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Nick Sabia’s new release “Back East” is a peaceful trek through nature. < Back From Blue Ridge to California: The Musical Journey of Nick Sabia Erica Machen Apr 24, 2024 Share Nick Sabia’s new release “Back East” is a peaceful trek through nature. In the vast landscape of the music industry, it is refreshing to come across an artist with such a unique blend of talent, passion, and dedication that sets him apart from the rest. Nick Sabia is a musician and storyteller who invites listeners on a journey through his day-to-day reflections and cherished memories through the use of vivid stories and relatable lyrics. With numerous releases since 2022, Nick has been steady creating new music, and his newest song, “ Back East ”, is out today on all streaming platforms. From his Blueridge Mountain adventuring roots to his current home in California, Nick Sabia's music reflects a reverence for nature and a longing for authenticity and simplicity in an ever-evolving and changing world. " Back East " was mixed by John Lousteau at the legendary Studio 606 —the home studio of The Foo Fighters —and is a solid and enjoyable track with a deeply personal and introspective journey. After our exclusive early listen to “ Back East ,” we were able to delve into the essence of Nick’s craft, exploring the intricacies of his songwriting process, his personal growth and transformation on his music, and valuable lessons learned from collaborating with industry legends. Throughout his career, Nick has collaborated with luminaries such as Grammy winners Charlie Colin (Train) and Jeff Silbar (Fleetwood Mac, Alabama, Dolly Parton), Grammy nominee Ronnie King (Mariah Carey, Tupac, Snoop Dog), producer Lewis Richards (Dirty Heads), and iconic musicians like Stan Frazier (Sugar Ray) and Lap Steel Legend Gary Brandin . Drawing from these experiences, Nick has honed his craft and embraced a diverse range of influences, from folk-inspired melodies to darker tones reminiscent of Chris Stapleton. We were able to chat with Nick recently about his latest release and much more, so check it out, and then go stream his new song, " Back East " on your favorite streaming platform. Click to experience "Back East". MaM : You’ve been described as a musical artisan, weaving stories through your songs. How do you approach songwriting to create such emotive narratives? NS : I think I shift through things like panning for gold. Some days you find things that aren't quite as potent. But it's more like the continual seeking of it. If I can make it daily, I can't always, but it's usually a daily adventure into myself or into how I'm feeling. And then half of the time, you come out the other side with something potent and really meaningful. Photo provided by artist MaM : You've mentioned embracing change and moving past the ghost of the past. How does your music help you navigate personal growth and transformation? NS : It becomes a daily or pretty consistent thing, like a journal or therapy. It's better for everyone when you're creating, otherwise you feel a burden for not using your gifts. Going through consistency allows you to compartmentalize emotions. I'm pretty emotional, and without music, I'd probably not contain it well. Writing music is cathartic, a way to have catharsis. It's fun, realizing there's more to you than meets the eye. I'm still figuring stuff out at 29, but it's a journey, you know. It's just fun. MaM : I love that. Look, it's okay, I'm 39 and I'm still figuring it out. NS : We all are. No one really gets it. There’s nothing like the high of listening to a song that you just demoed and driving home. I don’t think anything I could ever do could really amp me up the way that amps me up. I live off that high. Photo provided by artist MaM : I noticed you have worked with some industry legends and at renowned studios. What have been some of the most valuable lessons you've learned and from whom? NS : There was a period of time when I wrote with Jeff Car, the old-time cat who wrote "Wind Beneath My Wings." That guy has been writing for 60 years, while it's only been eight or ten for me. He would just sit there, be quiet, and listen to the wind for a second. I soaked in anything I could learn from him. He still takes it step-by-step with how he's feeling that day. Taking a walk was something big when you're stuffed up and need a break or need to figure out a line... He said, "Just go take a walk." MaM : Hey, sometimes simple advice is the best advice. NS : You know, it's like, go take a walk and you'll probably figure it out without overthinking. It becomes an extension of your arm or soul. I learned to let go of overthinking and crafting to fit a mold. Working with these free-flowy folks, they maintain a youthful spirit. Retaining that sense of youth and wonder is vital. Listen to each day, stay receptive, and observe life. Click image for artist's Spotify. MaM : You're often inspired by nature, I've seen, and the places that you love - with "Chattanooga" and then your newest release "Back East". So, how does your connection to nature influence your songwriting process? NS : Quite a bit. The root of it is that nature reminds me I'm a creationist. When I go out, I see creation and I'm just blown away by it. It humbles me and puts me in a still perspective. I feel as though, when I'm out there, that society and all these things are a funny distraction. For me, it's just a way to re-establish my feet on the ground and remind myself that I am significantly insignificant. It's easy to be cooped up in the studio all the time when all I am doing is recording and doing music stuff. It's [nature] just a way for me to really step outside my box and breathe. When I'm really in it, I don't want to hear music. I want to hear the birds. I really use it as a means to fill up my well of inspiration. Knowing I’m going to go back to the city, It's like soaking up the waterfall, the light and the birds. MaM : Can you share a bit more about the real-life experiences and the actual places that inspired you and what you want the fans to take away from “Back East”? NS : Since I was four, I've been going to north Georgia, in the Blue Ridge Mountains, to visit my dad. We would go stream hunting, explore abandoned houses, and crawfish in rivers. It was really adventurous. It felt like that Disney type of vibe. California is beautiful in these "pockets." Kind of like Joni Mitchell says-- Tree museums and parks. I'm lucky and have a little slice of a fake country thing here, but I am actually next to the number one grossing mall in America. It was really hectic on New Years Eve of last year, and I just thought "I'd rather wade in a river than wait in a line." I thought, that's a line, a pretty cool line! I just want people to be understood. It's more like a longing for it that I am trying to capture. There's plenty of people out there that long for that, and I feel like it can be a song to remind them of what they love and where they are. Click picture to experience "Back East". MaM : As an artist, and especially with you relocating to California, how do you stay true to your authenticity while also experimenting and evolving creatively? NS : That's such a good question. I would say, a big thing is avoiding boxes. I'm very conscious about the typical thing of putting a person in a box. I get it, I have a beard, I wear this, I have long hair, I'm from the country, I play guitar, I can sing… So, therefore, I am that, you know? I just think that's a very elementary way to look at humans and art. It's really basic. So I try not to. It might be that branding is easier, but if that's my priority, then I'm not in the right mindset. Some days I'm just feeling Mac Miller-ish, I'm in a good mood, and I'm like, "Yeah, let's bop, let's just pop our heads," and I go make a bop, you know? Or I came back from Vegas and make this dark, kind of Vegas-style song, because I was just in Vegas. Credit: Artist website MaM : I love it. It's like a commercialized restaurant versus privately owned and operated. You know, you don't have to limit your menu whenever you have control of that. NS : You can change the menu every week. Some people love the fact that there's a real chef back there doing real artisanal things that's changing the menu every week. I'm definitely leaning into my roots more. Growing up, I watched CMT every day of my life. I definitely love the country, and it is still totally who I am. I just think that it's not all of who I am. Photo provided by artist MaM : Looking ahead, what are your aspirations and goals for your music career? And how do you envision your sound evolving in the future? Do you have a plan for that? NS : I wouldn't say I have a literal plan, but I would say I definitely will branch out because of what we just talked about. I will not allow myself to be one thing. For the near future, for the next few months, it's gonna be the folk and more acoustic. I'm starting to view music more from a producer's lens and say "This studio is great for this flavor, and this studio is great for this flavor," you know, different. I really want to keep it kind of raw too. "Back East" was a raw demo that I made in about an hour, the day after I wrote it. Even if I did redo it, it probably wouldn't be as good, like capturing fireflies. It wouldn't be as honest as it was that day. I'm gonna keep it cohesive. It's gonna be a flow, but it'll amalgamate to some different things down the line. Photo provided by artist MaM : Is there anything you would like to tell us about coming next? NS : In the next couple of songs after this [“Back East”] it's gonna be darker tones, more like Chris Stapleton tone of vocals. It's just a little more intense, and that's kind of fun. Also, there's a remix my friend is doing of "Wearing Down." It's a song I already have out. It should come out about a week or so after “Back East.” It just shows what things could be, I suppose. I do like that it kind of throws people off for a second… Like, "What the heck?” Nick Sabia is an extraordinary musician with a clear vision. With his unique sound and passionate storytelling, I have a feeling he'll be captivating audiences worldwide soon. It is clear that this leg of his musical journey is only the beginning, so keep an eye out for Nick, as he is poised to make a lasting impact on the music scene for many years to come. *cover photo provided by artist For more information on Nick Sabia and his music, visit: www.nicksabia.com Nick Sabia | Americana Alt-Folk Music Nick Sabia is a prolific musician in the Americana / Alt-Folk / Singer-Songwriter genres. #music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

A list of Netflix original content to watch, stream, and binge in July < Back What's On Netflix: July 2023 Keeley Brooks Jul 4, 2023 Share A list of Netflix original content to watch, stream, and binge in July I’m pretty sure I speak for everyone when I scream out how much I wish the writers’ strike would come to an end. Give these writers what they deserve so we can get back to makin’ new content, please! At least Netflix doesn’t seem to be hurting with their influx of new original content streaming in July. We have some pretty cool documentaries, a healthy amount of comedy, an expansion of the 2018 hit movie Bird Box , and we’ll see the final season of Henry Cavill as Geralt in Season 3 Volume 2 of The Witcher , which premieres at the end of the month. I’ve enjoyed the series, but I will say I sure hope Volume 2 is much better than Volume 1. Here’s a full list of (most) everything hitting the streaming giant over the next few weeks. NEW ORIGINAL MOVIES UNKNOWN: THE LOST PYRAMID JULY 3 Two teams race against the clock to see who will make the bigger discovery, and thus make their mark on history, in this archeological documentary following two of the world’s most famous Egyptologists seeking to unearth ancient treasures. In the desert sands of Saqqara, the latest hotspot of Egyptian archeology, Dr. Zahi Hawass hunts for the long-lost pyramid of a forgotten Egyptian king while his protegé, Dr. Mostafa Waziri, searches for an unlooted tomb in an ancient necropolis. TOM SEGURA: SLEDGEHAMMER JULY 4 Comedian Tom Segura is back with his fifth Netflix special, Sledgehammer . In front of a sold-out crowd in Phoenix, Arizona, Tom explores his “admiration” for Brad Pitt, what it’s like raising two boys, and the lessons learned from sharing his gummies with his mom. WHAM! JULY 5 Most of you Millennials may have never heard of WHAM! but back in the day (1980s), this teenage English pop duo of best friends George Michael and Andrew Ridgeley was one of the most commercially successful pop acts of the decade, selling more than 30 million records worldwide from 1982 to 1986 . The documentary tells WHAM’s story, in their own words, of how in four years they came to dominate the charts around the world with their timeless, classic pop songs. THE OUT-LAWS JULY 7 Starring Adam Devine ( The Righteous Gemstones ), Ellen Barkin ( Animal Kingdom ), Nina Dobrev ( The Vampire Diaries ), and Pierce Brosnan ( Black Adam ), this story follows Owen Browning (Devine), a strait-laced bank manager, as he's about to marry the love of his life, Parker (Dobrev). When his bank is held up by the infamous Ghost Bandits during his wedding week, Owen believes his future in-laws (Brosnan and Barkin), who just arrived in town, are the infamous Out-Laws. UNKNOWN: KILLER ROBOTS JULY 10 A documentary following the terrifying behind-the-scenes efforts of military-funded scientists racing to build the AI-powered robots changing the face of warfare and the activists on a mission to expose their dangerous potential. BIRD BOX BARCELONA JULY 15 From the producers of the hit phenom Bird Box comes Bird Box Barcelona , an expansion of the film that captivated audiences in 2018. After an entity of mysterious origin annihilates the world’s population causing those who observe it to take their lives, Sebastián and his young daughter must navigate their own journey of survival through the desolate streets of Barcelona. As they form an uneasy alliance with other survivors and make their way toward a safe haven, a threat much more sinister than the unseen creature grows. UNKNOWN: CAVE OF BONES JULY 17 Man, Unknown is crankin' 'em out! In South Africa’s Cradle of Humankind, Paleoanthropologist Lee Berger has found the world’s oldest graveyard—and it’s not human. In an effort to alter everything we know about hominid evolution and the origins of belief, Berger and his team work to prove this ancient, small-brained, ape-like creature practiced complex burial rituals UNKNOWN: COSMIC TIME MACHINE JULY 24 With unique access behind the scenes to NASA’s ambitious mission to launch the James Webb Space Telescope, we follow a team of engineers and scientists as they take the next giant leap in our quest to understand the universe. THEY CLONED TYRONE JULY 21 Starring Jamie Foxx ( Horrible Bosses , which, if you haven’t seen that movie, I highly recommend it; it's a fantastic barrel of laughs), Kiefer Sutherland ( 24 ), David Alan Grier ( Joe Pickett ), and John Boyega ( Stars Wars: The Force Awakens ). A series of events thrusts an unlikely trio onto the trail of a nefarious government conspiracy in this pulpy mystery caper from writer/director Juel Taylor ( Creed II ). THE DEEPEST BREATH JULY 19 This A24-produced documentary is about a champion record-setting free diver and an expert safety diver training and attempting to make history with a remarkable feat. HAPPINESS FOR BEGINNERS JULY 27 A romcom starring Yellowstone ’s Luke Grimes and the Unbreakable Kimmy Schmidt ’s Ellie Kemper. When Helen (Kemper) signs up for a wilderness survival course a year after her divorce, she finds herself hiking a portion of the Appalachian Trail with her little brother’s best friend (Grimes). She discovers through this experience that sometimes you just have to get really lost in order to find yourself. THE WITCHER SEASON 3 - VOLUME 2 JULY 27 The final installment of the last season of Henry Cavill as The Witcher, where he’ll be hanging up his wig for good. credit: Netflix HIDDEN STRIKE JULY 28 Two ex-special forces soldiers must escort a group of civilians along Baghdad’s “Highway of Death” to the safety of the Green Zone in this action comedy from Director Scott Waugh ( Need for Speed ). Starring Jackie Chan ( Rush Hour movies), John Cena ( Peacemaker ), Sylvester Stallone ( Rocky movies), and maybe some other recognizable faces. NEW & RETURNING ORIGINAL SHOWS The Lincoln Lawyer Season 2 – July 6 Hack My Home – July 7 Quarterback Season 1 – July 12 Sugar Rush: The Baking Point Season 1 – July 12 Too Hot to Handle Season 5 – July 14 Sweet Magnolias Season 3 – July 20 Mark Normand: Soup to Nuts, a stand-up comedy special – July 25 The Great British Baking Show: The Professionals Season 7 – July 26 Missing: The Lucie Blackman Case – July 26 How to Become a Cult Leader (a tongue-in-cheek limited series) – July 28 Keeley Brooks is a big ole movies, television, and streaming nerd with a voracious appetite for content and an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Jrago < Back What Do a Musician, an Indie Label, and a Video Game Have in Common? Nicole Brice Oct 18, 2022 Share Jrago Jeremy Pourcy is what you might call a veteran of the local music scene in South Louisiana. He originally started out with Knever in 2001 and continues making music with his very own metal band Jrago , in addition to playing bass with the First Baptist Church Worship Team in Denham Springs , LA. And did I mention he is developing his very first video game, Jrago – The Demon Hunter ? Because he sure is! Jeremy was previously involved with bands Eden , The Mysterious Stranger , Ambassador , and Branded for Exile . Multi-talented and multi-faceted doesn’t even begin to cover what all this man is about. We recently sat down with Jeremy to pick his brain on many topics, and he was incredible! Set to release a new album on December 16, 2022 , Jrago and Jeremy Pourcy are a MUST on your worth-checking-out list. credit: Gary Governale MaM : Give us a short bio of everything you have been involved in. I’ve been reading up on you and you’ve been on the scene for many years. JP : Well, in 2001, I joined my first real band called KNEVER playing bass. The lineup was Jason Ourso on vocals, Rusty Laughlin on guitar, and Jon Maher on Drums. I attended high school with Jason and Rusty , so that’s how we knew each other. After a few years, we added Cody DeRouen on guitar. During this time, we almost got a record deal, which failed, but it led to me starting an Indie label called Jrago Records . By 2004, we ended up replacing Rusty on guitar with a dear friend of ours named Luke Fauver . We had played shows with his other band, Caustic 6 , but unfortunately in the summer of 2006, Luke passed away and the band broke up. MaM : …and then from there, you created Eden with your wife, correct? JP : Yes, later that year in 2006, I married my wife, Kelly Smith , and we began to write and record music together. We called our project Eden , and it was mainly just writing and recording at home. MaM : After Eden, you had quite a long list of projects. credit: Gary Governale JP : Yes, I did. So, in 2007, I got a call from Jason Ourso , and he was starting up a new rock band and needed a bass player. It was called Murder on Sunday , which would eventually be renamed to The Mysterious Stranger . My time in the band was short lived, however, and I was replaced with another bassist. A couple of years later, I was invited to play for an A Perfect Circle cover band called Sea of Names (Mer de Noms) . The line-up was Rusty Laughlin on vocals, Adam Shelton on guitar, and Jeremy Rasti on drums. I was playing bass and keyboards. We never played any shows, but we had a good 10 songs we practiced for several months. MaM : It was about this time that you guys decided to bring Knever back, right? JP : Rusty and I joined Jon and Cody again, but this time Rusty was singing. We called it Never Again as a bit of a joke. By 2011, it was finally show ready, but I ended up leaving the project after the birth of my daughter. MaM : And when did Ambassador come about—after the reunion of Knever? JP : 2015 – I get a call from Jason Ourso once again, and he’s starting a new rock band. This time, with Gabriel Vicknair on vocals and Ean Savoy on drums. That was the beginning of Ambassador … but, then in 2016, Knever was back in action and needed a new bassist, so I joined them once again. In 2018, Kelly and I released our third Eden album, Window , and Ambassador released its first album, Belly of the Whale . Coincidentally, Knever also released an album, which was to become the final album, The Collection . credit: Gary Governale MaM : So, what happened in 2019? I know a good bit went down but tell me a little more. JP : Well, in 2019, Ambassador gave me the boot, developing problems in Knever led to a breakup again, and I started to play with Branded for Exile for a few months but then ended up leaving that, too. So, by 2020, I was pretty much all alone musically and was trying to record a song unsuccessfully. After a few months, I got a call from Jon Maher , who also left Branded for Exile , and eventually we got our song “ Into the Precipice ” recorded. And that was the start of Jrago . MaM : Obviously, Jrago’s name is a play on your own name and you guys have been releasing songs like crazy. I can’t even keep up. Give us a little more info. JP : With Jrago , we decided to treat each song like an album and release them all as singles. This method of writing and recording allowed us to focus on each song individually. By the summer of 2021, we had six songs finished and decided to put out some CD’s (yes, I realize it’s an outdated medium these days, but we’re kind of old skool). So, our first album was called Destruction Breeds Creation . Our second album will feature eight songs and it’s called Disconnect . We have the release planned for December 16, 2022. credit: Gary Governale MaM : So, you obviously do everything yourself, which I admire tremendously. I, myself, am the same way. What recording software do you prefer to use? JP : I use Apple’s Logic software for recording. As far as why? I had previously used Apple’s “ Garageband ” software, and the interface and button configurations are similar. In Jrago , my main goal was to be able to write, record, mix, master, and produce music without having to get anyone else involved. MaM : What has been the biggest obstacle musically since starting Jrago? JP : Guitar. Without a doubt, guitar. Being a bass player, it took quite a bit of practice to get my first guitar chops up to par to be taken seriously. Even now, I still consider myself amateur at best. In addition, vocals and lyrics were tough, too. Jon had been doing back-up vocals in our previous projects, and now he was able to shine as Lead Vocalist. So, both Jon and I are stepping out of our comfort zones and filling multiple roles in this project. While it’s difficult sometimes, it has allowed us to both grow musically. credit: Gary Governale MaM : As far as inspiration, from whom or where do you draw inspiration? JP : I believe music comes from God . As far as my influences, it would have to be my friends and fellow musicians. Growing up in South Louisiana , there has always been a ton of fresh, original bands all around me. I, honestly, listen to more local music and band room/live recordings than I do mainstream releases. If I had to list some big bands that inspired me, it would have to be Metallica , Tool , A Perfect Circle , Avenged Sevenfold , Nirvana , Pearl Jam , Soundgarden , Killswitch Engage , Dredg , Evanescence , Fear Factory , Times of Grace , The Empire Shall Fall , Eighteen Visions , 36 Crazyfists , Blindside , and Pink Floyd just to name a few. Be sure to check out and follow Jrago on YouTube , Facebook , and Instagram for the latest on upcoming releases and shows! Jrago | Facebook Jrago Studios | Facebook Jrago Records | Facebook Jrago (@jrago_) • Instagram photos and videos Music | Jrago (bandcamp.com) Jrago Records - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Insightful, brilliant, and talented < Back Alfred Banks: A Blessing from the Crescent City Nicole Brice May 22, 2023 Share Insightful, brilliant, and talented Growing up, I loved the hip-hop showcased on programs like Yo! MTV Raps . The music had heart and a meaningful message. However, over the years, hip-hop has seemingly evolved away from impactful rhymes and verses towards themes focused on excess, elaborate stage shows, and corporate endorsements. As a result, I stopped paying attention and shifted my musical tastes elsewhere—until one artist emerged who could rhyme about anything and everything, with verses that had both meaning and heart. Alfred Banks ' body of work is so diverse that it will leave you amazed. He can take a blank piece of paper and create a rhyme about it right on the spot. Banks is a hip-hop musician based out of New Orleans, La. , and his latest release, ' Blessing ,' is a nod to the city that raised him. In the song, he says, “It’s a blessing coming from the Crescent” and for Alfred Banks, indeed it is. The man reps New Orleans wherever he goes, and we are lucky to be able to enjoy his talent. Banks got his start in the industry under the moniker Lyriqs Da Lyraciss at age 17 and has shared the stage with Rakim , Lupe Fiasco , Wu-Tang Clan , Tyga , Desiigner , and Kendrick Lamar , among others. He has performed at New Orleans-based events Voodoo Fest and Jazz Fest , and he even visited Reeperbahn Festival in Hamburg, Germany. Did I mention one of his songs was used for a Volkswagen commercial and that numerous songs of his are licensed to shows and movies? His knack for rhyming, his charisma, and his insightful lyrics are what got him noticed in the biz and, as we like to say, the rest is history. He has been steadily churning out music ever since, with many new ones this year, but he does not limit himself to solo material—no. This man is involved in so many projects, we lost count after a while. We did ask him about all those wonderful endeavors, though, and you can read more about them in this interview. Currently, Alfred is focused on promoting his newest album Nectarine Peels , which is part of his collaboration with Albert Allenback of Tank and the Bangas in a group called Saxkixave . These two are like the odd couple of hip-hop and their infectious videos are beyond hilarious and showcase Bank’s personality in a whole new light. In fact, the duo goes together like peanut butter and jelly and truly do complement one another. Albert makes these killer beats and Alfred comes up with the wittiest rhymes to go with them. Released May 18, 2023 In addition to Saxkixave , Alfred is continuing to perform shows like crazy, showcasing his solo material. Check out this convo we had with him recently, then go check out his catalog of material. You will fall in love with him as much as we have. MaM : When I first discovered your music, the thing that drew me in was your use of words. You can pretty much make a rhyme about anything. When did you realize you had this gift with words to take it to the next level professionally? AB : I remember when I was in sixth or seventh grade, I used to freestyle a lot. I lived in Tallulah, Louisiana for, like, three years and I would freestyle a lot with some of the kids around there. I would gravitate towards anybody who rapped—actually, I’ll go back a little further. Fifth or sixth grade was when I started noticing that I liked remixing songs in my own way. Me and my man Nigel would make comedic remixes for them. We would take any song that was hot at the time, which was 2000/2001 , and remix them about food. I started noticing I could do that off the top of my head. … Junior high was when I started to write raps, which were kinda cool. I was more into that battle type of energy. My sophomore year of high school was when I truly started writing, though. … I really started freestyle battle rapping and I noticed I could think of things on the spot. My whole thing was coming from New Orleans , you have to know how to rib and I got ribbed a lot … picked on a lot and my way to fight back was to just rap. I would just head to toe and people would die laughing. That’s kind of how I got my name. I started uploading music to MySpace and stuff. It started getting a little bit of traction and I did some shows around town. I started battling first. … I just started noticing that if I looked at someone, I could make a rap about it to whatever degree. I fell off it for some years, though, and focused on my songwriting and touring. Around 2019 , I did a tour with my man Mega Ran and he did this thing where he would ask people to hold stuff up in the air and he would freestyle about it on the spot and I [thought that was amazing and wondered if I could do that]. I started doing it with Saxkixave and it goes over well and keeps my freestyle sharp. People kind of know me as a freestyle guy now, so it’s kind of cool, then you meet someone like Ray Wimley , who is a freestyle savant, and he went viral because he freestyled with Common a few years back for Essence Fest . We actually did a freestyle battle at a Pelican’s game and that was me in front of thousands of folks having to put my freestyle skills to the test and, respectfully, I was the victor in that situation. … I don’t really write a lot, not as much as I’d like, but freestyling just kind of works. credit: Gary Governale MaM : Well, as far as your lyrics for your songs, what inspires your lyrics? 'Blessing,' of course, is based upon your love for New Orleans, but I was listening to your music and you’re all over the place with content and what you talk about. None of your songs are the same. AB : I know sometimes it makes it hard to be marketable when you do a lot of different things, but I just have a lot of different interests and I’m not always in the same space. To some degree, I guess I need to find a vein, but for the most part, I’m all over the place and I love that. 'Blessing' performed at the New Orleans Jazz & Heritage Festival in 2023 MaM : Where did Underdog Central come from? AB : That’s my life mantra I live by. Underdog Central is the place where the overlooked go to hone their skills to come back and become admired. It’s my label name, too, and my social media handle. I made it my social media handle ‘cause Alfred Banks was taken, but because it’s my label, I wanted that name to be first before anything. I want people to know what my brand is. When I first came out, I was a little rough around the edges, a little unrefined, so I had to go back into my proverbial batcave and fix things. I came back out, though, and now am who I am. I feel like the people who are extremely talented tend to get overlooked and are always having to fight from behind from a deficit and always must prove who they are no matter if they are the most talented one in the room or not. You can’t take anything for granted and you must treat every moment as if it’s your last, so that’s what Underdog Central is about. credit: Gary Governale MaM : Are you born and raised in New Orleans? AB : Uptown, yeah, uptown New Orleans. Uptown kid for sure. MaM : Your brand of hip-hop is the type that is missing these days. It has those classic undertones and that hint of nostalgia. Your lyrics with 'Blessing' are so insightful and that song truly resonates with me. AB : Yeah, that’s a style of record I have never done before. One thing I have been noticing lately is I am the most off-brand New Orleans person you will ever meet. [I’m] born and raised in this bad boy, but when you look at my everything … I don’t even look like I’m from New Orleans. I don’t act like I’m from New Orleans…like some things I don’t even relate to, but I am definitely from here, but I never made a song I felt could resonate here. All the music I make is more for everyone. I also made it from the angle of where if someone from Detroit heard it, they could be like, ‘I feel this way about my city.’ 'Blessing' on YouTube MaM : What struggles or roadblocks did you encounter when you first tried to break into the industry? AB : Just making hip-hop in New Orleans. There was a big scene from 2007-2015 where it was a community and there were shows happening and people would come out to the shows and we all tried to support each other and spread the word about each other’s stuff, then after that, there was a shift in the music. I can say to a degree that I’ve stayed contemporary with my style. It doesn’t sound like it’s from 1989 or anything, but the more lyric heavy and conceptual idea-driven music doesn’t have as big of a platform here as other stuff. The people in the scene here, though, started to get older and started [coming out less]. That and the fact that New Orleans is not a hip-hop city, and so it doesn’t matter how talented you are. It’s been like, ‘Where’s your bounce song?’ or ‘You got a dude playing trombone on it?’. It’s funny now, though, the response I’ve gotten for the song ' Blessing ' … thirteen years into my career, you would have thought it was the first song I ever made because everyone is like ‘Finally, you got a record we like.’ I’ve got albums that have charted across the U.S., but that record is doing pretty good in New Orleans, specifically. Pick your battles. My biggest thing was just trying to do my brand and my style of hip-hop and bust open these doors that are solely reserved for people who do Zydeco or brass band music—stuff people consider New Orleans but, to a fault, it’s so New Orleans that no one wants to hear anything else. But I always thought it was weird that these big platforms—these big festivals here—only portray a certain style of New Orleans; where’s the hip-hop? That’s always been the main issue with me. I want to be the guy that can go into a room filled with musicians who do not do hip-hop to any degree but do my thing and it resonate or translates with them. I’ve kind of become that guy, though. I’m the guy in a room full of brass bands and zydeco bands who is the hip-hop representation, which is a gift and a curse because I never get to perform for my people. I always get to perform for people who are being exposed to what I do for the first time, so it kind of creates this very uncomfortable energy, which can be a bit weird at times. I’m a part of this group called Glbl Wrmng and we’re doing this Wednesday at the Square thing, which I don’t know the last time they had a hip-hop group perform there, but … I have this never say die, blind optimistic view of life, though, so I just keep going for some strange reason. credit: Gary Governale MaM : No, but that’s a good thing! You’re not admitting defeat at all. You’re just like, “I don’t care what you’re gonna throw at me. I’m just gonna keep doing my thing until it resonates,” ya know? AB : …and the funny thing is it hasn’t stopped me. I’ve been able to tour all over the world. I guess it’s not that big of a deal, but for me it is. I’m doing it less about me and more about the next. I’m a young guy, but I’ve been out for a while, and so I just want to look out for the next guys coming up that feel like me because everybody is a street rapper, and there’s nothing wrong with that. I come from the hood, but I don’t see it from that angle. I was in a house and my mom kept me in the crib, and not everyone is from that cloth. There are people, though, that take those experiences and turn them into something else. Not what you would expect. I just try my best to be that alternative for people who love hip-hop, care about bars, care about lyricism and concepts, good beats, melodies, etc. MaM : … and you bring it all. You’ve got the whole package with it. AB : I appreciate that. credit: Gary Governale MaM : Glbl Wrmng — tell me more about this. AB : Word, so Glbl Wrmng is a collective about 35 people in the city from engineers to producers to singers to rappers, graphic artists, etc., and we just all [come together] … so Glbl Wrmng is like, ‘Nope! We can!’ So that’s what we’ve done and as a collective. We’ve performed at Buku Fest , we’ve opened for Tyler the Creator , and we’ve played Jazz Fest . We’re going to be playing Wednesday at the Square , and so we’re using this as a platform to get some of the guys in the group exposure with their first big stages to give them that experience and to be around people like Pell or Train or me to help usher in those guys to just make great music. I love being a part of Glbl Wrmng. It’s very interactive. It’s teaching me how to support people from a very active standpoint, and I truly mean it when I do it and vice versa. It’s allowing me to also get involved with other people’s careers to some degree, which is fire. MaM : Well, it’s a collective grouping of like-minded individuals all supporting each together, which is awesome. AB : Yeah. Glbl Wrmng put out an album during the pandemic and I’m on it. Saxkixave is on it. It’s called ‘ Glbl Wrmng Vol. 1 ’ and it’s a dope record. We’re working on Vol. 2 right now, but at the end of the day the one thing I have learned is that collaboration is very important, especially for me the past three years. Working with Soul Rebels , working with Brassaholics , working with Flow Tribe , working with Glbl Wrmng , working with Tank and the Bangas , and all these different people has been helping me elevate my platform and get in spaces where I probably wouldn’t be normally. I’m very grateful for that. Just working to get that buzz to where it needs to be and it’s been a trial at times, but I want to just keep rapping and keep working and the inevitable will happen at some point. credit: Gary Governale MaM : So, 2023 you’re gonna just do a lot of touring or are you working on any other new solo music? AB : … Instead of putting out new stuff to the same folks, I already have music that resonates, so from there I think I’m going to use videos and promos as a ploy to get people to check out the catalog I have and then go from there. I have a lot of music that hasn’t been unearthed just yet. I have a project called Mere-Exposure Effect , which I feel is one of my best projects writing-wise. It shows I could do radio records if I really wanted to. Mere-exposure effect is an idea that if you recognize it, you’ll like it, so the whole project sounds like radio records. If it sounds like something you already know, then you’ll like it by default. I have a project called ‘ Road to a Rolex ’—some of my hardest hitting beats. I’m rapping about getting money the entire project but from a couple different aspects. I have a project titled ‘ One Guy Standing by Himself. ’ That project debuted at number three on iTunes . It was one of my most successful projects to date. That’s a project I wrote to get myself out of the mind state of COVID . I wrote that project in like a week and it’s more introspective and a little lighter-hearted. I [also] have a project called The Beautiful and that’s my magnum opus and is my biggest project to date. That project is about my brother and his struggle with schizophrenia and his ultimate suicide. The day of his funeral, I had to leave in the middle of his service because I had a show to play that night, and so I wrote an album about the car ride from the funeral to the show, so in that album, I develop schizophrenia too; so, I sort of battle it throughout the album. That’s my biggest project to date and a lot of people don’t even know it exists. I’ve also got The Range 1 and 2 . I do a song with Wheatus and a bunch of people. It’s like five different genres in one project. credit: Gary Governale MaM : I am just blown away with all the projects you have. How do you even sleep? AB : Well, for me, I did go through a time where I was putting out a lot of music and it does seem like a lot, but it really isn’t. I’ve got songs that if someone goes back in like 15 years to discover them, they’ll be like, ‘That shit was fire!’. A catalog full of those records. Some may consider me a conscious rapper and I’m not conscious in the vein of social or political issues, but I rap about things from my point of view. MaM : Well, just life. I’ve listened to all your music, and you are all over the place. No song is alike. You have so many different styles and facets to your personality and what you do. You can go from a silly track to something super serious. AB : For sure. MaM : … which I feel is so endearing and is going to continue to resonate with people—even those who are just now discovering you for the first time. AB : Honestly man, that’s just how my brain works, cause we’re human. We all go all over place. There are some days where you are very happy and so you want to listen to a happy song and then there are days where you are not happy and you don’t want to even hear music, but if you do, you want to hear some sad stuff that is introspective. Some days you want to hear something lyrical. Some days you will want to hear something conceptually driven, but that’s just how I feel. Sometimes I don’t want to write a rap record, I want to write a dance record. I want to do some EDM . I want to do like a hyper-pop record. There are some days I want to do some industrial shit. credit: Gary Governale MaM : That’s what I’m talking about. That’s my kind of music. AB : Some days I wake up, I want to go work with Albert and do some jazz or acid hip-hop or some days I just want to rap my ass off to show people how good I am. That’s just where I’m at and the path I’m on and people seem to like it. MaM : I think it’s a great path and, in fact, I don’t think you should change a thing with what you are doing. I think it shows diversity and it does not keep you in a certain type of music or anything. You are unique and different and have your own brand that is going to resonate because it is so unique and different. AB : Thank you. I’ll tell you this with all the things that have gone against me, all I’ve ever had [were] my skills and [they have] gotten me further than anything else I’ve ever done. I think that is what is going to keep me busy and keep my lights on. I just care about music, and I care about being good. I do come from the competitive aspect where if you put me on stage with other rappers, I’m going to try and outperform. I want to be the best in every room I’m in and I don’t know too many who still care about that. credit: Gary Governale MaM : You are nothing but heart. AB : Thank you. I want people to go, ‘I want to be invested in his brand of great because that boy is good.’ At the end of the day, though, I’m an entertainer, so it’s not about me. It’s about you, the audience, and I like to keep those things in mind. MaM : What are your plans for the rest of 2023? I know we’re halfway in, but where do you see the rest of the year headed for you? AB : It’s weird, I’m at this weird transitional part of my career where the business infrastructure that has been supporting me is not there because we decided to do our own thing and go our separate ways, but I’m back solo. I’ve been adjusting to that. We do have some other things down the line, though. Pre-COVID, I was doing close to 100 shows a year and in June, I’m going to Ohio. I’ll do three shows out there, then I’m going to Colorado in July. Just trying to get back to the West Coast. To experience all that is Alfred Banks, hit one of the links below. You won’t regret it. Alfred Banks (@underdogcentral) • Instagram photos and videos Alfred Banks | Facebook Alfred Banks | Spotify ‎Alfred Banks on Apple Music Saxkixave | Facebook SaxKixAve (@saxkixave) • Instagram photos and videos @SaxKixAve | Linktree *Cover photo by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Nicole Brice loves good music and loves discovering new music she has not heard yet. Do you have something you’d like her to hear? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

They Deserve Some Damn Attention < Back Welcome to Flatch Keeley Brooks Oct 20, 2022 Share They Deserve Some Damn Attention With so many new sitcom titles dropping on TV and streaming platforms these days, it can be a challenge to try and catch them all. And while I do miss many new titles, I was lucky enough not to miss this one, and I’m glad I didn’t because it has become one of my new favorites, and I now find myself waiting for Thursdays just to watch the latest episode. Welcome to Flatch is a mockumentary sitcom directed by Paul Feig ( The Office , Freaks and Geeks ) and written and executive produced by Emmy Award-winner Jenny Bicks ( Sex in the City , Men in Trees ). It’s based on her British version of the show, The Country , and premiered on Fox in March 2022 . By May , it was renewed for a second season, which kicked off September 29 . When a documentary crew sets out to explore the lives, dreams, and concerns of residents in a small American town, it stumbles upon the tiny Midwestern town of Flatch, Ohio , where they discover many eccentric personalities and find more than worthy subjects in cousins and best friends Kelly Mallet and Lloyd “Shrub” Mallet , who aren’t at all shy about letting the crew in on their lives and local events. Each episode opens much like Letterkenny , with an introduction of the town and population: “ Recent studies show that Americans long for a simpler life in small towns. To explore these communities, Fox sent a documentary crew to spend time with the citizens of Flatch, Ohio—population 1,526. ” Then, we are introduced to a whole slew of characters to laugh at …or with ... either way. For starters, Stifler from American Pie , also known as Seann William Scott , plays the town minister, who is nothing like Stifler at all. He’s calm, soft-spoken, sincere, naïve … kind of a pushover, if you will, and he’s the one who attempts to guide Kelly and Shrub , who seem to refuse to grow up. And that’s funny. Courtesy of Fox It’s one thing to watch Seann William Scott as Stifler or even as E.L . in Road Trip , but it’s entirely different and funnier to watch him as this humble, pushover minister of a small town. Father Joe , as he’s known, moved to Flatch with his former girlfriend, Cheryl , who is an award-winning journalist and the editor of the local newspaper ... and quite quirky. Other Flatch residents include Kelly’s frenemy Nadine (Taylor Ortega, Succession ), who runs the Flatch Historical Society ; Mickey St. Jean (Justin Linville), who relentlessly attempts to become Shrub’s best friend; and no-nonsense favorite Mandy (Krystal Smith), a magnetic force of nature who lives life on her own terms. In the pilot, she asserts with force, “We are an upstandin’ town and we deserve some damn attention. We got two restaurants—one with menus, and last year somebody gave birth to twins, so now we got young people all over the place.” Then we meet Kelly and Shrub , who are a magnificent comedic duo to watch. Both are extremely talented, funny actors who play off of each other’s timing. Chelsea Holmes , often billed as just Holmes , is a hilariously talented American comedian, actor, and writer, and is also a stand-up comic and improvisational actor. She's definitely one to watch; I adore everything about her. Both she and Shrub are townies who spend their days hatching schemes. Courtesy of Fox And speaking of Shrub , played by the charming Sam Straley ( The Kids are Alright , The Dropout ), we learn from him and Kelly in the pilot just how he got his name. “So, his real name is Lloyd,” says Kelly. “Yeah, after my dad,” adds Shrub. “Yeah, his dad drank a lot of Busch beer, so they started calling him Bush …” and then Shrub chimes in, “Yeah, so they started calling me Shrub for, like, a little bush,” and after a brief pause where Kelly looks at Shrub as he’s looking off in the distance, he adds, “But, like, he left when I was a baby.” They both nod their heads and say, “Yeah,” and then Kelly adds, “But he probably still drinks beer.” Essentially, all Kelly and Shrub have are each other. Kelly’s father is around but has a new wife and baby daughter, so Kelly is virtually non-existent to him until he needs something. But Kelly doesn’t let this phase her trying efforts one bit. She defends him and tries to cozy up to him with no shame whatsoever. And the duo's interaction with the camera is priceless. Much like The Office … the looks, the expressions, the faces, the implications. In an interview with Cincinnati Magazine , Straley talks about the characters he and co-star Holmes play. “I’d say they’re kind of a classic duo, almost like husband and wife in a way. They’re partners for life, they’re best friends, and they want the best, but they also see what’s wrong in the other person and get so frustrated with each other sometimes, but we kind of always come together, because we’re each other’s support system.” He continued, “They’re in their early 20s … sort of at the point in their lives where they should have things together, and everyone around them is getting married and they’re still, I think, clinging on to moments in their lives that brought them acceptance. And they’re really excited about this new documentary crew and having ‘the movie people’ around and feeling seen.” When asked about his and Holmes’s individual characters, he added, “Shrub is, I’d say, more of the feminine to Kelly’s masculinity, which I think isn’t seen a lot on TV. Shrub is sort of the sensitive, artistic, detail-oriented control freak, and Kelly is the no-idea-is-a-bad-idea, throw-everything-at-the-wall-and-see-what-sticks one. And I think their dynamic is very much that they love each other but fight a lot. They cover each other’s gray spots in all the right ways, and they are desperately, desperately trying to find connection and a place where they fit. They’re absolute underdogs, and they’re always looking out for each other.” Underdogs, indeed. Each and every one of ‘em. AND Jaime Pressly ( My Name is Earl ) has joined season two as realtor and OG Flatch native, Barb Flatch . SHE is nothing short of hysterical and is the perfect addition to this little gem of a sitcom, which I hope has many more seasons to come. Courtesy of FOX So, I recommend adding some Flatch to your weekly musings. Yeah, there might be some cheesy jokes or moments that lag, but if you’re not wound too tight, you just might find yourself giggling at every little thing. Like we do at my house. Welcome to Flatch, everybody! Episodes drop Thursdays on Hulu and air the same night on Fox at 8 PM EST. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. < Back Reviews on the Real: 3AM 666 by Antania Nick Cline Sep 15, 2025 Share From start to finish, 3AM 666 offers a dynamic experience best described as a horror movie rock opera. Antania is a band that blends visceral intensity, thematic depth, and unwavering dedication. Their sound draws from a diverse range of influences, including Slayer , Ministry , and The Prodigy , crafting a unique soundscape characterized by hard-hitting beats, aggressive sounds, and haunting vocals and their latest release is no different. Released June 20, 2025 This signature sound is prominently showcased in their latest release, 3AM 666 , a ten-track powerhouse album featuring songs like ' Pigz ,' ' Sewn ,' and ' Abysmal ', which was released on June 20, 2025 . From start to finish, 3AM 666 offers a dynamic experience that I would describe as a horror movie rock opera . The album’s scale and visceral nature resonate with every guttural scream, lingering beats that stick with you long after the initial listens and sounds that slice through the sound like sharp blades. The album encapsulates an artistic sense of dread, aligning perfectly with the band's intended vision for this project. It feels both mysterious and revealing, visceral yet impressive. Antania presents a collection of sounds wrapped in a thorn-covered display of musical artistry, and they deliver it with remarkable ease. Credit: The Triad Rec My personal favorite track is ' Blood Love .' The synth intro feels like an episode of The Twilight Zone , and suddenly you’re swept away into an untamed execution of tone and musicality . From beginning to end, the music captivates your senses and draws you in completely. Credit: The Triad Rec Overall, this album stands as a testament to the band's ability to channel immense creative energy into a tightly wrapped package—something that few bands can achieve . It’s a powerhouse of concepts, energy, and raw musicality. The album’s visceral yet appealing nature makes it a fitting listen for fans of Rob Zombie films or anyone seeking a more aggressive edge in their musical repertoire. Go stream it now! To learn more about Antania: Linktree: antaniaofficial | Facebook | Linktree Facebook: Facebook Instagram: Instagram The Triad Rec: THE TRIAD REC | Twitter, Instagram, Facebook, TikTok | Linktree www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Drop us a line at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Hawthorne Oachs brings deep awareness to everyday life < Back Hawthorne Oachs: A Free-Spirited Young Artist Full of Beautiful Harmonies Nicole Brice & Chris Pryor May 30, 2023 Share Hawthorne Oachs brings deep awareness to everyday life Sometimes, a musician comes onto the scene and just blows us away to where we are left virtually speechless. The next musician we are bringing to you has done just that and her name is Hawthorne Oachs. At the young age of 12, this spirited artist wrote, produced, and released her first single, “My Lullaby,” which was released in November of 2021. At 14 years old, Hawthorne has many talents and is not only a musical artist but also a digital artist and award-nominated actress with Z-Fest 2023 as a Best Child Actress Nominee. She has created the cover art for all her music released thus far and is frequently known to share her artistic creations on social media. With song lyrics written from the perspective of a young teenage girl, Hawthorne has a mature-sounding voice that is both powerful and contains soulful evoking memories of LeAnn Rimes when she first broke on the scene in the mid-90s. Photo provided by artist An incredible storyteller drawing inspiration from everyday life, Hawthorne’s songs are often about personal experiences with her relatable and thought-provoking lyrics. In addition to her music and art, Oachs is an advocate for mental health awareness, where she has spoken publicly about her own struggles with anxiety and depression. She hopes to use her platform to help others who are struggling with mental illness and wants to be a role model for young people everywhere. If you’re looking for music that is both powerful and meaningful, then we highly recommend checking out the music of Hawthorne Oachs. In fact, we listened to her entire catalog and could not find a single song we did not like. Her music is that good. Oach’s latest single, which released on April 21, 2023, is titled “A Single Flower.” It is a hauntingly beautiful arrangement full of abundant wisdom for a girl so young. Listening to it gave us the chills, and when that happens, you know something is resonating with your own energy. It has excellent production value and a good use of effects, and the harmony flows perfectly with the medley of the music. We cannot recommend it enough. Set to release another new single in June, Hawthorne is a talented artist with a bright future ahead of her, so stay tuned! We recently had the opportunity to ask her a few questions, so check out her responses below and then go listen to her beautiful catalog of tunes. She is sure to become a household name in the years to come. MaM : Hawthorne, thanks so much for taking time to talk with us. Your vocals are so melodic, soulful, and strong for such a young lady. Who are your vocal inspirations and why? HaO : Thank you so much for the kind words, Nicole! Some specific singers that I really respect are my mom, Mafumafu, and Hayley Williams of Paramore. My mom is a talented singer and has been such a fantastic mentor throughout my life. I know I would have made my way to music eventually if I was born with different parents, but my mom and dad have given me the gift of a life immersed in music, and I wouldn't have had it any other way. Mafumafu is a very emotional and passionate singer and I connect with that. I find a lot of joy listening to his work, and I found his music at the height of the pandemic, so his songs comforted me. I’m massively grateful for that in ways I’m not sure I can clearly articulate. Because of my mom, I’ve been listening to Paramore since before I could understand the meaning of the lyrics, so their music has always held a special place in my heart. They were my first concert when the ‘After Laughter’ album came out! Hayley has such a wonderful, powerful voice and I really love listening to both her solo work and Paramore’s whole discography. Their new album is a such a banger, too! Zac is a superb drummer and Taylor is a stellar guitarist who also has curly hair, like me! Listening to these people play their hearts out really inspires me to keep learning, growing, and improving as I turbulently make my way through these adolescent voice-changing years. Photo provided by artist MaM : When did you realize you wanted to create music and why? HaO : I’ve always been way into music starting from when I was really young. I'd sort all of the CDs and records in my house, taking them off the shelf, looking at the album art, listening, then putting them back. I also used to run around the house playing my little pink acoustic guitar, singing at the top of my lungs, making up songs. The piano was a safe place to play and decompress from the events of the day. I still do that. I was around [five years old] when I started taking formal lessons for both piano and guitar, and I immediately wanted to quit because if I didn't get something right on the first try, I would get discouraged. I'm also tenacious and headstrong, which I’m grateful for, because I stuck with those lessons and now piano and guitar are my favorite songwriting tools. During the pandemic, most of us turned to art to consume and keep us soothed and entertained. In the beginning, I ended up writing a considerable [number] of songs cathartically. Through that catharsis, I developed a love for songwriting and a realization that I was fastened to music for life. Photo provided by artist MaM : Who are your musical influences for your sound? HaO : Because I've grown up in a musical household, I've listened to quite possibly every genre that exists. As a result of that immersive education, I have an extensive collection of favorites that I've held closely in my heart. I can usually find something to like in whatever I'm listening to, and every day I'm discovering new artists that I love. For example, I've been listening to Minami, Mitski, and Blü Eyes lately. Right now, the songs I have on repeat obsessively are ‘Thick Skull’ and ‘Running Out Of Time’ by Paramore. I think inevitably over time, everything you've ever listened to influences your own sound. Experimenting and figuring out who I am as a musical artist has been a welcome adventure. My fifth single ‘Chase Me’ was probably the first time my sound and aesthetic felt most like home. With the latest songs that I've been creating, I've got a solid vision for the path forward and I'm exhilarated about that! Since I started releasing songs at [age] 12, there has been growth in me personally as well, so it seems logical to see growth in my music. In the fall, it'll have been two years since I started doing this. What's cool about it is that I can look back to where I started and see the growth and changes. I'm proud of everything I've done so far, and I wouldn't have changed anything! MaM : If you could share the stage with any artist, who would it be and why? HaO : Mafumafu! A few years ago, I had to pick a second language to learn for school. I started learning French, but that was a big non-merci from me after about a month. I just couldn't get the pronunciation right and wasn't feeling it. Since my appreciation for Japanese culture, candy, and food had grown, I chose to learn Japanese. Early on, it was suggested that I listen to and learn songs in the language to engross me, which would aid in familiarizing myself with pronunciation and vocabulary. When studying one day, a J-pop playlist was on autoplay, and I heard Mafumafu's cover of ‘Hated by Life Itself’ for the first time. I felt like I was hit by lightning. I understood him without understanding a single word. Between a global pandemic and the trials of adolescence, I needed brightness in my life. When I heard Mafumafu's voice, I felt seen, heard, and understood. I listened to that song incessantly for a while. All of his music and variety of content was the fortification I needed to see me through to better days. Admittedly, without something to hold onto then, I'm not sure what would've happened. I hope someday I'll get to meet him and tell him just how truly grateful I am, and wouldn't a Mafumafu x Hawthorne Oachs musical collaboration be the most beautiful finishing touch to that story? Photo provided by artist MaM : What music or things around you are inspiring you to create these days? HaO : Mental health awareness has been on my mind for the past two years, and lately I find myself digging into the problems we face as a society, but particularly those directly related to mental health. The surgeon general recently declared loneliness to be a public health crisis and said it's comparable to smoking. While I wrote and released it before this news broke, my most recent song ‘A Single Flower’ tackles the topic and the debilitating effects of loneliness. Another thing that's been on my mind is the alarmingly high rates of teenage suicide. My new song ‘Red Spider Lilies’ that is coming out on July 27th addresses the grief that one might feel when the person tethering them to this world is gone forever and they want to go, too. Maybe they were already thinking about it, and this was their breaking point, or maybe the grief was so unbearable they made the decision in a split second. I think if anyone said they were having those feelings out loud, it would be divisive, and some might even chastise them for those thoughts. This song is acknowledging that those thoughts and emotions can be part of being human and we should do better by supporting mental health, listening to others without judgment, acknowledging that humans can and do have dark thoughts, and normalize talking about those struggles. I think about how I turn to the creative output of others to comfort me, so if the art I create can be of that same service to others, then it feels like it's a small contribution and my own way of making the world a better place. Photo provided by artist MaM : What are your aspirations for the future? HaO : My primary aspiration is that my music gets to the ears and the hearts of the people who need it the most. I always set short-term goals for myself and celebrate them wildly when I reach them. I appreciate that this industry is overly saturated and jumping to the head of the line isn't realistic, nor is it a goal. I simply want to help people first and foremost. I want my music to be of service to others in the same way that music has been of service to me in my life. If that turns into something bigger than I am imagining right now, I will enthusiastically embrace whatever comes from it. The one thing that is non-negotiable and that I refuse to do is stop creating music. Music has been and always will be a comfort to me, and my true aspiration is that the music I release will be a comfort to others. - Be sure to add the music of Hawthorne Oachs on your playlist today! This young lady is creating something magical, and we cannot wait to see what she has in store for all of us in the future. To check her out, follow any one of the below-listed links. Hawthorne Oachs (@hawthorneoachs) • Instagram photos and videos Hawthorne Oachs | Facebook Hawthorne Oachs | Spotify ‎Hawthorne Oachs on Apple Music Hawthorne Oachs - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

How a local Louisiana comedian found his craft in laughter to help overcome anxiety. < Back Don’t Freak Out! It’s Just Jeff Vance, Everybody! Kimberly Bryant Jan 28, 2025 Share How a local Louisiana comedian found his craft in laughter to help overcome anxiety. I’ve known Jeff Vance for a long time. We go back to… dang, okay, definitely before 2010; I can tell you that much when we both worked together at a call center slinging “knock-your-socks-off” service to the hundreds of callers we fielded daily. But the one thing that stood out the most to me about him, like a shiny new nail peeking out of some plywood (fun analogy, right? —I tried), was that he was a DJ in his free time. The everyday nine-to-five grind of the monotonous routine is unentertaining to me… but that was! Very! You see, but that still wasn’t quite it. Jeff was hilarious. I remember purposely intersecting him in the hallways to see what he would say to make me laugh so loud that I would irritate my co-workers. For me to do that, you have to have a gift. For me to seek talent, it’s because I see talent. So, I’ve always felt like Jeff would be on a stage somewhere, if not on television. Fast forward to many years later, and I’m still tracking Jeff’s moves on social media to see that he’s doing it. He found his way into the entertainment industry through acting—via theater, then dinner theater eventually became comedy. That happened when Vance conversed with a fellow actor one evening and figured another stage wouldn’t hurt at all. But one thing Jeff could tell you is that, in the beginning, it wasn’t exactly a King Cakewalk; it was tough. Sometimes, the comedian was met with comments such as “Please quit comedy and go back to the grocery store,” he tells me. At the same time, we munch on cheese and laugh while filming The Pop Culture Green Room podcast episode at Rind Specialty Cheese and More in Hammond, Louisiana (if you’re in town, GO!). But that didn’t last long. Soon, the jitters would simmer down, and he became more comfortable. But as soon as it got his groove, life happened. He quit comedy in 2009, raised his kids, and returned to comedy when COVID hit… and Lunchbox Comedy was born. Credit: Facebook In 2022, Jeff began to rally the troops, consisting of his comedy friends. But the big challenge was luring them to a place called Gonzales, Louisiana . “Uh, where?” Yep, that’s what he was met with. Luckily, they trusted Jeff’s judgment, and the rest is history. Lunchbox Comedy has grown, currently touring Mississippi, Florida, and Louisiana . Jeff still gets overwhelmed with how far he’s come. I was utterly shocked when I discovered something about him that I wasn’t unaware of. Didn’t even have a clue. It could’ve fooled me, yet it also made sense. He suffers from anxiety. Major anxiety. Credit: Kimberly Bryant I had gone with my friend Elizabeth and her mom to catch a show at Deadbeat Brewing in Hammond (also a fun spot) with Jeff opening for TanyaLee Davis . He began his routine so bravely while being blinded by the light, and one of the first things he said was that he has anxiety. It stopped me in my tracks. Then I thought about it. I’ve read before that comedy can be a coping still for anxiety. Maybe it’s because I figured a small laugh for yourself or at a friend, but I didn’t think about putting yourself on display. That’s… being vulnerable. That takes guts. I would’ve never known. Jeff doesn’t stop. He goes after what he wants, and he found his way into promoting Lunchbox Comedy on news circuits, on tour, on stage, and in front of people. In front of people. People staring. In silence. My heart was pounding, and my palms were getting clammy. That kind of anxiety… and comedy helps him through it. Credit: Facebook Jeff Vance knows that not every day will go the same, but he also pushes through the difficult moments in his career. He has his bag of tricks, bits, and improv handy. It helps that he has accredited comedians on his touring circuit, so knowing that the support is close by helps ease the anxiety. One of the main reasons I wanted to grab Jeff for this interview is his hard work ethic, his never quitting, and his showing that you can still go after your dreams even with anxiety. Not only is Jeff a comedian, he’s also a producer as well. He wears all kinds of hats, I tell ya! I’m sure I’m missing something else he does. And I have to say, I’m very proud of my friend. Be sure to check out anything that Jeff Vance does. You can thank me later. To learn more about Jeff Vance and Lunchbox Comedy: Lunchbox Comedy | Facebook Facebook Jeff Vance Comedy LA - Live Stand-Up Comedy in Louisiana *cover photo - Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Mellow & Smooth < Back Easy, Breezy Sounds: The Music of Tommy Thibodaux Nicole Brice Apr 18, 2023 Share Mellow & Smooth We all love listening to live music, whether it be at a huge venue with a local band or at a restaurant while enjoying a few drinks and food, and this is where this next local musician fits in. A self-taught musician based out of Walker, La., Tommy Thibodaux has been playing guitar longer than I have been alive. He is a man who enjoys playing for those who appreciate it, and his takes on classic songs by George Benson, The Temptations, and Neil Diamond are refreshing. He adds his own unique twist when performing these tunes and others. With over 800+ songs in his knowledge base for performance, Tommy’s outgoing personality and wardrobe, paired with his even brighter guitars, make him stand out from the others. Thibodaux plays music five nights a week—sometimes even more, and he can sing for over three hours without his voice ever cracking. Mellow, cool, and calm is the best way to describe him. With his laid-back vibe, his music puts you in a calm space, and one could even say he might just be Jimmy Buffet’s long-lost twin. At the end of the day, though, Tommy is just a genuinely nice guy who loves what he does and who loves music. After you read this interview, be sure to check out his Facebook page for any upcoming dates of performances. credit: Gary Governale MaM : Thank you for taking time to speak with me today. I appreciate it. I’ve been checking out your videos on Facebook to get a better feel for your music and want to tell your story. Give us a brief background on your music career. What got you into playing music? TT : I started out in school playing drums and then I was exposed to guitar through a friend who had an electric guitar. When I saw him play it (laughs), from then on, I was hooked and I had to have one. MaM : Do you remember the type of guitar your friend had? TT : No, sure don’t. It was some type of cheap Japanese guitar. MaM : Who or what do you cite as your influences musically? TT : Eric Clapton, of course. Jimmy Page, Stevie Ray Vaughn, Steve Lukather, and Neal Schon. MaM : Great picks! I saw on your videos this bright orange guitar that you play. Is that a Strat? TT : No, that is actually a Charvel. MaM : Really? Wow. From the angles you had posted in the videos, it looks like a Strat. It’s a pretty guitar. TT : Well, the funny thing about it is that it is made by Fender, but Charvel acquired Fender many years ago. Fender has many guitars that look like others. credit: Gary Governale MaM : When you’re playing your sets, it’s just you, correct? Have you ever thought about putting together a band? TT : No, I do this for a living, and so I don’t want to form a band. If I had a band, I wouldn’t make as much money, so I like to just keep it solo since it’s a full-time gig for me. MaM : What influenced your decision to perform full time? Were you just like, “This is what I love to do and so I’m going to just go for it?” TT : Pretty much. You find out what you’re good at and you stick with it. Plain and simple. MaM : Do you try to emulate a specific sound with your guitar tone when playing? TT : Sort of. I’ve got a pedal board or guitar modeling processor that has a lot of amps and effects to it. I like to stick with the basics, though, with Fender amps and Marshall and Mesa Boogie. I like the Fender Amps for old school rock or blues … for my clean sound. I use the Mesa Boogie on songs by Carlos Santana or something that needs that heavy high-gain distortion, and then the Marshall is just for playing any kind of rock songs that require that chunky, British sound. MaM : As far as gigs, do you have a certain area you like to stick to or do you like branching out to as many areas as possible? TT : I like to stick to about a 90-minute drive. I live in Walker, so that can put me in Bay St. Louis, Miss., or Lafayette or Thibodeaux, La. I even play in McComb, Miss. I do play places in between, but I don’t want to go past 90 minutes. MaM : I can understand that. The older I get, the less I want to drive. TT : I used to sell cars and I just got tired of that environment. Happy to be making music and doing what I love. credit: Gary Governale MaM : So, do you only play covers when performing or do you have some originals you perform? TT : … [For] the songs I perform, I like to put my own little spin on them. I use virtual instruments on the computer for my tracks, and it takes me about 20 minutes or so for one song, but you really [have to] know what you’re doing with the software to be able to get it right and finish it up in a short span of time. MaM : What else would you like our readers to know about you? TT : I’ve been playing music for over 40 years. Before I started performing solo, I used to have an act with my daughter. Same kind of act but just with her singing. That was fun, but when I decided to go solo, the first thing in my mind was, ‘Can I sing a three- or four-hour gig by myself?’ It was almost like I needed someone with me as a crutch. When I finally embarked on the solo stuff, I realized I can sing for that long, and I can sing for possibly six or eight hours if I really want to. With that kind of confidence, people have asked whether I warm up when I sing or drink anything special. I tell them, ‘No, I drink ice water, soda, or an iced tea.’ The only thing that affects my voice is coffee. It messes with the muscles in my vocal cords because of the heat. MaM : See, hot coffee puts me to sleep. Cold coffee keeps me awake, though. So strange. TT : Right, but it’s been a long journey. When you look at it from different angles, it’s not really acoustic. I don’t know what to call it, really. It’s just an electric solo gig. I’ve had people ask me to swap my electric for an acoustic, which I don’t want to do. When I was coming up in the 80s, there weren’t really that many of us doing solo electric gigs. I did a solo gig with my first wife, which we had just come out of a band that had broken up, and then we just decided to perform as a duo. Now, it seems like more people are doing what I do, but it’s a lot of fun. credit: Gary Governale MaM : What are your favorite songs to perform live? TT : I like playing sing-along songs like ‘Country Roads’ or ‘Sweet Caroline’ or even ‘My Girl’ … songs [people] know the words to. I play over 800 songs, though, so it’s difficult for me to pick a favorite. When I start my set, I like to open it up with ‘Reason’ by George Benson, which is a jazzy instrumental. It lets me get a good feel for the room. I like to make sure I’m not too loud or too soft—just balanced. After that, I start going into my set. MaM : What are the three things about playing music you feel are important when reeling in the crowd? TT : Well, people must like the way you sing, the guitar playing, and the song choices. If you have that nailed down, then you pretty much have it. Those things matter whether the audience is going to applaud, dance, or tip you after. The thing about it is that when I’m on stage, I get a chance to capture the audience. I don’t want to be the guy in the background that no one is paying attention to. If that becomes the case, then I just need to hang it up. - To check out Tommy’s music or to book him for a gig, be sure to check out his Facebook page below. Tommy Thibodaux | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Daemon Grimm is drawing their influence from more than just metal. < Back Don’t Lose Your Head: The Unstoppable Return of Daemon Grimm Jennifer Touché Feb 19, 2025 Share Daemon Grimm is drawing their influence from more than just metal. Last year, I had the opportunity to work with Eddie Sartor , bassist of Daemon Grimm . Through that connection, I was introduced to the rest of the band. Learning about their adversity over the years made it clear that their bond is built on more than just music—it’s a brotherhood forged in resilience. This is their story. Credit: Facebook Emerging from the underground scene of NOLA , Daemon Grimm was formed in 2016 as a studio collaboration among friends. Leading the partnership was drummer Brock Champagne , joined by original members Brandon Landry (guitar), Eddie Sartor (bass), and Jake Walker (vocals). In the beginning, there was no real direction for the band, just four good friends creating music together with each member bringing their unique style and emotion to the mix. Once the songs were complete, the band knew they had created something much more than just a few recordings. They made an entity, an alter ego, now known as “ Daemon Grimm .” Credit: Jennifer Touché In 2017 , the band dropped their first single, ' Peaceless World ', and their self-titled debut EP, Daemon Grimm —a collection of early recordings. However, it wasn’t until the release of their 2019 EP Big Bad Daze that Daemon Grimm’s signature sound was truly defined. The band draws inspiration from The Acacia Strain , Trapped Under Ice , and Portrayal of Guilt , with a distinct infusion of New Orleans hip-hop. “As far as taking inspiration outside the genre, we absolutely do. I think being from New Orleans, it's second nature to be into or listen to hip-hop, and in our music, certain songs, you can hear the hip-hop crossover. Whether it be the way Jake [Walker] does vocals, or a certain drum beat that Brock [Champagne] plays behind the music,” Brandon Landry explains. Since the release of Big Bad Daze to their most recent single release, ' DLYH Don’t Lose Your Head ' , the band has matured and morphed into a sound of heavy riffs, trippy music visuals, and lyrics written to reel you in. The latest release from New Orleans' own Daemon Grimm Over the years, Daemon Grimm has faced significant adversity. Their biggest setbacks were line-up changes and the pandemic, which caused them to lose the momentum they had built. In 2019 , the band had just purchased a van to begin their journey on the road, only to have their plan crushed by the world’s shutdown of COVID-19 . In addition to the pandemic lockdown, they lost members while in the middle of recording. It was an emotional turmoil with such a devastating blow combined with bad timing. All hope was lost, and they sold the van in which they had invested their dreams. Eventually, Jake and Brandon brought in bassist Nick Moore and drummer PJ Huesmann , allowing them to play a few shows. Their last performance in 2022 seemed to mark a possible end to their journey, as the absence of Eddie and Brock left a noticeable void in the band's chemistry. Credit: Jennifer Touché By 2024 , the band’s future had begun to take shape. Brock ’s return in 2022 , the addition of a second guitarist, Lacy James , in 2023 , and the solidified return of Eddie in 2024 provided precisely what the band needed to rebuild their momentum. The band reignited their passion for their musical journey. “It just sparked that ignition to put in months of work learning and teaching songs, building an entirely new backline, just a newer version of the band, while being the same band you knew before,” recalls Daemon Grimm. By August 2024 , all their hard work paid off when they played their first show back at Southport Hall , supporting Entheos alongside Transient and Edifice . Shortly after, they played a second show supporting Texas-based Upon a Burning Body alongside Baton Rouge-based Branded for Exile . Kicking off 2025 at Chelsea’s Live , Daemon Grimm supported Swamp Stank alongside local acts Voice of the Enemy and Branded for Exile , making for a night to remember. “It was amazing to start the year with that show at Chelsea's, especially with such great local acts. Our expectations were surpassed tremendously…,” recalls Jake, “… honestly the whole night was memorable. It was one of our best shows since coming back, and to be the first to start the year set the bar for all of our upcoming shows. It is always great to have the crowd singing along to your songs, moshing from the set's first song to the last song.” Credit: Jennifer Touché Daemon Grimm ’s electrifying live performances have made them one of my favorite bands—not just to photograph but to experience. Their relentless energy and crushing groove riffs make it impossible to stand still. Don’t miss out—catch them live and throw yourself into the chaos of the pit! To learn more about Daemon Grimm: linktr.ee daemongrimm | Instagram, Facebook, TikTok | Linktree View daemongrimm’s Linktree to discover and stream music from top platforms like YouTube, Spotify here. Your next favorite track is just a click away! Upcoming Shows: Friday, February 28, 2025 Intracoastal Club 8448 Main St Houma, La $10 Doors @ 7pm Show @ 9pm *All photos by Jennifer Touché Jennifer Touché (@jennatouche) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Vows to Boscobel is a masterclass in atmosphere, emotion, and intent. < Back Reviews on the Real: Cinder’s Vows to Boscobel EP Nicole Brice Oct 14, 2025 Share Vows to Boscobel is a masterclass in atmosphere, emotion, and intent. With each new release, UK-based band Cinder continues to raise the bar, and Vows to Boscobel is no exception. Released on October 9, 2025 , this EP is a stunning offering that showcases the band’s ability to explore new territory without losing the raw emotional weight and identity it has begun to carve out for itself. Released October 9, 2025 From the first note to the last, Vows to Boscobel is nothing short of extraordinary – an immersive, beautifully crafted experience that shows how Cinder never fails to deliver. This EP solidifies Cinder’s place in the emerging music world and needs to be put on your list of new music to check out now. Let’s dive into these tracks, shall we? Impermanence Read about this song more here . Breathing Read more about this killer track here . Sines This song starts with a mellow guitar vibe and gentle vocals that gradually build into a crescendo of shoegaze-like wailing guitars and ethereal sounds. The entire song creates a captivating atmosphere. At the 1:55 mark, the sound erupts into a wonderful fuzz of noise. Vows Another solid track, filled with layers and depth. One thing is sure about every song Cinder releases: no two sounds are alike, and each one evokes emotions in a meaningful way. The combination of spoken word segments and vocals is expertly done. Everything about this song feels just right. The heavy breakdown at the end will make you want to turn up the volume even more. Boscobel This track starts with a catchy groove, which is nice. This track is more upbeat than the previous two, featuring a vibe similar to Echo & The Bunnymen mixed with a touch of My Bloody Valentine . The remainder of the song is so distorted that when it ends, you'll crave more. This EP deserves a 10 out of 10, in my opinion, and is a masterclass in atmosphere, emotion, and intent. There isn't a single song that isn't good. Every track is killer. Cinder doesn’t just meet expectations – they exceed them, and Vows to Boscobel is proof of that in every haunting, beautiful moment. Stream it now. To learn more about Cinder: www.cindernoise.com cindernoise The official website of the band Cinder. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. < Back Reviews on the Real: Exploring Peregrine Stanzas by Andy Connolly Nicole Brice Jul 14, 2025 Share Peregrine Stanzas showcases heavy basslines complemented by crispy vocals and exceptional guitar. Wow! This is incredible! Those were my exact thoughts after I hit play on my iPod to dive into the new EP from Andy Connolly called Peregrine Stanzas . Andy Connolly was born and raised in the suburbs of Boston, where he has navigated his musical journey through various contrasts. He skillfully blends powerful guitar chords with delicate acoustics, showcasing both sides of his musical personality through well-delivered vocals and carefully crafted arrangements. In his fifth solo album, Peregrine Stanzas , Andy has refined this balance of extremes. Andy is more than a musician, though; he’s a songwriter and author, too, with his work currently available for purchase on Amazon . Released May 30, 2025 On Peregrine Stanzas , each song is more enjoyable than the last, and no two songs sound alike . Andy's vocals are extraordinary . Released on May 30, 2025 , Peregrine Stanzas is a 6-song EP that features an exciting mix of pop punk, rock, metal, new wave, and much more . It showcases heavy basslines complemented by crisp vocals and exceptional guitar playing . It’s a fantastic collection of goodness, no lie. With exhilarating highs and reflective lows, it evokes everything from the thrill of speeding to deep contemplation . Listeners should prepare to be transported to an otherworldly musical realm characterized by melodic guitar playing and memorable hooks , all woven into catchy songs that will have you hitting the replay button. Andy has collaborated with renowned musicians, including bass legend Billy Sheehan ( Mr. Big , The Winery Dogs ) and drumming virtuoso Ray Luzier ( KoRn , ex- David Lee Roth Band ), along with many other talented artists and special guests. Peregrine Stanzas draws on familiar sounds while pushing the boundaries of Andy’s unique style. Peregrine Stanzas Unabridged on YouTube Produced by Dan Kupka and Scott Bush on different tracks, Peregrine Stanzas marks Andy's first solo effort that features contributions from outside writers and session musicians. With outstanding lyrics by Patrick Walsh , Andy composed the music for the breakout single ‘ Rough Diamonds .’ The track is backed by Billy Sheehan on bass and Ray Luzier on drums, making it an enjoyable high-energy song. As for the rest of the album and Andy's future sounds, only time will tell, so stay tuned. Photo courtesy of Andy Connolly Let’s get into these tracks, shall we? ‘ Rough Diamonds ’ is full of energy as soon as the song kicks off. The guitar tone is superb and crisp. It's an excellent song, and everything about it hits. ‘ Dear Tragedy ’ begins with a raw guitar sound that has a rockabilly vibe. Andy's powerful vocals shine through; his voice truly seems made for this genre. The heavy bass kicks in right from the start, giving the song a grunge sound, in contrast to the opening track, which leans more towards pop punk. Overall, this song is fantastic. In ‘ In the Belly of This Whale ,’ the spoken word vocals are potent and give me chills. Andy's voice has a more acoustic vibe, yet it maintains the same intensity as the previous two tracks. He speaks with truth and strength in his words, so it's essential to pay attention. ‘ Taken by the Night ’ has an entirely different vibe compared to the previous three tracks. It reminds me of 80s new wave but with a modern edge. The track features no vocals and is entirely acoustic. ‘ Leave It All Behind ’ starts with an energetic “Heeeeyyy!” that sets the tone for the track. It reminds me of a gritty, grunge-alternative song that is full of charisma and oozes with it. ‘ Taken by the Night (Dr. DK Remix) ’ reminds me of the remix of ' Torn Apart ' by Stabbing Westward for the Spawn soundtrack . This remix jams and offers a unique take on the original track , adding more of a groove. It would be an excellent addition to a video game soundtrack. Peregrine Stanzas is an EP that is worth checking out and adding to your collection. It is well-crafted and showcases a great deal of diversity. It's best enjoyed by listening to all the songs in the order they appear, preferably with headphones on. Be sure to stream it today! To learn more about Andy Connolly: Website: http://andyconnolly.com All links: Peregrine Stanzas by Andy Connolly - DistroKid www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Frankenstein Mind is a song that gets under your skin. < Back Reviews on the Real: Frankenstein Mind by Shades of Wisteria Nicole Brice Jan 21, 2026 Share Frankenstein Mind is a song that gets under your skin. Released on January 15, 2026, ‘ Frankenstein Mind ’ is the debut release from Shades of Wisteria , a four-piece Progressive Rock/Metal band from the Mississippi Gulf Coast . The song begins with haunting, soulful vocals that build into an electrifying chorus, cranking the intensity up to ten. Paired with a visually stunning music video , it’s a beautifully crafted track brimming with emotion. A somewhat newer band, Shades of Wisteria , formed in 2025 and quickly hit the stage, playing select tour dates, local festivals, and even Renaissance Faires. Exactly one year later, they celebrated their anniversary by dropping their first single. Credit: Shades of Wisteria ‘ Frankenstein Mind ’ is one of those songs that quietly gets under your skin, feeling honest and messy all at the same time. The melody is soft, but heavy, and the lyrics hit without trying too hard. It’s the kind of song you put on late at night, and suddenly you’re staring at the ceiling, thinking about everything. Nothing about it feels forced – it’s just genuinely beautiful and really easy to get lost in. Guitarist Dakota Amacker said of how the song came together, “Frankenstein Mind tells the story of how every part of who you are is made up of all your experiences; the good, the bad, the ups and downs. It all is part of your story, and everyone is beautiful in their own way.” Shades of Wisteria features Rhiannon Redd (vocals), Dakota “Shreddly” Amacker (guitar), Adam Cook (bass/vocals), and Chad Wilson (drums). This band is carving out its own niche in the vast landscape of music, and we are here for it. We can’t wait to see what else this band releases in the future, but in the meantime, check out ‘ Frankenstein Mind .' It is now streaming on all platforms. Official Music Video for 'Frankenstein Mind' by Shades of Wisteria To learn more about Shades of Wisteria: Shades Of Wisteria - Band www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

If you’re looking for a catchy sing-along chorus, this song delivers. < Back Reviews on the Real: Who Told You by XIII Minutes Reimagined J. Heist Sep 13, 2025 Share If you’re looking for a catchy sing-along chorus, this song delivers. In today's review, we explore the Christian Nu Metal/Alternative band XIII Minutes as they breathe new life into an old favorite. Their song ' Who Told You ' is a powerhouse anthem within the genre, combining soothing sensations with chunky metal riffs, and this new reimagined version is available now . Released August 15, 2025 Released on August 15, 2025 , and originally featured on their 2019 album Obsessed , XIII Minutes offers a modern twist to this classic track. While the original version has a rawer sound, this updated rendition incorporates synth, effects, and a new vocalist, resulting in a more polished and fuller experience . True to Nu Metal style, ' Who Told You ' boasts dynamic elements reminiscent of bands like Sevendust and Tetrarch . If you're looking for a catchy sing-along chorus, this song delivers—learn the words and let the uplifting message resonate with you. XIII Minutes presents the gospel in a way that feels energizing, almost as if it could get Jesus in the mosh pit . Turn up your speakers and let the frequencies send chills down your spine. Official lyric video for 'Who Told You' ' Who Told You ' will transport you to another dimension before it concludes, leaving you wanting more. If you enjoy this genre of music, be sure to give it a listen! Peace, love, and music -J Heist To learn more about XIII Minutes: Spotify: XIII Minutes | Spotify Apple Music: ‎XIII Minutes - Apple Music YouTube: XIII Minutes Band - YouTube www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com J. Heist is the man when it comes to reviewing music. He hosts a podcast called Backstage 504 in addition to going through tons of submissions. Got something for him? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Dear God No!: What the Hell Did I Just Watch? Ezekiel Kincaid Share Sep 25, 2023 Dear God No! nails it and takes us back to the days of true grindhouse and 70’s exploitation. Rating: 4.5 out of 5 Kool-Aid pitchers full of fake blood Welcome back, boys and girls, to another column from your dear ole Uncle Zeke. This is the place where I subject myself to the absolute worst cinema has to offer, and this week’s review is no different. Today, I want to talk to you about a little action-horror gem from 2011 called Dear God No!. There are three things you need to know about Dear God No! First, it's one of those movies that is so bad, it’s good. Second, don’t expect an intricate plot or for things to make sense; they won’t. I review B movies, remember? And third, Dear God No! is a grindhouse/exploitation film extraordinaire . A few words of caution for sensitive viewers, though: While the violence is totally unrealistic, it is rather brutal and not for everyone . Expect some nudity and a few rape scenes–-one of which involves a pregnant lady. I’ll spare any details, but I digress. Let’s kick this off by talking about Dear God No ’s extremely complicated plot. Basically, what we have is a creature feature, biker gang, and mad scientist movie all rolled into one. A bigfoot-like creature is on the prowl, an unsuspecting biker gang pulls a home invasion on a psychotic, Nazi anthropologist and his family, then all hell breaks loose … and that’s it. That’s the plot in its entirety–-nothing tied together, just random shit going down. I hope you were able to keep up and all this complication isn’t going over your head. This fine piece of filmmaking was directed by James Bickert , whose name should be familiar to all you B-movie enthusiasts. He directed deep, philosophical masterpieces such as Frankenstein Created Bikers (2016) and Amazon Hot Box (2018). Oscar contenders they were not. Dear God No! stars Jett Bryant ( Frankenstein Created Bikers) as Jett, who plays the lead biker. You can tell a lot of effort went into coming up with the character's name. He actually looks a lot like me if I had a longer beard, so right off the bat, Dear God No! automatically gets an extra star for that. Director James Bickert stars in Dear God No! as well, playing the part of Jimbo, aka Rusty Stache, one of the gang members. Our mad Nazi scientist, Dr. Marco, is played by Paul McComiskey, who was also in … anyone want to guess? Yep, Frankenstein Created Bikers . The lead female roles are played by Madeline Brumby ( Frankenstein Created Bikers , where she plays the same character) as Edna Marco, daughter of the psychotic Dr. Marco, then there’s Olivia Croix ( Dear God No! is her only film) starring as the other daughter, Evelyn Marco. Finally, Rachelle Lynn ( The Taken ) plays Laura, our unfortunately assaulted pregnant victim. Let’s now proceed to my thoughts about this film, shall we? If you look up Dear God No! on IMDb, you’ll see that it is rated a whopping 3.9 out of 10 stars. If you read the reviews, you’ll find that they are somewhat divided. Many of the bad reviews chide this film for not being “true grindhouse,” whatever that means. Yet, after viewing this film, I have to sit and wonder, have these folks ever watched a real grindhouse movie at all? Dear God No! NAILS it when it comes to taking us back to the days of true grindhouse and 70’s exploitation movies: bad acting, stupid plot, terrible dialogue, jump cuts, monster suits, and awful special effects. Don’t go into this expecting Machete or Planet Terror . In Dear God No! , the blood is watered down so much that it looks like red Kool-Aid at times, and the blood flow from several of the victims leaks out nowhere near the wound. The film is also shot on 16mm film so all the effects are practical, meaning no CGI in this one, which is a huge plus in my book. What makes Dear God No! different from most of the throwback grindhouse films out there? Simple: It is pure, unadulterated ugliness . It is a bad seed, totally from another planet, and is in a league all by itself. Literally everything about this movie is brutal and mean-spirited and features no redeeming qualities in the characters of the biker gang. They aren’t heroes, and they aren’t villains. They are a category of vileness all to themselves. They are filthy-mouthed murderers and rapists, plain and simple. Don’t believe me? Wait until you see what they do to the pregnant lady. With all this being said, Dear God No! Is the closest thing out there in modern film that truly captures the grindhouse feel of the 1970s. If you’re a connoisseur of trashy B movies, this one is definitely for you. Dear God No! Is currently streaming on Tubi, Vudu, Amazon Prime, The Roku Channel, YouTube Premium, and Apple TV . Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. < Back Perry A: Just Two Guys Making Music Keeley Brooks & Nicole Brice Dec 6, 2023 Share Indie-rock duo Perry A releases two singles from upcoming EP “OK Wait” boasting a dark sound and heavy political inspiration. Gen Xers (like me and Nicole) love to hear modern music reminiscent of one of the best decades for music: the 90s . It was a turning point in music history, seeing the emergence of new genres like industrial, grunge, emo, and alternative rock that were eventually overshadowed by technology. Enter Perry A, a southern-based, two-man band working to combine the best of the best of the 90s in their upcoming EP “OK Wait”. Perry A is an indie-rock duo out of New Orleans, Louisiana, who brings to mind bands like Cracker and The Screaming Trees, except their music is of a darker sound and is heavily politically inspired. Perry A is comprised of “two neighbors in a home studio" making music, and they are C.G. Smith (acoustic guitar, drum programming, bass, synth, and vocals) and J. Pitre (lead guitar, harmonica, and creepy vocals). It’s been a busy year writing, recording, and releasing for Perry A, who have been working on their forthcoming EP “OK Wait”. May 2023 saw the release of their first single, “ Opinion ”, and the guys recently released their second single, "Fiction". “Opinion” is a mellow alt-rock tune with explosive choruses and just the right amount of fuzz, also featuring a lot of political opinion. “Fiction” is darker in tone and stands out due to its bad-ass harmonica playing paired with Pitre’s creepy vocals. Their third single, “Sorrowful Days”, releases at the end of this year. Mixed Alternative had a chance to rap with Perry A about their inception, what influences their sound, and what kind of mirages appear on their horizon. Check out our conversation below--these guys are super fun! MaM : Guys, thanks for talking with us today; it’s nice to have you. Would you tell us a little about the inspiration behind Perry A and how the name developed. CGS : Well, when my wife and I moved back Uptown from the Irish Channel in February 2022, we moved to a place on Perrier St. Shortly after moving in and getting my humble Hearwaxx Studio set up there, I met my neighbor, JP, and we hit it off over both being songwriters. JP & CG (credit: Chad Besse) The name is part genius and part lazy. I’d heard people pronounce the street we live on like ‘carrier’ (and also like the sparkling water), so I said we should call our little project Perry A. (laughter) We’ve also kicked around the idea of a mysterious figure who seems to be involved in the inner workings of politics being called Perry A, but right now it’s just a play on the street we live on. There’s actually a song with the title ‘Perry A’ that is going to be amazing when we get it done, but that will probably be on the second release. I originally envisioned [it] as something like the ‘Dessert Sessions’ albums, where Queens of the Stone Age leader Josh Homme had a rotating cast of musicians and friends come make music, but baby steps! JP : [Our band name] is simple, not profound as far as I know. Band names are fun though. There are bands like Oasis and Hootie and the Blowfish. Where did those names come from? Who is Hootie? If you know, please tell me! MaM : Perry A just saw its second release with “Fiction" from your forthcoming EP “OK Wait”. Give us some insight on both. CGS : The first [release] from ‘OK Wait’ was a song called ‘Opinion’ that we released back in May of 2023. [It] was music that JP wrote, and I put lyrics and vocals to. [It holds a lot of our political opinion]. ‘Fiction’ is a song I had been working on for a while and it finally culminated once Perry A was born. It has lyrical themes of the separation of Americans since MAGA, as well as the use of religion to drive wedges instead of bringing people together. JP’s solos are madness and I love it. He also did the harmonica and most of the creepy voices in the track. Click image to listen to "Fiction" by Perry A. ‘OK Wait’ was originally an inside joke. JP says it all the time when we are working on playing/arranging a new song, but it also seems like a fitting phrase for political change in this country to me. There will be a track on the album with that title as well. MaM : When do you plan to release “OK Wait”? CGS : Good question. … It’s really tough to get much done with the limited time we both have, but I’m learning more and more about being a producer. I record, mix, and master everything myself and it can be slow-going, [but] we HOPE to have the Perry A ‘OK Wait’ EP out in early 2024. MaM : Talk a little about doing everything yourself. How has having your own studio to do all this in changed your process as a recording musician? CGS : Well, it’s nice to have everything in my house, but again, JP and I both have a 9-to-5 and family, so just because the studio is right there doesn’t mean we are working on music 24/7. … I honestly had given up making music for a long time—well over a decade—but during the [lockdown] in the height of the pandemic in 2020, I dusted off my acoustic and wrote songs. Then I decided to record an album. credit: Chad Besse I ended up getting some affordable mics, a budget interface, and software and watched a lot of YouTube videos to teach myself how to produce. I’m still learning every time I sit down at my workstation. I’m sure there are glaring errors that pros can pick apart in my productions still, but I’m getting better! Overall, it is nice to have the space set up in my home, and JP right next door, but there is never enough time in a day, or week, or year when you have other responsibilities. (laughter) MaM : What are y’all’s instruments, and what are your favorites to play? CGS : I play guitar, sing, and dabble in keyboards and synths. I’m learning bass, and I am getting better at programming drums since we don’t have a real drummer. Oh, I also have an old, used Boomba (look it up) that was my wife’s grandmother’s. … That was fun to play around with. My favorite will probably always be acoustic guitar just because that’s what I’ve known for so long. JP : I play mostly guitar and bass. I do keys and vocals. I like to do falsetto and baritone on recordings. I like to add layers of vocals and guitar parts and keys and make harmonies and blend everything together to create a soundscape. I would say I don’t have a favorite instrument. My favorite thing is to create and just keep creating. It’s all about patterns and unpredictable ideas. I don’t always adhere to the typical song structure you hear in most music. credit: Chad Besse MaM : What inspires you guys musically? CGS : (in a Jack Black voice) The search for inspirado! (laughter) I’m inspired by many things. Life is full of inspiration if you just take the time to see it. I’d say for Perry A, the inspiration has definitely come from watching the GOP and MAGA traitors attempting to destroy the progress America has made over the years. My wife, my friends, and my family all inspire me to be a better person every day. JP : What inspires me musically? Well, usually it’s the pain of life. Some of the songs I’ve written come from tragic experiences. Music is something I don’t always care about, to be honest. I sometimes feel like my motive is to use music to heal pain. Being human isn’t easy for anyone. I don’t care who you are or what your social media looks like, we all wear masks, and everyone is a little crazy. Some people are just not interested in exploring the darker aspects of human nature. I think it’s important to make art and be authentic. MaM : Any live performances on the horizon? CGS : Ha! JP keeps saying we need to do more practicing and get an acoustic three-song set so we can go do open mics, but I’ve always been much more comfortable in a studio setting than live on a stage. … Right now, it is just a home-studio-production type of outlet for us. JP : We may never play live and that’s ok. I think we are like those old guys who are trapped in a different era. I love the 90s. Music today is all the same to me. Lady Gaga, Adele, Ed Sheeran, and Billy eyelids. If we play live, I pray we don’t f*ck up. I know CG will be mortified, and I will be mortified about him feeling those powerful emotions. I don’t really know how much people care about music these days. It’s 2023. What do people want? They wanna stare at the phone and watch YouTube or porn. Why would they care about Perry A? I wouldn’t mind playing live, but I enjoy just the process of creating music. Music is the way we decorate time. See, that’s deep. But how could anyone ever appreciate the music if they’re too busy watching Nikki Minaj twerk and say stuff about her WAP? credit: Chad Besse MaM : Last question: What are you guys watching at the moment? CGS : I’m currently obsessed with Kane Pixels’ Backrooms . They are a collection of fictional YouTube short videos that delve into anomalies brought on by a corporation’s scientific experiment gone wrong. This kid was 16 when he wrote and produced these amazing videos, and he is now making a movie with A24 based on them. Besides that, my wife and I are currently enjoying watching new seasons of Apple TV’s The Morning Show , Netflix’s Sex Education , and our guilty pleasure CBS’ (formerly MTV’s) The Challenge , although more and more of our long-time favorite competitors are retiring and these new challengers just aren’t the same. (chuckles) JP : I like Black Mirror . I’ve watched a lot of episodes. I really enjoy the tension and nightmare scenarios the characters wind up in. Have you ever gone to Canal Place? You know that parking garage? It has an exit that winds over and over like you’re going in circles. I imagine that happening forever and that’s what hell is probably like. Or maybe hearing Tiny Tim sing the same song over and over forever. Black Mirror is sort of like that kind terror—the terror you can’t escape from. I also like that show 90-Day Fiancé . That is disturbing and suspenseful as well. And there you have it, folks. Just two guys in a home studio making music, doing the best they can with “limited knowledge of production techniques,” hoping “people like the songs, even with their technical shortcomings.” Check out Perry A’s singles, “Opinion” and “Fiction”, at any of their links below, and be sure to catch their newest single, “Sorrowful Days”, when it drops at the end of the month! For all things Perry A: Perry A Online Perry A | Instagram Perry A | Bandcamp Perry A | Spotify Perry A | Apple Music Perry A | Soundcloud *cover photo credit: Chad Besse cmdbphotography.myportfolio.com chad besse www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. < Back Phantum Sun: An Immersive Journey Through Sound Margo Leblanc Aug 26, 2024 Share Phantum Sun’s music blends the ethereal with the visceral in a lush atmospheric fusion. Phantum Sun , a Louisiana-based band from Lafayette known for its unique sound and dependability, has recently surprised the local music scene with its unwavering work ethic and drive. But why? What started it all, and who influenced them? Who is Phantum Sun ? Phantum Sun is grunge with a bit of rock and a little alternative . They don’t have one specific category that their music falls into. The band makes music for those who appreciate the artistry of creating songs. Phantum Sun started because of Nick Cline and Alec Louviere's high school aspirations to create together. In 2023, when long-time friend Drake Lasseigne joined the two, the line-up became complete, and here we are. The trio is full of spirit and angst, shown heavily in their music. Nick is on vocals and guitar, Drake is on bass, and Alec rounds it all out on the kit. Credit: Facebook Phantum Sun’s music balances the familiar warmth of nostalgic tones with a forward-thinking approach to composition. Lyrically, Phantum Sun is all about introspection and emotional depth. The lyrics aren’t always straightforward, but that’s part of their charm. With three singles under their belt, the band’s latest song, ‘ Robbery ,’ was released in May 2024 and is reminiscent of early 90s alt-rock by The Smashing Pumpkins , Screaming Trees , and Buffalo Tom . Mixed Alt Mag recently had the opportunity to speak with the guys from Phantum Sun about their music, aspirations, and more. Take a moment to learn what makes this band so unique below. MAM : Thank you for speaking with me today. First, who inspired you to pursue music, and how did they influence your original songs? Alec : Anything 80s related to rock' n’ roll got me to get up and start learning drums. Feeling the beat and sound of that era made me want to get up and do the stuff these guys were doing. Drake : I’ve been interested in music since I was a kid but didn’t have an outlet to learn to play an instrument until middle school. I took up saxophone, but it’s not the type of music I was into. My dad loved the look and sound of the grunge movement in the '90s, so he showed me the hard bass lines of Krist Novoselic and the melody powerhouses Layne Staley and Jerry Cantrell . No questions what inspires me to make music. Nick : My biggest inspirations were my love of blues, grunge, metal, and everything really. I grew up listening to Ozzy Osbourne , Metallica , Stevie Ray Vaughan , Soundgarden , Green Day , and Alice in Chains . Eventually, I found myself fascinated with garage rock, which was my tipping point regarding sound and songwriting. All my influences have now fused to make one absurd amalgamation of tones, influences, and passion. It all ties together to make up the sound of Phantum Sun. Credit: Facebook MAM : How would you describe writing new music and the process that goes with it? Alec : I like to feel what the other two put together, then come in and see what fits the style we’re going for in that specific song. Drake : Nick writes the guitar parts and lyrics, so whenever he shows them to us, I watch and listen to what he has to say and start thinking of bass lines that match to get the best bass line I can for that particular song. Nick : I usually write many lyrics and guitar parts per day. Then, I bring the melodies, guitar parts, and lyrics to the band. After that, we jam and feel out the idea until it sounds like what we want as a unit. Credit: Facebook MAM : Who would you love to collaborate with one day? Why that person? Alec : I’d personally love to collaborate with Tommy Lee , just to study and learn about his drumming style. Drake : Definitely, Dave Grohl . Dave is my favorite musician and seems to be a genuinely good guy. He knows so much about the industry that I could learn from. Nick : I would love to collaborate with Jack White . Jack is why I picked up the guitar five years ago, and I haven’t put it down since. His guitar tone and passion for music would make for a wicked collaboration that would lead to me learning more as a musician. Credit: Facebook MAM : Where is your favorite venue where you’ve performed so far? I know you guys have been playing shows like crazy. Alec : I enjoy outdoor venues, partially because we can be as loud as we want; it feels freer, and the crowd tends to engage more. Drake : The 19th Hole in Houston, Texas has been my favorite so far. The bar's vibe has been immaculate every time we’ve been there; the stage is huge, and the sound guy is amazing and does such a great job. Nick : My favorite venue is a toss-up between Artmosphere and the 19th Hole . Both venues have shown unimaginable kindness to me and the guys. The vibe and sound of both venues keep me wanting to come back more and more every time we play there. Credit: Facebook MAM : That’s awesome. Having the support of the venues is enormous, in my opinion. What skills have you learned along the way that help you to be productive as a musician? Alec : After learning bits and pieces from other bands that we’ve played with, I’ve learned to practice consistently, but also being patient really helps when it comes to drumming. Drake : To me, it’s the chemistry between Alec, Nick, and me on and off stage. It never gets tedious or tiring if you trust each other. Nick : Practicing, trust in the process, hard work, networking, and the ability to learn from the smallest lessons are all skills that I have adopted and built on to become a more productive musician. Credit: Facebook MAM : What are your greatest strengths and weaknesses in being musicians? Alec : I think my strengths and weaknesses go hand in hand; it’s weird. I’m still learning as we go. Drake : The ability to blend what Nick does on guitar and Alec does on drums into something that makes the song thicker and heavier. My weakness is my age, which is due to my lack of experience. I’ve only been playing bass since 2021. Nick : I think my greatest strength as a musician is my never-ending sense of wonder and passion for music. It keeps me on the path of learning and evolving as a songwriter and musician. My greatest weakness is my need to be too hard on myself. Credit: Facebook MAM : Outside of music, what other hobbies and interests do you have? Alec : I know it’s probably not a “cool” thing to admit, but I’m a huge wrestling fan. I’m all about anything WWE . I also love puzzles, if anyone needed more proof of me being a nerd. (laughter) Drake : I’m a big outdoorsman. I love hunting and fishing, especially here in my home state of Louisiana . I feel so comfortable when I’m either on stage, on a boat, or in a duck blind. Nick : Outside of music, I am deeply interested in learning about anything I can, writing, watching horror, fantasy, sci-fi, etc., reading comics (preferably DC), and whatever else sparks the ADHD fuel in my head. Credit: Facebook MAM : What would you be doing if it weren’t for your interest in a music career? Alec : In all honesty, I have no idea. I never really had a backup plan. Drake : I’d probably be going to college for something related to the tech industry, but I never really had a plan B in mind. Nick : I would be in a field related to writing. Writing has always been my second love, after music, so anything dealing with that would be great for me. With their first tour approaching this fall, Phantum Sun continues to work hard to make a name for themselves in the local scene and beyond. If they come to your town, take a chance and see them live. You might just be a little surprised. They are a band built on hopes, dreams, and aspirations of someday making it big with raw talent and an unconditional love for music. That love fuels their drive to pursue no other life paths besides making music for the masses. To experience the music of Phantum Sun, just hit one of the links below. Spotify : https://open.spotify.com/artist/5PdjxAClNtSIyvvnj2vgsU Apple Music : https://music.apple.com/us/artist/phantum-sun/1710758804 YouTube : https://www.youtube.com/@phantumsunofficial Facebook : https://www.facebook.com/people/Phantum-Sun/61556703719338/ Instagram : https://www.instagram.com/phantumsunband/ www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Margo Leblanc loves listening to music, writing about music, and discovering new music. Do you have a band you think she'd like? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

New and returning content to keep you busy and out of the heat < Back Hottest Titles Streaming August 2023 Keeley Brooks Aug 1, 2023 Share New and returning content to keep you busy and out of the heat No matter where you are right now, chances are it is HOT. To help you beat the heat, some of the best streaming services are serving up new seasons of popular series as well as new titles for you to check out before heading back to school or wherever it is you’re headed. August features the return of fan favorites such as Billions and Reservation Dogs and the premiere of new series—the headliner of which is Star Wars: Ahsoka . Below is a complete list of some of this season’s hottest titles arriving over the next four weeks. Pickins might be gettin’ slim with this writers’ strike, but there’s still plenty to enjoy! Apple TV Plus Physical , Season 3 – Rose Byrne ( Bridesmaids ) is back with the final season of this dark comedy that follows aerobic exercise guru Sheila, who is bulimic, as she deals with increased competition. This season, Sheila steps out of recovery to question if her judgmental inner hater was actually the key to her success. Joining Byrne is Zooey Deschanel ( New Girl ) as Kelly Kilmartin, a blonde who’s taking the crown that Sheila thought was hers. Expect things to spiral as they feature more anxiety and more rad-tastic 80’s outfits. Premieres Aug. 2. FX on Hulu Reservation Dogs, Season 3 – The hit Native American coming-of-age dramedy is back, also with its final season, to bid farewell to Native teens Bear (D’Pharaoh Woon-A-Tai, of Bloody Hell ), Elora (Devery Jacobs, of The Order TV series), Cheese (Lane Factor, of The Fabelmans), and Willie Jack (Paulina Alexis, of Ghostbusters: Afterlife ), whose ups and downs have induced belly-aching laughter and sobs full of tears. Last season saw the teens make it to California to honor dearly departed Daniel; this season, they’ll all head home to the reservation—except for Bear, who ventures off to find his own way. Premieres Aug. 2. *If you missed my interview with Mose and Miko earlier this year (Lil Mike and Funny Bone), you can find that here . Only Murders in the Building, Season 3 – This season at the Arconia, Charles (Steve Martin, of Father of the Bride ), Mabel (Selena Gomez, of Spring Breakers ), and Oliver (Martin Short, of Innerspace ) find themselves wrapped up in a murder that’s all about the theater. Paul Rudd ( Dinner for Shmucks ) plays an actor who falls ill during a production that Oliver is directing and Charles co-stars in. And since the dearly departed was a smug guy, there are plenty of suspects. Also joining the season is Meryl Streep ( The Devil Wears Prada ). Premieres Aug. 8. Netflix Painkiller – Man, oh man. These opioid crisis adaptations just keep on coming, and I suspect they will for a minute. This drama starring Matthew Broderick ( Ferris Bueller’s Day Off ) tells the story of the origins and effects of the opioid epidemic that has ravaged hundreds of thousands of lives across America. Six episodes trace the creation and proliferation of OxyContin, the power wielded by the pharmaceutical industrial complex, the government’s failures, and the addictions that developed from the drug. The stellar cast also includes Uzo Aduba ( Orange is the New Black ) and Taylor Kitsch ( John Carter ). Premieres Aug. 10. Heart of Stone – Gal Gadot ( Wonder Woman ) is back and still kicking ass. From The Old Guard producers, Gadot stars as Rachel Stone, a covert agent who is also part of an elite group called The Charter. They’re highly trained with no political or national ties, and their only goal is to keep the peace in a turbulent world. Rachel and The Charter are helped by an asset called The Heart, which has untold powers: Own the heart, own the world. If it gets into the wrong hands, death and destruction could follow. Premieres Aug. 11. Showtime Billions, Season 7 – Axe is back, baby! At the end of Season 5, Damian Lewis ( Band of Brothers ) was off to exile in Switzerland. Now, his return may give Chuck Rhoades (Paul Giamatti, of Sideways ) two formidable foes. The other is Mike Prince (Corey Stoll, of Midnight in Paris ), who took over Axe’s hedge fund. Although he lost $3.5 billion when his black-box drives were taken, Prince saved enough face to still be in the running for president. Chuck is prepared to take him down — at whatever cost. Premieres Aug. 13, also on Paramount Plus. HBO and Max Winning Time: The Rise of the Lakers Dynasty, Season 2 – I was wondering if we were going to get a second season, so I’m glad we are! The somewhat controversial biographical series may not have the support of key Lakers figures like Magic Johnson and Jerry West, but it’s hitting the court for another season anyway. This round takes place in the period just after the 1980 NBA Finals through to 1984. Owner Jerry Buss (John C. Reilly, of Step Brothers ) is riding high after the changes he instituted led to a championship trophy. But winning comes with a new set of expectations and pressures, particularly on Magic (Quincy Isaiah, of A Black Lady Sketch Show ) as his rivalry with nemesis Larry Bird (Sean Patrick Small, of The Just ) heats up. Premieres Aug. 6. BS High – This documentary tells the stranger-than-fiction story of high school football team Bishop Sycamore, which pulled off one of the more notable sports scams you’re ever likely to hear about. The film delves into how this fake high school managed to deceive its way into a nationally televised game on ESPN in 2021. Premieres Aug. 23. Disney Plus Star Wars: Ahsoka -- Rosario Dawson’s ( Rent ) renegade Jedi gets full billing in this new series, which ties in not just The Mandalorian , but also the older Star Wars: Rebels and Clone Wars animated series. Ahsoka, a former trainee of Darth Vader is on the hunt for Grand Admiral Thrawn, who disappeared at the end of Rebels with Ezra Bridger, another Jedi-in-training. Will the series bring with it the best of The Mandolorian and Andor ? Only time will tell! Premieres Aug. 23. Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches, even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Run for Cover’ is an evocative track with introspective lyrics. < Back Reviews on the Real: Run for Cover by Aaron J. Burke Nicole Brice Oct 1, 2024 Share ‘Run for Cover’ is an evocative track with introspective lyrics. ‘ Run for Cover ’ is the latest release from Irish musician Aaron J. Burke , released on September 16, 2024, and offers a captivating and catchy blend of emotional sincerity and musical finesse. The song opens with a gentle and upbeat guitar riff, setting the tone and vibe. “Run fast, run for cover,” echoes the pre-chorus and chorus as Burke’s honest and raw vocals are delivered with vulnerability and intensity. The chorus – urgent yet melodic – serves as the song’s emotional core, reflecting between confrontation and retreat. Released September 16, 2024 Thematically, ‘ Run for Cover ’ explores escape, self-reflection, and the desire to find safety amidst inner turmoil. Burke’s lyrical style is poetic, and I genuinely enjoy it. The song's production is bare and stripped down, allowing Burke’s voice and lyrical content to take center stage. In contrast, the subtle build with instrumentation throughout the song adds layers of intensity, culminating in a powerful climax. There are no frills – just straight, enjoyable music. That’s the best way I can describe ‘ Run for Cover ’ by Aaron J. Burke. It’s melodic from start to finish, with excellent lyrics. For the lyrical inspiration behind his latest single, Aaron J. Burke said, “Run for Cover lyrically is a mash-up of various things, times when I've felt powerless or oppressed in life; it was my way of dealing with those emotions and writing something where I was saying, ‘No more, I won't be treated this way, I'm taking control over my life.’” I can even envision this song with a full band accompanying Aaron. I’ll be curious to see the future direction of his musical career as time progresses, so be sure to stream ‘ Run for Cover ’ on your favorite streaming service today. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Nicholas Johnson’s music is soulful and nostalgic < Back Nicholas Johnson: The Shape of Americana to Come Nicole Brice & Chris Pryor May 30, 2023 Share Nicholas Johnson’s music is soulful and nostalgic Americana, what is it exactly? A sound? A feeling? A moment? For singer/songwriter Nicholas Johnson, based out of Cincinnati, Ohio, it is a masterfully crafted album that showcases his songwriting and vocal talents. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” picks up where “Shady Pines Vol. 1” left off with country-tinged folk songs that tell stories of love, loss, and redemption. Released March 3, 2023, Johnson’s “Shady Pines Vol. 2” On “Shady Pines Vol. 2,” Nicholas Johnson’s songwriting is more mature and nuanced than ever before. The lyrics are poetic and introspective, painting vivid pictures of the characters and settings in the songs. His vocals are powerful and expressive, and he delivers the songs with a sense of conviction and emotion. Johnson always had the goal in mind to craft a recording that matched the intensity of his live shows, and the result is a brand of rock that manages to sound familiar and original with hints of nostalgia thrown in. Mixed with great modern production, thanks to superstar Dayton producer Patrick Himes , this album is sure to resonate for years to come. Feeling as if you're on a steam locomotive shredding across the wild west with the eerie style harmonies of "On the Avenue" is an exhilarating experience, and the lyrics fall right in place with the backdrop that the arrangement paints. One might even say his music could fit in perfectly with the show Yellowstone , and the ghostly sound of the guitar solo in “Dark And Bloody Ground” is killer and a masterpiece. It’s one of our favorite tracks on the album. With seven songs coming in at a little under 30 minutes of listening, the tunes evoke a sound reminiscent of Bruce Springsteen if he teamed up with Toad the Wet Sprocket—pure, enjoyable American rock. Photo provided by artist Nicholas Johnson is extremely talented, and why we are not hearing his music on radio stations across the nation is beyond me. There is an audience for him anywhere and everywhere. “Shady Pines Vol. 2” is a must-listen for fans of country music, folk music, and singer-songwriters. This album will stay with you long after you have listened to it. We reached out to Nicholas so we could learn more about him and his craft, so be sure to check out his music after you finish reading this interview. We guarantee you’ll love it as much as we do. MaM : Nicholas, thanks so much for taking the time to chat with us. Your music is so soulful and full of nostalgia. How did you get linked up with Patrick Himes to do both albums? NJ : Well, it was a weird set of circumstances and very serendipitous. I got kicked out of Italy, which was crazy because it was on my birthday. It was the weirdest thing ever. Honestly, there were little moments leading up to it, but I think the Italian motto should be like, ‘It’s ok, it’s ok, it’s ok,’ but it’s not ok. It’s never ok. I had sold my house, car, everything, and so when I got kicked out of Italy, I was couch-surfing between Louisville, Kentucky, and friends in Dayton, Ohio. When I was in Dayton, I was around fellow musicians and was showing them this group of songs, and they’re like ‘Dude, you gotta record these.’ I’d had some bad experiences in the studio, and so I was apprehensive about going back in, but then I found out that the producer who had worked on one of my favorite albums actually had a studio in Dayton and through a series of very fortunate circumstances, I was able to work with him, but we only had two or three days to knock out all of the songs. It was really quick and [was] an awesome experience. It made me fall in love with the studio all over again just by working with him. MaM : Wow, that is incredible. NJ : Yeah, it was, it was so quick and that was part one. I ended up telling him that I had such a great experience that I wanted to come back and record more. That’s why I labeled the first [album] Volume 1 just to have an excuse to come back. MaM : That was smart thinking. As far as the recording process, how do you approach going into the studio? Do you do anything to prepare first? NJ : Well, I think with Patrick, we have learned how to work with each other and honestly, every time I go to the studio now, I feel it’s an evolutionary step because I went from being super green to a little apprehensive, and then when I went back for this new album, I had formulated this plan. I knew exactly who to use for drums and who else to work with. I definitely had a bit more of a plan going into Volume 2. Photo provided by artist MaM : Tell us a little more about your backing band, The Same Old Strangers. NJ : Yeah, I call it the ‘same old strangers’ because I never know who is going to be in it. (laughs) MaM : That’s awesome. Not just a clever name! NJ : It’s the curse of knowing all these super-talented people, but they’re always busy. I’m used to doing things solo, but I’m also glad I get to have these guys on the road to do something, and it feels like every time I am on the road, it’s a different experience and a different group of people. The cool part of that is I get to hear my songs played in different ways because I give the musicians free reign on how they play the songs. I want to hear their personality come through on the instruments. Whether it changes the tone and makes the songs appear more bluegrass, punk, or funk, then so be it. When I was in Italy, I had a traditional Irish folk violinist in the band and a punk drummer, so it’s crazy. We sounded like Flogging Molly for a minute. It had this whole Guinness rock-type feel. MaM : I see you are currently residing in Ohio. What brought you to Ohio from Kentucky? NJ : After college, I worked two jobs. One was working the night shift at a mammoth cave hotel there in Mammoth Cave, Kentucky. I was sleeping behind the desk, and then I’d wake up in the morning and I would go to an Australian-themed animal park called Kentucky Down Under where I worked with kangaroos and wallabies. I was working 16 hours a day and not really making much money, so my buddy, who worked in pipeline construction, said he would help me. I had this English degree I wasn’t using from Western Kentucky, so he asked me to come and be his helper. He was a welder. He then took me on the road and so I was able to quit my other two jobs. I ended up going from New Mexico to Wyoming and eventually wound up in Indianapolis and Champagne, Illinois. I would work from six in the morning till four or five in the afternoon and then play in the bars until two in the morning. MaM: That is pure insanity! (laughs) So, I read you started off as a drummer in your high school pep band but now, of course, you play guitar. How was the transition going from percussion to guitar? NJ : Oh, man … I just beat the hell out of it! (laughs) I’ve broken a lot of strings and I’ve really had to learn over time that it’s not a percussion instrument. MaM : Right. You gotta treat it gently, man! NJ : Right, but I’m a hard learner. The percussive element is there, and the rhythmic element is there, but I’m learning how to craft it into a different kind of sound where you’re doing the picking and hammer on/off and all that stuff. MaM: Do you have a favorite guitar to play as far as sound? NJ : Yeah, it’s just a matter of affording them. I’ve had a Takamine Santa Fe since 2001, so it’s been my workhorse. It’s been everywhere with me and is kind of my safety blanket. I love the way it sounds and know every inch of it. I know how it’s going to react to certain things, and it travels well. Even when I try to switch to a different guitar, I always gravitate back towards it. MaM : You just came off tour in March. What were the crowds like? Were they receptive to your new material? NJ : Oh absolutely! I was pleasantly surprised since this was the first big tour I’ve done. I did a little East Coast thing last year, but this one was over 20-something straight days. I was on tour with The Pinkerton Raid, so some folks are familiar with them, and some were familiar with me depending on where we were. I think the Midwest is where we’ve planted our flag now and it was great. Hopefully we’ll go back there. MaM : Do you have any plans to tour more this year? NJ : Actually, I’m going on an East Coast tour in August. [I’m] headed up to Columbus, Pittsburgh, New York, Boston, and New England and all that. A big chunk of August will be that. In September, I have Americana Fest in Nashville, and in October, I’m going to go back overseas for the first time since COVID. I’ll be doing Ireland, UK, and Italy. Photo provided by artist MaM : Right on! I want to ask you about your vocal influences. I love your style. Who do you cite as influencing you vocally? I hear hints of Tom Petty, Bruce Springsteen, and Toad the Wet Sprocket, among others. NJ : Well, Springsteen and Petty are at the top of my list. Petty, for sure, he’s kind of my musical hero. When you’re growing up in Kentucky and going over the hills and the curves there in the backwoods, that’s who you have blaring with the windows down, and it’s such an honor to hear someone say [his name] in relation to my music. Toad the Wet Sprocket, too. They’re a representation of that alternative movement and my favorite from that movement is Oasis, but Adam Duritz is a big influence of mine, too; I don’t know about vocally but, for sure, lyrically. The way he’s able to paint a picture with every lyric … [there’s just] not a wasted word. Not one. MaM : All of your songs tell a story. What inspires your lyrics and what goes into the songwriting process? NJ : Well, you know sometimes, you’re just drunk and stumbling, and I’m a visual person. I’m not able to paint, so I use my words. Take, for example, [the lyrics] on ‘Lost and Found,’: ‘green glass on the sidewalk, shimmers like stars.’ … I was drunk in Milan at 2 a.m. and I saw this green bottle. And from one image to the next, some of it is observational and some of it you pepper in yourself and [add] your own experiences. Sometimes, it just starts with being drunk and seeing an image, and sometimes it’s just hanging out and watching a situation. I’m a barfly—a pub guy—and sometimes you just hang out there and see certain situations play out and that becomes a story. I don’t like to be completely blatant and biographical. MaM : One of my favorite song titles on your new album is “Binghamton, Ny Is a Portal to Hell.” (laughter) Can I get a backstory on that one? NJ : (laughs) I’ve got family up there. They have the second most gray days besides Seattle, and you wake up and the morning looks like 4 p.m. (laughs) Time gets lost up there. It’s funny, too; Rod Sterling from The Twilight Zone , he’s from there, and I feel like things are just weird there. We had a series of unfortunate things happen there, like family’s health, and our dogs passed away when we were up there one time, too, so there’s just this series of unfortunate events and things. It just became this thing where Rod Sterling knew what he was talking about. This is definitely the twilight zone. (laughter) Honestly, I may have upset some people with that title. (laughs) It wasn’t intentional, and it all started as a joke. It was a punk song at first. Patrick was like, ‘That works, man; [just] slow it down,’ and it happened. It almost didn’t get recorded because it did start as a joke. MaM : Nice. Okay, last questions: What are your future aspirations? Where do you see yourself headed? NJ : Well, I’m all in. This is what I want to do. It’s been a long and winding road to figure out that this is what I should be doing. I just want to keep producing, getting better, and writing good songs. It would be fun to do a project where I didn’t have my name on it. Maybe a little side project. I would love to tour with a bigger act or cool band. I’ve always wanted to open for Wilco or something like that. I’m going to keep plugging away and see what we can produce and hopefully keep doing albums with Patrick. - To experience the music of Nicholas Johnson yourself, hit one of the links below and indulge! Nicholas Johnson | Spotify nicholas johnson (nicholasjohnsonmusic.com) ‎Nicholas Johnson on Apple Music Nicholas Johnson (@nicholasjohnsonmusic) | Instagram Nicholas Johnson | Cincinnati OH | Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. < Back Reviews on the Real: ‘Johnny’s Got a Girlfriend’ by Glitter Litter Nicole Brice Apr 17, 2025 Share ‘Johnny’s Got a Girlfriend’ combines a unique, catchy sound with just enough pop sensibility. Glam rock meets punk rock in the latest track from Sweden’s own Glitter Litter . Released April 17, 2025 , ‘ Johnny’s Got a Girlfriend ’ is a solid release full of nostalgia. This song is definitely worth a listen because of its heavy guitars, distorted vocals, and throbbing basslines. Our very own Nick Cline wrote a review in 2024 about Glitter Litter , and since then, they have remained on our radar. Released April 17, 2025 ‘ Johnny’s Got a Girlfriend ’ has an '80s hair metal vibe. It combines a unique and catchy sound with just enough pop sensibility to avoid being overly pop . It makes perfect sense in my mind! The chorus is infectious and makes me want to nod in rhythm. How would I describe this song exactly? It’s pop-punk infused with '80s hair metal and a touch of glam rock . This could be a great party anthem—it's very upbeat! The single " Johnny’s Got a Girlfriend " is the first release from Glitter Litter’s upcoming new album , which will be released in two parts and eventually compiled into a full-length album. Glitter Litter is a solo project from Sweden featuring Andreas (ex- Sugar Shock ). It is inspired by glam, comics, bubblegum, and '80s happy metal. The project began two years ago, and three EPs have been released under the moniker. Andreas had this to say on the new song, “One day it struck me that two of my favorite songs (by Heart Throb Mob and The Ultras ) both began with the phrase: Johnny’s got/had a girlfriend . Then, naturally, I wanted to write a song with that title, too, as a tribute to those songs. Suddenly, I was struck with the ‘Johnny-syndrome’ and heard and saw Johnny’s everywhere! Thus, the single’s lyrics are also inspired by ‘ Out With the Boys ’ by White Lion (another Johnny song) and the movie, The Outsiders . Musically, I would describe it as bubblegrum glam/punk with touches of happy 80s metal. ” Johnny's Got a Girlfriend by Glitter Litter Go add some new music to your playlists today and stream ‘ Johnny’s Got a Girlfriend .’ It’s worth it because it’s so good. Enjoy! To learn more about Glitter Litter: Website: Glitter Litter - bubblegum glam/punk www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Trailer Park is a song that resonates in all the right ways. < Back Reviews on the Real: Trailer Park by Mayrunner Nicole Brice Aug 1, 2025 Share Trailer Park is a song that resonates in all the right ways. Mayrunner , an alternative and punk band based in Lafayette, Louisiana, has returned with a new single titled ‘ Trailer Park ,’ and we can't stop listening to it. For those who aren't familiar with the band, Mayrunner has been a prominent part of the Lafayette music scene for quite some time. We even featured them in an article for RADFest back in 2023. Released August 1, 2025 Although the band took a hiatus when their lead vocalist, Devric Taylor, relocated to another state, they are now making a strong comeback and are ready to make their mark in the evolving music landscape. Credit: Elise Hanks The current line-up of Mayrunner is: Devric Taylor (vocals/guitar), Henry Milliman (bass), Coleman Wilson (guitar), and Phil Hardy (drums). Some of their past releases include Good for What We Are , which came out in 2018 , and Tell Me Where You’ve Been , released in 2023 . Today, let's explore the new song ' Trailer Park .' It opens powerfully with Devric's echoing vocals, then transitions into a beautifully chaotic sound before gradually softening into a slower tempo. I enjoy it when bands incorporate tempo changes; it keeps the music feeling fresh. As the chorus begins to build, it rolls effortlessly and is incredibly well-crafted. Once it starts building, it does not let up until it has to end, and then it trails off with one of those heavy basslines I love. 'Trailer Park' by Mayrunner ' Trailer Park ' is a song that resonates in all the right ways. Be sure to stream it today! *photos by Elise Hanks Facebook To learn more about Mayrunner: Facebook: Facebook Instagram: Mayrunner (@we_are_mayrunner) • Instagram photos and videos Bandcamp: Music | Mayrunner www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Seven Kings Must Die < Back The Last Kingdom Finally Gets a Sequel Keeley Brooks Mar 16, 2023 Share Seven Kings Must Die I don’t know about you guys, but I’m a movie enthusiast who LOVES to watch anything that has bloody good ass-whooping in it, whether it be John Wick with his “I’m not f**king around” gun fights and bone breaking, Donnie Yen and Michelle Yeoh flying around with their beautiful but deadly martial arts, or Rocky and Ivan Drago duking it out with some hefty punches right to the kisser. Ask the one person who knows me best, and my husband will tell you I get most excited watching depictions of the ancient brutal fighting styles of early tribes like the Vikings, the Danes, the Saxons, and the Gauls—any historical fighting styles prior to the 12th century, really … the kind featuring bad-ass sword fighting, as well as a host of other deadly weapons like fists, teeth, feet, elbows, heads, knees, bow and arrow, axes, knives, spears, and shields, not guns. What can I say? I love blood and gore, and I love the artistic style behind intelligent fighting (and, yes, the savagery). It’s not only entertaining to watch but it's also full of such visceral, raw emotion that a viewer can’t help but feel its effect through familiarity, at least in emotion. If there’s a movie or series featuring early tribes, you can bet I’m watching it. Multiple times. In fact, as I write this article, I’m rewatching all five seasons of The Last Kingdom , and you should, too. Netflix is dropping a sequel to the series next month, so now’s the time to catch up. When Vikings slammed into the History channel, I was glued to every episode, as I’m sure the rest of America was. I was sad when it ended in 2020, but luckily, I had a chance to remain in that era with the final season of The Last Kingdom , which aired on Netflix shortly thereafter in 2021. I missed this series when it hit the streaming giant in 2015, but I was beyond elated to have found it by 2019. In case you haven’t seen it, don’t worry. I’m about to drop some knowledge on you. The Last Kingdom is a fantastic heartwrenching British historical fiction television series based on Bernard Cornwell’s novel of the same name. Cornwell is an English-American historical fiction author with the penchant for writing historical fiction, besides Philippa Gregory, but her focus is different. It’s the first novel in Cornwell’s “The Saxon Stories” series (2004), which tells how the nation of England began under King Alfred the Great. While the series is spectacular, if I do say so myself, it does not follow the books true to form, and that’s due to things like production value and time. Cromwell’s story introduces us to Uhtred of Bebbanburg (aka Uhtred Uhtredsson and/or Uhtred Ragnarsson), who, as an adult, is played by the very delicious Alexander Dreymon ( American Horror Story ), a German-born actor with yummy, good, womanizing looks. As a young Saxon noble, Uhtred is kidnapped by Danish Vikings and raised as a Dane in Ragnar Ragnarsson’s kingdom, but it’s not the same Ragnar you’re thinking. Different time periods. While in captivity, Uhtred is woven into Danish culture, language, and religion for years before a series of events places him in the service of King Alfred of Wessex, played by the very talented David Dawson, whom you may remember from Peaky Blinders . credit: Netflix And don’t worry if you can’t necessarily understand, remember, or pronounce character names throughout the series. I couldn’t either until I put the captions on, and according to interviews Dreymon did with Collider , Winter is Coming , and YouTube , he and most of the cast couldn’t either! While watching, think of season one as a long preface to everything unraveling between seasons two and five and now, beyond. As a side note, if you’re a Succession fan, Shiv’s husband Tom (Matthew Macfadyen) is in the first half of episode one as Uhtred’s father, Uhtred the Elder and Earl of Bebbanburg. So, that’s fun. Uhtred’s entire journey through life is spent fighting to reclaim his ancestral home of Bebbanburg in the Saxon kingdom of Northumbria (today known as Bamburgh on the Northumberland coastline in England), which leads him into and through the unwavering depths of human emotion as he grapples with his persistently split loyalties between his many oaths, his conflicting cultural identities, and his quest for retribution. credit: Netflix credit: Netflix I won’t spoil everything on the off chance you haven’t seen the series, but by season five, Uhtred and King Edward (Alfred’s son) are at odds with King Constantin of Alba (Scotland), a discerning leader who enjoys rocking the boat that is Northumbria. And while the finale finally does bring Uhtred home, it remains blatantly obvious he has much more to do before laying down his sword and trying to enjoy the rest of his life as a free nobleman. In late October 2021, Netflix announced a sequel to the series. Seven Kings Must Die is a two-hour standalone film set to portray events from Cornwell’s last three “Saxon Stories” novels. Let me be clear here, though: The movie will not cover everything from the last three books, but I suspect it’ll give us the gist of what all goes down. Expect it to pick a few events from the books to emphasize as we follow Uhtred in his attempts to unite England after King Edward’s death, so we’ll see him embroiled in a huge, albeit violent and bloody battle for the crown. “Rival heirs and invaders compete for power,” the film’s official synopsis reads. “And when an alliance comes seeking Uhtred’s help in their plans, Uhtred faces a choice between those he cares for most and the dream of forming a united England.” In the newly released trailer, a character is heard saying, “You know the prophecy, Uhtred? Seven kings die. All of Britain will be united.” So, that explains the title. One thing I can tell you about this film, though, is that there will be blood … lots and lots of blood and a big ole battle full of savagery. Sweet! While the film is not drawn from the final book in Cornwell’s “Saxon Stories” saga, it is drawn from one of the earlier novels, the sixth book “Death of Kings.” It includes a section where a prophetess predicts a relentlessly gloomy future for Uhtred and King Alfred’s dream of a united England. Says Aelfadell, "Seven kings will die, Uhtred of Bebbanburg, seven kings and the women you love. That is your fate. And Alfred's son will not rule, and Wessex will die, and the Saxon will kill what he loves, and the Danes will gain everything, and all will change, and all will be the same as ever it was and ever will be." The scene was cut from the television series, and according to Den of Geek , that particular passage is framed more as a Danish attempt to unnerve Uhtred than a legit prophecy. But, if you’ve seen The Last Kingdom or read any of the books, you know there are aspects of truth in there. Throughout The Last Kingdom , Uhtred’s lovers often do die, and we’ve seen plenty of kings as well. There’s a good bit of speculation about who, exactly, the seven kings are, but the trailer offers up some hints, as does Reddit . Among those battling for the crown are the late King’s son Aethelstan and the discriminating King Constantin, played by Rod Hallet from Ant Man and The Hitman's Bodyguard . from The Last Kingdom's official Twitter page Netflix also released a first look at a new character making his debut in the movie. Danish leader Ingilmundr is joining the war; he makes his first appearance in “War of the Wolf,” the 11th of Cornwell’s books. He has major influence and will have a big hand in the tragic events that affect Uhtred’s family. There’s a hot chance we’ll all wind up hating him before the story concludes, but one thing’s for sure: He will have a crucially important role. from The Last Kingdom's official Twitter page Now is the perfect time to catch up on the series, regardless of whether you have or haven’t seen it. It’s an incredibly fascinating journey with some very memorable characters, like Brida, Uhtred’s childhood friend in captivity and first love; Father Beocca, a Saxon priest who has known Uhtred since he was a boy and knows his true birthright; and Finan, a lovably fierce Irish warrior sworn to Uhtred. There’s also lots of drama, emotion, love, and savagery. Seven Kings Must Die releases April 14, 2023, on Netflix. After the movie, if you’re craving more historical fiction to watch, I highly recommend getting into Britannia on Epix and Netflix’s Vikings: Valhalla and Barbarians. Vikings: Valhalla is a sequel to the original Vikings series, and Barbarians is about a Roman officer’s conflicted allegiances that lead to an epic historical clash and the rebellion of the Germanic tribes. Britannia originally started out as an Amazon Prime series in 2018 but was acquired by Epix in 2020. It is set in A.D. 43 when the Romans invaded Britain led by General Aulus Plautius, who is determined to succeed where Julius Caesar failed and conquer this mythical land at the very end of the Roman Empire. In it you’ll see Yellowstone favorite Kelly Reilly (Beth Dutton), Mackenzie Crook from the Pirates of the Caribbean movies (you’ll love his character; he’s captivating!), and The Walking Dead Governor from season three David Morrissey. Alright, entertainment enthusiasts, get to entertaining yourself with some ancient historical fiction adaptations and be sure to let your voice mail pick up any calls. You’ll thank me later. Keeley Brooks is a big ole movies, television, and streaming nerd with an uncontrollable urge to write about everything she watches. Even if it sucks. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. < Back Revisiting the Roots: The Fremonts Release Remastered Classics Nicole Brice Jul 25, 2025 Share The Fremonts blend elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Though The Fremonts are new to me, they have been making music together for over a decade. After sold-out performances of their original cabaret in New York City , Colorado , Massachusetts , and at the Edinburgh Fringe , as well as a cultural ambassador tour through Tajikistan with the U.S. State Department , they returned to the studio to develop a new album. However, life presented unexpected mid-life challenges, leading them to pause their latest projects and focus on remastering their existing full-length albums, We Don’t Live There and The Failure Cabaret . Those updated versions are now available on all streaming platforms. Discovering new music is an exhilarating experience; it feels like uncovering a hidden part of yourself that you didn't even realize was missing. I feel this way about The Fremonts' music . It’s warm, soulful, and steeped in the spirit of storytelling. Their sound is nostalgic yet refreshingly original. In addition to their remastered albums, The Fremonts have released a new music video for their song ‘ Ketamine Happy Hour ,’ which humorously reflects on their experiences with alternative therapies for depression. Video for 'Ketamine Happy Hour' The Fremonts combine Americana music with storytelling in a theatrical cabaret style . Stephanie Dodd , from Fremont, Nebraska , and Justin Badger , from Fremont, California , have refined their music through years of professional acting experience. They have recorded two full-length albums , toured extensively, and received rave reviews for their original cabaret performances in the U.S. and at the Edinburgh Fringe. The duo currently resides in the Berkshires of Western Massachusetts . It’s challenging to define The Fremonts ' sound completely, but I would say it leans more towards Americana than anything else . Americana music is classic and timeless because it draws from the roots of American culture, blending elements of folk, country, blues, and rock in a way that feels both familiar and enduring. Credit: Eric Limon To celebrate their new releases, The Fremonts will be performing a series of shows in the Berkshires and the Hudson Valley this August. The performance dates have just been announced, so be sure to catch a show. In the meantime, let’s explore their latest work together! The Fremonts' show schedule WE DON’T LIVE THERE Since this is my first time listening to this album, I would like to share my thoughts. Stephanie’s vocals are angelic, carrying a soothing quality. Each song tells a story, painting a vivid picture in the mind. The music on this album is wonderful; I can’t think of any other word to describe it. Standout tracks: Tillman’s Wall – The beginning of this song is nothing short of epic. The sounds intertwine into a massive composition, and when Justin’s vocals kick in, it just builds and never lets up. It’s simply fantastic. Tell My Mother – Everything about this song is impressive. I often find it challenging to articulate what I love about a song, but this one is a toe-tapping singalong tune, and it’s phenomenal. Who Fears the Devil – This is a powerful track full of layers, and Justin’s vocals are flawless on this one. Album cover by Emilie Druss and Matt Lowber THE FAILURE CABARET The Failure Cabaret is an album that features a diverse range of sounds and textures, making it a truly enjoyable listen. Every track feels like a road trip through emotions. Standout tracks: Find Me – starts with a heavy groove and Stephanie's vocals take over, building to a chorus filled with conviction. I was nodding my head the entire time while listening to this track. Gravity – just plain beautiful Ketamine Happy Hour – such a fun song, and the video is even more fun. Album cover by Emilie Druss and Matt Lowber The latest releases from The Fremonts infuse new energy into the band’s already captivating catalog. They maintain the emotional depth and vintage charm of the original tracks while delivering a richer and more immersive sound experience. Whether you are a longtime fan or new to their unique blend of Americana , blues , and rock 'n' roll , these updated versions are a perfect way to rediscover or fall in love for the first time with the raw storytelling and musical craftsmanship that define The Fremonts . Go check them out today! **cover photo by Eric Limon To learn more about The Fremonts: Bandcamp: The Failure Cabaret (2025) | The Fremonts YouTube: The Fremonts - YouTube Apple Music: ‎The Fremonts - Apple Music Spotify: The Fremonts | Spotify Website: The Fremonts www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Dodies’ music blends powerful riffs with fearless creativity. < Back Unfiltered and Unleashed: The Dodies Redefine Raw Power as a Dynamic Duo Nicole Brice Jul 5, 2025 Share The Dodies’ music blends powerful riffs with fearless creativity. As a child of the 90s, I’m really enjoying the wave of nostalgia in the world currently, especially when it comes to music. I can honestly say we had some of the best music back then. It was raw and impactful—not overly polished, yet still perfect. This sentiment perfectly captures the sound of the next band I have for you, The Dodies , and believe it or not, this band is nowhere near new, but they’re new to me, and now they’ll soon be new to you, too. Credit: Facebook The Dodies are a grunge, alternative, garage rock band from the southern deserts of Israel, but when they are in the states, they call Texas their home. From the first listen, it's clear they are destined for greatness due to the tremendous sound that radiates from the speakers with every note played. Their poetic, introspective lyrics are paired with a deep artistic flair , featuring loud, crunchy guitars, heavy basslines, and powerful drums at times. However, they can also switch gears and perfectly orchestrate a softer, more poppy sound, as if it comes naturally. With their secret weapon producer, Ron ‘Bumblefoot’ Thal , this duo has crafted a sound that is uniquely crisp, tight, and full of energy, and I am obsessed. Credit: Facebook Music, at its core, is a personal experience for each of us. I strive to keep my articles authentic and genuine. When I hit play on my iPod to explore The Dodies’ discography , my initial reaction when that first song started playing was, and I said it out loud, “This is so good!” The Dodies consist of two musical talents: Yoni Avittan , the primary vocalist and guitarist , and Ran Aronson , who handles background vocals, bass, keyboards, and drums simultaneously. Watching Ran perform in videos is astonishing; I genuinely have no idea how he maintains the stamina to keep up with everything. It’s truly remarkable. Yoni Avittan’s vocals are always spot-on and showcase an impressive range, soaring like Justin Hawkins of The Darkness . He embodies the quintessential strong frontman with his hypnotic presence and sheer unfiltered talent. 'Boiling Point' LIVE Since 2020 , the duo has released three full-length albums , and one live album , a notable achievement in an industry often flooded with EPs and singles. Each album was created with precise attention to every detail, down to the order of the songs and the artwork and remind me of some of the great albums of the past for their artistry. In 2020 the Dodies released, It’s One Hell of a Ride , and it is a non-stop journey of exceptional music. Every track is strong, with not a single bad one. One standout for me is the lead track ‘ Boiling Point ,’ which even has a fantastic video on YouTube . I find myself dancing around in my kitchen when I listen to it, but truth be told, this entire album is exceptional, and deserves some serious listening time, so be sure to dive in. Released April 24, 2020 In 2022, Floating in Limbo was released, and it is another amazing album. While listening to it, I couldn't help but wonder: can these guys produce anything less than great? Released April 20, 2022 2025 marked the release of Dreamism , which starts off a bit softer before diving into the signature sound The Dodies have developed, and one can clearly hear a Radiohead and Muse influence with some of these newer songs. Once again, every single track on this album is killer. All killer, no filler, as I like to say. Released February 28, 2025 But, believe it or not, The Dodies don’t just stop with music. Yoni is currently working on a book to complement their trio of albums, bringing everything together full circle. Dynamic, insightful, and brilliant, this duo is poised to blow the roof off modern music. Read on to learn more! MaM : How did the partnership with producer Ron ‘Bumblefoot’ Thal come about? Yoni : We recorded our first album in Austin, TX at Orb Studios . Matt Noveskey knew someone who helped us reach Bumblefoot , and he loved our music. We were really wanting to push it over in the states, and Matt Noveskey was key in helping us reach other people. MaM : One thing I noticed when listening to your three albums this morning was that with his involvement, you have defined your sound. Your sound is your sound. It’s refreshing to have come across your band. Yoni, your vocals are extraordinary. Have you ever gotten the comparison to Justin Hawkins from The Darkness ? Yoni : That is the most frequent one. I do love The Darkness , but I don’t listen to them that much. I listen to that British trio of Radiohead , Muse , and Coldplay – early 2000s type of stuff. That’s mostly what I listen to. Credit: Facebook MaM : Your voice has such range. Is there something you do to warm up or keep it in shape? Yoni : Well, sometimes I do have to do some warm-ups before shows, because if I don’t, it won’t be as good. It is a challenge to sing high. MaM : I can only imagine. With you being a duo, how does that work for a live show, or do you bring in extra musicians to complement what you do? Ran : We don’t usually bring in any additional players on stage. It works for us. It suits the genre, as well, because we do want to keep it basic and rock . I don’t think it would work if we were a prog metal band or something like that. Credit: Facebook MaM : How do you even keep up to play that many instruments? Ran : It is very physical, for sure. I feel like the more I do it, the more I get better. It gets better the more we practice. Working with Ron , with Bumblefoot has been one of the biggest contributions to our sound. He told us that’s your sound – keep it simple. Same thing you do live and just go to the studio with it, and stick to it. It’s very easy to fall into tracking and overdoing it. MaM : I think it’s impressive as hell that it’s just you two in the band. You have such a thick and full sound to your music. How did it come about with just you two? Yoni : Well, it was just more efficient for us. It was more efficient to tour with two people, too. Ran : There are definitely advantages sound-wise, logistics-wise, and we actually used to be a three-piece, but yeah, we just love it in all aspects. Credit: Facebook MaM : Three albums under your belt, and now you have just released Dreamism , which I love the album cover, so my next question is, who designed the cover art for that release? Yoni : Well, I guess I just thought about what correlates to the name of the album. An image of an influx of info in a person’s head – addiction to dreaming and seeing excessive dreaming as a type of sickness or overthinking. We reached out to a certain artist to help with it, and he did a good job by taking a thought I had and making it his own. Ran : His name is Spencer , and we came across him and found all his work. MaM : Album art is big to me, and I still focus in on it because I feel the artwork brings it all together. The cover sets the tone. Ran : It’s getting easier to fall into AI-generated covers. You can spot it right away. He did a great job, and it has his aesthetics with the collage. Yoni : Also, we’ll be coming out with a book called Dreamism with the same cover to go with the album. MaM : Tell me about this. That sounds awesome. Yoni : The novel is about a young musician from southeast Texas who falls in love with his psychiatrist. I then detail their connection and how it helps him overcome depression. The first part of the book is titled “It’s One Hell of a Ride.” The second part is called “Floating in Limbo”, and the last part is called “Dreamism.” The music goes along with the story, and that’s pretty much the premise. It’s my life’s work. Credit: Facebook MaM : I love that, and love that it’s based upon the three albums! I can’t wait to read it! How did you get the inspiration to do something like that? Yoni : Well, I just went to therapy, and that was basically it, and it went well. (laughter) MaM : I love that – so you based it on your life? Fictionalized it. I love that, and I just love the whole creative process. Where do these ideas come from? How do we bring these ideas to fruition? Is there anything you’d like to tell us about the book that you didn’t touch upon? Yoni : It’s getting ready to go, and I’m editing it now. We’re very excited, and we’re gonna post a lot about it online, and try to push it. MaM : What’s the release date? Yoni : I don’t have a release date quite yet, but we’ll let you know. Credit: Ben Anderson MaM : How would you describe your sound to a new listener who has just discovered it? Yoni : I keep switching the genres. Usually, I just say we’re a rock band. It is kinda grunge . MaM : How did you get influenced to do the garage band type of music you do? Yoni : I mean, I guess I listen to a lot of early 2000s rock , but I do feel that the 90s rock captured something that has yet to be topped. The screaming in that music was the best and one of the last great things we ever had. The younger generations right now are still really into grunge and early 90s-style music. That’s pretty much what I grew up with, even though I didn’t grow up in the 90s. Credit: Facebook MaM : I feel like the '90s were one of the last times musicians were truly creative and authentic. By the late 90s to mid-2000s, it had lost its creative spark and become more of a mass-produced, cookie-cutter type of thing. However, look at the industry. The industry stopped pushing garage bands and music with heart and started pushing prefabricated music with no substance. I agree that it was the last great time for music. Yoni : Even in the early 2000s , though, I agree that it was more fabricated, but at least something was going on, you know. I think that after social media, and the rise of social media, it has deteriorated more. MaM : Well, that’s the whole TikTok generation. Some of these artists are like, it’s been great for my music, and I’m like, how? People are hearing snippets, and then they’re not coming to shows, so where is the incentive in that? Yoni : Yeah, they just don’t know what great is. (laughter) Ran : It’s crazy, you hear like one specific part of a song, so you don’t even know the whole song. Let alone an entire album. Yeah, we’re one of those bands who still believe in the concept of albums and want to tell a longer story. A longer, deeper story. Credit: Facebook MaM : What inspires you to create, and how do you find your lyrical concepts come to fruition? For example, I’m a writer and an author, and sometimes a phrase or word will pop into my head when writing a piece, so I’ll write it down somewhere, and then I’ll assemble it all into something at the end. Take us through the creative process. Yoni : Yeah, I feel pretty much the same. I have an idea for a song or lyrics, but I would rather have a melody to go along with it first, so I can fit the vowels correctly with whatever the song ends up being. I don’t want to stick lyrics that have nothing to do with the melody that I’ve written. The melody has to come first. Ran : Yoni writes the songs, and what usually comes to me is the melody and lyrics, and then we work on it together. It becomes a mutual joint process after he has pretty much written the song. We then keep building stuff on it and add new parts. We try not to overdo it and try to give the proper respect for the lyrics and melody. We love to keep it simple. MaM : You don’t force it. You let it happen organically. Ran : Yeah, we don’t force it. If we feel that there’s a place for a violin part or something similar, we add it; if not, we don’t force it. Credit: Facebook MaM : How long does it take you to develop a song? Yoni : Yeah, there’s no formula for it. I guess some songs can take a few months to perfect, and some a few minutes, but overall, if it’s not really there after we first write, then I think it’s kind of useless. I know a lot of songwriters who would have a verse, but nothing else other than that. Ran : Some of the songs from our newest album, ‘ Dreamism ’, we had already recorded even before we recorded ' It’s One Hell of a Ride '. They were already there. We had the concepts early on, and didn’t want to record a song that didn’t fit there. By the time we got to the studio to record the music that had already been in existence for a few years, it had changed, because we kept playing on it and kept working with it. It evolves. MaM : What would you like to achieve in the next five years? Where do you see yourselves musically and professionally? Yoni : I’m embarrassed to expose my wildest dream. MaM : You can keep it vague. Yoni : We want to push the music and book together, and hope that it works. We’re trying to add a deeper aspect to our genre. As The Dodies continue their artistic journey, we can expect even more amazing experiences to unfold. These talented individuals showcase their divine gifts with every note sung and every word spoken, and I can't wait to see what they create in the future. Their latest album, Dreamism , is now available on all streaming platforms. However, to truly appreciate The Dodies' music, I recommend starting from the beginning. Play their first album and immerse yourself in their entire discography . To learn more about The Dodies: The Dodies Store Instagram: The Dodies (@thedodiesband) • Instagram photos and videos Spotify: The Dodies | Spotify Facebook: Facebook Bandcamp: Music | The Dodies X: The Dodies (@TheDodiesBand) / X YouTube: The Dodies - YouTube *All photos are sourced from The Dodies' Facebook page. If any photographers would like credit, please reach out. If it wasn't noted, I couldn't find it. I would love to give proper credit. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Email us at: mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It was a night of unfiltered rock music to remember. < Back Weekend Rock: Smile Empty Soul at the Freetown Boom Boom Room in Lafayette, Louisiana Elise Hanks Feb 4, 2025 Share It was a night of unfiltered rock music to remember. Two weeks ago, I got the chance to see a band I have been dying to catch live, California-based Smile Empty Soul ! They made a stop at the Freetown Boom Boom Room on Sunday, January 19th, 2025, as part of their CONSUME and OBEY Tour , featuring Lines Øf Loyalty and Embers Rise , and let me tell you, this show did not disappoint. Credit: Elise Hanks The night kicked off with Embers Rise , hailing from Northern Illinois, and they brought their own brand of awesomeness to the mix. I first met Ethan Bartman (vocals/guitar) at the merch booth, and honestly, he felt like a local, super down-to-earth, like an old friend. The whole band had that southern gentleman charm, which makes sense considering they have their very own gentleman Rick Duncan , a.k.a. “ Mr. Mustache ”, in their lineup. A highlight of their set was hearing “ Victim ” live, a killer collab with Lines Øf Loyalty that had initially dropped in October of 2024 . Next up was Lines Øf Loyalty from Kenosha, Wisconsin, and wow, what a surprise! Their set hit me right in my soul. Their entire vibe is about staying true to who you are and screw all the rest. And frontman Nubz Morrison lives it through and through; he’s literally got the word Loyalty tattooed on his face . That’s dedication. Their performance was raw, emotional, and packed with the energy that makes you want to scream along. Last but certainly not least, we had our headliner, Smile Empty Soul. Leading up to the concert, I had ' Bottom of a Bottle ' stuck in my head all week . My anticipation was through the roof, and the live experience completely exceeded my expectations. Smile Empty Soul sounded just as raw and grungy as I remember when I first got into them in 2003 before I understood the songs' meanings. Jon Loree was seamless on the drums, and Sean Danielsen ’s voice sounded like it hadn’t aged one bit. Hearing them live and in person was everything I could have hoped for. This tour’s final stop was right here in Lafayette, and even though we were bracing for snow soon, the venue itself was filled with warmth and excitement. Every band brought something special to the stage, making it so worth braving the cold. (And yes, defrosting in my car afterward was absolutely necessary!) If you ever get the chance to see Smile Empty Soul , Lines Øf Loyalty , or Embers Rise live, do it. You will not regret it. To learn more about any of the bands mentioned above: Smile Empty Soul Embers Rise Lines Of Loyalty www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com *All photos courtesy of Elise Hanks Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Shocks to Sleeping Beauties’ is a daring mix of electric energy and lyrical depth. < Back Glitter Litter Awakens Listeners with a Bold New Sonic Journey Nick Cline Jun 24, 2024 Share ‘Shocks to Sleeping Beauties’ is a daring mix of electric energy and lyrical depth. Glitter Litter , a band that stands out with its distinctive fusion of glam rock and punk, immediately seized my attention with its new album, 'Shocks to Sleeping Beauties ' released on June 14, 2024. The album is a daring mix of electric energy and lyrical depth. The first listen was a nostalgic journey, evoking memorable tunes from the ‘90s and early 2000s TV and movie soundtracks. With its unique melodies and lyrics, each song left an indelible mark. Upon listening to the album, I discerned clear influences from iconic bands such as the New York Dolls , Blondie , and The Ramones and subtle nods to a diverse range of bubblegum pop-rock bands from the 90s and early 2000s. These influences are skillfully woven, presenting a delightful blend of nostalgia and contemporary pop-rock. My favorite track from the latest album is ‘ I don't want to write songs about things I don't want to do. ’ This track has a perfect sense of melody that caught my ear when paying attention to the mix, the melody, and everything else intertwined. Like I said before, the songs were heavily influenced by '90s and early 2000s sitcoms, comedies, etc. This is, by far, the strongest suit when looking into the tracks. The way they are written is like a media time machine of nostalgia and killer tunes. It's straightforward punk rock with a bubblegum melody and glam rock vibe. These tracks would make a welcome addition to just about anybody's playlist, especially people who love glam rock and bubblegum pop-rock/punk. The album's mix is, for the most part, a well-crafted piece of work. The tones displayed exhibit a clear quality in the recording process. However, I couldn't help but notice the occasional underutilization of promising riffs, which, in my view, detracts from the overall creative process that is evident in all the tracks. Credit: Artist website I was pleased with everything I heard when I listened to the tracks, but I noticed the use of riffs, melodies, and other parts of the song that were only taken advantage of in pieces. I feel this took away some of the superb musicianship and production of the music. In my opinion, Glitter Litter should explore their more underrepresented talents that shine in only pieces of songs. They could push into a different territory of tonal quality when exploring more sounds. Nonetheless, “ Shocks to Sleeping Beauties ” was a pleasure to listen to. This album made me want to look more into their music to see what else I could find because of the melody and production. I am more than eager to see what Glitter Litter does with the future of its music and brand going forward. Put this band on your list of bands to check out NOW! To experience all things Glitter Litter, just hit one of the links below: Website : Glitter Litter - bubblegum glam/punk Linktree : Shocks to sleeping beauties by Glitter Litter ( songwhip.com ) Spotify: Shocks to sleeping beauties - EP by Glitter Litter | Spotify Apple Music : ‎Shocks To Sleeping Beauties - EP - Album by Glitter Litter - Apple Music Do you have a tune you think Nick would like? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Stella Vir are progressive-infused sounds full of spatial concepts < Back Stella Vir: A Modern Ambient Rock Abyss Je'an-Paul Keller Aug 8, 2023 Share Stella Vir are progressive-infused sounds full of spatial concepts Coming up August 19, 2023, Louisiana’s own Stella Vir is set to perform at Rad Fest 2023 at PARC International in downtown Lafayette, Louisiana. With tunes full of howling guitars and crisp clean vocals, this band hails from Hessmer, LA and they are the third band in our installment of interviews with all acts on the bill. The band was formed in 2019 by Josh Ferguson (vocals), Justin Theriot (lead guitar), Waylon Wilkinson (bass), and Shane Landry (drums). Gaining a following on the local scene due to their energetic performances and catchy, melodic songs, Stella Vir’s debut EP “Meridian”, released in 2020, is so good that you’ll want to turn the dial all the way up to eleven to engross yourself in the soothing sounds. And if you have an iPod handy, pop in those headphones and disappear into the abyss. Credit: Ahnvee Photography In 2022, the guys released their follow-up EP “City Lights”, continuing the band’s evolution with a more mature sound and showcasing more complex songwriting. With songs such as “Getaway” and “Full Speed” that provide ferocious guitar licks, Stella Vir is quickly solidifying itself as one of the most promising of all the up-and-coming rock bands coming out of Louisiana. Each member feeds off their own unique styles and the band has managed to find a cohesive sound that is distinct and one all their own. The band has the talent, the drive, and the sound to make it big and with their continued touring, Stella Vir is sure to become one of the most popular rock bands in the country. You must see them live to experience their sound in all its depth, truly. With a love for all things sci-fi, I was able to chat recently with Josh Ferguson, the lead vox, about everything from the band’s name to how their unique sound is achieved and his love of everything sci-fi related. Geek out with us and get lost in space by learning a bit more about what makes up the band known as Stella Vir. MaM : I dig your music. Who or what inspired your current sound? JF : So, I've been I've been playing music for about 20 years, and in the late 90s/ early 2000s. There is just something about the grunge era and when emo came out. Post-hardcore bands as well, such as Finch and Thursday … I really got into all of those styles of music. My writing style has always been somewhat of an emo-derived kind of sound. It's just a blend of all kinds of music that makes us what we are. MaM : With so much going on in the world, what influences you to make music? JF : It's kind of like a sickness. I had quit playing music about five times now, but I wake up some mornings with just ideas in my head. I feel like I can't do anything without writing these ideas down, and the next thing I know … I'm writing music in a band again. It's just been in me, and my guitarist. We've been writing music together for 20 years, and it's just something we can never shake off. MaM : Can you tell our readers how your band initially came about? JF : I went on tour with a band, and then when that tour finished up … I decided to be a husband, and a dad, and not really play music anymore. My guitarist from over 20 years ago … [He] and I started talking again. We decided to do something different. So rather than trying to write music that we thought people would like or would get people to go to shows, we decided to start writing stuff that we would wanna listen to, and that's where we ended up. The first song we wrote together is on our ‘Meridian’ EP! It is called ‘With Fire Comes Truth’. It's one of the most fun songs that we have to play. It's just about not caring what anybody else says [with the message to] just burn the world down if you must … TO BE HAPPY! Credit: Ahnvee Photography MaM : Love the name of the band. How did it come about? JF : So, Stella Vir! At first, we had decided on the name Meridian for the band. In the process of uploading our music to social media … We realized that there [were] 63 bands named Meridian at that time. Obviously, we can't go this route if we want anybody to find us. We spent a couple of days trying to think of something that would be original, and my buddy Justin, [who] plays guitar, mentioned Stella Vir, which in Latin is roughly translated to Man of the Stars. We are all just really into space-related themes. We were all in love with it as soon as he said it, and we never looked back. It's just the idea of extra-terrestrial beings in space looking down on us, and the planet Earth. That's the kind of vibe that we make all our artwork around and our merch. I absolutely love the space theme. I can't get enough of it. MaM : So, growing up? What sci-fi movies or series played a huge role in developing the concept for the band? JF : I'm a huge fan of Guardians of the Galaxy . I'm a huge fan of Star Wars . We are all fanboys of Star Wars . I also listen to a lot of podcasts that are sci-fi based, fiction, and non-fiction. Whatever I can find, I eat it up. I remember going to the NASA space center when I was a kid, and I really got into the whole idea of space. So, anything I come across, I'm just a huge fan. MaM : Are there any specific things that you like to use to achieve your sound? JF : Honestly, the main goal that we've had as a band from the beginning is we just wanna be natural. We want to write stuff that we can perform live, and we don't need a huge production to do it. If you hear us on the radio, when you see us live, or when you hear us on Spotify, it's nothing different than what you heard on our albums. Our main goal has always been to just be real, and natural. We don't spend a whole lot of time on post-production. It's just whatever we can play. We just put it on a track like that to make sure everything stays as real as possible. MaM : Do you have any specific brands of guitars or bass guitars that you like to use? JF : I have a Gibson Explorer, and I have an SG that I use. The other guitarist, he likes Fender. He also has a Gibson Les Paul, and that's his main guitar. We both really got into AXE-FX within the last two years. It's really simplified our consistency as far as our guitar tone goes. Every time we plug in, we know we're gonna sound the same regardless of the venue. That's really the main thing. We try to have a strong guitar front. The AXE-FX and Gibson guitars … That's our go-to. Credit: Ahnvee Photography MaM : What types of amps are you currently using? JF : We both started digging into the AXE-FX. For the last few years, I was using a Marshall DSL 100, and [the other guitarist] was using a Friedman BE-100. We try to stay in that Marshall, Friedman, Mesa/Boogie kind of sound on the fractal, but before you know it, you're dialing into six different cabs and five different amps. It's just kind of all over the place. Whatever sounds good for that particular song. We may switch it up for different songs, so it's kind of hard to nail that down. I can't say enough about the AXE-FX. You can do anything with it. MaM : Do you consider “City Lights” a concept album? JF : I wanna say the first song on that album was ‘City Lights’. We actually had that one written before we created the first album. I wanted to do a concept album, but I have two kids and three jobs. To write a concept album is a lot more time-consuming. The songs are kind of pieced together about different things. It's just about different things that have happened to us in our lives. That's what that album is all about. I wish I could say that it was a concept album, but I haven't had the time to really go down that rabbit hole. Hopefully, for this next album … That is the direction that I wanna go, and we'll see what happens. MaM : Any future plans or aspirations for the band? JF : I think RAD Fest is gonna open a lot of doors for us. You would think that social media would make it easy for people to get their music out. I think it makes it more difficult because there is just so much stuff thrown at you in a day. I think that a lot of stuff gets overlooked. RAD Fest is gonna be huge for us. Huge for all of the other bands too. I think it's gonna open the door for us to get shows with bands that we might not have been able to play with before. People will be able to see us that have not ever heard of us before. So, I'm looking forward to that. This is gonna be our biggest show, and I'm really looking forward to that. I can't wait to see what happens with it. MaM : Can I get any information about the new songs you are writing? JF : There's a new song that we play that is called ‘Anything at All’ and it is, by far, one of my favorite songs. We have a live version of it on our YouTube page from our last show if you wanted to check that out, but it's just a high-energy type of song. We try to keep our shows full of high energy, and that's probably the most pulled-up song that we have. MaM : Are there any memorable shows you have played so far? JF : We played at the Cajun Heartland State Fair last year. We're hoping to get on again this year, but I think we missed the deadline to apply. That's a cool thing that the Cajundome allows local bands like us to do. I can't say enough about the local scene in Lafayette. You have all these bands wanting to put on big shows and include us. The Cajun Heartland State Fair is probably the most notable thing that we've done so far, and I think RAD Fest is gonna be right there with it. Credit: Band's Facebook MaM : Do you have any other plans in the future after RAD Fest? JF : We do. We've been tracking some new songs, and hopefully, before the end of the summer, we'll have a release date for ‘Anything at All’. Then, we're gonna start working our way up to a full album release. That's the most exciting thing we have going on right now. I love writing music, and we all love recording it. That's definitely on the horizon. Facebook: @Stella Vir Instagram: @stellavirmusic YouTube: @stellavir8290 *cover photo by Ahnvee Photography https://www.ahnveephotography.com/ Je’an Paul Keller is a member of the 501st Legion and a huge sci-fi nerd. He’s also a HUGE music lover and is very passionate about drawing, sketching, painting, and making cosplays and movie-accurate costumes. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Disfigured in Eternity is out NOW! < Back Vatic Decryption Releases First EP Nicole Brice Oct 5, 2022 Share Disfigured in Eternity is out NOW! Vatic Decryption has released their long awaited and much anticipated first EP and it does not disappoint. With the opening track, the fierce sound hits you right in the cojones for a musical journey that is best enjoyed LOUD and with the volume turned all the way up. Vatic Decryption is a Death Metal band based out of Baton Rouge, LA and comprised of Jacob Meche (vocals), Carl Coates (Guitar / Bass), and Mike Poole (drums). To check out their first EP, head on over to https://vaticdecryption.bandcamp.com/. Artwork by Tata Kumislizer Recording and Production: Recorded at StudioDudio -Engineered by Brian Domingue and Connor Guiberteau -Mixed and Mastered by Connor Guiberteau www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. < Back tmdistant: Music Beyond Boundaries Erica Machen Nov 30, 2023 Share tmdistant takes us on an expedition through sound with his new track “grow into the blossoms”. Combustive —that's the first word that comes to mind when contemplating the musical stylings of tmdistant . As a young twenty-something British black man, what you see isn't what you get … or what you expect. And that's precisely what he aims to deliver to his listeners: the unexpected. With his newest track, “ grow into the blossoms ”, tmdistant soars well past delivering the unexpected. In taking a first listen to "grow into the blossoms", I'd like to declare: Mission accomplished! This shoegaze track exudes not only alt-rock and electronica vibes but also manages to incorporate subtle R&B influences. For those unfamiliar with the genre of shoegaze, it's a fusion of obscured vocals, guitar distortion, effects, feedback, and overwhelming volume. The convergence of deeply emotional lyrics and vocals, coupled with genre-bending tones and stylings, beckons the listener to close their eyes and absorb the song's message. With lyrics like "Finally, I'll leave" and "Did I make a big difference", listeners quickly realize "grow into blossoms" isn't as sublime as assumed. This listen undoubtedly evokes curiosity and emotion throughout the journey. An artist recognized for seamlessly blending indie, pop, alternative, hyperpop, electronic, and rock, tmdistant has earned praise from outlets and tastemakers like AFROPUNK, Wonderland, EARMILK, and more. He has also received editorial support on various Spotify playlists, showcasing the expansiveness of his musical influence. Releasing today, November 30, 2023, tmdistant's newest single marks the beginning of a new era for him as he delves into the realms of shoegaze. After exploring the interview of the mind behind the music, you won't want to miss the fantastic aural experience that is "grow into blossoms." MaM : Thanks so much for talking with me today! Give us a brief intro and tell us how you came to be known as tmdistant. t : Hey, my name is tmdistant, I am an artist from Essex UK, but I originally grew up just outside of North West London. Growing up in London, a lot of people had code names. Mine was T for a long time. Then I added the M, because that’s also a part of my first name. It stands for “trust minimal”, which says a lot about me and my music. The distant came over time, because I started to realize that's who and what I am. MaM : Your music has been described as a unique blend of genres, including indie, pop, alternative, hyperpop, electronic, and rock. Can you take us back to the beginning of your journey and share what initially drew you to explore such a diverse range of sounds? t : When I first started releasing music in 2020, my manager created playlists to inspire my music. He would show me so much music that I’ve never heard of and so many different genres that I never listened to or even tried to learn from. So, that, in turn, made me think of music differently and start to try different things. Then, it made me take pieces from different genres and styles and mesh them together, therefore creating my own genre of music. I used melodies from slower folk music and R&B music, putting them on indie, indie-pop, folk, rock, indie-rock, alternative rock, hyperpop, and all sorts of shoegaze beats. MaM : "grow into the blossoms" is the first single from your upcoming EP, "vivid memories of dreams I've never had". It seems like a departure from your previous work, with a shift towards shoegaze and alternative music. What inspired this evolution in your sound, and how has the process been for you? t : ‘grow into the blossoms’ is the start of a new era for me, and it wasn’t even a move that I made purposely. I wanted to try something new and step into a new realm, and then that song came out amazing. So, I decided to make more music geared in that lane, and that’s when the EP was born. I’ve always loved alternative music, and I’ve been on it for a second. So, I thought … why not delve deeper, dig deeper, and go for something darker and more interesting for a black man like me, who also looks the way I do. I like shocking people. Being who I am, I get judged before they even see or know what I am about. So, I wanted to give people something they don’t think I can do. MaM : Your single "I don't need a therapist" spent an impressive nine months on the Apple Music playlist “Glitch”. Can you share some insights into how that track came together and on the significance of it finding a home in such a notable playlist for such an extended period? t : ‘I don’t need a therapist’ was such a different song for me at the time, and I loved it. That song made me go into the rock side of music more, and it is beautiful. The song connected with so many people, and the editors at Apple seemed to connect with it as well, so it stayed in their playlist, Glitch, for such a long period of time. It was a perfect fit. It was such a big moment for me to even be added there, because it was still so early in my career. I still think about it 'til this day. It was written in a difficult time in my life, where I needed to talk to someone about what I had going on, but I didn’t feel like I could talk to anyone. I just wrote all my thoughts into a song talking about how “I don’t need a therapist to save me, I'll put my heart in a song”. That’s how I coped with most of my problems, and people felt that too and related to that. MaM : You've gained support from various Spotify playlists, including “Our Generation”, “New Music Friday UK”, and “Alt. Pop”. How does it feel to receive such recognition, and do you think these placements have played a role in shaping your audience and musical direction? t : The recognition I have garnered over the last year has been so surreal, and I can’t even explain how much it has made me and the team feel appreciated for all the hard work we’ve been putting in, grinding to make things work, and they did very well, and they continue to. I wouldn’t say these placements changed anything for me other than realizing who my audience is. So, I have to keep that in mind, which is super important. It has let me and my team know what we’ve been doing is working. It gives us hope for the future and helps us plan ahead. MaM : It's fascinating that you're actively involved in the London club scene and perform live weekly. How does your interaction with a live audience influence your music, and what kind of energy or experience do you aim to create for your listeners during your performances? t : Performing is my second favorite part about being an artist, other than creating the music. I am trying to perform at every chance I can, whether it's weekly or monthly. This year, it was a couple of times. Sometimes when I’m making a song, I'll be thinking about how it will make people feel when I perform it or how well it will sound when I perform the song. So, I tailor it to fit that on some occasions. I want to make people feel something when they’re in the room with me. In life, we all are so desensitized to everything. When I am singing, I want people to feel more than they usually do in their day-to-day life. That’s the experience I tend to create in my performances. MaM : Planning a small tour in Ireland and London early next year and making it free to reach new potential fans is a bold and interesting move. Can you tell us more about your decision to take this approach and what you hope to achieve by connecting with your audience in this way? t : My manager had the brilliant idea to do this tour as a way of meeting new people and making new fans. So, it is perfect as I step into a new lane, creating a new fan base to add to the one I already have. As well, this being my first tour, we wanted to take advantage of gaining experience and venturing to places we haven't been before. MaM : Your upcoming music video for "grow into the blossoms" has us intrigued. Without giving away too much, can you share any insights into the creative process behind the video and how it complements the overall theme of the song and the EP? t : This video was meant to be DIY and homegrown, just like the song. I shot and edited everything myself, just like the song. I mixed the song myself. So, I wanted to try and do everything else to the best of my ability. I shot it in an abandoned train station. The song needed a video that would match the vibe. The train station got the vibe perfectly because it gave me a sense of loneliness and solitude. MaM : What is next on the horizon for you? What should we look for soon? t : The next thing is to keep working on my craft and getting better in every aspect of the meaning: more shows, better music, improved performances, and a bigger presence on social media. I want to make friends with all of my fans and supporters. I want everyone to feel welcome when they come to my shows and listen to my music. I want my music to be a safe space for everyone that relates to it or finds comfort in the words and instruments. Don’t forget, “ grow into blossoms ” is out today. Go ahead and check it out in its entirety. We promise you won't be disappointed. Stay up to date on all things tmdistant by visiting any of his below-listed links. tmdistant | Spotify tmdistant | Instagram tmdistant | Facebook tmdistant | TikTok tmdistant | YouTube *all photos courtesy of tmdistant Erica Machen is a beast when it comes to consuming, writing about, and reviewing music. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Last Giant's music is nostalgic and fresh < Back Last Giant: Captivating and Catchy Chris Pryor Jun 21, 2023 Share Last Giant's music is nostalgic and fresh In the vast world of music, it's always a pleasant surprise to come across a band that manages to impress with its unique style and sound. Last Giant is one such band that has caught my attention, and in this review, I'll be focusing on two standout songs from their latest album, "Monuments" released on June 9, 2023, by indie label Little One Ate the Big One and distributed via The Orchard. Released on June 9, 2023 via indie label Little One Ate the Big One Beginning in 2014 from the ashes of former Northwest indie-rock heavy-hitters System and Station (1998-2013), Last Giant is comprised of frontman RFK Heise (vocals, guitar, keys), Palmer Cloud (bass), and Matt Willes (drums). Last Giant has toured the U.S. extensively and has been featured in film and television, as well as shows including Mike Watt's "The Watt from Pedro" and Allen Epley's "Third Gear Scratch." Last Giant's video for "Captain My Captain" was the winner of MTV's indie video award with over 70,000 votes and they were a featured artist on MTV2. courtesy indie label Little One Ate the Big One With "Monuments," demoing started in early 2021 before Last Giant's film release, "Live from The Hallowed Halls." Shortly after, personal tragedy derailed the band from living in a consistent zip code. Band leader RFK Heise continued to write and hone songs, most of which would become Monuments while living throughout Northwest and Southern California. Lyrical inspiration was found in observation and introspection on not having a consistent home and being a stranger in a constant strange circumstance. First up for review is "Lost and Losing," a track that immediately captures your attention with its captivating guitar work in the intro. The vocals exude a smooth yet bluesy/folksy quality reminiscent of the legendary Bob Dylan. However, Last Giant infuses their music with a modern touch, resulting in a sound that is both nostalgic and fresh. "Lost and Losing" stands out as the perfect contrast to the rest of the album, and it's a fantastic choice for a closing track. The production is top-notch, allowing the listener to fully immerse themselves in the West Coast scene that Last Giant expertly captures. Moving on to my personal favorite, "Soldiers." Right from the start, this song hits you with a heavy, crunching sound similar to the legendary Motley Crue. The riffs are undeniably catchy, while the driving drums keep the energy high throughout. The transition to the bridge and subsequent lead guitar solo is seamless and adds another layer of excitement to the track. As the song progresses, it momentarily slows down, building anticipation for a rockin' crescendo that doesn't disappoint. The structure of "Soldiers" is masterfully crafted, making it a perfect fit for modern rock radio. Last Giant's musicianship and production shine brightly throughout the entire album. The band has honed their style and sound, resulting in a cohesive body of work that showcases their talent and creativity. Last Giant is a well-rehearsed group of musicians who know how to captivate their audience. Based on their impressive performance on "Monuments," there's no doubt that Last Giant is a band destined to be seen and heard. Their ability to blend classic and modern rock influences sets them apart from the crowd, and I have no doubt that we'll be hearing even more from them in the future, so keep an ear out because they're ready to rock your world. To check out more from Last Giant, visit their website at www.LastGiantBand.com or hit one of the links below. Last Giant | Spotify ‎Last Giant on Apple Music Monuments | Last Giant (bandcamp.com) Christopher Pryor is a multi-talented Renaissance man who currently fronts the Louisiana-based band Chris Pryor & The Main Event. He loves to listen to new music and give his opinions. Got something you'd like him to listen to? Hit us up at the_nicolebrice@mixedaltmag.com or mixedalternativemag@gmail.com . *cover photo provided by indie label Little One Ate the Big One www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

It's time for her to be heard! < Back Britney Spears: A Stifled Talent Nicole Brice Apr 25, 2024 Share It's time for her to be heard! Born and raised near Baton Rouge, Louisiana, I’ve always felt a strange connection to the pop star known as Britney Spears . I always like to tell people my music tastes range from the music of Britney Spears to the metal masters of Slayer , which it actually does. Good music is good music, right? If it resonates with you, then that means something. I didn’t always like Britney's music, though. In the beginning, I thought it sounded too processed and fake. As the years passed, I would come to appreciate the music she was putting out and it became the soundtrack to the life I wanted. Also, too, I have always thought Britney’s public persona in the early years was my alter ego if I had the balls to truly be me. Instead, I am shy and timid, and I hide, but given the interviews and reports throughout the years on Ms. Spears, I feel she isn’t much different. She comes off as a very sweet and genuine human being who has been molded and shaped to fit the agenda of those who benefit from her talent. Initially when Britney came on the scene in 1999, I was envious and jealous of her beauty, career, and fame. After all, there was a girl the same age as me, from the same state as me, living out her dreams and I felt it just wasn’t fair, but who was I to be jealous of an individual with remarkable talent when I can’t carry a tune much less dance. Now, at 42 years old, I feel connected to the pop sensation more than ever due to us both being born in 1981, being mothers, and both having our families turn on us during times of need. I also feel, too, like me that Britney is gravely misunderstood. Beneath the sad eyes and erratic videos of her half naked dances, I see a woman confused on life, confused on her identity, and just plain confused about what she should do or where she should turn. She seems lost and hopeless but puts on a smile for her fans and does the only thing she has ever known to do, sell her body, in hopes that she is seen and heard . Britney’s talent goes far beyond her half-naked romps on the beach, though. She can sing and although her voice has been stifled all these years by those wanting her to portray a sexier image, proof of her true raw talent is on the track, “ Just Like Me ” from her album, “ Glory ”, released in 2016. “ Just Like Me ” starts with a simple acoustic guitar and only Britney's beautiful voice. The song then builds to a thunderous chorus and a hypnotizing electronic beat only to revert to the insatiable acoustic guitar sound. One of her most underrated songs in my opinion and proof that Britney’s voice is both soulful and full of heart. With reports saying she is on substances; I can see right through that. While I do not know the details of what is truly going on in her life, I do know she is throwing away amazing talent. If someone would just encourage her to write and record an album with an actual band playing music as the backing track instead of prefabricated mumbo jumbo made in the studio, I think everyone would see an entirely different side to Ms. Spears. Her voice is strong, and phenomenal. In fact, no one in the industry has ever sounded like her. I, for one, want her to use her voice to entertain the masses, but in a way she has never done before. No dance moves and no theatrical stage show. Just Britney on stage with her voice. Britney’s true voice, the one not sounding like a sex kitten, is bold and fierce and it needs to be seen and heard before it’s too late. “ Change Your Mind ” is another track that stands out amongst Ms. Spears’ catalog with its simple stripped-down intro that leads to a thundering bass and dance beat. Her strong vocals are heard in the first few bars of the track, and it is exquisite. In a world full of autotune, Britney does not really need it, yet the music industry has always forced it upon her. Why? Why not allow this beautiful human to just be who she is and showcase her unique voice? In fact, I feel her album, “ Glory ” is one of the most underrated albums ever. Almost every song is amazing, and her voice sounds so mature and womanly. It’s my go to album when I need to get into a certain headspace. Click the picture to experience "Glory" all over again. With all the negative press surrounding her lately, I think that starting today we should usher in a new era for Ms. Spears. Instead of speculating on her personal life and allowing others to trash her publicly, let us lift her up. In fact, I think we should initiate a “Free Britney’s voice” campaign. It’s 2024 and it’s time for Ms. Spears’ talent to make a comeback of unprecedented proportions. Let her music speak for her. Who’s with me? Society needs to stop beating people when they are down, and instead focus on the positive attributes these individuals possess. Spread love and kindness, I say! For me, I’d like to see less of a focus on individuals’ personal lives and more focus on talent. Let the music flourish. Music soothes the soul, after all, so who’s to say if Britney were pushed to record again with her rules and with her pure raw voice that we wouldn’t see something spectacular? Britney, if you end up reading this, you are amazing. Your talent is unparalleled, and you are an icon. Know that even though you may never meet any of us fans in person that we are all rooting for you and that we love you. You cannot be replaced. Love and light, Nicole www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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‘Phoenix’ is a soothing journey through sound with raw emotion. < Back Reviews on the Real: Aaron J. Burke’s ‘Phoenix’ Burns Bright Nicole Brice Sep 6, 2024 Share ‘Phoenix’ is a soothing journey through sound with raw emotion. Aaron J. Burke is a singer and songwriter from Ireland. He has gone from recording demos in his room to having frequent airplay on radio stations across his home country and the world. Growing up on a steady diet of rock music, in his twenties, he moved into a more acoustic sound inspired by the rich singer/songwriter scene in Ireland. Aaron has been busy working on his first EP, backed up by the latest release, an acoustic song called ‘ Phoenix .’ ‘ Phoenix ’ is a hauntingly beautiful song reminiscent of tunes by XTC and R.E.M. Aaron’s voice has such raw emotion that it’s peaceful and soothing. Naturally, the day I listened to this track for the first time, it rained outside like crazy. Acoustic tunes suit my mood on rainy days, and Burke has captured the essence of renewal lyrically and musically with a deeply personal and universally relatable piece. Aaron J. Burke said of the lyrical inspiration for the song, “The song 'Phoenix' is over ten years old, so I don't recall the specific events that inspired the lyrics. However, it was written during a dark time for me. I wrote the song as a personal pep talk or motivational thing, but I also wanted it to be well-rounded so everyone could relate.” Credit: Aaron J. Burke The song's arrangement is atmospheric and dynamic, and the music truly resonates on multiple levels. It’s the kind of song that uplifts but also challenges you to reflect on your moments of struggle and triumph. With a new EP in the works, Aaron J. Burke is not rushing the creative process but instead is taking his time. “There is one track left to record for the EP, so I hope it will be released in October.” In the meantime, check out ‘ Phoenix ’ on all streaming services. To learn more about Aaron J. Burke: Facebook Instagram www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Presenting Rocket City Night of Rock ‘n Roll by Mike Slaten Productions < Back Off the Charts: Local Rock ‘n Roll Takes Over Mars Music Hall Bud Gambrell Apr 11, 2025 Share Presenting Rocket City Night of Rock ‘n Roll by Mike Slaten Productions Is it possible to go to a party and not realize it is a party until you get there? I would say that is a tremendous yes! That is precisely what happened this past Saturday Night. This story begins on March 10, 2025 . I was surfing social media, searching for funny memes, when I came across a friend of mine, Mike Slaten ’s page. He had just announced that his production company had assembled a local concert at Mars Music Hall , part of the Von Braun Center . If your first guess is that I reached out to inquire whether they needed a photographer, you would be spot on. You think you’re getting to know me a little, huh? We can now fast forward to April 5, 2025 . It’s the day of the concert, and like most other shows I photograph, I arrive early. It was almost straightaway that I noticed that the atmosphere was very comfortable. It had the feeling that everyone there was friends. That impression was accurate. I learned from chatting with the musicians that many of them have worked together before, which adds great chemistry to the evening! Some had not, but everyone was fast friends when showtime came around. Also, everyone’s friend Bill Neal was in attendance backstage. Bill and his son Tracer (that name is a secret identity) produce a podcast called Pickletato . They were present to broadcast live teasers for the concert throughout the afternoon. You will soon learn more about Pickletato . First, we'll have a chance to catch up with Bill a little later in this article, so stay tuned! Second, I'm excited to share that I'll join the podcast Pickletato for a recording next week! I can't wait to dive into some fun discussions and explore new topics together. Stay tuned for that also. I plan to write an entertaining article about them and share their goals on their podcast. I can't wait to dive into their story! Tonight’s concert is named Rocket City Night of Rock N’ Roll , presented by Mike Slaten Productions . The show would consist of four local bands . Opening the night would be The Shoals' own Blind the Sky . Second on the stage will be a Huntsville favorite, Angry Native . The third act will be Mike Slaten’s band Tres Locos . I know. I thought the same thing. Mike organized the show, and his band didn’t headline. More on that later. Our headliner is New Atomic . Get ready because this night is chock-full of talent! Before I dive in, I want to give a massive shoutout to all the fantastic members of the four bands for making me feel so welcome. You all are awesome! You are all exceptional musicians, and even more importantly, you are outstanding individuals! Entertainment Booking & Event Manager, Craig Maples , and Mike Slaten of Mike Slaten Productions co-organized the Rocket City Night of Rock' N 'Roll concert. I spoke with the VBC and Mike to learn about this show. VBC’s Director of Marketing and Public Relations , Samantha Nielsen , gave me the venue's perspective. SN : The VBC focuses on bringing national touring acts to Mars Music Hall ; however, when we have open weekend dates, we love taking those opportunities to support our community’s local artists! Mars is a fantastic venue that is plug-and-play with our audio and visual setup, so the local acts have a unique experience to not only perform on the same stage as some of their favorite touring bands, but they also receive the complete rock-star treatment with tour-quality lighting and sound, as well as utilizing the backstage area and dressing rooms. In my discussion with Mike Slaten , he informed me of how it came to be from his side. MS : Last month, the VBC hosted a local show called the Anti Valentine's Day show with five local bands . Basically, Craig and the guys at Mars and the VBC said they were tired of the venue sitting empty in between when big national touring acts are coming through. They wanted to try to get people into the venue. It's a great venue! It doesn't need to sit here, taking up space and trying to generate revenue. So, they held that concert, and I think 400 or 500 people showed up. It was an excellent turnout. Everybody involved, you know, benefited from it. Samantha with the VBC went on to tell me. SN : For us, these local shows are a win-win all around. They’re great for the artists, get people inside the venue on what would otherwise be off nights, and allow us to host amazing shows for the community that are often free and for all ages. OTC : Mike, where did it all begin for you? MS : I've been talking to many VBC guys for years. Whenever any big show comes through, I ask, “Hey, you need an opener?” The answer is usually "no." When I learned about last month’s local show, I got back in touch and said, I'd like to put on a show here. When the first show went well, they hit me up and said they had a date available. I tried to pick out some of the best bands. Of course, I didn't get all of them. Hopefully, tons of great bands are on the list for future shows. We put together what I think is a very unique, diverse show of great local rock bands. And then everybody just started promoting and sharing, and the response has been excellent so far. So we're hoping for a good turnout. To give you a little background, I have been working with the VBC for the last few years as one of their pool of event photographers. I talk to Samantha often as she handles our bookings. The entire VBC staff is fantastic to work with! Unsurprisingly, they are opening the doors to our city’s wonderfully talented musicians! OTC : Mike, how did you decide on which bands to have for tonight? MS : So, it's bands that we have played with before and are friends with. There are a lot of other bands that we're friends with and have played with, but these are some of the bands that were available on this particular date, and you know, bands that we've built a good friendship with. I thought these bands would help bring in a good crowd and put on a great show. These are bands that I think deserve to be on a big stage in front of a good crowd and get to have an opportunity like this. OTC : Have you played at Mars before? MS : Once, Tres Locos played here. I think it was 2021 . They were doing local bands only during the pandemic. It was tables six feet apart and all that kind of stuff. You know, trying to get some people in during that time, and of course, it was still in the pandemic, so few people showed up. OTC : So, you played here once. I would guess there were a lot of nerves playing this stage for the first time. Now, you're coming back for a second time. Do you feel more relaxed so you can get out there and kick it up a notch? MS : Yeah, I think so. I mean, for me personally, I think there's always a little bit of nerves, especially if you're on a bigger stage or you have a really big crowd. Years ago, I learned from teachers and other people with more experience that nervousness is good if it's a nervous energy . It's good to direct that positively instead of letting it debilitate you to the point where you can't get up, perform, sing, or whatever. So yeah, there's always a little bit of nerves, but really just excitement. OTC : I'm familiar with your band, Tres Locos. I have also seen Angry Native before. I know what to expect from those two bands. It's going to be good! Now, I'm not familiar with the other two. Please tell me what I can expect from those other two bands playing tonight. MS : Alright, so Blind the Sky is from the Shoals area. If you know anything about musicians, bands, and people from there, it seems there’s something in the water. Every musician or band we've played with is from that area; there is something different about them. They are a two-piece band. They don't have a live drummer. They have drums programmed into their pedal boards, and it's incredible! They're phenomenal musicians! They are two guys who sometimes sound like a five or six-piece band. They've got keyboards programmed in the pedals. The bass player will play something that sounds like he's playing the piano. Epic, epic music, great songwriting. That's about the best way I can describe them. Then, New Atomic . They're the headliner. I think they started in 2020 , if I'm not mistaken. They've built a pretty substantial following in Huntsville . They play Furniture Factory , The Lone Goose , and Back 40 . You know, a lot of those places draw a vast crowd . They're fun! They're younger guys, so they attract a younger crowd, a younger audience. They're mostly playing originals, but they play a lot of stuff from the '90s at many of their bar gigs around town. They play Jimmy Eat World , Incubus , and Foo Fighters . They're really good and really fun. They play with a lot of energy, and many people around here like them. OTC : So, if I'm getting this right, you picked the bands, but your band is not the headliner. MS : Correct. I picked New Atomic to headline because I feel like they have a bigger local draw. The band will bring the most significant portion of the crowd. I think they should. They should headline the show. OTC : So, you were playing the odds. MS : Yep! As I mentioned earlier, Bill Neal from the podcast Pickletato was in attendance. I first met Bill at The Alabama Smoke Show in 2024 . That show was also at Mars Music Hall and highlighted some excellent local bands. Bills’ podcast does a fantastic job of highlighting local bands on a personal level. The podcast has grown to include live performances of the bands during their interviews. We will cover this a lot closer in an upcoming article. Of course, since Bill was in attendance, I had to ask him for his input on the concert we were attending. The Pickletato Podcast OTC : Bill, tell me what brings Pickletato here tonight. BN : Mike Slaten invited me. The reason he invited me is that Mike and I are good friends, and he wanted to know if I could help him, you know, promote the event and be able to do the interviews like I did earlier. I'm just trying to get the word out as much as possible so we can do this in the future. I think the outcome of what happens tonight, although we have some possible lousy weather coming in, will probably not be as good as we thought it would be. Maybe, maybe not. I might be wrong, but I think this weather coming in might be an issue. But I think the outcome is going to lead him to being able to bring local musicians into these types of venues again. Credit: Bud Gambrell OTC : Are you familiar with the four bands playing tonight? BN : The only one I’m unfamiliar with is Blind the Sky . I think they're out of Muscle Shoals . Mike introduced me to them. When he said they would be on, I listened to some of their songs because I hadn't heard them. I really like their stuff! Hopefully, I can get those guys on our podcast in the future. We're pretty booked up for a good three months, but we will try to get those guys on there in the future. I'm very familiar with Tres Locos and Angry Native . I’ve known Flip and those guys for quite a while now. New Atomic . I just had those guys on the podcast, which hasn’t been released yet. It should be out here in the next week or so. Great group of guys! Sitting in with those guys was like watching brothers talk to each other, and seeing that many people in a band love each other so much was cool! You know, some bands barely even look at each other. But you can tell that those guys are tight. I think one of the reasons is that, as they said in an interview, they didn't really want to do this to get big or anything. They just wanted to be with friends and have a good time! I think that it shows with their music when they're playing. OTC : What do you think we're in store for tonight? Do you think there should be more people here tonight? BN : Oh, absolutely! More people should be here. I mean, this place should be packed! I wish this whole thing were being recorded. It's hard for a two-person team to record something this big, but it would be nice to have something like this recorded so people can see the quality of musicians that these guys are and the show they will be missing. A lot of these guys have their original songs. In my opinion, it should be at the top of the charts. They have some really good original songs that you know they’ll be playing tonight, so everybody and their brother should be here! This article has so much visual content that I can show you. I can show you the concert flyers, the stage, and how good they looked on stage. I can even show you backstage, where most people rarely get to see. The one thing I can’t show you, and I’m not sure I can precisely describe to you, is the camaraderie . Backstage is not where I often hang out but tonight was one of those nights when I did. I have seen bands use different green rooms, but I have noticed that they stay separate. The bands at The Rocket City Night of Rock N’ Roll were a fun mix of different styles, making every performance a unique experience! There is one thing that I have always enjoyed about a band playing live. That one thing is being able to tell that they enjoy what they do. I love seeing musicians enjoy what they are doing. I observed so much of that at this show. That enjoyment was backstage as well as on stage. Well done, guys! Until next time, Keep your diamond down in the groove! Where to find Bud: Email: the_budgambrell@mixedaltmag.com Website: https://bgambrellphotography.com Amazon: https://a.co/d/1CLA9Tz https://www.facebook.com/bud.gambrell My new book: Bud Gambrell Photography by Bud Gambrell | Blurb Books Where to find Mike Slaten Productions and Tres Locos: Facebook: https://www.facebook.com/share/1a5sMDVmAr/ https://www.facebook.com/share/1MSQ3QuxVh/ Where to find Blind the Sky: Facebook: Facebook Website; Blind The Sky | Rock Band Muscle Shoals Where to find Angry Native: Facebook: Facebook Where to find New Atomic: Facebook: Facebook Where to find Pickletato: YouTube: Pickletato - YouTube Facebook: Facebook *All photos by Bud Gambrell Photography www.bgambrellphotography.com Bud Gambrell Photography Bud Gambrell Photography is a locally owned and operated photography business in North Alabama. Call or email us today for an appointment. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Do you have something you'd like Bud to cover? Reach out to him at the_budgambrell@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

< Back Nude Nuns with Big Guns: What the Hell Did I Just Watch? Ezekiel Kincaid Share Aug 28, 2023 Nude Nuns with Big Guns accurately captures the grindhouse feel but is riddled with lazy filmmaking Rating: 2.5 out of 5 naked nuns covered in cocaine You know, there is a reason we call this column “What the Hell Did I Just Watch?” … and that was exactly my sentiment after viewing this particular film suggested by a reader: Nude Nuns with Big Guns. Yes, I'm serious. The title alone makes you wonder what you are getting yourself into by watching the film, but what does Nude Nuns with Big Guns offer, and does it live up to its name? In short, the answers to those questions are excess and absolutely. Allow me to explain. Nude Nuns with Big Guns (2010) promotes itself as a post-grindhouse exploitation movie, and it is exactly that. The film has a Robert Rodriguez/Quentin Tarantino feel to it, complete with the over-the-top antics of one of Tarintino’s spaghetti-style westerns, and its plot is pretty basic for a revenge/exploitation movie: A mentally abused nun is taken captive, made a prostitute, and then left for dead. Finding new life, our vigilante nun receives a call from God to create a Holy War to take out all the nasty drug dealers and sinners—and good for her, because when I say the bad guys in this film are literally the scum of the earth, I truly mean it. You’ll have no qualms about seeing these dirtbags get what’s coming to them. Asun Ortega as Sister Sarah (credit: IMDb) Nude Nuns with Big Guns is directed by Joseph Guzman ( Run! Bitch Run!, Back Alley Butcher ) and has quite an interesting cast of characters. First, there is our vigilante nun, Sister Sarah, played by Asun Ortega ( Diamond Dawgs ). Second, there's our sleazy, heartless antagonist, Chavo (David Castro, of The Lincoln Lawyer ); I also have to mention Father Carlito (Perry D’Marco, of Interceptor Force ), who is one of the numerous corrupt clergy in the film. And last but not least, we have everyone’s favorite henchman, Kick-Stand (Xango Henry, of How to Survive the Zombie Apocalypse ). Now, let’s talk about the film itself. I want to start off by saying, if you are offended by nudity then skip this film because there is a ton of it in there. Second, if you are triggered by rape, skip this film . And the henchman Kick-Stand? You know how some gangs have the dude who always roughs people up? That’s Kick-Stand. Except he doesn’t rough women up; he rapes them. And I’ll just let you put the pieces together as to why they call him Kick-Stand. Finally, if watching a movie that portrays clergy in a bad light gets to you, skip this movie . The priests and nuns in Nude Nuns with Big Guns are as corrupt as they come. In fact, the sex, nudity, and rape in Nude Nuns with Big Guns is so overdone, it gets old and boring fast. There was one point in the middle of the movie where I zoned out and started doing other things because every time I looked up, it was like, “Gee, nudity again. Gee, sex again. Oh look, another rape scene. What a shocker.” Worried I had missed something, I went back and rewatched the movie; lo and behold, guess what? Nope, I didn’t miss a damn thing important to the plotline. You might be sitting there thinking, “Well, Zeke, are there any good parts in Nude Nuns with Big Guns ”? And the answer is yes, there are: the first twenty minutes and the last twenty minutes—both of which I really enjoyed. There are a couple of good scenes scattered throughout the middle of the movie, but for the most part, the center portion of Nude Nuns with Big Guns drags along with way too much sex, nudity, and rape as tools to carry its story--it does not work. However, there are some truly hilarious interactions between characters, and we get some of those great, over-the-top scenes of violence we’ve all come to love thanks to grindhouse movies. Director Joseph Guzman does a solid job with accurately capturing the grindhouse feel, as some of the kills in the movie are top notch. credit: IMDb The actors also did a great job at portraying their characters, and, oddly enough for a low budget film, taking their roles super seriously. That being said, those pluses still weren’t enough to carry Nude Nuns with Big Guns into B-movie greatness. I had such high hopes for Nude Nuns with Big Guns --I mean, who wouldn’t with a title like that! But at the end of the day, with the overkill of sex, nudity, and rape, it comes off as lazy filmmaking . All in all, Zeke gives this post-grindhouse film 2.5 out of 5 naked nuns covered in cocaine . You can find Nude Nuns with Big Guns streaming on Tubi for free, and to rent on Prime Video, Vudu, YouTube, Apple TV, and Google Play. Ezekiel Kincaid lives for horror and loves to watch it, write about, and talk about it, whether that be in his own horror novels or in reviews. His experience as a pastor and paranormal investigator brings everything he writes to life. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Where Gods Fear to Speak’ delivers a powerful blend of melancholy and majesty. < Back Oceans of Slumber Unveils a Bold New Chapter in Progressive Metal Brent "Shaggy Chan" Taylor Jun 24, 2024 Share ‘Where Gods Fear to Speak’ delivers a powerful blend of melancholy and majesty. Houston, Texas' own Oceans of Slumber is a Five-Piece female-fronted metal act that will release its fifth studio album, " Where Gods Fear to Speak ," on September 13, 2024. Still, for now, they have delivered a powerful title track that hits like a lightning bolt straight to the eardrum and delivers a powerful blend of melancholy and majesty, redefining the progressive metal landscape. Click to pre-order the new album! “ Where Gods Fear to Speak " is a soulful blend of melodic vocals. As a diehard fan of modern metal, this song grabbed my attention as soon as I clicked the play button. The emotions felt through the music enhanced the song's impact and immediately launched me into a reflective and introspective state. The video reinforces the song's message of confronting fears and embracing vulnerability through visually striking imagery and symbolic representations. This was increasingly evident as frontwoman Cammie Gilbert-Beverly can be seen tied up and tangled in straps hanging from the ceiling, all while wearing an outfit that would make any individual feel vulnerable. The lyrics explore the internal battles faced throughout life, emphasizing the need to find strength within vulnerability. This theme resonates throughout the song, highlighting the complexity of human emotions and the journey towards self-acceptance. Buckle up because feelings of sadness, rage, and hope are all here, and you will undoubtedly feel it all like a punch in the gut! Get the latest news, releases, and more from Oceans of Slumber by checking out any of their social media pages listed below: Website : oceansofslumber.com Oceans of Slumber Home page of Oceans of Slumber, a metal group from Houston. Official website of Texas Progressive Metal band Oceans of Slumber. Facebook : https://www.facebook.com/oceansofslumber/ Instagram : https://www.instagram.com/oceansofslumber/?hl=en YouTube : https://www.youtube.com/user/oceansofslumber Spotify : https://open.spotify.com/artist/2JSza6IRxLr1Ez3wqKd0SY?si=aWrsTRHCSCemMNRQaSk5tw Do you have something you think Shaggy would like? Hit him up at shaggy.mixedaltmag@gmail.com . www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Grey Areas isn’t just a band; they are a movement. < Back Grey Areas: A Louisiana Metal Band Looking to Inspire Hope in a World Filled with Chaos Nicole Brice Feb 13, 2025 Share Grey Areas isn’t just a band; they are a movement. It's always a thrill to unearth a new band from Louisiana, each one a unique sonic journey. Recently, I stumbled upon the metal band Grey Areas from DeRidder, Louisiana. Their first single, ‘ Burial ,’ is a testament to their distinct sound that instantly captivated me. Released August 23, 2024 ‘ Burial ’ was released on August 23, 2024 . It is a healthy blend of metal and metalcore with progressive elements and a melody. With hard-hitting vocals and a strong opening – the song starts jamming early and is a solid tune sure to get your head nodding. The band is comprised of like-minded musicians with tenacity, personality, and ambition. Brad Nesbitt plays the drums, Cody Alexander plays the bass, Randy Taylor is the vocalist, and Xander Lee plays the guitar. With new music set to release in April, Grey Areas is steadily letting those creative juices flow to drive their vision forward. More than just a typical metal band, Grey Areas' music has an underlying message of unity and hope. They want to illuminate things that are not always black and white in a world filled with chaos and to do so, have created Hope Fest , which will take place on Saturday, April 12, 2025 , at the DeRidder Fairgrounds Pavillion – a local original music festival designed to give back to those in need, with proceeds being directly donated to Foundations Sober Living House in Lake Charles , LA. With the recent addition of Randy Taylor from Twisted eXistence on vocals, Grey Areas has solidified their line-up with a powerhouse frontman destined to light the stage on fire with his explosive vocals. What struck me immediately about Grey Areas was their unwavering professionalism and genuine kindness. They are a group of guys you'd love to hang out with, and Mixed Alt Mag had the privilege of a lengthy chat with them. Take a moment to get to know them better. Credit: Gary Governale MaM : What other musical projects have you been involved in? Cody : Brad and I were in the band Southern Death Toll . Brad : It was classic death metal – hard and fast … thrashy. We had a solid ten-year run with that. MaM : So, what led to the formation of Grey Areas? Xander : I was in some groups back in the day, too, so this was in 2010 when we realized we all had something musically in common, but in 2023, we decided to do something and jam. MaM : How did you decide on the genre of music to play? I listened to ‘Burials,’ and it has so many influences. You can’t categorize it. You’ve got some prog, death metal, regular metal, and thrash … but it’s truly unique. I actually saw a comment on your Facebook page recently, too, where someone mentioned you are one of the most creative bands out there. I can honestly agree with what I’ve heard so far. Who are some of your influences musically? Xander : Black Label Society , Pantera , Slipknot – pretty much anything metalcore. Randy : Killswitch Engage , Pantera … bands that incorporate some clean singing with some screaming. Cody : I agree with the metalcore bands, but I’ll branch out and listen to various genres and artists. A little rhythm and blues, a little rap … I like to funk it up a bit. Credit: Gary Governale MaM : Growing up, how did you know you would end up playing the instruments you currently play? For instance, Brad, how did you decide to become a drummer? Brad : I was a bass player first and didn’t realize I wanted to be a drummer until I suffered an injury. My arm became paralyzed, so playing drums was a type of physical therapy that stuck with me. It just became my thing, I guess. It was constant motion, and it still is therapy, honestly. I think I got good at it. Xander : My parents were always playing music growing up, and something about guitar – or just the sound – it stood out to me. I always just wanted to play and make noise. Randy : I started playing guitar at about ten and just stuck with it. I still play guitar for another band, Twisted eXistence , too. I’ve known Xander for a couple of years now, and when he told me about Grey Areas , I started coming to the shows. Once their last singer departed, things just came together. Vocals are a relatively new concept, but it’s fun so far, and I’m just winging it. Credit: Gary Governale MaM : It was just a natural fit. See how things work out. Cody : It came out of necessity. When I was about eight or ten, I started taking guitar lessons, and my dad was a drummer in a church band. I couldn’t touch drums but had always wanted to play guitar. The church band needed a bass player, so I swapped over to that when I was a teenager, and it naturally came together. I’ve played church music, country, and metal. MaM : What have you worked on since the single dropped in August? Any new music? Xander : Absolutely. Cody : We’re still pushing for the whole album. We’ve been practicing and have the structure of the new songs. We're also trying to get the old set fully recorded. Credit: Gary Governale MaM : When can we expect that? Xander : Maybe the end of 2025, but we’re not quite sure yet. Very soon, though. MaM : Are any shows coming up for 2025? Xander : So far, we’ve been invited to Eclipse Fest 2025. MaM : Hell yeah! It's a great festival that Nick Cline does. Xander : Yeah, we’re excited to play that. We’ve some other shows in March, and then we have a festival we’re putting on called Hope Fest in DeRidder in April. This will be our first big event. Randy : It’ll be big for rock and metal, especially for this town and this area because it’s a rural area—very country. The metalheads are out there, though. Xander : When we were younger, if you wanted to go to a concert, it was either Lafayette, Houston, or New Orleans, two to three hours away. This will bring it all closer to home. Credit: Gary Governale MaM : So, let’s talk about the new single. Your sound is so strong on this track, and now, with the addition of Randy on vocals, I can’t wait to see the band's progression and how your sound evolves. How do you keep yourselves in a creative mindset to write new music? Is there something you do to influence that creative vibe? Xander : Not really, to be honest. My writing methods are not traditional. I like to improvise when we jam. I’ll come up with a ton of stuff in a session, but sometimes it just doesn’t stick. When I find something that works, I’ll try to find something that fits with it, and then it all builds. It’s a long process sometimes. We don’t try to force anything. Brad : We just let it create itself. MaM : Yeah, that’s what you’ve indeed got to do. Don’t force creativity. Randy : Yeah, once Xander has his piece done, and we have the guitar riff, we can map out the drum patterns, etc. My notes on my cell phone are loaded with words and phrases. Catchy stuff. If it fits, it fits. Credit: Gary Governale MaM : What would you like listeners to know about your music if they discover it for the first time? Randy : It’s authentic. We’re not trying to copy anyone. We’re just trying to put our ideas out there. Xander : I want it to speak to people going through things in the grey. What society doesn’t deem typical — grey issues. MaM : If music doesn’t speak to or inspire me somehow, then I won’t be interested. I get that. Xander : We want to have fun and inspire people. It's as simple as that. As Grey Areas continues to carve their path through the underground Louisiana music scene, they stand poised to bring their heavy, brooding sound to the masses. They embody the modern metal landscape, blending complexity, emotion, and, most importantly, authenticity in a way that feels distinctly Southern while planted in the global metal scene. Grey Areas isn’t just a band; they are a movement. They represent the boldness of Louisiana’s musical spirit, reinterpreted through the lens of metal, and as their fanbase grows, it’s clear that this band will leave a lasting impact on the genre for years to come. For more information on Hope Fest coming up in April, visit: Hope Fest 2025 | Facebook For more info about Grey Areas: Grey Areas | Instagram, Facebook, TikTok | Linktree Press Kit for Grey Areas Upcoming shows: Click picture for more info. Click picture for more info. Click picture for more info. *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Want to be featured? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Subliminal Landmines are back with a new, harder-edged sound. < Back Subliminal Landmines: Detonating Their Return to Louisiana’s Punk Scene Nicole Brice Dec 3, 2025 Share Subliminal Landmines are back with a new, harder-edged sound. The Louisiana music scene is brimming with great bands, and one that is set to make a significant comeback in 2026 is the Lafayette-based punk band Subliminal Landmines . After a brief hiatus due to lineup changes, the band is back with a new, harder-edged sound and is ready to take the stage by storm. Credit: Gary Governale Since their inception in 2017 , Subliminal Landmines has continued to grow in scope, with numerous releases all showing a steady progression in sound. When asked about the origins of their band name, founder Grant Duhon explained, "Each of the songs we write has a deeper context, a subliminal aspect to each, and then once the listener connects the dots, and it clicks that you understand what the song is about, it's like a landmine that goes off triggered by realization." The name definitely reflects the essence of a band that never stops gaining momentum. Subliminal Landmines is more than just a punk band; it is a trio of creative individuals from diverse backgrounds who share a passion for making music and creating art. Initially, the band’s sound was more reminiscent of Green Day and a bit poppier, but over the years, their sound has evolved to embrace the skate-punk aesthetic, in the vein of Pennywise , and has now expanded into the hardcore punk genre. The new lineup features Scratch on vocals, Fry on bass, and Taz on drums. Credit: Gary Governale Recently, Scratch opened a multi-use chill space in downtown Lafayette called The Devil’s Den , which he hopes to house a barrage of shows in the future. As a hydro/hydra lounge and boutique , The Devil’s Den offers numerous beverages and oddities for purchase, including handmade corsets and jewelry , along with game rentals and more. With this new venue, Subliminal Landmines is poised to make a comeback that promises to be even more intense than before. The first show with the new lineup is scheduled for Friday, December 19, 2025, at The Devil’s Den . Mark your calendars and be there! Subliminal Landmines make their return on December 19th! The band recently stopped by the house to hang out and chat, so take a moment to learn more about what they have been up to as well as what’s in store for 2026 . MaM : So, tell us a little more about this new line-up and how things came to be. Scratch : We were looking for a bassist and a drummer, and some time had passed, and then my friend Steven ran into Fry one night, and they linked up, and he gave Fry my number. He then hit me up and tried out for bass and fit the spot perfectly. Then we had drum tryouts, and that’s where Taz came in. We then started practicing and writing, and we actually just recorded four new songs. Credit: Gary Governale MaM : Nice! Are you still going to promote Restless Thoughts from Different Cities that came out with the old line-up? I know once it came out, not much else was done in terms of promotion. Scratch : Well, I kind of plan to promote it, but for the most part, it’s just a release that is out there because we don’t have any physical copies. We had those songs in the vault for over two years, and we didn’t want to sit on them. MaM : It’s such a great EP. So, let’s talk to your new members, Fry and Taz. Guys, no last name? Just a first name? (nodding) MaM : (to Fry) How long have you been playing bass, and what got you into it initially? Fry : Well, I tried out guitar, and it was cool, but I like bass because I’ve always heard it prominently. I actually found Gorillaz, first off, and I started playing acoustic bass. Then I saw Red Hot Chili Peppers and Primus, and I always wanted to learn the hardest song to practice. That taught me you could do vocals while playing bass, so I’ve been trying to freestyle while playing bass. Credit: Gary Governale MaM : (to Taz) How long have you been playing drums? Taz : Three years. I had a drum set for a long time, and finally got to practicing on it. One day, I just looked at it and started. Played it, liked it, upgraded to the set I have now. Credit: Gary Governale Scratch : Fry has his own signature bass style. You can hear him slapping that bass. Fry : Double thumb is what we’re doing a lot of on this new stuff. Lowkey. I’ve been adding little strums and whatnot, too. I like to keep the action low so it’s a bit more rumbly. So, I’ll do some complex fingerstyle if I’m going to play fingerstyle, and it usually works out. You don’t hear enough slap in punk. It’s criminally underrated. Credit: Gary Governale MaM : (to Grant) So, you’re going by Scratch now? Why the persona change? Take us through that. Scratch : It’s a nickname I’ve always had, but when we brought Fry on, I was like, you know, it would be cool if we each had our own identities tied to the band, and I actually came up with a last name, too, as I was creating a character for The Devil’s Den . For the PS4 profile, I put Scratch as the first name, but then I needed a last name, so I picked Wilson because who can make it happen? Scratch WILL SON ! It just rolls off the tongue. (laughter) Credit: Gary Governale MaM : (looks to Fry and Taz) Are you guys going to add a last name to match Grant’s? Fry : I started with Fry Lock . So, like Fry’s locked in. MaM : That’s awesome! Fry : I have an adlib that I’ll do a lot, where I’ll spell out my name F-R-Y. MaM : Well, think about the whole gimmicky nature of previous bands choosing personas over their real names. Look at The Ramones, and The Donnas … I love when bands do that. It brings it full circle. Taz : I guess I need to find a last name now. Scratch : Mine naturally made itself. I didn’t actually think of it. The universe gave me a circumstance. It was like choose your last name, and Wilson was the first thing that came to mind. Credit: Gary Governale MaM : It’s almost as if you could change your whole persona within the band and make it to where people don’t know your real name. Scratch : So, with The Devil’s Den , I introduce myself as Scratch . That’s just my persona downtown [Lafayette]. I don’t really want people knowing my real name because I’m meeting a lot of people every day. Credit: Gary Governale MaM : So, let’s talk new venue. How did this all come about? Scratch : Well, so the name, obviously, has been floating around for a while in my head, but as a restaurant originally. A spicy food-based restaurant, actually, but it just didn’t work out that way. When The Grouse Room closed down, I was thinking about how Lafayette has lost another music venue, and what an opportune time to do what I do on a bigger scale or more consistently, not just once a year like Radfest . If I could house an event center where people can hang out, host events regularly, and host Radfest, then that would be it. But you can literally walk out of The Devil’s Den , and Parc International is right there. Right in our backyard. MaM : Tell us a little more about the venue. Scratch : I looked into The Grouse Room when it closed down, and I didn’t know whether they wanted a lease or if they were trying to sell it. They wanted to sell it, so then I saw a building two doors down, and when I tell you universal synchronicities with this building … things kept lining up and happening to make it happen. MaM : That’s usually how it works out. Scratch : The building was already red and black. The main wall inside, an original, beautiful brick wall, was basically sculpted by Fry, Taz, me , and a couple of other people. We got a crowbar and a hammer, chiseled off the rest of the wall to expose the brick, and then I basically revamped that whole building. It’s red-lit inside; it has this vibe. We’ve been getting some foot traffic. Basically, it’s just an awareness period right now, but a lot of peace and love went into those walls. Credit: Gary Governale MaM : So, what’s on the horizon for 2026? Tell us about the new music. Scratch : Yeah, the new stuff is a little more hardcore punk . It’s all recorded, four songs. My vocals are more aggressive, too. We recorded with Ben Finley at The Shed Sound Hole , and we hope to have it released by January or February 2026 . I hope to be booking regular shows at The Devil’s Den , not just for Subliminal Landmines , but also for other bands, and to do some fashion shows there, too. All kinds of things will happen in 2026 . Credit: Gary Governale As Subliminal Landmines continue to carve out their place in the Louisiana music landscape and beyond, make it a point to check out their first live show with the new line-up on December 19, 2025 , at The Devil's Den in Lafayette, LA. To learn more about Subliminal Landmines: Spotify: Subliminal Landmines | Spotify Apple Music: ‎Subliminal Landmines - Apple Music Facebook: Facebook Instagram: Subliminal Landmines (@subliminallandmines) • Instagram photos and videos YouTube: "Where's My Coke?" - OFFICIAL VIDEO *All photos by Gary Governale www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . 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Stirring to Wake is a seamless journey using frequency to open the mind. < Back Reviews on the Real: Everfelt’s Stirring to Wake Nicole Brice Dec 15, 2025 Share Stirring to Wake is a seamless journey using frequency to open the mind. The latest album from Illinois-based Everfelt is nothing short of extraordinary. Opening with a spoken-word segment, the 8-track Stirring to Wake blends hypnotic background tones with a powerful message from lead vocalist Adam Steglich . It’s a striking way to kick things off, and Adam’s words are worth hearing. Everfelt first caught my attention in 2022 , when Mixed Alt Mag launched, and their sound has always felt like a psychedelic twist on Bauhaus —harder-edged, with rich lyrical depth and complex guitar work. Corey Robinson’s guitar tones are downright otherworldly, delivering incendiary sounds that demand attention. An enigmatic, ever-flowing current of sound, Stirring to Wake plays as a seamless journey, using frequency to open the mind and expand awareness. Adam’s poetic lyrics conjure vivid imagery, making the music feel like more than just music—it’s a spiritual experience. After several releases and lineup changes since 2022, Everfelt seems firmly on track to fulfill their mission: to make you think by opening hearts and minds through sound and pure, inspiring poetry. Slip on some headphones, close your eyes, and let the journey begin. Let’s dive into these tracks, shall we? Credit: Everfelt Epic One This song begins with a slow tempo intro that fades into a fuzzy guitar that builds. A strong riff sets in, and the music keeps getting stronger. A steady groove abounds, and Adam’s vocals are full of depth and range. This song never lets up. Wow. Sludge This track starts with a nice head-nodding groove and crunching guitars, with Adam’s heavy vocals. This dude knows how to control his voice, and he does it well. The range and depth of what he accomplishes with his voice are incredible. Sludge is less psychedelic than other tracks and more rock. In fact, this song reminds me of Bauhaus a bunch. I love Bauhaus, though, so you know I love this song. At times, it reminds me of soldiers marching because of the guitar work. Awesome song. Silhouette Wow … The Doors vibes all over with this one. The rain sounds at the beginning, melting into the faint guitar parts. This song feels like one big epic dream. Medicate I love Adam’s strong vocals. Medicate is astounding. Wow. Such a fun track. This song is a little more upbeat than some of the others, but it’s got that signature Everfelt sound. So far, this is one of my favorite songs on this album. Tombstone If there were going to be a showdown at the O.K. Corall today, this would be the theme. With my eyes closed, I envision two cowboys standing across from each other, about to duel. What an exceptional song. Man, Corey’s guitar parts on this. Inside My Mind The tribal-sounding drumbeat at the beginning of this song is faint but steady. It’s got a great rhythm and pulse to it. Adam’s vocals are a little lower than his usual boisterous range with this one until they’re not. Metal growls meet howling guitars. This has faint hints of the psychedelia of The Doors mixed with some Sabbath sounding riffs and pounding drums. Solid. Stranger I saw someone recently compare Everfelt’s music to Type O Negative 's, and I didn’t think that was a spot-on comparison until I heard this track. This song is very reminiscent of a Type O Negative vibe. It’s doomy and sludgy with just the right amount of intricate guitar parts. Stirring to Wake is a strong album from beginning to end, and I genuinely enjoy every track, though ' Medicate ' and ' Tombstone ' are my top picks. This is an album worth experiencing with your full attention—it’s not something to have on in the background. It takes you on a thematic journey through sounds and textures that lift your spirit to a state of pure bliss and peace. Music is art, and Everfelt has truly created a masterpiece. For more information about Everfelt: www.everfelt.net EverFelt Home page of EverFelt, a rock group from West Frankfort, Illinois. EverFelt is an American rock band infused with psychedelic metal and a driving progressive blues foundation. Founded in the summer of 2022, our bands lineup includes vocalist/lyricist Adam www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. < Back Inner Anguish Brings Raw Power and Southern Grit to Louisiana’s Metal Scene Nicole Brice May 7, 2025 Share With heavy riffs and unfiltered emotion, Inner Anguish is carving out a distinct voice in the regional metal underground. Emerging from the heart of Louisiana’s underground metal scene, Inner Anguish is a band that channels raw emotion and relentless intensity into every note. By blending crushing riffs with visceral lyrics, the group serves as a powerful testament to the enduring spirit of Southern metal— dark, unfiltered, and unapologetically honest. Credit: Justin Hammer Photography Since its formation, the band has undergone several changes and now boasts a solid lineup of musicians who were brought together for a specific purpose. Each member contributes their unique flair, resulting in a well-rounded listening experience highlighted by their impressive stage presence and larger-than-life personalities. Inner Anguish consists of Taylor Redwing on vocals, Smitty Lange on bass, Keith Alleman on guitar, Ben Finley on guitar, and Taylor Guidry on drums. The poetic lyrics are crafted by lead singer Taylor Redwing , who writes from the heart. Every word reflects his genuine feelings and carries deep meaning. Inner Anguish draws from a diverse array of influences, creating a sound that is both distinctive and recognizable , appealing to metal enthusiasts. With the help of their secret weapon, Ben Finley of Shed Sound Hole , each release is polished to perfection. As an organic collaboration among friends and music lovers, Inner Anguish ’s sound and dynamic defy categorization. Their unique approach enables them to adapt to whatever comes their way, ensuring a refreshing and authentic musical experience. Inner Anguish is not just making noise; they are making a statement. Read on to learn more. Credit: Elise Hanks MaM : Give us a little background history about how you came together as a band. Keith : I had a lot of the songs written and recorded already at my home studio. ‘ Sin and Bleed ’ and ‘ This Guilt ’ were two of them. We started playing with Ben Finley , and then we were looking for a singer. We had worked with Taylor previously, so we decided to bring him in. Ben was originally on bass , but then we decided to become a 5-piece, so we brought in Smitty , and that’s how it all came together. Credit: Elise Hanks MaM : Where did the name for the band come from? Smitty : We had about 10-12 names to consider, so we voted on them. Inner Anguish received the most votes. MaM : I think it’s a great name because it just rolls off the tongue. Taylor : Yeah, we were careful when we picked it because a lot of the names we liked were already taken, so that we couldn’t use them. Smitty : What’s cool, too, is that with Inner Anguish , if you listen to all of Taylor’s lyrics, it matches very well. Credit: Justin Hammer Photography MaM : How did you all decide on the type of music to play, and who influenced you musically growing up? Smitty : Keith wanted more of that Southern sludge sound, and once Taylor got in the band, his vocals helped to pick up the pace of the songs. The songs were originally much slower. It’s remarkable how each of us brought our own unique contribution to it, and it all just works, becoming our distinct sound. Now, whatever that sound is, I don’t know. It crosses so many boundaries. Credit: Elise Hanks MaM : I was just about to say that – I can’t define your sound. Smitty : Yeah, it’s got a little of everything. People have said how they like the rapping portion of ‘ This Guilt ’, which just happened. Taylor’s big on Mudvayne , so that’s where that comes in. Growing up, I was big into Type O Negative . MaM : I saw Type O Negative at the House of Blues in NOLA back in the early 2000s. It was insane. I still have the ticket stub. Smitty : I saw them on their last tour, and I had the opportunity to meet Peter Steele in 2010 . I also love all the Southern stuff, too, like Acid Bath . You can’t be in a band down here and not say Acid Bath . MaM : Acid Bath was huge for me in high school. Keith : I’m a big Misfits fan. I enjoy a wide range of melodic black metal and death metal . I like stoner rock , too, but pretty much anything. I hate classic rock . MaM : What? You hate classic rock? (laughter) Keith : Well, I like Black Sabbath and Led Zeppelin , but that’s it. Credit: Elise Hanks MaM : Ok, we’ll let you slide with that. Taylor : My most significant influence on what I do with Inner Anguish is Chad Gray of Mudvayne . Garrett Russell of Silent Planet , too. I believe that anyone who appreciates the type of vocals I do also loves Lamb of God . MaM : What is it that drives you guys to make music? What is your primary motivation? Smitty : Fun – just having fun. It’s a release, and I understand why some of those bands go to cocaine. (laughter) MaM : I can agree. Keith : I can’t remember a time when I wasn’t playing music. My mother played guitar and piano and raised me to play. It’s just something I’ve always done. Taylor : Music has always been there for me. It’s my biggest love and growing up watching my favorite performers on stage live just really made me feel included. Metal has always been there for me and has always made me feel empowered. I want to do what I love, and I want to inspire others with my music. It’s a selfish thing for me, at the end of the day, because it’s a release. Keith : He’s thrown up after a performance before. MaM : Seriously? Keith : Oh yeah. Taylor : I feel like all the songs we play are emotional, and it’s therapeutic for me. MaM : Well, music is therapy because of frequency. Smitty : Yeah, I bring that brown note. (laughter) Credit: Elise Hanks MaM : I recently saw that you have your own beer, which will be available soon. Tell us a little more about that. Taylor : We’re playing May 17th in Gulfport, Mississippi, at the Metal and Beer Fest , and each band on the bill gets its own signature beer. Available May 17, 2025, at Metal and Beer Fest at Gulfport Dragway MaM : So, what is your signature beer? What is the taste? Taylor : It’s a honey brown ale, basically, and will only be available at the festival, I believe, so come out and try it! Click the picture for more information MaM : You guys are currently in the studio recording new material. How’s that going so far? Taylor : It’s going great. We’re about to wrap up the drum tracks, and then we'll lay down some vocals. However, we’re aiming for a late-September release. MaM : How do you guys approach writing new material? Is there a process? Keith : Whoever brings in a riff, we listen to it and then go from there. Smitty : It’s not like we go into the studio intending to do a stoner or black metal song. Whatever comes out works. We don’t just sit in one pocket. Credit: Elise Hanks MaM : What are you finding as a common theme with this new batch of songs? Do you have one? Taylor : A lot of this new album revolves around suicide , so I’m not sure how palatable that will be to some, but it seems to be a recurring theme throughout the record. It’s more around the ideation and the activist. MaM : Tell us a little bit more about the lyrics for ‘This Guilt’. How did those come about? Taylor : I was afraid this question would come. (laughter) Taylor : It’s a difficult question to answer. Usually, when I write lyrics, I’m not thinking about anything. I’ll listen to a track and then write out how it makes me feel. Sometimes it doesn’t make sense, but I’m just vibing with the music and letting it guide me. After a song is finished, I can sit there with the lyrics and read them, and then it all makes sense. To me, though, ‘ This Guilt ’ is about abuse - whether that be self-inflicted or from another. That’s what I get from that song and the lyrics I wrote. MaM : What would you guys like to accomplish this year? What would be the ultimate achievement to make this year perfect? Taylor : I would love to play a show with Eyehategod . I don’t even think we’d have trouble finding a third band because everybody wants to play a show with them. I hope we can make that happen in the future. As Inner Anguish continues to churn out new material and play shows, they stand poised to bring about a new era in metal – one that defies categorization. Be sure to check out their social media to catch them live soon. For more information about Inner Anguish: Facebook: Facebook Instagram: INNER ANGUISH (@inneranguish) • Instagram photos and videos Spotify: Inner Anguish | Spotify Apple Music: ‎Inner Anguish - Apple Music *Band photos by Justin Hammer Photography: www.justinhammerphotography.com Shop Art Art gallery is a collection of art that is currently available for purchase at Justin Hammer Photography. *Live Photos by Photography by Elise Marie Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Meet Mike Poole < Back Uno, Dos, Tres: The Man with the Plan in Three Bands Nicole Brice Oct 20, 2022 Share Meet Mike Poole Meet Mike Poole. Mike plays the drums, and he plays them loud! He is one busy man, and he not only holds down a normal 9-5 job, but he also finds time to play drums in not one, not two, but THREE bands that are heavily involved in the South Louisiana music scene. Seriously. How DOES he do it all? Recently, I reached out to Mike to speak with him about what drives him to perform and what interests him about being a musician. With a lengthy history in the Baton Rouge, Louisiana, music scene, Mike isn’t just another drummer. His current projects are DeadCentered , Vatic Decryption , and Glacial Coffin , and all three bands have original music available you should check out, with even more on the way. A percussionist is a more fitting term for Mike because of the technical aspects he incorporates into his playing. LIKE WHAT? His ferocity on the kit is what sets him apart from all the others twirling the sticks out there. This man can play! credit: Gary Governale MaM : Obviously, you have someone or something that inspired you to pick up the sticks when you were younger. Who would you cite as your ultimate inspiration if you could only pick one? MP : Honestly, Phil Collins was my earliest influence. I've been a huge fan of his since middle school. I remember watching a live video of him playing the drums fill on ‘In the Air Tonight’ (yes, THAT drum fill) and that was the moment I knew I wanted to play the drums. MaM : I think everyone loves Phil Collins and you can't help but turn the radio up when the epic part of that song starts to come in. I can relate. You are currently involved in many projects ranging from Punk Rock to straight up Death Metal, but I'm sure you have an eclectic mix of music you listen to daily, as do I. What type of music inspires you to create? MP : I guess anything metal would be a given and obvious but oddly enough, a lot of my creativity and inspiration for wanting to create comes from a good bit of the pop music I listen to. Lady Gaga, to me, is one of the greatest artists of this day and age. Brian Fallon and any project he is a part of, too. And the Killers are one of my all-time favorite bands, too, so you have that. Their drummer, Ronny, is one of the greatest drummers I've ever had the privilege of seeing play live. His playing inspires me so much. MaM : I, too, am a huge Killers fan, and I feel they do not get enough recognition. What age were you when you first realized you had a heavy interest in music and what truly made you want to become an actual musician? MP : Well, I'll circle back to Phil Collins because I was heavily into his music in middle school, but it was probably around 8th grade when I decided I wanted to get a kit and start playing drums. Discovering heavy metal music really lit a fire under me, too, and it was somewhere between hearing the band Tourniquet, which is THE band that got me into metal, and hearing Metallica's ‘And Justice For All’ that turned my want to play drums into a NEED to play drums. credit: Gary Governale NB : Lars Ulrich is truly one of the greats, but I'm pretty sure he knows that. ::laughs:: Now, at the moment you’re involved in three music projects, right? Tell us a little more about those. MP : Well, currently, I am in three different bands, and I've been in all of them since 2017. I joined them all within a few months of each other. DeadCentered is a hardcore punk/thrash band. Glacial Coffin plays what I would call melodic Scandinavian death/black metal, and Vatic Decryption is a death metal band rooted in the second wave of death metal (90's Florida/New York death metal scene). All of my bands are currently active, and we have music available via all streaming outlets. NB : If you had to pick a favorite time of the year for playing music, what time would you pick? MP : Fall, hands-down! There is just something about the beautiful mild weather and the smell of bonfires and burning leaves in the air. It automatically puts me in a great mood. Plus, it's nice to not be sweating so much. And for us big guys, that is a very big deal. ::laughs:: For more info about all of Mike's current projects and to hear him in action, check out: DeadCentered | Facebook Vatic Decryption | Facebook Glacial Coffin | Facebook DeadCentered Official (@deadcentered_official) • Instagram photos and videos Vatic Decryption (@vaticdecryption) • Instagram photos and videos Glacial Coffin (@glacialcoffin) • Instagram photos and videos DeadCentered - YouTube Vatic Decryption Official - YouTube Glacial Coffin - YouTube credit: Gary Governale *All photos by Gary Governale* www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or Comments? Reach out to the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The Music of Tyler Underwood < Back Authentic, Heartfelt, Soulful, and Deep Keeley Brooks & Nicole Brice Mar 17, 2023 Share The Music of Tyler Underwood Every once in a while, a new artist appears on scene with music so relatable, you can’t help but get lost in nostalgia when listening to his/her/their tunes. Tyler Underwood is one of those artists, and you’re gonna want to stay with us on this one, because this kid is the picture of resilience and perseverance. Underwood is a singer/songwriter, musician, and producer based out of Florence, Alabama. Born as the youngest of five children, he has lived a rough life, but that has never stopped him from being creative or longing to make music. In fact, his early experiences are what drove him to seek refuge in creating music. Soulful and melodic with heartfelt lyrics is the best way to describe Tyler’s sound. He has quite an incredible story to tell, and we are thankful he reached out to us so we could stumble upon his talents. His beats are catchy, relaxing, and smooth, and the song lyrics resonate deeply on every level. With thought-provoking imagery strewn throughout his tunes, Tyler’s exceptional use of words makes for a vivid listening experience. To be quite honest, his music reminds us of Jason Mraz but with an edge. It's that feel-good singer/songwriter material that one puts on in the car to sing to at the top of their lungs. To give you guys a better understanding of who Tyler Underwood is, we threw him some questions recently, so get ready, because he’s got one hell of a story. Photo provided by artist MaM : So, Tyler, thanks so much for chatting with us about your life and music. Why don’t you give us a little background on who you are. TU : I was born in Florence in 1993. I'm the youngest of five. My dad was in prison most of my life, so some of my earliest memories were staying in hotels just to go and visit him on occasion. My mom was a rockstar taking care of five kids on her own. We moved around the [Muscle Shoals area] for a while until I was 12. My mom and brother and I moved to Georgia because my brother had some run ins with the police, so we tried to escape. We rented a room out of someone's house and worked on a farm to pay for the stay and food. It was later found [out] that I wasn't going to school and there was a lot of drug activity going on in the house, so I was taken from my mom and placed in a group home. My brother ended up getting caught and sent back to Alabama. My mother didn't really have a place to stay in Georgia, [so] she moved back to Bama. After being in the group home for a couple of years, it was almost time for me to go home. My mom finished all paperwork and passed inspection for them to send me home. A couple months later, she passed away due to Emphysema. After her passing, I chose to stay in the group home. I felt like there wasn't nothing [sic] good for me back home. I probably would've dropped out of school or got into drugs. Luckily, I had a loving support group at the Open Door Children's Home, [and] that made me feel … safe enough to live there and see the other guys that lived there as family. It was around this time that I started writing songs and making music. I formed a rap duo with my best friend, and we began working on songs for mixtapes. MaM : Wow, that’s a lot to deal with at such a young age. We’re glad you found music both as an escape and as a way of connecting to who you are. TU : Yeah. I went on to graduate high school in 2012 while working at a radio station and a local restaurant, [then] I enrolled in the Atlanta Institute of Music to pursue an associate degree in audio recording and production. … During that time, I was freelancing as an audio engineer and producer, recording rappers and singers in my bedroom, and mixing and mastering their songs. After graduating in 2014, I started my own production company by the name of The Lokkz Music. I would have artists bring me basic structures or ideas of songs and I'd produce full-fleshed songs for them. After doing that for three years, I became frustrated, because most of the artists I was making songs for weren't pushing their music like they should. I just felt like we made beautiful music that just landed on deaf ears, so I began to focus back on making my own music. After going through a tough breakup, I had nowhere to go and was basically sleeping in my car trying to keep things going. After about a month, I finally bit the bullet and decided to move back to Florence and start over. I put a pause on most of my music work and got a job serving tables. After going from job to job, place to place, and going through another failed relationship, I finally set my studio back up and started working again. I started recording songs and … learning covers to start doing shows. For the second half of 2020 and all of 2021, I did shows all over the southeast. I went to Key West twice, traveled to Atlanta almost every weekend, and slept in my car just to play shows. At the beginning of 2022, I decided to take a break from shows so I could be home with my dogs and continue to craft songs for my first album. I'm currently working on finishing up that album and releasing content consistently to stay engaged with my fans. Photo provided by artist MaM : If you could describe who you are at your core, how would you do that? TU : At my core, I'm a lover and a curious child that oohs and aahs at all the wonderful things in life. For some, it takes a lot to be happy, but for me, just watching how beautiful a tree is when it sways or hearing how elegant a bird sings is enough for me. I have ambitions, and I'm passionate about my craft and about people leading lives they are truly satisfied with. I've studied a lot of Buddhism and eastern philosophy, and I've learned that life is made up of our perceptions and thoughts. No matter what you are going through, you can always find beauty and peace within. MaM : True dat! What a great outlook. So, you're both an artist and a producer. Tell us about that, and which came first. TU : I pretty much started doing both at the same time. When I was a kid, I would sing along to Elvis’s songs and 90’s / early 2000’s R&B. When I was 12, I started writing poetry and rap verses over Tupac’s songs. I soon fell in love with writing. I started learning guitar and piano at the age of 14 and by 15, I decided I wanted to be a rapper/producer and started learning as much as I [could] from books I found or that were given to me. The first song I ever made [was recorded] on an old Yamaha keyboard that allowed up to five tracks of recording. I would play the full length of each part of the song because it didn't have the capability to loop. I then played the beat and recorded it with the microphone on my MP3 player, [then] I connected my MP3 player to my computer and transferred the recording of the beat. I remember I had this crappy headset with a microphone on it. I used that to record the vocals and then went into Adobe Audition and lined the vocals up with the beat. And that was how I made my first song. As an artist, I see myself as someone that just likes to bring ideas to life. I've always had a creative mind. I've just always been on the search for tools that let me manifest that into reality. As a producer, it's pretty much the same. I'll take ideas that are merely skeletons and create a whole village out of it. MaM : Have you always had musical talent? TU : I haven't really always had musical talent. I learned [that] through passion and curiosity. But I've always loved music. It's always been at the forefront of everything for me. Even as a four- or five-year-old kid, I was drawn to music for some reason. I was always watching music videos or listening to what my siblings and parents were listening to. MaM : What made you slide into producing as well? TU : I've just always been a DIY type of person. So, naturally I just wanted to involve myself with every step of the process of making music. MaM : What instruments do you play? And tell us about your singing/rapping. From where does your sound originate? TU : I mostly play piano and guitar. I can also work my way around a sampler and drum machine. I'm pretty well versed in engineering, [and] I love working on analog consoles and getting my hands on actual gear, but most of the engineering work I do is in the box, meaning I mainly just use digital plug-ins that emulate real-life gear. Photo provided by artist MaM : Who would you cite as your influences? TU : Musically, my influences have always been Tupac, Bob Marley, Pink Floyd, Kanye West, Kendrick Lamar, J. Cole, John Mayer, Bon Iver, and just a bunch of random bands and artists that my family grew up listening to. MaM : Do you have any albums or singles currently out or coming out soon? TU : I am currently working on my first album, but instead of releasing it all at once, I'm releasing one song at a time like how TV shows release an episode at a time. I plan on having some type of visual representation for each song as well. MaM : Right on. Did you have any singles drop in 2022? TU : ‘Right Thing’ released last year. It’s about being in a place out of comfort but not happiness … realizing you’re not happy in that place, but it’s just easier to stay. So, it’s about that and making the decision to let it go and move on. Because that’s the right thing to do. MaM : Have you released anything this year? TU : [Earlier this year], I released ‘Pranayama.’ It’s about learning to breathe—truly breathe—and just accept events in your life. Whether they are positive or negative depends on your perception of them. You can find positive in negative and vice versa. Learning healthy ways to deal with hardships is very important. It’s so easy to fall into the deep end, but if you take some time to learn techniques, such as meditation and pranayama (Sanskrit for breathwork) , you end up growing into a strong and peaceful being that doesn’t easily get defeated by its demons. MaM : Are these songs on the same album? TU : At this moment, both songs are singles in their own space but will eventually be a part of an album. The details on that will be revealed later. MaM : Any live shows? TU : I don't currently have any live shows booked, but I am working on getting a band together to tour for the album. MaM : What's the overall message in your music for people? TU : To me, music has always been therapy. When I go through things, I always turn to music to [guide] me. It started as just listening but then grew into writing music as therapy. So, I aim for my music to be a voice for those that feel like they don't have one, a shoulder to lean on, and a message to inspire. My music is relatable and very personal. I try to be very transparent in my lyrics. I also talk about things that could possibly help others lead better lives, mindsets to use as tools to make it through this rough experience of life. And there you have it, people. This kid is a fighter who has some talent and a clear vision of what he wants and where he’s headed with his music. We highly recommend checking out his carefully constructed beats full of premium quality instrumentals and heartfelt song lyrics. Before you know it, they’ll snag hold of you and have you listening on repeat while you do whatever it is you do with your time. Visit Tyler’s Linktr.ee for more music, videos, and links to his social media. *photos and video provided by the artist www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Kevin’s music is a hybrid of blues, rock, and pure Americana < Back Kevin Dorin: A Soulful Traveling Renaissance Man Nicole Brice & Chris Pryor Jun 2, 2023 Share Kevin’s music is a hybrid of blues, rock, and pure Americana Who is Kevin Dorin? That was the question that popped into our brains when he first came onto our radar. Although not well known here in the United States, Kevin has been making music for almost his entire life starting out in his home country of Canada as part of the rock band Bigger Fish Than Guns. Bigger Fish Than Guns was a band out of Calgary in the Canadian province of Alberta who saw great success in the late 2000s to early 2010s until they broke up in 2012. “We had a meteoric rise after recording our first EP, and our single “Texas T” won us $25,000 in a radio station contest in Calgary. The song was added to stations across Canada and the NE U.S. and charted the Top 30 alt rock up in the great white north. Sound-wise, we rode the coattails of bands like The Black Keys and regularly beat out Young the Giant for radio placements”, says Dorin. “We even got an awesome opening gig for AWOLNATION, and just as we were offered an opportunity to audition for a Live Nation booking agent, the band dissolved.” After the dissolution of Bigger Fish Than Guns, Dorin continued making music and working in the industry that shaped him. With a history rooted in Entertainment Business Management, thanks to his certification from The Metalworks Institute in Mississauga in Ontario, Canada, Kevin managed to make his way to the U.S. He currently lives in Idaho and consults for a venue in Sandpoint called The Hive. Being no stranger to the background workings of the biz, in the past Kevin managed the band Frankie McQueen and has had the opportunity to tour as a musician and as technical support for the indie band Sidney York. Photo provided by artist In addition to touring, making music, running things on the business side, and helping young artists with his songwriting competition, the Sandpoint Songwriting Competition , Dorin made a documentary in 2013 called What is Canadian Music? A true Renaissance man, Kevin Dorin is multi-talented and multi-faceted, and on April 7, 2023, he released a new single called “I Am Not Afraid” via all streaming platforms. The song is funky, soulful, and sounds like good, classic southern rock. The song fits our political landscape of today and we love the tones used with the music. The flow of the vocals is bluesy and merges well with the overall tone, which presents a powerful and evocative message about struggle, suffering, and resilience. The repetition of the phrase “I am not afraid” reinforces a sense of determination and courage in the face of adversity. The use of imagery like “body rotten bloody scene” and “sowing reaping feeding me” creates a dark and intense atmosphere that emphasizes the challenges faced today. The use of repetition and rhyming in the pre-chorus and chorus creates a strong sense of rhythm and adds emphasis to the message of the lyrics. Additionally, the use of metaphor like “the devil is the distance between our choices” adds depth and complexity to the song. Overall, the lyrics present a complex and nuanced exploration of the themes of struggle, love, and resilience, and according to Kevin, “It's a song, it's a mantra, it's the Zeitgeist written to be a tool to give people HOPE in the ongoing chaos that is our world. Risk four minutes and it may just make you feel better.” “I Am Not Afraid” is a song to take note of and we were so intrigued by Kevin’s history and backstory that we reached out to him to ask a few questions. Kevin Dorin’s talent is one to be heard and seen, so after you read this interview, we encourage you to go check out his entire back catalog. He is sure to impress you with his talent, energy, and passion, which comes through in his music. MaM : Kevin, thanks so much for taking the time to chat with us. We love your song "I Am Not Afraid.” It's soulful, it's funky, and it's pure southern soulful rock. What was the inspiration behind the subject matter and lyrical content? KD : The song was inspired seven years ago by immigrating to the U.S. from Canada. I couldn’t work until my green card was approved and so I found myself watching more American news than ever before. At that time, Canadian news had much more integrity—not so much so nowadays, though. [At the time], I wasn’t used to the sensationalism and fear mongering. I took the feeling of how the American media made me feel and turned it into the lyrics for this song. I’ve been performing it ever since in the U.S. whenever things get especially weird and scary here. My fans tell me that they use the ‘I Am Not Afraid’ mantra in their own lives, and first-time listeners as well as fans sing it with me when I play the song live. MaM : Did you record and produce the song yourself? The production sounds great. KD : The song was recorded over a period of years, and I never felt like it was quite right, so I sent it out to a friend and mentor I'd worked for, Producer Trey Mills. He put the finishing touches on it. I sat on that recording for another 18 months and finally the chaos of the world got so insane, I figured the world could use the song. Photo provided by artist MaM : When did you start playing music and what inspires you to create? KD : I'm 36 and I've been in the music business my whole adult life. I was in a successful Canadian Alt Rock band called Bigger Fish Than Guns in my early 20s, but just as that band was peaking, we broke up and I moved to Idaho to get married. Since moving to the U.S., I've been getting deep into Americana styles of music and playing hundreds of shows a year so I can develop my skills to entertain at the highest level. As far as inspiration is concerned, if I live a strong life and maximize the potential of every day, I am always inspired to create. The adventure of life and the dynamic of pushing through the highs and lows provides me with endless emotion and stories to draw from. MaM : Are you currently playing shows? If so, where do you showcase your talents? KD : I consult for a gorgeous world-class venue in Sandpoint, Idaho called The Hive and I'll be recording my next show June 3rd on video and high-quality audio. We will be releasing a live video recording from that set of ‘I Am Not Afraid’ in mid-June, so follow my YouTube channel! Then I plan to get back on the road and play as many dates in 2023 and 2024 as possible to share the positive messages in my new music with the world. Photo provided by artist MaM : I see you put out an album in 2010 and then another in 2018. Tell us a little more about your past endeavors. Why was there a gap in releases? KD : My last album ‘Invisible Lines’ is one of my proudest achievements. It was recorded as a one-take, one-two microphone-style project through a mostly vintage analog recording process. It was a bit of a departure from my alt rock roots after living in the U.S. for a while and absorbing Americana. The goal was to be able to capture moments in the recordings like the quality of the heroes of old. I've studied the recording processes of music quite deeply and the records that make the most impact in my life are always recorded by musicians who have worked hard to be able to track a record live off the floor. As far as why I leave so much time between releases, all my favorite artists usually only release major projects every four to six years. This seems to be a time-tested recipe to achieving quality control and amassing songs that are worthy of something notable that can really make an impression on people’s lives. Most great songs are timeless, so you should be able to sit on them for years until the time is right to respect the art and release it in a way that achieves the full potential of the songs. ‘I Am Not Afraid’ is a return to more of my alt rock sound developed in my band Bigger Fish Than Guns, and I have many more songs I'll be releasing as singles over the next 12 months that are a similar vibe. We just re-released our Bigger Fish Than Guns album ‘Through the Green Door’ after taking it off streaming services for about eight years. It's an awesome album. I’m excited for new people to discover it. MaM : Where do you see yourself headed in the future musically? KD : I've been storing a stack of songs over the last five years and working to become the best performer possible, so you'll be seeing a steady stream of music released from me and I'll be playing it all over North America. - To experience the music of Kevin Dorin, head on over to all of his social media pages and his YouTube. His music and talent are unmatched. Kevin Dorin | Facebook Kevin Dorin (@kevindorin) • Instagram photos and videos Kevin Dorin - YouTube Kevin Dorin | Spotify ‎Kevin Dorin on Apple Music www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

‘Despair’ is a song full of truth. < Back Reviews on the Real: ‘Despair’ by Hawthorne Oachs Nicole Brice Mar 20, 2025 Share ‘Despair’ is a song full of truth. Hawthorne Oachs released her latest musical offering, ‘ Despair ,’ on February 22, 2025, and this track stands out from her usual style. Featuring her soothing, angelic voice, ‘ Despair ’ begins with haunting synths and progresses to a more upbeat tempo than her previous songs. Beautiful guitar parts weave throughout the track, filled with dark imagery that conveys deep meaning. Oachs' lyrics resonate with my soul , making it feel like she is in my mind with this song. Not only is Hawthorne a talented lyricist, but her wisdom shines through in everything she writes. I often find myself lost in an imaginary world while immersing in her music. Released February 22, 2025 - click to listen Lyrically, ‘ Despair ’ addresses the current state of our world and conveys the message that we are doomed to fail unless we unite . In one part, the artist expresses, "We're all in this together, yet we find ways to hate one another. Division will be our downfall." These words could not be more valid. Hawthorne's vocals always make me feel like I’m floating on a cloud, and in ‘ Despair ,’ this feeling continues. With a catchy chorus of "We're trapped, trapped, trapped, and we can't get out," I became wholly consumed by the song due to its powerful lyrics . Hawthorne has a way with words, and she speaks the truth , so do yourself a favor and get lost in ‘ Despair .’ It’s out now on all streaming platforms. To learn more about Hawthorne Oachs: Musical Artist | Hawthorne Oachs www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Empowered < Back Rockin 4 Jesus: The Next Great Band You Haven't Heard Yet Nicole Brice Oct 22, 2022 Share Empowered Many bands label themselves and label themselves wrong. Case in point, Baton Rouge 's own, Empowered . A Christian Rock band fronted by Benny DiChiara with Shane Madere Jr. (lead guitarist, backing vocalist), Jeff Maddox (bass and background vocals), Mic Capdeville (percussion and background vocals), and Justin Burdette (guitarist and background vocals), this band has a serious unique sound that needs to be heard and is much more than just Christian Rock. With lyrical content that pulls at your heart strings, Empowered proves they are a band you should take notice of and listen to. credit: Gary Governale Empowered got its start in 1998 and was the brainchild of DiChiara who had previous success on the local music circuit singing with various secular bands. In 2011, they released the album Soulcry to modest success, but it wasn't until 2019's Three Days that the band really began to pick up steam. Three Days was produced by Mikey Howard of 7eventh Time Down / Love Journey Music and showcases the Empowered sound in all its glory. To follow up the success of Three Days , Empowered have recently released their third EP, Yahweh-Nissi via Slingshot Records , an Indie label based in Baton Rouge , LA. The title track is straight up in your face rock-‘n’-roll with a hardcore message and the rest of the EP is a finely produced melodic journey of love and Jesus that will leave you singing at the top of your lungs. Empowered performing at Yes Fest in Baton Rouge, LA on October 15, 2022 credit: Gary Governale Shane Madere Jr. , lead guitarist for Empowered , said of the sound he achieved for recording the title track, "I used a combination of my Ugly Amps Big Ugly 100 on the Ugly Channel plus an emulation of an Xotic BB Preamp from my Fractual Audio AX8 unit to get the sound I was looking for." Shane definitely got it right and the guitar has a nice crunch with the sound emulating the stomps of an army on the march. When I asked Shane of his guitar influences, he cites Eric Johnson . “My solo sound and even the notes I used on the studio recording of Yahweh-Nissi was very much influenced by him. He writes very melodic solos that fit the song." Shane Madere Jr. (guitar) credit: Gary Governale Recently, Empowered took the stage at Yes Fest 2022 to play their new EP in its entirety at the state fairgrounds in Baton Rouge sharing the bill with 7eventh Time Down and Kari Jobe amongst others. Their set was a powerhouse performance of finely tuned music that left you wanting more. Justin Burdette (guitar) credit: Gary Governale Of the experience playing Yes Fest , DiChiara has said, “Playing Yes Fest in Baton Rouge was such an exhilarating experience, not only being on that stage, but the ministry aspect of it as well. It’s an amazing and humbling thing to see God work things out for our good – but only if we are looking to see it." Mikey Howard of 7eventh Time Down with Benny DiChiara credit: Gary Governale He went on to say, "A special thanks to all of the artists who we got to share the stage with. It wasn't just about meeting other artists and hearing about their ministries, but we also got to share the stage with our mentor/producer/friend/brother in Christ, Mikey Howard . We sang our new radio single ' Jesus Can Heal The World ' and it was an incredible moment." Mikey Howard took the stage to perform "Jesus Can Heal the World" with Empowered credit: Gary Governale Empowered 's sound is definitely unique and DiChiara has said of their sound, "Well, it’s not necessarily that we're trying to write to a sound. Over the past two records, we do seem to have come into our own. Someone said if U2 married Daughtry , we’d be their band baby." Jeffrey Maddox (bass) credit: Gary Governale When asked what inspires the band, he went on to say, "The inspiration simply comes from God . Yahweh-Nissi was a direct discussion between He and I, and I was told of the direction for the title track. It’s simply a war cry for believers to rally with Jesus and take it to the evil that seems to be everywhere in the world right now. I think that the rest of the record points everyone in that direction as well. Who’s gonna rise tonight?". These guys in Empowered are definitely on the rise and people should take notice. Mic Capdeville (drums) credit: Gary Governale Empowered 's new EP, Yahweh-Nissi , is available NOW on all streaming platforms and you can learn more about the band via their social media and YouTube . Empowered | Facebook EmpoweredOfficial (@empowered_rockin4jesus) • Instagram photos and videos EMPOWERED - YouTube ‎Empowered on Apple Music Empowered | Spotify *All photos by Gary Governale * www.governalephotovideo.com Zenfolio | Home I have been working as a video professional since 1993, with a wide range of experience writing, producing, directing, shooting and editing. A strong interest in videography, specifically lighting and composition, led me to photography in 1998. Rapidly changing technology has blurred the line between video and photography, allowing me to work in both mediums.. Baton Rouge, LA, United States www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Questions or comments? Reach out to us at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Reviving Britpop < Back A Wave of Nostalgia: The Clifftones Nicole Brice Feb 22, 2023 Share Reviving Britpop Ever so often, I will stumble upon a musician whose sound truly resonates with me all the way to my soul. This holds true with Boston singer/songwriter, Scott Clifford. Scott goes by the handle “The Clifftones” on Instagram, but he is a one-man show. He sings, he plays guitar, he makes his own promos, he produces and records his own music, AND he is one awesome guy. A fellow Veteran of the armed forces, such as myself, when Scott and I first connected, we were able to talk military, and that was initially how the conversation started. Scott served in the 82nd Airborne Division overseas in Iraq but has since ended his enlistment. His smooth, soulful voice is truly beautiful, though, and it puts me in such a calm space. I am certain it will do the same for you. Over the past few years, Clifford has released several original singles, but with his latest release, he has decided to pay homage to those who have inspired and influenced him since adolescence. “The Exchange St. Sessions” EP is available March 1st via all streaming platforms, and I was lucky enough to receive an advance copy. It has been on repeat for the past two weeks. This EP of cover songs is hauntingly beautiful and gives me the chills … the good kind you get when the music is truly special. With Scott’s renditions of such classics as “Fade into You” by Mazzy Star and “The Drugs Don’t Work” by The Verve, it’s as if I’m hearing this music for the first time. With a voice that is a cross between Ryan Adams and Tom Waits, I insist that everyone give a listen to his newest release launching soon. You will thank me; I’m sure of it. Scott and I sat down to have a lengthy discussion recently about his music, his career in the Army, and just everything in general. Take the time to read about this incredibly talented man, and then go check out his Instagram for everything Clifftones related. MaM : Good Morning! So, how’s it going? SC : It’s going alright. I was actually going to crack a joke with your text that said, “Alright, I’ll call you at 11:15.” I was going to say, “I don’t know what unit you were in, but it’s 11:18 here already … and then I realized you are an hour behind me.” (laughs) MaM : I forget that I’m in a different time zone from others sometimes, being in no-man’s-land Louisiana. (laughs) SC : At least people are polite there. MaM : Well, kinda sorta. My family isn’t from here. Dad is from San Diego and mom is from Ashtabula, Ohio, so I’ve always been the odd ball, but let’s get this started. First, I love your accent. I know I probably have a southern accent from being down here. (laughs) SC : Well, I wouldn’t say I have a thick one, but I wouldn’t say you have a thick one either, but now, if I have a drink, it really comes out. (laughs) MaM : So, I know you had mentioned prior to this that you were in the military. 82nd Airborne? SC : Yep, so I was stationed at Ft. Bragg and did basic at Ft. Benning and then did AIT at Ft. Gordon. MaM : I did both my basic and AIT at Ft. Jackson. SC : What was your MOS? MaM : It started out as 71 L, but when they did some restructuring, the nomenclature changed to 42 L, but no matter what the number was, was always a clerk. I think I processed more Article 15's than anything. It was as if someone was always in trouble. (laughs) SC: I was a Commo guy. I laughed when you had mentioned the “E-4 Mafia” when we spoke another time. MaM : It wasn’t like the opportunities weren’t there to advance past E-4, but I was happy with my MOS, so I figured, why change it just to gain rank. So, I was E-4 my entire military career and I like to say we knew stuff, but we didn’t want the responsibility. (laughs) SC : Oh, I’m one of ya. (laughs) Yeah, after my 15-month deployment to Iraq for the surge, I just didn’t really care about advancing. I got home from my deployment and just wanted out. That was in 2010, though. It’s been a while. MaM : Same. Ok, so let’s talk music. I could talk military forever. Give our readers a little more background info on you. SC : I am Scott Clifford, and I’m 38 years old. I live in Boston, Mass., and I’m inspired by Rock music, and from an early age always wanted to emulate my favorite artists. I like being able to convey feelings, thoughts, and experiences through music. It’s an outlet for me. While I’m from Massachusetts, I’ve lived and travelled all over the world. I am an 82nd airborne combat veteran, as we already spoke about, and while I’m glad I’m out, I am glad I served. Fun fact: While in Iraq, I managed to get ahold of a guitar and laptop, and in the rare event we had free time, I would make spoof songs with my friends and fellow soldiers. I made a song called “365 in the 325” (325th Infantry Regiment) where me and some of the other guys would sing about the monotony while serving and various broken promises our unit/leadership made. After my time in the military, I studied towards a bachelor’s degree and later a master’s degree in the United Kingdom. I loved living in the UK, and the music scene there was incredible. MaM : When did you first get the itch to make music? SC : The first time I recall music registering in my brain as something fun to do was when I was around four or five years old. I remember my grandparents having an old electric keyboard. I can recall slowly playing the piano from the highest note to the lowest, all the while daydreaming about a little red riding hood storyline in my mind. I really believe this is where I sort of picked up or wired my brain for melody. With every note, I associated a feeling and a picture in my mind. I still do! MaM : Name one influential person in your life who you can credit with putting you on your path to making music. SC : I was lucky as a kid. I remember my dad realizing that I was starting to care less about sports and more about music. He bought me my first guitar. That’s when I realized I didn’t just want to be a fan of music but also someone who creates music as well. Because of my age, I had just missed the Grunge movement, and then here comes this Brit-Pop stuff, which you know I love. In fact, I ended up talking to one of the Gallagher brothers. There is a third one, who is not famous, and he found me on Instagram a while back, and he said to me, ‘You know what your problem is?’ And I’m thinking, ‘Oh, here we go …’ (laughs) He says to me, though, ‘You’re not doing anything new.’ I’ve had so many people say that I’m stuck in the past with my music, but if I sound 80’s, 90’s, or even 60’s, I take that as a compliment. MaM : Well, you know what they say: What was once old will become new again. That’s just the nature of the game. What is your favorite type of music, and who is your favorite artist or musician? SC : My favorite type or genre of music? I’d have to say it is Alternative Rock with a solid Pop leaning. By that I mean everything I’m writing now is heavily based around hooks and a verse/bridge/chorus-sort of structure. Not only do I want the songs to be catchy but also meaningful with the lyrics (the hard part). One of my favorite musicians would have to be Noel Gallagher of Oasis, obviously. The way he crafts a song is often simple but so melodic and anthemic. MaM : What is one of your most memorable live shows you have played? SC: Live music … my experience playing live consists mainly of small pubs and open-mic nights. One of my favorite times playing was while I lived in England. A few of my friends knew I played the guitar and volunteered me to play. Learning all those Oasis songs as a kid paid off that night! MaM : Where do you see yourself headed in the future as far as your music career? SC : Well, so far, it’s looking like an eventful 2023. I’m releasing the acoustic five-track covers EP followed by an Originals EP. I’m also in talks to collaborate with an electronic artist from Europe (trying to push myself out of my comfort zone a bit) and possibly creating the soundtrack for an indie film set in NYC, not to mention planning some live dates and limited run merch for the upcoming EP. Exciting times! I’m still navigating the world of Indie music, but I’ve been fortunate to have had some talented musicians and artists reach out to talk about my work. It’s beyond flattering and tells me I’m on to something. To check out Scott’s music, be sure to follow him on Instagram and then download “The Exchange St. Sessions” EP out March 1, 2023! The Clifftones (@clifftonesmusic) • Instagram photos and videos The Exchange St Sessions (2021-2022) by The Clifftones - DistroKid Music | The Clifftones - Scott Clifford | BostonMA Spotify – The Clifftones TheClifftones (@clifftones) / Twitter *All photos provided by the artist* www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Change operates as a cyclical force of nature, and it’s time for another cycle. < Back Finding the Middle Ground: Striking Balance in Louisiana’s Evolving Music Scene Nick Cline Jun 14, 2025 Share Change operates as a cyclical force of nature, and it’s time for another cycle. Change—what is it, really ? Change embodies a balance between beauty and disaster; it's an essential part of every journey in life. Music, along with the passion that fuels it, has been a cornerstone of the human experience since time immemorial. It's an incredibly intricate concept that we have barely begun to explore. Lafayette's music scene, and perhaps even the entire state, represents a piece of a puzzle that is rapidly shifting in search of its perfect fit. The irony is that it may never fit perfectly. Nothing is meant to fit 100%. This imperfection is part of the beautiful dynamic that drives passion, art, and the courage to find one's place in life, society, and the universe. Change operates as a cyclical force of nature , and it’s time for another cycle to traverse through the walls and concert halls of our community. Lafayette is the epicenter of Louisiana music. Regardless of the state's history, Lafayette has conspired to create a landscape rich with honed talent, new passions, and everything in between. The local scene is becoming a catalyst for change, as alternative mindsets and sounds are asserting their place. I should note that I'm relatively new to this scene—I've only been involved for about two years. I'm not originally from Louisiana, so my perspective is, at worst, a leap of faith. Ultimately, I am just an artist trying to carve out my niche in a world that has presented me with numerous challenges since childhood. From my observations, balance is critical for the survival of this scene. A balance of ego, work ethic, passion, and various other factors will be essential for its future. It can begin to thrive, but it should aim for more than mere survival. With proper care and the right mindset, this scene can become a powerful force of personality and passion. Currently, there is a power struggle among bands, venues, promoters, and us. People are forgetting that music is a collaborative effort. Music cannot exist without a solid foundation of support to fill in the gaps of the scene. The alternative scene is a collective of individuals who are contributing new pieces to the legacy of Louisiana music. This community is growing every day, driven by a mission of goodwill, inclusion, and the cultivation of music, along with many other positive ideals. What’s remarkable about this collective is that it is not genre exclusive. It serves as a meeting ground for the unconventional and the overlooked. It’s a space where one can discover oneself both musically and personally—a rare moment that continues to evolve. This community fosters ongoing support for one another, built on passion and inclusivity, regardless of genre or background. Most importantly, it stands on the belief that art is a powerful concept that will endure even in troubled times. Art is one of the many building blocks of change in societal understanding. Only time will tell what lies ahead for Louisiana and its music scene. For now, it is in its infancy, a growing force poised to unleash a cyclone of creativity. Its spark has recently ignited, and it’s just a matter of time before it fully manifests. That said, the community must strive for hard work, genuine artistry, and the willingness to explore new sonic landscapes without clinging to an image or preconceived notions. An image means nothing without the quality to back it up. Having a platform is irrelevant if there is nothing truly unique and powerful to express. Many can speak, but very few can truly inspire. The scene is navigating a direction that we all need to embrace, or risk being left behind. A powerful new era is upon us, and the music scene will enter this age armed with passion, creativity, influence, inclusivity, cultivation, job opportunities, and so much more. The burgeoning job market will align with the community's strength, allowing artists to become multifaceted creators. Photographers and commission artists will stand at the forefront of this economic shift, progressing in tandem with the music industry. These various artistic pursuits need to work in tandem to survive and transform into a storm of possibility. In conclusion, let me emphasize my final thoughts. Hope, creativity, inclusion, and cultivation represent the new wave of Louisiana music. We are mere specks in the vast landscape of possibilities within the universe. We must make the most of our time, for no one else will live our lives for us. It is our duty to ensure that we live meaningfully, serving both ourselves and the cultivation of a brighter future for the arts, culture, and society as a whole. We are the change we’ve always wanted to see. It’s time to prove it, to show it, and to live it. We are the change that the community has been waiting for. Thank you for reading. www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Reach out to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

The music of Baquenne is diverse and intricately constructed < Back Baquenne: Soothing, Ethereal Music Nicole Brice Jul 31, 2023 Share The music of Baquenne is diverse and intricately constructed Soothing, laid-back, feel-good music with upbeat vocals, catchy hooks, and ethereal guitar sounds: That’s the music of Baquenne . A band from Asbury Park, New Jersey , drawing inspiration from classic rock to 90's alt rock, the band is comprised of Liam Moroney on lead vocals, Eric Rudic on guitar, Chad Sabo on bass, and Santo Rizzolo on drums. Baquenne’s music reminds me of the tunes you would hear as a backdrop to a film about being at the fair on the boardwalk while enjoying ice cream on a beautiful, bright sunny day. From the howling guitars on ' Mountain #1 ,' which are soothing and evoke memories of playing outside as a child, to the stomping intro on ' Baby You’re Mine ,' which features a rhythmic opening building to a strong chorus of loud guitars and danceable beats, this band has something for everyone in terms of musical diversity: They’re poppy, they’re fun, and their music is just plain good. credit: Jeff Crespi Another track of theirs, ' Dead ,' is a guitar-infused slow jam with introspective lyrics that calm you and sounds like the perfect soundtrack to taking a drive down country roads with the windows down and your hand waving in and out of the breeze as you cruise along. And, Liam ’s vocals are soft and mellow and have just the right amount of intensity for songs intricately constructed about life and loss. Hauntingly reminiscent of Brendan B. Brown of Wheatus , Liam Moroney has the perfect voice to sing alt-rock, and I truly enjoy listening to him. The band began during the pandemic and has just begun with the guys continually writing and recording material as well as playing shows. Currently, their catalog consists of five singles available via Apple Music and Spotify with clever album art for each single released. The cover is nothing more than a simple band logo against a backdrop of a solid color that varies with each release ala the style of Weezer . If you remember, Weezer has done the same album art for several releases but with each one showing a different color with the guys wearing different outfits and looking just slightly different. It is pure brilliance in its simplicity and it’s clever branding, too. credit: Jeff Crespi A quick search on YouTube pulls up Baquenne ’s video for “ This is Life ”, a song that begins with a mellow opening only to build to grungy guitar fuzz and visuals of Liam driving in the car, playing guitar on a bench in the snow, with Eric lingering nearby in a covered bus stop. The guys look like they’re freezing, but with all the winter gear they’re sporting, I’m sure they did just fine. To see more of the band, check out, “ Mountain #1 ”, which is a performance vid showing the band in action. I really dug this song, and I think you will, too. A friend turned me on to Baquenne ’s music and I’ve been a fan ever since, so I wanted to share them with you, the readers of Mixed Alt Mag , so you could add another band to your rotation of tunage. I recently had the opportunity to chat with Liam and Eric at length and these guys are humble, fun, and down to earth. I’ve included the answers to a couple of questions that were thrown their way so check it out. Baquenne is creating music that is different, quirky, and just plain enjoyable. I have a feeling we’ll be listening to their music for many more years to come. MaM : Where did the band name come from? It’s so unique! Liam : So, the short answer is we just like the way the name looks. It’s not a real word as you know. And it came about during the mixing of one of our songs. credit: Jeff Crespi MaM : When is the new single coming out or when can we expect new music? Liam : We are working really hard to have a single out by mid-September with an EP to follow shortly after. We’re putting the finishing touches on those tracks now. MaM : If you could share the stage with any current band, who would it be? Liam : As far as sharing the stage, quite frankly the list is endless. There are many bands that are putting on great shows and we’re always trying to create a fun atmosphere during our live set. We would love the play with bands like the Pixies and Weezer , who both are coming to our area in the near future. credit: Jeff Crespi MaM : What are the future aspirations for the band? Liam : Since this band is relatively new our immediate goals are to really keep creating and spreading the word. We want to play to new audiences and take this thing as far as we can. To experience Baquenne ’s music for yourself, hit one of the links below! We’re certain you’ll be adding their music to your collection after engrossing yourself in their tunes! YouTube: https://www.youtube.com/@baquenne9467 Facebook: https://www.facebook.com/baquenne/ Instagram: @baquenne • Instagram photos and videos Spotify: Baquenne | Spotify Apple Music: Baquenne on Apple Music *cover photo by Jeff Crespi www.jeffcrespirocks.com JEFFCRESPIROCKS See through a different lens! www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90's flair. www.mixedaltmag.com Nicole Brice loves discovering new music. Got something you think she’d like? Hit her up at the_nicolebrice@mixedaltmag.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

You Never Know < Back The Nine Lives of Paul Sanchez C.G. Smith Nov 30, 2022 Share You Never Know “Ram Das and Alan Watts would tell the story of the Chinese farmer ,who one day his horse runs away, and his neighbor says, ‘That’s too bad.’ And he goes, ‘Well, you never know.’ The next day the horse comes back leading five wild stallions and his neighbor says, 'That’s wonderful!’ and the guy replies, ‘Well, you never know.’ The next day his son’s trying to break one of the stallions and he falls off and he breaks his leg. His neighbor says, ‘Oh, that’s terrible!’ And he goes, ‘Well, you never know.’ The next day the army comes through conscripting young men for the service, and they take all but his son because he’s got a broken leg. His neighbor says, ‘That’s wonderful!’ And he says, ‘Well, you never know.’ That’s life. What looks like a wrong turn sometimes is the greatest thing that could have happened.” – As told by Paul Sanchez. _____________________________________________________________ It has been said that the best art comes from suffering. Others claim it comes from the joy and happiness that make art what it is. New Orleans songwriter, actor, and producer Paul Sanchez, formerly of the hit band Cowboy Mouth , is well acquainted with both. From his early experiences living as one of 11 siblings in a poor, working-class family in the rough Irish Channel neighborhood of New Orleans in the 60s to playing in front of tens of thousands of people on stage, Paul embodies a life lived. He grew up in New Orleans , then lived in New York in the late 80’s and has since traveled all over the world. But he still loves coming home to the Crescent City . “One of the things that makes New Orleans special to me in my travels is that it's an entrée to anywhere in the world. When you say you are a musician from New Orleans you get a respect before you even play a note that most musicians have to earn,” says Paul. There are many glimpses into this incredible life throughout the extensive catalog of music he has written, produced, or simply been a part of over the years. His lyrics can be beautiful and dark, sometimes silly, and other times dead serious, but they always tell a story. Sanchez has 11 albums out with his former group Cowboy Mouth and another dozen or so on his own and with other musicians. This includes the musical project Nine Lives , based off Dan Baum’s New York Times best-selling novel by the same name that may soon become a television series. To be this prolific you really need to have something important to convey in your music. “I don’t really think about what I’m going to write … before I start writing,” he says when asked about his process. “Often, I am writing so fast that I don’t realize what it is I have written until it is finished. Sometimes not until years later. When my ex-wife left me, I looked back at the songs that I had written while we were married and realized most of them were about being lonely and [feeling] unloved. The songs have always known me better than I have known myself. It feels like they are written by someone else who has whispered them to me as if in a dream, a gift from the universe. I hear a melody and words and I follow them to, what seems to me, their natural conclusion.” Credit: Marc Millman Paul’s first gig was filling in for a friend at a French Quarter venue at the tender age of 16, and since then he has performed all over the world from intimate gigs in private homes to multiple Jazz Fests to stadiums with tens of thousands of people. He started singing after his father passed away when he was only five years old. “My father was sort of the heart of the family, and when he died, [for the first six months] my mom [would spend] all day at the graveyard. I had five brothers and five sisters and most of them were still at home when he died. A little boy singing was prettier than a house full of people crying, so everybody encouraged me to sing. [Early] on I knew my singing made other people feel better. I didn’t know if it made me feel better, but it made other people feel better and that’s been sort of the inner quest [for] the rest of my life.” Paul wrote his first song before ever playing the guitar, and at a young age formed an imaginary band with a friend and called themselves The Possibilities . He wrote their theme song at age 6 after hearing The Monkees and Herman’s Hermits . “We’re the Possibilities,” (very 60s, he interjects), “Yes, we’re The Possibilities. We may have no style but we’re gonna try to get up high, ‘cause we’re The Possibilities, and that’s what we have: a possibility.” In his teens, Paul started learning guitar, and at 16 he played his first gig. He was then was in a band called The Backbeats , whom he formed with Ellen DeGeneres’ brother Vance . In 80s he moved to New York’s East Village to join the anti-folk scene there and learned a lot about songwriting and performing from the people he met there. credit: Billy Nova, a.k.a. William Moeller “I’d gone up to New York to be the next Bruce Dylan or Bob Springsteen . I read this tiny ad in the Village Voice that said, ‘If you want the real thing, come to The Fort at Sophie’s.’ So, I walked across the island, not knowing how far of a walk that was going to be, and in 1986 how dangerous it was. I walked into this little bar where they’d moved the pool table, and the singers were just standing under this light. There’s a guy with a clipboard, Latch – who’s still a friend, so I walked up to him and said, ‘Hey man, I’m from New Orleans, can I play?’ He pulls his glasses down and he goes, ‘Are you good?’ I went, ‘I’m pretty good.’ He went, ‘I didn’t ask if you if you were pretty good, I asked you if you were good.’ One of my friends was standing with me and he goes, ‘Hey man, this guy’s f*ckin’ great.’ Latch looks over at my buddy, doesn’t say a word, looks back at me and goes, ‘So are you good?’ I went, ‘Yeah, I’m good.’ He went, ‘Okay, you can play.’ I loved that. It was his first lesson: if you can’t own it, you can’t be it.” When asked if he wrote many songs while in New York, Sanchez says he, "worked a movie up there-- A Kiss Before Dying with Matt Dillon and Sean Young (she was crazy as a road lizard) --was staying at a friend’s place on 14th St. My friends were kind of, big people, and they were fuckin’ and I was sleeping on the couch against their bed, and it was obvious, so I was getting divorced and was depressed so I split, and I thought I’m just gonna do a shot at every bar between here and Houston St. and think about where I went wrong. I didn’t know how many bars they had in New York – it rivals New Orleans. So doing shots of Wild Turkey and on the return trip home, sometime around two in the morning I decided to call my ex and explain my side of things one more time. After she hung up on me, I went back and grabbed my guitar, drunk as shit and went on the roof of the building and wrote Light It On Fire .” Many of us remember Paul from the New Orleans rock group Cowboy Mouth , which he co-founded, toured the world with, and released many albums with over 16 years. In 1992, he met a woman who gave him her card. Paul replied to her with some demos for “Jet Black and Jealous” he had made in New York in 1987 on a Tascam four-track cassette recorder. “So, I sent them to her, and she goes, ‘I love this, I want to put it out. What I’m hearing on this record is this guy’s singing songs like he believes nobody’s ever gonna hear them.’” And that’s how Sanchez began doing solo records and in 2006, when the flooding of New Orleans after Hurricane Katrina washed away everything he owned, he decided to quit Cowboy Mouth and focus on his own material. Since then, he has released nearly 20 records either solo or with other musicians. credit: Joanna DeGeneres Paul suffered years where he couldn’t sing because of dystonia , which is a movement disorder that causes the muscles to contract involuntarily. With singers, it’s a chronic voice disorder characterized by spasms of the muscles in the larynx, which control the voice. “The four years I couldn’t sing were very humbling, but I took it as a grace. I took it that the universe was trying to teach me something I needed to know. I’m only at the beginning of the trail of realizing what that is and then incorporating it into the music. I’m singing different[ly] than I did before. It’s like a stroke victim learning to walk again, you know? [With t]his neurological condition, the neurons in your brain are … misfiring. From the throat surgeries, the breakup, the traveling 400 miles a week, etc., they thought I was in trauma, and they said, ‘Let’s shut this guy down.’ The way his dystonia therapist put it to him was that he had a traumatic event in childhood that began a loop of “I’m not worthy” talk, and then a second trauma in adulthood altered “I’m not worthy” into “I don’t even want to be me.” When his therapist asked why he thought this was happening, Paul said, “I think I have a profound desire not to be Paul Sanchez anymore. My brain doesn’t want to be that guy anymore. I’m now teaching my brain that it wasn’t the music; it was life.” Thankfully, a voice coach helped get Paul singing again and back on stage for our entertainment pleasure, and we are so glad he is feeling better and singing/talking again. As for influences, Sanchez credits The Beatles, Bob Dylan, and Bruce Springsteen early on, connecting to the mythos of their escaping poverty through music. “[They were] all were very open about their own influences and as a fan, I listened to the people they talked about, and my musical education is a result of doing so, from Woody Guthrie to Frank Turner .” “One of the most revealing interviews I ever read was Bruce Springsteen . Back in the ‘90s he took four years away from music to go into therapy ‘cause he had wanted to commit suicide. So, after four years off course he went back to music, he made a record, he’s going on tour, and Rolling Stone sends a respected writer … to interview him. At one point he says, ‘So Bruce, are you still going to do four-hour concerts, because you know everybody loves those?’ He said Bruce grinned said, ‘Well I love ‘em too, but I found out through therapy that I also stay up there that long because it’s the only place I don’t feel worthless.’ What struck me was, he didn’t say, ‘It’s the only place I feel worthwhile.’ He said ‘It’s the only place I don’t feel worthless.’ That to me was more honest. For me, I grew up in poverty, and an abusive situation, and music was my place not to feel worthless. It’s healing. That’s why you go back to it.” Today, while many of his influences circle back to his originals, Paul says he gets inspired by songs he hears. “ Alex McMurray, Davis Rogan, Jim McCormick, John Rankin, John Thomas Griffith —great songwriters inspired me to try to write great songs.” And besides the music Sanchez creates, he’s also an actor. “Acting, for me, is completely different than making music. Making music is an expression of who I am, my essence in words and melody. When I am acting, I memorize the lines and then I say them as the director would like them to be said. More often than not, a director will come up to you right before a scene and ask, ‘Can you say it like this?’ Being a musician, I try to mimic the tone and inflection, the rising and falling of his or her voice. More often than not the director is thrilled because what I’m doing is saying it like it has been in his or her head for months. I’m not trying to put my stamp on it; I’m trying to put their stamp on it because it’s their show, not mine.” He even spent some time filming the hit HBO series Tremé , which Sanchez says was a joy. “ David Simon and Eric Overmyer are true music fans, and they treated the musicians like gold … [and gave] great advice.” Paul says the show was so real, it felt like the writers were eavesdropping on the lives of him and his friends, adding that the writers love NOLA, and it showed in the series’ writing and direction. He says they created a historical document of the culture and music of New Orleans that’ll be invaluable in years to come. And he has many interesting stories from his time filming. “We were filming a [funeral] scene in a church Uptown. [It] was packed with musicians, mostly hired extras, and I sat next to John Boutté . On a break, David Simon sat and talked to me and John . I mentioned that it was amazing to see so many musicians gathered [in one place] and how they were committed to realism no matter the cost. David Simon responded with, “It isn’t the money; it’s the emotional equity.” I was so struck by the phrase that I turned it into a song with Alex McMurray called ' Emotional Equity ,' which appeared on my release, Paul Sanchez and The Rolling Road Show - Reclamation of The Pie-Eyed Piper .” Paul notes that the NOLA music scene is far more diverse now than it was in his youth. There wasn’t much of a scene for singer/songwriters when he was young, and he credits Tréme with bringing a new perspective to the music scene. He adds that NOLA provides a unique place for artists of all ages, noting that you may not get rich, but you’ll always be playing music. He’s been around the world and performed in some amazing places, with some amazing talent, so I asked him to share some of his most memorable experiences. “When I was in Cowboy Mouth , we played a music festival in Atlanta , Music Midtown Festival , opening for Cheap Trick . The audience in front of us was 50,000 people , [and] the crowd literally disappeared down the street as it sloped down from the stage. Ellen DeGeneres had Cowboy Mouth on her show after [Hurricane] Katrina, and it was pretty special. I knew her when she was starting up: she opened for a band I had with her brother Vance DeGeneres , [which is] pretty funny looking back ‘cuz we were the hot new-wave band in New Orleans at the time, and she was just looking for a gig. It was wonderful to be on her show. It’s always wonderful to see someone you know live a dream. Credit: Facebook I feel the same way about Darius Rucker . He has always been so generous to me. In 2016 , he brought me on tour to write songs. The songs were never used, but he also brought me on stage to perform during the tour and most notably for me, at the Ryman Auditorium in Nashville . There’s no way a Channel Rat like me gets on that stage without somebody like him putting me there." When asked if there an album, performance, or project he is most proud of being involved with, Paul speaks of his project Nine Lives: A Musical Adaptation Live , which is an adaptation of the best-selling novel by Dan Baum . It follows the lives on nine people in New Orleans from 1965 , when Hurricane Betsy ravaged the city to 2005 when Hurricane Katrina destroyed it. Speaking of Nine Lives , it may have a new life of its own, possibly becoming a television series soon. After a disappointing experience with trying to get it on Broadway, there’s a new team of people involved with doing it right this time. “ Nine Lives has been a very interesting journey. It started in 2007. My friend Colman deKay goes, ‘Hey man, I read this book called Nine Lives , a bestseller, and I think you and I should turn it into a musical.’ I thought he was insane. I can’t write a musical. He went to bed, and I started flipping through the book. I found the scene where John Guidos goes to his first drag party with his clothes in a Schwegmann’s bag and I fell right in, and I wrote 'Feels Like a Lady.' I took it downstairs to him and I said, ‘What do you think?’ He goes, ‘Oh boy! Let’s finish it now!’ And we did. Then he wrote to Dan Baum and said, ‘My friend and I have written some songs out of your book, and we’d like to turn it into a musical.’ (After some initial skepticism), he loved it. I wish I could’ve brought it to fruition in his lifetime.” The Nine Lives record was actually made from a grass-roots organization called Threadhead Records , where people could donate money as little as $5 to help New Orleans musicians get back on their feet after Katrina . This was well before Kickstarter or Go Fund Me . Paul and his friend John Boutté did a fundraiser one night and a chance meeting helped get the funding for the record. “This guy from California walks up and says, ‘Hey man, you guys are great together; you should do a record.’ I look at him and go, ‘I just lost everything I own. I can’t afford rent, let alone a record.’ He went, ‘Well, how much do you need?’ I told him and he said, ‘I’ll get back to you.’ Being in the music business I thought, ‘Yeah right.’ Two weeks later he calls up and says, ‘Okay I have a check, where do I send it?’ I didn’t know what to say. He didn’t say, ‘I need you to sign a contract’; he didn’t say, ‘I need to hear the music’; and he didn’t say, ‘I need to own the music.’ He said, ‘Where do I send the check and promise me on your word as a gentleman that when the CD comes out, you’ll pay us back from CD sales.’ They started this thing called Threadhead Records and in four to five years’ time, they put out records by sixty artists who didn’t have the money to do it. In my opinion, it both saved and changed the face of the New Orleans Music scene for generations to come, because they gave so many artists the chance to record.” And the story for how the funding for Lives came about is quite interesting, and it involves the infamous Pepsi Challenge . “ Pepsi had this challenge where they were going to give away $50,000. We were the ninth-place contestant and we got $50,000, and then Threadheads raised another $150,000.” Paul’s industry friend, Michael Cerveris , brought the idea and the songs to his people in the theater scene, and they ended up with a playwright named Lisa D'Amour . D’Amour had gone to Dominican High School in New Orleans . She was not a true New Orleanian, although she claimed to be. She worked on Nine Lives for a year and a half and ended up trying to cut twenty of the original 39 songs, writing ten of her own. She wanted to start it all off with a slow, mournful dirge called ' I Feel Like I Wanna Die Today ' instead of Paul’s original upbeat song. “I’m like, ‘You don’t get New Orleans at all baby. We dance in the face of death,’” Paul laughs. After he parted ways with D’Amour over creative differences, she took all the same characters and turned it into a show called Airline Highway and it ran in Chicago from December 2014 until February 2015 , then on Broadway from April 2015 until June 2015 before it closed for good. “So, mid-pandemic the rights have lapsed, they don’t own my music anymore, and I get an e-mail saying ‘Hey, we found this great director who wants to do it and we’d like to pick up our option to the music again.’” After more communications and some further attempts to change Paul’s vision, Nine Lives was shelved once again. “These are my songs, and I don’t want some stranger changing them and writing lyrics for them. I told them the same thing I told my ex-wife: you can’t have my songs. You can have the clothes off my back, you can have my last dollar, but you can’t have my songs.” Once the producers let the rights to the book lapse, and Chris Joseph , who started Threadhead Records , got wind of it, he bought the rights from Dan’s widow and put Paul on as a partner. Bohemia Production Company loved it and wanted to produce it as a dramatic series that leans heavily on music. “I didn’t have a problem with that, because music is used so interestingly in television shows now. So, I said, ‘Great, run with it.’ [T]hree days later, the creative director was having drinks with an old friend who is a writer, and he says, ‘Hey, I think we’ve got our next project. It’s about a book that’s about New Orleans after Katrina .’ He said his friend put down his drink and went, ‘Please tell me it’s Nine Lives , because it’s my dream to write [it].’ Extremely serendipitous.” “For me it’s really great that it has a possible life as a tv show, because so many people are invested in it emotionally. It also captures a period of time in New Orleans that I was born and grew up in which made writing the songs possible. I didn’t have to write a Katrina Record post-flood. I wrote this thing called Nine Lives , where I was speaking through nine different people’s voices – actually like twelve to twenty different people’s voices. I was speaking about my feelings about the flood, but I didn’t have the soul crushing experience of it being [in] first-person. I didn’t realize that until later.” Credit: Facebook Nine Lives as a television series is still very much in its infancy, but its future looks very, very bright. “The vibe I’m getting is that they see it and hear it the same way we do. The fact that the writer, Frank Everleigh , lived here, the fact that he’d been through that experience of having been ostracized by his community, and the fact that I’m very passionate when I speak about it, well, they were really taken with that. They really want to have my voice in on the script. So, I’m excited to have some input on the script because the Broadway writers weren’t like that.” I smile and tell Paul that that is why the first option isn’t always the best one ... because you never know. *cover photo from artist's website To dive into Paul's discography: Apple Music: ‎Paul Sánchez - Apple Music Spotify: Paul Sanchez | Spotify Website: www.paulsanchez.com Paul Sanchez | Official Paul Sanchez transforms audiences with his unique blend of music and storytelling – at once powerful, sad, humorous, entertaining, and hopeful. Fans may know native New Orleanian Paul Sanchez as a founding member of the rock band Cowboy Mouth, with whom he has 11 albums; for his role in the HBO series TREME where he played himself; or as the creative force behind the musical NINE LIVES, a musical adaptation of the best-selling novel by Dan Baum. NINE LIVES follows the lives of nine people in New Orleans from 1965 (the year Hurricane Betsy ravaged the city) through 2005 (the year of Hurricane Katrina) and beyond. Facebook: Facebook Instagram: Paul Sanchez (@paulsanchezmusic) • Instagram photos and videos www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Send an email to mixedalternativemag@gmail.com . Previous Next Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link

Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. < Back Eclipse Fest: A Convergence of Creativity Nicole Brice Mar 29, 2024 Share Eclipse Fest will take place on June 15, 2024, in Lafayette, Louisiana. Attention music lovers, a new festival is coming to Lafayette, Louisiana this summer and promises to offer a fun-filled day of music and art. Going by the name of Eclipse Fest , the event is the brainchild of local musician, Nick Cline of the Louisiana-based band Phantum Sun , and will feature nine bands from the city and surrounding areas. This one-day event will be held on June 15, 2024, at Feed & Seed located at 106 N. Grant St. Doors will open at 1:30 pm and the first band will take the stage at 3:00 pm with the intended wrap-up time for all acts to be around Midnight. This is an all-ages event, so be sure to bring the family. There will be a $15 cover charge at the door. Eclipse Fest will take place on June 15, 2024 at Feed & Seed in Lafayette, Louisiana Festival founder Nick Cline said of the event, “I wanted to put something together that would offer a vast range of musical styles so everyone could have something to enjoy.” There will be food vendors on site, to be announced later, as well as art vendors, too. Bands include (click on each pic to learn more about each band) : The Posts Phantum Sun Left On Red We All Perish Mayrunner Sick at Heart Chasing The Hourglass Blood Show We Are The Virus To learn more about the event and to stay up to date on all information associated with it, visit the festival’s Facebook page at the link below. We look forward to seeing everyone out there! Eclipse Fest 2024 | Facebook Facebook www.mixedaltmag.com Music | Mixed Alternative Magazine Southern-based indie music/arts/entertainment magazine with a 90s flair. www.mixedaltmag.com Questions or comments? Hit us up at mixedalternativemag@gmail.com . Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Previous Next