highly recommend Losing Control for your playlist if you are looking for local talent that could easily compete with some national acts. 2 Lucidity by We Are the Virus Deets about the track : Next, we have a killer jam from We Are the Virus . We Are the Virus offers a significant amount of instrumental metal to get your blood pumping. My favorite track from them is Lucidity . This track offers an intense onslaught of riffs, drums, and everything else you can ask for in an exceptionally mixed song. If you are looking for something to raise your heart rate, pump you up, or make you feel like you are about to power through your moments of life, then We Are the Virus has a multitude of tracks to offer you. 3 Alone by Stella Vir Deets about the track : If you are looking for modern sounds that flow with the nostalgia of the early 2000s emo , alternative , and hard rock sound, Stella Vir 's Alone is the right pick. This hard rock ballad has something for everyone with one sonically satisfying project that is just the tip of the iceberg when looking at the rest of their top-notch discography. I highly recommend this pick if you are looking for the next boost of adrenaline, but, at the same time, it brings you into a story of melancholy, hopes, and sentiments washed over in realization and reality. 4 The Thing That Should Not Be by Metallica Deets about the track : For the next two picks, we are going to look at some nationally known acts, both classical and new. The Thing That Should Not Be by Metallica is the first classic pick to throw your way. This track is my favorite from Metallica's 1986 album, ‘ Master of Puppets ’. It's a sinister track wrapped in lyricism about Lovecraftian lore, haunting and melancholy music, and vocals that wrap the whole project together. If you want a classic thrash pick with epic standards of otherworldly stories, haunting riffs, and much more, this track would be the perfect pick for your playlist. 5 Cosmic by Avenged Sevenfold Deets about the track : Next, we have Cosmic by Avenged Sevenfold . From start to finish, Cosmic offers a wide range of sounds over its eight-minute runtime. It starts off somber, but, overtime, it builds more and more into a thematically excited set of tones, musical quality, and so much more. The riffs, chord progressions, solos, operatic sections, and storytelling are all above the tier of most modern rock. This is a quality choice for just about any playlist that I highly recommend. Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Live on Long Island is electrifying from start to finish, immersing you in Bad Mary’s vibrant live sound. < Back Music Reviews by Nick: Live on Long Island by Bad Mary Nick Cline Jul 17, 2025 Share Live on Long Island is electrifying from start to finish, immersing you in Bad Mary’s vibrant live sound. Bad Mary is a glam-punk quartet based in New York , known for their electrifying and raw sound. The power emanating from their amps and vocals is both impressive and unforgettable. With a mission to infuse high energy into their live performances, which they consider the core of their sound and presence, they were inspired to create a live album. This decision led to their latest release, Live on Long Island . Released July 15, 2025 Live on Long Island is electrifying from start to finish, immersing you in their vibrant live sound. You can feel the energy, emotion, and raw power of their music and personality with each passing second. The beautiful chaos that punk bands bring to their sonic landscapes, both live and in the studio, is captured excellently in this album. Credit: Kyoko Obayashi Creating a truly captivating experience, from live recording to streaming, can be daunting—a challenge many bands, regardless of popularity, struggle with. However, the fascinating aspect of Bad Mary is that this live album flows seamlessly, resembling a true live performance. There’s no unnecessary banter or forced energy; instead, it features a continuous energy that feels authentic. My favorite aspect of this album is its seamless flow within each track, which is particularly significant to me. 'Marz Attaqx' from Live in Long Island by Bad Mary I could go on about the raw energy the album exudes, but I think it’s better to elaborate on my thoughts. The album opens with ' Soapbox .' The first sound you hear is the feedback from the guitars, a perfect method for building suspense without uttering a single word. This technique, often used in punk, hard rock, and other high-energy genres, creates dissonance and anticipation in a live setting. The feedback transitions into the band crashing into the song, delivering an immediate burst of raw power and energy. The faint whispers of the crowd are woven into the recording, becoming part of the song’s identity, felt but somewhat lost amidst the wailing guitars, pounding rhythms, and screeching vocals. This blend is both beautiful and chaotic. As the album progresses, each track twists and turns, with the energy building and breathing like a living entity. This dynamic is the highlight for me when listening to the album. 'The Itch' from Live in Long Island by Bad Mary The live mixing is superb , featuring numerous intense moments that enhance the overall sound without detracting from it. The clarity of the music, vocals, and banter is impressive; the album knows precisely what it wants to be. Credit: Eric Sandstrom Photography What I admire most about the band and the album is the flow and presence that captures the punk energy and vibe of New York. Bad Mary is reminiscent of iconic bands of the past, and their ability to control the landscapes of their live shows translates exceptionally well to recording and streaming. I highly recommend this album to anyone looking to add high-energy glam-punk to their playlist. The album is a cohesive entity—a living, breathing force. Go stream it now. To learn more about Bad Mary: Website: Bad Mary | The Official site of Bad Mary Facebook: Facebook Instagram: Bad Mary - NY Glam Punk (@badmaryband) • Instagram photos and videos YouTube: Bad Mary - YouTube Spotify: Bad Mary | Spotify Apple Music: ‎Bad Mary - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'The Rain' captures a vibe of understanding, new beginnings, and solace. < Back Nick's Corner: Double Knockout Single Review Nick Cline Apr 21, 2025 Share 'The Rain' captures a vibe of understanding, new beginnings, and solace. Double Knockout? I bet you’re wondering, ‘Who is Double Knockout ?’ Double Knockout is a powerhouse alternative , hard rock , and indie band out of Lafayette, Louisiana . Consisting of members Micah, Sean, and Britney , they are creating a landscape of killer tracks that are sure to awe-inspire. This talented group of musicians was undoubtedly brought together for a reason, and their latest release, ‘ The Rain ’, is a testament to the direction and ideas that make Double Knockout an up-and-coming force in the alternative music scene. Released April 11, 2025 ' The Rain ' starts strong right from the beginning , evoking the essence of classic alternative and hard rock with an anthemic quality . The powerful guitar chords open the song and blend seamlessly with an eclectic mix of rhythms and melodies . The result is a sound that defies categorization. This combination of melodic nostalgia and driving alternative beats showcases the undeniable impact of Double Knockout. The major highlight of this song is the production . The production creates a fine line between artist and sound . The distorted guitars sit great in the mix to the point that they add flavor to the track without taking too much away from the bass and drums. The rhythm section becomes one unique entity throughout the track. The production makes them feel like a wall of foundation layer under the melodies and guitar work . One notable aspect of the production is the mixing of the vocals . This vocal mixing has allowed Micah's voice to shine through, even amidst the chaos. The melodies are easy to recognize without much effort. Credit: Kirstyn Whitaker The mixing qualities of ‘ The Rain ’ make it a great listening experience. The only minor detail I would point out is that I wish the last part of the song had been more explosive. While the bridge was a nice addition, it could have been slightly extended to build into the powerful chorus again. This is more of a personal preference based on the style of the song, but it’s nothing more than a minor critique . 'The Rain' by Double Knockout The song nails everything they were striving for in a style that calls back to some greats ( Hum , Superheaven , My Bloody Valentine , and many others), while keeping the truly unique presence that makes up their band. ‘ The Rain ’ is a worthy addition to anyone's playlist. It captures a vibe of understanding, new beginnings, and solace. Go stream it now! Watch Double Knockout, as they consistently deliver great tracks and live experiences. *Band Photo by Kirstyn Whitaker Kirstyn Whitaker (@kewviews) • Instagram photos and videos To learn more about Double Knockout: Facebook: Facebook Instagram: Double Knockout (@doubleknockoutband) • Instagram photos and videos TikTok: TikTok - Make Your Day Linktree: Double Knockout | Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. < Back Reviews on the Real: ‘Johnny’s Got a Girlfriend’ by Glitter Litter Nicole Brice Apr 17, 2025 Share ‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. Glam rock meets punk rock in the latest track from Sweden’s own Glitter Litter . Released April 17, 2025 , ‘ Johnny’s Got a Girlfriend ’ is a solid release full of nostalgia. This song is definitely worth a listen because of its heavy guitars, distorted vocals, and throbbing basslines. Our very own Nick Cline wrote a review in 2024 about Glitter Litter , and since then, they have remained on our radar. Released April 17, 2025 ‘ Johnny’s Got a Girlfriend ’ has an '80s hair metal vibe. It combines a unique and catchy sound with just enough pop sensibility to avoid being overly pop . It makes perfect sense in my mind! The chorus is infectious and makes me want to nod in rhythm. How would I describe this song exactly? It’s pop-punk infused with '80s hair metal and a touch of glam rock . This could be a great party anthem—it's very upbeat! The single " Johnny’s Got a Girlfriend " is the first release from Glitter Litter’s upcoming new album , which will be released in two parts and eventually compiled into a full-length album. Glitter Litter is a solo project from Sweden featuring Andreas (ex- Sugar Shock ). It is inspired by glam, comics, bubblegum, and '80s happy metal. The project began two years ago, and three EPs have been released under the moniker. Andreas had this to say on the new song, “One day it struck me that two of my favorite songs (by Heart Throb Mob and The Ultras ) both began with the phrase: Johnny’s got/had a girlfriend . Then, naturally, I wanted to write a song with that title, too, as a tribute to those songs. Suddenly, I was struck with the ‘Johnny-syndrome’ and heard and saw Johnny’s everywhere! Thus, the single’s lyrics are also inspired by ‘ Out With the Boys ’ by White Lion (another Johnny song) and the movie, The Outsiders . Musically, I would describe it as bubblegrum glam/punk with touches of happy 80s metal. ” Johnny's Got a Girlfriend by Glitter Litter Go add some new music to your playlists today and stream ‘ Johnny’s Got a Girlfriend .’ It’s worth it because it’s so good. Enjoy! To learn more about Glitter Litter: Website: Glitter Litter - bubblegum glam/punk www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. < Back Reviews on the Real: Exploring Peregrine Stanzas by Andy Connolly Nicole Brice Jul 14, 2025 Share Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. Wow! This is incredible! Those were my exact thoughts after I hit play on my iPod to dive into the new EP from Andy Connolly called Peregrine Stanzas . Andy Connolly was born and raised in the suburbs of Boston, where he has navigated his musical journey through various contrasts. He skillfully blends powerful guitar chords with delicate acoustics, showcasing both sides of his musical personality through well-delivered vocals and carefully crafted arrangements. In his fifth solo album, Peregrine Stanzas , Andy has refined this balance of extremes. Andy is more than a musician, though; he’s a songwriter and author, too, with his work currently available for purchase on Amazon . Released May 30, 2025 On Peregrine Stanzas , each song is more enjoyable than the last, and no two songs sound alike . Andy's vocals are extraordinary . Released on May 30, 2025 , Peregrine Stanzas is a 6-song EP that features an exciting mix of pop punk, rock, metal, new wave, and much more . It showcases heavy basslines complemented by crisp vocals and exceptional guitar playing . It’s a fantastic collection of goodness, no lie. With exhilarating highs and reflective lows, it evokes everything from the thrill of speeding to deep contemplation . Listeners should prepare to be transported to an otherworldly musical realm characterized by melodic guitar playing and memorable hooks , all woven into catchy songs that will have you hitting the replay button. Andy has collaborated with renowned musicians, including bass legend Billy Sheehan ( Mr. Big , The Winery Dogs ) and drumming virtuoso Ray Luzier ( KoRn , ex- David Lee Roth Band ), along with many other talented artists and special guests. Peregrine Stanzas draws on familiar sounds while pushing the boundaries of Andy’s unique style. Peregrine Stanzas Unabridged on YouTube Produced by Dan Kupka and Scott Bush on different tracks, Peregrine Stanzas marks Andy's first solo effort that features contributions from outside writers and session musicians. With outstanding lyrics by Patrick Walsh , Andy composed the music for the breakout single ‘ Rough Diamonds .’ The track is backed by Billy Sheehan on bass and Ray Luzier on drums, making it an enjoyable high-energy song. As for the rest of the album and Andy's future sounds, only time will tell, so stay tuned. Photo courtesy of Andy Connolly Let’s get into these tracks, shall we? ‘ Rough Diamonds ’ is full of energy as soon as the song kicks off. The guitar tone is superb and crisp. It's an excellent song, and everything about it hits. ‘ Dear Tragedy ’ begins with a raw guitar sound that has a rockabilly vibe. Andy's powerful vocals shine through; his voice truly seems made for this genre. The heavy bass kicks in right from the start, giving the song a grunge sound, in contrast to the opening track, which leans more towards pop punk. Overall, this song is fantastic. In ‘ In the Belly of This Whale ,’ the spoken word vocals are potent and give me chills. Andy's voice has a more acoustic vibe, yet it maintains the same intensity as the previous two tracks. He speaks with truth and strength in his words, so it's essential to pay attention. ‘ Taken by the Night ’ has an entirely different vibe compared to the previous three tracks. It reminds me of 80s new wave but with a modern edge. The track features no vocals and is entirely acoustic. ‘ Leave It All Behind ’ starts with an energetic “Heeeeyyy!” that sets the tone for the track. It reminds me of a gritty, grunge-alternative song that is full of charisma and oozes with it. ‘ Taken by the Night (Dr. DK Remix) ’ reminds me of the remix of ' Torn Apart ' by Stabbing Westward for the Spawn soundtrack . This remix jams and offers a unique take on the original track , adding more of a groove. It would be an excellent addition to a video game soundtrack. Peregrine Stanzas is an EP that is worth checking out and adding to your collection. It is well-crafted and showcases a great deal of diversity. It's best enjoyed by listening to all the songs in the order they appear, preferably with headphones on. Be sure to stream it today! To learn more about Andy Connolly: Website: http://andyconnolly.com All links: Peregrine Stanzas by Andy Connolly - DistroKid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Keyton's music is delivering emotional songwriting with energetic delivery as he prepares to embark on a mini tour. < Back Off the Charts: Keyton Bud Gambrell Sep 10, 2024 Share Keyton's music is delivering emotional songwriting with energetic delivery as he prepares to embark on a mini tour. Before introducing you to Keyton , I will give you some background on how and when we met. This story begins in 2023. I was preparing for my Sidetracks book launch at Rocket Republic on July 15, 2023. Keyton took time to come by and support me in purchasing a book. I will tell you this now because that book will appear later in the interview. Our second meeting came while I was on location taking photographs at Huntsville’s Porch Fest . Porch Fest is an annual community event held in Five Points. This year, it was held on May 04, 2024. It was a busy day for me as I was shooting porches up and down Pratt Ave. As I was at Porch #3 , I ran into Keyton again. I took time, and we had a nice but short conversation. I gave him my card and told him to call me, and we would meet sometime. This story now leads us up to August 20, 2024. I received a message from Keyton. “Hey Bud! Remember when you told me to hit you up when I had some stuff going on? Well, here I am! I've got a tour coming up in mid-September, and I just released a vinyl last month!”. I was deciding what the following article would be, and lo and behold, it fell out in front of me like Newton and his falling apple. Keyton and I decided to meet on a Sunday afternoon in downtown Huntsville. We met at BeeZr , a local pub/microbrewery. If you can visit BeeZr , grab a beer and order the crawfish tail and sausage cheesecake. It is delicious! Although Keyton and I had only met twice before, our conversation began and continued on like we were longtime friends with the interview lasting only 15 minutes, and after that we sat and talked even more for nearly two hours. In our conversation, we discussed everything from him using one name as his stage persona to his musical beginnings, the recording of the new album, and the new tour. We also briefly discussed his college education, and he informed me that he graduated from Jacksonville State with a B.S. in Chemistry. Go ahead! As I am curious, my first question was about using one name for your stage persona. Keyton does have a surname, Fike, but onstage, he goes by just Keyton. Read on to learn more. Credit: Bud Gambrell OTC : Tell me why you use just one name as a musician and performer. KF : Well, I’m a mix between a person and an artist. I never intended for it to be like Madonna or Prince , but when I played my first show in 2005, my friend designed the flyer for it, and it had the bands playing, and it just said, Keyton. That's it. And I was like, I didn't have a band then. I didn't have a solo project then, just Keyton. I was like, alright, Keyton, it is. And that spiraled into shirts, CDs, buttons, and all the merch, and on and on. It's just something that I assumed. It's different from a performer's standpoint. The people at shows get to see the true artist. I know it sounds wild because it's like Prince, but from a musician's standpoint, it's emotional songwriting with energetic delivery. Credit: Bud Gambrell OTC : So, is only going by Keyton onstage like your true persona as an artist, you think? KF : Yeah, it is. And it was never intended to be that way, but I've just assumed it. People know me as The Musician when they hear my name. And it's a unique name, too. I wish I could say I had something to do with it being named that, but I didn't. It was just a thing that happened. OTC : Well, you were there, of course. (laughter) KF : I didn't get to weigh in, though. (laughter) OTC : What got you into music? KF : I grew up in a household that always had music going. Neither of my parents played music, per se, but my dad was really into classic rock . He also liked The Black Crowes and AC/DC . He also liked Blues musicians like B.B. King . I remember that being on the radio when he was outside working on cars and stuff like that. And then my mom was into being in the choir at church. So, I also started singing at church, and from the young age of four or five years old, I would always sing and play toy guitars, so it's always been a part of me. My sisters sang as well, especially at church. They had a lot to do with it. It's just part of me, and it always will be, and I'm thankful for that. Credit: Bud Gambrell OTC : Tell me about your music, and what inspired you to write the songs on your latest release. KF : Yep, so writing songs took a different approach this time around. I took a co-writing approach, the first time I've ever done that in my career. An artist named Billy the Kid , who used to play on the Vans Warped Tour , actually was a big part of the process this go-round. Billy is exceptional, and did a couple of other remarkable things in the Canadian music scene, too. For a time, she lived in Harvest , near me, before moving to Michigan recently. She was kind enough to write a couple of songs with me, and she has fantastic contacts also. We recorded it at the Pentavarit studio in Nashville . We went up there to record, and she asked whether I wanted some studio musicians to play on the song, which I agreed to, so she made a couple of phone calls, and the next thing I knew, I was in the studio with Jack Lawrence from The Raconteurs , which is Jack White 's band, and Atom Willard from Alkaline Trio , a renowned punk rock band I've listened to for years. It was a fantastic experience! OTC : I know you're about to hit the road in support of your new album. Tell us a little about that and what we can expect. KF : The tour is going to be ten shows in 14 days. Technically, it kicks off on the 13th of September at The Camp in Huntsville, AL , but man, booking a tour is a tiring process. I don't know if you ever make cold calls to people who don't know who you are; they don't know anything about you. But it's like cold emailing venues and asking them if they'd have you on a particular night. And sometimes it's easier than other times because the weekends are hard to come by. Getting shows on weekends in towns where you've never really made a name for yourself can get discouraging. You spend hours and hours sending out emails to people over and repeatedly: just different cities and different towns. On top of that, I try to fill out the dates with local bands, so it's not just me playing. They'll have a draw, and the bars or venues are excited for me to be there and have a night of music. So yeah, that starts on the 13th. After that, we're going to Memphis, and then we'll go to New Orleans. Then we're going to play Orange Beach, and after that, I believe Anniston is a little east of Birmingham. And then north Atlanta and then got a couple of dates in North Carolina and Virginia. So, it's kind of a big loop coming back to Huntsville. Credit: Bud Gambrell OTC : Are there any venues that you've been to before that you're looking forward to getting back to, or are there any venues that you've booked that you're looking forward to playing at for the first time? KF : Yep, the venue in Charlotte that stands out for this tour is called The Milestone . If you go and look at the website , you will see that they keep a very detailed catalog of all the people that have played there. Nirvana is the one that immediately comes to mind. I will be playing on the same stage Nirvana played. It is impressive. The Milestone has been there for years and years, and it's kind of an underground, rock' n' roll, DIY venue that has persisted through the 60s until today. I can't wait to play at that place! OTC : Is this tour with a full band or a solo acoustic? KF : This will be a solo acoustic tour. It'll just be me and the person I have coming to sell merch along the way. And, you know, do a little heavy lifting when it comes to unloading and packing up at the night's end. It's hard to do by yourself and keep an eye on everything to ensure nobody walks off with a guitar or other things. It's hard to be in two places at once, so an extra set of hands and eyes will be handy. Credit: Bud Gambrell OTC : What is it about music that makes you feel passion? KF : When it comes to playing acoustic guitar, it's the rawest form of music you'll ever get. It is the closest to an idea in your head and playing chords that it will ever be. Because that's how many people write the songs, they'll sit down with an acoustic guitar and tab it out. They'll write out the lyrics and representation of that body of work. There's something to be said for playing with a full-band amplified version, but the most raw, poetic version you'll get of a song is acoustic. OTC : Yeah, I agree. Before we go any further, there's one of your videos on YouTube , and at the beginning of that video, there are some books on the table and one of those I recognized. How did that book get in that video? (laughter) KF : Ok, you got to be referring to the Sidetracks book. OTC : Yes, that's right. KF : So that book was incredible because I got a chance to go to Sidetracks a few times over the years before they closed. And I went to the release that you had. It was at Rocket Republic . Available NOW on Amazon.com OTC : That’s right. KF : The book was released, and it was vital for me to buy and own a copy. And because it encapsulates local music and music, you can see artists that have grown through the years. You can see artists that remain local legends. For me, it's a remarkable representation of that specific amount of time that Sidetracks was open, and you know, there's a little history in there, too. I'm a history nerd in music stuff, too. So that helped out as well. But yeah, that stack of books was just something that came up, and they wanted to have a scene that was like in a living room, and so I was looking around in my living room, and I had a couple of pieces of furniture. I guess I'll get this, I think I'll get this lamp, and I looked over there on my bookshelf, and that was one of the ones that I was like, Ok, yeah, I have to get this one little local flavor in there for the people that pay attention to that kind of stuff, and of course, I pointed it out. I pointed it out in one of those social media posts that I did, you know? Check out the stack of books. OTC : Yeah, on Instagram. That's how I knew it was there. KF : Right. And there are a couple of others. Unfortunately, I don't remember what they were at the time, but there were a couple of other books in there that were cool pieces of music history that pertained to me, too. OTC : I will link that video in the article, and we will point out that my book is in the video. KF : Yeah, of course. It's an official music video that has your book in it . I mean, how much cooler can it get? OTC : What do you like most about the life of a musician? What do you like the least? KF : The late nights I enjoy. However, late nights can also be rough the following day. It's kind of like burning the candle at both ends, especially, you know, on tours, if you know you're going to have to get up and drive five hours the next day, it's always good to know where you're going to be staying at the time. So it might be an air mattress or on somebody's couch, which, as you know, cannot be the best sleep you've ever had. So those late nights add up if you do it night after night. And mainly if you lie down and can't go to sleep. That's the worst thing. You can't control that sometimes, and it becomes increasingly apparent how people like Elvis became reliant on legal or non-legal substances to help them go to sleep and then help them wake up the next day. I couldn't imagine being on a sleep schedule that didn't work out night after night. The late nights are a blessing and a curse, but I wouldn't trade them for anything! Credit: Toby Satterfield OTC: What's the best piece of advice that another musician has given you? KF : Find a mentor. Find somebody who's been through the trials you're going through or will go through, listen to them, and hear the advice they have to give because they've been there before. They know what life is about. They know how it is, booking shows and shows out of town and being prepared for things and not for certain things. It's like listening to them so you don't have to make the same mistakes. But listening is an integral part of that aspect. Credit: Christina Wegman OTC: What are your plans for the remainder of 2024 going into 2025? What do you want to accomplish? KF : I'd like to release another EP. I will start writing hard and heavy when I return from this tour. The local shows might be a little less frequent than they have been, but I will start focusing on writing diligently and then getting back into the studio and recording something local. Nashville is cool. But Huntsville has grown, and there's a lot of talent, and you also know Decatur . I want to explore the local flavor a little more. OTC : Where do you do your best songwriting? What mood or atmosphere do you need to be in? KF : It's a mix. Sometimes, you sit down, and the song falls out. And you're thinking, oh my God, I can't believe I just wrote that down, and this came out of my brain. But other times, it's revolving around an event, and sometimes it's just more important to capture what you're going through then. You might not be able to write a song if you happen to be going through something. But capturing those ideas is essential, and you can always come back and revisit them later. Usually, those life-changing moments are the best songs if you capture them. OTC : Do you have anything else you want to say or add so that readers will know more about you or anything you have coming up? KF : If you want to keep track of me, go to keytonmusic.com or look up Keyton Music on all the socials. You know, Facebook , Instagram , all that good stuff. And yeah, listen to a couple of the songs, and maybe catch me live, too, if I come to your town. This interview with Keyton was delightful for me. It was one of those days where it honestly didn’t feel like work. We shared a couple of beers over a good conversation. We shared a few stories in our conversation that are not covered here. We may still be sitting there chatting if we didn’t have to move on with our lives. The bottom line here. Get to one of Keyton’s shows . He plays with an energetic but heartfelt style that will keep you entertained. Until next time, Keep your diamond down in the groove! Where to find Bud: Email : the_budgambrell@mixedaltmag.com Website : bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. Amazon : https://a.co/d/1CLA9Tz Facebook : https://www.facebook.com/bud.gambrell Where to find Keyton: Website : keytonmusic.com Keyton | Indie Musician | Official Website Official website of rock musician Keyton. Music, Biography, Contact, Live Concert Dates, Photos, and more from the Alabama indie acoustic artist.... *Cover photo by Morgan Worsham Questions or comments? 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Louisiana's Radfest is back for its third installment in September. < Back Southern Happenings: Rad Fest 2024 Nicole Brice Aug 13, 2024 Share Louisiana's Radfest is back for its third installment in September. Lafayette’s Radfest returns in September for the third year and promises to be better than ever with a stellar line-up and a new two-day format. The festival begins on September 20, 2024, at Feed N Seed in Lafayette , at 106 N. Grant Street, where four bands will take the stage for the night starting at 7:00 p.m. The second day of the festival will be on September 21, 2024 at Parc International in downtown Lafayette, and the music will kick off at 2:30 p.m. Held in the heart of Louisiana’s Cajun Country, Rad Fest was created in 2022 by Grant Duhon, lead vox for the Lafayette-based punk band Subliminal Landmines . It features talent from in and around the area and is a showcase for those making buzz on the local scene, allowing them to bring their mad talents to larger crowds in a festival atmosphere. The line-up for the first day includes: Garguts (7-7:30) Genre : Sludge Metal/ Death ‘n’ Roll She Might Be A Beast (7:45-8:15) Genre : Neo-Grunge From Misery to Malice (8:30-9) Genre : Death Metal / Deathcore S wamp Stank (9:15-10) Genre : Metal The line-up for the second day includes: Subliminal Landmines (2:30-3) Genre : Punk Dogma (3:15-3:45) Genre : Metal Sick at Heart (4-4:30) Genre : Alternative / Hard Rock Apex Fallen (4:45-5:15) Genre : Metal Life On Mars (5:30-6) Genre : Metalcore First Street Hooligans (6:15-6:45) Genre : Rock Ultrasound (7-7:30) Genre : Metal We All Perish (7:45-8:15) Genre : Alternative/Metal/Rock Inner Anguish (8:30-9) Genre : Hard Rock Endure the Affliction (9:15-10) Genre : Metal Pre-sell tickets are still available, so check out social media for more details. Facebook Rock Around Downtown Fest (@rad_fest) | Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

An Undercover Talent on the Rise < Back Tyler Harrison Nicole Brice Jan 9, 2023 Share An Undercover Talent on the Rise I am the type of person who is constantly looking for new and interesting people with which to surround myself, virtually or physically. If I feel a connection to another human, then I want to know more about them. That’s how I first stumbled upon Tyler Harrison. A random follow request from Tyler on Instagram grew into a discovery of what he’s about and who he is as a person, and that led to a burning desire to showcase him to all of you. Tyler Harrison is a writer and internationally published author, who is not well known … yet, but I feel his time is coming. With a creative flair like no other, Tyler’s ability to assemble words in a poetic, imaginative way is what sets him apart from others his age. His knack of rhyming and word flow is incredible, and at 27 years old with all he has witnessed and endured throughout his young life, he is a man with wisdom far beyond his years and his writing reflects that. Enduring a traumatic upbringing as a child, Tyler was able to turn his pain into art that jumps off the page at you and makes you stop to breathe and think so you can process the words you just read. A very creative poet, fiction and sci-fi author, and a screenplay writer with three books under his belt, Harrison has just completed a screenplay and is on the path to success, so watch out! His current books are “An Apocalyptic Assistance,” “I Couldn’t Find Her So I Created Her,” “Letter in a Bottle,” and the newly finished screenplay, “Rewriting History: The Mind Trip for Centuries.” I was able to chat with Tyler recently about his work, his hopes and dreams, and his upcoming projects. This guy has so much in the queue, it’s insane! MaM : Tyler, thank you for speaking with me. I just finished reading your first book and I wanted to get a little more info about it from you. What a read! TH : So, yeah, “I Couldn’t Find Her So I Created Her.” I started writing it when I was in beauty school. During my first semester, I started talking about writing a book, so in my second semester I had this … me and my dad, yeah … my dad blew up on me and I was like, ‘I’m going to write about everything I’ve ever witnessed in the home.’ … In this book, I tell my story inside and outside the home, and [I] also talk about the memories and the people that I’ve met, and [the] different encounters [I’ve had] as much as I can remember, from the time I entered the world (or Earth) to the point where I was in college, and it was very therapeutic for me. [I was inspired by] talking to this girl and she was a creative writing major at the university I was attending. I was like, ‘Maybe if I show her I am into creative writing, I can impress her and woo her. It started as an initial collection of poems and I always wondered how one goes about being published, so I googled publishing companies and I … saw Austin McCauley Publishers and read about submitting things for publication. It was late one night and half asleep, I submitted the initial manuscript, which consisted of the selection of poems and other drastic stuff, and I didn’t expect to hear anything back from them … a few weeks later, I got an e-mail. MaM : To have published three books by age 27 is amazing. Tell me a little more about your other book, “An Apocalyptic Assistance” and some of your other work. TH : “An Apocalyptic Assistance” is a sci-fi fantasy novel … about Atlantis and the light. … I start by trying to capture the reader with the introductions of the characters. “Letter in a Bottle,” which is another book I’ve written, is a collection of poems [and] romantic poems, and I’ve got six illustrated books in production with the publishing house and those are waiting to be released. The illustrator is still working on the artwork, and they still have things to finalize on the business side. I just finished writing my first film screenplay, so I’m pretty excited about that as well. I’ve been writing so much that I’m actually tired of writing right now. MaM : I can relate to that. The creative process is definitely interesting. You have all these ideas and if you don’t write them down, you lose them. Your story, though, is what really drew me to you. Your background in an abusive household—I can relate to that because I grew up in an abusive household, too, and you’ve been through so much that I feel your strength comes through in your writing. [It] is inspiring to others. It inspired me. So, what do you see as your plans for the future? What all would you like to accomplish? TH : I just got finished writing the screenplay for a production company out of Atlanta, and I’m submitting it to them and … hoping they will want to sign a deal to use [it]. MaM : Tell us a little more about your screenplay. Is it a continuation of your books? TH : It’s a historical narrative … an alternate narrative, if you will. Basically, Ben Franklin becomes a traitor to the United States and helps the natives win back the land from the Americans. Ben is described as a war hero and [is] younger and not how most [people] think he would look. It’s been an amazing experience to develop these characters and write this script, but it has also been challenging. MaM : I want to know a little more about your book, “Letter in a Bottle.” Give us a brief synopsis of it. TH : So, it was 2019, and I went to this concert … it sounds kind of bizarre, but I am a hopeless romantic and I believe in divine intervention, and I fell in love with this female drummer … I felt drawn to her and developed this collection of poems inspired by her, and that’s basically the book. MaM : What inspires you to write all of this? You have such a diverse portfolio. You go from romantic to sci-fi fantasy to historical fiction and so, is it just life happenings you use as inspiration? TH : I just really want to write something that has never been written before. I can put all my memories into a time capsule with my writing and I don’t have to think about them anymore. It’s therapeutic. I can put them in this ‘box’ and they’re out of my world and I can forget about them and the past. All I then am left with is this moment, and it’s beautiful. MaM : I really like that analogy. It’s like closing a chapter on your life and just moving forward. I dig that. So, what else does the future hold for you? Any other projects upcoming? TH : Well, [I’m] working to get all my books on Audible and I’ve got the other six books in the queue, and I just want to keep writing and become internationally known. I’d like to eventually quit my day job and just do this for a living. I hope that my story will inspire others and reach other people’s hearts and hopefully my words can help transform how people see the world. To learn more about Tyler Harrison and to purchase his books, you can visit: Tyler Harrison | Facebook Tyler Harrison (@undercover_star_talent) • Instagram photos and videos Amazon.com: Tyler Harrison: books, biography, latest update www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alabama Smoke Show proves that the future of music in Huntsville is bright! < Back Off The Charts: Alabama Smoke Show Bud Gambrell Aug 1, 2024 Share Alabama Smoke Show proves that the future of music in Huntsville is bright! On June 20, 2024, I booked a photography gig for the Alabama Smoke Show at the VBC Mars Music Hall in Huntsville, Alabama . At that time, I wasn't sure what it would be. I thought that I was booking just another show. To my surprise, this was more than just another show. As I looked closer at the lineup, I saw some familiar names. Several artists I knew were playing. You may have become familiar with Brandon Elder in my last article, and you’ll hear more from him in this piece. Yours truly arrived early to learn more about the Alabama Smoke Show, where I found my way backstage to spend time with old friends and make some new ones. Of course, one of the people I had to hunt down was my new friend, Brandon Elder. After my last article on Brandon , our paths crossed several more times in public. Isn't it wild how life works sometimes? I pulled Brandon aside first and asked his view on The Alabama Smoke Show. Credit: Bud Gambrell OTC : Brandon, what have you been up to since we last spoke? BE : Man, I'm just gigging and trying to stay out there. I've been looking forward to this show! OTC : For those who may not know, tell us what the Alabama Smoke Show is. BE : So, I think this is the first year that they've done the Smoke Show, and it's just a lot of local, good guys just coming together and trying to put some country music together that people will enjoy. It's also a chance for all the local artists that play to take a breath for a minute and get to hang out and just have a night together. We don't get to see each other a whole lot. We all know each other, but we never see each other. We're all playing at different venues, so the Alabama Smoke Show is where we can get together, have a good night, and play music. OTC : There is a lot of talent on that stage tonight. What does it mean to you to be playing on that stage tonight? BE : Honestly, I'm just happy to be here! Most of the guys who will be on stage tonight are buddies of mine. There are only a couple of them that I have never met. Three of them went to the same high school I went to, so it's fun to be with these guys who share my interests, enjoy the music, and have a good time. As I was hanging out backstage talking to the artists, I managed to find the organizer for the Smoke Show. When I learned who it was and dug deeper, I was surprised by a few things, mainly his age. At 18 years old, Jonah Evans put together The Alabama Smoke Show. Unbelievable. Jonah organized the event, booked the bands, and sang in the headlining band. He has been super busy leading up to the Smoke Show. OTC : What led you to want to organize The Alabama Smoke Show? JE : I'd say there are just a lot of young guys in Huntsville, in the North Alabama area, that people have turned their heads to because we're, you know, we're young. We should be heard because we are talented musicians, and I think we can hang with pretty much anybody. I want to let it be known. OTC : How did you decide on the artists to invite? JE : We opened for 5ive O'clock Charlie in Falkville, so I've been friends with Mike for about two years, and he told me he had a son named Jude. And then I knew Dylan through Jude because they were in a band called the Debriefers. Brandon and I went to the same elementary and high schools. I found Caleb on TikTok and became good friends with him. Then Dawson Slade I saw him on American Idol . He's my age, and he's good! And then Kade Pierce hit me on Facebook a while ago and wanted to write something. He's got some pretty dad-gum good songs, so I'll have him out for the writer's round. And then came Kam [Jones] , who was big in the Huntsville scene, and Jude told me I must get this guy because he's got some pretty good songs, too. I love original music, so anybody who can write a good song will like it, and I will try to help them out the best I can. Credit: Bud Gambrell OTC : Now, Jonah, walk me through the process and the time it took to put this all together. JE : OK, I had this big show idea about a month and a half ago for a prominent global young artist showcase, and I wanted it to include everyone young and coming up—you know, the next generation of young Huntsville staples. I tried everywhere I thought would say yes, and my last shot was the Von Braun Center . I just sent the email, man, and it went straight from there. OTC : You must be kidding me! With this much talent, this show took only a month and a half to assemble. JE : Yeah, that was a month and a half of work. I did a lot of behind-the-scenes work, but we sold out the whole top row about an hour after tickets went on sale. It'll have a bigger turnout next year. I know it. Don't get me wrong, it was a great turnout this year, especially for something only advertised for a month, but I anticipate bigger crowds. The plan is to get a date down in December next year, and we'll have a lot more time to advertise. Credit: Bud Gambrell While I was hanging out backstage, I ran into Bill Neal. Our ventures are similar because we both aim to promote artists and music. Bill runs a podcast called Pickletato . Trust me on this. It is a fun podcast. I will leave a link at the end of the story. OTC : Bill, tell me what you are doing tonight representing the Pickletato podcast. BN : So, tonight was the first time we went live. We were going to go live on YouTube, but we had some technical issues we weren't prepared for. We tried testing this out two or three days ago but couldn't get YouTube to work for reasons beyond our control. We were able to go live on Facebook , though. We just wanted to show people familiar with us some backstage stuff happening and get people out here for the Alabama Smoke Show . OTC : What is the overall goal for your podcast? BN : The overall goal is to get the podcast as big as possible. Once again, it's not selfish; the reason is that when somebody comes on the podcast, we want them to be exposed as much as possible. We're not getting any income from this. It's all on us. That shows people that we're not doing it to become Joe Rogan or anything like that. The main goal for the editor and I is that when we bring someone on the show, it will show their talent and story. OTC : Tell me how Pickletato began and why you do it. BN : My son and I discussed it in October and November 2023. Something happened to me that made me think, man, I know many people who have some great stories, and I needed to get these people out there because they should be famous for their actions. Some of their stories are just phenomenal. OTC : After launching it, have you changed how you produce the podcast? BN : If you compare the first season to what we're doing now regarding the intros, the outros, and the editing, the video is much better than it was in the first season. It has turned into something that we're proud of. So, we initially talked to a couple of people around here. 'Hey man, I want to start a podcast, but I want to do it because I want to get your story out there.' We just started talking to people, and they agreed. We didn't want any money, while we didn't have any money. After the first season, we're like, man, we got some excellent stories here. Let's step our game up with each season. So, for the second season, we invested in better cameras, and this season, we did some lighting, so we're deep into it now. Regarding funding, we're still not monetized on YouTube or anything. We're doing it independently to get people's stories out there. It's not about us. It's about the people we're interviewing, and that's the big reason why we're doing it. Credit: Bud Gambrell A couple of the band members I was familiar with were the singer and guitarists for The Alabama Heathens . I first met Jude Roberts through his father, Mike. Mike is a long-time staple in the Huntsville Music Scene. Off The Charts may have an article coming up sometime in the future that will feature Mike. While backstage, I pulled Dylan and Jude aside from the band The Debriefers because I had previously met them while filming a music video for another well-known local band. We had a great conversation; read more below. OTC : Jude, what does it mean to you to share the stage with all this talent at Mars Music Hall ? JR : I'm honored to be able to play on this stage. I've seen a lot of acts that I look up to on that stage, like Gov't Mule . I've seen Drive-By Truckers , Gary Clark Jr. , and Primus . All these big-name acts have shared this stage, and I'm honored to be able to share it. It is truly an honor! If you told me a year ago that I'd be playing in Mars Music Hall, I would have called you crazy! OTC : What do you like most about the life of a musician, and what do you like the least? JR : The music! It doesn't matter if you've had a bad day. But if I have a terrible day and go practice or play a gig, that makes me feel better because it's what I love to do. I wouldn't trade it for anything else. Driving home from Muscle Shoals at 3:00 in the morning is not very fun, though. OTC : What was the funniest thing that happened to you while you were on stage? JR : At a frat party in Birmingham, AL, I was playing, and somebody came up and licked my guitar mid-solo. I continued to play, and it was getting licked simultaneously. And then, not even five minutes later, you see them vomiting across the floor. I did not let him lick my guitar again. OTC : I’m not sure what to say to that. That is an insane story. (laughs) Dylan, what does it mean to you to be playing here tonight? DJ : Man, it feels great! We're stoked to get this opportunity. We never thought we'd be here this soon. All my idols have been here, so it's very special to me. It means a lot! I'm stoked! Alabama Heathens have been a band for about a year, so closing out our big July run by playing at Mars Music Hall is very special! OTC : What got you into music? DJ : I listened to records. When I was growing up, my father always had some music on the record player. OTC : What is it about music that makes you feel passion? DJ : The energy of the songwriting. If you hear an in-depth songwriter, you can almost feel like you've walked in their shoes. Credit: Bud Gambrell As we approached showtime, I asked Brandon Elder about his mental preparation for a performance. OTC : Do you follow a process or ritual to prepare for the stage? BE : You would need more time to put it in the article. (laughs) I'm just kidding. I can tell you what we've done all day. We sound-checked, and once everybody finished sound-checking, we had some pizza and then wrote a song. We hung out and jammed, had a few beers, and had fun with the day and the event. OTC : You all wrote a song backstage? Tell me a little about it or who was involved. BE : Every artist in the Alabama Smoke Show was in the room. It was a song that I had had an idea for. I had four lines written for the song. We were bouncing the ideas off each other, and I said, hey, I got this song, and everybody liked it, and we just rolled with it. It's not finished, but it's close, so hopefully, you'll hear that soon. Credit: Bud Gambrell Later in the evening, Brandon asked me if I wanted to hear a new song. You know I did! Honestly, I had no idea what I was about to hear. Brandon , accompanied by fiddle player Joanne Moger , began to play a song called House Divided for me . I am glad no one took a picture of me during that song because you would have seen my jaw all the way on the ground! It was a fantastic song, and I hope you will hear it soon. Be on the lookout! Backstage was like a cast of characters, and I loved every moment. Another musician I was previously familiar with was Kam Jones . Kam is a songwriter in Huntsville. He can be found playing in town solo or with his full band. I have enjoyed seeing both, and he is truly remarkable. I swore I wouldn't tell this part of the night, but why not? Before I started my recorder to do the interview, Kam twisted my arm. I mean, he had it twisted high and tight to do a shot of whiskey with him. I tried to say no, but he insisted. Ok, maybe he didn’t have to twist my arm all that much. Read on below. OTC : Kam, tell me a little about the Alabama Smoke Show from your perspective. KJ : Jonah approached me to do this, as did everybody else. As far as I know, this was an idea that he put together. It is his brainchild. He's gathered some incredibly talented songwriters and performers here tonight to put on a hell of a show. OTC : Now, Kam, you have already played your set. Tell me what it was like up there. KJ : It was very joyous and a lot of fun! I felt like I had some good friends up there, and we were having a good time. Everything was light and loose! OTC : Do you have anything coming up that you would like to tell us about? KJ : My single, ' Southern Weather, ' is coming out on August 28th, and I'll be all over town in the meantime. OTC : Where can we find the new single? KJ : You can find it anywhere you listen to music. My grandmother says Spoofify, but it's called Spotify . At first sight, the Alabama Smoke Show could have been brushed aside by most fans due to the age of the musicians. Please take my word for it: this event had the caliber of seasoned artists way beyond their years. Hopefully, this will be an annual event; I will watch for the dates if it returns next year. It's not often that I get to hang out backstage. My role as a photographer is usually at the front of the house or in the pit, but tonight, I arrived early to hang out backstage and talk to the artists I knew, and I’m glad I did. I encountered a remarkable group of people, and I can’t thank them enough for talking with me. After the night, one conclusion was clear: Huntsville has always been rich in talent. The youth on stage proved that the legacy and future of Huntsville's Music Scene are safe. The rising stars who performed at Mars Music Hall will carry the music torch in Huntsville for years. I know it. Thank you for stopping by and staying with me for this latest edition of Off the Charts ! As always, please drop me an email with your thoughts. Please tell me what you like or dislike about the column and articles. You may even have an idea for a future article; email me . Somebody, please send me an email. Getting an email up and running costs millions of dollars, and mine needs to be used! Just kidding. It didn’t cost millions, but I have your attention now. I would like to hear from you! Reach out! Help me shine a light on all our great talents in Alabama and beyond! Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell Where to find Brandon Elder: Instagram: https://www.instagram.com/brandoneldermusic/?hl=en Facebook: https://www.facebook.com/brandoneldermusic/ Spotify: https://open.spotify.com/artist/2xiJP2U4qbFDWoD9ebOpZA Apple Music: https://music.apple.com/us/artist/brandon-elder/1004631456 YouTube: https://www.youtube.com/c/BrandonElderMusic Where to find Jonah Evans: Apple Music: https://music.apple.com/us/artist/jonah-evans/1702943396 YouTube: https://youtube.com/@jonahevansmusic?si=EY9zEUUSaQgt4foQ Facebook: https://www.facebook.com/jonah.evans.144/about_details Where to find Kam Jones: Instagram: https://www.instagram.com/kamljonesmusic/ Facebook: https://www.facebook.com/KamLJones?mibextid=ZbWKwL TikTok: https://www.tiktok.com/@kam.jones.music?_t=8oUF4fCuewY&_r=1 YouTube: https://youtube.com/@kamjonesmusic?si=MH1qp_8gSbPIAQqr Spotify: https://open.spotify.com/artist/3eCCb48zuqQN57fKgNjd8F?si=EmjLMVSiTBiI4dWYMGJJ_g Where to find The Alabama Heathens: Apple Music: https://music.apple.com/us/album/99-miles/1705293419?i=1705293420 Spotify: https://open.spotify.com/album/3yif0RCKe3Oy7h2ow6hQFn?si=MpTR10vwQB6OPW_eb8Sg0A Instagram: https://www.instagram.com/thealabamaheathens/ Facebook: https://www.facebook.com/profile.php?id=61551809874041 Where to find Jude Roberts: Instagram: https://www.instagram.com/juderoberts290/ Facebook: https://www.facebook.com/profile.php?id=100069812147038 Where to find Dylan Johnson: Instagram: https://www.instagram.com/dylanjohnson.music/ YouTube: https://youtu.be/H0fqrDyKE2A?si=oQwEftT1Beyu_f8l Facebook: https://www.facebook.com/profile.php?id=100060446756708 Where to find Pickletato: YouTube: https://www.youtube.com/@pickletato Facebook: https://www.facebook.com/profile.php?id=61555703570599 pickletato@proton.me Instagram: Pickletato (@therealpickletato) • Instagram photos and videos Questions or comments? Hit us up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nicholas Johnson’s music is soulful and nostalgic < Back Nicholas Johnson: The Shape of Americana to Come Nicole Brice & Chris Pryor May 30, 2023 Share Nicholas Johnson’s music is soulful and nostalgic Americana, what is it exactly? A sound? A feeling? A moment? For singer/songwriter Nicholas Johnson, based out of Cincinnati, Ohio, it is a masterfully crafted album that showcases his songwriting and vocal talents. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” picks up where “Shady Pines Vol. 1” left off with country-tinged folk songs that tell stories of love, loss, and redemption. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” On “Shady Pines Vol. 2,” Nicholas Johnson’s songwriting is more mature and nuanced than ever before. The lyrics are poetic and introspective, painting vivid pictures of the characters and settings in the songs. His vocals are powerful and expressive, and he delivers the songs with a sense of conviction and emotion. Johnson always had the goal in mind to craft a recording that matched the intensity of his live shows, and the result is a brand of rock that manages to sound familiar and original with hints of nostalgia thrown in. Mixed with great modern production, thanks to superstar Dayton producer Patrick Himes , this album is sure to resonate for years to come. Feeling as if you're on a steam locomotive shredding across the wild west with the eerie style harmonies of "On the Avenue" is an exhilarating experience, and the lyrics fall right in place with the backdrop that the arrangement paints. One might even say his music could fit in perfectly with the show Yellowstone , and the ghostly sound of the guitar solo in “Dark And Bloody Ground” is killer and a masterpiece. It’s one of our favorite tracks on the album. With seven songs coming in at a little under 30 minutes of listening, the tunes evoke a sound reminiscent of Bruce Springsteen if he teamed up with Toad the Wet Sprocket—pure, enjoyable American rock. Photo provided by artist Nicholas Johnson is extremely talented, and why we are not hearing his music on radio stations across the nation is beyond me. There is an audience for him anywhere and everywhere. “Shady Pines Vol. 2” is a must-listen for fans of country music, folk music, and singer-songwriters. This album will stay with you long after you have listened to it. We reached out to Nicholas so we could learn more about him and his craft, so be sure to check out his music after you finish reading this interview. We guarantee you’ll love it as much as we do. MaM : Nicholas, thanks so much for taking the time to chat with us. Your music is so soulful and full of nostalgia. How did you get linked up with Patrick Himes to do both albums? NJ : Well, it was a weird set of circumstances and very serendipitous. I got kicked out of Italy, which was crazy because it was on my birthday. It was the weirdest thing ever. Honestly, there were little moments leading up to it, but I think the Italian motto should be like, ‘It’s ok, it’s ok, it’s ok,’ but it’s not ok. It’s never ok. I had sold my house, car, everything, and so when I got kicked out of Italy, I was couch-surfing between Louisville, Kentucky, and friends in Dayton, Ohio. When I was in Dayton, I was around fellow musicians and was showing them this group of songs, and they’re like ‘Dude, you gotta record these.’ I’d had some bad experiences in the studio, and so I was apprehensive about going back in, but then I found out that the producer who had worked on one of my favorite albums actually had a studio in Dayton and through a series of very fortunate circumstances, I was able to work with him, but we only had two or three days to knock out all of the songs. It was really quick and [was] an awesome experience. It made me fall in love with the studio all over again just by working with him. MaM : Wow, that is incredible. NJ : Yeah, it was, it was so quick and that was part one. I ended up telling him that I had such a great experience that I wanted to come back and record more. That’s why I labeled the first [album] Volume 1 just to have an excuse to come back. MaM : That was smart thinking. As far as the recording process, how do you approach going into the studio? Do you do anything to prepare first? NJ : Well, I think with Patrick, we have learned how to work with each other and honestly, every time I go to the studio now, I feel it’s an evolutionary step because I went from being super green to a little apprehensive, and then when I went back for this new album, I had formulated this plan. I knew exactly who to use for drums and who else to work with. I definitely had a bit more of a plan going into Volume 2. Photo provided by artist MaM : Tell us a little more about your backing band, The Same Old Strangers. NJ : Yeah, I call it the ‘same old strangers’ because I never know who is going to be in it. (laughs) MaM : That’s awesome. Not just a clever name! NJ : It’s the curse of knowing all these super-talented people, but they’re always busy. I’m used to doing things solo, but I’m also glad I get to have these guys on the road to do something, and it feels like every time I am on the road, it’s a different experience and a different group of people. The cool part of that is I get to hear my songs played in different ways because I give the musicians free reign on how they play the songs. I want to hear their personality come through on the instruments. Whether it changes the tone and makes the songs appear more bluegrass, punk, or funk, then so be it. When I was in Italy, I had a traditional Irish folk violinist in the band and a punk drummer, so it’s crazy. We sounded like Flogging Molly for a minute. It had this whole Guinness rock-type feel. MaM : I see you are currently residing in Ohio. What brought you to Ohio from Kentucky? NJ : After college, I worked two jobs. One was working the night shift at a mammoth cave hotel there in Mammoth Cave, Kentucky. I was sleeping behind the desk, and then I’d wake up in the morning and I would go to an Australian-themed animal park called Kentucky Down Under where I worked with kangaroos and wallabies. I was working 16 hours a day and not really making much money, so my buddy, who worked in pipeline construction, said he would help me. I had this English degree I wasn’t using from Western Kentucky, so he asked me to come and be his helper. He was a welder. He then took me on the road and so I was able to quit my other two jobs. I ended up going from New Mexico to Wyoming and eventually wound up in Indianapolis and Champagne, Illinois. I would work from six in the morning till four or five in the afternoon and then play in the bars until two in the morning. MaM: That is pure insanity! (laughs) So, I read you started off as a drummer in your high school pep band but now, of course, you play guitar. How was the transition going from percussion to guitar? NJ : Oh, man … I just beat the hell out of it! (laughs) I’ve broken a lot of strings and I’ve really had to learn over time that it’s not a percussion instrument. MaM : Right. You gotta treat it gently, man! NJ : Right, but I’m a hard learner. The percussive element is there, and the rhythmic element is there, but I’m learning how to craft it into a different kind of sound where you’re doing the picking and hammer on/off and all that stuff. MaM: Do you have a favorite guitar to play as far as sound? NJ : Yeah, it’s just a matter of affording them. I’ve had a Takamine Santa Fe since 2001, so it’s been my workhorse. It’s been everywhere with me and is kind of my safety blanket. I love the way it sounds and know every inch of it. I know how it’s going to react to certain things, and it travels well. Even when I try to switch to a different guitar, I always gravitate back towards it. MaM : You just came off tour in March. What were the crowds like? Were they receptive to your new material? NJ : Oh absolutely! I was pleasantly surprised since this was the first big tour I’ve done. I did a little East Coast thing last year, but this one was over 20-something straight days. I was on tour with The Pinkerton Raid, so some folks are familiar with them, and some were familiar with me depending on where we were. I think the Midwest is where we’ve planted our flag now and it was great. Hopefully we’ll go back there. MaM : Do you have any plans to tour more this year? NJ : Actually, I’m going on an East Coast tour in August. [I’m] headed up to Columbus, Pittsburgh, New York, Boston, and New England and all that. A big chunk of August will be that. In September, I have Americana Fest in Nashville, and in October, I’m going to go back overseas for the first time since COVID. I’ll be doing Ireland, UK, and Italy. Photo provided by artist MaM : Right on! I want to ask you about your vocal influences. I love your style. Who do you cite as influencing you vocally? I hear hints of Tom Petty, Bruce Springsteen, and Toad the Wet Sprocket, among others. NJ : Well, Springsteen and Petty are at the top of my list. Petty, for sure, he’s kind of my musical hero. When you’re growing up in Kentucky and going over the hills and the curves there in the backwoods, that’s who you have blaring with the windows down, and it’s such an honor to hear someone say [his name] in relation to my music. Toad the Wet Sprocket, too. They’re a representation of that alternative movement and my favorite from that movement is Oasis, but Adam Duritz is a big influence of mine, too; I don’t know about vocally but, for sure, lyrically. The way he’s able to paint a picture with every lyric … [there’s just] not a wasted word. Not one. MaM : All of your songs tell a story. What inspires your lyrics and what goes into the songwriting process? NJ : Well, you know sometimes, you’re just drunk and stumbling, and I’m a visual person. I’m not able to paint, so I use my words. Take, for example, [the lyrics] on ‘Lost and Found,’: ‘green glass on the sidewalk, shimmers like stars.’ … I was drunk in Milan at 2 a.m. and I saw this green bottle. And from one image to the next, some of it is observational and some of it you pepper in yourself and [add] your own experiences. Sometimes, it just starts with being drunk and seeing an image, and sometimes it’s just hanging out and watching a situation. I’m a barfly—a pub guy—and sometimes you just hang out there and see certain situations play out and that becomes a story. I don’t like to be completely blatant and biographical. MaM : One of my favorite song titles on your new album is “Binghamton, Ny Is a Portal to Hell.” (laughter) Can I get a backstory on that one? NJ : (laughs) I’ve got family up there. They have the second most gray days besides Seattle, and you wake up and the morning looks like 4 p.m. (laughs) Time gets lost up there. It’s funny, too; Rod Sterling from The Twilight Zone , he’s from there, and I feel like things are just weird there. We had a series of unfortunate things happen there, like family’s health, and our dogs passed away when we were up there one time, too, so there’s just this series of unfortunate events and things. It just became this thing where Rod Sterling knew what he was talking about. This is definitely the twilight zone. (laughter) Honestly, I may have upset some people with that title. (laughs) It wasn’t intentional, and it all started as a joke. It was a punk song at first. Patrick was like, ‘That works, man; [just] slow it down,’ and it happened. It almost didn’t get recorded because it did start as a joke. MaM : Nice. Okay, last questions: What are your future aspirations? Where do you see yourself headed? NJ : Well, I’m all in. This is what I want to do. It’s been a long and winding road to figure out that this is what I should be doing. I just want to keep producing, getting better, and writing good songs. It would be fun to do a project where I didn’t have my name on it. Maybe a little side project. I would love to tour with a bigger act or cool band. I’ve always wanted to open for Wilco or something like that. I’m going to keep plugging away and see what we can produce and hopefully keep doing albums with Patrick. - To experience the music of Nicholas Johnson yourself, hit one of the links below and indulge! Nicholas Johnson | Spotify nicholas johnson (nicholasjohnsonmusic.com) ‎Nicholas Johnson on Apple Music Nicholas Johnson (@nicholasjohnsonmusic) | Instagram Nicholas Johnson | Cincinnati OH | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. < Back Unearthing Depths: A Review of Eldergrey’s New EP ‘Well of Souls’ Nick Cline Jul 9, 2024 Share Eldergrey's debut plunges into the abyss with pounding riffs and haunting melodies. Based in the United Kingdom, the doom metal band Eldergrey has officially released their debut EP, ‘ Well of Souls ,’ which does not disappoint. It is an electrifying fusion of various metal influences, a unique blend that promises to fill the gaps left by modern metal. Eldergrey formed in late 2023 when the creative minds of seasoned musicians Ian Field-Richards and Clive Withers joined forces. The creative sparks between the two led to the recording of ‘ Burden ’ by Outrun the Day , another project, in the summer of 2023, but it did not end there. While initially conceived as part of the next Outrun the Day album, it quickly became evident that the new material was slower, darker, and heavier, necessitating a distinct musical identity. Credit: Photo provided by band The recording process was a crucible that forged an intense synergy between Ian Field-Richards and Clive Withers' creative minds. Drawing inspiration from bands such as Crowbar and Conan , they have carved out a unique sonic space with profound lyrical content. Released July 5, 2024 ‘ Well of Souls ’ starts with the track ' Superlithic ', a song full of so much sludge from start to finish that it’ll make you think you’ve landed in the mud pits of Louisiana. ' Southern Star ' rounds out the EP with raw aggression and crunching guitars. From start to finish, this EP was an electric experience filled with pounding riffs, walls of fuzz, and screaming solos. It was just so good. I really enjoyed listening to it. The best part was the absolute crushing riffs and walls of fuzz that wrap around you like a blanket of chainsaws—almost like a cocoon of sound. It is reminiscent of metal greats such as Pantera , Black Sabbath , and Mayhem . I enjoyed how such a range of influences were integrated into the music. These musicians are damn talented. ' Empire ', by far, is my favorite track on the EP, but listen to it and decide for yourself. All of the tracks are bangers. I can't wait for the full-length to be released in the fall. The only downside of the album I could find is that some of the mix is off-balance. The guitar and drums overpower the bass and vocals in certain pieces of the songs. I think the bass and vocals should be raised, just a tad more. This would allow the mix to be evenly balanced musically and vocally. Tonality would be helped because it would create a fatter sound to cover all foundations of the track. At the same time, the vocals would allow itself to hover over the pounding tones of the music. The foundations laid by Eldergrey's debut EP will undoubtedly open the door to many inspirations and concepts for future exploration. This band is one to be watched, so take note. I anticipate hearing more from Eldergrey and commend the band on a solid first effort. ‘ Well of Souls ’ is available to stream now, so be sure to add it to your list of new music to check out. This EP is a journey worth taking. To learn more about Eldergrey : Facebook: https://www.facebook.com/theeldergrey YouTube: https://www.youtube.com/@Eldergrey Instagram: https://www.instagram.com/theeldergrey/ Linktree: Eldergrey | Instagram, Facebook | Linktree *cover photo provided by band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Alternative music has a unique blend of passion and rage. < Back The Revival of Alternative Rock in Louisiana: A New Wave of Sound in the Bayou State Nick Cline Apr 2, 2025 Share Alternative music has a unique blend of passion and rage. Alternative music , with its unique blend of passion and rage, is gaining momentum in Lafayette . The local scene, led by Gen Z , is a distinct expression of voices filled with angst, nihilism, and empowerment . This unique blend of fresh influences merging with the raw emotion of rock music— the towering amplifiers, deafening riffs, and screams of pain —is driving the culture and uniting the community in a way that is distinct to Lafayette . As culture evolves from one generation to the next, scenes and aligned communities emerge and fade away. Since the early 90s, alternative music has toggled between the background and the forefront , marked by the rise of grunge , shoegaze , and indie rock . It has been an ever-expanding community that has shaped pop culture landmarks not only in Louisiana but around the world. Despite its historical presence, alternative music was put on the back burner in the mid-to-late 2000s and almost completely faded away in the 2010s . During that decade, various scenes emerged in hip-hop , country , R&B , hardcore , and more, showcasing diverse musical avenues. As time progressed, alternative music evolved into something that felt more like a gimmick than a genuine movement. The raw passion and rage rooted in nihilism, angst, sadness, and self-discovery were overshadowed by homogenized sounds . The genre became a label, which diluted the cultural identity initially established by early alternative communities. Now, as the scene begins its next evolution, newer generations are rallying to rediscover alternative music . Inspired by the sounds of the past and the traumas stemming from our contemporary world, they navigate the complexities of identity as they grow. This is evident in the rise of alternative bands such as Phantum Sun , JAYD3D! , Goodbye Academy , Dairy Free , Kris Russ , Silvercapbaby , and many others. These bands are forging a path for the scene in Lafayette , offering a collective voice through their expressions and influences . I have a firsthand account of the culmination and rise of alternative music in Lafayette . I founded Eclipse Fest , a festival that aims to bring alternative music to the forefront of the local scene. Last year marked the inaugural edition of the festival, attracting 150 attendees who came to see a lineup of bands representing various musical styles. The festival marked a significant milestone in the resurgence of alternative music in Lafayette , serving as a platform for local bands to showcase their talent and for the community to come together in celebration of their shared love for the genre. This year’s Eclipse Fest built upon that milestone, fueled by the hard work that initially drew me into the scene, and it is cultivating a new space for alternative music. It has also demonstrated that alternative music has a rightful place in Lafayette , and this presence is growing daily with each effort put toward it. The resurgence of alternative communities began in mid-2024 and has intensified rapidly in recent months, primarily due to the support and enthusiasm of the local community. It is the passion and dedication of the audience that is driving the resurgence of alternative music in Lafayette. Musical shifts have emerged from a range of genres, including emo , indie , pop , and soul , as well as everything in between. The rise of the internet has empowered Gen Z and future generations to find their music. Unlike in the pre-streaming era, when music lovers relied on word of mouth, radio, and television , the internet now offers nearly unlimited access to a diverse range of musical styles. This access has opened new avenues for the alternative community to share and grow its purpose. Alternative music is a place for everyone, and that sense of community is a necessity that will carry Lafayette and Louisiana into an exciting future filled with talent, expression, and new musical avenues. Thank you for listening, Nick www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Arrivals on Netflix, Hulu, Prime, AppleTV, and HBOMax < Back What to Watch This Weekend (10.28.22) Keeley Brooks Oct 27, 2022 Share New Arrivals on Netflix, Hulu, Prime, AppleTV, and HBOMax Whoo! It has been a busy week! Halloween doth approacheth, my friends, and as far as I’m concerned, the holiday started Monday ... meaning that once I post this pretty little article, it’s nothing but movies and streaming all kinds of creepy content for this nerd. It makes me giggle to flinch in fear, and when you’re with laughin' with your BFF, that’s a good time. As suspected, there’s no shortage of content to stream this week up through Halloween, so buckle up and settle in with your candy buckets, my friends; it’s gonna be a long one. NETFLIX Fortune Feimster: Good Fortune – If you ever watched The Mindy Project or Office Christmas Party , chances are you know who Fortune is—if not by name, at least by face. Homegirl is one hilarious writer, actor, and stand-up comedian. Proving you shouldn’t judge a book by its cover, she returns to Netflix with her second comedy special, after Sweet & Salty , which if you haven’t seen and you're lookin' to laugh, you totally should. This time she’s rapping about a marriage proposal gone wrong, recess in the 80s, butch women, and one mind-blowing butt massage. Now streaming Fugitive: The Curious Case of Carlos Ghosn – The story of Nissan CEO Carlos Ghosn, from his rise as a business mogul to his fall as an international fugitive. Now streaming The Good Nurse – Starring Eddie Redmayne, Jessica Chastain, Kim Dickens ( The Walking Dead ), and Noah Emmerich ( The Americans ), this drama is based on the 2013 true-crime book of the same name by Charles Graeber about serial killer Charles Cullen, and the nurse who helped bring him down. Mostly. Now streaming Earthstorm – Season 1 is full of storm chasers, survivors, and first responders recounting their harrowing experiences with volcanoes, tornadoes, hurricanes, and earthquakes. My fascination with this part of nature begins and ends right on my couch. Been through enough hurricanes, I’ll pass on ridin' out the others if I can help it. Now streaming Wendell & Wild – Favorite comedy duo Keegan Michael Key and Jordan Peele are back in this stop-motion horror comedy as Wendell & Wild, two devious demon brothers who face their nun arch enemy (Angela Bassett), notorious for expelling demons. Also features characters by Ving Rhames, and James Hong. Out Friday, Oct. 28 * Other newly released titles : Family Reunion Part 5, Romantic Killer, Daniel Spellbound, Dubai Bling Series. * Coming October 28 : All Quiet on the Western Front, The Bastard Son & The Devil Himself, Big Mouth Season 6, Drink Masters, I Am A Stalker, If Only, My Encounter with Evil, Wild is the Wind *Coming October 29 : Deadwind Season 3 HULU American Horror Story – Season 11 dropped weeks ago, but that’s not going to stop me from telling you to watch it. Whereas last season was a more of a double feature with “Red Tide” and “Death Valley,” season 11 is one story taking place in two different timelines, with a whole new cast of characters. Joe Mantello ( The Watcher ), Zachary Quinto ( NOS4A2 ), Billie Lourd ( Booksmart ), and Patti Lupone ( Penny Dreadful ) lead a cast that find themselves in NYC in the 1980s, and there’s a serial killer running around targeting gay men. AHS promises, “the deadliest year” and “a season like no other.” You be the judge. New episodes streaming Thursdays on FX on Hulu The Patient – If you haven’t been watching this all along, you should've. Steve Carrell heartfully stars as a psychotherapist kidnapped by a patient (Brendan Gleeson, Ex Machina ), who also happens to be a serial killer. Then, he's held prisoner, chained to a bed in his client's living room. WATCH. THIS. SERIES. Now streaming PRIME Downton Abbey: A New Era – The Crawley family goes on a grand journey to the South of France to uncover the mystery of the dowager countess’s newly inherited villa. Starring Allen Leech, Elizabeth McGovern, Hugh Bonneville, Jim Carter, and Michelle Dockery. Available Friday, October 28 APPLE TV The only new title dropping this weekend on Apple TV is Louis Armstrong’s Black and Blues , a documentary offering an intimate and revealing look at the world-changing musician, presented through a lens of archival footage and never-before-heard home recordings and personal conversations. What a wonderful world indeed, Mr. Armstrong. Streaming Friday, October 28 HBOMax Mixed with the one new series dropping this weekend are a couple you might’ve missed that are Halloween-atmosphere appropriate and absolutely worth a watch. Just remember: thou shalt not judge a series ‘til thou sees it! Barbarian – The smash hit horror movie is finally streaming. A young woman (Georgina Campbell, Suspicion ) arrives at her rental home late at night and finds a lot more to fear than just an unexpected house guest (Bill Skarsgård, It: Chapter Two ). Also stars the endearingly funny Justin Long. Now streaming The White Lotus – Season 2 is back with a brand new star-studded cast. F. Murray Abraham ( Mythic Quest ), Connie Britton ( Friday Night Lights ), Steve Zahn (who needs no intro), and Jennifer Coolidge (same, but most famously Legally Blonde ) lead a cast of characters at an exclusive Sicilian resort and, similar to the first season, follows the exploits of guests and employees over the span of a week. Streaming Sunday, October 30 Tokyo Vice – Ansel Elgort ( Baby Driver ) is Jake Adelstein, an American-turned-Japanese journalist who plugs into the Tokyo Vice police squad and descends into the neon underbelly of Tokyo. This one sucked me in. Also stars Ken Watanabe ( The Last Samurai ) and Rachel Keller ( Legion ). Season 1 now streaming Pretty Little Liars: Original Sin – Starring a bunch of grown-up former Nickelodeon stars (hey, it’s rated MA and I said grown up ), this slasher teen/young adult series follows a desperate group of high schoolers being tormented by an unknown assailant. It’s pretty good. Even my husband watched it. But he’s a nerd like me, and we’ll watch just about anything. And that’s all the more reason you should just take my word that it’s worth a watch over this Halloween weekend. I bet you'll get sucked in just like we did! Season 1 now streaming Also released this week: A Tree of Life: The Pittsburgh Synagogue Shooting and The Lost Kitchen, Season 3 Go watch and devour the sweets, my sweets! Stay tuned for tomorrow's top 10 horror movie releases this Halloween week/end! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics < Back Endure the Affliction: Music to Empower Mind, Body, and Soul Je'an-Paul Keller Jul 31, 2023 Share Lafayette’s progressive metal and metalcore band delivers heavy sounds with spicy lyrics Coming up August 19, 2023, Louisiana’s own metal core/progressive metal band Endure the Affliction are set to perform at Rad Fest 2023 at PARC International in Lafayette, Louisiana. They are the second in our installment of interviews with all the acts on the bill. These guys are the new face of progressive metal/metalcore in the area and if you’re not familiar with them yet, you soon will be. Endure the Affliction is a well-orchestrated mixture of progressive metal and metalcore that embodies melodic metal and embraces their Louisiana roots. This five-piece group of talented musicians formed the band in 2018 in Lafayette, Louisiana, and currently consists of Deion Lanthier on guitar and vocals, Ryan Tyler on lead vocals, Brett Dronet on guitar, Joshua Domingue on bass, and Kyle Roberts on drums. credit: Chad Besse A sound reminiscent of true, deep southern darkness metalcore, Endure the Affliction belts out a powerful and passionate message that will shake your soul to its very core. They have been through different member line-ups and many personal hardships through the years, but those experiences taught them how to endure all of the afflictions the world throws at them. Like a phoenix rising from the ashes, their lyrics are about overcoming hardships in life such as suicide, racism, and drug addiction, just to name a few. Their music video for the song "Identity" demonstrates the battles inside we all struggle with on a daily basis. The powerful riffs of the dueling guitars and soaring vocals are so intense, they’ll have you on the edge of your seat wanting more. Their listeners have told them they are a gateway into the wonderful world of metalcore, and I, for one, could not agree more. Their EPs “Origins” and “Evolve” are full of so much energy, they’ll leave you feeling motivated to conquer all roadblocks that you face. Exactly the type of music one wants to hear on any given day. Recently, I had the chance to sit down with vocalist and guitarist Deion Lanthier, where he told me some great stories about the band’s history and took the time to explain the band’s overall message, which is focused on healing and feeling uplifted. These albums will empower your mind, body, and soul for the greater good. Check out our conversation below, then go listen to their music. You won’t regret it! Deion Lanthier - Photo credit Chad Besse MaM : Who or what has inspired your sound? Deion : Well, it’s kind of hard to say. We’ve been through a few original members. Originally, the idea was to be like a cross between hard rock and metalcore, but it ended up not being that because we all have different influences. Originally, with the original singer being … an older guy, he was more influenced by the classical heavy metal, where the rest of us are more influenced by metalcore-type of stuff—maybe a little bit of Djent—but we really don’t try to sound like anybody too much. We just kind of do our thing. Whatever we write, if we like it, then we just roll with it. Everything’s always middle, of course, but we just gotta roll with it. We all have a bunch of different influences. MaM : Primarily what was your main influence? Deion : The biggest influence for me, personally, … would probably be All That Remains, because that was the first metalcore band I heard. They definitely had a lasting impact on me and a big influence on the way that I write music. MaM : How did you form? And how did you meet the other members of the band? Deion : Well, it was me and the original drummer that started the band together, but it was weird. I didn't know the guy but I saw him on Facebook, and I mistook him for someone that I went to school with. I was like, ‘Hey, man! I didn't know you played drums,’ and I guess he got confused too, because he was talking to me like he knew me. So, we didn't find out until a few messages later [that] we don't actually know each other. Then I said, ‘Hey, you want to start a band together?’ I was looking for a second project at the time. I was actually in one project at that time that wasn't really making too much progress. So, that's how we got started. credit: Chad Besse MaM : I take it everybody catches on pretty quickly and everybody gets into the groove? Deion : Oh, yeah, absolutely. We all have really good chemistry, and everybody is very, like I said, very talented. Everybody brings their own unique influence, and everybody's great songwriters. That's the most important part, right? MaM : So you all contribute to it. It's kind of like the band Queen, where everybody just puts in their own influences and brings everything to the table, huh? Deion : Oh, yeah, absolutely. Generally the process would be for me or the other guitarist, but we come up with the melodies on guitar first, and then the drummer puts the drums to it. Then, bass and vocals [have to] get written next and need to get written simultaneously. But, it's very guitar driven, usually. Once we have the bass line down, everybody just kind of makes suggestions, and we go from there. So, it's definitely all-five-members-in type of thing. MaM : Most definitely! What influences you to make music? Deion : OH, MAN! Just the love of it! But, aside from the generic answer? (laughs) I've been through a lot of things in life at an early age and music was really what helped me get through it all. Aside from the normal teenage angst, you know, I’ve been through some pretty dark stuff that I feel like if I wouldn't have had music, I wouldn't have been able to deal with it properly, maybe? Music helped me put my emotions into context. I think it helped me learn to manage my emotions and things like that … work my way through things. I want to be able to do that same thing for other people. That is what drives me to keep doing it. credit: Chad Besse MaM : Oh yeah, definitely. I noticed overcoming hardships is the driving force behind your music and in your message. What hardships do you think the listeners overall relate to the most? Deion: We've been told any time we talk about suicide, that's a pretty heavy topic for people, as well as the drug addiction songs that they really connect with—even the more generic songs, like one of our older ones called “Rise.” It's just about rising above a hard situation. Everybody really connected with that one. Even though it's a very broad message, they seem to like it a lot, and that’s something they say they don't get from metal a whole lot. So they're very surprised by it. They all kind of latch onto it. We take pride in that, and that's why we stick to it--even with the vocal exchange. The lyrics may be a little different, but the message is still the same. People seem to really like that positive message. Even though we talk about the darker side of things, we always try to lyrically make it to where you can come out of this bad situation, and you can get through it. MaM : Can you tell me more about the lyrics for “Identity”? Deion : Well it's both general and specific, because it's basically my life. I was a little selfish when I wrote it, but it's relatable because it's true. It's a little bit of racial-identity type of stuff but at the same time suicide attempts and drug addiction. I've been through all of that stuff. But, with the racial thing, I'm mixed, so I've had to deal with stupid stuff from both sides. I had an identity crisis growing up, and that's why it's called, “Identity.” It took me a long time to work that out … realizing that I didn't need to be that way for anyone else in particular. I needed to be who I wanted to be, regardless of what anybody else thought. Also political leanings and stuff like that. You can't let other people influence the type of person that you should be. You have to decide that for yourself. So that's pretty much what that song is about. It's a little all over the place but cohesive at the same time. I try to fit a little bit of everything in there. MaM : I totally identify with that one the most. Can I get a little background info on your band name? Deion : Endure the Affliction refers to the human condition—existence itself and the fact that you have no choice but to just endure it. You work your way through problems. You go through life. You figure it out, and that's just it. It's a simple message. It's just a fancy word. Fancy words to relay a simple message. MaM : Do you use any specific pedals to achieve y'all’s sound? Deion : Yeah, I use a Line 6 Helix. I have an EVH over an orange cab, but I plug my Line 6 Helix into that. Most people just use the Line 6 Helix by itself, but I don't do that. The other guitarist has a smaller version of that called the Line 6 POD GO. He uses that for all of his pedal stuff. We're the only two. The bassist uses a straight clean bass tone. He doesn't do any crazy stuff. MaM : You have 99 monthly followers on Spotify and it's growing. Do you think they relate to the overcoming hardships in the lyrics? Do you think that's what draws them in? Deion : I believe so. We talk to our fans, you know. We're not the rock-star diva type. We don't have a huge fan base, but when they come, they come. They show up, and we talk to them. They all say that that's the main thing they like about the music: The lyrics are relatable. They love that we're not black metal. Basically, we’re out there singing about stuff they can't relate to. I think, also, the draw is because we're so melodic for a metal band. A lot of our fans are people that don't listen to metal, believe it or not. We're kind of a gateway band locally. MaM : Any future plans and aspirations for the band? Deion : YES! We would like to tour. We plan on trying to do a little miniature tour at some point, maybe one or two weeks. Nothing fancy, but definitely that. We hope to release our third EP by October. We [have] a couple more songs to get written and recorded, then we'll be good to go. Nothing too big, besides RAD Fest, obviously. For more on Endure the Affliction, you can check them out at any of the below-listed links. For more on RAD Fest, click here . Instagram: https://www.instagram.com/enduretheaffliction.la/?hl=en Facebook: https://www.facebook.com/enduretheaffliction.la/ YouTube: https://www.youtube.com/@EndureTheAffliction Spotify: https://open.spotify.com/artist/0YkC97oMGPhF8ivqYFXHHo Apple Music: https://music.apple.com/us/artist/endure-the-affliction/1471728402 Bandcamp: https://enduretheaffliction.bandcamp.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

10 Miles Into the Dark is a carefully crafted journey. < Back Exploring Darkness and Depth: A Review of Dark Miles’ 10 Miles Into the Dark Nicole Brice Sep 26, 2024 Share 10 Miles Into the Dark is a carefully crafted journey. With fall here, I have decided to review one of my favorite new albums from this year for you because it perfectly fits the fall mood. Released on April 25, 2024, 10 Miles Into the Dark is the first solo album from Portuguese musician Pete Miles and is a meticulously crafted piece from start to finish. No stranger to the music scene, having fronted the band MOSH previously, Pete has crafted a fantastic album with a constant theme of 80s new wave influences; it’s got synths, guitars, and beautifully crafted lyrics, making for one solid effort. This 10-track album blends heavy, melodic undertones with a shadowy ambiance that makes it strangely cathartic. Released April 25, 2024 As the album title suggests, 10 Miles Into the Dark isn’t just a collection of songs but a thematic journey. The “10 Miles” could be interpreted as the stages of emotional descent, exploring themes of isolation, personal struggle, and the human experience when faced with despair and uncertainty. The “dark” isn’t literal darkness but a metaphor for the unknown, the fears and doubts we often hide from. The concept of a gradual descent is prevalent throughout the album, with each song building upon the last, moving deeper into a dense, gloomy atmosphere. The tracks serve as individual chapters in this narrative, guiding you into the album's complex emotional soundscape. Let’s get into the track listing, shall we? 10 Miles … It is a hauntingly beautiful opening song that starts softly and then continues to build, setting the tone for the album. Your Heart is an Empty Street This song is the first single released from the album. It’s upbeat, with a new wave edge, and full of soul and depth. We also reviewed it here , so read more about it via the link. When the Lights Go Out It is one of the most influential and poignant songs to come out of the industry in a long time. It resonates with lyrics that speak of hope, love, and unity. We need freedom for all. Yes, yes, we do. Pete’s vocals are full of emotion and conviction. This song will evoke some feelings, so have the tissues handy. Because of the message and lyrical content, I feel this song will be a very important song in the future. I could even see Pete re-recording this song with the legendary Aaron Lewis of Staind . It's that good. Running in Circles This is a low-key track with beautiful synths and soft vocals. It’s very mellow and soothing. Don’t Let Me Fall Apart This song departs from the vibe of the rest of the album. It starts with a country twang on the guitar and beautiful vocals. Nothing Left to Feel This song starts with a pulsing synth beat and evolves into a song full of 80s nostalgia. The synths remind me of Depeche Mode . Favorite lyrics from ‘Nothing Left to Feel’ : “ Save me from this poisoned room – just take me anywhere but here. ” The Waiting This song has a Smiths meets Echo and the Bunnymen vibe. Great track. One Last Goodbye This song starts with the sound of rain coming down and then the guitar – and it hits you. All at once. Pete’s voice has tinges of Andrew Eldritch from The Sisters of Mercy on this track, which is terrific. Dear Enemy This is a solid rock song. Quite enjoyable. …Into the Dark ‘Into the Dark’ is the perfect exit for a well-crafted album. It’s plain hypnotic. 10 Miles Into the Dark is a stunning debut that establishes Dark Miles as a band to watch. The album’s ability to balance beauty and brutality, light and darkness, makes it a compelling listen from start to finish. Be sure to check it out NOW! I’m confident you’ll love it as much as I do. To learn more about Dark Miles: Bandcamp : musicdarkmiles.bandcamp.com 10 Miles Into The Dark, by Dark Miles 10 track album Distrokid : distrokid.com Your Heart Is An Empty Street by Dark Miles Stream and Save Your Heart Is An Empty Street - Distributed by DistroKid Spotify : https://open.spotify.com/artist/4XvSRfdTywsHsvqbCHbOgQ?si=A_NaSa0gS0uCBTmX0xHG2A Facebook : https://www.facebook.com/darkmilesband Instagram : https://www.instagram.com/darkmilesband X : https://x.com/darkmilesband YouTube : www.youtube.com Dark Miles Dark Miles the solo project of Pedro Lima (a.k.a. Pete Miles), lead singer of the extinct band from Portugal (MOSH). MOSH were a rock band that existed between 2004/2010. MOSH played at big festivals, and as a support act for renowned bands, like Marilyn Manson, Ill Niño, Soulfly. Their video had frequent airplay on MTV Portugal and nominated for Best Newcomer Act by MTV in 2007. They were also invited by the streetwear brand "Volcom" to play at the brand's world event in Biarritz. Pete went into an artistic hiatus that ended with the arrival of the pandemic, which led to an album focused on his influences beyond the heavier spectrum of rock, the 80s and 90s alternative rock. Influences from Depeche Mode, David Bowie, Peter Murphy, The Sound, Psychedelic Furs and Peter Gabriel, to Mad Season, Stone Temple Pilots, Chris Cornell, Mother Love Bone, Temple of the Dog, Mark Lanegan, etc, Pete Miles tries with this album to pay homage to these two brilliant decades of international music. *Cover photo via Facebook Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Her Riot! proved that when you give women the stage, they tear down walls. < Back Her Riot Ignites Mid City: A Fierce Celebration of Women in Music Rian Nickels Jun 17, 2025 Share Her Riot! proved that when you give women the stage, they tear down walls. If you’ve ever been to concerts or gigs, both underground and mainstream, there’s one thing that’s always been evident: the punk and alternative music scene is heavily saturated with men. After a year of photographing Louisiana’s underground, I noticed that I had only shot a few women. Don’t get me wrong, these men are insanely talented, but as a woman working in the music industry, I craved the feminine energy that I felt was missing from the stage. I thought to myself, “ How could I change this? ” So, as co-founder of Feel Alive Media + Events , I knew the answer was to organize a music showcase that was femme-focused, and that’s how “Her Riot!” came to life. Her Riot! is a Louisiana music showcase run by femmes and for femmes (and anyone down to support them). The ultimate goal of the showcase is to bring attention to women in music, to give them center stage, and create a space in alternative music that’s curated for feminine talent to thrive. On April 18th, 2025, Feel Alive Media + Events had their first installment of Her Riot! at Mid-City Ballroom in Baton Rouge, LA . For the lineup, we selected bands from around South Louisiana , featuring femme vocalists, some of which we had previously worked with, and others I had only been admiring from afar. The genre mixed bill consisted of: MADmoiselle , Abby and The Arsonists , Sick At Heart , and Gutzombie . The official flyer for Her Riot! Kickin’ off the night was MADmoiselle (also known as “MAD”), a four-piece band from Baton Rouge . Even though they are a relatively new and an underground band, they packed the venue from the start of the show. Many came to support them and were actively engaged to boost the crowd's participation. MAD performed their original music, featuring songs like ' Uneasy ,' and also sprinkled in well-loved covers, such as ' Daylily ' by Movements . These tracks were the perfect mix to show the insane, Hayley Williams -like vocal range that front-woman Maddi Delacroix is capable of bringing to the stage. Maddi and her bandmates brought just the right kind of feminine energy needed to set the vibe for the rest of the night. Credit: Rian Nickels After a brief intermission of concert-goer mingling, it was Abby and The Arsonists , from New Orleans , turn to bless our ears with underground tunes. The Arsonists are comprised of brother-sister duo Abby and Andrew Lewis , Kelsey Kroening , and drummer Luke Joia . I was excited for this set because Feel Alive hadn’t previously worked with them, and I had been following them on Instagram since the day I started my music photography profile. In a bayou of predominantly heavy metal Abby and The Arsonists are a breath of fresh air. They bring a shoegaze-emo-pop-folky-indie sound that admirably can’t be put into boxes. They played a complete lineup of originals with tracks from their newest album, Caterpillars in the Walls . Between songs, Abby spilled some gossip about the origins of their track ' Lala '. This made the set feel like a music and comedy performance all in one, while also breaking down the barriers between the performers and the audience, making us feel like we were all in on a secret. Credit: Rian Nickels After some whimsical, mellow vibes, it was time to kick it up a bit with Sick At Heart . Sick At Heart is a metalcore band from Lafayette fronted by Elise LeBlanc . Their sound brings me back to the nostalgic feel of bands like Evanescence and Flyleaf ; there’s no pitch that Elise can’t reach, and her bandmates help to bring back a sound in music that has felt forgotten recently. They shook the walls of Mid-City with Sick At Heart originals like ' Losing Control ' and ' The Game ' but really locked in the audience with covers like ' Decode ' by Paramore , and ' Face Down ' by The Red Jumpsuit Apparatus . To wrap up their performance, they played ' Zombie ' by The Cranberries . I think performing this song was a beautiful way to pay homage to the women in music who came before us, who had to pave the way to create a space for us in the industry. Credit: Rian Nickels Closing out and headlining Her Riot was Punk/Post-Hardcore band Gutzombie from Baton Rouge , fronted by Ashen Bonaventure . The energy Ashen brings is unmatched, and it’s evident that she pours her heart and soul into her passion. Starting strong with the femme power vibes, they played ' Just a Girl ' by No Doubt ; hearing women scream “ I’M JUST A GIIIIIRL ” in punk spaces was just what I needed to feel like my goal to have women heard was met. They went on to perform their tracks, such as ' Absolutely ' and ' Much Ado '. Aside from her voice, one of the most impressive things about Ashen is her stage presence. From jumping and thrashing around to crowd control, she brings just as much energy and dedication as large mainstream artists. A notable moment was when they played ' That’s What You Get ' by Paramore and let people from the front of the crowd sing the chorus into the mic. I love it when an artist breaks down the hypothetical walls between the stage and the floor. For their last song, they surprised everyone by bringing Maddi from MADMoiselle back to the stage to help cover Pierce The Veil 's hit song ' Bulls In The Bronx '. This was really sick for two reasons. This cover showcases the band's overall talent, featuring brutal guitar riffs, fast-paced drumming, vocal screaming, and the range of the vocals themselves. It’s also just neat to see two women come together to help their voices be heard; it felt like an actual sleepover with your friends rocking your favorite emo tunes. Gutzombie rocked the house so hard that I got to witness an encore call at an underground gig for the first time. Credit: Rian Nickels Her Riot! It wasn’t just a gig, it was a revolt. It was the scream from the back of the room that finally made it to the mic. It was the eyeliner-smudged, glitter-smeared reminder that women aren’t just guests in alternative music. It was black boots stomping floors that weren’t built for us. We weren’t there to be anyone’s opener or somebody’s girlfriend, but instead to be the main act . We weren’t there to ask for space, but to take it. Every band, every lyric, every scream pulled a piece of this scene into a new shape, one where femme voices aren’t background noise. For too long, alternative music has been a boys' club where women are expected to be quiet, to play nice, and be cheerleaders. But that night at Mid-City Ballroom , we flipped the script. We weren’t there to prove ourselves but to be loud, to be seen, and unignorable. There’s room for softness and strength, lipstick and leather, breakdowns and breakthroughs. Her Riot! proved that when you give women the stage, they tear down walls. A little recap for ya! If you missed the first Her Riot! that’s okay because we’re not done yet. April 2025 was only the first installment, and there are more voices to be heard. I’m planning for Her Riot to become a quarterly event with the hopes of having the first Her Riot! Fest in 2026. If you are a femme-fronted band or a vendor curated towards women, get in touch with us at Feel Alive Media + Events to be a part of a femme movement. *All photos by Rian Nickels Photography Rian.musicjpeg To learn more about the bands featured in this showcase, just hit one of the links below: MADmoiselle | Spotify ‎ MADmoiselle - Apple Music Abby and the Arsonists | Spotify ‎Abby and the Arsonists - Apple Music Sick At Heart | Spotify ‎Sick At Heart - Apple Music GUTZOMBIE | Spotify ‎Gutzombie - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Run for Cover’ is an evocative track with introspective lyrics. < Back Reviews on the Real: Run for Cover by Aaron J. Burke Nicole Brice Oct 1, 2024 Share ‘Run for Cover’ is an evocative track with introspective lyrics. ‘ Run for Cover ’ is the latest release from Irish musician Aaron J. Burke , released on September 16, 2024, and offers a captivating and catchy blend of emotional sincerity and musical finesse. The song opens with a gentle and upbeat guitar riff, setting the tone and vibe. “Run fast, run for cover,” echoes the pre-chorus and chorus as Burke’s honest and raw vocals are delivered with vulnerability and intensity. The chorus – urgent yet melodic – serves as the song’s emotional core, reflecting between confrontation and retreat. Released September 16, 2024 Thematically, ‘ Run for Cover ’ explores escape, self-reflection, and the desire to find safety amidst inner turmoil. Burke’s lyrical style is poetic, and I genuinely enjoy it. The song's production is bare and stripped down, allowing Burke’s voice and lyrical content to take center stage. In contrast, the subtle build with instrumentation throughout the song adds layers of intensity, culminating in a powerful climax. There are no frills – just straight, enjoyable music. That’s the best way I can describe ‘ Run for Cover ’ by Aaron J. Burke. It’s melodic from start to finish, with excellent lyrics. For the lyrical inspiration behind his latest single, Aaron J. Burke said, “Run for Cover lyrically is a mash-up of various things, times when I've felt powerless or oppressed in life; it was my way of dealing with those emotions and writing something where I was saying, ‘No more, I won't be treated this way, I'm taking control over my life.’” I can even envision this song with a full band accompanying Aaron. I’ll be curious to see the future direction of his musical career as time progresses, so be sure to stream ‘ Run for Cover ’ on your favorite streaming service today. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Select Stoner Movies in Honor of 420 < Back Chillin’ Out, Maxin’, Relaxin’, All Cool: Celebrating Cannabis Culture with Cinema Keeley Brooks Apr 20, 2023 Share Select Stoner Movies in Honor of 420 ‘Tis a beautiful day in the neighborhood, my friends. It’s sunny out, the week’s almost over, and—oh yeah!—it’s 420! Holla! That means it’s the perfect time to chill out at home, be cool, and indulge in one or several of some of the best stoner movies ever made. While there are multiple versions about the theories and origins of 420 being the California penal code or police radio code for marijuana, they’re actually not true. According to the History Channel , it all began with a group of students in California in the 1970s and centered around a treasure hunt in 1971 involving five high school kids who created a ritual for getting high. The Waldos, as the group was called, learned of a Coast Guard member who had planted a cannabis plant and could no longer tend to the crop. So, provided with a treasure map—perhaps by the plant’s owner, but we don’t know for sure—the group met at the Louis Pasteur statue outside their high school once a week to conduct a search for the plant. Their meeting time? 4:20 p.m. Apparently these kids were athletes, so they had to meet after practice. Then, allegedly, the Waldos would pile into a car, burn some leaf, and scour the Point Reyes Forest for the illustrious plant. One of the original members of the Waldos, Steve Capper , told the Huffington Post , “We would remind each other in the hallways we were supposed to meet up at 4:20. It originally started out 4:20-Louis, and we eventually dropped the Louis.” While the Waldos never did score their free bud, they instead stumbled upon something much bigger and longer lasting by coining the term 420, which has allowed teens across the globe to rap with their friends about smoking pot without their parents or teachers knowing what they mean. As far as how the term spread internationally, that seems to have everything to do with the Grateful Dead. Capper told Huffington Post that members of the Waldos had open access and many connections to the band, because one of the Waldos’ father managed the Dead’s real estate, and another Waldos member had a brother who was good friends with Dead bassist Phil Lesh. Capper explains, “There was a place called Winterland, and we’d always be backstage running around or on stage and, of course, we’re using those phrases. When somebody passes a joint or something, ‘Hey, 420.’ So, it started spreading through that community.” However it originated and spread across the world, we are grateful (no pun intended). And in honor of that gratitude, today (and perhaps through the whole weekend) we celebrate 420, and in my world, well, that's none of your business. Here are some of my favorites stoner movies worth revisiting or checking out. The Big Lebowski (1998) – This Coen Bros. cult classic is certainly my favorite stoner flick, and it should be at least in your top three. Jeff Bridges stars as The Dude, a grown man in Los Angeles named Jeff Lebowski who desires nothing more out of life than taking it easy, smoking his Js, and bowling. When his identity is confused with that of local millionaire Jeffrey Lebowski, aka The Big Lebowski, The Dude’s world begins to unravel, and he’s pulled into a web of comedic intrigue and shenanigans that only the Coen Bros. could weave. The shenanigans kick off right from the get-go with The Dude being roughed up in his own home, having his head shoved in the toilet, then having to watch his precious rug get peed on. The nerve! Now, The Dude’s on a mission to get his rug replaced. After a bowling game with his sidekicks, Vietnam war vet Walter Sobchak (John Goodman, The Conners ) and the sweet, empathetic Donny Kerabatsos (Steve Buscemi, Fargo ), The Dude tracks down The Big Lebowski and soon finds himself as “the bag man” responsible for handing off a ransom in hopes of kidnappers returning The Big Lebowski’s porn-star wife, Bunny (Tara Reid, American Pie ). The Dude is very easy-going and being embroiled in this situation upsets his chi. It’s in that juxtaposition that the film is hysterical on multiple levels. Plus, it stars John Turturro ( Severance ) as Dude’s bowling rival, Jesus, and Julianne Moore ( Boogie Nights ) as Maude Lebowski, The Dude’s lady friend and a feminist avant-garde visual artist, as well as the protagonist daughter of The Big Lebowski. I could write all day about this movie and its characters, plot, and subplots, but I’ll just let you watch it for yourself and soak up all those Coen Bros. nuggets of dialogue. You’re welcome. Dazed and Confused (1993) – Some of the most famous Matthew McConaughey movie quotes on the planet originate here, and this one is a must-see, especially since it’s McConaughey’s first role. “Say, man. You got a joint?” he asks a young high school kid on the way to an end-of-school party. When the kid says no, McConaughey’s character smiles and with such coolness says back, “It’d be a whole lot cooler if you did.” It’ll make you both melt and laugh. Littered with quotable dialogue, this film by director Richard Linklater ( Everybody Wants Some ) features an ensemble cast of authentic American high school archetypes and exploits them during an afternoon on the last school day of the year in May 1976 that’s spent hazing younger students, searching for good times, avoiding any authority at all costs, and dreaming of the future. You’ll see Parker Posey ( Lost in Space ), Ben Affleck ( Gone Girl ), Milla Jovovich ( Resident Evil movies), Adam Goldberg ( The Equalizer tv show), Joey Lauren Adams ( Big Daddy ), and Cole Hauser ( Yellowstone ), to name a few. Friday (1995) – This stoner comedy film franchise was created by Ice Cube and DJ Pooh, and when it hit theaters, it HIT! Taking place in South Central Los Angeles, the series follows the exploits of perpetually unemployed Craig Davidson (Ice Cube), who—along with his friends and relatives—is thrust into various issues that happen to occur on a random Friday. There’s so much about this movie that is worthy, but I must mention it doesn’t just feature but stars a very young and absolutely hysterical Chris Tucker ( Rush Hour series), who plays a character named Smokey. “I know ya don’t smoke weed, I know this,” he tells Craig (Ice Cube). “But I’m gonna get you high today cause it’s Friday, you ain’t got no job, and you ain’t got shit to do.” That line sums up the entirety of the movie, which plays out with two friends hangin’ out all day on a Friday, making jokes, and observing the ongoings in their neighborhood whilst adding in their commentary. Tucker did not appear in either sequel, which perhaps is why they weren’t as well received as Friday was, but nonetheless: This one is also a must see and is another one of my top three favorites. As Smokey says, “Weed is from the earth. God put this here for me and you. Take advantage, man, take advantage.” I hope wherever you are today, even though it’s Thursday, you can “take advantage” in honor of Smokey. Also stars Tommy Lister Jr. ( Jackie Brown ), Nia Long ( Big Momma’s House ), Regina King ( Jerry Maguire ), and Bernie Mac, among many other recognizable faces. Pineapple Express (2008) – Written by Seth Rogen ( Knocked Up, Superbad ) and Judd Apatow ( Old School ), this comedy is about a lazy stoner and process server (Rogen) who winds up being the sole witness to a murder by an evil drug lord (Gary Cole, Office Space ) and a corrupt cop (Rosie Perez, White Men Can’t Jump ). Now marked for death, the stoner does what probably any stoner would do: He runs right to his dealer (James Franco, 127 Hours ) to hide and ends up dragging him and his supplier (Danny McBride, The Righteous Gemstones ) on a hilarious weed-fueled adventure. What ensues next will have your face hurting from laughing so hard. Also stars Craig Robinson ( Hot Tub Time Machine ), Ed Begley Jr. ( Young Sheldon ), Joe Lo Truglio ( Brooklyn Nine-Nine ), and Amber Heard ( Aquaman ). Harold & Kumar Go to White Castle (2004) – Man, what a classic. When Korean-American office worker Harold (John Cho, The Grudge ) puts off his work responsibilities and decides to smoke up instead with his Indian-American homie Kumar (Kal Penn, Smile ), together they create one of the absolute best product placements in movie history after they start craving those yummy little burgers from White Castle. On the way there, of course, shenanigans unfold and they run into Neil Patrick Harris ( How I Met Your Mother ), who plays a womanizing version of himself that is so outrageous, you’ll have to back the scene up and rewatch it again. Harold and Kumar also find themselves riding a cheetah through the woods and we get a montage featuring a life-sized anthropomorphic bag of weed. Now tell me, what would you do? Mmm hmm, that’s what I thought! The film is quite the entertaining ride, yes, but it also magnifies the issues of racial prejudice existing even to this day in our country. Super Troopers (2001) – Over-enthusiastic but under-stimulated Vermont State Troopers raise pure hell on the highway, keeping motorists anxiously watching their rear-view mirrors. They’re avid pranksters with a knack for f**king everything up and are always looking for action. One way they do that is by engaging in an ongoing feud with local cops over whose junk, er, manhood is the biggest. When they are faced with the government wanting to shut them down, the “Super Troopers” find themselves precariously and hilariously speeding towards calamity as they try to out-do the local police department by solving a crime and avoiding extinction. Stars Jay Chandrasekhar ( Beerfest ), Kevin Heffernan ( Tacoma FD ), Steve Lemme ( Club Dread ), Paul Soter ( Tacoma FD ), and Erik Stolhanske ( Beerfest ), Brian Cox ( Succession ), and the famous comic Jim Gaffigan. Cheech & Chong’s Up in Smoke (1978) – Cheech Marin and Tommy Chong are, without a doubt, the grandfathers of weed comedies. The two starred together for the first time in this flick, which sees them accidentally transport a van made of marijuana from Mexico to the United States, with narcotics officers hot on their trail. Cheech and Chong go together like movies and popcorn, so it’s no surprise their easy-going camaraderie drives the movie as viewers are led on a hazy trip from one location to another, avoiding repercussions from their actions. You don’t have to be a fan of stoner comedies to enjoy this one, but it is important to note that this flick pretty much paved the way for others in the genre. It’s a classic and a must see, as well as a worthy addition to your queue. Grandma’s Boy (2006) – I have to say, I wasn’t a fan of this movie when it came out, but upon a second and third go at it, I changed my mind. The plot centers on video-game tester Alex (Allen Covert, The Wedding Singer ) and the work and life circumstances that lead him to the point of having to move in with his grandma, played by Doris Roberts ( Everybody Loves Raymond ), and her friends, played by popular tv actress Shirley Jones and Shirley Knight ( Paul Blart, Mall Cop ). From there, the movie just becomes a laugh-out-loud series of embarrassing yet hysterical moments. Also stars Peter Dante ( The Waterboy ), Kevin Nealon ( Weeds, The Wedding Singer ), Nick Swardson ( Reno 911!: Miami ), and Linda Cardellini ( Avengers: Age of Ultron ). Other stoner flicks to check out: Your Highness (enjoy the "glorious herbs" scene!) Jay & Silent Bob Strike Back Half Baked How High This is the End American Ultra Smiley Face Road Trip Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Creation, Passion, and Collaboration are forming a New Era in Louisiana Music < Back Bayou Harmony: The Rise of Louisiana’s Collaborative Alternative Music Scene Nick Cline May 31, 2025 Share Creation, Passion, and Collaboration are forming a New Era in Louisiana Music Let’s face it, the music scene in general has been very strange and bizarre for quite a while, and although I wasn’t even born yet, the '90s truly are the period of music I most identify with. Alternative music in the ‘90s was so raw, artistic, and full of creativity. You had average-looking folks up there performing, and it wasn’t polished at all. It was authentic and real. The alternative music scene in Louisiana these days exemplifies perseverance in the face of judgment, it truly does. When I first started Phantum Sun , I found there was no true alternative music scene for the type of music I wanted to play, so I set out on a quest of sorts to try and build the scene I wanted. Think like a Monty Python quest, but no one has lost a leg or arm yet. Building a genre and its accompanying community is never an easy task, but despite the hardships and challenges, Louisiana is experiencing a surge of artistic creation currently, and I am happy to be a part of it. It’s starting to feel like a family. Recently, the alternative scene here in Louisiana reached a pivotal moment. The artists have all collectively decided they are ready to make a significant impact both in Louisiana and nationwide. Bands are forming a community that pours every ounce of passion and creativity into their work, and the community is evident both on social media and at local shows. The rules set by traditional norms no longer confine this emerging community. Instead, they are forging their own path—one that is filled with possibilities, inclusivity, and opportunities for progress, and it’s awesome. The recognition of this new community I’m referencing began with the ideas established at Eclipse Fest 2025 . Eclipse Fest is a festival I started last year, and this year, the camaraderie and community came together in an even bigger way. The line-up was killer with bands that included Phantum Sun , HolleeStar , Pink Tooth/JAYD3D! , Jean Claude Seagal , Grey Areas , Kris Russ , Double Knockout , Goodbye Academy , She Might Be a Beast , WE ARE THE VIRUS , and Voice of the Enemy . Many of the bands mentioned above are dedicated to creating a new era of Louisiana music, just as I am. Every day, they lay the groundwork for events and collaborations, encouraging more bands to join this mission. I see them all working together, and this collective is expanding with each passing moment. As announcements are made, the collaborations between these groups grow stronger, with each band carving out its own identity while embracing a wide range of genres. This stands in stark contrast to the existing scene I walked into, which was characterized by gatekeeping and ego clashes, which are now behind us, because we stand for unity through music and only want to uplift others. We are on the verge of a new era defined by inclusion, passion, and artistic expression with music, I believe. Things have been stale for far too long. The alternative scene here, which has never been a staple of the state, has recently ignited into a wildfire that is slowly spreading across Louisiana , and we need to embrace that and build it. The state of mind in alternative music has always been unpredictable yet beautiful, welcoming anyone willing to collaborate and accept good people, regardless of their genre. This community we are building truly makes me proud. The electric energy, work ethic, and creativity of this burgeoning scene are genuinely remarkable. Louisiana—and indeed the entire country—may not be prepared for this powerful wave of artistic expression, but I know that we are all ready to take it to the next level by bridging the gap through various other successful scenes, such as the one in Asbury Park, New Jersey , which is where I plan to move soon . As the days continue to go by, let’s return to our roots of just good music, no matter the genre. Life is too short. Listen to good music. Thank you for reading my thoughts. -Nick- *cover photo by Elise Hanks Photography by Elise Marie www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trailer Park is a song that resonates in all the right ways. < Back Reviews on the Real: Trailer Park by Mayrunner Nicole Brice Aug 1, 2025 Share Trailer Park is a song that resonates in all the right ways. Mayrunner , an alternative and punk band based in Lafayette, Louisiana, has returned with a new single titled ‘ Trailer Park ,’ and we can't stop listening to it. For those who aren't familiar with the band, Mayrunner has been a prominent part of the Lafayette music scene for quite some time. We even featured them in an article for RADFest back in 2023. Released August 1, 2025 Although the band took a hiatus when their lead vocalist, Devric Taylor, relocated to another state, they are now making a strong comeback and are ready to make their mark in the evolving music landscape. Credit: Elise Hanks The current line-up of Mayrunner is: Devric Taylor (vocals/guitar), Henry Milliman (bass), Coleman Wilson (guitar), and Phil Hardy (drums). Some of their past releases include Good for What We Are , which came out in 2018 , and Tell Me Where You’ve Been , released in 2023 . Today, let's explore the new song ' Trailer Park .' It opens powerfully with Devric's echoing vocals, then transitions into a beautifully chaotic sound before gradually softening into a slower tempo. I enjoy it when bands incorporate tempo changes; it keeps the music feeling fresh. As the chorus begins to build, it rolls effortlessly and is incredibly well-crafted. Once it starts building, it does not let up until it has to end, and then it trails off with one of those heavy basslines I love. 'Trailer Park' by Mayrunner ' Trailer Park ' is a song that resonates in all the right ways. Be sure to stream it today! *photos by Elise Hanks Facebook To learn more about Mayrunner: Facebook: Facebook Instagram: Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp: Music | Mayrunner www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Acid Bath are Louisiana cult icons of sludge and southern metal. < Back Nick’s Corner: From the Swamps to Concert Halls, the Legacy of Acid Bath Nick Cline Nov 26, 2024 Share Acid Bath are Louisiana cult icons of sludge and southern metal. Acid Bath was born from the depths of Louisiana . Its sludgy riffs, dark poetry, powerful but vulnerable melodies, and pounding rhythm section launched the Houma-grown band into the cult classic stratosphere. Here we are in 2024, and their music resonates just as much as it did back in the day. I may not have been around for their heyday, but I am seeing the influence of this iconic band more than ever in the present day. You cannot mention Louisiana metal without mentioning Acid Bath . For those not familiar, Acid Bath began in Houma , Louisiana, in 1991. The initial creation of the band was the brainchild of multiple people from two separate bands. The first influential band was Dark Karnival , which consisted of Audie Pitre , Sammy Pierre Duet , and Tommy Viator . The second band was Golgotha , which featured Dax Riggs , Mike Sanchez , Jimmy Kyle , and Jerry "Boon" Businelli . The camaraderie within both bands led to a constant rotation of musicians, eventually leading to the bands leaning into each other when needed. The culmination of these two bands created a lightning-in-a-bottle moment that the world was waiting to see. The "finalized" line-up was Dax Riggs (lead vocals/guitar), Mike Sanchez (guitar), Sammy Pierre Duet (backing vocals/guitar), Audie Pitre (backing vocals/bass), and Jimmy Kyle (drums/percussion). Credit: Wikipedia Over the years, Acid Bath has cultivated a devoted following by pioneering a unique sound that cannot be categorized. Their blend of riffs reminiscent of Black Sabbath , the relentless rhythm of punk , grunge , and metal , and the soulful poetry infused with blues and alternative energy created a musical force that emerging bands cannot touch. Even today, their music stands the test of time and sounds as fresh as the day it was released. In 1993, Acid Bath recorded their first demo, Hymns of the Needle Freak , which gained quick and fierce traction in the Gulf scenes. In 1994, the legendary album When the Kite String Pops was released to the world. Most of the general audience knows this album by its iconic album art, which features the painting of the infamous serial killer, John Wayne Gacy , in his haunting Pogo the Clown costume, but it is so much more than that. The vibe that this album has is so unique and different from anything else out there, and it truly stands the test of time. Click to listen Songs such as ‘ Cheap Vodka , ' Scream of the Butterfly ,’ and ‘ Dr. Seuss Is Dead ’ are among the most popular in the track listing, but one of my favorites is ‘ Tranquilized .’ When the Kite String Pops’ powerful sound in the '90s put Acid Bath in a league of musical legends from across the country that included Pantera , Down , Corrosion of Conformity and many others, still, they never truly reached that career peak they deserved. Acid Bath’s success, alongside their sophomore album, Paegan Terrorism Tactics , cemented them into history books for metal bands nationwide, too. With potent tracks such as ' Paegan Love Song ' and ' Venus Blue ', this album solidified who Acid Bath was. However, still, the problem with this is that their legacy was not hammered into the souls of the listeners besides a very dominant cult following their creation . Could that happen now? I think so. Click to listen In 1997, the band ended abruptly when Audie Pitre , the bassist, died in a fatal car accident. This unexpected tragedy cemented the end of Acid Bath , as the music world knew it, or so we thought. Enter the present day. Even after almost 30 years , Acid Bath 's legacy continues to thrive in the swamps, streets, and hearts of the metal world in Louisiana and beyond. Their unwavering commitment to originality is what most people remember from their music. This sentiment was echoed by many in my interviews. One anonymous source shared that Acid Bath was among the first music and shows they discovered, sparking a sense of wonder and scale in the Louisiana scene. Ryan Henry , better known as We Are the Virus , shared his take on encountering Acid Bath member Sammy Pierre Duet at shows. "Sammy makes the audience feel seen. The one time I got to meet him, he made an effort to shake my hand, hold a conversation, and give time to me in the midst of so many trying to get his attention." This year marked a new milestone for Acid Bath . In October, the band posted a statement that confirmed something was brewing, but what exactly? They announced their involvement in a couple of music festivals in the northern United States, but is this a true return? After the announcement, the internet exploded with support and shock, which only fueled the fire that Acid Bath started in the 90s. The true power in their legacy is not only their music—it is their originality, home-grown talent, involvement in the scene, and overwhelming mission to make a mark on the music world, even though life has pushed them down repeatedly. Acid Bath will live on from the depths of Louisiana, and I am here for it. Even though I was not old enough to know their music back in the 90s, I look forward to this new era with the band and await more news from these iconic musicians. After you finish reading this article, go listen to Acid Bath’s music if you are unfamiliar. I guarantee you will be hooked after that first listen. To learn more about Acid Bath: en.wikipedia.org Acid Bath - Wikipedia www.acidbathofficial.com The Official Acid Bath Website The Official Acid Bath Website www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Cutting straight into the bone of the Saw franchise, John Kramer confesses his own despair and exposes himself as a radical nihilist. < Back The Philosophy of John Kramer and the Saw Franchise, Part 4: Film Analysis Ezekiel Kincaid Oct 31, 2023 Share Cutting straight into the bone of the Saw franchise, John Kramer confesses his own despair and exposes himself as a radical nihilist. We’re back, folks, with our fourth and final lesson in John Kramer’s philosophical nihilism. I hope you’ve enjoyed the journey, and I hope it has at least made you think, along with challenging your perception of the Saw franchise. For today’s blue-collar philosophy lesson, we are going to look at radical nihilism and how John Kramer (Tobin Bell, of Finders Keepers ) fits that rubric. Let’s go ahead and jump in, shall we? Radical nihilism can be summed up as a “destructive” philosophy. What I mean by that is this: A radical nihilist usually has no loyalties, believes in nothing, and sees their purpose as to destroy. This is because they have a dissatisfaction that comes from their recognition that they live in a world where their ideal values will never exist. The “world as it is” is the greatest hindrance to the radical nihilist, so much so that they seek to negate and destroy its inherent moral, religious, and political values so their own can flourish. Now, let’s apply this paradigm to John Kramer in the Saw franchise. Can his ideal of “appreciating life” exist in the world as it is? Another pertinent question we need to raise concerns Jigsaw’s aim: Is it really to change others or to change the world by destroying others? Because, as a radical nihilist, the only way to bring change is through destroying what is. I am going to argue that John Kramer’s goal is not to incite true change in others, but to annihilate others, thus changing the world as is . A good example of this is Amanda (Shawnee Smith, of Anger Management ). She is proof positive that Jigsaw cannot change people’s value system. For those of you unfamiliar with the franchise, Amanda is Kramer’s first survivor. She becomes the case study and poster girl for Jigsaw that his therapy “works.” However, as the story unfolds throughout the Saw franchise, it becomes abundantly clear she is not “cured.” Amanda with Jigsaw, courtesy of Lionsgate Kramer then takes it upon himself to retest Amanda. The fact he has to do this proves his methods of rehabilitation are sorely inadequate. Amanda herself even agrees with this failure and says, “Nobody is reborn.” This all takes place in Saw III (2006) and, moments later, is followed up by Jeff’s willingness to kill Jigsaw. Speaking of Jeff (Angus Macfadyen, of Equilibrium ), let’s look at him for a moment, and then we’ll jump back to the scene mentioned above. In Saw III , Kramer asks Jeff to view Danica (Debra McCabe, of People of Earth ) and Timothy (Mpho Koaho, of Dirk Gently’s Holistic Detective Agency ) as people who made mistakes rather than people who contributed to the death of his son. Jeff ends up failing to obtain this outlook and failing to rescue them from their traps. But not to worry, Kramer, our scholar on humanity, has factored in Jeff’s failure for the overarching game. Danica herself exposes the test’s very premise when she says, “I made a mistake … I’m human.” Jeff, too, is only human, and he will make mistakes leading to the death of others, which he does. Jeff then becomes a synecdoche for everyone involved in the game , including Jigsaw and Amanda. But it goes deeper. Jeff serves a larger purpose. He isn’t Kramer’s test subject, all of humanity is. There was never any chance Jeff’s values or perspective would change. He, like Kramer and everyone else, is flawed by belonging to the world as it is. Let’s jump back to the scene in Saw III with Jeff, Kramer, and Amanda, where Jeff is wanting to kill Kramer. In coming face-to-face with the inadequacy of his own methods, and Jeff’s desire to kill him, Jigsaw asks Jeff, “You haven’t learned anything tonight, have you?” Like Amanda, Jeff is being retested. And, like Amanda, Jigsaw cannot change his values. The list goes on as we examine other movies in the Saw franchise. Art (Louis Ferreira, of Stargate Universe ) survives his mausoleum trap. Does he learn anything? Has he changed? Nope. In Saw IV (2007), he becomes the head of another game where he dies. In Saw II (2005), Eric (Donnie Wahlberg, of Blue Bloods ) fails his test but not all is lost. He proves his willingness to survive and live by escaping. This should be it for Eric, shouldn't it? But it’s not. He then becomes bait in the same trap that ends up killing Art. All in all, Amanda ends up being right when she states in Saw III , “Nobody changes.” But what about Kramer, the very one who has instituted this form of rehabilitation? A big NO on that as well. Those of you who have seen the movies, recall with me, if you will, John Kramer’s statement from Saw II where he says he is “unfixable.” And there we have it, folks, right in front of our faces. Kramer’s own words scream at us the radical nihilist’s confession of despair. No one is fixable, so the entire damn system needs to burn. Jigsaw is sick and tired of it all. He is tired of the current world-as-it-is value system. He is sick of people not appreciating their lives because of this system. But people can’t change, not even with his method; therefore, it must all be destroyed. Let’s go back to the original Saw (2004) for a moment. There’s a scene in there where Detective Tapp (Danny Glover, of Lethal Weapon ) says to Kramer he is “sick” but he’s not referring to his cancer. Kramer’s response is telling. He states he is “sick of those who don’t appreciate their life” and he is “sick of those who scoff at the suffering of others.” And then comes the ultimate culmination and confession of Jigsaw: He says he is “sick of it all.” To put that in nihilistic terms, he is sick of the world and the current state of existence. What about Kramer’s cancer? His physical illness? Does it play a part in this? Oh, absolutely. Jigsaw’s destructive nature displayed in his games is intricately tied to his terminal illness. Thus, the only true change Jigsaw institutes in any of his traps is devastation. The games he subjects people to are not capable of changing anyone’s values. Kramer’s aim is much more simplistic: to destroy the world as is. In closing, I want to examine one more phrase from Kramer that highlights his radical nihilism, and it is probably one of the most important phrases in the franchise. In Saw IV , Kramer states, “If the subject survives my method, he or she is instantly rehabilitated.” Yet, as we have seen above, this is far from the truth. As a radical nihilist, Jigsaw’s values remain intact despite evidence to the contrary, and despite the impossibility of those ideals ever becoming a reality in the world as is. This also answers the question as to why, even if people survive, Jigsaw just puts them in another game to die anyway. It is because destruction is the chief end—the obliteration of the world-as-it-is value system. There is much more to unpack when it comes to the philosophy of John Kramer—so much more, in fact, that even passive and radical nihilism fail to cover it. This means while Kramer fits these paradigms, there are also aspects of him that do not. Those points are beyond the scope of these articles. However, seeing much of Kramer through the lens of passive and radical nihilism does shed light on his madness and gives us a background to understand some of the seeming contradictions that are evident throughout the movies. Before I end, I want to sum up a few things. First, radical nihilism embraces the impossibility of change. Second, when we examine passive and radical nihilism, especially in John Kramer, we see the two are intertwined. Nihilists like Kramer rely on their view of the world as it is being the non-ideal of existence. This is the only way they can understand existence. There is a deep conflict between the world-as-it-is view and the world-as-it-ought-to-be view. Jigsaw’s world view is one where he gives into destruction in order to institute change. He has wholeheartedly given himself over to the belief that people are predictable. Thus, he allows them to be human, to keep their current value system and ultimately doom themselves. There is a deep irony existing inside John Kramer. With all of his destructive games, he still relies on the world existing as it is while also being the source of his own dissatisfaction in life. Because Kramer will never fulfill his goal of total destruction, as a nihilist, his own life will have no purpose either. credit: Lionsgate Entertainment And there you have it, my friends. I hope you’ve enjoyed this little discourse into the Saw franchise, and I plan on bringing you more thought-provoking pieces in the future. Until then, stay tuned for more fantastic upcoming B-movie reviews in my current series What the Hell Did I Just Watch . Catch y’all on the flip flop. Happy Halloween, my friends. Now go watch some Saw movies! Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. < Back Gino V.: Redefining the Music Scene with Rhythm and Soul Nicole Brice Oct 20, 2023 Share Gino V’s unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. In South Louisiana, we have a rich musical landscape with bands playing many genres of music. From rock to zydeco to metal and everywhere in between, the market is saturated with talented individuals all looking to showcase their craft to the masses, and in the ever-evolving landscape of music, there are those rare individuals who possess the talent and vision to create something truly unique. When I first stumbled upon the Gino Vallecillo (aka Gino V.), I was blown away because it was unlike anything I’d ever previously heard, and it did not fall into one category. It’s a little bit of pop with a little bit of soul and a little bit of rhythm & blues. To be frank, it’s just good. Credit: Gary Governale Hailing from the town of Delcambre and stabilizing himself as a fixture on the local music scene in Lafayette, Louisiana, Gino V. has made a name for himself with various projects, including being a touring musician and playing in such bands as Sailor Mouth, Random Animals, HoleOpener, and The Band Forgiven. Gino’s diverse range of projects shows he is a man on a mission to be heard and seen. Multi-talented, Gino plays drums and sings, which is no small feat. With unparalleled skills and an ability to seamlessly blend various genres, Gino possesses an innate musicality—one that is sure to leave an indelible mark on the industry. Born and raised in a musically inclined family, Vallecillo was exposed to a diverse range of music from a young age where he absorbed the various musical styles, forming the foundation of his artistic journey that shows no signs of slowing down anytime soon. Having just released two new singles independently under his solo brand with the tunes “Shine” and “Back Home”, we were able to steal a few moments of Gino’s time to chat with him recently where we spoke about the state of the music industry as well as upcoming projects in the queue and what the future holds. Take a moment to read a little more about Gino V. and then be sure to check out his music on all streaming platforms. MaM : Thank you for speaking with us this morning. We did a little research on you, and it is insane how many projects you have been involved with over the years. Tell us a little background and history on you. GV : Well, my full name is Gino Vallecillo, but I shortened it to Gino V. because I’m Hispanic but grew up in Cajun Country. Since people have slaughtered my name my entire life, I figured it was easier for people to remember it this way. They can’t mess up Gino. I’m from Delcambre, which is south of Lafayette – about 35 minutes. I started playing drums around 12 years old but didn’t start playing on a kit until I was 14. I’ve been singing as long as I can remember, too, and I grew up in a very musical household where no one else played instruments, but everyone loved music. My dad is from Honduras, so I was exposed to salsa, mambo, and bachata dance styles early on—a lot of Afro-Cuban stuff. He was also into disco and soul music, so I absorbed that influence as well. My mom was more into rock from the 50s and 60s and also into 90s country, so I have those influences, too. Now, my brothers were the ones who liked hip-hop and R&B, so that kind of changed me. As a youth, it helped me to create the gumbo, if you will, of influences that got me here. Initially, when I first started, I was gigging in hardcore and metal bands from the time I was 14 and 15 years old, and that went all through college. In 2015, I decided to move on from the group I had been playing with for the past six years so I could start doing my own thing. I started trying to fill the pool with my singing again because I had taken a hiatus from it to focus on playing drums. I had been gigging in Lafayette in the heavy scene for a while but then decided to jump over to do more soul, blues, and R&B, which in Lafayette, oddly enough, is divided. You do have a few of us that do kind of catch every genre, but there’s so much out here including zydeco, which is huge. Credit: Gary Governale MaM : Obviously. GV : You can go out and see many genres in Lafayette, though, but I started taking the jump to do something different. Then in 2017, I started a band that I had initially hoped would be a dirty blues band, but it wound up taking shape to be more R&B-esque with a little rock influence. We were called Sailor Mouth. For about four years, I was in Sailor Mouth, and then in 2021, I was allowed to go on the road with a national recording act for about seven months. I got to experience the world and travel the country, and it lit a fire under me. Being out there inspired me, and I came across many musicians who had given their lives to other artists with nothing that was truly theirs. People don’t realize it, but the music industry is extremely hard. It’s one of the toughest industries to be a part of because it takes so long to establish yourself. There’s no security either. The best way to establish that security for yourself, though, is to have your own thing to fall back on no matter what. MaM : So true … go on. GV : After coming home from that road gig, I didn’t have my own thing anymore, so with the help of one of my best friends, we were able to write “Shine”. He has been super influential in my taking this next step. For the past year, I have written a ton of music and am sitting on close to 20 songs. Credit: Gary Governale MaM : Oh wow, that’s a lot. GV : “Shine” is the first release and I have some more music I want to release. My goal is to just continue to build my discography and try to elevate my brand. I have a lot of cool things coming up. MaM : Do you find it’s more difficult to get your music heard these days or do you feel technology has made it easier? GV : To be honest, I feel it’s a little bit of both. I use Distrokid and with that, there’s a lot of content put out because anyone can use it. I do think that because everyone is using streaming services our attention spans are not what they used to be, and for me as an artist, I don’t think I’ll be putting out a full record anytime soon. It would take so much of my time because I would obsess about every single detail including tracking and flow. I feel like singles are the way to go for me to establish my discography. I do like where technology is these days, but I think we’re on a different playing field than where it used to be with music. Credit: Gary Governale MaM : I can agree especially with the whole attention span thing. I couldn’t tell you the last time I listened to an entire album. I keep my music collection on shuffle, so it’s ever-changing. It’s crazy to think how far the industry has come and to think about how much things have changed. Of all these bands you have played in, are any of them still active? GV : Well, with Sailor Mouth, we are on a hiatus. A member moved and one had a baby and then I went on the road. Our guitarist is the guitarist for Wayne Toups right now, so he’s got that gig. Life just happened. I do still play for a very small circle of people currently. I still play for Ray Boudreaux. He’s a singer from Carencro and was on The Voice back in 2013. I also play for a soul singer out of Port Barre named Sarah Russo, who is incredible. I have a few projects. This is what I do full time and it’s what I want to do. Credit: Gary Governale MaM : So, mad respect for the fact that you play drums and sing. I’m not gonna lie: It looks difficult. How do you stay coordinated? How did you hone that skill to where you are just rockin’ the hell out of it? GV : Well, I think that it kind of started when I was younger. I was actually rapping and drumming when I was 14. I kind of dipped my toes into the water just to see if I was capable. Getting into the heavy scene, I found other drummers doing it in rock and metal bands. I got into Atreyu big time and Brandon Saller was a kick-ass drummer who sang. Underoath, Aaron Gillespie, another band with one who plays drums and sings. I was always inspired by it and wanted to do it. In 2016, I found Anderson .Paak and was very inspired by him, and I think that was one of the things in 2016 that gave me a kick in the ass when I saw him live because I knew I could do it. I wasn’t where I needed to be because I needed the mic time, but I knew it could be done. You’re not gonna get good at it unless you’re doing it constantly, so I’m always singing. Credit: Gary Governale MaM : That leads me to your new song, “Shine”—how did the lyrics come about for it? The entire vibe is so strong. GV : So, I had just come off the road and was trying to establish what I was going to do next. Josh, my homeboy, sent me the basic riff while I was on the road, and I had started messing with it. When I found the time to sit down, the song just poured out of me. The melody hit first and then the words came. The song “Shine” in general, I believe, is my outward expression of gratitude for the love I received from my partner. I went through some dark times in 2020 and I would have never gotten through them without my partner in my corner. So, the song is essentially that, but I think it’s up to interpretation, you know? It could be whatever that light in your life is, whatever that thing is that you can cling to that kind of pulls you out of the darkness when it doesn’t really feel like that’s possible. MaM : I can definitely resonate with that. You said for the rest of the year you plan to release singles, but what are your goals for the remainder of 2023 and into 2024 and beyond? GV : I want to continue to release music and I would love to do more on the local festival circuit. I’m going for Festival International next year here in Lafayette. I’d also like to do more road gigs … maybe travel through the Bay St. Louis area, maybe Mississippi, New Orleans, Baton Rouge, Lafayette, Lake Charles, and then go through Texas. The biggest thing for me right now is elevation. I want to take what I’ve been doing and do it on a new level. As Gino Vallecillo’s musical journey continues to evolve, his future projects will undoubtedly push the boundaries of contemporary music even further. His unique ability to infuse his compositions with emotion, technical proficiency, and soul will shape and inspire generations of musicians to come. To check out the music of Gino V., just hit one of the links below! DistroKid : Shine by Gino V. - DistroKid Linktree : ginovmusic | Instagram, Facebook | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An intimate conversation < Back Vinnie La Bella David Trahan Apr 28, 2023 Share An intimate conversation To be painfully honest, excess seemed to be the goal of my life while growing up; the most booze, the most parties, the most drugs, the most women. Slowly, my life began to become the locust swarm. I existed to consume and move on, until I was satiated or unconscious. But somewhere along the way, my quest for quantity gave way to quality. Upon reflection, my past had become a misguided detour. And all those allies who shared in my crusade, liars. I began cutting people out in pursuit of the answers to unending questions. Who am I? What do I want out of life? Why are the things that I want and the things that I truly need always at odds? Looking back, although traumatic in nature, I believe this to be an integral part of growing up; maturation at its essence. Through our talks, I believe this to be the crux of Vinnie La Bella. But Vinnie La Bella consumed for a reason that would land him on stages in front of hundreds of thousands. He moved for what was to be an organism that would usher him around the globe. The desire, the intensity, and the results would maturate rewards and costs of epidemic proportions, leaving physical and moral values lying in limbo. Vinnie grew up in University City, a small neighborhood in Kenner, Louisiana bordering several suburbs and one veritable marshland. His father was a singer in a cover band that played mostly top 40 hits of the time. Being around musicians as far back as he can remember, the set-ups for practice, the camaraderie, and the grown banter were some of the appeals that drew him in. He can recall his father bringing home the Fandango! album by ZZ Top to learn a song and falling in love with that album. Between sneaking playtime with the guitar of his father’s bandmate, and classes in jazz theory, his love for guitar was solidified as early as eight years old. By the time he was eleven, he had learned enough to feel comfortable on the thing. It started to occur to him that this was something he could actually do for a living, perhaps in part, because of his father’s influence. But the mechanics of play had definitely become more familiar with time. And in time, nothing would move him more. His parents divorced when he was fourteen. And by age fifteen he was living with his mother on Hessemer Avenue in Fat City. Up until this point, guitar had helped to solidify a foundation between him and his father. So, to hear him tell it, his parents’ parting of ways didn’t really bother him. But he did, however, take advantage of his new digs. In the 80’s, Fat City was still a bustling neighborhood full of bars with live music. And at fifteen, Vinnie was beginning to establish roots of his own. Fat City would serve as a fertile medium to facilitate his growth; both as a young man and a budding musician. For all intents and purposes, Vinnie was a loner. With just enough people he called “friends” counted on one hand, he was resolved to explore the world on his own. This translated into a person that possibly grew up too quick. He would quit school early to become a hustler, and admits he may have squandered opportunities. A reckless lifestyle would prove a comfortable place for him to exist. And those who were there know Fat City could give you all you could eat. From where he lived with his mother, 17th Street was just a two-minute walk. “Now the walks to the bar were always nice and clean. The walks back got interesting. You know, I woke up in a few alleys along the way, ten o’clock the next morning. But that was the stomping ground”. Though stumbling at times through life, he always seemed to fall in the right direction. And even his vices would prove of value. Fat City is where he met Kirk Windstein (Crowbar). It’s where he met Phil Anselmo (Pantera, Down, Superjoint Ritual, Necrophagia, etc). It’s where he met Andy Villafarra and David Main, with whom he would go on to form Exhorder. Fat City is where he played his first show in a cover band called Sabotage. And it also served as the place where he would draw a line in the sand. But before his own assertions, he would need confirmation elsewhere; confirmation that his suspicions were correct. Speaking strictly from personal perspective I can tell you that there’s always been a voice inside my head. Maybe not so much a voice; it’s more like an inaudible message center. We’re all born with it in fact. In some, it’s just louder than in others. In our latter years, we learn of it to be the Id. It’s a part of the psyche, residing in the unconscious, that is the source of instinctive impulses. It wants nothing more than to be satisfied but is constantly modified by the ego and the superego before being given overt expression. It provides all of the energy for, and is the driving force of, personality. Unto itself, it has no organization. Being guided by his vices, seemingly falling in the right direction at times when his Ego or Superego would shine through, brought Vinnie to a defining moment in his life. Through this guiding force, Vinnie would often find himself venturing outside of the microcosm that was Fat City. One of those destinations was uptown New Orleans where hardcore and punk were prominent. This was a breeding ground for those that shunned society and smeared the edge. Sonic exploration was not only prominent. Here it was a prerequisite which fed Vinnie’s Id. “I remember walking out there for the first time, like, going to Jed’s. It was on like, Oak Street or Maple; right down the street from Jimmy’s Music Club. And that’s where they would have the punk and hardcore activity weekends. That was basically where we would all go. So, Circle Jerks played, Black Flag, I got to see all them bands… Dead Kennedys. And we would go over there and start hanging over there and noticing woah, this is a totally different world. Not only musically but, you don’t play cover songs out here. No band gets up there and plays a Black Flag song. You would probably get tomatoes thrown at you. You had to be an original thing offering something to the scene, being part of the culture, and growing”. This confirmed to him that the scene in Metairie really had grown stale. Metairie had the Ratts and the Poisons of cover bands. It had mostly become a hairspray haven where leotard clad man boys were chasing a path that had already been, by now, cliched. Punk and hardcore influenced thrash in metal. And cover bands influenced… nothing. On campus at Tulane University is a radio station, WTUL. And back then, on the weekends, it would host a metal night one evening and a hardcore night on the other. Vinnie would also venture out there to a basement where the radio station was housed, bearing any goodies he may have procured throughout the evening. Two brothers were DJs. And together with Vinnie and friends they would pass around records, discussing them and giving them a spin. These uptown experiences, at the radio station and at live shows, were the building blocks upon which Vinnie’s own first band was founded. It would be the Id, his Id, incarnate. It would be proof positive that a dissention from what had become the norm of his environment was not only in order. It was necessary to avoid furthering apparent necrosing. Things would come to a head one evening in the dressing room before a performance with his first band, ironically named, Sabotage. “I was basically given an ultimatum in that band. I was in the dressing room. We were about to play a show and I was thrown some garments. ‘Here, wear these tonight’. And when I looked at these garments I was like, I can’t go out there like this. And he said ‘well you have to or you’re out this band’. And I said well, I’ll be out this band then… tonight mother fucker. ‘Aight, aight well you don’t have to wear that’. So, that was the last show I played with them”. This wasn’t at all about cover bands. Vinnie respected cover bands. His father was in a cover band. At one time, he even subbed guitar for a cover band when he was asked to bail out a friend in need. He was handed a list of one hundred and fifty songs to learn with two weeks to learn them. But again, having seen what the hardcore scene was like, and knowing it was more the direction he wanted to move in, left him with little vested in what things had become. And ever the hustler, he would soon take members of that band with him. Establishing himself in a fishbowl of clones would not prove easy. Though he could see the gateway from his doorstep, anything west of New Orleans was just, not New Orleans. And Fat City was the fishbowl of not New Orleans. To become a deflection in this biosphere meant facing backlash. And staking one’s claim sometimes meant going on the offensive. “I was kind of frowned upon. And it caused a lot of beefs. I was an asshole man. And I would make fun of guys for doing it after a while because they were making fun of me for hanging out with the punks. So, it got to be a lifestyle kind of thing. You know, like I’m willing to whip your ass over this shit. That’s how deep we were into this. If you talked bad about Exhorder in the 80’s, you might not be around today talking about it. I’m serious. We were fucking assholes man”. The same guys that would say you’ll never make a dime doing that or the chicks will never listen to that were the same guys who would eventually break out of this redundant mecca. But latency meant they would have a new band to follow. In retrospect, Vinnie feels as though it would have behooved those people to pivot sooner than later. A lot of great talent was born out of the moment when they finally steered clear of mimicking the hair bands of that bygone era. But at that time, he felt as though he was defending his honor. At any rate, once he left that band and this scene, there was no turning back. Writing for Slaughter in the Vatican would start almost immediately, but with only Vinnie and Andy Villafara, it would be an arduous task. David Main would soon follow suit leaving Sabotage. And the better part of a year would pass while writing and securing a permanent lineup. But throughout it all and no matter what, hardcore music had entranced Vinnie. He would rather die than see himself end up where he was headed. Music and life had become synonymous. And both, in Vinnie’s eyes, were secondary to this alliance. Given his proclivity for extremes and his perception that Exhorder was more like a gang than a band, things would become violent at times. Being that the foundation of this band was forged in contrast to everything out there, opposition could be found everywhere; even within the band itself. “To be honest man, I wasn’t the only lunatic in the band. I mean, these guys were legitimate fuck-ups man. We were all fucking nuts. I got in a fight with my drummer over some bullshit, year one. I kicked his fucking door down. I ended up going to jail and doing community service. So that’s kind of how we started; out of just anger and violence. And we were taking it out on our instruments and just making a hell of a noise musically about it. After that little scuffle with Chris, him, Kyle, and David left”. This would be the first of several partings for Exhorder. And the band was still so new, to themselves as well as everyone else. This occurred in late 1987. Their very first gig was just the year before on Franklin Avenue in 1986. At this point in time, they had yet to finish recording the demos for Slaughter in the Vatican. The process of rebuilding would go on for a year. During that time, Jay Ceravalo (rhythm guitar) would enter the picture. At best, Jay was an aspiring guitarist. But Vinnie saw a bit of himself in Jay; the air of tenacity. So, he made a deal with him. Vinnie affirmed, “Bra, I’ll give you six months. If you can play this shit… and I will help you. I’ll come and show you. I will make you tapes and whatever you need. If you can do this shit you’ve got the job. And that’s when he got rid of his old lady, he quit his job and locked himself in a room. So, at the time it’s just me, Andy, and Jay trying to put some semblance of Exhorder back together”. Through this process, Jay would risk (and lose) most everything. He turned his back on a secure job with the city of Kenner, his parents kicked him out. Above all else, Vinnie recognized the loyalty and dedication and never forgot it. Sid Montz (Victorian Blitz, Crowbar, Valume Nob, Southern Isolation) would come in on drums about this time. But Vinnie still had to find a singer. One day in early 1989, Sid called Vinnie with some news. Vinnie recalls, “This is a good piece of history that I’ve never told anybody. But it’s important to where we land in this later. He (Sid) says listen man I talked to Phil (Anselmo). He’s not happy with his current situation. He wants to do something heavier and he can’t get the guys to get on board. So, he wants to come try out. So, I called him and said try out? There ain’t no fucking try out. You’re Phil. You can do this. You’re bad, you know? You’ve got the gig. Come home. He’s like no no no, I want to do it right. I’m going to fly in and try out. And I’ll come back and we’ll finish it. I said, ok. So, he came down and was as good as you thought he would be. I said I told you. You wasted your plane ticket. You got the gig! So, I put this mother fucker on an airplane right after rehearsal. He’s flying back to Dallas and he’s going home to quit Pantera. Now by this time Power Metal was the last thing they had released. The sound was still… the sound. So anyway, he’s in the air. I drive home from the airport. I walk into the house and the phone is ringing. I pick up the phone, it’s Kyle. I hadn’t heard from this mother fucker in a year. I haven’t seen him. I haven’t talked to him. He goes, hey man I heard you had Phillip in the room. I said what are you talking about? I haven’t talked to you in a year! How’d you know? He says, I wanna come back. I said he’s in the air right now! He’s going home to quit! So, I said dude let me call you back. I hung up the phone. I called up Jay and I said this mother fucker’s calling me. He’s like bro, it’s your call. So, I thought about it for a second, and I did the right thing. I said absolutely Kyle; come on home. We wrote these songs together. You’re the only mother fucker I can envision singing for this thing. I said, you got it. I just need to stop him (Phil) from fucking his own thing up. So, I said let me see what I can do. So, I called over there and Phil wasn’t upset or anything. He was actually pretty happy. He said ‘that’s good news. I’m disappointed because I really wanted to give it a go with you. But, I’m glad he’s back”. With Kyle back, Chris Nail would once again take over on drums. Anselmo would go on to record the famed Cowboys From Hell album with Pantera. And Exhorder would complete Slaughter in the Vatican, getting signed to Roadrunner Records. The what-ifs that ran through my head at this point in the interview came flooding in. But tumultuous times were not behind the band. The signing was merely a piece to a puzzle that was never quite complete. Sure, they had remained in New Orleans, besting the labels turning them down left and right claiming that they needed to get out of New Orleans in order to make it. And one must realize this was the 80’s. This was the Regan era where shoulder pads and rampant consumerism dominated the arena. Even when they were finally signed, their first album came out mischaracterizing them as a ‘brutal thrash band from the depths of the swamp in Louisiana’. Their propensity for violence was getting them thrown off tours. This was no help either. But they knew they were on to something good. And this all would open up the door for many more out the south; a region negated as illegitimate in the world of musical significance. Between inner band tensions and music business complications, by the time The Law was released in 1992, the group was more than worse for wear. Vinnie had a baby. Chris was getting married. None of them could hold one another together or ever align their ways with normative business practices. Passion holds no court with principals. Principals are societally based. And passion is otherworldly. Exhorder would once again disband. Make-ups and break-ups would be scattered throughout the coming years. A turbulent giant would be remitted to a twenty-seven-year recording dormancy. In 2017, through specifics not revealed, Vinnie and Kyle would reunite for the last time, culminating in Exhorder’s 2019 release entitled Mourn the Southern Skies. It would be produced and engineered at OCD Recording & Production by Duane Simineaux under Nuclear Blast, one of the world’s largest independent metal labels. It is by far, in my opinion, the greatest work ever to come from Exhorder. Which at this point housed only two of its founding members. It would also mark the last time Vinnie would ever play with the band he started. “We tried to put it back together a couple of times. This last time the table was set pretty good. We had a good shot and it was working. We ended up in a dispute as usual. And this time the only original guys left were me and Kyle. The dispute was basically between me and him. It was basically over two bullet points that he just couldn’t get past, and I couldn’t get past. And finally, I was like fuck it. Hey if you want it this bad bro, take it. But you’re going to get your wallet out this time. Because a lot of times they leave me sitting there with the bill”. He went on to point out, “It is of my opinion that he, at this particular moment, probably hates my fucking guts. He won’t say it in the media but he probably does. It’s my opinion. I could be wrong. But five years, seven years, eight years from now you know, who knows”. They were maturing in the midst of this all. Their needs changed over time. With only two founding members remaining, what was considered Exhorder had changed as well. “Whenever Exhorder would break up in the past, we would just lay it to rest. Nobody owned the trademark or the copyrights or anything to that name. It just sat there. And it would always sit there until most of us, or all of us, decided to do it again. And it was always home base for us. If we ever wanted to make something of that thing we built when we were kids, it was always there for us. And it started when I said… yes”. Vinnie reflected on the Phil Anselmo story here, citing it as a moment in time that should’ve reinforced a standing precedence for the band. When it came to Kyle’s desires to return, he didn’t mull it over. He simply said yes. But this time, through communications with his lawyer, he was confronted by a standing vote to oust him. The organism would no longer be the sum of its parts. These days, Vinnie remains deeply involved in music. He has established roots in production, and continues with recording and composition. Among his many projects, you will hear his work on Kirk Windstein’s upcoming second solo album, projected to be released possibly this fall. He went on to talk about that experience, as well the many projects that he’s currently involved in. You can hear this info first-hand and the details surrounding his life in music on our podcast by picking your streaming platform of choice below. Please be sure to subscribe, as this keeps our musicians’ names in the wind and gives our show a greater voice. As seen originally on: Neworleansmusicians.com Podcast: https://Neworleansmusicians.Podbean.com YouTube: https://youtube.com/@neworleansmusicians Blog: https://Neworleansmusicians.com/blog www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Let's get this party started < Back Select New Titles Streaming in June Keeley Brooks Jun 2, 2023 Share Let's get this party started Summer has unofficially arrived and with it comes a decent selection of new titles to stream on some of your favorite platforms, which seem to be heavy this month on foreign titles. For time's sake, I've taken a select handful of debuts airing all month long and written a little something-something about each one. From new stand-up comedy specials to a new Schwarzenegger documentary to the final season of The Righteous Gemstones and on to a new season of It's Always Sunny in Philadelphia --not to mention Idris Elba in a new no-snakes-on-this-plane hijacking movie and Tom Holland in a new creepy series, we're sure you'll find something to entertain your fancy. Enjoy, my friends. NETFLIX LEGO Ninjago: Dragons , Season 1 – So far, the U.S. is the only country confirmed to receive the latest installment of the LEGO Ninjago franchise. If this is your jam, catch it Thursday, June 1. Apparently, everything’s still awesome in LEGO world. Manifest , Season 4 Part 2 – The long-awaited final part of the final season of this supernatural drama thriller is finally here. It guarantees to put an end to all of your curiosity and answer all of your questions. If you don’t watch the series, it follows the story of the passengers and crew onboard Montego Air Flight 828, which mysteriously disappears. When it finally does reappear and land, passengers and crew realize they’ve missed out on five years and are now faced with a whole new reality of themselves and their world. While it may have started off with lower ratings, the series has jumped in popularity ever since Netflix picked it up to complete the series with a gripping storyline and cast performance. Streaming June 2. Arnold (A Complete Miniseries ) – Who doesn’t love Schwarzenegger, honestly? Whether he’s Conan the Barbarian, Hercules, or a big, bad cyborg carrying guns and roses, he’s always a badass. And he’s funny. In this three-part original documentary, we’ll see Arnold in his most candid, no-filter self as he takes us on the journey that is his life, starting with his origins as a bodybuilder in Austria to fulfilling the ultimate American dream—including that of governor of California. Dive into this intimate look at the former Mr. Universe and one of the most celebrated actors on the planet. It’ll feature never-before-seen stories, footage, and interviews of the man and his family, friends, colleagues, co-stars, and rivals. Drops June 7. Never Have I Ever , Season 4 – Mindy Kaling’s ( The Office ) hit teen comedy series is back to wrap things up and come to an end. Said to be inspired by Kaling’s childhood experiences, the coming-of-age comedy follows an Indian-American high school student who navigates love, friendship, and family while dealing with the trauma of her father’s sudden death. This final chapter will explore Devi’s experience as a high-school senior graduating and move on the next phase of her life, which includes a romance with a new character. Airs June 8. Human Resources , Season 2 – Featuring an all-star comedic cast that includes Aidy Bryant ( SNL ), Randall Park ( Young Rock ), Keke Palmer ( Nope ), Maya Rudolph ( Loot ), and Nick Kroll ( History of the World, Part II ), this Big Mouth spin-off series is coming to an end with its second season. It’s essentially a workplace comedy revolving around the monsters from the parent show ( Big Mouth ) and their daily lives. Hormone Monsters, Depression Kitties, the Shame Wizard, Lovebugs, Logic Rock, and other similar creatures are assigned to humans as representative of their feelings to help them get through difficult stages and aspects of life. Season 2 takes a closer look at how these creatures juggle their responsibilities of handling their human “clients” while also navigating their own feelings. Season 2 will feature special guest starts Florence Pugh ( Midsommar ), Miley Cyrus, Eugene Levy ( Schitt’s Creek ), and Sam Richardson ( After Party ). Streaming June 9. Extraction 2 – Chris Hemsworth ( Thor ) is back as Tyler Rake, a former Australian special forces operator who is now a black-ops mercenary. In the first movie, he was hired to rescue the abducted son of a crime lord and risked his life to ensure the boy’s safety. Actually, it appeared as though he gave his life to save the kid … BUT, as any good action hero does, Rake lived to fight another day. Now he’s back to take on another high-stakes rescue. Airs June 16. Black Mirror , Season 6 – I’ve yet to watch this series, but I continue to hear some great things about it, so it’s on my list. Season 6 looks like it just might outdo its previous seasons, but I say that based on the star-studded cast line-up and darker plotlines that have been revealed. The British sci-fi anthology series is back after a four-year hiatus with a new set of stories said to be more dystopian and way more disturbing (word!). If you’re unfamiliar, these stories are set in a futuristic world revolving (mostly) around technology and its damaging effects. Streaming June 15. Run Rabbit Run – As a fertility doctor, Sarah (Sarah Snook of Succession ) has a firm understanding of the cycle of life. However, when she is forced to make sense of the increasingly strange behavior of her young daughter, Sarah must challenge her own beliefs and confront a ghost from her past in this horror mystery also starring Elisabeth Moss ( The Handmaid’s Tale ) and Damon Herriman ( Justified ). Arrives June 28. The Witcher , Season 3 Vol. 1 – Well, Henry Cavill ( Superman ) fans, this is your last chance to see the actor as Geralt one last time before he’s replaced next season by Liam Hemsworth ( The Hunger Games ). Season 3 will be released in two parts, with Hemsworth headlining the second installment. The fantasy drama series is based on the book series by Andrzej Sapkowski and is set in a fictional land called the Continent. It follows Geralt of Rivia, a mutant monster hunter who navigates a world where humans are more evil than beasts as he journeys towards his destiny. Season 3’s plot focuses on Geralt (Cavill) taking Ciri of Cintra into hiding, determined to protect his newly reunited family against those threaten to destroy it. Volume 1 drops on June 29 with Volume 2 airing in July. Also streaming this month: Amy Schumer: Emergency Contact stand-up special; Take Care of Maya , a documentary about Maya Kowalksi, who was admitted to a kid’s hospital after discovering she had a rare illness; 85 South: Ghetto Legends stand-up comedy special; The Perfect Find , a rom-com starring Gabrielle Union and Keith Powers; Muscles & Mayhem: An Unauthorized Story of American Gladiators ; and so much more, especially in the foreign vein. HULU Searching for Soul Food – Follow rock star celebrity chef Alisa Reynolds on her trek around the world in search of culture, community, and soul food. Premieres June 2. Cruel Summer , Season 2 – From executive producer Jessica Biel ( The Sinner ), Season 2 of the hit Freeform show is back to follow three timelines of a sordid love triangle throughout the 2000s. Drops June 6. It’s Always Sunny in Philadelphia , Season 16 – “There is a spider … spider … spider / Deep in my soul … soul … soul” – Sorry, I couldn’t resist. If you’re lost, go back and watch Season 9, Episode 3 and enjoy Charlie Day’s beautiful little ditty to the public at the end of the episode; it’s my theme song, most days. Ha! The gang is back for an unprecedented 16th season of shenanigans and zero tolerance, making this hit FX show the longest-running American sitcom ever . Hell yeah! Airs June 8. The Bear – Starring the endearingly adorable Jeremy Allen White ( Shameless ), Ebon Moss-Bachrach ( The Punisher TV series), Molly Ringwald ( Riverdale ), Oliver Platt ( Chicago Med ), and Joel McHale ( Community ), Hulu’s hit series is back for round two as the sandwich shop crew are faced with the reality of opening a new restaurant and this season really ups the ante. Instead of eight episodes, there will be 10, and a new chef is joining the kitchen! Get ready to watch Bob Odenkirk ( Better Call Saul ) serve up the beef, sans his criminal defense attorney shenanigans. Streaming June 22. PEACOCK Hot Wheels: Ultimate Challenge – An NBC game show that pits two contestants against one another as they attempt to use pop culture themes and personal stories to transform an ordinary car into a fully spectacular one using their wild imaginations. The winner takes home a hefty sum of $25,000. Available June 1. Based on a True Story – Kaley Cuoco ( The Big Bang Theory ) and Chris Messina ( The Mindy Project ) star as a young couple who are struggling financially and looking for a means to find stability in their marriage life. Ava (Cuoco) is pregnant, making them even more desperate for money, so they seize an ideal opportunity when a ruthless serial killer known as Westside Ripper begins terrorizing their town. Ava, an avid crime-podcast enthusiast, launches her own podcast with her partner in order to solve the mystery and become financially comfortable. Will their plan to capitalize on the chance be successful, or will it force them into a corner where they have no choice but to use unconventional means to continue their podcast? And in case you're wondering, no, this is not based on a true story. Streaming June 8. LA Fire and Rescue – An NBC documentary series highlighting the true everyday heroes of the Los Angeles Fire Department, who is in charge of protecting the lives of millions of people in 59 cities throughout Los Angeles. Their stories will be narrated with gripping drama as well as unanticipated situations, including life and death crises, giving us a closer look at what they actually do in their professions. Airs on June 22. PARAMOUNT PLUS Love Allways – Pansexuals out there, this one’s for you. Developed by AwesomenessTV, this new pan dating competition show takes the notion that people can (and are) attracted to multiple genders and centers on one hopeful single looking to find her match but with a few added twists: Not only will the other contestants end up romancing each other on set but they’re also being coached by “relationship gurus” looking to prove they’re the best at helping others find and hold on to romance. Debuts June 2. Joe Pickett , Season 2 – I found this little gem about seven months ago and I’m glad I did. It may move a little slow, but it’s worth a watch. Game warden Joe Pickett (Michael Dorman of For All Mankind ) and his family navigate the shifting sociopolitical climate of a rural town on the verge of economic collapse. When a murder victim winds up on Joe’s doorstep, the Picketts find themselves embroiled in a much larger conspiracy than they could’ve ever imagined. Dorman brings a sincerely humble quality to his character, and you’ll fall in love with him and his genuity. Premieres June 4. Star Trek: Strange New Worlds , Season 2 – Captain Christopher Pike (Anson Mount of Hell on Wheels ) and the crew of the USS Enterprise return for the long-awaited second season as they explore new worlds and carry out gorgeously harrowing missions throughout the galaxy during the decade before Star Trek: The Original Series , seven years before Captain Kirk and Spock first meet. If you haven’t watched season one, I highly recommend doing so. The acting is high quality, the stories are fully engaging, and the special effects are spectacular. The series also stars Rebecca Romijn ( X-Men ) and Ethan Peck ( Star Trek: Discovery ), among many other memorable characters. Streaming June 15. APPLE TV+ The Crowded Room – If, like me, you’re a huge Tom Holland ( Spider-Man ) fan, GET EXCITED. Homeboy is starring in a new limited series that puts him in a role unlike anything he has previously seen. The story begins in 1979 when a man named Danny Sullivan (Holland) finds himself in the midst of a murder and is quickly arrested by the police so they can investigate his involvement. When Detective Rya Goodwin (Amanda Seyfried of The Dropout ) tries to find the true perpetrator of the crime through Danny and what he does and does not know, she learns about his highly unusual past, which puts her in an even more difficult situation as she feels Danny might be the true culprit. *Side note: If you haven’t seen Holland in the epic saga Cherry , which is also an Apple TV+ production, turn off your phone, lock your door, and clear out four hours for one of the best true-story adaptations of the 21st century. The Crowded Room premieres June 9. Hijack – Starring the yummy Idris Elba ( Luther ), this high-octane thriller full of tension follows the journey of a hijacked plane as it makes its way to London over a seven-hour flight and as authorities on the ground scramble for answers on what to do. Elba is Sam Nelson, an accomplished negotiator in the business world who needs to step up and use all his guile to try and save everyone onboard the plane. But, his high-risk strategy just might be his undoing. The film features no snakes on the plane, but it does feature heart-pounding excitement. Streaming June 28. Platonic – Although this series dropped last week, it’s worth mentioning for June titles because, well, it’s f**king hilarious. Rose Byrne ( Bridesmaids ) and Seth Rogen ( Pineapple Express ) star as platonic best friends who’ve been adrift for years due to Sylvia’s (Byrne) remarks that Will (Rogen) shouldn’t marry his wife. As it turns out, she was right, because now Will finds himself going through a divorce. The two friends reconnect and pick up right where they left off with their shenanigans and undeniable comedic chemistry. If you watched them in Neighbors , you’ll love them even more here. The two feed off one another in the most hilarious ways possible and by the end of the first episode, you’ll be feeling all nostalgic about your own besties from the past. New episodes drop on Wednesdays. Now streaming. MAX The Idol – This story about a pop star, played by Lily-Rose Depp ( The King ), has mixed reviews and is surrounded by—allegedly—a lot of talk about scandals outside of production. Nevertheless, Jocelyn (Depp) is a pop idol who has recently lost her mother and is beginning to unravel. To make matters worse, she’s being used by everyone around her like a cash cow and is the target of predatory men eager to take advantage of her vulnerability. After her mother’s death, Jocelyn goes all-in on a drug spiral and suffers some mental health issues that nearly ruin her career, and things get worse when a self-help guru and leader of a modern-day cult enters into a complicated relationship with the pop princess. This one is full of darkness, sex, sexiness, and madness. Also stars The Weeknd ( Black Panther ). Streaming June 4. American Pain – A new documentary that traces the story of the largest prescription drug trafficking case in American history. It revolves around identical twin brothers Chris and Jeff George, who trafficked more than $500 million in opioid pills in the U.S. from their clinics, called American Pain, in Florida. Their business drew patients from around the country for brief appointments to see a physician and get an opioid script. Through compilations of hundreds of hours of FBI wiretap recordings, undercover videos, and jailhouse interviews with the twins, this doc showcases the rise and fall of the Georges’ empire and the approximately 3,000 patients who died after visiting their clinics. Airs June 8. John Early: Now More Than Ever – If you haven’t seen this dude in anything, you should find some of his work and watch it. He’s very funny and is finally releasing his first HBO comedy special. In it, Early ( Search Party ) brings his unique blend of cutting commentary, pop star swagger, and all-around loveable hilarity to Roulette Intermedium in Brooklyn, New York. In the style of a gritty 70s rockumentary, Early performs stand-up and explosive song covers from Britney Spears to Neil Young, intercut with Spinal Tap-esque backstage sketches. And if you’re a millennial and have no idea who Spinal Tap is, I suggest you find the mockumentary This is Spinal Tap —especially if you’re a music junkie—and turn the volume up to 11. That will be funny once you watch it. I promise. Early’s stand-up special drops on June 17. The Righteous Gemstones , Season 3 – The world-famous televangelist family with a long tradition of deviance, greed, and charitable work (and grown-ass sibling shenanigans) returns for their long-awaited third and final season. Don’t miss the antics of Danny McBride ( Eastbound and Down ), Adam Devine ( Workaholics ), Edi Patterson ( Violent Night ), and John Goodman ( The Conners ) as they work to secure all the dividends extravagant megachurch worship has brought them. Streaming June 18. The Stroll – I read about this, and it made me mad, to be honest. This documentary focuses on the history of New York’s Meatpacking District told from the point of view of transgender sex workers of color who lived and worked there. It upset me reading about the violence and policing transgender people faced (and still face everywhere), because there’s absolutely no need for it. We are all human beings; why does anyone give a shit what one person’s sexual preference or identity is? That is no one’s business but the person who is living it, and we should all stop judging one another and begin supporting individuality, even if you don’t agree with it. The doc also focuses on the trans women who congregated in the area called “The Stroll” and forged a deep camaraderie to protect each other from harassment and violence. Here, trans Director Kristen Lovell reunites her sisters to tell this essential NY story from the point of view of the trans sex workers who lived it. Drops on Max June 21. Warrior – If you haven’t been watching this series, you should—especially if you love martial arts. Warrior takes viewers on an intense journey through the Tong Wars in San Francisco’s Chinatown during the late 19thcentury. Inspired by the writing of martial arts icon Bruce Lee, the show’s third season delves into the aftermath of the race riots that shook Chinatown in the previous season. Premieres June 29. DISNEY PLUS Pride from Above – To kick off Pride Month, Disney has added a brand-new collection featuring films and shows that include LGBT+ storylines, creators, and characters. Airs June 2. First Alaskans – Indigenous Alaskans live on ancient lands but face a new climate of challenges. Streaming June 7. Flamin’ Hot – Richard Montanez, the son of a Mexican immigrant, was a janitor at Frito Lay when he came up with the idea for Flamin’ Hot Cheetos. His creation was inspired by the flavors of his community and revitalizes Frito-Lay and disrupts the food industry. Premieres June 9. Secret Invasion – Nick Fury learns of a secret invasion of Earth by a faction of shapeshifting Skrulls. Fury (Samuel L. Jackson of Pulp Fiction ) joins his allies and together they race against time to thwart an imminent Skrull invasion and save humanity. Also stars Emilia Clarke ( Game of Thrones ), Cobie Smulders ( Avengers ), Kingsley Ben-Adir ( High Fidelity , 2020), Ben Mendelsohn ( The Outsider ), Olivia Coleman ( The Crown ), and Martin Freeman ( The Hobbit ). Drops June 21. Other titles streaming this month on Disney Plus: Hailey’s on It! – June 9, Raven’s Home – June 14 , Pretty Freekin Scary – June 16 , World’s Best – June 23 , and Week-End Family – June 28. PRIME VIDEO Shiny Happy People: Duggar Family Secrets – This limited docuseries exposes the truth beneath the wholese Americana surface of reality TV’s “favorite” mega-family, The Duggars, and the radical organization behind them: The Institute in Basic Life Principles. As details of the family and their scandals unfold, we realize they’re part of an insidious, much larger threat already in motion, with democracy itself in peril. Streaming June 2. My Fault – A romantic thriller posing the question what would you do if you found love in an unexpected place, fused with intense passion for someone forbidden? This film is based on the book “Culpa Mia,” which is part of the “Culpables” trilogy written by Mercedes Ron. Airs June 8. The Lake , Season 2 – The sun-kissed Canadian lakeside comedy is back for its second season and stars Julia Stiles ( The Bourne Identity ), Lauren Holly ( Dumb & Dumber ), Terry Chin ( Jessica Jones ) and Jordan Gavaris ( Orphan Black ). The Lake tells the story of Justin (Gavaris), who has just broken up with his longtime partner and is returning to his family cottage in Canada to connect with his teenage daughter whom he gave up for adoption when she was just a baby. He soon finds out his father left their cottage to his stepsister (Stiles). What’s a little summer getaway without a little chaos? Premieres June 9. Tom Clancy’s Jack Ryan , Season 4 – Author Tom Clancy’s CIA analyst Jack Ryan (John Krasinski of A Quiet Place ) is back for his final season of dangerous gambits with a new breed of terrorism that threatens destruction on a global scale. Debuts June 30. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link