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The Ritual Killer < Back Cole Hauser and Morgan Freeman Team Up to Take Down Evil Keeley Brooks Mar 9, 2023 Share The Ritual Killer Buckle up, film fans, and fret no longer, Cole Hauser fans. Just because Yellowstone isn’t giving us our weekly Rip fix at the moment does not mean you can’t get it elsewhere. (wink) Today’s your lucky day because Hauser has a new movie dropping in select theaters and On Demand this week, and he’s still not taking any bullshit as he stares down the face of evil in a mystical crime action-thriller called The Ritual Killer . The official trailer (below) released in February 2023 by Screen Media, and as you can see, it has a very ominous True Detective kind of vibe. Hauser is a detective on the brink of retirement and a father grieving the death of his daughter. He’s on the hunt for a serial killer who has already claimed the lives of two innocent girls, and with no leads to go on, he approaches anthropology professor and African Studies expert in ancient cultures and their rituals Professor Mackles, played by the legendary Morgan Freeman. Together they work to find this mysterious murderer practicing the ancient magic of Muti by using ancient rituals to kill people and thereby gain power. But he isn’t just killing people in the United States; he’s also claiming victims across Europe, which makes him an international criminal—an extremely agile, swift, and calculated one at that. https://www.youtube.com/watch?v=fz-dDAxCr5Y The film explores the dark and sinister world of said serial killer, as well as the secrets of the anthropology professor. In addition to its star leads, the flick also features Peter Stormare ( Fargo ), former NFL player Vernon Davis ( Chariot ), Franco-American actress Murielle Hilaire, Brian Kurlander ( Dopesick ), and Luke Stratte-McClure ( Scouts Guide to the Zombie Apocalypse ). Directed by George Gallo, who scripted Bad Boys and The Whole Ten Yards , the story dances the line between reality and madness, sanity and insanity, as Detective Boyd is forced to step inside the mind of the killer to outsmart him and take him down. ScreenRant acquired an exclusive clip from The Ritual Killer , which I have lovingly included here for all of you. In it, we see Det. Boyd chatting with his partner Det. Maria Kersch (Hilaire), who has her own questions for him about a recent arrest gone wrong. However, before she can probe too deeply into how Boyd handled himself in that situation, the pair get called out to a horrific crime scene. As Boyd views the cut-up body of a young teenage girl, it’s clear he’ll stop at nothing to take down the monster who committed such a gruesome, evil act. But he won’t be able to do it alone, and that’s where Morgan Freeman comes in. https://www.youtube.com/watch?v=AjU6Zn9NgI0 And because I'm just awesome and love doing this stuff, I found another clip to share with you, which features some action as Detective Boyd is out hunting, then chasing the killer (Vernon Davis), who is pretty damn quick with a knife in a fight as he takes out a few cops before escaping Boyd’s grasp. https://www.youtube.com/watch?v=gSexrt2_XYo For the deets on Freeman’s character and the down-low on all his secrets, you’ll have to watch the movie. The Ritual Killer hits theaters and Video On Demand on March 10, 2023. *Side note: Also releasing in theaters the same day is the highly anticipated sixth installment of Scream , which I absolutely love. Even the crappy installments. I'm just a Ghostface fan, I suppose, but not in the murderous way. Critics are already calling it the best installment in the series with heart-pounding thrills and horrific Ghostface shenanigans. I know I can’t wait. Enjoy your weekend, my friends. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hawthorne Oachs brings deep awareness to everyday life < Back Hawthorne Oachs: A Free-Spirited Young Artist Full of Beautiful Harmonies Nicole Brice & Chris Pryor May 30, 2023 Share Hawthorne Oachs brings deep awareness to everyday life Sometimes, a musician comes onto the scene and just blows us away to where we are left virtually speechless. The next musician we are bringing to you has done just that and her name is Hawthorne Oachs. At the young age of 12, this spirited artist wrote, produced, and released her first single, “My Lullaby,” which was released in November of 2021. At 14 years old, Hawthorne has many talents and is not only a musical artist but also a digital artist and award-nominated actress with Z-Fest 2023 as a Best Child Actress Nominee. She has created the cover art for all her music released thus far and is frequently known to share her artistic creations on social media. With song lyrics written from the perspective of a young teenage girl, Hawthorne has a mature-sounding voice that is both powerful and contains soulful evoking memories of LeAnn Rimes when she first broke on the scene in the mid-90s. Photo provided by artist An incredible storyteller drawing inspiration from everyday life, Hawthorne’s songs are often about personal experiences with her relatable and thought-provoking lyrics. In addition to her music and art, Oachs is an advocate for mental health awareness, where she has spoken publicly about her own struggles with anxiety and depression. She hopes to use her platform to help others who are struggling with mental illness and wants to be a role model for young people everywhere. If you’re looking for music that is both powerful and meaningful, then we highly recommend checking out the music of Hawthorne Oachs. In fact, we listened to her entire catalog and could not find a single song we did not like. Her music is that good. Oach’s latest single, which released on April 21, 2023, is titled “A Single Flower.” It is a hauntingly beautiful arrangement full of abundant wisdom for a girl so young. Listening to it gave us the chills, and when that happens, you know something is resonating with your own energy. It has excellent production value and a good use of effects, and the harmony flows perfectly with the medley of the music. We cannot recommend it enough. https://www.youtube.com/watch?v=YIGEX0gNN4I Set to release another new single in June, Hawthorne is a talented artist with a bright future ahead of her, so stay tuned! We recently had the opportunity to ask her a few questions, so check out her responses below and then go listen to her beautiful catalog of tunes. She is sure to become a household name in the years to come. MaM : Hawthorne, thanks so much for taking time to talk with us. Your vocals are so melodic, soulful, and strong for such a young lady. Who are your vocal inspirations and why? HaO : Thank you so much for the kind words, Nicole! Some specific singers that I really respect are my mom, Mafumafu, and Hayley Williams of Paramore. My mom is a talented singer and has been such a fantastic mentor throughout my life. I know I would have made my way to music eventually if I was born with different parents, but my mom and dad have given me the gift of a life immersed in music, and I wouldn't have had it any other way. Mafumafu is a very emotional and passionate singer and I connect with that. I find a lot of joy listening to his work, and I found his music at the height of the pandemic, so his songs comforted me. I’m massively grateful for that in ways I’m not sure I can clearly articulate. Because of my mom, I’ve been listening to Paramore since before I could understand the meaning of the lyrics, so their music has always held a special place in my heart. They were my first concert when the ‘After Laughter’ album came out! Hayley has such a wonderful, powerful voice and I really love listening to both her solo work and Paramore’s whole discography. Their new album is a such a banger, too! Zac is a superb drummer and Taylor is a stellar guitarist who also has curly hair, like me! Listening to these people play their hearts out really inspires me to keep learning, growing, and improving as I turbulently make my way through these adolescent voice-changing years. Photo provided by artist MaM : When did you realize you wanted to create music and why? HaO : I’ve always been way into music starting from when I was really young. I'd sort all of the CDs and records in my house, taking them off the shelf, looking at the album art, listening, then putting them back. I also used to run around the house playing my little pink acoustic guitar, singing at the top of my lungs, making up songs. The piano was a safe place to play and decompress from the events of the day. I still do that. I was around [five years old] when I started taking formal lessons for both piano and guitar, and I immediately wanted to quit because if I didn't get something right on the first try, I would get discouraged. I'm also tenacious and headstrong, which I’m grateful for, because I stuck with those lessons and now piano and guitar are my favorite songwriting tools. During the pandemic, most of us turned to art to consume and keep us soothed and entertained. In the beginning, I ended up writing a considerable [number] of songs cathartically. Through that catharsis, I developed a love for songwriting and a realization that I was fastened to music for life. Photo provided by artist MaM : Who are your musical influences for your sound? HaO : Because I've grown up in a musical household, I've listened to quite possibly every genre that exists. As a result of that immersive education, I have an extensive collection of favorites that I've held closely in my heart. I can usually find something to like in whatever I'm listening to, and every day I'm discovering new artists that I love. For example, I've been listening to Minami, Mitski, and Blü Eyes lately. Right now, the songs I have on repeat obsessively are ‘Thick Skull’ and ‘Running Out Of Time’ by Paramore. I think inevitably over time, everything you've ever listened to influences your own sound. Experimenting and figuring out who I am as a musical artist has been a welcome adventure. My fifth single ‘Chase Me’ was probably the first time my sound and aesthetic felt most like home. With the latest songs that I've been creating, I've got a solid vision for the path forward and I'm exhilarated about that! Since I started releasing songs at [age] 12, there has been growth in me personally as well, so it seems logical to see growth in my music. In the fall, it'll have been two years since I started doing this. What's cool about it is that I can look back to where I started and see the growth and changes. I'm proud of everything I've done so far, and I wouldn't have changed anything! https://www.youtube.com/watch?v=izRMLjP3CT0 MaM : If you could share the stage with any artist, who would it be and why? HaO : Mafumafu! A few years ago, I had to pick a second language to learn for school. I started learning French, but that was a big non-merci from me after about a month. I just couldn't get the pronunciation right and wasn't feeling it. Since my appreciation for Japanese culture, candy, and food had grown, I chose to learn Japanese. Early on, it was suggested that I listen to and learn songs in the language to engross me, which would aid in familiarizing myself with pronunciation and vocabulary. When studying one day, a J-pop playlist was on autoplay, and I heard Mafumafu's cover of ‘Hated by Life Itself’ for the first time. I felt like I was hit by lightning. I understood him without understanding a single word. Between a global pandemic and the trials of adolescence, I needed brightness in my life. When I heard Mafumafu's voice, I felt seen, heard, and understood. I listened to that song incessantly for a while. All of his music and variety of content was the fortification I needed to see me through to better days. Admittedly, without something to hold onto then, I'm not sure what would've happened. I hope someday I'll get to meet him and tell him just how truly grateful I am, and wouldn't a Mafumafu x Hawthorne Oachs musical collaboration be the most beautiful finishing touch to that story? Photo provided by artist MaM : What music or things around you are inspiring you to create these days? HaO : Mental health awareness has been on my mind for the past two years, and lately I find myself digging into the problems we face as a society, but particularly those directly related to mental health. The surgeon general recently declared loneliness to be a public health crisis and said it's comparable to smoking. While I wrote and released it before this news broke, my most recent song ‘A Single Flower’ tackles the topic and the debilitating effects of loneliness. Another thing that's been on my mind is the alarmingly high rates of teenage suicide. My new song ‘Red Spider Lilies’ that is coming out on July 27th addresses the grief that one might feel when the person tethering them to this world is gone forever and they want to go, too. Maybe they were already thinking about it, and this was their breaking point, or maybe the grief was so unbearable they made the decision in a split second. I think if anyone said they were having those feelings out loud, it would be divisive, and some might even chastise them for those thoughts. This song is acknowledging that those thoughts and emotions can be part of being human and we should do better by supporting mental health, listening to others without judgment, acknowledging that humans can and do have dark thoughts, and normalize talking about those struggles. I think about how I turn to the creative output of others to comfort me, so if the art I create can be of that same service to others, then it feels like it's a small contribution and my own way of making the world a better place. Photo provided by artist MaM : What are your aspirations for the future? HaO : My primary aspiration is that my music gets to the ears and the hearts of the people who need it the most. I always set short-term goals for myself and celebrate them wildly when I reach them. I appreciate that this industry is overly saturated and jumping to the head of the line isn't realistic, nor is it a goal. I simply want to help people first and foremost. I want my music to be of service to others in the same way that music has been of service to me in my life. If that turns into something bigger than I am imagining right now, I will enthusiastically embrace whatever comes from it. The one thing that is non-negotiable and that I refuse to do is stop creating music. Music has been and always will be a comfort to me, and my true aspiration is that the music I release will be a comfort to others. - Be sure to add the music of Hawthorne Oachs on your playlist today! This young lady is creating something magical, and we cannot wait to see what she has in store for all of us in the future. To check her out, follow any one of the below-listed links. Hawthorne Oachs (@hawthorneoachs) • Instagram photos and videos Hawthorne Oachs | Facebook Hawthorne Oachs | Spotify ‎Hawthorne Oachs on Apple Music Hawthorne Oachs - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. < Back Acid Bath’s Triumphant Return: A Night 28 Years in the Making Justin Hammer and Charles Sagona Apr 27, 2025 Share The Sludge Metal Legends Reunite for a Long-Awaited and Historic Performance. Friday night, the mythical Louisiana sludge metal legends Acid Bath returned to the stage, kicking off their reunion tour with a sold-out show at the Fillmore in New Orleans — their first performance in precisely 28 years . Credit: Justin Hammer Photography The current lineup features original members Dax Riggs (vocals), Sammy Duet (guitar), and Mike Sanchez (guitar), joined by Goatwhore's Zack Simmons on drums and Crowbar's Shane Wesley on bass . It's a blend of old blood and new energy , and from the moment they launched into the opening notes, it was clear this wasn't just nostalgia — Acid Bath came to reclaim their legacy. Dax Riggs by Justin Hammer Photography Acid Bath was one of Louisiana's most influential sludge metal bands in the 1990s , known for their unique blend of doom metal , punk , grunge , and Southern rock . The band was active from 1991 until 1997 , when they disbanded following the death of founding member and bassist Audie Pitre . After their final performance in Shreveport, Louisiana , on April 25, 1997 , it seemed to everyone, including the remaining band members, that this marked the end of an era and that their music would never be heard live again. Sammy Duet of Acid Bath by Justin Hammer Photography What makes Acid Bath 's return even more remarkable is how their legend status grew during their long dormancy. In their original run during the '90s, Acid Bath wasn't selling out venues like the Fillmore . They were packing into dive bars like Papa Joe's in Baton Rouge , Zeppelin's in New Orleans , and gritty all-ages shows in small-town halls like Gonzales, LA . Their glory days weren't measured in ticket sales , but in the cult following that quietly spread over the years, turning their two albums — When the Kite String Pops and Paegan Terrorism Tactics — into sacred texts of underground metal. In October 2024 , the Sick New World festival in Las Vegas announced its lineup, and to everyone's surprise, Acid Bath was included. However, shortly after the announcement, the festival was canceled. Despite this setback, more shows began to be organized, officially confirming the remarkable return of the iconic Louisiana band. Fast forward 28 years to the day: Acid Bath made their highly anticipated return to the stage at the Fillmore New Orleans on April 25, 2025 , performing to a packed and sold-out crowd. The show opened with an electrifying performance by Eyehategod , another iconic band from New Orleans and friends of Acid Bath 's members. Fronted by Mike Williams and featuring founding member Jimmy Bower from Down on guitar, Gary Mader on bass, and Aaron Hill on drums, Eyehategod set the stage with an incredible 45-minute set that energized the crowd. The biggest question lingering over the night: could Dax still deliver after three decades away? — was answered immediately. His voice was astonishing, shifting effortlessly from throat-shredding screams to hauntingly beautiful melodies , often within the same song. The years had done nothing to dull his dynamic range or emotional power. The audience was diverse , consisting of older fans who remembered seeing the band at their peak in the '90s, and younger attendees who were born well over a decade after the band disbanded. Acid Bath took the stage to a roaring, packed crowd. The moment's significance sank in as they began to play: Acid Bath was back. Looking over the audience, we could see everyone mouthing and singing along to their iconic songs, regardless of age, fully immersing themselves in this historic moment in music history . Immediately following ' Bleed Me an Ocean ,' the crowd couldn't contain their excitement and broke into chants of "Acid Bath! Acid Bath! Acid Bath!" Sammy grinned and told them, "Hey, y'all calm down — there's plenty more where that came from," which drew a giant pop. Sammy Duet of Acid Bath by Justin Hammer Photography Midway through the set, Sammy paused to ask the crowd, "Be honest — did you think this would ever happen again?" The thunderous "NO!" that followed said it all. The setlist , while powerful, leaned toward deeper cuts rather than expected anthems. Classics like ' The Blue ,' ' Cheap Vodka ,' ' Jezebel ,' and their traditional closer ' Cassie Eats Cockroaches ' were notably absent, leaving some fans both exhilarated and a little wistful. It wasn't a flawless performance. Early-show jitters led to a few songs being stopped and restarted. "Sorry," Sammy told the crowd after one hiccup. "You guys don't deserve this. Hold on — I just want to give you the best experience ever," before relaunching into a blistering rendition of ' Dr. Seuss Is Dead .' Sammy Duet of Acid Bath by Justin Hammer Photography But in the end , none of the minor missteps mattered. The sheer joy radiating from both the band and the audience was undeniable. It wasn't just a concert — a resurrection, a testament to how far their shadow had stretched while they were silent. This band has had a tremendous impact on the metal scene in New Orleans , and they continue to do so by selling out every show they announce within minutes. Their music resonates with younger generations, inspiring both local bands and fans. Even after being absent for 28 years, their influence remains significant. The merch line snaked through the venue, with fans waiting over an hour to score shirts, posters, and a piece of history. Acid Bath's long-dormant flame has been reignited, burning brighter than ever. Setlist: Tranquilized Bleed Me an Ocean Graveflower The Bones of Baby Dolls Dead Girl (Agents of Oblivion version) Old Skin New Death Sensation Venus Blue Scream of the Butterfly (dedicated to Audie Pitre) Paegan Love Song Dr. Suess is Dead Set List from 4.25.25 To learn more about Acid Bath: Website: The Official Acid Bath Website *All photos by Justin Hammer Photography Shop Photography Art | Justin Hammer Photography www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Hypnotic Pulse < Back New Orleans Band Deep Sleep Atlantic Announce Debut Single C.G. Smith Mar 22, 2023 Share A Hypnotic Pulse New Orleans’ Deep Sleep Atlantic announces the release of their debut single "Bipolar Tendencies" which drops March 31st, 2023 . Deep Sleep Atlantic consists of lead vocalist and guitarist/producer Travis Marc , and backing vocalist and drummer/producer Daniel Perez , both based in New Orleans . The single was mixed by Jetta In The Ghost Tree producer - Taylor Tatsch and mastered by Deep Blue Something's Todd Pipes . Photo provided by band The new and darkly energetic single ' Bipolar Tendencies ' by Deep Sleep Atlantic creeps into your ears with a hypnotic pulse that suddenly explodes into a chorus that encapsulates your entire being and gets your head nodding. The song is a powerful first step for this New Orleans-based band. "We're thrilled to finally share our debut single ‘Bipolar Tendencies’ with the world," say the band. "It's a song that we've poured our hearts and souls into, and we can't wait for fans to hear it and experience it with us." Travis played all the instruments and produced the song himself, but shortly after meeting Daniel , they decided to form the band. The duo is excited to start performing the new material for live audiences starting in April of 2023. “The song was written in a house in the Treme neighborhood after assisting at a session at Esplanade Studios,” says Travis. “The lyric that says, ‘I’ve had interviews cut’ is totally true. In my last band, a radio DJ in London stopped the interview because she said I was painting the music industry in a negative light while explaining some shortcomings that musicians often face.” The lyrics in the second verse reads: “… I’ve had interviews cut The couple times I almost made it They say I’m too negative To call it like it is but Coating it with sugar Only clogs up the arteries.” The production is top notch, and the single is catchy. This is absolutely a band to keep your eyes and ears on in 2023. ' Bipolar Tendencies ' releases worldwide on March 31st and is the last track the band recorded but the first single from their upcoming album Prelude . The band will be releasing a video for the single on April 7th, as well as hosting an intimate single release party at Henry Turner Jr’s Listening Room in Baton Rouge on April 8th, 2023. Stay up to date on their website at www.DeepSleepAtlantic.com , where you can join their mailing list and follow them on social media @deepsleepatlantic. To learn more about DSA: SoundCloud - Hear the world’s sounds Deep Sleep Atlantic | Facebook @deepsleepatlantic • Instagram photos and videos DeepSleepAtlantic (@DeepSleepATLC) / Twitter Deep Sleep Atlantic - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. < Back Reviews on the Real: Serenity by Nicki Needham Nicole Brice May 12, 2025 Share ‘Serenity’ possesses a surreal and atmospheric quality that takes you on a soothing journey. Today, we’re exploring the latest release from Louisiana-based singer-songwriter Nicki Needham . She has become a prominent figure in the local music scene, thanks to her remarkable talent, unwavering drive, and exceptional work ethic. Nicki is frequently performing and has taken the stage at numerous music festivals throughout the state, including Festival Internationale and Fête du Void . Released May 8, 2025 Released on May 8, 2025 , ‘ Serenity ’ possesses a surreal and atmospheric quality that takes you on a soothing journey. I always listen to new songs with headphones to fully immerse myself in the rich textures and layers of the music, and this release was no different. https://www.youtube.com/watch?v=qvgaZplXxJw The official music video for 'Serenity' by Nicki Needham. The opening of ' Serenity ' is hauntingly beautiful, filled with soul and depth. It leads into one of the most soothing and captivating voices I've ever heard, giving me chills from start to finish. Nicki’s voice reminds me of American singer-songwriter Anna Nalick , whose music was the soundtrack to my endless drives to and from Hammond during college. The mixing of this track is flawless, and the production quality is exceptional. Nicki’s lyrics paint a vivid picture of someone searching for themselves amidst the world's chaos. She encourages listeners to take time for self-reflection and to discover their own serenity. The spoken word segment at the end of the song is particularly noteworthy; I closed my eyes and felt myself slipping into a semi-meditative state. As ' Serenity ' concludes, it erupts into a powerful chorus filled with emotion. It truly is a rollercoaster of a song! The track ends on such a high note that it leaves you wanting more. No joke—go stream ‘ Serenity ’ now, and you can thank me later. Look for a full EP release from Nicki Needham in the fall of 2025, too. To learn more about Nicki Needham: YouTube: Nicki Needham - YouTube Website: www.nickineedhammusic.com Facebook: Facebook Instagram: Nicki Needham (@nickineedhammusic) • Instagram photos and videos Spotify: Nicki Needham | Spotify Apple Music: ‎Nicki Needham - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Pitiful’ sets a new direction for the music of XIII Minutes. < Back Reviews on the Real: XIII Minutes ‘Pitiful’ is a Hard-Hitting Reflection on Overcoming Adversity Nicole Brice Oct 30, 2024 Share ‘Pitiful’ sets a new direction for the music of XIII Minutes. Releasing November 1, 2024 , ' Pitiful ' by XIII Minutes is a powerful anthem and is THE perfect song to set a new direction for the band’s music. It's a sound that's hard to compare, and it's a sound that I can't wait to hear more of. We’ll see more of this band in the press in 2025. Just watch. 'Pitiful' releases everywhere November 1, 2024 ' Pitiful ' kicks off with a distant chorus of voices, setting the stage for a unique sound that will pique your curiosity. The song then builds to a thematic climax in the introduction, jamming right out the gate. Melodic lyrics start taking hold when your head nods as the pre-chorus starts in. Crunching guitars, precision drumming that will leave you in awe, and a solid chorus make this song one that you’ll be listening to on repeat in no time. “‘Pitiful’ tackles the topic of addiction (of any form) and shows it for what it is – a trap. There’s something very human about the desire to escape from life’s pain. It’s a relatable feeling, but our goal is to inspire listeners to engage in life in a much deeper and raw way. There is hope in the journey, and we can only begin to understand that hope when we tackle our pain head-on and sober.” I previously reviewed ‘ Cult Leader ,’ which has an entirely different sound than ‘ Pitiful .’ The production on ‘ Pitiful ’ is tight, and the entire song ends with you still wanting more. While the song's brevity leaves you craving more, it also adds to its charm, and is a testament to its quality. “We understand that not everything can be wrapped up in a 3–4-minute song, but despite tackling darker subject matter, we always want to sprinkle seeds of hope in our songs.” XIII Minutes has been around for a while, consistently delivering high-quality melodic rock throughout the years. However, they didn’t come onto my radar until earlier this year. Since then, they've quickly become one of my new favorite bands, especially after their previous release, Cult Leader . https://www.youtube.com/watch?v=CGHBBX65MAo ‘ Pitiful ’ is a perfectly orchestrated song with textures, rhythm, and soaring vocals. The song will stick with you long after it has finished and resonate with anyone who likes a solid, melodic rock song. “One can never discount what an amazing producer can do to bring ideas to life and help a band funnel them in creating a focused output. In the writing of ‘ Pitiful ,’ we worked with producer extraordinaire Kevin Gates at Reach Audio , who, among others, has produced music by Afroman . Kevin brought out the best in us, and I think this song reflects just how amazing he is.” I’ve listened to ‘ Pitiful ’ five times, and it gets even better each time. If you truly want to enjoy It, might I suggest an excellent pair of headphones? They will make your listening experience much better. Stream ‘ Pitiful ’ everywhere on November 1st . For more information on XIII Minutes : Wikipedia: en.wikipedia.org XIII Minutes - Wikipedia Facebook: https://www.facebook.com/xiiiminutesofficial/ Spotify: https://open.spotify.com/artist/170qLAyfpGyLLTCu1QcDhL Rottweiler Records: www.rottweilerrecords.com XIII Minutes | Rottweiler Records Bandcamp: thirteenminutes.bandcamp.com XIII Minutes Instagram: https://www.instagram.com/xiiiminutesband/ Reverb Nation: YouTube: www.youtube.com XIII Minutes Band After a few years of silence, XIII Minutes is back — reforged as their strongest, hardest-hitting iteration yet. The hard rock band made a name for themselves with their album Obsessed, released in 2019 via Rottweiler Records. The album spawned the track “Who Told You,” which topped Christian rock charts. But life seasons changed, and the band went dark. Until now. “I think the focus on the culture and collective goals is what sets this era apart,” reflects Jamie Kucinski, band founder and drummer. “Through every step and experience, clarity has presented itself. Even during the hiatus, I began to better understand what I wanted to accomplish.” That steady focusing in led Kucinski to recruiting a new lineup in 2023, a lineup united under the common purpose of the band’s culture: a culture defined by hope, community and fun. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Voice of the Enemy is back with an EP full of head-nodding rhythms. < Back Reviews on the Real: Voice of the Enemy’s Mannequin of Misery: Volume 1 EP Nicole Brice Dec 14, 2024 Share Voice of the Enemy is back with an EP full of head-nodding rhythms. Groove metal is currently alive and well in south Louisiana. This latest release from Louisiana’s own Voice of the Enemy is full of rhythms that will have your head nodding non-stop. Released on December 14, 2024 , Mannequin of Misery: Volume 1 marks a striking return for a band that has been on hiatus for a few years. Released December 14, 2024 The first single, ‘ Combustion ,’ was released on November 29, 2024, and was an excellent teaser for this monstrous masterpiece of an EP that was forthcoming. With vocals reminiscent of Rob Halford , ‘ Combustion ’ is a song with so many layers and textures that you can’t help but be intrigued to hear more, and that’s exactly what it did for me leading up to the release of the full EP. Mannequin of Misery: Volume 1 opens with ‘ Redemption Song ’ – a track that starts with a groove in the melody from the get-go with a faint build to a thematic opening. The guitar in the beginning part is so clean. The production of this song is so clean. Holy crap. Head nodding right off the bat. After the killer opening track is ‘ Intentional ’ – a song that begins with a powerful scream that sets the tone for a fast-paced head-nodding extravaganza . Voice of the Enemy truly brings the “groove” to groove metal with this track. While the band bio describes their music as thrash , this EP proves they have evolved past that. Up next is ‘ Time in Hell ’, which is a bit of a departure from the deep grooves shown in the prior tracks. It begins with an instrumental opening that is so intense you are waiting in anticipation for what’s next. When the vocals start, it intensifies until the chorus hits you with a gut punch—an enjoyable track. Ending the EP is ‘ Execution ’ – a hard-hitting, thunderous, fast-paced ride of aggression. Reminds me of old Judas Priest . It's a fun song. While Volume 1 doesn’t shy away from the expected heavy metal influences—such as breakdowns, chugging guitar riffs, and fierce drumming—the infusion of some more progressive sounds truly sets the EP apart and shows that Voice of the Enemy is indeed back and ready to take on the scene. Stream Mannequin of Misery: Volume 1 now on your favorite streaming platform and be sure to catch Voice of the Enemy LIVE in January. Check their social media for more information and dates. For more info on Voice of the Enemy : Facebook Voice Of The Enemy | ReverbNation Voice Of The Enemy (@voiceoftheenemyband) • Instagram photos and videos Stream Voice Of The Enemy music | Listen to songs, albums, playlists for free on SoundCloud YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. < Back Off the Charts: Jimmy Speed Bud Gambrell May 22, 2024 Share Jimmy Speed's music is a unique blend of fast, hard, and heavy rock. Hello all! Welcome back to Off the Charts! I’m glad you’re here! I’m a bit excited to turn you on to this next band. Jimmy Speed is a local band I’ve heard of but have yet to see live. I assure you that will change! I may have heard the name from bands that played at a former location in Huntsville called Sidetracks Music Hall . If you’ve never heard of Sidetracks, I wrote a book about it, but we are not here to discuss that. Let’s start this article a little differently. I want to wet your pallet just a bit with one of the band’s videos. Please turn this up before continuing to read this interview. See below. https://www.youtube.com/watch?v=4DI3So9fWtk Jimmy Speed comprises various musicians from the Huntsville area in Alabama. It had its humble beginnings in founding member/lead singer Lyle Douglass’s bedroom. I got invited to a band practice recently, where I had some time with Lyle before the band introduced me to their new song, Paradise , where I was able to ask Lyle for a little history of Jimmy Speed's origins. Click the picture to experience Jimmy Speed's music. OTC : How did you come up with the band name Jimmy Speed? LD : Jimmy Speed started in my bedroom. I'm writing songs because that's always been my passion. I've been a songwriter since I was a teenager at home. And so, Jimmy Speed was sort of the name I gave myself just for my own released music because I didn't want to release a Hard Rock album called Lyle Douglas. And so, I thought, I need to come up with a rock'n'roll name. My first name is James, so I thought, well, Jimmy works perfectly. I had to come up with a stylish last name, so I thought Speed worked because some of the music I wrote at the time was fast, hard, and heavy. So that's how that name originated. Our music is a unique blend of fast, hard, and heavy rock, a style that we've honed over the years and that sets us apart from other bands in the area. Credit: Facebook OTC : What year did the band form, and how did you get to the lineup of musicians you have today? LD : In 2015, I joined forces with Mono Stereo, a local cover band formed by guys from Blackeyedsusan and Dragmatic. Chris was in Dragmatic , Donnie Pylant, and Jay were in Blackeyedsusan, and then their bass player Glenn was the bass player for Brother Cane . He's back with them playing again. They brought me in to be their lead singer and rhythm guitar player. That's how I met Chris. And then, in 2016, my brother passed away. I had a bunch of songs written, some of them dedicated to him. I asked Glenn and my friends Brian and Chris, hey, do you mind just getting together and doing a one-time gig of original music at the Sportspage ? It was just kind of a one-off thing. And so that's how it started. It was just an original gig that we did, and after that show, the guys said, it's cool. Let's continue doing some of these songs, and that's when it originated. I guess that was around 2017 when Jimmy Speed first formed with the lineup of Brian, Chris, and Glenn Maxey. But then, when the pandemic hit in 2020, Glenn had a tough year and had to step away from the band. At that moment, like many other bands in 2020, we had to ask ourselves, what will we do? Are we going to keep doing this? Brian, Chris, and I decided, yeah, we want to. We're still passionate about this. So, we kept writing songs. We went back to the studio. We kicked around some bass players like Mike Staten from Tres Locos and Michael Cline from 5ive O’clock Charlie . They stepped in and helped us out for about a year or two. We've known Gary for 25 years. On a whim, we just said, hey, man, we're interested in you playing bass for us. The other guys are busy. Not that Gary wasn't busy, but he said I'm interested. And so, it looks like, hopefully, I crossed my fingers. He's going to be a permanent guy. Credit: Bud Gambrell OTC : What are your biggest influences when you're making music? LD : I am admittedly a product of the 1980s MTV generation. My riff writing is very percussive, so it's very Metallica-ish. Some of it is Megadeth-ish. But I also like Weezer-esk hooks. Chris is probably more of a 90s guy himself. And so, we bring out our inner Motley Crue, Weezer, and Metallica when possible. OTC : How would you describe the music that you create? LD : I try not to get too fancy with genres. I know there are so many subgenres of rock. To me, it just gets silly. I've always categorized this, just as you know, as heavy rock, heavy rock with elements of soft rock and elements of metal. Let’s pause for a few minutes and check out another song! https://www.youtube.com/watch?v=Pv2xT23ozV8 OTC : Talk to me about your approach to writing new material. Is it a collective effort, or do you do the writing and bring it to the band? LD : It typically starts with me at home doodling because that's just what I do. It's just kind of my passion. I can't help myself. I've always done it since I was a teenager. So, it usually starts on the guitar. I'll come up with something, some hook on the guitar. I will hear some vocal lines without any words. Something like that will come across my mind as I'm playing. I think, OK, those are the syllables I need. I need to come up with some words to fit, and sometimes, it's a random line like in one of our brand-new songs, Paradise. I'm playing the riff, and the line spontaneously came as “I'd Walked 1,000,000 Miles on a One-Way Road”, and I had to stop and go, OK, who's on a one-way road? Who's walked 1,000,000 miles? What is that story about? And so it could be a spontaneous lyrical line that comes to mind. And so, you write a song based on an idea. Credit: Bud Gambrell OTC : We talked last week, and you were in the studio? I'm guessing that means we've got new material coming out. Tell me about that. When? LD : It's probably going to be released later this year. We're now working with engineer Ben Holloway at Five Points Recording Studio. We've worked with Justin Miller down there. He's the owner. Head engineer. He did our last album, Weight of the World. But he's got a new engineer working night and night just from a scheduling standpoint, which works better for us. So, Ben is doing all the rough recording right now. We've got drums, all the main lyrics, and my guitar, but we still need to play lead guitar, bass, and some backup vocals. It's a slow process, so we chip away at it when possible. We don't have a regular scheduled time over there, but like I said, it will probably be released later this year. Credit: Bud Gambrell OTC : How do the people reading right now find your music? LD : In today's world, most people stream, so you must ensure your music's out on all streaming platforms. I've done that. Social media is such a circus, but at least it gives you the tools for reaching thousands of people at a very low cost. I've done sponsored ads, and we've got videos on Facebook with 10s of thousands of views. 20-30 years ago, I know the dream of all musicians was to get signed, and that's still great if you have corporate sponsorship and that corporate push, but social media at least gives small artists the tools to do it kind of themselves. But now, people must search for us on their favorite streaming service, Jimmy Speed. https://www.youtube.com/watch?v=FiD564n3sxc OTC : All right, one last question. If you could open a show for any artist, who would it be and why? LD : You know, I think that I've compared our music most closely with Volbeat. Love or hate them, Volbeat is hugely popular, and its music is heavy but melodic. They've got a lot of melodic hooks. Their singer is not necessarily a screamer, and that's always what I've gone for. They have a heavy sound but a lot of hooks, so that would be my dream. I didn’t come up with that last question; my editor/publisher, Nicole , did. Thanks, Nicole! That was a great question! I liked it so much that I asked the other three band members the same question to see the variety of answers I might get. First, I asked bass player Gary Fullerton. Credit: Facebook OTC : If you could open a show for any artist, who would it be and why? GF : My first choice would be Iron Maiden. Steve Harris greatly influenced me back when I was a kid. My second choice would be The Warning. Those girls from Mexico are kicking ass! Next, I turn to guitarist Chris Robinson. Although I had already asked the question twice, the guys took their time and thought about the answer. OTC : If you could open a show for any artist, who would it be and why? CR : Oh my gosh, that's a great one. Oh, man. Oh my gosh, you stumped me. I was thinking Avenged Sevenfold, but I was like, am I that good? It would have been Mötley Crüe or Guns N’ Roses when I was ten. You know, next level. One last band member. I asked drummer Brian Miller the same question and got a very eclectic answer. OTC : If you could open a show for any artist, who would it be and why? BM : Man, is that like a current existing band or any band? OTC : It can be any band. BM : Man. I would open for The Doors. Absolutely! Because I want to meet and talk to Jim Morrison. It's as simple as that. It's like a lifelong ambition stolen from me at age two. What can I say? Credit: Bud Gambrell I’m going to have to take my advice on this band. Don’t snooze on Jimmy Speed! Unfortunately for me, I have yet to see them play live. Yet! I was fortunate enough to sit in on a band practice and could tell this band is meant to be seen live! Keep an eye out for upcoming dates. With new music coming out, that can only mean one thing. New show announcements! Follow Jimmy Speed at the links below. Drop by and buy some new tunes. Watch the music and keep up with the band news. Be sure to drop by and send me an email. Let me know if you have a good recommendation for a band out there that is killing it. Or you can drop me a line and say hello. Until next time, Keep your diamond down in the groove! Where to find Jimmy Speed: www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. music.youtube.com YouTube Music Where to find Bud : Email : the_budgambrell@mixedaltmag.com Amazon : https://a.co/d/1CLA9Tz bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.facebook.com Log in or sign up to view See posts, photos and more on Facebook. Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Grits & Greens are on a mission to spread their signature sound in support of their new album. < Back Off The Charts: Grits & Greens Bud Gambrell May 1, 2024 Share Grits & Greens are on a mission to spread their signature sound in support of their new album. Before I begin this article, there is something that I want to say. When we announced the launch of Off the Charts last week, I was so taken aback by the support that we received. I could have guessed that there would be a few likes and the sort, but the sheer number of encouraging comments was simply overwhelming! I want to thank every one of you for your support! Now, on with the show. In our first edition of Off the Charts , I am going to take you down to South Mississippi. Down to Hattiesburg, to be exact. Grits & Greens is a four-piece band led by husband-and-wife team Ryann and Jesse McGhee. I had a chance to sit down with Ryann and had a great conversation. I will let Ryann Introduce the band and tell you more, so read on below. Credit: Photo provided by band OTC : Ryann, tell me who Grits & Greens are. RM : So that would be me. My name is Ryan McGhee. I am the lead singer and I also play rhythm guitar and a little bit of keyboard. My husband is Jesse McGhee. He is the lead guitar player, and he also does some background vocals for us. Jackson Bounds is on the drums, and he also does some background vocals for us, too. Jake Noble plays the bass guitar. Credit: Bud Gambrell OTC : For our readers who are not familiar with you, tell us what your main influences are. RM : Man, we are full of a lot of influences. We all kind of come from different musical backgrounds. Jesse and I have a lot in common as far as music goes. We both like the jam band sort of element. We both like bluegrass, too. My mother was a huge Norah Jones fan, so Norah Jones is a big influence on me vocally. But for my and Jesse's influences, we both are huge Tedeschi Trucks band fans. And the guys have varying influences that we all can kind of meet in the middle. You know, bands like Black Sabbath and things like that. We all kind of like the heavier side of things too. And I can't speak too much for Jackson and Jake's influences, but I know there's a good bit of Alice in Chains and Gorillaz , even RUSH . We all like RUSH and YES , the band YES. So yeah, there's a lot of influences that kind of all come together. It's sort of genre-bending. We don't fit into any one genre. We're just sort of like a melting pot of influences. Credit: Bud Gambrell OTC : You mentioned Tedeschi Trucks Band . I see the possible influence of a band led by a married couple. RM : For more reasons than one. The slide guitar. Jesse is influenced by Derek Trucks and the slide guitar and myself with Susan Tedeschi and the vocals and everything, but also just the fact that they're married, and I love the way they handle themselves. I love the way they act in the public eye. I think we’re fans in more ways than one. OTC : With the mention of all your influences, how would you describe the sound of Grits & Greens? RM : Someone said to us the other day, and it was the perfect statement that we had never really considered, but it's like The Allman Brothers meets Prog Rock, and they brought Bonnie Raitt along for the ride. Credit: Bud Gambrell OTC : I understand you have your debut album coming out. Tell me a little bit about that. RM : Yeah, that'll be coming out on May 2nd. And we're excited. This album has been a little bit of a piecemeal for us. It has been several years in the making of the recording. I think we've learned a lot about ourselves and our sound and we're very excited to put it out and in some ways sort of be done with it and move on to the next project. I think that's natural for most artists to feel by the time you get to the album release, so we're just looking at the future. We're excited to share this album with everybody and kind of close this chapter on some of the first sounds this band ever made. We certainly have evolved a lot and we're looking forward to getting it out and looking forward to sharing it with everybody. OTC : Who did the writing for this new album? RM : This album was primarily written by me and Jesse, both lyrically and musically. Instrumentally, it was written by the two of us as well, so we look forward to the next album. It will have a lot more of a collaborative feel and it will have a little bit of a different sound. We like to call this album kind of like Grits & Greens 1.0 and kind of just what we were doing at the time. Like any album, it is just sort of a snapshot in time of what the band is doing at that time and what their sound is. But people have been asking us when we will be selling tangible copies of our music for a while, so we're excited to have it done and be able to sell it at shows. https://video.wixstatic.com/video/999a0f_cc1de5e0686144879bacd918cd0f6202/1080p/mp4/file.mp4 OTC : Are there any songs on the new album that are particularly special to you? RM : Yeah, there's a couple of them. I would say “Wind and Sea”. That one has already been released as a single, but it's on the album and has always been special to me. There's just something about it musically that I love. Of the previously unreleased tunes, there's a song called “The Fall” and it’s special to me, too. I think “The Fall” is lyrically some of my best work, but I did have some help from some other band members with writing it. https://video.wixstatic.com/video/999a0f_7713e63c34424c8dba89ee1f849ff5f0/480p/mp4/file.mp4 OTC : In support of the new album, you have a tour coming up. Are there any exciting stops on this tour? RM : Yeah, we're excited about this first week! We're excited about the whole tour honestly. There are a lot of new venues this go around and some repeat venues. A venue that I've been watching since I was a kid, Proud Larry's in Oxford. We're excited to have that on the tour this year. I've never played there, and I've never been there, but I've heard a lot of really great things about it. I would say I'm most excited for this first week of the tour cause it's hitting some of our biggest cities as far as followers go. A lot of people have been waiting years for us to put out this album. We are just excited to be able to give the people what they want. OTC : As you are preparing to hit the road, are there any challenges that you face as a band on the road fighting for notoriety? RM : Man, you called me on a day that is full of challenges, so I can say a lot about this, but I'll keep it brief. I would say currently being “off the charts”, as you say, can be great. There are ups and downs and there are people that are like you who care and then there are people that don't care. I would say that in the wake of social media, it can be difficult to keep your head above water. I would also say the biggest challenge for me is just booking shows and dealing with venues. There are a million things that are difficult about this and there are a lot that are very rewarding. Credit: Bud Gambrell OTC : What’s next? What can we expect for the future of Grits & Greens? RM : I can't give any sort of timeline on this, but after we get home from the tour, we will be going back in the studio to record our next album, which is pretty much written. There's a lot that's going to go into this album. It's going to be bigger and better than this first album for sure. And as I said, I can't give a timeline on that. We have somewhat of a timeline in mind, but all I can say is the second album may be coming sooner than you think. OTC: So, you've got new songs that are written for the next album. Can fans who come to your shows on this tour expect to hear any of those new songs? RM : Absolutely! They're going to hear songs from the first album, but it's going to be, I'd say, about a 50-50 split of new songs that will be on the second album, and I guess old songs are not super old but old songs that are on the first album. Credit: Bud Gambrell OTC : Are there any parting words that you would like to say to old fans and new fans? RM : Yeah, I would say come check us out at a show. Live shows are really where we thrive. We love the studio, but live shows are indicative of who we are and everything we can do. So, I would say check out our website, check out our social media, and come find us at a show near you. We're constantly touring and constantly spreading the net and we love to meet our new fans and put on a show for them. I hope you enjoyed the first interview for Off the Charts . I have a couple more interviews in the works, so be on the lookout for those. For now, send me an email and let me know your thoughts. Feel free to tell me what you liked or disliked. Tell me about any bands that you know and love and think others will too. Go see a Grits & Greens show. Grab the new album while you are there, and by all means, stop by and say hello to them. Trust me on this one. They are all wonderful people! Until next time, Keep your diamond in the groove! To check out the music of Grits & Greens: Website: https://gritsandgreensband.com Facebook: https://www.facebook.com/gritsandgreensband Instagram: http://www.instagram.com/gritsandgreensband Linktree: https://linktr.ee/gritsandgreens YouTube: https://m.youtube.com/channel/UCaTsQ7yfgCypWDM6HrkOTNw Spotify: https://open.spotify.com/artist/5WUZ83C7UmD3DSmUqkldyT?si=a94JARw4TtOx-0royuvyZg&utm_source=copy-link To reach Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz Facebook: https://www.facebook.com/bud.gambrell www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Email him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Faded Love’ is a hypnotic and soulful song full of strength. < Back Reviews on the Real: Mi’Kael Chalyce’s ‘Faded Love’ is an anthem for anyone who has experienced heartbreak Nicole Brice Dec 14, 2024 Share ‘Faded Love’ is a hypnotic and soulful song full of strength. Every once and a while, an artist will release a song that is so potent and so powerful it knocks me on my butt. Enter the latest from Nashville musician Mi’Kael Chalyce . Released December 14, 2024 ‘ Faded Love ’ begins with a captivating melody, the soulful vocals setting the stage for a powerful narrative. As the lead vocals take over, you find yourself immersed in a deeply emotional journey, a journey of love lost and the path to healing. Mi’Kael's songwriting skillfully captures the raw emotions of a breakup and the struggle to move on. If you've ever felt the sting of heartbreak, this song will resonate with you. ‘ Faded Love ’ is a beautiful exploration of the complexities of heartbreak and lost love. "When I found out I was pregnant with my youngest daughter it was in the midst of attempting to end an emotionally abusive relationship that had recently become physical. I found the strength to leave her biological father before she entered this world, but I’ve never looked back. Now two years later I am trying to decide how to pick up the pieces of my life when I’ve essentially blocked all the pain out of my mind trying to focus on my present happiness. All that is left now are echoes of a faded love hence the song’s name, Faded Love." You start feeling every note sung as Chalyce’s vocals become more potent. It’s true that as Mi’Kael sings, “ How can I pick up the pieces when I’ve blocked it out of my mind? ” you start to reflect on and feel the pain in her words. Credit: Photo provided by artist The song's production is minimalist yet impactful, with subtle instrumentation that allows the emotional weight of the lyrics to shine through. ' Faded Love ' was recorded at Grinding ENT Studios in Ellenwood, GA a suburb of Atlanta, GA, and was a collaboration between Mi'Kael Chalyce, Dorrell Smith , and Beats by Dre . The layered harmonies and gentle melodies create a dreamy ambiance, which contrasts nicely with the bittersweet nature of the song’s theme. Mi’Kael Chalyce is one of the many underground treasures in the music industry currently, and her songwriting speaks volumes. In March 2024 , we sat down with Mi’Kael for an in-depth interview , during which she shared her inspirations, her creative process, and more, and we have been a fan ever since. Overall, ‘ Faded Love ’ is a deeply emotional and compelling piece showcasing Mi’Kael Chalyce’s vocalist and songwriter talent. "This will be my first and only release this year and it wasn’t easy deciding on one that was special enough to share. This song feels ideal because ending the relationship the song discusses was a catalyst for The Reinvention — album coming in 2025." I cannot wait to hear more from this talented songstress in the future—Stream ‘Faded Love’ now on your favorite streaming platform. For more information on Mi'Kael Chalyce: www.mikaelchalyce.com Mi'Kael Chalyce Home page of Mi'Kael Chalyce, a R&B/Soul artist from Atlanta, GA. Mi’Kael Chalyce’s songwriting conveys trauma, mental health, and emotional evolution. Her goal is to create music that targets real-life relationship constructs, and those unspoken paradoxe www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Journey of Making Dreams Come True < Back Rian's Den: From Vision to Reality Rian Nickels Apr 11, 2025 Share The Journey of Making Dreams Come True This may end up being too long, and who knows if anyone will read it, but if my story inspires even one person to pursue what they want to do in life, then I suppose I should share it, so here goes nothing. Around this time last year (2024) , I found myself craving more out of music photography. I got a few paid gigs for local Louisiana alternative bands in my inner circle of friends. Still, I knew I wasn't spending enough time doing what I was passionate about – taking photos of live music performances. I wondered if my work was good or interesting enough for me to join a music publication. I live in a small Louisiana town , so I never really considered that there might be something I could contribute to locally, so I looked around the good old World Wide Web to find some publications that could take me on. I sent out a lot of cold emails with my portfolio (which was really lacking, if I'm being honest) to different alternative music pubs, and unsurprisingly, I didn't get a single reply because most of them required you to also be a writer, which I had no confidence. Eventually, the idea faded from the forefront of my mind. Still, one day, as I was scrolling through the socials, I saw that my friends from Jean Claude Seagal had interviewed with an online magazine, Mixed Alternative Magazine , and decided to read it. After looking over the site, I couldn't believe what I found out! Mixed Alternative Magazine was run by a woman based in Louisiana , not only in my state but in a small town near Walker! Knowing someone in my town cared about the local music scene brought me joy, so I decided to reach out and try my shot at being a contributing photographer. To my surprise, Nicole Brice , editor-in-chief and founder of Mixed Alternative Magazine , reached out to me, loved my work, and graciously took me in with open arms! Unlike other publications, I loved working with Nicole because she didn't require or force me to write. However, she did encourage me to try it out and see how I felt about it. I didn't know what to expect, but I was excited to step deeper into the Louisiana music scene and be a part of a group of talented people passionate about capturing and documenting the growth of our local alternative community. For my first assignment as a contributing photographer, I captured Feel Alive Media and Events' first step back into the scene after a five-year hiatus. It was JAYD3D! 's release for their debut album Outstanding Gentlemen , at The Howlin' Wolf in New Orleans in April 2024 . This was a perfect place to start for me because not only is JAYD3D! my fiancé, but I am also co-founder of Feel Alive Media , so this was right in my comfort zone. Around this time, I had been dealing with a lot of social anxiety after being away from the scene for so long, and it was my first time back in New Orleans in years, but I was excited to embark on a new adventure. I went on to have a great night, make core memories, meet new friends like Kris Russ , and reinforce a connection with Coma Nights , whom I photographed a few months back at Phil Brady's in Baton Rouge . Since the gig turned out so well, I decided to try my hand at writing a show review, and it turns out people seemed to like my writing. The article had good traction, and people were kind enough to let me know they were excited to see what would come from me. Southern Happenings: Kriss Russ, JAYD3D!, and Coma Nights at the Howlin Wolf In May 2024 , I followed my good friend Michael Spoon 's band, The Gosh Darn Dangs, around for a night of Busking in Hammond, Louisiana . Documenting this meant a lot to me because I was able to work with people with whom I've had long-standing friendships and grow new ones. I loved strolling through my old stomping grounds. The best part was giving a glimpse of what a night in the quaint little downtown of Hammond was like. Southern Happenings: Meet The Gosh Darn Dangs By June 2024 , I got to take pictures at a well-loved venue in Baton Rouge , Chelsea's Live , for the first time. My friends at Goodbye Academy were releasing their new EP Last Minute Homework that they were set to perform at the local music showcase ' Harmonic Stew ' and asked me if I'd want to capture it for them. I mean, how could I refuse? Goodbye Academy is one of my favorite local bands, and just the thought of taking photos in Chelsea's Live stoked me. That night, I got to photograph GBA , Dale Harris Band , and a popular Louisiana band Hey Thanks! I'd have to say that this was one of my favorite gigs; it was so cool to see my friends perform on a proper stage, I loved the Louisiana-esque sound that Dale Harris brought to the stage, getting to photograph Hey Thanks! was a neat opportunity. Chelsea's Live was the perfect place to test the waters of bigger production concerts. On the Scene: Harmonic Stew at Chelsea's Live June 6th, 2024 In July 2024 , I got to cover another Feel Alive Media event, this time at another place I once frequented: The Green Room in Covington . On the line-up for that night were JAYD3D!, The Gosh Darn Dangs, and Jean Claude Seagal . This night was one for the books because, between the performers and the attendees, all my friends in my innermost circle were there to make memories and listen to good tunes. Hammond's Hottest Musicians Unite for a Showstopping Night, Powered by Feel Alive Media September 2024 was super busy, but you don't achieve goals without being somewhat busy. Two of my main goals were photographing a gig in a Theatre and covering a festival. I was hired on to photograph an event that was being put on by the Southeastern Louisiana University Theatre Department , 50 Years Of CBGB , at The Colombia Theatre in Hammond, LA . This would be my first time photographing from a stage and working around multiple photographers and a bigger crowd. I also got to photograph and reconnect with music friends from before my photography hiatus and, overall, was blessed to see that Hammond 's music scene was still breathing. I believe this night set some foundations for my growth in the professionalism side of music photography and gave me the confidence and experience I needed to attempt more significant events. By this point in my journey, my anxieties around crowds, my skills, and just life in general started to ease. I no longer felt on the edge of panic when on the way to events, but instead felt excitement. CBGB Spirit Revived: A Night of Punk Rock Nostalgia at the Columbia Theatre for the Performing Arts in Hammond Next up on the agenda for September (literally the day after CBGB) was my first time capturing a music festival. I got to attend Rock Around Downtown Fest , RAD Fest for short, with our very own Mixed Alternative founder, Nicole Brice . This was the first time Nicole , and I got to know each other. I even met Justin Hammer , a photographer I had looked up to for at least a decade. Justin had been doing concert photography for a while, but before that, he was taking photos of my friends at Dreamland Skatepark in Hammond , and I was excited to be on the same team as him! I was excited to be allowed back on the stage again but was even more eager to see what I could do when poor lighting wasn't an issue. Most of the shows before this one were all indoors at night, but RAD Fest was outside during the day on a beautiful afternoon in Lafayette, Louisiana . I got to take photos of many alternative bands from the South ; every single one brought rockstar energy to the stage. This day was so inspiring and exhilarating that it showed me that I could really thrive in the Music Festival setting. RAD FEST 2024 Video by Sixto6 Productions October 2024 was the busiest month by far, but launched me so much farther into the life of a Music Photographer . To Nicole and me, it was a complete surprise that Mixed Alternative Magazine and I were approved for our first press pass with a bigger venue and artist this month! After months of hard work and dedication, we were about to see some of those tireless nights pay off, and we were in disbelief that we were approved to cover Sleeping With Sirens at The House Of Blues in New Orleans . This was huge!! The last time I saw Sleeping With Sirens perform, I remember thinking, "I'm gonna do whatever it takes to photograph them one day," that day was here! It meant the absolute world to capture one of my favorite bands, and I've honestly never felt cooler in my life. This event was a real test of my progress with my anxiety; the show was sold out, so that meant I couldn't bring anyone along. I can't begin to tell you how incredibly nervous I was to take the journey to and through New Orleans alone, but I knew I couldn't dare miss the opportunity. Luckily, I met up with another one of my photographer role models, Whitney from WhitnessThis Photography , and even ended up running into an old friend. This reminded me that it's important to pursue things that, at the surface, scare the crap out of you; because the universe might just be looking out for you sometimes. Collision of Sound: Sleeping with Sirens, Teenage Joans, and Holding Absence Ignite the Stage with Powerful Performances Rian's Den: A Night to Remember with Sleeping with Sirens Only two days later, I found myself back in New Orleans at The House of Blues – with my best friend, I might add – to cover The Used and Plain White T's ! This show showed me what a photographer can pull off when given the right lights, stage presence, and opportunities. Weekend Rock: The Used Ignites House of Blues with an Explosive Night of Nostalgia and New Energy After that, I spent the rest of October photographing weddings, Halloween shoots, and spooky parties, and the holidays started to ramp up. I also did various music events for friends and gigs, but unfortunately, I didn't get the time to write any articles, or review shows from late October until late February . Now that most of the holidays were survived, Louisiana was looking forward to Mardi Gras , but I was ready for concert season to ramp up again. To kick off the season in February of 2025 , I got to photograph Johnnie Guilbert's first tour with a full band on the Death and Glory tour with Palaye Royale , artists who quickly made it to my top artists on Spotify . This show was just what I needed to get back into the groove of things after a long holiday season. Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans It's April of 2025 now, and I've only done that one show, but I'm excited for what awaits this year with Mixed Alternative Magazine . I eagerly await my Her Riot Femme Voices Showcase on April 18th in Baton Rouge at Mid-City Ballroom and Eclipse Fest on May 10th at Feed' N' Seed in Lafayette . As far as goals for this year go, I'm hoping to get more involved in interviewing and photographing more local bands that I haven't had the chance to see, and I'd love to write more articles about past shows I've been to that deserve some recognition. My point with this article is to tell you to go for that thing you've been wanting to do because, to your surprise, it may turn out exactly how it should. You might be good at it, and others might also think so. You could meet some new friends who are into the same things you are and have similar goals as you, and y'all might help each other to be able to do the things you love. You might end up exactly where you need to be. Mixed Alternative Magazine has offered a space for a community to grow and thrive. They are bringing attention to talent hiding in Louisiana's nooks and crannies and bringing it to the forefront. They offer something different from your average music publications, allowing space for creativity, emotions, and passion to flow. A place where you can reject the mainstream, forge your own path, and make your own rules. (Jk Nicole makes the rules) :P www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions for comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Masked Mutilator Ezekiel Kincaid Share Jan 25, 2024 Masked Mutilator combines horror and wrestling, making for the ultimate B-movie experience. Zeke’s rating: 4 out of 5 Choke Slams Two of the greatest things God blessed us with on this planet are horror movies and wrestling. But you know what’s even better? When horror and wrestling combine for the ultimate B-movie experience! This is what we have in today’s review of Masked Mutilator . As a child of the 80s, I was a huge wrestling fan. It was the golden age of the sport, filled with icons such as Hulk Hogan, Andre the Giant, The Undertaker, Sting, Lex Luger, and Ric Flair. Just when I thought it couldn’t get any better, we had the attitude era that started in the late 90s and carried into the early 2000s. This is when the more extreme stuff, like ECW ( Extreme Championship Wrestling ) went mainstream. And I loved it! I actually had the privilege of going to one of their events and saw a drunk guy pee all over the parking lot with a dazed look in his eyes and a smile on his face. Fun times. With that said, you can imagine my excitement when I came across a film called Masked Mutilator . I had high hopes for this movie, and it did not disappoint! To make things even better, one of my favorite B-movie actors of all time directed and played a leading role in this movie. Brick Bronsky , who passed in 2021, starred in the epic Troma films Class to Nuke’em High Part 3, Return to Nuke’em High Part 1, and Sgt. Kabukiman N.Y.P.D. An interesting fact about Masked Mutilator is that it was filmed at two different times, over two decades apart. In 1994, the main storyline was filmed and was tucked away until 2018-2019, when the wrap-around segment was filmed. Filmmakers combined the two recordings and released it in 2019. Masked Mutilator opens with the wrap-around segment, in which Investigative Podcaster Jim Dorian (Steve Mittman, of Blood Hunter: Thirst and Rage ) hosts a show called “Dorian Investigates”. He has with him one of the surviving victims (and his girlfriend) of the Masked Mutilator’s carnage. As he begins to tell his story, the scene switches to Vic Mangino, aka Masked Mutilator (played by WCW, NWA wrestler, Jeff Sibbach), accidentally killing an opponent in the ring. Credit: IMDb He seems to show no remorse over his actions, and after leaving the sport, he takes a job as a house parent at a teenage rehabilitation center. And this is where the fun begins. We’ve got a great team of bad actors that play the teenagers in the home, and it makes for some hilarious interactions . First, there is bad boy Rocker (Glen Hetrick, Star Trek: Discovery 2019 and Face Off TV show judge) , who pretty much hates life and everyone else. He likes to play air guitar and bang his head to music only he can hear in his mind. Then we have Mason (Chet Cole, If Then Scenario ), Rocker’s right-hand man. He thinks he’s super tough but comes off as the type of guy who probably sleeps with stuffed unicorns and plays with dolls underneath his covers at night. We also have our “yes man” Jake (Paul Sutt, of Watchmen ), who’s a typical 90’s stoner and tags along with Rocker and Mason. But what would our story be without the promiscuous girl and the good kids who have fallen on hard times? Have no fear, reader, we have both in Masked Mutilator . Marcy (Amanda Kupchinsky) is the house slut. She denies it vehemently while attempting to bang everything that secretes the slightest amount of testosterone. Our good kids who have fallen on hard times are Greg and Leslie, a brother/sister duo played by Andrew Denzel and Heidi Shelhamer, whose only claim to fame—like Kupchinsky—is Masked Mutilator . And our story wouldn’t be complete without throwing in a presumptuous intern, a karate badass, and a chef who can’t cook for shit. The illustrious Brick Bronsky stars as Steve Carson, who comes on to serve as an intern to help Vic. He’s idealistic, pompous, and thinks he knows it all. Our karate expert is Brain Worth (Tom Taylor, of Blood Hunter: Thirst and Rage ), who winds up in the house for being at the wrong place at the wrong time. Former professional wrestler Doug Yasinsky, aka Dashing Doug Flex, plays the part of Carl the Cook, serving the houseguests up with one inedible dish after another. With the stage set, the murders begin. One by one, the kids in the house are picked off by the Masked Mutilator. The kills are mostly done with wrestling moves, including Masked Mutilator’s finishing hold, which is basically a crude version of Ted DiBiase’s Million Dollar Dream. The gore is fun and done in typical B-movie fashion. Throw in some fake severed limbs and you got yourself a nice serving of B-movie soup . As the story unfolds, things take a turn, and Brian Worth must use his karate skills to try and save the day. There are some red herrings and twists to try and throw you off of guessing who the real killer is, but certainly don’t expect anything like Scream or Valentine . Lower your expectations, and when you’ve done that, lower them a little more. All in all, Masked Mutilator is an enjoyable B movie. If you like your wrestling mixed with horror, or your horror mixed with wrestling, I recommend you check out this little gem. Masked Mutilator is currently streaming on Tubi, Vudu, Prime Video, YouTube Premium, The Roku Channel, and Google Play. https://www.youtube.com/watch?v=1v8UBY6NQf4 Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

October ushers in the streaming premieres of Pet Sematary: Bloodlines, Strays, and Haunted Mansion < Back New Movies Streaming in October Keeley Brooks Oct 4, 2023 Share October ushers in the streaming premieres of Pet Sematary: Bloodlines, Strays, and Haunted Mansion As I said in my New Titles Streaming in October article, October is one of my favorite times of year for many reasons, but mostly because it brings Halloween, a crisp slowing-down season, and the streaming of classic horror movies, such as Halloween , Friday the 13th , and A Nightmare on Elm Street . Even Scream --the original, though. While there is plenty to look forward to this month, October also brings with it a host of new movies streaming on some of your favorite platforms. The $20 million Netflix acquisition Fair Play arrives to steam up screens, and Paramount+ is presenting the exclusive release of Pet Sematary: Bloodlines , the prequel to the classic Stephen King story “Pet Sematary” ... oh, and speaking of pets, Strays also drops on Peacock. I don't know about you, but I'm always down to hang out with cursing dogs. Check out our full list below for the new movies streaming in October! Appendage (Now Streaming on Hulu) Huluween has begun, and it comes out swingin’ with this all-new disturbingly bloody horror feature, Appendage . The feature film follows a young aspiring fashion designer’s rise to the top then sticks with her once things at the top go horribly wrong. When Hannah (Hadley Robinson, of Little Women ) becomes obsessed with the opportunity to become a renowned fashion designer’s assistant, she begins to notice strange growths and abscesses on her body. Since the condition is baffling the doctors she sees, Hannah turns to a support group with the same mysterious condition, but this only opens the door to an entirely new set of problems. https://www.youtube.com/watch?v=iqowBGrKzuU The Burial (Oct. 13 on Prime Video) Inspired by true events, when a handshake deal goes sour, funeral home owner Jeremiah O’Keefe (Academy Award winner Tommy Lee Jones, of Men in Black ) enlists charismatic attorney Willie E. Gary (Academy Award winner Jamie Foxx, of Ray ) to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice in this inspirational, triumphant story. https://www.youtube.com/watch?v=ZOhIdaufd3Q The Caine Mutiny Court Martial (Oct. 6 on Paramount+ and Showtime) This flick centers on a naval court-martial (Jason Clarke, of Zero Dark Thirty ) who reluctantly agrees to defend a first officer of the Navy (Jake Lacy, of Carol ) after he took control of a ship from its domineering captain (Kiefer Sutherland, of 24 ) during a violent sea storm. The ensuing trial forces the court-martial to question whether the events aboard the ship are true or not. https://www.youtube.com/watch?v=iUpMsZrZjrc Fair Play (Oct. 6 on Netflix) This directorial debut from Chloe Domont ( Ballers ) rocked the Sundance Film Festival earlier this year, where it earned critical acclaim and sold to Netflix in a massive $20 million deal. Starring Bridgerton breakout Phoebe Dynevor and Alden Ehrenreich ( Cocaine Bear ), the two play co-workers at a hedge fund who are in a secret relationship. Their bond is tested when her career takes off. This looks to be one smart finance drama doubling as a romantic thriller taking a probing look at sexual passion (and politics) in the post-#MeToo age. https://www.youtube.com/watch?v=vICUPlr3EEI Five Nights at Freddy’s (Oct. 27 exclusively on Peacock) Based on the video game franchise of the same name, Josh Hutcherson ( The Hunger Games ) stars as a troubled security guard working his first shift at Freddy Fazbear’s Pizza. During his first night on the job, he realizes his shift at Freddy’s won’t be a walk in the park when supernatural things (a la Willy's Wonderland , minus Nicolas Cage) start happening that drag him into the heart of an unspeakable nightmare. https://www.youtube.com/watch?v=Z_T0o5uNrlY Haunted Mansion (Oct. 4 on Disney+) While’s the Haunted Mansion reboot didn’t break the box office this summer, it is slated to find new life with its debut this month on Disney+ just in time for Halloween. Rosario Dawson ( Ahsoka ) is a single mother who moves into a haunted house and recruits a tour guide, a psychic, a priest, and a historian to exorcise it of all the ghosts still living there. The ensemble class includes LaKeith Stanfield ( The Changeling ), Tiffany Haddish ( The Afterparty ), Owen Wilson ( Loki ), Danny DeVito ( It's Always Sunny in Philadelphia ), Dan Levy ( Schitt’s Creek ), Jamie Lee Curtis ( Halloween franchise), and Jared Leto ( Morbius ). My teenaged nieces saw it and gave it a thumbs up: “It was pretty funny,” they said. So there you have it, straight from the word of today's youth. https://www.youtube.com/watch?v=AjLKTz81bj8 The Mill (Oct. 9 on Hulu) Starring Lil Rel Howery ( Get Out ), The Mill is a sci-fi thriller about a businessman who wakes up beside an ancient grist mill situated in the center of an open-air prison cell with no idea of how he got there. Forced to work as a beast of burden to stay alive, he must find a way to escape before the birth of his child. Will he survive? https://www.youtube.com/watch?v=hxu1zTco8-I Old Dads (Oct. 20 on Netflix) When a middle-aged father and his two best friends sell their company to a millennial, they soon find themselves out of step and behind the times as they struggle to navigate a changing world of culture, career, and fatherhood. This Netflix comedy stars Bill Burr ( Breaking Bad ), Bokeem Woodbine ( Queen & Slim ), Bobby Cannavale ( The Watcher ), and Rachel Harris ( Bad Words ). Old Dads is also written and directed by actor/comedian Bill Burr. https://www.youtube.com/watch?v=mU01e6KjM2s Totally Killer (Oct. 6 on Netflix) The second feature from Nahnatchka Khan ( Always Be My Maybe ), Totally Killer kind of sounds like a cross between a classic slasher flick and Back to the Future , minus Michael J. Fox and that sweet 80’s soundtrack. Kiernan Shipka ( The Chilling Adventures of Sabrina ) stars as Jamie, a woman on a trip back to 1987 to prevent the murders of her mother (Julie Bowen, of Modern Family ) and her friends, who fell victim to a masked killer. Also stars Randall Park ( Fresh Off the Boat ) and Lochlyn Munro ( Riverdale ). https://www.youtube.com/watch?v=vs1epO_zLG8 Pain Hustlers (Oct. 27 on Netflix) After directing seven Harry Potter -related movies, Director David Yates turns his attention to the real world, taking cinematic revenge on the rare fentanyl-dispensing pharma company punished for breaking all the rules. Emily Blunt ( A Quiet Place ) stars as Liza Drake, a struggling mother who lands a job at a pharmaceutical start-up to make money for her sick daughter. However, Liza has no idea the company is a failing, fully-fledged illegal business, and she swiftly finds herself stuck in the middle of a racketeering scheme. Andy Garcia ( The Godfather ), Catherine O’Hara ( Schitt’s Creek ), Jay Duplass ( Somebody Somewhere ), Brian d’Arcy James ( Spotlight ), and Chloe Coleman ( My Spy ) co-star. https://www.youtube.com/watch?v=iycLZM7ycbI Pet Sematary: Bloodlines (Oct. 6 on Paramount+) In a tis-the-season offering, Paramount+ is treating Stephen King fans to the exclusive release of Pet Sematary: Bloodlines , a prequel to King’s original story, “Pet Sematary.” In 1969, a young Jud Crandall has dreams of leaving his hometown of Ludlow, Maine, behind but soon discovers sinister secrets buried within and is forced to contront a dark family history that will forever keep him connected to Ludlow. Banding together with his childhood friends, Jud must fight an anciet evil that has gripped Ludlow since its founding, and once unearthed unearthed has the power to destroy everything in its path. https://www.youtube.com/watch?v=1IgQpRyfwbE Strays (Oct. 6 on Peacock) Even though this blast of a comedy has been available to rent/purchase since September, it's finally hit a streaming platform for those of you who've been waiting for it to do so. When Reggie (Will Ferrell, of Old School ) gets abandoned by his dirtbag owner, Doug (Will Forte, of The Last on Earth ), the naive but lovable pup falls in with a gang of strays that include a foul-mouthed, street-wise Boston Terrier named Bug (Jamie Foxx, of Django Unchained ), an Australian Shepherd named Maggie (Isla Fisher, of Borat ), and a therapy Great Dane named Hunter (Randall Park, of Young Rock ). Together they embark on an epic adventure to get Reggie home so he can make Doug pay for what he's done. The solution: Reggie plans to bite his d*ck off. Can't say I blame him. https://www.youtube.com/watch?v=BzwOLKTbCUw Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for entertainment consumption and an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. < Back Reviews on the Real: Phantum Sun’s Haunted by Disillusion Nicole Brice Mar 12, 2025 Share 'Haunted by Disillusion' is a non-stop ride of heavy guitars and grunge fuzz. We all need a fresh musical journey from time to time, and today, I present the latest from a three-piece grunge band, Phantum Sun , from the Lafayette area of Louisiana . Phantum Sun 's aggressive and thunderous alt-rock sound is impossible to miss, and their dedication and commitment to their craft are truly admirable. Lead vocalist Nick Cline and his crew are constantly playing shows, never taking breaks, and their relentless work ethic makes them one of the hardest-working bands out there. Their newest EP, Haunted by Disillusion , released on February 21, 2025 , is a powerful music experience that I urge you to add to your playlist. Released February 21, 2025 It’s loud, it’s got fuzz, and each song is so different, in a good way. The versatility of Phantum Sun 's music, with no two songs sounding the same, not only keeps you engaged but also offers a unique experience with each track. The EP flows seamlessly , too, with each song offering something different, yet cohesive enough to feel like part of a larger, unbroken narrative. Lyrically, Haunted by Disillusion is a journey through the depths of human emotion. The EP delves into themes of internal struggle, personal reflection, and the disorientation of a changing world. Phantum Sun ’s introspective lyricism serves as the emotional anchor of this EP, inviting you to connect with the band on a deeper level. It's quite remarkable that Nick Cline , a young man in his early twenties, has experienced so much to draw influence from lyrically. Phantum Sun is Nick Cline (guitar/vocals), Alec Louviere (drums), and Drake Lasseigne (bass). Learn more about the band here in this article. Let’s dive into these tracks, shall we? Velvet Nights This is the opening track for the EP, and the song's beginning has a very “punk” vibe. As the song progresses and Nick says, “C’mon now, let’s take a drive,” the song kicks into high gear and reminds me of Wolfgang Van Halen meets good, solid punk rock. The breakdown at the end of the song is insane! Turn it up loud! Chains Chains starts as a typical alt-rock song, but around the 2:40 mark, it picks up the pace and ends on an impactful note. The jam session between the guys towards the song's end has so much energy. Great track. Drown This is a slower-paced tune, but it still has just as much energy and aggression as previous tracks. It is very enjoyable. Overall, Haunted by Disillusion is a solid release from Phantum Sun , showcasing their continual evolution as a band. This EP deserves repeated listens, revealing new layers with each play, and in my opinion, establishes Phantum Sun as an artist to watch. Haunted by Disillusion is out now on all streaming platforms. To learn more about Phantum Sun: Facebook Phantum Sun (@phantumsunband) • Instagram photos and videos Phantum Sun | Spotify ‎Phantum Sun - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mayrunner’s music is a melting pot of styles and genres < Back Mayrunner: Thrashing Guitars for a Solid Rock Offering Nicole Brice Aug 14, 2023 Share Mayrunner’s music is a melting pot of styles and genres Have you heard of Mayrunner yet? Well, if not, you will soon. Mayrunner is an alt-rock band based in Lafayette, Louisiana , that was formed in 2014 . Founding members Devric Taylor and Hailey LeBlanc were looking to start a new project outside their previous band. They organized a search for a drummer to complete their lineup, which led them to Alex Mamolo , marking the beginning of the band, and here we are today. Over the years, there have been numerous lineup changes, but Mayrunner continues to move forward, creating music that defines their unique sound and brand. Currently, the band consists of Devric Taylor on vocals and guitar, Henry Milliman on bass, Finis Robinson on guitar, and Phil Hardy on drums. Their debut album, Good for What We Are , was released in 2018 and is just amazing, and then when I thought it couldn't get better, the band recently launched their highly anticipated follow-up album, Tell Me Where You've Been , on August 4, 2023 . This album is now available on all streaming platforms and features 37 minutes of enjoyable rock with fuzzy guitars and catchy sing-along choruses. You'll love it, trust me. Released August 4, 2023 Mayrunner excels at crafting beautiful songs that I feel deeply. I love everything about their music, to be honest. Their lyrics tackle themes that resonate with me because of their emotional depth. The lyrics are perfectly complemented by haunting melodies and harmonious arrangements , too. With each song having its own unique sound, this band creates music they are truly passionate about, and you can see that reflected in the final product. One thing I truly love about this band is that they feature intricate riffs that are rich in depth, supported by a tight-knit rhythm section consisting of a bassist and a drummer with impeccable timing. With such a solid foundation, I have no doubt they will continue to gain popularity and success in the music industry, but I need you beautiful people to check out their music, so what are you waiting for? https://www.youtube.com/watch?v=eiLTlAOGYuw Music video for 'Slowburn' by Mayrunner If you'd like to catch this band live, Mayrunner is taking the stage on August 19, 2023, to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana , so come out and see why I love them so much. We recently chatted with Devric Taylor , the lead voice of the band, where we discussed gear, band history, and everything in between. Sit back and learn a little more about Mayrunner as you make your way through our conversation. Credit: CobraTai Media MaM : Who or what do you attribute to defining your sound? DT : I think there are a lot of different artists that have inspired us as a band collectively, but I know for me some of my earliest influences were Coheed and Cambria and Incubus - pop-punk bands such as Fallout Boy , too, and metal and Midweset emo bands. I would say it's all over the place, though. MaM : Your music is a melting pop of different styles, and I really enjoy it. I can definitely tell you were influenced by the late 90's and early 2000's rock scene. DT : Thank you. We all grew up on that kind of music. And you know what? When we were learning how to play our instruments or writing songs, we would revisit the music from those bands that we just were super inspired by, and it helped with the songwriting process. MaM : That's a great way to go about it, too. What influences you to make music? DT : I've been asked that before, and I feel like the best and truest answer I can give is that it gives me a sense of identity. I make music because it inspires me, and I'm inspired to write music based on things that are going on in my life. But also, when I can get into that mindset of writing or being creative, I tend to say things that I don't know if I would have ever thought of just talking to somebody. I'm able to access different parts of my brain when creating and it helps me get to know the real me in the process. Credit: CobraTai Media MaM : How did the name for the band come about? DT : It's funny how it came about because we weren't initially called Mayrunner . We were trying out different names and at the time, it was me and two women in the band. Initially, we were playing on the fact that there were women in the band. We called the band Sons and Daughters . When we added our fourth member, we decided to change it again and we ended up coming up with the name The Sleepless May . I really liked that name for some reason, so I brought the name to the band, and they didn't like it at all, but I really wanted to keep the name May in there because of the sentimental value to it. I had a really good friend of mine that had passed away and he was born in that month. It made a lot of sense to me. For a long time, it was basically me and our original drummer just going back and forth with names. She suggested the name Runner at some point, and I was like, I don't like that because there was a band that I knew called Runner Runner and I just didn't like that. And then I said, I really wanna keep the word May in there, so she said, 'What about May Runner?' And I was like, 'I don't hate that.' So, we talked about it, and we sat on it, and it stuck. We just thought it was a cool pairing of words, though. MaM : I mentioned earlier about your sound being unique and I love that every song is different from the last. And I really do enjoy that. As far as the tones you guys have in your music, do you have specific gear that you use to achieve that sound? DT : Actually, yeah, so if I get all gear nerdy on you, I’m sorry. MaM : No, you're good. I'm a guitar player and I grew up playing piano, so go for it! DT : I’ve played around with a lot of guitars throughout the years. I had an Epiphone Les Paul . I had a Gretsch Electromatic Jet . I even had an Epiphone Black Beauty . There's probably a whole lot more that I can't think of, but I did play around with a few different configurations of guitars and amps. At one point, I found out that I really liked a British tone , too. My thing was, I really wanted a good distortion tone, and this is where influence comes in and it is Incubus related. So, Ben Kenney put out this album called “ Burn the Tapes ” and he did every instrument himself and he would do these live videos, too, with him playing everything. I would watch him play drums and bass and guitar, and his tone was amazing. He had a forum, and I would go and see what gear he was using and then make a note of it, but I didn’t have the money to get what he was using. Then, a friend of mine when I was in high school, had a Gibson SG , and he was a really talented player, but I'm not gonna lie, I was jealous of how he played, and I didn't exactly want to get a guitar that he played, so I was like, just let me find something else other than that. I then played a Gibson SG guitar at Guitar Center , and I couldn’t deny that it sounded the way I wanted it to, so I bought it and then ended up buying an Orange Amplifier . The natural distortion on that or natural overdrive rather was incredible. It was close to what I wanted, but not fully there. So, I had a tube in my pedal set up for a long time, and I tried different distortions like the Boss Distortion Pedals , but I just could not nail what I was searching for. And then I tried some random pedal, and I paired it with my Tube Screamer . My distortion by itself sounded more like an overdrive than anything, and it was kind of a dry overdrive mixed with the Tube Screamer. For some reason, it popped, and I had the Tube Screamer set in a certain way that it would kind of just crunch up my clean tone from the Orange which was already full sounding and then the SG brought it all together. I'm still playing with that setup to this day. Credit: Facebook MaM : That brings me to the next question, what are your plans and future aspirations for the band? DT : We are always thinking about moving forward, but things have changed recently for me. I’ve actually moved out of state. I'm coming back home right now to Lafayette because I’ve got a couple of shows, but then I'm going back and I will be out of the state for the foreseeable future, but we will still be a band, and if things happen with the band in its current state, I really want to get behind it 100% and push it as much as I can from a distance. To experience the music of Mayrunner , hit one of the links below and be sure to catch them at Rad Fest 2023 on August 19, 2023, at PARC International in downtown Lafayette . Mayrunner Links: Facebook : www.facebook.com/mayrunner4 Instagram : Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp : Music | Mayrunner (bandcamp.com) Tik Tok : Mayrunner (@mayrunner__band) | TikTok Spotify : Mayrunner | Spotify Apple Music : ‎Mayrunner on Apple Music *Band interviewed by Je'an Paul Keller - article written by Nicole Brice *Cover photo by CobraTai Media - @cobrataimedia - https://www.instagram.com/cobrataimedia/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is secretly a ninja. It's true. If you have something you think she should check out, e-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Death and Glory Tour was a testament to music's power to unite us. < Back Death and Glory Tour: Palaye Royale & Johnnie Guilbert at The Joy Theater in New Orleans Rian Nickels Mar 3, 2025 Share The Death and Glory Tour was a testament to music's power to unite us. During the peak of the Carnival season on February 26th, 2025 , just a week before Louisiana’s most beloved holiday – Mardi Gras – the popular music venue Joy Theater in New Orleans , Louisiana , was visited by two amazing acts on the rise in the alternative music scene. (Although they’ve both been under the radar for over a decade.) The weather was perfect, the streets were adorned with the purple, gold, and green glimmers of the classic Mardi Gras beads, and citizens and tourists proudly wore the traditional Mardi Gras Colors. This made for the perfect night to see what Palaye Royale and Johnnie Guilbert had in store for us. Credit: Rian Nickels The line was wrapping around Joy Theater . Punks, Emos, and Alternatives were dripping in black clothes, fishnets, band merchandise, and eyeliner and waiting excitedly for the doors to open. As the doors opened, the bars, barricades, and merch tables were lined with eager fans. Jay and I found a spot up close to wait for the show to begin. Kicking off the night was Musician and long-standing Youtuber Johnnie Guilbert . Credit: Rian Nickels This was Johnnie’s first time touring with a full band , and even though he’s been around and well-known on YouTube for over a decade, his music career is only starting to take off . From watching his videos, I can tell that, like many of us in the alternative scene, Johnnie’s always been kind of shy and anxious; I was excited to see if being on tour has helped him to become more confident. https://www.youtube.com/watch?v=c53ioBgsCD0 As soon as Johnnie came out in his signature black Ray-Bans , the crowd lost their minds; the fan girls broke out in shrills and screams of joy . He greeted New Orleans and then went straight into his tracks ‘ If Looks Could Kill ’ and ‘ Angel of Death ’. The energy was instantly on fire in Joy Theater as the fans let loose while SCREAMING every lyric to his songs; it was then clear to me that the alternative music fan base in Louisiana was still breathing . By the time Johnnie performed his newest song – ‘ Fake Positivity ’ - his confidence in his stage presence was starting to shine brighter. He was all over the stage, switching between wearing and taking off his shirt and sunglasses, dramatically falling to the floor and singing while lying on his back, and was full of high, edgy energy. You could genuinely see that he was happy to be standing in front of us. After playfully swaying around to each side of the stage, giving everyone in the front row the proper amount of attention, he asked the crowd for more energy (and boy did they deliver) before he fell to his knees to get down to crowd level before he and the crowd echoed the song’s chorus through the theater. Johnnie then played hit songs like ‘ Violent Dream , ’ ‘ Doctor ,’ and ‘ Zombie .’ https://video.wixstatic.com/video/999a0f_a4b7a81378694e8fb3fefe1d9f694766/1080p/mp4/file.mp4 Johnnie Guilbert performs 'Zombie' at The Joy Theater in New Orleans on February 26, 2025 (video courtesy of Rian Nickels). Credit: Rian Nickels In between songs, Johnnie made sure to let his playful personality shine with silly comments to the crowd, saying things like “And this one’s ‘ Baby ’ by Justin Bieber ” before playing ‘ Zombie ’ and reciting Chappell Roan ’s spelling from her track ‘ Hot to Go ’. Of course, following Johnnie’s ‘H-O-T-T-O-G-O’ was the crowd’s requitement of “You can take me hot to go”. Credit: Rian Nickels Johnnie made sure that the crowd felt included by holding the hands of fans and waving in their direction. I was surprised and overjoyed by his warm, rowdy, joyous, diva energy as he’s usually known for being the dark, emotional, and sensitive guy. Being in Johnnie’s crowd made me feel like there was no separation of artist and fan ; it was one of those concerts where you’re reminded that the show couldn’t go on without one or the other. Credit: Rian Nickels For Johnnie's last song, ' Vampire ', he created a moment that will be etched in my memory forever. He asked everyone to come closer, and we all huddled around him. As he sang the closing verse, we all sang along, our arms reaching out to him. It was a moment of shared intimacy, a perfect conclusion to a performance that we will always remember. https://video.wixstatic.com/video/999a0f_364b92a07f76437db72f6fa16aa64ca7/1080p/mp4/file.mp4 Johnnie Guilbert performs 'Vampire' at The Joy Theater in New Orleans, Louisiana on February 26, 2025 (video courtesy of Rian Nickels) Credit: Rian Nickels Before leaving the stage, he told New Orleans goodnight and that he’d meet everyone at the merch table and take photos. I don’t think I’ve ever run as fast as I did to his merch table. Johnnie was kind to every person in the line, giving everyone time for a photo, an autograph, time to appreciate the gifts he was being given (like bracelets, drawings of himself, and various trinkets), and a small chat. When it was my turn, I told him about how I had been watching his videos while I edited my concert photos for the past year and that I was so incredibly honored to be able to capture pictures of him. Credit: Rian Nickels He was genuine and told me he saw me in the photo pit, loves to see the photos people take of him, and to be on the lookout. I took a photo with him and gave him a farewell hug (after asking him if he was a hugger, which you should always do!) so that the rest of the eager fans could get their chance to meet him. With my heart full of gratitude for that full circle moment, I was pumped and ready for the headlining band, Palaye Royale . Before the show, I had only heard a few Palaye Royale songs, so I had no idea what to expect from their performance. Palaye Royale is a garage/glam rock band from Las Vegas , Nevada , comprising three brothers. Remington Leith is the band’s frontman, with Sebastian Danzig on guitar and keys and Emerson Barret on the drums. They are supported by touring members Logan Baudean (from Louisiana) on the bass and Dave Green on the guitar. It would be a complete understatement to say their performance blew me out of the water. Credit: Rian Nickels Palaye Royale came out strong with a tsunami of riotous energy with their new track from their latest album, Death or Glory . I fell more in love with their stage presence with every song they performed . Remmington has an impressive amount of energy pouring out of him that keeps you on your feet with your heart racing with excitement. Emerson has just the right amount of punk attitude and the drum talent to back it up. I know people say this about drummers all the time, but he was the heartbeat of the performance , keeping everyone on time and in harmony. Sebastian was just as talented and charismatic as his brothers; something about h is riffs on the guitar takes you away from the world and brings you into the moment . These brothers are insanely talented and harmonic, but their touring members add the perfect edge to their live performances. Logan’s baselines make it impossible not to groove your body to the rhythm. One of my favorite highlights of the performance was when they played ‘ No Love in LA ’; For this track, the whole crowd was in tune , and the entire venue was jumping, singing the words, and flowing with pure excitement . The crowd was already mighty alive, but this brought the show together . Royale switched up the energy from chaotic to heartfelt with their track ‘ Just My Type ’ and then right back to that rebellious vibe with ‘ Addicted to the Wicked & Twisted ’ from their newest album. Palaye then played one of my favorites from their latest album, ‘ Show Biz .’ I like this track because it compliments Remington’s voice versatility and reminds me of 2000s rock with a modern enhancement. They then slowed things way down with ‘ Dying In A Hot Tub ’ from their record Boom Boom Room (Side B) , a track about losing someone you care about to addiction/suicide; in that moment, you could feel just how many of us could relate to this and felt understood. Palaye Royale played a lengthy set that was the perfect mix of new and old songs for older and newer fans. https://video.wixstatic.com/video/999a0f_d9ad9a0777c748dfbe157c62512e6d8c/1080p/mp4/file.mp4 Palaye Royale performs 'You'll Be Fine' at The Joy Theater in New Orleans, LA on February 26, 2025 (video courtesy of Rian Nickels) For the end of their set, they took things back to 2022 with their song ‘ Fever Dream ’; this track reminded me of the heaviness of the My Chemical Romance song ‘ Famous Last Words ’ and showed the band's possible inspiration from Gerard Way . This song had huge blow-up balls bouncing all around the venue, another thing that helped connect the audience with the band as members and fans were practically playing a massive game of “Keepy-Uppy”. Credit: Rian Nickels After the song's end , the lights went dark , and they suspiciously dropped their instruments and walked off stage. Of course, all attendees started to chant “ONE MORE SONG!” until the band came back on stage, wearing Mardi Gras Masquerade masks and covered in the famous plastic beads. The crowd of New Orleans went wild for that! Palaye Royale then played us a whole THREE more songs for the encore: ‘ Dead to Me , ‘ Lonely ,’ which is my absolute favorite, and ‘ Mr. Doctor Man ’. Something about them that stuck out to me was how well they all played together; you could tell these three brothers were in tune with each other. I appreciated the level of presence, style, and talent they brought to Joy Theater , and although I went in only somewhat of a fan, I left a fan for life! Palaye Royale had the perfect amount of Panic-At-The-Disco-Carnival-Esque for Louisiana’s Carnival season. As the lights dimmed and the night came to a close, I couldn’t help but feel that familiar rush of adrenaline that only live music can provide. Palaye Royale and Johnnie Guilbert performed and made us a part of their world for a few hours. They reminded us of something easy to forget in this crazy, chaotic world: that music is a form of connection, a pulse that beats through every heart in the crowd. With all its raw energy and unapologetic rebellion, the alternative scene still has a place for everyone who craves authenticity in a world that often feels too polished. That night, it wasn’t just about the songs—it was about the moments between them. The shared glances, the laughs, the love, the chaos—every little piece of the night reminded me why I fell in love with this scene in the first place. The Death and Glory Tour was a testament to music's power to unite us. As I walked out of the venue, I knew that despite the noise, neon, and the glittering beads of Mardi Gras, this kind of magic stays with you long after the last note fades away. To learn more about Palaye Royale: www.palayeroyale.com Palaye Royale To learn more about Johnnie Guilbert: Johnnie Guilbert - YouTube *All photos courtesy of Rian Nickels - to see more, check out Rian's site below. rianmusicjpeg.myportfolio.com Rian Haynsworth www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? https://www.youtube.com/watch?v=gvjYhlL1QjU t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Echoes captures the energy of its influences while firmly standing in the present. < Back Reviews on the Real: Echoes by Caustic Waves Nicole Brice Oct 31, 2025 Share Echoes captures the energy of its influences while firmly standing in the present. Released on October 10, 2025 , Echoes is the first full-length album from Scotland's Caustic Waves . Before this, the band released the Full Circle EP in 2023 and several singles. This new album marks a significant turn for Caustic Waves , and I’m excited to see what 2026 has in store. While I refer to it as a "band," Caustic Waves is actually a one-man project helmed by the prolific musician Neil Thomas . The production and mixing on the album were done by Lewis Johns , a UK producer known for his work with Rolo Tommasi , Employed To Serve , Earthtone9 and loads of other great UK bands. Across its dynamic range—spanning intricate, polyrhythmic passages to soaring anthemic hooks— Echoes captures the energy of its influences while firmly standing in the present. It is a testament to Neil Thomas’ ability to balance intensity, melody, and emotion, resulting in a record that is both personal and powerful. Released October 10, 2025 Leading up to this release, we reviewed the singles ‘ Escape Your Fate ,’ ‘ Compromised ,’ ‘ Playing with Fire ,’ and ‘ Quicksand ’ in our online publication, so be sure to check out our thoughts on those tracks. For now, let’s dive into Echoes . Echoes consists of 11 songs and runs about 45 minutes , and is a very diverse offering of solid alternative rock. Each song is so unique and full of so many layers. If you have the time, just hit play and enjoy! We’ll break down each track for you. Echoes (Title Track) This song serves as a very strong opening to the album. It kicks off with an immediate, heavy bassline that seamlessly transitions into Neil’s vocals. The chorus is powerful and energetic, making it a solid rock track that really resonates. Artificial Lies This song has a thunderous opening with the bass and drums that will definitely get your head nodding. The energy continues to build until Neil sings, "Biting my tongue as you turn and walk away." This song reminds me of early Incubus, and I think it’s a great track. Escape Your Fate Read the review here . Quicksand Read the review here . Spotlights This song has a softer opening than the other songs, with a nice 90s-inspired alternative edge. It’s got this engaging groove that draws you in. You’ll enjoy this one. Playing with Fire Read the review here . Insignificance Man, I really really dig this track. It’s so different with a great chorus. I’m struggling to describe it for you all. Here’s the best description: Do you like 90s rock? This song is for you. Blessing in Disguise This song is an upbeat track full of great messages. Listen closely. Compromised Read the review here . Shadow of the Son This is the one song on this album that truly stands out, just because it's so different from the others. It’s got a great beat and is a fun song. Neon Claws This is the last song on Echoes and begins with a pop punk sort of riff, and then just starts jamming. Solid tune. Echoes is a heartfelt and well-crafted album that honors the past while establishing its own identity. This solid and engaging album is filled with nostalgia, channeling the sound and spirit of late 90s and early 2000s alternative rock and grunge, all while adding a fresh, modern edge. Go stream it today! To learn more about Caustic Waves: Facebook: Facebook Instagram: Instagram Bandcamp: Music | Caustic Waves YouTube: CAUSTIC WAVES - YouTube Spotify: Caustic Waves | Spotify Apple Music: ‎Caustic Waves - Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New Movies Releasing in Theaters This Month < Back Theater Tripping in November Keeley Brooks Nov 2, 2022 Share New Movies Releasing in Theaters This Month Well, you don’t need my big mouth to tell you that new movies are releasing in theaters this month, but you might need it in case you aren’t sure what all’s coming or in case you don't feel like searching. Allow me to enlighten you, my sweet little movie-loving readers. Armageddon Time – Starring Anne Hathaway, Anthony Hopkins, and Jeremy Strong (HBO’s Succession ), this Focus Features’ coming-of-age story takes place in New York City in the 80s. It’s about a 12-year-old Jewish boy whose rebellious streak gets both him and a Black public-school classmate into serious trouble. Directed by Ad Astra’s James Gray. In theaters Nov. 4 https://www.youtube.com/watch?v=ZKLu3t-G9Do Black Panther: Wakanda Forever – Perhaps the biggest-title release this month, or the most anticipated, is the Black Panther sequel, Wakanda Forever . One of the biggest films of all time, the Black Panther franchise underwent a restructuring after the 2020 passing of its beloved star, Chadwich Boseman. The plot sees Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira), and the Dora Milaje (including Florence Kasumba) fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. Directed by BP director Ryan Coogler. In theaters Nov. 11 https://www.youtube.com/watch?v=-ubNTau6yYo She Said – Another heavy hitter, this Universal Pictures drama tells the true story of the two New York Times journalists, Megan Twohey and Jodi Kantor, whose 2017 investigative reporting brought down the perverted Hollywood producing mogul Harvey Weinstein. Stars Carey Mulligan ( Promising Young Woman ) and Zoe Kazan ( Clickbait , Ruby Sparks ). In theaters Nov. 18 https://www.youtube.com/watch?v=ZQweFq7xZjs The Menu – Who doesn’t love a good psychological thriller, especially with Anya Taylor-Joy ( Split , Peaky Blinders )? This one sees her as a select guest at an uber-exclusive restaurant run by a sadistic chef, played by the infamously creepy-when-he-wants-to-be Ralph Fiennes ( Red Dragon , The King’s Man ), who has more than just a meal planned for his customers. Directed by Mark Mylod ( Succession ). In theaters Nov. 18 https://www.youtube.com/watch?v=5pVX6drvM3w Glass Onion: A Knives Out Mystery – If you loved 2019’s Knives Out , chances are you’ll also love its follow-up. By far the “widest theatrical release in Netflix history” (as reported by Box Office Pro), this mystery-comedy sequel sees Daniel Craig return to the role of Detective Benoit Blanc. Tech billionaire Miles Bron (Edward Norton) invites his friends for a getaway on his private Greek island. When someone turns up dead, Det. Blanc is put on the case. Also stars Kate Hudson, Kathryn Hahn, Ethan Hawke, Dave Bautista, Serena Williams, Leslie Odom Jr., and Angela Lansbury, among others. In theaters November 23 FOR ONE WEEK ONLY; Airs on Netflix Dec. 23 https://www.youtube.com/watch?v=LJJKRzXRajU Strange World – Walt Disney Animation Studios’ latest feature is a trippy little fantasy about a family who gets more than they bargained for while exploring a strange world. Featuring the voices of Jake Gyllenhaal and Dennis Quaid. Directed by Don Hall ( Big Hero 6 , Moana ). In theaters Nov. 23 https://www.youtube.com/watch?v=_tlJwDPIN08 Devotion – A historical action drama starring Glen Powell (“Hangman” from Top Gun: Maverick ) and Jonathan Majors (HBO’s Lovecraft Country ) as a pair of fighter pilots—one black, one white—during the Korean War. If you saw TG:M, chances are you loved Hangman, so I wouldn’t balk at seeing this one! In theaters Nov. 23 https://www.youtube.com/watch?v=bg9QBpwulfw The Fabelmans – A semi-autobiographical tale of a boy and aspiring filmmaker growing up in 1950s suburbia. Directed and co-written by Spielberg, this is his first feature film writing credit since 2001’s A.I. Artificial Intelligence . Features Michelle Williams as the mother, Paul Dano as the father, Seth Rogen, and newcomers Mateo Zoryon Francis-DeFord and Gabrielle LaBelle ( The Predator ). In theaters Nov. 23 https://www.youtube.com/watch?v=uW5MFI5rTnk Bones and All – Starring Taylor Russell ( Waves ) and, one of my absolute favorite actors to watch, Timothée Chalamet, this film follows two young lovers in 1980s America … who are both cannibals. Directed by Luca Guadiagnino ( Call Me By Your Name ), this genre-defying title is based on the novel by Camille DeAngelis and co-stars Mark Rylance ( The Outfit , The BFG ). In theaters Nov. 23 https://www.youtube.com/watch?v=d4KWym4Gug8 www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Last Legs' new single “Tara” is rooted in the real experience of American youth with stories of love, loss, and desperation that pull at your heartstrings. < Back Last Legs: New Wave Americana for a New Era Nicole Brice Jan 5, 2024 Share Last Legs' new single “Tara” is rooted in the real experience of American youth with stories of love, loss, and desperation that pull at your heartstrings. In an era marked by fleeting trends and a fast-paced musical landscape, new tunes are constantly being released, leading to an oversaturated market full of creatives wanting to showcase their craft. But I have discovered a band I feel will emerge as an up-and-coming force in the indie music scene due to their talent, drive, and emotionally charged lyrics full of imagery and soundscapes. Hailing from the Garden State of New Jersey, this vibrant five-piece rock band’s sound hints at New Wave and Americana while exploring themes from the 70s and 80s amongst a backdrop of folky, narrative-based lyrics rooted in realism. Their stories of love, loss, and desperation pull at your heartstrings and their poignant lyrics are known to bring on the tears. So, who is this band? They go by the name Last Legs. Formed in 2019, Last Legs is comprised of a lifelong group of seasoned musicians with an extensive history of over 20+ years rooted in the local Asbury Park music scene. Last Legs emerged from the ashes of notable indie bands Lowlight and Roadside Graves when various members wanted to create more material, but under a new moniker. Derril Sellers plays guitar while his wife Dana handles the keyboards and contributes vocals. Colin Ryan is the man with the plan on drums and percussion, Rey Rivera plays the bass and does all the MPC drum programming, and John Gleason is the lyricist and lead vocals bringing it all together. The band recently released a cover of REM’s “ Nightswimming ”, which is quite remarkable. The Last Legs version is rearranged, reinterpreted, and sounds nothing like the original. The band has orchestrated a beautiful take on a classic song, one worth noting. https://www.youtube.com/watch?v=DEsY4M8mhd4 Fresh off recording their four-song demo EP, the band released their new song “Tara”, which is out today, and it is the first original song by Last Legs to be released on all streaming services. It’s also the perfect introduction to the band’s music. If you’ve had the pleasure of seeing them perform live, you’ve probably heard vocalist John Gleason explain, “These are songs of love, loss, and desperation, and every word is true.” Click the picture to experience "Tara" “Tara” contains lyrics that set the template for much of Last Legs’ music by telling a story that is rooted in the real experience of American youth : “When I was young, I ran away”. The song is visceral and specific, allowing listeners to feel the desperation of a life out of your control and going all wrong. The need to escape is real and earned when you hear the chorus: “You can take me anywhere, as long as it’s away from here”. Musically, “Tara” is a two-parter. Synth-driven the whole way through, the band is surprisingly intricate and fluent. The personal and detailed lyrics lead you to expect a country-folk arrangement, but the 80’s influence here is undeniable. This is New-Wave Americana. The first half is catchy, syncopated, and almost danceable. At the bridge, the band opens into a rolling, expansive vamp as John drives home the helplessness of childhood and the end of naivety . “Tara” is that time in our lives when we lose the sensitive, vibrant life force of childhood and become grey, unfeeling adults. “You can watch the way I crumble; watch the way I disappear”. Indeed. Credit: Jeff Crespi Last Legs is currently working on a full-length album to be released later in 2024, so stay tuned. Mixed Alternative was able to sit down and chat with the entire gang recently to discuss what makes their interpretation of “Nightswimming” so amazing, what their future holds, and more. Check out our conversation below, and then check out their new single, “Tara”. We think you’ll love these guys as much as we do. MaM: Thank you for speaking with us today. Let’s dive right in. Where did the band name come from? Colin : A huge Google doc. It was back and forth for months. We all liked the name Last Jumps that John came up with. John was going to say it one day and flubbed and said Last Legs instead. Everyone liked the name, so it stuck. John : We also like the meaning behind it because it stands for the last leg of the journey as well. It could be positive or negative. Dana : Our music explores the themes and topics of death, grief, etc. and I think it suits the music, too. Credit: Jeff Crespi MaM : Your cover of “Nightswimming” is incredible because it sounds nothing like the original song. Had I not known that it was by R.E.M., I would have thought it was a new track. How did your cover of it come about? John : It was my selection because we went back and forth with many songs and I’ll be honest, I’m not an R.E.M. fan, but “Nightswimming” is the one R.E.M. song that hits me in the ways the music of Tom Waits and Leonard Cohen does. I thought that the song was so perfect and beautiful and there is no way we should cover it and try to sound exactly like them. I don’t feel that is an interesting way to do a cover song anyway unless you are playing it at a bar where people want to hear the song sound exactly like the original. The thought was that we wanted to mess it up by changing the lyrics, the tempo, and the style, and I think we achieved what we set out to do. And the fact that you like it is great. The main thing we did with “Nightswimming” was we took the bridge and made the whole song out of that bridge because we loved the chord progressions there. Dana : Yeah, we swapped the music from the bridge of the original song with the music of the main hook—the piano part—and that just seemed to work. I think as artists we are willing to experiment and drop any kind of bias of how things should be. I do think that it’s cool how we got it to tether back to the original song by flipping the bridge and the verse. Derril : The reason we did that, to begin with, is because our record label, Mint 400, does a compilation of songs from a certain decade every year and every band on the label chooses a song for the compilation. The decade this time was the 90s, so this was our choice. Credit: Jeff Crespi MaM : As I was listening to the demo you sent me, I was thrown into 80’s nostalgia overload and wanted to ask you about the creative process of writing music. How do you approach that? Dana : Some songs start with a kernel of an idea from a particular band member, but then some happen because John will start singing something and then we’ll build the song around that, but a lot of the songs do come together in a rehearsal or a setting where we are all together. During the pandemic, we got good at working together remotely and that got us accustomed to playing together even when we weren’t. We still send each other phone demos, too, where I’ll come up with something on the piano and then I’ll send it out. I think something we want to try with the upcoming record is to change the process because I think the process will dictate what the song ends up being. The process gives you an environment to work in so you can do different things. John : We have a song on the demo called “I’ve Been Loved” that we went through almost ten different versions before we ended up on the one that is on the demo, and each one was good, but it was just not hitting perfectly right until we got to the final version. Some songs kind of just come together and some are more involved in the process to get to the result. Credit: Jeff Crespi MaM : Currently, who is inspiring you musically and why? Derril : I’ve been going through a musical and fashion renaissance, and I’ve been copying off Warren Ellis. I’m trying to grow into him these days and I’ve been following him a good bit. Dana : Since I play keys, I like the work of Brian Eno. The 80’s vibe you hear is because of me. I use a lot of 80’s keyboards and I have a Roland Juno 60—an original one—that I’ve played for many years. It just sounds great, but I recently stopped gigging with it because it just seems abusive to the instrument. I love music from that decade…all the post-punk stuff. We’ve been listening to the new Andre 3000 flute album, too, and it’s amazing. Sounds and texture are what I gravitate towards. Colin : John and I just went to see Mary Lattimore recently at a church in Philadelphia. John is a fan, but I had never heard of her before. I’ve been listening to a good bit of her stuff trying to get caught up on it all because it’s really good. John : She’s a harpist and she uses a loop pedal and it’s magical. If you like ambient music, you’ll love it. It’s melodic ambient music. For me, lately, it’s been singer/songwriter Damien Jurado. I’ve been listening to him since the mid-90s because he continues to put out compelling challenging and beautiful records. Credit: Jeff Crespi MaM : What are your plans for the future of the band? Last Legs : More people crying at shows. (laughter) Dana : We love traveling and we would love to be the opening act for artists we admire to connect with an audience and fans. We love creating music and our goal is to release our record in 2024 either with a label or independently. We now have this democratization of the music industry where anyone can reach their fan base if they do a certain thing in a certain way. Hopefully what we are doing will be infectious and other people will pick up on it. That’s our goal and we look forward to the rest of 2024. Be sure to follow Last Legs on social media and check out their tunes. All that tugging at your heart strings will be worth it! Instagram : Last Legs (@lastlegsmusic) • Instagram photos and videos YouTube : LAST LEGS "Nightswimming" (R.E.M. Cover) - YouTube Apple Music : ‎Last Legs - Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ghost is an EP filled with raw emotion. < Back Reviews on the Real: Brett Carlisle Haunts the Heart with New EP Ghost Nicole Brice Jun 30, 2025 Share Ghost is an EP filled with raw emotion. Brett Carlisle, an Americana, Southern soul, and Outlaw country musician from Alabama, presents a soul-stirring collection of songs on his latest EP, Ghost , which was released on June 20, 2025 . This collection features six tracks filled with deep emotion, drawing you into heartfelt lyrics sung by Brett's soothing voice. Released June 20, 2025 With raw emotion and timeless storytelling, Brett’s honesty shines through in his music. The lyrics resonate deeply with me; his pain feels like my pain, and his triumphs feel like my own. Brett has a unique ability to connect with his audience in a way that is difficult to put into words. It goes beyond mere music; it evokes a profound feeling and energy. This EP lingers long after the final note has faded away. Brett first came to my attention through Bud Gambrell , our incredibly talented writer and photographer based in Alabama. Bud has a remarkable ability to discover great talent, and I am grateful to him for introducing me to Brett's music. If you enjoy vivid storytelling and authenticity, then Brett Carlisle's music is a perfect fit for you. Let’s dive into these new tracks! Ghost – hauntingly beautiful. I love how Brett's stories portray relatable experiences of life, loss, and longing. 405 -an upbeat and toe-tapping tune that starts jamming out the gate speaking of life’s trials and tribulations Alabama Devil – a compelling contrast between light and dark. Brett’s raspy voice on this track adds significant character to the lyrics. Sins of Kin – an absolutely beautiful song Worn Out Shoes - an upbeat acoustic track filled with depth and soul. Brett's voice is remarkably strong, delivering a song that explores themes of soul searching and life experiences. The song is solid throughout, but it really takes off at the 1:44 mark when the rest of the band joins in, creating an uplifting build that continues to grow. On the Radio – this song demands to be played loudly – and that's exactly what I did – I found myself cranking up the volume on my headphones for this track. https://www.youtube.com/watch?v=ioI1FJa73UQ Official music video for 'On the Radio' by Brett Carlisle If I were to rate the Ghost EP by Brett Carlisle, I would give it a perfect 10/10. It is heartfelt and impactful, leaving you wanting more. I highly recommend streaming it on your favorite music service today. To learn more about Brett Carlisle: YouTube: Brett Carlisle Music - YouTube Apple Music: ‎Brett Carlisle - Apple Music Spotify: Brett Carlisle | Spotify Facebook: Brett Carlisle Music Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back What the Hell Did I Just Watch: The Suckling Review Ezekiel Kincaid Share Mar 17, 2023 This B-horror movie is so bad, it's B-movie gold There are bad horror movies, and then there are so-bad-they’re-good horror movies. Ah, yes, the never-ending cesspool of B-horror movies. Some of us love them, and some of us hate them. And if you're in the vein of loving them, there are plenty for that. These days, there are so many B-movies out ther, one can get lost in the movie void when trying to figure out which ones are worth watching and which ones are worth skipping. But alas, have no fear, Zeke is here! I’m gonna wade through the B-movie junkyard so you don’t have to. Equipped with my high tolerance for bad acting, stupid plots, and excessive gore, I’m the perfect man for the job. Even my editor says so. This week we are kicking things off with an all-time favorite of mine and my fiancée’s called The Suckling. Directed by Francis Teri ( Flesh Eating Mothers , 1989—another great B-movie), this gem hit the horror scene on September 24th, 1990. The movie stars people you’ve probably never heard of as well: Geral Preger, Marie Michaels, Lisa Petruno, and Janet Sovey … anyone? ANYONE? Yeah, I didn’t think so. One of the things that makes this movie so great is that it absolutely takes itself seriously. In fact, in the opening credits, the director tries to make us think this is based on true events. What are those events and what is the plot of this movie? I’m glad you asked. Brace yourselves. Also known as Sewage Baby , the story follows a young couple in need of an abortion. The girl isn’t so sure about it but the boyfriend? He’s all in. from IMDB stills However, because of the taboo surrounding abortion, they are looking to try and take care of things in a discrete and cheap manner. And man, do they ever … they strike gold! The couple finds a brothel with a lady named Big Mamma, who happens to take care of such kind of needs. And, oh man, let me just tell you that the opening scenes taking place in this brothel are, well, absolutely trashy, completely offensive, and downright hilarious. Big Mamma, from IMDB stills The couple decides to go through with the abortion, and this is where things get loco. The fetus terminated in the operation is the largest, nastiest amalgamation of flesh imaginable. Then, like every good B-movie, toxic waste gets involved (think Toxic Avenger meets aborted baby). The dead fetus gets chunked down the sewer. which happens to be full of some sort of toxic waste. The waste mixes with the fetus, brings it back to life, and transforms it into this mutant-like creature that grows at an exponential rate. The beast is actually pretty cool-looking, despite the low budget. It has these razor-sharp teeth reminiscent of the creatures in Feast , along with flesh-serrating claws, as well as a special skill of attacking and killing people with its umbilical cord. There are also some great, low-budget kills with blood that looks like it was watered down to make it go farther, but it works. The Suckling, from IMDB stills To make things more interesting, the toxic fetus has a weird superpower. It is somehow able to wrap the entire outside of the building with a supermassive placenta. This traps everyone inside the brothel, allowing them to get picked off one by one. And don’t expect to care about any of the characters. They are all stupid, one-sided, and there just to be killed. Yes, this movie is every bit as crazy as it sounds—there’s even a wire hanger scene! Yikes. So, gather your Pro-Life and Pro-Choice friends for a watch party, and let the insanity begin! Zeke gives this one 5 out of 5 toxic fetuses. You can find The Suckling streaming on Tubi and Amazon Prime. https://www.youtube.com/watch?v=bHaXHv3X1Ko Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

An interview with Travis Marc < Back No Sleep for Deep Sleep Atlantic C.G. Smith Jul 12, 2023 Share An interview with Travis Marc New Orleans-based alt-rock/alt-post-grunge duo Deep Sleep Atlantic is making some pretty big waves with the recent release of their debut album, Prelude . Earlier this year on March 31st , the duo released their debut single ' Bipolar Tendencies ,' a darkly energetic tune less about the mental illness and more about the fragmented way in which society operates. The song was a powerful first step for them, and they’ve successfully backed that power up with the release of their first album. Comprised of singer/guitarist Travis Marc and drummer Daniel Perez , the album is full of creatively catchy lyrics that focus on remaining aware and mindful while facing and connecting to life and its challenges, and on doing so with courage. All the parts on the album were recorded by Travis , and after meeting Daniel , the two joined forces. Daniel Perez and Travis Marc, photo courtesy of Deep Sleep Atlantic Travis is a SAMA-nominated multi-instrumentalist/producer/songwriter originally from Johannesburg, South Africa , who spent time in London with different bands before landing here in the States. He has been playing and writing music professionally for about 25 years. He’s a hell of a guy, a consummate professional, and keeps himself insanely busy. Credit: Gary Governale I was fortunate enough to get the opportunity to sit down with him and talk about his musical history, his work ethic, and his most recent project, Deep Sleep Atlantic. Here’s what he had to say: MaM : So, you’re on your third continent. You spent your first 19 years or so in South Africa, then moved to London to play in a band, and now you’re here in New Orleans. How did you end up here, and how does New Orleans rank? TM : So, I was going through some stuff, and it was a real tough period in my life, and I just needed to get away, so I booked myself a trip across America. While I’ve been in bands my entire life and toured pretty much everywhere, there were parts in America I’d never been to. New Orleans was one of those places. I came here and was here for a few days, then I met a girl. We hit it off and we did the distance thing for, give or take, three years; it was tough. We … eventually were like, ‘What are we doing here? Let’s start looking into one of us moving.’ We weighed out the pros and cons and it made more sense for me to move than her. MaM : You had a project in England at the time? TM : I did, I did— Dead Days . In fact, we’ve got a record that we are still trying to finish. We’re doing it remotely, so that record will come out, I’m hoping, this year. At a push, maybe next year. We’re jokingly calling it ‘English Democracy’ because it’s taken us a better part of four years already, but it’s outstanding. We’ve put out three records, and it’s by far the best one. It’s totally different from Deep Sleep Atlantic. MaM : Now you moved down here, happily ever after. How long did it take you to get into the scene here in New Orleans? TM : I auditioned for my first band about six days after I arrived, on the 11th of February. I got married the 22nd. The week before I got married, I went and did an audition. ... It was the strangest audition I’ve done in my life, and I’ve done some weird ones. But I got the gig, and I then went to two jam sessions, both at DMACS, and I think by the 27th or 28th everything started shutting down [because of Covid]. So, it was really bizarre because the day we got the call that people needed to start going home and stuff, I was supposed to play that night. So, at that point I guess I was here for twelve days or so? Thirteen days? I got very lucky because I was working as an assistant at Esplanade Studio at the time, and everything shut down except for the studio. So, while the gigs stopped, the studio was busy as hell, so I was in the studio every single day. Credit: Gary Governale MaM : What changes do you think you’ve gone through from the very first project you’ve been in until now? Are there any major changes that you can point out, or were you just out of the womb a natural? TM : Hmmm. That’s a tough one. I’d love to claim that, but no. I still feel like I really have to work, but I don’t mind it. I enjoy the process, you know? I guess there’s no massive changes. I can listen to stuff that I was involved with as a teenager and go, ‘I think I’m a better singer now,’ or, ‘My lyrics definitely make more sense now as a writer,’ but that’s not necessarily fair, because how can you relate to something you wrote as a 15- or 16-year-old and now listen to it and say, ‘Those lyrics are crap.’? Because they weren’t crap at the time. They meant something to me, even though I can’t relate to them now. If I’m really pushed, I’d say I think I’ve become a better writer. I’m less worried about whether I can put all the cool things in and make people think, ‘Oh, wow; what a cool little guitar part.’ I don’t care. It’s all about the song. I do not care about the genre. I do not care about anything else—just the song. Now that being said, I do care about the sonics of the song while we’re living in this it’s-all-cool kind of world, and I do think of little details: ‘Were the snare drum hits consistent or did the one guitar part go out of tune on the last chorus? Or, man, I can hear that sibilance kind of mouth noise. Stuff like that drives me crazy. MaM : We both had music in our lives growing up, thanks to family. Do you think you’d be the same without that experience? TM : It really plays a part. Whether it helps shape you, I’m sure it does. I recently read this very interesting article. This DNA scientist was saying he’s on the cusp of proving that humans are who they are, and it’s set in your DNA from day one, and while your surroundings and upbringing will play a part in who that shapes, the bottom line is you are who you are. Now I don’t know if I believe this, but I’m also not a scientist. It got me thinking. Credit: Gary Governale I definitely had other ambitions and aspirations, other things that interested me that I was gung-ho on achieving, but once I discovered music, none of that mattered. Music was a big part of my upbringing—not to the point where I was playing or anything, although my parents always told me I was doing certain musical things that made [them] go, ‘Huh.’ I don’t know if I’ve spoken of this before, but something that always makes me wonder, especially as I get older, so I was, I guess, luckily, expelled from kindergarten. For a year, I was at home … with my coloring books and my mum. She had a side hustle where she would knit jerseys, beanies, and gloves. She had this room with a big knitting machine and a radio. The radio would stay on, she would do her knitting, and I would sit there coloring in my coloring books while listening to the radio. I fell in love with Fleetwood Mac and Bonnie Tyler, Tina Turner, Michael Jackson, and Madonna, Phil Collins—whatever the big hits of the day were—Tom Petty, all that kinda stuff. Keep in mind, I don’t know how knitting machines work now, but I do know that then, it was this long, rectangular thing, and this bracket would go from left to right and then back. It had a timing kind of thing to it. (Imitates the sounds of the machine going back and forth) Now subconsciously, maybe that did something, I don’t know, but I’ll tell you, my parents are adamant it did something. My dad was a printer. He had proper machinery that weighed hundreds and hundreds of tons. So, I had this year off and these machines—they’re called Heidelbergs. So, this thing comes down, almost like a mechanical karate chop. It goes up and it comes down. (Imitates the rhythmic sound of the machine) MaM : (Begins to sing Pink Floyd’s “Money” in time to the sounds) TM : Exactly! I obviously didn’t know who Pink Floyd was, but my parents swore to God that I would, between sitting there in the room with my mum falling in love with these 80’s melodies and standing inside my dad’s factory with this machine, they claim that I would stand there and make up these raps to the machinery timing, or I would play paint buckets, trying to stay in time with this machinery. So, that particular year was everything. I can’t give it all the credit because I don’t know, but I’ve never struggled to work with a metronome, ever. I do put that down to the knitting machine and the Heidelberg printing press. MaM : What inspires or influences you nowadays? TM : I take inspiration from anything: conversations, words, podcasts, songs—anything I can listen to and go, ‘That’s cool.’ Credit: Gary Governale If it’s cool and I want to explore it, I’ll make a note of it, and when I’m at my wit’s end and I can’t think of something, I’ll pull up my notes. For the most part, I’ve never needed to wait for inspiration to hit. It’s like, I work at it. I’ve always treated it like a job. So, 8 to 5 I need to create, or work in studio, or get better at editing, or producing, or creating content. I’ve never been that stereotypical sleep-‘til-4-o’clock musician. The long and short of it is, if I don’t do something that makes me feel like I worked on trying to get better at my craft every single day, I can turn into a moody bastard. So, keeping my own shit together means I’ve either got to get up early and practice, or when those around me that I love go to bed, I’m going to stay up for a few hours and practice. Whatever I need to do to allow myself to feel like I’m alive. MaM : Plus, I think you need to stay connected to whatever that is that we’re trying to tap into, right? I think the longer you’re away from it, the harder it is to get back to it. TM : One hundred percent. I write a song every day. Might not always be a whole song, but I’ll at least do a verse and a chorus, and I’ll put it on the back burner. I could pick up your guitar now and write us a song. It would not be difficult for me. I consider that a true, true blessing, okay? I know people who will spend six, seven years on one song, you know? It’s different for everybody, but for me, it just comes. I do think, to your point, if I took it for granted and I had this attitude of, ‘I can write songs whenever,’ take a ten-year sabbatical and come back, I’m pretty convinced that that gift [would] be gone. I’ve definitely had a couple people get frustrated over the years. ‘What’s that song about?’ I’ll be like, ‘Well, what do you think it’s about?’ They’ll go, ‘Well, you wrote it.’ I’ll reply, ‘Well, did I? I mean, my name’s on the credits, but somebody else wrote that song. It just came out in the form of my hands on a guitar.’ I’m not trying to sound arty; I genuinely believe this. I remember reading interviews with certain people that were like, ‘It just comes out of me,’ and I’d always be like, ‘This motherf*cker. It just comes out of me. Bullshit.’ Whatever that is, is a hundred percent true. It just takes a little bit of refinement from my side. MaM : Do you have a favorite song of yours that just came out and has been untouched since it first came out? TM : There’s a couple, yeah. In my last band, we had this song called ‘Liar Liar,’ and I’ve got early demos of that from when I was 16, 17. It’s identical. On this new record, ironically that first single we put out, ‘ Bipolar Tendencies ,’ I got home from the studio that one day, picked up my guitar, sat on the bed, [and] fifteen minutes later I had ‘Bipolar Tendencies,’ and I was like, ‘I should put this on the record.’ I went and demoed it, did the drums a couple days later. That’s identical to how it was. Nothing changed, except I put a sample of a heartbeat in it. https://www.youtube.com/watch?v=kgBPk-zff-U Official Video for 'Bipolar Tendencies' MaM : You recorded and engineered this new album yourself, right? TM : I was never the guy who was like, ‘I’m gonna produce my own record, I’ll engineer it.’ Listen, I do think there are strengths in letting other people do stuff, like the Deep Sleep Atlantic record--my buddy Taylor Tatsch , he mixed that record. He did a superb job as far as I’m concerned. You can get too close to the stuff. Where my thought process behind it all changed was, I was in a very well-known studio, and I was just there playing on this person’s record. It wasn’t my record, but I’d known the producer. This particular artist, they couldn’t get their thing right. They were in the live room and I’m in the control room with this producer, and I don’t know if he knew that I was in the control room, or if he just didn’t care, but a comment was made, something along the lines of, ‘Ah, fer f*ck’s sake, just get it right already! It’s a shit song as it is.’ The artist never heard that, but I heard [it]. It suddenly got me thinking, ‘Wait, I’ve been in hundreds of studios by now. I wonder if this is how they feel when I’m paying to have my music recorded?’ That was the changing moment. After that I was like, ‘Nope, I’ll do it myself.’ … If you put some true care into it, people can tell, man. Credit: Gary Governale MaM : So, the new band, Deep Sleep Atlantic, tell us how that came about and where do you see it going from here? TM : I’d been in bands forever. I decided I was moving to America—I was done with bands. A friend of mine introduced me to a mutual friend, who is fairly visible in the music industry, who says to me, ‘We’d love to have you on our books.’ I’m thinking, ‘Me, on his books? Why now? I leave in less than a week.’ So, I said, ‘No, thanks, man. If you take me as a writer, but as far as bands go, I think I’m a little burnt out.’ I’d been gigging more than 20 years at that point, closer to 25. Bands are hard, you know? You’re dealing with all these different personalities and not always in a nice, positive way, you know? So, I come over here and I’m working at Esplanade [Studio], and every day I’m seeing really great artists coming in to do their thing. I’m sitting at home after a few of these sessions and I’m thinking, ‘Yeah, that was great, but I’ve got songs that I think are better than that, or different.’ Not in an egotistical way, just in a comparable way. So, I start writing songs. Next thing you know, I’m creating logos, writing down band names, and I’ve got about 43, 44 songs. I’m still talking to this guy who wants to manage me, and eventually he says to me, ‘You will come out as an artist, and I’ll focus on pushing you as a writer. That’s the only way we’re doing it.’ So, I said, ‘Okay.’ So that’s what led to Deep Sleep Atlantic being created, but by this point, I’m almost finishing the record and I don’t have a band. I’m still not sure if I want to have a band. Then I meet Daniel at Esplanade Studio. He and I hit it off. So, I tell him that I’ve got all these songs and I don’t know what I’m gonna do with them. I sent him, like, three songs. He comes back and says, ‘Dude, I loved the songs. We should jam sometime.’ And that was it: He and I started the band. It was as easy as that. Where we see it going, who knows? I mean, you never know where these things could go. As an actual band, we’ve only been officially out there now since the 31st of March, and it’s exceeded all my expectations thus far. I’ve been in some very good bands; I’m extremely blessed to say that. We seem to be getting a lot of feedback and a lot of love and a lot of positive response. So, where do we see it going? We’ve got some plans. I’m not going to be juvenile enough to talk about them because if they don’t transpire, then you get egg on your face. MaM : How did you come up with the name? TM : It wasn’t taken. (laughter) I hate to use the word ‘woke’ in a wrong manner, but the play on it would be just being insightful and awakened to your surroundings. Chad from the Musical Lab podcast … told me that he thought it was that we had traveled across the Atlantic. Now listen, I can’t take credit for that. I hadn’t even thought of that, but it’s a fairly cool concept. Daniel and I have both lived in several places at this point and we travelled from those places across the Atlantic to get here. Now that didn’t inform or influence the band name but, you know, America is one of the biggest countries to exist, and there’s so much going on here at the moment. Some people are very sensitive to it, and some people aren’t. So, for me, I think the name is kind of just a play on … we’re at this point where there doesn’t seem to be middle ground. You’re either one of these really insightful and have-to-preach-about-it kind of people, or you’re one of those other, ‘Naw, it’s not even a real thing’ when it is. So, I don’t know. I just think it’s much like a song. You take from it what you will. For me, it’s an important name because of certain situations around it, but that would be how I describe it. We went through hundreds of names. Originally, we wanted to go with something else. We even did a couple tester gigs under a different name, only to be at a gig and this bass player I know came to me and said, ‘I tried to check you out before the gig. You know, there’s a rapper out there using that name. So, I went and checked. We are big do-stuff-behind-the-scenes kind of guys, and we had done all this work. We were about to launch, we registered all the socials, we registered the website, we did all the things that you do, right? We put up one little post and about three weeks afterwards, this rapper puts out a song and emerges under the same name. Three weeks after our post. Now, I’m not saying he took the name, but that name was so unique, that I think it would be very hard for someone else to think of that exact thing. Humans are more similar than we admit, so I’m not saying it’s not possible, but when that was brought to my attention, I was like, ‘Okay, pull everything back. We’re not launching. Shut all of that stuff down and let’s regroup. That’s what eventually led to us taking the name Deep Sleep Atlantic. MaM : Talking about live shows, you have a few under your belt now with Deep Sleep Atlantic. How have those gone? TM : Fantastic. MaM : So, Daniel is on drums and vocals, you’re on guitar and vocals, now, to fill in the other spaces … TM : I split my signal between a guitar and a bass cab, so that fills a lot, and we play with tracks. We’ve got a Pro Tools rig, and that fills the little keyboard-y parts that we’ve got on the record and a couple little nuances. We play with in-ears, we play to click. We do all our own sound, so basically when we get to a venue, they give us what they want to mic, we then feed them our tracks so it’s in the mixing desk, then they feed the signal back to us and we have control over all the levels. It definitely takes a bit of that spontaneity away because we are locked into playing to our tracks. Every now and then, some inspiration hits and you want to go jam it over here, [but] you can’t do that. It takes some serious discipline to do what we’re doing, but it’s also not so bad because I have always been a fan of bands that sound like [they do on] the record. MaM : So, let’s talk about the album Prelude . Where did you record that album? How long did it take, and are there any stories from the recording sessions? TM : [We] recorded that album in my house, except for the guitar solo in ‘ Bones ’—that’s my buddy Zack [Loy] from the band Live. https://www.youtube.com/watch?v=GJPeOMB7tEU Official Video for 'Bones' There’s a saxophone solo in ‘ Blue ’—that’s Dave; he plays in the Dave Mouton Experience . https://www.youtube.com/watch?v=1wvpZFEpwiI Official Video for 'Blue' And then there is a cello part in ‘ Mess We’re In ’ that I didn’t play. Everything else, I did in my house. I was doing it in between gigs, and sessions, so I did it sporadically. A story regarding it would be, it was shotgun house. I’ve since moved—the neighbor who basically convinced me to move was extremely, uh, [long pause] I think if she could have, she would have done everything she could to prevent that record from being made. It started getting to a point where I couldn’t even cough without banging coming from the other side of the wall. It started to become a bit of a joke, but not in a good way. It was in a—and I don’t mean for this to sound condescending—but it was in a ‘I think this person needs some help’ kind of way. MaM : Well, after months of hearing drums through the wall! TM : Well, ironically, I had the drums done before they even moved in! Okay, guitars—I’m a bit of a stickler for the guitar. You may have to do a part 500 times before you find the tone that you like. So, I do understand that from a neighborly point of view, especially if you are at home and you hear the same riff all day. I understand that can be frustrating. It got to the point where my wife and I would turn the television on and [within] two or three minutes, the pounding on the wall would start. Then we started to hear violin. Not properly played violin, more like the screeching sound from Psycho . After that, these notes started. You’d come to the house and there’d be a note on the door about something, or there’d be a note in the backyard about something, or there would be a note under your door, or in your post box. I tried to meet in the middle. I made a schedule, and I said, ‘Look, I’m not going to make noise every day. I definitely won’t make noise after 7 p.m. I get that you want to relax and stuff, but you’re at home all day.’ At this point, I’m only home maybe two days a week because I’m working at the studio. It was really reasonable; it wasn’t, like, every day. She said, ‘Oh, no, I need those times for my clients.’ I said to her, ‘There’s nothing more I can do. I’ve stopped the noise, we don’t turn the television on, and we don’t even have guests at the house because we don’t want to upset you.’ MaM : You have cough drops ready. TM : Exactly! So, it got to a point where we were like, ‘Let’s just move.’ That did hinder the album process. It was an album that could have taken me, let’s say, a month. Let’s say a week for drums, a week for bass, maybe a week for guitar, and a week for vocals. I could have been done. The drums and the bass were done before she got there. She just wasn’t willing to meet me in the middle. So that was both a funny and frustrating aspect of the album. MaM : Do you think any of that influenced any of the vibe on the music you were recording? TM : No, no. I mean, definitely some of the frustration while playing guitar came through. There were definitely moments where I was like, ‘Okay, you’re gonna make this hard for me? I’ll turn it up.’ Credit: Gary Governale MaM : How do you balance the art versus the business? You’re obviously talented creatively, but you also have a lot of knowledge and experience in the business side. How do you work in both without going crazy? TM : I think it’s much harder than anyone gives it credit for. I think if you start thinking about the business stuff too much, it will affect the art. You don’t want that to happen. So, I, personally, try not to think about that when I’m making music. I try and look at them completely separate. It really doesn’t make me sound rock n’ roll at all, but I will have lists … of stuff that I need to do to take care of business and I will dictate certain hours of the day to do that, whereas when I’m creating, or recording, or making art or anything, I worry about none of that. I think you NEED to think about the business though, unless you have someone who can take care of that for you. People are listening to music with their eyes now, so you could have the greatest record out there and it might be discovered (the good ones always are discovered eventually), but if you’re not taking care of something that [allows] people [to] somehow find you, I think you’re doing yourself an injustice. Plus, it’s in your best interest to learn that side of it now because no one’s going to care about your music, or your art, or you as much as you. I’m happy to do the work, I’m not lazy. I’m many things, but I’m not lazy. Follow Travis and Deep Sleep Atlantic on all social media and streaming platforms, available at www.DeepSleepAtlantic.com . To see their tour schedule, click here. *cover photo credit: Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Yes Fest is Saturday, October 15, 2022 < Back Empowered to play Yes Fest 2022 Nicole Brice Oct 3, 2022 Share Yes Fest is Saturday, October 15, 2022 Baton Rouge natives and Christian Rockers, Empowered are set to take the stage at Yes Fest 2022 along with 7eventh Time Down, Kari Jobe + Cody Carnes, Riley Clemmons, Phil Joel, Ryan Stevenson, and others. Empowered is comprised of Benny DiChiara (lead vocals and songwriting), Shane Madere Jr. (lead guitarist, backing vocalist), Jeff Maddox (bass and background vocals), Mic Capdeville (percussion and background vocals), and Justin Burdette (guitarist and background vocals). Their new EP drops via Slingshot Records on October 7, 2022 and is titled "Yahweh-Nissi". To check them out, visit their Youtube channel. https://www.youtube.com/watch?v=ScHZQusYc5M Yes Fest is open to everyone and there will be food, drinks, carnival rides, children's activities, tailgating, volleyball, and corn hole tournaments. For more information: www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Musical Gumbo Master Continues with Spring Forward Tour and a New Album < Back Off the Charts: Otis Walker Bud Gambrell Mar 25, 2025 Share Musical Gumbo Master Continues with Spring Forward Tour and a New Album The making of this article goes back a few months. I first spoke with Otis Walker in November 2024. Otis had a new album release coming up, and my plans were to be there. Well, as sometimes happens, life steps in and changes your plans. Our original interview was set to be at the album release party on November 29, 2024, the day after Thanksgiving. The morning of the party, I woke up with a flare-up of vertigo . There go those plans. Fast-forward to March 17, 2025, where I received a message from Otis, “I would like to personally invite you to our show this Saturday night.” I had been attempting to fill up my schedule for the spring and summer, but it so happens that my Saturday night was open. So, my reply was, “I am going to see about taking you up on this invite. Thank you!” Saturday Night’s show was to be held at Tangled Strings Studio in Huntsville . I was familiar with the venue by name only. I have seen the shop, but since they specialize in custom guitars , I have never stopped by. Lo and behold, it is a concert venue, too! I am unsure of how I missed out on that news. This is a very special place for live music. It is not too large or too small. It is just right for a songwriter/storyteller-type event. I tell you all that to set the table, as they say, so you can get a better visual for the space. Saturday March 22, 2025 As I walked into Tangled Strings Studio , the first person I met was Lisa Chang . She was up front selling tickets. Lisa is also a local musician with a fantastic voice. Otis and Lisa did a vocal duo during Otis’ set. I had never seen either of them perform, so I was mind-blown! Credit: Bud Gambrell The second person I ran into was Otis himself. Sometimes, it’s odd how these things work out. Otis and I began conversing as if we’d known each other for a while. We had just met for the first time. It’s always a bit of a concern with me that an interview will be stale due to no chemistry within the interview. That was not to be a worry tonight. Credit: Bud Gambrell We quickly realized common ground while talking about the band and stage set-up for the night. Otis added Kim Coffey to the percussion to add that extra beat. At almost the same time, we said, “similar to The Allman Brothers ” dual drummers. Otis told me that they are his favorite band. Mine too! Kim’s husband Donnie Cox is also in the band playing lead guitar. The pair also play in another band I worked with a few months ago. The band is rounded out by Richard Best on drums and Otis’ son Eli Brown on bass . Many moons ago, I worked with Richard , so the band was no stranger to me. Local songwriter Brett Carlisle opened the show. You will meet Brett and read more about him in an upcoming Off the Charts article. Our second band of the night was The Silver Silos , led by Taylor Burton . The Silver Silos are Taylor on guitar , Jacob Greene on bass , and his brother Brad Greene on saxophone and lap steel . Taylor is a friend of mine, and it is always a pleasure to have a conversation with him and hear his songs. The following is part of our conversation. For time and space purposes, I cannot include the entire conversation. Our conversation seemed very open-ended and long-winded. OTC : Otis, it is great to see you! It's nice to meet you finally! OW : Thanks for having me, man! OTC : We were first supposed to meet in November at the album release party. I'm sorry I couldn’t make it. So, tell me how the new album is doing. OW : It's our first time ever doing an album, so, you know, I have no metrics to measure against another album, but the first release did all right. The second single has had over forty streams in less than a month on Spotify . So, I mean, I think that's pretty remarkable. Hardly any of the streams are from my hometown, which is funny. We got lucky to get on a playlist and move forward. This is funny because the album's name is ' Forward ', so that's what we're doing. We're just trying to keep one foot in front of the other. OTC : Where can we find this new album? OW : You can go on the website at otiswalkerband.com . We've got the full album up for sale there. We're releasing one single every six weeks out to the wild. If you want the entire album, you can go to the website and you can purchase it there. Click picture to purchase OTC : Where did you find inspiration to write this new album's songs? OW : Well, you know you're going to find that you came to the right show tonight because we're doing the storytellers type show. I will tell you different stories about the different songs tonight. But, you know, I get a lot of different inspirations. Sometimes, it's a personal experience. Sometimes, I hear a lyric from another song that sends me in another direction. And you know, I feel like I'm an old bird now. I’m in my late 40s now. When I first started songwriting, it all had to be about something I felt. And now, I like to stew on it and get a story. So, in my older years, it's more story based. OTC : We will stop talking about how old we are at this point in the interview. (laughter) OTC : Did you write the songs on the new album, or did you have any interesting collaborations? OW : Out of the ten songs, one song was co-written by a buddy from college. The other nine songs were 100% mine, and then as far as the way that we did in the studio, you know, we all sat down at Clear Wave Studio and came up with how we wanted to produce the songs. They were all 100% mine, minus ' Southern Twist '. OTC : Do you have any future plans for any collaborations? OW : I've talked with a few guys. Taylor Burton and me, who we're playing the show with tonight. We've talked about that. We're gonna get together. I have also talked to Brett Carlisle , who's opening up tonight. He is a young songwriter, and we're also looking at it. My life hero is Barry Billings ; he's a great songwriter. Hopefully, we'll get to sit down and write a song together one day. OTC : As spring and summer are here, you've got new show dates. Do you have any particular dates or venues that you're looking forward to playing? OW : Well, tonight is! Here in Huntsville is our ticketed advance show. We're playing many shows where I’m solo and with the whole band. I love coming out and playing at a Tangled String Studio show where we get to have such an intimate chance to be with the audience because you're four feet from the first row. I love that! Credit: Bud Gambrell OTC : Do you have any goals for 2025? OW : Man, I would love to get to the part where we become a regional act . That is my goal! My dream is to be able to start playing some festivals and take out on the road what we're doing here in Huntsville and take it out to the people not here. The Huntsville music scene is intense. We could take it out to the rest of the southeast. OTC : What got you into music? OW : Well, I'm going to tell that story tonight. When I was growing up, we had a Ford Falcon , and it had a tape deck in it, and in that tape deck, there was a Roger Miller tape. I heard a song from Roger Miller and all those stories he tells. Man, it just lit a fire under me. Now, the other side of it is that my uncle, Bo Jack Killingsworth , is a member of the Rockabilly Hall of Fame , and so growing up with him, I got to see people and be around people that not everyone would get to be around and experience. My uncle is my hero. Roger Miller lit the flame, and going to see Uncle Bo at a show. I thought he walked on water. OTC : So, Roger Miller lit the flame, and Uncle Bo fanned that flame? OW : He sure did! OTC : Are there any past or present instructors that you look up to, and what qualities do they have that you admire? OW : I went to college and got a degree. But while in college, I got to play with the Iguana Party , which had Barry Billings , Danny Kirsch , and Joey Flippen . Those three men were my age now, and I was in college. They taught me everything I know about music. From how to roll up a cord to knowing the right song to play at the right time and how to play with dynamics. I mean, all those boys are my heroes. No guitar player can outdo Barry Billings . I'm sorry. I know some great players are around, but Barry hung the moon! OTC : What's the best piece of advice another musician ever gave you? OW : (laughs) That's a great question! I think that I was told once that I can't play everything in the first song. I get very emotional. One of my band mentors told me I had to leave something for the third set. When I first got up there, I just started trying to play everything simultaneously. OTC : What is it about music that makes you so emotional and feel passionate? OW : Man, you hear that bass drum, and then you hear that snare, and that's my heartbeat! And then my emotions kick in as soon as I hear the drums, and the passion comes out! Because I get to do something that is very much, honestly, my drug! I mean. I love music! It's not about money. It's not about fame. It is as if there's none of that. I'm still playing music in my basement on a Saturday night because I cannot live without getting the music out of me! The recommendation from this music lover to the music lover reading this is to get to an Otis Walker show if you are in the North Alabama area. Otis Walker 's music, a unique blend of styles, is something you won't want to miss. You will want to grab the LP or CD from the merch table while you are there, too. I know you will want to hear the songs repeatedly because the album is good but hearing them live is even better! For those not in the North Alabama area, let’s all hope that Otis Walker becomes a regional touring band so you will also get the chance to experience him live. One way that you can help make that happen is to support local original music in your scene wherever you may be. Show up for shows and let these musicians know you appreciate what they are doing. Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tzk Facebook: https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find Otis Walker: Website: https://otiswalkerband.com YouTube: https://www.youtube.com/@OtisWalkerBand Facebook: Facebook Instagram: Otis Walker Band (@otiswalkerband) • Instagram photos and videos Soundcloud: Stream The Otis Walker Band music | Listen to songs, albums, playlists for free on SoundCloud ‎ Apple Music: Otis Walker Band - Apple Music Where to find Tangled Strings Studio: Website: Tangled String Studios Facebook: Facebook Instagram: Tangled String Studios (@tangledstringstudios) • Instagram photos and videos *all photos by Bud Gambrell www.bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Got something for Bud to check out? Reach him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A New Era of Synths < Back NITE: Revamping New Wave Nicole Brice Mar 31, 2023 Share A New Era of Synths While doing my daily scroll on Instagram recently, I came across a duo performing a cover of Local H’s ' Bound for the Floor' and I was instantly stopped in my tracks. I’ve never heard anyone cover this song, and with Local H being a favorite of my brother’s, I felt compelled to check it out further. Intrigued, I turned the volume all the way up to take it all in. After listening to the song, I had to know who these guys are who decided to cover Local H ? As it turns out, their name is NITE , and they hail from Dallas, TX . NITE is an electronic rock band comprised of twin brother producers Kyle and Myles Mendes . They are also joined by drummer Phil Helms ( The Vanished ). The trio is inspired by alternative music of the 80s and 90s, and their sound has been described as darkwave, post-punk, post-industrial, and dream pop. I think their sound is just amazing, creative, and full of artistic flair. Credit: NITE The brothers have released three full-length albums , along with several singles, remixes, and an EP, and they’ve also had the prestigious honor of touring and performing with bands like The New Division, Small Black, Vision Video, Clean Bandit, A Flock of Seagulls, Actors, Midge Ure (Ultra Vox), Magic Sword, Men Without Hats, Night Club, and Berlin—yes, the Berlin. Say whaaat?! After enjoying the Local H cover, I wanted to hear more, and that’s when I discovered their Spotify page full of musical goodness. They’ve even taken on the task of covering an iconic grunge tune by Alice in Chains to make it all their own. Their cover of ' Would? ' is fresh as a shirt straight out of the dryer and is truly remarkable. You must check it out. I reached out to NITE to learn more about who they are behind their sound, and luckily, I had the opportunity to speak with both Kyle and Myles . They’re so much fun; I almost didn’t want our conversation to end. We promise you’ll be just as entertained by them as we are. MaM : Good Morning! How are you? Myles : Hey, I’m doing well. Thank you so much for setting this up. Kyle’s here, too. MaM : Hey Kyle! So, I wanted to start with what made me gravitate towards you guys. That Local H cover is awesome! Very few people give props to Local H and, in fact, my brother is a huge fan of theirs. I want to know your story, though, and I want to convey it to our readers so they can learn a little more about you. So, you guys are based in Dallas, correct? Born and raised there? Myles : Well, we were born in Canada, actually. Kyle : Winnipeg. Myles : Yep, we live in Texas and have for most of our lives, and I would consider myself a Texan more than anything, but we do visit Canada a lot and have played several shows there. MaM : Awesome. So, let’s talk production. I’m assuming you record and produce your own music, but do you also do work for other musicians as well? Myles : We do it for other musicians. We also make music for other companies and do commercial work as well. That’s a new thing for us. We haven’t went [sic] public with it, but we do have a song in a Ford Mustang commercial in China. MaM : Wow! That’s impressive! Myles : It’s not a NITE song, though. It’s just something we produced for commercial work. MaM : Eh, it still counts. How would you describe your music? I was listening to the two EP’s that are on Spotify, and on your first EP, it’s more of a New Wave sound with a little techno. I hate saying “techno,” because it’s a more of an electronic sound, but with your second EP, you add in a little more fuzz and it has more of a rock vibe. Y’all’s cover of “Would?” is insane! I have never heard that song covered in that way, so tell us what inspired you to cover that specific Alice in Chains track? Myles : We, well, just like you said, we have more of that pop/new wave sound in our roots, but I feel during COVID, we started gravitating more towards industrial music. Credit: NITE MaM : Ministry fans? Myles : Yeah, we love Ministry, too. We love that whole sound. Skinny Puppy, too. You name it, we probably like it. There is definitely an industrial accent with our music, and we wanted to bring that back a little but also not take the pop away. We really like early Ministry. Their first album was great. https://www.youtube.com/watch?v=xzNdbw3Ah3s Falling Apart official music video MaM : “With Sympathy”… yep! In fact, I put that down in my notes as a comparison for your music. Your first EP reminds me so much of that album. Myles : Thank you. I love that. That’s an honor to say it. We actually got into Alice in Chains late in the game. I’ve always known about them and who they were, but when I heard the song “Would?”, I thought, ‘Man … this could have been a Joy Division song’—even the comparisons from Layne to Ian Curtis’ life. … [A]nd you know, they both ended tragically. I felt “Would?” is a post-punk song in its own right, though, and I felt like I needed to hear it industrialized. It was also kind of the kickstart to colonize a new branding with more of an industrial sound. I didn’t try to sound like Layne, nor should I even try, but I felt that we took a different vocal approach to it. https://www.youtube.com/watch?v=eXUwsbxuKZU Would? by NITE MaM : I completely agree. So, what do you guys want to accomplish going forward? Myles : Well, that’s a good question. I mean, we keep putting out music, and it was last year that our new song “Your Ego is Gone” was released along with the EP you heard. We are due for a new single, though, so we’re going to try and put one out before the tour this summer with The New Division. I think July is what we’re aiming for. We hope to have a single out by then. MaM : You mentioned a tour. Is this going to be a national tour? Myles : Right now, it’s just going to be a Texas tour. We’re hoping for a national tour later on this year with a band called Empathy Test. The New Division actually remixed our song “Life and Love”, and it has amassed many plays and was shared by New Retro Wave. https://www.youtube.com/watch?v=qW4I8b6Avd8 Love and Life (New Division remix) MaM : Oh, I haven’t heard that yet. I’ll have to check it out. Does anyone ever give you guys a Tears for Fears comparison? I hear a tinge of that, too, in your music. Myles : Well, we are big Tears for Fears fans, and a lot of people do reference [them] with us. We are twins, though, and we’ve grown our hair out a little because, as kids, we were in a military school where we had to have shaved heads. It was a juvenile program called Young Marines. We weren’t juvenile delinquents or anything like that, but our parents felt we needed a ‘life experience’ and we got one. We also made a vow to grow out our hair afterwards. My dad loved the music of Kiss and a lot of the 80’s hair metal, so I guess you could say that’s why we have hair like we do. Kyle : It’s not a perm. Yeah. We don’t perm our hair. We have naturally curly hair. Credit: NITE MaM : That’s awesome that you naturally have that 80’s vibe going on. (laughs) So, you guys have a very fresh synth sound. How do you achieve that? I want to know what gear you use. Myles : We make our music through a software called Reason. We record pretty much everything through that, and a lot of our synth sounds are created with that, too. We also have Korg Minilogues we use. MaM : Nice. Myles : Another thing that people have taken notice of is our matching guitars, especially since we’re twins. We are currently playing Fender Jaguar guitars. Kyle plays bass, I play guitar, and they’re pretty much identical. What else, Kyle? Oh! We also have a drummer that sometimes plays with us, and he uses a full drum kit—the traditional one. He also plays with triggers, and that’s also how we capture him. His name is Phil Helms. He’s a veteran of the music scene, and so when Kyle and I were in middle school and high school, we actually listened to his band on the radio, and now he’s playing in our band. His band was called The Vanished, and then after that, they became Seven Channels. They’ve changed the name, but they’ve been touring for years. They’re kind of like an emo rock band. Credit: NITE MaM : See, that name sounds familiar. I bet I know their music. Myles : They had a single that was on national radio. It was called ' Favorite Scar '. That was a big song. https://www.youtube.com/watch?v=772vUNTWiJg Favorite Scar by The Vanished MaM : Ok, as soon as I get off this call with you guys, I’m going to check it out. There are many bands out there that I may not have heard because of how over-saturated the scene is. Kind of sad, actually. (laughs) Myles : There’s so many bands who had somewhat of a career and then, you know, it goes away, but with Spotify, at least you can look it up and go, ‘I remember this song from, like, 15 years ago.” They only had the one hit, though, unfortunately. MaM : Right, but even Spotify is kind of new to someone like me. I remember back in the day when you had the CD store and that was it. Hell, most of the CDs I used to buy were because of the cover art and whether it was in the genre of music I liked, and then I would listen to the music to see whether I dug it or not. So, new single coming in July … when do you plan to release a new EP? Myles : That’s a good question. I feel we are still learning. I’m seeing a lot of our friends are just garnering a good bit of success, and we have an album’s worth of material. I just feel if we released an entire album right now, we would kind of be hindering our growth. I think we’ll do what is called ‘waterfalling’, where we just keep releasing one song at a time and add a song to the EP every time we release one. Our next release might be the EP plus the new song. MaM : I think that’s an awesome plan. So, back to the Local H cover. What made you decide to cover them and their song “Bound for the Floor”? Myles : We love their music. They’re a duo, and we’re primarily a duo. Phil, our drummer, has always been in the trenches with us, per se, but he’s older and he can’t come out with us to a lot of the shows. He has a family and can’t make it to every gig, so we perform more as a duo. [So], we were just really inspired by Local H being a duo. Plus, we loved the song. Listen to the cover here: https://www.youtube.com/@wearethenite/shorts MaM : Are you guys just releasing everything independently right now? Any interest in being on a label? Myles : We don’t have a label or anything like that right now, but we were a part of Cleopatra Records at one point, and we put out ‘Sleepless’ and an album called ‘Reborn’ through them. After leaving Cleopatra, we put out a remix album, and now we’re on this industrial, you know, crusade. MaM : Guys, we really love what you have going on and can’t wait to hear more. Any parting words or anything else you want our readers to know? Myles : We’re grateful that we’ve gotten to open for so many cool bands over the years, and I feel we’ve been fortunate so far. I feel we’ve seen our audiences grow, and that’s really encouraging. We are just hopeful and we’re positive and we do what we do because we love it. Discography: · I Am Not Afraid - 2013 · Reborn - 2017 · Sleepless - 2020 · Sleepless Remixes - 2021 · Hallelujah Your Ego is Gone EP- 2022 To check out the music of NITE, hit one of the links below and be sure to follow them on social media. NITE (@wearethenite) • Instagram photos and videos www.wearethenite.com https://www.youtube.com/user/wearethenite NITE | Facebook Nite | Spotify Hallelujah (Your Ego is Gone) EP | NITE | Nite (bandcamp.com) Profile / Twitter ‎Nite on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice is a lifelong music guru who covets her vinyl collection, and she wouldn’t have it any other way. Got questions or comments? E-mail her at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

RobenX is promising a legacy of influence that transcends music alone. < Back On the Rise: RobenX Nicole Brice May 8, 2024 Share RobenX is promising a legacy of influence that transcends music alone. Who is RobenX ? He is a fearless artist, a beacon of authenticity. His life is a testament to the triumph of the human spirit, drawing inspiration from the depths of human existence here in the School of Earth. With a profound narrative of resilience, talent, and empowerment, Roben is not just a musician but also an author, model, anti-bullying advocate, and advocate for albinism . His journey took him to Geneva, Switzerland, in 2018, where he spoke and performed at the United Nations during their Human Rights Day Celebration , a testament to his unwavering spirit. Credit: Andrew of Ejji Studios RobenX, originally Robdarius Brown, hails from Memphis, Tennessee, a city steeped in the rich musical traditions of blues, soul, and rock ‘n’ roll. His early life was marked by significant challenges, but it was through these trials that he discovered his refuge in music. It became his voice, escape, and a way to share his experiences with the world. RobenX's music is a unique fusion of genuine expression and profound emotional depth. It resonates with the vocal stylings of two hip-hop legends, Onyx and Eminem . If these two had a musical lovechild, it would be RobenX. His music is a return to intelligent hip-hop, reaching into the depths of your soul with its raw emotion. The energy he infuses into every song is palpable, radiating from every note and lyric, creating a powerful connection with his listeners. https://www.youtube.com/watch?v=S2siUBr5-ho His newest single – “ Blood on the Leaves ,” – was released on April 3, 2024, and is a journey from the depths of pain and existence. It’s dark. It’s gritty. It’s honest. It is exactly what we need in music because it is authentic. On my favorite track, - “ Dial Tone ,”- released in 2022, Roben changes things up and sings a little more while going through the real emotions associated with disassociating from someone. The words are intense and full of pain, culminating in the chorus with the words, “This shouldn’t be the price of love.” So true, my friend, so true. Another favorite song of mine, “ Devoid ,” was released on the Mental Interlude EP in 2020 and is pure poetic genius because I’m sure many can identify with Roben's feelings of just being over everything in a moment of frustration and anger. However, what truly sets RobenX apart in the hip-hop community is his unwavering commitment to advocacy. Through his lyrics and public presence, he not only raises awareness about albinism but also challenges the stereotypes and misconceptions that surround individuals with this condition. His advocacy is a beacon of light, illuminating the path toward a more inclusive and understanding society. https://video.wixstatic.com/video/999a0f_357554171ccd4987857a8a68c089271b/1080p/mp4/file.mp4 Mixed Alternative Magazine recently had the opportunity to catch up with the extraordinary RobenX, and we enjoyed chatting about anything and everything. With so much depth to Roben’s character, we had a good bit of ground to cover, so take a moment to read more of our conversation below to learn about the phenomenal artist, RobenX. Credit: Andrew of Ejji Studios MaM : You’ve released a ton of music since 2012. What was the first song that you ever wrote? How did it feel to bring your musical vision to life via song? RobenX : I was a freestyler when I first started, and I was doing that when I recorded my first song, “They Love Me,” which is still out there, probably buried on my YouTube , but the first song I wrote was a song called “Just Maybe,” but I never released it. That was the first time I had decided to hone my craft. Writing was such a weird concept to me regarding writing music. I used to write stories all the time, but I had never written a song. I had to catch all the words flying by me with all these fleeting emotions, but once I started crafting a song, I realized how much more potent it could be and how much control I had over what I could say. MaM : How old were you when you wrote that? RobenX : I was 13 or 14. Credit: Daneel Ferreira MaM : Who would you say has influenced you the most when making music? I noticed you have quite a bit of diversity in your music. RobenX : I’m just going to rattle off a bunch of names because there are so many, but they are near and dear to what I do: Korn, Three Days Grace, Tupac, Tech N9ne, Bone Thugs-n-Harmony, System of a Down, Breaking Benjamin, Disturbed, Thousand Foot Krutch, Mindless Self Indulgence, The Temptations, Kendrick Lamar, and Eminem. I almost forgot Michael Jackson and David Ruffin, too. MaM : There is such diversity. What mission statement would you like to convey to people discovering your music for the first time? RobenX : I want people to take my stories and use them to help themselves. I want to use my pain to heal the pain. I experienced a lot of different scenarios and got to experience things I probably shouldn’t have at a young age. Still, I want to testify that your past helps define you, but don’t let it limit you. The world is yours to do what you want, so use my words to appeal to you. Use my stories and find yourself in the music. Take my words and apply them to you. Credit: Andrew of Ejji Studios MaM : How do you approach the songwriting process? Take us through that. RobenX : It’s different every time because I’ve written some songs in five minutes. Some songs, though, can take months. Sometimes, I have an idea that I’ll record or write stuff down, but sometimes, the concept is there, but I just haven’t found the right instrumental. It all must align with the universe. I try not to do things the universe doesn’t need, so if the idea doesn’t speak to me, I usually discard it or set it aside until it’s time. Usually, I’ll hear a track and listen to what it is trying to get me to say, and I listen to the universe and the higher-ups who give me the stories I need. For example, a lot of what is going to be on “Shoulda Died” is just internal and reliving some of the past trauma that I experienced as a teenager and as a young adult. Credit: Andrew of Ejji Studios MaM : I like to call those universal happenings when you listen to the divine guidance given. So, the next question I have for you is funny but one that will get you thinking. You’re headed to live on a deserted island and can only bring CDs by five artists. What are you bringing? RobenX : Believe it or not, my list would be small. Ok, Smino’s “ Noir ,” Tupac’s “ All Eyez on Me ,” Kendrick Lamar’s “ Good Kid ,” Three Days Grace’s self-titled album , System of a Down’s “ Hypnotize ” or “ Toxicity ”. (laughter) Man…I can’t forget about Michael Jackson’s “ Thriller ”, too. That’s hard. (laughter) MaM : I love that. You are such an inspirational individual. So, what are you working on currently? You released a new single in April but must have something else in the pipeline. RobenX : I am working on a new project, and I’ll go ahead and give you the title; it’s called “Shoulda Died.” We’re also working on a coloring book inspired by my book, “ The Colors of Olleh ,” a children’s book, and Teiyonna Douglas is the illustrator of that book. She created all the pictures. She also did the cover art for several of my releases, including “ The Mental Interlude ” EP and for a mixtape I have on YouTube called Moldy . Her artwork is on that cover, too, and she’s been helping me a lot. She is creating the coloring book all by herself, though, and I give suggestions here and there, but I will also be releasing some songs from “ The Mental Interlude ” EP in their live versions. Credit: Daneel Ferreira MaM : Wow! So much is going on! So, when do you anticipate some of that dropping? RobenX : If I can, I want to have something out by June, but my goal is June or July. MaM : Let’s discuss your book, “ The Colors of Olleh ”. What was the process like putting all of that together? RobenX : The inception of “ The Colors of Olleh ” was simple. I wanted to write a book and tell a story about a child with Albinism but not have Albinism be the main focal point. I just wanted a character who had Albinism. He sees colors and lives in a world of black and white. I called Teiyonna immediately to pitch the idea to her, and she loved the concept. However, she thought about making each page monochrome to show that Olleh can see color when others cannot. The idea started snowballing to where colors were representing differences. When people don’t see people for who they truly are, they are living in black & white. To see the beauty of difference is to see in color. If you say you don’t see color, you live blind. It’s all subjective. Richard Hervey is the producer. He goes by the name of Enigma, but he has helped on numerous tracks of mine, and he was the one who helped turn the entire concept into a book. He took Teiyonna’s ideas and made them bigger, and then “ The Colors of Olleh ” was born, and Olleh’s name is just “hello” backward. Olleh is a traveler, though he could be anyone, and he meets a young lady in the story named Vye, who ends up being the leader of the story. Her character is to show people that they can step up and not wait for a change, but they can be the change. Olleh goes to this town to tell people that he can see color, and they can see color if they accept him. At first, people are hesitant, but then Vye decides she’s curious, so she accepts Olleh, and when she does, it’s easier for others to do so. It shows leadership. Step up and be the change. Small note: Vye’s name is taken from the color violet. https://video.wixstatic.com/video/999a0f_19a08ae5304c461a84a2e6e4f0334441/1080p/mp4/file.mp4 MaM : You’ve done so much, a true Renaissance man, but I read you’ve also worked with the United Nations on some things. Tell us a little more about that. RobenX : I was doing some Albinism awareness and anti-bullying work and was asked to be part of a video educating people on Albinism. However, I didn’t think too much about it afterward. Years passed after I had done the video, and I didn’t hear from them. They didn’t have my e-mail, so they tried to reach out to me via my social media, but the messages went to my spam box for some reason. One day, I checked my spam folder, and there were many messages. I would have missed the opportunity if I had just waited a day later to read the messages. I was flown to Geneva, Switzerland, and I got to meet the High Commissioner of the United Nations, and it was insane. I was 18 or 19, and coming from Memphis, with growing up how I did, flying to a different country was wild. For reference, my grandmother has never left Memphis. My mom was the first in her family to graduate from college. This was a huge deal. Once I got there, I was allowed to speak about Albinism and human rights and what we could do to make a difference in other countries. See, in other countries, people with my condition are considered spiritual or magical and are often killed because of this. Their body parts are then used in rituals and incantations, but if the poachers don’t get them, then they are dying from skin cancer because of overexposure to the sun, and they don’t have access to proper healthcare for their conditions. I wanted to use my voice to see what we could do to help them. I was made a Human Rights Champion and allowed to meet other leaders from all walks of life. It was amazing. Very powerful. https://www.youtube.com/watch?v=cgktjQA3abc MaM : Where do you see yourself headed in the future? RobenX : I want to do so much, and I know I can’t save the world in a day, but the goal is to reach as many people through as many mediums as possible. I want to flood the market correctly with the right things. No matter where you turn, things aren’t full of love labor. I want to create mediums that speak to people, help people grow, and give people power. I believe we are on that journey, too, and I hope that in the next five years, we can reach people with positivity through all mediums. RobenX exemplifies the powerful intersection of art and advocacy with each new track, performance, and interview. His journey underscores the potential for music to entertain, enlighten, and provoke change. As his message spreads further, he promises a legacy of influence and change that transcends music alone. To check out Roben’s work catalog, hit the link below and be sure to follow him on social media. *cover photo by Andrew of Ejji Studios *videos provided by Extreme Dreams USA www.teamrobenx.com HOME | TeamRobenX www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you’re looking for a catchy sing-along chorus, this song delivers. < Back Reviews on the Real: Who Told You by XIII Minutes Reimagined J. Heist Sep 13, 2025 Share If you’re looking for a catchy sing-along chorus, this song delivers. In today's review, we explore the Christian Nu Metal/Alternative band XIII Minutes as they breathe new life into an old favorite. Their song ' Who Told You ' is a powerhouse anthem within the genre, combining soothing sensations with chunky metal riffs, and this new reimagined version is available now . Released August 15, 2025 Released on August 15, 2025 , and originally featured on their 2019 album Obsessed , XIII Minutes offers a modern twist to this classic track. While the original version has a rawer sound, this updated rendition incorporates synth, effects, and a new vocalist, resulting in a more polished and fuller experience . True to Nu Metal style, ' Who Told You ' boasts dynamic elements reminiscent of bands like Sevendust and Tetrarch . If you're looking for a catchy sing-along chorus, this song delivers—learn the words and let the uplifting message resonate with you. XIII Minutes presents the gospel in a way that feels energizing, almost as if it could get Jesus in the mosh pit . Turn up your speakers and let the frequencies send chills down your spine. https://www.youtube.com/watch?v=DMKFm8Ql_eA Official lyric video for 'Who Told You' ' Who Told You ' will transport you to another dimension before it concludes, leaving you wanting more. If you enjoy this genre of music, be sure to give it a listen! Peace, love, and music -J Heist To learn more about XIII Minutes: Spotify: XIII Minutes | Spotify Apple Music: ‎XIII Minutes - Apple Music YouTube: XIII Minutes Band - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com J. Heist is the man when it comes to reviewing music. He hosts a podcast called Backstage 504 in addition to going through tons of submissions. Got something for him? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Reach’ is a powerful exploration of longing and hope. < Back Reviews On the Real: Everfelt Soars with New Single ‘Reach’ Nicole Brice Aug 20, 2024 Share ‘Reach’ is a powerful exploration of longing and hope. In 2022, a Psychedelic Rock band called EverFelt came onto my radar. I could not discern any definitive influences or sounds after listening to their music for the first time. It was so different. It was unique. Fast-forward to 2024, and EverFelt is still making new music and driving forward. Every time I scroll my socials, I see at least one or two posts from EverFelt, either promoting a show or an upcoming release or just spreading the love for those in the industry who are taking notice. EverFelt is one of the hardest-working bands out there, and I feel this next EP, to be released in September, will finally get them the recognition they deserve. Credit: Facebook Vocalist Adam Steglich has said of EverFelt’s sound, “I feel we have evolved with the introduction of our new drummer. It’s given us the ability to have the timing to slow the songs down more and create that psychedelic vibe that we were going for in the beginning.” The band comprises well-seasoned musicians, and the current line-up has Adam Steglich on vocals, Corey Robinson on lead guitar, Jacob Crawford on rhythm guitar, Jason Hensgen on bass, and Ryan Smelcer as the drummer bringing it all together. EverFelt’s latest single, ‘ Reach ,’ was released on August 8, 2024. It hooks you from the first listen and does not let up for six minutes and twenty-three seconds. Having constructed an elaborate song full of groove and sludge, expect your head to nod as the song progresses slowly with a killer guitar part until Adam’s vocals start in, only to trap you at 2:30, where this insanely beautiful guitar solo begins. The best way to describe Adam Steglich’s vocals is that they are reminiscent of the iconic Peter Murphy from Bauhaus . He has excellent control over his voice, and I cannot recall anyone who sounds exactly like him. The Peter Murphy comparison is the best I can do. With lyrics exploring the themes of longing and hope, ‘ Reach ’ is a song that gets ingrained in your brain, and I genuinely enjoy this latest incarnation of EverFelt. Their sound wasn’t quite as polished when these guys started, but I’ve been fortunate to see them evolve. I think they have finally carved out a signature sound with all the new material set to release on September 7, 2024, so stay tuned. In the meantime, there is plenty to explore from EverFelt, but I feel the best is yet to come if they continue their current trajectory. The rest of 2024 is shaping up to be incredibly busy for the band, too, with numerous shows booked and a clear and concise vision of how they want to approach 2025 and beyond. Credit: Facebook “We hope people can relate to our music and love it like we do, but we don’t want you to only relate to the dark tone. No, we want to show you the door we’ve found, which is EverFelt”, says lead vocalist Adam Steglich. The production on ‘ Reach ’ is top-notch, and the mix sounds great. The song invites you to close your eyes and get lost in the sounds, offering a brief escape from reality. After reading this review, I invite you to do just that. ‘ Reach ’ is now streaming on all platforms. To learn more about EverFelt, just hit one of the links below. Spotify : EverFelt | Spotify Apple Music : ‎ ‎EverFelt - Apple Music Website : EverFelt Facebook : EverFelt | Facebook Instagram : EverFelt (@everfelt_music) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Top 5 Nostalgia Picks for October 2024 < Back Way Back When: Nostalgia Picks for your Playlist October Nicole Brice Oct 1, 2024 Share Top 5 Nostalgia Picks for October 2024 It’s my FAVORITE month in the entire world! Woo Hoo! I struggled to decide on these, but I think you’ll enjoy them all. … and if you don’t … I don’t care. My column. My rules. I’m winking at all of you as I type that, too. 1. AFI – Halloween This 1999 Misfit’s cover by AFI is more enjoyable than the original, in my opinion. Something about AFI’s persona during this period does it for me, too. I know bands must evolve, but this period between Black Sails and Art of Drowning is my fave. Turn this one up loud and enjoy! 1999 https://www.youtube.com/watch?v=L1v7KmK5xpM 2. Ministry – Everyday Is Halloween In 1984 after Ministry left Arista , they recorded a couple of singles for Wax Trax! , and this was one of those singles. For those who know of Ministry with its more brutal sound , this track will surprise you. More in vain with bands like Depeche Mode , this track was released as the ultimate goth anthem, and when I first discovered it, I would play it nonstop in the control room at 90.9 KSLU while we were working on promos because I loved it so much. You’ll be bopping along in no time once you put this one on your list. Trust me. 1984 https://www.youtube.com/watch?v=KFPI9b9N6CQ 3. Def Leppard- Photograph Even though I was only two years old when this song was released, my earliest memories of hearing it were when the Greater Baton Rouge State Fair would come to town. I can remember this song being played on the sound systems with various rides that were going around. When I finally saw the video on VH1 years later, I became even more intrigued with the band. Forever one of my faves. 1983 https://www.youtube.com/watch?v=D4dHr8evt6k 4. How to Destroy Angels - BBB This song is from the first self-titled EP released under the How to Destroy Angels name, featuring Trent Reznor and his wife, Mariqueen . It is so infectious that you’ll be zoned in within minutes while nodding your head. 2010 https://www.youtube.com/watch?v=y27mjl7iI1I 5. Candlebox – Far Behind This song instantly transports me back to 6th grade in the fall. There is so much love for this song in my heart. If you’ve never heard it, turn it up! 1993 https://www.youtube.com/watch?v=fTqyUz_jSIo Hey, if you don't like these, cool. If you've never heard them, check them out! Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Reviving Britpop < Back A Wave of Nostalgia: The Clifftones Nicole Brice Feb 22, 2023 Share Reviving Britpop Ever so often, I will stumble upon a musician whose sound truly resonates with me all the way to my soul. This holds true with Boston singer/songwriter, Scott Clifford. Scott goes by the handle “The Clifftones” on Instagram, but he is a one-man show. He sings, he plays guitar, he makes his own promos, he produces and records his own music, AND he is one awesome guy. A fellow Veteran of the armed forces, such as myself, when Scott and I first connected, we were able to talk military, and that was initially how the conversation started. Scott served in the 82nd Airborne Division overseas in Iraq but has since ended his enlistment. His smooth, soulful voice is truly beautiful, though, and it puts me in such a calm space. I am certain it will do the same for you. Over the past few years, Clifford has released several original singles, but with his latest release, he has decided to pay homage to those who have inspired and influenced him since adolescence. “The Exchange St. Sessions” EP is available March 1st via all streaming platforms, and I was lucky enough to receive an advance copy. It has been on repeat for the past two weeks. This EP of cover songs is hauntingly beautiful and gives me the chills … the good kind you get when the music is truly special. With Scott’s renditions of such classics as “Fade into You” by Mazzy Star and “The Drugs Don’t Work” by The Verve, it’s as if I’m hearing this music for the first time. With a voice that is a cross between Ryan Adams and Tom Waits, I insist that everyone give a listen to his newest release launching soon. You will thank me; I’m sure of it. Scott and I sat down to have a lengthy discussion recently about his music, his career in the Army, and just everything in general. Take the time to read about this incredibly talented man, and then go check out his Instagram for everything Clifftones related. MaM : Good Morning! So, how’s it going? SC : It’s going alright. I was actually going to crack a joke with your text that said, “Alright, I’ll call you at 11:15.” I was going to say, “I don’t know what unit you were in, but it’s 11:18 here already … and then I realized you are an hour behind me.” (laughs) MaM : I forget that I’m in a different time zone from others sometimes, being in no-man’s-land Louisiana. (laughs) SC : At least people are polite there. MaM : Well, kinda sorta. My family isn’t from here. Dad is from San Diego and mom is from Ashtabula, Ohio, so I’ve always been the odd ball, but let’s get this started. First, I love your accent. I know I probably have a southern accent from being down here. (laughs) SC : Well, I wouldn’t say I have a thick one, but I wouldn’t say you have a thick one either, but now, if I have a drink, it really comes out. (laughs) MaM : So, I know you had mentioned prior to this that you were in the military. 82nd Airborne? SC : Yep, so I was stationed at Ft. Bragg and did basic at Ft. Benning and then did AIT at Ft. Gordon. MaM : I did both my basic and AIT at Ft. Jackson. SC : What was your MOS? MaM : It started out as 71 L, but when they did some restructuring, the nomenclature changed to 42 L, but no matter what the number was, was always a clerk. I think I processed more Article 15's than anything. It was as if someone was always in trouble. (laughs) SC: I was a Commo guy. I laughed when you had mentioned the “E-4 Mafia” when we spoke another time. MaM : It wasn’t like the opportunities weren’t there to advance past E-4, but I was happy with my MOS, so I figured, why change it just to gain rank. So, I was E-4 my entire military career and I like to say we knew stuff, but we didn’t want the responsibility. (laughs) SC : Oh, I’m one of ya. (laughs) Yeah, after my 15-month deployment to Iraq for the surge, I just didn’t really care about advancing. I got home from my deployment and just wanted out. That was in 2010, though. It’s been a while. MaM : Same. Ok, so let’s talk music. I could talk military forever. Give our readers a little more background info on you. SC : I am Scott Clifford, and I’m 38 years old. I live in Boston, Mass., and I’m inspired by Rock music, and from an early age always wanted to emulate my favorite artists. I like being able to convey feelings, thoughts, and experiences through music. It’s an outlet for me. While I’m from Massachusetts, I’ve lived and travelled all over the world. I am an 82nd airborne combat veteran, as we already spoke about, and while I’m glad I’m out, I am glad I served. Fun fact: While in Iraq, I managed to get ahold of a guitar and laptop, and in the rare event we had free time, I would make spoof songs with my friends and fellow soldiers. I made a song called “365 in the 325” (325th Infantry Regiment) where me and some of the other guys would sing about the monotony while serving and various broken promises our unit/leadership made. After my time in the military, I studied towards a bachelor’s degree and later a master’s degree in the United Kingdom. I loved living in the UK, and the music scene there was incredible. MaM : When did you first get the itch to make music? SC : The first time I recall music registering in my brain as something fun to do was when I was around four or five years old. I remember my grandparents having an old electric keyboard. I can recall slowly playing the piano from the highest note to the lowest, all the while daydreaming about a little red riding hood storyline in my mind. I really believe this is where I sort of picked up or wired my brain for melody. With every note, I associated a feeling and a picture in my mind. I still do! MaM : Name one influential person in your life who you can credit with putting you on your path to making music. SC : I was lucky as a kid. I remember my dad realizing that I was starting to care less about sports and more about music. He bought me my first guitar. That’s when I realized I didn’t just want to be a fan of music but also someone who creates music as well. Because of my age, I had just missed the Grunge movement, and then here comes this Brit-Pop stuff, which you know I love. In fact, I ended up talking to one of the Gallagher brothers. There is a third one, who is not famous, and he found me on Instagram a while back, and he said to me, ‘You know what your problem is?’ And I’m thinking, ‘Oh, here we go …’ (laughs) He says to me, though, ‘You’re not doing anything new.’ I’ve had so many people say that I’m stuck in the past with my music, but if I sound 80’s, 90’s, or even 60’s, I take that as a compliment. MaM : Well, you know what they say: What was once old will become new again. That’s just the nature of the game. What is your favorite type of music, and who is your favorite artist or musician? SC : My favorite type or genre of music? I’d have to say it is Alternative Rock with a solid Pop leaning. By that I mean everything I’m writing now is heavily based around hooks and a verse/bridge/chorus-sort of structure. Not only do I want the songs to be catchy but also meaningful with the lyrics (the hard part). One of my favorite musicians would have to be Noel Gallagher of Oasis, obviously. The way he crafts a song is often simple but so melodic and anthemic. MaM : What is one of your most memorable live shows you have played? SC: Live music … my experience playing live consists mainly of small pubs and open-mic nights. One of my favorite times playing was while I lived in England. A few of my friends knew I played the guitar and volunteered me to play. Learning all those Oasis songs as a kid paid off that night! MaM : Where do you see yourself headed in the future as far as your music career? SC : Well, so far, it’s looking like an eventful 2023. I’m releasing the acoustic five-track covers EP followed by an Originals EP. I’m also in talks to collaborate with an electronic artist from Europe (trying to push myself out of my comfort zone a bit) and possibly creating the soundtrack for an indie film set in NYC, not to mention planning some live dates and limited run merch for the upcoming EP. Exciting times! I’m still navigating the world of Indie music, but I’ve been fortunate to have had some talented musicians and artists reach out to talk about my work. It’s beyond flattering and tells me I’m on to something. https://video.wixstatic.com/video/999a0f_59a03b7d4ac641a0bec0c110e048e560/720p/mp4/file.mp4 To check out Scott’s music, be sure to follow him on Instagram and then download “The Exchange St. Sessions” EP out March 1, 2023! The Clifftones (@clifftonesmusic) • Instagram photos and videos The Exchange St Sessions (2021-2022) by The Clifftones - DistroKid Music | The Clifftones - Scott Clifford | BostonMA Spotify – The Clifftones TheClifftones (@clifftones) / Twitter *All photos provided by the artist* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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‘Okay, I Get It’ is a trip through the glory days of 90s music. < Back Raw and Real: Running from Shadows Strikes a Chord with Their New Track Nicole Brice Jul 30, 2024 Share ‘Okay, I Get It’ is a trip through the glory days of 90s music. It’s Tuesday, and what is truly remarkable about this day of the week is that I get to bring new music to you from a local band that needs to be put on your radar now. Released on July 16, 2024, ‘ Okay, I Get It ’ is the latest from Olla-based Running from Shadows , and it is a trip through the glory days of 90s music – ripe with fuzz and just the right amount of nostalgia for a truly enjoyable listening experience. Click to listen Running from Shadows is the brainchild of multi-talented musician Darren White with assistance from Ty Del Rose , the drumming powerhouse from Smile Empty Soul , and together this duo has created a sound that’s part swamp monster, part California earthquake, and 100% pure rock n’ roll mayhem. Credit: Facebook ‘Okay, I Get It’ starts with a crunchy 90s grunge and alternative guitar sound that reminds me of Hum meets Local H and continues with a bit of a punk vibe, creating a sonic explosion of sound for your eardrums. If you’re unfamiliar with the two bands I named above as sound influences, you must go down that rabbit hole. As the song progresses, this constant groove keeps your head nodding, and when the bridge kicks in, the groove becomes more pronounced until the chorus hits with, “Okay, okay, okay, I think I get it.” I dug this tune, and I think you will, too. The sound is refreshingly modern with just the right amount of nostalgia. According to vocalist Darren White, “’Okay, I Get It’ is an anthem for those who don’t have their life together. Whether you’re slamming into the pit or just thrashing around in your bedroom, this track demands to be played at maximum volume.” https://www.youtube.com/watch?v=3rMAEccmwYU ‘Okay, I Get It’ is available now on all streaming platforms, so dive in! Spotify : https://open.spotify.com/artist/5uqor5ftFAKebvltffCI36 Apple Music : https://music.apple.com/us/artist/running-from-shadows/1501808288 Linktree : https://linktr.ee/RunningFromShadows YouTube : https://www.youtube.com/@runningfromshadowsband Questions or comments? Hit us up at mixedalternativemag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Highly Anticipated Sequels Coming Soon (and Sooner) < Back Oh Fudge: The Soft Glow of Electric Sex + Tornadoes Keeley Brooks Oct 20, 2022 Share Highly Anticipated Sequels Coming Soon (and Sooner) I’ve always loved movies … ever since, I don’t know, Goonies and Star Wars , Mad Max and Conan the Barbarian ... The Neverending Story , Return to Oz ... they all had my attention. My obsession didn’t really kick in, though, until the early 2000s when a friend introduced me to a slew of titles in his collection, then Lord of the Rings burst through the door. Ever since, my need to own every title I love grows stronger and stronger with each new year, and there are just too many favorites to narrow down. I can say that one of my earliest favorite movies was just about everyone’s favorite at some point—the 1983 holiday classic A Christmas Story . As far back as I can remember, I have watched this movie every time it comes on TV. And now, in these glorious digital days, I can let it roll nonstop with no interruptions whenever I want. Now, on the off-chance you know nothing of this movie, allow me : it’s a holiday classic from the early ‘80s about a kid in the ‘40s who spends most of his time dodging a town bully and dreaming of ways to manifest his ultimate Christmas gift, a Red Ryder air rifle bb gun, which everyone just laughs about then says, “You’ll shoot your eye out [with that thing]!” We also get to experience the first time said nine-year-old kid drops the F-bomb in front of his cranky, super conservative father - the one from whom he heard it in the first place. Then, we get to see the aftermath unfold and it is so relatable. On all fronts, throughout the whole movie. No one will ever think of bunnies or weird gifts from strange aunts or even Santa Claus the same way again. You can imagine my excitement, then, when I first learned of HBOMax’s plans for A Christmas Story sequel, A Christmas Story Christmas . For real. After all these years. The trailer dropped earlier this week and featured the first footage of Peter Billingsley in his return to his iconic role as Ralphie Parker. Check it out here: https://www.youtube.com/watch?v=nZ56rcXcNzQ The film follows Ralphie as an adult in the 1970s, who returns home to Indiana to his house on Cleveland Street with his own kids to deliver to them a magical Christmas like the one he had growing up. He reconnects with friends, and it is confirmed that Zack Ward—the actor who played town bully Scut Farkus—is reprising his role as well. Thing is, he’s now a police officer. Also returning is Ian Petrella, who played Ralphie’s younger brother Randy. While home, Ralphie also reconciles the passing of his Old Man and sows the seeds for the origins of the beloved holiday classic. A Christmas Story Christmas drops on HBOMax on November 17 , and I’m sure the lamps emanating the soft glow of electric sex in the window and triple dog dares amongst kids will be plentiful. And hysterical. And just in time to kick off your 2022 holiday season. Another one of my favorites from the 20th century I literally just learned is getting a sequel—and which my husband constantly laughs at me for loving—is the 1996 epic disaster blockbuster Twister , starring Helen Hunt, the late Bill Paxton, the late great Philip Seymour Hoffman, Jami Gertz, Cary Elwes … need I keep going? Plus, it’s about tornadoes! What I love about movies is their ability to (or not to) convince me that what’s happening is real. How real does everything look, from sets to blood to special effects, even accents? How far can one take it? Can a movie make me forget it’s just a movie ? I love it all! This tornado blockbuster allowed me to experience, in some way, what it might be like to live through a tornado—not that I have ANY interest whatsoever in finding out in real life, but Nature just fascinates me. A few days ago, entertainment news outlet headlines began surfacing with confirmation a Twister sequel is, in fact, in the works. According to Deadline Hollywood, Universal Pictures and Amblin Entertainment are meeting with directors hoping for a spring start on the big-scale sequel, which is to be called Twisters . The Dish reports that Steven Spielberg himself flipped for the script, which was written by The Revenant scribe Mark L. Smith, noting, “his enthusiasm provided the impetus for the fast-tracked film.” While a director hasn’t yet been nailed down, it is reported that those also under the helm of consideration include Oscar-winning Free Solo directors Jimmy Chin & Elizabeth Chai Vaserhelyi; Dan Trachtenberg, whom you’ll know from the recently terrific Predator reinvention AND the Hulu movie Prey and, before that, 10 Cloverfield Lane ; and Travis Knight, the Laika chief whose recent animated films were Missing Link and Kubo and the Two Strings . The hope is to bring Helen Hunt back and have the drama focusing on her daughter, whom she had with the character played by the late Bill Paxton and who has caught the storm-chasing bug her parents had. That’s all the deets we know for now but be sure to stay tuned! You know I consume all kinds of content and will you keep as posted as I possibly can! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. < Back Separatr: Making Innovative Noise Pop Waves from Asbury Park Nicole Brice Feb 20, 2024 Share Separatr’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. Have you ever had a band instantly resonate with your energy on many levels? For me, it does happen every so often, but the music must have the right combination of noise, groove, rhythm, and melody. Having recently learned of a noise pop duo out of New Jersey called Separatr from one of my favorite humans, Jeff Crespi, I decided to check out the band’s body of work. One listen to their EP “ Queen Ace ” on iTunes was all it took. I was hooked. Not only is the music tightly produced, but the artwork for the EP cover fits the mood and vibe of the tunes perfectly and the vocals are insanely good. Electronic music has always been a favorite of mine because of how it has revolutionized the industry with its distinctive style. Its rhythmic beats, synthesized melodies, and intricate production techniques make it a genre that continues to evolve and push the boundaries of musical creativity. With raw unfiltered energy, Separatr ’s music delves into the depths of human emotions, providing an introspective and relatable experience with poetic lyrics. From the pulsating synths on ' Obvious ' to the sonic rhythms on ' First In Line ', the Queen Ace EP explores a bevy of themes such as self-discovery, inner struggles, and societal observations. Credit: Jeff Crespi The embodiment of perseverance, drive, and dedication, Separatr is made up of vocalist Stephanie and her producer husband, Joe , who are currently embarking on a new direction with their music careers having recently relocated from Bellingham, Washington in 2023 to Asbury Park, New Jersey . Because of the intense scene the area has to offer, the duo chose New Jersey to continue their creative endeavors and they currently have many projects in the works. Mixed Alternative Magazine had the opportunity to chat with this up-and-coming duo recently to discuss their cross-country move, influences, and aspirations for the future, so take a moment to learn a little more about Separatr . MaM : You guys are from Bellingham, Washington, and are currently residing in Asbury Park, New Jersey. What was it like completely transplanting your life to move to a new area? How difficult was it to initially break into the scene in Asbury Park to start booking shows? Joe : It’s been great actually. The scene here is so supportive and welcoming. We’ve only been in Asbury since June 2023, but many people have heard our story and think it’s really cool. It’s actually how we’ve gotten a few shows. It’s really refreshing. MaM : What initially got you both into music to where you wanted to make your own? Stephanie : We both always have been into the idea of playing and performing. I’ve always been a singer. Growing up, people would tell me I had a good voice, and I tried to learn guitar, too, but I was just never truly into it, but I can play a little. I’ve always been a singer and a songwriter, though, but it was always in the back of my mind that I would do something with it. When Joe and I met, it started becoming more serious. Credit: Jeff Crespi MaM : Tell us a little more about how the name of the band came about. I read that you took inspiration from a Radiohead song for the name. Joe : I liked the word graphically with how it looks, and it also is a little inside joke, too, since Radiohead is named after a Talking Heads ' song. So, it’s kind of like Talking Heads , Radiohead , and then Separatr . MaM : It’s a very unique name and it sets you apart. Now, as far as influences go with you guys, I made some notes. I wrote down if the Yeah Yeah Yeah’s met 12 Rounds and Kite Base and had a baby, then that would be Separatr. Who do you cite as your ultimate influence, though? Joe : I think that’s the first time I’ve heard someone else mention 12 Rounds . Atticus Ross – anything he does with Trent is amazing, but he’s pretty much part of Nine Inch Nails now, and it’s weird to think of them as a duo, but anything those two do is a huge influence on my production style. Stephanie : For sure, one of the first bands that we talked about when we first met was the Yeah Yeah Yeah’s . They were a big one for both of us. Joe : Yeah, I gave you a leaked copy of " It’s Blitz! ” before it came out. Stephanie : I had gotten into them with “ Show Your Bones ” and I love “ Fever to Tell ”. Certainly, Karen O is an influence on our music in a big way, and her range, too. You hear that with my singing, too, the way she’s not afraid to go crazy with her singing and then be delicate. Vocally, The Kills are an influence, too, with them being a duo. No Doubt and Garbage were huge for me growing up also. Gwen Stefani is a big one as well. Credit: Photo provided by band MaM : How would you describe the type of music you make for those not familiar? Joe : I like the term noise pop and anything that incorporates pop … alt-pop or dark pop . I think it really sets us apart from just being a rock band. Even locally, we try to make sure we play shows with other pop acts. We can get pretty loud and rocking, though, so for me, it’s more like a study in dynamics bringing in the loud/quiet/loud structure. MaM : Take us through the creative process. How do you come up with new concepts for songs? Joe : It’s always changing. Usually, I’m doing the production side by developing the sound. Stephanie writes the lyrics. We then come together to record vocals, but it’s ever-changing. MaM : As far as collaborations go, are there any musicians you want to work with in the future? Joe : I want to do a song with Blaise . Stephanie : He’s a local singer up here. We just performed a show that was a winter prom theme here in Asbury and it was our first time playing a show with him. He’s just a character and really talented. Credit: Jeff Crespi MaM : I haven’t heard of him but am going to look him up when we get off this call. If you had the opportunity to open for any major acts, are there any that you would just jump at the chance? Joe : Oh wow, that’s a great question. My mind goes to Sleigh Bells , but then that would be too similar to what we are doing. I’d open for Nine Inch Nails . Definitely. Stephanie : Yeah, totally, but there are so many that would be amazing. Joe : Or maybe even some big pop star, so we could have one foot in the pop world. MaM : If you weren’t doing music currently, what would you be doing? Joe : If I wasn’t doing music, if that somehow was not in my DNA, then I think I would be doing something with broadcasting. Looking back now, I wish I had gone to school for broadcasting. What I love about this band is making the content, doing live-streaming, video production, all of that. Stephanie : It’s an interesting time to be in music because there is so much more accessibility to produce your own music. That also means that it’s harder to make headway because there is so much going on. Credit: Jeff Crespi MaM : Do you have a favorite song to perform? Joe : It changes so much. I would have to say, ' Deadstock '. Stephanie : I agree with that as well. Often, it’s whatever the newest song is. “ Deadstock ” has been really fun to perform live because it’s a bit different for us. At the prom show we played recently, everyone did a cover, and we did, “Take My Breath Away”. It was a lot of fun. Joe : I put some big heavy fuzz guitars over the chorus for ' Take My Breath Away' , which gave it a different sound. MaM: I would love to hear your rendition of that. Such a great song. Do you plan on releasing a cover of that? Stephanie : I think we will. We had several people coming up to us after telling us we should, so hopefully soon. Credit: Jeff Crespi MaM : What does the future hold for Separatr? Stephanie : We’re excited about some upcoming shows we have planned, and we should have some more music coming out this year at a more rapid rate. Joe : We’ve been doing this for a long time, but Separatr still feels like a new thing and we’re still learning and growing our community, so much more to come. Separatr is not just another band in the music industry; they are a breath of fresh air and a beacon of innovation. As they continue to evolve as a band, they are destined to leave a huge mark on the industry, so stay tuned and be sure to check out all their current music on your favorite streaming platforms. Bio Link: separatr Bandzoogle: Separatr ( bandzoogle.com ) www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . A huge thank you to Jeff Crespi for all of the amazing photos. Visit www.jeffcrespirocks.com to view more. Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Journey into cosmic malevolence with JAELYN's latest single < Back Reviews on the Real: JAELYN Nick Cline Jun 6, 2024 Share Journey into cosmic malevolence with JAELYN's latest single JAELYN is the Philadelphia-based creative endeavor of vocalist Jaelyn Robinson. It focuses on thoughts of the universe, undertones of mental health, the intrigues and meanings of life, and the battles between light and dark. The rest of the band includes Stephen Skilton on guitar, Mattie Boyd on bass, Frank Bianco on drums, and Chris on guitar. The new single, Mire Mite (The Twins) , explores multiple themes and inspirations from art, music, philosophy, and more and is a very enjoyable listen. Released May 31, 2024 Mire Mite (The Twins) takes you on a journey throughout the cosmos, with lyricism that roots you in the emotional tales within the universe of the evil Seven Sisters. In this track, it delves into the relationship between the deadliest members, Mire and his sister Mite. The battle between light and dark is the centerpiece of this mystical and gut-wrenching journey through space, inviting the audience to connect with the story's emotional depth. The mixing of this track is a unique blend of genres, offering a taste of what it is trying to convey. The melodic tones stack on top of the pounding rhythm section, creating a mystical bond between prog-metal, metalcore, and almost operatic versions of pop-punk vocal tones. This fusion of styles is a testament to the creative process of JAELYN , and it's sure to pique the interest of any music enthusiast. The mix is heavily centered on ensuring the lyrics and music are a conjoined being, adding a layer of tension and depth to the song. The verses and chorus share an overbearing tension between the music and the song's story. They convey the ever-present battle between light and dark in the universe and everyday life. https://www.youtube.com/watch?v=jEbnjSYHGv4 The mix for this track is very well put together for both the music and the story's tone within the song. But the music takes up a lot of the space in the track. The vocals take a back seat in the song compared to the music. The mix clashes at times, but the overall sound is excellent. The message is there, but the reliability of the vocals could be felt a lot more if the vocals were pushed a couple of decibels in the mixing and production stage of the song. Other than that, it is a very well-executed track. Mire Mite (The Twins) sets an extravagant tone that excites the audience for future projects connected to the tale this track has started unfolding. The battles and unraveling of the cosmos within its stories will keep just about anybody intrigued until the release of another single and the entire LP. To check out Mire Mite (The Twins) , just hit one of the links below! JAELYN | Sodeh ‎ Mire Mite (The Twins) - Single - Album by JAELYN - Apple Music Mire Mite (The Twins) - song and lyrics by JAELYN | Spotify www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trust Them 'Cuz They're Young, Talented, and Handsome < Back SaxKixAve: Much More Better C.G. Smith Jan 18, 2023 Share Trust Them 'Cuz They're Young, Talented, and Handsome Most musicians are lucky to have one successful project. In a world where there are anywhere from 50,000-100,000 songs being released every day, the market is oversaturated and the chances of breaking through this noise are harder than ever. Musicians who actually do break through and have any kind of success with one group is a rarity, let alone those who can take on and do well with multiple musical projects. New Orleans duo SaxKixAve is comprised of award-winning rapper Alfred Banks and Albert Allenback , saxophonist and flutist of the twice Grammy-nominated group Tank and the Bangas . These two artists are plenty busy with their main gigs, but thanks to the suggestion of Tavia Osbey, manager of Alfred and of Tank and the Bangas, that the two work together at the onset of the COVID-19 pandemic, these artists started a side project that is truly something special. Their first record, “ I Don’t Wear Suits ”, was released in April 2020 and is a celebration of this collaboration, and the duo has been performing those songs in front of live audiences whenever they can find the time to do so. SaxKixAve is currently finishing up their follow-up record, and I was lucky enough to be able to have them both over to chat about that, about how they make this project work with their busy schedule, and about some of the band’s highlights so far. MaM : I’ve heard a couple different versions of what “kix’ed” this all off. How did this insane, wonderful experiment begin? Albert : Well, Tavia—the manager of Tank and the Bangas and the engine, the logistic and business/life-path mind behind it all—hit me up and said [Alfred] was looking for beats. She said, ‘I know you make beats. Let’s get you in the studio together and see what happens.’ Alfred : It was great … I like Alby. He’s good money. We crack wild jokes. He sent me an email of beats, I picked one, I wrote to it, knock this one out. It was right when COVID hit. So yeah, I got in the studio with this dude, [and] we laughed for about three or four hours before we even started really recording. I thought, ‘This is a good guy.’ We recorded ‘Tawny’ and I guess he liked what I did. I loved it, and we just kinda kept goin’, kept goin’, kept goin’. Then it was like, ‘Hey man, you wanna make this a thing?’ Albert : It was like a 'Step Brothers' moment. Alfred : Yeah! He was like, ‘Yeah!’ I was like, ‘Aight.’ [sic] Albert : Are we in a band? Alfred : Are we a band?! Albert : Yeah, I think so! Alfred : (to Albert) Do you remember how we came up with the name? I know we joke about it. Albert : I remember us opening a Word document and trying out different fonts and stuff. I don’t think we tried it phonetically. I don’t think we ever would have tried this dumpster fire of a phonetic pronunciation—have you ever tried to say it fast? Albert then attempts to say the band name SaxKixAve quickly several times in a row. Albert : No, it’s terrible. Why did we do this? Maybe we should shorten it to SKA and say we’re bringing ska back and hire a trombone player. (laughter) Alfred : Definitely. Nah, I think this is one of the best things I think I’ve ever done. I enjoy this so much. In 2018, Banks was named "Best Hip-Hop Artist" at the Best of the Beat, presented by New Orleans' premier music publication, Offbeat Magazine . He followed that up with the 2019 Big Easy Award for Best Rapper, presented by Gambit Weekly . credit: Gary Governale MaM : It’s opened you up. Not just personally but creatively, too. You’re now singing a little bit. Alfred : Definitely. [Singing] was something I always wanted to do, but I didn’t really have the producer to help bring it out in the right way that would make me sound good, because my voice doesn’t have a lot of range. I can hit some notes but not too crazy. So, someone [who] could make something that could make me sound even better than I am … I think Albert does that. Rapping to shit I wouldn’t normally rap over—he’s down to go there with me. He’s down to do some really wild stuff, and I’m down to at least try and see what happens. In 2020, the two performed live as a duo for the first time at an Onbeat Session for Offbeat Magazine filmed at Loyola University. https://www.youtube.com/watch?v=IiYRqaIQaDc Alfred : That was the very first time we had ever performed together, ever. How nerve-wracking was that?! Albert : It was terrifying. Alfred : I was scared out of my mind. Albert : (to Alfred) Doing this thing with you, having to do it live and perform the songs, I’ve become a much better piano player the past two years, and you don’t put a lot of pressure on me. We don’t put a lot of pressure on each other. Alfred : I don’t know how to read music. I’m not about to insult or critique someone when I don’t even know what you’re doing. Albert : I’m not a rapper—I’ve tried. It’s more difficult than it looks! (from the album “I Don’t Wear Suits”): MaM : So, have Albert’s rapping skills have gotten better? Alfred : I think Albert has more skills than he thinks. Maybe he couldn’t be a ‘rapper’ rapper, but (to Albert) you’re a good writer. You might not have rapper swag per se, but you could rap. Albert : I could deliver it, but it might not be believable when attached to a body—MY body. (laughter) Alfred : (to Albert) You really understand how songs go. He’s a dope-ass writer outside of being a musician. Albert : I just got [sic] to say this: As my rapping skills have improved, so, too, have Alfred’s declined. (laughter) It’s perfectly even, the way things have gone down. It’s more of a parasitic thing. (to Alfred) I think I’m stealing your rap life force. (laughter) MaM : Your songs have a wonderful mix of silly and serious. What’s y’all’s vision for what SaxKixAve is now and what it can be in the future? Albert : I think we want to have this digestible funny thing, because we’re both naturally funny and when we get up on stage, we’re not sure what it is, but something happens between us that generates what people have been calling entertainment. (Alfred breaks out in laughter.) Some sort of passable thing happens. We want it to be funny, but we want the funny to help communicate. Our natural state is tinged with melancholy. Our natural state is more depressive … more low energy. So, if we have this high-impact thing that’s kind of funny, then we can get in things; there's no other way to say this: We laugh so we don’t cry. It’s something that I’ve … learned watching Tank—how do you interface with the audience? You can be doing the best stuff in the world, but if you have any contempt or if you’re just holding the spoon of baby food out of reach of a toddler, that’s just rude. You should interface with the crowd so you can get it to them. We want this mix of goofy so we can be ultra-serious, and we want to be ultra serious so the funny stuff is even funnier. Alfred : I disagree with everything he just said. I’m here for the money. (More laughter ensues.) Alfred : We’re both very serious. We’re both really good at what we do—like, obnoxiously good at what we do. In the back of my mind, it’s about making how good we are palatable. Sometimes being really good can push people away like it’s not even relatable. I think the comedy takes the edge off. It’s like, ‘Let’s just vibe and have fun. Some of it is just on the cuff, but we give ourselves that room. In our other situations, there’s a lot of structure. For us, the future, people are going to hear … the music is going to be even much more better [sic] than it is now. More jokes. It’s just going to be unapologetically amazing. Albert : SaxKixAve: much more better [sic]. Alfred : That’s grammatically correct. credit: Gary Governale MaM : Was there a moment when you both knew you had something? Alfred : That [first] recording session. I always tell that story [about the song] ‘Tawny’ when I say [the word] crib. [Albert] was like, ‘Dude, can you yell ‘crib'?’ and I was like ‘What?’ Albert : Like 15 times. Alfred : I had to yell it and I was like, ‘Why am I doing this? This is stupid.’ Then he played it back and I was like, ‘Oh … yeah.’ That was the first time I trusted him. (to Albert) When did you feel like we had something?” https://www.youtube.com/watch?v=iLpjIRY0OuU Albert : When I knew we had something was when it was backed up by a crowd. I think we were doing Tip’s (Tipitina’s) or something. You said a few things in a row that I didn’t find very funny, but people were losing their minds. They were also losing their minds with the songs, and I was like, ‘What’s happening?’ There are things that only happen once per show [like] Alfred [going] off on this freestyle thing; we usually do this at the show. He’ll just freestyle rap for, like, five minutes. You’ve seen it: People hold up stuff out of their pockets [for him to rap about]. As I see the crowds more and more, I’m just like, ‘Wow, well let’s just be honest and a little unsure of ourselves, because apparently somebody likes that.’ MaM : Your dynamic—when you come together, it’s something you wouldn’t expect, I think, from seeing you both in your respective projects. It just works somehow. Alfred : I think that shit’s amazing, too. That Tav (Manager Tavia) ... maybe she didn’t see SaxKixAve, but she just thought we’d do good together. I don’t see Al all the time. We’re both doing our own thing, but every time I see him it’s like we were just hanging out yesterday. I don’t know if it’s because of our same sense of humor—the way that we’ve come to some recent discoveries about ourselves, but we just gel really well. (to Albert) Outside of the music, I can actually hang with you; that comes through, too. [Another] moment I knew we had something was [during a show] when the mic cord came out, I put [it] back in maybe halfway through the verse, and I finished the song. We had another song after that, but I was like, ‘Yo, Al, audible, play a beat.’ I freestyled about me f**kin’ up, and the crowd lost their minds. I was like, ‘Yeah, we got somethin’ here. I don’t think we can lose. This is incredible.’ That shit was dope. (to Albert) What was the first big show we did? I think when we did Performance Inception ... when you opened for yourself? Albert : Yeah! When SaxKixAve opened for Tank and the Bangas at one of The Broadside shows [last year]. Alfred : That was the first time I think Tank and the Bangas had [sic] saw us. When they came back and said, ‘You guys are amazing,’ I was like, ‘Yeah, we’re lit. We are LIT.’ credit: Gary Governale Albert is known for wearing short shorts all the time. MaM : Albert, is it hard for you to be behind the keys when people can’t see the full leg action? Albert : We’ve been workshopping methods to get around that, talking about maybe having a video feed that’s right under the piano, directly pointed at the legs and maybe running some sort of monitor behind Alfred so it’s just my knees constantly while he raps. Alfred : (to Albert) I know you’re joking, dude, but I’ll tell you this: You know what everybody says? They don’t even talk about your bun first; they talk about your legs. I’m not even joking. Everybody [sic] like, ‘Dude, the guy with the legs.’ MaM : I hear you’re working on your next record. Is there a title for it? What can we expect? Will it be similar to the first one? Alfred : There IS a title . (to Albert) Are you cool with that? Albert : Let’s do it! Alfred : (begins to count down) One, two, three … Albert : Wait, on three or right after three? Alfred : Like, ON three. One, two, three: Albert’s legs. (laughter) Albert : Ahhh! Sorry, ok, ok … Go!” Both together : One, two, three … ‘Nectarine Peels.’ Albert : Yes, we know you don’t peel nectarines, [and] we address [that]. MaM : It makes people think, and that’s the point. Alfred : (laughing) It’s provocative, man. Albert : It actually came from a text message. (to Alfred) Didn’t you just send the words nectarine peels or something? I was like, ‘Nectarine Peels?’ Alfred : Yeah, yeah, yeah, yeah! Albert : So, I said it has a kind of a ring to it. It seems to mean something, and then immediately I went and wrote this little melody and song at the piano when I got that text. I sent it to Alfred the next day. We’ve taken it to mean a whole lot of things thematically. A big part of it is ambition and its corrosive effects on how we think people see us, how we see ourselves, how we want people to see us, and how we want to see ourselves. That’s one of the main themes of it. I think we’ve made some of our best songs ever. It’s about the same runtime [as ‘I Don’t Wear Suits’], but there’s six real songs. Alfred : I feel like the first project, as great as it is, it was us figuring it out. I think for this one, it’s like, ‘Okay, this is dope, but how do we refine it?’ Keep it us, keep it funny, keep it light or, in some instances, not even as light. We have a song where we switch the topic seven times within the song … switch the energy. We kind of have an idea of what we are now. credit: Gary Governale MaM : So, no sophomore slump, then? Albert : I think this [album] is way better. We’ll see if people like it, but we have this thing: We love dance music, and we love old school hip-hop. So, we kind of find this thing—we have this sliding scale between boom bap and dance sometimes, and it’s really cool. You see little seeds of that on ‘I Don’t Wear Suits.’ We’re putting the very final touches on it. We’re almost completely finished. We’ve got great features: Mega Ran is on this, Pell is on this, LeTrainiump is on this, HaSizzle’s on this … Alfred : Who else is on there? Albert : Is that it, or is there one more? Alfred : I think Albert Allenback is on it. (laughter) Albert : There’s a fledgling rapper named Lyriqs da Lyraciss from New Orleans, and he’s on this record. Alfred's original rap name was Lyriqs da Lyraciss. Alfred : Bless his little heart. That guy, that guy left us around 2015. Bless his little heart. Albert : That was the first rapper I ever sent beats to. He left me unread. credit: Gary Governale Albert explains how he first tried to work with Alfred back in January of 2014. Albert : I’d been making beats for, like, two months but you couldn’t tell me they weren’t the greatest thing in the world. So, I sent him this impassioned paragraph about how I’m studying music at UNO (University of New Orleans): ‘Here, I made these beats, they’re real songs, and they’re great. Here’s nine of them. Check these out. I don’t use any samples.’ I wrote this to a prospective business partner [and] said, ‘I don’t use any samples. I make THESE biscuits from scratch.’ Alfred replied, ‘Word.’ Alfred : Yeah, I’m bad with that. So, here’s a little secret about me: I get overwhelmed really fast. I get about 20 to 30 DMs a day, and I can’t let one go unanswered. (to Albert) I’m just very bad with that, right? I’m the worst with that. Albert : But you’ve gotten better. You set much better boundaries now, and I’m proud of you. Alfred : I’m trying. Let me ask you a question, Albert: How did you hear me? Albert : I think it was this list in Gambit [Weekly]: the five worst rappers you need to avoid. Alfred : I was number three. Albert : You were all five! (Laughter ensues.) Alfred : I’ve just always wanted to know how you found me. Albert : Must have been someone from UNO shared a video or something. I honestly do not remember how I became your friend or followed you. You were constantly updating your status. MaM : His social game is on point. credit: Gary Governale Albert : It still is to this day! Alfred is just a fountain that you just put digital cups in front of and he says, ‘Here, take more, my child.’ I don’t have that. My fountain is not on. Alfred : It’s out of necessity. It won’t get done otherwise. I want to be successful. I don’t have money, so I don’t have a person promoting me all the time. So, I literally have to promote myself all the time. So, I just have to respond to that message. It can’t go unread. Albert : (to Alfred) I learn a lot from you, self-promotion-wise. I feel embarrassed and goofy just to be here sometimes. Just to be on planet Earth. I think there’s a lot of people like me. You’re going to post the thing you love to do and for some reason, you feel like it doesn’t matter. It can be some huge stuff and for some reason, we get in our heads and self-consciously you feel like it doesn’t matter, no one cares, but that’s not true. Alfred : (to Albert) I admire you about how much you detach yourself from it. I think that’s the illest shit ever, because I could never be that way and I admire someone that can. Albert : You inspire me. Like, when we make a video or a skit or something, or make an announcement, the only reason it gets done or posted with any kind of schedule or intensity or intention or commitment is because I feel obligated to live up to what you got [sic] goin’ on. So, I really appreciate your help in sharing more and feeling less embarrassed about self-promoting. I come from that tradition of people of ‘don’t talk about yourself too much.’ Alfred : One of the main things of this group, I really want people to know Albert Allenback as a solo act. I want people to know him because he’s really good. I just want people to know this motherfu**er is amazing. Drop your nuts, Cuz! Albert : Well, thank you. I will take that into consideration when it comes time to lower my testicles. credit: Gary Governale MaM : You both have your successful projects. How do you find time to do SaxKixAve? Is it just those slivers of free time? Albert : Yep, when we can; that’s the only way. We have conversations. We’re like, ‘Hey, you know what? I still really like you, still like doing this, but I’m busy right now.’ We’re really good at being able to keep a good, professional relationship. We’re close, but I think maybe there’s a part of us—some internal kill switch—that doesn’t let us get too close or something? It works really well. Alfred : (to Albert) I respect you and your time. I think one of the things you did early on was lay the boundaries of your time. I think I did that very early, too. I respect that. I know that when you’re running with Tank and the Bangas, you’re busy as shit. When I’m dolo, I’m busy as shit. We both respect each other’s time. So, when we HAVE time, I try to be as malleable as possible, given his schedule. I do a lot of shit, but I do have a little bit more free time than he has. So, I’m like, ‘Yo, when you free?’ ‘I’m free here.’ Done. Albert : That is how it goes. That is true, and you text back FAST. Alfred : That bitch always [sic] in my hand! credit: Gary Governale credit: Gary Governale MaM : There’s a lot of artistic freedom in SaxKixAve. How do you keep from floating away into the creative stratosphere with this, because it seems like opportunities are limitless. What keeps you both grounded and productive? Alfred : We do have some form of an outline of what we expect from each other. We go into the studio with this blank canvas. It’s not huge though. It’s a nice-sized canvas that we can throw a bunch of shit at and scrape off the paint that doesn’t work. We aren’t just throwing darts at the wall and seeing what sticks.” Albert : Fortunately, we know that we can do a lot of things, but I think we’ve also seen enough people try to do too many things. We have made a concerted effort to at least make an attempt to identify what we do the best That keeps us in the same bowling lane. Alfred : Definitely. Otherwise, you start making all kinds of weird shit. Not the good weird but that bad weird. That Chris Cornell and Timbaland-weird stuff. MaM : Things that just shouldn’t exist. What have been some highlights on stage so far? Alfred : So, a guy at Tipitina’s was saying my job (freestyling to things people hold up) was easy because people bring out the same things, and I was like, ‘Dude, I can literally freestyle about anything.’ Albert : (to Alfred) He was giving you shit because, ‘You can prepare for a phone and a lighter, and a comb, and keys.’ Alfred : So, I was like, ‘Go ahead, do whatever.’ I didn’t know that they had got [sic] together because Albert, him, and one other person were just pulling shit onstage, and I just knocked it out every single time they brought something out. That was one of the bigger eruptions we’d had. Albert : We had a Shop Vac, and a dolly, a partition, and a barricade … Alfred : … an ice chest, an orange cone. I just freestyled. The reaction of the crowd … felt good. French Quarter Fest was, by far, top five of my favorite shows I’ve done with you. Albert : Yeah. We had a drummer; it was great. Alfred : The story behind the set is so crazy. Albert : Oh yeah. It was horrible rain, and we weren’t gonna’ get to do the set. Pell stayed, but HaSizzle and LeTrainiump were gonna sit in with us and the rain messed everything up. Everyone else had other stuff to do, but then they let us do like 35 or 40 minutes and that was amazing. One of my favorites was from that Tip’s show as well. It was either a girls’ weekend or a bachelorette party—I couldn’t read the t-shirts—but they did NOT like us. First of all, we came out to this song of Alfred’s called ‘Too Much,’ which is a beat I made, and it is entirely his fault for picking it. (Albert laughs) It’s a wild, ecstatic, frenzied beat—wild music—and we came out to that hard. We came out swinging; we were spinning around and jumping. https://www.youtube.com/watch?v=7p-_D-Kh6X8 There were eight to 10 older women in matching sequence and t-shirts, who just wanted to celebrate Karen or whatever. They were not having it with us. I pointed them out and said, ‘Hey, I know we came out swinging, but we’ll get you back.’ By Alfred’s freestyle, they were into it and having a great time. My other favorite: We played a show [at a gallery] and there was a drum set up on stage. Alfred was doing his freestyle, so I grabbed a cymbal and walked it into the crowd, held it up, and Alfred rapped about it. I didn’t put it back, which is what got me in trouble. This drum set belonged to a kid at NOCCA (New Orleans Center for Creative Arts), and this 14-year-old kid came up to me after the set and he was pretty pissed. He wanted to fight me. I felt more like I related to him than anything because when I was 14, if you had touched my saxophone, I’d be like, ‘What the f**k is wrong with you? Where do you get off touching my shit?’ So, I understand, but it was funny because this fourteen-year-old kid really wanted to fight me because I moved his cymbal. Something clicked where I knew I was now an adult, because I didn’t feel like I was another fourteen-year-old being dressed down; I felt like I was able to take my lick. ‘Hey, you know what? I’m actually sorry and I understand why you feel that way, and I shouldn’t have touched your shit without asking.’ credit: Gary Governale MaM : I know y’all have jokes. What’s your favorite joke right now? Albert : What’s the difference between a chickpea and a garbanzo bean? (Silence for a few moments as the joke goes over my head.) I’ve never had a garbanzo bean on my face. (Much laughter ensues.) Alfred : There’s no way I could ever top that. MaM : Your social media videos are pretty funny. Do you guys sketch them out before you do them, or do you just hit record and go? Alfred : Definitely sketch them out. Albert : We fancy ourselves, against our better judgement, as some sort of amateur sketch comedy team. We are NOT. That’s why we make music. Listen, we’re musicians first; we’re not Saturday Night Live writers, okay? This is a means to an end. Don’t hold us accountable for this. A lot of our videos are Alfred doing funnier shit in the moment than either of us could’ve come up with just writing it out. Alfred : Yeah, those videos are great. I think we’ve had two go viral. You know its popular when you get those assholes that are like, ‘This shit isn’t even really that funny.’ Those trolls. It’s like, ‘Yes! We did it, baby!’ (laughs) Albert : At least they feel something. We spend much more time than we’d care to admit coming up with these. Alfred : I really enjoy doing it. I don’t enjoy it as much as the music, but I do enjoy creating because we both have funny shit in our head, and we live in a time we can legit act it out. Albert : And it feels like a break from the music. It feels like going into woodworking or something. There’s no pressure on this. I’m just building a cabinet; I’m not making my life’s work, which is what the music can feel like sometimes. You have to step back and be like, ‘Hey, chill out, because this is putting pressure on you.’ Spoiler alert: You don’t make great things when you feel a lot of pressure. Maybe some people feel like the pressure gets it going for [them] but for me, I have to be in a relaxed state and let good things happen; otherwise, I’ll shape myself into all kinds of molds that aren’t me. Alfred : I ain’t [sic] gonna lie, I enjoy pressure. I think back to, like, 2010 when I was freestyle battling guys and that feeling of being scared shitless out of my mind, jumping on stage in front of these people, not knowing what I’m about to say and just reveling in it. Being like, ‘Oh, I just can’t wait … but what if I f**k up? This is great; I love it.’ Albert : (to Alfred) Props to you. That’s amazing. That’s like being a stand-up comedian. I could never imagine. Alfred : I may sound cocky, but I’m very much an amazing rapper and I am looking for a moment to stumble. I want to f**k up because I want to learn where I f**ked up at. I want to perfect that and do it again and be much better at it. Albert : Sometimes you just want to feel human. (laughter) Alfred : Seriously, though; I really do enjoy the pressure. Pressure makes diamonds. credit: Gary Governale MaM : So, Albert, you’ve been making beats for a long time. You have a decent back catalog of tracks to pull from. This new album, is it pulling from that or are you coming up with new stuff on the spot? Albert : Some of it is brand new, some of it is ideas that I’ve been working on for years. You make these things and see what comes out. It’s new to everyone else, but it’s something you may have been working on for so long. I got some advice really early on. I forgot this fella’s name, but it was the first time Tank and the Bangas were playing a super lounge at Essence Festival. We were getting to hang out at Essence, and it was awesome. Kelly Price’s music director was there. He said he had started making beats late in life. He said, ‘Just make it and hold on to it because you might like it, but you never know who will.’ I’ve really taken that into account. I have probably over 1,000 songs or song ideas. At this point, I’ve been making beats and writing songs and doing full productions for almost 10 years now. I have a lot built up; it’s just a matter of, ‘Man, you remember that one I made a long time ago? Let’s see if that works.’ That’s how I get to a lot of good stuff, and then seeing what Alfred does. It’s like two comets hitting. Now I’m more likely to try a few more things and be like, ‘You know what? This is working. We’re going to go with what works, what’s good, how he said that this time, and how he was feeling this time, and how I was feeling right here.’ Just going more with using the stuff as it happens, instead of, and this is a nice tie-in—this is what ‘Nectarine Peels’ is about—instead of making yourself a delicious, fragrant, niche, sub-variant of a peach called a nectarine that some people are going to love and that some people aren’t even going to know about or care about … trying to force yourself into being an apple or an orange or any of the other Renaldo and LeBron-level fruits. You can do that, or [you can] stay being your nectarine delicious self and probably make yourself and a lot more people a lot happier than if you’d tried to be a banana. Alfred : I disagree with everything he just said. (laughter) Albert : SaxKixAve: much more better. credit: Gary Governale MaM : Is there anything else you’d like to say about the new record? Alfred : This new album slaps. Albert : It’s good! Alfred : ‘ Nectarine Peels’ ... I'm very proud of it. I like it. MaM : How many tracks are going to be on it? Alfred : About nine in total. Three skits. Albert : It’s like a 23-minute runtime, but it’s, like, nine tracks. We don’t want anybody to have to skip a song because they want to skip one of our stupid skits. I want to give people total control. Honestly, just take the skit off the album if you want, that’s fine, but we want to give people the option. Alfred : This album is amazing. Albert’s production on it is nuts. The songs came out so good. Lyrically, I feel like I’m doing some really cool things on here, jumping out of the box on stuff. We’re just having fun, and I really think people are going to like it. Currently, there is no release date for SaxKixAve’s second album, Nectarine Peels , but you can check out their website for any updates and be sure to follow them on social media. YouTube: @saxkixave1922 Instagram: @saxkixave Facebook: facebook.com/Saxkixave Soundcloud: soundcloud.com/saxkixave *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Email us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Yum! < Back Dead & Breakfast: The Best Undead Movie You’ve Probably Never Seen Keeley Brooks Oct 4, 2022 Share Yum! I love undead/zombie movies. Everything about them—the blood, the gore, the creatures … the fear they bring. I always have, ever since I laid my eyeballs on 28 Days Later in 2004 and nearly had a heart attack in terror. I loved it! After visiting George Romero’s collection, followed by 2004’s Dawn of the Dead and Shaun of the Dead , I was obsessed. And just when I didn’t think my obsession could go any deeper, I stumbled across a nugget of zombie horror/comedy cheese that cemented my devotion to the art, despite the fact it’s also a musical. What? A musical? A horror musical? Hear me out. After stumbling across the DVD—it was 2004—and reading the tagline, “It’s like a bad horror film … only worse!”, I couldn’t resist buying and watching it, even though I’m not much a fan by way of musicals; they’re just not my thing. This musical, though, I’d watch every day of the week and twice on Sundays. It’s that funny. Dead & Breakfast is a 2004 zombie spoof about six friends on a road trip gone very, very wrong. Add in a creepy Texas town, a sinister bed & breakfast (with murder on the menu), and a charming little band between scenes singin’ some good ole’ country folk music to recap what just happened and set up what’s to come, and, well, you’ve got the toe-tapping entertaining makings for one hell of a bloody, funny movie. Oh yeah, there’s also that pesky army of the undead, who can only be stopped, it seems, by Texas chainsaw (“regular” chainsaws won’t work) or decapitation. The best things about it, in my opinion, are its exploitative use of copious amounts of blood and gore, its very well-placed humor, and (sigh) the fact that it’s a damn musical— the best damn musical I’ve ever seen! It’s so intentionally bad, it’s that good. I promise. Rue Morgue Magazine even hailed it as the best independent movie of the year, way back when. So, here’s what’s up: After a night that leaves both the inn’s owner, played by the late David Carradine, and its chef (Diedrich Bader) slashed to pieces, the group of friends finds themselves the main suspects by the local sheriff, who is played by bat-wielding Walking Dead villain, Negan (Jeffrey Dean Morgan). And that’s just the beginning. Nearly all of the town’s quirky residents become possessed by an evil spirit unveiled from a modern-day Pandora’s Box. The undead soon surround the friends inside the inn, and the group realizes it’s up to them to save any innocents left in town and bring Lovelock to justice. Rather than attempting simple survival in a world of the undead, those not yet possessed set to their own methods of eradication, Texas style. The result is a hilarious gut-bursting, attention-demanding blood battle between the living and the undead, full of tear-jerkingly funny scenes cut with outstanding musical transitions. Even though at the time critics initially labeled it as the American response to the British Shaun of the Dead (you’ll see this in the trailer), the actual truth is that Dead & Breakfast was made a year prior to and released six months before SOTD . It was also made on a teeny tiny budget, which is extremely impressive and worthy of respect simply for its creatively superfluous use of blood, gore, and makeup, which is nothing short of drenching and delightful. Written and directed by Matthew Leutwyler ( The River Why ), these undead deliver an excruciatingly funny Americanized demeanor that’s less zombie-like and more like a possessed cult of maniacal savages thirsting for souls instead of blood. It is utterly ridiculous. It's also a MUST SEE for horror/effects/undead-zombie fans who are equipped with a sense of humor and strong stomach. eFilmCritic called it “the best gorefest since Cabin Fever .” Boom. In addition to the names listed above, Dead & Breakfast also stars Jeremy Sisto, Erik Palladino, Ever Carradine, Oz Perkins, Bianca Lawson, and Portia de Rossi. Watch the trailer HERE . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Runaway Bunny is an epic tale of strength and resilience. < Back Exploring Escapism: Hawthorne Oachs’ New Single is a Compelling Tale of Freedom Nicole Brice Jun 17, 2024 Share Runaway Bunny is an epic tale of strength and resilience. It’s rare and special when an artist’s music resonates with me on a deeply personal level. I can honestly say that it's been a while since I've been genuinely moved by a piece of music. However, last year, a young artist, musician, and actress captured my attention with her soul-stirring song, ' A Single Flower , ' and I have been a massive fan of hers ever since. Credit: Artist website At just 15 years old, Hawthorne Oachs is a free spirit unafraid to explore the depths of the human experience. Her advocacy for mental health is a testament to her courage and empathy, and her willingness to be raw and vulnerable in her music is truly inspiring. Her transparent, honest, and authentic lyrics have the power to make you think and cry, creating a unique and powerful dynamic in music. With wisdom exuding that of an old soul, Hawthorne’s latest song, released on June 6, 2024, “ Runaway Bunny ”, begins with an 80’s new wave synth vibe that transports you into a dreamlike sequence with angelic and haunting vocals. As the song progresses, the intensity builds, and at 1:48, when the twinkling synths come in, it builds even further until it ends so abruptly that you want more. https://www.youtube.com/watch?v=Cnrd0bbJ9fE This is, without a doubt, my favorite song from Hawthorne Oachs yet, and I cannot wait to see what else she has in store for us in the future. Add this to your list of songs to check out NOW! I recommend going down that rabbit hole if you have never experienced Hawthorne’s music. This is only the beginning for this remarkable young artist. Click the picture to experience "Runaway Bunny". Hawthorne Oachs can be found on: Website : https://www.hawthorneoachs.com Linktree : https://linktr.ee/hawthorneoachs Spotify : Hawthorne Oachs | Spotify YouTube : https://youtu.be/Cnrd0bbJ9fE?si=MJEYDUrrhLcBruOP www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Asteroid City is a fun science fiction story with dark and melancholic overtones < Back Asteroid City: Film Review Shaun Corley Aug 16, 2023 Share Asteroid City is a fun science fiction story with dark and melancholic overtones Acclaimed filmmaker Wes Anderson returns in a grand fashion with his latest offering, Asteroid City . After the fair-to-middling Isle of Dogs (2018) and The French Dispatch (2021), Anderson has found his verve once again with Asteroid City . The film is his first foray into the realm of science-fiction and while it contains all of his trademark idiosyncrasies and quirks, it is also one of his most melancholic efforts. Asteroid City is, without a doubt, a fine addition to the Wes Anderson canon. Wes Anderson exploded onto the scene with 1996’s Bottle Rocket and followed it up two years later with Rushmore (1998) before achieving mainstream recognition with 2001’s superlative The Royal Tenenbaums . This film earned Anderson his first Oscar nomination and remains a favorite among fans. Three years later, Anderson delivered the divisive The Life Aquatic with Steve Zissou . While a commercial success, the film received mixed reviews from critics. After 2007’s The Darjeeling Limited , Anderson stretched his creative muscles on 2009’s classic stop-motion feature The Fantastic Mister Fox . Later films of Anderson’s have included Moonrise Kingdom (2012) and the Oscar-nominated The Grand Budapest Hotel (2014). After Budapest , Anderson entered something of a creative lull. Isle of Dogs attempted to recreate the magic of Fantastic Mister Fox , and while an entertaining movie, it fell flat; the same can be said of 2020’s The French Dispatch , which saw Anderson stuck in a holding pattern. However, Asteroid City breaks this cycle and reasserts the formalist director as one of America’s greatest living filmmakers. Asteroid City can be best described as a “play within a movie.” The play, written by playwright Conrad Earp (Edward Norton) is about a group of children attending an astronomy convention in the town of Asteroid City. 3000 years prior, a giant asteroid hit the area, leaving behind a small fragment. Set in an alternate 1955, the convention is rocked when an alien steals the meteor fragment, leading to a government cover-up, which fails when the same youths who came for the astronomy convention help expose what is going on in Asteroid City. Meanwhile, interspersed throughout are stories of the play’s actors and crew and how their lives outside of the play start bleeding into it. If this sounds like an incredibly dark premise for a Wes Anderson movie, it is. However, Anderson employs his trademark style to soften the edges of the narrative. The kids attending the astronomy convention are typical, precocious Anderson youths, who in some ways are hipper to the world around them than their parents. They do not rely on a major news outlet such as The New York Times to get the story out, instead going with one of the kids’ school newspapers. Likewise, while the military is doing something morally questionable, they are depicted as buffoonish and, in the case of General Gibson (Jeffrey Wright), purely unhinged, spouting off seemingly random babble during a speech. Asteroid City does not just mine its drama from politics and conspiracy theories—there is a very real human element present in the story. Perhaps no one character better embodies this than photographer Augie Steenbeck, played by Anderson regular Jason Schwartzman . Schwartzman has been in many of Anderson’s movies, and here the director gets what might be one of Schwartzman’s best performances. Augie has been a distant father to his children, and when their mother dies, he finds himself suddenly saddled with four kids and no real clue as to what he is doing. Augie bonds with actress Midge Campbell, played by Scarlett Johansson , but this relationship brings no real solace. Augie is truly alone, and Schwartzman perfectly captures his melancholic nature. Schwartzman & Johansson as Augie & Midge Schwartzman is joined by a host of stars from Anderson’s seemingly growing stable of actors. Wes Anderson’s movies are always huge ensemble pieces, and Asteroid City is no different. Anderson regulars Willem Dafoe, Jeff Goldblum, Liev Schreiber, Jeffrey Wright, and Adrien Brody are joined by several newcomers to Anderson’s world, including Maya Hawke, Tom Hanks, Bryan Cranston, Steve Carrell, Stephen Park, and Scarlett Johansson. Johansson in particular stands out as the aforementioned Midge Campbell; as Midge, Johansson channels Marilyn Monroe, right down to her voice and mannerisms. Science fiction is new ground for Anderson, and here he manages to employ tropes of the genre to tell a great story. The movie is steeped in the UFO lore of the 1950s, and Anderson successfully recreates this era, giving viewers an idealized version of 1955, with jet packs and disintegrator rays. Asteroid City downplays the Cold War paranoia that gripped the United States at the time, opting instead to focus more on the political than the personal. Now, 27 years into his career, Wes Anderson has firmly established himself as an American filmmaking institution. He has a distinct style unlike any other director working in America, and in Asteroid City he uses his trademark style to tell a fun science fiction story with dark and melancholic overtones. Asteroid City is currently available to stream exclusively on Peacock and to rent or buy on Video On Demand and Apple Movies. https://www.youtube.com/watch?v=9FXCSXuGTF4 Shaun Corley is an East Coast pop culture enthusiast who loves to write about everything entertainment. A big, important Screen Rant writer, Shaun has many leather-bound books, but they're far outnumbered by comic books and the smell of rich mahogany lingering in the air. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. < Back Reviews on the Real: ‘Johnny’s Got a Girlfriend’ by Glitter Litter Nicole Brice Apr 17, 2025 Share ‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. Glam rock meets punk rock in the latest track from Sweden’s own Glitter Litter . Released April 17, 2025 , ‘ Johnny’s Got a Girlfriend ’ is a solid release full of nostalgia. This song is definitely worth a listen because of its heavy guitars, distorted vocals, and throbbing basslines. Our very own Nick Cline wrote a review in 2024 about Glitter Litter , and since then, they have remained on our radar. Released April 17, 2025 ‘ Johnny’s Got a Girlfriend ’ has an '80s hair metal vibe. It combines a unique and catchy sound with just enough pop sensibility to avoid being overly pop . It makes perfect sense in my mind! The chorus is infectious and makes me want to nod in rhythm. How would I describe this song exactly? It’s pop-punk infused with '80s hair metal and a touch of glam rock . This could be a great party anthem—it's very upbeat! The single " Johnny’s Got a Girlfriend " is the first release from Glitter Litter’s upcoming new album , which will be released in two parts and eventually compiled into a full-length album. Glitter Litter is a solo project from Sweden featuring Andreas (ex- Sugar Shock ). It is inspired by glam, comics, bubblegum, and '80s happy metal. The project began two years ago, and three EPs have been released under the moniker. Andreas had this to say on the new song, “One day it struck me that two of my favorite songs (by Heart Throb Mob and The Ultras ) both began with the phrase: Johnny’s got/had a girlfriend . Then, naturally, I wanted to write a song with that title, too, as a tribute to those songs. Suddenly, I was struck with the ‘Johnny-syndrome’ and heard and saw Johnny’s everywhere! Thus, the single’s lyrics are also inspired by ‘ Out With the Boys ’ by White Lion (another Johnny song) and the movie, The Outsiders . Musically, I would describe it as bubblegrum glam/punk with touches of happy 80s metal. ” https://www.youtube.com/watch?v=JH7BfJEMC2k Johnny's Got a Girlfriend by Glitter Litter Go add some new music to your playlists today and stream ‘ Johnny’s Got a Girlfriend .’ It’s worth it because it’s so good. Enjoy! To learn more about Glitter Litter: Website: Glitter Litter - bubblegum glam/punk www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Not a Rock and Roll Loser < Back Born to Perform: Dr. Joe Burns Nicole Brice Mar 9, 2023 Share Not a Rock and Roll Loser Influence … what is it, really? We all have people, places, things, or ideas that influence us in life via various forms, and this next musician I’m going to tell you about is no exception in the realm of inspiration and influence. I first met Dr. Joe Burns when I was a student of his at Southeastern Louisiana University in Hammond, La., back in the early 2000s. I graduated from SLU in 2005, so it was a long time ago, but when I was reacquainted with Joe , it felt like no time had passed at all. One of my favorite memories of Dr. Burns is when he would stand in the front of the class and tell a rowdy bunch of kids to pay attention to him by stating, “Pay attention to me, because I have a tie,” as he pointed to the necktie he was wearing with his collared shirt. He taught me so much, and as a Mass Communications major, I took so many of his classes, that most of my college memories include thoughts of happenings from within his classes. In fact, I credit Dr. Burns as being the one who truly taught me audio and video production because without his instruction, I would not know all I know today—of course, the hands-on experience I had working at 90.9 KSLU FM, now known as 90.9 the Lion , might have helped a tad bit, too. Back in the day when I called SLU home, the Mass Comm department was small, and we were like a family of sorts. I miss that time, and most of all, I miss that era. It truly was much simpler then. Going into this interview, I knew three things about Dr. Burns: he loved Eddie Van Halen , he had previously worked in radio full-time, and he had a great sense of humor. After speaking with Dr. Burns for over an hour and a half (because neither of us could shut up), I learned there is so much depth to his identity and the things he has accomplished and continues to accomplish is just plain remarkable. As one who has led an amazing life, he remains deeply humble. First and foremost, Dr. Burns is a communications professor at SLU , but he also is a f ather, a husband, a producer, a musician, an author, a podcaster, and a master woodworker. He even built his own recording studio, which he aptly titled Loser Studios as a nod to one of his albums, Rock and Roll Loser . Joe’s quirky take on rock music is entertaining, comedic, and sincerely authentic. Take a moment to read this interview, then go check out his latest music release Tools of the Trade via all streaming platforms. It’s very nostalgic for me to hear, because many of my old college buddies make guest appearances on the album in various forms, and it’s just a damn enjoyable album, as all of his releases are. Joe Burns is the epitome of the modern-day Renaissance man. credit: Gary Governale JB : You called a little early! MaM : Well, according to my phone, it says 14:00 on the dot … 2 o’clock! JB : Nicole, my gosh, Nicole! I haven’t seen you since you actually were in my classes. How have you been? MaM : Man, life has been crazy. I want to tell your story, though. You have one of the most distinct voices I have ever heard, and I can always tell it’s you, no matter what. Give me a little background info about where you were born and raised, because I remember you saying you were from Ohio back when I took your classes, and I know you went to Bowling Green University , correct? JB : That was for the Ph.D. I was born in Flint, Mich., actually … back when you could drink the water. It seems that I was always in a new place growing up. In 5th grade was when I made my way to Ohio—specifically Solon, Ohio , which is a suburb of Cleveland , and I grew up in Cleveland through the formative years: 5th grade all the way until the end of high school. That’s my Ohio connection, and I consider Cleveland, Ohio, home. MaM : That’s cool how you have that Ohio connection. My mom is from Ohio, too. She is from a little town called Ashtabula, Ohio , which is right there on Lake Erie . I had the pleasure of visiting up there in 2009 and just fell in love with the area. When did you first pick up guitar and start playing? If I remember correctly, you are a music junkie just like me, and I know you like Steely Dan and Van Halen . Give us a little more info about your music background. JB : Well, my mother put a gun to my head and made me play saxophone (laughs), because that's what a young boy should play … something to be in the high-school band. And, well, she decided one day to play guitar. So, she took lessons at the local cooperative, and we had this really piece of crap Stella guitar that my dad bought, probably from Sears . And she kept coming home with her lessons, and I would have the lesson in 10 or 15 minutes, and my dad finally said after a couple of months, ‘Why don't you just give the guitar to the kid because you're not getting it, and he's got it in about 10 minutes now?’ He probably paid for that for a year afterwards, but I just started getting better and better and better. And I remember I was invited, because all I had were acoustics, these cheap little things that we got at garage sales. And we—one guy asked me, ‘Hey, do you want to be in this band?’ And I said, ‘Yeah, I'd love to,’ and my dad talked to the local music guy because I would always go into the same little music store, and the guy said, ‘Oh, yeah, Joe could play rhythm guitar in a band right now.’ Easy to do. And I had gone in there and apparently picked this one guitar off the wall 10 times. It was a Morris electric in Cherry Sunburst . As a matter of fact, it's hanging on the wall right behind me. It maybe is the most balanced instrument I've ever had. You can't even buy them like that anymore; they don't make them. So, I took it and bought a cheap little amp from a friend, and that's when I started playing it: on my 15th birthday. That's really when it came to fruition. And I remember writing my first song on that guitar. I can remember most of the lyrics. It's really sad. (laughs) credit: Gary Governale MaM : So, 15 years old was when you decided, “This is it—I really love guitar, and this is what I want to do,” and you’ve just kind of done it as a hobby over the years, or did you want to do something serious with it? JB : I wanted to do something serious with it all the time. Here's the problem: I'm 6’4” and about 250 pounds, and in Cleveland , when you're that big, you don't become a musician. I was a football player. I was a wrestler. I threw shot put, and music always had to go on the back burner. It's just the way it was. And I mean that; I'm not trying to be clever about it. It's, you know, when you're within the top 10 biggest guys in the high school, you don't get to go play guitar. I played in bands with people now and again, but nothing ever came of it. It wasn't until I got out of college that I started to perform with bands. I was recording with the radio stations, but it wasn’t until I got out of college that I had the opportunity to perform. And, I remember the first real band I was in was a band called Theory. Our first album was going to be called ‘Hypothesis.’ How horrible is that? And then I picked up with a local band that was actually very good, and [I] did a lot of gigging. It was called Rick and the Rockets, and I was one of their rotating guitarists. I was a rocket, and that's pretty much how it went. MaM : So, you mentioned above that you were working in radio, which I know you had a huge career in, so tell us a little more about that. JB : I was not going to go to college and my parents said, ‘Oh yes you will,’ and I said, ‘Oh no I'm not! I'm gonna get on a bus. I'm gonna go out to California , and I'm gonna join up with a band.’ So, what they did was bribe me with a car. Now, don't get me wrong—it was a nice car. It was a ‘79 Camaro with a 354 barrel, you know, powder blue interior. Oh, yeah. If I wasn't ugly and fat, it would have brought the chicks a runnin’. (laughs) MaM : (laughs) Oh yeah, that does sound nice. JB : And I started playing in little bands in college here and there. But what was wonderful is, I got into radio and then you see radio took over, and I would go out now and again with a band. I would sit in with people. I would do a track here and there. But, you know, for 12 years, I ran radio stations and kept everything up and running. MaM : Which radio stations did you work for? JB : I started in Pennsylvania at Titan Radio . That was my college station. I was at two different stations during college—full-time gigs. That was WKST and WFEM . Left there, went to Oklahoma City for KCGK ? I can't remember exactly. I don't think it exists anymore. Left there for WQLT in Florence , Alabama . Left there for KG107 in Utica, New York . Left there for 92 Gold in Southern Pennsylvania . It was actually the Hagerstown, Maryland market. And after that, I quit and went back for a Ph.D. I got the masters while I was running the stations in Pennsylvania. MaM : Wow. How did you end up in Louisiana, of all places, after an incredible career like that? JB : Simple. I got the masters while I was in … and, and by the way, I got the masters on a bet. I used to use the questions in the morning. One of the bits that I did was … ask trivia questions, but they came from the MENSA book, the genius thing. And somebody joked to me, you know, ‘Hey, why don't you go test MENSA? You think you're so smart and all that.’ So, I went, and I tested for MENSA, and you go through about four IQ tests, and I scored above 140 on each of them. So, they invited me to go to York, Pa., and try out to get into the MENSA Society. I took tests and failed. You had to be in the top two percent. I still have the piece of paper because no one believes me. I scored in the top three percent, and I said to them, ‘Don't you people round up?’ And they said, ‘No.’ It’s just with my master's degree, I couldn't find work as a professor, so I kept calling all the rejection letters, and what I kept getting was, ‘You don't have a Ph.D.’ So, [I] went to Bowling Green . I applied to two places: Bowling Green and Kent State . Went to Bowling Green because Kent State said no. Did three years, because they say the average time to get your Ph.D. is five years, and I said, ‘Well, my wife doesn't want to be here very long.’ Bowling Green is nice, but it's just south of Toledo, so you can tell it's a little grungy-greeny. So, finished that up in three years, as quick [sic] as possible. I won the dissertation scholarship. What I didn't win, though, and this still makes me angry to this day, was ... I was up for graduate student of the year, and the woman who was doing the interview told me that she wouldn't vote for me because I, ‘stalked the students.’ MaM : What?!? JB : I didn't stand in one place and lecture to them. I walked around and I engaged them, and I made them speak. This woman is just sitting there filled with liberal arts confidence, right, and I said, ‘Radio communication. This is radio. This is television. We don't play well with introverts. You must understand what we do here.’ She didn’t like that very much, and so, I lost. credit: Gary Governale MaM : I’m assuming getting the job at SLU is what brought you to Louisiana, or was it something else? JB : Yes. Yeah. Well, no—here’s the thing. I got a job immediately. In fact, I was the first in my graduating class to get a job, and it was at a university I absolutely loved. It was one of these little richie, rich schools, and you would think the kids would all be complete jerks and all of it. No, they were great. And it was a school that had money and gorgeous radio stations. It was everything I wanted. It was two hours outside of New York City . So, this whole time we're trying like crazy to have a kid, and we couldn't seem to do it, and my wife finally said [she couldn’t] go through another northern winter. She's from Alabama. I met her when I was at WQLT . So, I kept giving her the chronicle, “Higher Education.” That's the magazine that tells you where the jobs are, and I applied to everything that she wanted me to. I was given two job offers. One in, I think it was Marietta, Ga., at Southern Polytechnic University. I would have been a computer professor. The other one was at Southeastern Louisiana University , and I took it. MaM : So that’s how you ended up here. You were all over the northern part of the U.S., and you get transplanted back down here. (laughs) JB : I don't know what's a better life, and I mean this … I don't know what's a better life because none of my cousins, and both sides of the family—mom and dad—none of my cousins have anything more than a B.A., and I'm not putting that down. Look, a bachelor's degree is, is an impressive thing, but none of them have over that. I am the only one that holds a master's degree. I think one of my cousins does, too, but I'm the only one to hold a Ph.D. … and you ask yourself, ‘Is it better to do what I did and move all over the United States, or is it better to stay put in one place?’ See, all my friends who stayed put in Cleveland all still get together and they all have a good time together. Me, on the other hand, it's a weird existence, and anybody who has had a job where you move all the time [knows] it's hard to make lifelong friends. My wife and I have lived in nine different states. MaM : I admire the fact that you have lived in so many places and have experienced so much. I can completely relate to what you said, though. I went on Apple music recently, to check out your music, and did you know there are two other musicians with the name, Joe Burns? JB : Sure … and there is a soccer player and an ex-football player. It is a very common name. I always tell people, ‘You gotta put that Ph.D. after it to find me!’ But the thing is, every time you put that in, it's not my music that pops up; it's my books, because I had a real success for a good, long while there with creating web pages, and [it was] right at the beginning of the internet and teaching people how to make web pages, and it ended up in a series of five books. That comes up long before the music does, but you know … time marches on. MaM : Refresh my memory on the titles of those books, so I can let our readers know about them. I think it was “HTML for Dummies” or “HTML Goodies?” JB: It was Goodies. ‘HTML for Dummies’ was some corporate thing, and I always hated it because the idea was you have to admit you were stupid to read the books. (laughs) JB : It was ‘HTML’ mainly because, you know, the books were about how to make a website. It was ‘HTML Goodies,’ because the first thing I ever did was put a series of cute little images up online, and my father made the statement that, ‘Oh, look! You got all these little goodies for people to give away.’ So, there you go: ‘HTML Goodies.’ There it was, and now it’s five books. It's been reprinted in at least three languages that I know of. MaM : Wow, that’s impressive. JB : One of them is Polish. (laughs) MaM : I noticed you released an album in 2017 prior to this most recent release. “ One Hell of a Story ” was the title, and I was wondering if that was the first time you had released music on your own? JB : No, as a matter of fact, that was the second album. Here’s the thing … I have always been an extremely pragmatic human being, meaning there are people that if they're not perfect when they come out of the gate, they get very upset and they quit. I put out an album called ‘ Rock and Roll Loser ,’ and you'd have to go to my YouTube channel to hear some of the songs, and there's about three songs on the album, which I think are very, very good, and I'd like to re-record them, but the rest of them are pure crud. MaM : (laughs) JB : I've had people say to me, ‘I listened to ‘ Rock and Roll Loser ,’ and it's terrible,’ and I said, ‘You're absolutely right!’ But you see, I recorded that entire album on a laptop, and the drums were all fake and I didn't understand to put in drum fills. It's horrible, and I urge people to go listen to it. If you want to hear a couple of the very good ones, listen to ‘ Believe ,’ which I really want to re-record, and [then] listen to ‘ Misinformed .’ Those are the two that are actually really good songs. They're just not recorded well because I didn't have the equipment. credit: Gary Governale MaM : So, when you released that, you just released it strictly on YouTube? JB : No, there's a website: www.RockandRollLoser.com . I refused to put out any music and expect someone to give me money for it. I don't want 50 cents or what have you getting between you and you listening to my song. So, I put it out. I just thought it was the greatest album in the world. This happens constantly. You know, you write something, and you go to bed thinking they're gonna hand me the Pulitzer this week, [then y]ou get up in the morning, you listen to it or you read it and you go, ‘What was I … was I drunk?!?’ MaM : (laughs) JB : I go back and listen. The song ‘ Rock and Roll Loser ’ is cute, but it's not much … it's not much more than me figuring out what the heck I'm doing. I'm playing in a couple of bands. The big one at the time was called Impaired Faculties. It was all professors from Southeastern. MaM : I remember hearing about them. Dr. Robison—wasn’t he a part of that? JB : He was the other guitarist. He's the one that came to me, and we played a little bit together and he said, ‘Okay, you and I have got to play dual guitars. We must.’ And I said, ‘Okay.’ So, the whole thing was supposed to be just a fundraiser, and then we discovered we weren’t that bad, and so we kept going. We recorded a couple of songs that nothing's ever happened with them, and then, I wrote a song called ‘ Water Line ’ after the floods, and we made a bunch of money by selling at a dollar a pop, but it was a fundraiser. The whole time, I was doing my radio show or, rather, my podcast ‘ Rock School ,’ and I kept building my home studio and I kept getting better equipment and better equipment. So, when you listen to the second album, which is called One Hell of a Story , you go, ‘Oh my gosh, the songs are getting better.’ And then a year later, my wife and I put out a Christmas album called ‘ Let's Get the Jingle Bell Out of Here ,’ and again, better. We had real success with that. We got on a CD that was sent out, and we were the nobodies next to Sia and Kelly Clarkson and Barry Manilow , and it got sent out to all these radio stations. We had phenomenal success with that album. It got 400 different radio stations to play it. I then started messing around musically with a buddy of mine. You probably remember him: Rusty Gregoire. Do you remember him? MaM : Sure do! I stayed good friends with him for a long time. Now, we’re just Facebook friends. JB : He and I started recording together and I think we have five or six songs, and they're really good. We need to record a few more and put it out, but again, with him … better. I hadn't recorded for, it had to be two years, and I finally just had all these songs that I had written for all these other people. By the way, I put out an entire album called ‘ My Key ’ with a singer named Naomi. If you go to any of the streaming services and you search ‘ My Key ,’ Naomi - N A O M I, Naomi, you'll find that one, and you'll listen to the other albums … and then you’re like, ‘When did you learn to play piano … and saxophone?’. I brought pros in to do all these things, and I think it’s sonically beautiful. credit: Gary Governale MaM : We’ll have to check that one out. JB : I don’t know how to explain it. I guess I don’t sit in a room and play chord after chord after chord, praying that somehow, I’m gonna come up with something. What I do is—in my car—I have found that to be at your most creative peak. Sit still, and let your mind go somewhere. If you sit and force yourself, and you go, ‘It’s time to write a song,’ you’re not gonna do it. Just keep your mouth shut and let your brain turn into clouds, and that’s where the riffs start coming. MaM : So, you mentioned previously that you build your own guitars. Do you play your custom guitars that you’ve built? JB : I built all my guitars. Literally, built all my guitars … and I set the whole system up, and that’s what I did. MaM : What type of blueprint do you use to build your guitars? JB : See, I buy a kit, and all I use from the kit are the neck and the body. I don’t use the crappy stuff. I do all my own electronics. I buy all different pick-ups. I always make a point of finishing them in different colors, and then I call for them by color when recording. MaM : Tell us a little bit about this latest album that you have released. JB : Well, it’s called ‘ Tools of the Trade .’ Why? I don’t know. My wife suggested it, and I thought it was okay. When you listen to ‘ Whadaya Say ,’ it goes to a jazz place in the middle, and the entire solo is played note, harmonic note, harmonic note, harmonic. The second song is called ‘ Not My Circus, Not My Monkey. ’ It has what’s known as a waterfall of harmonics because I want people to go, ‘Wait a minute? What the heck was that?’ It’s a heavy song, but right out of nowhere comes a harmonica. I don’t want to keep playing 145. I want every single song to make people go, ‘What?!? What was that?!’ credit: Gary Governale MaM : I did notice that each track is different and each one reels you in in a different way because of how unique they are. If you were to hear them consecutively, you would not know they are by the same artist. JB : Yeah, I’ve had people say to me, ‘Hey, look, ‘ Not My Circus ’ sounds like Nuno Bettencourt.’ If you write a song that sounds like somebody else, you’re not doing it right. I’ve gotta be honest, there is a little bit of Eddie Van Halen in everything I play, but it doesn’t sound like him. I write these songs and put them together and pray they don’t sound like anyone but me. I’ve probably got seven or eight more riffs just sitting in a file somewhere because I’m probably going to do it again. Somebody said, ‘Why would you release 18 songs in a row?’, and I said, ‘Because I’ve got another 18 … just give me a year.’ MaM : Do you have any plans to play any live shows? Have you thought about maybe doing some local gigs in Hammond? I’d come see it! JB : I’d love to do it, and I’ll contact you when it happens. I want to get out there and do it by myself. I’m not in a band right now, and I think it’s simply because of time. I’d like to get out there like a troubadour. Me and a guitar and do it about once every other week. My wife has even said to me, ‘Why are you not out there playing?’, and I think it’s just because I’m 58 and I’m lazy, but I don’t even need to get paid. I mean, give me some beer and maybe some food. The last time I played a gig, I went three hours straight and didn’t even take a break. I would just like to get up there and strum chords. I can tell you that I’m not a big requests person. I will show up and do a show, and if someone comes up and says, "Play ‘ Margaritaville ',’’ I guess I could, but that’s not my thing. MaM : I know quite a few local musicians who get zany requests when playing live. Like, people like to yell, “Play ‘Free Bird’” at live shows. Not sure why, but they just kind of laugh it off. JB : Wouldn’t it be wonderful to actually learn ‘ Free Bird ?’ The entire 10 or so minutes of it. Some drunk guy in the audience could go, ‘Free Bird!!’, and I could go, ‘Okay!’, and literally play the entire song. MaM : And I would love to see that, and I’d be cheering you on! So, Rock School Records is the imprint you are releasing your music under. Have you used that for all of your releases? JB : Yes, so DistroKid , they wanted a name of a record company, so I had to make something up. I call my studio, though, Loser Studio because the first record was ‘ Rock and Roll Loser .’ It was called that on purpose, because I had it in my head that if what I’m about to create is pure crap, then if I call myself a loser first, then you really can’t make fun of it. credit: Gary Governale MaM : As far as releasing the music, I know you have it on Apple Music, but are you releasing it on other platforms? Where is your music available? JB : I send it out to every venue that will accept it. It’s on Pandora, Spotify, and Apple, and I use YouTube as kind of a fun thing. The first single off the album, and I’m going to really start pushing it soon—it’s called ‘ Tickets Please ,’ and it’s got a video. By the way, there is also a video for ‘ Bad Idea ,’ which is also on the album. There are actually quite a few videos, but you have to go to my YouTube channel to find that. Just know that if you type in “Joe Burns,” you gotta put that Ph.D. behind it. I did have the entire album up there, but once I put it up, I immediately got a copyright strike from a company that makes ukelele music. MaM : (laughs) JB : I laughed at them and took the whole thing down, and I’m sure once I put it up again, I’ll get hit again. I’ll show them, though, that I have the original audio files and everything. MaM : So, your “Rock School” podcast / radio show. I know it used to run on KSLU. Is it still going? JB : Oh no, I’m still doing it. We have won several radio Emmy ’s, probably seven, and we’re now on 32 radio stations, two networks, and the NPR network. We’re trying to get on with the Armed Forces Radio Network . Haven’t heard anything about it, and I think our weekly downloads are somewhere between 25 and 27,000. My wife is actually my co-host now. The thing is, we kept running out of studio time, and I brought the whole thing to my studio. credit: Gary Governale MaM : Ok, last question, are you only using your home studio for recording your personal stuff, or do you plan to open it up to other musicians? JB : I’ve thought about it. I’ve got some ideas. I’ve thought about running wires to my gazebo and then have them record a show for 45 minutes, and then the band will walk away with maybe a five-song demo and a live recording … put it all on a jump drive for them. MaM : Any parting thoughts or words? JB : I really just want, like, 20 minutes of your time. Give my music a listen, and then pass it on to your people. This is a hobby for me. I’m trying really to create some quality music, and I hope you see it that way, too. To check out Joe Burns and his music, hit one of the links below! Joe Burns PhD - YouTube ‎Joe Burns on Apple Music Spotify – Joe Burns Rock School on Apple Podcasts Joe Burns Rock.com - Home Page (joeburnsrocks.com) Joe Burns, Rock and Roll Loser - Homepage Joe Burns - One Hell of a Story - Home Burns Christmas - Home *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. < Back Originally Huntsville: Monthly Music Event Bud Gambrell Oct 27, 2023 Share Originally Huntsville celebrates live music by showcasing local North Alabama talent in a monthly music concert series with a benevolent cause. When most people think of “Music City,” Huntsville, Alabama, is likely not the first place that comes to mind … but Chris Hendley wants it to be. Having been working towards building a Music-City atmosphere in Huntsville for several years now, Hendley kicked off 2023 by bringing a monthly music concert series to the city that would put local artists and local music at the forefront. Hosted by The Electric Belle at Stovehouse and event management connoisseurs The Hendley Group , Originally Huntsville shines the spotlight on musicians with ties to North Alabama. There is a catch though: In order to be considered, you can’t play covers. According to Hendley, the Originally Huntsville showcase is about showcasing North Alabama’s local talent and providing them with a space to perform their own original music. Originally Huntsville doesn’t allow any cover songs and in order to even be considered, you must have a set of at least 45 minutes that features your own original music. Originally Huntsville, which kicked off in January 2023, has definitely set a tone on the Huntsville music scene. Every person who walks in the door is privy to what, exactly, they’ll be hearing, and that, my friends, is original music—the kind these artists poured their hearts and souls into—matched with an authentic performance. Here is the win-win to Originally Huntsville: Not only do we get to see local bands highlight their original music, but the concert series also has a charity side. Originally Huntsville benefits Huntsville Hospital Pediatric Audiology. It’s no surprise, then, that Originally Huntsville has seen success and been a huge draw for local lovers and players of music. October’s event, which featured local bands HunniVega and The Grassring with headliner 5ive O’clock Charlie , brought with it a big change that saw the event moved to Mars Music Hall in Von Braun Center. Mixed Alternative Magazine was at Originally Huntsville and got to chat with Mike Roberts of 5ive O’clock Charlie about how it feels to be headlining such a worthy event. We were also curious why the change in venue, so we managed to snag founder/promoter Chris Hendley for a quick chat too. See what they had to say! MaM : Mike, thanks for speaking with us before you go on. What were your feelings when you were asked if you would headline Originally Huntsville in October? MR : We're pretty happy about it! You know, I'm pretty excited! Credit: Bud Gambrell MaM : A lot of big acts come through Huntsville and play at Mars Music Hall. How does that feel as a musician to be able to play on that stage? MR : It's good to be back on that stage. I played it a couple of times. Yeah, it's always fun to play on a big stage. MaM : You've been playing as a four-piece, but tonight you’re down to a three-piece. How's it going to feel to be back down to a Power Trio? MR : We were three-piece for a long time, so it should be pretty comfortable. We were in Key West last night as a three-piece and it was solid! Looking forward to it! Next, we caught up with event founder and promoter Chris Hendley. Credit: Bud Gambrell MaM : Chris, thanks for a taking a second to speak with us. We are curious: What led you to change Originally Huntsville from The Electric Belle and bring it over to Von Braun Center at Mars Music Hall? CH : The Electric Bell Stovehouse people have been so gracious with the with the rent deal and the event deal that we have with them. With scheduling, we had the flexibility in our scheduling that if they came up with a client or someone who wanted to rent the room, we would slide [our event] one week up or one week back. But in talking with Mike Roberts, who curated with 5ive O'clock Charlie, October 19th was the date we had, and we couldn't get [Electric Belle] to slide one way or the other. So luckily, in having a relationship with Mars Music Hall, they were able to work with me … We worked a really good deal here. So, we are excited about it—5ive O'clock Charlie and HunniVega and The Grassring needed a little bit more space than what Stovehouse and the Electric Belle had, so it just kind of worked out. MaM : Not only is this a spotlight for local talent, but it also has a charity side to it as well. Would you please elaborate on that? CH : We work with the Huntsville Hospital Pediatric Audiology department, and it is really for families and children who have hearing deficiencies that are not going to be cured by a hearing aid. Most of these audiologists will tell you really quickly whether hearing aids are going to work or not. Most insurances require a family to have a hearing aid for an infant or a toddler for at least three to six months before they'll even consider them for a cochlear implant, and that hearing aid for a pediatric, or for a young child, costs between $8,000 and $10,000. They have a loaner program, and they need to refurbish those hearing aids. It's just a stopgap between the hearing aid before they can get the cochlear implant. They know the hearing aid isn’t going to work, so we've been blessed to work with these guys, and you know, it just made sense for music and kids. All of the bands love the idea of being able to support this type of cause because their music is their passion, and they want these kids to experience it. As you can see, there’s a more than one reason to get to November’s Originally Huntsville event , which is the last Originally Huntsville of the year and takes place Thursday, Nov. 2 at 7 p.m. (doors at 6 p.m.), back at The Electric Belle. November’s event will feature Tim Cannon , Drunk In Memphis , and 3 Below . Tis the season for giving and kindness, and for some badass live, local North Alabama music, so mark your calendars and make those plans to get out and support live local music and give to a worthy cause. For more information on Originally Huntsville, visit them online at www.TheHendleyGroup.com Check out some more photos from the event below, in case you missed it! 5 O'Clock Charlie Hunnivega The Grass Ring *All photos by Bud Gambrell with Dragonfly Imagery www.dragonflyaerialimagery.com Dragonfly Aerial Imagery Dragonfly Aerial Imagery is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next

‘Despair’ is a song full of truth. < Back Reviews on the Real: ‘Despair’ by Hawthorne Oachs Nicole Brice Mar 20, 2025 Share ‘Despair’ is a song full of truth. Hawthorne Oachs released her latest musical offering, ‘ Despair ,’ on February 22, 2025, and this track stands out from her usual style. Featuring her soothing, angelic voice, ‘ Despair ’ begins with haunting synths and progresses to a more upbeat tempo than her previous songs. Beautiful guitar parts weave throughout the track, filled with dark imagery that conveys deep meaning. Oachs' lyrics resonate with my soul , making it feel like she is in my mind with this song. Not only is Hawthorne a talented lyricist, but her wisdom shines through in everything she writes. I often find myself lost in an imaginary world while immersing in her music. Released February 22, 2025 - click to listen Lyrically, ‘ Despair ’ addresses the current state of our world and conveys the message that we are doomed to fail unless we unite . In one part, the artist expresses, "We're all in this together, yet we find ways to hate one another. Division will be our downfall." These words could not be more valid. Hawthorne's vocals always make me feel like I’m floating on a cloud, and in ‘ Despair ,’ this feeling continues. With a catchy chorus of "We're trapped, trapped, trapped, and we can't get out," I became wholly consumed by the song due to its powerful lyrics . https://www.youtube.com/watch?v=U2Dh0y_XIdc Hawthorne has a way with words, and she speaks the truth , so do yourself a favor and get lost in ‘ Despair .’ It’s out now on all streaming platforms. To learn more about Hawthorne Oachs: Musical Artist | Hawthorne Oachs www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Charles Brooks, D.M.A. < Back Big, Easy, Body-Melting Vibes Keeley Brooks Oct 3, 2022 Share Charles Brooks, D.M.A. As promised, each article I’ll direct your gaze towards an artist worth checking out, and then I’ll tell you all about why they’re worth it. Maybe they’re hip and chic, just like you. Maybe they’ve got some funky, groovy vibes that resonate so loudly, you simply can’t afford to pass on hearing more about him/her/them. Or, maybe they have a super-cool ability to melt your face off with one bitchin’ musical experience that’ll leave you reeling for days. For this first article, I do not disappoint. (And if I do, then by all means send me an email and let me know so we can rap about it.) I bring you more than just a musician. I bring you a unique body-melting experience that clings to you like static and leaves one hell of a lasting impression. My people, meet Dr. Charles Brooks, a multi-talented, classically trained professional jazz vibraphonist, percussionist, hand drummer, pianist, clinician, composer, and educator. Hold up. A what? A vibraphone? What the hell is that? Here’s the easy answer: think xylophone, only bigger, more octaves, and with pedals, like a piano. Remember NBC’s former tone that played on TV between your favorite primetime shows … ding dang dong … that’s a vibraphone. You with me? Cool. The vibraphone itself is a unique instrument for many reasons, one being because it’s not that widely known outside of the professional music community, and secondly because of its main special feature: a set of small, electrically operated fans that sit above the resonators and below the bars, or keys, of the instrument. This positioning allows for a smooth vibrato, or pulsating change of pitch, effect by rapidly closing and opening the resonators. Still with me? For those of you who are music lovers and not players, resonators are the tubes placed underneath the tone bars (i.e., keys) through which the vibrations travel. What makes Brooks’ sound equally unique, if not more, is his method of running the vibes through effects pedals, and that , my friends, is where this bitchin’ musical experience begins, if I do say so myself. “Running the vibes through these pedals provides added texture to its distinctive sound. [The pedals] roll out those rich vibraphone tones to listeners in waves with multi-dimensional effects that leave quite an impression. And that’s what I try to do when I play music—give listeners an unforgettable experience through a sound that imprints upon them in some way,” said Brooks. And imprint upon you, it will. Cases in point: check out the livestreams of his 2017 Pink Floyd tribute show ( https://www.periscope.tv/theCBDMA/1dRJZAYnrdaGB ) and his 2022 Black History Month Jimi Hendrix tribute show ( https://youtu.be/0R2OK689L2U ). Or, stroll on over to his YouTube channel and check out his smooth jazz vibes from this year’s W.C. Handy Festival ( https://youtu.be/_ibe3G-X8Uk ). But definitely after that, you’ll wanna peruse through any or all of his Friday Night Vibes shows, which feature both originals and covers. Selections of FNV shows are available on YouTube, and all FNV shows in their entirety are available for your pleasure at www.TheCharlesBrooks.com/friday-night-vibes . https://www.youtube.com/watch?v=0R2OK689L2U Credit: YouTube When COVID locked us all down with nothing to do but, I don’t know, be with ourselves without a social construct and learn to communicate and self-entertain, Brooks started live streaming a one-hour solo vibraphone concert (often with various hand drums and drum set) every Friday night “I knew people were going stir crazy being stuck at home—especially those who enjoy live music. When there is no live music and everything’s locked down, it leaves a gaping hole in people’s lives. So, I started doing FNV to help music lovers and listeners unwind and disconnect from their stress so they could feel somewhat reconnected to music … to themselves, in a sense,” said Brooks. You’ll definitely want to set yourself an atmosphere before settling into any of these concerts. Relax, get comfy, turn the lights down, grab a drink, get mellow, then get lost in the waves that come rolling out at you. Let the energy of sound and the magic of music take you wherever they go. Get lost, babies. That’s what it’s about. We have to have a way to check out of our physical reality from time to time—in healthy ways, of course—and what better way to do that than with music? Let its healing power flow all through your sexy little body and do what it’s meant to: create, inspire, and impress an experience upon your being. Credit: Rachel Neal After viewing one of his shows, you’ll understand what I mean by “experience.” Brooks is known for his personalized high-energy performances, not to mention his wildly innovative improv talents and the speed at which he is able to play. He uses four mallets and often moves so fast up and down the face of the vibes it’ll make your head spin. Like a record. Right ‘round, baby. Right ‘round. It is truly a spectacular, unforgettable experience. And Brooks doesn’t just stick to jazz tunes, no. He has an ever-expanding repertoire that includes rock, blues, soul, and funk genres, as well as his own original tunes. He currently has four albums out, and they’re all available on his website and most streaming platforms. For each album, he composed, performed, recorded, mixed, and mastered everything himself. His albums range from a meditative hand drum experience inspired by martial arts forms he has studied over the course of his life, to a meditation and relaxation album for stress relief, to albums with a mix of jazz, blues, funk, and soul. Each of his tunes reflect on a special person, time, or experience in his life. Credit: Rachel Neal Brooks isn’t just a musician though. He’s also a professional audio engineer and educator (with a doctorate from good ‘ole LSU (Geaux Tigers)) with over 30 years’ experience. And in 2021, after nearly 26 years in Baton Rouge as a music and audio educator, mentor, and performing musician within the Baton Rouge and South Louisiana community, he accepted a position as Assistant Professor of Audio Engineering at the University of North Alabama in their department of entertainment industry. Since settling up in the Shoals area, he has returned to his role of freelancing as a studio musician with numerous musical capabilities at the legendary FAME Studios in Muscle Shoals, Alabama. Brooks can be heard playing the vibraphone on Southern Retro Soul artists Bonneville’s recent self-titled album, currently out now, and playing the steel drum on Nashville’s Outlaw Country recording artist Rickie Joe Wilson’s song “Reggae Redneck,” also recently released. So, what are you still doing reading this article? Go! Go listen! Go watch! Go experience! For further info on Dr. Brooks, his music, upcoming shows, and/or his audio program, visit www.TheCharlesBrooks.com , Facebook @TheCharlesBrooksMusic, Instagram @Cbreezington, and YouTube @MFCharlieB73. Credit: Rachel Neal *All photos by Rachel Neal Pictures* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest is a celebration of community and music, inspired by hope and bold optimism. < Back Eclipse Fest 3 Returns to Lafayette: A May 2026 Gathering at Feed N Seed Nick Cline Jan 16, 2026 Share Eclipse Fest is a celebration of community and music, inspired by hope and bold optimism. Eclipse Fest is heading into its third year, growing each time into a celebration of community and evolution. It began with no connections, no experience, and no clear plan—just a passion to give the underdog a chance back in 2024 . That spirit has always driven the festival, serving as a platform for talent that might otherwise go unnoticed and offering the scene fresh sounds it deserves. What started as a small dream has now drawn participation from across Louisiana and interest from bands nationwide. The line-up for Eclipse Fest 3 In 2026 , a new vision is shaping Eclipse Fest , with alternative music and its unique aesthetic at the core. This year’s lineup features 14 bands over two days, plus a special guest from New York . Pre-sale tickets are $10 each / $15 at the door / or for a 2-day bundle, it's $25. More info can be found here . Day 1 welcomes back Double Knockout , HolleeStar , and Grey Areas , alongside Playing The Hero , Sick At Heart , Silvercapbaby , and Kismet —covering metal, emo/pop-punk, and indie/alternative for an eclectic day of music. Eclipse Fest Day 1 - May 15, 2026 Day 2 expands the sound, with returning acts Phantum Sun , Jean Claude Seagal , and Goodbye Academy joined by Carnelian , Elle H. , Belle Grove , and New York’s The Amatory Murder —bringing together grunge, alternative, emo, funk, and industrial influences for a dynamic close to the festival. Eclipse Fest Day 2 - May 16, 2026 The festival kicks off May 15th and 16th at Feed N Seed in Lafayette . Stay tuned to Eclipse Fest’s Facebook , follow-up articles, interviews, and band socials for all the details. Follow along as the story unfolds—a celebration of community and music, inspired by hope and bold optimism. For more info visit: https://www.facebook.com/share/17mopWCTRA/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Shape Shifting combines the power of thrash metal with the intensity of punk rock. < Back Owls & Aliens Embrace Transformation on Powerful New Single Nicole Brice Jan 30, 2026 Share Shape Shifting combines the power of thrash metal with the intensity of punk rock. Music, at its core, is meant to inspire and motivate us as humans. The frequencies in music can uplift us in the darkest of times, to the point where we can forget about everyday life and become engrossed in the soothing sounds. Finding new music from a band that truly clicks can be tough in today’s crowded music scene, but when those rare gems appear, they’re worth celebrating and sharing with the world. Owls & Aliens is a band from Klamath Falls, Oregon , that got its start in late 2018 and released its self-titled debut album in 2022. The first album blends classic rock, heavy metal, punk rock, alternative, and post-hardcore . With so many layers to their music, Owls & Aliens falls under the category of really good hard rock – amazing solos that melt your face off with heavy breakdowns. Releasing their new song, ‘ Shape Shifting ' , today, January 30, 2026 , Owls & Aliens is comprised of Dustin Carter (clean/unclean vocals), Travis Siebecke (rhythm guitar / clean vocals), Jeffry Maryinez (lead guitar, backup vocals), Nicholi Ohbronovich (bass, unclean vocals), and Dakotah Webb (drums, backup vocals). Credit: Anonda Rae A brotherhood with a well-rounded group of musicians, each member of Owls & Aliens shares vocal duties on their songs, with no song sounding the same. This band has mastered a formula that delivers a different listening experience through a cornucopia of sounds, textures, melodies, and riffs. It’s all organic, and it just works. Previous releases include ‘ Mercy ’ in 2020. This song starts with heavy guitar, fuzz, and distortion, then takes on a melodic tone – a strong track with an amazing guitar solo at the end. ‘ You Can’t Save Everyone ’ came out in 2021, and I freaking LOVE THIS SONG! I guarantee that if you haven't heard this song, you will love it once you give it a spin. Other notable releases include ‘ Tsunami ’, ‘ Temperature Shift ’, and ‘ Romanticize the Sorrow ’ – all off the band’s debut album . Take it from me, though, the entire debut release is killer. There is not a single track that lacks. Let’s talk about this new song, shall we? ‘ Shape Shifting ’ is powerful and begins with a classic thrash-metal sound mixed with a little Judas Priest and the intensity of punk rock . What makes a great rock song, you think? For me, it has to be intense, loud, melodic, and just full of energy. ‘Shape Shifting’ is exactly that. It is loud, fun, and just plain enjoyable. Owls & Aliens is a band on a mission, and we were able to catch up with the band’s drummer, Dakotah , recently to learn more about what this band is about, so dive in. Released January 30, 2026 MaM : Shape Shifting – let’s get into this track. Wow. What a strong song. What inspired this song, and what is the main message you’d like to convey with this track? Dakotah : We were going for something really powerful that brought the energy. I think it originally started off with a guitar riff from Jeff ; he brought that. I remember him bringing that to the table. As far as the rest of the music, it just kind of molded around that riff. Dustin , I’m not sure whether he had the vocals prewritten or wrote them on the spot. He is constantly writing, so he always has lyrics. In fact, he has this journal, so I’m not sure how those came about. When I first heard it, it gave me those classic Judas Priest vibes, and I knew that there would be a big modern element with Dustin’s vocals. MaM : He has such range! Dakotah : I also remember when I was doing the drumbeat, I wanted some double kick in there, so you could feel the power of there being a double kick in there. I don’t use it on every song, but I felt it was necessary. I have a lot of influence from Pantera , Slipknot , and Slayer , so I’m trying to get some of that, but combine the classic heavy sound with some of the more modern drumming, even more modern than some of the things I’ve mentioned. The message is more of a new-age experience of the end of an era and the beginning of the next. We had written our first album and had a whole big experience with going to Texas to record, traveling together, and then touring across the country with Raven Black . During that time, ‘ Shape Shifting ’ was one of the first songs we wrote, and so it just felt like it was the point from which we were shifting. All these things that we have done, what is this going to be in this new era, not just personally, but musically, too. It's been two years since we got back from tour, and we haven’t released new music. We wrote that so long ago, but it feels like the perfect song to release as we enter this new era for the band. MaM : It’s such a strong song right out the gate. I didn’t know what to expect when I pressed play, but truth be told, every song of yours is so different. You can hear that cornucopia of vast influences with every song. You’ve got this amazing catalog of music so far. What is the band's vision for 2026 and beyond? Dakotah : With the first record, we were trying to showcase all of our influences since we all are influenced by different artists, but there is this common core you can hear, and with that, we were trying to show people what we were capable of. Now, as we come into this new era, I think we’re going to be a little more decisive on creating a more cohesive sound and album. I know this new song comes out really hard and heavy, but we’re shooting for more melodic stuff, but you never want to force anything. Just let things go how they’re gonna go, and find a way to make all of our unique styles exist and work together. MaM : … and they do! Dakotah : We have so many pieces of new songs and riffs that we’ll have to be selective to put them into what we want for this next album. Credit: Anonda Rae MaM : If you had to describe your music to someone not familiar, how would you describe it? For me, it’s just good, solid, heavy rock. Dakotah : It’s so hard, and we really don’t know. We just say hard rock because it keeps things as broad as possible, but at the same time, when you say hard rock, people may think that it’s basic, but it’s anything but that. MaM : It is definitely not basic. Dakotah : You really just gotta listen. https://www.youtube.com/watch?v=q1jUM7Wc2-U 'You Can't Save Everyone' by Owls & Aliens MaM : I can agree with that. So, where did the band's name come from? To me, there are spiritual undertones, but I could be reading more into it. Give us a little more info on the name. Dakotah : When we were looking for a name, we wanted a good graphic to go with it as well. Our community features many owl-themed elements, and the school I attended has owls as its mascot. There is also a bird festival up here every year. Our frontman, Dustin , and his sister were helping us design all the graphics. She’s a tattoo artist and does really cool work. She had drawn up this really cool owl design that had three eyes, and we had tossed up an owl-themed name before, and that’s kind of where she got the idea for the sketch. We actually ended up calling ourselves Night Owl to start off. Then we played a show under that name and we even did a few demo recordings, and when we put those out, we tried to release it under the name Night Owl , but then we found out there is another artist – a Chicano rapper that has been going by that name since the 90s, and even though it’s more underground, he is relatively known in that scene of music, so our music actually got released under his name. MaM : That’s awesome. Dakotah : I had to go in and pull it off immediately. We then had to come up with a new name, but we really wanted to stick with the owl theme, because we’ve all been part of the music community in Klamath Falls, and it was through that community that we met each other. The owl is a central theme of our work. Eventually, someone came up with the idea of Owls & Aliens , and it stuck really well. From then on, that was who we were. Credit: Anonda Rae MaM : With you being the drummer, what made you choose to play that particular instrument, or better yet, when was it that you decided you wanted to beat on crap? (laughter) Dakotah : I think I was born to be a drummer but didn’t realize it for a while. I actually started playing guitar. My dad played guitar, and I still play and love it to this day. Fun fact: Every person in our band plays guitar. MaM : I saw that you all share vocal duties, but that’s incredible. I didn’t know that. Dakotah : I just love music. I can’t remember a time when I didn't love music or want to play it. At the same time, when I wanted to learn guitar, my grandma was showing me things on the piano, and so I’ve been self-taught my entire life, and this is kind of funny, but I also had some friends and some neighbors who loved to play the game Rock Band , and so I would go to my friend’s house to play Rock Band , and he had the drum kit. I had always liked tapping, and one of the reasons I think I loved Guitar Hero so much was that you’re matching patterns and rhythms like drums; that’s probably why I was so good at the guitar part, too. He let me try out drums, and I was naturally good at it. The drums in Rock Band correlates most realistically, but not more than like vocals, but it really is real drum patterns that you’re learning. It’s just on pads instead of a drum kit, so I got obsessed with it and made my mom buy me the game. That’s how I started learning to play beats. I remember telling my mom I wanted a real drum set. I had some buddies in middle school who wanted to start a band, and I wanted to be the drummer, so I had to get a drum set. The first drum kit she ever got me was used from a friend or something, but it had no cymbals. MaM : Oh wow! (laughter) Dakotah : I was just doing this ‘George of the Jungle’ vibe for the first few weeks. (laughter) MaM : I bet you were probably annoying your mom with it, too. (laughter) Dakotah : Absolutely, and I was trying to explain to her that I didn’t have all the pieces, but then because I was expressing so much interest in drums and music and wanting to play, my dad’s friends all thought that was super cool because growing up my dad loved music. He wasn’t in a band or anything, but that was just a big part of his life. My dad’s friends were kind of like my uncles to me growing up. One of the guys was like, I have this miniature drum kit for you, and it was undersized for me, but it came with regular sized cymbals, so I took the cymbals from that, and brought them over to my mom’s, and then bam! I had a full drum kit. MaM : That’s some ingenuity right there. Dakotah : I just fell in love with it. From the first time I ever played Rock Band , I just knew this was it. I also remember the first time I played a real drum kit, I was confused because on Rock Band , the yellow hi-hat is on the right , and with a traditional kit , it’s on the left , and then you cross your arms, so the first time I sat down, I was confused, and went, ‘How do I hit the hi-hat?’ (laughter) MaM : Yeah, something feels off. Dakotah : Then, someone was like cross your arms. (laughter) Dakotah : I was all self-taught, though. Even to this day, not a single lesson. I would love to get formal training from someone who is truly a master of the craft. It’s kind of backwards, I didn’t approach it from a music theory approach or anything, and now that I’m older, I’m trying to learn all the music theory and bring it all in. I feel like I found myself when I found drums. https://www.youtube.com/watch?v=m788ZC5Xh88 'Romanticize the Sorrow' by Owls & Aliens MaM : So, new song and what else this year? What’s the game plan for the rest of 2026? Dakotah : We have two singles in the works that we want to release for sure this year, and then the primary goal is just to get a second album recorded. We have a lot of new material that is not finalized and put together, so it’s just making steps to find studio time, and finish those songs. We’ll still play some regional shows this year, but while I’m in graduate school, it’s definitely hard to tour. I should be finishing my master’s in June of this year, so we’ll probably start looking at planning some tour dates after that. With so much on the horizon for Owls & Aliens , 2026 is shaping up to be a busy year. Stream their new single, ‘ Shape Shifting ,’ on your favorite platform, then engross yourself in the rest of their discography. It’s a journey through an abyss of sounds, textures, and styles that will leave you absolutely speechless. https://www.youtube.com/watch?v=NyMULx9afn0 Official video for 'Shape Shifting' *cover photo by Anonda Rae To learn more about Owls & Aliens: Website: www.owlsandaliens.com Owls & Aliens Home page of Owls & Aliens, a rock group from Klamath Falls. 5 small town Oregon grown best friends trying to figure out how to cope with life together by playing music. Refusing to be one genre of rock music, each member brings a completely different sty Spotify: Owls & Aliens | Spotify Apple Music: ‎Owls & Aliens - Apple Music YouTube: Owls & Aliens - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A Classic Sound and Vibe < Back They Bring the Party: Von Mons Nicole Brice Mar 21, 2023 Share A Classic Sound and Vibe Sometimes, my music tastes can be a bit different than the norm, and I like to reminisce on the good ole days with some nostalgic sounding rock ‘n’ roll, so it’s quite fitting that I would stumble upon this next band, which I’ll now introduce to you. Von Mons are a four-piece band hailing from New Jersey , whose sound exemplifies what a party in the 60s should sound like . The guitars have a surf vibe to them, and the vocals are distorted just enough to sound like an old-school 45 that has been played one too many times. For a truly throwback listening experience, Von Mons music is best enjoyed loud, and if you happen to be near a beach, even better! Pull out that beach blanket, put the boombox down, and crank it up! Photo provided by band I genuinely wish I could pinpoint their sound and compare it, but I just can’t. Sure, there are hints here and there of Tom Petty , The Cramps , The Kinks , The Troggs , and even a little Herman’s Hermits , but when you really try to categorize or even compare them, you just can’t. These guys are unique and refreshing. Their sound is one that is missing these days amongst the clutter that has become rock music. One could even say their music would be the perfect soundtrack to a Quentin Tarantino movie. In the end, though, they are truly just a funky mash-up of underground pop. https://www.youtube.com/watch?v=lO1wAEAC9uI So, who, exactly, are Von Mons ? credit: Jeff Crespi Well, in a nutshell, they are Cory Williams (vocals, guitar), Tyler Kolling (drums, vocals), Brian Manser (lead guitar), and Casey Estelle (bass, vocals). Releases include Von Mons (2017) and Von Mons 2 (2020). All music can be found via the various streaming platforms and on YouTube . These guys are so much fun, they’ll make your head spin. I reached out to the band recently to gain a little more insight into what makes them so distinctive and was able to connect with Tyler Kolling , the drummer. Here’s what he had to say. MaM : What year did the band form and what inspired the formation? Give me a little band history if you don’t mind. TK : The band originally formed back in 2012. Sleepy (Cory) and I (Ty) were working at a bar in Asbury Park . We had a lot in common and bonded over our similar interests in music. We would always talk about playing together. We both didn’t really know what we were doing—still don’t, really—but [we] both had an interest in writing and performing music. Sleepy knew another dude named Sean that was really good at playing guitar. I guess you could say this was the first line up of the band: Sleepy on keys and rhythm guitar, me on drums, and Sean on lead. All of us singing. We played like that for a while, mainly in Sean ’s garage or at Ty ’s mom’s house. After a bit, we started taking it more seriously. We added Casey on bass and started playing gigs. Those early days were pretty wild and sloppy. Still are but just differently. Over the years we have had a couple line-up changes. Ty took a break for a bit and Sean moved to Atlanta . Shawna Grabowski from Late Waves filled in on drums for a bit. She rips. Corey Frank filled in on lead guitar for a bit—also a ripper. Ty came back and we added Brian on guitar full time. That’s really where we are at now. Cory “Sleepy” Williams on lead vocals and rhythm guitar, Ty Kolling on drums and backing vocals, Casey Estelle on bass and backing vocals, and Brian Manser on lead guitar. credit: Jeff Crespi MaM : How would you describe your music influences for your sound? TK : All of us grew up in the area surrounding Asbury Park . There was this radio station 1410AM Golden Oldies that played all the platters that mattered from back in the day … all the blasts from the past. We all grew up listening to that station, so it would be impossible to deny that as an influence. Other influences are stuff that our parents and siblings played when we were growing up—everything from Elvis and Buddy Holly to the Grateful Dead to Crass and the Ramones . Also, growing up near the beach for sure adds a bit of a surfy vibe to anything we do. Obviously, the garage rock groups of the 60s are a huge influence as well. If you listen to the garage/punk compilations of ‘ Nuggets ,’ ‘ Pebbles ,’ or ‘ Back from the Grave ,’ you will hear a lot of stuff we rip off. MaM : Any new music being recorded currently? When can we expect a new album? TK : We recently just finished our latest record called “ Shakin’ with VON MONS .” We recorded it in Brian ’s basement with Brian at the controls and the kids running around. It’s going to be released within the next couple of months. We are just working out a record release party and some last-minute art stuff. Follow our Instagram @vonmons for more info . We are really proud of this record. As we have said before, we are still on this adventure of figuring out how to make music. We feel like we are really starting to crack the code with this one. It’s a lot of fun. Not to say that the first two records weren’t, [but] we are just figuring out and refining our voice a bit more. Fourth record will follow shortly after this one. Recording for that starts soon. credit: Jeff Crespi MaM : Take us through the creative process. How do you come up with songs? TK : We usually write music by bringing an idea to band practice. That idea could be as simple as a song title or a progression or a little lick of a song, OR that idea could be a fully realized song. That idea could be somewhere in between those examples. Whatevers. Anyways, the idea gets brought to the group and we all flesh it out and put our input into it. Then we learn it and mess it up when we play it out live. It’s a blast. We all submit ideas, but I would say the majority of them come from Sleepy . He’s a hit-making machine. MaM : What music or things around you are inspiring you to create these days? TK : Anything and everything. We hear, see, feel, or experience something and try to boil it down to a simple 2:30-long bopper. Hope our fun comes through to the listener. That’s our biggest challenge when recording—capturing our fun feeling. We really want the listener to experience that above all. credit: Jeff Crespi MaM : Have there been any notable shows you have played and why? TK : Oh man. There’s been a bunch of great shows over the years. We love playing local gigs with friend bands. There’s also been some “bigger” gigs with touring bands that have been memorable and a lot of fun. Out of town shows with Todd-O-Phonic are always a blast. We are really just grateful that people wanna hear what we make. We have a lot of fun playing. Without people coming out to see our shows, that wouldn’t be possible. The best shows are really the ones where the crowd is engaged and there is that give and take between us and the crowd. We really dig it. We are just really appreciative for those early gigs, cuz [sic] we stunk, but people kept coming out and having a good time. That meant we kept getting more shows. We got better. Not much better, but hey, we couldn’t get much worse! credit: Jeff Crespi MaM : Love your “fuzz” sound with the guitar! What brand of instrument is used? Also, too, what pedals do you use to achieve your sound? TK : Sleepy plays a Fender Mustang with some simple Overdrive pedals and lets it rip. Brian is getting this custom handmade guitar made by his brother-in-law and Petillo guitars ; it’s a total frankenfreak of everything awesome. His pedals are always moving around and switching in and out. He usually centers them around a simple Overdrive pedal as well, though … cranks it and lets it rip. credit: Jeff Crespi MaM : With all you currently have going on, what are your aspirations for the future? TK : We always joke around that being a true garage rock act means that we play music for a while, make a bunch of recordings, and then disappear, only to have our music rediscovered 40 or 50 years later and re-released, prompting us to go on tour in our mid-sixties and totally blow minds. More realistically though? We will just continue to have fun and make music we think is cool. Hopefully the crowds dig it and nice people like you keep taking interest in us. To experience all this is Von Mons, hit one of the links below! VON MONS (@vonmons) • Instagram photos and videos Stream Von Mons music | Listen to songs, albums, playlists for free on SoundCloud Von Mons | Facebook Von Mons Von Mons | Spotify ‎Von Mons on Apple Music Von Mons on TIDAL VON MONS - Lyrics, Playlists & Videos | Shazam Von Mons - YouTube Thank you to Jeff Crespi for the photos! www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Got something you’d like us to listen to? Hit us up! Send an email to the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. < Back Jean Claude Seagal: A New Journey through Alternative Rock Nicole Brice Mar 22, 2024 Share The music of Jean Claude Seagal captures the complexities of life and relationships with melodic hooks and gritty rock sensibilities. Growing up as a teenager in the 90s, I was obsessed with DIY bands that did not conform to a certain look to get their messages across. I admired the authenticity of bands such as Sonic Youth, Buffalo Tom, The Breeders, and Archers of Loaf because of the raw power found in their music. Using scaled-down production techniques mixed with feedback and fuzz, these bands set a precedent for many who are trying to emulate their style now. They say that time repeats, and it is repeating now. Enter one of the newest bands in Baton Rouge, Jean Claude Seagal. With potent lyrics combined with a smooth delivery and just the right amount of grunge fuzz, these guys are emerging as a continuation of the alt/grunge sound of the 90s, and their music is packaged as such. Possessing personality and sheer talent, the band comprises Justin Tatman on vocals and guitar, Nick Maggio on bass, and Robby Gray on drums. Credit: Gary Governale Formed in 2024, Jean Claude Seagal’s first release is titled “State Champs,” and with this EP, the band has created a sound combining elements of indie rock, punk, and grunge, creating a style that is both familiar and fresh. With honest, confessional songwriting that speaks to our experiences and emotions, Jean Claude Seagal has created timeless music that will connect with listeners, reminding us of the power of honest, heartfelt songwriting. Click the picture to listen Mixed Alternative Magazine had the opportunity to chat with the guys of Jean Claude Seagal recently about the band's origins, plans, and much more, so take a moment to learn a little more about one of the newest bands on the scene in Baton Rouge. MaM : Thanks for meeting with me today. Let’s dive right in. How did the band name come about? Justin : I was in a band a long time ago, and we were trying to think of a name for it, and the drummer at the time suggested Jean Claude Seagal, and I thought it was the greatest thing I had ever heard, but we never used it, so years later, here we are. Credit: Gary Governale MaM : So, how do you all know each other? Nick : Well, I met Robby over a decade ago off Craig’s List. We were starting a couple of projects here and there, and I needed a guitar player, but see, we were all in the band, Minus One. This was over a decade ago. Minus One was another alternative rock band, and we were around for a bit until COVID hit, and that just killed it. We just decided recently to form a new band, and here we are. Robby : I’ve known Justin since elementary school. He and I have been in and out of bands since we were kids, and Nick and I have another project we’ve been working on that we can’t find members for currently. It’s a progressive rock project. Not the stuff you generally hear around Baton Rouge. I picked up playing drums when I was about 11 years old, with no lessons. I started listening to Metallica as a kid and then begged my dad for a drum set. I love playing drums, and if you listen to my playing, you’ll hear a little Metallica influence—the triplets I do with my feet and stuff like that. It’s in there. I’ve always thought that the drums help bring energy to the songs. Justin : His style brings more potency to the music with a little punk influence. Credit: Gary Governale MaM : What got you each into music originally? Justin : I saw Nirvana’s “Live and Loud,” and when they were playing “Endless Nameless” and just messing around and throwing stuff everywhere, I was like, “I can do that!”. That’s really where it started for me. Robby : For me, it was when I sat down behind my first drum kit. My crappy drum kit. (laughter) MaM : Well, you gotta start somewhere! Justin : My mom had this little acoustic guitar, and I asked her if I could start playing it, but she didn’t think I would stick with it. I started tuning it and messing with it, though, and she would get mad at me. Nick : For me, I loved music from the get-go. My dad would throw on Michael Jackson’s “Thriller” album in the car, and he had a good bit of Whitney Houston, too, but for me, the way loud music resonates with you. Your whole body shakes with the music, and I always wanted to be a part of that. When I was 14 years old, my mom bought me my first guitar, and it was a no-name replica type of guitar. Some knock-off 6-string thing. I’m mainly a guitar player, though. Credit: Gary Governale MaM : So bass is new for you? Nick : Well, yes and no. I can pick up a bass in a pinch. I listen to a lot of music that has intricate arrangements, and I like to think of a song in its totality—just everything in it. Everything has its part to play in making a cohesive sound. One band, one sound. MaM : So, who are your biggest influences as far as the sound of this band? Justin : I like Hum and Dinosaur Jr. Sometimes it’s upbeat, and sometimes it has that noisiness to it. They don’t try to make their music all posh or anything. Nick : As far as influences for my bass playing, I like a lot of heavier bands. Dan Briggs from Between the Buried and Me is one of the best bass players on the planet, in my opinion, but he has a way of carrying the low end that is different from just sitting and playing your scales up and down, and I try to emulate that with what we do, but in a more simplified way because I’m not nearly as shreddy as that guy. Robby : As for me, I have a hard time finding a band to compare us to. I would say that I take my influence from Rise Against mixed with a little Metallica. Credit: Gary Governale MaM : Where was the EP recorded? Nick : My house MaM : So, what was the creative process like for writing and recording it? How did you get the songs that you decided to put on the EP? Nick : We had those songs ready already, so we spent a week tracking drums, half a week tracking the rest of it, and another week mixing it down. We got it done quickly. Credit: Gary Governale MaM : What is your mission statement as a band? What do you hope to accomplish in the future? Justin : We want to stay creative, and we hope that people like what we are putting out. Nick : At the end of the day, we just want to rock people’s faces off and have a blast doing it. As Jean Claude Seagal continues to forge ahead in getting their music out to the masses, they no doubt will find those who resonate with their unpolished and bona fide sound. To hear their new EP, “State Champs,” just hit one of the links below, and then be sure to follow them on social media to stay up-to-date on all upcoming shows. Facebook : Facebook Instagram : Jean Claude Seagal (@jeanclaude_seagal) • Instagram photos and videos Apple Music : Jean Claude Segal, Apple Music Spotify : State Champs EP by Jean Claude Seagal | Spotify *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! < Back Reviews on the Real: Let the Moonshine by Chris Pryor featuring Amber Lynn Nicole Brice Dec 21, 2025 Share If you want a good song to get the mood going at your next party, ‘Let the Moonshine’ is it! Those who know me know I am not a fan of country music unless it’s only stuff like some Hank Williams . Still, in the past few years, I’ve begun to embrace some of the newer country music I’ve been hearing, like the latest from Louisiana’s own Chris Pryor featuring Amber Lynn . Released on November 21, 2025 , ‘ Let the Moonshine ’ is a high-energy four-minute ride that never lets up. This song starts so strong right out of the gate, and never, I mean, never lets up. If you want a good song to get the mood going at your next party, ‘ Let the Moonshine ’ is it. Released November 21, 2025 “‘Let the Moonshine’ isn’t just a song; it embodies every time I heard 'no,' every setback I turned into motivation, and every late night spent pursuing something meaningful. It’s about resilience, redemption, and the enduring fire within us,” Pryor explains. Written by Kenneth Kleinpeter and produced by Chris Pryor , ' Let the Moonshine ' was recorded at Brignac Lane Studio in St. Amant, LA , and mastered by Robert Smith at Audiosmith Studio in Baton Rouge . The track features a steady groove with irresistible guitar melodies that grab hold of you and don’t let go. Once the guitar fuzz kicks in, you know you’re in for a treat. The strong sing-along chorus concludes with the memorable lines, “Let the Moonshine.” This latest release continues the momentum from Chris Pryor’s previous release, ‘ Just Take a Look at Me ,’ in 2024. It’s fun, it’s danceable, and it’s just a good time. https://www.youtube.com/watch?v=PWZ1hgGvaMw 'Let the Moonshine' lyric video 'Let the Moonshine' is available now on Spotify, Apple Music, Amazon Music, YouTube Music , and all major digital platforms. To learn more: YouTube: Chris Pryor - YouTube Facebook: Facebook Instagram: The Main Event (@maineventrocks) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Ozzy will forever live on in the hearts and minds of those he influenced and inspired. < Back Barking at the Muse: How Ozzy Osbourne Inspired My Musical Journey Nick Cline Jul 23, 2025 Share Ozzy will forever live on in the hearts and minds of those he influenced and inspired. Ozzy Osbourne—The Prince of Darkness. Whatever name you call him, one thing is for sure: he was a legend among the people. He was more than just a man; he created a legacy that resonates with us all. This is the beautiful sentiment that Ozzy has left behind. He was unapologetically human, a masterclass in staying true to oneself and demonstrating how passion, character, mistakes, triumphs, and humanity can lead to greatness. At one point, Ozzy was a lone outcast in the industrial plains of Birmingham, England . Little did he know that, almost 60 years later, he would have a career that would have a significant impact on the world. The fascinating aspect of Ozzy and his career is that it has transformed into a sort of mythos within the metal and rock world. While myths in literature typically surround figures like the Greek gods— Zeus , Poseidon , Hades —in the realm of rock and metal, we have Ozzy Osbourne : a creature of passion wrapped in the flesh of an ordinary man. From the dawn of Black Sabbath until his passing on July 22, 2025 , he was a figure with a profound humanity . To the everyday person, stories surrounding him ranged from Satanism and metal legends to reality TV and the creation of one of the most successful music festivals, Ozzfest . The list of his accomplishments could go on. It is truly astounding that one man could be part of so much creation and success throughout his life. I could delve into the history and retrospectives of Ozzy , but as I mentioned, his story has become intertwined with myths across the entertainment world. Few people have not heard his name. I believe the true monument to Ozzy Osbourne lies in the legacy that has touched the lives of countless people. My journey and connection to Black Sabbath and Ozzy began when I was very young. I was born in the early 2000s , and by then, Ozzy was already in his 60s , with his legacy at its peak. Yet his name had become a household symbol for me. My father, born in the early '70s , had a deep connection with Ozzy long before I was born. The Black Sabbath and Ozzy records that filled his music library were introduced to me from the moment I was in the womb to this very day. After 23 years, those songs still feel incredibly fresh. From the first time I heard ' War Pigs ' and ' Crazy Train ' to the day I learned of Ozzy's passing, his music has entranced me. https://www.youtube.com/watch?v=FVovq9TGBw0 Official video for 'Crazy Train' Listening to Ozzy's catalog has always made me feel understood and recognized for my humanity. I have had a profound connection to each note, each lyric, and every rhythm. This connection was the true magic of his music during my upbringing. I felt the raw power of his sound. Black Sabbath produced haunting and powerful anthems that spoke against war, bigotry, and everything in between, while also addressing how to find hope and meaning in the world. https://www.youtube.com/watch?v=IoT9Pcor8OA 'War Pigs' by Black Sabbath To me, Ozzy's solo career has always shone even brighter. Not only did he make one of the most remarkable comebacks in rock history, but he did so with flair. I am continually amazed by how Ozzy surrounded himself with true greatness. The legends of Black Sabbath were joined by exceptional talents such as Randy Rhoads , Jake E. Lee , Zakk Wylde , and many other amazing guitarists, drummers, and bassists. Randy Rhoads remains the only guitarist who could rival Eddie Van Halen . The visceral and beautiful melodies of Ozzy’s first two albums are masterpieces of songwriting. In true Ozzy fashion, he faced disaster and still persevered, releasing album after album that amazed audiences with each new hit. He brought us countless classics, from the '60s to the present. Zakk Wylde and Randy Rhoads were the reasons I picked up a guitar. Since childhood, I have been inspired and captivated by their talent. I have only scratched the surface of understanding what made them extraordinary. These two legends would likely have never crossed my path if not for the exquisite ears of Ozzy and Sharon Osbourne —a true spectacle of taste and craftsmanship. https://www.youtube.com/watch?v=CprfjfN5PRs Official video for 'No More Tears' Years have passed, yet I still find lessons in Ozzy's life, both in the real world and the music world. When I referred to him as a "creature of passion wrapped in the flesh of man," I meant that he embodied humanity in all its forms. He was messy, loved, passionate, and sometimes a disaster. This complexity is what made him so relatable to the masses. He continued to move forward, facing challenges from his youth until his death. Not a single day passed that Ozzy wasn’t unapologetically himself, and that has always inspired me. Like many, I believed he was immortal—capable of outlasting me and perhaps even the world. Sadly, Ozzy Osbourne , the Prince of Darkness , was outlived by the very entity he helped create. While he may not be immortal in a literal sense, he will forever live on in the hearts and minds of those he influenced and inspired. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nick Cline is the powerhouse behind the Louisiana-based band, Phantum Sun , and loves checking out new music. Got something you think he'd like? Email us at mixedalternativemag@gmail.com . 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